Muhly EXPECTING THE MAIN THINGS FROM YOU

Nico Muhly

EXPECTING THE MAIN THINGS FROM YOU for SATB choir, string quartet, percussion and organ

Full score

St Rose Music Publishing Co. / Chester Music Ltd.

Commissioned by the Gabe Wiener Foundation for Judy Clurman. First performed in May 2005 at Central Synagogue, New York, U.S.A.

INSTRUMENTATION Choir (3 sopranos, 3 altos, 3 tenors, 3 basses) Percussion (1 player): vibraphone, triangle, woodblock, anvil, bass drum, tam-tam

String Quartet Organ

PERFORMANCE NOTE In the second movement, the choir and the cello are asked to perform a sort of Morse Code tremolo. This should be executed by each musician randomizing a pattern of short and long notes on the indicated pitch.

The choir should sing on syllables doo or da depending. All effort should be made not to coordinate with any other musician. The resulting effect should be random and almost electronic. Take breaths whenever you need but the sound should be as continuous as possible. All text-less music in the choir should be sung at a dynamic such that it blends equally with the strings, percussion, and organ.

COMPOSER’S NOTE Expecting the Main Things from You begins with a series of exchanges between the choir and ensemble, defining the harmonic progressions that make up the first movement. Throughout the beginning 9-minute movement, the ensemble plays pattern music while the voices sing lines above it – a very explicit accompaniment/solo relationship during which the choir describes men at work. A third of the way through, a solo violin begins outlining a series of chords through arpeggiation, which then gradually fill in and become a single shimmering chord. From this, the choir begins the second part of the poem, beginning with the line “The delicious singing of the mother” and ending in the far distance, listening to the “strong melodious songs”.

Each movement of Expecting ends with a series of wordless pulses, a sort of musical punctuation. If the first and third poems reference the political urgency of the city, the second movement is a pastoral interlude.

Accordingly, the percussion parts in this movement are built around three expanding and contracting rhythms in the woodblock, tam-tam, and vibraphone. Three quarters of the choir sings a stylized Morse code (I was inspired by watching satellites pass overhead in the middle of the woods in Vermont; the now-omnipresent invisible haze of technology even in the fields), while some sopranos and altos overlay long, endless lines. The third movement is the most urgent and the most aggressive in its patterns: I wanted to reinforce Whitman’s movement from the general to the very specific and accusatory second person of the end of the poem. A series of expanding and contracting rhythms and another wordless pulse brings the piece to a quiet close.

Duration: c. 24 minutes

Order number: SRO100010 Complete materials are available on sale: Vocal score: SRO100010-02 Parts: SRO100010-01

EXPECTING THE MAIN THINGS FROM YOU 1. I Hear America Singing Walt Whitman

Soprano

4 4

Alto

4 4

Tenor

4 4

Bass

4 4

Vibraphone

4 4

Nico Muhly (2005) q = 96

mfz

q = 96 Violin I

Violin II

4 4 sf

mf

f

p

f

f

sf

mf

f

p

solo

4 4 mf

Violoncello

f

4 4 mf

Viola

mf f

f

mf

f

sf

mf

mf

f

sf

mf

mp

mfz

p

mp

4 4 f

f

mfz

p

4 4 Organ

4 4 Pedals

4 4 rev. July 2016

© 2007 St Rose Music Publishing Co. and Chester Music Limited.

2

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134

136 4 4

5 4

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p

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5 4

138

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p

mp

17

2. A Farm Picture (Interlude) q = 72 1

7

4 4

1 solo

mp. solo, to the fore

Through

S.

4 4

A.

T.

4 4

4 4

B.

4 4

Vib.

4 4

Morse Code throughout 2nd section (see performance note)

p

sempre p-pp

Morse Code throughout 2nd section (see performance note)

p

sempre p-pp

Morse Code throughout 2nd section (see performance note)

p

sempre p-pp

Morse Code throughout 2nd section (see performance note)

p

sempre p-pp

sempre mf, sempre l.v.

Wblk.

Tam.-t.

3

4 4

p

4 4

Vln. I

4 4

Vln. II

4 4

sempre pp sempre l.v.

7

q = 72

twitchy pizz., rhythms as long as q or as short as x Vla.

4 4

5

3

sempre p - mp - mf (make random swells)

Vc.

4 4

Morse Code (see performance note)

p

4 4 Org.

4 4 Ped.

4 4

p

18 mp

10

the

S.

am ple

pp

mp

o

pen

door

A.

T.

B.

Vib. sempre sim (slightly shorter than 16ths) Wblk.

Tam.-t.

Vln. I

Vln. II

Vla.

Vc.

Org.

21

S.

mp

27

3

of

the

peace

ful

mp

mf

coun

1 solo mp

A.

coun

mp

try barn

mf

mp

try barn

T.

B.

Vib.

Wblk.

Tam.-t.

27 Vln. I p

5

f

p

5

5

f

5

Vln. II p Vla.

Vc.

Org.

f

p

f

19

35

33

S.

A.

a sun mp cresc.

lit

pas

ture

field mf

a sun mp cresc.

lit

pas

ture

field mf

a sun mp cresc.

lit

pas

ture

field mf

a

lit

pas

ture

field

sun

41

mf

mp cresc.

mp dolciss.

with cat

tle

and

tle

and

mp dolciss.

with cat

T.

B.

Vib. Wblk.

Tam.-t.

41

35 Vln. I mp

p

mp

p

Vln. II

Vla.

Vc.

Org.

48

44

S.

hor

ses

55

feed

ing

mp

and haze slightly louder, more activity

mp

A.

hor

ses

feed

ing

and haze slightly louder, more activity

slightly louder, more activity T. slightly louder, more activity B.

Vib. Wblk.

Tam.-t.

48

55

solo

Vln. I p

mp

p

Vln. II mf Vla.

Vc.

Org.

mf

mp

20

60

56

S.

and

vi

sta

and

haze

and

vi

A.

and

vi

sta

and

haze

and

vi

T.

B.

Vib.

Wblk.

60 Vln. I on the string 3

3

3

3

3

Vln. II p

mf Vla.

Vc.

Org.

62

S.

sta

A.

sta

T.

B.

Vib.

Wblk.

Tam.-t.

Vln. I

Vln. II sf Vla.

Vc.

Org.

sf

sf

sf

sf

sf

sf

sf

sf

sf

3

21

67 S.

mf strong

3

and

the

mp, busy

mf strong

A.

ho

ri

zon

far

ho

ri

zon

3

and

mp, busy

far

the

mp, busy T. mp, busy B.

Vib.

Wblk.

67 Vln. I 5

5

Vln. II

Vla.

Vc.

Org.

mp dim.

71

S.

dim.

A.

dim.

dim.

T. dim.

B.

Vib.

Wblk.

Tam.-t.

Vln. I

Vln. II 5

Vla.

Vc.

Org.

5

fa

ding

a

way

22

poco rit. mf

mp

76

p

mp

pp

di di etc. p-pp

S.

p

n

mp

mf

p

mp

pp

p

di dietc.

A.

p-pp

n

p-pp

n

p-pp

n

T.

B.

Tam.-t.

B. D. pp l.v.

random changes from ord. to sul. pont, also make random swells

poco rit.

Vln. I n

random changes from ord. to sul. pont, also make random swells Vln. II

n pizz.

Vla. sf pizz.

Vc. sf

Org.

3. Poets to Come B. D.

Vln. I

6 8 6 8

q = 128 p pizz.

mp Vln. II

6 8

f all notes short and sharp

mp

Vla.

6 8

mp Vc.

6 8

f

arco

f

23

95

93

S. da

da

da da

da

da

da

da

da da

da

da

A.

x1 only B. D.

95

arco Vln. I mp

mf

Vln. II mf Vla. mf solo, arco Vc. mf RH both times

mf LH & Pedal x2 only

Org.

99

S. da

da

da da

da

da

da

da

da

da

da

da

da

da

da da

da

da

da

da

da da

da

da

da

da

da

da

da

da

da

da

da da

da

da

A.

Vib. mf

Vln. I

Vln. II

Vla.

Vc. sfp

Org.

mf

p

24

108

105

S. da

da

da

da

da

da

da

da

da

da

da

da

da

da

da

da

da

da

da

da

da da

da

2 4

6 8

4 4

2 4

6 8

4 4

2 4

6 8

4 4

2 4

6 8

4 4

2 4

6 8

4 4

da

B. da

4 4

da

T. da

6 8

da

A. da

2 4

da

Vib. f headstrong

108 Vln. I f

mp

sfp

2 4

Vln. II f

6 8

4 4

mp

sfp

2 4

Vla. f

6 8

4 4 sfp

mp

2 4

Vc.

6 8

p

sffp

mf

Org.

Ped.

Vib.

4 4

6 8

1 4

116 3 4

Wblk.

4 4

6 8

1 4

3 4

4 4

6 8

1 4

3 4

1 4

116 3 4

112

B. D.

Vln. I

Vln. II

4 4 4 4

6 8 sfp

6 8

1 4

4 4

1 4 sfp

Vc.

4 4

(sul pont.)

6 8 p

4 4 Org.

Ped.

6 8

4 4

2 4

6 8

4 4

2 4

6 8

4 4

f

tenuto sempre

ff

1 4

3 4 3 4

f

ord.

f

1 4

3 4

4 4

6 8

1 4

3 4

4 4

6 8

1 4

3 4

solo

f

fff

f

6 8

f

6 8

4 4

2 4

f

3 4

sfp Vla.

sul pont.

tenuto sempre

ff

25

119

Wblk.

B. D.

Vln. I

Vln. II

Vla.

Vc.

Org.

Ped.

124

Wblk.

4 4

5

mp

ff

9 8

B. D.

4 4

9 8

Vln. I

4 4

9 8 mp

Vln. II

4 4

mp

ff

mp

ff

ff

mp

ff

ff

mp

ff

9 8

4 4

ff

9 8 mp

4 4

Ped.

ff

ff

4 4

9 8 mp

Org.

mp

9 8

mp Vc.

ff

ff

mp

Vla.

mp

4 4

9 8

4 4

9 8

26

128 S.

4 4

ff

2 4

Po

A.

T.

B.

Wblk.

B. D.

Vln. I

Vln. II

4 4 4 4 4 4

ets

4 4

to come!

O

ff

ra

2 4

Po ff

ets

Po ff

ets

Po

ets

2 4 tors

mu

4 4

to come!

O

tors

mu

4 4

to come!

O

tors

O

come

3 4 si cians

mu

4 4

to come!

to

to

come

2 4 ra

2 4

si cians

2 4 ra

2 4

3 4

3 4 si cians

to

come

2 4 ra

tors

mu

3 4 si cians

to

come

4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

128 4 4

2 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

3 4

f support choir

Vla.

4 4

2 4

4 4

2 4

3 4

Vc.

4 4

2 4

4 4

2 4

3 4

f

f

f

f

f

4 4 Org.

S.

4 4

134 4 4

f

4 4 4 4

2 4

3 4

2 4

4 4

2 4

3 4

4 4

2 4 to day

4 4

2 4

4 4

B. D.

4 4

2 4

4 4

134 4 4

2 4

4 4

n Vln. II

4 4

sf

2 4 n

Vla.

4 4

is

f

is

4 4

to

to

2 4

4 4

2 4

4 4

2 4

4 4

fy

me

and

jus

ti

fy

me

and

jus

ti

fy

me

and

jus

ti

fy

me

mf

mf

ff

2 4

sf

2 4

ti

4 4

to day

f

4 4

to

2 4 Not

jus

4 4

to day

4 4

to day

is

2 4 Not

2 4

to

4 4

to day

4 4

to day

is

2 4 Not

2 4

4 4

to day

4 4

Tri.

Vln. I

2 4 Not

f

Not

4 4

to day

f

Not

B.

2 4

f

Not

T.

4 4

mf

Not

A.

2 4

2 4

4 4 f

ff

mf

4 4 mf

f Vc.

4 4

2 4

4 4

2 4

4 4 mf

f

27

145

141

S. ans

wer

what

I

am

for

ans

wer

what

I

am

for

ans

wer

what

I

am

for

ans

wer

what

I

am

for

f

p

A.

T.

B.

B. D. f

p

145 Vln. I mf

f

f

f aggressive

Vln. II mf

f

mf

f

f

f aggressive

Vla. mf

f

mf

f

mf

f

Vc. f

f aggressive

mf

Org.

150 mp dolce

147

New Tempo q = 86

S. But mp dolce

you,

a new

brood,

na

you,

a new

brood,

na mp dolce

A. But

T. na mp dolce

B. solo

na 5

5

5

Wblk. mf B. D. f

p

f

150

New Tempo q = 86

Vln. I

Vln. II

Vla. f

p dolce

5

Vc.

Org.

p

5

28

Tempo I° (q = 128)

mp

mf

153

S. tive

ath

le

tic

con mp

ti

nen

tal

tic

con mp

ti

nen

tal

tic

con mp

ti

nen

tal

tic

con

ti

nen

tal

mf A. tive

ath

le

mf T. tive

ath

le

mf B. tive

ath

le 3

3

3

3

3

3

3

Wblk.

B. D. ff

mp

Tempo I° (q = 128) Vln. I f Vln. II

mp

f

Vla. 3

5

Vc.

Org.

mf Ped.

160 f

3 2

S. Great f

er

Great f

er

Great

er

4 4

3 8

4 4 than be

3 2

A.

4 4

3 8

fore

fore

3 2

4 4

3 8

B.

3 2

4 4

3 8

Vib.

3 2

4 4

3 8

4 4

3 2

4 4

5

3 8

4 4

3 2

4 4

5

3 2

4 4

T.

5

Wblk.

mp

f

5

B. D. f

160 Vln. I ff 3 3

33

33

Vln. II ff Vla. ff 3

3

3

ff 3

Ped.

3 2 3 2

Vc.

Org.

3 2

f

3

mp

f

mp

33

3

33

3 3

33

4 4

3 3

4 4

3

4 4

f

33

3

33

3 3

33

3 3

3

4 4

3 8

4 4

3 8

4 4

fore

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

known

4 4 than be

4 4

known

4 4 than be

5 4

known

5

mp 5

f

f

sf

5 4

4 4

5 4

4 4

5 4

4 4

3 8

4 4

5 4

3 8

4 4

5 4

3 8

4 4

5 4

3

mf

mf

f

mf

f

mf

f

f

4 4 4 4 4 4

3 2

4 4

3 8

4 4

5 4

4 4

3 2

4 4

3 8

4 4

5 4

4 4

3 2

4 4

3 8

4 4

5 4

4 4

29

166 4 4

S.

ff

4 4

A.

4 4

T.

ff

4 4

B.

a

a ff

rouse!

a ff

rouse!

a

rouse!

for

for

you

you

must

jus

must

jus

ti fy

ti fy

mf

p

da da da p

da da

da da da mp

da da da

mf

da da da

da da

da da da

da da da

me

me

mp

mf

for

you

must

jus

ti fy

me

rouse!

4 4

Vib.

sff l.v.

Vln. I

4 4

Vln. II

p

f

166 4 4

senza vib.

O

sfp

p senza vib.

sfp

p senza vib.

sfp

p senza vib.

4 4

Vla.

4 4

Vc.

O

p

sfp

4 4 Org.

4 4

p

ff

4 4

Ped.

175

mp

171

mf

S. da

da da da da da da da da mp

da da

I mf

my

self

da

da da da da da da da da

da da

I

my

self

but

A. but

p T. da da da da da da da

B.

Vib.

175

mf support sopranos and altos

Vln. I mf

p

sf

mf

p

sf

Vln. II

ord. vib.

Vla. mf

p

sf

pp

ord. vib.

Vc. mp

Org.

Ped.

mf

mp

30

177

3

3

ca tive words

for the fu

mp

mp

S. write

one

or

two

in

di

3

ture

but ad vance

a mo

ment

mp

3

on ly

mp

A. write

one

or

two

in

di

ca tive words

for the fu

ture

but ad vance

a mo

ment

on ly

p T. da da da da

da da da p

da da da da da da da da

da

da da da

da da da da da da da da

da

B. 3

3

Vib. mp

mp

B. D. p Vln. I

Vln. II

Vla. mf

mf

pp

Vc. 3

f solo, espress.

Org.

Ped.

f

185

p

S. to

wheel

and hur ry

back

in

the

dark

f

ness

p

A. to

wheel

and hur ry

back

in

the

dark

3 4 f

Vln. I

3 4

ness

Vib.

B. D.

3 4

p

3 4 3 4

Vln. II

3 4

Vla.

3 4

Vc.

3 4 3 4

Org.

Ped.

3 4 3 4

p

mp

p

ord. vib.

mp ord vib.

f

mp

f

mp pizz.

f

mp

f

31 193

mf resolute

4 4

A. I

mf resolute

am

a

man

am

a

man

4 4

T. I

4 4

Vib. mf resolute

4 4

B. D. mp

4 4

Vln. I mp

4 4

Vln. II mp

mf

mf

4 4

Vla. mf

mp Vc.

4 4

mp

sff

4 4 Org.

4 4 4 4

Ped.

199 198

q = 116

3 4

A.

mf

saunt

who

3 4

T. who

mf

saunt

3 4

Vib.

mf

199

q = 116

Vln. I

3 4

Vln. II

3 4

Vla.

3 4 p

mf athletic

arco

3 4

Vc. p

mf athletic

3 4 Org.

Ped.

3 4 3 4

32

203

A.

T.

Vib.

Vln. I f

Vln. II f 3

3

3

3

3

3

3

3

3

3

3

3

3

Vla. f Vc. f

Org.

Ped.

207

2 4

A. ter

3 4 ing

2 4

T. ter

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2 4

3 4

Vln. I

2 4

3 4 mp

Vln. II 3

Vla.

Vc.

3

3

3

3

3

3

3

3

3

3

3

2 4 2 4

3 4 3 4 3 4

pizz.

mp pizz. mp pizz.

mp

2 4 Org.

Ped.

long

a

long

3 4 ing

2 4

a

3 4

2 4

3 4

2 4

3 4

mp

3

3

3

33

212

A. with

out

ful

ly

stop

with

out

ful

ly

stop

T.

Vib.

Vln. I

Vln. II

Vla.

Vc.

Org.

Ped.

217

A.

4 4

220

f

ping

T.

4 4

f

ping

B.

mf, espress.

4 4

turns

Vib.

4 4 220

Vln. I

4 4 mf

Vln. II

4 4 mf

Vla.

arco, with basses

4 4 mf

Vc.

4 4

arco

mf

4 4 Org.

4 4 Ped.

4 4

mp

mf espress.

a

cas

ual

34

222

B. look

up

on

you

and

then

a

verts

his

face

mf

f

Vln. I ff Vln. II f Vla.

Vc. f

Org.

Ped.

228 f S. leav

ing

it

to

ing

it

to

f A. leav

228 Vln. I f Vln. II

Vla. f Vc.

Org.

Ped.

35 f

mf

233

3 8

S. you

to

prove

and

de

fine

it

f

mf

3 8

A. you

to

prove

and

de

fine

it

3 8

Vln. I n

sff

p

mf

Vln. II

3 8

Vla.

3 8 sim.

3 8

Vc. mf

3 8 Org.

3 8 3 8

Ped. f

Wblk.

239 3 8

2 4

5 8

3 4

7 8

4 4

239 3 8

2 4

5 8

3 4

7 8

4 4

f

Vln. I

f Vln. II

3 8

2 4

5 8

3 4

7 8

4 4

Vla.

3 8

2 4

5 8

3 4

7 8

4 4

3 8

2 4

5 8

3 4

7 8

4 4

3 8

2 4

5 8

3 4

7 8

4 4

3 8

2 4

5 8

3 4

7 8

4 4

3 8

2 4

5 8

3 4

7 8

4 4

f Vc.

Org.

Ped.

36

246 244

S.

4 4

9 8

3 8

f cresc.

2 4

Ex

4 4

A.

9 8

4 4

T.

9 8

4 4

B.

3 8 3 8

9 8

3 8

f cresc.

Ex f cresc.

Ex f cresc.

pect

4 4

9 8

4 4

Vln. I

sub. mp

ff

9 8

4 4

pect

3 4 ing

2 4

5 8 pect

3 4 ing

2 4

5 8 pect

3 4 ing

5 8

3 4

2 4

5 8

3 4

2 4

5 8

3 4

2 4

5 8

3 4

2 4

5 8

3 4

3 8

2 4

5 8

3 4

3 8

2 4

5 8

3 4

ff

9 8

5 8

2 4

f

246 3 8 sub. mp

Vln. II

3 8

3 4 ing

2 4

Ex

Wblk.

5 8

f

3 8

arco

f Vla.

4 4

9 8

Vc.

4 4

9 8

Org.

249

S.

4 4

9 8

4 4

9 8

3 4

7 8 the

A.

3 4

Vln. I

ff

sub. mp

f

f

9 8 9 8 things

4 4

7 8

3 8

things

main

the

Wblk.

ff

main

the

B.

sub. mp

4 4

7 8

3 4

ff

main

the

T.

sub. mp

4 4

7 8

3 4

3 8

9 8 things

4 4 main

9 8 things

sub. mp

ff

from sub. mp

ff

from sub. mp

ff

from sub. mp

ff

3 4

7 8

4 4

9 8

3 4

7 8

4 4

9 8

3 4

7 8

4 4

sub. mp

3 4 3 4 3 4

ff

3 4 ff

9 8

3 4 sub. mp

Vla.

3 4

7 8

4 4

9 8

Vc.

3 4

7 8

4 4

9 8

Org.

3 4

from

sub. mp Vln. II

3 4

3 4

7 8

4 4

9 8

3 4

7 8

4 4

9 8

ff

3 4 sub. mp

ff

sub. mp

ff

3 4 3 4

sub. mp

ff

3 4

37

253 3 4

sempre mf

3 8

(y)ou

S.

3 4

you

A.

3 8

3 4

3 4

you

3 8

3 4

(y)ou

3 4

you

3 8

you

T.

3 4

you

3 8

(y)ou

3 4

you

sempre mf

3 4

(y)ou sempre mf

B.

3 4

3 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

(y)ou

3 8

3 4

you

you

3 8

3 4

(y)ou

Crot.

2 4

you

sempre mf

3 4

3 4

(y)ou

sempre mf

3 4

2 4

(y)ou

3 8

you

3 4

(y)ou

sempre mf

you sempre mf

2 4 you

sempre mf

you

3 4

3 4

you

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 4

3 8

3 4

2 4

3 4

3 4

3 8

3 4

2 4

3 4

mp

B. D.

3 4

253 Vln. I

3 4

second time only

f

Vln. II

3 4

second time only

f

Vla.

3 4

second time only

f

Vc.

3 both times 4 f

3 4 mf

Org.

Ped.

38

262

3 4 (y)ou

S.

3 4 you

3 4 you

A.

3 4 you

3 4 you

T.

3 4 (y)ou

3 4 (y)ou

B.

3 4 (y)ou

Crot.

3 4

B. D.

3 4

Vln. I

p

f

3 4 p

Vln. II

3 4 p

Vla.

3 4

solo

fff espress

3 4 Org.

3 4 Ped.

sf

mf

f

3 4 p

Vc.

sf

3 4

sf

mf

f

39

276 4 4

270

B. D. p

f

p

sff

276 4 4

Vln. I p

f

mf

f

4 4

Vln. II mp

p

mf

f

f

4 4

Vla. mp

p

mf

f

f

mf

4 4

Vc. mp

f

mf

f

mf

4 4 sff

Org.

4 4 4 4

Ped.

sff

278

p

p

you p

you p

you p

you p

you p

you p

you

you

3 4

S.

3 4

A.

3 4

T.

3 4

B.

3 4

Tam.-t. poco sf

poco sf

3 4

Vln. I f

sf

mf

p

f

3 4

Vln. II f

sf

mf

p

f

3 4

Vla. f

sf

mf

f

mp

mfz

p

3 4

Vc. f

sf

mf

f

mfz

p

3 4 Org.

f

sf

mf

mfz

3 4 Ped.

3 4

40

286 3 4

sempre p

3 8

(y)ou

S.

3 4

(y)ou

3 8

3 4

3 4

you

3 8

3 4

(y)ou

3 8

3 4

you

3 8 you

3 4

2 4

(y)ou

you

3 4

3 8 (y)ou

3 4

2 4

(y)ou

3 4

you

3 8 you

B.

3 4

3 4

(y)ou

3 8

3 4

2 4 you

3 4

you

Crot.

2 4 (y)ou

3 4 T.

2 4 you

sempre p

you

2 4 (y)ou

sempre p

you

A.

2 4 you

sempre p

you

3 4

3 4

2 4 you

3 8

3 4

2 4

3 4p

3 8

3 4

2 4

286 3 4

3 8

3 4

2 4

3 8

3 4

2 4

3 8

3 4

2 4

3 8

3 4

2 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

3 4

3 8

3 4

2 4

p

B. D.

Vln. I

Vln. II

mp excited

3 4 mp excited

Vla.

3 4 mp excited

Vc.

3 4 mp excited

3 4 Org.

Ped.

mp

41

294

2 4

295 3 4

3 4 (y)ou

S.

2 4

(y)ou

3 4

3 4 you

2 4

you

3 4

3 4 you

A.

2 4

you

3 4

3 4 you

2 4

you

3 4

3 4 you

T.

2 4

you

3 4

3 4 (y)ou

2 4

(y)ou

3 4

3 4 (y)ou

B.

2 4

(y)ou

3 4

3 4 you

you

Crot.

2 4

3 4

3 4

B. D.

2 4

3 4

3 4

295 Vln. I

2 4

3 4

3 4 mf

Vln. II

2 4

mf

3 4

3 4 mf

mf

Vla.

2 4

3 4

Vc.

2 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

Org.

Ped.

3 4 tenuto sempre

3 4

42

301 S.

A.

T.

B.

B. D.

3 4 3 4 3 4 3 4

p

f

p

you p

you f

p

you p

you f

p

you

you

p

f

you

you

p

f

p

3 4 p

301 Vln. I

Vln. II

3 4 3 4

pizz.

p pizz.

p Vla.

p

f

p

sul pont.

3 4

p Vc.

f

f

p

p

3 4 p

309

f

p

316 p

f

p

f

n

f

p

f

n

f

p

f

n

f

p

f

n

non rit.

S. da da da da

etc.

p A. da da da da p

etc.

da da da da

etc.

T. p B. da da da da

etc.

Tam.-t. p, l.v.

B. D. p

309

mfz

p

316

non rit.

arco Vln. I mp non vibrato!

arco

ord.

mp non vibrato!

Vln. II

Vla. mp non vibrato!

Vc. mp non vibrato!

Org.

Ped.

f

p

p