Tavener THE DEATH OF IVAN ILYICH

John Tavener

THE DEATH OF IVAN ILYICH for bass-baritone, solo cello and orchestra

CHESTER MUSIC July 14

The Death of Ivan Ilyich was commissioned by Manchester International Festival (MIF Creative) with thanks for the support of the MIF Commissioning Circle. It was first performed on 7th July 2014, at Bridgewater Hall, Manchester, by Jonathan Lemalu (bass-baritone), Steven Isserlis (cello) and the BBC Philharmonic Orchestra conducted by Tecwyn Evans.

SCORING Solo bass-baritone Solo cello Tenor trombone Bass trombone Timpani Percussion (1 player): 4 tom-toms (low to high), 4 gongs (low to high)

Piano Strings

Duration: c. 25 minutes Full score, vocal score and parts available on hire

COMPOSER’S NOTE “If one wants to be heard, one must speak out from the top of Golgotha, affirm the truth by suffering, and better yet by death.”

The Death of Ivan Ilyich – a monodrama for bass-baritone, solo cello, two trombones, percussion and strings, – came to me after a long illness. It was one of the first major works that I composed after that time, as though Tolstoy himself was waking me from a long creative sleep.

The text is taken from one of Tolstoy’s last and greatest novels. The story of a dying man’s excruciating physical pain and his emotional and spiritual crisis is composed architecturally in an intense and terse manner. A glimpse of light occurs towards the end of the piece, after Ivan Ilyich has examined his miserable life. The work ends with an instrumental Apotheosis.

J.T.

THE DEATH OF IVAN ILYICH taken from the novel by Leo Tolstoy (1828-1910) Смерть (Death) Смерть. Smyeart. (Death.)

He has a strange taste in his mouth. It is Death.

The doctor said so and so and so and so indicates that you have inside you so and so and so and so: but if that is not confirmed by investigation of so and so and so and so... and thus we must assume that you have so and so and so and so. And if we assume so and so and so... Then was his condition dangerous or not? The doctor ignored him and left him.

“Doctors! Homeopaths! Diagnoses! Ikon healers! They all know nothing!” “Бо же мой!” “Bozhyea moy!” (“My God!”) “Бож (as though holding his stomach) “Pain again, pain again. It will never stop!”

Ivan Ilyich saw he was dying. He hated his wife, but she had glimpsed the truth, he had lost his life. “Бо же мой!” “Bozhyea moy!” (“My God!”) “Бож “Opium, morphine. Undisguised pain!”

Gerasim the innocent servant, he alone understood. He alone could relieve the pain. The lies! The torment!

“You know and I know I’m dying so stop the lies, so at least stop the lying.” Gerasim the innocent servant, he alone understood.

“Not right! Not right! My life is not right! Not right! Not right! My whole life is vile! Not right! Not right!

My life is worthless. Not right! Not right! And now dreadful death. Not right! Not right! My life is not right!” (in sudden pain) “Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. ” “All that had seemed Joys now melted before my eyes. My whole life seemed worthless.”

He turned on his back and began going over his life in a completely different way. In confession he softened.

Took communion with tears in his eyes.

“I want to live.”

But he turned away and shouted: “Go away! Go away! Go away! Go away!”

For three whole days he floundered inside a black sack, shared by invisible forces. Then an attack. (in sudden pain) “No. Oh. No. Oh.” Something started shining. His wife came to him – he glanced at her – his son kissed his hands. He felt pity for them. (with sudden radiance) “Forgive me. Forgive me. Where is death? There is no death, only light. What bliss!

What joy! There is no death, only light! Only light!”

He drew in some air, stopped in mid-breath, stretched out and died.

Instrumental apotheosis.

in memory of Pauline

THE DEATH OF IVAN ILYICH John Tavener Very urgent and intense (q = c.72-80)

poco

poco

Tenor Trombone

poco

8 4

8 4

molto f sffp

8 4

molto f sffp

molto f sffp

8 4

Bass Trombone poco

8 4 poco

8 4 poco

Timpani

8 4

Percussion

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

Piano

poco

Solo Cello

8 4

Solo Bass-Baritone

8 4

poco

poco

8 4 8 4

Very urgent and intense (q = c.72-80) poco

8 4

poco

8 4

8 4 8 4

poco

Violin I

8 4

Violin II

8 4

8 4

8 4

Viola

8 4

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Cello

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8 4

8 4

con molto intensità

p

8 4 p

6

Tbn.

poco

8 4

8 4

8 4

molto f sffp Timp.

8 4 mp

molto

poco

molto f sffp poco

8 4

8 4

mp

molto

8 4

Double Bass

8 4

poco

8 4

8 4 sff

Vlc.

poco

8 4 mf

D.B.

8 4

poco

8 4

ff

f

8 4 mf

© Copyright 2012 Chester Music Ltd

8 4 8 4 ff

f

CH80685

rev. July 14

2

A

c.10" Feroce!

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OFF

accel.

repeat until cut off

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B. Tbn. molto f

fff

cresc. poco a poco

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Timp. p

A

f

ff

cresc. poco a poco

Feroce! c.10"

screaming! – very fast

OFF repeat until cut off

3 4

Vln. I ff poss.

screaming! – very fast

repeat until cut off

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repeat until cut off

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Vla. ff poss. screaming! – very fast

repeat until cut off

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ff poss.

Vlc.

3 4 p

f

ff poss.

cresc. poco a poco

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D.B. p

f

ff poss.

cresc. poco a poco

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Timp.

A tempo – molto espressivo (q = c.72)

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4 4

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Solo Vlc.

Solo B-Bar.

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sopra mp

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p

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ɋɦɽɪɬɶ.

Smyeart.

A tempo – molto espressivo (q = c.72)

7 4

sickly, colla voce trem. sul pont.

p

B Vln. I

4 4

6 4

mp

He

has

a strange

taste

in

his mouth.

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Timp.

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Solo Vlc.

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Solo B-Bar.

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It

is

Death.

Molto espressivo

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Vln. I

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Vln. II

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poco

5 4

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Vla.

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poco

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Vlc.

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7 4

5 4

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3 4 poco

4 4 p

D.B.

(div.)

3 4

3 4 poco

5 4

4 4

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C 26

Timp. sfp

4 4

5 4

4 4

pp

4 tom-toms Perc. mp marcato (sul pont.)

Solo Vlc.

5 4

gliss.

gliss.

5 4

4 4

gliss.

mf sickly poco f marcatiss.

3 ironically

6

5 4

Solo B-Bar. The doc tor said so and so and so and so in

C

3

di cates

that you have in side

you

so and so and so and so:

3

4 4

but if that is not con

(echo of screaming)

Vln. I mp

5 4

4 4

5 4

4 4

5 4

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(echo of screaming) Vln. II mp (echo of screaming) Vla. mp

4 28

Timp.

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Perc.

4 4

Solo Vlc.

4 4

(T-toms)

gliss.

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(mf ) 5

4 4

Solo B-Bar.

3

firmed by in ves ti

ga tion of so and so and so and so‌ and

4 4

Vln. I

3

6 4

5 4

thus we must as sume that you have so and so and so and so. And if we as sume so and

6 4

5 4

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(mp)

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Vln. II

(mp)

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OFF 30

Timp.

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Molto espressivo

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sub.

Perc.

5 4

(T-toms) sub.

Solo Vlc.

5 4 sub. pompous sfp

Solo B-Bar.

sub.

5 4 so and so‌

Then

OFF Molto espressivo Vln. I

5 4

3 4 p

sub.

Vln. II

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p

sub.

Vla.

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3 4 sub.

Vlc.

5 4

(div.)

p

3 4 p

D.B.

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3 4

5

D 35

Tbn.

Faster (q = c.92 / e = c.184 / q. = c.122)

6 16

OFF

A tempo (q = c.72)

4 16

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5 4

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ff marcatiss.

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B. Tbn.

ff marcatiss.

6 16

Timp.

4 16

hard sticks

molto f

6 16

Solo Vlc.

4 16

pp

5 16

(trem. sul pont.)

6 16

6 4

poco f

6 16

Solo B-Bar.

4 16

5 16

molto f sopra

6 16

6 4

Was

his

con

di tion dan ge

rous

or

A tempo (q = c.72)

D 6 16

Vln. I

OFF

(echo of screaming)

Faster (q = c.92 / e = c.184 / q. = c.122)

4 16

5 16

6 16

6 4

5 4

mp

6 4

6 16 sub.

(echo of screaming)

6 16

Vln. II

4 16

6 16

Vla.

5 16

4 16

6 16

5 16

6 4

6 16

6 4

not?

5 4

mp (echo of screaming)

6 4

6 16 sub.

5 4

mp

6 4

6 16 sub.

Vlc.

6 16

4 16

5 16

6 16

6 4

5 4

6 4

6 16

D.B.

6 16

4 16

5 16

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6 4

5 4

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6 16

42

Tbn.

E

Faster – savage! (q = c.92)

6 16

A tempo (q = c.72)

4 16

5 16

6 16

7 4

3 4

5 4

4 16

5 16

6 16

7 4

3 4

5 4

5 16

6 16

7 4

3 4

5 4

3 4

5 4

ff marcatiss.

B. Tbn.

6 16

ff marcatiss.

Timp.

6 16

4 16 molto f

(sul pont.)

Solo Vlc.

Solo B-Bar.

6 16 6 16

4 16 4 16

5 16 5 16

6 16 6 16

7 4 7 4

p

sfp

sfp

mp

sfp

sfp

left

him.

The

3 4 doc

tor

ig

nored him

5 4 and

6

F Molto espressivo

49

4 4

Tbn.

(q = c.72-80) poco

3 4

8 4 molto f sffp

F

Molto espressivo Vln. I

(q = c.72-80)

poco

4 4

3 4

8 4

4 4

3 4

8 4

4 4

3 4

8 4

4 4

3 4

8 4

4 4

3 4

8 4

p

Vln. II p Vla. p

Vlc. p

D.B.

poco

54

Tbn.

poco

8 4

8 4

8 4

molto f sffp

Timp.

molto f sffp

8 4

8 4 pp

Solo Vlc.

pp poco

8 4

8 4

8 4

p

more reflective mf

Doc

poco

8 4

p

Solo B-Bar.

8 4

8 4 tors!

mp

Ho

poco

8 4 me

o

paths!

poco

Vln. I

8 4

8 4

Vln. II

8 4

8 4

8 4

Vla.

8 4

8 4

8 4

Vlc.

8 4

8 4

8 4 p

p D.B.

8 4

8 4 p

8 4

8 4 p

7 58

Tbn.

poco

poco

8 4

8 4

8 4

molto f sffp

molto f sffp

8 4

Timp.

8 4

8 4

Solo B-Bar.

8 4

mf

sfp

poco f

sfp

mp

p

Solo Vlc.

8 4

poco

poco

8 4

mf

8 4

mf

f

8 4

Di

ag

no

ses!

molto f

f

8 4

I

poco

kon

heal

ers!

They

poco

Vln. I

8 4

8 4

Vln. II

8 4

8 4

8 4

Vla.

8 4

8 4

8 4

Vlc.

8 4

8 4

8 4

8 4

D.B.

G

sfp

poco f

8 4

8 4 poco f

mf

mf

sfp

c.10"

con sord. very fast

OFF

63

repeat until cut off

3 4

Vln. I pp poss. con sord.

cresc. poco a poco

sub.

very fast

ff

repeat until cut off

3 4

Vln. II pp poss.

cresc. poco a poco

sub.

con sord. very fast

ff

repeat until cut off

3 4

Vla. pp poss. con sord.

cresc. poco a poco

very fast

sub.

ff

repeat until cut off

3 4

Vlc. pp poss.

cresc. poco a poco

sub.

ff

very fast

3 4

D.B. pp poss.

thing!

8 4

mf

mf

all know no

cresc. poco a poco

sub.

ff

8

I

H 65

Tbn.

Molto espressivo (q = c.72)

3 4

4 4

Very urgent and intense (q = c.72-80) poco

poco

5 4 molto f sffp

3 4

B. Tbn.

4 4

senza sord.

3 4

p

I

p poco senza sord.

3 4

p senza sord.

p

poco

5 4

4 4

5 4

8 4

4 4

5 4

8 4

4 4

5 4

8 4

8 4

con molto intensitĂ

poco

3 4

D.B.

poco

4 4

poco

3 4

Vlc.

Very urgent and intense (q = c.72-80)

poco

3senza sord.

4

Vla.

8 4 molto f sffp

Molto espressivo (q = c.72)

Vln. II

p

poco

5 4

H Vln. I

8 4

4 4

mp con molto intensitĂ

5 4

8 4

mp

poco

poco

72

poco

Tbn.

poco

8 4

molto f sffp

mp

poco

molto f sffp

poco f

poco

8 4

B. Tbn.

8 4 molto f sffp

molto f sffp poco

8 4

poco

Vlc.

poco

8 4

poco

8 4 f

mf

8 4

D.B.

8 4 f

mf

poco accel. poco

poco

78

poco

Tbn. molto f sffp

f

poco

molto f sffp

ff

poco

8 4 ff

ff sffp

f

8 4

Timp.

poco accel.

poco

8 4

ff sffp

8 4

B. Tbn.

Vlc.

poco

8 4

8 4 sffp

poco

8 4

poco

poco

8 4 ff

molto f D.B.

8 4 molto f

8 4 ff

9

J

c.15"

OFF

accel.

84

repeat until cut off

3 4

B. Tbn. pp

ff poss.

cresc. poco a poco

3 4

Timp. pp

J

ff poss.

cresc. poco a poco

c.15"

whispering‌

screaming‌

OFF

repeat until cut off

3 4

Vln. I pp

ff poss.

cresc. poco a poco repeat until cut off

3 4

Vln. II pp

ff poss.

cresc. poco a poco repeat until cut off

3 4

Vla. pp

ff poss.

cresc. poco a poco repeat until cut off

3 4

Vlc. pp

ff poss.

cresc. poco a poco

repeat until cut off D.B. pp

3 4

ff poss.

cresc. poco a poco

K 86

Vln. I

Molto espressivo (q = c.72)

3 4

(div.)

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

mp

Vln. II

3 4

(div.)

mp

Vla.

(div.)

3 4 mp

Vlc.

3 4 mp

D.B.

3 4

10 90

Timp.

Crying out! (q = c.66-72) con molto rubato ed intensità

3 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

mp 4 Tom-toms

3 4

Perc.

3 4

Solo Vlc.

mp marcato (sul pont.)

f molto f

3

3 4

Solo B-Bar.

Ȼɨ ɠɟ ɦɨɣ! Ȼɨ ɠɟ ɦɨɣ!

Bozh yea moy! Bozh yea moy!

Ȼɨ Bozh

ɠɟ ɦɨɣ! yea moy!

Ȼɨ Bozh

ɠɟ ɦɨɣ! yea moy!

Ȼɨ Bozh

ɠɟ ɦɨɣ! yea moy!

Crying out! (q = c.66-72) con molto rubato ed intensità

3 4

Front Desks*

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

poco f

Vln. I

3 4

Back Desks*

poco f

3 4

Front Desks Vln. II

3 4

Back Desks

poco f

poco f

3 4

Front Desks

poco f

Vla.

3 4

Back Desks

poco f

3 4

Front Desks Vlc. Back Desks

3 4

Front Desks

3 4

D.B.

3 4

Back Desks

poco f

poco f

poco f

poco f

L 97

Vln. I

Molto espressivo

5 4

tutti

4 4

3 4

5 4

4 4

3 4

5 4

4 4

3 4

5 4

4 4

3 4

5 4

p Vln. II

5tutti, div.

4 p

Vla.

5tutte 4 p

Vlc.

5tutti 4 p

* In bars 90-96, 101-106, 110-116, 121-127 and132-138, each string section should be divided into roughly equal groups of Front and Back Desks.

11 101

Timp.

Con molto intensitĂ

5 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

mp (T-toms)

5 4

Perc.

mp marc.

5 4

Solo Vlc.

poco f (as though holding his stomach) molto f

5 4

Solo B-Bar.

Pain

a gain,

pain

a gain.

It

will ne

ver

stop!

Con molto intensitĂ

5 4

Front Desks

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

4 4

5 4

4 4

6 4

3 4

poco f

Vln. I

5 4

Back Desks

poco f

5 4

Front Desks Vln. II

poco f

5 4

Back Desks

poco f

5 4

Front Desks

poco f

Vla.

5 4

Back Desks

poco f

5 4

Front Desks

poco f

Vlc.

5 4

Back Desks

poco f

5 4

Front Desks

poco f

D.B.

5 4

Back Desks

poco f

M 107

Vln. I

Molto espressivo

3 4

tutti

7 4

5 4

3 4

7 4

5 4

3 4

7 4

5 4

3 4

7 4

5 4

3 4

p tutti, div.

Vln. II

Vla.

Vlc.

3 4 3 4 3 4

p tutte

p tutti

p

12 110

Timp.

Con molto intensitĂ (q = c.60)

3 4 pp poss.

(T-toms)

3 4

Perc.

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

p

pp poss.

3 4

Solo Vlc.

ord.

4 4

pp

3 4

Solo B-Bar.

I

3

3

van

Il yich

saw

Con molto intensitĂ (q = c.60)

he

5 4

4 4

6 4

5 4

5 4

4 4

6 4

5 4

5

3

p

pp poss.

5

4 4 was

dy

ing.

3 4

4 4

5 4

4 4

6 4

5 4

Back Desks

3 4

4 4

5 4

4 4

6 4

5 4

Front Desks

3 4

4 4

5 4

4 4

6 4

5 4

3 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

4 4

5 4

4 4

6 4

5 4

Front Desks Vln. I

Vln. II Back Desks

pp

pp

3 4

Front Desks Vla.

pp

3 4

Back Desks

pp

3 4

Front Desks Vlc.

pp

3 4

Back Desks

pp

3 4

Front Desks

pp

D.B.

3 4

Back Desks

pp

N 117

Vln. I

Molto espressivo

5 4

tutti

4 4

3 4

5 4

4 4

3 4

5 4

4 4

3 4

5 4

4 4

3 4

5 4

p Vln. II

5tutti, div.

4 p

Vla.

5 4

tutte p

Vlc.

5 4

tutti

p

13 121

Timp.

Con molto intensitĂ (q = c.66-72)

5 4

4 4

3 4

6 4

3 4 f

p (T-toms)

5 4

Perc.

4 4

3 4

6 4

mp marcato

5 4

Solo Vlc.

3 4 f

sul pont.

4 4

3 4

6 4

3 4

6 4

3 4

poco f f

5 4

Solo B-Bar.

3

4 4 He ha

ted

his

wife,

Vln. I Back Desks

3 4

but she had glimpsed the

Con molto intensitĂ (q = c.66-72)

Front Desks

3

truth,

he had

lost his life.

5 4

4 4

3 4

6 4

3 4

5 4

4 4

3 4

6 4

3 4 molto f

mp Front Desks Vln. II Back Desks

5 4

4 4

3 4

6 4

3 4

5 4

4 4

3 4

6 4

3 4

mp

5 4

Front Desks

4 4

3 4

6 4

4 4

3 4

6 4

3 4

mp

Vla.

5 4

Back Desks

mp

5 4

Front Desks

3 4 molto f

4 4

3 4

6 4

3 4

4 4

3 4

6 4

3 4

mp

Vlc.

5 4

Back Desks

mp

5 4

Front Desks D.B.

5 4

Back Desks

mp

molto f

4 4

3 4

6 4

3 4

4 4

3 4

6 4

3 4

mp

O 128

Vln. I

molto f

molto f

Molto espressivo

3 4

tutti, div.

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

p Vln. II

Vla.

3 tutti, div.

4 3 4

p tutte

p Vlc.

3 4

tutti

p

14 132

Timp.

Con molto rubato ed intensità (q = c.66-72)

3 4

4 4

mp (T-toms)

4 4

poco f marc. sul pont.

6 4

4 4

3 4

5 4

6 4

4 4

f

3 4

Solo Vlc.

5 4

f

3 4

Perc.

3 4

4 4

3 4

5 4

6 4

4 4

4 4

3 4

5 4

6 4

4 4

poco f molto f cresc.

3 4

Solo B-Bar.

3

Ȼɨ ɠɟ ɦɨɣ! Ȼɨ ɠɟ ɦɨɣ!

Bozh yea moy! Bozh yea moy!

Ȼɨ Bozh

ɠɟ ɦɨɣ! yea moy!

Ȼɨ Bozh

ɠɟ ɦɨɣ! yea moy!

Ȼɨ Bozh

ɠɟ ɦɨɣ! yea moy!

Con molto rubato ed intensità (q = c.66-72)

3 4

Front Desks

4 4

3 4

5 4

6 4

4 4

4 4

3 4

5 4

6 4

4 4

poco f

Vln. I

3 4

Back Desks

poco f

ff

3 4

Front Desks Vln. II

poco f

3 4

Back Desks

4 4

3 4

5 4

6 4

4 4

4 4

3 4

5 4

6 4

4 4

poco f

ff

3 4

Front Desks

4 4

3 4

5 4

6 4

4 4

4 4

3 4

5 4

6 4

4 4

poco f

Vla.

3 4

Back Desks

poco f

ff

3 4

Front Desks

4 4

3 4

5 4

6 4

4 4

4 4

3 4

5 4

6 4

4 4

poco f

Vlc.

3 4

Back Desks

poco f

ff

3 4

Front Desks

4 4

3 4

5 4

6 4

4 4

4 4

3 4

5 4

6 4

4 4

poco f

D.B.

3 4

Back Desks

poco f

P 139

ff

Very urgent and intense (q = c.72-80)

sim.

poco

poco

poco

Tbn. molto f sffp

molto f sffp

poco

8 4

B. Tbn. molto f sffp

poco

8 4

Timp.

P Vlc.

8 4

Very urgent and intense (q = c.72-80) poco

poco

molto f sffp poco

8 unis.

4 p

D.B.

8 unis.

4 p

15 144

8 4

Tbn.

molto f sffp

8 4

B. Tbn.

molto f sffp

molto f sffp

8 4

Timp. molto f sffp

8 4

Vlc.

sffp

mp

8 4

D.B.

mp

149

8 4

Tbn.

8 4 molto f

sffp

8 4

B. Tbn.

8 4 molto f sffp

8 4

Timp.

8 4

molto f sffp

molto f sffp

8 4

Vlc.

8 4

poco f

8 4

D.B.

8 4

poco f

154

Tbn.

8 4

8 4 molto f sffp

B. Tbn.

8 4

8 4 molto f sffp

Timp.

8 4

8 4 molto f sffp

Vlc.

8 4

sffp

8 4 ff

f D.B.

8 4

8 4 f

ff

16

Q

Whispering . . .

c.15" . . . becoming more and more agitated . . .

. . . screaming! OFF repeat until cut off

159

Tbn. pp

ff poss.

cresc. poco a poco accel.

repeat until cut off

3 4

B. Tbn. pp

3 4

ff poss.

cresc. poco a poco

3 4

Timp. pp

ff poss.

cresc. poco a poco

Q Whispering . . .

c.15" . . . becoming more and more agitated . . .

. . . screaming! OFF repeat until cut off

3 4

Vln. I pp

ff poss.

cresc. poco a poco repeat until cut off

3 4

Vln. II pp

ff poss.

cresc. poco a poco repeat until cut off

3 4

Vla. pp

ff poss.

cresc. poco a poco repeat until cut off

3 4

Vlc. pp

ff poss.

cresc. poco a poco

repeat until cut off D.B. pp

3 4

ff poss.

cresc. poco a poco

R 161

Vlc.

Con molto intensitĂ (q = c.66)

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

mp div. a4

3 4 mp div. a3 D.B.

3 4 mp

17 sul pont.

165

Solo Vlc.

3 4

4 4

5 4

6 4

4 4

6 16

3 4

4 4

5 4

6 4

4 4

6 16

p delirious, falsetto mp

Solo B-Bar.

O

pi

um,

div.

3 4

Vln. I

pp

div.

3 4

Vln. II

pp

div. a3

3 4

Vla.

mor

phine.

4 4

5 4

6 4

4 4

6 16

4 4

5 4

6 4

4 4

6 16

4 4

5 4

6 4

4 4

6 16

4 4

5 4

6 4

4 4

6 16

4 4

5 4

6 4

4 4

6 16

4 4

5 4

6 4

4 4

6 16

pp

3 4 Vlc.

div. pp poss. a4

3 4

pp poss. div. a3

3 4

D.B.

pp poss.

S 172

Tbn.

Faster – strident (q = c.92) con sord.

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

poco f con sord.

6 16

B. Tbn.

poco f hard sticks

6 16

Timp.

4 16

mp marc. ord.

6 16

Solo Vlc.

4 16 f marc. (like stabs of pain)

molto f

6 16

Solo B-Bar.

Un

S

4 16 dis guised

Faster – strident (q = c.92)

6 16

pizz.

f

Vlc.

6 16

pizz.

f pizz.

D.B.

6 16

f

18 179

Tbn.

4 16

6 16

4 16

6 16

4 16

7 16

5 4

B. Tbn.

4 16

6 16

4 16

6 16

4 16

7 16

5 4

Timp.

4 16

6 16

4 16

6 16

4 16

7 16

5 4

Solo Vlc.

4 16

6 16

4 16

6 16

4 16

7 16

5 4

Solo B-Bar.

4 16

6 16

4 16

6 16

4 16

7 16

5 4

pain!

T 185

Solo Vlc.

Slowly – with simplicity and tenderness (q = c.72)

5 4

4 4

3 4

2 4

4 4

3 4

2 4

pp dolciss. p

5 4

Solo B-Bar.

Ge

T 5 4 Vlc.

ra

sim

the

in

no

cent

ser

vant,

he

a

lone

un

der

Slowly – with simplicity and tenderness (q = c.72) con sord. arco

4 4

3 4

2 4

4 4

3 4

2 4

pp dolciss. div. con sord. a4 arco

5 4 pp dolciss.

5 4

D.B.

div. a2

div. a3 con sord. arco

4 4

3 4

2 4

pp dolciss.

189

3 4

Solo Vlc.

4 4

stood.

He

a

lone

could

re

6 16

poco

mp

poco

poco f

3 4

Solo B-Bar.

5 4

4 4 lieve

3 4

5 4 the

4 4

6 16 pain.

5 4

6 16 mp

poco Vlc.

3 4

4 4

5 4

6 16 mp

poco div. a3 D.B.

3 4

4 4 poco

5 4

6 16 mp

U 194

Tbn.

(con sord.)

6 16 mp

(con sord.)

6 16

B. Tbn.

19

Faster (q = c.92)

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

4 16

6 16

4 16

6 16

4 16

6 16

4 16

mp

6 16

Timp.

mp marc.

(T-toms)

6 16

Perc.

4 16

mp marc.

6 16

Solo Vlc.

poco f molto f

6 16

Solo B-Bar.

The lies!

201

Tbn.

The

4 16

tor

You know

ment!

6 16

and

4 16

I

know

6 16

I’m dy

ing

4 16

so

stop the

lies,

6 16

5 4 f

4 16

B. Tbn.

6 16

4 16

6 16

4 16

6 16

5 4 f

4 16

Timp.

6 16

4 16

6 16

4 16

6 16

5 4 ff

4 16

Perc.

6 16

4 16

6 16

4 16

6 16

5 4 ff

4 16

Solo Vlc.

6 16

4 16

6 16

4 16

6 16

5 4 ff ff

4 16

Solo B-Bar.

6 16 so

V 208

Solo Vlc.

5 4

Solo B-Bar.

5 4

5 4

Vlc.

stop

the

pp p

4 16

6 16

ly

5 4 ing.

ra

sim

poco rit.

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

the

in

no

cent

ser

vant,

he

a

lone

Slowly – with simplicity and tenderness (q = c.72) (con sord.)

un

der

stood.

poco rit.

4 4

3 4

2 4

3 4

5 4

4 4

3 4

2 4

3 4

5 4

4 4

3 4

2 4

pp div. (con sord.) a4

pp div. a3 (con sord.)

D.B.

at least

6 16

Slowly – with simplicity and tenderness (q = c.72)

Ge

V

4 16

pp

div. a2

3 4

20

Calmo, espressivo (q = c.72) 213

Perc.

3 4

Gongs

p

4 4

5 4

4 4

4 4

5 4

4 4

Calmo, espressivo (q = c.72)

3 4 p

p

Vlc.

3 4

p div. a3

3 4

D.B.

4 4

5 4

4 4

5 div. a2 4

4 4

p

4 4

p

p

219

Molto calmo

2 4

Perc.

3 4

4 4

3 4

5 4

4 4

3 4

5 4

4 4

3 4

5 4

4 4

3 4

5 4

Molto calmo

2 4

3 4 p

Vlc.

2 4

3 4

2 4

3 4

p

div. a3 D.B.

p

W

Very urgent and intense (q = c.72-80)

senza sord. poco

poco poco

225

Tbn. poco poco f sfp

4 4

poco poco f sfp

senza sord. poco

poco

poco poco f sfp poco

4 4 poco

4 4

molto f poco ff

poco

4 4

Not right!

W

Not right!

poco f

My

Very urgent and intense (q = c.72-80) poco

mf

molto f

molto

poco

Solo B-Bar.

poco

ff

molto

life

is

not

right!

poco

4 4

Not right!

My whole life poco

4 4

f

4 4

mp

sopra f sonore

poco

4 4 Not right!

unis. senza sord.

mp unis. senza sord.

D.B.

poco poco f sfp poco

4 4 mp

Vlc.

4 4

poco

4 4

B. Tbn.

Solo Vlc.

poco

mp

4 4 f

mp

is

21 poco poco

poco

232

4 4

Tbn. poco poco f sfp

poco

poco poco f sfp

poco

poco

4 4

B. Tbn.

5 4

poco poco f sfp

poco poco f sfp

poco poco

molto f poco

4 4

Solo B-Bar. Not right!

Not right!

poco

poco

ff

poco f

My

f

life

is

worth

Not right!

Not right! poco

5 4 mp

f

poco 239

5 4

4 4

5 4

f

4 4 f

Tbn.

less.

5 4 poco

mp

D.B.

5 4

poco

poco

4 4

Vlc.

poco

molto f

mp

poco

vile!

poco

4 4

Solo Vlc.

ff

5 4

poco

poco poco f sfp

4 4

6 16

4 4

6 16

4 4

6 16

poco B. Tbn.

5 4

4 4 poco poco f sfp

Timp.

5 4

poco

4 4

poco

sfp poco Solo Vlc.

5 4

poco

4 4 p

molto f

mp

ff

poco Solo B-Bar.

5 4

And

Vlc.

5 4

4 4 now dread

ful

death.

4 4

4 4

poco

4 4

Not right!

Not right! poco

5 4

molto

mp

molto

poco

4 4

life

is

not

6 16 right!

6 16 p

4 4 pp

p

My

pp

D.B.

6 16

4 4

6 16 p

22

X 245

Faster (q = c.108) 3 times

3rd time

6 16

Timp.

4 16

1st time pp poss. cresc. poco a poco 2nd and 3rd times cresc. sempre sul pont.

Solo Vlc.

Solo B-Bar.

5 16

5 16 last time

6 16

4 16

5 16

6 16

3rd time

5 16

1st time pp 2nd time mp 3rd time poco f 1st time pp 2nd time mf like shudders of extreme pain – becoming more and more intense 3rd time f

6 16

4 16

Oh.

X

5 16

Oh.

Oh.

6 16

Vln. I

5 16

Oh.

Oh.

Oh.

4 16

sf

sf

Vlc.

sf

pizz.

D.B.

4 16

6 16

sf (like stabs)

sf

6 16 sf

sf

sf

sf

sf

sf

sf

sf

sf

5 16 sf

5 16

sf

5 16 sf

sf

sf

5 16

6 16

5 16 sf

sf

sf

sf

4 16

5 16

6 16

5 16

sf (like stabs)

6 16

sf

sf

4 16

pizz.

6 16

5 16

sf (like stabs)

6 16

5 16

4 16

sf (like stabs) pizz.

6 16

Vla.

3rd time

pizz.

sf (like stabs) pizz.

6 16

Vln. II

251

6 16

3rd time

Faster (q = c.108) 3 times

Timp.

6 16

5 16 sf

2 times

2 4

3 4 pp poss. cresc. poco a poco

Solo Vlc.

2 4

2nd time

2 times, independent tempo

10

10

poco f colla voce

5

3 4

2 times, independent tempo f

Solo B-Bar.

sopra – shuddering pain

agonised gasp – vocalised breathe in over a minim

10

2 4 Oh.

10

gasp!

Oh.

very fast arco

5

3 4

gasp!

Oh.

repeat until cut off

Vln. I pp

cresc. poco a poco arco

repeat until cut off

Vln. II pp

cresc. poco a poco repeat until cut off

arco Vla. pp

cresc. poco a poco repeat until cut off

arco Vlc. pp

cresc. poco a poco arco

repeat until cut off

D.B. pp

cresc. poco a poco

23

c.12"

Y 256

OFF

rhythm ad lib. – chaotic

poco

repeat until cut off

Tbn. pp

cresc. poco a poco

sub.

molto f

repeat until cut off

3 4

B. Tbn. pp

sub.

cresc. poco a poco

molto f

3 4

Timp. pp cresc. poco a poco

sub.

molto f poco

(continue until cut off)

Solo Vlc.

(continue until cut off)

Solo B-Bar.

Y

sub.

ff poss.

sub.

ff poss.

c.12"

OFF

Vln. I sub.

3 4 sub.

ff

3 4

Vla. sub.

ff

3 4

Vlc. sub.

ff

3 4

D.B. sub.

Z 258

ord.

3 4

4 4

5 4

pp

pp

p

p

3 4 Z

4 4 Joys

now

5 4 melt

ed

be

fore my eyes.

3 4

4 4

5 4

3 4

4 4

5 4

4 16

4 4

3 4

4 16

seemed

worth

less.

3 4

4 4

3 4

3 4

4 16

4 4

3 4

4 16

5 4

4 4

3 4

4 16

4 4

3 4

4 16

pp

4 4 pp

4 4

pp

pp Vlc.

3 4

pp

pp Vla.

My whole life

4 4

Espressivo q = c.72

pp

Vln. II

ff

Espressivo q = c.72

All that had seemed

Vln. I

3 4

ff

Vln. II

Solo B-Bar.

3 4 3 4

poco

Solo Vlc.

3 4

5 4 pp

24

A1 Faster (q = c.92) 266

Tbn.

con sord.

4 16

6 16

mp

con sord.

4 16

B. Tbn.

6 16

mp

7 16

5 16

6 16

7 16

5 16

6 16

7 16

5 16

6 16

7 T-toms.

16

5 16

6 16

hard sticks

4 16

Timp.

6 16 mp

4 16

Perc.

6 16

mp marcatiss.

4 16

Solo Vlc.

6 16

7 16

5 16

6 16

6 16

7 16

5 16

6 16

poco f f

4 16

Solo B-Bar.

He

270

turned

on

his

back

and

be

gan

go

ing

o

ver

his

life

in

a

com

plete

ly

dif

fer

ent

Tbn.

6 16

7 16

4 16

7 16

5 4

B. Tbn.

6 16

7 16

4 16

7 16

5 4

Timp.

6 16

7 16

4 16

7 16

5 4

Perc.

6 16

7 16

4 16

7 16

5 4

Solo Vlc.

6 16

7 16

4 16

7 16

5 4

Solo B-Bar.

6 16

7 16

4 16

7 16

5 4

way.

25

B1 Dolce (q = c.72) 274

Perc.

4 Gongs

5 4

4 4

3 4

4 4

3 4

pp

Solo Vlc.

5 4

Solo B-Bar.

5 4

pp p

In

5

4 4 con

fes

sion

he

3 4

soft

ened. Took com

mu

nion with tears

in

his eyes.

B1 Dolce (q = c.72)

5 4

Vln. I

5 4

Vln. II

5 4

Vla.

5 4

Vlc.

pp

pp

pp

pp

5 4

D.B.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

pp

277

Perc.

4 4

3 4

5 4

3 4

Solo Vlc.

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

p mp

Solo B-Bar. “I

Vln. I

want

to

live.”

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

p Vln. II p

Vla. p

Vlc. p D.B. p

26

C1 282

Timp.

Like recitative – fierce and dramatic (q = c.80) hard sticks

3 4

2 4

mp

6 8

cresc.

colla voce

Solo Vlc.

(e = e)

3 4

2 4

6 8

mp

f

molto f

poco f Solo B-Bar.

3 4

2 4 But

he

turned

6 8 a

way

and

shout ed:

“Go

a

way!

C1 Like recitative – fierce and dramatic (q = c.80) pizz.

Vln. I

Vln. II

3 4

sf

pizz.

3 4

sf

Vla.

sf

sf

sf

sf

6 8

sf

sf

sf

sf

sf

sf

sf

sf

sf

sf

sf

6 8 sf

2 4 sf

sf

6 8

2 4

pizz.

3 4

sf

2 4

pizz.

3 4

2 4

(e = e)

6 8 sf

Vlc.

3 4

2 4

6 8

2 4

6 8

pp

pizz.

3 4

sf

sf

sf

D.B.

3 4

2 4 pp

6 8

27

286

Timp. poco f

cresc. poco a poco

Solo Vlc. cresc. poco a poco

more and more like shouting

cresc. poco a poco

shout!

Solo B-Bar. Go

a

way!

Go

a

way!

Go

Vln. I sff

sff

sff

sff

sff

sff

sff

sff

sff

sff

sff

sff

sff

sff

sff

Vln. II

Vla.

Vlc.

poco f

D.B.

poco f

a

way!�

28

D1 Urgent and intense (q = c.72-80) 289

senza sord. poco

poco

8 4

Tbn. molto sffp f poco Solo Vlc.

poco

8 4

molto sffp f

molto sffp f poco

8 4

8 4

poco

8 4

8 4

mp

mp

Solo B-Bar.

8 4

mf

8 4

For

three whole days

mf

8 4

he

floun

dered

D1 Urgent and intense (q = c.72-80) poco Vlc.

unis., arco con molto intensitĂ

poco

8 4

8 4

unis., arco

8 4

8 4

Tbn.

Timp.

8 4 p

p

294

poco

poco

8 4

8 4

p

p

D.B.

poco

molto sffp f

8 4

6 4

4 4

6 4

4 4

molto sffp f

8 4

4 4

8 4

4 4 sfp

Solo Vlc.

poco

8 4

6 4

8 4

mf

in side

Vlc.

6 4 a black sack,

6 4

p

D.B.

8 4

f

shared by poco

8 4

4 4 in

vi

si

ble

f

sfp

molto f

sffp

ces.

Then, poco

4 4

at tack.

4 4 mf

4 4

an

8 4

mp

mp

4 4

8 4 for

4 4

6 4 p

8 4

mf

mp

Solo B-Bar.

poco

4 4

sfp

8 4

4 4 mf

sfp

29

E1 300

Timp.

(q = c.76) 3 times

4 4

pp poss. cresc. poco a poco

last time

very high tremolando, becoming faster and louder Solo Vlc.

Solo B-Bar.

4 4

p cresc. in sudden pain – hysterical! (independent tempo) p cresc. exhale

inhale

4 4

No!

E1

exhale

Oh!

No!

inhale

Oh!

(q = c.76) 3 times arco

4 4

Vln. I

sff like stabs arco

sff

sff

sff

sff like stabs arco

sff

sff

sff

sff like stabs arco

sff

sff

sff

sff like stabs arco

sff

sff

sff

sff like stabs

sff

sff

sff

4 4

Vln. II

4 4

Vla.

4 4

Vlc.

4 4

D.B.

c.15" (from Cello)

301

repeat until cut off

screaming – as fast as possible

OFF

3 4

Tbn. pp

sub.

cresc. poco a poco accel.

senza sord.

ff poss.

repeat until cut off

3 4

B. Tbn. sub.

pp cresc. poco a poco

ff poss.

3 4

Timp. (cresc. poco a poco)

sub.

ff poss.

repeat until cut off Solo Vlc.

Solo B-Bar.

3 4

f

sub.

f

exhale

inhale

No!

repeat until cut off

3 4 sub.

Oh!

c.15"

screaming – as fast as possible

ff poss.

ff poss.

OFF repeat until cut off

3 4

Vln. I pp

cresc. poco a poco screaming – as fast as possible

sub.

ff poss.

repeat until cut off

3 4

Vln. II pp

cresc. poco a poco screaming – as fast as possible

sub.

ff poss.

repeat until cut off

3 4

Vla. pp

cresc. poco a poco screaming – as fast as possible

sub.

ff poss.

repeat until cut off

3 4

Vlc. pp

cresc. poco a poco (to Ten. Tbn.)

sub.

ff poss.

3 4

D.B. pp

cresc. poco a poco

sub.

ff poss.

30

F1 A tempo (q = c.72) With radiance, and a sudden inner joy

303 4 Gongs

3 4

Perc.

3 4

Solo Vlc.

4 4

mp

4 4

3 4

4 4

3 4

4 4

3 4

pp

4 4

mp shining

poco f poised

3 4

Solo B-Bar.

5 4 5 4

4 4

Some thing start

ed

pp p with great tenderness

5 4 shin

ing.

His

wife came

to

him –

he glanced at

F1 A tempo (q = c.72) With radiance, and a sudden inner joy

3 4

Vln. I

4 4

5 4

4 4

5 4

pp

mp

3 4

Vln. II

mp

3 4

Vla.

3 4

Vlc.

3 4

D.B.

Perc.

4 4

mp

5 4

Solo B-Bar.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

pp

4 4

mp

(div.)

5 4

pp

(div.)

4 4

5 4 pp

With deepest compunction (poco più mosso)

3 4

4 4

5 4

4 4 (pp)

(pp)

Solo Vlc.

3 4

pp

mp

309

4 4

3 4 poco

pp

poco

p

4 4

3 4

5 4

4 4 her –

his

son kissed his hands.

He

felt

pi ty

for

mf

pp

f

p

5 4

4 4

4 4

them.

For

With deepest compunction (poco più mosso) Vln. I

3 4

4 4 poco

Vln. II

Vla.

poco D.B.

poco

pp

4 4 mf

4 4

pp

5 4

pp

3 4

4 4 mf

4 4

pp

5 4

pp

3 4

4 4 mf

4 4

pp

5 4

pp

3 4

4 4 mf

4 4

poco

Vlc.

pp

3 4 poco

5 4

pp

5 4

4 4 mf

pp

31 316

Perc.

4 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

pp poss.

4 4

Solo Vlc.

3 4 pp poss. pp

4 4

Solo B-Bar.

3 4 give

4 4

Vln. I

me.

For

3 4

give

me.

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

3 4

pp poss.

4 4

Vln. II

3 4 pp poss.

4 4

Vla.

3 4 pp poss.

4 4

Vlc.

3 4 pp poss.

4 4

D.B.

3 4 pp poss.

G1 323

Perc.

Calmo (q = c.72)

3 4

4 4

5 4

4 4

3 4

pp poss.

Solo Vlc.

3 4

pp

4 4

5 4

4 4

radiant

3 4

3

radiant Solo B-Bar.

3 4

p

4 4

Where

5 4 is

3

4 4 death?

There is

no death,

on

3 4 ly

light.

G1 Calmo (q = c.72) Vln. I

3 4

Solo

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

pp

Vln. II

3 Solo 4 pp

Vla.

Vlc.

3 4

Sola pp

3 Solo 4 pp

32

330

Perc.

Solo Vlc.

3

p mp

3

3

4 4

5 4

4 4

5 4

pp

4 4 p mp

3

4 4

Solo B-Bar. What

bliss! What

5 4

4 4

joy!

There

4 4

Vln. I

4 4

death,

4 4

5 4

4 4

p

p

4 4

Vla.

5 4

4 4

p

p

4 4

Vlc.

5 4

4 4

p

4 4

no

p

Vln. II

Perc.

is

5 4

p

336

4 4

p

3 4

4 4

3 4

5 4

6 4

4 4

3 4

5 4

6 4

pp poss

Solo Vlc.

Solo B-Bar.

4 4

3 4

4 4

4 4

3

3 4 on

Vln. I

3

ly

f

molto f pp poss

4 4

on

light!

3 4

4 4

Vlc.

4 4

6 4

5 4

6 4

light!

3 4

p

4 4

3 4

5 4

pp poss.

3 4

3 4

5 4

pp poss.

3 4

6 4 p

4 4 pp poss.

6 4 p

4 4

f

5 4

pp poss.

3 4

f

3 4 ly

4 4

f Vla.

mp

4 4

f Vln. II

p

pp poss

3 4

5 4

6 4 p

33

H1 343

Solo Vlc.

6 4

7 4

6 4

7 4

6 4

pp

6 4

Solo B-Bar.

p

He

drew

in

some

air,

stopped

in

mid

breath,

H1 Tutti 6 4

Vlc.

stretched

out

and

died.

7 4

6 4

7 4

6 4

pp

6 4

D.B.

pp

I1 Postlude 346

Tbn.

Monumental, bell-like (q = c.72)

6 4

4 4

5 4

pp

B. Tbn.

mf

6 4

4 4

5 4

pp

6 4 mf

T-toms.

Perc.

6 4

6 4

4 4

5 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

pp marcatiss. (like muffled funeral drums)

6 4

5

p delicato, ma poco sopra

Pno.

5

6 4

5

5 5

5

5

5 5

4 4

5

I1 Monumental, bell-like (q = c.72) tutti div.

Vln. I

6 4 pp

5

Vln. II

5

5 5

tutti

6 4

4 4

5

div. unis.

5

4 4

5

5

div. unis. 5

mf 5

5 4

pp

mf 5

tutti

Vla.

6 4

pp

Vlc.

6 4

5

4 4

5

5

5 4

4 4

6 4

5 4

6 4 mf

4 4 pp

6 4 mf

5

pp

D.B.

6 4

5 4

6 4 mf

34 349

Tbn.

6 4 pp

6 4

B. Tbn.

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

pp

6 4

Perc.

6 4 mf

mf

6 4 6 4

pp marcatiss.

6 4 Pno.

6 4

6 4

Vln. I

6 4

Vln. II

5

p

5 5

5 pp div. unis.

5

pp div.

5

5

5

4 4

5

5 5

5

5

5

5

div.

unis.

4 4

div.

5 4 5

4 4

6 4

5 4

4 4

5 4

pp 352

Tbn.

B. Tbn.

Perc.

6 4

6 4 mf

6 4

mf

6 4 6 4

6 4 mf

pp D.B.

6 4 mf

5

5

5

mf

5 4 5

6 4

Vlc.

5

4 4

5

unis. pp

5

4 4

6 4

Vla.

5

5

pp

pp

4 4

5 4

4 4

5 4

6 4 mf

mf

6 4

4 4

5 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

pp marcatiss.

6 4 Pno.

Vln. I

6 4

p

5 5

5 5

6 4 pp

Vln. II

5

6 4

5 5

5

5

5

6 4

5

4 4

5

4 4 5

5

5 5

4 4

5

5

pp Vla.

5

5

mf

5 5

5

5

5

5 4 mf

4 4

5 4

pp Vlc.

6 4

4 4

5 4

4 4

5 4

pp D.B.

6 4 pp

6 4 6 4 mf

mf

mf

6 4 6 4

35 355

Tbn.

6 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

pp

6 4

B. Tbn.

pp

6 4

Perc.

6 4 mf

mf

6 4 6 4

pp marcatiss.

6 4 Pno.

6 4

6 4

Vln. I

6 4

Vln. II

p

pp

5

5

6 4

Vlc.

5

5

5

pp 5

5

5

5

5

pp

5

5 5

4 4

4 4

5

5

6 4

Vla.

5

5 5

5

5

5

mf 5

4 4 5

4 4

5

5

5 4 mf

5 4

4 4

5 4

4 4

5 4

pp

6 4

D.B.

6 4 6 4 mf

mf

6 4 6 4

pp mf 358

Tbn.

6 4

4 4

5 4

pp B. Tbn.

Perc.

6 4 6 4

4 4 pp

5 4

6 4 mf

mf

6 4

4 4

5 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

pp marcatiss.

6 4 Pno.

p

5

6 4

5

5 5

5

5

5

5 5

4 4

5

put on mutes Vln. I

Vln. II

6 4

pp

5

6 4

5

5 5

4 4

5

5

4 4

5

5 5

mf 5

5 4

pp

Vla.

Vlc.

mf 5

6 4 6 4

pp

5

5

4 4 4 4

5

5 4 5

5 4

pp D.B.

6 4

4 4 pp

6 4

5 4

6 4 mf

mf

mf

6 4 6 4

36

J1 361

Tbn.

6 4 6 4

B. Tbn.

6 4

Perc.

con sord. pp sub. con sord.

pp sub.

pp

6 4

Vln. I

5

5

6 4 J1 6 4

5

5 5

6 4

pp sub. con sord.

5

5

5

5

5 4

6 4

4 4

5 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

4 4

5 4

6 4

4 4

5 4

6 4

5

5 5

4 4

5

4 4 4 4

5

5 5

5

5

5

5

6 4

pp sub. con sord.

6 4

D.B.

4 4

4 4

5

5

pp sub. con sord.

Vlc.

6 4

una corda

6 4

Vla.

5

5 4

con sord.

pp sub. con sord.

Vln. II

5

5

sub. p delicato

Pno.

4 4

pp sub.

364

Tbn.

6 4

4 4

5 4

6 4

B. Tbn.

6 4

4 4

5 4

6 4

Perc.

6 4

4 4

5 4

6 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

Pno.

5

5 5

6 4

5 5

5

5

5 5

4 4

5

una corda sempre

Vln. I

Vln. II

6 4

5

5

6 4

5

5

4 4 5

Vla.

5

4 4

5

5

6 4

5

5

4 4 5

5

5

5

5

Vlc.

6 4

4 4

5 4

6 4

D.B.

6 4

4 4

5 4

6 4

37 367

Tbn.

6 4

4 4

5 4

6 4

B. Tbn.

6 4

4 4

5 4

6 4

Perc.

6 4

4 4

5 4

6 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

5

Pno.

6 4

5

5

5 5

6 4

Vln. I

5

6 4

Vln. II

5

5

5

5

5

4 4

5

5

5

4 4

5

5

5

5

4 4 55

5

5

5

5

Vla.

6 4

Vlc.

6 4

4 4

5 4

6 4

D.B.

6 4

4 4

5 4

6 4

Tbn.

6 4

4 4

5 4

6 4

B. Tbn.

6 4

4 4

5 4

6 4

Perc.

6 4

4 4

5 4

6 4

6 4

4 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

5 4

6 4

370

Pno.

Vln. I

Vln. II

5

6 4 6 4

5

5

6 4

5

5

5

5

5

5

5

5

5

5

4 4 4 4

5

5

5 5

5 5

4 4

4 4

5

5

5

5

4 4

5

5

5

Vla.

6 4

Vlc.

6 4

4 4

5 4

6 4

D.B.

6 4

4 4

5 4

6 4

38

K1 373

poco rit.

Tbn.

6 4

4 4

5 4

4 4

B. Tbn.

6 4

4 4

5 4

4 4

Perc.

6 4

4 4

5 4

4 4

6 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

Pno.

5 5

6 4

K1 6 4

Vln. I

Vln. II

6 4

Vla.

6 4

5

5 5

5

5

5 5

4 4

5

poco rit.

5

5

5 5

4 4

5

5

4 4

5

5

4 4

5

5 5

5

5

5

5

Vlc.

6 4

4 4

5 4

4 4

D.B.

6 4

4 4

5 4

4 4

376

Solo Vlc.

Vln. I

Vln. II

Vla.

4 4 pp poss.

niente

4 4 pp poss.

niente

pp poss.

niente

pp poss.

niente

4 4 4 4 Child Okeford Tuesday in Holy Week 2012