Thomas CREDENCES OF SUMMER

Augusta Read Thomas

CREDENCES OF SUMMER Full score

From the G. Schirmer Rental Library date of printing _____________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

CREDENCES OF SUMMER

I. Pure Rhetoric of a Language Without Words II. A Mountain Luminous Halfway in Bloom– III. Trace the Gold Sun About the Whitened Sky

commmissioned by The San Diego Symphony, Jahja Ling, Music Director

G. Schirmer, Inc. New York, NY

Instrumentation: Piccolo 2 Flutes 3 Oboes 3 Clarinets in B= (3rd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba Percussion (3 players) 1. Vibraphone (motor off, 2 bows needed), Glockenspiel, 2 Bongos, 2 low Congas, medium Suspended Cymbal, very large Tamtam 2. Vibraphone, Tubular Chimes, Xylophone, Crotales (2 octaves, 2 bows needed), large Suspended Cymbal, very large Bass Drum 3. Vibraphone (motor off, 2 bows needed), Concert Marimba, Chinese Cymbal N.B.: In movement I all 3 vibraphone motors are on, with motors speed fast.

Harp Strings

Score is transposed duration ca. 15 minutes

to Jahja Ling and the San Diego Symphony with admiration and gratitude

CREDENCES OF SUMMER

Augusta Read Thomas (2005)

I. Pure Rhetoric of a Language Without Words Resonant and elegant

= 60–66

Piccolo

1 Flute 2

1

Oboe

2

3

1

Clarinet in B

2 B Clarinet

(Bass Clarinet) 3

1 Bassoon (Contrabsn.)

Bassoon 2

1

2 Horn in F 3

4

1

Trumpet in C 2

3

1 Trombone 2

Bass Trombone

Tuba

1

Percussion

2

3

Harp

DCB/E F G A

Resonant and elegant

= 60–66

I Violin II 1 sola Viola sempre echo, drone-like 1 solo Violoncello lyric

3

3

3 3

3

3

espr.

Contrabass

Corrected 09/2005

Copyright © 2005 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 8 Picc.

1 Fl. 2

1

Ob.

2

3 solo 1 chant-like, mysterious

Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba. Vibraphone motor on slow

bowed

3

3

1

Perc.

Ped. sempre*

Vibraphone motor on slow

bowed

Vibraphone motor on slow

Ped. sempre* bowed

2

3

3

Ped. sempre*

solo

Hrp.

E

con sord.

floating above cl., fl., vibes

I Vn.

elegant II

Va. espr.

Vc. 3

espr.

Cb. * All 3 Percussion: Pedal stays down for the next 50 measures, until the end of the movement - l.v. molto! Do not lift or fan pedals. A consistent, resonant, shimmering cloud of sound is desired throughout.

You may wish to hold the pedal down with a brick. Depending on the acoustics of the concert hall, it might be necessary to raise the dynamics in the vibraphone parts, and/or to increase the motor speed, and/or for the conductor to take a tempo faster than = 60–66.

3 16 Picc. solo

(solo)

(solo)

1 espr.

Fl.

smooth 2

1

Ob.

2

3

1

echo Cl. in B

2

echo 3

echo 1 Bn. 2

con sord.

1

echo 2 Hn. in F

con sord.

3 echo 4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1

3

Perc.

3

2 3 3

3 5

Hrp.

1 solo

tutti

I Vn.

1 solo II (1 sola)

Va.

echo (1 solo) Vc. 1 solo Cb. echo

echo

echo

echo

3

lyric and elegant

4 24 Picc. sub. echo vib.

1 Fl. 2 solo 1 espr.

Ob.

2

3

1 echo vib.

Cl. in B

2 echo vib.

3 echo vib.

solo

1 Bn.

espr.

2

1

2 Hn. in F 3 echo vib.

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

(Vib.) 1 3

(Ped.) (Vib.) Perc.

3

Large Sus. Cym. bowed l.v. molto

Vibraphone (bowed)

2 (Ped.) (Vib.) 3 3

(Ped.)

3

3

(DCB/EF G A)

Hrp.

I Vn.

espr.

II

Va. 3

(1 solo) Vc. espr.

3

3 soli Cb.

5 31 Picc. solo

5

(solo) chant-like

3

(solo)

(solo)

1 Fl.

espr.

2

1

Ob.

2

3

1 echo vib.

Cl. in B

2 echo vib.

3 echo vib.

1

Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1 3

3

3

3 3

Perc.

2

3 3

Hrp.

I Vn.

tutti con sord.

via sord.

II

tutti con sord.

Va. echo Vc.

Cb.

echo via sord.

1 solo senza sord.

3

6 39 Picc.

(solo)

(solo)

1 Fl. 2

1

Ob.

2

3

1

Cl. in B

2

3

3

solo

3

1 Bn. 2

via sord.

1

2 Hn. in F

via sord.

senza sord.

3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

(Vib.)

3

Medium Sus. Cym. bowed l.v. molto

1 (Ped.) Large Sus.Cym. bowed l.v. molto

(Vib.) Perc.

2 (Ped.) (Vib.) 3 (Ped.)

Hrp.

C A

C F

solo

A

3

grow out of cymbals 6 soli - div. a 6

tutti via sord. (except 2 soli)

I Vn. II

Va. tutti Vc. tutti pizz.

1 solo (arco) l.v. molto

Cb. gli altri, pizz.

l.v. molto

7 poco rit.**

47 Picc.

Play only if Bassoon tacets these six measures* 3

3

3

1 Fl. 2

1

Ob.

2

3

1

Cl. in B

2

3 optional tacet* 3

3

3

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1 (Large Sus. Cym.) bowed solo l.v.molto Perc.

2

3

Hrp.

1 solo (con sord.)

I Vn.

espr.

II 1 sola senza sord.

Va. 3

espr.

1 solo

Vc. (1 solo) Cb.

*Bassoon soloist can opt for Flute 1 to play measures 49-54. **So that audience thinks that Movement I has ended.

echo

poco rit.**

8 55

A tempo

rit.

lunga*

Picc.

1 echo

Fl. 2

1

Ob.

2

3

1 echo Cl. in B

2 echo 3 echo 1

Bn. 2

lunga* 1

2 Hn. in F

con sord.

3 echo con sord.

4 echo 1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba. Extra-large Tamtam (soft mallet) solo

Vibraphone (bowed)

lunga*

1 l.v. molto (Ped.) Vibraphone (bowed) Perc.

2 (Ped.) (Vib.)

(bowed) 3

3 (Ped.) lunga*

Hrp.

A tempo 2 soli, div. con sord.

rit.

2 soli via sord.

I echo Vn.

1 solo, con sord.

solo via sord.

II echo 1 sola, con sord.

sola via sord.

Va. echo 1 solo, con sord. solo via sord.

Vc. echo 1 solo Cb. echo *Fermata at end should be very long. Let Vibraphones and Tamtam naturally decay to silence.

lunga*

9

II. A Mountain Luminous Halfway in Bloom– = 92 ( = 138) Picc. sempre 1 3

sempre

Fl. 2

sempre 1

Ob.

sempre

3

sempre

3

2

3 sempre 1

Cl. in B

2

3 3

Bn.

1 2 optional tacet

1 sub.

2 sub. optional tacet

Hn. in F 3

sub.

4 sub.

st. mute 1 optional tacet on C

st. mute Tpt. in C

sub.

2 sub.

st. mute 3

sub.

1 Tbn. 2

Bs.Tbn.

Tba.

1 Xylophone Perc.

3

2 sempre Marimba 3

sempre DCB /E F GA

Hrp.

3

sub.

sempre

G

3

C E

C

= 92 ( = 138) div. div.

full downbow

unis. pizz.

full downbow

unis. pizz.

full downbow

pizz.

div. arco

full downbow

full downbow unis.

full downbow

I 3

Vn. div.

div. arco

full downbow

unis.

div. full downbow

full downbow

II

div. arco

full downbow

unis. full downbow

div.

full downbow

Va. full downbow Vc.

Cb.

full downbow

full downbow

10 =

5 Picc.

3

1 3

Fl.

sub.

2 opt. tacet

1

3 3

sub.

Ob.

2

3

3

3

1 3

Cl. in B

espr.

2 3

3

take Bass Clarinet 3 3

1 Bn. 2

1

2 Hn. in F 3

4

1 sub. fltg.

Tpt. in C

2 sub.

3 sub.

1

Tbn. 2

Bs.Tbn.

Tba.

Glockenspiel 1 3

(Xyl.) Perc.

2 sub.

(Mar.) 3 3

sub. s.

glis

Hrp.

G

D C

(D CB /EF GA)

C B

= unis.

I sempre

Vn.

3

espr.

3

unis.

II sempre unis., pizz.

3

espr. arco

Va. 3

pizz.

espr.

arco

Vc. espr.

Cb.

11 =

9

= 138 solo

Picc.

3

solo

solo

1 5

sempre

Fl.

3

solo 2

1

Ob.

2

3 in background

solo

solo

1 sempre

Cl. in B 2

in background Bs. Cl. blend with pizz.

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba. l.v. molto 1 (Xyl.) Perc.

blend with pizz.

2

3 in background

Hrp.

G

=

= 138

pizz.

non div.

I non div.

Vn.

non div.

pizz.

II pizz.

Va.

div.

unis.

pizz.

Vc. arco Cb.

pizz.

12

=

( = 138,

= 92)

13 Picc.

3

1 3

3

5

Fl. 2 6

1

Ob.

2

3

1 Cl. in B

3

5

2

Bs. Cl.

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2 solo (st. mute)

via sord.

3 lyrical 1 Tbn. 2

Bs.Tbn.

Tba.

Vibraphone 1 blend with strings Ped. Perc.

Ped.

2 (Mar.) 3 sub. - blend with strings, not in foreground gliss.

Hrp.

D C F

(D C B/EF G A)

=

( = 138,

= 92)

non div.

arco I

3

espr.

Vn.

arco II 3

unis.

div., arco Va.

3

non div.

arco

Vc. 3

arco Cb. 3

(non div.)

13 18 Picc. sub.

1 sub.

Fl. 2 sub.

1

Ob.

2

3 sneak a breath if necessary 1 Cl. in B 2 3

3

Bass Cl.

3

3

3

3

Bs. Cl. sempre gritty, intense, Stravinsky-like 1 3

3

3

sempre gritty, intense, Stravinsky-like

Bn. 2

3

gritty, intense, Stravinsky-like 1

2 Hn. in F 3

4 (st. mute)

via sord.

1 (st. mute) Tpt. in C

2

3

1 Tbn.

con sord.

via sord.

2 3

solo Bs.Tbn. sub.

Tba.

3

(Vib.) 1 sempre Ped.

Crotales Perc.

2 sempre 3

3

3 3

3

3

3

sempre; gritty, intense, Stravinsky-like

Hrp.

D

sempre

sul E

pizz.

E

(D CB/E FG A)

gliss.

arco

pizz.

arco

pizz. non div.

arco

sempre pizz.

arco

pizz. non div.

arco

sempre pizz.

I Vn. II

Va.

div.

sempre 3

unis.

3

Vc. 3

3

sempre; gritty, intense, Stravinsky-like pizz.

Cb.

arco

3

3

div., pizz.

unis.

arco

14 fltg.

24

fltg. solo

Picc.

6

5

fltg.

1 3

fltg.

Fl.

fltg. blend with pizz.

3

2 5

1

Ob.

2

3

1 Cl. in B

blend with pizz.

2

Bs.Cl.

1 Bn. 2

1

2 Hn. in F

blend with pizz.

3

4

1 senza sord.

via sord.

Tpt. in C

solo

2 3

espr., cantabile

senza sord.

3

1 Tbn.

senza sord.

2 solo con sord.

Bs.Tbn.

Tba.

(Vib.)

l.v.

1 3

Xylophone

Perc.

Ped.

5

Ped. Ped.

Ped.

stop Crotales if they are still ringing

2

Vibraphone 3 Ped.

Ped. l.v.

Hrp.

Ped.

l.v.

l.v.

C B E G

l.v.

div. pizz.

div. unis., pizz.

arco

C

l.v.

unis.

div.

unis., arco

3

I 3

Vn.

div.

unis., pizz.

arco

3

div. pizz.

unis., arco

div.

arco

div.

unis.

II 3

arco div.

unis., pizz.

unis.

Va.

pizz.

unis.

div., arco

Vc. pizz.

Cb.

arco

15 28

=

Picc.

1 Fl. 2

1

Ob.

2

3

1 Cl. in B 2 3 3

3

3 3

Bs.Cl. sempre

3

1 Bn.

sempre

3

3

3

2

1

2 Hn. in F 3

4 senza sord.

1

Tpt. in C

2

3

1 Tbn. 2 3

Bs.Tbn. 3

Tba.

2 Bongos & 2 Congas

solo

1 3

3

4:3

Large Bass Drum Perc.

2 Marimba

3

3

sempre

3

3

3

Hrp.

E F

trem.

div.

I sub.

Vn.

sub. trem.

II sub.

3

3

Va. 3 3

Vc.

sempre

3

3

3

pizz.

arco

pizz.

arco

Cb. 3

=

16 33

=

= 138 3

Picc.

3 3

fltg.

1

Fl. 2 3

5

1 sub.

Ob.

2

3

1 Cl. in B 2 take B Clarinet Bs.Cl.

1 Bn. 2

1

2 Hn. in F

sub.

3

4

1 solo Tpt. in C

2

solo

3

take st. mute

3

solo 1 5

Tbn. 2 via sord.

Bs.Tbn.

Tba.

Vibraphone 1 Ped.

Large Sus. Cym. Perc.

2 Chinese Cymbal

= 138

.

=

E

iss

(D CB /E F GA)

gl

Hrp.

gli ss.

3

unis.

trem.

I sub.

Vn. II sub.

trem.

pizz.

Va. arco pizz.

Vc. pizz.

Cb.

sub.

pizz.

17 38 Picc.

5 3

1 3

Fl. 2 poss.

1

3

Ob.

2

3

3

1 3

Cl. in B

2

3

1

3

3 3

3

Bn.

3

3

2

3

blend with pizz.

1 3

blend with pizz.

3

2 Hn. in F

3

3

4 take st. mute 1 take st. mute Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1 (Sus. Cym.) Perc.

2 (Chinese Cym.) 3

Hrp.

C B F G

I

3

Vn.

div.

II

arco

non div. arco

3

pizz.

3

3

pizz.

div., arco

3

Va. 3

3

3

arco Vc.

3

3

pizz.

3

3 3

3

arco

3

3

3

arco

pizz.

3

Cb. 3

arco

3

3

18 44 Picc.

3

3

1 3

3

cantabile

Fl.

3

3

2 3

3

1

Ob.

2

3

1

espr.

Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1

Perc.

2

3

.

iss

gl

Hrp.

(D C B /EFG A)

non div. * I 3

3

cantabile Vn.

*

3

3

non div.

unis.

II 3

*

cantabile unis.

3

3

3

3

3

Va. 3

cantabile * Vc. espr.

Cb. *Measures 44-49: all strings use lots of bow

3

19 fltg.

50 Picc.

3

1

3

3

5

Fl. 2

5

3

3 5

3

3 3

5

1 3

Ob.

2 3

3 3

solo

3

1 3

5

(no trill) Cl. in B

2 B Clarinet 3

1 Bn.

take Contrabassoon 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

(Vib.)

l.v.

1 Xylophone Perc.

Ped.

2 Marimba 3 sub. l.v. molto

Hrp.

iss

.

l.v.

D B G

gl

B F

non div.

pizz. arco

I non div.

sempre

pizz.

Vn.

arco II

pizz.

Va. div. unis.

div.

unis.

pizz.

Vc. div., pizz.

Cb.

unis.

sempre

20

=

= 138 (

= 92) solo solo

55 Picc.

3

1 3

sempre

Fl. 2

opt. tacet

1

3 3

sempre Ob.

3

2

3

3

3

1 3 3

Cl. in B

2 3

3 3

Bn.

1

Cbn.

1

2 Hn. in F 3

4 st. mute 1 st. mute Tpt. in C

2 st. mute 3

1 Tbn. 2 senza sord.

Bs.Tbn.

Tba.

1 3

(Xyl.) Perc.

2

sempre (Mar.) 3 3

sempre

s.

glis

Hrp.

B

=

= 138 ( div.

(DC B/EF GA)

C B E

= 92) unis. unis.

div.

I 3

Vn. II 3

arco

pizz.

Va. 3

div.

Vc.

Cb.

arco

21 solo

solo

59 Picc.

sub.

sub.

sub.

sub.

sub.

sub.

sub.

sub.

sub.

sub.

1 Fl.

3

2 3

1

Ob.

3

2 3 3

3

3

3 sub.

1

Cl. in B

2 3

3

Bn.

1 3

3

sempre - gritty, intense, Stravinsky-like

Cbn. Cbn. optional tacet

1 3

2 optional tacet

Hn. in F 3

4

1 optional tacet on C Tpt. in C

2

3

1 Tbn. 2 3

3

sempre - gritty, intense, Stravinsky-like Bs.Tbn.

Tba.

2 Bongos, 2 Congas

solo

solo

1 3

Perc.

5

3

3

2 optional tacet

sempre

Vib.

3 3

sempre

Ped.

sempre

3

Hrp.

G

sempre

div.

full downbow unis., pizz.

C

full downbow

full downbow

sempre

C G

unis.

div. arco

3

3

I full downbow unis., pizz. div.

Vn.

div. arco

full downbow

full downbow

full downbow

div. full downbow

sempre - gritty, intense, Stravinsky-like unis., pizz. (non div.)

II full downbow pizz.

div. arco

full downbow arco (div.) unis., pizz.

arco

unis.

unis., pizz. (non div.)

Va.

pizz.

arco full downbow

Vc. 3

arco

div.

3

sempre - gritty, intense, Stravinsky-like unis.

Cb. 3

3

sempre - gritty, intense, Stravinsky-like

22 64 Picc.

1 Fl. 2 3

3

1

Ob.

2

3

3

3

3

3

1

Cl. in B

2

3

Bn.

1 3

3

3

3

Cbn.

1

2 Hn. in F 3

4 via sord.

1

Tpt. in C

via sord.

senza sord.

via sord.

senza sord.

2

3

1 Tbn.

3

3

3

3

2 3

3

Bs.Tbn.

Tba. (2 Bongos/2 Congas) (solo)

(solo)

(solo)

(solo)

1 3

7:6 5

Perc.

Tubular Chimes

2 Ped.

(Vib.)

Ped.

3 Ped.

(Ped.)

Ped.

Hrp.

3

3

3

3

I sempre

Vn.

div., arco

unis.

II sempre

sempre non div.

arco gritty, intense, Stravinsky-like 3

Va. non div.

sempre 3

3

3

3

3

3

3

3

3

3

Vc. pizz.

3

3

arco

Cb. sempre

23 70 Picc.

4:3

1 Fl. 2

1

Ob.

2

3

1

Cl. in B

2

3

3

Bn.

1 3

Cbn.

3

poss.

1

2 Hn. in F

3

3

4 senza sord.

1

Tpt. in C

2

3

1 3

Tbn. 2

Bs.Tbn.

Tba.

1 3

3

Bass Dr. Perc.

Sus Cym.

2 (Ped.)

3 secco

(Ped.)

Ped.

Ped. gliss.

Hrp.

D C B E

(D C B/E F GA)

div.

I Vn.

div.

II 4:3

Va. 3

3 3

Vc. pizz.

Cb.

3

arco

non div.

24 75 Picc.

3

3

1 3

Fl. 2 sub.

3

1

3 3 3

Ob.

2

3

3

3

1 3

Cl. in B

2 3

3 3

Bn.

1 optional tacet take Bassoon

Bassoon

Cbn.

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba. Glockenspiel 1 3

Xyl. Perc.

3

2

sempre

(Vib.) 3 8va

sempre, secco

3

l.v.

Hrp.

D B E

unis., non div.

E G

non div. non div.

unis.

div.

I

3

Vn.

unis.

sempre

non div.

div.

unis.

II 3

sempre pizz.

arco

Va. 3

sempre div.

unis.

pizz.

Vc.

non div.

Cb.

pizz.

25 80 Picc.

3

sempre

1 3

Fl. 2

3 3

1 3

Ob.

2 3 3

3

1

Cl. in B

2

3

1 Bn. 2 optional tacet solo 1

2 3

optional tacet

Hn. in F

solo 3

4 3

1 (trill AND fltg.)

Tpt. in C

2

3 solo 1 Tbn.

solo 2 solo

Bs.Tbn. solo Tba.

(Glock.)

l.v. molto

1 5:3

3

Perc.

2 sub. l.v.

3 sub.

3

(secco)

Ped.

l.v. .

gliss

(DC B /E F G A)

Hrp.

div.

unis.

C

C G

3

div. full downbow

full downbow

div. full downbow

full downbow

full downbow

div. full downbow

non div.

unis.

(trill AND trem.)

I

Vn.

div.

sub.

unis.

unis.

II 3

sub. unis.

Va. arco

full downbow

Vc. arco Cb.

26 85 Picc.

3

3

sempre

1

3

Fl.

solo 2 3

3

1

3

3

solo Ob.

2

3

3

3

1 3

Cl. in B

2 3

3

3 3

1 Bn. 2

1 4:3 4:3

2 Hn. in F 3 4:3 4:3

4 optional tacet solo 1 3

4:3

solo Tpt. in C

2 4:3

solo

4:3

3

solo

solo

1 Tbn.

solo

solo

2 solo

solo

solo

solo

Bs.Tbn.

Tba.

Vibraphone 1

Ped.

(Xylophone) Perc.

3

2 (Vib.) Marimba 3 3

Hrp.

iss gl

Ped.

.

Ped.

F

C B E A

(DC B/E FGA )

D G A

I 3

non div.

Vn. II

3

pizz.

Va.

div.

unis. (non div.)

div., pizz.

Vc.

pizz.

Cb.

attacca

27

III. Trace the Gold Sun about the Whitened Sky Majestic fanfares

= 92–96

Picc.

1

Fl. 2

1 echo trumpet Ob.

2

3

1 echo Cl. in B

2

3

Bn.

1 2

1

2 Hn. in F 3

4 solo 1 5

st. metal mute Tpt. in C

5

3

5

5

5

3

3

solo

2 3

3

5

5

3 echo 1 Tbn. 2

Bs. Tbn.

Tba. Vibraphone, bowed

mallet

1 Ped. Xylophone Perc.

2 Marimba blend with pizz.

3

Hrp.

E

E

(D C B/E FG A )

Majestic fanfares

= 92–96 pizz. non div.

arco 0

I

pizz. non div.

Vn.

trem. al punta

arco

0

II 3

pizz.

trem. al punta

arco

Va. 3

pizz.

Vc.

Cb.

in background

28 7

fltg.

Picc.

fltg.

norm.

fltg.

norm.

fltg.

1 3

Fl. 2

3

3

1 3

Ob.

2 3

3

3 fltg.

1

Cl. in B

2 3

3 3

1 Bn. 2 fltg.

1

2 Hn. in F

fltg.

3

4 fltg. solo 1 3

Tpt. in C

5

5 3

3

fltg.

2 sub. fltg.

solo 3 sub.

3

1 Tbn. 2

Bs.Tbn.

Tba.

(Vib.) 1 (Ped.) Sus. Cym. Perc.

blend with fluttering brass

l.v.

2 (Marimba) 3

gliss.

Hrp.

D C B/E FG A

D G

D C B E G A

0

a 3

sempre

div.

Vn. I

0

b 3

sempre 0

a in background sempre

div.

Vn. II

0

b in background sempre a Va.

3

div. b (pizz.)

Vc.

pizz.

Cb.

29 12 Picc. norm.

fltg.

1

5

3

3

Fl. 2 3

poss.

1 3

Ob.

2

3 3

1

Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4 solo 1 5

3

via sord.

Tpt. in C

3

senza sord.

3

3

3

solo

2 3

5

solo 3 3

1 Tbn. 2

Bs.Tbn.

Tba.

1

Perc.

2

3

Hrp.

* a 6

6

5

5

6

6

6

6

Vn. I

* b 6

6

5

5

3

3

3

3

* a 6

6

5

5

6

6

6

6

Vn. II

* b 6

6

5

5

a Va.

sempre

3

3

3

3

sempre

3

3

3

3

b

Vc.

Cb. *Tremolo should be faster than the sextuplets.

30 fltg.

15 Picc.

fltg.

norm.

1 3

3

Fl. 2

1 3

3

Ob.

2

3

1 5

Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4 solo 1 3

5

like a trill (solo) Tpt. in C

2 5

3

solo 3

1 Tbn. 2

Bs.Tbn.

Tba.

l.v.

(Vib.) 1 5

Tubular Chimes Perc.

Ped.

l.v.

2 3

Ped. Vibraphone

l.v.

3 3

Ped.

Hrp.

ly

gliss. slow

D CB /EFGA

D B

a 5

Vn. I

5

5

b 3

3

a 5

Vn. II

5

5

b 3

3

a 3

Va.

3

b 5

3

arco Vc.

Cb.

3

31 19 Picc. sempre

solo

fltg.

1

3

6

Fl. 2 3

sub.

sempre solo

3

1 sempre Ob.

2 3 3

3

1 3

Cl. in B

2 3

3

1 Bn. 2

1

Hn. in F

2

3

4

1

3

sempre

solo Tpt. in C

2 3

sempre

3

1 Tbn. 2

Bs.Tbn.

Tba. (Vib.) 1 Ped. (Chimes) Perc.

2

Ped. 3

Hrp.

D

pizz. a 3

Vn. I

sub. pizz.

3

b 3

pizz. a Vn. II

3

pizz. b solo 1ยบ

tutti pizz.

a Va.

pizz. b 3

pizz.

3

Vc.

div.

Cb.

32 24 Picc.

3

solo

3

1

3

Fl.

3

3

3

3

7

sub.

2

1

3

echo Ob.

2

3

3 3

solo

3

1 3

Cl. in B

2 3 3

3

1 Bn. 2

1

2 Hn. in F 3

4 rubato

solo 3

6

1

Tpt. in C

2 echo 3

1 Tbn. 2

Bs.Tbn.

Tba.

1 Crotales solo Perc.

l.v. molto

2

Marimba 3

Hrp.

D B F G A

(div.)

B

tutti, unis. - pizz. non div.

1 solo arco

I Vn.

(div.)

unis.

(div.)

unis.

II

Va.

Vc.

Cb.

non div.

D G

33 29 Picc. fltg.

1

3

dramatic

Fl.

sub.

6

5

3

sempre 2

1 echo Ob.

2

3

solo 1 brassy Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4 solo 1

5 3

Tpt. in C

3

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1

Perc.

2 (Mar.) 3 8va

gliss.

Hrp.

gliss.

G

E F

(D CB/E FG A)

D CB/EF GA non div. arco I

3 3

sub.

II

3

sub.

Vn.

arco non div.

3

sub.

6

6

6

6

6

6

6

6

arco Va.

arco Vc. 3

Cb.

3

34 33 Picc. solo 1 6

Fl.

poss.

2

1

Ob.

2

3

1 echo Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4 rubato solo 1 5

3

5

3

solo

solo Tpt. in C

2 3

cantabile

poss.

3

espr.

3

solo

3

1 Tbn. 2

Bs.Tbn.

Tba.

1

Perc.

2

3

Hrp.

E F

D

pizz.

B E

solo

arco

0

I 3

3

espr.

Vn.

pizz.

arco

II 6

3

sempre

3

non div.

Va. 6

div.

Vc.

espr.

Cb.

3

35 39 Picc.

3 3

1

3

3

3

3

3

3

3

Fl. 2

1

Ob.

2

3

3

3 3

1

Cl. in B

2

3

3

3

3

3

3

3

3

5

1

3

Bn. 5

2

1 3

3

3

5

2 Hn. in F

3

3

3

3

3

3 3

5

4 3

3

3

solo 1

3

3

3 5

Tpt. in C

2 3

3

3

5 5

3 3

3

3

1 5

Tbn. 2

5 5

Bs.Tbn.

5

Tba. (Vib.) 1

Ped. Chimes Perc.

Ped. Bass Drum

solo

Chimes

2 Ped. (Mar.)

Ped.

3

Hrp.

(whole-note D: non trem.)

div. full fast upbow I

3 3 3

Vn.

div.

full fast upbow

II 3

full fast upbow Va. 3

unis.

pizz.

l.v. molto

arco

Vc. 3

unis.

l.v. molto

arco

Cb. 3

36 43 Picc.

1 Fl. 3

2

3 6

1 3

Ob.

2 3

3

1

Cl. in B

2

3

1 sub.

Bn. 2

1 6

2 6

Hn. in F

3

sub.

3

6 3

4 6

sub. solo 1 3

solo Tpt. in C

2 3

3

3

1 Tbn.

st. mute

via. sord.

2

Bs.Tbn.

Tba.

(Vib.) 1

Ped. Perc.

(Chimes)

2 Ped.

(Mar.)

3

Hrp.

(DCB /E F G A)

non div. 3

unis.

I

3 6

Vn.

non div. 3

unis.

II

3 6

non div. 3 Va.

3 6

pizz.

Vc.

pizz.

Cb.

non div.

37 47 3

Picc.

3

3

solo 1

3

3

Fl.

3

3 6

poss.

3

2 3

1

3

3

3

poss.

3 3

Ob.

2

3 solo 1 3

6

Cl. in B

2

3

1

3

3

3

Bn. 2

3

3

3

1 3

2 Hn. in F 3

4 optional tacet 1 3

3

3

3

3

3

Tpt. in C

2

3

1

3

3

Tbn.

3

senza sord.

2

3

3

Bs.Tbn. 3

3

3

3

3

3

Tba.

1 secco

3

Xylo.

Perc.

3

3

2 3 3

3

3

Hrp.

C B E

I

3

3

3

3

Vn. 3

II

3

pizz.

Va. 3

Vc.

Cb.

3

38 52 Picc.

3

1

5 3

Fl. 2

5

1

5 5

Ob.

2

3

1

5 3

Cl. in B

2

3

3

1 Bn.

3

2

1 5 5

sub.

2 5 5

Hn. in F 3

5 5

sub.

4 5 5

solo

3

3

1 5

sub.

Tpt. in C

2 5

sub.

3

1 Tbn. 2

3

Bs.Tbn.

3

Tba.

(Vib.) 1

5

secco

Crotale

Chimes

l.v. molto Perc.

2

Ped. 3

(Mar.) 5

8va

gliss.

Hrp.

D B E F

(DC B /E F G A) 8va

I

3

5

Vn. II arco Va. 5

div.

arco 3

Vc.

arco Cb.

3

39 57 Picc.

solo 1

3 3

Fl.

6

2 blend with pizz. - not in foreground 1 3

sub. blend with pizz. - not in foreground

6

Ob.

3

2 3

3

3

1

Cl. in B

2

3 3

1

3

Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2 solo 3

1 3

3

Tbn.

blend with pizz.

2 blend with pizz.

3

3

Bs.Tbn.

3

Tba. blend with pizz.

1 Sus. Cym. Perc.

2

3

3

Hrp.

B F

3

pizz.

I 3

Vn.

3

pizz.

II 3

div.

unis.

3

3

3

pizz.

Va. 3

unis.

3

3

3

3

pizz.

Vc. 3

div.

Cb.

unis.

div. a3

div. a2, pizz.

3

40 62 Picc. fltg.

1

3

3

3

Fl. 2

solo 1 3

sub.

3

Ob.

2 3

blend with pizz. - not in foreground 3 3

1 blend with pizz. - not in foreground Cl. in B

2 3

3

3

3

3

3

3

3

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1

3

Xylophone Perc.

2 sub.

3 3

solo

3

Hrp.

B F G

(D C B/EFGA)

3

sul A I 3

3

3

Vn.

3 3

II 3 3

3

Va. 3

Vc. 3

unis.

Cb.

41 67 Picc.

1 3

Fl. 2 rubato solo 1 3 6

Ob.

3

sub.

2

3 solo 1 sub.

Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4

1

Tpt. in C

2

3

1 Tbn. 2

Bs.Tbn.

Tba.

1

Perc.

2

3 solo

solo

Hrp.

C E F G

5

D

1 solo arco

sub.

tutti pizz., non div.

rubato

I 5

Vn.

5

non div. (pizz.)

II

arco Va. arco Vc.

Cb.

42 73 Picc. fltg.

solo 1

3 3

Fl.

sub.

3

3

3

2

1 3

Ob.

3

3

2

3

1 3

Cl. in B

2

3

1 Bn. 2

1

2 Hn. in F 3

4 con sord.

senza sord.

3

1 3

con sord.

Tpt. in C

solo senza sord.

via sord.

3

2 3 3

sub.

3

con sord.

3

1 Tbn. 2

Bs.Tbn.

Tba.

(Vib.)

secco

1 3

(Xyl.) Perc.

3

2

(Mar.)

3

3

Hrp.

G

D A

arco

3

I 3

3 3

Vn.

(norm.)

arco II 3

3

3

3

Va. 3

Vc. (pizz.)

Cb.

l.v. molto

43 78

3

Picc.

5

1

5

Fl. 2

5

3

1 3

Ob.

5

2

3

1 5

3

Cl. in B

2

3

1 Bn.

3

2 5

1

3

2 Hn. in F

3

5

3

4

1

3

5 3

Tpt. in C

3 3

2 3

3

5

fltg.

3 5 3

1

5

Tbn.

3

solo 2

5 3

poss.

3 5

Bs.Tbn.

5

Tba. 3

1 Ped. Perc.

2

3

5

3

gliss.

Hrp.

l.v.

(D CB/E F GA )

C F

I sub.

3

sub.

3

Vn. II

3

Va. sub.

3

Vc. 3

div., arco Cb.

44 83 Picc.

3

3

3

3

1 Fl. 2

1 3 3

Ob.

3

3

2

3

1 3

Cl. in B

2

3

1 Bn. 2

1 3

3

2 3

Hn. in F 3

3

3

3

3

3

3

3

3

4

1 3 3 3

Tpt. in C

2

via sord.

senza sord.

3

3 solo 1 5

3

5

3

3

3

Tbn. 2 3

solo Bs.Tbn. sub.

Tba.

(Vib.) 1 secco

3

(Xyl.) Perc.

3

2

(Mar.)

3

3

Hrp.

non div.

I 3

3

3

Vn.

3

non div.

II 3

Va. 3

Vc. 3

Cb.

3

45 88 Picc.

5 3

3

3

3

1

5

fltg.

Fl. 2

5

1

Ob.

3

3

3

3

2

3

1

Cl. in B

5

2 5

3 5

1

5

Bn. 2

5

solo 1 5

2 Hn. in F

solo 3 5

4 solo 1

3

5

3

solo Tpt. in C

2 3

5

3

solo 3

5

3 3

3

solo 1

3

3

5

Tbn.

solo 2

3

3

solo Bs.Tbn. solo

solo

Tba.

l.v.

1 3

Perc.

Ped.

3 3

3

2

3 3

Hrp.

C

l.v. molto

I Vn. II

Va.

Vc. unis. no octave substitution Cb.

3

(non trem.)

46 93

fltg.

Picc.

6

sempre

fltg.

1

6

sempre 8va

Fl. 2

6

sempre

1

Ob.

6

2 6

3 6

1

Cl. in B

6

2 6

3 6

1

6

Bn. 2

6

1 5

6

5

6

5

6

2 3

Hn. in F

3

3

4 3

6

3

1 3

Tpt. in C

5

6

5

6

5

6

5

6

3

2 3

3 3

3

3 sub.

1 Tbn.

3

3

3

3

2

3

3

3

3

3

3

Bs.Tbn.

Tba.

(Vib.)

Glockenspiel

l.v. molto

Crotales

l.v. molto

1 3

(Xyl.) Perc.

secco

3

3

3

3

3

Ped.

Chimes

2

(Mar.)

Ped. (Mar.)

3

8va

Hrp.

full upbow

free bowing

I 3

sempre

3

Vn.

full upbow

free bowing

II 3

sempre

3

full upbow

div.

full upbow

div.

Va. 3

3 3

sempre 3

Vc. div. (div.)

Cb.