Holt ERA MADRUGADA

Simon Holt

ERA MADRUGADA (1984) for chamber ensemble

CHESTER MUSIC 10.15

This work was commissioned by the Royal Institute of British Architects.

It was first performed on 24th May 1984 at BBC Portland Place Concert Hall, London, by the Nash Ensemble conducted by Lionel Friend.

SCORING Piccolo (doubling flute) Clarinet in A* (doubling bass clarinet*) Horn in F* Piano Viola Cello Double bass *Notated in C in the score

Duration: c. 12 minutes Study score on sale: Order No. CH83039 Conductor’s score and parts are available on hire

COMPOSER’S NOTE Somewhere ‘between the night and the morning’ (era madrugada) in the Lorca poem Sorpresa, a man is discovered in the street – a knife through his chest. Nobody would look into his eyes – open on raw air. Who is he? Why is he there?

The piece is as much about this strange little poem as it is about that particular time of day.

S.H.

Sorpresa

Surprise

Muerto se quedó en la calle con un puñal en el pecho.

No lo conocía nadie.

Cómo temblaba el farol!

Madre.

Cómo temblaba el farolito De la calle!

Era madrugada. Nadie Pudo asomarse a sus ojos abiertos duro aire.

Que muerto so quedó en la calle Que con un puñal en el pecho Y que no lo conocía nadie.

The dead man lay in the street With a knife in his chest.

No one knew who he was.

How the streetlamp trembled!

Madre.

How the little streetlamp trembled!

Between the night and the morning.

No one could lean over his eyes open on raw air.

How come This dead man lies in the street, what? with a knife in his chest, and that no one should know who he was?

words by by Federico Garcia Lorca Sorpresa by Federico Garcia Lorca Copyright © Heredos de Federico Garcia Lorca.

ALL RIGHTS RESERVED.

for the Nash Ensemble

Era madrugada Misterioso q = 84

2 4

Piccolo

Clarinet in A

2 4

Horn in F

2 4

pp sempre

pp sempre

Simon Holt (1984)

A

4 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

3 4

2 4

pp sempre

2 4

3

Piano

2 4

4 4

2 4

4 4

Misterioso q = 84

2 4

Viola

2 4

Cello

pp sempre pizz.

2 4

Double Bass

4 4

3

3 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

3

4 4

3 4

2 4

2 4

arco

pizz.

4 4

3(pizz.)

4

arco

2 4

arco

4 4

3 4

pizz.

2 4

(pp)

4 4

2 4

pizz. (pp)

3

3

3 4

3

3

3

3

3

3

3

3

3

5 8

3

3

2 4 3

3

3 4

3

3

3

3

3

2 4 2 4

3

3

3

3

3

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

mf

3

3

2 4

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fff sempre

Pno.

2 4

3

3

3

3

3 4 3

2 4

3 4 pp

pp arco

mf

pp

mf

Š Copyright 2014 Chester Music Ltd

3

poco accel.

3

3

3

3

3

3

3

3

3

4 4 3

3

3

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

mf

2 4 2 4

2 4 3

3

arco

D.B.

3

mf

2 4

2 4

Vlc.

3

2 4

mf

pp

Vla.

6

5 8

take Flute

3 4

pp

Hn.

3

6

poco accel. pp

Cl.

3

A

pizz.

Pno.

14

3

(pp)

10

3

4 4 arco

2 4

4 4

pp sempre

2 4

pizz.

pp sempre

Picc.

3

fff sempre, jangle.

CH83039

10.15

2

B 19 Fl.

4 4

4 4

Cl.

Tempo primo q = 84 Flute

3 8

sff

sff

4 4

Hn.

sff

3 8

3 8

3

3

ff

3

p

ff

2 4 sff catch ‘aftersound’ with pedal

3 8

5 8

3

3

3

p sub.

3

3

3

3

3 3

3

5 8

ff 3

5 8

3

ff 3 3

p

fff con tutta forza

2 4

3

3

2 4

5 8

3 8

3 8

pp

sffp

4 4

2 4

5 8

3 8 fff

3

p

pp

sff

4 4

2 4

pp

5 8

sff

sff

Pno.

Più mosso q = 104

5 8

f

5 8

sf

3

sff secco

3

3 8

3 8

5 8

3 8

5 8

3 8

5 8

3

p dolce 3

3

B

Tempo primo q = 84 pizz.

4 4

Vla.

4 4

Vlc.

3 8

sff

pizz.

D.B.

5 8

sff

3 8

sff

4 4

Più mosso q = 104

arco

pp

5 8

pizz.

5 8

f

ff

3

sff ff pizz.

p

f

5 8 sff

pizz.

3 8

sff

pp

3

3 8

sff

2 4

arco

sff

p

3

pp

3 8

sff

3

2 4

arco

sff

pizz.

2 4

5 8 sff

C 28 Fl.

Cl.

5 8

3 8

5 8

2 4

3 8

3 8

2 4

5 8

3 8

4 8

p dolce

3 4

3 8 (p)

5 8

4 8

3 4

3 8

p dolce

Hn.

5 8

3 8

2 4

3 8

5 8

4 8

2 4 3

Pno.

5 8

3 4

3 8

p dolce

3 8 3 8

fff

3 8 3

2 4

3

3 8

4 8 pp sub.

3 4

3 8

4 8

3

f

5 8

4 8 (p)

5 8 3

4 8 (p)

5 8

mf

4 8

sff

4 8

f

3 4

3 8

4 8

3 4

3 8

4 8

3

Vla.

C

5 8

3 8

(pizz.)

2 4

3 8

5 8 sff

sff

Vlc.

D.B.

5 8 5 8

3 8 3 8

2 4 2 4

3 8 3 8

5 8 5 8

arco

3

sff

arco

(pizz.)

sff

3

(pizz.)

3

sff

p dolce

sff

sff

p dolce

p dolce

4 8

(p)

4 8

3 4

3 8

4 8 (p)

4 8

3 4

3 8

4 8 (p)

37 Fl.

3

D 4 8

3 8

5 8

3 4 sff

4 8

Cl.

3 8

sff

4 8

3 8

3 4 sff

38

6

3

sffp

Pno.

f ma delicato

sffp

4 8

3 8

5 8

2 4

43

42

6

3

f ma delicato

pp dolce

3 4

6

3

3 4 p dolce

sff

58

2 4 ff

p dolce

5 8 sff

48

2 4

p dolce

5 8 ff

Hn.

take Piccolo

6

3

3

2 4 3

D 4 8

Vla.

3 8

5 8

3 4 sff

4 8

Vlc.

3 8

sff

p dolce

5 8

3 4 sff

4 8

3 8

pp

3

p dolce

sff

2 4 pp

arco

(pizz.)

D.B.

3

2 4

5 8

3 4 sff

p dolce

sff

3

2 4 pp

Piccolo 42 Picc.

Cl.

2 4

3 8

2 4

3 8

3 4

take Bass Clarinet

p

5 8

3 4

5 8

3 4

5 8

3

p dolce

6

2 4

6

3 8

2 4

3 8

2 4

3 4

5 8

3 4

5 8

3 4

5 8 ff

pp

3 8

3

f

6

3

ff

3 8 3

6

catch ‘aftersound’ with pedal

pp

2 4 f

D.B.

3

6

ff

2 4

f

Vlc.

6

scintillando, liberamente p

Pno.

Vla.

3 8

pp

3 4

p

p

pizz.

5 8 ff

p

4

Meno mosso q = 84 46

3 4

Picc.

2 4 fff stridente

Bass Clarinet

3 4

B. Cl.

2 4

sff

3 4

6

6

6 6

scintillando, liberamente p

Pno.

6

sff secco

3

6

2 4

6 6

sim. p

6

ff

sff secco

6

6

pp dolce

3 4

6

2 4

Meno mosso q = 84

3 4

Vla.

Vlc.

3 4

D.B.

3 4

2 4 pp dolce

pizz.

2 4

sff

2 4

arco

fff brutale

E 50

Pi첫 mosso q = 112

3

3

Molto meno mosso e = 96

3 8

Picc.

6 8

5 8

3

3

p 3

3 8

5 8

8 8

4 8

5 8

8 8

(p) quasi eco

6 8

5 8 ff

f

R.H.

6 8

Pno.

4 8

mf

5 8

mp

4 8

5 8

8 8

L.H.

3 8

6 8

E

Pi첫 mosso q = 112

f

5 8

6 8

mf

4 8

Molto meno mosso e = 96

3 8

Vla.

ff

5 8

4 8

5 8

6

3

mp

pizz.

5 8

pp pizz.

3

3

3 8

D.B. 3

p

58 B. Cl.

8 8

5 8

F

6 8

3

3

4 8

3 4

8 8

mp : pp

5 8

pizz.

8 8

mp:pp

Doppio movimento (poco rubato) q = 96 6

2 4

5 8

2 4

5 8

3

p

8 8

6 8 p

8 8 8 8

6 8

pp

p

Pno.

3

arco

8 8

3 4 pp

6 8 p

6 8

Vla.

8 8

6 8

D.B.

8 8

6 8

f

sff secco

sff pp secco

f

3 4 con ped.

3

3

3

p

2 4

3

3

3 4 3 4

Doppio movimento (poco rubato) q = 96

3

ff

5 8

3 4

F 3

3

2 4

5 8

2 4

5 8

3

3

5 63

Mezzo tempo e = 96

6 8

Hn.

3 8

6 8

2 4

pp dolce

6 8

3 8 3

Pno.

3

3

sff

3

3

p

3

3

6 8

3 8

6 8

D.B.

sff secco

L.H.

Mezzo tempo e = 96

6 8

sff secco

p

2 4

p

p sff

2 4 sff

sff secco

R.H.

6 8

pp dolce

3 8

3 8

6 8

arco

sff secco

sff

6 8

2 4 pp dolce

pp dolce

G 69

Doppio movimento e poco rubato q = 96

2 4 f

3

3

5 8 3

molto accel.

3

3

3 8

3

Pno.

2 4

2 4 sff p

5 8 ff

6 8 sff

3 8

p

ff

3

2 4

5 8

3

3 8

2 4

5 8

6 8

3 8

3

76 B. Cl.

e = 288

3 8

molto rall.

e = 192

8 8

3

5 8

p

Hn.

f

3 8

8 8

5 8

Mezzo tempo e = 96

6

6 8

take Clarinet in A

2 4

ff

6 8

2 4 pp dolce

3 8

8 8 pp

Pno.

ff

3 8

D.B.

3 8

6 8 pp

8 8

e = 288

5 8

5 8

e = 192

molto rall.

8 8

5 8

2 4 sff

6 8

2 4

Mezzo tempo e = 96

6 8

2 4 pp dolce

6

H

81 Tempo primo q = 84

2 4

Picc.

3 4 mp

ff

Clarinet in A

2 4

Cl.

6

3 4

mp

2 4

Hn.

3 4 mp

2 4

3

3

3

3

3

3

3

3

3

3

3

3

3

3 4

3

fff sempre, jangle

Pno.

2 4

3

3

3

3

3

3

3

3

H 2 4

3

3

3 4

mp

arco

2 4

Vlc.

3

arco

Tempo primo q = 84 Vla.

3

3 4

3 4

mp

2 4

D.B.

3 4 mp

85 Picc.

poco rall.

3 4

3 8

4 4

I

2 4

Meno mosso q = 52, spettrale

4 4

3

pp

Cl.

3 4

3 8

4 4

2 4

4 4

3

pp

3 4

3

3

3

3

3

3

3

3

3

3

3

3

3 8

3

4 4

3

2 4

4 4

pp

Pno.

3 4

3 8 3

3

3

3

3

3

3

3

3

3

3

pp silvery, translucent

4 4 3

3

2 4

4 4

3

I

poco rall.

Meno mosso q = 52, spettrale senza vib.

Vla.

3 4

3 8

4 4

2 4

4 4

pp senza vib.

Vlc.

3 4

3 8

4 4

2 4

pp

4 4 arco

snap pizz.

D.B.

pizz. ord.

3 4 sff

ff

3 8

4 4 pp

2 4

4 4

pp (sighing)

7 (gradually introduce fluttertongue)

91

3 4

Picc.

3 8 mp:pp

mp:pp

3 4

Cl.

3

3 8 mp:pp

3 8

3 4

3 8

3 4

3

mp

Pno.

3 4

5 8

mp:pp

3

3 8

5 8

3 8

5 8

pp (sighing)

pp

3 4

(lip gliss.)

3

3 4

Hn.

3 4

3

3 8

3

pp

mp:pp

ppp ma sonore

3 8

3 4 mp:pp

3 8 mp:pp

3 4

3 8

5 8 mp:pp

5 8

6

vib.

Vla.

3 4

3 8

3 4

3 8

5 8

Vlc.

3 4

3 8

3 4

3 8

5 8

D.B.

3 4

3 8

3 4

3 8

5 8

pp sim.

98 Picc.

Cl.

Hn.

(pp)

5 8

4 4

5 8

5 8

4 4

5 8

5 8

pp

mf

pp

2 4 sfp

4 4

2 4

mf

5 8

pp

2 4 mf

5 8

4 4 mp

Pno.

sf mp

5 8

Vla.

5 8

5 8

3

pp

2 4 pp

mp

4 4

5 8

2 4

4 4

5 8

2 4

3

f

p

sfp

mf

pp

pizz.

Vlc.

D.B.

5 8

5 8

4 4

4 4

p

5 8

arco vib.

2 4

mf

5 8

pp

2 4 mf

pp

8 102

J

3 8

Picc. f

f

pp

pp

2 4

f

f

pp

pp

f

f

f

3

f

f

3 8 f

pp

f

3 8

D.B. f

108

f

pp

pp

2 4

3 4 pp

f

pizz.

arco

2 4

sf

pp

poco rall.

arco

sf

pp

Vlc.

3 4

J

3 8 pp

pp

2 4

pizz.

f

3 4 mf

3 8

Vla.

pp

2 4 pp

3

sf

K

pp

Meno mosso q = 52

6 8

Picc. pp

p

mf

f

3

ff

3

3

p

mf

3

f

3

3

p

mf

f

pppp

6 8

K

Pi첫 mosso q = 84

mf

f

6 8

3

fff

3

pp

3

p

mf

pp

f

p

mp

3 3

3

5 8 3

f 3

3 8

pizz.

sf

3

5 8

3 8

ff

5 8 3

(pp)

3

3 8

pp

6 8

D.B. 3

3

3 8

3

pp sub.

6 8

Vlc.

f

Meno mosso q = 52

Vla. p

5 8

pp

pp

5 8

f 3

3 8

6 8

ffff

3

6 8

pp (sighing)

fff

calmo

pp

3

pp

Hn. ppp

take Bass Cl.

3 8

fff 3

5 8 f

6 8 pp

3

3 8

pp

Cl.

Pno.

p

3 4

f

Pi첫 mosso q = 84

p

3

pp

arco

2 4

q = 48

3 4

f

pizz.

pp

3 4

sf

3

p

pp

2 4

3 8

ppp a distanza

Pno.

3 4

sf

pp

3

pp

2 4

3 8

Hn.

q = 48

3 4

sf

3 8

Cl.

poco rall.

3 8

3

f

5 8 f

5 8

9 116 Picc.

5 8

2 4

4 4

3 4

pp Bass Clarinet

5 8

B. Cl.

2 4

mp

4 4

5 8

2 4

pp

mp

4 4

3 4

mp

3 4

pp

Hn.

2 4 pp

mp:pp

4 4

mp

2 4 pp

L

pp

3 4

4 4 pp

mp

(pp)

mp:pp

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

pp sempre

5 8

2 4 pp

Pno.

5 8

3 3

3

4 4 pp secco

f

3

2 4

pp ma sonore

4 4

3 4

2 4

3 4

4 4

L

arco

5 8

Vla.

2 4

pp

4 4

3 4

2 4

3 4

4 4

2 4

3 4

4 4

pp sempre senza vib.

5 8

Vlc.

2 4

4 4

3 4 mp:pp

pp

5 8

D.B.

2 4

4 4

mp:pp

3 4

pp sempre

123

3 4

Picc.

4 4 pp

sf

mp

3 4

B. Cl.

mp

arco

2 4

3 4

4 4

pp

2 4

3 4

5 4

2 4

3 4

5 4

2 4

3 4

mf

mf

take Clarinet in A

3 4

pp

mf

4 4

3 4

(pp)

mp

3 4 Pno.

pp

5 4

mp:pp

3 4

Hn.

pizz.

3 4

4 4 pp

mp

4 4

3 4

Vla.

pp

sulla tastiera

5 4

mp:pp

f

2 4

3 4

2 4

3 4

2 4

3 4

p

mp

(pp)

p

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4 mp

pizz. mf

mf

sf p

pp

sul G

3 4

Vlc. mp

4 4 pp

3 4

mp:pp

5 4 mf

2 4

sfpp

p

pp

3 4 mf

p

f

arco pizz.

D.B. p

3

5

3 4

arco

mp

3

4 4

3 4 pp

pizz.

5 4

mf

pp

2 4

3 4 mf

p

f

10 129 Picc.

M 3 4

3 8 mf

p

5 8

3 4

f 5

pp

sf p liberamente

Clarinet in A

3 4

Cl.

3 8 mf

p

3 8

take Bass Clarinet

Bass Clarinet

3 4

5 8 pp

pp sub.

3 4

pp

pp

3 4

pp

3 8

3

3

5 8 fff

p secco

3 4

f

3 8 pp

3 4 p secco

5 8

3

mp delicato

sf pp

3 4

3

3

3

una corda

3

3 4

Vla.

M

3 8

5 8

pp

ff

(p)

3 4

Vlc.

p

f

3 4

f

3 vib.

8 mf

pp non legato

ff

f

3

mf

Pno.

sff

sfp

f

3 4

Hn.

5 8

pp

3

sf p 6

pp

5 8

3 4

pp

f

pp

snap pizz.

3 4

D.B.

3 8 pp

5 8

arco

3 4

f

sff

134

pp non legato

sff

3

3

Picc. pp

sf

3

pp

3

3

sf

p espress. a distanza

Pno.

sf

pp sf pp 3

3

3 3

sf

2 4

3 8

2 4

3 8

2 4

3 8

2 4

3 8

2 4

3 8

2 4

3 8

2 4

pp

Hn.

3

3 8

3

pp 3

3

2 4

3

B. Cl.

6

3 8

mp pp

3

pp sempre 6 3

Vla. pp 3

sf

3

pp

3

3

Vlc. pp sf

pp

3

3

D.B. pp 3

3

sf

pp

139 Picc.

N

3

2 4

(pp)

take Flute

5 8

4 4

3

2 4

B. Cl.

Flute

sfpp 3

5 8

4 4

5 8

4 4

(pp) 3

2 4

Hn.

11

sfpp

sfpp

2 4

5 8

2 4

sfpp

3

4 4

5 8

(pp) 3

N

3

4 4

sfpp

3

5 8

sfpp

3

mp

4 4

(pp)

D.B.

145 Fl.

3

5 8

(pp) 3

7 8

3 8

7 8

2 4

3 8

7 8

2 4

3 8

7 8

2 4

3 8

7 8

2 4

3 8

7 8

sfpp

sfpp

2 4

4 4 sfpp

5 8

6 8

3

3 8

sfpp

2 4

sfpp

3

sfpp

sfpp

sfpp

mp

sfpp

2 4

2 4

p ma sonore

4 4

5 8

2 4

Vlc.

sfpp

pp

2 4

7 8

mp

sfpp

(pp)

Vla.

3 8

mp

(pp)

Pno.

2 4

pizz.

7 8

p

3 8

7 8

sfpp

O

5 8

p

4 4

3 8

6 8

4 4

3 8

6 8

mp 3

B. Cl.

3

7 8

take Clarinet in A

5 8

6 8

5 8

Clarinet in A sfpp

sfpp

3

7 8

5 8

7 8

5 8

3

Vla.

sfpp

6 8

5 8

4 4

3 8

6 8

3

6 8

5 8

4 4

3 8

6 8

3 8

6 8

O 3

7 8

sfpp

3

(p)

Pno.

sfpp

sfpp

3

5 8

sfpp

6 8

5 8

sul tasto

3

4 4 mp

sfpp

p

3

mf

p

pizz.

Vlc.

D.B.

7 8

7 8

arco pp

3

p

arco sul tasto

5 8

3

sf

6 8 3

p espress.

5 8

3

p

5 8

6 8

3

3

4 4 pp

mp

5 8

3 8

4 4

pizz.

mp

3 8

mf pizz.

mp

6 8

6 8

12

Meno mosso q = 48 151

Fl.

6 8

6 8

3

sfp

6 8

Cl.

3 4

Piu mosso q = 52

6 8

pp

sfp

pp

6 8

3

5

3 4

3

take Piccolo

3

Piccolo

3 8 pp

pp

6 8

3 8

3

pp

6 8

Hn.

pp

fff mf

p

6 8

3 4

mf

pp 3

6 8

6 8

6 8

3 4 ff

p

Pno.

6 8 p pizz.

pp

6 8

3

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

pp quasi eco

sff

6 8

3 4 (pp)

(pp) p

3 4

3 4

6 8

Meno mosso q = 48

Piu mosso q = 52

3 4

6 8

3

tre corde

6 8

Vla.

pizz.

3

6 8

p

6 8

Vlc.

arco ord. p

6 8

3 4

6 8

43

68

pp

3

p mf

sffpp

68

3

p

pp

pp

arco

68

D.B.

mp

0

sff

pp

mf

arco ord.

pp

pp

pp

pizz.

arco

p

mp

3

p

pp

3 8

3 4

38

43

pp

P 157 Picc.

3 4

6 8 sff

Cl.

3 4

6 8

3 4

4 8 mf

pp

sff

Hn.

7 8 pp

7 8

pp

4 8 mf

6 8

pp

7 8

4 8 mf

3 4 Pno.

sulla tastiera sff catch ‘aftersound’ with pedal

3 4

P Vla.

3 4

6 8

3 4

5

7 8 mp

7 8

4 8

6 8

7 8

4 8 mf

6 8

3 4

6 8

5

pp

7 8

pp

5

pp misterioso

4 8 mf

D.B.

4 8

6 8

pp

Vlc.

pp

pp

7 8

ff sub.

4 8 mf

pp

13 Poco pi첫 mosso q = 56

162

2 4

Picc. f

5 8 (pp)

pp

sff

2 4

Cl.

(pp)

5 8

pp

5

5 8

sff secco

sff p

2 4

5 8

2 4

Vla. f

(pp)

pp

sul pont.

Vlc.

5 8 pizz.

2 4

D.B.

(pp)

f

pp

Picc.

5 8

arco pp

sff

5

sf

Cl.

5 8

p

6

2 4 (pp)

5 8

3

pizz.

2 4 (pp)

sff

pp

pp

sff p

5 8

2 4

arco

pizz.

sf

arco pp

2 4

arco

pizz.

pp

sff

5 4

5 4 (pp)

5 4

5 4 pp

p

4 4

5 4 pp

sf

pp

sf

snap pizz.

D.B.

4 4 sff

arco

ff

5 4 pp

p

5 8 f

sfpp

6

5 8

3 8

p

4 4

5 8

5 8

sul pont.

Meno mosso q = 52

ff

3 8

f

pp

4 4

5 8

5 8

3 8

ord.

Vlc.

3 8

pp

fff

6

ff

5 8

f

2non trem.

4

pp sempre

5 8

3 8

pp

sff

5 4

p secco

Q

5 8 f

5 4

una corda

Vla.

3 8

p

4 4

3

5 8 f

ord.

5 8

4 4

Pno.

5 8

pp

sff

pp

ff

5 8

5 8

4 4

ff

Hn.

pizz.

Bass Clarinet

take Bass Clarinet

3 8

(pp)

2 4

Meno mosso q = 52 ff

sfp

pp

sff

2 4

5 8

5 8

arco

4 4 sf p liberamente

sff p

fff

5 8

2 4

pp

5 8

3 8 pp

2 4

sff

Q 169

5 8

2 4 pp

fff

pp

sff

arco

pp

sff

2 4

5 8 (pp)

sff

pp

2 4

2 4

5 8

2 4

sff

2 4

Poco pi첫 mosso q = 56 pizz.

(pp)

pp

sff

2 4

5 8

2 4

(pp)

f

Pno.

pp

sff

2 4

Hn.

pp

5 8

pp

f

2 4

pp

14

R

173

5 8

B. Cl. sfpp

Molto piu mosso q = 112, frenetico

2 4

take Clarinet in A

sf

sfpp

6

5 8

6

3

3

6

sffpp

Pno.

fff

5 8

6 6

2 4

p sub.

6

3

3

fff con tutta forza

2 4

3 3

3

3

3

3

3

tre corde

R

Molto piu mosso q = 112, frenetico

5 8

Vlc. sfpp

sfpp

179

5 8 3

sf

3

3

2 4

3

3 4

3

3

2 4

3

5 8 3

3 4

3

3

3

3

p

Pno. 3

3

5 8

3 4

3

3

2 4

3

3

5 8

3

3 8

3

fff brutale 3

3

3 4

3 8

S 186

3 8

3 4 3

3

p

3

fff

3

6 8

3

6

3 4

6

3 4

p

Pno. 3

3 8

3 4

6 8 3

190

3 4

3

4 4

2 4 3

fff

Pno.

3 4

5 8

4 4

5 8 3

3

3

fff

2 4

3

3

3

p dolce

2 4 p sub.

3

fff con tutta forza

2 4

3

3

3

3

3

3

senza ped.

con ped.

T 197

3 4 3

3

3

3

p

Pno. 3

203

3

3

3

6

6 8

3 4

3

3 4

3

p

fff brutale 3

3 4

3 8

3

3 8

3

6 8

3 4

3 4

3

6 8

3

7 8

3

2 4

3

loco 3

fff 6

3

fff

p

Pno.

3

6 8

3

p dolce

7 8

2 4 3

senza ped.

3

U 208

3 4

fff

(p)

Pno.

4 4

3

3

3 4

3 4

5 8

3 4

ffff martellato molto

4 4

3

3

15

Meno mosso q = 84

p secco

3 4

5 8

3 4

con ped.

213 Picc.

Cl.

Meno mosso q = 52 poco accel.

q = 84

3 4

5 8

4 4

5 8

3 4

3 4

5 8

4 4

5 8

3 4

3 4

5 8

4 4

5 8

3

3

fff irato! liberamente

Pno.

3

3

5 8 3

3

3

3

3 4 3

3

3

3

Vla.

219 Picc.

Cl.

3

4 4

4 4

5 8

7 8

4 4

5 8

3 4

7 8

4 4

5 8

3 4

7 8

4 4

5 8

4 4

4 4

2 4

4 4

2 4

4 4

3 4

Clarinet in A p

fff strepitoso

4 4

5 8

3 4

D.B.

4 4

( fff )

q = 84

5 8

3 4

Vlc.

7 8

p

3

Meno mosso q = 52 poco accel.

3 4

4 4

3

3

3

7 8

p

p

3

7 8

3 4

5 8

3 4

V

p

7 8

p

4 4 mp

7 8

p

4 4 mp

3 8

3 4

4 4

3 4

7 8

3 8

3 4

4 4

3 4

7 8

3 8

3 4

4 4

3 4

3 4

4 4

3 4

3 8

3 4

4 4

3 4

7 8

3 8

3 4

4 4

3 4

7 8

3 8

3 4

4 4

3 4

3

2 4

3

Pno.

3

fff

4 4

Vla.

(p)

2 4

4 4

2 4

7 8

pizz.

p

mp

7 8

3 8

V

3

pizz.

Vlc.

4 4

2 4 pp

D.B.

4 4

2 4 pp

p

16 225 Picc.

Meno mosso q = 42

3 4

Pi첫 mosso q = 52

4 4

3 4

mp

3 4

Cl.

4 4

pp

mf

3 4 pp

7 8

4 4

7 8

4 4

7 8

4 4

7 8

sfpp take Bass Clarinet

mp

4 4 Bass Clarinet

mp sfpp

3 4

Hn.

4 4

3 4 mp

3 4

4 4

3 4

p

3 4

p quasi eco

Pno.

pp

4 4

3 4

pppp

p

mf

ffff martellato molto con tutta forza

ff

4 4

7 8

4 4

7 8

4 4

7 8

4 4

7 8

legato ped.

Vla.

Meno mosso q = 42

Pi첫 mosso q = 52

3 4

3 4

4 4

arco

mf

3 4

Vlc.

4 4

3 4

pp

arco p

3 4

D.B.

4 4

mp

pp

sfpp

3 4 f

pp

W 232 Picc.

Meno mosso e = 84

7 8

3 4

5 8

3 4

5 8

3 4

5 8

pp dolce

sfpp

B. Cl.

7 8

pp

sfpp

7 8

mp

Pno.

7 8

3 4

5 8

3 4

5 8

W Meno mosso e = 84 Vla.

7 8

pizz.

Vlc.

7 8

3 4

5 8

sfpp

D.B.

7 8

mp

pp

mp

arco mp

3 4

mp

5 8

pp

3

pp

X

239

3 4

Picc. mf

Pi첫 mosso q = 52, spettrale (gradually introduce fluttertongue)

4 4 (pp)

pp

3 4

B. Cl.

17

3

4 4 p non legato

sf

3 4

Hn.

4 4

3

ppp

Pno.

sf

(mp)

3 4

4 4

3 4

4 4

mp 3 ppp ma sonore pp

6

(loco)

X Vla. mp

mp

Vlc. mp

mp

D.B. mp

3 4

4 4

3 4

4 4

3 4

4 4

Pi첫 mosso q = 52, spettrale

ppp

ppp

mp

Pi첫 mosso q = 112

245

2 4

Picc.

p

B. Cl. 3

Hn.

3

3

3 8

3 4 3

3

2 4

3 8

3 4

2 4

3 8

3 4

2 4

3 8

3 4

3

6

ppp ghostly

Pno.

2 4

3 8

Pi첫 mosso q = 112

6

3 4

Vla.

2 4

3 8

3 4

Vlc.

2 4

3 8

3 4

D.B.

2 4

pp

pizz.

p

3

3 3

3 8

3

3 4 14th April 1984 (edited/renotated December 2008)

CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.musicsalesclassical.com e-mail: music@musicsales.co.uk

Order No. CH83039