Page 1

John Harbison

THE GREAT GATSBY OPERA IN TWO ACTS Reduced orchestration by Jacques Desjardins Act I: Scenes 1 and 2 Volume 1

Full Score

From the Rental Library of G. Schirmer, Inc. Date of printing:

Associated Music Publishers, Inc. New York, NY


THE GREAT GATSBY OPERA IN TWO ACTS Act I

words and music by

John Harbison after the novel by

F. Scott Fitzgerald song lyrics by

Murray Horwitz tango lyrics by

F. Scott Fitzgerald

Originally commissioned by the Metropolitan Opera to commemorate the 25th Anniversary of James Levine’s debut.

The reduced orchestration for THE GREAT GATSBY was commissioned by Ensemble Parallele and Aspen Music Festival

Associated Music Publishers, Inc. New York, NY


Characters:

Daisy Buchanan, a rich young socialite ..........................................................................soprano Jay Gatsby, a wealthy man of mysterious background .......................................................tenor Tom Buchanan, Daisy’s husband, a former athlete ...........................................................tenor Nick Carraway, her cousin, a young stock broker ........................................................baritone Jordan Baker, her friend, a golfer......................................................................mezzonsoprano George Wilson, a garage mechanic .......................................................................................bass Myrtle Wilson, his wife ......................................................................................mezzonsoprano Radio Singer / Band Vocalist .............................................................................................tenor Tango Singer ........................................................................................................ mezzo-soprano Meyer Wolfshiem, a shady businessman...............................................................................bass Henry Gatz, Gatby’s father..............................................................................................baritone Minister....................................................................................................................bass-baritone Chorus of party-goers

Table of Contents Overture . . . . . . . . . . . . . . . . 1 Act I, Scene 1 . . . . . . . . . . 24 Act I, Scene 2 . . . . . . . . . 151 Act I, Scene 3 . . . . . . . . . 238 Act I, Scene 4 . . . . . . . . . 391 Act II, Scene 1 . . . . . . . . . Act II, Scene 2 . . . . . . . . . Act II, Scene 3 . . . . . . . . . Act II, Scene 4 . . . . . . . . . Act II, Scene 5 . . . . . . . . . Act II, Scene 6 . . . . . . . . .

515 612 687 777 812 867

Duration: approximately 2 hours, 30 minutes


Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes (2 nd doubling English Horn) 2 Clarinets (2nd doubling E-flat Clarinet and Soprano Saxophone) Bass Clarinet 2 Bassoons (2 nd doubling Contrabassoon) 2 Horns in F Trumpet in C (doubling Trumpet in B-flat) Trombone Tuba 3 Percussion (Percussion 1 also plays Timpani) 1. Timpani, Triangle, 2 Suspended Cymbals, Steel Drums (C4 to F#5, shared with Perc. 3), Tam-tam 2. Crash Cymbal (shared with Perc. 3), Vibraphone, Temple Blocks, Chimes (shared with Perc. 3), Wood-drum, Glockenspiel (shared with Perc. 3), Triangle 3. Crash Cymbal (shared with Perc. 2), 2 Suspended Cymbals, Glockenspiel (shared with Perc. 2), Claves, Wood-blocks, Brake Drums, Car Horn (1920's a-hoo-ga horn), Flexatone, Steel Drums (shared with Perc. 1), Slapstick, 2 Crotales (G5 and D6), Cowbells, Castanets, Maracas, Trap set (including: snare drum, kick bass drum, hi-hat, ride cymbal)

Piano Banjo Strings (minimum count 3/2/2/2/1)

Notes on the instrumentation A) The timpani may be played by a separate player B) The soprano saxophone may be played by a separate player C) If the staging requires that the players move on stage for Act I, Scene 3, then a second trumpet and a second trombone must be added to play the parts of the stage band.


THE GREAT GATSBY Opera in Two Acts Overture

Cantabile q = 96

Flute 1

    

sf f sost.

Piccolo

Oboe 1

English Horn

 





  

  





 







   

     

sf

  

  





 







   





sf f sost.



sf f accomp.

Clarinet 2 in Bb





f accomp.



    

f accomp.

Bassoon 1

Trombone

 

Viola



   

 

 

 

   

 

 

sf

   

























f accomp.

   

 

sf

  p

mf





 

  p

sf

mf

 2 Sus. Cyms.

Sus. Crash Cym.

   



 

 mf

 



   

  



    



 

 

 

sf

   



 

 

  

     

sf

     



 

mf



 

 

  

  

 

  







 

 

   

  

  





 





   



sf



sf

 

 

sf

   

 

sf

sf f sost.

p

sf

sf f sost.

 

 

 

Cantabile q = 96





 

f

sf f sost.

mf

p

  

  

sf



 



  

 







 



sf

 

 



sf f sost.

Contrabass

 

sf f sost.

Violoncello





  

Percussion 1

Violin II



 





sf

sf

   

Timpani

Violin I

 

  

Piano



   

sf f sost.

Percussion 2

sf

sf

f accomp.

Tuba

f accomp.

Trumpet in C

sf

 

sf f sost.

Horn 2 in F

 

sf f sost.

Horn 1 in F

 

sf f sost. Contrabassoon

Contrabassoon

 

sf f accomp.

Bass Clarinet in Bb

 sf

  

Reduced Orchestration by Jacques Desjardins

     

sf f accomp.

Clarinet 1 in Bb

John Harbison

 



    

 

 

 

   

 

 

 

   

 

 

sf

sf

sf

Copyright © 1999 by Associated Music Publishers, Inc. (BMI) New York, NY This arrangement © 2012 by Associated Music Publishers, Inc. (BMI) New York, NY THE GREAT GATSBY © 1925 by Charles Scribner's Sons, renewed 1953 by Frances Scott Fitzgerald Lanahan. All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.


2

Fl. 1

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 n Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 1 in F

Hn. 2 in F

Tpt.

Tbn.

Tuba

Harbison The Great Gatsby–Reduced Orchestration

7  

    

 

    

       

sf





 

 



  



 (Sus. Cyms.)

Vln. I

Vln. II

Vla.

Vlc.

Cb.

   

 

 

    

 

   

 

    

       







mf

     

     

 

     

  

    

    

 

    

sf

 





 



 

 

 



   

 

  



  

  





 mf

   

   

 

 

  



    

   

    

 

 

 

sf

 

    

 

 

     

 

 

     

 

   

  



  

   



 

  



 

  







   



 

dim.

mp

mp

     

  

 

dim.

   

mp

 dim.



  



  

    

   

dim.

   

dim:

   

   

dim.

 dim.



 

dim.

   

dim.

 

 

 

 

p (non cresc.)

sf

   

   

dim.

  





 

p







 

  





 

    







  



 

 

 

    





  

  



  

 

sf



   





 

p

 

 

 



   

 

 











 

 

 

  

 

 

  

 

 

    



 

     



   



Perc. 1



 

 





  





 

Timp.

Piano

   

   

  

Perc. 2





 

 

    



     







 

 

sf

  

   

 

    

 

sf

sf

  

   

 

    

            

      

dim.

dim.

    

 

   

 

    dim.

  



 



  



  

dim.

   

dim.

   

dim.

   

dim.

     


3

Harbison The Great Gatsby–Reduced Orchestration

Rettorico

13

Fl. 1

  

mp

Picc.

Ob. 1

 

mp

non leg.



f

f

non leg.



 

f



mf

Bsn. 1

f



mf

f

  



mf

Hn. 1 in F

    mf

Hn. 2 in F

 

mf

Tpt.

Tbn.

Tuba

mf

 

  

 

(Timp.) non leg.

Perc. 1

(Sus. Cyms.)

Perc. 2



 

Piano

mf

   

Vln. I

Vln. II

Vla.

  

 

f

f

  

mf



 

mp

 mp

mp

  

mf

p

mp

mf

mf

 

  

p



 

5

mf

pp

 

fp

5

fp non leg.



p

p

non leg.

p



sfmf







p

p

sfmf

p



p

 

sfmf

p

p

non leg.

p

p

non leg.





non leg.

p

p

p

mp

pp

 

p

pp

non leg.

sf

p

 

mf sf

p

  mf sf

mf sf

p

non leg.

p



 

 

 



 



mf sf

p

   mp



sfmf

p





p

  

mf

 



p

p

 

mf

mp

       

mf







p





    



mf

  

       

mf

 



fp

p

mp

pp

p

sfmf

p

sfmf

p

sfmf

p

 

sfmf

  mp

p

  

   f

  

 f

  

    mp



f



f

 

    

  

trern.

     

 

   

mp

mp

p

non div.



p

    



    



   

   

fp



 

     

p

   

  





3

fp

 

 

f

 

   

fp

 p

f non leg.

p

 mf

non leg.

 

 

p

 mf

  

    

mf

ord

mf

mf

mp

  

mf

mp

    

f

ord.

mp

    

f

  

 



trem.

 

non leg.

Cb.

mp

non leg.

mf

mf



5

mf

   

f



Rettorico

 

       

p

fp

mf



mf

Vlc.

f

  

5

mf

mf



  

       

mp

 

f



mf

    



 mf

mp

  

 

mf



mp

non leg.

Cbsn.

non leg.





mp

non leg.

 

mf Bs. Cl.

mp

 f

non leg.

mp

mf Cl. 2 n Bb

mf

  

p

mf

Cl. 1 in Bb

p

non leg.

Eng. Hn.

non leg.



 f





3

fp

 


4

Harbison The Great Gatsby–Reduced Orchestration

20

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 n Bb

Fl. 1

 

Bs. Cl.

 

Bsn. 1

Cbsn.

Hn. 1 in F

 







mp

mp

mp

  

 

Hn. 2 in F

   

Tbn.

Tuba

 

 

 

p

Piano

Vln. I

mp



Vla.

 3

3

3

mp

 

3

  

  

f

 

  f





f

 

 

 

  

  

3

 

mp



 

 

 

 

mp

mp





ff



mp

 f







 

 





f

mf

 

f

 

 

mf

 

  mp

 





p

mp

p

mp

 

q = h

 





  

 

3

mf

3

  

G.P. 3

  

 

ff

(non leg.)

f

 

 

  

3

mp

Cb.

(non leg.)

  f

Vlc.

ff

mp

Vln. II

3



Perc. 1

Perc. 2

 

f

p Tpt.

G.P.



arco

mp

 mf

 3

   

3

  

 

 

mf

 



 

ff

 

(non leg.)

f



p

 

 

mp



 

mf



q = h



mp



p



mp




5

Harbison The Great Gatsby–Reduced Orchestration

Allegro (q = h = 96)

27 

Fl. 1

  

Picc.



Ob. 1

f

 f

  f

   

Eng. Hn.

f



Cl. 1 in Bb



Cl. 2 n Bb

Bs. Cl.

 f

 f

Cbsn.

3

3

  

3

  

  

3

3

 

   

 

3

3

   

 3

  

3

  



3

3

 

  

   



 

  

 

  

3

3

     

3

3

 



   

 

  





 



 

 

 

  

  

  

 3

 



3

  

3

 



3

 

 3



  

3

 

3

  

3

     



 

 

  

 

 

   

 

 

  

 

  

   

 

 Timp.   

 

  

f

f

f

  

 



  





  



   

      

  



 



 

 

 



 



 

Allegro (q = h = 96)

pizz.     f

pizz.

  

Vln. II

f



Vla.

Vlc.

unis. pizz.

f

 

pizz.  

pizz.  

f

f

arco 3

arco

 

arco

3

3

 

 3

  

3

  

3

 

          

3

3

3

 

       

    

3

 

 3

3

 

 

3

 

3

3

 

          

3

3

3

    

 

  



 

 

     

 

  

   

 

3

3

3

  

3

  

3

  

3

  

  



 

  

 

  

 

 

 

 

 

pizz.

pizz.

pizz.









    

 











   

Tbn.

Cb.



 

 



f

Vln. I

3

 

Tpt.

Piano

 

f

Perc. 2



 

    

Hn. 2 in F

Perc. 1

f

Tuba

  

f

Hn. 1 in F



f

    f

Bsn. 1



3

3

 

3

 

 

    

arco



3

arco



 

  

 

3

 

3

 

arco



 


6

Harbison The Great Gatsby–Reduced Orchestration

32

Fl. 1

 

 

 

Picc.

Ob. 1

 

Eng. Hn.

 

Cl. 1 in Bb

Cl. 2 n Bb

Bs. Cl.

Bsn. 1

Cbsn.

 3

 

 3

3

  

3

   

   

3

3

  

 



 





 







3

3

3

 

 



 

3

3

3

     

3

3

3

 

 

 

 

 

 

 

 

 







 





 

 3

 

  

 

  



 



 

   

3

 

 

3

 

3

3

3

 

 

 

 

   



 

 

 

 

 







   



 



   



  

 



  



  

 

 



To Sop. Sax.

 

 

 



 



  





 



  



 

 

 



   



Hn. 2 in F

 



  



Tpt.

 

 



  

 

 

 

 



 

 

  

 

 

 

 



 

 

 

 

 

 

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Vln. I

  

Vln. II

Vla.

 

3

 

3

Vlc.

Cb.

3

(pizz.)  

            

3

3

3

   

    

   

 

 

3

3

3

     



3

3

3

  

 

 

 

3

 

3

3

    

 

 

   



 

 

  

 

  

 

  

 

 

3

3

3

       









3

3

3



 

 

  

 

  



 



 



 





 

 

 

 

 

 

pizz.



 

pizz.



  

 



 



 



 



 



 

pizz.



 


7

Harbison The Great Gatsby–Reduced Orchestration

Fl. 1

Picc.

Ob. 1

Eng. Hn.

37 

 

  

 

 

sf

 sf

 sf

sf

Cl. 1 in Bb

sf

Sop. Sax.

Bs. Cl.

Bsn. 1





 

p

3

  



 

  

molto vib.











3   

  

 

 

to cup mute

    

sf

cup mute, molto vib.

 

p



cup mute, molto vib. to cup mute





 











p legg.





p







 



p poco stacc.



Trap set







 

  

(pizz.)

(pizz.)

  sf

pizz.

 

 

sm. B.D.

 

 

p legg. 0

 

 

 

 

 

hi- hat

 div., arco

sf

Vla.

molto vib.

To Bsn.

  

  

Vln. II

Perc. 1

Vln. I

  

Piano





p

sf

Perc. 2

 



sf

Tuba

sf

Tbn.

Soprano Saxophone solo



sf

Tpt.

3   

sf

Hn. 2 in F

p

sf

Hn. 1 in F

sf

Cbsn.

*

   p

     sf

   

*

 

 

 

 

 

 

 

 

  







 











 







 

 

 

0

0

 

 

 

 

 

 



 

 





  



sf

 

(pizz.)

Vlc.

sf

  

(pizz.)

Cb.

sf

 

 

1/2 pizz. div., 1/2 arco

  p

 sf

sf

(pizz.)



p marc.







*N.B. m. 39 etc.: members of the concertino (Cl., Sop. Sax., 2 Bsns., Tpt., Tbn., Tuba, Perc., Piano., solo Vln. I, and Cb.) play piano but solo; firmly, with sentimental elegance.


8

Harbison The Great Gatsby–Reduced Orchestration

44

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

Sop. Sax.

 



Bs. Cl.

 





 







Fl. 1

 

molto vib.

 

Bsn. 1

Bsn. 2

Bassoon

 

3    

  



 

   

p



3

p



















 















  





 



 

Hn. 2 in F

to plunger mute

Tpt.

Hn. 1 in F

 

Tbn.

Tuba

 

Piano

  



 

  



  



  

 

  

3

   

3

 









 





Perc. 1

Perc. 2

  

 

   



 

 

 

  

 





  

   

 

   

 

   

 

  



  

W.B.

cowbell 3

  

3

 

  

3

   

3

 



hi-hat 0

 

 

 

 

 

 









 

 

 

 

 

 



 

 

 





   

 

 



Vln. II

Vla.

Cb.

  



 

   

 

Vlc.



 

 

Vln. I








9

Harbison The Great Gatsby–Reduced Orchestration

51

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

Sop. Sax.

  

Bs. Cl.

 

  

  

Hn. 2 in F

Tpt.

 

Tbn.

 

 

 

















3

  

 3

  



 

 



    

 

 

 









 



 





 

 





 



sf

 



sf

 



sf

sf

 







sf



  

plunger mute

 

 

 

3

3

  

 

sf

  

3

  

3

  



sf

 

sf

sf



sf

  

 

  



  

  

 

 

 

 

 

 

 

 

 

 

 



 









 

 

 

choke

 

sf

 

2 cowbells

  

3

    

  



  

sf

  

sf

  

 



  

 

Vln. II

Vla.

Vlc.

Cb.

 





arco



 sf



    

sf

3

sf

 

Vln. I



Piano



 Perc. 1

Perc. 2



Tuba



Hn. 1 in F

 

Bsn. 1

Bsn. 2



Fl. 1

 sf


10

Harbison The Great Gatsby–Reduced Orchestration

57

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

Bsn. 1

  





Bsn. 2

  





Fl. 1

Hn. 1 in F

 

Tpt.

  

Tuba

3

  

3

Piano

Vln. I

  





 

  

 















 





 





















3













  

  

3



 

 3

 





3

  







 

 













 3

  

3

 

 3

  

3

   



 



Cym.

  

  

  

  

 

 

 

 

 

 

 







 

 

  

 

 

 

 

 

 

+ Snare

 

  

 

 

 

 

 

 

 

 

 





 

 

 

 

 

 

 

 

tutti



1 stand

















 



Vlc.

 



legato

 

Vla.

  

p 1 stand

p

sf

 

tutti







to cup mute



Vln. II

Cb.





Perc. 1

Perc. 2







Tbn.





stacc.

Hn. 2 in F

sf

 

  

 

1/2 pizz. 1/2 arco

sf


11

Harbison The Great Gatsby–Reduced Orchestration

63

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

Sop. Sax.

 

Bs. Cl.

 

Fl. 1



 



 

 molto vib.



 















 

Hn. 2 in F

cup mute

to plunger mute

Tpt.

(cup mute)



Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Vln. I

 



  p non stacc.















p non stacc.

 

 





  

 

 

 

 

 

 

 

 

 

 

 

 

 

  







 

























  

solo



3

  

3

  

3

 

vib.





 3

sf

3

  

3

 







 



 sf



 

 

 

 

 















 

 

Vln. II

Vla.

Vlc.

Cb.

pizz.



 

 











 






12

Harbison The Great Gatsby–Reduced Orchestration

68

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Fl. 1

Sop. Sax.

 



Bs. Cl.

 











3

  

3

  



 



 



  





 

 sf

3

   

3

  

 



 sf

3

   

 

sf

 

sf

 

 

Hn. 2 in F

Tpt.

Bsn. 1

Bsn. 2

Hn. 1 in F

 





 

 







sf





 







  

plunger mute



mute out

 

3

  



sf



3

 



  

3

  



 

  



 



 

 

 

 



 





    

wood block

 

 

 

 

 

 





3

3

  



cym.

 

 

   



      

(choke)

   

2 cow bells

  

  

3

    

 



  

sf

    3 soli, unis.



p

 3

  mp

  

 

p

Vla.

 



Cb.

 



  

areo (1 solo)

 sf

  

 



Vln. II

Vlc.

    

sf

  

 

 

  

Vln. I



Piano

 

sf

 Perc. 1

Perc. 2

sf

3

 

Tbn.

Tuba

  

3

 sf


13

Harbison The Great Gatsby–Reduced Orchestration

73

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

  

Fl. 1

  

Sop. Sax.

Bsn. 1

Bsn. 2

3

   

3

   

  













































  











Bs. Cl.







 

 

Hn. 2 in F

Tpt.

  

Hn. 1 in F

3

Piano

Vla.

Vlc.







3

  

3

  



3

  

3

  

3

  

3

    

 







dolce, legato

 





3

  

3

  

open

 3

 

 3



  

3

  

3

 

 3

  

3

     

 



add cup mute

add cup mute

  

hi-hat

 

    

   

(3 soli)

 

 dolce, legato

   

  

  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 





















 

 

 

  

 

   

dolce, legato

+ snare

 

   

mf





 

p



  

mp

 

p



W.B.



 

 

 





  

 

mp

p

   



 







 

pizz.



 

 





(1 solo)

Cb.



  

Vln. II

 

3

Vln. I



  

Perc. 1

Perc. 2

  

3

Tbn.

Tuba

3

  



p

sf



p

sf

1/2 arco 1/2 ptzz.

p

sf

 


14

Harbison The Great Gatsby–Reduced Orchestration

79

 

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 

Sop. Sax.

 



 

Fl. 1

Bs. Cl.

Hn. 1 in F

  

3





3

  

3



 



  

 







molto vib.

   











molto vib.





  

 





 

  

  legg.

cup mute molto vib.



cup mute molto vib.

mute out



 



mute out

molto vib.

molto vib.

  

 

 

(3 soli)

hi-hat

 

 



 

1 solo

 



 

 

 

 



 

 



 



 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 



 

 



















 

 

 

  

 



 

 



 







Vla.

Cb.

 

sentimentale

Vln. II

Vlc.





  

 

Perc. 1

Vln. I

  

Tbn.

Piano

Tpt.

Perc. 2

3

Hn. 2 in F

Tuba

Bsn. 1

Bsn. 2

(pizz.) (1 solo)


15

Harbison The Great Gatsby–Reduced Orchestration

85

Fl. 1

 

Picc.

Ob. 1

Eng. Hn.

 

Cl. 1 in Bb

Sop. Sax.

    

Bs. Cl.

 

3

Bsn. 1

Bsn. 2

Hn. 1 in F

 

open

 

open



 

 

  



 f

 f







 

 

To Cl. in Bb

f

 

3

           3

 f

 f

f

(Timp.)

  

3

  

3

       3

   3         

   

3

3       

3

 

 

 



      3 3

   



   3

  

   







3

3

3

   

3

  

3

     

   3

 3

  

           3

3

  





 

 

 

 

 

 

 

 

 

 

 

S.D. B.D.

 

  

 



 

(1 solo)

       

 

           3 

  

(1 solo, pizz.)



 





tutti pizz.

f (pizz.)

 f

(pizz.)

f

  



arco 3

 

f



f

3

arco

3

      

3 3          

  

3

3



   



   

tutti arco

           3 3

arco

unis., arco

 



choke

 

f

3

3

     

f

3



3           3

3

     

 

f

3

Cb.



ord.

 

 

Vlc.

f

3







  

Vla.

f

Perc. 1

Vln. II

 



Vln. I

Tbn.

Piano



f

  

  

Tpt.

Perc. 2



 

Hn. 2 in F

Tuba

  





f

 3

3

3

3

3

     

3

     

3

  

3

  

3

3

3

3

 

     

   3       

3

 3      

3        

  

  

3     3     

3

      

   3

   3

  



3

  

  



3

  

3

 

 


16

Harbison The Great Gatsby–Reduced Orchestration

91 

Fl. 1

 

 

Picc.



Ob. 1



Eng. Hn.

   

Cl. 1 in Bb



Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2



 



 

  

  

   



Hn. 2 in F

   

Tpt.

  

  

   

Tuba

  (Timp.)   Perc. 1

Perc. 2

Piano

Vln. I

Vlc.

Cb.



  

    

 



 

 

 

  

3

3

3

   

     

   

3

  

3

 3      

3

3

3

 



  

3

3

3

 

   3

    

3

3

3

  

3

  

3



 

  

3

   

  



  



  



 





3

       

3

  

3

 

  

3

 

 



 

 



   

3

3

 

  

  



 

3

 



  

      3



 

 



     

 



 

 



  



3

  

  

 

 

 



 



 



 



 

 3

 

 

 3

3

  

  

3

3

  

3   

 

  

   

 

3

 

 







 

 

 







 

 

  







 

 

 



 

 

 

 

 

 





 



  



 



 

 



 

 

 

 

 



 

 



 

 

   

pizz.

  

  

pizz.

Vla.

 

 



pizz.

Vln. II



3

Tbn.



in Bb Clarinet    

   

Hn. 1 in F



     

 

arco



3

arco



3

arco



 

3

      

   

 3     

   

3

3

     

3

3

3

    

3

3

  

3

3

  

 

3

  

3

 

3

  

 

3

   

3



     

3

3

  

3

3

 

pizz.







 

pizz.







 



 

 

    3      3

 

   

 

  

3     









 3

  

3

  

3

  

   

 



  

 3

  

3

3

  

   

 

   



  

   



3

3

  



  

  

3

     3  

3

3

     

   

 

3

 

   

pizz.

3

3


17

Harbison The Great Gatsby–Reduced Orchestration

Fl. 1

Picc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt.

Tbn.

Tuba

97   



 







   

  



  







   



 

 sf

 

 

sf

 

 sf

sf



         3  3



    

  

  

   

  

 

sf

 sf

 

 sf

 sf

 sf

  





sf

 sf

 sf



Piano

Vln. I

Vln. II

Vla.

Vlc.

 

  

  

 

  





 

 

 

 

  

 

sost.

 

sost.





 

 

  

    

 







 

 

sf accomp.

       

 

sf accomp.

       



sf

       

 

sf

sf accomp.

sf

sost. 

 sf

        sf

        sf

        sf





sf

  sf

sf



 

sf

  

  

arco

sf



arco

 

sf

arco

sf

sf

    sf

         3



sf





3

p

p

        3

sf



 accomp.

 accomp.

 accomp.













 

 

 

 

    

mf Crash Cym.

 sf

p

p

fsf

 



p

f

sf

     

p

p

sf

sf

    

sf

p

p

sf

   p

    f

    

                                  

               

  

 

f

h=q

 

        

 

fsf sost.

  

 

 

 

sf sost.

sf sost.

sf sost.

  

sf

 

 

 

sf

sf sost.

sf



poco f

sf

sf



mf

Glock

poco f

 

sost.

sf

sf

sf

sost. 

    

Cantabile (Tempo primo)

  



sf

      

  

sf

  

sf

sf

 

   

sost.

p poco stacc.

3

Cb.

Vib. no pedal

Perc. 2

sf

sf

     

sost.

sf

sf



sf



 

sf



sf

sf

 





  (Timp.)    Perc. 1

sf



sf

 

sf

  3 3     

sf

sf

Cantabile (Tempo primo)

h=q

Flute

To Flute

sf



sf



sf

 

  sf

sf



 



 

sf

sf

sf

 sf

 


18

Harbison The Great Gatsby–Reduced Orchestration

105  

Fl. 1

 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  

Hn. 2 in F

Tpt.

   

  

Vln. I

  

Vln. II

Vla.

Vlc.

Cb.





 

     

  











 

    

 

 

     







   



 



  



  

  



 

  

   

  

  

  



 

 





  



 

 











 

 

 



 

   



   

(Glock.)

 

p

 

 

f

  

 

 

 

 

 

  

 

 

 

 

 

 

 







 

 









 

 

    

 

    

 



 











più f

 

 

 

 

Sus. Cyms.

p

più f

    



 

 





 





 

     

più f

 





 







    

più f



   





 

più f

     

   

   

    

   

più f

  

 

     

 

 

 

   

 

   

 

 

  

 

 

sf

più f

 

   

 

sf

sf

   

  

  

 

        



   

 

   

 

 

  

 

sf

  

f

  

 

più f

 







       

più f

(Timp.)

mf



sf

 

 



sf



 

più f

 

       

 

sf

più f

 

più f

 

 

 



 

più f

 



più f

 

più f

piùf

 

 



 

 

piùf

 





 

sf



 

 

sf

più f

   

Piano



più f

p

Perc. 1

Perc. 2



  

Tbn.

Tuba



sf

sf

 

    

 

    

       


19

Harbison The Great Gatsby–Reduced Orchestration

110  

Fl. 1

 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

f meno

 



 meno f

f meno

 

 f meno

non  leg.

mf

f meno



meno f

 

f meno

 

 

    5



non leg.

 

non leg.

mf

f









mf



mf



  

 

mf

f



mf

  

 f









p

p

 p

p

 f



 

p

 

f

 

p

p

mf

meno f

f

mf

   

p

f

 



f





f meno



  

f

    5

f

p

f



p

mf

  

   

 

 

 

  

f meno

  f meno

f meno

f meno

 

f meno

p (non cresc.)

 

f meno

  

  p

    

 

 

mf

   

  

trem.

  

  

mf

 



  

 



mf

  mf

 mf



 

   



 

   

 

   



mf



mf

p

Eloquente



    

   

f

   

    

 f

 f

f

f

 mf

mf

 

mf

 ord.

mf

f

  

      

p

   

(Sus. Cyms.)

Vlc.

mf

 



 

Vla.

p

  

  

p

mf

(Timp.)

Perc. 1

Vln. II

 



    5

mf

  

p

mf

  

mf

 

5

mf

 

   

non leg.



   

mf

   

  

f



 

f meno

mf

 

f

non  leg.





mf



Cb.

f meno

 





Tbn.

Vln. I



   

Tpt.

Piano



mf

f meno

Perc. 2



 

Hn. 2 in F

Tuba

 



mf

f meno

f meno

Hn. 1 in F

Eloquente



Bsn. 1

Bsn. 2

 

  



 

Bs. Cl.

  

mf

   

trem.

  p

  



  

p div.

 



p

  

  



p



p

 p

pizz.  p

 



 


20

Harbison The Great Gatsby–Reduced Orchestration

116

 

Ob. 1

Eng. Hn.

Fl. 1

Cl. 1 in Bb

Cl. 2 in Bb

To Ob.

mf

 

mf

p

mf

mf

Hn. 1 in F

 

mf

6

    

  

p

 

 

 

   







p

 

 





 

 

p

mf

mf



p

 

mf

 

p

 

mf

 

mf



p







p

  mf

p

 

 













f

p

  mf



mf



mf

f

f

 

 

  f

mf

p

p

mf

mf



 

f

  f





Perc. 1

    mf

p

          mf

6

Vla.

mf

p

      6

p

 

Vlc.

mf

  

 

 

mf

mf



 

p

 

Vln. II

Cb.

p

mf

Vln. I



Tbn.

Piano

Tpt.

Perc. 2

 

Hn. 2 in F

Tuba

p

 

Bsn. 1

Bsn. 2

 

p

mf

    

6

 

Bs. Cl.

p

q = h

p

pizz.

 

 

  







    



sf







 

div.

 

fsf



mf

 

mf (pizz.)

q = h

unis.

mf

pizz.

 



mf

 

sf





fsf

arco



f


21

Harbison The Great Gatsby–Reduced Orchestration

Allegro (Tempo secundo)

122

 

Fl. 2



Ob. 1





Oboe

Eng. Hn.

Cl. 1 in Bb

 

Fl. 1

 

Cl. 2 in Bb

pp

sf





pp

sf





sf



to Piccolo









pp



sf

To Sop. Sax.





pp











  

Hn. 2 in F





to cup mute

Tpt.



to cup mute

 





Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

  

Perc. 1

Perc. 2

Piano

Vln. I

Vln. II

Vla.

Vlc.

Cb.

  

(Sus. Cyms.) hrd stk., rim



pp



pp

 sf











Allegro (Tempo secundo)

  



 

unis arco



 

pp

 sf





 



pp

pp

   

arco



pp

 sf

1 stand

1 stand

pp

  pp

 sf

  sf

 pp

   

 sf


22

Harbison The Great Gatsby–Reduced Orchestration

126

 

Ob. 1

Ob. 2

Cl. 1 in Bb

 





Fl. 1

pp

3

  



Soprano Saxophone

 

Sop. Sax.



p

Bs. Cl.

pp

  

3





 

Hn. 2 in F

Tpt.

Bsn. 1

Bsn. 2

Hn. 1 in F









cup mute



pp

mute out

mute out



 

 

Trap set

  

pp

 

 

 

pp poco stacc.

 

Banjo

 

 

 

 

 

Vlc.

Cb.

 

Vln. II

Vla.

pizz.

pp

f in fuori

Vln. I



  

Piano

Perc. 1

Perc. 2

cup mute

Tbn.

Tuba

 

 

 

 

 

   pp marc.

 

 

 





 





 

  

     

 

 





mf

espr.

  

   

 

f





 

 



 

  

 

 

 

 

 

 

 div.

pp

pp

 

 



 

 

 



 

pp

   

div.

   

       

pp marc.

f


23

Harbison The Great Gatsby–Reduced Orchestration

133

Fl. 1

 







Sop. Sax.

Bs. Cl.

Ob. 1

Ob. 2

Cl. 1 in Bb

Bsn. 1

Bsn. 2

 



 



 









pp

pp



Fl. 2

 

pp

pp

 

pp



Hn. 2 in F

Tpt.



Tbn.

Tuba

Piano

Banjo

Vln. I

(Trap set)

 

 



     

 

 

  



Vln. II

Vla.

Vlc.

 

 

pp

     

 

 

 

f

Cb.

High triangle

Perc. 1

Perc. 2

 

  

 

 

 

 



   

pp

  

pp

cresc.

  

 

(pizz.)

    cresc.

 

      



open

pp

 

S.D.

pp



Sus. Cym.

W.B.

pp

pp

   

   ff

       

       3

3

pp

 

ff

div. sul A



 

pizz.

p unis., sulC

pp

  

pp



Claves

pp

    pp

Hi- hat choke B.D.

       

pp

mp

  



p

pp

  pp

 

 

 

  pp

 

Hn. 1 in F

To Flute

pp

 

pp

 

pizz.

 

pp


24

Act I, Scene 1 Allegro moderato h = 96

  

Fl. 1

p sempre, ma evidente

  

Ob. 1

f

    f 

Ob. 2

Cl. 1 in Bb









 

 p

 p

 mf

 

Cl. 2 in Bb



Bs. Cl. in Bb



 

Bsn. 1

Bsn. 2

 

   

non sost.

Horn 1 in F

non sost. f

   al sord. "cup" 

Horn 2 in F

 



mf non sost.

 



 



mf



p

p

mf

p

mf non sost.



 



Perc. 1





mf

 



 

  

Jordan

Tom

The Buchanans', East Egg, Long Island. A large, rose-colored drawing room with oversized French windows and billowing curtains. Daisy and Jordan recline on enormous couches.



   

Allegro moderato h = 96 

  

 

*solo



p

mf

mf



al sord.

p

 

Nick

 

f al sord. "cup"

 

mf

Daisy

p



 

Perc. 2



 



Tbn.

Tuba



mf

 



Tpt. in C

Piano

 

mf

pp sempre, ma evidente

*solo

Vln. I div a 3

gli altri



f

Vln. II div.



  

p sempre, ma evidente

   *solo

   

 

  

  

pp sempre, ma evidente pizz.

  

  

  

  

f

Vlc.

pizz.

f

pizz.

Contrabass

p sempre, ma evidente

f

Vla.

f

 p

*Soli: back of sections it there are more than 3 violins per section.



mf

 p


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

5

 Fl. 1  Ob. 1

 





  





mf

Ob. 2

mf

25

 

p



 p









cresc.

cresc.

 







 

 

 

 



Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

 mf

 

mf

  

 p

mf

  

Hn. 2

Tpt.

Piano





cresc.

cresc.





 

Jordan

Tom

Raising herself slightly, offering her hand to Nick.

Vln. I div. a 3

-

  a

 -

-

 f

lyzed

with

  

 

     

     

  

par

cresc.

Vlc.

I'm

   

Vla.

 

Vln. II div.

p

 

Cb.

p

mf



 Daisy  

Nick

Perc. 1

Perc. 2

Tbn.

Tuba

mf

mf

 p

cresc.

 

pizz.

p

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

26

9

 Fl. 1  Ob. 1

  

   

f

Ob. 2

f

  p p

 

 

 

 



To Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Hn. 1

      f 

   

Hn. 2

f

Daisy

f



  

  



 

  p

 





 

p

p





Tom

  

p

  

ness.

Jor



dan

Ba

-

ker,

 

 

f dim.

 

 p

 

 



mf

   

mp

 

  

  p

 p

   

f dim.

p

  

 

 

  

   

 

f dim. div. arco

 

    

 

-

pi -

  

  

Vlc.

-

mp

 

Vla.



Vln. II div.

  

  Vln. I div. a 3

mf

  

Jordan

Cb.

  

f

hap

Nick

  

mp

Perc. 1

Piano

Tbn.

Perc. 2



Tpt.

Tuba

Solo



   (pizz.)




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

13

27

 Fl. 1 











Fl. 2

Ob. 1

Cl. 1 in Bb

 p

  

Cl. 2 in Bb

p

B. Cl.

Bsn. 1

Bsn. 2

  p

 







 













 p

con sord., non sost.

p con sord., non sost.





  



here's

my

cou

Jordan

Tom

  

 

  Vln. I div. a 3

  

Vln. II div.

Vlc.

-

sin

 much

re -

 Nick

  

moved.

  

  



  

  

Vla.





Perc. 1





Tbn.

Cb.

Nick



Tpt.

Daisy



Piano

Hn. 2

Perc. 2



p

p

 Hn. 1   

Tuba

p




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

28

17

  Fl. 1   

Fl. 2

  

 

f dim.

mp

mp

Ob. 1

Ob. 2



Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

    

Hn. 2

Daisy

mp

mf



f dim.









 







p

solo

f





  





 

 

via sord.

via sord.

f





  

ker.

  

   

-

Vlc.

Ba

Vla.

- dan



Vln. II div.

Jor

  Vln. I div. a 3

   

 

mp

 

 

  

   



  

p



     

I'm

sure.

  

  

 

 p

   

  

 

f dim.

  



  f dim.

mp

   f dim.

Charmed,

  

f

    



mf



Tom

Cb.



f

Jordan

Nick

mp

Perc. 1

Piano



 

English Horn

Tbn.

Perc. 2

Tpt.

Tuba

f dim.

 

mf

 p

  

   

mp

 

  

   p

p




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

21

29

 Fl. 1 

 



Fl. 2

Ob. 1

  

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Bsn. 2

p



 

 

 



p









p

p

   p



  



p

Tpt.

Piano

Daisy

Vlc.



 al sord.





 

p

 

ar

- rived

  f

 

East

Egg?

 f

Just

 



 

Vla.

 

Vln. II div.

Tom

Vln. I div. a 3

mf

Jordan

Nick

Perc. 1

Perc. 2

Tbn.

Tuba

p



p

 Hn. 1    Hn. 2

 

  

      

  Cb.  

 

  

It's

  

  

  





  



 

 

(pizz.)

  




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

30

25

 Fl. 1 

Ob. 1

   f  

Eng. Hn.

Cl. 1 in Bb

dim.

 

f dim.

Cl. 2 in Bb

 

B. Cl.

  

Hn. 1

  





  







 

mp

 

mp





 

p

  f

p

  









 

  

  

  

 

 

mp

p

 

West

 

 

   f

 

that

I

in

 -



ha - bit.



Less

fan

 -

cy,

quite

 a

 

 

 

mp

 p

      

  f dim.

Egg

    

  f dim.

    

 

 

 

p

   

Vlc.

mp

 

Vla.

mf



      

Vln. II div.

 

 

p



 



 

f

 

 

Cb.

f

mp

solo





Tom

Vln. I div. a 3



mp

Jordan

Nick



f

 

Daisy

p

Perc. 1

Piano

 

to Contrabassoon

Tbn.

Perc. 2



Tpt.

Tuba

 

Bsn. 1

Bsn. 2

f dim.

 

  dim. non div.

 

mf

  

   

mp

 

  

   p

  p

    

mp

   

mp

   

p

  

  p


29   Fl. 1  f   Fl. 2  f

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Ob. 1

   

Cl. 1 in Bb

f

31

Cl. 2 in Bb

B. Cl.

 

Bsn. 1

Cbsn.

           mf

solo

Contrabassoon 

   mp



 

mf

    

     

    







    

 





    





 

con sord.

Hn. 1

 

 









mf

Tbn.

Tuba

con sord.   



Tpt.



Piano

Daisy

















 

   

 

bit

 

  

Vln. I div. a 3

   

Vln. II div.

Vla.

Vlc.

 

 

less.

 

 Stopped

 

off

 in

 

Chi -

     

      

  

 mf

div., pizz.

 

via sord.

mf

Tom

Cb.



Jordan

Nick



mp sf

Perc. 1

Perc. 2



p cresc.

 


32

33   Fl. 1    Fl. 2 

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Ob. 1

   

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

 

Bsn. 1

f

Cbsn.

Hn. 1

 

  

 

mf

 

mp

Tuba

cup mute    

Piano

Daisy

  

 

  



 



  



mf

 



   

mp

 

 



  





















 

sf



mf





 

  f   

ca

  Vln. I div. a 3

  

Vln. II div.

Vlc.

-

go



 on

 

the

 way

 

east,

 Dai

  -

 mf

Do

they

sy.

     

     

 

Vla.

-

 

f



 



 

 

 

 

 







  

Tom

Cb.





Jordan

Nick

 



  

Perc. 1

Perc. 2

Tbn.

  

(senza sord.)   

Tpt.

mf

 

Hn. 2



 

f

 

 

 mf

  

 

unis., pizz.

p cresc.

 

mf




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

37

33

 Fl. 1 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

 



 



p

Cl. 2 in Bb

p

B. Cl.

  

Bsn. 1

Cbsn.

 p





f





f

 

p

 

solo

 





f

To Bsn.







 Hn. 1 

al sord. (Harmon, stem in)





Tpt.

Tbn.

Tuba

Perc. 2

Piano

 f  Daisy 

 

miss

Jordan

Tom

Nick

rne?

  

 



f

 

They're

des

Cb.

 p

 

 

in

mourn

 

-

ing

   

arco

(pizz.)

o - late



 

  

-

  



-

 



  

   p

Vlc.

Vla.

 

Vln. II div.



  Vln. I div. a 3

(con sord.)

p

Perc. 1



 mf





f

 

f

p

p

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

34

41

 Fl. 1 

Ob. 1

 

Eng. Hn.

 

 f

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

 Hn. 1  

 

Piano

Daisy





 

 



 

 



  

p



 

 

 

Black

Vln. I div. a 3

 

Vlc.

  

cars,

 

a

per - sis

 -

tent

 wall



 

   

Vla.



   

   

Vln. II div.



  

cup mute

Tom

Cb.

 

Jordan

Nick

 

Perc. 1

Perc. 2

p

mf

Tbn.

Tuba



via sord.

Tpt.

solo

 f

 p



 

 





 

 







 f

 f


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

45

 Fl. 1 

Ob. 1

Eng. Hn.

Fl. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

solo

Tpt.

  

f dim.

f dim.

 

 

 



 

f dim.

  

f dim.

  

 

 

f

p

via sord.

  

Tbn.

  

f dim.

 

 Hn. 1 

35



harmon, stem in



 

via sord.

p

mf





 Daisy 

    

Tuba

Perc. 1

Perc. 2

Piano

Jordan

Tom

Nick

  

Vln. II div.

Vlc.

 the





 Shore.

North

 

How

gor

f

     

-

-

f dim.



geous.

 

 

  

-

 

    

 



 

  p

a - long

Vla.

Cb.

 

all

  Vln. I div. a 3

 

 

 

 

 

 

 

pizz.

p

 

f dim.

div. arco

 

f

dim.

 

  arco

 f

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

36

49

  Fl. 1  Fl. 2

Ob. 1



Cl. 1 in Bb

p

 

Eng. Hn.

p



 p



p





 

p

 

Cl. 2 in Bb



p

(dim.)

 







Bsn. 1

 

Cbsn.

 Hn. 1 

Hn. 2

Tpt.



B. Cl.

Tbn.

Tuba

Perc. 1

Perc. 2

Piano



 p

senza sord.







 p

p

 

Timp.

p



Tom

p



Let's

Tom,

Tom,

  

   



p

(dim.)



p

 

  p

    



    

back!

Vlc.



 

   

Vla.

go

       

Vln. II div.



Cb.



Jordan

Vln. I div. a 3

 

 Daisy  

Nick





p

  

 

pizz. non div.

 

mf


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

53

 Fl. 1 

Fl. 2

Ob. 1

 

Eng. Hn.

 



 f

f





 p

Bsn. 1

Cbsn.

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Hn. 1

 

 

f

p





f

mf



   

f



 



f

f

 f

 

 





p

f





Tom

f

   

Vla.

Vlc.

let's

go

 back

 

 

to

Chi

 

  fsf

-

ca

-

-

 

go!

   

 f

 

 p

f

 

 

pizz.

p

  

  f

  

mp

  

 

 

  

  f

 

  





   

      



Vln. II div.

p cresc.

mf

    

Cb.



f



Jordan

Vln. I div. a 3



f

 

   Daisy 

Nick

p

f

Perc. 1

Piano



  

 

Tbn.

Perc. 2

p Bassoon

  

Tpt.

Tuba

 

  

Hn. 2

p



37

  arco

 f

  

 

mf


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

38

57

  Fl. 1 



p

Fl. 2



f

 p

Ob. 1

 

Eng. Hn.



p

f



 

Cl. 2 in Bb

p

  

B. Cl.

Bsn. 1

  f 

p

Cl. 1 in Bb

f



 

 

 







f

 

 

 

Hn. 2

Tpt.



Glock.

Vib. motor off



Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Tom

Nick

Vln. I div. a 3

  

cresc.

  



 f

   

 



p

f

 

p

  

  

 

   

cresc.

 

  

 

 

  p       

Vlc.

f

 

Tom enters, shuts the windows, the curtains are still.

Vla.

Cb.

 

   

 

psf

    

Vln. II div.

  psf

  Daisy  Jordan

(Glock)

 

f



What

non

 

- sense,

 

 Dai

-

 

sy.

 

al sord.

al sord.

unis.

f non div.

   f


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

39

 

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl. in Bb

Fl. 1

Bsn. 1

Bsn. 2

Horn 1 in F

 p

 p

 p







(senza sord.)



senza sord.

 p

p





 

         

Perc. 1

Perc. 2

Jordan

Tom

 

senza sord.

 p

 p



Tbn.

Daisy



Tpt. in C

Piano

p

Tuba

  

Horn 2 in F





 

Nick

 

 

 

good

 

Vln. II

Vla.

Vlc.

Cb.

Nick

Vln. I

pizz.

p

 

to


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

40

64

 Fl. 1 

Ob. 1

Cl. 1 in Bb

 

Cl. 2 in Bb

Bs. Cl.







 

 

 



  





Hn. 2

Tpt.

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba





 

    senza sord. 

 

ppsf



ppsf



 

Perc. 1

Perc. 2

Daisy



  



Piano



Jordan

Tom

sf



Yes,

    see 

 

you

  a

-

cant.

 is

gain

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.

-

n't

he


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

68

 Fl. 1 

Ob. 1

 

Cl. 1 in Bb

  p





p



 



 



41 

  

 



 

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

  

  

Tpt.

Tbn.

Tuba





 





 

 















  

accomp.

  accomp.





  

Jordan

Tom

 -

a

rose,



  

an

ab

-

  

  p

 



 



    

div. (senza sord.) p

    

pizz.

Vlc.

He's



pizz.

Vla.

ly?





Vln. II

-

  Vln. I  

Cb.



love

Nick







Perc. 2

Daisy

p accomp.

 



Perc. 1

Piano



p

p

p accomp.

Hn. 2

 

p

p

accomp.

accomp.

    

 

Cl. 2 in Bb



div. con sord.





   p 







     

p

 

    

  









       

   

    













    

so-

lute

     

     



 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

42

72

 Fl. 1   

 





 

Fl. 2

Ob. 1

 



 

Bs. Cl.





 











Bsn. 1

  

Bsn. 2

  

  

  

 

 







 







   

Jordan

Tom

Jordan]

Nick











knew

my

great

big

hulk

  

Vln. II

Vla.

    

[to 

    

Vlc.

rose!

  Vln. I  

Cb.

 

Perc. 2

Nick

       

   

    













   

    

 

   

 

 

  



  

  

   

 

   



   







Perc. 1

Daisy

Tbn.

Piano

Tpt.

Tuba

Hn. 2

Cl. 2 in Bb

Hn. 1

  

 

 

Cl. 1 in Bb



 -

ing

     

   

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

76

  Fl. 1  

Fl. 2

Ob. 1

  mf



 

 

f

fp

 

Cl. 1 in Bb

43

 



  mp

  

fp

1.

  f

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

  

Bsn. 2

 

Hn. 1

   

Tpt.

Tuba

 





 



 

mp

mp



p











f





mf

mf

al sord., "harmon" stem in

f

p





hus

Jordan

Tom

 - band

  

Vlc.

   f

at

Yale.

 

f

 I

sf

hate

          

mp



 







cresc.

f

cresc.

 

(pizz.)

mf

 f

 f

f

f sf





Hul

-king!

 sf

sf



word

 

 

that

    mp mf                mf f    

   

Vla.

back

  Vln. I   Vln. II



f

  Daisy 

Cb.

f

Perc. 2

Nick

mf

Perc. 1

Piano

 

 

Tbn.



mf

  

Hn. 2

 



 

hul - king.

 

  

         mf





f

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

44

81

   Fl. 1 

  

to Piccolo

  

Fl. 2

  

 

  

(1.)

Ob. 1

p

Cl. 1 in Bb

p

   

  

  

     

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

    

Hn. 2

p

 p





 



 

 









 pp 



 pp 



pp

pp





 





 Daisy   Jordan

Tom

Have

  

 

you

  



seen

the ba

 -

by

Nick?

 

Vla.

    

 

              

  p               p     

 





 

 

f

 

 I'd

Vln. II

p   Vln. I    p

Vlc.

p cresc.



       

Perc. 2

Cb.

  

Perc. 1

Nick



pp

Tbn.

Piano

Tpt.

Tuba

 

 

pp

        

Cl. 2 in Bb

 

  

             







 

   pp 

p cresc.

 

She's

a -

 



 

like

to.

             

pp pp

 

 

 

 





                    





pp

 pp


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

86

 Fl. 1 

  

(1.)

Ob. 1

Cl. 1 in Bb

    

p

 p

 

   

45

     



   pp

  

     

  f

p

         

mp

  

mp

    f

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

 

Bsn. 2

 

  Hn. 1 

 

 

 

p

p

p

Hn. 2



 f





 f



 



 

 

 mp





  

pp

  

sleep.

Jordan

Tom

years



old.

Yon

ought

 

p

 

    

   

      

                   





 

      

pp

p   mp                mp pp      

pp

 

 

pp



pp





mp





mp

to

 see



  f

 

her!

 

 f

  mp                 

 

f

Nick,

p

pp

p

p

 



 

four



   p

Vlc.



(Glock.)

   f  (Vib.)    

 

p

Vla.



She's

  p            Vln. I     Vln. II

f

  

mp

 



    

Cb.

 

 

Perc. 2

Nick

 

Perc. 1

Daisy



Tbn.

Piano

 

Tpt.

Tuba

p

pizz.



mp

mp

 

 

 

pizz.

f

  f           non fdiv.  mp     mp

f





 

 

 

 f



 non div.

  f


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

46

91

 Fl. 1 

Piccolo

Fl. 2

Ob. 1

  p

 



 

 

 

 

 

p

p



Bsn. 1

Bsn. 2



 





Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Hn. 1



Hn. 2

p

 p

p

p



 

arco (div.)

p

Tom

  

 Vln. I 

ff



 

Vln. II

Vla.

 

f

tell

rne

what

you're

 

do - ing

p

in

New

 

York.

f Stock

Vlc.

 

(Vib. no pedal)

Jordan

Cb.



Perc. 2

Nick



Perc. 1

Daisy

pp

Tbn.

Piano



 

Tpt.

Tuba

pp

 

 

 

p

  

   



(pizz.)

p



 -

 



bro - ker

  

(div.)

 

   p 



p

  

 

p

   

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

96

 Fl. 1   Picc.

  

  

  

  

 

       



  

  

  

 

       



Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Bsn. 2

  

Hn. 1

    

Hn. 2

Tpt.

 

mp

mp

 To Sop. Sax.



 



 



f





mp





mp





p

  p





f





f

f



f

 



 





mp

 

 

mf

 

mp

p



 



 

 



 

 

 



Tom

 Nick     Vln. I     Vln. II    

Vla.

 

Vlc.

3

Pro - bi - ty

           

 

 

p

p

(Vib. no pedal)

f

 

Ne

-

 

sf

ver heard

 

 

 

of





mp

f



You

will

  

mp

    f





mp

          

   mp

them.

            

  

Trust

   

f



If

you

stay

in

New

  

   

  

















f

 p



       f



mf

f

f

Jordan

Cb.



mp

Perc. 2

Daisy

Perc. 1

Piano

Tbn.

Tuba

       

  

Cl. 1 in Bb

  

     

Ob. 1

  

47

dim.

mp

       mf





dim.


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

48

101

 Fl. 1   Picc.

 

p

f

  p

Ob. 1

     

      p

 

   p

             cresc.

   

  

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 





Bsn. 1

Bsn. 2

Hn. 1

      

Hn. 2





p

p

mf



mf



p cresc.

  p cresc.











 



 







 

    

Tom

York.

  Vln. I    

Vln. II

  

Vla.

p

  

Vlc.

p









We'd

all

be

God

Damn

            f



mf



mf

    

 

           p   p

 p 

 





fools

to

live

cresc.



 f







  



   f

 f

 f

a - ny- where

                                 cresc.         

cresc.

           p

     

sf

 f

f



f

f

f

 



 

Jordan

Cb.

Perc. 2

Nick

Perc. 1

Daisy



Tbn.

Piano



Tpt.

Tuba



f

   f

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

106

 Fl. 1  

Ob. 1

f

     

Picc.

  



     

49 

   p

  



           p



 

  

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

 

Hn. 1



 





 f























 p

 p





 

sf



 

Jordan

Tom

    else.

Ab

-

Vla.

Vlc.



 





-

so

sf

 -

lute



 The

- ly.









sf

cen - ter

of

the

un

-

i - verse.

 p



 

 

    

            p

  



 



 

  

                 f                          p           p

  Vln. I             Vln. II   

Cb.

 p

Perc. 2

p





f

Perc. 1

Nick



 

Tbn.

Daisy

 

Tpt.

Piano





  

Hn. 2

Tuba





  

              





 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

50

111

  Fl. 1 

  

  

Ob. 1

 

 

Picc.

  

  

  



  

              

 

pp

   

pp

cresc.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

 









 

   



 





 

 

cresc.

 







al sord.

pp





 

Jordan

Tom

 

   

Vlc.

You

   

Vla.

  

 

          

   Vln. I  Vln. II

 

pp



Perc. 2

Cb.



 



Perc. 1

Nick

Tbn.

Daisy



Tpt.

Piano

  

  

Hn. 2

Tuba



   

   



said

you

     

 

live

in

               

 

West

Egg.

            pp      via sord.    



pp

 

 

 You

 









must

know

                                cresc.      

pp

pp

cresc.

   (pizz.)   p

 cresc.



 cresc.








Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

116

  Fl. 1 

  

fp

fp

Ob. 1

f

 

 

 p

 

To Cbsn.



 





p

To Flute

 

p

ff

        

Soprano Saxophone solo

ff

f

cresc.

f

cresc.



     

 

 

Bsn. 1

f

Bs. Cl.

Bsn. 2



p

Cl. 2 in Bb

cresc.

  

Cl. 1 in Bb

                  

 

Picc.

   

51

3

3

3

 Hn. 1 



Tpt.

Tbn.

Tuba

Perc. 1

Piano

 



Perc. 2

Gats -

Vln. I

  

   

Cb.

  f

 

 

 

 

 



  

 

 

 

   



pp



 f

  f

      







p

pp





 

 p

by...

pp

 

cresc.

p

-

f

p

Gats

 

f

 

 

 

Vlc.

f con sord (harmon, stem in)



by?

cresc.

arco

Vla.

  

  

p

Vln. II

f Claves

ffsf

  



sf

Nick

 Daisy 

Tom

Vibr. no pedal

f

Jordan



con sord.

   

cresc.

  

     



f



f

    





 

sempre f

f

f

cresc.

 

 

    

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

52 Fl. 1

122 

Flute

 

Picc.

 

Languido h. = 48

    p

rit.

p

f

 



p legato

 



p legato

Ob. 1

 

Eng. Hn.

 

Cl. 1 in Bb

 

 

  

     

Sop. Sax.

3

         3

3

Bs. Cl.

     3

  To Cl. in Bb    3

 

p

legato

Bsn. 1

Hn. 1

   

Tpt.



 

via sord.

 

via sord.

 

 

 



 

   

(Claves)

 

Perc. 2



  

    

    

 

f

   

pp

 

 

 

 

 

 

 

   pp

f

pp

 p

 



 

 

 

 

 

 

 

 

Tom

 Vln. I 

rit. 

 p

Soon

Languido h. = 48

 

         solo              

Vln. II

Vla.

f

Vlc.

Cb.

(add pedal; change every measure)

Jordan

Nick

 

(Vibr. no pedal)

Daisy

Perc. 1

Piano

Tbn.

Tuba

p

(pizz.), l.v.

   p



  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

128

 Fl. 1  



 



Fl. 2

 







53





cresc.



cresc.

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Sop. Sax.

Bsn. 1

Hn. 1

 

(Vibr. with pedal change at every measure) Perc. 1







cresc.

it

will

be



cresc.

the

long







  Daisy 

 -

-

-

-

-

est

day

of

the

 

 

Jordan

Tom

      (solo)         

Vln. II

Vla.

 

 

Vlc.

Cb.



Perc. 2

Vln. I

cresc.



Nick

 



Tbn.

Piano

 



Tpt.

Tuba

 

 

Bs. Cl.

 

 

cresc.

 

 

 





3



3




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

54

134

 Fl. 1  



 



 





mf

Fl. 2

mf

Ob. 1

mf

dim.

  

Eng. Hn.

 



mf

dim.



To Ob.

 



p

p

p

p

Cl. 1 in Bb

Sop. Sax.

 

Bs. Cl.

 

 p

f

Bsn. 1

Hn. 1

 



Tpt.

Tbn.

Tuba

Perc. 1

(Vibr. with pedal change at every measure)



mf







p





p



dim.



What

should

we

 

 

Jordan

Tom

Vln. II

 (solo)     

Vla.

f

  

Vlc.

Cb.





year.

Vln. I



 f Daisy   

Nick

dim.



Perc. 2

Piano



dim.

mf

 

 

       

p

pp

p

 



dim.




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

140

 Fl. 1    

Fl. 2





55



 mf









dim.

 mf



dim.

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bsn. 1

Hn. 1

 

mf

 dim.

 



Tbn.

Perc. 1

(Vibr. with pedal change at every measure)













mf





dim.



Perc. 2

Piano

 



Tpt.

Tuba

 

 

Bs. Cl.

   Daisy 



plan?

What

do

 peo

mf 

 -

ple

dim.





plan?

 

 

Vln. II

Vla.

Vlc.

 

Jordan

Tom

Nick

Vln. I

Cb.

  

 

 

arco

p

 

 

mf



dim.


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

56

146

 Fl. 1  





 





Fl. 2

p

p

 

p

Ob. 1

Cl. 1 in Bb

Sop. Sax.

 

Bs. Cl.

Bsn. 1

Hn. 1

 



(Vibr. with pedal change at every measure)







 

Tom

  

Cb.

p







f

 p

Soon,



Soon

it

will

be

soon

It

will

be



 

the

 p

  





pp









 



 

 

(pizz.), l.v.

p

p

p legato

Vlc.

mp

Vla.

 

  

Vln. II

p

 

    



Jordan

Vln. I

Perc. 2

Nick

Perc. 1

Daisy

p

Tbn.

Piano





Tpt.

Tuba



arco



p legato



pp



  






Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

152

 Fl. 1   

Fl. 2



p





57 



cresc.





 

cresc.

fp

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

 



Bsn. 1

Hn. 1

Tpt.

Tbn.

Tuba

Perc. 1



cresc.







Tom

the



-

  

 

-

cresc.



long

-



cresc.

long

-

-

 

Vlc.

  

(pizz., l.v.)



-

-

-

-

 -

-

-

-

-

-

-

-

-

 -

-

est

day

of

-

-

 -

-

-

f

the

 

year.

1 stand pizz., l.v.



 



cresc.

 

Vla.

-



Vln. II

 -

p

Cb.



Jordan

Vln. I





  Daisy 

Nick



Perc. 2

Piano

(Vibr. with pedal change at every measure)

 

 

cresc.

 



cresc.

  cresc.

  





  

  



est


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

58

157

  Fl. 1 



 











fp

   

Fl. 2

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

 

Hn. 2

Tpt.



Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Daisy



f

 dim.



p



   

Tom

 of

  

 Vln. I 



 

Vlc.



f

 

dim.



dim.

year.

 p



What

should

we

 

What



should

we

plan?



f

 

p

  

Vla.

the

(1 stand, pizz., l.v.)

Vln. II



  





Jordan

Cb.

day

Nick

Perc. 2

Piano

(Vibr. with pedal change at every measure)

dim.

f

dim.



f

 f

dim.

dim.



  





p

p

 p

 

 



 p



(pizz., l.v.)


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

59

 

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl. in Bb

 

Horn 2 in F

Tpt. in C



Flute

Bsn. 1

Horn 1 in F

Tbn.

Tuba

Perc. 1





 cresc.





 

Jordan





What

do

peo









What

do

peo-

ple



 -

ple





cresc.

plan?





plan?

 

Tom

Vln. II

(pizz., l.v.)





p

 

Vlc.

   p









 

 

Vla.

Cb.



plan?

Vln. I



   Daisy 

Nick

Perc. 2

Piano

(Vibr. with pedal change at every measure)

 

 







cresc.



cresc.



cresc.

cresc.






Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

60

167

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Sop. Sax.

Bs. Cl.

 

Hn. 2

Tpt.



Bsn. 1

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

(Vibr. with pedal change at every measure)



f

 











  

 



f



You

wateh

for





it,

You

wateh

for

 you

 it,

 

Tom

(pizz., l.v.)

Vln. II



  

Vla.

 

Vlc.

 (cresc.)







p

 





f

  f

f

(pizz., l.v.)

mp



f

(cresc.)

Cb.



Jordan

Vln. I







f

Nick







p

 

pizz., l.v.



f

 

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

172

61

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Sop. Sax.



Bsn. 1

Hn. 1

    

Hn. 2









 

p



p



(Vibr. with pedal change at every measure)





dim.







mf



  

 for

 

Tom

then

you

wateh

for

you





miss

it,

 it,



then

you



dim.





p

 

dim.

 



pp

p

 

 

mp

Vlc.



it,

  

Vla.



  

Vln. II

Cb.

Jordan

Vln. I

 

watch

Nick

mp

dim.

dim.

mf

Daisy





Perc. 1

Piano

mp

Tbn.

Perc. 2

Tpt.

Tuba



Clarinet in Bb

mf

Bs. Cl.

mp

mf

pp

  

 



  

 

 



mf

 mf


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

62

rit.

177

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

 

 

dim.

dim.



 

Bs. Cl.



 dim.



 

Hn. 2

Tpt.



Bsn. 1

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

(Vib.)

 

dim.





  

Jordan

miss

Tom

you

miss

 it,

it,

 

dim.

then

you

 

miss

then

you

 

miss



 it.



it,

then

you

 

miss

 it.

Vlc.

then

 

Vla.

 

Vln. II

 

dim.

 Vln. I  

Cb.



 Daisy  

Nick

pp

 

  



 

 

(pizz., l.v.)





dim.

  dim.

rit.

  



 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

63

a tempo (h. = 48)

182

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

 

pp



 



 

Bs. Cl.

pp



pp

 

Hn. 2

Tpt.



Bsn. 1

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

(Vib.)

 



p



 





p

Tom



 

 

Jordan

 

p

p



Soon

it

will

be

Soon

It

will

be



 

the

a tempo (h. = 48) 



arco

(pizz.)



 



Vlc.

Vla.

 

pp

Vln. II



pp

 Vln. I 

Cb.

 

  Daisy  

Nick

 

  p

  p

 



 

pp

pp

pp



pp

 



 



 



 

pp


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

64

188

 Fl. 1 

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2

Tpt.



Bsn. 1

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

(Vib.)

 

 



 

mp

 



Jordan

mp



Tom

Vla.



 

 







p

long

-

-

-

-

 -

-

-

-

-

-

-

-

-

-

 -



-

-

p

 -

-

-

-

 

-

-

-

 -

-

est

 

day



est

day

of



the

year.











p

 









 



Vlc.

the

 

 Vln. I  Vln. II

 long

Cb.

 

  Daisy 

Nick



p

p



 



 

 

 



(pizz., l.v.)



 

 

 

 

p

p


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

65 rit.

194

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2

Tpt.



Bsn. 1

Hn. 1

Tbn.

Tuba

(Vib.)

Perc. 1

Perc. 2

Piano

Daisy

 

 

 

dim.

 

 

 



 

  

   

Jordan

Tom

Vln. II

Vla.

Vlc.





dim.





dim.





the

year.







dim.







pp

pp







 Vln. I 

Cb.

of

Nick

 



 





 





  



  



 dim.

dim.















rit.





dim.

 



















dim.

dim.


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

66

Commodo q = 88

200 

 

 

 

 

 

 

 

 

 

 

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

 

 

 

 

 

Hn. 2

 

Tpt.

 

 

 



 

 

 

Fl. 1

Fl. 2

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

p sf

 

p sf

 

To Timp.

 

 

pp

sf

sf

  sf

sf

sf

  sf

sf

sf

 

 

 

  sf

 



 

 

 

Piano

p sf

pp

  

 

 

 

Jordan

 

Tom

 

Daisy

Nick

Vln. I

Vln. II

 

 



 



 

pp arco

Cb.



pp

pp

Vlc.



pp

Vla.

  

pp

   

p



So

el

 

  -

e - gant,

 



the

two

  of you.

f

You make me

feel

un

 

-

 

Commodo q = 88

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

pizz.

f pizz. f pizz.

f non div. pizz.

 

f pizz.

 f





non div.

 

  





         


rit.

206

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Maestoso q = 76

  Fl. 1  

 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

  

  

 

   f

   f    f

 

 

 

 

Oboe     f    

  

 

f

 

  

 

  

 

  

 

 

 

   

  

 

 

Contrabassoon    

 

f

 

  

  

  

 

f

 

 

f

   f

 

 

 

67

   

  

  

  

  

  

 

 

 

Hn. 2

 

  

 

 

Tpt.

 

 

  

  

 

   

 

 

  

  

  

Timp.    

 

 

 

 

  

 

 

 

 

 

 

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

  

f

 

Un

   -

senza sord.     f

f

f

f

ci - vi - lized?

Jordan

 

 

Tom

 

 

 Nick  

   ci - vi - lized.

  (pizz.) Vln. I    Vln. II

Vla.

   

(pizz.)



(pizz.)



  

(pizz.)

Vlc.

   

(pizz.)

Cb.

 

3

Ci - vi - li - za

  

 

 

 

 

 

 

      

 -

tion

is

Maestoso q = 76















    f

 

  





  

rit.

 

 

 

 

  

 

 

f

   f

f

f

f

 

3

go - oing to piec

-

es.

 

 

 

 

 

 

 

 

 

 

 

 


68

210 

  Fl. 1 

   

Fl. 2

  

Ob. 1

      

Ob. 2

Cl. 1 in Bb

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

 

  

 

 

    

 

  

 

 

  

 

 

  

 

 

 

  

 

 

  

  

 

  

 

 

 

  

 

 

 

  Hn. 1 

 

 

 

  

 

 

 

  

  

 

 

 

 

 

  

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Cbsn.

Hn. 2

  

Tpt.

   

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 

  

 

 

 

 

 

 

  p p

p

 

 

 

 

 

 

 

 

 

  

  

   p

 

 

 

 



 

Jordan

 

Tom

Nick

 

 

     

Vla.

Vlc.

  

Cb.

  

Ev- ery- thing we built,

   Vln. I  Vln. II

     

    

 

ev- ery- thmg we va-

lue,

 

 

  

        p

ta- ken

 

 

 

 

 

 

the un-der-class,

  

div.

  

 

 

 

 

 

 

 

o- ver by the low- life,

 

p

 

 

  

 

 

 

 

 

 p

 

 

 

 

 

 

 

 

 

 

 

p

p

p


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

rit.

214

 Fl. 1 

Più sostenuto q = 72

 

 

Ob. 1

 

Cl. 1 in Bb

Fl. 2

Bs. Cl.

Bsn. 1







p cresc.

Cl. 2 in Bb





p cresc.























p cresc.

 f

 f

Hn. 1

  f

 

Tpt.

  

  

 

 

 

 

 

 

Tbn.

Piano

Daisy

 



















cresc.



 

 f

 f

cresc.

cresc.

f









 f

 













pp

f

pp

 

  

  

 

      

  

pp

pp



 

 



 

 

 

 

 

 

 

the

com- mon

 



peo- - ple.

 

  

 

 

  

 

  

 

   

   

 

 

(pizz.)

(pizz.)

(pizz.)

  

 

 

 

 





cresc.

cresc.

rit.



cresc.





cresc.





   f

 



 f

f

 f

 

 f

 

 

 

Cb.



p

Vlc.



p

  Vln. I   

Vla.

 cresc.



f

pp

Tom

Vln. II



 

Jordan

Nick



 Perc. 1

Perc. 2





 



p

   

 cresc.



pp

pp

 

f

f

   

Hn. 2

Tuba

f

Cbsn.

69

 

We

must

cresc.

fight

back.



 

 

Più sostenuto q = 72

   

arco

  p arco   p

 

   

arco

f

 



  

 pp

 

arco p






70

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

217

  Fl. 1 

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 



  

  

 

Bsn. 1

  

Bs. Cl.

Ob. 1

Cbsn.

 



 

 

 

 

 

 

 



 

cresc.

 





cresc.





 











 

 

 

 

f





f

 

 

Hn. 2

 

Tpt.

 

 

 



 

 

 



 

 

 

 

 

 

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

 

Tom

Nick

We

must

fight

 Vln. I   Vln. II

Vla.

 







  

Vlc.

 

  

 

back.

unis., arco

  p 

  

 



  

You







  

  

   

 f







 

and

 



    



 

I

 

cresc.

 cresc. 

cresc.

 

cresc.

ff       

and the likes

cresc.

Cb.



 

  

  

















 





3

of

 

us.



   

 

 

f

  

 

   f

 







 

 







 

 

f

f

f

 


A tempo q = 76

220

Fl. 1

    f

Fl. 2

Ob. 1

     f     f

Ob. 2

Cl. 1 in Bb

    f      f

Cl. 2 in Bb

Cbsn.

 

    

    

 

 

 

f

Daisy

Jordan

Tom

Nick

 

    

 

  

  

    

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

   

  cresc.

    

cresc.

cresc.

 

  

 

cresc.

cresc.

cresc.

 

  

 

 

 

 

    

 

 

 

 

 

  

 

 

 

    

 

    

 

 

 

 

f

 

 

 

 

 

 

 

 

      

 

 

 

 

 

 

   cresc.

 

 

 

 

 

   cresc.

  

  

 

 

cresc.

cresc.

cresc.

cresc.

 

cresc.

 

 

 

  

 

 

  

 

  

  

f

 



We

made

 

    Vln. I  

pizz.        

pizz.

     pizz.     Cb.   pizz.

Vlc.

f

 

 

 

    

 

 

 

 

 3   ci - vi - li - za

this

    

  -

 

 

 

    

 

 

 

 

  made

tion

    

sci - ence,

 

 

 

 

    

 



made

art.

 

 

 

 

 

 

 

 

 

  

  

 

 

 

  

 

 

 

 

 

  

 

     

cresc.

71

 

 

cresc.

 

 

    

A tempo q = 76

Vla.

 

pizz.

Vln. II

  

 

     

    

Piano

 

 

f

Perc. 2

 

 

Timp.

Perc. 1

  

f

Tuba

 

f

Tbn.

   

f

Tpt.

 

f

Hn. 2

  

f

Hn. 1

 

f

Bsn. 1

  

 

    f

Bs. Cl.

 

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

 

 

 

    cresc.   

    

cresc.

cresc.

cresc.

cresc.

 

 

 

    

   


224

72 Fl. 1

  

ff

    ff   

Fl. 2

Ob. 1

ff

   ff    

Ob. 2

Cl. 1 in Bb

Cbsn.

Hn. 1

 





  

  

 



  

  



f

Piano

Daisy

 Timp.   







  f

ff

 





  

 

 





f

 

 

 



 

Bassoon

ff

 

     

f

ff



 

ff







ff



 

  

  f

It's

ours,

 

ff

  

 

arco

arco

 f

f arco

 

   

         

   

ff

ff

(pizz.) ff

f arco unis.

f arco

     f

 

ff

 ff

 ff

we

must

de

-

fend



f

ff (pizz.)

Cb.

 

f

ff



f

   Vln. I 

Vlc.

  ff 

                 

(pizz.)

Vla.



ff

f

ff

f



Tom

Vln. II

                 

Jordan

Nick



     

ff

ff

Perc. 2



f

Perc. 1



  

ff

 



To Bsn.

ff

Tuba



f

f



f

ff

ff



 ff

  



f

  

Tbn.



  

   

Tpt.



ff

ff

Hn. 2

animando

f

  

 

ff

Bsn. 1

ff

Bs. Cl.

ff

Cl. 2 in Bb

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

ff



ff

 ff

                   

arco

f

animando 

  f  

dv., arco

arco

 

   

f

   


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

227    Fl. 1  Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb















  

       

  



















 

 













   





  



ff



 

   f

  Cbsn. 

 

Tpt.

 

Tuba



Daisy



 

to Piccolo

 

Bassoon

 

   

ff





  ff  







 









To Sop. Sax.

cresc.

   f cresc.   

 

ff

 

  



  

 





f cresc.

   

ff



   

ff

al sord.

ff

al sord. "straight"

  ff    ff

ff

 

al sord. "cup"

 

 

 

 

(Timp.)

ff

 

 



 

 

 

 

 

Tom

  

  

arco

Vln. II

 

 















  









cresc.

Vla.

  

Vlc.

unis.





cresc.

 cresc.

 









 

 

 











ff



ff

f

  

  f

cresc.

  

it.

    Vln. I 

Cb.





 

Jordan

Nick

ff

  

Perc. 1

Piano

 

 

ff

 

Perc. 2

 

 



Tbn.

 

cresc.

 Hn. 1   Hn. 2

 

ff

 

Bsn. 1



 

ff

f Bs. Cl.



   

f

Cl. 2 in Bb



73











  



ff



ff non div.

 

ff

           

 


74

Commodo q = 88

229

 Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Ob. 1

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2

Tpt.





Bsn. 1

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Daisy  

mp

Tom's

get

 - ting



ve

- ry

3

pro - found.

legato

We

 must

help

him

cresc.

beat

 back

Jordan

Tom

Nick

Commodo q = 88

pizz.   Vln. I  mp



p



p







Vlc.

pizz.  



Cb.





pizz.  

 p

 p



Vla.

mp pizz. mp

mp

mp



























Vln. II





  

pizz.

p

mp

mp

mp

 mp

 mp

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

poco rit.

233

75

Allegro q = 104

 

 Fl. 1 

 

Hn. 2

Tpt.



Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano



  Daisy  Jordan

Tom

Nick

  Soprano Saxophone

  

f

 

 

f

 

Triangle, solo







ff

[The phone rings]



the

rev

  

f

-

 o

-

lu

-

-

-

-

-



tion.

 

poco rit. 



 

Vla.

 

 

f

  Vln. I  Vln. II

f

f

Allegro q = 104 

f sf

 f sf

 

div.

f sf

Vlc.

Cb.

(pizz.)









div.



 

f sf

  f

The


76

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

238 

 Fl. 1 

(Piccolo)

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

  

 

f

 

f

 

 

 

 

 

 

Sop. Sax.

Bs. Cl.

 

Hn. 2

Tpt.



Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

  

Piano

Daisy

(Trg.)

 

  

  

Tom

 

The

 

te - le - phone!

te - le - phone!



 





Jordan

 

 



 

The

 

te - le - phone!

  

The

 

te - le - phone!

 p

 

  f

an

 

- swer that.

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.

I'll

[exit]


 Fl. 1  

Picc.

Ob. 1

Ob. 2

 

Cl.1 in Bb

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

 

 

 

  





 

 

 

 

 

77

 

 

 

 

 

 

 

Sop. Sax.

Bs. Cl. in Bb

 

 

 

 

 

Horn 2 in F

 

Tpt. in C

 

 

 



 

 

 

 

Bsn. 1

Bsn. 2

Horn 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

  

(Trg.)

Piano

Daisy

 

 





  



 

 

You

rnust

3

sf

 ex

 -

cuse

  

[exit]

 

 

me.

Jordan

 

Tom

 

 

 

 

Vln. II

 

Vla.

 

 

 

Nick

Vln. I

Vlc.

Cb.


78 Fl. 1

Picc.

Ob. 1

Ob. 2

Cl. 1 in Bb

Sop. Sax.

246             

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1



f



f

p

 f

  f



 

  



 

To Fl.

pp

  

To Cl. in Bb





p



 

Bs. Cl.

 

Bsn. 1

 

Bsn. 2

  

  Hn. 1  

 

Hn. 2

Tpt.

 



f

p

con sord. (straight)





  



p





aperto 

 



 

  



  

  

muta sord. (cup)

pp

Tuba

  

      

Glock.

p sf

  Perc. 2

  

 

  

(Trg.)

        

Piano

 

p sf

   

  

Jordan

 

Tom

 

Nick

  

Daisy

 

Vla.

 

Vlc.

Cb.

mp

 

What's

  Vln. I   Vln. II

 

 

Perc. 1

 

p

Tbn.

  

 

 

 

p



f







 

arco

  

go -ing

on?

 

Is

some - thing

  

p spiccato

non div.

happening?

arco                 

              p spiccato 

 

              p spiccato

unis., arco

 

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

249  



 Fl. 1  Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

pp

79

 



  



 

pp

 pp



  



    



 

pp

Sop. Sax.

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1



  

 

Hn. 2

pp

Tpt.

con sord. (cup)   p

con sord. (cup)   

Tbn.



 



 

Piano

Daisy

pp



  

 



   

 pp

 pp

via sord.

via sord.





 

 

thought

 

ev

ery

- bo - dy

knew.

  

pp

p spiccato

p

 

 

f

 

cresc.

  

pp

               

                 

unis., arco                   

-

 

Vlc.

-

 

Vla.

  I

 Vln. I  Vln. II

mf

  

 



Tom

Cb.



Jordan

Nick

Perc. 1

Perc. 2

p Tuba

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

80

252

 Fl. 1 

Fl. 2

Ob. 1

 f

   f  

Ob. 2

Cl. 1 in Bb

f

 

Sop. Sax.



 pp Clarinet in Bb



pp

 

  

 

   

 

 

Hn. 2

Tpt.



Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

f

Bs. Cl.

Perc. 1

 Perc. 2



Piano

Daisy

  

Jordan

Vib., no pedal     p

 

  



got some

f

f

 







 

 

 

   

 

wo - man?

in

 

 

Tom's

New York.



Got sorne

 

    

  wo- rnan

 

 

 

    

div., pizz.

p

 





got

 

    

  

    



some

   

wo - man?

   

 

f



pizz.

pp

 



f

f



    

f pizz.

Vlc.



p

  

   p

pp

 

  

div., pizz.

Vla.



 

 

 div.,  pizz.   

Vln. II

Cb.



 

 Vln. I 

   

f

Tom

 

Tom's

Nick

    

 

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

255

81

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2



Cl. 1 in Bb

Cl. 2 in Bb

 

Bsn. 1

Bsn. 2

Hn. 1

 

  

    

 

  

 

 

cresc.

mf





    

 



 

 





 

 



  

 

 



 

 

      

 

New York.

 

pp

Vlc.

(pizz.)

Vla.

   

  

  Vln. I   Vln. II

in

 

 

 

Tom

   

 

Jordan

 

 

 

p



p

 



 

 



cresc.

Cb.

   

  

Nick

(Vib., no pedal)

Daisy

Perc. 1

Piano

Tbn.

Perc. 2

 

 

Tpt.

Tuba

 

Hn. 2

pp

pp

Bs. Cl.

   

 

 

      

 

       div., arco

 p

 

    

 

p

    

 

arco



unis.



 

    

 

fp cresc.

 cresc.

 

p cresc.

arco

 

 

   


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

82

258

 Fl. 1 

 

Fl. 2

(Flute)



Ob. 2

Cl. 1 in Bb

 

pp

 

Ob. 1







 

pp





 

 

Hn. 1

 

 



 

rit.

  

  



  

  



 

  

f

f

f

Hn. 2

Tpt.



   

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy



 

  



Tom

unis.   Vln. I  f

unis., pizz.

  

Vln. II

f unis.

  

Vla.

  

Vib.

  The

 

te - Ie - phone

 

I

 

    

 3

could - n't

be helped.

rit.

  

 

f

f

Cb.

pp



The te- le- phone.

 

unis.

Vlc.

  

  

p sf

Jordan

Nick



 

fpp

Bsn. 1

Bsn. 2

 

fpp

Bs. Cl.

pp

 

Cl. 2 in Bb



  

f


261

 Fl. 1 

   

     

Fl. 2

Ob. 1

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1



   

Grazioso, agitato h. = 56

           

ff



p sf

 

p sf

 



            ff

 

83

Ob. 2

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. Cl.

 

 

 

 

 

 



  

 



 

Bsn. 1

Bsn. 2

Hn. 1

Hn. 2





accomp.

accomp.

 

 



 

 

  

    

Perc. 1

     

(Vib.)

Piano



Tbn.

Perc. 2

p

Tpt.

Tuba

p

Temple Blocks

 p

  

  



 

 

 

Daisy opens the window, the breeze resumes

 Daisy 

Jordan

 

Tom

 

 

Nick

 Vln. I 

Vln. II

Vla.

   

 

   

 

arco

p arco

p

  

Vlc.

Cb.

f

 Look

out - doors

Grazioso, agitato h. = 56

ff

ff

div. p

  p

  

     

    p

pizz., ben marc.

    p

pizz., ben marc.



p sf



p sf

 

accomp.

 



 



 

 

 

 





for

a





  

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

84

266

 Fl. 1 



 

sf

  



 



  

 



Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

    

Hn. 2



 





 



Daisy











Perc. 1

Piano



Tbn.

Perc. 2

sf

Tpt.

Tuba



 



Ob. 1



sf

 

sf



 

Fl. 2

 

  

min

 -

ute

it's

ve

-

ry

ro

 -

man

 -

-

-

-

-

-



tic

out

Jordan

Tom

Nick

   Vln. I  

Vln. II

Vlc.

Cb.

  

 

Vla.

 

   

  

 

  





sf

 

sf

 

 



  

   

  

 

 





sf

 

sf

 

 

  

 











 

-


271

 Fl. 1    

Fl. 2





p





Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1







 

p

 









 



Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1

p



















accomp

  

 

accomp





Perc. 1

Daisy

p

Tbn.

Piano





Tpt.

Perc. 2

 

Hn. 2

Tuba

  

doors.



There's

a

bird

on

the

 

lawn,

a

Tom

  Vln. I 

 

Vln. II

 

Vla.

Vlc.

Cb.

(pizz.)



  

(pizz.)

 





 

 

   



 

 

   

 

 

   

Jordan

Nick

85

   









 

 

 

   

   


86

276

  Fl. 1 



 





 

Fl. 2

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

    sf

sf

 



 



Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1





 



 













Hn. 2

Tpt.

Tbn.

Tuba

 

Perc. 1

Perc. 2

Piano

Daisy

   

night

-

 - in

p

p



- gale.



 Sing

-

-

-

 

-





 

 -



-

-

-

-

-

Jordan

Tom

Nick

   Vln. I 

 

Vla.

Vlc.



 

  sf

  

Vln. II

Cb.

 



 

 

   

sf

    



 

 

 

 



  



  

 





   

 



-


  Fl. 1  

   

 

   

281

Fl. 2

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1



 

sf

 

sf





   



   

sf

 

sf

 

 









Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

   

  

Hn. 2

Daisy



 





 





 





Perc. 1

Piano



Tbn.

Perc. 2



Tpt.

Tuba



   -





ing

a

-

-



way.



Sing

-

-

-

-

-

Tom

  Vln. I  

Vln. II

   

Vla.

(pizz.)

Vlc.

(pizz.)

Cb.

  sf

 

sf

 

 

 

   

 

 

 



 

  sf

 

sf

 

 



Jordan

Nick

-



 

 





 



87

   


88

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

286







 

 Fl. 1 

  









 





Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

p





 pp

dim.

p

 







pp

dim.





Perc. 1

Daisy

  

Tbn.

Piano



Tpt.

Perc. 2

 

Hn. 2

Tuba



 

  

 -

-

-

-

 -

-

-

-

-



-

 -

-

-

-

 

-

ing

a

-

 

way.

Jordan

Tom

Nick

  Vln. I   

Vln. II

 

Vla.

Vlc.

Cb.



 

   



 

 

   



 dim.

  

 

     

  



 

dim.

 

 



  

dim.

 

dim.

dim.

   

 

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

rit.

291        Fl. 1 

 

      

 

pp

Fl. 2

sf

sf

pp

 

    

p

sf

      p

sf

 



 







89

   

pp

sf

    pp

sf

 

 

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

  



 

Hn. 2

pp

Daisy





p

p

 





pp

pp





  

Tom,

it's

so

 ro

 - man

 -

-

-

tic,

Tom

 

rit.

 

Vla.

 

arco

Vlc.

pp

 

f

 

Ro -

  Vln. I  Vln. II

Tom!

Cb.

Jordan

Nick

Perc. 1

Piano

pp

Tbn.

Perc. 2



Tpt.

Tuba

 

pp

 

pp

pp

sf

 

sf

 

  

pp

 

 

 p sf

  

   cresc.

 

 

 p

 p



p sf

  p

   

 

dim.



dim.

 

dim.

  

 

 









pp

pp

  pp

 

pp

 

   

pp

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Allegro moderato h = 96

90

296    Fl. 1 

  

Fl. 2

  

Ob. 1

p

Ob. 2



Cl. 1 in Bb



 







 p



p

Bs. Cl.





Bsn. 2

Hn. 1

  



 

solo

 p

 

  

senza sord.    



senza sord. 

 

 

 

 

 

 

 

 

 





 





  

  

Jordan



Tom



man

 -

-

  

tic,

 if

  

you say

 so,

Dal-



 

(div.)

Vla.

Vlc.

  

Cb.

  



Jor

  Vln. I  

   

mf

sy.

Allegro moderato h = 96

Vln. II

p



 

Perc. 1

Nick

Tbn.

Daisy

p

 

p

Piano



Tpt.

Perc. 2

solo



   

Hn. 2

Tuba

 p



p

Cl. 2 in Bb

Bsn. 1



 



pizz. p

-

dan,











p

pizz.

 p

unis., pizz.

arco, div.

p

        pizz.   p

p

 

   

            

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

301

 Fl. 1      

Fl. 2

Ob. 1

Ob. 2

 







Cl. 1 in Bb

Cl. 2 in Bb

 



Bs. Cl.

 

  

Bsn. 1

Bsn. 2

Hn. 1







 





     

  



 



  





  







  

  

  

  



al sord.





 

    

 

we

ath

 -

letes



Vln. II

 





Vla.

 





 

 

 

            

are

out

of



f

mf

place

here.





Vlc.



                     



















           

              

   

  

  

Cb.



 

Tom

Vln. I



Jordan

Nick

 

Perc. 1

Daisy



Tbn.

Piano



Tpt.

Perc. 2



Hn. 2

Tuba





 



91







 

 

               (pizz.)  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

92

306

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb









Cl. 2 in Bb

 





Bs. Cl.

        

Bsn. 1

 

 

















mp

cresc.



cresc.

mp

 

mf

legato





mf

legato

  

  

                cresc.



   mf

mp

 

Hn. 2

Tpt.

Bsn. 2

Hn. 1

Tbn.

Tuba





 

Perc. 1

Perc. 2

Piano

Daisy

Jordan

  

Tom

Let's

Nick

    

    

have a look at

the



 







 

Vla.

Cb.

                        (div.)

Vlc.





That's



 

f

 

fine,

but

keep

   in

mind,

 I'm

hor - ses.

  Vln. I  Vln. II

  

  









              













mp

mf

cresc.



cresc.



 

mp

mp

  mp                                 cresc.        mp

mf

 

 mf

            mf

mf


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

311

93

 Fl. 1 

Fl. 2

Ob. 1





 

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb





 

mf legato



dim.





Bsn. 1

  

Bsn. 2

 

Hn. 2

Tpt.

Hn. 1

Piano





 

  p

 









p

p

  

  

    





   off

  

Vln. II

Vla.

Vlc.

   at

 

 



 

  

  

  

                         mf

 

 p



Timp. p





eight.

Tom

[exit Tom and Jordan]

   

 

p

tee - ing

Cb.

Jordan

Vln. I

mf dim.

 Daisy 

Nick





Perc. 1

Perc. 2



Tbn.

Tuba



mf legato dim.



p

        

Bs. Cl.



p











p







dim.

p   p 

dim.

           

dim.

                     p

p

 

Jor

- dan Bak

  

-

er?



















                           


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

94

316

 Fl. 1 

Fl. 2

 

Ob. 2

 

Cl. 1 in Bb

 



Ob. 1

 

Cl. 2 in Bb

Bs. Cl.

dim.

dim.



    



 



 



pp

  



 

 

 p

  

p

pp

 Hn. 1 

Bsn. 1

Bsn. 2

Hn. 2

Tpt.

Tbn.

Tuba

Perc. 2

Piano



p sf

f

chiuso





p sf

f

con sord. (straight mute)



p sf



dim.

Perc. 1

chiuso

 (Timp.)  

 pp

f



 Daisy 

Jordan

Tom

Nick

Vln. I

   

Vln. II

Vla.

Vlc.

Cb.

 (pizz.)

The

fa

 -

mous



gol

   -

 

a - round

 

f



dim.





dim.

 

dim.

 

  

too

much,

 but

fp

you

fer?

              

p

Runs

 

  

pp

         

dim.

 

 

pp



            pp   pp



  div., arco          

  

  f

 

div., arco

 p

p

          

unis., pizz.

f


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

321

  Fl. 1 



p

f

Fl. 2

 

Ob. 1

  

     p

         

  

95

p

mf

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1

 

 p

Piano

mf



mf















p





f

 (con sord., straight mute)



p sf

f

 





Perc. 1

Perc. 2



Tbn.

Tuba







 

      

p sf

Tpt.

p

p

  

Hn. 2



   

mf



f

Ob. 2



  Daisy 

mf

p

could calm

   her

down.

Jordan

Tom

Nick

Vln. I

  

 

 

Vlc.

Cb.



          

div. arco

 

p leggiero

    p

div. arco

 -

 -

sy,

 please!

                   

f

p

 



 

 

rne



 

a - bout

  f

the

ba -

                                     mf

   

  

Tell

p

    p

pizz.

f

Vla.

Dai

 

Vln. II



  mf





  

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

96

326 

 Fl. 1  

Fl. 2

Ob. 1

mf



mf

 

Ob. 2

mf

Cl. 1 in Bb

Cl. 2 in Bb

  

 p

 

 





 to English Horn



p

Moderato, agitato q = 96

rit.





p

pp



   

 

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1



 



 

  

p

pp

 







pp

 



pp

  

  f

  

 

f

f

 

 

Hn. 2

Tpt.

Tbn.

Tuba

f

pp

f

pp

  

 

fp

fp

 

 





 Daisy 

 

Jordan

Tom

Perc. 1

Perc. 2

Piano

Nick

mf

 

-

 Vln. I 

by.

 I

 

sup - pose

gliss.

Vlc.

Cb.

talks,

and

mfp

mf

she

mfp

gliss.

  unis.

 

eats,

 and

ev

-

 

Lis - ten

 

 gliss.

 

 gliss

p

.

  arco

gliss

p

gliss

 p

.

 pp

.

 pp

 

 

arco

f

pizz.

f

 

I'll

Moderato, agitato q = 96

ery - thing?

f

rit.

unis., arco Vla.

unis.

  

Vln. II


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

97

 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Fl. 1

 

Bsn. 1

Bsn. 2

Horn 1 in F

 

 



 

 

  

Hn. 2 in F

Tbn.

Tuba



pp

mf



pp



fp

fp

 

 

fp

fp

Tpt. in C

mf

pp

mf

pp

mf

 

 

  

fp

 

  

fp

fp

fp

fp

 mf pp sub.

mf pp sub.



fp

    

fp

mf pp sub.

 

fp

pp sub.

   

 

 

 

 

 





Perc. 1

Perc. 2

Piano

 Daisy  

  

 

tell you what

I

3

 

said,

when she

was

   

p

f



born.

She was

an hour

3

p

old

and

Tom

Jordan

Tom

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.

 

 









 

 

 

 










Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

98

336

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.





Bsn. 1

Bsn. 2

Hn. 1

fp



 

 





fp

fp

  

Hn. 2

p





fp

p

 



fp

   



 



   



 



    



 

    

 

  

p

fp

fp



 

 

fp

p



p

p

Tbn.

Tuba





Tpt.

 

3

 

3

 

3

 

           

             

  

Perc. 1

Perc. 2

Piano

  Daisy 

     f

was God

knows

 

 

where.

I

  

said, "al-right,

  I'm

    3

glad

it

is

a

girl,

    and

I

hope

Jordan

Tom

 

Vln. II

Vla.





Nick

Vln. I

Vlc.

Cb.







 



 

3

3

3

3

             

                  

 

she'l

 

pizz.

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

341

99

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

 

Bsn. 2

 

Hn. 1

f



   

f

  



 

 

Hn. 2

 

f

 

f

 to Cbsn.



Tpt.

Tbn.

Tuba





   

 

 

Perc. 1

Perc. 2

Piano

Daisy

    be

  a

fool;

ff

 

the

 best

  thing

  a

 girl

   

can

be

 

in

 this



world

3





3

a

beau - ti

- ful

Jordan

Tom

Nick

 pizz. Vln. I   unis., pizz.

 

Vln. II

Vlc.

Cb.

f

 f

 



    

 

pizz.

Vla.

  

    

     

f

(f)

 

(f)

    

3

lit

- tle


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

100

346

 3  Fl. 1    p

 3



3



Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

p



 3

3

 

   3



p

   3

p

 

 

3

p

3



3

3



pp







Tpt.

Tbn.

3

 

3

Hn. 2

Tuba

3  

Perc. 1

Perc. 2

Piano

p

   Daisy  p

fool."

3

  3

Where is





the

old

warm

  



 3

world?

 sf

Tom

   Vln. I   

 

I've been ev

Jordan

Nick

3

-

arco

3

p

3



Cb.

  

Vlc.

arco

  p

  

3

3

 arco

Vla.



Vln. II

 

3

   p

 

 3

  



  

    3

3

 3





 

 3

3



div.

 



3



  

3

ery -where,


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

351

101

rit.

 Fl. 1 

 

Fl. 2

 

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

B. Cl.

 

 

 

Bsn. 1

Bsn. 2

Hn. 1

3



 







3

 3



3

 

 

 

 

 

Tpt.

3

 

3

   

3

3



3

  

3

  

 

 



 

 

 



 

 

 

 

Tbn.

Perc. 1

Piano

 3

Perc. 2

3

Hn. 2

Tuba

3

 

 Daisy  

3



sf 3

3

  

I've done ev

-

ery -thing,

3

3

 

sf

3

   

so - phis - ti - ca - ted,

 sf 3

  

so so- phis

3

    -

ti - ca - ted,

Jordan

 

Tom

 

 

Nick

Vln. I

 

 

 

Vla.

Vlc.

Cb.

3

  

3



 

3

 

 

3

 

dim.

 

dim.

 

dim.

 

3

p 3

3

p arco

Vln. II

3

rit.

3

3



 

 

3



  

3

 3



3  

unis.

3

  f

(pizz.)

3

 f

 dim.

 dim.

3

3

 

3

       



     p

 



 

3

3



p


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Con moto h. = 48

102 Fl. 1

356   

a tempo

cedendo

 

 

cresc.

 

 

cresc.

 

 

p frullato, evidente

Fl. 2

 

Ob. 1

 

Ob. 2

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

B. Cl.

p frullato, evidente

 

Bsn. 1

 

Bsn. 2

  

  

Hn. 2

 

Tpt.

 

Tbn.

 

Tuba

  

  

 

 

  

 

 

  Daisy  

Jordan

 

Tom

 

Nick

  

Hn. 1

Perc. 1

Perc. 2

Piano

p

Where

Con moto h. = 48

Vln. I

   

  

pp

Vln. II

pp

Vla.

Vlc.

Cb.

  

pp

   

is

the

cresc.



old



warm







f pp sf sub.

 

f pp sfsub.



 



cresc.

  

f pp sf sub.

 

div.

pp

    pp

cresc.

 

cresc.

we

re

- call

from

a tempo

cresc.

cresc.

p



world

cedendo

f

f pp sf sub.

cresc.

cresc.

cresc.

cresc.

       


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

362

 Fl. 1  





 





Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.





mp dim.

mp dim.

103

animando 

p

p

 

Hn. 2

Tpt.





Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

  Daisy 

long

a

 

mf

-

go

p





and

where

are

the

soft

 and

Jordan

Tom

Nick

Vln. I

  

 

Vln. II

mp

  

Vla.

   

Cb.

 

mp

dim.



dim.

 



  

dim.

 

 

 



p

p

dim.

  

mp



mp

div.

Vlc.

animando

 

   

p

  p









 

 

unis.

  

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

104

368

 Fl. 1 

Fl. 2

Ob. 1

Più animato h. = 56 

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

 

Hn. 2

Tpt.





Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

  Daisy 

balm

-

-



y

nights

when

we

cresc.

 danced

un

 -

til

 

the

dawn

Jordan

Tom

Nick

 Vln. I  

  

Vln. II

Vla.

Vlc.

Cb.



Più animato h. = 56 







   



 







  

 



 (pizz.)







p delicato



cresc.

 

cresc.

 

cresc.



cresc.






















Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

374

 Fl. 1 

Fl. 2

Ob. 1

rit.

Ob. 2

Cl. 1 in Bb

105

A tempo h. = 48 

Cl. 2 in Bb

B. Cl.

 Hn. 1 

Bsn. 1

Bsn. 2



solo

solo

p accomp.



 



 

 



Hn. 2

Tpt.





Tbn.

Tuba

p accomp. 

Perc. 1

Perc. 2

Piano

  Daisy  glowed

f dim.





in

our





tired

eyes?



p



Now

the





world

is

un

-

sf

set-

tled

Jordan

Tom

Nick

Vln. I

   

Vlc.



f dim.

  

Vla.

Cb.

Vln. II





 



 



 

f dim.

 

 

A tempo h. = 48

rit.



f dim.

arco



 mf



f dim.



  p

 

 



p



 p

 

 

pizz. p





  




106

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Più animato h. = 56

animando 380  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Fl. 1

Bsn. 1

Bsn. 2

Hn. 1

  

Hn. 2



 











mf

mf

p







Tbn.

p

Tpt.

Tuba



Perc. 1

Perc. 2

Piano

Daisy

  

 now

ther's

a

feel-

 f

 - ing

we

are

blown,

 

we



are

tossed,

Jordan

Tom

Nick

Vln. I

 

Vln. II

Vla.

Cb.

   

 p

 

 div.



mf

Vlc.

Più animato h. = 56

animando



  

  



 p

  

 f



f

sf



sf





 





 p



f





  



p

p

f

 f

f

 sf



sf


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

107

rit.

386

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Bsn. 2

 

 

pp Contrabassoon

 

pp

 

Hn. 2

Tpt.





Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

  

 

we





are

dri

 -

-



ven

here





and



there.

Jordan

Tom

Nick

 Vln. I    

Vln. II

 p





p

 

Vla.

  

Vlc.

Cb.

 

 p







 





f

f

sf

 sf

 

f

 

rit. 

dim.





unis.

dim.

  



dim.



dim.



 

  

 



 





p sf

 



p sf



 

dim.

 

arco



 


108

a tempo

391

 Fl. 1  Fl. 2

Ob. 1

Ob. 2

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1





fp

 fp

 fp









fp





fp

 



fp

English Horn





fp





fp







Cl. 2 in Bb

B. Cl.

Cl. 1 in Bb

Bsn. 1

Cbsn.

 Hn. 1 

fp

fp









 











 



sfpp

sfpp

fp

fp

fp

fp

Hn. 2

Tpt.





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

   Daisy 



p

p

Where

Vib.

 f

is

the

 f

 

old

warm

 

 

 



world

Jordan

Tom

Nick

a tempo

 Vln. I   

Vln. II

 

Vla.

Vlc.

cresc.

cresc.

 

 f



 

 f

 f

 

div., pizz.

pizz.

pizz.









 











 



sfpp Cb.

sfpp

fp

fp

fp

fp


 Fl. 1 

397 



fp



fp

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

 

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1





 





 

mfp





 





 

mfp



mfp



fp

mfp

 



fp







fp

109

mfp

mfp

mfp

mfp



mfp

   

mfp

Cl. 2 in Bb

B. Cl.

Bsn. 1

Cbsn.

Hn. 1

 





fp



mfp

mfp





mfp

mfp

fp



Hn. 2

Tpt.



Tbn.

Tuba

Perc. 1

   Perc. 2

Piano

 

 

 

 

Jordan

Tom

 

Vln. II

Vla.

Vlc.

 that

   Vln. I 

Cb.

 



 Daisy  

Nick

 

 

 we

sf

 knew

 

 



fp

 

In

the

 

mf

mf

mf



mfp



mfp



south?

(pizz.)

 fp

sf

    

mfp



mfp


110

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

403  





 





 Fl. 1  

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

fp

  fp

fp

    fp















f



f



f

f



fp

f

 



 



 



fp

fp

fp





 



fp

fp

Cl. 2 in Bb

B. Cl.

Bsn. 1

Cbsn.

Hn. 1

 

 f

 f





 

to Bsn.

Hn. 2

Tpt.





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 

Gone

-

e

-

-



gone

Jordan

Tom

   Vln. I  f

Vln. II

Vla.

Vlc.

 f

 f

 f

Cb.

 f

ver,

Nick

for

 





 

     


molto rit.

409   

 Fl. 1  

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1



  

f



  





fp

 



f



fp

  

   

f

 



fp

f



111



fp

 

 

 

 

 

Cl. 2 in Bb

 

B. Cl.

 

 

 

 

 

Hn. 2

 

Tpt.

 

 

 



 

 

 



 

 

 

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Daisy 



for

-

 e

-

-

-

-



[enter Tom and Jordan]

-

-

-

-

ver.

 

 

 

 

Tom

molto rit.

-

 

-

Jordan

Nick

-

 Vln. I 

Vln. II

 

Vla.

 

pizz.

Vlc.

pizz.

Cb.

 

 

 

 


112

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Teso q = 96

Fl. 1

415   

 

Fl. 2

     f    

Ob. 1

Eng. Hn

f

Cl. 1 in Bb

 

 

   

   

p

p

 

p

p sf

Cl. 2 in Bb

p sf

  

B. Cl.



p

   

     

   

p sf

Hn. 1

p

   

Bsn. 1

Bsn. 2



p sf

 p

f

Hn. 2

 p

f

st. mute

   

Tpt.

via sord.

p sf

  

  

  

 

 

  

 

  

   

 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

Nick

  

  Vln. I  

p

 

A

  

Tom

Teso q = 96

-

about

3

 

the



 end

of

f

3

Hav - ing

 a

 

3

lit - tle

heart

3

 

to

heart?

Vln. II

  

Vla.

  

Vlc.

  

  

Cb.

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

418

 

 

  

 

 

 Fl. 1 

p

 

Fl. 2

Ob. 1

p

(p)

Eng. Hn

Cl. 2 in Bb

B. Cl.

Bsn. 1

Hn. 1

 

p

 

  

    

(p)

Tuba

 

Tbn.

p

Piano

 

pp

 

 

 sf

 sf

 

 

 

 

 

   pp

 

senza sord.

   

pp

 

 

pp

 

   pp   

pp

pp

 

 

 

 

  

al sord. "bucket"

 

 

 

al sord. (bucket)



f

ci

Jordan

Tom

-

li - za

-

  

 

-

tion.

 p

(to Nick)

  p

   p

(pizz.)

3

  

 ev

be -lieve

3

  

- ery -thing





you hear.

 

 

   p

 

 

 

pp

pp

 

 

 

 

 

 

 

 

 



sf



sf

p



Nick,

 

p

 

arco

arco

vi

p

Vlc.

3



Don't

  

Vla.

-

 

arco

Vln. II

 Vln. I 

Cb.



 Daisy 

Nick

 

Perc. 1

Perc. 2

Tpt.

 

(p)

 

 

Hn. 2

(p)

Cl. 1 in Bb

Bsn. 2

  

113


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

114

422

 Fl. 1 

Fl. 2

Ob. 1





Cl. 1 in Bb



p



pp

legatiss.



pp

 

Cl. 2 in Bb

legatiss.

  

Eng. Hn









legatiss.

p

p

legatiss.



p

 

Hn. 2

Tpt.





B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 



Jor

- dan

has

been





read - ing

to

us

3

from

the



3

Sa - tur - day



Eve - ning

Jordan

Tom

 

Vln. II

Vla.

Nick

Vln. I

Vlc.

Cb.

Post


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

425

115

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn



  



Cl. 1 in Bb



Cl. 2 in Bb

 

 

Hn. 2

Tpt.





 Daisy 

Jordan

Tom

B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Piano

Nick

Vln. I

 

That's

Vlc.

 

p

Vla.

p

 

 

Vln. II

Cb.

 

 



Perc. 2





not

for

me,

Daisy and Tom group around Jordan, who sits on a couch, reading quiely.

 

but

 go

Nick comes forward to the windows, his voice dominates the following.

a - head.



I'll

en

- joy

pp legatiss.

pp legatiss. div.

 

pp legatiss.

 

 

 

  

 

your


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

116

429 

Tranquillo (l'istesso tempo)

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

 

Hn. 2

Tpt.





 

Fl. 1

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

Jordan

Tom

Nick

Vln. I

view.

 

(div.)   

Vla.

Vlc.

3

We

 

were here:

  

Vln. II

Cb.

 

p

Tranquillo (l'istesso tempo) 

p

div. (pizz.)

(pizz.)

pp

 



p

here

p

So

 

  

 3

pp

   p

pp

3

f

p

cant.

 



I

am

 



   

 

with


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

117

 

Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C





 

Fl. 1

Bsn. 1

Bsn. 2

Horn 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 

Jordan

Vln. I

"My

name

  two

 3

old

friends

    

Vla.

 

Vlc.

 

    

5

is

  

Vln. II

Cb.

 

Tom

Nick

parlando

Ju - dy



I

scarce

Jones

5

and

I

live

in

5

a

house

o - ver

5

there

on

  -

ly

know,

    

the

is

 -

land,

two

 



who

drift

 

 



   

  here


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

118

436

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn

 pp

 pp



Cl. 2 in Bb

B. Cl.

 

Hn. 2

Tpt.





Cl. 1 in Bb

Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

pp

 

pp

Perc. 1

Perc. 2

Piano

 Daisy   

and

in

that

house

 

  

and

 

Jordan

Tom

Nick

Vln. I

Vln. II

 

3

is

a

 -

rest

- ful - ly

for

me."

pensoso

"A

man

 



 

  

 wher

-

ev - er

 5

peo - ple

 play

 

p

pp

 

 

pp

 

 

 



p

 

pp

po - lo

p



wait - ing

 

3

man

 un

 

Vlc.

there

 

Vla.

Cb.

pp

5

and are


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

439

119

 Fl. 1 

Fl. 2

Ob. 1

 

  



p

Eng. Hn

p

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

 

p

 

p

 

Hn. 2

Tpt.





Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

    

Jordan

Vln. I

wait

-

"When he

   rich

drove

up

at

to

  p

-

geth

(div. pizz.)

Vlc.

 

5

me."

the

door

 



I

dove

out

of

 -

er.



5

the

dock

 

be - cause



 

he

says

I'm

 

 

And

 one

   

p

 

for



   

Vla.

3

ing

 

  

Vln. II

p

Cb.

5

 

Tom

Nick

 

3

new

friend,

 

 



    

 

 

less

gen

 -

tle


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

120

442

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn

 

  



Cl. 1 in Bb

 

Cl. 2 in Bb

B. Cl.



 

 

 

Hn. 2

Tpt.





Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Daisy    

Jordan

his

Vln. I

i

-

 

"His

 i

-

-



-

-

-

 -

deal?"

 



than

she

seems.

cresc.

 -

 

  

-

-





-

-

-

Vlc.

(pizz.)

 

 

 

 



 

 

 



    

 

5

-

 -

 

 

-

Vla.

-

  



  

Vln. II

Cb.

 

Tom

Nick



-

"There was

-

 a


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

445

121

 Fl. 1 

Fl. 2

 

Ob. 1

  

Eng. Hn



 

 

B. Cl.



dim.

Cl. 2 in Bb





pp

dim. Cl. 1 in Bb

pp

dim.

pp

 



dim.



pp

 

Hn. 2

Tpt.





Bsn. 1

Bsn. 2

Hn. 1

Tbn.

Tuba

 

bucket mute

pp bucket mute

pp

Perc. 1

Perc. 2

Piano

Daisy

fp   

deal

 

Jordan

  

fish jump- ing

Vln. I

a

star

shin - ing

 



and the lights

    a - round the

lake

 

 

Vlc.

 

were gleam -ing

then

 

 

 



When

I

came back

dim.

pp

 

 

pp

 

 

dim.

    

pp

rest - less

dim.

  

she was in

the

  

Vla.

  

Vln. II

Cb.

and

  

 

Tom

Nick

  

  3

from the


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

122

448

 Fl. 1 

Fl. 2

Ob. 1

 

  

Eng. Hn

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

p  p



Tbn.

Piano

 

 









 









Jordan

wa -

 

pp



  

Great

 

ter,"

 

War,

p

 

Vln. II

"she was

 

Tom

p

the

wa p

 ter."

pp



"In

pp

the

sf

wa

 -



 



the

mid - dle



ter!"

west,

   



 "swim -

ming

with

 a

 



warm

cen

   

 

(div., pizz.)

  

sin - u - ous crawl,



 

 

3

my

   

p

Vlc.

in

p

 

   

Vla.

Cb.

mp

Vln. I

 Daisy  

Nick

Perc. 1

Perc. 2

  p  

Tpt.

Tuba



Contrabassoon

 

Hn. 2

 

  Bsn. 2  Hn. 1

 

 

Bsn. 1

    

 

 -

ter

 3

of

 the


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

451

123

 Fl. 1 

 

Fl. 2

Ob. 1

  

Eng. Hn

Cl. 1 in Bb

 

Cl. 2 in Bb

B. Cl.

Bsn. 1

Cbsn.

Hn. 1



 

 

 



 

 







 

 





 

Tpt.

 

Hn. 2

 





 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 

Jordan

Vln. I

arms

burnt

  

to

3

 

 

 



  

3

stab - bing

the

sud - den - ly

 

but - ter - nut

3

world

  

Vlc.

 

 

Vla.

3

  

Vln. II

Cb.

her

Tom

Nick

 

3

path

 

seemed

the



 

rag - ged

a - head."

 

 



 

"A



  

 

of

the

crawl."

 

 

    

 

edge

 

 

sin - u - ous

 

3


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

124

454

 Fl. 1 

 

Fl. 2

Ob. 1

 

 



Bsn. 1

Hn. 1

 



 



 

 

Hn. 2

 pp

 pp





via sord.

pp

pp



   

  

   un

Vln. II

  -

 

That's

sin - u - ous



 

(pizz.)

 

 

good.



 



 

 



Will

I

stay

  

 

pp

pp

 pp

was



pp

dim.

 

 

her

pp

 

dim.

dim.

 

 

Wateh - ing

i - verse.

 

pp

crawl."

 

Vlc.

dim.



  

Vla.

3

Tom

  p

"A

p

Cb.



Jordan

Vln. I

via sord.

 Daisy  

Nick

Perc. 1

Piano



Perc. 2

pp



dim.

dim. Tuba

dim.

 

Tbn.

(bucket)

 

 

Tpt.



 

B. Cl.

Cbsn.

pp

pp

dim. Cl. 2 in Bb

pp

dim.

Cl. 1 in Bb

pp

pp

dim.

  

Eng. Hn


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

457

 Fl. 1 

p dim.

pp

Fl. 2

125

p dim.

pp

Cl. 2 in Bb

B. Cl.

 

Hn. 2

Tpt.





Ob. 1

Eng. Hn

Cl. 1 in Bb

Bsn. 1

Cbsn.

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Daisy

 

 

 

Jordan

Vln. I





with - out

ef - fort

Vla.

 

dim.

 

Vlc.

 



to

the

eye,

3



 

mem - ber

 

pp

 





wateh- ing

a

branch

3

wav - ing,





of

a

sec- - ret

 

 

 



p

  



       

 



  

pp

 



  

 



 

 

  

3

or

a

 

 

pp

so - ci

pp

  

p

  dim

 

 

pp



Fringe

dim.

p

  



p

  

pp

  

here?

p



 

  

  

Vln. II

Cb.

 

Tom

Nick

p ma evidente

 



sea - guil

 -



e - ty


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

126

460

 Fl. 1  Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

 

Hn. 2

Tpt.





Bsn. 1

Cbsn.

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 

 Daisy 

3

fly - ing.

Tom

Nick

Vln. I

  



 

 



 

to

which



'What's your name',

 

shout - ed.

  3

I



will

ne

- ver

 

  be

-

 

'Come



long.

    

 



  





 

for







 

 

    

 



  



pp

So

bold,

 

din - ner!'"

   The

 

 

 

 

  

she

  

Vlc.

  

 

Vla.

Cb.

 

  

Vln. II



 

  

Jordan



  

 

   

 

 

  

  I

te - le - phone.

  

pp

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

463  Fl. 1  

Fl. 2

127

p

pp

 



p

pp

Cl. 2 in Bb

B. Cl.

 

Hn. 2

Tpt.





Ob. 1

Eng. Hn

Cl. 1 in Bb

Bsn. 1

Cbsn.

Hn. 1

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 

  Daisy 

   

p



so

bold.

 

Jordan

Tom

 



this

p

Nick

Vln. I

 Si

   

Vln. II

 

 

 



Ju- - dy

-

-

-

-

 



 

"His

heart turned

 

o - ver

lent

now.

f

 

But

like

the

fly - wheel

5

of

the

 

some - thing

tells

me

boat."



 

to

te - le - phone.





pp

 p

pp

  p

 



p

 

5

Jones.



 

Vlc.

 

Vla.

Cb.

  p

pp

 

like



 

    

 



  

   



 

p

p

   

  

 

 

pp

 

for

the


128

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

466

 Fl. 1 

fp



Fl. 2

Cl. 1 in Bb

Cl. 2 in Bb

B. Cl.

Bsn. 1

Cbsn.

   

Tuba

Piano

Daisy

  

p marc.



f

  p

  p

 

  

f

f

f

  

senza sord.

f

p

p

 

 mp

 

 

 

  

   

 

   p

 Jordan, Daisy, and Tom join Nick.

 be

 

 

3

con - tin -

sf

   

 

 

 

 

 







 

 

 

is - sue."

  

 

 

It

must be

ten



mf

o' -

   

    

 

 clock.

 

 

 

f



 

 

f

3

in our next

   p 

   

ued

 Vib.

po - lice

non div.

 

  

f

p

 

  

f

f unis., arco

   f

f

Chimes, sempre l.v.

 

  Vln. I  

Cb.

f

p

Vlc.

Vla.

Vln. II

   p

  

p marc.

fp

"To

Nick

f

 



Tom

f

Jordan

f

fp

Perc. 1

Perc. 2

 

senza sord.

Tbn.

p

Tpt.

 solo Hn. 1   Hn. 2

 

 

f

fp

Eng. Hn

fp

 

Ob. 1

arco

   f

  

p

  

unis.

 

   

p

    

  

p

 

 

  

   p

f

 

f


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Allegro moderato h = 96 470     Fl. 1 

 

Fl. 2

Ob. 1

 

  



   



  

f

Eng. Hn

 p

f

Cl. 1 in Bb

p





 p





Cl. 2 in Bb

 

B. Cl.

 

 

Bsn. 1

Cbsn.

Hn. 1

 

Tpt.

Tbn.

Perc. 1

Perc. 2

Piano

Daisy

  

  

Hn. 2

Tuba



 

p



non sost.



 



 



 



 

 







p

p

non sost.

non  sost. 

 

 

p

non sost.

129

p

 

 

 

 

 f

 Timp.    

f

 f  

 

Ten

    f

Jordan

  

Ten

f

Tom

Ten

f

o'-

-

 

-

 -

clock;

o'-

-

-

clock;

o'-

 

-

-

clock;

-

 

Ten

o'-

 

  Nick  

 

ten

 o' -



clock

  ten

clock;



o' -

clock



ten

o' -

Allegro moderato h = 96

  non div.   Vln. I   f

non div.

   

Vln. II

f

non div.

   

Vla.

f

non div.

Vlc.

non sost.



p

  

 

f

Cb.

 f

 clock


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

130

474

 Fl. 1 

Fl. 2

Ob. 1

 



 



Eng. Hn

 

 

 

 

 

 

 



cresc.

 



 

cresc.

Cl. 2 in Bb

B. Cl.

Bsn. 1

Cbsn.

Hn. 1

   p

Hn. 2



mp







cresc.

cresc.









Tbn.

Tpt.

Tuba



p

mf

Cl. 1 in Bb

Perc. 1

Perc. 2

Piano

 Daisy  

 

to

go.

Jordan

time

Nick

Vln. I

Nick



and

Jor

-

dan,

 

 I

think

I

will

ar

Tom

in fuori

 

I

should

be

go

-

range

a

-



 

It's

 late.

ing.

 

Vln. II

  

Vla.

Vlc.

Cb.

  

  

It's

cresc.



 

 

pizz. p


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

478

131

 Fl. 1 

Fl. 2

  

Ob. 1

f

  

Eng. Hn

   f

 

dim.

f

Cl. 1 in Bb

 p









p

p



 

Cl. 2 in Bb

B. Cl.

 

Bsn. 1

Cbsn.

Hn. 1

solo



  f



  

  





 













 





mf

 

 sf  

  

Jordan

Tom

-

-

  

f dim.

div.   

mp

 

 

gol - fers

f dim.

Vlc.

 

unis.    

Vla.

 

riage.

f dim.



and

unis.    Vln. I 

Vln. II

  

late

 



need

their

 

 

 

 

 

p

  

 



mf

mp

 

I'll

lock

you

up

sleep.



in

train - ing.

p

p

  

  

You're

   



  p

f dim.

Cb.



mar

Nick

Perc. 1

Daisy



Tbn.

Piano

Tpt.

Perc. 2

p

f

Tuba

p

f

Hn. 2



 p

 

 

in

the

li - nen

 

clo

What's

  -

 

 p

 

non div.

 

mp



sets,

go - ing


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

132

482

 Fl. 1 

solo

solo

 p







Ob. 1

Eng. Hn

Fl. 2

Cl. 1 in Bb

 



 





p

Cl. 2 in Bb

p

B. Cl.



Bsn. 1

  

 

Cbsn.





p

 

 

 



con sord., non sost.

con sord., non sost.

p

 p

 





 





 

Tpt.

Tbn.

Tuba

p

p

 Hn. 1    Hn. 2



Perc. 1

Perc. 2

Piano

Daisy

 

Jordan

   

Tom



We'll



Vln. I

I'll



push

you

gain._

out

to



 

sea

I'm

sure

we'll

meet



 Dai

-

 

sy

  

Vla.

Vlc.





a -

gain

a



 p

 

tries

 

in



 

Vln. II

Cb.



meet

on?

Nick

to

 

at

the

 

 

mf


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

486

 Fl. 1 

Ob. 1

Eng. Hn

 

f

Fl. 2

f

 

f dim.

Cl. 2 in Bb

Hn. 1

      

f

Bsn. 1

Cbsn.

solo

   

  





Cl. 1 in Bb

B. Cl.

     



 





  





 





 p



p

f





Tpt.

Tbn.

Tuba



p

f

Hn. 2

133

Perc. 1

Perc. 2

Piano

 Daisy 

Tom

Vln. I

  

sf

  

Vln. II

Vla.

 

 

make

a

mateh.



  f

dim.

 f

f

 

  

f

 

your

neigh - bor

 

 



my

neigh

 -

bor,

you

 p

  

 p

 

 

 

 

mf

 

   p

non div.

 

mp



  

 

to - geth

 

es - capes

-

er

me!

 

dim.



at

 

p

  (pizz.)

fling

sf

Some -thing

at

dim.

per - haps

par - ties





sf

I'll

  

dim.

mf

   

Vlc.

boat.

f

Cb.

Jordan

Nick

f

 my


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

134

490

 Fl. 1 

Ob. 1

Eng. Hn

Cl. 1 in Bb





Cl. 2 in Bb

  





Fl. 2

B. Cl.





 







 

 (con sord.)  

Hn. 2

(con sord.)





 

Cbsn.

To Sop. Sax.



p









 

 

p

p





Tpt.

Tbn.

Tuba



p

 

Bsn. 1

Hn. 1



Perc. 1

Perc. 2

Piano

Daisy

  

 

Jordan

Nick

Vln. I

 

your

neigh - bor

  

Vla.

 



neigh - bor

Gats

some - one

 

-

 men

-

tion

 

 

AII

 





this

talk

of

-

-

by,





Vlc.

Cb.



by,

  Gats

Vln. II

 



Did

Tom



 

pizz.

 p


494    Fl. 1  f

  

Fl. 2

f

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Ob. 1

    dim.

Eng. Hn

135

f



p cresc.



f



mf

Cl. 1 in Bb

Cl. 2 in Bb

 

B. Cl.

Cbsn.

Hn. 1

   f

Hn. 2

      



ff

Bsn. 1

solo

 





 

     

 sf

      

 

   

 

via sord.

via sord.

 











f





f  

Tpt.

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

sf   Daisy 

 

 

 

sf



 

Gats-

by,

Gats

-

by,

sf

 

Jordan

  

Gats

-

Gats

-

sf

Tom

Nick

 Vln. I 

Vla.



 

fsf



 

 

Cb.

 

 f

 sf  Gats

p cresc.

 

Gats

-

 

 

 



 

 

 

-

by,

p

  fsf

fsf

fsf

 

 

 

p



p

  p



p

 



by,

f

 

by,

 Gats

by,

sf

fsf

 

-



  

Gats sf

fsf

 



-

sf



fsf

p

 



 

f dim.

sf

 

 

p

 

 

p

fsf

fsf

Vlc.

  

 

by,

 

Vln. II

by,

 

 

p

 

mf



  

 




Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

136

Interlude: from the Buchanans' to the Valley of Ashes

Fl. 1

498 

Fl. 2

Ob. 1

   ff

  

Eng. Hn

To Ob.

solo

 

   





ff

 

 

Soprano Saxophone

Sop. Sax.

  

B. Cl.

Bsn. 1 Cbsn.

sf

Tbn.

Tuba

 

fsf



 

 

 

f

 

  

sf 

Gats

-

  

-

Gats

-

 

 

 

Vlc.

Cb.

 

 



fsf



pizz. f

  

p

p

p

 

 

 

 

 

 

 

 

 

p

 

  

dim.

dim.



by!

fsf

 

by!



fsf

 

dim.

 

Interlude: from the Buchanans' to the Valley of Ashes

sf

dim.

by!

sf

 Vln. I 

 

 

by!

sf

Gats

 

 

Telephone rings, scene fades.

-

 

sf

ff

 

  

 

sf

 

Gats

Vla.

 

 

sf

Vln. II

Vib., no pedal

   

 

sf   Daisy 

Nick

   

    

 

sff

Trg., solo

Tom



Jordan

Piano

sf

Perc. 1

Perc. 2

 

  



 

   

   f sf

 

(senza sord.)

ff

 

f sf

 

ff

(senza sord.)

Tpt.

 

  Hn. 1  Hn. 2

  

ff

f

Cl. 1 in Bb

 

  



 

sf



 



  sf

 sf

 



 

 

 

  


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

poco animando

502

 Fl. 1 



Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

                 

 

 

   ff Oboe

     

                          cresc.

ff

sf

137

 sf

     sf

Sop. Sax.

B. Cl.

Bsn. 1

Cbsn.

Hn. 1

  

    

  

    

Hn. 2

Tpt.

Tbn.

Tuba

cresc.

  



  



f    

sf



  



  



  

cresc.

sf

cresc.



        

(Vib., no pedal)

   

(Trg.)

    

sf

Piano

sf

Perc. 1

Perc. 2

f

f



     

 

cresc.

  

 

      sf

sf

  

         

 

Jordan

Tom

Daisy

Nick

Vln. I

  

Vln. II

Vla.

Vlc.

Cb.

  





  

 

  





  

    

  





  

    

  

 

    

poco animando

 



 

  

   

 

 


138

h = 112 

507 

Fl. 1

 

ff

 

Fl. 2

Ob. 1

Ob. 2

Sop. Sax.

ff

  ff

        ff

 ff

Cbsn.

Hn. 1

ff



   

  

  

      

     

   

   



 

     

    f

 

mf

f

f

           

  

  f

 

mf



ff

 

             

(Vib., no pedal)

ff

f

    

 

    ff 

(Trg.)

  

Vln. II

Vla.

ff

Vlc.

   

             

 

 

 

f

ff

ff

 

  

ff

 

 



f

f

   

ff

arco

         



   



   

ff

           

fsf

h = 112

arco

Cb.

Perc. 1

Vln. I

f

 

Tbn.

Piano

ff

      



  

      



     

  

Tpt.

Perc. 2

ff

Tuba

ff

  

Hn. 2

     

      

ff

  

        

 

Bsn. 1

B. Cl.

ff

 

Cl. 1 in Bb

        

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

  

 

f

       

 

   

non div.

              ben articulato

div.



mf

 

 

    

 

     

 

f

f




513

  Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

f

139

 

Fl. 2

Ob. 1

          

          

Ob. 2

Cl. 1 in Bb

Sop. Sax.

B. Cl.

f

mf

         mf

        mf

mf

  



 



 



f

 

Bsn. 1

mf

 

      

f

Cbsn.





  

   





 

Hn. 2

Tpt.



Hn. 1

Tbn.

Tuba

Perc. 1 (Vib., no pedal)

 

f

Vln. II

Vla.

                   

               sf

  

 

Vlc.

ben articulato

             

   

         

 

 

f

 Vln. I  

  

Cb.

   

(Trg.)

Piano

      

 Perc. 2

 

mf

       

                                         

 

mf

 

         

                     

                           

       

 

 

unis.

  





  



   









  



   






Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

140

        519                                          Fl. 1    f

cresc.

     

 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Sop. Sax.

f

Hn. 1



 cresc.



ff

 ff



      

 

 







        

        

                    mf

    

     

f





  





mf

mf

 





f

cresc.

cresc.



f

 

ff



mf

ff











 

ff





ff

mf Tuba

Tbn.

legato

cresc.

 

Tpt.



        

  

Hn. 2





 

ff

       

cresc.

Cbsn.

     

cresc.

  

Bsn. 1

                                 

 

B. Cl.

più legato

        

Perc. 1 (Vib. no pedal)

 

   

    

mf

f



Perc. 2

                     

Piano

 

 

mf

cresc.

                  

 

   ff

                                                  Vln. I 

Vln. II

Vla.

cresc.

             cresc.

Vlc.

Cb.

    

 

più legato

                               

     

cresc.

     

     



  

f

 

  

mf

mf









       

   

ff

        

legato

ff

 

 







ffsfz

cresc.



 ffsfz

cresc.




525    Fl. 1     

Fl. 2

Ob. 2

dim.

f

p

   

    

   

f

p

f

dim.

p

     



     

 



     

  

   

f

 

Hn. 2

 

     f

       

      

         f



    





     

    

     

     



     

    

p

p

    

     

      

          

     

  

      

f

 



  

     

      

 

    

 

f

 

f

dim.

       

  

sf

f

     div

 

 

f sf

 

p

dim. dim.

dim.

   div.

 

 

f

 

f                  f

p

dim.

f

             

 

div.            

div.



Vlc.

    

Vla.



Vln. II

    

f

dim.

             



f

   

   

   



dim.

dim.



f

       

f

 

141

        

     

f

f

   Vln. I 

Cb.

     

Perc. 1

Piano

f sf

  

Perc. 2

f

   

Tbn.

       

  

  

Tpt.

Tuba

f sf

p

   

f sf

p

dim.

   

 

Bsn. 1

Hn. 1

  

f

f

Cbsn.

  

f

p



B. Cl.

dim.

 

Sop. Sax.

       

f

   

Cl. 1 in Bb



   

Ob. 1



        

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

           p

      f

  

    p

f

     

    

                       

            

p

dim.

      

dim.

f

p

dim.

 

dim.

f

           

f

      


142

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

532 

 Fl. 1  

Fl. 2

Ob. 1

Ob. 2







  

    



   

   

 



 

 

   



 

  



 



 

dim.

   

p

 









   









 

 

 





 

 

   













  

p

dim.

 

Cl. 1 in Bb

p

 f

 

Sop. Sax.

B. Cl.

 f

 

p

        

p

sub.

p sub.

p





Bsn. 1



dim.

Cbsn.

Hn. 1

   

Tpt.









 



 

 



 

 p

  

p



 

p

 



 





p

 

  

 

 

 

 

 

 





 

 

 





 





 

 

p









 



 sf





p













 sf



sf

sf



 





 

 

   



 

 

 

 



 

 

 



   















 

 

   







 sf

     











 





































p sf

p

  

 

    

p

Tbn.

 

dim.

  

Hn. 2

Tuba



p

dim.







sf

 sf

 sf





Perc. 1

Perc. 2

Piano

   Vln. I   

Vln. II

p

 

      

 

 

f

   

Vla.

f

  

Vlc.

Cb.







  

    



   

   

 



 

 

   



 

  

 







   















unis. p sub. p

  

unis. p sub.

dim.

 

unis.



unis.   p

 p







 

 

   

   





 

 

   





 sf











 sf

 sf

 sf


537  

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

   

cresc.



 

cresc.

  

  

    

  

Hn. 1

  

cresc.

  

Tbn.

  

cresc.









        



 

   



 

     

    





   mf

 

  

ffsf

mf

 

ffsf

mf

ff

cresc.

       

mf

         



             

 

cresc.

mf

f

non sost.



  

mf

      

ff

       

f

ff

ffsf

Timp.

 

sf

mf



cresc.

  

sf

mf



cresc.

  

sf

mf



cresc.

  

sf

cresc.

mf

         



ff sf



ff





cresc.





cresc.

mf

cresc.

ff

ff

sf

mf

       

sf

mf

 



             

           

 

 

Vln. II

Vla.

  

   

 

  

 

cresc.



  

cresc.

 



cresc.

  

cresc.

  

Vlc.

   

   cresc.

 



      

 

                        

             

       

f

ff



  

ffsf

mf



  

ffsf



mf

ffsf

mf

  

 ff

cresc.

ff

 cresc.

ff

           

 

 

f

non div.

ffsf

mf

cresc.

ffsf

              mf

sf

cresc.

   mf

sf

f



 cresc.

        

               ff

cresc.

ff

f



 



cresc.

ff



  

ff

f dim.

f dim.



ff

         

cresc.

mf



 mf

cresc.

  

ffsf

f

mf

  



non sost.

sf

cresc.

f

 



mf

ff

sf

cresc.

f

  

ff

cresc.

          



            ff  

        



ff

cresc.

ff

       

  



 

  

ff

cresc.

143

  



  

ff

 

ff

ff

 Vln. I 

Cb.

mf

ffsf

 cresc.

  



       

ff

cresc.

mf

ffsf



  

ffsf

Perc. 1

Piano

mf

ffsf



Perc. 2

  

ffsf

       

  

cresc. Tuba

       

 

    cresc.

 

Tpt.



 

cresc.

       

      

         cresc.

Hn. 2

 



 

cresc.

Cbsn.

 

        

   

cresc.

Bsn. 1

 

cresc.

  

B. Cl.

   

cresc.

cresc.

Sop. Sax.

 

cresc.

 

Cl. 1 in Bb

   

  

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

cresc.

          

f



ffsf



ffsf

mf

cresc.

mf

cresc.


144

542

 Fl. 1  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

B. Cl.

Bsn. 1

Cbsn.

Tpt.

Tbn.

sf



mp

ff

            ff

 

 sf

ff

ff

  ff

  (Timp.)

 

Perc. 1

                       cresc.

        f

p

f

f

f

  

f

   

p

           sf                           sf 

 

     

    

       

  

   

p

   

         

        

      

     

   f

         

dim.

  

dim.

        

         

       

p

To Bsn.

ff

p

dim.

mf

sf

ff

          

f

 

  

sf

         



p

dim.

mp

ff

  

mp







sf

dim.

f

ff



ff



sf

p

dim.

ff

mp

mp

 dim.

ff

ff



mp

sf

 

sf

 

Hn. 2

 ff

 Hn. 1  

Tuba

ff

 

Sop. Sax.

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

  

        

   

          

                    sf 

Vib. no pedal

f

 Perc. 2

Piano



Vln. II

Vlc.

                            cresc.                           

   f

ff

 

         f

sf

mp

         f

  

 

sf

  

f

ff

ff



mp

               cresc.

      

         

    

unis. p

dim.

f

unis.

            p   cresc. f                         sf cresc.

                  cresc.  

dim.

 

non div.

 

mp

sf

 

 

ff



f

div.

 

ff

div.

              ff

Vla.

Crash Cym.

            

 Vln. I 

Cb.

   

sf

p

     


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Fl. 1

547  

   



f

Fl. 2

Ob. 1

Ob. 2

 

f

 

 

f

  

Sop. Sax.

  

Cl. 1 in Bb

 

        f

ffsf

 

Bsn. 1



 

 

Tbn.

Tuba

f

      

Tpt.

 



  

  

   



ff

Vlc.

Cb.



 



  ff

cresc.

 

f

 

ff

  

 





 

 

 

 

  

       cresc.         sf            sf

  

  



 

  

 

 

 



 

   



 



   



   



  

 





sf

sf

          

sf





      

  



sf



      



  





  

 

al sord. (straight)

 

 















  

Vib.          

Glock.

 

sf

       

  



cresc.

  ffsf



sf

  



 

   





 



   

sf



 



  



animando   

sf

 

div.     

             

sf

f

         

cressc.

 





   

sf



div.

cresc.

f

   

cresc.

 





f



 

 

 

sf



  

 Vib.      Glock.        



Glock.

  

 

     





  

   



 

ff





  

 

ff

   

 

   

           

cresc.

f



   

sf

   

       

    

ff

 

f





sf





Bassoon

 





f

    

cresc.

cresc.

  

sf

       

    







            

 

 

sf

   

  

f

ffsf



 



f



      

   

  

  



Vla.





Vln. II

 

 

 



   

f

  

Vln. I

(Vib. no pedal)

 

Perc. 1

Piano

cresc.



   



  



Perc. 2



 



 

cresc.

 

 

    Hn. 1  Hn. 2



f

f

ffsf Cbsn.

  

 

f

B. Cl.

  



145

animando

 

  

       

  

 

sf

 

   

  

 

sf

    



 

 





 

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

Poco più mosso h = 120

146

551    Fl. 1  ff

  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Sop. Sax.

B. Cl.

Bsn. 1

Bsn. 2

Tuba

ff



ff

 

 

ff

f

 

ff

 







 

 





















f

 





 ff



aperto ff



al sord. (straight mute)

ff

f



f

 



 f

straight mute























f

 

 

chiuso f chiuso

  f













 



Vib. no pedal  

    ff

f

Perc. 2



 

 Vln. I  

Vln. II

Vla.

Vlc.

 

Cb.

Perc. 1

Piano



Tbn.

Tpt.

ff

  

 Hn. 1  Hn. 2

  

  

 

Trg.

ff

   

 

 

  

  

f

  

 

 

ff

 

Poco più mosso h = 120 

 



 

 

 

 

ff

ff sempre

 

 

 ff

 ff

 

pizz.

pizz.

 

f

   sf



 

 

 

 







f

f

f

  

  

pizz.

f

unis.



 

 

f

f

pizz.  f

 

 


Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

556

 Fl. 1 

Fl. 2





  



Ob. 1

Ob. 2

 

  









Cl. 1 in Bb

  

  

147

 





 







































 

Sop. Sax.

B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

(chiuso)   













(chiuso)

  

Hn. 2



















 





















(st. mute)















via sord.

via sord.



 

 

(Vib. no pedal)

 

Perc. 2

 Vln. I 

 

 

 

 

Vla.

Vlc.

 

    

sf

 

 

 

 

 

 

 

  

  



     



 



  

(pizz.)



  

 

sf

 

  

  

 

(pizz.)

 

 



(pizz.) Vln. II

 

 (Trg.)



 

(st. mute)



Perc. 1

Cb.



Tbn.

Piano



Tpt.

Tuba





 

(pizz.)




148

561  

Fl. 1

  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Sop. Sax.

 ff



 

 

 











 

 





  

 ff





Bsn. 1



  

B. Cl.

Bsn. 2

ff

  

 

   

 

(chiuso)

  

  

  

  

  

  



 



 

 



 



     



 



 

 

 

 





 



 

 

 



 

Tpt.

     



  

  

  

  

ff

Tbn.

ff

Tuba

  ff





Vln. I

ff

 



 

arco

  

  



 

 

arco, non div.

Vla.

ff

 

 

 

arco

Vlc.

ff

 

arco Cb.

ff









f

 



 





  



  

 

 

            

 

  

 

  

  

 

  



  

 

 

    

  



   



 

 

  

  

  

    

   

 

  

 

  

  

 

   



 

  

 

  

 

 

   

    

 





f





     

 

   

     

    

   

     

  

 

  



    





 

 

  



  

 





  





 





  





aperto











ff

 

  



  

 



    



arco Vln. II

 

 

ff



    

 

 

 



 

  

 

 

f

    

    

Piano

 

(Vib. no pedal)

Brake Drums

Perc. 2

 



  

Perc. 1



 

aperto

(chiuso)

Hn. 2

  

 







f

 





f

 Hn. 1 

 

  

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1





  





      

      

      

      

      


566 

 Fl. 1  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

B. Cl.

 



 

 



 

  

Tuba



 

 

 

 

     

 



  



  

 



 



 

 



  



 

 



  

  



 







 

 



  

 



 

149



 



 

  













    



  



  



  



  





  





 

 



 

 

 



  



 

 



  











  

  

Tbn.

 

 



 



  

 

Tpt.



 

Bsn. 2

Hn. 2



Hn. 1

   

 

Bsn. 1





Sop. Sax.

 

Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

   

 

  



 

 

 

  

  



   

 

 

  

   

  

 

   

  

  

 

 

 

 

 

       

      

     

  

    

   

  



  

   

  





  

 





   

 

Perc. 1

 (Br. Dr.)

  

Perc. 2

Piano



 

  



 

    



  Vln. I  

Vln. II



 

(non div.)

  

Vla.

Vlc.

 

Cb.

 

  

     

    

        

  

  

 

  

   

   

 

  

 

  

 

          

      

  

   

       

 

 



 

    

 

      

      


150

571

 Fl. 1  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bsn. 1

Bsn. 2

 

Tpt.

Tbn.

 

 



ff





  

     

 



 

 

ff





ff

ff





 

(aperto)

Tuba



  

Hn. 2

ff

 



ff

 

(aperto)

Hn. 1

 

B. Cl.



ff

 

 

Sop. Sax.

ff

ff

ff

ff



  

  











cresc.







cresc.



ff







Harbison The Great Gatsby–Reduced Orchestration Full Score - Act I, Scene 1

 

 

 





 

 

    

cresc.

 cresc.

 cresc.



 

cresc.

 cresc.

 cresc.

cresc.







 



  



 











 









 



  







 Perc. 2



(Br. Dr.)



 





 



  

 

      

    













   

 

 

 



 

         

 



 

 



 

 

 

 



 

 



 



 



 

   

Perc. 1



T. Blks.

     

   f

   



 

 

 

 

 

Jordan

 

Tom

 

 

Piano

Daisy

Nick

 

 Vln. I 



  

Vln. II

(non div.)

Vlc.

     

Cb.

 

Vla.

    

 

   

     

   

    

  

    





    

   

  



    

 

          

 

 

 

  

 

 

        

 

 

 

 

 

 

 

attacca


Act I, Scene 2 Risoluto q = 96 Fl. 1

   

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

  



  

  

  

  

  

 

  

 

Sop. Sax.

Bs. Cl. in Bb

Bsn. 1

 

  

 

 

 

  

 

Tbn.

 

(ff)

Piano

Myrtle



(Br.Dr.)

(ff)

Steel Drum 3 

 

       (T.Blk.)

Cb.

 



dim.

 

dim.







 





 

3





3

 

3

al sord. (st. mute)

 

 

p 

3

3

  

p

f

 

al sord. (st. mute)

  p

5

p









 

al sord.

  p   p

 





  p

   

 





 



  



 

dim.

dim.



  

 

 









 

dim.

 



 

 

to Clarinet in Bb

p

ff

 



 

 

3



 



Wison's garage. Through the window, a flashing billboard, "T.J. Eckleburg, Oculist". Wilson, working

Act I, Scene 2

  (div.)

Vlc.

ff

(ff)

Vla.

Chime

Risoluto q = 96     Vln. I  Vln. II

 

  

Nick

 





dim.





 

ff

 

Tom

Wilson







Perc. 2

 

(ff)

 

Perc. 1

 



to Cbsn.

  

 





 

(ff)

 





(ff)

 

Tpt. in C

Tuba

 

 

Hn. 2 in F



(ff)

  Hn. 1 in F   Bsn. 2



 (Sop. Sax.) 

to Eng. Hn.

      

 

(ff)

(ff)



  

(ff)



(ff)



     

 

 

 





     







poco dim.

   

  



poco dim.



poco dim.



 

poco dim.





poco dim.

     

     

     



 






Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

152

5

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

 fp Hn. 1 in F  

chiuso



mf

Sus. Cyms., hard sticks

 

Chime

 

3 



mf





3

 3 







dim.

3

p

 

  

Nick

 Wilson   pizz.   Vln. I  f

Vln. II



f



3

Pump - ing

pizz.

f



div.,  pizz.    

Vla.



 

pizz.

f

 

pizz.

f

 

gas,

   

f

Vlc.

poco f

Tom

Cb.

 

Myrtle

Cowbells

Piano

fp

Perc. 1

Perc. 2

 

 

(chiuso)

Tbn.

Tpt. in C

Tuba

Hn. 2 in F

 

3



fix - ing



 

     

     



cars

     

3



it’s

a

 



3

liv - ing

 dim.

 dim.

  dim.

 dim.

 dim.

3

but

     

     

(pizz.)

it

is - n’t

 

3

much.

     


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

9

153

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C



Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

(Cowbells)

 

Perc. 2

Piano

Myrtle

p



 

  

Nick

 

 Vln. I    

Vln. II

 

Vla.

 

 p

  

 

 

(pizz.)

Vlc.

Cb.

Tom

Wilson

 mf

 

 

p

p

p

p

mf

mf

 mf

 mf

3

3

Just

so

much

I

can

     

     

f sempre

do,

on



 

 

 

     

     

ly

so

much

3

-



 

 



dim.

 dim.

dim.

dim.

 dim.

3

I

can

     


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

154

13

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

 Hn. 1 in F 

Hn. 2 in F

 

fp





 

(Cowbells)

Nick

Wilson

do. (pizz.)



 

 

(pizz.)

  

(div., pizz.)

Vla.

 

(pizz.)

Vlc.

3 



mf





 

3

(Chime)

 3 



 



  Vln. I  Vln. II

(Sus. Cym.)

poco f

 

Tom

mf

Perc. 2

Cb.

Perc. 1

Myrtle

Tbn.

Piano

via sord.

Tpt. in C

Tuba

(con. sord.) fp

 

     

She

 

 



 

 

p

 

p

p

 p





wants

to

tra - vel,



p

3

f

f

f

 f

(pizz.) f

     

     

3

3



3

she

wants

to

go

pla



 

 

 

     

 -

     

ces,


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

17

155

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 Hn. 1 in F 

Bsn. 1

Bsn. 2



(Cowbells)

 







3

f



3





   3

f

 

   





3

wants

to

get

there

 

 

  (pizz.)

 

 Cb.  

3

Vlc.



3

  Vln. I 

Vla.

cresc.

Nick

Vln. II

mp



Tom

Wilson



3



(Sus. Cym.)

Myrtle

Perc. 1

Piano

Tbn.

Perc. 2

Tpt. in C

Tuba

f sf

  

Hn. 2 in F

  



senza sord.

  

 mp

 mp

  mp

 mp

 mp

fast,

cresc.

    

cresc.

 

cresc.

 cresc.

 cresc.

 





cresc. 3

needs

     





3

to

be

there

     

now.

     

 







ff



3



Just

so

much

I

can





 

f

 f

  f

 3

 f

(pizz.)

f

     


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

156

21

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  

al sord.

Hn. 2 in F

Tpt. in C





 

 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Myrtle

Tom

Nick

Wilson

 

   

Vla.

(pizz.)

 

Vlc.

Cb.

f

3

do,

  Vln. I  Vln. II

 

     

 

 

 

     



[Tom enters, Nick following]

3



so

much

I

can

 dim.





  

 

 

dim.

dim.

dim.

dim.



 

do.

     

     

     



 









p

 p

  p

 p

 p

     


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

25

 Fl. 1 

 

Fl. 2

Ob. 1

Ob. 2

157

Più mosso q = 100 

 

 

 

Cl. 1 in Bb

 

Cl. 2 in Bb

 

Bs. Cl.

 

 

 

 

 

Bsn. 1

Bsn. 2

Hn. 1 in F

  

Hn. 2 in F

fp

 

 

 



 

 

Tbn.

Perc. 1

(Cowbells)

 

Perc. 2

Piano

Myrtle

al sord.

Tpt. in C

Tuba

  

  

 



 

 

 

 

 

  

Tom

f

 

How’s

 

3

bus- iness,

 

Wilson

 

Vln. I

(pizz.)

f

(pizz.)

 f

  



(div., pizz.)

Vla.

f

Vlc.

 

   

(pizz.)   

 

f

Cb.

 

 p



f

Can’t com - plain.

 

Vln. II

 

Wil - son?

Nick

3

f

   

     

Più mosso q = 100 

arco, col legno battuto



p

arco, col legno battuto

 p



p

 

arco, col legno battuto

p



 

 





p

cresc.

 

arco, col legno battuto



 





unis., arco, col legno battuto (non. div.)

 



cresc.

cresc.

 

 



 

 











cresc.

cresc.

 

f

 

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

158

29

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

 

Cl. 1 in Bb

fp

 

Bs. Cl.

Bsn. 1

Bsn. 2

Cl. 2 in Bb

mf

fp

mf

f

 mf

mf

 fp

f

 fp

f





 

f       

Tbn.

Perc. 1

 

Tom

 p

  

 

3       

f

 

  

non div.

   f

  

 

   

   



    p

 

p

non div.







 

 

 

 

  

cresc.

cresc.

cresc.

      

p

mf non div.

mf

 









 

 



     



       

 

mf

cresc.

       



       

mf

mf

mp

mp

mp



cresc.

Or

Ask you ev’ ry time you come.

 

        

p

  

f              

 

then.

p

p

f

Vlc.

Beenwait - ing.

f

Vla.

 

    

Keep wait -ing

When will you sell me that car?

 non div.  Vln. I    Vln. II

f

 

May -be nextweek.

Nick

Cb.

fp

 

 

Tpt. in C

Wilson

 

fp

Myrtle

con sord.

Piano

fp

Perc. 2

f

con sord.

Tuba

fp

  Hn. 1 in F  Hn. 2 in F



mp

mp


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

35

159

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

 Hn. 1 in F  Hn. 2 in F

Tpt. in C

Tuba

Piano

Myrtle

fp





fp st. mute

mf

fp

mf

mf

mp

fp

via sord.

mp

via sord.

fp

mp





p via sord.

      

p Contrabassoon

fp

st. mute

fp



via sord.

fp

mp

   





 

            may-be I’ll sell to

Tom

Nick

Wilson

 

  

p

 

 

 

non div.

f

5

f    

3 5 3              



non div.

  

   

 

 

  

 

  

 f

 f



 

 

  

non div.

 



 

f

  

  

  

non div.

f



 

  

f

 

 

       

        mf

cresc.

cresc.

f

f

pizz.

p

p

pizz. (non div.)

mf cresc.

mf

 

Sounds good to

mf cresc.

f

  

cresc.

  

Take it for a spin. We’ll talk a-bout a deal.

mf cresc.

f

cresc.

Needs some work.

 

cresc.

Vlc.

Nick here.

cresc.

Vla.

f

     

cresc.

Vln. II

  

Prom -ised it to me.

  Vln. I 

Cb.

mf

con sord.

Perc. 1

Perc. 2

Tbn.

      

   p

pizz.

p

pizz.

p

   

   


160

Più mosso q = 104

41

 Fl. 1 

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

rit.

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

   

Bsn. 1

 

f sf sub.

Cbsn.

   

 

f sf sub.

    Hn. 1 in F   senza sord.























 

 

3

f sf

     



f sf

   

Tpt. in C

f sf

   

Tbn.











 





  

  

Perc. 2

Piano

Br. Dr.





3





3



dim.



   



 

 

Sus. Cym.

  

 

3

f sf

    



 

    



 





 

f sf





 

 

3

p

p

3





p



mp

f sf sub.

arco

  

f sf sub.

arco

f sf sub.

dim.







        p

al sord. (harmon, stem in)



3

p

mf

 

p

 

 

3

 

 

 

 

 

 

3

3



  

 3

3











3

 

3







 





  

 





   



3

   

    

3



p

p

p



3

rit.

to Stage Band

   

3



p

[exit Wilson]

 

3

3

      p

f sf sub.

   



f sf sub.

 

3

      p

     

arco



dim.



arco

3

dim.

Più mosso q = 104 arco

dim.

   p







me.

   Vln. I 



    p

3

f sf sub.



3

 

f sf sub.

dim.



     p f sf

3



    





3

  





dim.

    p

 

  





3

 

Vlc.

 p



dim.

3

Vla.



3





Vln. II





 



p



Nick



p

dim.

Tom

Cb.



3



 



 Myrtle 

Wilson



3

Perc. 1

 

dim.

f sf

Tuba

f sf

dim.

senza sord.

Hn. 2 in F

    

Cl. in Bb



dim.

3

f sf



dim. 3

    





f sf sub.

f sf sub.

3

3



 

 

f sf sub.

   

f sf sub.

 

p

p

3

   

        

f sf sub.

p

p



3

p

div.

p



     p


45 

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

a tempo (q = 96) rit.

161

a tempo

Fl. 2

Ob. 1

Ob. 2

Fl. 1

Cl. 1 in Bb

   

   

f sub.

Cl. 2 in Bb

solo

 

f sub.

        3

p sf



 

Bs. Cl.

fp

    

Bsn. 1

f sub.

  Cbsn.         

mf

 To Bsn.

f sub.

Hn. 1 in F

f sub.

   

Hn. 2 in F

f sub.

Tpt. in C

to Trumpet in Bb

harm., stem in  

Tbn.

via sord.

fp

Tuba

mf

 Perc. 1

Perc. 2

Piano

Myrtle

 

  

  

Tom

should hold him.

a tempo (q = 96) rit.

      f sub.

   

    

    3

Now you can meet

 

my

 p

girl.

  p

f sub.

            



what

is

this

 

 

 

 

div., metà arco, col legno battuto

place?

 

     

     

mf

 

 

 

   

 

 

 

metà arco, col legno battuto



p

cresc.



 

cresc.

div., metà arco, col legno battuto

p metà pizz.

 

p metà pizz.

3

a tempo 

cresc.

arco col legno battuto non div.

  p

  

   

div.,  metà arco, col  legno battuto    

   



f sub.

Cb.

f sub.

Vlc.

Tom,

f sub.

Vla.



  Vln. I   

Vln. II

3

That

Nick

Wilson

f

p metà pizz.



cresc.

mf

 

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

162

49

 Fl. 1 

Fl. 2

Ob. 1

Ob. 2

   

Cl. 1 in Bb

f dim.

 

 

 

mf dim.

Bs. Cl.

Bsn. 1

Cbsn.



 Hn. 1 in F 

pp

p

 (1. solo)

p

  

Cl. 2 in Bb



 

         

  

3

f Bassoon

   

dim.

Hn. 2 in F

Tpt. in C



Tbn.

Tuba

 Perc. 1

Perc. 2

Piano

Myrtle

 

Myrtle slowly enters, looking Tom in the eye.

 

Tom

f

 

Nick

3

Val - ley

 Vln. I 

Wilson

-

(div., sim.)

(arco, sim.)

   

  f dim.

 



f dim.

 

 

 

 

 

 

p





p

p

 

and

stench,

 

p

dust

  

(non div. pizz.)

  

f

es

p

Vla div.

(div., sim.)

Ash

(div., sim.)

Cb.

of

 

p

Vla. div.

Vlc.

 

p

Vln. II



  

 

  

 

 

   

  

 

  

  

cresc.

 

cresc.

cresc.

cresc.

 

 

cresc.

 cresc.

 



 

 

dim.

 mf

 

 

mf

 

 

 

mf

mf

mf

 



f dim.

f dim.

 




Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

53

163

 Fl. 1 

Fl. 2

Ob. 1

English Horn

Eng. Hn.



p

mf

solo

       

3

mp

Bs. Cl.

Bsn. 1

  

Cl. 1 in Bb

Cl. 2 in Bb

Bsn. 2

 Hn. 1 in F 

 

 pp

p

p

Hn. 2 in F

Tpt. in C





 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Myrtle

 

Tom

 

Nick

p

 

and Wilson

(div., sim.)

   

(pizz.)

 

 no

face

 

  

  



   

  

 

  

 

 

 

  

  p  

p

p

 

at

Val

  

 

 

 

  

   

 

  

  

  

 

 

 

 

 

 

 

  









p

all.

(div.,  sim.)   

f

p

Cb.

sign,

 

p

(arco, sim.)

Vlc.

(div., sim.)

Vla. div.

 

that flash - ing

 Vln. I   Vln. II



cresc.

cresc.

cresc.

cresc.

 

 

-

3



ley

of

  

 

 

  

 

 

 

  

  

  

  

 

 

 

 

 

 

 







cresc.

cresc.

mf

mf

mf

mf

 

 

 

 


164

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

rit.

57 

Meno mosso q = 88

Fl. 2

Ob. 1

Fl. 1

  

Eng. Hn.



f

  

dim

solo

 

Cl. 1 in Bb

   

 

 

mp

Cl. 2 in Bb

 

p

pp



mf

 

p



mf

5

      

 

 

Hn. 2 in F

Tpt. in C





 

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Myrtle

  

Nick

Ash

Wilson

 

f

It’s

 

Tom

-

-

 

es.

rit.

 Vln. I 

hell,

 solo

but it’s

 home.

Meno mosso q = 88 

Vln. II

Vla.

Vlc.

  

(div., sim.)

f

Cb.



f

 



mp

mp

p

pp

p

Bsn. 2

Bsn. 1



f

Bs. Cl.

p





 

p

  A


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

60

165

 Fl. 1 

Fl. 2

Ob. 1

  

Eng. Hn.





mf dim.

Bsn. 2



 

Bsn. 1



   3



3             

f dim.

   3

  

  

3

3

mf dim.

     



   3



   3

3

3

Hn. 2 in F

Tpt. in C





Tuba

Perc. 1

Perc. 2

Piano

Myrtle

   

Tom

friend

of

yours?

 

f

Nick

  

p

Car - ra - way.

On

 

Vln. II

Vla.

Wilson

Vln. I

Vlc.

Cb.

tutti arco ord.

tutti arco ord.

 

 

 

 



 

 

 

 



f dim.

f dim.



3

Nick







p

Tbn.





 

Hn. 1 in F



        

p Bs. Cl.



p

Cl. 2 in Bb

p

 

Cl. 1 in Bb

p

p

our way

3

to

New














Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

166

63

rit.

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn.

    

 

   

   

f

Cl. 1 in Bb

 



f

Cl. 2 in Bb

f

 f



 

Bs. Cl.

    f

to Ob.

solo

  f sf

                    sf  

 

 

 

Hn. 2 in F

Tpt. in C





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Myrtle 

   York

Nick

Wilson

p



p

 

 Thought

  sf



 

p

he should meet my girl.

rit.

Vln. II

Vla.

Vlc.

  

  

  

  

f

 

 Vln. I 

Cb.

p

Got f

Tom

        



Hn. 1 in F

 

f

 



Bsn. 2

 

f

Bsn. 1

 

f

 

  p

 

  p

(f)

(f)


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

66

 Fl. 1 

Fl. 2

a tempo (q = 88)

   

Oboe

  p

Cl. 2 in Bb

Bs. Cl.

Cl. 1 in Bb

Bsn. 1

Bsn. 2

Hn. 1 in F

p

Ob. 2

Più animato q = 96

Ob. 1

167

 

       

f

    

p

   

   



p

p

Hn. 2 in F

Tpt. in C





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Myrtle

 

Tom

Nick

Wilson

 drinks

   and a

3

  

ra - di - o,

  

that’s a-bout it. f

 

E - nough for



tutti arco ord.

a tempo (q = 88)  

  f

tutti arco ord.



f

tutte arco ord.



p

f

 

  p

  

 

p

Cb.

Vlc.

f

p

Vla.

 

 Vln. I 

Vln. II

f

gliss.

gliss.

 

 

 

 

 

 

us.

Più animato q = 96

     

    

 

     

    

 

    

pizz.

p

pizz.

p

pizz.

p

pizz.

 

p



pizz.

p

 

   

 

    

 



  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

168

rit.

69

 Fl. 1  Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

 Hn. 1 in F 

 p

p

 p   

 p

 

f

  p

 

 

   

 to Sop. Sax.

f

 



p

Bsn. 1

Bsn. 2

p

  

p

f

 

f

f

  

 p

p

Hn. 2 in F

Tpt. in C



Tbn.

Tuba

 Perc. 1

Perc. 2

Piano

Myrtle

    

Tom

 

(f)

Nick,

 

 

keep your eye

out

p



for

my

friend

 

 f

p

Drinks,

 

 

then.

Wil - son.

Wilson

 Vln. I  

Vln. II

f

f

(pizz.)   

Vla.

f

Vlc.

(pizz.)



f

Cb.

(pizz.)

  f



  

rit.   

 

p

arco, non div.

 

 

 

 

 

 

p arco, non div.

 

Drinks,

(pizz.)

 

The

Nick

 

 



p

arco, non div.

p

arco,  non div.  p

 Baritone


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

rit. molto



 Fl. 1 

Ob. 1

Ob. 2



Bs. Cl. in Bb

 

   Hn. 1 in F 

Tuba

Perc. 2

Piano

Sop. Sax.

       

   



 Tpt. in Bb 

Banjo

 

Solo Vln.

 Myrtle 



Tom Radio/Band Singer Nick

   

the

 

rit. molto

 

3

ra

-

 

  

di - o.

 

 

 

 

D G



Soprano Saxophone

  

f



pp

cresc.



pp non legato



 

pp non legato

 

cresc.

cresc.

  





pp

pp non legato

Tom turns on the radio, finds a foxtrot, and dances with Myrtle.



cresc.

 

 

dim

pp

dim,

dim

 

 

 

  

 

 

 

 

 

 

  







pp



  

dim,

Commodo h = 116

 

 

   

Vlc.

 

     

Vla.

Cb.

3

ra - di - o.

 Vln. I  Vln. II

(Note: the stage band passages in this scene may be pre-recorded)

 

(Note: the stage band passages in this scene may be pre-recorded)

 

 

 

(Note: the stage band passages in this scene may be pre-recorded)

 (like static) (Note: the stage band passages in this scene may be pre-recorded)      

(Note: the stage band passages in this scene may be pre-recorded)

To Eng. Hn.

 

 

  Trap Set, Snare

 

Tuba

Piano

Perc. 2

Tbn.

(Note: the stage band passages in this scene may be pre-recorded)

(Note: the stage band passages in this scene may be pre-recorded)

 

 

       

pp

   

169

pp

Perc. 1

pp

 

  

pp

 

 

Tpt. in C

 

dim.

Hn. 2 in F

pp

dim.

Bsn. 2

Tbn.

pp

 

dim.

 

dim.

Cl. 1 in Bb

Bsn. 1

 

dim.

   

 

dim.

Fl. 2

Commodo h = 116

  

pp

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

170

77

 Fl. 1 







Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1 Bsn. 2

Hn. 1 in F

 







Hn. 2 in F

Tpt. in C





Tbn. Tuba

 Perc. 1

Perc. 2

Piano

Sop. Sax.

Tpt. in Bb

 



 

   

Tbn.

Tuba

Perc. 2

Piano

Banjo

 





















p cresc.



  f

 

 

 

 

  

  

 

 

 

 

f

 f

  f



 

   

  f

 

 

  

H.H

B.D

  

p sf

 



  p 



 



  









al sord. (plunger)

3

Solo Vln.

Myrtle

 









  

    

  

   

  p

  

  

Tom

Radio/Band Singer





Nick

 Vln I 

        

Vln II

Vla.

Vc.

Cb.

 



cant.

Why

 



am



  I



 

 

     

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

83

  Fl. 1    Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

 

        

  

    

      

Perc. 1

Perc. 2

Piano

 



     

  Tpt. in Bb  Sop. Sax.

Tbn.

Tuba

Perc. 2

Piano

Banjo

  

  

         

          

      Myrtle   

         

        

  

Radio/Band Singer

  

Nick

Vln I

Vln II

Vla.

Vc.

Cb.

  

 

  

      

   

  

Solo Vln.

Tom

171

     

kind

 of

 

 

 

 

    

     

      

  

   

  

 

  

   

  

   

  

   

 

       

        

         

 

 

-

ing

in

sky

  

    

  

   

 fly

  

   

  



 

   

  

kind

     

  

 

 

 

       

      

 

 of

 blue.

   

 

    

  

       


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

172

89

  Fl. 1    Fl. 2

Ob. 1

Eng. Hn. Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C Tbn.

Tuba

  

        

  

    

      

Perc. 1

Perc. 2

Piano

 



    

  Tpt. in Bb  Sop. Sax.

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

 

  

                     

       

   

   

      

mp

   

mp

    

mp

     

  

p

    p

   

  Myrtle   

  

Tom

Radio/Band Singer

Nick

Vln I Vln II

Vla.

Vc.

Cb.

   

 It's

 not

     

   p

mp

   

mp

    

  

  

  

      

     

  

mp



mp

  

     

 

    

 

 

'cause my

head's

in

 the

 clouds,

      

       

Cowbells

      

   

 

 

p

   

  

  

  

dear.

     

 

p

   



 

  p

       

       

p

 

 

It's

just



'cause I'm

   

 

  

 

 

  

  

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

95

  Fl. 1    Fl. 2

Ob. 1

Eng. Hn.

Cl. 1 in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

  

        

  

    

      

Perc. 1

Perc. 2

Piano

 



     

  Tpt. in Bb  Sop. Sax.

Tbn.

Tuba

Perc. 2

Piano

Banjo

 

  

                  

 Solo Vln.        Myrtle    Tom

Radio/Band Singer

Nick

Vln I

Vln II

Vla.

Vc.

Cb.

173

  

   

 

  

   

  

 

     

  

      

   

  

think - ing

  

  

  

   

   

 

    

        

 

 

 of

you.

Why

are

         

your

  

  

 

       

  

  

 

        

      

  

   

 

arms

    

    

   

   

kind

  

   

  

    

  

 

 

 of

 hea

 -

ven?

   

 

    

  

  

  




Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

174

101

  Fl. 1     Fl. 2     Ob. 1     Eng. Hn.  

  



  

Bs. Cl. Bsn. 1

Hn. 1 in F



Cl. 1 in Bb

Bsn. 2

     

Hn. 2 in F

  

Tpt. in C

    Tuba   Tbn.



Perc. 1

Perc. 2

Piano

Sop. Sax.

Tpt. in Bb

 



  

Perc. 2

Piano

Banjo

         

          

    

Solo Vln.

     

  

        

     

  

     

 

     

 

      

  

   

  

 

 

   

 

      

  

    

  

Nick



     Vln II    Vln I

Vla.

 

   Cb.   Vc.

And

my

heart

 

 

   

   

   

    



Radio/Band Singer

non sost.

  Myrtle    Tom



mf

 

  Tbn.   Tuba  

non sost.

kind

 of

 

  

   

  

   

 

  

  

 

 

 

  

     





   

true.

 

 

  

 

mf

mf

mf

 

 It

 

 

non  sost. 

non  sost.  

 



mf

non sost.

 mf

 

seems I'm

f

soar

-

ing

 a -


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

107

  Fl. 1   

  



Cl. 1 in Bb

  

Bs. Cl.

Bsn. 1

    

Hn. 2 in F

  

Tpt. in C

Tbn.

Tuba

 

Eng. Hn.

Hn. 1 in F

  

Ob. 1

Bsn. 2

  

Fl. 2

   

Perc. 1

Perc. 2

Piano

 



    

    Tpt. in Bb   Sop. Sax.

  

Tbn.

Tuba

Perc. 2

Piano

Banjo

  

Myrtle

Vln II

Vla.

Vc.

Cb.

















dim.

dim.

 

 

 

   

  



 

 

    

     

  

dim.

 

  



dim.

 

   

    

  

dim.



 

    

 

       

  



   

 

 

al sord.

p

  

p

  

 

  p   p

 

     

      

p

p

dim.

  

bove



    

   

   

   

Radio/Band Singer

Vln I

           

Tom

Nick

   

     

Solo Vln.

175

with,

and

I'm

hand - in - glove

with,

 

 and

kind

dim.

of

in

love

with

you.

   

 

    

  

     


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

176

113

  Fl. 1   

 

 

Eng. Hn.



Cl. 1 in Bb

  

Bs. Cl. Bsn. 1

    

Hn. 2 in F

  

Tpt. in C Tbn. Tuba

  

Ob. 1

Hn. 1 in F

  

Fl. 2

Bsn. 2

   

Perc. 1

Perc. 2

Piano

 



     

  Tpt. in Bb  Sop. Sax.

 

Tbn. Tuba

Perc. 2

Piano

  

                            solo        

Banjo

  

Solo Vln.

Myrtle

      

Tom

Vln I Vln II Vla. Vc. Cb.

p

   

Radio/Band Singer

Nick

 

 

 

         

mp sf

 

 

 

W.Blk

 

       

 

 

 

  

 

  

                                   3

 

f

 Is

sf

   -

n't she

H.H.

 

 

 

 

 

 

 

 

 

 

 

 

  

                                    3

 some

 

 

-

 

 

 

 

              3

sf

thing?

 f



   

 

     

  

In -

 

deed.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

119

  Fl. 1    Fl. 2

Ob. 1 Eng. Hn.

Cl. 1 in Bb Bs. Cl.

Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F

Tpt. in C Tbn.

Tuba

  

        

  

    

      

Perc. 1

Perc. 2

Piano

 



    

  Tpt. in Bb  Sop. Sax.

Tbn.

Tuba

Perc. 2

Piano

Banjo

  

  

    

          

Cowbells

 

  

      

 

                  

          

H.H

 

   

 

    

 

   

 

 

 

 

    

   

    

  

  

Tom

  

Radio/Band Singer

  

Solo Vln. Myrtle

Nick

Vln I

Vln II Vla.

Vc. Cb.

177

   

 A

  

  

 

wo- man you can't

       

 

  

mp

  

mp

 

    

mf

 

 

 

   

 

      

 

   

 

 

 

     

 

 

  

 

 

 

  

sf

sf

ig - nore?





No

doubt.

   

 

     

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

178

125

  Fl. 1     Fl. 2     Ob. 1     Eng. Hn.   Cl. 1 in Bb Bs. Cl. Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F Tpt. in C



  

     

  

    Tuba   Tbn.



Perc. 1

Perc. 2

Piano

 



     

  Tpt. in Bb  Sop. Sax.

Tbn.

  

 Tuba   Perc. 2

Piano

Banjo

Solo Vln.

Myrtle

    

 

   

  

             

   

sf

 

     sf

 

 

 

  

     sf

 

 

Vla.

 

    Cb.   Vc.

Radio/Band Singer

     Vln II   



  

Vln I

3

  

 

 

                                 

  

Nick

 

 

  

Tom

 



De - serves

  

bet -ter than

 

 

 

 

   

sf

 this?

 



   

 

 

p

   p



 



p

  



wah p

W.Blk.

mp

                     

plunger

3

  

mp



   mp

 

 

Don't

  

em - bar-rass

wah

         



wah

me.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

131

  Fl. 1     Fl. 2     Ob. 1     Eng. Hn.  

Bsn. 1

Hn. 1 in F

  



  

 

        



Perc. 1

Sop. Sax.

Tbn.

Piano

 

Tpt. in C

Perc. 2

  

Hn. 2 in F

Tuba

  

Bs. Cl.

Bsn. 2



Cl. 1 in Bb



  

 Tpt. in Bb 

  

 Tuba   Perc. 2

Piano

Banjo

                 

Solo Vln.

  Myrtle   

Radio/Band Singer

 

    

wah



wah

mf

   

mf

3

3

3

  

 

  

 

  

              





    

p



  

  

   

 p

p

 f

p solo, con sord.  

     

  sost.     

   

p



 





mp



mp

  

        

Myrtle changes the radio station.

  



             

Subito meno mosso h = 80          

  sost.  

p

  

mp



   Cb.  

f

S. Dr.

     Vln II     Vla.   

 

                mf         3





via sord.

Vln I

Vc.

 

wah

mf

  

wah

  

Tom

Nick

mp

   



 

 

wah

Tbn.

  

179

Subito meno mosso h = 80


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

180

Fl. 1 Fl. 2 Ob. 1 Eng. Hn. Cl. 1 in Bb Bs. Cl. Bsn. 1 Bsn. 2

Hn. 1 in F Hn. 2 in F Tpt. in C

137  

                      

      

   

     Tuba   Tbn.



Perc. 1

Perc. 2

Piano

                           



       

  

   

      

 

 

 

   

Cb.

 

  

Vc.



 

 

  Myrtle    

Vla.

  Vln I      Vln II    

   

  

 

Nick

   

   

Radio/Band Singer

 

   

           

     

 

senza sord. p

       

Tom

Solo Vln.

 

Banjo

   

Piano

f

   

 via sord.        Tbn.     Tuba   

Perc. 2

    Tpt. in Bb  Sop. Sax.

Frenetico h = 152

  

 

 

 

 







p cresc. p H.H

p

  

p

   

  







 

  

  f   

  

  

        



f



 

f

   

  

    f

    f

f

    

  

















 

 

 

 

 

 

 

 

 

 

  

   

  

  

 

  

  

 

   

  

 

    

    

 

Myrtle finds a foxtrot, dances with Nick; Tom drinks.

Frenetico h = 152



 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

143

  Fl. 1   Fl. 2   Ob. 1   Eng. Hn.   Cl. 1 in Bb   Bs. Cl. 

Bsn. 2

Hn. 1 in F



 

Bsn. 1



Hn. 2 in F

Tpt. in C

Tuba

  



Tbn.



  Perc. 1

Perc. 2

Piano

Sop. Sax.

 



   

 Tpt. in Bb 



Tbn.

Tuba

Perc. 2

Banjo

   

 

     

Myrtle

  f  

Tom

Radio/Band Singer

Nick

 



    Vln II  Vln I



Vla.



Vc.

Cb.



  

  

  

 

 

 

 

  



Is - n't

he

 



 

 

 

 

  

 

 

 

 



 

 

 

 

 

 

  

a

 hand

-



 

 

  

  



 

 

 

  

 

Solo Vln.

 

  

Piano

181

 

 

  

 













p



some

foot

-

 

ball









 





 





solo

p

 

 



  f

 

 

 

 

 

f

f

   f

f

 

   

play - er?

f



I

guess.

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

182

149

  Fl. 1   Fl. 2   Ob. 1   Eng. Hn.   Cl. 1 in Bb   Bs. Cl.  Bsn. 1

Bsn. 2

Hn. 1 in F



 

 

Hn. 2 in F

Tpt. in C



Tbn.

Tuba



  Perc. 1

Perc. 2

Piano

Sop. Sax.

Tpt. in Bb

 



Perc. 2

Piano

Banjo

Solo Vln.

Myrtle



 

 

 

 

 

         

 

     

  

   

 

   

 

  





    

  

  

 



   

  

  









   

    

 

 

 

 

 

 

 

 

 

 

 

 

  

 

  

 

  

  





And

a

great

big

 

 

 

 

bus'- ness

man

         

 

     

  



 

 

    



be - sides.



    Vln II  Vln I

 

 

Vc.

 

Radio/Band Singer

Vla.

 

  

 

       

 

 



 





  

 







Cb.

 

 

Tom

Nick

   

Tbn.

Tuba





I've

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

155

  Fl. 1   Fl. 2   Ob. 1   Eng. Hn.   Cl. 1 in Bb   Bs. Cl.  Bsn. 1

Bsn. 2

Hn. 1 in F

 

 

Hn. 2 in F

Tpt. in C



Tbn. Tuba



  Perc. 1

Perc. 2

Piano

 



   



    Tpt. in Bb  Sop. Sax.

Tuba

Perc. 2

Piano

Banjo

 

 





Radio/Band Singer

 

Cb.

sf



 

   

sf

 

  

   

   

   

sf

 

   

  

       

 

He

says



  

  

  

  

   

   

  

   

 sf

    

 

 

 

 

 f



  

 

 

  

     

  

  



 



sf



         







     

        

   



we'd

be

to - geth

   

  

  

 -

er

but





heard.

 

 

 -

 

  





    Vln II 

Vc.

Vln I

Vla.

  

Tom

Nick

    

Solo Vln.

Myrtle



 



Tbn.

183

his


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

184

161

  Fl. 1   Fl. 2   Ob. 1   Eng. Hn.   Cl. 1 in Bb   Bs. Cl.  Bsn. 1 Bsn. 2

Hn. 1 in F

 

 

Hn. 2 in F

Tpt. in C



Tbn. Tuba



  Perc. 1

Perc. 2

Piano

Sop. Sax.

 



   





Tbn.

Perc. 2

Piano

Banjo Solo Vln.

Myrtle

  

   

            

    

   

     

 

  

 

is

 



 



p

 

 

 





 

 

 

 



 

Cath'

lic.

p



f

 

    

      

W.Blk. p

        

 

        p

f

        

And



    

     



   



Vla.

 

-

f

 

 

        

    Vln II   

  

 

Vln I

Vc.

wife



 

Radio/Band Singer

Cb.

 

Tom

Nick

   

 Tpt. in Bb 

Tuba

says

News

she

 to

me.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

167

  Fl. 1   Fl. 2   Ob. 1   Eng. Hn.   Cl. 1 in Bb   Bs. Cl.  Bsn. 1 Bsn. 2

Hn. 1 in F

       



 

 

Hn. 2 in F

Tpt. in C

Tuba

 



  Perc. 1

Perc. 2

Piano

Sop. Sax. Tpt. in Bb

 



Tuba

Perc. 2

Piano

Banjo







  

 

    

  

 



    Vln II   Vln I



Vla.



Vc.







 

 

 

       

 

is

 a

good

  

stea- dy

f

 

      

 

 

        

         

p

 

Wil - son

to Clarinet in Bb

  

Radio/Band Singer

Cb.



      

Tom

Nick

 

Solo Vln.

Myrtle

      

Tbn.

     

 

Tbn.

185

3

sf

  

         

  

man.

ff

 I



  p





 

3

3

     

 

 

   

     

 



  

to Trumpet in C

 

   





 

 

 

 

 

 

 

 

 

 

 

 

 

 

f

              

 

 

 

 

 

 

 

 

        

  

ne - ver

 

said

that!

       

 

   


186

Fl. 1

   

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

Moderato q = 72 

Fl. 2

 

Ob. 1

 

Eng. Hn.

 

 

  

Cl. 1 in Bb

fp

 

Clarinetfp in Bb

Sop. Sax.

  

Bs. Cl. in Bb

  

Bsn. 1

Bsn. 2

 

6

fp

f

3



Eng. Hn.

f



solo

f



f





               



  

 



fp

  

f



3

f

p

 

fp

3            

 fp

f



  fp



fp



fp

   

Hn. 2 in F

  

Tpt. in C

 

Tbn.

  

  

  

 

  

  

 

Hn. 1 in F

Tuba

Perc. 1

Perc. 2

Piano

  

  Myrtle  

Myrtle shuts of the radio.

f

3   

 George

mar-ried

me

3        3

in a bor- rowed suit.

Tom

 

Radio/Band Singer

 

  

Nick

Moderato q = 72

div.,   pizz.  Vln. I   

  

pizz.

Vln. II

   Vla.

Cb.

 f

pizz.

   

 f

  

Vlc.

f

  

pizz.

pizz.

f

f

 

  p



p

div.

 

 

f

 

  f





f





f

f





p

p


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

177

187

 Fl. 1 

Fl. 2

Ob. 1

    

solo

3

Eng. Hn

3

      

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

cresc.



f

3



p

 

 

3

       

p

Bsn. 1

Bsn. 2

p

6

3          

 



 



 

 



          

p 3

cresc.

3

f

3





         3

3

  

p

3

Hn. 2 in F

Tpt. in C





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Myrtle 

    

When I found out

  I

ff



   

cried

all

af-

ter-noon.

Radio/Band Singer

 

Vln II

Vla.

Vln I

Vc.

Cb.

(pizz.)

 (pizz.)









mp

mp

3

   

Tom

Nick

    3

 

Hn. 1 in F



 

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

188

181

 Fl. 1 

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

 

       

Bsn. 1

3

Hn. 1 in F

mp

   mp  3

Bs. Cl.

Bsn. 2

  

3

 

   

 



          



 

 

  

mp

p



p



 

 

to Ob.

 

p

mp

 

mp



mp

3

Hn. 2 in F

Tpt. in C





Tbn.

Tuba

Perc. 1

Perc. 2

Piano

 Myrtle 

 

But

Tom,

p

 

f

p

Tom...

Tom

Radio/Band Singer

 

Vln II

Vla.

Nick

Vln I

Vc.

Cb.

(pizz.)

 









p

p






Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

Agitato, ma non troppo mosso q = 108

185

   Fl. 1    p



     

ma evidente



    

   



    

   

189



     



    

   

 

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

          

Hn. 2 in F

Tbn.

Tuba

pp

Perc. 2

Piano

Myrtle

       

 

       

chiuso

pp

Vib.

       p sempre     p sempre  

   













 





  

  



psf

psf











 





  







 







 

p intenso

It

 



was on

train,

Radio/Band Singer

Vln I

 

Agitato, ma non troppo mosso q = 108

div., arco p f

 

p

mf sempre pizz. div., arco p f

Vln II

 

mf sempre pizz.

div., arco p f

Vla.

 

mf sempre pizz.

 

Vc.

Cb.

 

arco

p sf

arco

p sf

div., arco p f

mf

 

mf sempre pizz. div., arco p

sf

 

mf sempre pizz.

      

f

p

p

p

f

     p

 

f

p

         p

f

  f

f

f

p

          

  p

 

 

 

 

f

f

f

p

          p

f

p

(If there is only one contrabass, play the top part.)

f p

 

f

f p

 

f

f p

 

f

f p

 

f

f p

f

 



    

the



psf

Tom

Nick

   



 Perc. 1

Tpt. in C

       

   


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

190

189

   Fl. 1   

       

Fl. 2

p ma evidente



        



     



        



        



     





           

 

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

    

Hn. 2 in F

Myrtle

       



Perc. 1

Piano

Tbn.

Perc. 2

       

       

Tpt. in C

Tuba

       

(Vib.)

                                                

        

     

  

two seats

      

 

3

fac - ing each

oth

  

-

er.



      

                        

He

wore

  

a dress

3

suit,

pa - tent

Radio/Band Singer

 Vln I   

f

p

f

p

Vln II

  

Vla.

  

p

p

Vc.

  

p

   Cb.  

    f

 

p

 p

f



f

p

   

p

f p





f

f

 

f

 f

p

 p

f

f

p

f

 



f

p



f p

f

f

p





p

f p

f

p



f p

f

 

p

f p

f





 



f

p

f p

p

      

p

p

p

f

p

f

              p

f

         p

f

         p

f

f

f

 p

 p



p



f

f

f

p

 p

 

f

 f

p

f



p

f p

f

p

f p

f

f p

f

 

p

f p



 



p

 

f

p

f

  p

 

 

p

f

p

f

 

p

 

p

f

3

lea- ther shoes.

Tom

Nick

f

 

p

f

p

f

   

f

p

 

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

194

 Fl. 1       

  

     

      

           

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

 

Bsn. 2

Hn. 1 in F

             (chiuso)

Hn. 2 in F

       



                                    

        

       

 I

could

                       

     

keep

my

cresc.

                         pp

 not

pp



eyes

f

off



him.

Tom

Radio/Band Singer

 Vln I   p

p Vln II

 

Vla.

 

p

p

 

Vc.

Cb.

   

(Vib.)

 Myrtle  

Nick

  

Perc. 1

Piano

       

       

   

Tbn.

Perc. 2

Tpt. in C

Tuba

       

Fl. 2

Bsn. 1

   

191

p

 

f

f

f

f

f

p

  p

 

 

f

p

f

p

f

  p

f

 

 

f

p

 p



f



f

p

      

     

 

p

f

      

p

fp

f

        

fp

f



  

p

p

f

f

f

p

p

 f

p

f

 

p



f

p

f

p

f



fp

 

f

f

 p

f

p



             p

p

f

fp

 p

f p

f

p



 

f p

f

 

f

      

f

p

f

      

p

f

      

f

        

p

 p

   p



p

f

p

f

p

f

p

f

p

f

p

f

      p

p

p

f

f

f

    p



 f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

192

199

   Fl. 1   

            

f sf

              

Fl. 2

5

5

f sf



     

p



sempre evidente

    

   



Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  

fp

  

aperto

Hn. 2 in F

f

 



             5 (Vib.)

  

f sf

                      5 

f sf

p sempre

5

    

    

p sempre

    

    

    

    

  Myrtle 

 

p



But

ev'

Tom

Radio/Band Singer

Nick

 Vln I 

p

f

p

f p

f p

f

p

f

p

fp

fp

fp

fp

fp

Vla.

f

f

p

f p

f

f p

Vc.

f p

p

f p



p

Vln II

Cb.



   

Perc. 1

Piano

Tbn.

Perc. 2

pp

f

       

Tpt. in C

Tuba

       

   

  

 

p

  

fp

 

    

    

f

f

  

p

f

p

f

p

f

f

p

-

p

p

f

f



p

f



 

-



 

    

 





ry

 p

f

p

f

  p



f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

202

   Fl. 1        



        



     



      

193

      



         



     



     



       

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

     



Piano

Myrtle

pp

       

Perc. 1

       

pp

Tbn.

aperto

(Vib.)

                        

        

  

      

                       

                                   

time

he

looked

at

me,

           

3

I

pre - tend

 -

ed

 

 to

Radio/Band Singer

  

p

f

Vln II

 

p

 

p

f

Vla.

p

f

Vln I

Cb.

 

p

  

 

Vc.

f

 p

f



p

f

p

f

p

f

 

p

 

 p

 f

f

f

p

 

f

p

 

f

p

f

p

f

p

f

p

f

p

f

    p

 

     

f

p

 

  

f

p

f

 

 

p

 

f

p

f

p

f

    p

 

p

f

f

p

f

p

f p

p

fp

fp

p

fp

fp

fp

fp



    p

 

   

f

p

f p

p

f p

f

fp

f

fp

f

   

  fp



f

f

p

f



p

f



p

f



p

f

p



f

p

 

 

 

 

look

Tom

Nick

   

 

Tpt. in C

Perc. 2

       

chiuso

       

Hn. 2 in F

Tuba

 

p

a -

f

p

f

p

f

p

f

 

f

 



 

p

f

  

p

f

p

f

p

f

     p

  

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

194

207

 Fl. 1 

     

  

Fl. 2

           

5

f sf



               5

   

f sf

          

p

6

f sf

               5

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

     

sfp



(aperto)

f

sfp

f

 



Perc. 1

Perc. 2

    

   

   

pp

p

       

pp

sfp

            

(Vib.)

 

   f

5

f

           

f sf

p

5

p

5

f sf

5

p

5

f sf

6

 

Radio/Band Singer

p

f

p

f

p

f

p

f

Vln II

 

Vla.

 



 



 

p

Vc.

Cb.



f

p

f

 

p

f

p

f

p

f

 

f

 

 

 

 

p

pp

                                        

way.

 Vln I  



f sf

pp

Tom

Nick





f



Tbn.

Myrtle



Tpt. in C

Piano

    

Hn. 2 in F

Tuba

f sf

Ob. 1

6

6


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

210

   Fl. 1     mp

      

         

195             

  

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Fl. 2

Bsn. 1

Bsn. 2

Hn. 1 in F

        



Tbn.

Perc. 1

Perc. 2

       

       

       

            

Tpt. in C

       

       

       

Hn. 2 in F

Tuba

       

mp

       

(Vib.)

                                                                                p p

Piano

sempre

                                                                                 p  p sempre      

 Myrtle  

mf

    



When we came

to the sta -tion

he



was

cresc.

  

next

to

me,

his

white

Tom

Radio/Band Singer

Nick

  Vln I  p

f p

f

p

f p

f

 

Vla.

p

 

Vc.

Cb.

p

f

p

 

Vln II

f p

 

 

fp

fp

f

p

f

  p

f

p

f

    p

 

f p

 

f

f

p

f

p

f p

f

p

p

 f p

f

p

f p

 fp



f

   

fp



f

p



f

p

f

p

f

  p



f

p

 

f

p

f

p

f

    p

 



f

p

 

f

        

f p

         p

f p

f

p

f

f

p



p

f

 f      

f p

p

f

  p      

f p

p

f

 

f

p

f

 

p

f

p

 

 

f

p

p

 

p

p

p

f

f p

      

 

f p



f

f

p

f

p

fp

 p



p

f p

p

 

fp

fp



f p

f

f p

f p

f

fp

fp

f

 

fp

 fp



f p

f p

fp



f

fp



f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

196

215

 Fl. 1 

     

  

Fl. 2

 

  

    

 

  

   

  

   

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  

               

       

       



Tbn.

Perc. 1

Piano

       

Tpt. in C

Perc. 2

       

       

 

Hn. 2 in F

Tuba

       

                                                                

pp

                                                                 pp      

shirt

f

front





pressed

a

 -

 ff

 

my

gainst

arm.

Tom

Radio/Band Singer

  Vln I   p

p

 

Vln II

  

Vla.

p

   

Vc.

f

p

 f

 p

Cb.



(Vib.)

  Myrtle 

Nick

 

p

   

f

f

p

  p

p

 f

  p

 

f

p



 f

f

p

 p

f

p



 f

p



f p

f

p

 

 f p

fp

f

p

 

f

p

 fp

fp

 

f

f

f

p

f

 f

 p



 

f

p

p





p

p



 p

f



f p

f p



fp



fp

fp



f p

f p

fp

f p

 f p



fp



fp

fp

fp



f

 f

f



fp

 

p

 

f

 f

f

p

f

p

f

  

p

p f f

p

  

p

 p

  p

 p

f

 f

f

 

f

 f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

           

219

 Fl. 1  

5

f sf

               

Fl. 2

5

f sf

6

f sf

     

            

p

197

      

5

f sf

5

p

6

f sf

     

                

5

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  

sfp

Hn. 2 in F

f

sfp

(Tpt. in C)

 

p

f





f

sfp

p

sfp

p

f

p al sord.



sfp

 

f

f

p

f al sord. (straight)



Perc. 1

Perc. 2

Tbn.

Tuba



           5 (Vib.)

p

     

f sf

p

sfp

f

Tpt. in C

f sf

6

  5

f

     

f sf

p

  5

f sf

                                                               

Piano

Myrtle

5

p

f sf

  

5

p

5

f sf

6

6

p

5

f sf

6

Tom

Radio/Band Singer

Nick

  Vln I  p

 

Vln II

p

 

Vla.

Vc.

Cb.

f

f

6


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

198

222

  Fl. 1   

      

fp

Fl. 2

f

 

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

    fp

f sf

5       

  



Tpt. in C

Tbn.

Perc. 1

Piano



5

 

f

Perc. 2

f

Tuba

f sf

   

Hn. 2 in F

5



(Vib.)

    

fp



       5

5       



sf

f

Tom

Radio/Band Singer

 

Nick

Vln I

Vln II

p

Vla.

Cb.

p

f

 

Vc.

f

   

p

f

  

p

 p

 p

  

f

f

p

   p

  

f

p

f

I

said

    

f

p

f

f

 f   

f

   f

p

 p

 

 

I'd

 have

 

f

  to call

p

 p

 p



 5

   

 

Myrtle

sf

  

f

5       

fp

5

   

the police;

f

p



f p

f p



f

f

p

p

fp

f

f

f f p

p

fp

f

 



 



  

p



f

p

f

p

f

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

226

 Fl. 1   

199

Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

 

Hn. 2 in F

Tpt. in C



Bsn. 1

Bsn. 2

Hn. 1 in F

Tbn.

Tuba

Perc. 1

Perc. 2



Myrtle

5

      

             

  

         

mp

Piano

(Vib.)

fp

5

  

p

 

he knew

  

 

I

licd.

5

mf

 

Tom

Radio/Band Singer

 

Vln II

Vla.

Nick

Vln I

Vc.

Cb.

p

 



 



p

f p

f

 fp

fp

p

 

f

p



fp



f

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

200

229          Fl. 1  p

 

Fl. 2

      

        

p harmonics

       

     

      

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 2

Hn. 1 in F

 

Bsn. 1

p

f

p

 f

          

f

p

p

f

p

 chiuso

p

f p

f p

f

  p

f

         

        

 

p

f

   p

    f

p

f

f

       



Perc. 2

p

Perc. 1

       

      

f

   

Tbn.

f p

  



Tpt. in C

Tuba

p

p

Hn. 2 in F

                                                                   (Vib.)

fp sempre

                                                                  

Piano

fp sempre

 Myrtle  

f





I

was

   

so

ex - al - ted,

I

 



was

    

so

  

ex - ci - ted,

I lost

 track,

Tom

Radio/Band Singer

Nick

  Vln I  p

p

Vln II

Vla.

Vc.

Cb.

 



f p

f

f

p

f p

f

p

f p

f

  

f p

 p

 

 

f p



f

p

  p

 

f

p

 f

p

f

 

p

f

p

f

 

 

  





f

p

   

f p

f

  

p



f p

f

  

p

f p

f





p

f p



p





fp



f

p

p

p

f

p

     

f p



f

f

p

f p

f p

f

f

p

f p

f p

f

f

p

f p

        

 

    

p

    

 

f p

f

p

 



fp

fp



 

 fp



f

f

p

 

f

p

f

p

f

p

f

p

f

     

p

f

p

f

f

p

f

p



f

f

p

f

f

p

f

   

p

f

  

    

p

f

p

f

p

  

     f

p

f

p

f

p

 

   

f

p

p

f

p

   

f

p

     

p

 

f

I

p

  

 

p

f

  

 

 

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

234

 Fl. 1   Fl. 2

Ob. 1

Eng. Hn

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Hn. 1 in F

  



  



 













f

        

f

 

 

p

                 

p

Bsn. 2

 

Bsn. 1

        

201

f

 p

f

p

f p

f p

  

 

f

p

 

f

  p

        

 f Oboe

f







f

f

f p

f p

f

                

        

(chiuso)

f

Tpt. in C



Tuba

Perc. 1

Perc. 2

Piano

Myrtle

(Vib.)



 

 

 

 

 

 

 

 

 

 

 









lost









 

cresc.

of

where



track,





 



mf

                  mf





 

I

was:

                   

                     

  



Hn. 2 in F

Tbn.



Tom

Radio/Band Singer

Nick

   p

Vln I

p

Vln II

 

Vla.

 

Vc.

 

Cb.

 

p

p

p

p

p

p

f p

f

     

f

p

f

p

f

f

p

fp

fp

fp

fp

fp

fp

f

p

  f p     

f

f

p

f

f

p

    p f      f

p

f

p

      p

     

fp

fp

    

f



p

   

   p f   

fp

f

 

f

 

  p

f

f

p

   p

   p

   f

p

     f p      f

    f

    f

p

f p

f p

f

f p

f p

f

f p

f p

f

p

fp

fp

f

p

fp

fp

f

 



 

  

 

f

  

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

202    Fl. 1 

238 

Fl. 2

   













    

Ob. 1

Ob. 2

   

 

Cl. 1 in Bb

 

 

Sop. Sax in Bb

 

 

 

    

 



 

 

   

 

  

 

 

  

 





  





   

 

  

   

 







   

 





   



  



   





 



 

 

Hn. 2 in F

Tpt. in C



Perc. 1

Perc. 2



Piano

Myrtle

                                                                    ff

                                                                     

kept

think

 -

ing

 o

 

 -

-

ver

and

o

-

-

-

ver:

Radio/Band Singer

 

Vln II

Vla.

Vln I

Vc.

Cb.

ff

ff

Tom

Nick

ff

(Vib.)

 



Tuba

Tbn.

Hn. 1 in F

ff

ff

  

Bsn. 2



Bsn. 1

Bs. Cl.



ff

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

242  

Fl. 2

Ob. 1

Ob. 2

Fl. 1

Cl. 1 in Bb

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

           



 

 

p



 

 

 p









 







 







p aperto

 

 

     

 

p

 p

 



Perc. 1

Myrtle

Tbn.

Piano

con sord. (cup mute)

Perc. 2



p sost.

con sord. (cup mute)



  

p

(Vib.)

 p 





 p intenso

"You

can't

 

live

 

for - e

-

 

ver,"

 cresc.

"You

 can't

live

Tom

Radio/Band Singer

 

Vln II

Vla.

Nick

Vln I

Vc.

Cb.



 

  



p

 

 

p

p sost.

 

p

Tpt. in C

 

Hn. 2 in F

Tuba

5

203

for - e -


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

204

246

 Fl. 1 

 

Fl. 2

 

Ob. 1

 

Ob. 2



 

 

Cl. 1 in Bb

 

Sop. Sax in Bb

 

to Sop. Sax.

 

 

 



 









 



 

 





mp

 pp



mp

 

p

p







 



pp

   



 

 

 

 

 

 

 

 

via sord.

mutà sord. (straight)

 



 

 

 



 

 

Perc. 1

Myrtle

 

Tbn.

Piano

   

Tpt. in C

Perc. 2

 



 

Hn. 2 in F

Tuba

Bsn. 1

Hn. 1 in F



Bs. Cl.

Bsn. 2

 

 

  -

f

"You

can't

ver"



 

live

for

-

  e

 -

-

   

ver.

Tom

 

Radio/Band Singer

 

 

 Vln I 

Nick

Vln II

Vla.

Vc.

  

unis., arco

  

 p

unis., arco

 p

unis., arco

 p



 

 





 

 

 

 

 

 

 

 

 

 



  

unis., arco

mf

Cb.

unis., arco    mf

 

pp

pp

    



pp



pp

pp

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

250

205

  Fl. 1  

 

 

 

 

 

 

 

  

 

Fl. 2

Ob. 1

  

   

p legato, sost.

Oboe

Cl. 1 in Bb

 

Sop. Sax in Bb

Bs. Cl. in Bb

sf



 

 

  



 

sf

sf

 

 

 

 

 

 

 

 

  

 



 

  

 

 





sf

  

  

sf

 



  

sf

 

  

  





 



 

   

  

 

 

  

 

  

 

  

 



 

 sf

  



 



 

sf

 



p

 

 

  

 

sf

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

  

 

 

 

 

 

  

Tbn.

Perc. 2

Myrtle

 

 

    

Tpt. in C

Piano

  

 

p senza sord.

Perc. 1

 

sf



 

p

Tuba



    

Hn. 2 in F

 

 

p legato, sost.

Hn. 1 in F

 

p legato, sost.

Bsn. 2

p legato, sost.

  

Bsn. 1



p

Nick looks away.   Tom and Myrtle embrace,     

Tom

  

 

 

 

Radio/Band Singer

  

 

 

 

  

 

 

 

   

 

 

 

 

 



  

 

  

 

    

Nick

Vln. I

  

Vln. II



p legato, sost.

Vla.

  

   



p legato, sost.

Vlc.

p legato, sost.

Cb.

  

sf

 



 



 

sf

sf

   

 

 



 

 

  

 

 

  



 

sf

sf

sf

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

206

254

 Fl. 1  

Fl. 2

Ob. 1

 cresc.

 

Ob. 2

 

 

 

cresc.

p sf

 

 

  

 

Sop. Sax in Bb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

cresc.

 

 

  

 

cresc.

 



mp

mp

   

 

  

  

 



 

mp

mp

 





  

  

fsf

 

 

mp



 

 



fsf

 

 



 



 





sf



sf

   

p

sf

p

sf

 



 

  



 

  

 

  

cresc.

cresc.

 

 

 

 

sf

  



  

 

sf

 

 

sf

 

 cresc.

cresc.

 

cresc.

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

Tom

 

 

 

Radio/Band Singer

 

 

 

 

 

 

 

Myrtle

Nick

 Vln I  

Vln II

Vla.

 cresc.

cresc.

Cb.

cresc.

 

Vc.



 

p sf



  

 

 

 

  

 

  





mp

mp

mp

 

 

 

 fsf



 





 

 

 

  

 

  



sf

sf

sf

 

 

 

 

 

 





 

 

 



 

 

Perc. 1

Piano

Tbn.

Perc. 2

 

Tpt. in C

Tuba

   

cresc.

 

Hn. 2 in F



 



p sf

Cl. 1 in Bb

 

p

sf

 



 

  

 

  



 

 

 

   

 cresc.

cresc.

cresc.

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

258

 Fl. 1  

Fl. 2

Ob. 1



Ob. 2



f sf

 f sf

 

 



 



p sf



p sf







 

 

mfsf



mfsf

   

 



 



207

  f sf

  

f sf

sf cresc.



sf cresc.

   

 

 

 

 

   

 

 

Sop. Sax in Bb

Bs. Cl.

Bsn. 1



Bsn. 2

 

Hn. 1 in F

  

Hn. 2 in F

Tpt. in C

 





 



 



mfsf

mfsf

mf



 

mf

 





 



sf cresc.

 



  

sf cresc.

 

 cresc.

 

 



 



 

p sf



f cresc.



 

 



 

 

f cresc.

 

 

 

 

 

 

f cresc.



    

 

f cresc.

 

mf

f

     

  

   

f cresc.

 

p sf

  

Cl. 1 in Bb

al sord. (st. mute)

 

 

 

 

 

 



 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

Tom

 

 

Radio/Band Singer

 

 

 

 

Tbn.

Tuba

Perc. 1

Perc. 2

Piano

Myrtle

Nick

 Vln I  

Vln II

Vla.

f sf

 

 

Vc.

Cb.



  





 

 





 

p sf

 

mfsf

 



 



mfsf

mfsf

 

 

 

fsf

sf cresc.

 

 



 sf cresc.

 



sf cresc.

 

 

 

   

 



 

p sf





 

 

  



 

 

  

 

 

 

f cresc.

f cresc.

 

f cresc.

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

208

262

  Fl. 1    

Fl. 2

 

Ob. 1

ff

 

ff



   

Ob. 2

  

Sop. Sax in Bb

 

Bs. Cl.

 

Cl. 1 in Bb

ff



   Bsn. 2  

  

Hn. 1 in F

  

fsfz

fsfz

 

 

  

   

ff

 

  

ff

  

  

ff

 

 

  

 

  

 

 

  

 

 

 

Perc. 1

   

ff

  

 

   

 

 

  

  

 

  

 

 

 

 

 

Radio/Band Singer

  Vln I  

  

Vln II

 

ff

 ff

Vla.

  

Vc.

  



  

Vib. no pedal

Tom

Cb.

fsfz

Tbn.

Nick

Tpt. in C

Myrtle

 

Piano

  

Perc. 2

fsfz

 

 

Tuba

  

ff

    

Hn. 2 in F

 

Bsn. 1

ff

  

ff

ff

 

pizz.  ff

  f

Come

on

now

3

we

were


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

Fl. 1

Tempo giusto h = 92

  

to Piccolo

Fl. 2

Ob. 1

Oboe



Cl. 1 in Bb

Sop. Sax in Bb

 

Bs. Cl. in Bb

Hn. 1 in F

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

     

Soprano Saxophone solo

    

      p

 

  

 



 

 

 

 

  

  

   



   S.D.

Trap set

f

 p

 

 

 Myrtle 

Solo Vln.

 

Tom

danc - ing.

Radio/Band Singer

 p

 

 

 

 

p

p

 

   p

gliss.

 





  

 

 

W. Blk.

poco stacc.



  

Tom turns on the radio, finds music, and urges a reluctant Myrtle to dance.

  







 

 

 

  

 

  

 

 

 

Vln. II

Vla.

Vlc.

 

 

 

   

gliss.

     

 

Tempo giusto h = 92

 



 

 

poco stacc.

Cb.

 

 

Vln. I

     

Tuba

Nick

Banjo

 

Piano



Tbn.

Perc. 2

 

Hn. 2 in F

Tbn.

 

Bsn. 1

Bsn. 2

209


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

210

271

  Fl. 1       

Fl. 2

   

Ob. 1

   

Ob. 2

 

Cl. 1 in Bb

  

Sop. Sax.

 

Perc. 1

Piano

Sop. Sax.

Piano

Banjo

Solo Vln.

Myrtle

 



mp accomp.

 

 

 

       

   

   

   

 

 

  

solo

senza sord.

 p



 

 

    

   



     

   

     mp

    

      



mp

mp

  

mp marc.

 

 

 

mp marc.

    

 

 



   



 

Tbn.

Perc. 2

   Tpt. in Bb  

Tuba

Hn. 2 in F

Tbn.

Bsn. 1

Hn. 1 in F

Bs. Cl.

Bsn. 2



 

 

 

 



 

  

 p

 

 





 

 

 

 



 

 

   

 





     mp





 

 

 

 

 





 

 

  

 



 

Tom

  

Radio/Band Singer

  

  

   

Nick

Vln I

Vln II

Vla.

Vc.

Cb.

          

   

  mp accomp.

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

277

  Fl. 1   

 

       

   

   

 

   

Fl. 2

   

Ob. 1

   

Ob. 2

 

Cl. 1 in Bb

 

Sop. Sax.

 

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

   

Hn. 2 in F

Tbn.

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

   

        

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.





     

Vln I

Vln II

Vla.

Vc.

Cb.



     

 

   

 

 

 

 





 





 

 

 

 

of

us

can

stand

3

 the

 

3



3

per - son we're mar - ried

 





 

 3

 



 

S.D.

 

 

    

solo

    

 

Nei - ther

Nick

 

 

   

f

Radio/Band Singer



 

 

   Myrtle    Tom

211

to.

 

 

   



       



gliss.

 S.D.

 



 

  

 

  

  

 

  

  

  

  

  

   

   

  

    

           

   

f

I

would

  

not


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

212

282

  Fl. 1       

Fl. 2

   

Ob. 1

   

Ob. 2

 

Cl. 1 in Bb

  

Sop. Sax.

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

Perc. 2

Piano

Banjo

Solo Vln.

Myrtle

Tom

Nick

Vln I

Vln II

Vla.

Vc.

Cb.



   

  

 

        

       

  

  

 



 

 

  

 

 







    

             

         

  gliss.

 

 

 

 

 

        

p



     mf

 



 

  

mf

mf



  mf

  

 



 



 

  



 



 

 



  



 

      

 

        

 



 



  

 

Pre

 -

-









 

cious

lit

-

mf

tle

Dai



-

-

  

   

   

          

   

that.

 



 

    

mf

mf

    

    

say

Radio/Band Singer

Tbn.

Tuba

Hn. 2 in F

Tbn.

Bsn. 1

Hn. 1 in F

p

 

Bs. Cl.

Bsn. 2

sy!



 p sf

p sf



p sf



 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

287

  Fl. 1   

       

   

   

 

   

Fl. 2

   

Ob. 1

   

Ob. 2

 

Cl. 1 in Bb

 

Sop. Sax.

 

Bs. Cl.

 

Bsn. 1

Bsn. 2

Hn. 1 in F

      

Hn. 2 in F

Tbn.

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

   

   

Tbn.

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

Myrtle

213

 

    

   mp



mp

 

mp

 





     



   

solo

     

  

    

W. Blk.

 



  

 

 

 

 









 

 

 



   

  



 



 

 





 



  

   

 







mp

     

    

mf

 Don't

 tell

    

  3

3

me you're hap - py

with her,

 

     

when

3

you can have

  me.

Tom

   

Radio/Band Singer

  

  

   

Nick

Vln I

Vln II

Vla.

Vc.

Cb.

         

   


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

214

292

  Fl. 1   

Piano

Banjo

Solo Vln.

   

 

  

              

   

Tbn.

Perc. 2

   

Hn. 2 in F

Tuba

 

Bsn. 1

Tpt. in Bb

 

Bs. Cl.

Sop. Sax.

 

Sop. Sax.

Piano

 

Cl. 1 in Bb

Perc. 1

   

Ob. 2

Tbn.

   

Ob. 1

Hn. 1 in F

   

Fl. 2

Bsn. 2



 

 

 

 

 

  

           

Radio/Band Singer

Nick

    

        

  Myrtle    Tom

           



Don't you

  

    







 

 

 

 



  



    

 dare



   



to men -tion her



 

 

 

 



  

 

    

     



      

solo mp



 

 

 

     

ff







name

like

that.

mp

 

 

 

  



 

  f

Dai

 

  Vln I   

Vln II

   

Vla.

 

Vc.

   

pizz.

Cb.

   



  

 







mp (pizz.)

mp

  mp

 mp   mp

-

-


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

297

  Fl. 1       

Fl. 2

   

Ob. 1

   

Ob. 2

 

Cl. 1 in Bb

 

Sop. Sax.

 

Bs. Cl.

Bsn. 2

Hn. 1 in F

Tbn.

Perc. 1

Piano

Sop. Sax.

Tpt. in Bb

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

  

 

    



    





 

 

     

 

   





 

   

 

     

sy,

  



 

 

 solo



-

-

-

        mf

 

sy,



 

 

     

 



 

 

 

    

   

   

 

  

 

I'll

say

it

when

 I



 

 

      

 

 

   

 

ff

want.

 

p

 p

 

mp

p

mp

mp



 

 p

 p

 

 mp



 

gliss.







p

gliss.

mp

p gliss.

mp

 p

 



 

mf





 



(pizz.)

 

 





 mf

mf (pizz.)



mf

 

 





 

 

    





(pizz.)

    



p

(pizz.)

   

Dai

      Vln I   

  

 

  



   

Cb.

 

       

 

       



Radio/Band Singer

Vc.

mp accomp.



  

Vla.



Tom

Vln II

  Myrtle    

Nick

 

Tbn.

   

Hn. 2 in F

 

Bsn. 1

215

mf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

216

303

  Fl. 1       

Fl. 2

   

Ob. 1

   

Ob. 2

 

Cl. 1 in Bb

 

Sop. Sax.

   

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

  

        Perc. 1        Tbn.

Piano

   

    Tpt. in Bb   Sop. Sax.

Tbn.

Tuba

Perc. 2

  

Piano

Banjo

Solo Vln.

    

             

f

  Myrtle    Tom

Radio/Band Singer

Nick

Vln II

Vla.

Vc.

Cb.

 solo

 

     

 

 





        

Tom-tom

   

       mf   



 

   

  Vln I   

   

Hn. 2 in F

f

Dai



f

I'm

warn

  

  

        

            

   

   

  





 

p

        











mp

-

sy,





ing

you.



Dai



-

sy,

Dai

 









Don't

go

too

far.

p

    

p

  

p

   

   

  

mp

mp





p

gl.

mp

(mf)

gl.



(mf)

p



 

gl.

mp gl.











gl.

 



gl.

mp

p

gl.

gl.

gl.

 



 mf







gl.

 p

gl.

 mf

p

mp

 p

mp

p

mp

p

mp

p



sy!





-



gl.







 

p

        



p

3

-





 mf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

308

  Fl. 1   

   

 

   

Ob. 2

 

Cl. 1 in Bb

 

Sop. Sax.

   

Bs. Cl.

Bsn. 1

Hn. 1 in F

   

Ob. 1

Bsn. 2

   

Fl. 2

      

Hn. 2 in F

        Perc. 1         Tbn.

Piano

Sop. Sax.

Tpt. in Bb

  

Tbn.

     

Tuba

Perc. 2

Piano

Banjo

Solo Vln.

mf



mf

 

mp



mf

     

 

Radio/Band Singer

  



 



Dai

-

sy,

Ea

-

-

  Vln I    



mp

p

    



  

 

gliss.

mp

Cb.

    

           



   

Dai

-

gliss.

gl.

 

sy,



sy,

                  

 







 Dai

 

mp

mf



 

mp

  p

  p



-

sy,



p

 

 

 

 





 

 

mp

mp

  

mp

-

sy,

  

  

Dai

-

sy...

gl.

 









mp

 



















p gliss.

p

mp

mp

 



gliss.

 

ff

 

gliss.

 

 

mf

mp

mp

mp

p



  



Dai



mp

gl.



 

mp

 

 -

 

 

gliss.



 

p

mp



gliss.

mp

  



Tom.

p

(pizz.)

mp



p





         

    



 p

mp

    

Vc.

(pizz.)

     

f





        

 Nick   

Vla.

  

   

   

     

  



  

Tom

        

           

  Myrtle    

Vln II

217

I'll

  

 

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

218

313

  Fl. 1     Fl. 2   

                 

Ob. 1 Ob. 2 Cl. 1 in Bb Sop. Sax. Bs. Cl. Bsn. 1 Bsn. 2

Hn. 1 in F

Tpt. in Bb

Myrtle





 





   



 

 

     



 

  

         

 

  

 

    





   

say





3





 

   

  

  

 

3

I

want



mp

     f



 

  

 

to.



 

 

C.B.

 

mp

(mf)



mf

Dai

-

sy,

Dai



mp

 

 

       f            

   



 





  



 

    

    

sy,

Dai

     f



otherwise resume playing at measure 324.

  



* To Tpt. in C to straight mute

* If previous passage is pre-recorded, play at 318;

                  

mf

-

 

    





-

sy,

Dai

 





  

 



-





 











mf

 





 



mf

gliss.

mf







    

 



 

it when - e - ver

  



 

  

mf

     

 

     

  

  

  

 





mf

   









  Vln I   

Cb.



   

Vc.

Radio/Band Singer

Vla.



Tom

Vln II

  

Nick

Tuba

Solo Vln.



Banjo

Tbn.

Piano



Perc. 2

 

        Perc. 1        

Sop. Sax.

Tbn.

Piano

   

Hn. 2 in F

   



    



 

(pizz.)

(mf)

 (mf)









  

cresc.

(pizz.) cresc.

gliss.



 



 



 

 

gliss.

















 gliss.

 


Fl. 1

Più mosso h = 104

 

Fl. 2

Ob. 1

Oboe

 



 

 

 

 

f Piccolo

 

         

         

           

             

sf

sf

f

f

            

Sop. Sax.

219

            

Cl. 1 in Bb

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

f

f

      

             f

        f

 

sf

sf





sf

sf



       

Bsn. 1

         

Bsn. 2

          Hn. 1 in F   f

           

Hn. 2 in F



Tbn.

Tuba

sf

sf

sf

sf

sf

  

  



 

f sf

sf

sf

sf

sf

sf

  

  

 Perc. 1

Perc. 2

Piano

Myrtle

           

st.   mute

Flexatone

f

sf

     

  

f sf

sf

f

 

 

f

  

f Tpt in C (st. mute)

Tpt. in C

sf

        

Bs. Cl. in Bb

sf



f

  

 

 

 

 

          sf

sf



 

Tom hits Myrtle, bloodies her nose. Nick shuts off the radio.

ff

You

brute,

 I'm

bleed - ing,

 you've

hurt

Tom

Radio/Band Singer

Nick

Più mosso h = 104

   Vln. I  f

Vln. II

 

 



 



 

f

 

  

  

f

Vla.

  

f

 f

f

Vlc.

f

Cb.

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

220

323

 Fl. 1  Picc.

Ob. 1

 







 

 

 

 

        

             

Ob. 2

Cl. 1 in Bb

  

         

         

  

            

           

                   

Sop. Sax.

            

Bs. Cl.



       

         

 





Bsn. 2

 Hn. 1 in F 

         

           

          

Tbn.

Tuba



Hn. 2 in F

Tpt. in C

Perc. 1

Perc. 2

Piano

Myrtle

f sf

(st.   mute) sf

  

(Flexatone)





 

 







sf

sf

sf

sf

  

  



 

sf

sf

sf

sf

sf

sf

 

 

  

sf

 



 



sf

sf

via sord.

via sord.

 

           

to Timp.



  

You've ff

hurt

me,





not

a

brute.



 

You

crossed

I'm

bleed - ing,

  

you

brute,



I'm

 

 

 



 





  

 

me.

Vlc.

    Vln I    Vln II  Vla.

sf



the line.





  

f

 f

 (pizz.)  

   

 

  (pizz.)

To Cl. in Bb

con sord.            

 



sf



     

  

  

sf

sf

sf

Radio/Band Singer

Cb.

 

(st.   mute)

f

sf

Tom

Nick

sf

sf



 

Bsn. 1

sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

328  

 Fl. 1  

Picc.

Ob. 1

Ob. 2

 



 



 



 

 

 

 

 

 

 

         

        

        





 











  

  p

p marcato

 

via sord.

          



























p



p





 Myrtle    

Tom

Radio/Band Singer

Tom



Get

her

some

towels



sf

 

3

and let's get

sf

 3  out

of

ah

sf



here.

  

 

 





 





 

 

Vlc.

Vla.

Vln II

 Vln I 

Cb.

Perc. 1

Nick

         

Tbn.

Piano

  

Tpt. in C

Perc. 2

  

Clarinet in Bb

                                        Bsn. 1   p marcato             Bsn. 2     

Tuba

Hn. 2 in F

        

Bs. Cl.

Hn. 1 in F

        

p Sop. Sax.

        

Cl. 1 in Bb

 



221

 

 

 

 

 



 





   

 

 

 





 









   

p

p


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

222

333

 Fl. 1 

Picc.

Ob. 1

Ob. 2

            cresc.

Cl. 1 in Bb

            cresc.

Cl. 2 in Bb

Bsn. 1

Bsn. 2

Hn. 1 in F

 





  





  

 

  

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

Bs. Cl.

Piano

Myrtle

fsf

 

fsf

 

fsf

fsf

 sf

 

sf











mp











fsf





f

p

  

sf

 

  

















f sf

 p



















sf

p

sf

sf

sf

senza sord.   



sf

sf

 

f

sf

sf







ah

 

Tom,

 you've

 hurt

  

sf





I

 

(pizz.)

fsf pizz.



fsf



Vlc.

 

(pizz.)

 

 

  mp

mp

 

hate

 the



sight

 sf



of



blood;

 

pizz.

ah

pizz.

Vla.

sf



sf



sf



sf

 let's

her.

 Vln I  Vln II

f

sf

sf

sf





  

sf

 

          cresc.

 

cresc.

sf

          





fsf

senza sord.   









f



f

mf

sf





 





mf

 





p

               

                       fsf  

Radio/Band Singer

Cb.

sf

Tom

Nick



 

Perc. 1

Perc. 2

fsf

            



  mp

 

 mf

mf

fsf

 sf

 sf

 sf

 sf

 sf

 sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

Fl. 1

338     

Picc.

Ob. 1

Ob. 2

Cl. 2 in Bb

 

 

  

 

Bs. Cl.

Bsn. 1

 

  

Cl. 1 in Bb

Bsn. 2

 

 



 



Tpt. in C



Myrtle

 

sf



 

sf

sf

 

sf



f sf



f sf





 

sf



 



 

 

 

 

 

 





 





sf



sf



f sf

 

f sf



f sf

  f sf  

sf

sf



f sf



(Timp.)

f sf

cuivré

cuivré

 



f

 

 



 



 





  





Radio/Band Singer

 

 

go.



She

dares



ah

 to



men - tion

Dai-

 -

 

sy!

   



Vlc.

 

Vla.

Vln II

 Vln I  

Cb.

 

sf

 

Tom

Nick

sf

Perc. 1

Piano



 

Perc. 2







sf





Hn. 2 in F

Tuba

sf

sf

 Hn. 1 in F 

Tbn.

 

 

  

 

223



(pizz.)



sf (pizz.)



sf



sf

sf

sf

sf

 f sf

 f sf

arco

  

 

 

 

 

arco

 



 



 





 





arco


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

224

343

 Fl. 1 

Ob. 1

sf

 

Cl. 2 in Bb

 



 



 

 

 

 

 

 

 







 











  

  

 



sf



sf

sf

Bsn. 2



sf

Bsn. 1

  

sf

sf

Bs. Cl.

 

Cl. 1 in Bb



sf

Ob. 2

 

Picc.

 

sf

  Hn. 1 in F 

  

  

 

(Timp.)   

sf

Hn. 2 in F

sf

Tpt. in C

sf

Tbn.

Tuba

Piano

Myrtle





cuivré

sf

 







 







 







 





    

Tom

Radio/Band Singer

Nick

 

sf

Perc. 1

Perc. 2

sf

cuivré



ah

Should

 not

have

men - tioned

 Dai

 -

sy!



  

 

 

 

 

 

 







 



 



 







 











    Vln I  

  

 

 

Vln II

Vla.

sf (pizz.)

Vlc.

Cb.

sf (pizz.) sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

225

Interlude: From the Valley of Ashes to Gatsby's Lawn

348

 Fl. 1 

Picc.

Ob. 1

Ob. 2

f

Cl. 2 in Bb

 

sf

Bs. Cl.

   sf

Bsn. 1

Bsn. 2

Hn. 1 in F

sf





f



  

  

 

sf

 

Tbn.

Tuba

sf

 

sf

Perc. 1



 





 

 



sf

  

  



f





sf

   



sf

sf

  

     

f chiuso



 









chiuso



f











  



 

  

f

  



mf

(Timp.)   





                                      

(f)

Tpt. in C



sf

(f) ord.

f

mf

ord.   

Hn. 2 in F

Cl. 1 in Bb



f

 

 sf



 





 



 

 

sf

f

sf

sf con sord.

 f

Vib.

  Perc. 2

Piano

Myrtle

mf

  



  

  

    mf 

  

  

  

  

  



ah

  

  

  

  

  

  

  



 

  

  

  

  

  

  

   

  

Tom

Radio/Band Singer

Nick

Interlude: From the Valley of Ashes to Gatsby's Lawn

Vln I

  

 

Vln II





 

Vlc.

mf

Vla.

Cb.

mf

sf

 

sf

 arco





f

 





  

 

  sf





 

f

 

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

226

Fl. 1

354 

f

Cl. 1 in Bb

Cl. 2 in Bb

Bsn. 1



sf







 

                     

sf

fsf

f

cresc.



 

 



 





 





sf

 





sf

   mf



 



sf

  

  

  



sf

sord.   senza 

sf

via sord.





  



 

chiuso



 

 

 sf

 sord.   con     



Perc. 1

(Vib.)

 

Perc. 2



                  5 f ff  

sf



  

chiuso





  



  

mf





f

  

  



f



  

fsf



aperto

f

  



aperto

f



 

Tbn.

Tuba

  

Tpt. in C

          Bsn. 2 

Hn. 2 in F

ffsf

5

cresc.

Hn. 1 in F

5



Bs. Cl.

sf

 

Ob. 2

f



 

Ob. 1

ffsf

                          5

Picc.

Animando

                     5

 



                        mf

                                                    5

Piano

Tom

Radio/Band Singer

Nick

Vln I

Cb.

Animando 

 

Vlc.

mf

Vla.

5

 

Vln II

mf

                          ffsf f 5

 Myrtle 

5

ffsf

f



sf





 

 

    

f sost.

f sost.

 sf



 

 

f

  


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

360

 Fl. 1 

 

Picc.

  

Ob. 1

  

Ob. 2

Cl. 1 in Bb

Cl. 2 in Bb

Tuba

sf



 



   



   

  

5



ff

ff

sf

  

   aperto

sf

ff aperto

sf

ff





ffsf



  

 

   

  

  

  













 

via sord.

sf

ff

   

 

 

sf

sf

sf







f









  

sf

  

 



  

con sord.







sf

sf

 



sf

ff

 



sf



ff



     

sf

 

ff



sf











 

 



sf







chiuso   

ff



ff chiuso





5

5



fsf

sf

6

     

  





f

ff

  

  

5

5





ff

6





f

ffsf

                                   

 

  

Tbn.

5

ff

Bsn. 2

Tpt. in C



sf

  

Hn. 2 in F



Bsn. 1

Hn. 1 in F



       



                                  



Bs. Cl.

227

aperto

aperto





Perc. 1

                                      5

     

(Vib.)

Perc. 2

ff

f



   5

f

                                                            5 6 5

Piano

5

ffsf

f

                               6    5

5

5

 Myrtle 

Tom

Radio/Band Singer

Nick

Vln I

   

Vln II



  

Vla.

Vlc.

Cb.

ffsf







sf

 



 ff



 









ff

  

f

sf



 

 



sf

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

228  Fl. 1  

Piccolo

ffsf

 

 6

 

Oboe

 

Cl. 1 in Bb

 

Clarinet in Bb

Bs. Cl. in Bb

    6

   

 sf

sf





sf

sf



  sf  

sf

 



Perc. 2



Piano

Myrtle

 

sf

 

sf

 To Fl. sf



sf



sf

 

sf



sf

  

sf

 

  ffsf

  ffsf

6

 6

6

 

 

 



via sord.

sf

senza sord.

sf



sf

sf

 

sf

to Glock.

 



sf

6

   

sf

 

to Cl. in Eb



sf

   

 



(Timp.)

ffsf



sf

(Vib.)



 



sf









sf



sf

sf

Perc. 1

sf

sf

 



sf



 

sf

Tuba

 

sf

sf

Tbn.





Tpt. in C

sf



sf

 

 

sf

sf

  

sf

sf



 



  Hn. 1 in F  Hn. 2 in F

6

Più mosso h = 116+

 



  

Bsn. 1

6

ffsf

 

Ob. 1

Bsn. 2

 

 

Tom

Radio/Band Singer

Nick

Vln. I

    

Vln. II

 

Vla.

 

Vlc.

Cb.

Più mosso h = 116+ 

gliss.





 gliss.

gliss.





 gliss.

ff

ff

 





sf

sf

 sf



sf arco



ffsf



legato e sost.







legato e sost.

 sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

370

229

 Fl. 1 

Picc.

Ob. 1

Cl. 2 in Bb

Bs. Cl.

Ob. 2

Cl. 1 in Bb

Bsn. 1

Bsn. 2

Tbn.

Tuba



ffsf

Tpt. in C

ffsf

 Hn. 1 in F  Hn. 2 in F

Perc. 1

ff sost.

 







 

marc.

marc.

sf

ff

 



 



 

sf

marc.

sf

 

ff marc. con sord.

ff marc.

 

 

(chiuso)

ff

 



ffsf



ff sost.

(aperto)

 





sf

 

 

sf

 





 

 



 

Tom

Radio/Band Singer

Myrtle

Nick

Vln I

 

Piano

ff sost.



Perc. 2

  

 

Vln II

Vla.

Vlc.

gliss.

gliss.

gliss.

 



 



sf marc. Cb.

sf marc.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

230

375

 Fl. 1 

 

Picc.

Ob. 1

Ob. 2





  

   



      

Flute













 



            

Cl. 1 in Bb

Cl. 2 in Bb

Bs. Cl.

Bsn. 1







 







sf

Bsn. 2

Hn. 1 in F

sf

  

 

Hn. 2 in F

senza sord.

 

Tbn.

Tuba





sf

  

 

 

sf

(chiuso)

 



con sord.

 







sf

sf

sf









 

  

sf



sf

Perc. 1

 

sf

 

 

 

Tpt. in C



sf



 

sf

senza sord.



 





 

Tom

Radio/Band Singer

Perc. 2

Piano

Myrtle

Nick

gliss.

gliss.



gliss.

gliss.



gliss.

gliss.



  Vln I 

Vln II

Vla.

Vlc.

 







 







sf

Cb.

sf

sf

sf

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

381 

Fl. 1

  

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Bsn. 1





 

   



  



  



   

 

 

 









  





ff sost.

   









 











sf

sf

 



sf

 

Perc. 1





   



 

sf con sord.



sf

 

sf



 

sf

  

 

 

Tbn.



Tpt. in C

 

Clarinet in Eb

  

Hn. 2 in F

Tuba

Bs. Cl.

Hn. 1 in F

 

Cl. 2 in Bb

Bsn. 2

231



sf

sf

 

sf

 



 

 









 

sf

sf

sf



 

 

   



 

 

 

 

 

 

 

 

 

 

 

Tom

 

Radio/Band Singer

 

 

Perc. 2

Piano

Myrtle

Nick

Vln I

 

 

Vln II

Vla.

Vlc.

Cb.

gliss.



gliss.

gliss.



gliss.

 



sf

sf



 sf

 

     

 







 

 







 

sf

sf


232

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

Lento q = 76 

387

  Fl. 1   

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

 

            (ff) stacc.

f stacc.

     

Bs. Cl.

Bsn. 1

         

ff

  

       

  

 

ff

f stacc.

f stacc.

 

   

    Bsn. 2   f

 

 

   Hn. 1 in F   f   Hn. 2 in F   f

f

Tpt. in C

Tbn.

Tuba

Perc. 1

   f    

  

f Tam.

  

mf

Perc. 2









       

    tr

   sf

 



f

sf

 

  

 



   sf

sf

Glock.sempre l.v.

ff sonoro

  

    

  f

 

 

 

 

Nick

  

Vln I

Vln II

Vla.

  

Lento q = 76 





   



  

   



 

    

 

 f

f

Vlc.

f

Cb.



f

f

f

Radio/Band Singer





 



ff

 

tr

 

         

       

sf

 

aperto via sord.





  The green light on Daisy's dock becomes distantly visible.     Tom  

Myrtle



 

   

Piano

 

            

  

sf

f

  Timp.  



f

  

         

f

f

 

           







 



       

ff

Cl. 2 in Eb

          

 

sf f appass.

 



sf f appass.

f

sf appass.



sf f appass

 





 





 





 







 

sf



 

sf



 

sf



 

sf


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

cedendo

390    Fl. 1  

Fl. 2

Ob. 1

  

 

Cl. 2 in Eb

aperto

 

Hn. 2 in F

Tpt. in C

 

           



           



cresc..

f

cresc..

     





       

ff

ff

f

  

          f



 



 



sf

  

 





f Tam.

mf

 



       

 

 



 f

ff

Tom

Radio/Band Singer

cedendo

a tempo

  Vln I 

 

 

 

 

 

Vln II

Vla.

 

Vlc.

Cb.

 

 

pizz.



 





pizz.

pizz.

pizz.

pizz.

Nick





 

Myrtle

 

Glock.sempre l.v.

ff sonoro





 



  

Timp.

       

 

tr      





ff

sf

 

ff





f

f solo

 

 

Piano

solo

ff

  

Perc. 1

Perc. 2

 

           

Tbn.

Tuba

          

ff

 

 

  



 

Bsn. 1

        

  

Bs. Cl.

Hn. 1 in F

 

Cl. 1 in Bb

Bsn. 2

Ob. 2



 



 

  

233

a tempo



arco

arco

 

 

sf

    sf

 

sf

 

sf

 

arco

arco



       


234

Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

a tempo

rit. poco

393           Fl. 1  

Fl. 2

Ob. 1

Ob. 2

                

Cl. 2 in Eb

  

Bs. Cl.

Bsn. 1

 

Bsn. 2

  

  f

  f

 

 

 

  

 



 

 

          

 

  

 



 

  

 

  

 



 

 

 

  

 



 

 

 

  

 



  

 

 

 

  

 



 

 

  

 



 

 

 

  

 

ff sost.

  

 

  

 

 



ff sost.

ff sost.

  

ff sost.

ff sost.

 

 

  



  

 

  





 

ff sost.

 

senza sord.





 

ff sost.



ff sost.

 

 

 



 

 

  

 Myrtle 

  

 

Gatsby's house and lawn become visible. Gatsby is seen looking across the bay at the green light on Daisy's dock.

 

Tom

 

Radio/Band Singer

 

 

Nick

rit. poco

 Vln I 

 

Vln II

 

Vla.

 

Vlc.

Cb.

 

  

Perc. 1

  

ff sost.

cresc..



ff sost.

ff sost.

         

cresc..



Tbn.

Piano

 

 

Tpt. in C

Perc. 2

  

Hn. 2 in F

Tuba

 

ff sost.

       

 

  

 

  

 

Cl. 1 in Bb

Hn. 1 in F

 



a tempo 

 

  

 



 

 

 

  

 

  

 



 

 



 

 

  

 



 

 

 



 

  

 



 

 

 

 

ff sost.

ff sost.

  



ff sost.

ff sost.


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2



     



     

 

     

396

 Fl. 1  

Fl. 2

Ob. 1

 

Ob. 2

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

Hn. 1 in F

 

 

Bsn. 1

Bsn. 2



                             

 

Tbn.

 f

  



   p

  

p

  

p

  

 f

  

  

  



      



p

p

  

  

p

f

p



p

 

p

p

f

f

f

f



      

f

 



f

      

f

p



f

p



  

 

f

  

 

p

f

  

f

p

f

p



p

p



      

f

p

    

Tpt. in C

p

  

  

     

Hn. 2 in F

  

p

235

poco rubato, non trascinando

 



p









 

 

f

p

f

p

 p

f

 

   f



    p

p







   

 

f

f

f

p

  p

f

  f

p

f

f

f

f

p











 

 

f

p

f

p

p

f

f

p

f

p

p

f

  f



 

Tom

Radio/Band Singer

Perc. 1

Perc. 2

Piano

Myrtle

Nick

 



     

 

     

 Vln I  Vln II

 

Vla.

 

Vlc.

           

poco rubato, non trascinando

      p

  

non legato

  

   

      

p

f



p

  

non legato

     

p

p



 

 

p



 

f

 

 

f

p

f



f

      

f

p non legato

  

 f

p non legato

p

Cb.

  

 p

arco

p

 f

legato



p

p

p

f

     

f

   

  f

f

f

   div.

 

legato

 f



 

legato

p



 

 



Tuba

f

 

p



f

 

p

 

 

p



p



   

p



 

p



 

p

p



   

p



p

p

p



p

 

p

p

 

   

p

p

 


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

236

400

 Fl. 1  

 

Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

Cl. 2 in Eb

Bs. Cl.

 



 



p

p

  

f

 f

 

      

 

 

mf

p

f









p

p



f

p

 f

 

 

mp

mp

     

mp

mp

    

     

 

 

     

p

      p

 

mp

 

 

 

 

 

 

 

 

 

mf

 

mf

f

f

mf



mf

f



f

f

        

f

p

mf

mf



 

f

p

mf

f

p

p

 

          

 

f

p

f

 

 

Tbn.



          

Tpt. in C

p

  

Hn. 2 in F

 Bsn. 2   Hn. 1 in F

p

 

 

Bsn. 1

      

mf

f

mf

mp

mp

mp

     

     p

p

 

      p

 

p

mp





 

Tom

Radio/Band Singer

Tuba

Perc. 1

Perc. 2

Piano

Myrtle

Nick

 

             Vln I   5

ff

6

          p

pp

                      5 6

ff

Vla.

           5

ff

 

Vlc.

Cb.

pp

 

6

pp

        p

        f





p

p

     

    

     

     

 

f

f

 

mf

 

mf

mp

 

mp

 

5             

5

            

f

p

    

f

(div.)

Vln II

     

5              5             

      p

f


Harbison The Great Gatsby–Reduced Orchestration Act I, Scene 2

404

 Fl. 1 





Fl. 2

Ob. 1

Ob. 2

Cl. 1 in Bb

mf cresc.

  

  

mf cresc.

 



  ff dim.

    

ff dim.

  





 



 

Tom

Radio/Band Singer

Cl. 2 in Eb

Bs. Cl.

Bsn. 1

Bsn. 2

Hn. 1 in F

Hn. 2 in F

Tpt. in C

Tbn.

Tuba

 Perc. 1

Perc. 2

Piano

Myrtle

Nick

3

   

Vln II

6

      3

                                     6

6

3

3

3

cresc.

Vla.

Vlc.

Cb.

3

3

ff

 3                                           3    3 3 3 3 cresc. 3 ff 6    3 3 3 3 3 3                                             3 cresc. ff 6 6

pizz.

 

sf

ff dim.



f dim.

  

f

f

 

 

  f

 

 

 

 

ff dim.



                                    Vln I         3 3 3 3 cresc. 3 ff 3



  

6

3

  

  

237

f dim.





f dim.



f dim.



f dim.

 



dim.

  dim.

 



   



 



 

  

dim.

 

dim.