Harbison DOUBLE CONCERTO

John Harbison

DOUBLE CONCERTO for Violin, Violoncello, and Orchestra

From the G. Schirmer Rental Library date of printing _________________

Associated Music Publishers, Inc. New York, NY

John Harbison

DOUBLE CONCERTO for Violin, Violoncello, and Orchestra

Commissioned by the Friends of Dresden Music Foundation for the Boston Symphony Orchestra, James Levine, Music Director, Mira Wang, Violin and Jan Vogler, Violoncello in honor of Roman Totenberg

Associated Music Publishers, Inc. New York, NY

Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes 2 Clarinets in B-flat (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 2 Trumpets in C Timpani Percussion (1 player) Celesta Harp Strings

duration circa 25 minutes

Program Note Many years ago I wrote a double concerto (for oboe and clarinet) in which the soloists were pitted against each other, and against the orchestra, in a contentious, dramatic struggle. It was important to do something very different this time – to work with musical questions that don’t come up in that more traditional, public, concerto mode. Although some tunes and harmonies appear in all three movements of this double concerto I thought of the “subject” of each movement this way: I. Slight “misunderstandings,” known to music theorists as cross-relationships (unnecessarily pejorative in implication – they are often beautiful) are taken to a systemic level, perhaps standing for more telling misunderstandings. At issue is the interval of the third (is it major or minor?), an expressively determinant organism since music began.

II. Looking toward a closer accord, the soloists begin to mirror each other, revealing how differently things can look in mirrors of a certain design.

III. The soloists aspire to simply play a theme together in octaves, something the orchestra achieves near the outset of this movement. Their eventual realization of this objective signals the conclusion. Knowing in advance that this piece would be initially programmed with Mahler’s Symphony No. 7, the longest and in many ways the most diverse and expansive of the Mahler symphonies, I found pleasure in trying to make something contrasting, for such a space.

A composer might be like a builder who on one occasion makes a twenty-room mansion for players to roam around in, and on another occasion makes a small modern house with irregular rooms, secret compartments and fake doors. Above all he might say let’s build this house not one like you’ve already done, that you are too sure will work out.

– John Harbison

in honor of Roman Totenberg

DOUBLE CONCERTO Affetuoso, poco inquieto

= 96

I

John Harbison

1 Flute (Piccolo)

Oboe

2

1 2

1 Clarinet in B (Bass Clarinet)

2

1 Bassoon (Contrabassoon)

to Contrabassoon 2

1 3 Horn in F 2 4

Trumpet in C

1 2

Timpani

Percussion

Celesta

Harp

low string to B

Solo Violin

Solo Violoncello

Affetuoso, poco inquieto

= 96

I Violin II

Viola

Violoncello

Contrabass

corr. 01/10

Copyright Š 2010 by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 rit.

7 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Marimba Perc.

Cel.

Hp.

S. Vn.

cantabile

S. Vc.

cantabile

rit.

la mĂŠta I

accomp.

Vn. II

Va.

Vc.

Cb.

3 14

a tempo

rit.

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

(Mar.) Perc.

Cel.

Hp.

S. Vn.

cantabile

S. Vc.

cantabile

a tempo I Vn. II

Va.

Vc.

Cb.

(la mĂŠta)

rit.

4 20

a tempo

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

legato S. Vc.

legato

a tempo tutti, pizz.

I

molto marcato Vn.

cresc.

pizz.

II

molto marcato

cresc.

pizz.

Va.

molto marcato

cresc.

pizz.

Vc.

molto marcato

cresc.

pizz.

Cb.

molto marcato

cresc.

5 27

soli

1 3

Fl.

3

3

soli

3

2 3

3

a2 Ob.

1 2

1 Cl. in B 2

Bn.

1

Contrabassoon Cbn.

1 3 Hn. in F

a2 2 4

Tpt. in C

1 2

Timp.

Mar.

Vibraphone, solo

3

Perc.

3

solo

3

Cel.

Hp.

S. Vn.

3

3 3

S. Vc. 3

(pizz.)

unis., arco

div.

I

cresc.

Vn.

(pizz.)

unis., arco

div.

II

cresc. (pizz.)

arco

Va.

cresc. (pizz.)

arco

Vc.

cresc. (pizz.)

Cb.

cresc.

arco

3 3

3

6 33 1 3

Fl.

3

3

3 3

3

3

3 3

3 3

3

2

(a2) Ob.

1.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F

(a2) 2 4

Tpt. in C

1 2

Timp.

(Vib.) 3

3

3

3

3

3

3

3

3

3

3

Perc.

3

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

7 38 1 Fl. 2

a2

(1.)

Ob.

1 2 3 3

1 Cl. in B 3

2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Large Tamtam Perc.

Cel.

Hp.

S. Vn.

S. Vc. 8va

div.

I Vn. II 3

Va. 3

Vc.

Cb.

8 43 1

lustro

3

3

lustro

3

3

3

3

3

3

Fl. 2

(a2) Ob.

2.

1.

1 2

3 3

3 3

3

3

3

lustro 3

3

3

3

3

3

3

lustro

3

3

3

3

3

3

1 Cl. in B

3 3

3

3

lustro

3

3

3

3

3

3

2

lustro Bn.

1

to Bassoon Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Small Tamtam Perc.

accomp.

Cel.

Hp.

S. Vn.

S. Vc. 8

unis.

I 3

lustro

Vn. II

3 3

3

3

3

3

3

lustro

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Va. 3

3

lustro

3

3

3

3 3

Vc.

lustro Cb.

3

3

3 3

3

9 47

3

3

3

3

3

3

3

3

3

3

1 3

3

3

3

Fl. 2 3

(2.)

Ob.

3

3

1.

3

3

3

3

3

3

3

1 2 3

3

3

3

3 3

3

3

3

1 Cl. in B

3

3

3

2

1

3

3

Bn.

3

3

Bassoon

3

3 3

3

3 3

3 3

3

2 3

3

3

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

F

S. Vn.

S. Vc.

3

3

3

3

3

3

3

3

3

3

3

I 3

Vn.

3

3

3

3

3

3

3

3

3

3

II 3

3

3

3

3

3

3 3

3

3

Va. 3

3

3 3

3

3 3

Vc. 3

Cb.

3

3

3

3

3

3

3

3

3

3

10 51

3

1

3

Fl. 3

2 3

Ob.

1 2

1 Cl. in B 2

1 3 3

Bn. 2

1 3 Hn. in F

3

3

2 4

Tpt. in C

1 2 3

3

Timp.

Perc.

3

3

Cel.

Hp.

S. Vn.

espr.

S. Vc.

espr.

3

1 solo

I Vn.

3

II

3

Va.

3

Vc.

Cb.

1 sola

11 58 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Mar. Perc.

Cel.

Hp.

S. Vn.

S. Vc.

(solo) I 3

3

Vn. II

(sola) Va. 3 3

Vc.

Cb.

12 64 1 Fl. 2 3

3

3

3

1 Ob.

3

3

3

3

3

2 3

3

3

3

3

3

1 Cl. in B

3

2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

(Mar.) Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

3

3

3

3

3

13 68 1 3

3

3

3

Fl. 2

3

3

1 Ob.

3

3

3

3

3

2

1 Cl. in B 2

3

3

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn. 3

con bravura

3

3

3 3 3

3

S. Vc. 3

I Vn. II

Va.

Vc.

Cb.

con bravura

3

3

14 73 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vibraphone

3

3 3

3

Perc.

Pedal

Pedal

Pedal

Pedal

Pedal

Pedal 3

3

3

3

Cel.

C B F A

Hp.

A

A

3 3

C F

3

3 3

3

S. Vn. 3

3 3

3

I Vn. II

Va.

Vc.

Cb.

3 3

S. Vc.

Ped.

15 78 1 Fl. 2

Ob.

1 2 5

5

1 5

Cl. in B

5 5

5

2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

(Vib.) Perc.

(Ped.)

Cel.

Hp.

C F

C F

S. Vn. 5

5 5

S. Vc.

I Vn. II

Va.

Vc.

Cb.

5 5

5

16 82 1 Fl. 2

Ob.

1 2 5

1 Cl. in B

3

2 3

1 3

Bn. 2 3

a2 1 3 3

Hn. in F

a2 2 4 3

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn. 5

5

5

5

5

5

5

S. Vc. 5

tutti I 5

Vn.

5 5

5 5

5

II

tutte Va. 3

Vc. 3

Cb.

17 86

3

1 Fl.

3

5

5

3

5

5

3

5

5

3

5

5

3

5

5

3

5

5

3

2

a2 Ob.

3

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Cl. in B

3

2 3

1 Bn. 2

(a2) 1 3 Hn. in F

(a2) 2 4

a2 Tpt. in C

3

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

3

I Vn.

3

II

Va. 3

3

3

3

3

3

3

3

Vc.

Cb.

18 91

3

rit.

6

rit.

6

1 5

Fl.

3

3

2

(a2) Ob.

5

3

3

1 2 5

3

1 Cl. in B 2

1

Bn. 2

(a2) 1 3 Hn. in F

(a2) 2 4

(a2) Tpt. in C

1 2 5

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

3

I 5

Vn.

3

3

II 5

Va.

Vc.

Cb.

3

19 94

Meno mosso

= 76

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

meditando

S. Vc.

meditando

Meno mosso I Vn. II

Va.

Vc.

Cb.

= 76

20 99

rit.

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

rit.

I Vn. II

Va.

Vc.

Cb.

21 103

Meno mosso

= 69

poco meno mosso

= 66

= 69

poco meno mosso

= 66

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

interno S. Vc.

interno

Meno mosso I Vn. II

Va.

Vc.

Cb.

22 108

animando

Pi첫 animato

= 84

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

3

3

S. Vn. 3

S. Vc. 3

non legato

animando

Pi첫 animato

= 84

I Vn. II

Va. 3

Vc.

Cb.

23 animando

113 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn. 3

S. Vc. 3

poco agitato

3

3

3

animando I Vn. II 3

Va.

Vc.

Cb.

24 118

Tempo I

= 96

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn. 3

3

3

S. Vc.

Tempo I

= 96

I

accomp.

Vn. II

accomp.

Va.

accomp.

Vc.

Cb.

25 animando

125 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Large Tam.

Medium Tam.

Perc.

Cel.

Hp.

3

3

3 3

S. Vn. 3

intenso

3 3

S. Vc. 3

3

intenso

3

3

animando

div.

I

Vn.

div.

II

Va.

Vc.

Cb.

3

26 130

Pi첫 mosso = 108 riten.

Subito mosso

Med. Tam.

Sm. Tam.

= 120

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Small Tam.

Large Tam.

Perc.

Cel.

Hp.

3

3

S. Vn. 3 3

sub.

3

3

3

3

3

3

3

3

3

3 3

3

3

S. Vc.

sub. (div.)

I

(div.)

Vn.

II

Va.

Vc.

Cb.

3

3 3

3

3

3

Pi첫 mosso = 108 riten.

3

Subito mosso

3

3

= 120

3

3

27

Calando

135 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

(Sm. Tam.)

Suspended Cymbal

Perc.

Cel.

DCB EF G A

Hp.

S. Vn.

3 3

3

3

3

3

3

3

3

3

S. Vc. 3

3

3

3

3

3

3

3

3

Calando I Vn. II

Va.

Vc.

Cb.

3

3

3

3

3

3

3 3

3

3

3

3

3

28

Scintillante

= 100

139 1

Fl. 2

Ob.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

subito 6

6

6

6

6

6

6

6

Cel.

Hp.

bisbigliando

E

S. Vn.

S. Vc.

Scintillante

= 100

unis.

I

Vn.

unis.

II

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Va.

Vc.

pizz.

Cb.

arco

29 141 1 Fl. 2

Ob.

3

3

3

3

3

3

3

3

3

1 2

1 Cl. in B 2 3

3

3

3

3

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

6

6

6

6

6

6

6

6

Cel.

E

Hp.

S. Vn.

S. Vc.

I Vn. II

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Va.

Vc.

Cb.

3

30

ritardando 143 1

Fl. 2 3

Ob.

3

3

3

1 2

1 Cl. in B

3

3

3

2 3

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vibraphone Perc.

6

6

6

6

Cel.

6

6

6

l.v. gliss.

7

7

D F

Hp.

S. Vn.

S. Vc.

ritardando I

div.

3

Vn. II 3

3

3

3

div.

3

Va. 3

Vc.

Cb.

3

3

3

6

Notturno: Adagio

= 30,

31

II

= 90

1 Fl. 2

1.

Ob.

1.

2.

1 2

1 Cl. in B 2

1

Bn.

2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vib., solo Perc.

Pedal

Pedal solo

Cel.

solo

Hp.

cant.

l.v.

S. Vn.

S. Vc.

Notturno: Adagio

= 30,

= 90

I

legato cantabile

Vn. II

legato cantabile

half pizz., half arco

Va.

cantabile half pizz., half arco

half pizz., half arco

tutti pizz.

Vc.

cantabile half pizz., half arco Cb.

cantabile

32 7 1 Fl. 2

(1.)

Ob.

2.

1 2

1 Cl. in B 2

1

Bn. 2

marc.

1 3 Hn. in F

a2 2 4

marc.

Tpt. in C

1 2

marc.

Timp.

(Vib.) Perc.

(Ped.) Ped.

Cel.

Hp.

S. Vn.

S. Vc.

0

I

Vn. 0

II

tutte arco Va.

(half pizz., half arco) tutti arco Vc.

marc. half pizz., half arco

tutti arco

Cb.

marc.

33 13 1 Fl. 2

a2 Ob.

1 2

1 Cl. in B

marc.

to Bass Clarinet in B

2

marc.

1 Bn.

to Contrabassoon 2

a2

take straight mute

1 3

2. take straight mute

Hn. in F

(a2) 2 4

4. take straight mute take straight mute Tpt. in C

1 2

Timp.

(Vib.) Perc.

(Ped.)

Cel.

Hp.

S. Vn.

S. Vc.

(solo) 0

0

0

0

0

0

I Vn.

(solo) 0

II

Va.

1 player sul G

gli altri Vc.

1 player gli altri Cb.

1 player

(1 player) (1 player)

34 17 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

a2, with straight mute 1 3

marc.

Hn. in F

a2, with straight mute 2 4

marc. with straight mute Tpt. in C

take harmon mute

1 2

marc.

Timp.

Perc.

Cel.

Hp.

S. Vn. 3

3

3

S. Vc.

I Vn.

1 player II

2 players, div.

Va.

(2 soli, div.)

tutti (unis.)

gli altri

Vc.

marc. tutti

1 player gli altri

Cb.

marc.

(1 player)

1 player

1 player

35 animando (poco a poco)

21 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc. 3

3

3

animando (poco a poco) I Vn. II

Va.

(1 player) Vc.

(2 players, div.)

Cb.

36 25

(animando)

1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

(animando) I Vn. II

Va.

Vc.

Cb.

37 30

Con moto

= 45 (Tempo II)

1 Fl. 2

Ob.

1 2

Cl. in B

1

Bass Clarinet Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

Con moto I Vn. II

Va.

Vc.

Cb.

= 45 (Tempo II)

38 36

movendo

Fluendo

= 60

1 Fl. 2

Ob.

1 2

Cl. in B

1

to Clarinet in B Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

movendo I Vn. II

Va.

Vc.

Cb.

Fluendo

= 60

39 42

Tempo II

ritardando

= 45

1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

in fuori

Hp.

S. Vn.

misterioso S. Vc.

ritardando

tutti

Tempo II

= 45

I

Vn.

tutti, div. a3 II

tutte, div. a3 Va.

Vc.

Cb.

40 49 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Contrabassoon Cbn.

1 3 Hn. in F

(with straight mute) 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

misterioso

I

Vn.

(div. a3) II

(div. a3)

div. a2

Va.

tutti, div. a3

div. a2

Vc.

tutti, div. a3 Cb.

41 56 1

marc.

Fl. 2

marc. a2 Ob.

1 2

marc.

1

marc.

Cl. in B

Clarinet in B 2

marc.

Bn.

1

Cbn.

a2 (with straight mute) 1 3

marc. a2 (with straight mute)

Hn. in F 2 4

with harmon mute, stem in Tpt. in C

marc.

1 2

marc.

Timp.

Vib. Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I

marc. unis.

Vn. II

marc. unis.

(div. a2) Va.

marc. (div. a2) unis.

Vc.

div.

Cb.

unis.

42 63 1

Fl. 2

(a2) Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

(a2)

remove mute

(a2)

remove mute

1 3 Hn. in F 2 4

remove mute Tpt. in C

1 2

Timp.

Vib. Perc.

Cel.

Hp.

S. Vn.

teneramente S. Vc.

I Vn. II

Va.

Vc.

Cb.

43 70 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1., open 1 3 Hn. in F

2., open 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

5

S. Vc.

espressivo

I Vn. II

Va.

Vc.

Cb.

5

5

44 76 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

(1.)

3., open

(2.)

4., open

1 3 Hn. in F 2 4

open Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

pizz.

Vc.

pizz.

Cb.

45 80 1

Fl. 2

a2 Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F

a2 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

solo

l.v.

cantabile

Hp.

S. Vn.

S. Vc.

pizz.

I Vn.

pizz.

arco

II

cantabile, legato Va.

Vc.

half pizz., half arco Cb.

cantabile

46

Tempo I

=

= 90

85 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vib., solo Perc.

Pedal solo, l.v.

Cel.

Hp.

S. Vn.

cantabile S. Vc.

in fuori

Tempo I

=

= 90

arco

I Vn.

cantabile, legato II

half pizz., half arco Va.

cantabile half pizz., half arco Vc.

(half pizz., half arco) Cb.

cantabile

47 animando (poco a poco)

89 1 Fl. 2

Ob.

1 2

1 Cl. in B

to Bass Clarinet 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vib. Perc.

Cel.

Hp.

S. Vn.

ord.

S. Vc.

animando (poco a poco) I Vn. II

tutte arco Va.

(half pizz., half arco) Vc.

(half pizz., half arco) Cb.

48 94

(animando)

1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

(animando) I Vn. II

Va.

Vc.

Cb.

49 100

Con moto

= 45 (Tempo II)

incalzando

= 45 (Tempo II)

incalzando

1 Fl. 2

Ob.

1 2

Cl. in B

1

Bass Clarinet Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

Con moto I Vn. II

Va.

Vc.

Cb.

50 106

Pi첫 mosso

= 90

Pi첫 mosso

= 90

1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

51 113

tenuto, calando

ritardando al fine

1 Fl. 2

Ob.

1 2

Cl. in B

1

solo Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

tenuto, calando

ritardando al fine

I Vn. II

Va.

Vc.

1 player (arco) Cb.

legato

52 120

(sempre rit.)

= 45 (rit.)

(sempre rit.)

= 45 (rit.)

1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

(1 player) Cb.

53

Tempo giusto

III

= 100

1 Fl. 2

Ob.

1 2

1 Cl. in B

Clarinet in B 2

1

Bassoon

Bn.

2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

sechissimo

S. Vn.

molto marcato S. Vc.

Tempo giusto div., pizz.

= 100

molto marcato unis.

div.

I Vn.

secco II

Va.

pizz.

Vc.

secco Cb.

div.

unis.

54 6 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

sim.

S. Vn.

sim.

pi첫

S. Vc.

pi첫 div. (pizz.)

unis.

div.

unis.

I Vn. II

Va.

div. (pizz.)

Vc.

Cb.

unis.

div.

unis.

div.

55 11 1 Fl. 2

Ob.

1 2

1 Cl. in B

to Bass Clarinet 2

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

0

S. Vn.

commodo S. Vc.

commodo

I Vn. II

Va.

Vc.

Cb.

56 15 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

(ord.)

S. Vn.

poco staccato S. Vc.

leggiero

I Vn. II

Va.

Vc.

Cb.

57 19 1 Fl. 2

a2 Ob.

1 2

Cl. in B

1

Bass Clarinet Bs. Cl.

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Snare Drum Perc.

Cel.

Hp.

S. Vn.

S. Vc.

arco I Vn. II

Va.

unis., arco Vc.

Cb.

58 23 1

Fl.

2

(a2) Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

S.D. Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I

Vn.

II

Va.

Vc.

Cb.

59 27 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

3.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

DCBEFGA

5

S. Vn.

scherzando

5 5

S. Vc. 5

scherzando

I Vn. II

Va.

Vc.

Cb.

5

5

60 31 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn.

to Contrabassoon 2

3.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

5

5 5

S. Vn.

sub.

5 5

S. Vc.

5

5

sub.

5

I Vn. II

Va.

pizz.

Vc.

pizz.

Cb.

sub.

61 35 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

(pizz.)

Vc.

(pizz.)

Cb.

62 39 1 Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

Bn.

1

Contrabassoon

to Bassoon

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

div.

non div.

I

non div.

Vn.

non div.

II

non div.

non div.

Va.

div.

arco

unis.

Vc.

arco Cb.

div.

unis.

div.

non div.

div.

63 43 1

Fl. 2

Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn.

Bassoon 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

l.v.

Hp.

l.v.

5

S. Vn.

5

5

5

con bravura

5

5 5

S. Vc. 5 5

5

5

con bravura (div.)

unis., pizz.

(div.)

unis., pizz.

I Vn. II

pizz.

Va.

pizz.

Vc.

pizz.

Cb.

64 46 1 Fl. 2

a2 Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

(pizz.)

arco

I

Vn.

(pizz.)

arco

II

div. (pizz.)

unis., arco

(pizz.)

arco

Va.

Vc.

(pizz.)

Cb.

arco

65 50 1 Fl. 2

(a2) Ob.

1 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

66 54 1

Fl.

2

(a2) Ob.

1 2

Cl. in B

1

to Clarinet in B Bs. Cl.

1 Bn.

to Contrabassoon 2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

S.D.

Mar., solo

Perc.

Cel.

solo

Hp.

S. Vn.

leggerissimo S. Vc.

leggerissimo

I

Vn. II

Va.

Vc.

Cb.

67 58 1 Fl. 2

Ob.

1 2

1 Cl. in B

Clarinet in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

(Mar.) Perc.

solo

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

68 62 1 Fl. 2

Ob.

1 2

1 Cl. in B 2

Bn.

1

Contrabassoon Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn.

pizz.

II

ben marcato pizz.

Va.

ben marcato pizz.

Vc.

ben marcato pizz.

Cb.

ben marcato

69 66 1 Fl. 2

1., solo Ob.

1 2

6

in fuori

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vib. Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn.

arco II

arco Va.

arco Vc.

Cb.

70 69

soli

1

in fuori

6

Fl.

soli 2

in fuori

(1.)

Ob.

1 2

6

3

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F

a2 2 4

1.

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

6

71 72 1

marcato Fl.

2

marcato a2 Ob.

1 2

1 Cl. in B 2

Bn.

1

marcato Cbn.

marcato 3. take straight mute

1.

4. take straight mute

2.

1 3 Hn. in F

3., with straight mute

2 4

4., with straight mute Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

marcato arco Cb.

marcato

72 77 1

meno

Fl.

to Piccolo 2

meno Ob.

1 2

1 Cl. in B 2

Bn.

1

meno Cbn.

meno meno

1.

a2

meno

2.

a2

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

molto

S. Vc.

molto

I Vn. II

Va.

Vc.

meno div.

Cb.

meno

73 Piccolo

81 Picc.

Fl.

1

Ob.

1 2

a2

1 Cl. in B 2

Bn.

1

sub.

Cbn.

sub. (a2)

3. remove mute

3. open

(a2)

4. remove mute

4. open

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

(div.)

Cb.

unis.

div.

74 85 Picc.

Fl.

1

Ob.

1 2

(a2)

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

div.

unis.

(div.)

unis.

Vc.

Cb.

75 88 Picc.

Fl.

1

Ob.

1 2

(a2)

1 Cl. in B 2

Bn.

1

Cbn.

a2 1 3 Hn. in F

a2 2 4

Tpt. in C

1 2

Timp.

S.D. Perc.

Hp.

S. Vn.

S. Vc.

I

Vn.

II

Va.

div.

unis.

Vc.

div.

Cb.

unis.

76 91

corta

Poco meno mosso

= 92

Picc.

Fl.

1

Ob.

1 2

(a2)

1 Cl. in B 2

Bn.

1

Cbn.

(a2) 1 3 Hn. in F

(a2) 2 4

Tpt. in C

1 2

Timp.

Bass Drum Perc.

Cel.

Hp.

S. Vn.

poco staccato S. Vc.

poco staccato

rilassato 8va

corta I Vn. II

Va.

Vc.

Cb.

Poco meno mosso

= 92

77 95 Picc.

solo Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

solo

Cel.

Hp.

S. Vn.

poco staccato S. Vc.

I Vn. II

Va.

Vc.

Cb.

78 99 Picc.

Fl.

1

Ob.

1 2

1., solo

3

solo

3

3

3

3

1 Cl. in B

3

3

2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vib. Perc.

3

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

3

3

3

79 102 Picc.

Fl.

1

Ob.

1 2

(1.)

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Vib.

Small Triangle

Perc.

Cel.

Hp.

S. Vn.

sub., dolce

S. Vc.

sub., dolce

I Vn. II

Va.

Vc.

Cb.

80 105 Picc.

Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

(Sm. Trg.) Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

81 109

cedendo

a tempo

Picc.

Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

dolcissimo

3

dolcissimo

3

S. Vc.

cedendo

a tempo 1 player

I

marcato Vn.

1 player II

1 player 0

0

Va.

marcato 1 player Vc.

Cb.

0

sim.

82 113 Picc.

Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Perc.

Cel.

Hp.

S. Vn.

3 3

3

3

3

3

3

3

3

S. Vc. 3

3

(loco)

(1 player)

0

3

0

I

(1 player)

Vn.

0

0

0

II

marcato (1 player) Va.

(1 player) 0

0

Vc.

marcato Cb.

0

sim.

0

0

0

0

0

0

83 117 Picc.

Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Five Cowbells (or Concert Sanza), solo* Perc.

Cel.

Hp.

S. Vn.

secco

sost.

secco

sost.

S. Vc.

secco

I

(1 player)

Vn.

0

II

Va.

(1 player) Vc.

Cb.

*See title page.

sost.

secco

sost.

84 122 Picc.

Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Metal Plate

(Cowbells) Perc.

Cel.

Hp.

S. Vn.

S. Vc.

I Vn. II

Va.

Vc.

Cb.

85 127 Picc.

Fl.

1

Ob.

1 2

1 Cl. in B 2

Bn.

1

Cbn.

1 3 Hn. in F 2 4

Tpt. in C

1 2

Timp.

Metal Plate (Cowbells) Perc.

Low Tamtam

Cel.

Hp.

col legno battuto

S. Vn.

col legno battuto S. Vc.

I Vn. II

Va.

Vc.

Cb.