Augusta Read Thomas
CREDENCES OF SUMMER Full score
From the G. Schirmer Rental Library date of printing _____________
G. Schirmer, Inc. New York, NY
Augusta Read Thomas
CREDENCES OF SUMMER
I. Pure Rhetoric of a Language Without Words II. A Mountain Luminous Halfway in Bloom– III. Trace the Gold Sun About the Whitened Sky
commmissioned by The San Diego Symphony, Jahja Ling, Music Director
G. Schirmer, Inc. New York, NY
Instrumentation: Piccolo 2 Flutes 3 Oboes 3 Clarinets in B= (3rd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba Percussion (3 players) 1. Vibraphone (motor off, 2 bows needed), Glockenspiel, 2 Bongos, 2 low Congas, medium Suspended Cymbal, very large Tamtam 2. Vibraphone, Tubular Chimes, Xylophone, Crotales (2 octaves, 2 bows needed), large Suspended Cymbal, very large Bass Drum 3. Vibraphone (motor off, 2 bows needed), Concert Marimba, Chinese Cymbal N.B.: In movement I all 3 vibraphone motors are on, with motors speed fast.
Harp Strings
Score is transposed duration ca. 15 minutes
to Jahja Ling and the San Diego Symphony with admiration and gratitude
CREDENCES OF SUMMER
Augusta Read Thomas (2005)
I. Pure Rhetoric of a Language Without Words Resonant and elegant
= 60–66
Piccolo
1 Flute 2
1
Oboe
2
3
1
Clarinet in B
2 B Clarinet
(Bass Clarinet) 3
1 Bassoon (Contrabsn.)
Bassoon 2
1
2 Horn in F 3
4
1
Trumpet in C 2
3
1 Trombone 2
Bass Trombone
Tuba
1
Percussion
2
3
Harp
DCB/E F G A
Resonant and elegant
= 60–66
I Violin II 1 sola Viola sempre echo, drone-like 1 solo Violoncello lyric
3
3
3 3
3
3
espr. Contrabass
Corrected 09/2005
Copyright © 2005 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 8 Picc.
1 Fl. 2
1
Ob.
2
3 solo 1 chant-like, mysterious
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. Vibraphone motor on slow
bowed
3
3
1
Perc.
Ped. sempre*
Vibraphone motor on slow
bowed
Vibraphone motor on slow
Ped. sempre* bowed
2
3
3
Ped. sempre*
solo
Hrp.
E
con sord.
floating above cl., fl., vibes
I Vn.
elegant II
Va. espr.
Vc. 3
espr.
Cb. * All 3 Percussion: Pedal stays down for the next 50 measures, until the end of the movement - l.v. molto! Do not lift or fan pedals. A consistent, resonant, shimmering cloud of sound is desired throughout. You may wish to hold the pedal down with a brick. Depending on the acoustics of the concert hall, it might be necessary to raise the dynamics in the vibraphone parts, and/or to increase the motor speed, and/or for the conductor to take a tempo faster than = 60–66.
3 16 Picc. solo
(solo)
(solo)
1 espr.
Fl.
smooth 2
1
Ob.
2
3
1
echo Cl. in B
2
echo 3
echo 1 Bn. 2
con sord. 1
echo 2 Hn. in F
con sord. 3 echo 4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
3
Perc.
3
2 3 3
3 5
Hrp.
1 solo
tutti
I Vn.
1 solo II (1 sola)
Va.
echo (1 solo) Vc. 1 solo Cb. echo
echo
echo
echo
3
lyric and elegant
4 24 Picc. sub. echo vib. 1 Fl. 2 solo 1 espr. Ob.
2
3
1 echo vib. Cl. in B
2 echo vib. 3 echo vib.
solo
1 Bn.
espr. 2
1
2 Hn. in F 3 echo vib. 4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vib.) 1 3
(Ped.) (Vib.) Perc.
3
Large Sus. Cym. bowed l.v. molto
Vibraphone (bowed)
2 (Ped.) (Vib.) 3 3
(Ped.)
3
3
(DCB/EF G A)
Hrp.
I Vn.
espr. II
Va. 3
(1 solo) Vc. espr.
3
3 soli Cb.
5 31 Picc. solo
5
(solo) chant-like
3
(solo)
(solo)
1 Fl.
espr. 2
1
Ob.
2
3
1 echo vib. Cl. in B
2 echo vib. 3 echo vib. 1
Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1 3
3
3
3 3
Perc.
2
3 3
Hrp.
I Vn.
tutti con sord.
via sord.
II
tutti con sord. Va. echo Vc.
Cb.
echo via sord.
1 solo senza sord.
3
6 39 Picc.
(solo)
(solo)
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
3
solo
3
1 Bn. 2
via sord. 1
2 Hn. in F
via sord.
senza sord.
3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vib.)
3
Medium Sus. Cym. bowed l.v. molto
1 (Ped.) Large Sus.Cym. bowed l.v. molto
(Vib.) Perc.
2 (Ped.) (Vib.) 3 (Ped.)
Hrp.
C A
C F
solo
A
3
grow out of cymbals 6 soli - div. a 6
tutti via sord. (except 2 soli)
I Vn. II
Va. tutti Vc. tutti pizz.
1 solo (arco) l.v. molto
Cb. gli altri, pizz.
l.v. molto
7 poco rit.**
47 Picc. Play only if Bassoon tacets these six measures* 3
3
3
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3 optional tacet* 3
3
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1 (Large Sus. Cym.) bowed solo l.v.molto Perc.
2
3
Hrp.
1 solo (con sord.) I Vn.
espr. II 1 sola senza sord.
Va. 3
espr.
1 solo
Vc. (1 solo) Cb.
*Bassoon soloist can opt for Flute 1 to play measures 49-54. **So that audience thinks that Movement I has ended.
echo
poco rit.**
8 55
A tempo
rit.
lunga*
Picc.
1 echo
Fl. 2
1
Ob.
2
3
1 echo Cl. in B
2 echo 3 echo 1
Bn. 2
lunga* 1
2 Hn. in F
con sord. 3 echo con sord. 4 echo 1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. Extra-large Tamtam (soft mallet) solo
Vibraphone (bowed)
lunga*
1 l.v. molto (Ped.) Vibraphone (bowed) Perc.
2 (Ped.) (Vib.)
(bowed) 3
3 (Ped.) lunga*
Hrp.
A tempo 2 soli, div. con sord.
rit. 2 soli via sord.
I echo Vn.
1 solo, con sord.
solo via sord.
II echo 1 sola, con sord.
sola via sord.
Va. echo 1 solo, con sord. solo via sord. Vc. echo 1 solo Cb. echo *Fermata at end should be very long. Let Vibraphones and Tamtam naturally decay to silence.
lunga*
9
II. A Mountain Luminous Halfway in Bloom– = 92 ( = 138) Picc. sempre 1 3
sempre
Fl. 2
sempre 1
Ob.
sempre
3
sempre
3
2
3 sempre 1
Cl. in B
2
3 3
Bn.
1 2 optional tacet
1 sub. 2 sub. optional tacet
Hn. in F 3
sub. 4 sub.
st. mute 1 optional tacet on C
st. mute Tpt. in C
sub.
2 sub.
st. mute 3
sub. 1 Tbn. 2
Bs.Tbn.
Tba.
1 Xylophone Perc.
3
2 sempre Marimba 3
sempre DCB /E F GA
Hrp.
3
sub.
sempre
G
3
C E
C
= 92 ( = 138) div. div.
full downbow
unis. pizz.
full downbow
unis. pizz.
full downbow
pizz.
div. arco
full downbow
full downbow unis.
full downbow
I 3
Vn. div.
div. arco
full downbow
unis.
div. full downbow
full downbow
II
div. arco
full downbow
unis. full downbow
div.
full downbow
Va. full downbow Vc.
Cb.
full downbow
full downbow
10 =
5 Picc. 3
1 3
Fl.
sub. 2 opt. tacet
1
3 3
sub. Ob.
2
3
3
3
1 3
Cl. in B
espr.
2 3
3
take Bass Clarinet 3 3
1 Bn. 2
1
2 Hn. in F 3
4
1 sub. fltg. Tpt. in C
2 sub. 3 sub. 1
Tbn. 2
Bs.Tbn.
Tba.
Glockenspiel 1 3
(Xyl.) Perc.
2 sub. (Mar.) 3 3
sub. s.
glis
Hrp.
G
D C
(D CB /EF GA)
C B
= unis. I sempre
Vn.
3
espr. 3
unis. II sempre unis., pizz.
3
espr. arco
Va. 3
pizz.
espr.
arco
Vc. espr. Cb.
11 =
9
= 138 solo
Picc. 3
solo
solo
1 5
sempre
Fl.
3
solo 2
1
Ob.
2
3 in background
solo
solo
1 sempre
Cl. in B 2
in background Bs. Cl. blend with pizz. 1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. l.v. molto 1 (Xyl.) Perc.
blend with pizz.
2
3 in background
Hrp.
G
=
= 138
pizz.
non div. I non div.
Vn.
non div.
pizz.
II pizz. Va.
div.
unis.
pizz.
Vc. arco Cb.
pizz.
12
=
( = 138,
= 92)
13 Picc.
3
1 3
3
5
Fl. 2 6
1
Ob.
2
3
1 Cl. in B
3
5
2
Bs. Cl.
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2 solo (st. mute)
via sord.
3 lyrical 1 Tbn. 2
Bs.Tbn.
Tba.
Vibraphone 1 blend with strings Ped. Perc.
Ped.
2 (Mar.) 3 sub. - blend with strings, not in foreground gliss.
Hrp.
D C F
(D C B/EF G A)
=
( = 138,
= 92)
non div.
arco I
3
espr.
Vn.
arco II 3
unis.
div., arco Va.
3
non div.
arco
Vc. 3
arco Cb. 3
(non div.)
13 18 Picc. sub.
1 sub. Fl. 2 sub. 1
Ob.
2
3 sneak a breath if necessary 1 Cl. in B 2 3
3
Bass Cl.
3
3
3
3
Bs. Cl. sempre gritty, intense, Stravinsky-like 1 3
3
3
sempre gritty, intense, Stravinsky-like
Bn. 2
3
gritty, intense, Stravinsky-like 1
2 Hn. in F 3
4 (st. mute)
via sord.
1 (st. mute) Tpt. in C
2
3
1 Tbn.
con sord.
via sord.
2 3
solo Bs.Tbn. sub. Tba.
3
(Vib.) 1 sempre Ped.
Crotales Perc.
2 sempre 3
3
3 3
3
3
3
sempre; gritty, intense, Stravinsky-like
Hrp.
D
sempre
sul E
pizz.
E
(D CB/E FG A)
gliss.
arco
pizz.
arco
pizz. non div.
arco
sempre pizz.
arco
pizz. non div.
arco
sempre pizz.
I Vn. II
Va.
div.
sempre 3
unis.
3
Vc. 3
3
sempre; gritty, intense, Stravinsky-like pizz. Cb.
arco
3
3
div., pizz.
unis.
arco
14 fltg.
24
fltg. solo
Picc. 6
5
fltg.
1 3
fltg.
Fl.
fltg. blend with pizz.
3
2 5
1
Ob.
2
3
1 Cl. in B
blend with pizz. 2
Bs.Cl.
1 Bn. 2
1
2 Hn. in F
blend with pizz. 3
4
1 senza sord.
via sord. Tpt. in C
solo
2 3
espr., cantabile
senza sord. 3
1 Tbn.
senza sord. 2 solo con sord.
Bs.Tbn.
Tba.
(Vib.)
l.v.
1 3
Xylophone
Perc.
Ped.
5
Ped. Ped.
Ped.
stop Crotales if they are still ringing
2
Vibraphone 3 Ped.
Ped. l.v.
Hrp.
Ped.
l.v.
l.v.
C B E G
l.v.
div. pizz.
div. unis., pizz.
arco
C
l.v.
unis.
div.
unis., arco
3
I 3
Vn.
div.
unis., pizz.
arco
3
div. pizz.
unis., arco
div.
arco
div.
unis.
II 3
arco div.
unis., pizz.
unis.
Va.
pizz.
unis.
div., arco
Vc. pizz. Cb.
arco
15 28
=
Picc.
1 Fl. 2
1
Ob.
2
3
1 Cl. in B 2 3 3
3
3 3
Bs.Cl. sempre
3
1 Bn.
sempre
3
3
3
2
1
2 Hn. in F 3
4 senza sord. 1
Tpt. in C
2
3
1 Tbn. 2 3
Bs.Tbn. 3
Tba.
2 Bongos & 2 Congas
solo
1 3
3
4:3
Large Bass Drum Perc.
2 Marimba
3
3
sempre
3
3
3
Hrp.
E F
trem.
div.
I sub.
Vn.
sub. trem.
II sub.
3
3
Va. 3 3
Vc.
sempre
3
3
3
pizz.
arco
pizz.
arco
Cb. 3
=
16 33
=
= 138 3
Picc.
3 3
fltg. 1
Fl. 2 3
5
1 sub. Ob.
2
3
1 Cl. in B 2 take B Clarinet Bs.Cl.
1 Bn. 2
1
2 Hn. in F
sub. 3
4
1 solo Tpt. in C
2
solo
3
take st. mute
3
solo 1 5
Tbn. 2 via sord. Bs.Tbn.
Tba.
Vibraphone 1 Ped.
Large Sus. Cym. Perc.
2 Chinese Cymbal
= 138
.
=
E
iss
(D CB /E F GA)
gl
Hrp.
gli ss.
3
unis.
trem. I sub. Vn. II sub.
trem.
pizz.
Va. arco pizz. Vc. pizz. Cb.
sub.
pizz.
17 38 Picc. 5 3
1 3
Fl. 2 poss. 1
3
Ob.
2
3
3
1 3
Cl. in B
2
3
1
3
3 3
3
Bn.
3
3
2
3
blend with pizz. 1 3
blend with pizz.
3
2 Hn. in F
3
3
4 take st. mute 1 take st. mute Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1 (Sus. Cym.) Perc.
2 (Chinese Cym.) 3
Hrp.
C B F G
I
3
Vn.
div. II
arco
non div. arco
3
pizz.
3
3
pizz.
div., arco
3
Va. 3
3
3
arco Vc.
3
3
pizz.
3
3 3
3
arco
3
3
3
arco
pizz.
3
Cb. 3
arco
3
3
18 44 Picc. 3
3
1 3
3
cantabile
Fl.
3
3
2 3
3
1
Ob.
2
3
1
espr. Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
.
iss
gl
Hrp.
(D C B /EFG A)
non div. * I 3
3
cantabile Vn.
*
3
3
non div.
unis.
II 3
*
cantabile unis.
3
3
3
3
3
Va. 3
cantabile * Vc. espr. Cb. *Measures 44-49: all strings use lots of bow
3
19 fltg.
50 Picc. 3
1
3
3
5
Fl. 2
5
3
3 5
3
3 3
5
1 3
Ob.
2 3
3 3
solo
3
1 3
5
(no trill) Cl. in B
2 B Clarinet 3
1 Bn.
take Contrabassoon 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vib.)
l.v.
1 Xylophone Perc.
Ped.
2 Marimba 3 sub. l.v. molto
Hrp.
iss
.
l.v.
D B G
gl
B F
non div.
pizz. arco
I non div.
sempre
pizz.
Vn.
arco II
pizz. Va. div. unis.
div.
unis.
pizz.
Vc. div., pizz. Cb.
unis.
sempre
20
=
= 138 (
= 92) solo solo
55 Picc. 3
1 3
sempre
Fl. 2
opt. tacet
1
3 3
sempre Ob.
3
2
3
3
3
1 3 3
Cl. in B
2 3
3 3
Bn.
1
Cbn.
1
2 Hn. in F 3
4 st. mute 1 st. mute Tpt. in C
2 st. mute 3
1 Tbn. 2 senza sord. Bs.Tbn.
Tba.
1 3
(Xyl.) Perc.
2
sempre (Mar.) 3 3
sempre
s.
glis
Hrp.
B
=
= 138 ( div.
(DC B/EF GA)
C B E
= 92) unis. unis.
div.
I 3
Vn. II 3
arco
pizz.
Va. 3
div. Vc.
Cb.
arco
21 solo
solo
59 Picc.
sub.
sub.
sub.
sub.
sub.
sub.
sub.
sub.
sub.
sub.
1 Fl.
3
2 3
1
Ob.
3
2 3 3
3
3
3 sub.
1
Cl. in B
2 3
3
Bn.
1 3
3
sempre - gritty, intense, Stravinsky-like
Cbn. Cbn. optional tacet
1 3
2 optional tacet
Hn. in F 3
4
1 optional tacet on C Tpt. in C
2
3
1 Tbn. 2 3
3
sempre - gritty, intense, Stravinsky-like Bs.Tbn.
Tba.
2 Bongos, 2 Congas
solo
solo
1 3
Perc.
5
3
3
2 optional tacet
sempre
Vib.
3 3
sempre
Ped.
sempre
3
Hrp.
G
sempre
div.
full downbow unis., pizz.
C
full downbow
full downbow
sempre
C G
unis.
div. arco
3
3
I full downbow unis., pizz. div.
Vn.
div. arco
full downbow
full downbow
full downbow
div. full downbow
sempre - gritty, intense, Stravinsky-like unis., pizz. (non div.)
II full downbow pizz.
div. arco
full downbow arco (div.) unis., pizz.
arco
unis.
unis., pizz. (non div.)
Va.
pizz.
arco full downbow
Vc. 3
arco
div.
3
sempre - gritty, intense, Stravinsky-like unis.
Cb. 3
3
sempre - gritty, intense, Stravinsky-like
22 64 Picc.
1 Fl. 2 3
3
1
Ob.
2
3
3
3
3
3
1
Cl. in B
2
3
Bn.
1 3
3
3
3
Cbn.
1
2 Hn. in F 3
4 via sord. 1
Tpt. in C
via sord.
senza sord.
via sord.
senza sord.
2
3
1 Tbn.
3
3
3
3
2 3
3
Bs.Tbn.
Tba. (2 Bongos/2 Congas) (solo)
(solo)
(solo)
(solo)
1 3
7:6 5
Perc.
Tubular Chimes
2 Ped.
(Vib.)
Ped.
3 Ped.
(Ped.)
Ped.
Hrp.
3
3
3
3
I sempre
Vn.
div., arco
unis.
II sempre
sempre non div.
arco gritty, intense, Stravinsky-like 3
Va. non div.
sempre 3
3
3
3
3
3
3
3
3
3
Vc. pizz.
3
3
arco
Cb. sempre
23 70 Picc. 4:3
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
3
Bn.
1 3
Cbn.
3
poss.
1
2 Hn. in F
3
3
4 senza sord. 1
Tpt. in C
2
3
1 3
Tbn. 2
Bs.Tbn.
Tba.
1 3
3
Bass Dr. Perc.
Sus Cym.
2 (Ped.)
3 secco
(Ped.)
Ped.
Ped. gliss.
Hrp.
D C B E
(D C B/E F GA)
div. I Vn.
div. II 4:3
Va. 3
3 3
Vc. pizz. Cb.
3
arco
non div.
24 75 Picc.
3
3
1 3
Fl. 2 sub.
3
1
3 3 3
Ob.
2
3
3
3
1 3
Cl. in B
2 3
3 3
Bn.
1 optional tacet take Bassoon
Bassoon
Cbn.
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. Glockenspiel 1 3
Xyl. Perc.
3
2
sempre
(Vib.) 3 8va
sempre, secco
3
l.v. Hrp.
D B E
unis., non div.
E G
non div. non div.
unis.
div. I
3
Vn.
unis.
sempre
non div.
div.
unis.
II 3
sempre pizz.
arco
Va. 3
sempre div.
unis.
pizz.
Vc.
non div. Cb.
pizz.
25 80 Picc. 3
sempre
1 3
Fl. 2
3 3
1 3
Ob.
2 3 3
3
1
Cl. in B
2
3
1 Bn. 2 optional tacet solo 1
2 3
optional tacet
Hn. in F
solo 3
4 3
1 (trill AND fltg.) Tpt. in C
2
3 solo 1 Tbn.
solo 2 solo
Bs.Tbn. solo Tba.
(Glock.)
l.v. molto
1 5:3
3
Perc.
2 sub. l.v. 3 sub.
3
(secco)
Ped.
l.v. .
gliss
(DC B /E F G A)
Hrp.
div.
unis.
C
C G
3
div. full downbow
full downbow
div. full downbow
full downbow
full downbow
div. full downbow
non div.
unis.
(trill AND trem.)
I
Vn.
div.
sub.
unis.
unis.
II 3
sub. unis.
Va. arco
full downbow
Vc. arco Cb.
26 85 Picc.
3
3
sempre
1
3
Fl.
solo 2 3
3
1
3
3
solo Ob.
2
3
3
3
1 3
Cl. in B
2 3
3
3 3
1 Bn. 2
1 4:3 4:3
2 Hn. in F 3 4:3 4:3
4 optional tacet solo 1 3
4:3
solo Tpt. in C
2 4:3
solo
4:3
3
solo
solo
1 Tbn.
solo
solo
2 solo
solo
solo
solo
Bs.Tbn.
Tba.
Vibraphone 1
Ped.
(Xylophone) Perc.
3
2 (Vib.) Marimba 3 3
Hrp.
iss gl
Ped.
.
Ped.
F
C B E A
(DC B/E FGA )
D G A
I 3
non div.
Vn. II
3
pizz. Va.
div.
unis. (non div.)
div., pizz.
Vc.
pizz. Cb.
attacca
27
III. Trace the Gold Sun about the Whitened Sky Majestic fanfares
= 92–96
Picc.
1
Fl. 2
1 echo trumpet Ob.
2
3
1 echo Cl. in B
2
3
Bn.
1 2
1
2 Hn. in F 3
4 solo 1 5
st. metal mute Tpt. in C
5
3
5
5
5
3
3
solo
2 3
3
5
5
3 echo 1 Tbn. 2
Bs. Tbn.
Tba. Vibraphone, bowed
mallet
1 Ped. Xylophone Perc.
2 Marimba blend with pizz. 3
Hrp.
E
E
(D C B/E FG A )
Majestic fanfares
= 92–96 pizz. non div.
arco 0
I
pizz. non div.
Vn.
trem. al punta
arco
0
II 3
pizz.
trem. al punta
arco
Va. 3
pizz. Vc.
Cb.
in background
28 7
fltg.
Picc.
fltg.
norm.
fltg.
norm.
fltg.
1 3
Fl. 2
3
3
1 3
Ob.
2 3
3
3 fltg. 1
Cl. in B
2 3
3 3
1 Bn. 2 fltg. 1
2 Hn. in F
fltg. 3
4 fltg. solo 1 3
Tpt. in C
5
5 3
3
fltg.
2 sub. fltg.
solo 3 sub.
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vib.) 1 (Ped.) Sus. Cym. Perc.
blend with fluttering brass
l.v.
2 (Marimba) 3
gliss.
Hrp.
D C B/E FG A
D G
D C B E G A
0
a 3
sempre
div.
Vn. I
0
b 3
sempre 0
a in background sempre
div.
Vn. II
0
b in background sempre a Va.
3
div. b (pizz.)
Vc.
pizz. Cb.
29 12 Picc. norm.
fltg. 1
5
3
3
Fl. 2 3
poss. 1 3
Ob.
2
3 3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1 5
3
via sord. Tpt. in C
3
senza sord.
3
3
3
solo
2 3
5
solo 3 3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
* a 6
6
5
5
6
6
6
6
Vn. I
* b 6
6
5
5
3
3
3
3
* a 6
6
5
5
6
6
6
6
Vn. II
* b 6
6
5
5
a Va.
sempre
3
3
3
3
sempre
3
3
3
3
b
Vc.
Cb. *Tremolo should be faster than the sextuplets.
30 fltg.
15 Picc.
fltg.
norm.
1 3
3
Fl. 2
1 3
3
Ob.
2
3
1 5
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1 3
5
like a trill (solo) Tpt. in C
2 5
3
solo 3
1 Tbn. 2
Bs.Tbn.
Tba.
l.v.
(Vib.) 1 5
Tubular Chimes Perc.
Ped.
l.v.
2 3
Ped. Vibraphone
l.v.
3 3
Ped.
Hrp.
ly
gliss. slow
D CB /EFGA
D B
a 5
Vn. I
5
5
b 3
3
a 5
Vn. II
5
5
b 3
3
a 3
Va.
3
b 5
3
arco Vc.
Cb.
3
31 19 Picc. sempre
solo
fltg. 1
3
6
Fl. 2 3
sub.
sempre solo
3
1 sempre Ob.
2 3 3
3
1 3
Cl. in B
2 3
3
1 Bn. 2
1
Hn. in F
2
3
4
1
3
sempre
solo Tpt. in C
2 3
sempre
3
1 Tbn. 2
Bs.Tbn.
Tba. (Vib.) 1 Ped. (Chimes) Perc.
2
Ped. 3
Hrp.
D
pizz. a 3
Vn. I
sub. pizz.
3
b 3
pizz. a Vn. II
3
pizz. b solo 1ยบ
tutti pizz.
a Va.
pizz. b 3
pizz.
3
Vc.
div. Cb.
32 24 Picc. 3
solo
3
1
3
Fl.
3
3
3
3
7
sub.
2
1
3
echo Ob.
2
3
3 3
solo
3
1 3
Cl. in B
2 3 3
3
1 Bn. 2
1
2 Hn. in F 3
4 rubato
solo 3
6
1
Tpt. in C
2 echo 3
1 Tbn. 2
Bs.Tbn.
Tba.
1 Crotales solo Perc.
l.v. molto
2
Marimba 3
Hrp.
D B F G A
(div.)
B
tutti, unis. - pizz. non div.
1 solo arco
I Vn.
(div.)
unis.
(div.)
unis.
II
Va.
Vc.
Cb.
non div.
D G
33 29 Picc. fltg. 1
3
dramatic
Fl.
sub.
6
5
3
sempre 2
1 echo Ob.
2
3
solo 1 brassy Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1
5 3
Tpt. in C
3
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2 (Mar.) 3 8va
gliss.
Hrp.
gliss.
G
E F
(D CB/E FG A)
D CB/EF GA non div. arco I
3 3
sub.
II
3
sub.
Vn.
arco non div.
3
sub.
6
6
6
6
6
6
6
6
arco Va.
arco Vc. 3
Cb.
3
34 33 Picc. solo 1 6
Fl.
poss. 2
1
Ob.
2
3
1 echo Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 rubato solo 1 5
3
5
3
solo
solo Tpt. in C
2 3
cantabile
poss.
3
espr.
3
solo
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
E F
D
pizz.
B E
solo
arco
0
I 3
3
espr.
Vn.
pizz.
arco
II 6
3
sempre
3
non div. Va. 6
div. Vc.
espr. Cb.
3
35 39 Picc.
3 3
1
3
3
3
3
3
3
3
Fl. 2
1
Ob.
2
3
3
3 3
1
Cl. in B
2
3
3
3
3
3
3
3
3
5
1
3
Bn. 5
2
1 3
3
3
5
2 Hn. in F
3
3
3
3
3
3 3
5
4 3
3
3
solo 1
3
3
3 5
Tpt. in C
2 3
3
3
5 5
3 3
3
3
1 5
Tbn. 2
5 5
Bs.Tbn.
5
Tba. (Vib.) 1
Ped. Chimes Perc.
Ped. Bass Drum
solo
Chimes
2 Ped. (Mar.)
Ped.
3
Hrp.
(whole-note D: non trem.)
div. full fast upbow I
3 3 3
Vn.
div.
full fast upbow
II 3
full fast upbow Va. 3
unis.
pizz.
l.v. molto
arco
Vc. 3
unis.
l.v. molto
arco
Cb. 3
36 43 Picc.
1 Fl. 3
2
3 6
1 3
Ob.
2 3
3
1
Cl. in B
2
3
1 sub.
Bn. 2
1 6
2 6
Hn. in F
3
sub. 3
6 3
4 6
sub. solo 1 3
solo Tpt. in C
2 3
3
3
1 Tbn.
st. mute
via. sord.
2
Bs.Tbn.
Tba.
(Vib.) 1
Ped. Perc.
(Chimes)
2 Ped.
(Mar.)
3
Hrp.
(DCB /E F G A)
non div. 3
unis. I
3 6
Vn.
non div. 3
unis. II
3 6
non div. 3 Va.
3 6
pizz. Vc.
pizz. Cb.
non div.
37 47 3
Picc. 3
3
solo 1
3
3
Fl.
3
3 6
poss.
3
2 3
1
3
3
3
poss.
3 3
Ob.
2
3 solo 1 3
6
Cl. in B
2
3
1
3
3
3
Bn. 2
3
3
3
1 3
2 Hn. in F 3
4 optional tacet 1 3
3
3
3
3
3
Tpt. in C
2
3
1
3
3
Tbn.
3
senza sord. 2
3
3
Bs.Tbn. 3
3
3
3
3
3
Tba.
1 secco
3
Xylo. Perc.
3
3
2 3 3
3
3
Hrp.
C B E
I
3
3
3
3
Vn. 3
II
3
pizz.
Va. 3
Vc.
Cb.
3
38 52 Picc. 3
1
5 3
Fl. 2
5
1
5 5
Ob.
2
3
1
5 3
Cl. in B
2
3
3
1 Bn.
3
2
1 5 5
sub.
2 5 5
Hn. in F 3
5 5
sub.
4 5 5
solo
3
3
1 5
sub. Tpt. in C
2 5
sub. 3
1 Tbn. 2
3
Bs.Tbn.
3
Tba.
(Vib.) 1
5
secco
Crotale
Chimes
l.v. molto Perc.
2
Ped. 3
(Mar.) 5
8va
gliss. Hrp.
D B E F
(DC B /E F G A) 8va
I
3
5
Vn. II arco Va. 5
div.
arco 3
Vc.
arco Cb.
3
39 57 Picc.
solo 1
3 3
Fl.
6
2 blend with pizz. - not in foreground 1 3
sub. blend with pizz. - not in foreground
6
Ob.
3
2 3
3
3
1
Cl. in B
2
3 3
1
3
Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2 solo 3
1 3
3
Tbn.
blend with pizz. 2 blend with pizz.
3
3
Bs.Tbn.
3
Tba. blend with pizz. 1 Sus. Cym. Perc.
2
3
3
Hrp.
B F
3
pizz. I 3
Vn.
3
pizz. II 3
div.
unis.
3
3
3
pizz.
Va. 3
unis.
3
3
3
3
pizz.
Vc. 3
div. Cb.
unis.
div. a3
div. a2, pizz.
3
40 62 Picc. fltg.
1
3
3
3
Fl. 2
solo 1 3
sub.
3
Ob.
2 3
blend with pizz. - not in foreground 3 3
1 blend with pizz. - not in foreground Cl. in B
2 3
3
3
3
3
3
3
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
3
Xylophone Perc.
2 sub. 3 3
solo
3
Hrp.
B F G
(D C B/EFGA)
3
sul A I 3
3
3
Vn.
3 3
II 3 3
3
Va. 3
Vc. 3
unis. Cb.
41 67 Picc.
1 3
Fl. 2 rubato solo 1 3 6
Ob.
3
sub.
2
3 solo 1 sub. Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3 solo
solo
Hrp.
C E F G
5
D
1 solo arco
sub.
tutti pizz., non div.
rubato
I 5
Vn.
5
non div. (pizz.) II
arco Va. arco Vc.
Cb.
42 73 Picc. fltg.
solo 1
3 3
Fl.
sub.
3
3
3
2
1 3
Ob.
3
3
2
3
1 3
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 con sord.
senza sord.
3
1 3
con sord. Tpt. in C
solo senza sord.
via sord.
3
2 3 3
sub. 3
con sord. 3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vib.)
secco
1 3
(Xyl.) Perc.
3
2
(Mar.)
3
3
Hrp.
G
D A
arco
3
I 3
3 3
Vn.
(norm.)
arco II 3
3
3
3
Va. 3
Vc. (pizz.) Cb.
l.v. molto
43 78
3
Picc.
5
1
5
Fl. 2
5
3
1 3
Ob.
5
2
3
1 5
3
Cl. in B
2
3
1 Bn.
3
2 5
1
3
2 Hn. in F
3
5
3
4
1
3
5 3
Tpt. in C
3 3
2 3
3
5
fltg. 3 5 3
1
5
Tbn.
3
solo 2
5 3
poss.
3 5
Bs.Tbn.
5
Tba. 3
1 Ped. Perc.
2
3
5
3
gliss.
Hrp.
l.v.
(D CB/E F GA )
C F
I sub.
3
sub.
3
Vn. II
3
Va. sub. 3
Vc. 3
div., arco Cb.
44 83 Picc.
3
3
3
3
1 Fl. 2
1 3 3
Ob.
3
3
2
3
1 3
Cl. in B
2
3
1 Bn. 2
1 3
3
2 3
Hn. in F 3
3
3
3
3
3
3
3
3
4
1 3 3 3
Tpt. in C
2
via sord.
senza sord.
3
3 solo 1 5
3
5
3
3
3
Tbn. 2 3
solo Bs.Tbn. sub. Tba.
(Vib.) 1 secco
3
(Xyl.) Perc.
3
2
(Mar.)
3
3
Hrp.
non div. I 3
3
3
Vn.
3
non div.
II 3
Va. 3
Vc. 3
Cb.
3
45 88 Picc.
5 3
3
3
3
1
5
fltg.
Fl. 2
5
1
Ob.
3
3
3
3
2
3
1
Cl. in B
5
2 5
3 5
1
5
Bn. 2
5
solo 1 5
2 Hn. in F
solo 3 5
4 solo 1
3
5
3
solo Tpt. in C
2 3
5
3
solo 3
5
3 3
3
solo 1
3
3
5
Tbn.
solo 2
3
3
solo Bs.Tbn. solo
solo
Tba.
l.v. 1 3
Perc.
Ped.
3 3
3
2
3 3
Hrp.
C
l.v. molto
I Vn. II
Va.
Vc. unis. no octave substitution Cb.
3
(non trem.)
46 93
fltg.
Picc.
6
sempre
fltg.
1
6
sempre 8va
Fl. 2
6
sempre
1
Ob.
6
2 6
3 6
1
Cl. in B
6
2 6
3 6
1
6
Bn. 2
6
1 5
6
5
6
5
6
2 3
Hn. in F
3
3
4 3
6
3
1 3
Tpt. in C
5
6
5
6
5
6
5
6
3
2 3
3 3
3
3 sub. 1 Tbn.
3
3
3
3
2
3
3
3
3
3
3
Bs.Tbn.
Tba.
(Vib.)
Glockenspiel
l.v. molto
Crotales
l.v. molto
1 3
(Xyl.) Perc.
secco
3
3
3
3
3
Ped.
Chimes
2
(Mar.)
Ped. (Mar.)
3
8va
Hrp.
full upbow
free bowing
I 3
sempre
3
Vn.
full upbow
free bowing
II 3
sempre
3
full upbow
div.
full upbow
div.
Va. 3
3 3
sempre 3
Vc. div. (div.) Cb.