Simon Holt
ERA MADRUGADA (1984) for chamber ensemble
CHESTER MUSIC 10.15
This work was commissioned by the Royal Institute of British Architects. It was first performed on 24th May 1984 at BBC Portland Place Concert Hall, London, by the Nash Ensemble conducted by Lionel Friend.
SCORING Piccolo (doubling flute) Clarinet in A* (doubling bass clarinet*) Horn in F* Piano Viola Cello Double bass *Notated in C in the score
Duration: c. 12 minutes Study score on sale: Order No. CH83039 Conductor’s score and parts are available on hire
COMPOSER’S NOTE Somewhere ‘between the night and the morning’ (era madrugada) in the Lorca poem Sorpresa, a man is discovered in the street – a knife through his chest. Nobody would look into his eyes – open on raw air. Who is he? Why is he there? The piece is as much about this strange little poem as it is about that particular time of day. S.H.
Sorpresa
Surprise
Muerto se quedó en la calle con un puñal en el pecho. No lo conocía nadie. Cómo temblaba el farol! Madre. Cómo temblaba el farolito De la calle! Era madrugada. Nadie Pudo asomarse a sus ojos abiertos duro aire. Que muerto so quedó en la calle Que con un puñal en el pecho Y que no lo conocía nadie.
The dead man lay in the street With a knife in his chest. No one knew who he was. How the streetlamp trembled! Madre. How the little streetlamp trembled! Between the night and the morning. No one could lean over his eyes open on raw air. How come This dead man lies in the street, what? with a knife in his chest, and that no one should know who he was?
words by by Federico Garcia Lorca Sorpresa by Federico Garcia Lorca Copyright © Heredos de Federico Garcia Lorca. ALL RIGHTS RESERVED.
for the Nash Ensemble
Era madrugada Misterioso q = 84
2 4
Piccolo
Clarinet in A
2 4
Horn in F
2 4
pp sempre
pp sempre
Simon Holt (1984)
A
4 4
2 4
4 4
2 4
4 4
3 4
2 4
4 4
2 4
4 4
2 4
4 4
3 4
2 4
4 4
2 4
4 4
2 4
4 4
3 4
2 4
4 4
2 4
4 4
2 4
4 4
3 4
2 4
pp sempre
2 4
3
Piano
2 4
4 4
2 4
4 4
Misterioso q = 84
2 4
Viola
2 4
Cello
pp sempre pizz.
2 4
Double Bass
4 4
3
3 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
3
4 4
3 4
2 4
2 4
arco
pizz.
4 4
3(pizz.) 4
arco
2 4
arco
4 4
3 4
pizz.
2 4
(pp)
4 4
2 4
pizz. (pp)
3
3
3 4
3
3
3
3
3
3
3
3
3
5 8
3
3
2 4 3
3
3 4
3
3
3
3
3
2 4 2 4
3
3
3
3
3
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
mf
3
3
2 4
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
fff sempre
Pno.
2 4
3
3
3
3
3 4 3
2 4
3 4 pp
pp arco
mf
pp
mf
Š Copyright 2014 Chester Music Ltd
3
poco accel.
3
3
3
3
3
3
3
3
3
4 4 3
3
3
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
mf
2 4 2 4
2 4 3
3
arco
D.B.
3
mf
2 4
2 4
Vlc.
3
2 4
mf
pp
Vla.
6
5 8
take Flute
3 4
pp
Hn.
3
6
poco accel. pp
Cl.
3
A
pizz.
Pno.
14
3
(pp)
10
3
4 4 arco
2 4
4 4
pp sempre
2 4
pizz.
pp sempre
Picc.
3
fff sempre, jangle.
CH83039
10.15
2
B 19 Fl.
4 4
4 4
Cl.
Tempo primo q = 84 Flute
3 8
sff
sff
4 4
Hn.
sff
3 8
3 8
3
3
ff
3
p
ff
2 4 sff catch ‘aftersound’ with pedal
3 8
5 8
3
3
3
p sub.
3
3
3
3
3 3
3
5 8
ff 3
5 8
3
ff 3 3
p
fff con tutta forza
2 4
3
3
2 4
5 8
3 8
3 8
pp
sffp
4 4
2 4
5 8
3 8 fff
3
p
pp
sff
4 4
2 4
pp
5 8
sff
sff
Pno.
Più mosso q = 104
5 8
f
5 8
sf
3
sff secco
3
3 8
3 8
5 8
3 8
5 8
3 8
5 8
3
p dolce 3
3
B
Tempo primo q = 84 pizz.
4 4
Vla.
4 4
Vlc.
3 8
sff
pizz.
D.B.
5 8
sff
3 8
sff
4 4
Più mosso q = 104
arco
pp
5 8
pizz.
5 8
f
ff
3
sff ff pizz.
p
f
5 8 sff
pizz.
3 8
sff
pp
3
3 8
sff
2 4
arco
sff
p
3
pp
3 8
sff
3
2 4
arco
sff
pizz.
2 4
5 8 sff
C 28 Fl.
Cl.
5 8
3 8
5 8
2 4
3 8
3 8
2 4
5 8
3 8
4 8
p dolce
3 4
3 8 (p)
5 8
4 8
3 4
3 8
p dolce
Hn.
5 8
3 8
2 4
3 8
5 8
4 8
2 4 3
Pno.
5 8
3 4
3 8
p dolce
3 8 3 8
fff
3 8 3
2 4
3
3 8
4 8 pp sub.
3 4
3 8
4 8
3
f
5 8
4 8 (p)
5 8 3
4 8 (p)
5 8
mf
4 8
sff
4 8
f
3 4
3 8
4 8
3 4
3 8
4 8
3
Vla.
C
5 8
3 8
(pizz.)
2 4
3 8
5 8 sff
sff
Vlc.
D.B.
5 8 5 8
3 8 3 8
2 4 2 4
3 8 3 8
5 8 5 8
arco
3
sff
arco
(pizz.)
sff
3
(pizz.)
3
sff
p dolce
sff
sff
p dolce
p dolce
4 8
(p)
4 8
3 4
3 8
4 8 (p)
4 8
3 4
3 8
4 8 (p)
37 Fl.
3
D 4 8
3 8
5 8
3 4 sff
4 8
Cl.
3 8
sff
4 8
3 8
3 4 sff
38
6
3
sffp
Pno.
f ma delicato
sffp
4 8
3 8
5 8
2 4
43
42
6
3
f ma delicato
pp dolce
3 4
6
3
3 4 p dolce
sff
58
2 4 ff
p dolce
5 8 sff
48
2 4
p dolce
5 8 ff
Hn.
take Piccolo
6
3
3
2 4 3
D 4 8
Vla.
3 8
5 8
3 4 sff
4 8
Vlc.
3 8
sff
p dolce
5 8
3 4 sff
4 8
3 8
pp
3
p dolce
sff
2 4 pp
arco
(pizz.) D.B.
3
2 4
5 8
3 4 sff
p dolce
sff
3
2 4 pp
Piccolo 42 Picc.
Cl.
2 4
3 8
2 4
3 8
3 4
take Bass Clarinet
p
5 8
3 4
5 8
3 4
5 8
3
p dolce
6
2 4
6
3 8
2 4
3 8
2 4
3 4
5 8
3 4
5 8
3 4
5 8 ff
pp
3 8
3
f
6
3
ff
3 8 3
6
catch ‘aftersound’ with pedal
pp
2 4 f
D.B.
3
6
ff
2 4
f
Vlc.
6
scintillando, liberamente p
Pno.
Vla.
3 8
pp
3 4
p
p
pizz.
5 8 ff
p
4
Meno mosso q = 84 46
3 4
Picc.
2 4 fff stridente
Bass Clarinet
3 4
B. Cl.
2 4
sff
3 4
6
6
6 6
scintillando, liberamente p
Pno.
6
sff secco
3
6
2 4
6 6
sim. p
6
ff
sff secco
6
6
pp dolce
3 4
6
2 4
Meno mosso q = 84
3 4
Vla.
Vlc.
3 4
D.B.
3 4
2 4 pp dolce
pizz.
2 4
sff
2 4
arco
fff brutale
E 50
Pi첫 mosso q = 112
3
3
Molto meno mosso e = 96
3 8
Picc.
6 8
5 8
3
3
p 3
3 8
5 8
8 8
4 8
5 8
8 8
(p) quasi eco
6 8
5 8 ff
f
R.H.
6 8
Pno.
4 8
mf
5 8
mp
4 8
5 8
8 8
L.H.
3 8
6 8
E
Pi첫 mosso q = 112
f
5 8
6 8
mf
4 8
Molto meno mosso e = 96
3 8
Vla.
ff
5 8
4 8
5 8
6
3
mp
pizz.
5 8
pp pizz.
3
3
3 8
D.B. 3
p
58 B. Cl.
8 8
5 8
F
6 8
3
3
4 8
3 4
8 8
mp : pp
5 8
pizz.
8 8
mp:pp
Doppio movimento (poco rubato) q = 96 6
2 4
5 8
2 4
5 8
3
p
8 8
6 8 p
8 8 8 8
6 8
pp
p
Pno.
3
arco
8 8
3 4 pp
6 8 p
6 8
Vla.
8 8
6 8
D.B.
8 8
6 8
f
sff secco
sff pp secco
f
3 4 con ped.
3
3
3
p
2 4
3
3
3 4 3 4
Doppio movimento (poco rubato) q = 96
3
ff
5 8
3 4
F 3
3
2 4
5 8
2 4
5 8
3
3
5 63
Mezzo tempo e = 96
6 8
Hn.
3 8
6 8
2 4
pp dolce
6 8
3 8 3
Pno.
3
3
sff
3
3
p
3
3
6 8
3 8
6 8
D.B.
sff secco
L.H.
Mezzo tempo e = 96
6 8
sff secco
p
2 4
p
p sff
2 4 sff
sff secco
R.H.
6 8
pp dolce
3 8
3 8
6 8
arco
sff secco
sff
6 8
2 4 pp dolce
pp dolce
G 69
Doppio movimento e poco rubato q = 96
2 4 f
3
3
5 8 3
molto accel.
3
3
3 8
3
Pno.
2 4
2 4 sff p
5 8 ff
6 8 sff
3 8
p
ff
3
2 4
5 8
3
3 8
2 4
5 8
6 8
3 8
3
76 B. Cl.
e = 288
3 8
molto rall.
e = 192
8 8
3
5 8
p
Hn.
f
3 8
8 8
5 8
Mezzo tempo e = 96
6
6 8
take Clarinet in A
2 4
ff
6 8
2 4 pp dolce
3 8
8 8 pp
Pno.
ff
3 8
D.B.
3 8
6 8 pp
8 8
e = 288
5 8
5 8
e = 192
molto rall.
8 8
5 8
2 4 sff
6 8
2 4
Mezzo tempo e = 96
6 8
2 4 pp dolce
6
H
81 Tempo primo q = 84
2 4
Picc.
3 4 mp
ff
Clarinet in A
2 4
Cl.
6
3 4
mp
2 4
Hn.
3 4 mp
2 4
3
3
3
3
3
3
3
3
3
3
3
3
3
3 4
3
fff sempre, jangle
Pno.
2 4
3
3
3
3
3
3
3
3
H 2 4
3
3
3 4
mp
arco
2 4
Vlc.
3
arco
Tempo primo q = 84 Vla.
3
3 4
3 4
mp
2 4
D.B.
3 4 mp
85 Picc.
poco rall.
3 4
3 8
4 4
I
2 4
Meno mosso q = 52, spettrale
4 4
3
pp
Cl.
3 4
3 8
4 4
2 4
4 4
3
pp
3 4
3
3
3
3
3
3
3
3
3
3
3
3
3 8
3
4 4
3
2 4
4 4
pp
Pno.
3 4
3 8 3
3
3
3
3
3
3
3
3
3
3
pp silvery, translucent
4 4 3
3
2 4
4 4
3
I
poco rall.
Meno mosso q = 52, spettrale senza vib.
Vla.
3 4
3 8
4 4
2 4
4 4
pp senza vib.
Vlc.
3 4
3 8
4 4
2 4
pp
4 4 arco
snap pizz. D.B.
pizz. ord.
3 4 sff
ff
3 8
4 4 pp
2 4
4 4
pp (sighing)
7 (gradually introduce fluttertongue)
91
3 4
Picc.
3 8 mp:pp
mp:pp
3 4
Cl.
3
3 8 mp:pp
3 8
3 4
3 8
3 4
3
mp
Pno.
3 4
5 8
mp:pp
3
3 8
5 8
3 8
5 8
pp (sighing)
pp
3 4
(lip gliss.)
3
3 4
Hn.
3 4
3
3 8
3
pp
mp:pp
ppp ma sonore
3 8
3 4 mp:pp
3 8 mp:pp
3 4
3 8
5 8 mp:pp
5 8
6
vib. Vla.
3 4
3 8
3 4
3 8
5 8
Vlc.
3 4
3 8
3 4
3 8
5 8
D.B.
3 4
3 8
3 4
3 8
5 8
pp sim.
98 Picc.
Cl.
Hn.
(pp)
5 8
4 4
5 8
5 8
4 4
5 8
5 8
pp
mf
pp
2 4 sfp
4 4
2 4
mf
5 8
pp
2 4 mf
5 8
4 4 mp
Pno.
sf mp
5 8
Vla.
5 8
5 8
3
pp
2 4 pp
mp
4 4
5 8
2 4
4 4
5 8
2 4
3
f
p
sfp
mf
pp
pizz. Vlc.
D.B.
5 8
5 8
4 4
4 4
p
5 8
arco vib.
2 4
mf
5 8
pp
2 4 mf
pp
8 102
J
3 8
Picc. f
f
pp
pp
2 4
f
f
pp
pp
f
f
f
3
f
f
3 8 f
pp
f
3 8
D.B. f
108
f
pp
pp
2 4
3 4 pp
f
pizz.
arco
2 4
sf
pp
poco rall.
arco
sf
pp
Vlc.
3 4
J
3 8 pp
pp
2 4
pizz.
f
3 4 mf
3 8
Vla.
pp
2 4 pp
3
sf
K
pp
Meno mosso q = 52
6 8
Picc. pp
p
mf
f
3
ff
3
3
p
mf
3
f
3
3
p
mf
f
pppp
6 8
K
Pi첫 mosso q = 84
mf
f
6 8
3
fff
3
pp
3
p
mf
pp
f
p
mp
3 3
3
5 8 3
f 3
3 8
pizz.
sf
3
5 8
3 8
ff
5 8 3
(pp)
3
3 8
pp
6 8
D.B. 3
3
3 8
3
pp sub.
6 8
Vlc.
f
Meno mosso q = 52
Vla. p
5 8
pp
pp
5 8
f 3
3 8
6 8
ffff
3
6 8
pp (sighing)
fff
calmo
pp
3
pp
Hn. ppp
take Bass Cl.
3 8
fff 3
5 8 f
6 8 pp
3
3 8
pp
Cl.
Pno.
p
3 4
f
Pi첫 mosso q = 84
p
3
pp
arco
2 4
q = 48
3 4
f
pizz.
pp
3 4
sf
3
p
pp
2 4
3 8
ppp a distanza
Pno.
3 4
sf
pp
3
pp
2 4
3 8
Hn.
q = 48
3 4
sf
3 8
Cl.
poco rall.
3 8
3
f
5 8 f
5 8
9 116 Picc.
5 8
2 4
4 4
3 4
pp Bass Clarinet
5 8
B. Cl.
2 4
mp
4 4
5 8
2 4
pp
mp
4 4
3 4
mp
3 4
pp
Hn.
2 4 pp
mp:pp
4 4
mp
2 4 pp
L
pp
3 4
4 4 pp
mp
(pp)
mp:pp
3 4
2 4
3 4
4 4
3 4
2 4
3 4
4 4
pp sempre
5 8
2 4 pp
Pno.
5 8
3 3
3
4 4 pp secco
f
3
2 4
pp ma sonore
4 4
3 4
2 4
3 4
4 4
L
arco
5 8
Vla.
2 4
pp
4 4
3 4
2 4
3 4
4 4
2 4
3 4
4 4
pp sempre senza vib.
5 8
Vlc.
2 4
4 4
3 4 mp:pp
pp
5 8
D.B.
2 4
4 4
mp:pp
3 4
pp sempre
123
3 4
Picc.
4 4 pp
sf
mp
3 4
B. Cl.
mp
arco
2 4
3 4
4 4
pp
2 4
3 4
5 4
2 4
3 4
5 4
2 4
3 4
mf
mf
take Clarinet in A
3 4
pp
mf
4 4
3 4
(pp)
mp
3 4 Pno.
pp
5 4
mp:pp
3 4
Hn.
pizz.
3 4
4 4 pp
mp
4 4
3 4
Vla.
pp
sulla tastiera
5 4
mp:pp
f
2 4
3 4
2 4
3 4
2 4
3 4
p
mp
(pp)
p
3 4
4 4
3 4
5 4
3 4
4 4
3 4
5 4 mp
pizz. mf
mf
sf p
pp
sul G
3 4
Vlc. mp
4 4 pp
3 4
mp:pp
5 4 mf
2 4
sfpp
p
pp
3 4 mf
p
f
arco pizz. D.B. p
3
5
3 4
arco
mp
3
4 4
3 4 pp
pizz.
5 4
mf
pp
2 4
3 4 mf
p
f
10 129 Picc.
M 3 4
3 8 mf
p
5 8
3 4
f 5
pp
sf p liberamente
Clarinet in A
3 4
Cl.
3 8 mf
p
3 8
take Bass Clarinet
Bass Clarinet
3 4
5 8 pp
pp sub.
3 4
pp
pp
3 4
pp
3 8
3
3
5 8 fff
p secco
3 4
f
3 8 pp
3 4 p secco
5 8
3
mp delicato
sf pp
3 4
3
3
3
una corda
3
3 4
Vla.
M
3 8
5 8
pp
ff
(p)
3 4
Vlc.
p
f
3 4
f
3 vib. 8 mf
pp non legato
ff
f
3
mf
Pno.
sff
sfp
f
3 4
Hn.
5 8
pp
3
sf p 6
pp
5 8
3 4
pp
f
pp
snap pizz.
3 4
D.B.
3 8 pp
5 8
arco
3 4
f
sff
134
pp non legato
sff
3
3
Picc. pp
sf
3
pp
3
3
sf
p espress. a distanza
Pno.
sf
pp sf pp 3
3
3 3
sf
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
2 4
pp
Hn.
3
3 8
3
pp 3
3
2 4
3
B. Cl.
6
3 8
mp pp
3
pp sempre 6 3
Vla. pp 3
sf
3
pp
3
3
Vlc. pp sf
pp
3
3
D.B. pp 3
3
sf
pp
139 Picc.
N
3
2 4
(pp)
take Flute
5 8
4 4
3
2 4
B. Cl.
Flute
sfpp 3
5 8
4 4
5 8
4 4
(pp) 3
2 4
Hn.
11
sfpp
sfpp
2 4
5 8
2 4
sfpp
3
4 4
5 8
(pp) 3
N
3
4 4
sfpp
3
5 8
sfpp
3
mp
4 4
(pp)
D.B.
145 Fl.
3
5 8
(pp) 3
7 8
3 8
7 8
2 4
3 8
7 8
2 4
3 8
7 8
2 4
3 8
7 8
2 4
3 8
7 8
sfpp
sfpp
2 4
4 4 sfpp
5 8
6 8
3
3 8
sfpp
2 4
sfpp
3
sfpp
sfpp
sfpp
mp
sfpp
2 4
2 4
p ma sonore
4 4
5 8
2 4
Vlc.
sfpp
pp
2 4
7 8
mp
sfpp
(pp)
Vla.
3 8
mp
(pp)
Pno.
2 4
pizz.
7 8
p
3 8
7 8
sfpp
O
5 8
p
4 4
3 8
6 8
4 4
3 8
6 8
mp 3
B. Cl.
3
7 8
take Clarinet in A
5 8
6 8
5 8
Clarinet in A sfpp
sfpp
3
7 8
5 8
7 8
5 8
3
Vla.
sfpp
6 8
5 8
4 4
3 8
6 8
3
6 8
5 8
4 4
3 8
6 8
3 8
6 8
O 3
7 8
sfpp
3
(p)
Pno.
sfpp
sfpp
3
5 8
sfpp
6 8
5 8
sul tasto
3
4 4 mp
sfpp
p
3
mf
p
pizz. Vlc.
D.B.
7 8
7 8
arco pp
3
p
arco sul tasto
5 8
3
sf
6 8 3
p espress.
5 8
3
p
5 8
6 8
3
3
4 4 pp
mp
5 8
3 8
4 4
pizz.
mp
3 8
mf pizz.
mp
6 8
6 8
12
Meno mosso q = 48 151
Fl.
6 8
6 8
3
sfp
6 8
Cl.
3 4
Piu mosso q = 52
6 8
pp
sfp
pp
6 8
3
5
3 4
3
take Piccolo
3
Piccolo
3 8 pp
pp
6 8
3 8
3
pp
6 8
Hn.
pp
fff mf
p
6 8
3 4
mf
pp 3
6 8
6 8
6 8
3 4 ff
p
Pno.
6 8 p pizz.
pp
6 8
3
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
pp quasi eco
sff
6 8
3 4 (pp)
(pp) p
3 4
3 4
6 8
Meno mosso q = 48
Piu mosso q = 52
3 4
6 8
3
tre corde
6 8
Vla.
pizz.
3
6 8
p
6 8
Vlc.
arco ord. p
6 8
3 4
6 8
43
68
pp
3
p mf
sffpp
68
3
p
pp
pp
arco
68
D.B.
mp
0
sff
pp
mf
arco ord.
pp
pp
pp
pizz.
arco
p
mp
3
p
pp
3 8
3 4
38
43
pp
P 157 Picc.
3 4
6 8 sff
Cl.
3 4
6 8
3 4
4 8 mf
pp
sff
Hn.
7 8 pp
7 8
pp
4 8 mf
6 8
pp
7 8
4 8 mf
3 4 Pno.
sulla tastiera sff catch ‘aftersound’ with pedal
3 4
P Vla.
3 4
6 8
3 4
5
7 8 mp
7 8
4 8
6 8
7 8
4 8 mf
6 8
3 4
6 8
5
pp
7 8
pp
5
pp misterioso
4 8 mf
D.B.
4 8
6 8
pp
Vlc.
pp
pp
7 8
ff sub.
4 8 mf
pp
13 Poco pi첫 mosso q = 56
162
2 4
Picc. f
5 8 (pp)
pp
sff
2 4
Cl.
(pp)
5 8
pp
5
5 8
sff secco
sff p
2 4
5 8
2 4
Vla. f
(pp)
pp
sul pont.
Vlc.
5 8 pizz.
2 4
D.B.
(pp)
f
pp
Picc.
5 8
arco pp
sff
5
sf
Cl.
5 8
p
6
2 4 (pp)
5 8
3
pizz.
2 4 (pp)
sff
pp
pp
sff p
5 8
2 4
arco
pizz.
sf
arco pp
2 4
arco
pizz.
pp
sff
5 4
5 4 (pp)
5 4
5 4 pp
p
4 4
5 4 pp
sf
pp
sf
snap pizz. D.B.
4 4 sff
arco
ff
5 4 pp
p
5 8 f
sfpp
6
5 8
3 8
p
4 4
5 8
5 8
sul pont.
Meno mosso q = 52
ff
3 8
f
pp
4 4
5 8
5 8
3 8
ord. Vlc.
3 8
pp
fff
6
ff
5 8
f
2non trem. 4
pp sempre
5 8
3 8
pp
sff
5 4
p secco
Q
5 8 f
5 4
una corda
Vla.
3 8
p
4 4
3
5 8 f
ord.
5 8
4 4
Pno.
5 8
pp
sff
pp
ff
5 8
5 8
4 4
ff
Hn.
pizz.
Bass Clarinet
take Bass Clarinet
3 8
(pp)
2 4
Meno mosso q = 52 ff
sfp
pp
sff
2 4
5 8
5 8
arco
4 4 sf p liberamente
sff p
fff
5 8
2 4
pp
5 8
3 8 pp
2 4
sff
Q 169
5 8
2 4 pp
fff
pp
sff
arco
pp
sff
2 4
5 8 (pp)
sff
pp
2 4
2 4
5 8
2 4
sff
2 4
Poco pi첫 mosso q = 56 pizz.
(pp)
pp
sff
2 4
5 8
2 4
(pp)
f
Pno.
pp
sff
2 4
Hn.
pp
5 8
pp
f
2 4
pp
14
R
173
5 8
B. Cl. sfpp
Molto piu mosso q = 112, frenetico
2 4
take Clarinet in A
sf
sfpp
6
5 8
6
3
3
6
sffpp
Pno.
fff
5 8
6 6
2 4
p sub.
6
3
3
fff con tutta forza
2 4
3 3
3
3
3
3
3
tre corde
R
Molto piu mosso q = 112, frenetico
5 8
Vlc. sfpp
sfpp
179
5 8 3
sf
3
3
2 4
3
3 4
3
3
2 4
3
5 8 3
3 4
3
3
3
3
p
Pno. 3
3
5 8
3 4
3
3
2 4
3
3
5 8
3
3 8
3
fff brutale 3
3
3 4
3 8
S 186
3 8
3 4 3
3
p
3
fff
3
6 8
3
6
3 4
6
3 4
p
Pno. 3
3 8
3 4
6 8 3
190
3 4
3
4 4
2 4 3
fff
Pno.
3 4
5 8
4 4
5 8 3
3
3
fff
2 4
3
3
3
p dolce
2 4 p sub.
3
fff con tutta forza
2 4
3
3
3
3
3
3
senza ped.
con ped.
T 197
3 4 3
3
3
3
p
Pno. 3
203
3
3
3
6
6 8
3 4
3
3 4
3
p
fff brutale 3
3 4
3 8
3
3 8
3
6 8
3 4
3 4
3
6 8
3
7 8
3
2 4
3
loco 3
fff 6
3
fff
p
Pno.
3
6 8
3
p dolce
7 8
2 4 3
senza ped.
3
U 208
3 4
fff
(p)
Pno.
4 4
3
3
3 4
3 4
5 8
3 4
ffff martellato molto
4 4
3
3
15
Meno mosso q = 84
p secco
3 4
5 8
3 4
con ped.
213 Picc.
Cl.
Meno mosso q = 52 poco accel.
q = 84
3 4
5 8
4 4
5 8
3 4
3 4
5 8
4 4
5 8
3 4
3 4
5 8
4 4
5 8
3
3
fff irato! liberamente
Pno.
3
3
5 8 3
3
3
3
3 4 3
3
3
3
Vla.
219 Picc.
Cl.
3
4 4
4 4
5 8
7 8
4 4
5 8
3 4
7 8
4 4
5 8
3 4
7 8
4 4
5 8
4 4
4 4
2 4
4 4
2 4
4 4
3 4
Clarinet in A p
fff strepitoso
4 4
5 8
3 4
D.B.
4 4
( fff )
q = 84
5 8
3 4
Vlc.
7 8
p
3
Meno mosso q = 52 poco accel.
3 4
4 4
3
3
3
7 8
p
p
3
7 8
3 4
5 8
3 4
V
p
7 8
p
4 4 mp
7 8
p
4 4 mp
3 8
3 4
4 4
3 4
7 8
3 8
3 4
4 4
3 4
7 8
3 8
3 4
4 4
3 4
3 4
4 4
3 4
3 8
3 4
4 4
3 4
7 8
3 8
3 4
4 4
3 4
7 8
3 8
3 4
4 4
3 4
3
2 4
3
Pno.
3
fff
4 4
Vla.
(p)
2 4
4 4
2 4
7 8
pizz.
p
mp
7 8
3 8
V
3
pizz. Vlc.
4 4
2 4 pp
D.B.
4 4
2 4 pp
p
16 225 Picc.
Meno mosso q = 42
3 4
Pi첫 mosso q = 52
4 4
3 4
mp
3 4
Cl.
4 4
pp
mf
3 4 pp
7 8
4 4
7 8
4 4
7 8
4 4
7 8
sfpp take Bass Clarinet
mp
4 4 Bass Clarinet
mp sfpp
3 4
Hn.
4 4
3 4 mp
3 4
4 4
3 4
p
3 4
p quasi eco
Pno.
pp
4 4
3 4
pppp
p
mf
ffff martellato molto con tutta forza
ff
4 4
7 8
4 4
7 8
4 4
7 8
4 4
7 8
legato ped.
Vla.
Meno mosso q = 42
Pi첫 mosso q = 52
3 4
3 4
4 4
arco
mf
3 4
Vlc.
4 4
3 4
pp
arco p
3 4
D.B.
4 4
mp
pp
sfpp
3 4 f
pp
W 232 Picc.
Meno mosso e = 84
7 8
3 4
5 8
3 4
5 8
3 4
5 8
pp dolce
sfpp
B. Cl.
7 8
pp
sfpp
7 8
mp
Pno.
7 8
3 4
5 8
3 4
5 8
W Meno mosso e = 84 Vla.
7 8
pizz. Vlc.
7 8
3 4
5 8
sfpp
D.B.
7 8
mp
pp
mp
arco mp
3 4
mp
5 8
pp
3
pp
X
239
3 4
Picc. mf
Pi첫 mosso q = 52, spettrale (gradually introduce fluttertongue)
4 4 (pp)
pp
3 4
B. Cl.
17
3
4 4 p non legato
sf
3 4
Hn.
4 4
3
ppp
Pno.
sf
(mp)
3 4
4 4
3 4
4 4
mp 3 ppp ma sonore pp
6
(loco)
X Vla. mp
mp
Vlc. mp
mp
D.B. mp
3 4
4 4
3 4
4 4
3 4
4 4
Pi첫 mosso q = 52, spettrale
ppp
ppp
mp
Pi첫 mosso q = 112
245
2 4
Picc.
p
B. Cl. 3
Hn.
3
3
3 8
3 4 3
3
2 4
3 8
3 4
2 4
3 8
3 4
2 4
3 8
3 4
3
6
ppp ghostly
Pno.
2 4
3 8
Pi첫 mosso q = 112
6
3 4
Vla.
2 4
3 8
3 4
Vlc.
2 4
3 8
3 4
D.B.
2 4
pp
pizz.
p
3
3 3
3 8
3
3 4 14th April 1984 (edited/renotated December 2008)
CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549
Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.musicsalesclassical.com e-mail: music@musicsales.co.uk
Order No. CH83039