Harbison FOUR PSALMS

John Harbison

FOUR PSALMS

Soloists, Chorus and Orchestra

JOHN HARBISON

FOUR PSALMS for vocal soloists, chorus and orchestra

FULL SCORE

From the G. Schirmer Rental Library Date of Printing:_____________

Associated Music Publishers, Inc. New York, NY

JOHN HARBISON

FOUR PSALMS for vocal soloists, chorus and orchestra

I. PRELUDE .......................................................................... 1 II. FOUR PSALMS 1. Psalm 114 ......................................................................... 19 2. Psalm 126 ........................................................................ 54 3. Psalm 137 ....................................................................... 100 4. Psalm 133 ....................................................................... 145

Associated Music Publishers, Inc. New York, NY

“Four Psalms” was commissioned by the Israeli Consulate of Chicago, with funding provided by Joan and Irving Harris. The first performance was given on April 22, 1999 by the Chicago Symphony Orchestra and Chorus, with Lisa Saffer, Lorraine Hunt Lieberson, Frank Kelley, and James Maddalena under the direction of Christoph Eschenbach. “Four Psalms” has been recorded by The Cantata Singers & Ensemble, with Majie Zeller, Lynn Torgove, Frank Kelley, and David Kravitz under the direction of David Hoose. New World Records 80613

Program Note Four Psalms celebrates the fiftieth anniversary of the founding of the State of Israel. Composing such a piece at such a moment in Israel’s history has been an honor and a heavy responsibility. Four Psalms opens with a prelude for mezzo-soprano and orchestra, a prayer composed by Amemar in 454 A.D., which states the major themes of the piece, both musical and philosophical. A rabbi and mystic in Babylon, Amemar studied the theological meaning of dreams. His prayer asks God for dreams of Israel that are true and enduring visions: “If they are good, strengthen them...But if they require healing, heal them.” There follow four psalms, in Hebrew, alternating with the voices, in English, of people now living. The psalm settings employ fully developed forms—march, antiphon, passacaglia, and aria—suggested by the majesty and mystery of the Hebrew language. In contrast, the contemporary voices are set within brief inventions, their form echoing the momentary illuminations granted to those reflecting upon their own time. The contemporary voices are those of people who were kind enough to speak to me freely and openly about Israel during the course of my preparation for this piece. From some thirty conversations I have drawn three scenes, using fifteen voices in all. Visionary, contentious, humorous, virulent, fragile, these men and women represent our present moment. By contrast, the psalms are the ancient and enduring voice of our collective past, continually renewed by their liturgical role. Each marks a point in Israel’s journey through adversity and triumph, achievement and loss, toward the Israel of Amemar’s dream. I am grateful to many people for their contributions to this piece. I thank especially Arthur Avnon, Consul General of Chicago at the time the commission was offered; his successor, Tzipora Rimon; and the members of the Consulate’s Steering Committee for Music. Help with Hebrew came from Michael Rose, Joel Gordon, Cantor Richard Cohn, Lynn Torgove, and Eli Friedlander. Support of other kind came from Stanley and Cathleen Cavell, Shulamit Ran, Talia David, Rose Mary Harbison, Susan Feder, Ann Harleman, and the Bogliasco Foundation. —John Harbison

FOUR PSALMS PRELUDE (Mezzo-soprano)

Ribono Shel Olam, ani shelach vachalomotai shelach. Chalom chalamti, v’eyni yodeya ma hu.

Master of the world, I am yours and my dreams are yours. I have dreamed a dream, but I do not know what it indicates.

Y’hi ratson mil’fanecha, Adonai Elohai vEylohey avotai, sheyihyu kol chalomotai alai v’al kol Yisraeyl l’tova— beyn shechalamti al atsmi,

May it be your will, Adonai, my God and the God of my forefathers, that all my dreams regarding myself and regarding all of Israel be good ones— those I have dreamed about myself, those I have dreamed about others, and those that others have dreamed about me.

uveyn shechalamti al acheyrim, uveyn shechal’mu acheyrim alai. Im tovim heym, chaz’keym v’am’tseym, v’yit kay’mu vi uvahem kachalomotav shel Yoseyf hatsadik. V’im ts’richim r’fu’a r’fa’eym k’Chizkiyahu melech Y’huda meycholyo; uchMiryam han’via mitsaratah; uchNa’aman mitsarato; uchmey Mara al y’dey Mosheh rabeynu; uchmey Y’richo al y’dey Elisha. Uchsheym shehafachta et kil’lat Bilam harasha mik’lala livracha, keyn tahafoch kol chalomotai alai v’al kol Yisraeyl l’tova. V’tishm’reyni utchoneyni v’tirtseyni. Ameyn.

If they are good, strenghthen them, fortify them, make them endure in me and in them like the dreams of the righteous Joseph. But if they require healing, heal them like Hezekiah king of Judah from his sickness; like Miriam the prophetess from her leprosy; like Naaman from his leprosy; like the waters of Marah through the hand of Moses our teacher; and like the waters of Jericho through the hand of Elisha. And just as you transformed the curse of the wicked Balaam from a curse to a blessing, so may you transform all of my dreams regarding myself and regarding all of Israel for goodness. May you protect me, may you be gracious to me, may you accept me. Amen.

PSALM 114 (Chorus)

B’tseyt Yisraeyl miMitsrayim, beyt Ya’akov meyam loeyz; hay’ta Y’huda l’kodsho, Yisraeyl mamsh’lotav. Hayam ra’a vayanos, haYardeyn yisov l’achor. Heharim rak’du ch’eylim, g’va’ot kivney tson. Ma l’cha hayam ki tanus, haYardeyn tisov l’achor; heharim tirk’du ch’eylim, g’va’ot kivney tson? Milifney Adon chuli aretz, milifney Eloah Ya’akov, hahof’chi hatsur agam mayim, chalamish l’may’no mayim.

iii

When Israel went forth from Egypt, the house of Jacob from a people of strange speech; Judah became God’s holy one, Israel, God’s dominion. The sea saw and fled, the Jordan ran backward. Mountains skipped like rams, hills like sheep. What alarmed you, O sea, that you fled, Jordan, that you ran backward; mountains, that you skipped like rams, hills like sheep? At the presence of the Lord, tremble, O earth, at the presence of the God of Jacob, who turned the rock into a pool of water, the flinty rock into a fountain.

FIRST CITIZEN (Baritone): “HaYardeyn yisov l’achor!”— Can I say all of that psalm? Israel the chosen people! Were we all three chosen to struggle here among these ruins, among these fragile hopes?

“The Jordan ran Backward”—

SECOND CITIZEN (Soprano): Our dream. Settled by a remnant. Swamps and desert. Flowering now. You came for Jerusalem, for Tel Aviv. But we are the Mediterranean, the Dead Sea, the Negev and the Galilee. The Bible says “from Dan even to Beersheva.” Now you see it, you see we have reclaimed it. THIRD CITIZEN (Baritone): We sang our war songs. We fought for survival. The Intifada! Now we are invaders, occupiers. We have eleven–year–old stone throwers, whose hands we break. On the old battle fields I meet and try to recognize myself. FOURTH CITIZEN (Tenor): Some say we’re heading for disaster. I say we’ve kept our revolution longer than France, longer than Russia. Listen to our beautiful resurrected Hebrew language! One hundred years ago no one ever said “Pass the salt” in Hebrew. B’ivrit, “Nah L’ha’avir et hamelach.”

“In Hebrew, ‘Pass the salt.’ ”

PSALM 126 (Chorus)

Shir hama’alot: B’shuv Adonai et shivat Tsiyon —hayinu k’chol’mim— az yimaley s’chok pinu, ulshoneynu rina. Az yom’ru vagoyim: “Higdil Adonai la’asot im eyleh.” Higdil Adonai la’asot imanu, hayinu s’meychim. Shuva, Adonai, et sh’viteynu, ka’afikim baNegev. Hazor’im b’dima, b’rina yiktsoru. Haloch yeyleych uvacho, nosey meshech hazara, Bo yavo v’rina, nosey alumotav.

A song of ascents: When the Lord restores the fortunes of Zion —we see it as a dream— our mouths shall be filled with laughter, our tongues, with songs of joy. Then shall they say among the nations: “The Lord has done great things for them.” The Lord will do great things for us, and we shall rejoice. Restore, O Lord, our fortunes, like the watercourses in the Negev. They who sow in tears, with songs of joy shall reap. Though he goes along weeping, carrying the seedbag, he shall come back with songs of joy. carrying his sheaves.

SECOND GUIDE (Soprano): We Jews remember. It is our job, our fate. They say that without near annihilation we could never have come home. But we were already coming home. Home, to this beautiful country where car bombs wait for our children at the market.

FIRST VISITOR (Soprano): I wasn’t sure I wanted to go. I thought it would be awful to be with so many Jews. But here for the first time I was made to feel pretty, even, sometimes, beautiful. FIRST GUIDE (Baritone): I had a group from the States this week: the Kibbutz in Galilee, Yad Vashem, the army’s route of entry 1967, the Western Wall. You Americans have an image of Israelis— war heroes, kibbutsim, settler families— many lost in the camps. That’s me, I get a lot of work as a tour guide.

THIRD VISITOR (Baritone): At the music school I watched a group of children listening. And as I watched, their faces fused with the photograph at the museum— the dark-haired children at the shtetl, Poland, 1934.

SECOND VISITOR (Tenor): I thought I was immune to the Western Wall. But when I found myself there, I cried, I stiffed my message, my prayer into the crevice. iv

PSALM 137 (Chorus)

Al naharot Bavel, sham yashavnu, gam bachinu, b’zochreynu et Tsiyon. Al aravim b’tochah, talinu kinoroteynu, ki sham sh’eylunu shoveynu divrey shir, v’tolaleynu simcha: “Shiru lanu mishir Tsiyon.” Eych nashir et shir Adonai al admat neychar? Im eshkacheych Y’rushalayim, tishkach y’mini; tidbak l’shoni l’chiki,

By the rivers of Babylon, there we sat, sat and wept, as we thought of Zion. On the poplars [in Babylon], we hung our lyres, for there our captors asked us for songs, our tormentors, for amusement: “Sing us one of the songs of Zion.” How can we sing a song of the Lord on alien soil? If I forget you, O Jerusalem, let my right hand wither; let my tongue stick to my palate, if I cease to think of you, if I do not raise up Jerusalem above my highest joy.

im lo ezk’reychi, im lo a’aleh et Y’rushalayim al rosh simchati.

SCHOLAR (Baritone): They say our future is not about religion. Of course it is. We know Christ was a good Jew. We know the Muslims honor Abraham. But these religions are built on ours like porches. We are prepared for the Messiah, for the Third Temple. We are prepared as God has prepared us.

FIRST POLITICIAN (Baritone): My parents’ dream: to awaken someday in eretz Israel. A hero’s journey— escape from Poland, back through Germany, secret boat from Italy. A journey of two thousand years. But they found it, saw the dawn in the land they had dreamed. PALESTINIAN (Soprano): I had a nice house by Herod’s wall. Day after the war, the bulldozers. We were here first! If we get power again we’ll do like they all do. We’ll make ourselves secure, we’ll do it like the others did it that had power.

BEDOUIN (Tenor): My father cleared his throat three times— all mischief would stop— silence and order. I clear my throat once, my wife says, “Maybe you should see the doctor.”

DRIVER (Tenor): Most Palestinians are nice people, want no problems. But they lie, tell ev’ryone what they want to hear— can’t help it, it’s their tradition. And a few crazy ones believe their leaders when they say “Kill the Jews”— and there’s the trouble.

SECOND POLITICIAN (Soprano): At last, our own soil. Our democracy is like yours in the early days. Insults and rude speech. We’re in our life throes. Abraham—all our warring tribes reach back to him. Let’s hope God, if he exists, shows us the ram in the thicket.

PSALM 133 (Soloists & Chorus) Hiney ma tov uma na’im shevet achim gam yachad. (—shir hama’alot l’David—) Kashemen hatov al harosh, yoreyd al hazakan, z’kan Aharon, shey’yoreyd al pi midotav; k’tal Chermon shey’yoreyd al har’rey Tsiyon. Ki sham tsiva Adonai et hab’racha: chayim ad ha’olam.

How good and how pleasant it is that brothers dwell together. (—Song of ascents by David—) It is like fine oil on the head, running down onto the beard, the beard of Aaron, that comes down over the collar of his robe; like the dew of Hermon that falls upon the mountains of Zion. There the Lord ordained blessing: life everlasting. English translation reprinted from TANAKH: THE HOLY SCRIPTURE, © 1985, published by The Jewish Publication Society with the permission of the publisher.

v

Instrumentation: 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B flat (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Timpani Percussion (2 players) Piano Harp Soloists (Soprano, Mezzo-soprano, Tenor, Baritone) Chorus (SATB) Strings

duration ca. 40 minutes

Performance material is available from the publisher. G. Schirmer/AMP Rental and Performance Department P.O. Box 572 Chester, NY 10918 845-469-4699 - phone 845-469-7544 - fax www.schirmer.com

vi

FOUR PSALMS I. Prelude John Harbison

= 90 Flute 1 Flute Flute 2/ Piccolo

Oboe 1 English Horn Oboe 2/ English Horn

Clarinet 1 in B Clarinet in B

Clarinet 2 in B / Bass Clarinet

Bassoon 1 Bassoon Bassoon 2/ Contrabassoon

1 2 Horn in F 3 4

Trumpet in C 1 2 1 2

Trombone

Timpani

Glockenspiel 1 Percussion

Vibraphone 2

Harp

Piano

Mezzo–soprano Solo Baritone Solo

S

CHORUS

A

T 8

B

= 90 I legato

dim.

legato

dim.

legato

dim.

legato

dim.

Violin II

Viola

Violoncello

Contrabass

Corrected 12/00 Corrected 02/06

Copyright Š 1999 by Associated Music Publishers, Inc., (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

2 =

6

( = 60)

1 3

Fl. 2 3

Ob. 1

E.H.

1 Cl. in B 2

1 3

Bn. 2 3

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Ri bo no

Shel O

3

3

3

3

Mezzo. Solo

lam,

a ni

3

she lach

3

va cha lo mo tai

3

3

3

she lach.

Cha lom

S

A

T 8

B

=

( = 60)

div. 0

I 3

dolce

Vn. 3

div. 0

II dolce

Va. dolce div. Vc. dolce Cb. dolce

3

cho lam

ti,

3 3

10

=

= 90

=

= 90

1 Fl. 2 3

Ob. 1 3

3 3

3

E.H. 3

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

con sord. 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

3

3

Mezzo. Solo

v’ey ni

yo dey

a

ma hu.

S

A

T 8

B

3

I unis.

Vn.

3

II 3

legato

Va. 3

3

legato unis.

Vc. legato

Cb. legato

4 =

15

( = 60)

3

1 Fl. 3

2

Ob. 1

E.H. 3

3

3

3

1 Cl. in B

leggiero 3

2

1 3

Bn. 2 3

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

cresc.

3

3

3

Mezzo. Solo

Y’hi rat son mil’

fo ne cha,

A

T 8

B

( = 60)

unis.

0

I 3

Vn. 3

II dim. Va. dim. Vc. dim. Cb. dim.

3

3

A do nai E lo hai vEy lo hey a vo tai,

S

=

3

0

5 20 1 leggiero

dim.

leggiero

dim.

Fl. 2

3

3

Ob. 1 leggiero

dim.

E.H.

1 Cl. in B 2

1 leggiero

dim.

Bn.

to Contrabassoon 2 leggiero

dim.

3

3

1. 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3 3

Mezzo. Solo

she yih yu

cresc.

3

3

kol cha lo mo tai

a lai

v’ al

3

kol Yis ra eyl

3

l’ to va–

3

beyn she cha lam

S

A

T 8

B

al sord. I Vn. II

Va.

Vc.

Cb. 3

3

3

ti

al

ats

6 24 1 Fl. 2

Ob. 1

E.H.

1 Cl. in B 2

Bn. 1 cresc. Contrabassoon Cbn. cresc.

(1.)

5

1 2 dolce

Hn. in F

dolce

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

CD EFGA B

Pno.

3

3

cresc.

3

Mezzo. Solo

mi,

u veyn she cha lam ti

al

a chey rim,

u

veyn

she cha l’ mu

a chey rim

al ai.

S

A

T 8

B

div., con sord.

3

3

I cresc.

Vn. II dolce

dolce

Va. dolce

5

dolce

cresc.

Vc. cresc.

Cb.

3

3

3

3

7 29

= 90

1 Fl. 2

Ob. 1

E.H.

1 Cl. in B 2

Bn. 1

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Glock.) 1

Perc.

cresc.

(Vib.), motor off 2

cresc.

Harp

C

A B G sonoro

D

cresc.

8ba

sonoro

Mezzo. Solo

S

A

T 8

B

= 90 I Vn. II

Vc.

Cb.

8ba

cresc.

Pno.

Va.

sonoro

sonoro

8ba

8 34

= 60

1 Fl. 2 3

Ob. 1 3

3

3

3

E.H.

1 Cl. in B 2

Bn. 1

3

3

cresc. Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Glock.) 1 Perc. (Vib.) 2

Harp

D G A B

8ba

Pno.

8ba

cresc.

6

Mezzo. Solo

6

3

Im to vim

heym,

cha z’

keym

v’ am

tzeym,

v’ yit ka y’

mu

vi u va hem

ka cha lo mo tav

3

shel

Yo seyf

S

A

T 8

B

= 60

3

unis., senza sord.

I 3

3

3

Vn.

cresc.

II cresc. div.

unis.

3 3

Va. 3

cresc.

Vc. cresc. Cb. cresc.

cresc.

9 = 90

38

= 60

1 Fl. 2

Ob. 1 3

3

E.H.

1 Cl. in B 2

Bn. 1

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Glock.) 1 cresc.

Perc.

(Vib.) 2 cresc.

Harp

(C D E F G A B)

D

C

sonoro

Pno.

B

cresc. G

sonoro

cresc. sonoro

3

3

Mezzo. Solo

hat

sa dik.

V’im ts’ rich im

S

A

T 8

B

= 90

= 60

div.

I (cresc.)

sostenuto

Vn.

div. II (cresc.)

3

3

sostenuto

Va. (cresc.)

sostenuto

Vc. (cresc.)

sonoro

(cresc.)

sonoro

Cb.

r’ fu

10 43

A tempo

movendo

= 60

1 Fl. 2

Ob. 1

E.H.

1 Cl. in B 2

Bn. 1

Cbn.

1. 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

G

Pno.

cresc.

3

3

3

3

3

espr.

3

Mezzo. Solo 3

a,

r’

fa’ eym

k’ Chiz ki ya hu me lech Y’ hu da

mey chol yo;

uch

Mir yam

ha n’ vi a

S

A

T 8

B

A tempo

movendo I cresc. Vn. II cresc.

Va. cresc. Vc. cresc.

Cb. cresc.

= 60

mi tsa ra tah;

11 movendo

48

=

1 3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Fl. 3

3

3

3

2 3

3

3

3

3

3

3

3

3

3

cresc.

Ob. 1

E.H. sub. 3

3

3

3

3

3

1 3

3

Cl. in B 3

2

3

3

3

3

3

3 3

3

cresc. 3

3

3

3

3

cresc.

Bn. 1 cresc.

legato

sub. to Bassoon Cbn. sub.

sub. 1 2 sub.

Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

Mezzo. Solo

uch Na’ a

3

cresc.

3

3

3

man mi tsa ra to;

uch mey

Ma ra

al

y’

dey

3

3

Mo sheh ra bey

3

nu;

cresc.

3

3

uch mey Y’ ri cho

S

A

T 8

B

movendo

= I sub.

Vn. II

sub.

Va. sub. Vc. sub.

legato pizz.

Cb. sub.

cresc.

al

y’

12

Poco più mosso

= 72

52 1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

(cresc.)

3

3

3

3

3

3

3

3

3

dim. 3

3

3

dim.

Fl. 2 3

3

3

3

3

(cresc.)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

dim.

Ob. 1

E.H.

1 3

3

3

Cl. in B

3

3

3

3

(cresc.) 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

dim. 3

2 3

3

(cresc.)

3

3

3

3

1 (cresc.)

Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

Mezzo. Solo

dey

E li sha.

S

A

T 8

B

Poco più mosso

unis.

= 72

I 3

3

3

3

3

3

3

3

dim.

Vn. unis. II 3

3

3

3

3

3

3

3

dim.

Va. 3

3

3

3

3

3

3

3

3

3

3

3

3

dim.

3

Vc. (cresc.)

Cb.

3

3

dim.

13 rit.

= 60

57 1

3

3

3

3

3

3

(dim.) Fl. 2 3

3

(dim.) Ob. 1

3 3

E.H.

1 3

(dim.)

Cl. in B

3

3 3

3 3

3

2 3

(dim.) 1 Bn.

Bassoon 2

1 2 Hn. in F

(con sord.)

senza sord.

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Glock.) 1

Perc.

(Vib.) 2

Harp

Pno.

3

3

3

3

Mezzo. Solo

Uch sheym

she

ha

fach

ta

et ki l’

lat

Bil am

ha ra sha

S

A

T 8

B

= 60 rit.

2 soli, div.

tutti, unis.

I (dim.) Vn.

2 soli, div.

tutti, unis.

II (dim.) Va. (dim.) Vc. (dim.) div., arco Cb.

unis.

14 61 1 Fl. 2

Ob. 1 cresc.

E.H. cresc. 1 Cl. in B 2

1 Bn. 2

1. 1 2 cresc. Hn. in F

cresc. 3 4 4. al sord.

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

(C D E F G A B )

Pno.

3

3 3

Mezzo. Solo

mi k’ la la

li vra cha,

3

3

keyn ta ha foch kol cha lo mo tai

cresc.

3

a lai

v’ al

kol

S

A

T 8

B

I cresc. Vn. II cresc.

Va. cresc.

Vc. cresc.

Cb. cresc.

Yis ra eyl

l’ to

va.

15 65

=

= 90

1 Fl. 2

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

(senza sord.) 1 2 Hn. in F

4. con sord. 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Glock.) 1 Perc.

(Vib.) 2

C

Harp

Pno.

rubato, espr. Mezzo. Solo

V’ tish m’ rey

S

A

T 8

B

=

= 90

I Vn. II

0

0

0

0

0

0

0

0

0

0

0

0

Va.

Vc. sub.

Cb. sub.

16 70 1 Fl. 2

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

(4.)

4. via sord.

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

(Vib.) 2

Harp

Pno.

3

3

Mezzo. Solo

ni

ut cho

ney

S

A

T 8

B

sul pont. I Vn. II

Va.

Vc.

Cb.

3

17 75 1 Fl. 2

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

4. senza sord.

Timp.

1 Perc. 2

Harp

Pno.

Mezzo. Solo

ni

v’ tir

tsey

ni.

S

A

T 8

B

I non div.

Vn. II

div., pizz. Va.

Vc.

Cb.

0 0

unis., arco

18 80 1 dim.

Fl. 2

dim. Ob. 1 dim.

dim.

dim. to Oboe

E.H. dim.

dim.

dim.

dim.

dim.

dim.

dim.

1 Cl. in B 2

1 dim.

Bn. 2 dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

1 2 Hn. in F 3 4

con sord. (straight)

via sord.

1 2

Tpt. in C

dim.

dim.

dim.

1. con sord. (harmon) lontano

via sord.

1 2

Tbn.

2. con sord. (bucket) lontano

Timp.

(Glock.) 1 Perc.

(Vib.) 2

Harp

8ba

8ba

8ba

Pno.

dim. Mezzo. Solo

A

meyn.

S

A

meyn.

A

meyn.

A

meyn.

A

T 8

B

A

meyn. div., ord.

I Vn.

div. II div.

unis.

div.

unis.

div.

Va. dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

Vc.

div. Cb.

19

II. Four Psalms

= 90 1 Fl. 2

1 Ob.

Oboe 2

1 Cl. in B 2

1 Bn. 2

a2 (senza sord.) 1 2 Hn. in F

al sord.

a2, con sord.

3 4 senza sord. Tpt. in C

1 2 senza sord.

a2

a2

1 2

Tbn.

Timp.

1 Perc. 2

Harp

Pno.

S

B’

A

B’

T 8

B’

B

B’

= 90

unis., pizz.

I Vn.

unis., pizz.

arco

unis., pizz.

arco

II

Va.

pizz.

div.

Vc. unis., pizz. Cb.

20 5 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(a2) 1 2 Hn. in F

(a2) 3 4 2. al sord. (straight) 1 2

Tpt. in C

2. con sord. (straight) 2. al sord. (straight) 1 2

Tbn.

2. con sord. (straight)

Timp.

1 Perc. 2

Harp

Pno.

S

tseyt

Yis ra eyl

mi Mits ra

yim,

beyt

Ya’ a

kov

mey

am

lo’

eyz;

ha

y’

tseyt

Yis ra eyl

mi Mits ra

yim,

beyt

Ya’ a

kov

mey

am

lo’

eyz;

ha

y’

tseyt

Yis ra eyl

mi Mits ra

yim,

beyt

Ya’ a

kov

mey

am

lo’

eyz;

ha

y’

tseyt

Yis ra eyl

mi Mits ra

yim,

beyt

Ya’ a

kov

mey

am

lo’

eyz;

ha

y’

A

T 8

B

arco I Vn. II

Va. unis., arco Vc.

Cb.

21 9 1 Fl. 2

1 cresc.

Ob.

dim.

2 cresc.

dim.

1 Cl. in B

cresc.

dim.

2 cresc. dim. 1 Bn.

cresc.

dim.

cresc.

dim.

2

1 2 Hn. in F 3 4

dim. 1 2

Tpt. in C

dim. dim. 1 2

Tbn.

dim.

Timp.

Crash Cymbal 1 Perc.

Bass Drum 2

Harp

C DEF G AB

Pno.

cresc. S

ta

Y’ hu da

l’

kod sho,

Yis

ra

eyl

mam

sh’ lo

tav.

Yis

ra

eyl

mam

sh’ lo

tav.

Yis

ra

eyl

mam

sh’ lo

tav.

Yis

ra

eyl

mamsh’ lo

tav.

cresc. A

ta

Y’ hu da

l’

kod sho,

Ha

cresc. T 8

ta

Y’ hu da

l’

kod sho, cresc.

B

ta

Y’ hu da

l’

kod sho,

div.

Ha unis.

I Vn.

div. II

div. Va. div. Vc. arco Cb.

unis.

22 13 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

1 2

Tpt. in C

2. via sord.

a2 1 2

Tbn.

2. via sord.

Timp.

1 Perc. 2

Harp

Pno.

S

Ha yam

ra’

a

va

ya

nos,

ha

Yar

deyn

yi

sov

l’

a

chor.

A

yam

ra’

a

va

ya

nos,

ha

Yar

deyn

yi

sov

l’

a

chor.

He ha

T 8

Ha yam

ra’

a

va

ya

nos,

ha

Yar

deyn

yi

sov

l’

a

chor.

B

yam

ra’

I Vn.

unis. II

unis. Va.

Vc.

pizz. Cb.

a

va

ya

nos,

ha

Yar

deyn

yi

sov

l’

a

chor.

He ha

23 17 1 Fl. 2

1 cresc.

Ob. 2

cresc.

1 Cl. in B

cresc. 2 cresc.

1 cresc. Bn. 2 cresc. 1 2 Hn. in F 3 4 2. senza sord. Tpt. in C

1 2

Tbn.

1 2

2. senza sord.

Timp.

(Crash Cym.) 1 Perc.

Tom–tom 2

Harp

Pno.

cresc. S

He ha rim

ra k’ du

ch’ ey lim,

g’ va’ ot

kiv

ney

tson.

g’ va’ ot

kiv

ney

tson.

g’ va’ ot

kiv

ney

tson.

g’ va’ ot

kiv

ney

tson.

cresc. A

rim

ra k’ du

ch’ ey

lim,

Ma l’

cresc. T 8

He ha rim

ra k’ du

ch’ ey lim, cresc.

B

rim

ra k’ du

ch’ ey

lim,

Ma l’

I Vn.

cresc.

div.

div.

unis.

II cresc.

div.

unis.

Va. (pizz.)

cresc.

(pizz.)

cresc.

div.

Vc.

Cb.

arco

unis.

24 21 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

S

Ma l’

cha

ki ta

nus,

Ma l’

cha

ki ta

nus,

ha

yam

ki ta

nus,

Yar

deyn

ki ta

nus,

Yar

deyn

ha

Yar

deyn

l’

chor;

ti

sov

l’

a

A

cha

ha

yam

ha

ti

sov

a

he ha

T 8

ha

yam

ha

Yar

deyn

l’

chor;

ti

sov

l’

a

B

cha

I Vn.

unis. II

Va.

Vc.

pizz. Cb.

ha

yam

ha

ti

sov

a

he ha

25 25 1 cresc. Fl. 2 cresc.

1 cresc. Ob. 2 cresc. 1 Cl. in B

cresc. 2 cresc.

1 cresc.

Bn. 2

cresc.

1 2 Hn. in F

cresc. via sord.

senza sord.

3 4 cresc. Tpt. in C

1 2

Tbn.

1 2

Timp.

(Cr. Cym.) 1 Perc.

B.D. 2

Harp

Pno.

cresc. S

chor;

he ha

rim

tir k’ du

ch’ ey

lim,

g’ va’ ot

kiv ney

tson,

kiv ney

tson,

kiv ney

tson,

cresc. A

rim

tir k’ du

ch’ ey

lim,

g’ va’ ot

kiv ney, cresc.

T 8

chor;

he ha

rim

tir k’ du

ch’ ey

lim,

g’ va’ ot

cresc. B

rim

tir k’ du

ch’ ey

lim,

g’ va’ ot

kiv ney,

kiv ney

tson, div.

I Vn.

cresc.

div.

II cresc. div. Va. cresc. div. Vc. cresc. arco Cb. cresc.

26 29 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Cr. Cym.) 1 Perc.

(B.D.) 2

Harp

Pno.

G A

S

kiv ney

tson?

Mi lif ney

A

kiv ney

tson?

Mi lif ney

A

kiv ney

tson?

Mi lif ney

A

kiv ney

tson?

Mi lif ney

A

A

T 8

B

(div.)

unis.

(div.)

unis.

unis.

div.

unis.

unis.

div.

div.

unis.

I Vn.

cresc.

II cresc.

Va. cresc. unis.

Vc. cresc. Cb. cresc.

27 33 1 cresc. Fl. 2 cresc.

1 cresc. Ob. 2 cresc.

1 cresc.

Cl. in B 2

cresc. 1 cresc.

Bn. 2

cresc.

4

4

4

4

1 2 Hn. in F

4

4 4

4

3 4 4

4

4

4

4

4

4

4

4

1 2

Tpt. in C

4 4

2.

4

1 2

Tbn.

4 4

4

4

4

Timp. (Cr. Cym.) 1 (B.D.)

Perc.

Conga

2

Harp

Pno.

cresc. S

don

chu li

a

retz,

mi lif

ney

E

chu li

a

retz,

mi lif

ney

E

chu li

a

retz,

mi lif

ney

E

chu li

a

retz,

mi lif

ney

E

cresc. A

don cresc. T 8

don cresc.

B

don

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

I cresc.

Vn.

4

II cresc. 4

Va. 4 4

Vc. 4 4

4

4

Cb. 4

4

4

4

28 36 1 cresc. Fl. 2 cresc.

1 cresc. Ob. 2 cresc.

1 cresc.

Cl. in B 2

cresc.

1 cresc.

Bn. 2

cresc.

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

1 2 Hn. in F

4

4

3 4

1 2

Tpt. in C

4

4

2. 1 2

Tbn.

4 4 4

Timp. (Cr. Cym.) 1 Perc.

B.D.

Conga

2

Harp

C D A

Pno.

S

lo

ah

Ya’

a

kov,

ha

ho

f’

chi

ha

lo

ah

Ya’

a

kov,

ha

ho

f’

chi

ha

lo

ah

Ya’

a

kov,

ha

ho

f’

chi

ha

lo

ah

Ya’

a

kov,

ha

ho

f’

chi

ha

A

T 8

B

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

I cresc. Vn.

4

4

4

4

II cresc. 4

4

Va. 4 4

Vc. 4 4 4

Cb. 4

4

29 39 1 cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Fl. 2

1 Ob. 2

1 Cl. in B 2 cresc.

cresc. 4

4

4

4

4

4 4

1 cresc.

4

4

4

4

Bn. 4

4

4

4

4

4

cresc. 4 4

2 cresc.

4

4

4

4

4

cresc.

1.

2. 1 2 Hn. in F

cresc.

cresc. 3 4 cresc. 1 2

Tpt. in C

cresc. 1 2

Tbn.

Timp.

1 Perc.

B.D. 2

Harp

Pno.

S

tsur

a

gam

ma

yim,

cha la

mish

l’

may

y’

no

tsur

a

gam

ma

yim,

cha la

mish

l’

may

y’

no

tsur

a

gam

ma

yim,

cha la

mish

l’

may

y’

no

tsur

a

gam

ma

yim,

cha la

mish

l’

may

y’

no

A

T 8

B

4

I

4

4

4

4

4

4

4

4

4

cresc.

cresc.

4

4

4

4

4

4

4

4

4

4

Vn. 4

II

4

4

4

4

4

4

4

4

4

cresc. 4

4

cresc.

4

4

Va. cresc.

4

4

4

4

4

cresc. 4

4

4

4

Vc. cresc.

4

4

4 4

4

cresc.

4

4

4

Cb. cresc.

4

4

4

4

4

cresc. 4

30

Feroce 42 1

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 (cresc.) Bn. 2 (cresc.) (1.)

a2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2 piĂš

Timp.

1 (B.D.)

Perc. 2

Harp

8ba

Pno.

S

ma

yim.

Mi lif

ney

A

don

chu li

a

ma

yim.

Mi lif

ney

A

don

chu li

a

ma

yim.

Mi lif

ney

A

don

chu li

a

ma

yim.

Mi lif

ney

A

don

chu li

a

A

T 8

B

Feroce I 4

4

4

4

4

4

4

4

4

(cresc.) Vn. II

4

(cresc.)

Va. (cresc.)4

4 4

Vc. (cresc.)4

Cb.

4

4

31 45 1

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

5

5

5

1 2 5

Hn. in F

5

5

5 5

5

5

5

3 4

5

5

5 5

5

5

1 2

Tpt. in C

5

1 2

Tbn.

5

5

5

5

5 5

5

5

5

5

Timp.

(Cr. Cym.) 1 Perc. Snare Drum 2 5

5

5

5

5

Harp

5

5

F

8

Pno.

8ba

S

retz,

mi

lif

ney

E

lo

ha

Ya’

a

kov,

ha

ho

f’

chi

ha

retz,

mi

lif

ney

E

lo

ha

Ya’

a

kov,

ha

ho

f’

chi

ha

retz,

mi

lif

ney

E

lo

ha

Ya’

a

kov,

ha

ho

f’

chi

ha

retz,

mi

lif

ney

E

lo

ha

Ya’

a

kov,

ha

hof

chi

ha

A

T 8

B

div.

div. unis.

I Vn.

div.

div.

unis.

II

Va.

Vc.

div. Cb.

32 48 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Cr. Cym.) 1 meno

Perc.

(S.D.) 2

Harp

D E

E

Pno.

S

tsur

a

gam

ma yim,

cha la

mish

l’

ma

y’

no

tsur

a

gam

ma yim,

cha la

mish

l’

ma

y’

no

tsur

a

gam

ma yim,

cha la

mish

l’

ma

y’

no

tsur

a

gam

ma yim,

cha la

mish

l’

ma

y’

no

A

T 8

B

I Vn. II

Va. div. Vc. unis. Cb.

33 poco rit.

51 1

Fl.

2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

1 2

Tpt. in C

a2 1 2

Tbn.

non legato

Timp.

(Cr. Cym.) 1 Perc.

(S.D.)

B.D.

2

D

Harp

Pno.

S

ma yim,

mi

lif

ney

A

don,

mi lif ney A

ma yim,

mi

lif

ney

A

don,

mi lif ney A

ma yim,

mi

lif

ney

A

don,

mi lif ney A

ma yim,

mi

lif

ney

A

don,

mi lif ney A

A

T 8

B

poco rit. I

Vn. II

Va.

unis. Vc.

Cb.

div.

34 Tempo

54

=

= 90

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

2. (open) 1 2 Hn. in F

4. chiuso 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Sus. Cym.) 1 Perc.

(B.D.) 2

F G B

Harp

Pno.

First Citizen 8ba

3

3

3

3

3

Bar. Solo

“Ha

Yar

deyn

yi

sov

l’

a

chor!”

S

don. A

don. T 8

don.

B

don.

Tempo

=

= 90

(div.) I Vn.

(div.) II div.

Va. (senza sord.)

(div.) Vc. Vc. 2 al sord. div. Cb.

con sord.

unis.

35 59 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(2.) 1 2 Hn. in F

(4.) 3 4

Tpt. in C

1 2

Tbn.

1 2

2.

Timp.

1 Perc. 2

Harp

Pno.

3

Bar. Solo

Can I

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

say all

of

that

psalm?

Is

ra el

the cho

36 64 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1.

(2.) 1 2

marc.

Hn. in F

(4.)

3.

aperto

3 4 marc.

Tpt. in C

1 2

Tbn.

1 2

marc.

(2.)

Timp.

1 Perc. 2

Harp

Pno.

3

Bar. Solo

sen

peo

ple!

Were

we

all

three

cho

sen

S

A

T 8

B

1 player I marc. Vn. 1 player II marc. 1 player Va. marc. unis., pizz., senza sord. Vc. Vc. 2 via sord.

marc. pizz.

Cb. marc.

37 69 1 Fl. 2

1 marc.

Ob. 2

marc.

1 Cl. in B 2

1 marc. Bn. 2

(1.) 1 2 Hn. in F

(3.) 3 4 1.

Tpt. in C

1 2

Tbn.

1 2

1.

Timp.

1 Perc. 2

Harp

Pno.

Bar. Solo

to

S

A

T 8

B

(1 player) I Vn.

(1 player) II

(1 player) Va.

Vc.

Cb.

strug gle

here

a

mong

these

38 74 1 marc.

dim.

dim.

marc.

dim.

dim.

marc., dim.

dim.

marc., dim.

dim.

marc., dim.

dim.

marc., dim.

dim.

marc., dim.

dim.

marc., dim.

dim.

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 (1.) Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

marc.

Pno.

Second Citizen Sop. Solo

Our

dream.

dim. Bar. Solo

ru

ins,

a

mong

these

fra

gile

hopes.

S

A

T 8

B

tutti, unis. (1 player) I 3

marc. Vn.

(1 player)

3

tutti, unis.

II marc.

3

3

tutti, unis.

(1 player) Va. marc.

3

3

arco Vc. dim.

Cb. dim.

3

3

39 79 1 (dim.) Fl. 2 (dim.) 1 (dim.)

3

3

3

3

3

3

3

3

3

3

3

3

(dim.)

3

3

(dim.)

3

3

Ob. 2 (dim.)

1 (dim.)

Cl. in B 2

(dim.)

1

Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

3

Sop. Solo

Set

tled

by

3

a

rem

3

nant.

Swamps

S

A

T 8

B

I 3

3

3

3

3

3

dim.

3

3

3

3

3

3

3

3

Vn. 3

II 3

3

3

3

3

3

3

dim.

Va. 3

3

3

3

3

3

dim.

Vc.

Cb.

3

3

3

3

dim.

and

40

3

=

84

= 60

1

Fl. 2

1 Ob. 2 3

3

3

3

3

3

3

3

1 Cl. in B 2

1

Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

3

Sop. Solo

de

sert.

Flow

er ing

now.

You

S

A

T 8

B

3

=

= 60

I Vn.

3

3

3

3

3

3

dim.

3

3

3

dim.

3

3

3

3

II dim.

div.

Va. 3

dim.

Vc. 3

arco Cb. 3

came for Je

ru

sa

lem

41 89 1 Fl. 2

1

Ob. 2

1 Cl. in B 2

1

Bn. 2

1. 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

3

Sop. Solo

for Tel A

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

viv.

But

we

are

the

Med i

ter

42 94 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. 1 2 Hn. in F

3. 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Sop. Solo

ra

ne

an,

the

Dead

Sea,

the

Ne gev

and the

S

A

T 8

B

I dim. Vn. II dim. (div.) Va.

Vc. dim.

Cb.

Gal

i

lee.

The

43 99 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(1.) 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

Sop. Solo

Bi

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

ble says

from Dan

e

ven

to

Beer

she

va.

Now

you

see

it,

you

44 3

=

104

= 90

1

Fl. 2

1. 1 3

Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 1., con sord. (straight) 1 2

Tpt. in C

3

3

lontano 2., con sord. (straight) 1 2

Tbn.

3

3

lontano

Timp.

1 Perc. 2

Harp

Pno.

Sop. Solo

see

we

have re

claimed

it.

S

A

T 8

B

3

= I Vn. II

Va.

Vc.

Cb.

= 90

45 109 1 Fl. 2

3

1 3

Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 (1.) Tpt. in C

1 2

Tbn.

1 2

(2.)

Timp.

1 Perc. 2

Harp

Pno.

Sop. Solo

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

2. al sord. (straight)

1. con sord. (cup)

46 114 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 3

cresc.

Bn. 2

3

cresc.

1 2 Hn. in F 3 4 (con sord., straight) 1 2

Tpt. in C

3

1. al sord. (straight) 1 2

Tbn.

Timp.

Sus. Cym., soft sticks 1 Perc.

Tri.

S.D. 2 3

C D EF G BA

Harp

Pno.

Third Citizen Bar. Solo

We sang

our

war

songs.

We fought

for sur

vi

val.

The In

S

A

T 8

B

arco pizz. I

Vn.

arco

pizz. II

div. Va. 3

div., arco pizz. Vc.

pizz. Cb.

ti fa

47 119 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

1 2

Tpt. in C

con sord., straight 1 2

Tbn.

Timp.

(Sus. Cym.) 1 Perc. Vib.

S.D.

2

C D F G B

Harp

Pno.

sub. Bar. Solo

da!

Now

we are in

vad ers,

oc

cu pi

ers.

We have e lev en year old

S

A

T 8

B

I sub.

Vn. II

sub. Va. sub. sub. Vc. sub. (pizz.) Cb.

stone throw ers,

48 124 1 Fl. 2

1 3

3

Ob. 3

3

2

1 Cl. in B 2

1 Bn. 2

3

3

3

3

1 2 Hn. in F

chiuso 3 4 1. (con sord., straight)

Tpt. in C

1 2

Tbn.

1 2

2.

Timp.

1 Perc.

(S.D.) 2

G

Harp

Pno.

3

3

3

3

Bar. Solo

whose hands

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

we

break.

On

the old

bat tle field

I

meet

and try

to

49 = 66

129 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

3

3

1 2 aperto

Hn. in F 3 4

(1.) Tpt. in C

1 2

Tbn.

1 2

1. & 2. via sord.

1. con sord., cup

(2.)

1. & 2. via sord.

Timp.

Glock.

l.v.

1 Perc. 2

Harp

Pno.

3

Bar. Solo

rec og

nize

my

self.

S

A

T 8

B

= 66 I Vn.

pizz. II accomp.

Va. unis., pizz. Vc. accomp. Cb.

50 134 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Fourth Citizen Ten. Solo 8

S

A

T 8

B

I

Vn. II

Va.

Vc.

Cb.

Some

say

we’re

head ing

for

dis as ter.

I

say

51 139 1 Fl. 2

1

Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 senza sord. Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

Ten. Solo 8

S

A

T 8

B

I

Vn. II

Va.

Vc.

Cb.

we’ve

kept

our

rev

o

lu

tion

long er than France,

3

lon ger than

3

Rus sia.

52 144 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Ten. Solo 8

Lis

ten

to

our

beau

ti

ful

res

ur

rec

ted

He

brew

S

A

T 8

B

I Vn. arco II

Va.

Vc.

(pizz.) Cb.

arco

53 150 1 dim.

Fl. 2

1 Ob. 2

1 dim.

Cl. in B 2

dim.

1 dim. Bn. 2

1 2 Hn. in F

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Ten. Solo 8

lan

guage!

One

hun

dred

years

a

go

no one

ev

er said,

“Pass the salt�

S

A

T 8

B

I dim. Vn. pizz. II accomp.

dim. Va.

arco

pizz.

Vc. accomp. pizz. Cb. dim.

in

He

brew.

54 =

156

= 66

1

3

3

3

3

3

3

3

3

Fl.

2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

CD EFG AB

Harp

Pno.

Ten. Solo 8

B’

i

vrit

“Na

l’

ha’

a

vir

et

ha

me lach.” 3

3

S

Shir

ha

ma’

3

a’ 3

A

Shir

ha

ma’

3

a’ 3

T 8

Shir

ha

ma’

a’ 3

3

B

Shir

=

ha

ma’

a’

= 66

I 3

3

3

3

Vn. II dim. div. a2 Va.

Vc. dim. arco Cb.

55 160 1

3

3

3

3

3

3

3

3

3

Fl.

2 3

1 3

Ob. 2 3 3

1 Cl. in B

3

2

3

1 Bn. 3

2

3

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

senza sord.

Timp.

Glock., sempre l.v. 3

3

(l.v.)

1 Perc.

Vib.

3

2

3

3

Harp

3

3

sonoro 3

3 3

3

3

D G A

3

3

3

3 3

3

3

3 3 3

3

3

3

Pno.

3 3

3

3 3 3

3

3

3

S

lot:

Shir 3

ha

ma’

3

a

lot:

a

lot:

a

lot:

a

lot:

3

A

lot:

Shir 3

ha

ma’

3

3

T 8

3

3

lot:

Shir

ha

ma’

3 3

3

B

lot:

Shir

ha

ma’

I 3

3

3

3

3

Vn. II 3

Va. 3

Vc. 3

Cb.

3

56 165 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

3 4 al sord. (straight)

Tpt. in C

1 2

Tbn.

1 2

al sord. (straight)

Timp.

Tubular Bells 1 Perc.

(Vib.)

3

3

2 3

Harp

3

A

D

3

3

3 3

3

Pno. 3

3

3

3 3

3

3

S

B’

shuv

A don ai 3

3

et

shi vat

Tsi yon, 3

3

A

B’

shuv

A don ai

et

shi vat

Tsi yon, 3

unis. 3

T 8

B’ 3

shuv

unis.

A don ai 3

B

B’ non div. 3

shuv

A don ai

sempre non div.

3

I 3

Vn.

non div. arco

sempre non div.

0

II non div. 3

sempre non div.

3

Va. 3

arco Vc.

Cb.

non div.

sempre non div.

57 170 1 3

Fl. 2 3

1 3

Ob. 3

2

1 Cl. in B 2 3

3

3

3

3

3

3

3

3

1 Bn. 2

1 2 Hn. in F 3 4 Tpt. in C

1 2

Tbn.

1 2

Timp.

(Tub. Bells) 1 Perc.

(Vib.) 2

Harp

Pno.

3

3

S

B’

shuv

A don ay 3

3

A

B’ 3

3

3

3

3

3

T 8

et

shi vat

Tsi yon,

B’

3

3

shuv

3

A don ai 3

et

shi vat

Tsi yon, 3

3

B

et

shi vat

Tsi yon,

B’

3

3

I 3

Vn. 0

II

3

Va. 3

Vc.

Cb.

3

shuv

A don ai

et

shi vat

Tsi yon,

shuv

A don ay

58 Poco meno mosso

175

= 60

1 3

3

3

3

Fl. 2

3

3

1 Ob.

3

3

2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. (Tub. Bells)

Glock.

1 Perc. 2

Harp

8

8

Pno.

3

3

S

et

shi vat

Tsi yon,

—ha

yi

nu

k’ cho l’

mim—

—ha

yi

nu

k’ cho

l’

mim—

Tsi yon,

—ha

yi

nu

k’ cho

l’

mim—

—ha

yi

nu

k’ cho

l’

mim—

—ha

yi

nu

k’ cho

l’

mim—

—ha

yi

nu

k’ cho

l’

mim—

—ha

yi

nu

k’ cho

l’

mim—

—ha

yi

nu

k’ cho

l’

mim—

3 3

A

et

shi vat

T 8

B

Poco meno mosso div. I

Vn.

non div. II

non div. Va.

Vc.

Cb.

= 60 unis.

div.

unis.

59 180

A tempo

= 66

movendo poco a poco

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

S

az

yi ma ley

s’

chok

pi nu,

az

yi ma ley

s’

chok

pi nu,

ul

sho ney

nu

az

yi ma ley

s’

chok

pi nu,

az

yi ma ley

s’

chok

pi nu,

ul

sho ney

nu

A

T 8

az

yi ma ley

s’ chok

pi nu,

az

yi ma ley

s’ chok

pi nu,

ul

sho

az

yi ma ley

s’ chok

pi nu,

az

yi ma ley

s’ chok

pi nu,

ul

sho

B

A tempo

= 66

movendo poco a poco pizz.

arco

I Vn. pizz.

0

arco

0

II

pizz.

0

0

0

arco

Va.

pizz. Vc.

Cb.

arco

60 185 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

3 4 con sord. (straight)

Tpt. in C

1 2

Tbn.

1 2

con sord. (straight)

Timp.

1 Perc. 2

Harp

Pno.

S

ri

na,

ul

sho ney

nu

ri

na,

ul

sho ney

nu

ri

na.

ri

na,

ul

sho ney

nu

ri

na,

ul

sho ney

nu

ri

na.

A

T 8

ney

nu

ri

na,

ul

sho ney

nu

ri

na,

ul

sho ney

nu

ri

na.

ney

nu

ri

na,

ul

sho ney

nu

ri

na,

ul

sho ney

nu

ri

na.

B

I Vn. II

Va.

Vc.

Cb.

61 189

Più mosso

= 80

movendo

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2 aperto chiuso 1 2 chiuso

Hn. in F

aperto

aperto

chiuso 3 4 chiuso

aperto

via sord. 1 2

Tpt. in C

1. via sord. 1 2

Tbn.

Timp.

1 Perc. 2

Harp

Pno.

S

Az

yo m’ ru

va goy im,

Az

yo m’ ru

va goy im,

Az

yo m’ ru

Az

yo m’ ru

va goy im,

Az

yo m’ ru

va goy im,

Az

yo m’ ru

A

T 8

Az m’

yo m’

ru

va goy im

Az

yo m’

ru

va goy im,

Az

yo m’

Az

yo m’

ru

va goy im

Az

yo m’

ru

va goy im,

Az

yo m’

B

Più mosso I Vn. II

Va.

Vc.

Cb.

= 80

movendo

62 = 88 rit.

194

Risoluto

= 76

1

3

Fl. 2

3

1 3

Ob. 2 3 3

1 Cl. in B

cresc.

3

2 3

1 cresc.

Bn.

3

2

1 2 Hn. in F

3

3

3

3

3 4

senza sord. 1 2

Tpt. in C

3

3

3

senza sord. 1 2

Tbn.

3

Timp. Glock. 1 Perc.

Vib. 2

Harp

ABCDEFG

3 3

Pno.

3

3

S

va goy im,

va goy im:

“Hig dil

A don ai

la’ a sot

im

ey

leh.”

im

ey

leh.”

im

ey

leh.”

im

ey

leh.”

3

3

A

va goy im,

va goy im:

“Hig dil

cresc.

A don ai

la’ a sot 3

3

T 8

ru

va goy im,

va goy im:

“Hig dil

A don ai 3

cresc.

la’ a sot 3

B

ru

va goy im,

va goy im:

= 88 rit. I

“Hig dil

Risoluto

A don ai

la’ a sot

= 76 3

div.

Vn. II

3

Va. cresc.

3 3

Vc. cresc. 3

Cb.

63 199 1

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

1

3

Ob. 2 3

1 Cl. in B

3

3

2

3

3

3

3

1 Bn. 3

3

2

3

3

1 2 Hn. in F

3 3

3

3

3

3

3

3 4

1 2

Tpt. in C

1 2

Tbn.

Timp.

(Glock.) 1 Perc.

(Vib.) 2

Harp

3

3

Pno.

3 3

3

3

3

3

S

Hig

dil

A don ai 3

la’ a sot

i

ma

nu,

la’ a sot

i

ma

nu,

la’ a sot

i

ma

nu,

la’ a sot

i

ma

nu,

3

A

Hig

dil

A don ai 3

3

T 8

Hig

dil

A don ai 3

3

B

Hig

I

3

Vn.

3

A don ai

3

unis. II

dil

3

div.

3

3

Va. 3

3

3

3

3

3

3

3

3

Vc.

Cb.

64

Tempo

ritenuto

204

= 76

1 dim. Fl. 2 dim.

1 dim. Ob. 2 dim. 1 dim.

Cl. in B 2

dim. 1 dim.

Bn. 2

dim.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. dim. Sus. Cyms. (hard sticks) (Glock.)

l.v.

1 Perc.

(Vib.) 2

Harp

Pno.

S

ha

yi

nu

s’

mey

chim,

ha

yi

nu

s’

mey

chim.

ha

yi

nu

s’

mey

chim,

ha

yi

nu

s’

mey

chim.

ha

yi

nu

s’

mey

chim,

ha

yi

nu

s’

mey

chim.

ha

yi

nu

s’

mey

chim,

ha

yi

nu

s’

mey

chim.

A

T 8

B

Tempo

ritenuto I

dim. Vn.

unis. II div.

unis.

dim.

Va. non div.

dim.

Vc. dim. Cb. dim.

= 76

65 209 1 (dim.) Fl. 2 (dim.)

1 (dim.) Ob. 2 (dim.) 1 (dim.)

Cl. in B 2

(dim.)

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Sus. Cyms.) 1 Perc. 2

Harp

Pno.

S

A

T 8

B

I (dim.) Vn. II (dim.) Va. (dim.)

Vc. (dim.) Cb. (dim.)

l.v.

66 214 1 3

3

3

3

Fl. 2

1 cresc.

dim.

Ob. 2

1 Cl. in B 2

1 cresc.

Bn.

dim.

2

2. 1 2

3

3

3

3

Hn. in F 4. 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

S

A

T 8

B

I 3

Vn.

3

cresc.

dim.

II cresc.

dim.

Va. cresc.

dim.

Vc. 3

Cb.

3

cresc.

dim.

67 220 1 Fl. 2

1 Ob. 2

1 Cl. in B

dim. 2

1 (dim.)

Bn. 2

1 2 Hn. in F

4. 3 4 dim.

Tpt. in C

1 2

Tbn.

1 2 dim.

Timp.

1 Perc. 2

Harp

Pno.

S

A

T 8

B

I dim. Vn. II dim.

Va. (dim.)

Vc. (dim.)

Cb.

68 225 1 dim.

Fl. 2

dim. 1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

3 4 (dim.)

1 2

Tpt. in C

dim.

1 2

Tbn.

(dim.)

Timp.

Marimba 1 Perc. 2

Harp

Pno.

S

A

T 8

B

non div. 3

3

I (dim.)

3

Vn.

non div. II

(dim.)

non div.

3

3

Va. dim.

3

non div. Vc. dim.

Cb.

69

Doppio movimento, 230 = = 152 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 Tpt. in C

1 2

Tbn.

1 2

Timp. (Mar.) 1 Perc. 2

Harp

Pno.

S

Shu va

A

don ai

et

sh’ vi

tey

nu,

Shu va,

A

don ai,

et

sh’ vi

tey

nu,

Shu va

A

don ai

et

sh’ vi

tey

nu,

Shu va,

A

don ai,

et

sh’ vi

tey

nu,

A

T 8

Shu va

A

don

ai

et

sh’ vi

tey

nu,

Shu va

A

don

Shu va

A

don

ai

et

sh’ vi

tey

nu,

Shu va

A

don

B

Doppio movimento, = = 152 I Vn. II

Va.

Vc.

Cb.

70 237 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 Tpt. in C

1 2

Tbn.

1 2

Timp.

(Mar.) 1 Perc.

Vib. (motor off) 2

Harp

Pno.

S

ka’

a

fi

kim

ba

Ne

gev,

ka’

a

fi

kim

ka’

a

fi

kim

ba

Ne

gev,

ka’

a

fi

kim

A

T 8

ai

et

sh’ vi

tey

nu,

ka’

a

fi

kim

ba

Ne

gev,

ai

et

sh’ vi

tey

nu,

ka’

a

fi

kim

ba

Ne

gev,

B

I Vn.

open string II

Va.

Vc.

Cb.

71 243 1 cresc. Fl. 2 cresc. 1 Ob. 2

1 Cl. in B 2

1 cresc.

Bn. 2

cresc.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

Mar.

Tom-toms

1 Perc.

cresc. (Vib.)

Tambourine

2

Harp

Pno.

cresc. S

ba

Ne

gev. cresc.

A

ba

Ne

gev. cresc.

T 8

ka’

a

fi

kim

ba

Ne

gev.

Ha zo r’ im

b’ dim

ba

Ne

gev.

Ha zo r’ im

b’ dim

cresc. B

ka’

a

fi

kim

I Vn. II

Va.

Vc. cresc.

Cb.

72 249 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 1 2 Hn. in F

a2 3 4 a2

Tpt. in C

1 2

Tbn.

1 2

a2

Timp.

(T.–ts.) 1 Perc.

(Tamb.) 2

Harp

Pno.

unis.

unis.

unis.

S

Ha zo r’ im

b’ dim a,

ha zo r’ rim

unis.

b’ dim a,

ha zo r’ im

b’ dim a,

unis.

b’ ri

na

yik

tso

b’ ri

na

yik

tso

yik

tso

yik

tso

unis.

A

Ha zo r’ im

b’ dim a,

unis.

ha zo

rim

b’ dim a,

unis.

ha zo r’ im

b’ dim a,

unis.

T 8

a,

Ha zo r’ im

unis.

b’ dim a,

ha zo r’ im

b’ dim a,

b’ ri

unis.

na unis.

B

a,

I Vn. II

Va.

Vc.

Cb.

Ha zo r’ im

b’ dim a,

ha zo r’ im

b’ dim a,

b’ ri

na

73 256 1 Fl. 2

1 Ob. 2

1 cresc.

Cl. in B 2

cresc.

1 cresc. Bn. 2 cresc. a2 1 2 Hn. in F

a2 3 4 a2

Tpt. in C

1 2

Tbn.

1 2

a2

Timp.

(T.–ts.) 1 Perc.

(Tamb.) 2

Harp

Pno.

unis.

cresc.

S

ru, ha zo r’ im

b’ dim

a

b’ ri

na

unis.

yik

tso

ru.

yik

tso

ru.

yik

tso

ru.

yik

tso

ru.

cresc.

A

ru, ha zo r’ im

b’ dim

a

b’ ri

na unis.

cresc.

T 8

ru,

ha zo r’ im

b’ dim

a,

b’ ri

na unis.

cresc. B

ru,

I Vn. II

Va.

Vc.

Cb.

ha zo r’ im

b’ dim

a,

b’ ri

na

74 262 Fl. 1

Picc.

1 Ob. 2

1 Cl. in B

to Bass Clarinet 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(T.–ts.) 1 Perc. (Tamb.) 2

Harp

Pno.

S

Ha loch

yey

leych

u

va

cho,

no sey

me

shech ha za

ra.

Ha loch

yey

leych

u

va

cho,

no sey

me

shech ha za

ra.

A

T 8

Ha loch

yey

leych

u

va

cho,

no sey

Ha loch

yey

leych

u

va

cho,

no sey

B

I marc. Vn. II marc. div. Va. marc.

Vc. marc.

Cb. marc.

75 269 Fl. 1 Piccolo Picc.

1 Ob. 2

Cl. 1 in B Bass Clarinet Bass Cl.

1 Bn. 2

cresc. 1 2 cresc.

Hn. in F

cresc. 3 4 cresc.

Tpt. in C

1 2

Tbn.

1 2

Timp.

(T.–ts.) 1 cresc.

Perc.

(Tamb.)

Tri.

2 cresc.

CDEFGAB

Harp

8va

leggiero

Pno.

8ba

cresc. S

me

shech ha za

ra,

Bo

ya vo

v’ ri

na,

no

sey

a

lu

mo

tav,

shech ha za

ra,

Bo

ya vo

v’ ri

na,

no

sey

a

lu

mo

tav,

cresc. A

me cresc. T 8

me

shech ha za

ra,

me

shech ha za

ra,

Bo ya vo

v’ ri

na,

no

sey

a

lu

mo

tav,

me

shech ha za

ra,

Bo ya vo

v’ ri

na,

no

sey

a

lu

mo

tav,

cresc. B

me

shech ha za

ra,

I cresc.

Vn.

div. II cresc. unis.

unis.

unis.

div.

div. Va.

div.

cresc. unis.

div.

unis.

div.

unis.

Vc. cresc. pizz. Cb. cresc.

76 276 Fl. 1

Picc.

1 Ob. 2

Cl. 1 in B

Bass Cl.

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc.

(Tri.) 2

Harp

8

Pno.

8

S

bo

ya vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya vo

v’ ri

na

no

sey,

no

bo

ya vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya vo

v’ ri

na

no

sey,

no

bo

ya vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya vo

v’ ri

na

no

sey,

no

bo

ya vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya vo

v’ ri

na

no

sey,

no

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

77 283 Fl. 1

Picc.

1 Ob. 2

Cl. 1 in B

Bass Cl.

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

Crash Cym. 1 (Tri.)

Perc. 2

Harp

8va

Pno.

8ba

marc. S

sey

a

lu

mo

tav,

bo

ya

vo

v’ ri

na

no

sey

a

lu

mo

ya

vo

v’ ri

na

no

sey

a

lu

mo

ya

vo

v’ ri

na

no

sey

a

lu

mo

ya

vo

v’ ri

na

no

sey

a

lu

mo

marc. A

sey

a

lu

mo

tav,

bo marc.

T 8

sey

a

lu

mo

tav,

bo marc.

B

sey

a

lu

mo

tav,

bo

I Vn.

unis. II

Va.

Vc.

Cb.

78

rit. 289

Fl. 1

Picc.

1 Ob. 2

Cl. 1 in B

Bass Cl.

1

Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Crash Cym.) 1 Perc.

B.D. 2

Harp

Pno.

S

tav,

bo

ya

vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya

vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya

vo

v’ ri

na

no

sey

a

lu

mo

tav,

bo

ya

vo

v’ ri

na

no

sey

a

lu

mo

A

T 8

B

rit. non div. I Vn. pizz., non div.

arco

II

non div. Va. pizz. Vc.

Cb.

arco

=

79

= 72

295 Fl. 1

to Flute Picc.

1 Ob. 2

Cl. 1 in B to Clarinet in B Bass Cl.

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

First Visitor Sop. solo

I

S

tav. A

tav. T 8

tav.

B

tav.

=

= 72

non div. I Vn. pizz., non div. II non div. Va. pizz. Vc.

Cb.

was n’t

sure

I

want ed

to go.

80 301 1

Fl. Flute 2

1 Ob. 2

1 Cl. in B Clarinet in B 2

1 Bn. 2

1 2 Hn. in F 3 4 con sord. (harmon, stem in) 1 2

Tpt. in C

con sord. (harmon, stem in) 1 2

Tbn.

Timp.

1 Perc. 2

Harp

Pno.

Sop. solo

I

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

thought it

would be

aw

ful

to

be

with

so man y

Jews.

81 307 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

al sord. (straight mute) 1 2

Tpt. in C

1. al sord. (straight mute) 2. via sord. 1 2

Tbn.

Timp.

1 Perc. 2

Harp

Pno.

Sop. solo

But

here

for

the

first

time

I

was

made

to feel

pret ty,

S

A

T 8

B

(non div.) I

Vn.

(non div., pizz.) II

(non div.) Va.

Vc.

Cb.

e

ven

82 313 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

Sus. Cyms. (brush) 1 Perc.

Congas (with hands) 2

Harp

Pno.

dim. Sop. solo

some

times

beau

ti

ful.

First Guide

5

Bar. solo

I

had a

group from the

States

this

S

A

T 8

B

I

Vn. arco II

div., pizz. Va.

div. (pizz.) Vc.

(pizz.) Cb.

1. solo

week:

83 319 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4 con sord. (straight) Tpt. in C

1 2

Tbn.

1 2

Timp.

(Sus. Cyms.) 1 Perc.

(Congas)

B.D.

Congas

2

Harp

Pno.

sost. Bar. solo

the

kib

butz

in

Ga li

lee,

Yad

Va shem,

The

S

A

T 8

B

I Vn. II

Va.

Vc.

tutti (pizz.) Cb.

1. solo

tutti

84 325 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

(Sus. Cyms.) 1 Perc. (Congas)

B.D.

S.D.

B.D.

S.D.

2

Harp

Pno.

Bar. solo

ar my’s

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

route

of

en

try

nine teen six

ty

sev en.

The

85 331 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

a2 3 4

1 2

Tpt. in C

1. con sord. (straight) 1 2

Tbn.

Timp.

Sus. Cyms. 1 Perc.

S.D.

Tri.

2

Harp

Pno.

3

Bar. solo

West

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

ern

Wall.

You

A

mer i

cans

have an

im age

of

Is

rae

lis.

86 poco rit.

337 1 Fl. 2

1 Ob.

to English Horn 2

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F

dim. 3. 3 4 dim. 1 2

Tpt. in C

(1.)

via sord.

1 2

Tbn.

Timp.

(Sus. Cyms.) 1 Perc. 2

Harp

Pno.

dim.

3

3

Bar. solo

War

he roes,

Kib but zim,

set

tler

fam i

lies–

man y

S

A

T 8

B

poco rit.

div., pizz. I Vn. div., pizz. II (div., pizz.) Va.

(div., pizz.) Vc.

(pizz.) Cb. dim.

lost in

the

87 Poco meno mosso

= 69

343 1 Fl. 2

Ob. 1 3

E.H.

1 Cl. in B 2

1 Bn. 2

al sord. 1 2 Hn. in F

(3.) 3 4 1. to cup mute 2. to hat mute

(con sord.) Tpt. in C

1 2

Tbn.

1 2

senza sord.

Timp.

1 Perc.

Claves 2

Harp

Pno.

3

Bar. solo

camps;

That’s

me,

I

get a

lot

of

work

as

a

S

A

T 8

B

(div., pizz.)

Poco meno mosso

= 69 unis., arco

I 3

(div., pizz.)

Vn. II

Va.

Vc. arco Cb.

88 349 (

= 69)

1 Fl. 2

Ob. 1

English Horn, solo

5

3 3

E.H. 5

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Second Visitor

espr.

3

Ten. solo 8

I thought I

Bar. solo

tour guide.

S

A

T 8

B

( = 69) I Vn.

unis., arco II

unis., arco Va. unis., arco Vc.

Cb.

was im

89 353 1 Fl. 2

Ob. 1

6

3

6

E.H. 6

6

1 Cl. in B 2

1 Bn. 2

con sord. 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

3

Ten. solo 8

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

mune

to the West ern Wall.

But when I

found my self

90 357 1 Fl. 2

Ob. 1

6

5

3

3

6

6

6

E.H. 6

6

dim. 1 Cl. in B 2

1 Bn. 2

via sord. 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Ten. solo 8

S

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

there

I

cried,

3

3

91 ritardando

360 1 Fl. 2

Ob. 1 3

to Oboe

espr.

Oboe

E.H. 3 3

6

5

espr.

1 Cl. in B 2

1 3

espr.

Bn. 2

(senza sord.) 1 2 (senza sord.)

Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Second Guide

3

Sop. solo

We 3

3

Ten. solo 8

I

stuffed my mes sage,

my prayer

in to the crev ice.

S

A

T 8

B

ritardando I Vn. II

Va.

Vc.

Cb.

Jews

re

92 364

= 48

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Sop. solo

mem

ber.

It

is

our job,

our

fate.

They say

S

A

T 8

B

= 48

div.

I Vn. II

Va. dim.

Vc.

Cb.

that

with out

93 369 1 Fl.

frullato 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(1.) 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Sop. solo

near an ni hi la

S

A

T 8

B

unis. I Vn. II

Va.

Vc.

pizz. Cb.

tion

we

could nev

er

have come home.

But

we

were al

read y

com ing

home.

94 374 1 Fl. 2

gl. sim.

1 Ob.

to English Horn 2

1 Cl. in B 2

1 Bn. 2

(1.) 1 2 Hn. in F 3 4 Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Sop. solo

Home,

to

this

beau ti ful

coun

try

where

car

bombs

S

A

T 8

B

I

gl. sim.

Vn. II

Va.

Vc.

div., arco Cb.

wait

for our

chil dren

at

the mar

ket.

95 379 1

Fl. (ord.) 2

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

(1.) 1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

CDE FG AB

Harp

ipnotico

Pno.

ipnotico

Sop. solo

S

A

T 8

B

ord. I

Vn.

pizz. II

Va. dim. pizz. Vc.

0

Cb.

0

96 384 1 Fl. 2

Ob. 1

English Horn

senza vibrato

E.H.

1 Cl. in B

senza vibrato 2

1 Bn. 2

1. con sord. 1 2 Hn. in F

3. con sord. 3 4 1. con sord. (cup) senza vibrato

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Third Visitor parlando, intenso Bar. solo

At the mu sic school

I

watched a group of chil

dren

lis ten ing.

S

A

T 8

B

I

Vn. II

div., ord. I.

0

0

0

senza vibrato

Va.

Vc.

0

Cb.

0

0

0

0

0

0

0

97 389 1 Fl. 2

Ob. 1

E.H. senza vibrato 1 Cl. in B 2 senza vibrato 1 Bn. 2

1 2 Hn. in F 3 4 2. con sord. (hat) Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Bar. solo

And as I

watched

their

S

A

T 8

B

I

Vn. II

Va. II.

0

0

0

senza vibrato

Vc.

0

Cb.

0

0

0

0

0

98 394 1 Fl. 2 senza vibrato Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

2. con sord. 1 2 Hn. in F

4. con sord. 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Bar. solo

fa

ces fused with the pho to graph

at the mu se um–

S

A

T 8

B

I

Vn. II

Va. 0

0

0

0

0

0

Vc.

0

Cb.

0

0

99 399 1 Fl. 2 senza vib. Ob. 1 senza vib. E.H.

senza vib. 1 Cl. in B

senza vib. 2

senza vib. 1 Bn. 2

(con sord.) 1 2 Hn. in F

(con sord.) 3 4 (con sord.)

1.

2. (con sord.) Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Bar. solo

the dark haired chil

dren,

at the shtet l,

S

A

T 8

B

I Vn. II (sim.) (div. a2, senza vibrato) Va. 0

0

0

(sim.) Vc.

0

Cb.

0

0

0

0

0

Po

land,

100 404

= 72

1 Fl. 2

Ob. 1 to Oboe E.H.

1 Cl. in B 2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

Bar. solo

Nine teen thir ty four.

S

Al

na ha rot

Ba vel,

Al

na ha rot

Ba

vel,

sham

ya shav nu,

Al

na ha rot

Ba vel,

Al

na ha rot

Ba

vel,

sham

ya shav nu,

Al

na ha rot

Ba vel,

Al

na ha rot

Ba

vel,

sham

ya shav nu,

Al

na ha rot

Ba vel,

Al

na ha rot

Ba

vel,

sham

ya shav nu,

A

T 8

B

= 72 I Vn. arco II

ord. Va.

arco Vc.

Cb.

101 409

frullato

3

1 3

Fl. 2 ord. 1 Oboe ord.

Ob. 2

frullato 3

1

3

3

3

3

Cl. in B 2 ord. 1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2 3

3

3

Timp.

1 Perc. 2

Harp

Pno.

3

3

sempre

3

S

gam

ba chi nu

b’ zoch rey nu et 3

3

Tsi yon.

Al

na ha

rot

Ba vel,

sempre

3

A

gam

ba chi nu

b’ zoch rey nu et 3

3

Tsi yon.

Al

na ha rot

Ba

vel,

sempre

3

T 8

gam

ba chi nu

b’ zoch rey nu et 3

3

Tsi yon.

Al

na ha

rot

Ba vel,

sempre

3

B

gam

ba chi nu

b’ zoch rey nu et

Tsi yon.

Al

na ha rot

Ba

vel,

I sul pont.

Vn.

3

II 3

unis., sul pont. 3

3

3

3

Va. 3

Vc.

Cb.

3

3

3

3

3

3

102 414

sim. 3

3

3

1 3

3

3

3

3

Fl.

3

2

1 Ob. 2

sim. 3

3

1

3

3

Cl. in B

3

3

3

3

3

frullato 3

3

3

3

2

1 Bn. 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

S

Al

na ha

na ha rot

Ba

Al

na ha

na ha rot

Ba

rot

Ba vel,

sham

ya shav nu,

gam

ba

A

Al

vel,

sham

ya shav nu,

gam

ba chi nu,

T 8

rot

Ba vel,

sham

ya shav nu,

gam

ba

B

Al

vel,

sham

ya shav nu,

gam

ba chi nu,

I Vn. 3

3

3

II 3

3

3

3 3

3

3

3

Va. 3

Vc.

Cb.

3

3

3

3

3

3

103 418

3

3

1 3

Fl.

3

3

3

3

frullato 3

3

3

2 3

3

3

3

3

3

1 Ob. 2 sim. 3

3

Cl. in B

3

3

1

3

sim. 3

3

3

3

3

2

3

1 ben articolato

Bn. 2

ben articolato

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp. ben articolato

1 Perc. 2

Harp

ben articolato

Pno.

3

3

3

S

chi nu,

b’ zoch rey nu et

3

3

Tsi yon.

Al

a ra vim

b’ to

chah,

Al

a ra vim

b’ to

chah,

Al

a ra vim

b’ to

chah,

3

A

b’ zoch rey nu et

Tsi 3

yon. 3

3

T 8

chi nu 3

b’ zoch rey nu et 3

Tsi yon.

sempre marc.

3

B

b’ zoch rey nu et

Tsi

yon.

Al

na ha rot

I Vn. 3

ord.

3

II 3

3

3 3

Va. 3

Vc.

Cb.

3

3

ord.

Ba vel,

104 422

ord.

1 Fl. ord. 2

1 Ob. 2

1 Cl. in B 2

1 cresc.

3

3

3

Bn. 3

3

3

3

3

3

2 cresc.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

cresc.

cresc. S

al

a ra vim

b’ to

chah,

ta

li

nu

ki

no

ro

li

nu

ki

no

ro

li

nu

ki

cresc. A

al

a ra vim

b’ to

chah,

ta cresc.

T 8

al

a ra vim

b’ to

chah,

ta cresc.

no 3

3

3

B

Al

na ha rot

Ba

vel,

sham

ya shav nu

gam

I cresc. Vn. II cresc.

Va. cresc. Vc.

Cb.

ba chi nu,

b’ zoch rey nu et

Tsi

105 427 1 dim. Fl. 2 dim.

1 dim. Ob. 2

1 Cl. in B 2

1 Bn.

to Contrabassoon 2

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

CDE F G AB

ben articolato

Pno.

dim.

cresc.

S

tey

nu,

ki

sham

sh’ ey

lu

nu

sho

vey

nu

div rey

sho

vey

nu

div rey

sho

vey

nu

cresc.

dim. A

tey

nu,

ki

sham

sh’ ey

lu

nu

dim.

cresc.

T 8

ro

tey

nu,

ki

sham

sh’ ey

lu

nu cresc.

B

yon.

Al

na ha rot

Ba vel,

Al

na ha rot

I dim.

cresc.

Vn. II cresc.

dim. Va.

cresc.

dim. Vc. ben articolato

cresc.

ben articolato

cresc.

Cb.

Ba

vel,

div rey

106 432 1 Fl. 2

1 Ob. 2

ord. 1 Cl. in B

ord. 2

Bn. 1 evidente Contrabassoon Cbn. evidente

Hn. in F

1 2

3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

3

3

Harp

3

Pno.

dim.

3

duro

S

shir,

v’ to la

ley

nu

v’ to la ley

nu,

v’ to la ley

nu

sim

cha:

“Shi

dim.

3

ru

duro

A

shir,

v’ to la

ley

nu

v’ to la ley

nu,

v’ to la ley

nu

sim

3

cha:

“Shi

ru

duro

dim.

T 8

shir,

v’ to la

ley

nu

v’ to la ley

nu,

v’ to la ley 3

3

nu

sim

cha:

“Shi

ru

“Shi

ru

3

B

sham

ya shav nu,

gam

ba chi nu,

b’ zoch rey nu et

Tsi yon.

I duro

Vn. II

duro Va. duro Vc. 3

3

3

evidente

3

3

evidente

Cb. 3

107 437 1 Fl. 2

1 cresc. poco a poco Ob. 2 cresc. poco a poco 1 Cl. in B

cresc. poco a poco 2 cresc. poco a poco

Bn. 1

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

cresc. poco a poco S

la

nu,

shi

ru

la

nu

mi

shir,

mi

cresc. poco a poco A

la

nu,

shi

ru

la

nu

mi

shir,

nu

mi

shir,

mi

cresc. poco a poco T 8

la

nu,

shi

ru

la

mi

cresc. poco a poco B

la

nu,

I cresc. poco a poco

Vn. II

cresc. poco a poco

Va. cresc. poco a poco Vc.

Cb.

shi

ru

la

nu

mi

shir,

mi

108 442 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

3

3

3

3

3

3

Bn. 1

Cbn.

senza sord. 1 2 senza sord. Hn. in F

senza sord. 3 4 senza sord.

Tpt. in C

1 2

Tbn.

1 2

Timp. 3

3

3

1 Perc. 2

Harp

Pno.

S

shir

Tsi

yon.”

Eych

na

shir,

na

shir

et

Tsi

yon.”

Eych

na

shir,

na

shir

et

Tsi

yon.”

Eych

na

shir,

na

shir

et

yon.”

Eych

shir,

Eych

shir

et

A

shir

T 8

shir

B

shir

Tsi

pizz. I Vn. pizz. II

pizz. Va.

3

3

3

3

3

3

Vc.

Cb.

na

na

109 447 1 Fl. 2

1 cresc.

Ob. 2

1 Cl. in B

cresc. 2

3

3

3

3

3

3

3

3

3

Bn. 1

Cbn.

1 2 cresc. Hn. in F

a2 3 4 cresc.

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

CDEFGAB

Pno.

cresc. S

shir,

et

shir

A

do

nai

al

ad

mat

ney

char?

ad

mat

ney

char?

ad

mat

ney

char?

ad

mat

ney

char?

cresc. A

shir,

et

shir

A

do

nai

al cresc.

T 8

shir,

et

shir

A

do

nai

al cresc.

B

shir,

et

shir

A

do

nai

al

arco I cresc. Vn. arco II cresc. arco Va. cresc. 3

3

3

3

3

3

Vc.

Cb.

110 452

Poco più mosso

= 80

1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn. 1

3

3

3

3

3

Cbn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2 Hn. in F 3 4 senza sord. Tpt. in C

1 2

Tbn.

1 2

Timp.

3

3

Mar.

3

3

3

1 3

3

Perc.

B.D.

3

Vib.

2 3

3 3

3

3

3

secco

3

Harp

E

3

3 3

Pno.

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

8ba

S

Im

esch ka

cheych

Y’ ru

sha la

yim,

Im

esch ka

Im

esch ka

cheych

Y’ ru

sha la

yim,

Im

esch ka

Im

esch ka

cheych

Y’ ru

sha la

yim,

Im

esch ka

Im

esch ka

cheych

Y’ ru

sha la

yim,

Im

esch ka

A

T 8

B

Poco più mosso

= 80

div. I 3

Vn.

3

3

div.

3

3

3

3

3

3

3

II

3

3

3

3

3

3

3

3

3

Va. 3

3

3

Vc. 3 3

3

3 3

3

3

3

3

3

3

3

Cb. 3

3

3

3

3

3

111 456 1 Fl. 2

1 Ob. 2

1 Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2 3

Bn. 1 3

3

3

3

3

3

3

3

3

3

3

3

Cbn. 3

3

3

3

3

3

3

3

3

3

1 2 Hn. in F

3 3

3

3

3

3

3

3 4 3

Tpt. in C

1 2

Tbn.

1 2

Timp.

3

(Mar.) 1

3

(Vib.)

Perc.

3

3

S.D.

2 3

3

3

3

Harp

3

C

3

3

3

3

Pno. 3

3

3 3 3

3

3

3

S

cheych

Y’ ru

sha

la

yim,

tish

kach

y’ mi

ni,

tish

kach

y’ mi

ni;

cheych

Y’ ru

sha

la

yim,

tish

kach

y’ mi

ni,

tish

kach

y’ mi

ni;

cheych

Y’ ru

sha

la

yim,

tish

kach

y’ mi

ni,

tish

kach

y’ mi

ni;

cheych

Y’ ru

sha

la

yim,

tish

kach

y’ mi

ni,

tish

kach

y’ mi

ni;

A

T 8

B

unis. I 3

3

3

3

3

3

3

3

3

Vn. unis. II 3

3

3

3

3 3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vc.

Cb.

3

3

Va.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

112

Più animato

= 90

460 1

3

3

3

3

3

3

3

3

3

3

3

Fl. 2

1

3

Ob. 2

3

3

1

3

3

Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3 3

3

Bn. 1

3

3

3

3

3

3

3

3

3

3 3

3

3

2

3

3

3 3

3

3

3 3

3

3

3

3 3

3

3

3 3

3

3

Cbn. 3

3

3

3

3 3

3

3

1 2 3

Hn. in F

3

3 3

3 3

3

3

3 3

3

3

3

3

3

3

3 4

3

3

3

3

3

3

3

3

3 3

3 3

1 2

Tpt. in C

3

3

3

3

3

3

1 2

Tbn.

3

3

Timp.

Thunder Stick 1

3

Perc.

(S.D.) 2

Harp

3 3

3

Pno. 3

3

3 3

3 3

3

3 3 3

3

3

3

3

S

tid

bak

l’ sho

ni,

tid

bak

l’

sho

ni

l’ chi

ki,

l’chi ki, 3

3

3

3

A

tid

bak

l’ sho

ni,

tid

bak

l’

sho

ni

l’ chi

ki,

l’chi ki, 3

3

3

3

T 8

tid

bak

l’ sho

ni,

tid

bak

l’

sho

ni

l’ chi

ki,

l’chi ki, 3

3

3

3

B

tid

bak

l’ sho

ni,

tid

3

bak

l’

sho

ni

l’ chi

ki,

l’chi ki,

Più animato 3

3

3

= 90 3

3

3

3

I 3

Vn.

3

3 3

3

3

3 3

3

3

II 3

3

3

3

3

Va. 3

3

3

3

3

3

3 3 3

3

3 3

3

3

3

3 3

3 3

3 3

3

Cb. 3

3 3

3

3 3

3

3

3 3

Vc.

3

3

3

3

3

113 464

ritardando

8va

1 3

3

3

3

3

3

3

3

3

3

3

3

dim. molto

8va

Fl. 2 3

3

3

3

3

3

3

3

3

3

3

3

dim. molto 1 3 3

Ob.

3

3

3

3

3

3

3

3

3

3

3

3

dim. molto

2 3 3

3

3

3

3

3

3

3

3

3

3

3

dim. molto

3 3

1

3

3

3

3

3

3

3

3

Cl. in B

3

3

3 3

3

3

3

3

3

3

2 3

3

3

3

3

3

3

3

3

3

3

dim. molto 3

3

3

3

3

3

3

3

Bn. 1 3

3

3

3

dim. molto Cbn.

3

3

3

3

3

3

3

dim. molto

3

2. 1 2 Hn. in F

3

3

3

3

3 3

3

3

3

3

3 3

3

3 3

3

3

3

3

3

3 3

3

3

3

3

3.

3 4

3

1 2

Tpt. in C

3

3

3

3

3

3

3

martellato

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2

Tbn.

3 3

3 martellato

3

3

3

3

3

3

3

3

3

Timp. 3

(Thunder Stick)

3

1 Perc. 2

Harp

8va

3

3 3

Pno.

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

S

3

A

3

3

T

3

3

3

3 3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

8

3

B

ritardando loco

8va

3

I 3

Vn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

II 3

3

3

3

Va.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

div. 3

3

3

3

3

3 3

3

3

3

3

3

3

3 3

Cb.

3

3

3

Vc.

3

3

3

3

3

unis.

3 3

3

3

3 3

3

3

3

3

3

114 = 76

468 1 (dim.)

Fl. 2

(dim.)

solo

1 (dim.)

Ob. 2

(dim.) 3

solo

3

1 3

3

3

3

3

dim. molto

Cl. in B

to Bass Clarinet 2

(dim.) 3

Bn. 1

3

3

3

3

3

3

3

(dim.) Cbn. (dim.)

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

3

(sounding 8va)

Harp

Pno.

3

dolce espr. S

im lo

dolce espr.

ez k’ rey

chi,

A

im lo

ez

k’ rey

chi,

dolce espr.

T 8

im lo

dolce espr. B

im lo

pizz.

= 76

3 0

I III (sul D) II

sul D 3

Va.

3

3

3

1. player, solo 1. player, solo 3

Vc.

3

3

3

1. player Cb. 3 3

chi arco II (sul A)

0

Vn.

ez k’ rey

ez k’ rey

chi

115 473 1 Fl. 2

1 Ob. 2

Cl. 1 in B

solo Bass Clarinet Bass Cl. solo Bn. 1

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

S

im lo

a’

a

leh

A

im lo

a’

a

leh

et

Y’

ru

sha

et

Y’

ru

sha

T 8

im lo

a’

a

leh

B

im lo

a’

a

leh

I Vn. II (1. sola)

tutti

Va.

Vc. tutti Cb.

116 478 1 Fl. 2

1 Ob. 2

Cl. 1 in B

to Clarinet in B Bass Cl. dim.

Bn. 1 marc. Cbn. marc.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

C E F

marc.

Pno.

marc. S

et

Y’

ru

sha

la

yim,

et

Y’

ru

sha

la

yim

al

rosh

sim

cha

rosh

sim

cha

rosh

sim

cha

rosh

sim

cha

marc. A

la

yim,

et

Y’

ru

sha

la

yim

al marc.

T 8

la

yim,

et

Y’

ru

sha

la

yim

al marc.

B

et

Y’

ru

sha

la

yim,

et

Y’

ru

sha

la

yim

al

I marc. Vn. II marc. div. Va.

tutti

div. (arco) marc.

Vc. pizz. div. (arco) marc. Cb. pizz.

117 483 1 marc.

Fl. 2

marc. 1 marc.

Ob. 2

marc. 1 marc.

Cl. in B

Clarinet in B 2 marc.

Bn. 1

Cbn.

1 2 Hn. in F 3 4

Tpt. in C

1 2

Tbn.

1 2

Timp.

1 Perc. 2

Harp

Pno.

S

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti.

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti.

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti.

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti,

al

rosh

sim

cha

ti.

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

118

movendo poco a poco 489

1

Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn. 1

Cbn.

1 2 Hn. in F 3 4

Tpt. in C