Issuu on Google+

John Harbison

CONCERTO FOR BASS VIOL AND ORCHESTRA Full Score Soloist tuning version in D

From the Rental Library of G. Schirmer, Inc. Date of printing:___________________

Associated Music Publishers, Inc. New York, NY


John Harbison

CONCERTO FOR BASS VIOL AND ORCHESTRA Full Score Soloist tuning version in D commissioned through the dedication and financial assistance of the family of double bassist Hunter Capoccioni in memory of his father, David Capoccioni, and of Michael Hammond, former dean of the Shepherd School of Music at Rice University, by the International Society of Bassists, friends of David Capoccioni, and (alphabetically) Atlanta Symphony Orchestra Boston Symphony Orchestra Cincinnati Symphony Orchestra Florida Orchestra Greenville Symphony Orchestra Houston Symphony Orchestra Knoxville Symphony Orchestra Los Angeles Philharmonic Minnesota Orchestra New Mexico Symphony Orchestra Philadelphia Orchestra San Diego Symphony Orchestra Seattle Symphony Orchestra Toronto Symphony Orchestra University of Iowa Symphony Orchestra

Associated Music Publishers, Inc. New York, NY


Instrumentation 2 Flutes (2nd doubling Piccolo and Alto Flute) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 2 Horns in F 2 Trumpets in C Timpani Percussion (1 player) Vibraphone, Marimba, Snare Drum, Suspended Cymbal, Triangle Temple Blocks (5 graduated), Glass Chimes, Flexatone

Piano Solo Contrabass Strings (maximum players 12/12/8/8/6)

duration circa 19 minutes

Program Note The first movement, Lamento, begins with an introduction which reminds the listener that the bass viol is the oldest instrument in the modern orchestra, grand survivor from the medieval viol family. Near the end of the introduction, the latter two movements are foreshadowed. The Lamento begins under emotional duress, gradually moving to a more elegiac tone which may mask a more dangerous state of mind. A closing section mimes sonic images of farewell. The second movement is a Cavatina, which my Italian dictionary defines as “a sustained Air. ” Having played in various chamber music pieces bearing this title, I believe cavatina has come to mean a song led throughout by a principal player, which eventually arrives at an unpredicted dramatic destination. Rondo: return. In the classical tradition it refers to the return of themes. In this piece I am playing with the return of a very short motto, which becomes increasingly rough and forthright. My main experience of the bass viol is traceable to conducting over fifty Bach cantatas and playing in many jazz groups. In both situations my colleague played two roles: ensemble catalyst, and soloist. I’ve drawn on these associations often, not just in this piece. – John Harbison


CONCERTO FOR BASS VIOL AND ORCHESTRA Introduzione Tempo giusto, commodo

I. Lamento = 108

John Harbison ritardando

1 Flute

Flute

(Piccolo) 2 (Alto Flute in G)

1 Oboe

Oboe

(English Horn)

2

1

Clarinet in B

Clarinet

(Bass Clarinet)

2

1 Bassoon

Bassoon (Contrabassoon) 2

Horn in F

1 2

Trumpet in C

1 2

Timpani

Vibraphone

Percussion (Single Player)

Piano

senza vibrato Solo Contrabass

non legato

Tempo giusto, commodo

= 108

ritardando

pizz. I Violin

pizz. II

pizz. Viola

pizz. Violoncello

non vib. 2 soli, arco

Contrabass

VERSION IN D

non legato gli altri, div., pizz.

Copyright Š 2006 by Associated Music Publishers (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY


2 a tempo

6

rit. molto

a tempo, misterioso

1

Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Vib.

Perc.

Tamtam

Pedal

8va

Pn.

Solo Cb.

a tempo, misterioso a tempo

rit. molto div. a3, arco

I

arco

Vn. II

arco Va.

div. a2, arco Vc.

2 soli unis., arco

Cb.

gli altri, unis., pizz.

arco


3 rit.

12 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

(Vib.)

Pedal (Tam.)

Perc.

Pedal

Pn.

Solo Cb.

unis., pizz.

rit.

I Vn. II

Va.

unis., pizz. Vc.

2 soli, div.

non vib. Cb.

div., pizz.


4 a tempo

rit.

a tempo

19 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Vib.

Perc.

Tam.

8va

Pn.

8ba

Solo Cb.

a tempo

rit.

a tempo arco

I

div. a3, arco Vn.

pizz. II

div. a3, arco

pizz. Va.

arco Vc.

tutti, div., non vib.

Cb.

gli altri, unis.

div., arco, non vib.


5 Animato

25

= 120

rit.

1 Fl. 2

1 Ob.

To English Horn 2

1 Cl. in B

to Bass Clarinet 2

1 Bn. 2

Hn. in F

1 2 3

3

Tpt. in C

3

3

3

3

1 2 3

3

3

3

3

3

Timp.

(Vib.)

Perc.

(Tam.)

Pn.

ord. Solo Cb.

Animato

= 120

rit.

unis. div. I

3

3

3

3

3

3

3

3

unis.

Vn.

II

3

3 3

div. a2

3

unis.

Va. 3

div.

3

3

3

3

3

3

3

3

unis.

Vc. 3

Cb.

3

3


6 31 Pi첫 deliberato

= 96

Poco agitato

= 108

rit.

Deliberato

= 96

Agitato

= 108 rit.

1 Fl.

to Piccolo 2

Ob.

1

E.H.

Cl. in B

1

Bass Clarinet Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

3

3

Solo Cb. 3

Pi첫 deliberato I Vn. II

Va.

Vc.

Cb.

= 96

Poco agitato

3

3

= 108

rit.

Deliberato

= 96

Agitato

3

= 108 rit.

3

3


7 35 Tempo I

rit molto

subito a tempo

Picc.

Fl.

1

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Marimba

secco

Perc.

secco

Pn.

pizz. Solo Cb.

Tempo I I Vn. II

Va.

Vc.

unis., ord. Cb.

rit molto

subito a tempo


8 accelerando poco a poco

41 Picc.

solo Fl.

1

solo 3 Ob.

1

crudo E.H.

solo Cl. in B

1

crudo

solo

Bs. Cl.

solo 1 Bn.

to Contrabassoon 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Mar.

Perc.

Pn.

Solo Cb.

accelerando poco a poco I Vn. II

div. Va.

Vc.

Cb.


9 Piccolo, solo

45

pi첫 mosso

= 132

pi첫 mosso

= 132

(accel.)

Picc.

solo Fl.

1

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Mar.

Perc.

Pn.

Solo Cb.

(accel.) I Vn. II

Va.

Vc.

Cb.


10 49

G.P. Lento doloroso

= 80

to Alto Flute

Picc.

Fl.

1

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

arco Solo Cb.

G.P. Lento doloroso

= 80

I Vn. II

Va.

Vc.

2 soli, pizz. Cb.

sonoro


11 55 Fl.

1

Al. Fl.

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

solo Bn.

1

espr. Contrabassoon, solo Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

dolente

I Vn. II

Va.

Vc.

Cb.


12 61 Fl.

1

Al. Fl.

Ob.

1

E.H.

solo Cl. in B

1

espr. solo Bs. Cl.

Bn.

1

to Bassoon Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

lamentando

I Vn. II

Va.

Vc.

Cb.


13 66 Fl.

1

Al. Fl.

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

1 solo I Vn. II

Va.

Vc.

Cb.


14 71 Fl.

calmando

cedendo

calmando

cedendo

1

Al. Fl.

Ob.

1

English Horn, solo E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

ululando

I Vn. II

Va.

Vc.

tutti, pizz. Cb.


15 76 Tempo, elegiaco Fl.

1

Alto Flute Al. Fl.

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

secchissimo

Solo Cb.

Tempo, elegiaco I Vn. II

Va.

pizz. Vc.

div. Cb.

unis.

div.


16 80 Fl.

allargando

1

Al. Fl.

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

allargando I Vn. II

Va.

Vc.

unis. Cb.


17 84 Fl.

a tempo

ritardando

1

to Flute Al. Fl.

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

flautando Solo Cb.

a tempo

ritardando

tutti I Vn. II

div. Va.

arco Vc.

arco Cb.


18 quasi a tempo

=76

89 1 Fl.

Flute 2

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn.

Bassoon 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

quasi a tempo div. I Vn.

div. II

(div.) Va.

div. Vc.

div. Cb.

=76


19 95

rit.

1 Fl. 2

Ob.

1

E.H.

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Triangle

Pn.

Solo Cb.

rit. I

Vn. II

Va.

Vc.

Cb.


20

Coda 101 Allegro furtivo

= 126

1 Fl. 2

Ob.

1

to Oboe E.H.

Cl. in B

1

to Clarinet in B Bs. Cl.

1 Bn. 2

2. take straight mute Hn. in F

1 2

Tpt. in C

1 2

take straight mute

Timp.

Perc.

Pn.

Solo Cb.

spiccato

Allegro furtivo I Vn. II

Va.

Vc.

2 soli, div. Cb.

spiccato

= 126


21 104 1 Fl. 2

1 Ob. 2

1 Cl. in B

Clarinet in B 2

1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

Timp.

Snare Drum, with brushes

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


22 107 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1

Bn. 2

(1.) Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Temple Blocks, with fingernails

(S.D.)

Pn.

5

Solo Cb.

con anima

6

5

I Vn. II

Va.

unis. O

Vc.

ma evidente la metĂ  Cb.

la metĂ , ma evidente

5

3


23 110 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

(T.Blks.)

Pn.

5

Solo Cb. 5

unis. I Vn.

unis. II

Va.

Vc.

3

Cb.


24 114 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

S.D., with brushes

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

(la metà) (div.) Cb.

(la metà)


25 117 1 Fl. 2

1 Ob. 2

1 Cl. in B

to Bass Clarinet 2

1 Bn. 2

(1.) Hn. in F

1 2

Tpt. in C

1 2

Timp.

T.Blks., with fingernails

Perc.

Pn.

Solo Cb. 5

con anima

I Vn. II

Va.

Vc.

Cb.

5


26 121 1 Fl. 2

1 Ob.

Oboe 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

2., with straight mute Hn. in F

1 2

Tpt. in C

1 2

with straight mute

Timp.

(T.Blks.)

Perc.

Pn.

Solo Cb. 5

I Vn. II

Va.

Vc.

Cb.

5

5

5

5


27 125 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

S.D., with brushes

Pn.

Solo Cb.

con calore

I Vn. II

Va.

Vc.

(2 soli, div.) Cb.


28 129 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

remove mute

Timp.

T.Blks., with fingernails

Perc.

Pn.

5

Solo Cb.

I Vn. II

Va.

Vc. 3

Cb.


29 134 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bass Clarinet Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

(T.Blks.)

S.D., with brushes

Pn.

Solo Cb. 5

I Vn. II

Va.

Vc.

Cb.

5

6


30 138 1 Fl. 2

solo 1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

S.D.

staccatissimo

Pn.

6

Solo Cb. 3

I Vn. II

Va.

Vc.

Cb.

leggiero, spiccato


31 141 1 Fl. 2

1

3

3

3

3

3

3

Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

(S.D.)

3

3

Pn.

3

Solo Cb. 3

I Vn. II

Va.

Vc.

Cb.

3

3


32 144 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

(S.D.)

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

2 soli, div. Cb.

spiccato


33 147 1

Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

8va

I

Vn. II

Va.

Vc.

Cb.


34

II. Cavatina Moderato e semplice

= 66

1 Fl. 2

1 Ob. 2

1 Cl. in B

to Clarinet in B 2

solo 1 Bn.

poco marcato 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

3

3

Solo Cb. 3

intimo 3

Moderato e semplice

= 66

I Vn. II

Va.

Vc.

1 solo

solo sempre

Cb.

poco accentato, accompagnato gli altri


35 4 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn.

to Contrabassoon 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb. 3

3

I Vn. II

Va.

1 solo

solo sempre

Vc.

gli altri Cb.


36 7 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

1., solo Hn. in F

1.

1 2

2. Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

pi첫 caloroso, pi첫 legato

I Vn. II

Va.

Vc.

Cb.


37 9

solo

1 Fl. 2

solo 1 5

Ob.

3

2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

(sola) sola Va.

le altre Vc.

Cb.


38 11 1 Fl. 2

1 3

Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

1., solo, open

1.

2., open

Timp.

Perc.

Pn.

Solo Cb.

drammatico

I Vn. II

Va.

Vc.

Cb.


39 13 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

marcato

I Vn. II

Va.

Vc.

Cb.


40 15 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


41 16 1 Fl. 2

1 Ob. 2

1 Cl. in B

Clarinet in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

non legato

I Vn. II

tutte Va.

tutti Vc.

Cb.


42 18 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


43 19 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

non legato

I Vn. II

Va.

Vc.

Cb.


44 20 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I

Vn. II

Va.

Vc.

Cb.


45 21 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

non legato

I Vn. II

Va.

Vc.

Cb.


46 22 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

volante

I Vn. II

Va.

Vc.

Cb.


47 23 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


48 24 1

Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Contrabassoon Cbn.

a2 Hn. in F

1 2

Tpt. in C

1 2

a2

Timp.

Perc.

8va

Pn.

Solo Cb.

8va

I

Vn. II

Va.

Vc.

Cb.


49 26 1

legato Fl. 2

legato 1

legato

Ob. 2

legato

1

legato

Cl. in B 2

legato Bn.

1

Cbn.

(a2) Hn. in F

1 2

Tpt. in C

1 2

a2

Timp.

Perc.

Suspended Cymbal

Pn.

Solo Cb.

I

legato Vn. II

legato

Va.

legato Vc.

Cb.


50 28 1

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

Fl. 2

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

(a2) Hn. in F

1 2

meno

cresc. a2

Tpt. in C

1 2

meno

cresc.

Timp.

Perc.

Sus. Cym.

Pn.

meno

cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

meno

molto cresc.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


51 30 1

Fl. 2

1 3

3

3

3

3

3

3

3

Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

3

(a2) Hn. in F

3

3

1 2

Tpt. in C

3

3

(a2)

3

3

1 2 3

3

3

Timp.

cresc.

Perc.

Tamtam

molto

Pn.

Solo Cb.

I 3

3

3

3

Vn. II

Va.

div. Vc.

div. Cb.

3

3

3


52 32 1

Fl. 2

1 3

3

3

3

3

3

3

Ob. 2 3

1 Cl. in B 2

Bn.

1

Cbn.

3

Hn. in F

3

1 2 3

3

3 3

Tpt. in C

1 2 3

3

Timp.

Perc.

(Tam.)

Pn.

Solo Cb.

I 3

3

3

3

Vn. II

Va.

3

Vc.

Cb.

3 3

3


53 33 1

Fl. 2

1 3

3

3

3

3

3

3

3

3

3

3

Ob. 2 3

1 Cl. in B 2

Bn.

1

Cbn.

3

3

Hn. in F

3

1 2 3

3

3

Tpt. in C

1 2 3

3

3

3

3

Timp.

Perc.

(Tam.)

Pn.

Solo Cb.

I 3

3

3

3

3

3

Vn. II

Va.

3 3

Vc.

Cb.

3

3

3


54 34 1

Fl. 2

1 3

Ob.

3

3

3

3

3

3

2 3

1 Cl. in B 2

Bn.

1

to Bassoon Cbn.

3

Hn. in F

3

1 2 3

3

Tpt. in C

3

3

3

3

3

3

3

3

1 2 3

Timp.

Perc.

(Tam.)

Pn.

Solo Cb.

3

I Vn. II

Va.

3

Vc.

Cb.

3

3

3

3

3


55 35

Sospeso

solo

1 Fl. 2

solo 1 Ob. 2

solo 1 Cl. in B 2

solo 1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Vibraphone

lontano Pedal

Perc.

Pedal

lontano

Pn.

Solo Cb.

delicato

Sospeso I Vn. II

Va.

Vc.

Cb.


56 41 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

(Vib.)

(Pedal)

Perc.

Pedal

Pedal

Pn.

Solo Cb.

I Vn. II

Va.

unis. Vc.

Cb.


57 47 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 brusco Bassoon

Bn. 2

brusco

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

S.D., sticks

Pn.

armonici a piacere

Solo Cb.

I Vn. II

Va.

Vc.

div., pizz. Cb.

brusco


58 rit.

53 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Mar.

Perc.

Pedal

(S.D.)

Pn.

Solo Cb.

rit. I Vn. II

Va.

Vc.

unis., arco (sounds 8ba) Cb.

Vib.


59

III. Rondo Allegro commodo

= 92

1 Fl. 2

1 Ob. 2

1 Cl. in B

to Bass Clarinet 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Mar. 5 5

Perc.

S.D.

Pn. 5

Solo Cb.

Allegro commodo

= 92

non div., pizz.

1/2 pizz., 1/2 arco

I 5

Vn.

1/2 pizz., 1/2 arco col legno II

1/2 pizz., 1/2 arco non div., pizz. col legno Va.

tutti arco ordinario 1/2 pizz., 1/2 arco col legno Vc.

1/2 pizz., 1/2 arco col legno 3 Cb.

tutti arco ordinario


60 6 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bass Clarinet Bs. Cl.

leggiero, non legato 1 leggiero, non legato

Bn. 2

leggiero, non legato

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.

leggiero, non legato


61 10 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

tutti, arco I

leggiero, non legato tutti, arco

Vn. II

leggiero, non legato tutti, arco ordinario Va.

leggiero, non legato Vc.

Cb.


62 14 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

div., pizz. I Vn.

pizz. II

pizz. Va.

pizz. Vc.

pizz. Cb.


63 18 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

div. Vc.

Cb.


64 21 1

staccatissimo

Fl. 2

staccatissimo 1

staccatiss.

Ob. 2

staccatiss. Cl. in B

1

staccatiss. Bs. Cl.

staccatiss. 1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Vib.

Mar.

secco

Perc.

Pn.

staccatiss.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


65 25 1 Fl. 2

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

Timp.

Vib.

Perc.

Pn.

Solo Cb.

unis., arco I

staccatissimo Vn.

arco II

staccatissimo arco Va.

staccatissimo arco Vc.

arco Cb.

div.

unis.


66 29 1

Fl. 2

1

Ob. 2

Cl. in B

1

to Clarinet in B Bs. Cl.

1 Bn. 2

(a2) Hn. in F

1 2

Tpt. in C

1 2

a2

Timp.

Vib.

Perc.

Pn.

Solo Cb.

I

Vn. II

Va.

Vc.

Cb.


67 32 1

staccatissimo Fl.

2

staccatissimo

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

(a2) Hn. in F

1 2

(a2) Tpt. in C

1 2

Timp.

(Vib.)

secco

Perc.

Pn.

Solo Cb.

1 solo Vn. I solo

Vn. I gli altri

leggiero, non legato Vn. II

pizz.

leggiero, non legato arco

Va.

leggiero, non legato pizz. Vc.

pizz. Cb.

1 solo, arco


68 36 1 Fl. 2

1 Ob. 2

1

staccatissimo Clarinet in B

Cl. in B 2

staccatissimo 1 Bn. 2

1. Hn. in F

1 2

Tpt. in C

1 2

2.

Timp.

Mar.

Perc.

Pn.

Solo Cb.

Vn. I solo

Vn. I gli altri

Vn. II

Va.

Vc.

Cb.


69 39 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

a2 Hn. in F

1 2

Tpt. in C

1 2

1.

Timp.

Perc.

Sus. Cym.

S.D.

Sus. Cym.

Pn.

Solo Cb.

Vn. I solo

Vn. I gli altri

Vn. II

Va.

tutti Vc.

gli altri arco Cb.

S.D.


70 42 1 Fl.

to Piccolo 2

1 Ob. 2

1 Cl. in B

to Bass Clarinet 2

1

Bn. 2

(a2) Hn. in F

1 2

Tpt. in C

1 2

(a2)

Timp.

Mar.

Perc.

Sus. Cym.

S.D.

Pn.

8ba

Solo Cb.

calmo

tutti I Vn. II

Va.

Vc.

Cb.


71 45 Picc.

Fl.

1

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

(Mar.)

Perc.

Pn.

8ba

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


72 49 Picc.

Fl.

1

1 Ob. 2

Cl. in B

1

Bass Clarinet Bs. Cl.

1 Bn.

to Contrabassoon 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

8ba

Solo Cb.

I Vn. II

1 sola Va.

1 solo Vc.

Cb.


73 52 Picc.

Fl.

1

1 Ob. 2

Cl. in B

1

Bs. Cl.

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


74 55

Piccolo

3

Picc. 6 6

6

Fl.

1

6 6 6

1 6

Ob. 2

Cl. in B

1

Bs. Cl.

Bn.

1 Contrabassoon

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Glass Chimes

Pn.

Solo Cb.

stacc., energico

I Vn. II

Va.

Vc.

Cb.


75 58 3

Picc.

6

3

6

6 6

6

6

Fl.

1

6 3

6

6 6

6

1 6

Ob.

6 6

6

2

Cl. in B

1

Bs. Cl.

Bn.

1 to Bassoon

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Glass Chimes

8va

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


76 61 Picc.

Fl.

1

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

tutte Va.

tutti Vc.

Cb.


77 65 Picc.

Fl.

1

1 Ob. 2

Cl. in B

1

Bs. Cl.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


78 69 Picc.

Fl.

1

1 Ob. 2

Cl. in B

1

to Clarinet in B Bs. Cl.

1 Bn. Bassoon 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

B.D.

Pn.

Solo Cb.

I

Vn. II

Va.

Vc.

Cb.


79 73 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


80 76 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

take straight mute Hn. in F

1 2

Tpt. in C

1 2

take straight mute

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


81 79 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B

Clarinet in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

pizz.

I

pizz.

Vn. II

div., pizz. Va.

pizz. Vc.

pizz. Cb.


82 82 Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I

Vn. II

unis. Va.

Vc.

Cb.


83 85

to Flute

Picc.

Fl.

1

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

with straight mute Hn. in F

1 2

with straight mute Tpt. in C

1 2

Timp.

Perc.

S.D.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

Cb.


84 88 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

2. remove mute Hn. in F

1 2

Tpt. in C

1 2

remove mute

Timp.

Perc.

(S.D.)

Pn.

Solo Cb.

martellato

I Vn. II

Va.

Vc.

(pizz.) Cb.


85 91 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

arco, sul ponticello I Vn.

arco, sul ponticello II

arco, sul ponticello

div.

Va.

arco, sul ponticello Vc.

Cb.

unis.


86 94 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. (with straight mute) Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn.

div. II

div. Va.

Vc.

Cb.

unis.


87 97 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

1. remove mute 2. Hn. in F

1 2

Tpt. in C

1 2

2. open

Timp.

Perc.

Pn.

Solo Cb.

ruvido

I Vn. II

Va.

Vc.

Cb.


88 100 1

Fl.

Flute 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

open Hn. in F

1 2

Tpt. in C

1 2

open

Timp.

Flexatone

Perc.

Pn.

Solo Cb.

div., ord. I Vn.

ord. II

div., ord. Va.

ord. Vc.

arco Cb.


89 103 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

(Flex.)

Perc.

Pn.

pizz. Solo Cb.

I Vn. II

Va.

Vc.

Cb.


90 rit. 106 1

sub. Fl. 2

sub. 1 Ob. 2

1

sub.

Cl. in B 2

sub.

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

(Flex.)

Perc.

Pn.

3

Solo Cb. 3

disinvolto

rit. I Vn. II

Va.

Vc.

div. Cb.

unis.

3


91 Poco meno mosso, brillante

= 84

110 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

stacc.

Pn.

Solo Cb.

meno

Poco meno mosso, brillante

= 84

unis. I Vn.

unis. II

unis. Va.

Vc.

pizz. Cb.

meno


92 112 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

Solo Cb.

I Vn. II

Va.

Vc.

(pizz.) Cb.


93 114 1 Fl. 2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Perc.

Pn.

arco Solo Cb.

I Vn. II

Va.

Vc.

Cb.


94 116 1

Fl.

2

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. in F

1 2

Tpt. in C

1 2

Timp.

Mar.

Perc.

Pn.

8va ad lib.

Solo Cb.

unis.

div.

div. I Vn.

div. II

div.

unis.

div.

Va.

div.

unis.

Vc.

div., arco Cb.

unis.

div.


Harbison CONCERTO FOR BASS VIOL AND ORCHESTRA (IN D)