Thomas FINAL SOLILOQUY OF THE INTERIOR PARAMOUR

Augusta Read Thomas

FINAL SOLILOQUY OF THE INTERIOR PARAMOUR

From the G. Schirmer Rental Library date of printing _____________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

FINAL SOLILOQUY OF THE INTERIOR PARAMOUR

commissioned by the Barlow Endowment for Music Composition at Brigham Young University

G. Schirmer, Inc. New York, NY

Instrumentation: Flute Oboe Clarinet in B= Alto Saxophone in E= Bassoon Horn in F Trumpet in C 2 Percussion (1 doubling as narrator) 1. Vibraphone* (bow needed), xylophone, crotales (bow needed), suspended cymbal*, small and large triangles 2. Tubular chimes, glockenspiel, vibraphone*, 2 bongos, suspended cymbal* (bow needed), large tamtam *Vibraphone and suspended cymbal may be shared, the vibraphone’s motor should be off

Piano Mezzo-soprano Countertenor 1 Violin 1 Viola 1 Violoncello 1 Contrabass

All trills and tremolandi are normal and even except where marked “uneven, sporadic, and frenetic.”

Some ensemble players are asked to hum or sing. If they cannot do so they may tacet those bars.

Grace notes come before the beat.

For Piano: pizz refers to plucking the string inside the piano using the fleshy pads of the fingers. Pluck only one of the unison strings. The use of a plectrum is optional when plucking the louder notes; pizz is cancelled by ord.

The narration begins in bar 18. The dynamics of the spoken text are marked, but are at the discretion of the speaker. Try not to speak where there are rests indicated in the bars. A CD of Wallace Stevens reading his poem is available from the publisher for use as a reference; please try to emulate his phrasing, timing and color.

World premiere performance at Miller Theater in New York City on April 7, 2005, with Alan Pierson conducting members of the Alarm Will Sound Ensemble

Score is transposed duration ca. 8 minutes

Final Soliloquy of the Interior Paramour

The Poem That Took The Place Of A Mountain

Light the first light of evening In which we rest and, for small reason, think The world imagined is the ultimate good.

There it was, word for word, The poem that took the place of a mountain.

This is, therefore, the intensest rendezvous.

It is in that thought that we collect ourselves, Out of all the indifference, into one thing: W ithin a single thing, a single shawl W rapped tightly round us, since we are poor, a warmth, A light, a power, the miraculous influence.

Here, now, we forget each other and ourselves.

W e feel the obscurity of an order, a whole, A knowledge, that which arranged the rendezvous.

W ithin its vital boundary, in the mind.

W e say God and the imagination are one...

How high that highest candle lights the dark.

He breathed its oxygen, Even when the book lay turned in the dust of his table.

It reminded him how he had needed A place to go to in his own direction, How he had recomposed the pines, Shifted the rocks and picked his way among clouds, For the outlook that would be right, W here he would be complete in an unexplained completion: The exact rock where his inexactness W ould discover, at last, the view toward which they had edged, W here he could lie and, gazing down at the sea, Recognize his unique and solitary home.

Out of this same light, out of the central mind, W e make a dwelling in the evening air, In which being there together is enough.

— W allace Stevens

with admiration and gratitude to Alan Pierson and members of the Alarm Will Sound Ensemble

FINAL SOLILOQUY OF THE INTERIOR PARAMOUR (for Mezzo-Soprano, Countertenor and Chamber Orchestra)

Wallace Stevens Dramatic

Flute

Oboe Clarinet in B b Alto Saxophone in E b Bassoon

Horn in F

Trumpet in C

1 Percussion 2

Piano

Mezzo-Soprano

# >œ & 44 J ƒ> œ 4 &4 J ƒ n >œ 4 &4 J ƒ > & 44 œJ ƒ > B 4 # œJ 4 ƒ j & 44 œ > ƒ > & 44 œJ ƒ

‰ Œ

© =>œ104 ‰ J Œ > ‰ # œJ Œ

‰ Œ

> ‰ œJ Œ

‰ Œ

>œ ‰ J Œ

‰ Œ

>œ ‰ J Œ

‰ Œ

‰ # œj Œ > > ‰ œJ Œ

‰ Œ ‰ Œ

Crotales œ 4 & 4 œœJ ‰ Œ ‰ J Œ f Tubular Chimes ∑ & 44

& 44 & 44

n >œ # ‰ n œœJ Œ j ‰ n n œœ Œ # >œ

n >œ # # œœ ‰ Œ J ƒ secco j œœ ‰ Œ # n >œ

Countertenor

Dramatic

the

© = 104

Violoncello

Contrabass

‰ b œj ‰ . œR Ó >

first

>≥œ ‰ J Œ

# >≥œ ‰ J Œ

sim.

>≥ n œœ Œ J ≥ n >œ Œ J sim.

≥ # >œ Œ J sim.

sim.

>≥œ ‰ J Œ sim.

>≥ ‰ œJ Œ sim.

# >≥œ ‰ J Œ sim.

Œ

light

π ˙≤ ˙ π b ˙≤

˙

w

P

Ó

Œ

∑ π

∑ solo

œ ˙. > ƒ P

Ó

p

f

w w f w

∑

∑

∑

∑

∑

∑

∑

Œ

∑

pizz. (inside piano)

Ó

∑

∑

Ó

ƒ œ >

ƒ >œ

w œ b >˙ .

œ > ƒ poss.

P P

Œ

Ó

ã

Ó Ó

ƒ ˙ >

# -œ >

Light

Œ

œ

Œ

Large Triangle

ƒ >˙ .

P

œœ Œ F

ord.

˙ ˙

œœ Œ f Ó

* Ped. F f Œ œ

the

F >fj Œ

œ

Light

ww

ww

w w P

w w

P

w

w

w

˙

f

P

π

f

P

w

∑

∑

Œ

p

# >˙ P

Ó

Πl.v. molto

˙

∑

Light

ww

∑

∑

∑

˙ > P

˙

∑

π # ˙≤

Ó

F

rit. Ó

∑

Light

light

≤ # ˙˙

œ Œ p

f

Ped.

first

sim.

∑

Ó

w

>˙

Ó

œ l.v. molto ‰ # œJ ‰ . R Ó ∑ ƒ r Œ ‰ . # # œœ Ó Ó œ F f Ped. > œ 3 bœ # >œœ b œœ œ n œ œ b œ ‰ J ‰. R Œ #œ # œ œ œ 3 > > r ( ƒ ) dramatic j ‰ b œœœ ‰ . n #b œœœ Ó ∑ > ( œ) >

the

>≥œ b œ & 44 J ‰ Œ ƒ full down-bow b >≥œ 4 & 4 b œJ ‰ Œ ‰ ƒ full down-bow ≥> & 44 œJ ‰ Œ ‰ ƒ full down-bow >≥ & 44 œJ ‰ Œ ‰ ƒ full down-bow

Viola

> ‰ œJ ‰ . # œ Ó R

ƒ musical and elegant, quasi-shouting > j ‰ Œ ‰ ¿j Œ ‰ ¿ ‰ . ¿ Ó 4 R V4 ¿ J Light

Violin

œ œ 3 bœ >œ fltg. n œ b œ J R ‰ ‰. Œ # œæ # œ ˙ œ 3 > > ƒ dramatic # >œ #œ J ‰ ‰. R Ó Ó ˙ > ƒ > ‰ # œJ ‰ . n œR Œ b œ Ó ˙ > ƒ P >œ # œ ˙ w J . ‰ ‰ R P >œ ‰ J ‰ . œR Ó ∑

ƒ musical and elegant, quasi-shouting >¿ j j & 44 ¿ ‰ Œ ‰ ¿ Œ ‰ ¿J ‰ . R Ó Light

Augusta Read Thomas

Copyright © 2005 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

the

rit. ˙˙

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π

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o

sul A

œ > f

Œ

∑

Property of:

G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 7

© = 92

Fl.

& w

Ob.

&

B b Cl.

& w

w ∑

∑ w

&

∑

∑

B

∑

∑

Hn. in F

&

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∑

Tpt.

&

∑

∑

E b Alto Sax.

Bn.

1

∑

ã

(Large Triangle)

&

(Tub. Chimes)

Pno.

Mezzo-S.

Cntrtenor.

π

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∑

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P

Vibraphone (motor off)

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∑

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w

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π

Ped.

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˙

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first

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œ

first

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of

P

pizz.

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eve

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In which we rest

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w

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© = 76

support Countertenor

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&

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Small Triangle

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( )

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12

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b˙ P

w

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w

w

(with vib.)

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P

3

echo

(with vib.)

E b Alto Sax.

non vib.

b -œ π

echo

& BÓ

Bn.

© = 92

3

∑

˙ P

&

∑

non vib.

Tpt.

&

∑

∑

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1

&

Perc.

2

p

f

∑

&

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l.v. molto

w P

π

non vib.

∑

Pno.

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Ped.

Mezzo-S.

&Ó

#˙

The

Cntrtenor.

P

VÓ

˙

∑

& B

Vc.

≤ & Œ B # -œ π ?≤ -œ π

echo

© = 92

The

Va.

Cb.

#˙

world

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P

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There

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b˙

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im

-

ag

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im

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≤

ag

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is

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is

b˙

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b˙

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˙ the

non vib.

˙

b˙

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Œ π π

b˙

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F

b˙

j˙ bœ

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j bœ

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b˙ -

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good.

b˙. mate

π Œ π

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≥

( )

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b˙.

w

π

wo

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∑

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P

π

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w

Spoken: slow, soulful, steady narration; like the voice of Wallace Stevens

œ

π

w

b -˙

w

Œ

Œ

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∑

∑

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π

Ó

Ó

π

∑

other-worldly

∑

w P

Œ π

∑

w

∑

non vib., other-worldly

a tempo Vn.

world

w

-œ π

w

∑

non vib., other-worldly

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b˙

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&

> P

w

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∑

∑ bœ p

˙

Ó

œ

Ó

∑

solo, ord.

3

b -˙ p

P

w

Hn. in F

Crotale – bowed

non vib.

non vib.

w Ó

Ó Ó π

wp

∑

non vib.

Πp

F

4 19

∑

Fl.

&

Ob.

& w

E b Alto Sax.

Bn.

∑

Œ

solo

F

espr.

∑

∑

vib. norm.

via sord.

&

∑

con sord.

∑ Ó

it was,

∑

&

Œ

(Vib.)

?

˙

word for word,

bœ bœ bœ p P

Ó

‰

>œ .

˙

&

*

oh

˙

vib. norm.

b˙

F

# n www #w P espr.

w

˙ P

P Œ #˙.

˙.

Sing:

"Oh"

œ

#œ

∑

∑

F sub. b˙ b˙

that took the place

˙

Ó

Play:

˙

˙

˙ P

"Oh"

?

wah

* p

#œ œ J f

#˙

œ

œ #œ

Ó

Œ #œ

senza sord.

∑ Œ

Œ

≥ b wP

∑ (≥)

Va.

B

Vc.

≤ b˙ B ˙ P espr. ∑

π

∑ w (≥)

π ∑

F espr.

∑

of

a

˙

Ó

F ‰ bœ œ J

Œ

"poem"

ah

∑

Ó

∑

Ó

w≤ p

sul D

˙≤

p

w

Ó w

P

w P

w P

π

∑

∑

wP

"The"

‰ Ó P

mountain.

w

≤ Œ #˙. p

∑

# w-

∑

P

∑

w æ

œ

# -œ .

w

w æ

slow, uneven, sporadic tremolo al punta

bw æ p

solo

œ

p œ Œ P Œ #œ ah

bw pæ sub.

œ

w

slow, uneven, sporadic tremolo al punta

π

"a"

F

ah sul D vib. norm.

#w

w

p

w

∑

"of"

∑ p

P

w

∑

œ. ∑

?

>j > nœ ˙

Sing (in C):

∑ Ó

"place"

∑

∑

P elegant l.v. Œ Œ ã œ

Ped.

F sub. bw

π

solo, vib. norm.

Ó

ah

oh

wo

The poem

# # www -

œ

Ó (P) ‰ j œ

"took" "the"

Sus. Cymbal scrape very gently with a dime

F

# œœ Œ #œ œ P

π

solo, vib. norm.

∑ Ó

P ‰ p ˙.

∑

Sing:

espr.

-

Ó

∑

Ó

ord.

bw

oh

?

F

Ped.

P

&

∑

bb œœ Œ P

∑

j œ. & œ V

∑

w

π

∑

"Oh"

∑

π

Ped. pizz. (inside piano)

∑

&

w-

P

vib. norm.

Cb.

∑

n >˙ .

vib. norm.

∑

P

Vn.

P

espr.

œ.

espr.

Perc.

Cntrtenor.

˙

∑

&

Mezzo-S.

w

B

Tpt.

Pno.

w

&

&

2

π

w

∑

Hn. in F

1

>. Œ #˙ F

vib. norm.

vib. norm.

solo

&

B b Cl.

> ‰ ‰ œj ˙ > F espr.

Œ

3

solo

Œ

#œ p

Ó

p

F n˙ ah

F # ˙.

π

Œ

Play and sing D # in this measure, but only the playing ties over.

#w

P w

"ah"

˙. w

p

Œ

p

p

5 26

& ˙.

Fl.

œ

P)

E b Alto Sax.

Saxophone in E b

∑

B

Bn.

∑

Hn. in F

&

∑

Tpt.

&

∑

1

&

Perc.

2

# ˙æ ƒ bw

norm.

˙æ ƒ

norm.

f

Ped.

Pno.

∑

?

&

∑

# œœ ƒ

Mezzo-S.

This is,

Cntrtenor.

ƒ intense b >œ œ .

V J

nœ

there - fore,

f ˙

˙ Œ

This is,

B

Vc.

B # >œ ƒ ?

œ

P)

(

f

∑ pizz.

Cb.

ord.

& ˙æ.

Va.

F

œ œbœ Œ ƒ

5

Ó œ

5

œ bœ.

bœ

f

n >œ

P

Œ Ó Œ Œ Œ

Œ

Œ

>œœ l.v. molto œ #œ Ó solo œ n œ ‰ ‰3 j Ó

5

Œ

Ó

ƒ dramatic, almost shouting,

but keep some singing pitch in the oration

# >œ J ‰ Œ ƒ œ.

solo

Œ

Ó ∑

arco

Ó Ÿ # w (œ ) ƒ ricochet ≥ # œ. . . . . . . . . . ƒ

ricochet

≥. . . . . . œ œ

ƒ

Œ

Ó ∑

J ƒ

# >œ J ‰ Œ ƒ >œ J ‰ Œ ƒ

‰ ‰

Œ

‰

>œ J ‰ Œ ƒ

‰

# >œ ‰ Œ ‰ J ƒ ƒ not shouting, poetic

vib. norm.

Ó

‰ ‰ ‰ ‰ ‰

‰

n >œ J ƒ >œ J ƒ >œ J ƒ >œ J ƒ >œ J ƒ

Œ

œ

#œ

œ nœ

‰

ren–

an inwardly focused giggle

Œ

F

¿¿

f

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

oxygen,

¿

J Œ

dez–

b >≥œ J ƒ

full down-bow

∑ ∑

ƒ Ó Ó f

n >≥œ ‰ J Œ ƒ

full down-bow

>≥ ‰ n œJ Œ ƒ

full down-bow

≥ ‰ # œj Œ > ƒ

full down-bow

&

Ó Ó Ó ∑

ƒ

>¿

ahhahahoha..........!!

n >≥œ J ƒ

senza sord.

b >˙

¿ >¿ ¿ ¿ ¿ ¿. ¿. ¿. >¿ ¿

haohahha...

‰

nœ J

ƒ

Ó

full down-bow

‰

3

an outward laugh freely.

¿¿¿ ¿¿¿ ‰

full down-bow

nœ

∑

ƒ >¿ J

in - ten - sest

œ

ƒ sempre œ. Ó

>œ # # œœœ ‰ ‰ J Œ ƒ secco ƒ secco b >œ > ‰ b bœœœ ‰ # bœœœœ Œ J J ‰

b >œ

Œ

œ>œœ J

# # >œœœœ J ‰ Œ Œ ƒ>secco Œ & # n œœœ ‰ Œ J * f ƒ >¿ ¿ ¿ ‰ J Œ Ó

solo

f œ # >-œ .

J

# >œ J ƒ >œ J ƒ b >œ J ƒ >œ J ƒ >œ J ƒ

He breathed its

Œ

Œ

>œ

#œ b œ œ # œ œ n >œ

>≥œ J ‰ Œ Œ F ƒ full down-bow >≥œ Œ &J ‰ Œ F ƒ

via sord.

n >œ

‰

theintensestr endezvous.

al punta

Vn.

F

∑

Ped.

ƒ intense & b œj œ . nœ >

F

˙

#œ œ bœ ƒ

∑

?

˙

Ped.

Tubular Chimes

&

fltg.

Œ œ

F

fltg.

∑

ã

#w ƒ

ƒ

Vibraphone (motor off)

F

˙

˙ ƒ sempre

œ

&

œ

Oboe

∑

& n ˙. π

B b Cl.

norm.

# ˙æ. ƒ

(

&

Ob.

fltg.

6 30

&

Fl.

&

Ob.

˙.

>j œ

œ b >œ

Œ

Ó

>œ & ‰ JŒ

B b Cl.

∑

Hn. in F

> & ‰ # œJ Œ

Ó

Tpt.

> & ‰ œJ Œ

Ó

1

2

Pno.

Mezzo-S.

#œ

œ

#œ

#œ nœ 3

œ

3

œ & Œ ãJ ‰ Ó f > b nœœœœ & Œ J ‰ Ó ƒ secco # >œ & Œ # œœ ‰ Ó J

œ

& Œ

sim.

V Ó

F

∑

∑

∑

∑

∑

∑

∑

∑

P

> ‰ # œJ ƒ

#œ

#œ

#œ nœ 3

book

5

fltg.

‰. Ó

ã œ æ lay turned π

Sus. Cym.

b >œ .

n >œ œ J

Vn.

&

Va.

# >≥œ & Œ #œ ‰ Ó J ƒ

ƒ sempre

full down-bow

Vc.

Cb.

& Π?

>≥œ J ‰ Ó ƒ

full down-bow

∑

œ bœ œ

>œ "‰ . 6 4 R ß

l.v. r ‰ . 46 >œ f > b b œœœœ # œ l.v. œ œœ 46 ƒ F >œ b œœ Œ 46

Œ

Ó

∑

∑

Ó

∑

∑

∑

∑

6 4

∑

∑

∑

∑

46

Ped.

>o œ

sul E

ah–oh–ha...!

solo

46

fltg. b >œ >œ 46 R æ f ƒ

( )

Ó

f sub.

46

46

Large Tamtam triangle beater

>œ b >œ b >œ >˙ 3

ƒ b >œ ‰ ‰ nœ æ J 3 ƒ ∑

Ó

∑ œ

46

∑

f

>j ˙

46

>œ

œ ≈ œ œ bœ

Ó

ƒ the

>œ

nœ #œ œ bœ nœ œ œ F

46

æ

3

Ó

∑

∑ >œ .

œ ƒ

∑ ∑

Œ

¿ ¿ . . ¿. >¿ ¿ ¿¿ Œ

f

when

fltg.

solo

∑

Œ

b >œ

˙.

3

∑

Ó

vous.

œ œ. w

nœ œ J

∑

∑

>¿ J ‰ Ó

>œ b >œ b >œ >˙

>j ˙

Even

giggle

Cntrtenor.

> ‰ # œJ f F

∑

Sus. Cym. scrape with a dime l.v. molto

Perc.

# >œ J

>œ .

∑

∑

&

œ. æ

fltg.

∑

Ó

B

Bn.

# -˙ . p

Ó

# >œ & ‰ JŒ

E b Alto Sax.

#œ œ œ #œ

œ

j œ #œ

œ

‰ #œ œ œ >œ 3 3

3

Œ

pizz.

Œ

pizz.

B

?

œ ƒ œ

ƒ

∑

œ œ

>j œ > ˙.

#œ œ.

œ œ. ˙.

Ó

∑

∑

Ó

∑

∑

∑

∑

˙.

solo

46

(ƒ)

arco uneven, sporadic trem.

w pæ (pizz.)

>œ

ƒ

ƒ Œ

46 6 4

Ó ∑

46

35

& 46

∑

44

& 46

∑

& 46

∑

44 w p

E b Alto Sax.

& 46

∑

Bn.

B 46

∑

Hn. in F

6 &4

∑

Tpt.

& 46

∑

Fl.

Ob.

B b Cl.

1 Perc.

2

ã 46 Œ

Mezzo-S.

∑

Vibraphone

Cntrtenor.

&

∑

& 46 Ó 6 &4 V 46

44 Ó

Ó Œ ∑

F

44

w

˙.

"ah"

œ

Œ π

π

P

of his table.

Stop D b and F

Œ

Ped.

j 4 Ó #œ 4

?‰

pizz.

44 b œœœ nœ F

˙

˙.

4 w 4 p

Œ

w

∑

P ˙

Sing:

in the dust

ã 46

"ah"

w

P

Ó

b( œœ ))

∑

l.v.

F espr.

4 #w 4

(

rit. wo .

*

∑ π

π

œ.

"ah"

Œ

p

wp

Bassoon

Œ

w

∑ w

w

w

w

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Play: ord. l.v.

∑

Sing:

j ‰ œ œP

p w

P w

π

F ˙

∑ F œ

change from speech to singing on "ourselves"

accel.

& 46

Va.

B 46

∑

44

Vc.

? 46

∑

44

∑

∑

∑

Cb.

? 46

∑

44

∑

∑

∑

p ∑

sul tasto

ww≤ p

∑

ww P

sul D & A

˙

˙.

of

humming

w

∑

ww

It reminded him

*

the

w

© = 92

P

bœ

all

ecollectour selves, Mm

Vn.

∑

p

"ah"

Itisinthatthoughtthatw

P

π ∑

Ó

© = 76

π

∑

j ‰ œ œP

˙

P Ó P Œ

˙. ∑

con sord. sul tasto

Ó

≤ ˙˙ p>

sul D & A

∑

∑

∑

∑

∑

∑

∑

∑

p

Œ

∑

w

Out

wo ( ≥ )

∑

∑

Ped.

ah

˙.

∑

Œ

p P Œ

w

Ó

w

F espr.

44 w 44

∑

breathe when necessary

π

# w-

Ó

Ó

π

‰

ah

∑

π

Sing:

44 Ó

44 b w p

© = 92

accel.

Sing (if this is in your range): P ∑ w

∑

44 w p w 44 p

P

& 46 Pno.

© = 76

rit.

7

8 42

Flute non vib.

& w p

Fl.

P

& Ó

Ob.

˙

∑

P ˙.

Sing (in C):

& Œ

E b Alto Sax.

π π

˙.

"ah" Sing (in C):

&

B b Cl.

˙.

"ah"

P humming

Œ

∑

Œ

Ó

Mm

w

w

w

w ∑

∑

Hn. in F

&

∑

∑

∑

Tpt.

&

∑

∑

∑

ã

∑

∑

&

∑

∑

&

∑ ∑

Sus. Cym. scrape with a dime

Ó

Pno.

?

n˙.

b wπ

˙

˙

∑

∑

∑

∑

∑

∑ w P

∑

∑ π

w Cl. in B b

Ó

-˙

solo

p

∑ ∑

w ∑

Ó

Œ

P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

l.v.

p

∑

œ Œ p graceful

Perc.

2

#œ œ P espr. π π

∑

1

∑

support but do not cover Mezzo

Œ

Oboe

B

Bn.

∑

&

It reminded him how he had needed

Ó

Œ

solo

P elegant # -œ

l.v.

&

Ped.

Mezzo-S.

Cntrtenor.

∑

& V

P non vib., other-worldly b˙ ˙ b˙ in

-

dif

& ww

Va.

B

∑

?

∑

?

∑

Cb.

-

fer

≥

Vn.

Vc.

∑

( )

Ó

˙ -

œ

en

-

-

F espr. œ Œ #œ

n˙

œ

in -

- to

one

-

b˙.

-

Ó

non vib.

Œ

≤ b -˙ π

π

sul C

∑ ∑

Ó w P

˙

œ

π Œ

solo

π

˙

œ.

P espr.

support Countertenor

w

≥

( )

∑

∑

∑

∑

>> œ œ

w

Ó

ces,

-˙≤

π

thing:

w ord.

˙˙ . .

P

˙

≥ b >-œ

-œ -˙≤ .

J

œ

∑

Œ π

˙.

Ó

∑

∑ ∑

Œ π

∑ Ó

Œ

# -ϲ p

48

&

Fl.

&

Ob.

&

B b Cl. E b Alto Sax.

& B

Bn.

Hn. in F

9

© = 76

∑

w

#w

2

F

∑

w

P

p

& #w P

π

+

∑

& œ bœ p

nœ Œ

#œ œ & bœ œ œ P

œ

Ó

ã

Ó

Mezzo-S.

Cntrtenor.

ggg # œœ & gg œ

Œ

P resonant g Œ & ggg #n œœœ g & Œ V

Va.

Ó

Vc.

Cb.

(

? ? w P

P

œ #œ f sub.

œ

#œ

Œ

Œ ∑ ∑

&

arco

Œ

&

p

F

Œ

∑ w> p F sub.

via sord.

p

Œ

Ó

Œ

Ó

Œ

Ó

‰

l.v. molto

#œ p œ b œœœ P

Ó

# -œ œ

n˙. p

#w p ricochet ≥. . . . . . . . œ œ

#w Ó P

∑

n˙.

p

∑

F A place to go

Œ

∑

Ped.

F

∑

* Ped.

pizz.

œ > ƒ

Œ

* Ped.

Ó ∑

F ˙.

∑ ∑

slow tremolo

∑

p

Ó

∑

w p P sub. ∑

F

slow tremolo

ƒ π

∑

L

ah

Œ

a single shawl

ord., vib. norm.

œ b œ >˙ f

3

bw P

Crotale – bowed

Œ

œ b œ w> p f

Wrapped tightly round us,

Œ

)

3

. p F˙ sub.

w P

Ped.

∑

œ œ œ Jœ

?

ggg # # œœœ Œ Ó g P graceful Œ Ó ggg # œœœ g

∑

#œ P

Ped.

∑

Œ

∑

P

# # œœœ #œ F

7

Ó

nw

Ó

#œ #œ œ œ œ Ó #œ

p

P

st. mute

Small & Large Triangle j l.v. œ

P

3

∑

Within a single thing,

Ÿ & w œ p elegant

solo

#˙

w P

∑

*

∑

F

∑

Ped.

F

© = 76

B

∑ ∑

œ P

slow trill

Vn.

Saxophone in E b

freely

Ó

w

nw

p

Ped.

Pno.

smooth

nw

(Vib.) freely 5

Perc.

bœ

p

P

Crotales – mallets 3 l.v.

1

vib. norm.

#w

&

Tpt.

‰ #œ œ bœ œ 3 P

Ó

P vib. norm. w

F

bœ

a

since we are poor, ah

# w≥ w

senza sord. via sord.

∑

∑ ∑

π

F w≥ w F

∑

&

≥ b ww F >œ f

pizz.

∑

π

Œ

Ó

π

∑

B

Play and, if it is in your comfortable range, hum along with this G

w

P sub.

"Mm"

∑

10 53

& w p

Fl.

& Ó

P

Sing:

Ob.

-œ

solo

b˙

bœ œ bœ nœ 5

P & w

Sing (in C):

E b Alto Sax.

w

"ah"

& Π3 F espr.

B b Cl.

bœ œ

p

P ? bw

Πw

w π Ó

˙ ‰ -œ . p π

j œ œ # >-œ .

"ah" Sing:

Bn.

w P

w

# -œ ˙ π P

&

∑

∑

Tpt.

&

∑

∑

1

& Œ

F

œ #œ œ bœ œ F espr. w

w

π

p

∑ Ó

(Sing)

Œ ∑

∑

P ‰ œ.

Sing (in C):

"ah"

Hn. in F

Oboe solo 3

w P

Saxophone in E b

w

"ah"

P bw

w

˙.

œ Œ Œ œ π π

w P

Sax. in E b

‰ œ ˙. π P

∑ Œ π

w

w

w

w

w

˙

Ó π

˙

Ó π

π

-œ

w P

∑

π

∑

∑ Œ

∑ Ó

Ó

∑

π

Œ

How he had recomposed the pines,

in his own direction,

∑

"ah"

P

Ó

œ.

∑

π

∑

P

Ó

Shifted the rocks

Perc.

2

Pno.

∑

&

∑ π Sing: b -˙ ? & Ó &

(Ped.)

Mezzo-S.

∑

&

"ah"

*

p

bw

∑

P ˙

Vn.

V

(P ) œ bœ.

J

w

F ‰ jœ #œ

w

∑

∑

Ó

Œ

π

Ped.

π

‰ Ó

p

F ‰ œJ ˙ .

π

∑

Œ

&

Ó

Œ

the mi

sul D

≤ œ-

p

w

∑

P

œ ˙

3

-

œ bœ

P

œ bœ

F œ ˙

B bw

w

sul C

P

p

"Mm"

Vc.

& w

("Mm")

Cb.

?

∑

π

Ó

w # -œ≤ œ w ‰ J π P "Mm" sul D

(Play)

?

∑

Ó

pizz.

œ. œ.

w

˙

w

w

w

w

w

w

j œ ‰ Œ π

∑

Ped.

p F espr. ‰ -œ œ > p F espr. > ‰ b -œ œ

in - flu -

w

∑

œ Œ f bœ Œ

in - flu -

w

If it is in your comfortable range, hum along with this note

∑

pizz.

rac - u - lous

Play and, if it is in your comfortable range, hum along with this note

Va.

Play

Ó

rac - u - lous 3

-

F œ ˙

Play and, if it is in your comfortable range, hum along with this note

"Mm"

∑

∑

P Œ #œ ˙

A light,

∑

Ó

∑

the mi

P w

Ó

∑

a pow - er,

w

# œœ p

∑ œ.

Ó

Tub. Chimes

∑

"ah"

warmth,

Cntrtenor.

∑

˙ ∑

Ó π Ó Ó π ∑

60

∑

&

Fl.

& Ó

Ob.

accel.

Sing: P Ó ˙

"ah"

F

Sing:

˙

w

F

˙. ˙.

"ah" Sing (in C), if this is in your comfortable range

P

& w

B b Cl.

"ah"

Sing (in C):

& Ó

E b Alto Sax.

Bn.

Hn. in F

Tpt.

1 Perc.

2

w

F ˙

"ah"

Mezzo-S.

w

˙.

Ó

b˙ # -˙ π espr.

π π

Œ

∑

∑

Ó

&

∑

∑

senza sord.

&

∑

Œ

Ó

? Œ

Π*

V œ

˙.

Sing:

w

œ P

Œ

p Ped. p

Ó

Ó

Œ

∑

f

ord.

*

œ >œ

ã

&

Va.

Vc.

Cb.

B

∑

?

∑

?

∑

Œ

‰

ww P

arco

solo

˙ p espr.

˙˙ ∑

Ó

∑

Ó

#˙

b˙

p

Œ Œ

≤ œœ > f

≥ ‰ -œ œ 3 F espr. ˙

F

>œ J Ó # >œ J Ó j #œ Ó >

Ó

∑

>œ ‰ J Œ ƒ

∑

Œ

œ Ó J ƒ

© ≥= 104-112

∑

∑

j nœ Ó > # >œ Ó J ƒ

solo

3

3

>œ œ œ

ƒ >œ œ œ 3

3

∑ >œ # œ œ

ƒ Ó

Ÿ~~~~~~~~~~~~~~~~~~~~ >œ Œ # ˙. œ œ p f (

)

‰ œJ Œ ƒ

Large Triangle

ã

∑

ƒ secco b >œ ‰ b bœœœ Œ J

∑ f

now,

Ó

f ƒ n œ # œœ n œ œ œ 3

3

∑ andour selves.

f

Ó

∑

wef orgeteac hother

(

3

j ‰ œJ œ œ œ œ œ œ œ Œ ƒ f 3ƒ œ>œ # œœœ b œœ œ œ bnœœœ ‰ J Œ

∑

Ó

œ

# >œ œ œ

Ó

∑

ƒ > ‰ ¿J Œ Œ

>œ b œ

)

>œ full down-bow ≥≤ solo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ J ‰ Œ Œ bœ Œ bœ œ > >œ ( ) w ƒ ƒ ƒp ≥≤ ≥ full down-bow > pizz. solo Ÿ~~~~~~~~~~~~~~~~~~~~~~~ #œ > arco >œ . œ ˙ œ œ œ J ‰ Œ J ‰ Œ Œ ‰ > ƒ ƒp ƒ ƒ arco > >≥ full down-bow pizz. Œ ∑ ‰ b œJ Œ & œJ ‰ Œ >œ ƒ ƒ ƒ ≥> full down-bow bœ J ‰ Œ Ó ∑ p ƒ sub.

vib. norm.

≤ b œœ > f

(

>œ œ œ >œ Ó ‰ ≈ J 3 f f ƒ n >œ > # n œœ ‰ ‰ # a œœœ Ó J J ƒ secco ƒ secco j j œœ ‰ ‰ # œœ Ó b >œ n >œ

Here,

accel.

Vn.

‰

ƒ> ‰ ¿J Œ

∑

Play and hum this note sul G & D, non vib.

# >œ J Ó

Ó

- ence.

≤ & ww "Mm" p

Œ

2 Bongos

∑

∑

∑

Crotale – mallet

Play: ord.

œ b >œœ

>œ J ‰ ‰ ƒ j œ ‰ ‰ > ƒ j bœ ‰ ‰ > ƒ

>œ

‰ J Œ ƒ solo Ÿ~~~~~~~~~~~~~~~~ > œ #œ œ ˙ œ Œ ‰ J Œ p ƒ

æJ Ó

Saxophone in E b

Œ Œ

fltg.

>œ J ‰ ‰ ƒ

œ > P f

Œ

˙.

"ah" (pizz.)

Ó

Ó

P

Œ

œ P>

and picked his way among clouds,

& Œ

˙.

Œ

F ‰

œ œ P

& œ

Œ

Ó

∑

Œ

j œ œ &œ > 3

&

Ó

# >œ ‰ ‰ J ƒ Oboe >œ J ‰ ‰ ƒ Flute

#œ > F π Œ

∑

& Œ

© = 104-112>œ

Cl. in B b

?

- ence.

Cntrtenor.

˙

Bassoon

Ped.

Pno.

π

11

Ó Ó

)

Ó ∑

12 66

&

Fl.

&

Ob.

&

B b Cl.

E b Alto Sax.

&

>œ >œ >œ >œ >œ >œ >œ >œ

‰ Œ

>œ >œ

Ó

‰ Œ

>> & bœ œ ‰ Œ

Ó

w> f

ã œ œ ‰ Œ ƒ >œ # # œœœ Œ & f l.v. >œ Œ & # bœœœ

Ó Œ Œ

ƒ & #w

Œ

b nb œœœ >

*

Ped.

Vn.

Va.

Vc.

Cb.

&

ƒ #w

ah

>w≥ bw

ƒ >w≥ B w ƒ

≥> & bw ƒ ?

F F

∑

œ œ ‰ ƒ ƒ

˙

F &

Œ

Ó

∑

Œ

Ó

∑

l.v.

Œ

Ó

f

Œ

Œ

Œ

Œ

Œ

Œ

‰

Œ

Ó

‰

Œ

Ó

˙

*

#w

ah

ah

Ó

*

&

P P

P

‰ ‰ ‰

∑ ∑

œ J f

Large Triangle

Œ

Ó

‰

œœœœœœœœœ Œ

Ó

solo

f > b nœœœœ J ƒ # >œœ #œ J

P

9

‰

Œ

Ó

‰

Œ

Ó

l.v. molto

Ped.

‰

ah

P

p

∑

Ó

Ped.

norm.

P

Ó

ƒ >. n bn œœœ ..

F > ‰ # œœœ ...

w

ƒ

‰

ƒ # >˙ æ ƒ

For the outlook that would be right,

œ œœ œ œ Œ

#w

≥ bw > ƒ >w≥

ƒ # >œ J ƒ # >w

ƒ

Œ

w

ƒ

#œ p espr.

∑

P

ah

>w≥ w ƒ >w≥

‰

fltg.

Shifted the rocks and picked his way among clouds,

>œ œœ

Œ

ah

V

‰

b >œ >œ ‰

Ó

#w >

œ œ ‰ > >

How he had recomposed the pines,

Ped.

Cntrtenor.

∑

(ƒ)

f spoken fairly quickly

(2 Bongos)

Mezzo-S.

Ó

b >œ >œ œ .

Ó

Tpt.

Pno.

Œ

# >œ >œ ‰

Ó

2

∑

Ó

>> & œ œ ‰ Œ

Perc.

Ó

‰ Œ

Hn. in F

ã

Œ

Ó

˙

1

Ó

‰ Œ

& #œ œ œ. >> ƒ

‰

Œ

>œ >œ ‰

support voices

Bn.

‰

rit. fltg. # œ >œ @J #œ œ 5

f

-œ

change from speech to singing

Wefeeltheob

-

∑ >≥œ . bœ.

œ. œ. æ

al punta

F >≥œ . œ.

F

œ. œ. æ

al punta

rit. >≥ full down-bow # œœ J ‰ ‰ Œ f π n >≥œœ full down-bow # ‰ ‰ Œ J f π

(continue trill) ≥Ÿ~~~~~~~~~~ ≥ full down-bow > ‰ # œœ ‰ Œ #œ. œ œæ. > J F π f al punta

(

)

∑

∑

sul A & E (use vib.)

> ˙ > P espr. Ó Ó

70 Fl.

&

∑

∑

Ob.

&

∑

∑

&

B b Cl. E b Alto Sax.

&

w

P

Bn.

& Ó

Hn. in F

&

Tpt.

1

Ó

∑

∑

Œ ‰ n œj w π P

Ó

fltg.

Œ ˙æ > F 3

∑

∑

π

∑

© = 92

13

∑

w p

P œ w

Œ

Sing (in C):

π

∑ Harmon mute stem removed

Ó

Œ

˙æ.

P solo >-œ #œ Œ œ #œ 5 F espr.

w ∑

∑

∑

∑

fltg.

∑

π

w

"ah"

w

∑

norm.

∑

Œ π

Ó

norm.

œ

w

p

solo

‰œ > œ bœ œ ˙ F espr.

5

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

ã

∑

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

∑

∑

&

∑

Œ

Œ Ó

∑

∑

∑

∑

&

∑

Œ

Œ Ó

∑

∑

∑

∑

b -˙ π

w P

w

π

F

Ó

Where he would be complete

Perc.

2

Pno.

Mezzo-S.

Cntrtenor.

Vn.

Va.

&

P

˙.

œ œ

scu - ri

∑

V

& &

œ -

*

pizz.

bœ Œ F

˙.

Ó

Œ

∑ ∑

∑

∑

≥. . . . . œ œ Ó F π ricochet

Vc.

&

Cb.

&

∑

p

w

ty

Ó π

con sord.

∑

*

Ped.

3

∑

© = 92

an or

P Œ ‰ j œ ˙

a whole,

P F bœ œ nœ b˙ of

˙

Ó

-

solo con sord.

≤ b wπ

sul tasto

Œ

˙

P P p œ œ œ œ. ‰ œ œ

˙

der,

Ó

p

ah

≥ n >-œ F

espr.

A

w π

≥ w P

( )

p

∑

∑

∑

∑

Œ Œ

π

Œ ˙ 3

P

ah

F 3 bœ œ bœ

p

π œ Œ

w w

œ

p

˙

ah

p 3 bœ n˙

Œ

knowl - edge,

≤ -œ π

˙ p

≤ ‰ œj ˙ π p

ord.

≤ -œ ˙ . π p

∑

ah

w

˙

w

˙

w

˙ ∑

3

Ó π Ó π

Ó π

∑

bœ

14 77

∑

&

Fl.

∑

Œ

Ó

& bœ > F P

Ob.

&

B b Cl.

sub.

w

∑ w

P & bw

Sax.

w

"ah"

∑

&

Bn.

w > P p π

(Sing)

E b Alto

Ó

b -˙ π

w P

˙ P

espr.

w

∑

p slow trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó Œ n -œ (# œ) w ˙ π P

w

∑

∑

b˙

˙.

∑

wp

œ F π

&

∑

∑

Tpt.

&

∑

∑

∑

ã

∑

∑

∑

∑

ã

∑

∑

∑

∑

Ó

Œ

-œ

p

œbœ

ƒ

#˙

˙

∑

∑

Ó

∑

Ó

w F

π

w F

π

F

œœ œ

œ

>œ ƒ

>b œ œ ƒ

Sax. in E b

#˙

˙ æ ƒ >j bœ ˙ ƒ

fltg.

œœœ‰ ƒ3

Ó Œ

Ó

Ó

Vibraphone

l.v. molto œ œ bœ œ Œ &œ freely

f

5

Pno.

& bœ f &

Œ

Ó ∑

∑

∑

∑

∑

Ó

ord.

∑

∑

∑

∑

Ó

ord.

Ped.

Mezzo-S.

&

*P

j bœ ˙

>

#˙

that

Cntrtenor.

V

*P

˙

& bœ f

pizz.

Va.

& bœ f

pizz.

Vc.

Cb.

& bœ f &

#˙

that

pizz.

Vn.

which

which

Œ

Ó

˙

b˙

˙

b˙

ar - ranged

ar - ranged

∑

via sord.

*

F ˙

b˙

the

F ˙

ren

the

ren

-

dez

-

f œ

-

dez

Ó

-

Ó

Œ

Ó

∑ ∑

via sord.

∑

* This time it is not "non vib."

∑

∑ ∑ ∑

∑

π

w

∑

vous.

Œ

senza sord.

solo arco

≤ ‰ œj œ P espr.

Œ

Ped.

π

w

vous.

˙.

b˙

∑

f œ

˙.

∑ ∑ ∑

Ó

œ #œ F

solo

œ . b œJ

arco

∑

ƒ ≥˙ ˙

3

≤ ≈ œj . œ F espr.

∑

# ≥˙ ˙

˙ œ #œ.

J

ƒ

Ó Œ

≥ b ˙˙æ ƒ

arco

senza sord.

solo

?

pizz. sul A

ƒ

ggg # ˙˙˙ g f resonant gg b ˙˙˙ gg Ped.

pizz.

Œ

b˙ f

in an unexplained completion:

∑

˙

+++

Ó

Perc.

2

#˙ æ

fltg.

p

w

Hn. in F

1

b Ÿ˙ ( œ )

‰ œj Ó > ƒ

l.v. molto

*

© = 92

a tempo 83 w

w

w

w

norm.

&

Fl.

&

Ob.

&

B b Cl.

w

&

w

w

Bn.

& w

w

b˙. & œ f

˙.

L>

solo

Hn. in F

espr.

& ˙

Tpt.

1

Ó π

via sord.

p

∑

ã

w

Ó π

∑

3 U ‰ ‰ b œj w π π

> Œ œ œ ˙ f P

∑

∑

2

Pno.

Mezzo-S.

Cntrtenor.

Vn.

Va.

&

(Ped.)

∑

&

∑

∑

Ó

&

∑

∑

Ó

Play:

∑

& V Œ

&

bœ 3 ˙

With - in

vi - tal

Cb.

œ #œ bound

w w

F w w & F

?

its

∑

Ó

¿ ¿ Œ ¿> ¿ ¿

f f

f

Œ

?

p

π

bœ

"ah"

bœ P

Ped.

f œ œ œ

espr.

3

n˙ -

P Ó

& &

wF

ww

ww P sempre

∑

∑

b >˙ . ƒ

solo

‰

solo

f

œ

ƒ

j gliss. j œ bœ bœ œ J J

ƒ

ƒ

>j > œ œ J f

˙

Œ Œ

Ó

l.v. molto

>

Ó

> .. >

Laughing passionately . . . . . and freely

ah! ha, ha ha, ah yah! . . .

Œ

¿

F

ƒ

¿

U

We say God and the imagination are one...

Ped.

bœ ƒ

œ

... ¿. . ¿ ¿ ¿ ¿ ¿. ¿

j #œ œ 3

>¿ >¿

Laughing passionately and freely

¿. ¿ ¿.

Œ

œ b œœ

¿

*

U w w

©

ah! ha - ha - ha -- yah - ha . . . . . . . . . . . . . !!

ah - ha - ha - ha - ha . . .

j # >œ œ >

œ b >œ > ƒ . . . passionately ƒ Laughing ¿ ¿ ¿ ¿ and freely ¿

¿

Ó Œ

U ww

U w π

> . ... ¿ ¿. ¿ ¿ ¿ ¿ .¿ ¿ ¿ ¿. ¿ ¿

Laughing passionately and freely

a tempo >= 92 > ƒ. Laughing passionately and freely . .. >. . . .

Œ

U w w

arco

ƒ

ƒ

>˙

ah! ha - ha - ha -- yah - ha . . . . . . . . . . . . . !!

ary,

P sempre w w P sempre

Œ

* π ƒ

U w

œ

solo

ƒ

3

Ha ha ha ah ha ho ha! . . .

π ¿

U

‰

w w

¿¿ Œ ¿. ¿. ¿

>j

# >œ

solo

Sus. Cym. - scrape with triangle beater l.v.

serious in tone

w w

ƒ

Œ

Ped.

P U w

‰

n >œ ‰ J ƒ solo # > œ ‰ J ƒ poss. œ

solo

. >¿ ¿ ¿. . > ¿ ¿ ¿ ¿ ¿ ¿. ¿. ¿ ¿ ¿ & ¿

U ∑

Œ

F

¿

gliss. quickly in two directions across chimes

?

ƒ

5 ah - ha - ha...!

in the mind.

f bœ œ nœ ‰ J

w w

& ww F

∑

U ∑

Tubular Chimes –

∑

Sing:

(non trem.)

Vc.

∑

ƒ

ah - ha - ah - ah - ho! . . .

U ∑

Perc.

(Vib.)

U ∑

U ∑

p

3

Œ ah . . . .. . . > . - ha. - ha - ha - ha . f .. . ƒ

Œ

P U ∑

solo

espr.

ah - ha - ho - ha!

∑

senza sord.

f

U ∑ ?

˙. Œ π

π

‰ Ó π

˙

. . . . Laughing passionately and freely All. WW's:

U ∑

∑

œ.

w

norm.

E b Alto Sax.

π

15

3

>≥œ

ƒ

Œ

ah - ha - ha - ha - ha . . .

> . ¿ ¿ > . ¿. ¿. ¿. ¿ ¿

>¿ ¿ ¿. ¿. ¿. ¿ ¿¿

Laughing passionately and freely

P

π

ƒ

Ha ha ha ah ha ho ha! . . .

F

16 >œ œ

88

& Ó

Fl.

&

Ob.

# >œ .

B b Cl.

& Ó

E b Alto Sax.

& Ó

Bn.

& & Ó

Tpt.

& Ó ã

b >œ œ

ƒ >œ œ

ƒ

‰ Œ

# >œ

P ˙.

+>

œ J ç b >œ J f

Ó

Œ

Œ

ƒ # >œ

# >œ

>œ J ‰ Œ ƒ > œ œ œ # œ >˙ b >œ J ‰ ƒ b >œ J ‰ ƒ

3

‰ Œ

∑

Œ

‰ Œ

∑

Œ

∑

Ó

‰ Œ

∑

Ó

Œ

‰ Œ

∑

Ó

Œ

∑

Hn. in F

1

ƒ >œ ˙ J

-˙ .

Œ Œ Œ

ƒ The

exact

rock

where

his

inexactness

Would

b >œ

fltg.

@J ‰

>œ J ‰ >œ J ‰ j œ ‰ > ƒ L b >œ J ‰ ƒ >œ J ‰ ƒ

discover,

solo norm.

# >œ

>j n >œ œ # œ œ b œ b œ n Ÿ˙ ( œ ) nœ

ƒ sempre # >œ .

(ƒ)

Ó

6

>œ ‰ J ƒ

‰ P

Œ

# >œ ‰ J ƒ

Ó Ó

‰ ∑

2

Pno.

&

∑

∑

(Ped.)

& Ó & Ó

œœ œ J ‰ Œ ƒ secco b bbœœœœ ‰ Œ J

Ó

Œ ∑

∑ # >œ

ƒ

>œ

Ó

ƒ Œ

Ó

# # >œœœ œ J ‰ > # n œœœ ‰ J

Ó

Xylophone

Ó

(Tub. Chimes)

# >œ ƒ Ó

Œ

Mezzo-S.

&

∑

∑

∑

∑

Cntrtenor.

V

∑

∑

∑

∑

Vn.

&

# >˙

>œ J

‰ Œ

≤ ˙o .

sul A

∑

Œ

&

∑

Vc.

&

∑

∑

∑

?

∑

∑

∑

Cb.

ƒ

Œ

>œ J ‰ ƒ

Va.

p

Œ

b >œ J ‰ ƒ

Œ

bœ @J ‰

Œ

œ @J ‰

bœ

#œ

#œ

ƒ œ

œ

j bœ œ > ƒ

œ

∑ &

Perc.

(Tub. Chimes)

œ

Ó

‰

# >œœ J f

Œ

>œ œ Œ J f secco # >œœœ b œœ œ bnœœœ ‰ J ƒ > œ ‰ œœ # œ n œœ J ‰

‰

>œ b œ

J ƒ

œ

∑ ∑ ≤ ‰ œ.

P

˙ F

≥

( )

17 92

&‰

Fl.

n >œ .

Ÿ~~~~~~~~~~~~~~~~~~~ b ˙ (b œ ) w # >œ œ

Œ

B b Cl.

&Ó

Œ

E b Alto Sax.

&Ó

Œ

&Ó

Œ #œ #œ >

Hn. in F

&Ó

> Œ #œ œ

Tpt.

&Ó

Bn.

1 Perc.

2

Pno.

Mezzo-S.

(ƒ)

œ

ƒ 3 # >œ œ Œ ƒ 3

œ ‰ #œ nœ Œ > > œ

‰

>œ b >œ

œ ‰ # >œ

>œ

∑

&

Œ

f

ƒ Œ

spoken quickly:

Cntrtenor.

Vn.

V

passionate

God and the imagination are one...

&Ó

Va.

&‰

Vc.

&

Cb.

?

n -ϲ .

p

Œ

f

Œ

>œ ƒ

Œ

œœ

œ

3

‰

3

œ > #œ #œ ‰ ƒ

∑ w

˙.

Œ

p

>œ b >œ # >œ

>œ

‰

Œ

‰

‰ œ b >œ > ƒ # >œ >œ ‰ ƒ

Ó

Œ

Œ

Ó

Ó

Œ

Œ

Ó

Ó

Œ

Ó

Ó

Œ

Ó

Ó

Œ

b Ÿ˙ (b œ) p Ó

f

Œ Ó

ƒ ˙.

b >w

ah

ah

ƒ ˙.

w>

ah

ah

Œ

Ó

Œ

Ó

˙. > f

∑

b ≥˙ . ˙. f

˙

p > > #œ œ

Œ

Ó

>œ b >œ > Œ b œœJ ‰ ‰ ‰ # œ œ Œ ƒ 3 ƒ 3 Œ # # œœj ‰ ‰ ‰ # œ œ Œ &Ó > > > f secco ƒ secco > > # #n >œœœœ œ b œœœ b œœœœ # n b bœœœœ n >œ . œœ Œ ‰ Œ &‰ ƒ ƒ 33 > >œ Œ # b œœœœ b b œœ # n œœœ ‰ ## œœœ b œœ Œ &Ó > œ

b( ww )

œ

3

3

&Ó

b˙

>œ n œ b œ œ b œ n œ . œ

("B" ossia)

3

> >œ solo # œ # œ n œ œ b >œ œ ‰ #œ bœ œ 3 ƒ >œ >œ b >œ ˙ . 7:6 #œ #œ ‰ Ó 3 ƒ P # >œ >œ >œ œ œ ‰ Œ Ó Ó

&Ó

Ob.

‰

œ

nœ ‰ b œJ # œ n œ ƒ Œ

ƒ >œ >œ

solo

Ó

Œ

Ó

> > ‰ œ bœ ƒ solo >œœ b >œœ wŸ (# œ) ‰ ƒ p sub.

F

∑

b >œ J ‰

b >œ b ˙ .

ƒ > solo œ > œ Œ ƒ

Ó Ó

∑

Ó

Œ b œj ‰ >

∑

Ó

∑

Ó

>œ Œ J ‰ f >œ Œ J ‰ f

>œ œ b œ œ b œ n œ . œ æ 3

‰ œœ b bb œœœ >œ >

∑

∑

∑

∑

∑

∑

P

-≥œ

bœ ‰ J b œ œj œj 3 3 ƒ espr.

solo

Œ

>-œ

# >œ

>œ n œ b œ œ b œ n œ . œ 3

bœ >œ > ƒ

‰

# >œ œ œ

3

3

˙. f

∑

‰

ƒ

3

∑ n >œ

Œ

∑

∑

Ó

∑

Ó

3

b >œ Œ J ‰

∑

f

Œ

3

> > ‰ #œ œ ƒ secco n b >˙˙ .. > > œ œ b œ œœ nb œœ ‰ #œ

f

∑

3

# >œ Œ J ‰

∑

ƒ

>œ

# >œ œ œ

≥ j‰ œ> ƒ >≥ Œ b œJ ‰ ƒ Œ

18 > >œ œ n œ œ b œ œ b œ œ œ œ #fltg. # œ œ #œ œ œ œ bœ œbœ nœ bœ nœ J æ æ æ

norm.

fltg. norm.

97

&

Fl.

&

Ob.

&

B b Cl. E b Alto Sax.

&

# >œ >œ

3

3

Tpt.

‰

Œ

# >œ >œ f

# # >œœ & J ƒ

(Xyl.)

j & # œœ ‰ > f secco # # # >œœœœ >œœœœ ‰ & ƒ >œ >œ & # œœ œœ ‰

(Tub. Chimes)

Œ Œ Œ

b >œ >œ

Va.

>> & #œ œ ‰ ƒ

Vc.

& ?

Ó

Œ

‰ . >œ R

r œ ‰. Œ >

n >œ >œ

ƒ

# a œ>œ J ƒ

‰ Œ

∑

‰ Œ

∑

ƒ

œœ ‰ >> ƒ

Ó Ó

ƒ ƒ ƒ ∑

Ó

∑

∑

Ó

Vibraphone

∑

Ó

Œ

Ó

Œ

f

>œ #œ . ‰ R

This is, therefore,

Ó

Glockenspiel

# >œœ œ R ‰. Œ

Ó

r >œ ‰ . n œœœœœ b b œœœ ‰ . Œ > R Œ

∑

‰ œ œ #œ freely

Ó

Œ

Œ

>œ >œ ‰ Œ

Ó

Œ

Œ

œœ‰ Œ >>

∑ ∑

‰ . œr > ƒ

Ó

f

ƒ

3

≥œ œ œ

ƒ espr.

#œ

nœ

∑

œ

5

#œ

3

Ó

ƒ

#œ œ œ œ

∑

the intensest rendezvous.

b >œ ‰ . Œ R

3

Ped.

f

ƒ

7

∑

solo

r ‰ . œœ > ƒ

F #œ

Ó

>œ R ‰. Œ

f

#œ œ œ

œ #œ œ œ œ #œ

∑ Œ

ƒ

π Ÿ w ( œ) π

Ó

b >œ ‰ . Œ R f

∑

∑

π Ÿw (b œ)

∑

‰ Œ

∑

π Ÿ # w (œ )

Ped.

>œ œ ‰ Œ J ƒ secco b >œ >œ b #N œœœ œœœ ‰ Œ ƒ >œ >œ œœ‰ Œ

b >œ >œ

w

#w

Ó

>œ R ‰. Œ

∑

∑

Œ

Cb.

>œ ‰. R

>œ >œ

‰

V

&

Œ

b >œ >œ

Ó

‰

Vn.

Ó

Ó

Œ

Cntrtenor.

‰ Œ

# >œ R ‰. Œ

œœ‰ Œ >>

>œ >œ ‰ & f

&

b >œ ‰. R

Œ Œ

Mezzo-S.

Œ

œœ ‰ >> ‰

Pno.

Ó

Œ

&

2

‰ Œ

‰

Hn. in F

Perc.

Œ

Œ

&

1

Ó

‰

Bn.

# >œ R ‰. Œ

>œ ‰. R

Œ

# >œ >œ

3

>˙

œ.

>œ >œ ‰ Œ

‰

n >œ >œ

3

œ J

∑

∑

∑

∑

∑

>.

101 >œ œ (solo)

& J (ƒ)

Fl.

& Œ

Ob.

B b Cl.

& Œ

E b Alto Sax.

& Œ

Bn.

Hn. in F

Tpt.

1

# >œ >œ

rit. norm. fltg. n >œ # -œ # -œ n -œ œ- # >œ J ‰ Œ æ æ 5 ç Ó

>œ # >œ Ó

Ó

© j= 72

w > f

∑

Ó

Ó

∑

∑

& Œ bœ œ Ó > >

∑

& Œ

∑

∑

∑

>œ # >œ

Ó ƒ # >œ > Ó #œ & Œ f l.v. molto

P

2

∑

Ó

Ó

˙P espr.

f

Œ

at last,

(Ped.)

Pno.

Mezzo-S.

Cntrtenor.

Vn.

Va.

Vc.

Cb.

&

∑

>œ >œ b œœœ >œœ # œœ Ó & ƒ secco poss. #œ & Œ b œœ b b œœœ Ó > > * f

& Ó

&

∑

∑

?

ƒ

œ f

ƒ resonant ‰ b œj Œ Œ œ Ped. ‰.

∑

f

‰ Ó

P 3

F

ƒ

influence.

Œ

œ

∑

#w p

∑ ∑

‰ œj ˙ (P)

w

p

∑

Ó

Œ

∑

∑

∑

∑

‰ Ó

∑

∑

œœ P

Œ

Ó ∑ Œ

Tubular Chimes

# œœ

Ped.

Ped.

Œ

Ó

≥

w-≤

sul D

( )

# œœ

P

Œ ∑

Ó

Ó

∑

∑

*

F) 3 Œ œ bœ (

>j nœ bœ

˙.

high - est

œ

œ ˙ ‰ J

˙

that

œ b œ b( œœ )

lights

œ

˙.

the

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

π

˙

Ó

∑

∑

∑

F

œœ p

can - dle

& Œ bœ bœ Ó > > ƒ

p

the

w

∑

&

F

dark.

∑

B

œ p

Œ

∑

© = 72

∑

Ó

Œ

Ó

F lyrical #œ ˙

F lyrical ˙

P

Œ

Ó

Ó

high

Ó

#w p p

∑

Ó

∑ rit.

∑

w

∑

How

œ.

Œ œ bœ

˙

#w p

∑

∑

∑

stop glock.

the miraculous

V

Ó

∑

Perc.

l.v. molto

œ ‰ Œ p

espr.

∑

&

#œ

Œ

∑

# >œ >œ

19

Ó

Œ

con sord.

-≥œ œ

P

20 107 Fl.

& w

˙.

Ob.

& w

˙.

B b Cl.

& w

˙.

E b Alto Sax.

∑

&

Hn. in F

1

&

∑

∑

&

Tpt.

∑

Œ π

∑

∑

Ó

∑

∑

Ó

echo

∑

∑

Ó

?

∑

∑

Ó

con sord.

Œ π

˙. ∑

&

∑

∑

& w

Bn.

∑

Œ π

Ó

Œ

echo

∑ ˙ πŒ

Sing:

‰ Œ

∑

∑

∑

∑

&

∑

Ó

(Tub. Chimes)

(Ped.)

Ó

∑ p ˙.

3

π -˙

3 ‰ ‰ œj w - p π

Œ

echo

∑ Ó

Pno.

Mezzo-S.

Cntrtenor.

∑

&

?

∑

-˙

˙

p

Œ ?œ P F graceful ‰ j Œ

Œ

"ah"

bœ

Ped.

∑

p

Œ

P

l.v. ‰ œj p P

Œ

∑

œ œ œ œ ∑

w B w ∑

p

Ó

?

∑

Ó

œ

˙.

light,

F > Œ b -œ

p

œ b œ.

J

&

Ped.

Ó

‰ œj ∑ f #œ ‰ ‰ # œJ ∑ 3 P in background

(Play)

Œ

f elegant ‰ j Œ œ * bœ

p

∑

Œ

P ‰ œj ah

∑

F> j œ Œ bœ out

œ œ œ

3

of the cen -

slow, sporadic tremolo al punta

wæ p

∑

∑

∑

∑

∑

∑

∑

∑

Ó π

∑

∑

Œ

sul G

?

-ϲ

π

w P

˙

‰

≤ j b -œ œ π

w P

elegant echo

˙.

π

Œ

pizz. ≤ ‰ j Œ bœ -˙ F π

*

w

∑

no octave substitution

Ó

Ó

F

light,

∑

∑

∑

3

Out of this same

∑

p

∑

ah

&

&

Ó ˙

& ˙ V

Ó

elegant echo

Cb.

∑

Vibraphone – bowed

∑ P ˙

Sing:

Vc.

w P

Ped.

2

Va.

∑

‰ ‰ j # -œ w π p echo P w

Perc.

Vn.

w P

"ah"

∑

view toward which they had edged,

∑

‰ œj π-

Œ π

arco

w P

21 113

& w

Fl.

∑

&

Ob.

&

B b Cl. E b Alto Sax.

Œ

Ó

˙.

∑

π Œ π π Œ

? ˙.

b -œ π

echo

w P

π

P

-œ

Œ

Œ

& ˙.

Bn.

π

Ó

echo

Œ

&

∑

-œ ˙

1

&

∑

2

& Ó

Tpt.

‰ -œ œ ˙ J π π P

Ó

p

π

p

#w P F

π π

p w

F w

w

"ah"

p

∑

∑

#w

Œ

(bowed)

∑ via sord.

π

∑ 3 ‰ ‰ œj œj ‰ Œ p P

Ó

Sing:

Œ ã ∑ œ p in background

Pno.

Mezzo-S.

∑

&

? Ó & Œ

Œ

∑

l.v.

P warm bœ

œ

F

b˙.

F ˙

∑

We

mind,

Cntrtenor.

V œ

P

˙.

w

"ah"

∑

∑

∑

∑

∑

∑

∑

∑

∑

& wæ

Va.

≥ B Œ b ˙˙ ..

F ? ?

˙

π

∑ Œ

π

∑

∑

∑

∑

∑

* œ

œbœ œ œ

p

dwell

-

Ó

Œ

œœ Œ Ó p π

-ϲ

˙

ing

∑

π

slow, sporadic tremolo al punta (non trem.)

w æ p

∑

b >œ P

w

w

œ

Œ π

∑

∑

∑

∑

π

∑

∑

p w

"ah"

rubato

5

œ

make a

f

Sing:

P

Sus. Cym. bowed l.v.

Ó

œ Œ π p

P w

∑

solo

∑ p

3

ah

œ

œ

ah

sul A

π

∑

∑

Pw

tral mind,

Vn.

3

3

P

w

delicate

j ‰ jŒ Œ œ œ F > bœ œ Œ œ Œ J

Ped.

∑ F

Ped.

Large Tamtam

Cb.

Sing:

Sing (in C):

π

w

∑

Perc.

Vc.

b wP

w

π P

echo

∑

Ó

∑

"ah"

Bassoon

& w

œ ‰ Œ J π

∑

echo

Hn. in F

w

∑

Ó π

˙

Ó

F #œ œ œ œ œ

Ó

p

mysterious

Œ

‰ j œ ah

p

w

in the eve - ning air,

∑ ≤ w

∑

Play and sing this "A"

P

π

w

"ah"

≥

( )

∑

∑

∑

∑

π

22 119 Fl.

&

∑

∑

Ob.

&

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

Hn. in F

&

∑

∑

Tpt.

&

∑

∑

&

∑

B b Cl. E b Alto Sax.

Bn.

1

(Sing)

Pno.

w

∑

œ p

Mezzo-S.

Ped.

∑

∑

&

∑

∑

(Play)

?

∑

∑

(Sing)

b˙

b˙

n˙

π

P)

pizz.

œ f p w

π

(

w

w

w > P

w ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

P

∑

∑

Ó ∑

Œ

Ó

P w

"ah" Ped.

P w

w

P

œ

˙.

p P sub. >j ˙

w

In

P w-

b˙

b˙

which

be

œ

p P sub. w

w

-

ing

π

w

V

Vn.

&

∑

∑

∑

∑

∑

∑

Va.

B

∑

∑

∑

∑

∑

∑

Vc.

Cb.

? ?

oh

ah

w≤

Play and hum this "C"

∑

∑

∑

∑

P

π

n˙

∑

Cntrtenor.

π

*

"ah"

oh

∑

∑

w

(Vib. - bowed)

ã

F &˙

w

"ah"

Perc.

2

w > P P

w

w≥

w

( )

π

"Mm"

∑

∑

∑

∑

23 125 Fhumming

& w

Fl.

"Mm"

∑

&

Ob.

& w > P F

B b Cl. E b Alto Sax.

& w

∑

humming (in C)

?

Hn. in F

&

Tpt.

&

∑

n >w P

∑ w

∑

& œ Œ p P

Sax. in E b

∑

w

senza sord.

F π

w

Ó

∑

∑

∑

∑

∑

>w

Oboe

w

∑

(bowed)

1

∑

w

"Mm"

Bn.

∑

w

Ó π

∑

w>

F

π

∑

p

-œ π

Flute

∑ # -œ π

œ P # -œ

2

Pno.

w

∑

∑ ˙

π

w

P

∑

∑

∑

∑

∑

∑

ã

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

&

ord.

Play

&

Œ

Ó

Tubular Chimes

# œœ P Ped. œ nœ Œ Ó P in background Œ Ó # œœ

Œ

Œ

# -œ π

Mezzo-S.

& ˙

b˙

V Ó

P b˙

there

Cntrtenor.

to

to

Vn.

≤ & -˙ π

Va.

B

∑

? ?

-

˙.

geth

-

geth

w

œ

œ.

er

˙.

-

œ

-

er

π

bœ œ œ.

J J

∑

œ

Œ

˙.

∑

∑

Π*

Ó

∑

∑

∑

∑

∑

∑

Ó

Œ

bœ F

Œ

œ œ

≤ bœ π

arco

F ˙

is

≥ #w F

l.v.

e

P 3 œ #˙

∑ pizz.

F ˙

3

œ #˙

sul C

e

Œ π Œ π

-

Πp

l.v.

w

≥

π

#w

nough.

π

#w -

nough.

Ó

∑

Ó

∑

∑ ˙ P

ã œ π

Œ

is

≥ w F

Ó

∑

ord., sul G

Œ π

Ó Ó

oh

oh

Sus. Cymbal (bowed)

Œ

P

p #˙.

∑

Œ

p

˙.

(oh)

sul tasto

˙. b˙ P espr.

p

Œ

˙. p

delicate

Ped.

Cb.

∑

Ped.

Perc.

Vc.

w

˙

Bassoon

Œ

œ P

∑

( )

π

∑

24 131

& w

Fl.

∑

&

Ob.

π

Humming:

Humming (in C): P Œ #œ & Ó

E b Alto Sax.

?

Bn.

Hn. in F

1

Œ ∑

#w

w

∑

π

œ ∑

π

& w

Ó

w

"Mm"

& Œ # -˙ . p P &

p Œ

Ó

Œ

gazing down at the sea,

w P

-œ

w P

Sax. in E b

# -œ π -œ

Œ Œ

π

# -œ π

π

π

∑

w P

Where he could lie and,

Œ

∑

π

Harmon mute (stem removed)

Tpt.

P

Ó

"Mm"

& w

B b Cl.

∑

w ∑

Ó

Œ

π

Ó

∑

∑

Ó

∑

∑

∑

ã

∑

∑

∑

U ∑

π

w ∑

U ∑

espr.

w

P

U ∑

‰ n -œJ p π

U ∑

π

Œ

con sord.

U ‰ # œj w π P ‰ -œJ π

Œ

(Harmon mute)

P

U w P

Ó

Œ

Tubular Chimes

&

&

∑

∑

∑

∑

Ó

&

∑

∑

∑

∑

Ó

π

humming

Mezzo-S.

& Œ # ˙.

˙

Mm

Cntrtenor.

Vn.

Va.

Vc.

Cb.

V Ó & Ó

P #˙

?

P

Ó

˙

e

π

w

j ‰ # n œœœ

U ∑

-

p delicate Œ ‰ œj # # -œœ

-

bœ nœ bœ

F ˙

#˙

nough.

∑

∑

˙ Ó

œ. Œ

Œ Œ

∑

π

‰

π ‰ # œJ

humming

ah

p U

U ∑

humming

#w

Mm

p U w

* π

π

Mm

≤ # -œ π

w P

-œ≤ ‰ J π con sord. sul D # œ≤ ? Ó Œ ‰ J π B Ó

Œ

Ped.

P

U

π

j U ‰ œ ∑ bœ p in background Ped.

Pno.

π

Recognize his unique and solitary home.

Perc.

2

π

Oboe

w

w P w

U ∑

sul D

w

w

w

w

w

P P &

-ϲ

π

˙.

P

w

≥

( )

≥

( )

≥

( )

≥

( )

Ó

Ó

con sord.

Œ π

Ó

Ó

Œ

Œ π

Ó

Ó

Œ

Ó

Ó

Œ

œ œ œ

Œ π

Œ

≤j U ‰ œ w #œ w π P # œ≤ U w w ‰ # œJ π P # œ≤ U w ‰ J π P

œ Œ π

≤ ‰ œJ π

U w

P

≥

( )

≥

( )

≥

( )

≥

π π π

( )

π