Page 1

John Corigliano

CIRCUS MAXIMUS (Symphony No. 3 for large wind ensemble)

From the G. Schirmer Rental Library Date of Printing ______________

G. Schirmer, Inc. New York, NY


John Corigliano

CIRCUS MAXIMUS (Symphony No. 3 for large wind ensemble)

commissioned by the School of Music, The University of Texas at Austin, for the University of Texas Wind Ensemble, Jerry F. Junkin, Director of Bands

G. Schirmer, Inc. New York, NY


Program Note Circus Maximus is my first work specifically written for concert band. Many years ago, I arranged a piano-four-hand suite, Gazebo Dances, for band, but I have always felt more comfortable writing for the symphony orchestra. The sight of a multi-staved-and-transposed-band score still fills me with dread. Attending a band concert, in contrast, I find exhilarating. For starters, the repertoire of band music is largely contemporary. As a result the audiences expect and look forward to new works. Listening in an environment largely ignored by the press, they learn to trust their own ears and respond directly to what they hear. Most important of all, concert bands devote large amounts of rehearsal time over a period of weeks, not days, to learning throughly the most challenging of scores. With its combination of new notations and spatial challenges demanding an intricate coordination of a large work, Circus Maximus could only have been attempted under such special circumstances. I owe a great debt to the dedicatee of Circus Maximus, Jerry Junkin. He approached me about writing an original band work years ago. I declined at the time, because, frankly, the thought of that enormous ensemble, composed of so many instruments I had never written for, overwhelmed me. But Jerry persisted; and his encouragement both in commissioning me to write this work and during the composing process (during which he was incredibly supportive) has really made this piece possible. Jerry wanted a large and theatrical piece: a third symphony. And, when I thought about that, it made a certain sense. My first symphony was for large symphony orchestra, my second for string orchestra alone, and this piece is for winds, brass, and percussion alone. For the past three decades I have started the compositional process by building a shape, or architecture, before coming up with any musical material. In this case, the shape was influenced by a desire to write a piece in which the entire work is conceived spatially. But I started simply wondering what dramatic premise would justify the encirclement of the audience by musicians, so that they were in the center of the arena. This started my imagination going, and quite suddenly a title appeared in my mind: Circus Maximus. The Latin words, understandable in English, convey an energy and power by themselves. But the Circus Maximus of ancient Rome was a real place - the largest arena in the world. 300,000 spectators were entertained by chariot races, hunts, and battles. The Roman need for grander and wilder amusement grew as its empire declined. The parallels between the high decadence of Rome and our present time are obvious. Entertainment dominates our reality, and ever-moreextreme ‘reality’ shows dominate our entertainment. Many of us have become as bemused by the violence and humiliation that flood the 500-plus channels of our television screens as the mobs of imperial Rome, who considered the devouring of human beings by starving lions just another Sunday show. The shape of my Circus Maximus was built both to embody and to comment on this massive and glamorous barbarity. It utilizes a large concert band, and lasts approximately 35 minutes. The work is in eight sections that are played without pause. I. Introitus: Trumpets and percussion surrounding the audience play fanfares, signaling the opening of the work. The full band enters with a primitive call from the clarinets. A short central section features the lowest winds and brass followed by the joining of the offstage and onstage ensemble playing together this time, and reaching the first climax of the work II. Screen/Siren: A saxophone quartet and string bass call from the 2nd tier boxes in seductive inflections. Other instruments scattered around the hall (clarinet, piccolo, horns, trumpets) echo the calls, which are suddenly interrupted by III. Channel Surfing: Sensory overload and infinite variety dilute concentration. Our need for constant change echoes the desires of the ancient mob, only now we can access it all by pressing a button. Music in this section is constantly interrupted by other music and comes from all sections of the hall. IV. Night Music I: Tranquility in nature. Away from cities, forest sounds suspend time. Animals call to each other. V. Night Music II: The hyper night-music of the cities pulse with hidden energy and sudden flashes. Sirens and distant battles onstage build the tension to VI. Circus Maximus: The peak of the work incorporates all the other movements and is a carnival of sonoric activity. A band marching down the aisles counterpoints the onstage performers and the surrounding fanfares. Exuberant voices merge into chaos and a frenzy of overstatement. VII. Prayer: In answer to this, a long-lined serene melody is set against a set of plagal (IV-I) cadences that circle through all the keys. The rising line grows in intensity against the constantly changing harmonies as the chords overlap from stage to surround trumpets and back. VIII. Coda: Veritas: Music from the Introitus enters almost inaudibly, but grows in intensity until it dominates the ‘prayer’ music, and the surrounding trumpet calls reach an even higher peak. A gunshot ends the work. — John Corigliano


Circus Maximus Instrumentation and Positions

STAGE (Stage Band)

First Tier Second Tier Third Tier Balcony

Stage Band 4 Flutes (1 and 2 doubling Piccolos) 4 Oboes (1 doubling English Horn) 3 Clarinets in B flat (9 players minimum) 2 Bass Clarinets Contrabass Clarinet 3 Bassoons Contrabassoon 4 Trumpets in B flat (1 and 2 doubling Trumpet in D) 4 Horns in F 4 Trombones 2 Euphoniums 2 Tubas Piano Harp Timpani Percussion *(4 - 5 players)

11

10

1

2

Surround Band Clarinet in B flat 4 Saxophones (2 Alto, 1 Tenor, 1 Baritone) 11 Trumpets in B flat **(7 or 9 minimum) 2 Horns in F 3 Percussion String Bass

9

3

Marching Band Piccolo/Flute Clarinet in E flat 2 Trumpets in B flat (Trumpets 5 and 7 from Surround Band) 2 Trombones Percussion (Percussion 2 from Surround Band)

8

*Note: A 12-gauge shotgun is required. It should fire a full load/black powder “popper� made by Winchester. Smokeless gun powder charges are an acceptable alternative, but the black powder is louder and throws a much larger flame from the barrel. Because of safety/insurance issues, a licensed pyro-technician may need to be hired to fire the shotgun instead of having a percussionist do so.

4

**Note: Trumpets 8-11 have been cross-cued as necessary in the Trumpet 4 part to facilitate the minimum number of players.

7

5

(Marching Band) 6 Clarinet plays from this position in Movement II

Piccolo

E Flat Clarinet

B Flat Clarinet

French Horn

B Flat Trumpet

G. Schirmer, Inc. New York, NY

Trombone

Percussion

Saxophone Quartet and String Bass


to Jerry Junkin

CIRCUS MAXIMUS (Symphony No. 3 for large wind ensemble) I. Introitus = 92

*

8

8-10 sec.

4-6 sec.

8-10 sec.

8-10 sec.

4-6 sec. wide vibrato 1/2 valve (3rd)

8-10 sec.

( = 92)

4-6 sec.

John Corigliano 10-12 sec.

Marching Band

Piccolo

E Clarinet

B Trumpet

1 2

Trombone

1 2

= 92

a5

4-6 sec.

10-12 sec. overtone arpeggio

(1/2 valve)

(1/2 valve)

(1/2 valve) **

(1/2 valve)

(1/2 valve) **

1-5 free, asynchronous B Trumpet

wide vibrato 1/2 valve (3rd)

a6

overtone arpeggio (1/2 valve)

6-11 free, asynchronous 1 2

F Horn

S.D., snares on

Surround Band

1

Percussion

S.D., snares on

5

S.D., snares on

5

5

2

3 5

5

B Clarinet

Alto

1 2

Saxophone Tenor Baritone

String Bass 8

= 92 8

(Piccolos)

8-10 sec.

4-6 sec.

8-10 sec.

( = 92)

4-6 sec.

10-12 sec.

1 2

Flute 3 4 1 2 Oboe 3 4

B Clarinet 1

B Clarinet 2

B Clarinet 3

1 Bass Clarinet 2 Contrabass Clarinet

Bassoon

8

1 2 3

Stage Band

Contrabassoon

8

1 2 B Trumpet 3 4 1 3 F Horn 2 4 1 2 Trombone 3 4

Euphonium

1 2

Tuba

1 2

Timpani

1 2

Percussion

3 4 Bass Drum l.v.

l.v.

5

Piano

Harp

SCORE IN C *Numerals in triangles represent cued events rather than regular beats. The number in the triangle equals the number of cues. Dotted barlines separate each cue. **Randomly begin to alternate the three figures.

Corrected 08/05 Corrected 08/05a (05/06) (parts changed: All Surround Tpts., Contrabass Cl., Timpani, and Perc. 5)

Copyright Š 2005 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.


2 ( = 92)

5

12-15 sec. randomly alternate the three figures

( = ca. 92)

(a5)

1-5 all asynchronous

B Tpt. (a6)

randomly alternate the three figures

6-11 all asynchronous 1 2

F Hn.

S.D.

Surround Band

1 5

Perc.

S.D.

5

6

2 5

S.D. 3 5

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

( = 92)

12-15 sec.

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

8

1 Bn.

2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

Suspended Cymbal 4 Perc.

B.D. 5

Piano

Harp


3 9

(a5)

1-5 B Tpt.

(a6)

6-11

1 2

F Hn.

(S.D.) 1 5

5

5

5

6

5

5

5

5

6

5

5

5

5

6

Surround Band

(S.D.) Perc.

2

(S.D.) 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 a2 1 2

Ob.

a2 3 4 bell up tutti

B Cl. 1 primitive, wild! bell up tutti B Cl. 2 primitive, wild! bell up tutti B Cl. 3 a2

primitive, wild!

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1., 2.

1 2 3

3.

Cbn.

8

a2 1 2 B Tpt.

a2

Stage Band

3 4 a2 1 3 F Hn.

a2 2 4

1 2 Tbn. 3 4 a2 Euph.

1 2

Tba.

1 2

a2

Timp.

2 Flexatones 1 S.D. 2 5

Perc.

High Tenor Drum 3 4 Tamtam 5

Piano

Harp

B.D.

5 5

5

Low Tenor Drum 5

5


4 15 1-5 B Tpt. 6-11

1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

a2 8

Picc.

1 2 crude

Fl.

3 4 (a2) molto 1 2 (a2)

Ob.

molto

3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2) 1 Bs. Cl. 2 molto Cb. Cl.

8

molto

Bn.

1.

(1., 2.)

1 2 3

molto 2., 3.

(3.) Cbn.

8

molto 5

5

5

5

1 5

5

molto

55

5

5

5

2 5

B Tpt.

5

molto

5

5

5

5

Stage Band

3 5

5

molto

55

5

4 5

5

molto

lip gliss.

(a2) 1 3

5

molto

F Hn.

brassy lip gliss.

(a2) 2 4 molto

II lip gliss. with slide a2

VII

brassy

1 2 molto Tbn.

brassy a2 lip gliss.

3 4 molto brassy

(a2) Euph.

1 2

Tba.

1 2

molto

(a2)

a2

molto

Timp.

1 (S.D.)

Low Lion’s Roar

2 5

(H.T.Dr.) Perc.

5

3 4 (L.T.Dr.) (B.D.) 5

Piano

Harp

5

5

4. High Lion’s Roar

II

5


5 19 1-5 B Tpt. 6-11

1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4

5

5

5

5

5

5

5

5

5

5

5

5

a2 1 2 5

Ob.

a2

5 5

5 5

5 5

5 5

5 5

5

3 4 bell ord. (tutti) B Cl. 1

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

bell ord. (tutti) B Cl. 2 bell ord. (tutti) B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1., 2.

1 2 3

3.

Cbn.

8

5

5

1 5

5 5

5

5

5

2 5 5

5

B Tpt.

5

5

Stage Band

3 5

5 5

5

5 5

4 5

5

5

(a2) 1 3 F Hn.

(a2) 2 4 VII (a2)

II

VII

1 2 (a2) Tbn. 3 4 a2 Euph.

1 2

Tba.

1 2

(a2)

Timp. 1. Chimes

(2. L. L. Roar) 1 2 (4. H. L. Roar) Perc.

3 4 B.D. 5

Piano

Harp

5 5

5 5

5 5

5 5

5


6 22 1-5 B Tpt. 6-11

1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

Fl.

1 2

3 4

5

5

5

5

5

5

5

5

5

5

a2 1 2 5

Ob.

a2

5 5

5 5

5 5

5 5

5

3 4 bell up B Cl. 1

5

5

5

5

5

bell up B Cl. 2

5

5

5

5

5

bell up B Cl. 3

5

5

5

5

5

a2 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(1., 2.)

1 2 3

(3.)

Cbn.

8

2. 1 2 5

B Tpt.

5 5

5 5

5 5

5 5

4.

5

Stage Band

3 4 (a2) 1 3 F Hn.

(a2) 2 4

1 2 Tbn. 3 4 a2 Euph.

1 2

Tba.

1 2

a2

Timp. 2 Flexatones 1 S.D. 2 5

Perc.

H.T. Dr.

5

5

5

5

3 4 L.T. Dr. B.D. 5

Piano

Harp

5

5

5

5


7 27

6 5, 7

4, 5, 6, 7, 8

4, 8

B Tpt.

5

5 5

2, 10

1, 2, 3, 9, 10, 11

5 5

5 5

5 5

5

3, 9 1, 11

1 2

F Hn.

S.D. 1 5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

Surround Band

S.D. Perc.

2 S.D. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

a2

a2

a2

8

Picc.

1 2

Fl.

3 4 (a2) 1 2 (a2)

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2) 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(1., 2.)

1 2 3

(3.) Cbn.

8

(2.) 1 2 Tpt.

(4.)

Stage Band

3 4 (a2) 1 3 Hn.

(a2) 2 4

1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

(a2)

a2

a2

Timp. (1. Flexatone) 1 2

Perc.

3 4 (B.D.) 5

Piano

8ba

Harp

8ba

A

A

B E


8 32 4, 5, 6, 7, 8 B Tpt. 1, 2, 3, 9, 10, 11 1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

(a2) 8

Picc.

1 2 3

Fl.

3 4 3

(a2) 1 2 3

Ob.

(a2) 3 4 3

B Cl. 1 3

B Cl. 2 3

B Cl. 3 3

3

a2

3

=

3

1 Bs. Cl. 2 3

3

3

Cb. Cl.

=

3

8

3

Bn.

a3

1 2 3

3

3

=

3

a3

3

3

3

Cbn.

=

3

8

a2

with harmon mute

take harmon mute

5

1 2 3

B Tpt.

a2

take harmon mute

3., with harmon mute

Stage Band

3 4

5

(a2)

3

1 3 3

F Hn.

(a2)

3

2 4 with harmon mute

take harmon mute 1 2 3

Tbn.

3

3

4.

5

3

3

=

3

3 4 3

(a2) Euph.

1 2

Tba.

1 2

=

3 3

3

1.

=

3 3

2. 3

=

3

Timp. 1., Tambourine 1 3

=

5

2 3

= Perc.

3

= 4 (B.D.)

3

3

=

5 3

=

3 3

Piano

8ba 3

=

Harp

Tom-toms

3 Snare Drum


9 37 4, 5, 6, 7, 8 B Tpt. 1, 2, 3, 9, 10, 11 1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1., solo 1 2

Ob. 3 4 solo, bell ord. B Cl. 1 liquid B Cl. 2

B Cl. 3 (a2) 1 Bs. Cl. 2 sub. Cb. Cl.

Bn.

8

(a3)

1 2 3

sub. Cbn.

8

5

1 2 5

B Tpt. 3.

5

5

Stage Band

3 4 1 3 F Hn. 2 4 1 2

5

5

Tbn.

(4.) 3 4 sub.

Euph.

1 2

Tba.

1 2

1.

sub. Timp. Tamb. 1 5

Temple Blocks 2 (T.-t.) Perc.

3 (S.D.) 4 (B.D.) 5

Piano

Harp

C D


10 42 4, 5, 6, 7, 8 B Tpt. 1, 2, 3, 9, 10, 11 1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 a2 1 2 cresc.

Ob. 3 4

tutti B Cl. 1 cresc. B Cl. 2

B Cl. 3 (a2)

(

= )

(

= )

(

= )

(

= )

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

8

open

remove mute

5

1 5

5

remove mute

open

remove mute

open

5

5 5

2 5

5

B Tpt.

5 5

Stage Band

3 5

5

4 3

5

a2

1 3 3

F Hn. 3

a2 3

2 4 a2, open, lip gliss with slide II

remove mute 1 2

5

Tbn. (4.)

(

= )

(

= )

(

= )

(

= )

a2, lip gliss

3 4

Euph.

1 2

Tba.

1 2

(1.)

a2

Timp. 1. Tamb.

2. L. Lion’s Roar

1 2 T.-t.

5

(

= )

(

= )

(

= ) Sus. Cym.

(

= )

(

= )

3 Perc.

(S.D.) 4

(B.D.) 5

Piano

8ba

Harp

B E


11 46 4, 5, 6, 7, 8 B Tpt. 1, 2, 3, 9, 10, 11 1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4

5

5

a2 1 2 5

Ob.

a2

5

3 4 (tutti) B Cl. 1

5

(tutti) B Cl. 2

5

(tutti) B Cl. 3

5

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1., 2.

1 2 3

3.

Cbn. 8

5

5

5

5

5

1 5 5

5

5

5

5

5

5 5

5

2 5

B Tpt.

5

5

5

5

5

5

5

Stage Band

3 5

55

5

5

5

5

5

5

5

4 5

5

5 5

5

(lip gliss.) (a2) 1 3 F Hn. (lip gliss.) (a2) 2 4 VII (a2) sim. 1 2 asynchronous

(a2) Tbn. 3 4

asynchronous

a2 1 2

Euph.

(a2)

asynchronous

1 Tba. 2

asynchronous Timp. (2. L. Lion’s Roar)

1. Chimes

asynchronous

1 2 (4. H. Lion’s Roar) Perc.

3 4 B.D. 5

Piano

8ba

Harp

8ba


12 49

8-10 seconds

a5

4, 5, 6, 7, 8

6-8 seconds

free, asynchronous

B Tpt. a6 1, 2, 3, 9, 10, 11

free, asynchronous 1 2

F Hn.

S.D.

Surround Band

1

Perc.

S.D.

molto

S.D.

molto

2

3 molto B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

8-10 seconds

6-8 seconds

8-10 seconds

6-8 seconds

3

poss.

Fl.

3 4

3

(a2)

poss.

1 2 3

Ob.

(a2)

poss.

3

3 4 poss. B Cl. 1

3

poss. B Cl. 2

3

poss. B Cl. 3

3

poss. 1 Bs. Cl. 2 poss. Cb. Cl.

Bn.

8

(1., 2.)

1 2 3

poss.

(3.) poss.

Cbn.

8

poss. 1 2 3

B Tpt.

poss.

3

Stage Band

3 4 (a2)

poss.

(a2)

poss.

1 3 F Hn. 2 4 poss. 1 2 Tbn.

poss. 3 4 (a2)

Euph.

1 2

Tba.

1 2

poss.

poss.

poss.

Timp. 1. Xylophone

poss.

1 2 Tam. Perc.

3 4 B.D. 5

Piano

Harp

D A


13 53

(randomly alternate 3 figures)

(a5)

4, 5, 6, 7, 8 asynchronous

(randomly alternate 3 figures)

B Tpt. (a6) 1, 2, 3, 9, 10, 11 asynchronous 1 2

F Hn.

(S.D.) Surround Band

1 5

(S.D.) Perc.

2 5

(S.D.) 3 5

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 a2 1 2

Ob.

a2 3 4 bell up

B Cl. 1 bell up B Cl. 2 bell up B Cl. 3 a2 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(1., 2.)

1 2 3

(3.)

Cbn.

8

2.

1. to Trumpet in D

1 2 B Tpt.

4.

Stage Band

3 4 a2 1 3 F Hn.

a2 2 4

1 2 Tbn. 3 4 a2 1 2

Euph.

a2 1 2

Tba.

Timp. 2 Flexatones 1 S.D. 2 5

Perc.

Tamtam

5 5

H. T. Dr.

5

3 4 L. T. Dr. B.D. 5

Piano

Harp

5

5

B.D.


14 6 5, 7

4, 5, 6, 7, 8

4, 8

5

a5

*

a6

*

8

57

5

B Tpt. 5

growl sing any long notes into trumpet while playing

8

5

2, 10 1, 2, 3, 9, 10, 11

sing any long notes into trumpet while playing

3, 9 1, 11 growl 1 2

F Hn.

S.D.

Surround Band

1 5

5

5

5

5

5

S.D. Perc.

2 S.D. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

a2

(a2) 8

Picc.

1 2

Fl.

3 4 (a2) 1 2

Ob.

(a2) 3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2) 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(1., 2.)

1 2 3

(3.) Cbn.

8

2.

2. to Trumpet in D

Trumpet in D

a2

1 D Tpt. 2 (together)

Stage Band

4. 3 B Tpt. 4 (a2) 1 3 F Hn.

(a2) 2 4

1 2 Tbn. 3 4 (a2) 1 2

Euph.

(a2) 1 2

Tba.

Timp. (Flexatones)

1 S.D. 2 5

Perc.

5 5

H. T. Dr.

5

3 4 (B.D.) 5

Piano

Harp

*Play slowly, legato between and including given notes.

L. T. Dr. 5

5


15 61

(alternate) (a5)

4, 5, 6, 7, 8 asynchronous, freely (alternate)

B Tpt. (a6) 1, 2, 3, 9, 10, 11

asynchronous, freely 1 2

Hn.

S.D. 1

Surround Band

S.D. Perc.

2 S.D. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

a2 8

Picc.

1 2 (together) poss.

Fl.

3 4 poss. 1 2

Ob.

poss. 3 4 *

poss.

*

poss.

*

poss.

B Cl. 1

B Cl. 2

B Cl. 3 a2

poss.

1 Bs. Cl. 2 poss. Cb. Cl.

Bn.

8

1., 2.

1 2 3

poss.

3. poss.

Cbn.

8

a2

poss.

1 D Tpt. 2 (together)

Stage Band

poss. 3 B Tpt. 4 a2

poss.

a2

poss.

1 3 F Hn. 2 4 poss. 1 2 Tbn.

poss. 3 4 a2

Euph.

1 2

Tba.

1 2

poss.

a2

poss.

poss. Timp. *

poss.

1 S.D.

poss.

2 poss.

5

Perc.

5

H. T. Dr. 3 4 L. T. Dr. 5

(B.D.)

poss.

5 poss.

Piano poss.

Harp

D F G A poss.

*Clarinets and Flexatone play together.

to Trumpet in B


16

II. Screen/Siren = ca. 60

8

Picc.

B Cl.

3 3

3

5

3

3

Al. 1-2

Surround Band

freely, seductive

3

3

3

Sax. Ten. Bar.

Str. Bs. 8

take harmon mute B Tpt.

2

F Hn.

1 2

take straight mute

2

A 8

Picc.

B Cl.

Surround Band

Al. 1-2 3

3

Sax. Ten. Bar.

Str. Bs. 8

B Tpt.

2

F Hn.

1 2

10 8

Picc.

B Cl.

6

Al. 1-2

Surround Band

3

Sax. Ten. Bar.

pizz. Str. Bs. 8

B Tpt.

2

F Hn.

1 2

18 8

Picc.

B Cl.

3 3

3

3

3

3

3

Surround Band

Al. 1-2

Sax. Ten. Bar. 3

3 3

Str. Bs. 8

B Tpt.

2

F Hn.

1 2

3

3

3


17 26

rall.

8

* B

a tempo

Picc.

( = ca. 60) B Cl.

3

Surround Band

Al. 1-2

Sax.

3

3

3

3

3

3

Ten. Bar. 3 3

3

3

3

3

Str. Bs. 8

3

B Tpt.

2

F Hn.

1 2

34 8

Picc.

B Cl.

3

Surround Band

Al. 1-2 Sax. Ten. Bar. 3

3

arco

3

Str. Bs. 8

3

B Tpt.

2

F Hn.

1 2

41 C 8

Picc.

B Cl.

1. Al. 1-2 3

Surround Band

Sax. Ten. Bar.

arco

pizz. Str. Bs. 8

with harmon mute

B Tpt.

2

F Hn.

1 2

with straight mute

47 D 8

Picc.

B Cl.

3

3

3

Surround Band

Al. 1-2 3

Sax.

3

3

Ten. Bar.

pizz.

3

Str. Bs. 8

3

B Tpt.

2

F Hn.

1 2

3

*From rehearsal letter B to the end the parts will have differing bar numbers.

3

3


18

III. Channel Surfing *

**

(10.)

*

**

(a2)

*

**

8

Marching Band

Picc.

E Cl.

B Tpt. 1 2

Tbn.

1 2

1-6 B Tpt. 7-11

1 2

F Hn.

1

2

Surround Band

Perc.

3 *

**

(a2)

*

**

(a2)

*

**

*

**

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

Prestissimo

= 220

8

Picc.

1 2

Fl.

3 4 a2 1 2

Ob.

a2

(squawking)

3 4 (squawking) B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Trumpet in B

1.

1 2 B Tpt.

Stage Band

3 4

1 3 F Hn.

a2 2 4 1. open 1 2 2. with harmon mute 3. with harmon mute

Tbn. 3 4

4. with harmon mute Euph.

1 2

Tba.

1 2

Timp. Xyl. 8

1 Wood Block Perc.

2 3 Ratchet Police Whistle 4 5 Clicker

Piano

Harp

*Stop abruptly when interrupted by Stage Band. **Resume playing the previous figure ( = 60, piano, legato) from where the Stage Band interrupted.

2.


19 (10)

to Flute

8

Marching Band

Picc.

E Cl.

B Tpt.

1 2

Tbn.

1 2

1-6 B Tpt.

(10.)

remove mute

(a2)

remove mute

7-11

1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl. (a2) Al. 1-2 Sax.

(a2) Ten. Bar.

Str. Bs. 8

( = 220)

+ =

8

Picc.

1 2

Fl.

3 4

3., solo

a2 1 2 Ob.

a2 3 4

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1. 1 2 B Tpt.

Stage Band

3 4

1 3 a2

F Hn. 2 4

2. 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. Xyl.

8

1

W. Blk. Perc.

2 3 Ratchet

P. Whistle 4 5 Clicker

Piano

Harp


20 20 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

= ca. 120 1-6 B Tpt. 7-11 open * 1 2

F Hn.

brassy

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

= 55

( = ca. 120)

8

Picc.

1 2

Fl.

3 4

(3.)

3

3

3 3

3

3

3

1 2 Ob. 3 4 div. a3

quasi gliss.

div. a3

quasi gliss.

div. a3

quasi gliss.

B Cl. 1

B Cl. 2

B Cl. 3 3

1. 1 Bs. Cl. 2 3

Cb. Cl.

Bn.

3

3

8

1 2 3

Cbn.

8

1 2 B Tpt. Stage Band

3 4 1 3 F Hn. 2 4 2. remove mute 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 8

1 W. Blk. Perc.

2 3 Ratchet P. Whistle 4 5 Clicker

Piano

Harp

*Horns establish tempo


21 28 (

= ca. 120)

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2 5., 6.

1-6

B Tpt.

7., 8.

7-11

* 1 2

Surround Band

F Hn.

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4

( = ca. 120)

1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt. Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

1 W.Blk. Perc.

2 3 Ratchet

P. Whistle 4 5 Clicker

Piano

Harp

*Conductor beats in Horn’s tempo for two measures (or more, if necessary). The conductor then cues and conducts the Surround Band Trumpets.


22 36 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

1-6 B Tpt. 7-11

1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4 tutti, unis. B Cl. 1

tutti, unis. B Cl. 2 tutti B Cl. 3

a2 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt. Stage Band

3 4 1 3 F Hn. 2 4

2. open

1 2 Tbn. 3 4

4. open Euph.

1 2

Tba.

1 2

Timp. Xyl.

8

15

1 W.Blk.

Maracas Perc.

2 3 5. Congas 4 5

Piano

Harp

Ratchet Clicker


23 42 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

1-6 B Tpt. 7-11

1 2

F Hn.

Surround Band

1

Perc.

2

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

1., solo 8

Picc.

1 2 sparkling

3., solo Fl.

3 4

5

sparkling N

1., solo

O

N

O

1 2 sparkling

Ob. 3 4 1 player, solo B Cl. 1

sparkling B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

1 2 B Tpt. 3 4 a2* 1 3 legato F Hn.

a2* 2 4 legato 1 2

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

Glock.

1

Perc.

2 3 4 5 8va

Piano

Harp

*Play between and including the two pitches as fast as possible with constantly varying figures.

N


24 43

= ca. 108 *

= ca. 132 Flute

Fl.

3

3

3

3

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

Sus. Cym.

B.D.

sub.

1-6 B Tpt. 7-11 1 2

F Hn.

1 Surround Band

Perc. 3

B Cl.

= ca. 108 * Al. 1-2 slap tongue

Sax. Ten. Bar.

slap tongue arco Str. Bs. 8

= ca. 132 8

Picc.

1 2

Fl.

3 4

( = ca. 108)

(1.)

(3.)

(1.) 1 2 Ob. 3 4 (1 player) B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

1 2 B Tpt. 3 4 (a2) 1 3 F Hn.

(a2) 2 4 1 2

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

Glock.

1 2. W.Blk. Perc.

2 3 Ratchet 4 5 Clicker

Piano

Harp

*Saxophones establish tempo (slightly slower than previous tempo

= 132).


25 = 120

51

*

Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1-6 B Tpt. 7-11 * 1 2

F Hn.

brassy

Surround Band

1 Perc. 3

B Cl. (like police sirens) Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

( = 120) 8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

1 2 B Tpt. 3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

1 2. W.Blk. Perc.

2 3 Ratchet 4 5 Clicker

Piano

Harp

*As before, the Horns set the tempo (slightly faster than previous tempo.)


26 ( = 120)

58

(

= 152

= )

Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1-6 B Tpt. 7-11

1 2

Surround Band

F Hn.

1 S.D., snares on

Perc. 3 * B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

= 120

( = 152)

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4 tutti B Cl. 1

tutti B Cl. 2 tutti B Cl. 3

a2 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

1 2 B Tpt. 3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. Xyl. 15

8

1 W.Blk. Perc.

2. Maracas

W.Blk.

2 3 Ratchet

Ratchet Clicker

4. Clicker 4 5 5. Congas

Piano

Harp

*Clarinet sets tempo (faster than previous tempo).

ad lib.


27 (Intense

66

= 60)

= 132

Fl.

= 220

to Piccolo 3

3

3

3

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

Sus. Cym.

B.D.

1-6 B Tpt. 7-11

1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

Intense

= 60

( = 132)

= 220

8

Picc.

1 2

Fl.

3 4 a2 1 2

Ob.

a2 3 4

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1. solo

3

3

1 2 B Tpt. Stage Band

3 4 a2

a2

1 3 F Hn.

a2

a2

2 4

1 2 Tbn. 3 4 a2 1 2

Euph.

slow asynchronous, wide oscillation 1.

7

1 2

Tba.

Timp. Xyl. 8

1 W.Blk. Perc.

2 3 Ratchet

1

5. Clicker 4 5

Piano

Harp

4. P. Whistle


28 75 8

Picc.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1-6 B Tpt. 7-11

1 2

F Hn.

Surround Band

1 Perc. 3

B Cl.

( = ca. 108) *

(like sirens)

Al. 1-2

slap tongue

Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 (a2) 1 2

Ob.

(a2) 3 4

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 3. take straight mute 4. take harmon mute

B Tpt. Stage Band

3 4

(a2) 1 3 F Hn.

(a2) 2 4 1. take harmon mute 2. take straight mute 1 2

Tbn.

4. 3 4 (a2)

Euph.

1 2

Tba.

1 2

2.

Timp. 8

(Xyl.)

1

W.Blk. Perc.

2 3 Ratchet 4.

5.

4 5 Clicker

Piano

Harp

*Surround groups enter on conductor’s cue. Players enter at the same tempo as before. They continue playing until they are cued to stop. This playing time will become shorter and shorter as the ensemble texture builds.


29 80

(79) 8

Picc.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1-6 B Tpt. 7-11

(

= ca. 120)

1 2

F Hn.

Surround Band

brassy 1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

1., solo

8

Picc.

1 2 sparkling

3., solo

Fl.

3 4 sparkling N

1., solo

O N

O N

1 2 sparkling

Ob. 3 4 1 player, solo B Cl.

1 sparkling

B Cl.

2 tutti legato

cresc.

B Cl. 3 a2 1 Bs. Cl. 2 cresc.

legato Cb. Cl.

Bn.

8

cresc.

1 2 3

Cbn.

8

1 2 Stage Band

B Tpt.

a2, 3. with straight mute, 4. with harmon mute 3 4 a2 1 3 legato

F Hn.

a2 2 4 legato 1 2

Tbn.

(4.)

3.

3 4 a2

cresc. Euph.

1 2

Tba.

1 2

legato (2.)

1.

cresc. Timp. Glock.

8

15

1 (W.Blk.) Perc.

2 3 (Ratchet) (5. Clicker) 4 5 8va

Piano

Harp


30 (80) ( = 132)

Piccolo *

8

( (

Picc.

* E Cl.

) ) )

Marching Band

* B Tpt.

1 2

Tbn.

1 2

(

*

(

)

(Sus. Cym.) Perc.

2 B.D.

1-6 B Tpt. 7-11

1 2

F Hn.

Surround Band

1

( = 152) S.D.

Perc.

ad lib.

3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

(1.)

8

Picc.

1 2

Fl.

3 4

(3.)

(1.) 1 2 Ob.

4 3 4 (solo)

tutti

B Cl. 1 legato B Cl. 2

B Cl. 3 legato

(a2)

cresc.

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

a3

1 2 3

legato

Cbn.

cresc.

8

1. with straight mute

Stage Band

2. B Tpt.

cresc.

1 2 (a2) 3 4 (a2) 1 3

F Hn.

(a2) 2 4 a2, 1. harmon mute, 2. straight mute 1 2

Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

Timp. Tamtam

15

1 W.Blk.

Perc.

2 3 Ratchet 5. Clicker 4 5

Piano

Harp

*Cut off at cue—even if the player has not finished performing the written music.


31 ( = 132)

(81) 8

Picc.

Marching Band

E Cl.

3

3

3

3

1 2

B Tpt.

3

Tbn.

1 2

Perc.

2

3

3

3

Sus. Cym.

B.D. 1-6 B Tpt. 7-11

(

Surround Band

= 120)

*

1 2

F Hn.

1 Perc. 3 * B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4 cresc. poco a poco B Cl. 1 cresc. poco a poco B Cl. 2 cresc. poco a poco B Cl. 3 cresc. poco a poco

(a2) 1 Bs. Cl. 2

cresc. poco a poco Cb. Cl.

Bn.

8

(a3)

1 2 3

cresc. poco a poco

cresc. poco a poco

Cbn.

cresc. poco a poco

8

cresc. poco a poco 1 2 Stage Band

B Tpt.

cresc. poco a poco

(a2) 3 4

cresc. poco a poco 1 3 F Hn. 2 4 (a2) 1 2 cresc. poco a poco

Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

cresc. poco a poco

cresc. poco a poco

cresc. poco a poco Timp. cresc. poco a poco (Tam.) 1 cresc. poco a poco W.Blk. Perc.

2 3 Ratchet Whip 4 5 Clicker

Piano

Harp

*Cut off on cue.


32

82

(81)

*

8

Picc. * Marching Band

E Cl. * B Tpt.

1 2

Tbn.

1 2

Perc.

2

*

*

1-6 B Tpt. 7-11

1 2

F Hn.

Surround Band

1 Perc. 3

B Cl.

( = 108) * Al. 1-2 slaptongue

Sax.

*

Ten. Bar. * Str. Bs. 8

a2

8

Picc.

1 2 asynchronous

a2 Fl.

3 4 asynchronous N

a2

O

N

O

N

1 2 asynchronous

Ob. 3 4 (cresc.)

molto

2 players B Cl. 1 soli asynchronous

molto B Cl.

1 2 (cresc.)

molto

B Cl. 3 (a2)

(cresc.)

molto

1 Bs. Cl. 2 (cresc.) Cb. Cl.

Bn.

molto

8

(a3) (cresc.)

1 2 3

molto

(cresc.)

Cbn.

molto

8

(cresc.)

molto

1 2 (a2)(cresc.)

Stage Band

B Tpt.

molto

3 4 (cresc.)

a2

molto

1 3 F Hn.

cresc.

molto

cresc.

molto

a2 2 4 (a2) 1 2 (cresc.)

Tbn.

molto

3 4 (a2) (cresc.)

molto

1 2

Euph.

(cresc.)

molto

1 2

Tba.

(cresc.)

molto

Timp. (Tam.) (cresc.) 1 (cresc.) 3. Ratchet Perc.

2. Glock. molto

15

2 3

Whip 4 5

W.Blk. Clicker (one player)

Piano

Harp

*Cut off on cue.

8va


33 83

= 92

rall.

8

a tempo

Marching Band

Picc.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

S.D.

a6

3

3

3

3

1-6 3

B Tpt.

a5

(10. open)

3

7-11 3

3

1 2

F Hn.

S.D. Surround Band

1

S.D.

Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

= 92 Picc.

1 2

Fl.

3 4

a tempo

rall.

8

a2 1 2 Ob.

a2 3 4

tutti bell up

B Cl. 1 bell up B Cl. 2 bell up B Cl. 3 a2 1 Bs. Cl. 2 Cb. Cl.

Bn.

8

1., 2.

1 2 3

3.

Cbn.

8

a2, open

2.

1 2 3

Stage Band

B Tpt.

3

3

a2, open

4.

3 4 3

3

3

a2

1 3 F Hn.

a2 2 4

open Tbn.

1 2 3 4

a2 Euph.

1 2

Tba.

1 2

a2

Timp. 2 Flexatones 1 S.D.

5

(2. S.D.) Perc.

5

5

S.D.

2 3 T. Dr. Ratchet Clicker and W.Blk.

5

3. Sus. Cym. B.D.

4 5 B.D.

Piano

Harp

C D G A

L. T. Dr.

5 5

5 5

5


34 89 8

Marching Band

Picc.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

S.D.

5

5

5

6 5, 7 4,5,6,7,8 4, 8 B Tpt.

5

5 5

2, 10

1,2,3 9,10,11

5 5

5

3, 9 1, 11 1 2

F Hn.

S.D. Surround Band

1 Perc.

5

5

5

5

5

5

S.D. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

a2 8

Picc.

1 2

Fl.

3 4 (a2) 1 2

Ob.

(a2) 3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2)

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(1., 2.)

1 2 3

(3.) Cbn.

8

(a2)

a2

1 2 B Tpt.

(a2)

a2

Stage Band

3 4 (a2) 1 3 F Hn.

(a2) 2 4

1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

(a2)

a2

Timp.

1 (S.D.) Perc.

2 3 (T.Dr.) (L.T. Dr.)

(B.D.)

4 5 (B.D.)

Piano

8ba

Harp

A

A

A


35 93 8

Picc.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

S.D.

to Surround Band

6 5., 7.

5

4., 8. 2., 10.

5

5

4,5,6,7,8 B Tpt. 1,2,3, 9,10,11

5 5

5

3., 9. 1., 11.

1 2

F Hn.

Surround Band

S.D. 1 Perc.

5

5

5

5

S.D. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

(a2)

a2

to Flutes

8

Picc.

1 2 3

Fl.

3 4 3

(a2) 1 2 3

Ob.

(a2) 3 4 3

B Cl. 1 3

B Cl. 2 3

B Cl. 3 3

(a2)

3

3

3

=

1 Bs. Cl. 2 3

3

3

Cb. Cl.

3

3

Bn.

=

8

(1., 2.)

1 2 3

a3

3

3

3

=

(3.) 3

3

3

Cbn.

3

=

8

Stage Band

2. take harmon mute, 1. take straight mute

2., with harmon mute 5

1 2 3

B Tpt.

take harmon mute

with harmon mute 5

3 4 3

(a2) 1 3 3

F Hn.

(a2)

3

2 4 take harmon mute

with harmon mute

1 2 4.

3 3

Tbn.

3

3

3

3

5

=

3 4 (a2) Euph.

1 2

Tba.

1 2

3 3

a2

1.

3 3

3

=

Timp.

Flexatone

Tamb.

*

1 3

Perc.

3

=

2 3 3

(5. B.D.)

=

4 5 3

=

Piano

8ba 3

Harp

B E

*Highest note possible.

=

5

1. with straight mute


36 98 8

Picc.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

4,5,6,7,8 B Tpt. 1,2,3, 9,10,11 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

Flutes, a2 1 2 Fl.

a2 3 4 (a2) 1 2 3

(a2)

Ob. 3 4

3

bell ord.

B Cl. 1 bell ord. B Cl. 2 bell ord. B Cl. 3 (a2) 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

8

1 2

Stage Band

5

5

B Tpt.

5

5

3 4 1 3 F Hn. 2 4 1 2

5

5

Tbn.

(4.) 3 4

Euph.

1 2

Tba.

1 2

Timp. (Tamb.) 1 5

T. Blks.

2 T.-t. Perc.

3 S.D. 4 B.D. 5

Piano

Harp

5


37 103 8

Picc.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

4,5,6,7,8 B Tpt. 1,2,3, 9,10,11 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

(a2) 1 2

3

3

(a2)

Fl. 3 4

3

3

a2 1 2 3

Ob.

a2 3 4 3

B Cl. 1 3 3

B Cl. 2 3 3

B Cl. 3 3

(a2)

=

3

1 Bs. Cl. 2 = Cb. Cl.

Bn.

8

(a3)

1 2 3

=

=

Cbn.

8

Stage Band

2.

remove mute

1 2 5

5

B Tpt.

remove mute

5

3 4 5

3

a2

1 3 a2

F Hn.

3 3

3

2 4 remove mute 1 2

5

5

(4.)

Tbn.

=

3 4 = Euph.

1 2

Tba.

1 2

=

= Timp. Tamb. 1 (T. Blks.)

5

5

=

2 (T.-t.) Perc.

=

3 S.D.

=

4 (B.D.)

=

5 =

Piano

=

8ba

Harp

C

C D G

G


38 108 8

Marching Band

Picc.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

4,5,6,7,8 B Tpt. 1,2,3, 9,10,11 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

(a2)

to Piccolos

1 2 Fl.

(a2) 3 4 sost. 1 2 sost.

Ob.

sost. 3 4 sost.

B Cl. 1

B Cl. 2

B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

open

5

5

5

5

1 5

5 5

open

5 5

5

5

2 5

5 5

open

B Tpt.

5 5

5

3 Stage Band

5

5 5

open

5 5

5

4 5

5 5

(a2) 1 3 F Hn.

brassy

(a2) 2 4 II a2, open

VII

brassy sim.

1 2 brassy Tbn.

a2 3 4 brassy

Euph.

1 2

Tba.

1 2

a2

Timp. 2. Low Lion’s Roar 1 2 (4. S.D.) Perc.

3 4 Cym. 5

Piano

Harp

High Lion’s Roar


39 110 8

Marching Band

Picc.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 a5

4,5,6,7,8 asynchronous B Tpt.

a6

1,2,3, 9,10,11 asynchronous 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

Piccolos

a2

8

Picc.

1 2 (together)

Fl.

3 4 a2 1 2

Ob.

a2 3 4 *

B Cl. 1 * B Cl. 2 * B Cl. 3 a2 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1., 2.

1 2 3

3.

Cbn.

8

5

to Trumpet in D

5

Trumpet in D

1 5 5

5

5 5

(together) to Trumpet in D

Trumpet in D

2 5 5

5

B Tpt.

(together)

5

Stage Band

3 5 5

5

4 5

5

(a2)

1 3 F Hn.

(a2) 2 4 (a2) 1 2 (a2)

Tbn. 3 4 a2 Euph.

1 2

Tba.

1 2

(a2)

a2

Timp. (2. L. L. Roar)

1. Flexatone

*

1 2 (with clarinets)

(4. H. L. Roar) Perc.

3 4 B.D. 5

Piano

C D G A

Harp

*Clarinets and Flexatone stay together.


40

= 92

113 Slowly rotate in place. Ad lib. three figures.

(stop)

Slowly rotate in place. Ad lib. three figures.

(stop)

Slowly rotate in place. Ad lib. three figures.

(stop)

Slowly rotate in place. Ad lib. three figures.

(stop)

Slowly rotate in place. Ad lib. three figures.

(stop)

Slowly rotate in place. Ad lib. three figures.

(stop)

a2

1 11 asynchronous a2

2 10 asynchronous a2

3 9 B Tpt.

asynchronous a2

4 8 asynchronous a2

Surround Band

5 7 asynchronous 6 asynchronous 1 2

F Hn.

S.D.

1 5

molto

5

molto

5

molto

S.D. 2

Perc.

S.D. 3

Str. Bs.

= 92 a2

8

Picc.

1 2

6

6

6

6

a2 Fl.

3 4

6

6

6

6

1

2 Ob. 3

4

6

B Cl. 1

6

6

asynchronous, blurred

6 6

B Cl. 2

6

6

asynchronous, blurred

6 6

B Cl. 3

6

6

asynchronous, blurred (a2)

6

6

1 Bs. Cl. 2 6

Cb. Cl.

Bn.

8

(a3)

1 2 3

Stage Band

Cbn.

8

(a2) 1 D Tpt. 2 asynchronous

(a2) 3 B Tpt. 4 asynchronous (a2)

5

5

1 3 5

F Hn.

(a2)

5

5

2 4 5

(a2) Tbn.

1 2 3 4 (a2)

Euph.

1 2

Tba.

1 2

(a2)

Timp. (Flexatone)

2. Glock., hard sticks 15

1 2 molto

S.D. Perc.

3 4 (B.D.)

5

Tam. molto

5 8va

gliss.

molto

Piano

8ba

Harp

(l.v.)

(l.h.)


41 115 rall.

half valve fall off ca. 3-4 seconds

1 11 half valve fall off ca. 3-4 seconds 2 10 half valve fall off ca. 3-4 seconds 3 9 B Tpt.

half valve fall off ca. 3-4 seconds 4 8

Surround Band

half valve fall off ca. 3-4 seconds 5 7 half valve fall off ca. 3-4 seconds 6

1 2

F Hn.

1

2

Perc.

3

Str. Bs. 8

(a2)

rall. 6

8

Picc.

1 2

6

6

(a2) 6

Fl.

6

3 4

1

2 Ob. 3

4 6

6

6

6

6

6

B Cl. 1

B Cl. 2

B Cl. 3

(a2)

6 6

6

1 Bs. Cl. 2

6

Cb. Cl.

8

Stage Band

a3 Bn.

1 2 3

5 5

Cbn.

5

5

5

5

8

(a2)

to Trumpet in B

1 D Tpt. 2 (a2) 3 B Tpt. 4

(a2)

5 5

1 3

5

5

(a2)

F Hn.

5

2 4

5

5

5

1 2 Tbn.

3.

4.

3 4 3

a2 Euph.

1 2

Tba.

1 2 3

Timp. 15

(Glock.)

2

Vibraphone

Perc.

3

Pedal 4 5

Piano

Harp

3

3


42

IV Night Music I 1 2

F Hn.

Surround Band

1

Perc.

2

3

Str. Bs. 8

8

Picc.

1

Picc.

2

Fl.

3 4

Piccolo 1 to Flute

Piccolo 2 to Flute

1 2 Ob. 3 4

cold sound B Cl. 1 cold sound

cold sound

cold sound B Cl. 2 cold sound

cold sound

cold sound B Cl. 3 cold sound

cold sound Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Cbn.

Stage Band

(Trumpets in B ) take straight mute 1 2 B Tpt.

take straight mute 3 4 take straight mute 1 3

F Hn.

take straight mute 2 4 take straight mute 1 2

Tbn.

take straight mute 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

1 8

Perc.

2 3 5. to Piano 4 5

Percussion 5, soft felt sticks, tremolo on low A string, inside piano

Piano

legatissimo sempre

Harp


43 3 1 2

F Hn.

Surround Band

1

Perc.

2

3

Str. Bs. 8

( = ca. 60) Flute

8

1 Flute Fl.

senza vibrato

2 cold sound senza vibrato 3 4 cold sound 1 2

Ob. 3 4 ca. 3 seconds

ca. 3 seconds B Cl. 1 ca. 3 seconds

ca. 3 seconds

ca. 3 seconds B Cl. 2 ca. 3 seconds

ca. 3 seconds

ca. 3 seconds B Cl. 3 ca. 3 seconds

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1 3 F Hn. 2 4 with straight mute 1 2 Tbn.

with straight mute 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

1 8

Perc.

2 3 4 5

(Perc. 5)

Piano

Harp


44 5 1 2

F Hn.

Surround Band

1

Perc.

2

3

Str. Bs. 8

1

Fl.

2

3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

1 8

Perc.

2 3 4 5

(Perc. 5)

Piano

Harp


45 7 1 2

Surround Band

F Hn.

1

Perc.

2

3

Str. Bs. 8

( = 60)

1

Fl.

2

3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

with straight mute 1 2 B Tpt.

with straight mute 3 4 with straight mute 1 3

F Hn.

with straight mute 2 4

1 2 Tbn.

3. 3 4

4. 3.

Euph.

1 2

Tba.

1 2

Timp. 15

1 8

Perc.

2 3 4 5

(Perc. 5)

Piano

Harp

4.


46 9 1 2

F Hn.

Surround Band

1

Perc.

2

3

Str. Bs. 8

1 2 Fl. 3 4

= ca. 60 1., solo 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1. remove mute

2.

1 2 B Tpt. 3 4

3.

1., open***

remove mute

1 3 F Hn.

(4.)

remove mute

(2.)

to harmon mute

wolf howl

2 4

1 2 (3.)

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. * Crotale

15

1

Perc.

**

*

15

*

8

2

Glock.

**

2. Vib.

**

3 4 5 8va

*

Piano

(Perc. 5)

8va

*

Harp

*Sparse, ad lib., pointillistic “star sounds.” **Continue with ad lib. patterns on given pitches. The texture should continue to be sparse. ***“Wolf howl.” Half valve 3 valves, excluding thumb valve. Glissando to indicated pitch, hold, and then descend in a wavelike form.


47 11 1 2

F Hn.

Surround Band

15

* Crotale

1

15

Perc.

*

Crotale

2

15

*

Crotale

3

Str. Bs. 8

** 1.

1.

1 2 2.**

Fl. 3 4 1 2 Ob. 3 4

= ca. 60 solo B Cl. 1 1 player ** B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1. (1.)

3.

1 3 F Hn.

wolf howl

2., open** 2 4

**open 1. *** 1 2 Tbn. 3 4

= ca. 60 solo Euph.

1 2

Tba.

1 2

Timp. 15

(Crot. and Glock.)

1 (Vib.) 2 Perc. 3

4 5

Piano

(Perc. 5)

non arp.

Harp

*Sparse and pointillistic “star sounds.� Continue with ad lib. patterns on given pitches. The texture should continue to be sparse. **Very slow quarter-tone oscillation. ***Slowly uncover and recover harmon mute. Play the indicated overtones while holding the indicated pitch.


48 13

1.

1 2

F Hn.

Surround Band

wolf howl 15

(Crot.)

15

(Crot.)

15

(Crot.)

1

Perc.

2

3

Str. Bs. 8

2.

(1.)

1.

1 2 Fl. 3 4 ca. 2 sec. 1., solo N

O N

O N

sim. O

N

O

N

O

N

O

1 2 Ob.

slow, even pulses 3 4

B Cl. 1 (sim.) B Cl. 2 (1 player) B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 3. 1 3 F Hn.

(4.)

2.

4.

2 4 (1.) (1.)

(2.)

1 2 Tbn.

(2.) 3 4

( = ca. 60) Euph.

1 2

Tba.

1 2

Timp. 15

(Crot. and Glock.)

1 (Vib.) 2 3. Vib., bowed, slow motor

Perc. 3 4

Pedal 5

Piano

Harp

non arp.

2.

wolf howl


49 15

** 1.

wolf howl

2.

1 2

F Hn.

Surround Band

wolf howl 15

(Crot.)

15

(Crot.)

15

(Crot.)

1

Perc.

2

3

Str. Bs. 8

8

1. (ad lib.)

* 2.

1 2 Fl. 3 4 1. N

O

N

O

N

O

N

(ad lib.)

1 2 Ob. 3 4

B Cl. 1 *

(ad lib.)

B Cl. 2 * (sim.) B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 ** 1.

wolf howl

3.

1 3 F. Hn.

wolf howl 2 4 4. (a2) stagger breath (1.) 1 2

Tbn. 3 4 2. take straight mute Euph.

1 2

Tba.

1 2

take straight mute

Timp. 15

(Crot. and Glock.)

1 (Vib.) 2 Perc.

(Vib.) 3 4 (ped.) 5

Piano

Harp

*Continue oscillations. Trade partners when necessary. **Alternate wolf howls. Also vary solo and duo calls..

(ad lib.)

(ad lib.) (2.)

(ad lib.)

O


50

= 72 16

a tempo 1.

wolf howl

1 2

F Hn.

Surround Band

tratt.

1.

2.

wolf howl

15

(Crot.)

l.v.

15

(Crot.)

l.v.

15

(Crot.)

l.v.

1

Perc.

2

3

Str. Bs. 8

(1.)

2.

1.

1 2 2.

Fl. 3 4

N

(1.) N

O

N

O

O

N

O

N

O

2.

1 2

2.

Ob. 3 4

B Cl. 1

B Cl. 2

(2.)

3.

1.

B Cl. 3

Bs. Cl.

2.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

= 72

tratt.

a tempo

1., solo, open

1 2 with restraint

with straight mute

B Tpt. with straight mute 3 4 wolf howl

3.

1 3 F Hn.

2.

4.

wolf howl

2.

2 4 (4.)

(a2, continue harmonic arpeggios)

1 2 Tbn.

with straight mute 3 4

1., solo 1 2

Euph.

with restraint

2. with straight mute with straight mute

1 2

Tba.

Timp. 15

(Crot. and Glock.)

1 (Vib.) 2 Perc.

(3. Vib.)

4. B.D.

3 4 (Ped.) 5

non arp.

Perc. 5, soft felt sticks

Piano

sempre

Harp

B D E


51 24 1 2

F Hn.

15

Surround Band

1 15

Perc.

2 15

3

Str. Bs. 8

1

Fl.

2

3 4 (2.) 1 2 Ob. 3 4

cold sound B Cl. 1 cold sound

cold sound

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4

1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

(Crot. and Glock.)

8

(Vib.)

1

2 Perc. 3 4

5

Piano

Harp

(Perc. 5)


52 26

1.

1 2

F Hn.

wolf howl, lontano

15

Surround Band

1 15

Perc.

2 15

3

Str. Bs. 8

1

Fl.

2

3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

(Crot. and Glock.)

8

(Vib.)

1

2 Vib., bowed, 2 players

Perc. 3 4

Pedal 5

Piano

Harp

(Perc. 5)

release bows


53 29 1 2

F Hn.

15

Surround Band

1 Crot., bowed

15

Perc.

2 15

3

*seagull sound (play forte to sound piano) Str. Bs. 8

( = ca. 60) 8

1

Fl.

2

3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

(Crot. and Glock.)

8

(Vib.)

1

2 Vib., bowed (2 players)

Perc. 3 4

Pedal 5

(Perc. 5)

Piano

Harp

F

*Touch harmonic and gliss upward and then downward. Do not adjust the distance between note and node on ascending. Waves of “seagull-like” sounds will ensue.

(l.v.)


54 311. 1 2

F Hn.

wolf howl, from a great distance Crot., bowed

15

(l.v.)

Surround Band

1 Crot., bowed

15

Perc.

(l.v.)

2 Crot., bowed

15

(l.v.)

3

Str. Bs. 8

to Piccolo

8

1

Fl.

2 3. 3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1. 1 3

3. wolf howl, lontano

F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. 15

1 8

2 (3., Vib.)

Perc. 3 4

(Ped.) 5

Piano

Harp

wolf howl, lontano


3

Jazz feel 15

(Crot.)

(l.v.)

15

(Crot.)

(l.v.)

15

(Crot.)

(l.v.)

= ca. 92

=

= ca. 92

=

55

V Night Music II

1

2

Perc.

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

3

Jazz feel 8

Picc.

1 2

Fl.

3 4

(3.)

1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1., with harmon mute 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

(Take over beat from clarinet, Hi-hat, with brushes ad lib.

15

1 8

2 (Vib.) Perc.

3 (ped.) 4

5

Piano

Harp

= ca. 92)


56 (1) 15

1 15

2

Perc.

15

3

( = ca. 92) * B Cl. jazz feel

poss.

( = ca. 92) *

3

3

3

Surround Band

Al. Sax. 1

3

3

3

3

3

jazz feel

( = ca. 92) * Al. Sax. 2

3

3

3

3

jazz feel

*

( = ca. 92)

3

3

Ten. Sax. 3

jazz feel *

3

( = ca. 92)

3

3

3

Bar. Sax. 3

3

jazz feel

( = ca. 92) pizz., gliss downwards, changing strings at will 3

* Str. Bs. 8

8

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 (1.) 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. (Hi-hat) 1 15

2 15

Perc.

3 3

3 3

3

Picc.

3

3 15

4

5

Piano

Harp

*Asynchronous.

3

3

3

arco 3

3

3


57 (1) 15

Nervous 2

= ca. 92

Nervous

= ca. 92

1

15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

Piccolo 1. to Flute

8

Picc.

1 2

Fl.

3 4

Flute 2.

1., solo 1 2 Ob. 3 4 1., solo B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

3.

1 2 3

Cbn.

1. 2.

8

1 2 B Tpt. 3 4

Stage Band

1. 1 3 F Hn. 2. 2 4

1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

( = ca. 92) (Trapset) ad lib. 1 T.-ts., with hands

15

2 15

Perc.

3 15

4

5

Piano

Harp

Wood Block


58 8

15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

(Flute) a2 1 2 Fl. a2 3 4 3

3

3

3

a2 1 2 3

3

3

3

Ob.

a2 3 4

B Cl. 1

B Cl. 2

B Cl. 3 1., solo Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1.

1 2 3

Cbn.

2.

8

1. 1 2 B Tpt.

a2, fltg. (with straight mute) 3 4

Stage Band

1. 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. Trapset (Hi-hat, brushes) ad lib. 1 T.-ts. 2 Brake Drum Perc.

3

15

Ratchet

4 B.D. 5

Piano

Harp

Anvil


59 15 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

solo

6

1 3

3 6

2 6

Fl.

6 6

3 6

6 6

4 6

1 2 3

Ob.

3

3

3 4 jazz feel

solo B Cl. 1

B Cl. 2

B Cl. 3 a2 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1.

1 2 3

2.

Stage Band

Cbn.

8

1 2 B Tpt. 3 4 1. 1 3 F Hn.

sub. 2 4 1 2

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. Trapset 1 T.-ts. 2 sub. Perc.

3

4 B.D. 5

Piano

Harp

6


60 21 15

1 15

2

Perc.

15

Surround Band

3

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

Piccolo

to Piccolo

8

3

1 3

2 solo

Fl. 3

3

4

1 2 Ob. 3 4 solo B Cl. 1

*

6

6

B Cl. 1 *

6

6

6

6

B Cl. 2 * B Cl. 3

6

6

6

3

3

(a2) 1 Bs. Cl. 2

Cb. Cl.

8

1. Bn.

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn.

4., open 3 4

Euph.

1 2

Tba.

1 2

1., open

Timp. Trapset, with sticks ad lib. 1 T.-ts. 2 Triangle Perc.

3

4

5

Piano

Harp

*Each player starts immediately after the other. Do not synchronize.


61 29 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

1. Picc.

1 2

Fl.

3 4

to Flute

1 2 Ob.

3

3

3

3 4

B Cl. 1

B Cl. 2

B Cl. 3 a2 Bs. Cl.

1 2

Cb. Cl.

Bn.

8

a3

1 2 3

Cbn.

8

1 2 B Tpt. 3 4

Stage Band

a2

3

1 3 F Hn.

a2 2 4

3

3

3

open open 1 2 4.

Tbn.

(4.)

3

4.

3

3 4 3. open cresc. poco a poco Euph.

1 2

Tba.

1 2

2., open

3

1.

1.

3

cresc. poco a poco

Timp. (Trap)

*

accel. poco a poco

1 cresc. poco a poco 2 W.Blk. Perc.

3 Sus. Cym. 4 Tam. 5

Piano

Harp

*Accelerate tempo little by little until measure 37,

= 92. Then lock in with the conductor’s beat.

3

3.


62 37 15

= 92,

= 276 (in one)

= 92,

= 276 (in one)

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

1 2 Fl. 3 4 1 2 Ob. 3 4

B Cl. 1 marc. B Cl. 2 marc. B Cl. 3 (a2) Bs. Cl.

Cb. Cl.

Bn.

marc.

1 2

8

(a3)

1 2 3

Cbn.

8

1.

*

2., open

take straight mute

1 2 B Tpt.

3., open

4. open

take straight mute

3 4 Stage Band

a2 1 3 F Hn.

(a2) 2 4

1 2 4.

Tbn. 3 4

3. Euph.

1 2

Tba.

1 2

Timp.

= 92 (in one) (Trap) 1 B.D. 2

Vib. Perc.

3 (Sus. Cym.) 4 (Tam.) 5

Piano

8ba

Harp

*Trumpet 1: ossia B .

T.-t.

B.D.

T.-t.


63 47 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

1 2 Fl. 3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1.

2.

1 2 Tbn.

3. 3 4 2. open

Euph.

1 2

Tba.

1 2

Timp. secco

Trapset

1 B.D.

T.-t.

B.D.

T.-t.

T.-t.

B.D.

2

(Vib.) 15

Perc.

3 Temple Blocks 4

8

5

Piano

8ba

Harp

Xyl.

Glock.


64 55 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

1 2 Fl. 3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn.

(a2) 2 4 (2.)

1.

1 2 Tbn.

(3.)

4.

4.

3 4 3.

Euph.

1 2

Tba.

1 2

Timp. (Trap) 1 B.D. 2 15

Perc.

(Glock.)

3 T.Blks. 4

8

5

Piano

Harp

Xyl.


65 57 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

a2, fltg. 1 2 Fl.

a2, fltg. 3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3 a2 Bs. Cl.

1 2

Cb. Cl.

Bn.

8

a3

1 2 3

Cbn.

8

molto

molto

molto

molto

with straight mute 1 2

Stage Band

molto

molto molto

B Tpt.

molto

molto molto

molto molto

with straight mute 3 4 molto

molto

molto

molto

fltg. 1 3 F Hn.

fltg. 2 4 a2 1 2

Tbn.

a2

(4.) 3 4

Euph.

1 2

Tba.

1 2

a2

Timp. (Trap) 1 (B.D.) 2 15

Perc.

Police Whistle

Glock.

3 Ratchet 4

5 8

Piano

Harp

B

B


66 59 15

1–2 seconds

1–2 seconds

1–2 seconds

1–2 seconds

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

(a2) 1 2 (a2)

Fl. 3 4

1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3 1., solo Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1 2

Tbn. 3 4

Euph.

1 2

Tba.

1 2

solo, wood sticks, vary groups and pattern in nonrepeating figures * Timp.

1 T.-ts., solo, wood sticks, vary groups and pattern in nonrepeating figures

Whip

*

2

(P. Whistle) Perc.

3 (Ratchet)

Sus. Cym.

4 molto 5 8

Piano

Harp

*Timpani and Tom-toms should be stage left and stage right, respectively, if possible.


67

61

(60) 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

a2, fltg. 1 2 Fl.

a2, fltg. 3 4

1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

Stage Band

1 2

B Tpt.

3 4 fltg. 1 3 F Hn.

fltg. 2 4 1 2

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

1 T.-ts. 2 P. Whistle Perc.

3 Ratchet 4

5 8

Piano

Harp


68 62

15

= 92

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

= 92

a2, ord.

1 2 Fl.

a2, ord. 3 4 a2 1 2 a2

Ob. 3 4

tutti B Cl. 1 tutti

3

B Cl. 2

tutti

3

B Cl. 3 a2 Bs. Cl.

1 2

Cb. Cl.

Bn.

8

a3

1 2 3

Cbn.

8

remove mute 1 2 B Tpt.

remove mute

Stage Band

3 4 1 3 F Hn. 2 4

2. take harmon or solotone mute

1. open, 2. with harmon or solotone mute 1., jazz feel

1 2 manic

Tbn.

take harmon or solotone mute

with harmon or solotone mute

3 4 a2 Euph.

1 2

Tba.

1 2

Timp. Trap Set

ad lib.

1 (T.-ts.)

manic

2

Perc.

3 T.Blks.*

3

4 3

5 8

Piano

Harp

*If only 4 Temple blocks are available, last note should be the highest. Alternatively, use a small wood block that is highest in pitch.


69 68 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

(a2) 1 2 Fl.

(a2) 3 4 (a2) 1 2

Ob.

(a2) 3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

8

a2, open, one lip pedal tone, upper lip only* 1 2 B Tpt. a2, open, one lip pedal tone, upper lip only*

Stage Band

3 4

1 3 F Hn. 2 4 growl 1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

Timp. (Trap) 1 T.-t. 2

P. Whistle Perc.

3 T.Blks. 4

B.D. 5 8

Piano

Harp

*Each player plays a different pitch.


70 72

=

15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

=

(a2) 1 2 Fl.

(a2) 3 4 (a2) 1 2

Ob.

(a2) 3 4 1 player, solo siren sound 3

“doppler sound”

*

freely

B Cl. 1

B Cl. 2

B Cl. 3 (a3) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

8

1 2 B Tpt.

5

5

5

5

Stage Band

3 4 1 3 F Hn. 2 4 growl

(

=

)

(

=

)

(

=

)

1 2

Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

Timp. (Trap) 1 T.-ts.

5

2 P. Whistle Perc.

3 S.D.

r.s.

4 5

5

Piano

Harp

*Freely glissando, gradually lowering pitches to achieve a “doppler effect.”

3

5

B.D.


71 76 15

= 92 (in one)

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

= 92 (in one) (a2) 1 2 Fl.

(a2) 3 4 (a2) 1 2

Ob.

(a2) 3 4

B Cl. 1

B Cl. 2

B Cl. 3

(a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

8

1 2 5

B Tpt. 3 4

Stage Band

5

a2

1 3 rude, brassy F Hn.

a2 2 4 rude, brassy remove mute 1 2

Tbn.

remove mute 3 4 (a2)

Euph.

1 2

Tba.

1 2

Timp. (Trap) 1 T.-ts. 2 5 8

Perc.

Xyl.

3

S.D. 4 5

B.D.

5

Piano

8ba

Harp


72 83

=

15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

= 1 2 Fl. 3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

a2 1 2 B Tpt.

3. 3 4

Stage Band

(a2) 1 3 F Hn.

(a2) 2 4 2., open 1 2

a2, open

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. Trap Set 1 (T.-ts.)

Vib.

2

Perc.

3 8

T.Blks. 4 (B.D.) 5

Piano

8ba

Harp

B.D.


73 91 ( = 92) 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

( = 92)

1.

to Piccolos

1 2 Fl. 3 4 a2 1 2

3 3

3

3

Ob.

a2 3 4 3

3

3

3

1 solo

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

3

3

3

3

8

1 2 3

Cbn.

8

1 with harmon mute, jazz feel

1. take harmon mute 2. take cup mute

1. 1 2

2 with cup mute

B Tpt. take cup mute

with cup mute

Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn.

4.

3

3

3 4

Euph.

1 2

Tba.

1 2

a2

3

3

3

Timp. Trap Set 1 Xyl. 8

T.-ts.

Wood Block

2 Vib. Perc.

T.Blks.

3 B.D.

3

3

3

4 Siren (stage left) 5

Piano

Harp

3

3


74 97 15

1 15

2

Perc.

15

3

Surround Band

B Cl.

Al. Sax. 1

Al. Sax. 2

Ten. Sax.

Bar. Sax.

Str. Bs. 8

Piccolo, a2, fltg. 8

Picc.

1 2 3

3

3

3

3

a2, fltg. Fl.

3 4 3

(a2) 1 2 Ob.

3

3

3

3

3

3

3

3

3

(a2) 3 4 3

1., solo

tutti

B Cl. 1

3 3

3

brash

3

3

3 3

3

3

B Cl. 2

B Cl. 3

Bs. Cl.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2

Cb. Cl.

Bn.

3 3

8

1 2 3

Cbn.

8

1., open

1. remove mute 1 2 B Tpt.

3

3

remove mute

4., open

2. open

3 4 a2

3. open

3

Stage Band

1 3 3

F Hn.

a2 2 4

3

3

3

a2 1 2 Tbn. a2 3 4

Euph.

1 2

Tba.

1 2

(a2)

1.

Timp. Trap Set 1 3

3

3

3

(T.-ts.)

3

3

Vib.

2 3

T.Blks. Perc.

3

3

3

3

3

3

3

T.Blks.

3 Siren (stage right) (B.D.)

3

3

3

3

3

3

3

4 (Siren) 5

Piano

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

8va

Harp


VI Circus Maximus

75

8

Picc.

Marching Band

E Cl. 3

1. B Tpt.

1 2

Tbn.

1 2

Perc.

2

2.

S.D., snares off

a6 (stagger breathing) 1-6 B Tpt.

a5 (stagger breathing)

7-11 1.

1.

1 2

F Hn.

Surround Band

2. 1 Perc. 3

B Cl. 3

1. Al. 1-2 2.

Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

1

2 (Siren) release Perc.

3

4 (Siren) 5

Piano

Harp

release


76

rall.

( = 92)

2

a tempo

*

Picc. *

Marching Band

E Cl. (a2) B Tpt.

1 2

Tbn.

1 2

Perc.

2

*

a2

*

(S.D.)

(a6) 1-6 B Tpt.

(a5)

7-11 (a2) 1 2

F Hn.

Surround Band

S.D., snares off 1 Perc.

5

S.D., snares off

5

5

6

3 5

5

*

6

B Cl. *

(a2) Al. 1-2 Sax.

a2

*

Ten. Bar.

* 3

Str. Bs. 8 8

8

Picc.

1 2

Fl.

3 4

( = 92)

a tempo

rall. 8

a2 1 2 Ob.

a2 3 4

B Cl. 1

B Cl. 2

B Cl. 3 a2 Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1., 2.

1 2 3

Cbn.

3.

8

1 2 B Tpt. Stage Band

3 4 a2 1 3 F Hn.

a2 2 4

( = 92) 1 2 Tbn. 3 4 a2 Euph.

1 2

Tba.

1 2

a2

Timp. Flexatone 1

2

Perc.

3 Sus. Cym. 4 B.D. 5

Piano

Harp

*Hold any C arrived at in this bar.


ritard. 8

77

8

Picc.

Marching Band

E Cl. a2 B Tpt.

1 2

Tbn.

1 2

Perc.

2

a2

S.D., snares off

a6 1,3,5, 7,9,11 B Tpt.

5

5

5

5

5

5

a5

2,4,6, 8,10 a2 1 2

F Hn.

S.D.

Surround Band

1 Perc.

S.D. 3

B Cl.

a2 Al. 1-2 Sax.

a2 Ten. Bar.

Str. Bs. 8

ritard.

a2

8

Picc.

1 2

Fl.

3 4 (a2)

molto

(a2)

molto

1 2 Ob. 3 4

molto B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2 molto

Cb. Cl.

Bn.

8

1 2 3

Cbn.

molto

1., 2.

3.

molto

8

molto 1 2 B Tpt.

Stage Band

3 4 (a2)

molto

1 3 F Hn.

molto

(a2) 2 4

molto

1 2 Tbn.

molto

3 4

molto

(a2) Euph.

1 2

Tba.

1 2

molto

(a2)

molto Timp. molto (Flexatone) 1 S.D. 2 5

Ten. Dr. Perc.

5

5

5

5

5

5

5

5

3 L.T.-t. 4 B.D. 5 molto

Piano

Harp


78

12Slightly slower ( = ca. 80–84)

to Flute

8

Marching Band

Picc.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

(S.D.)

(a6)

5., 7.

3

3

3

3

1,3,5, 7,9,11

B Tpt.

(a5)

6., 8.

2,4,6, 8,10

3

3

brassy

3 3

3

3

3 3

3 3

3

Surround Band

3

1 2

(S.D.)

3

3

3

3

3

3

3

3

3

brassy F Hn.

3

3

3

3

3

3

3

3

3

brassy

snares on

1 Perc.

3

3

(S.D.)

3

3

3

3

3

3

3

3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Slightly slower ( = ca. 80–84) Flute to Flute

8

Picc.

a2

1 2 3

a2 Fl.

3 4 3

(a2) 1 2 Ob.

3

(a2) 3 4

3

B Cl. 1 3

B Cl. 2 3

B Cl. 3 3

3

a2 Bs. Cl.

3

=

3

1 2 3

3

3

Cb. Cl.

=

3

8

3

Bn.

a3

1 2 3

3

3

3

3

3

Cbn.

=

3

=

3

8

a2

1. take straight mute, 2. take harmon mute

1. straight mute

1 2 3

B Tpt.

2. harmon mute

a2

take harmon mute

with harmon mute

take harmon mute

with harmon mute

5 5

Stage Band

3 4 3

3

a2

=

1 3 F Hn.

3

3 3

a2

=

2 4

1 2

5 3 3

Tbn.

3

4.

3

3

=

3

3 4 a2 1 2

Euph.

3 3

1 2

Tba.

3

1.

=

3 3

3

=

3

Timp. Tamb. 1 5

3

= 2 3

T.-t.

= Perc.

3 3

= 4 3

(B.D.)

3

=

5 3

=

3 3

Piano

8ba 8va

Harp

3

=

3

3

S.D.


79 15 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 5., 7.

3

3

3

3

3

3

3

3

1,3,5 7,9,11 3

6., 8.

B Tpt. 2,4,6 8,10

3

1 2

Surround Band

F Hn.

1 Perc. 3

B Cl. 3

Al. 1-2 3 3

Sax.

3

3

3

3

Ten. Bar.

Str. Bs. 8

(a2) 8

1 2

3

Fl.

(a2) 3 4

3

1 2 Ob. 3 4

B Cl. 1 3

B Cl. 2 3

B Cl. 3 3

(a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

a3

1 2 3

Cbn.

8

1 2

Stage Band

B Tpt. 3 4 1 3 F Hn. 2 4 1 2 (4.)

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

1 T.Blks. 2 T.-ts. Perc.

3 (S.D.) 4 B.D. 5

Piano

Harp


80 17 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 1.,3.,9., 11

1.,3.,9., 11

1,3,5 7,9,11 5., 7. B Tpt.

2., 10.

3

3

3

3

2., 10.

2,4,6 8,10 6., 8. 3

1 2

F Hn. Surround Band

3

3

3

3

S.D. 1 3

Perc.

3

3

3

3

3

B Cl. 3

3

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

(a2) 1 2

3

Fl.

(a2) 3 4

3

a2 1 2 Ob.

a2 3 4

B Cl. 1 3

B Cl. 2 3

B Cl. 3 (a2) Bs. Cl.

Cb. Cl.

Bn.

3

1 2

8

(a3)

1 2 3

Cbn.

8

Stage Band

1 2 5

B Tpt. 3 4

5

a2

1 3 F Hn. 2 4 1 2

5

Tbn.

(4.) 3 4

Euph.

1 2

Tba.

1 2

Timp. Tamb. 1 (T.Blks.)

5

2

Perc.

3 S.D. 4 B.D. 5

Piano

8ba

Harp

C D


81 19 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 (1., 3., 9., 11.)

1,3,5 7,9,11 5., 7. 3

B Tpt.

3

(2., 10.)

2,4,6 8,10 6., 8. 3

3

3

3

3

3

3

1 2

F Hn.

Surround Band

1 Perc.

3

3

3

3

3

3

B Cl. 3

3

3

Al. 1-2 3 3

Sax.

3

3

3

3

Ten. Bar.

Str. Bs. 8

(a2) 1 2 Fl. (a2) 3 4 (a2) 1 2 3

Ob.

(a2) 3 4 3

B Cl. 1

B Cl. 2

B Cl. 3 (a2) Bs. Cl.

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

Stage Band

=

1 2

8

remove mute 1 2 5

B Tpt.

remove mute

3 4 5

(a2)

=

1 3 F Hn.

a2 2 4 remove mute 1 2

5

Tbn.

(4.)

=

3 4 Euph.

1 2

Tba.

1 2

=

= Timp. (Tamb.) 1 5

=

2 T.-ts. Perc.

3 Sus. Cym. 4 B.D. 5 =

Piano

=

Harp

C


82 21 Fl.

Marching Band

E Cl.

1 2

B Tpt.

II

VII

a2 Tbn.

1 2

Perc.

2

sim.

brassy (gliss.)

1.,3.,9.,11

take straight mute

2.,10.

take straight mute

1,3,5 7,9,11 B Tpt. 2,4,6 8,10

a2 1 2

F Hn.

brassy (gliss.)

Surround Band

S.D. 1 Perc.

cresc. poco a poco

S.D. 3

cresc. poco a poco B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

(a2)

to Piccolo

1 2 (a2)

Fl. 3 4 1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

5

open

5

5

5

1 5

5 5

open

5

5

5

5

2 5

B Tpt.

5 55

open

5

5

3 5

5 5

open

5

5

5

4 5

5 5

Stage Band

(a2) 1 3 F Hn.

brassy

(a2) 2 4 II a2, open

VII

brassy sim.

1 2 brassy

Tbn.

a2 3 4 brassy

Euph.

1 2

Tba.

1 2

a2

Timp.

1

2 Low Lion’s Roar Perc.

3 High Lion’s Roar 4 Sus. Cym. 5

Piano

Harp


83 23 Fl.

Marching Band

E Cl.

1 2

B Tpt.

(a2) (sim.) Tbn.

1 2

Perc.

2

1,3,5 7,9,11 B Tpt. 2,4,6 8,10 1 2

F Hn.

Surround Band

(S.D.) 1 (cresc.) (S.D.)

Perc. 3

(cresc.) B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8 8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3 1 Bs. Cl. 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

5

5

1 5 5

5

5 5

2 B Tpt.

5 5

5

5

3 5 5

5

4

Stage Band

5

5

(a2)

1 3 F Hn.

(a2) 2 4 (a2) (sim.) 1 2 (a2)

Tbn. 3 4

Euph.

1 2

Tba.

1 2

(a2)

Timp.

1

2 (L. L. Roar) Perc.

3 (H. L. Roar) 4

5

Piano

Harp


84 Swaggering

24

= 132

Begin marching down aisle.

Fl.

Marching Band

E Cl. B Tpt.

1 2

Tbn.

1 2

Perc.

2

(on repeat only)

S.D.

*

play

Sus. Cym.

B.D.

ca. 1–2 sec. a6, with straight mute 1,3,5 7,9,11 sub.

ad lib.

sub.

ad lib.

ad lib., asynchronous a5, with straight mute

B Tpt. 2,4,6 8,10 (a2)

ad lib., asynchronous

1 2

F Hn.

(S.D.) Surround Band

1 Perc.

(S.D.) 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1.

1. take straight mute

1 2 3. take harmon mute 4. take straight mute

B Tpt. 3 4

Stage Band

(a2) 1 3 F Hn.

(a2) 2 4 2. take harmon mute 1 2

Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp. Chimes 1 Whip 2

Perc.

3 (Lion’s Roar) 4

5

Piano

Harp

*Percussionist strikes both Bass Drum and Cymbal with bass drum sticks. Percussionist sets tempo.


85 (24)

25

Marching Band

Fl. E Cl. B Tpt.

1 2

Tbn.

1 2

Perc.

2

3

3

3

3

3

3

3

3

3

3

(B.D.)

(a6) 1,3,5 7,9,11 B Tpt.

(a5)

2,4,6 8,10 1 2

F Hn.

1

Surround Band

Perc. 3

B Cl.

( = 108) (like police sirens) * Al. 1-2 Sax. *

slap tongue

Ten. Bar.

* Str. Bs.

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn. 3 4

Euph.

1 2

Tba.

1 2

Timp.

1

2

Perc.

3

4

5

Piano

Harp

*Surround groups enter on conductor’s cue. Groups enter at the same tempo they played before. The groups continue playing until they are cued to stop. This playing time will get shorter and shorter as the texture builds.


86 (25) 8

Marching Band

Fl.

E Cl. 3

B Tpt.

1 2

Tbn.

1 2

Perc.

2

3

3

3

3

3

3

3

2.

Sus. Cym.

B.D.

Surround Band

(a6) 1,3,5 7,9,11 B Tpt.

(a5)

2,4,6 8,10

(

= ca. 120)

1 2

F Hn.

brassy 1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

sempre sim.

1 2 3

Cbn.

8

sempre sim. 1 2 B Tpt.

Stage Band

3 4 1 3 F Hn. 2 4 1 2 Tbn.

4. 3 4 sempre sim.

Euph.

1 2

Tba.

1 2

2.

sempre sim. Timp.

1

2 W.Blk. Perc.

3 Ratchet 4 Clicker 5

Piano

Harp


87 (25)

26

Marching Band

Fl.

E Cl.

Tpt.

1 2

Tbn.

1 2

Perc.

2

1,3,5 7,9,11 Tpt. 2,4,6 8,10 1 2

Hn.

Surround Band

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

Piccolo

8

Picc.

1.

1 2 sparkling

3. Fl.

3 4

5

sparkling N O

1.

N O N

1 2 sparkling

Ob. 3 4 1 player B Cl. 1

sparkling gli altri legato B Cl. 2

legato B Cl. 3 a2 Bs. Cl.

1 2 cresc.

legato Cb. Cl.

Bn.

8

cresc.

1 2 3

Cbn.

8

cresc.

1 2 B Tpt.

3. with harmon mute

sempre sim.

Stage Band

3 4 a2

4. with straight mute

1 3 legato

F Hn.

a2 2 4 legato 1 2

Tbn.

3.

sempre sim.

3 4 cresc.

a2 1 2

Euph.

legato 1.

sempre sim.

1 2

Tba.

cresc. Timp. Glock. 1

2 W.Blk. Perc.

3 Ratchet 4 Clicker 5 8va

Piano

Harp


88 (26)

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 1., open

3., open

* 1,3,5 7,9,11 sub.

gliss.

gliss. 2., open

B Tpt.

(with straight mute)

2,4,6 8,10 sub.

1 2

F Hn. Surround Band

gliss.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob.

4. 3 4

B Cl. 1 cresc. B Cl. 2 legato

cresc. B Cl. 3 (a2) Bs. Cl.

1 2 cresc.

Cb. Cl.

8

cresc.

a3 Bn.

1 2 3

Cbn.

legato

cresc.

8

cresc. Stage Band

2. 1 2 B Tpt.

sempre sim.

(a2) 3 4 cresc. 1 3

F Hn. 2 4 a2, 1. open, 2. with harmon mute 1 2 Tbn.

asynchronous

sempre sim.

cresc.

3 4 cresc. Euph.

1 2

Tba.

1 2

cresc.

cresc. Timp. 15

1

2 W.Blk. Perc.

3 Ratchet 4 Clicker 5

Piano

Harp

*Surround trumpets overlap each other, producing a clockwise rotation of the figure.


89 27

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 (3.)

5., open

7., open

9., open

11., open

1,3,5 7,9,11 B Tpt.

4., open

6., open

8., open

10., open

2,4,6 8,10

(

= 120)

1 2

F Hn.

brassy Surround Band

1

( =S.D.152)

Perc.

ad lib.

3

( = 152) B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob.

(4.)

3.

sempre sim.

3 4

B Cl. 1 cresc. poco a poco B Cl. 2 cresc. poco a poco B Cl. 3 (a2) Bs. Cl.

cresc. poco a poco

legato

1 2 cresc. poco a poco

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

(sim.)

cresc. poco a poco

8

(sim.) 1. with straight mute sempre sim. 1 2 B Tpt.

(a2)

(sim.)

3 4

Stage Band

(sim.) 1 3 F Hn. 2 4 (a2) 1 2 (sim.)

Tbn. 3 4

(sim.) Euph.

1 2

Tba.

1 2

cresc. poco a poco

(sim.) Timp. cresc. poco a poco

15

1 Tam. 2 W.Blk. Perc.

3

Ratchet 4

Clicker 5

Piano

Harp

cresc. poco a poco

sim.


90 (27)

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 (1.)

1,3,5 7,9,11 B Tpt.

(3.)

(2.)

(5.)

(4.)

(etc.)

(6.)

2,4,6 8,10 1 2

F Hn.

Surround Band

1 Perc.

S.D.

( = 80)

3

B Cl.

( = 108) Al. 1-2 slap tongue

Sax. Ten. Bar.

Str. Bs. 8

8

Picc.

1 2

Fl.

3 4 1 2

Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

(a3)

8

1 2

Stage Band

B Tpt.

(a2) 3 4 1 3

F Hn. 2 4 (a2) 1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

Timp. 15

1 (Tam.) 2

Perc.

3

4

5

Piano

Harp


91 28 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1,3,5 7,9,11 B Tpt. 2,4,6 8,10 1 2

F Hn.

S.D.

( = 80)ad lib.

Surround Band

1 Perc.

S.D. ad lib. 3

( = 152) B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

a2 8

Picc.

1 2 sparkling, asynchronous a2

Fl.

3 4

5

sparkling, asynchronous N O

a2 1 2 sparkling, asynchronous

Ob. 3 4

2 soli ad lib. B Cl. 1 sparkling, asynchronous

gli altri B Cl. 2

B Cl. 3

(a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

(a3)

ad lib.

8

Stage Band

ad lib. 1 2 B Tpt.

ad lib.

(a2) 3 4

ad lib.

a2 1 3 F Hn.

a2 2 4 (a2) 1 2 ad lib.

Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

ad lib.

ad lib. Timp. Glock.

15

1 (Tam.) 2

Perc.

3 4 5 8va

Piano

Harp

N O N


92 (28)

(march toward back exit door)

Fl.

Marching Band

(march toward back exit door) E Cl. (march toward back exit door) B Tpt.

1 2

Tbn.

1 2

Perc.

2

(march toward back exit door)

(march toward back exit door)

1,3,5 7,9,11 B Tpt. 2,4,6 8,10

(

= ca. 120)

1 2

F Hn.

Surround Band

brassy 1 Perc. 3

B Cl.

( = ca. 108) (sirens) Al. 1-2

slap tongue

Sax. Ten. Bar.

Str. Bs.

8

Picc.

1 2

Fl.

3 4

(a2)

(a2)

(a2)

cresc.

cresc.

1 2 cresc.

Ob. 3 4

B Cl. 1 cresc. B Cl. 2 cresc. B Cl. 3 (a2) Bs. Cl.

cresc.

1 2 cresc.

Cb. Cl.

Bn.

8

(a3)

1 2 3

Cbn.

cresc.

8

1 2 B Tpt.

(a2)

Stage Band

3 4 (a2) 1 3 F Hn.

(a2)

cresc.

2 4 (a2)

cresc.

1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

cresc.

Timp. 15

(Glock.)

1 (Tam.)

cresc.

2 cresc. Perc.

3

4

5

cresc. Piano

Harp

cresc.


29

(exit hall)

10-12 seconds (close door slowly)

12 seconds

12 seconds

8 seconds

10-12 seconds a6, one breath only

12 seconds

12 seconds

8 seconds

12 seconds

12 seconds

8 seconds

Fl. (exit hall) Marching Band

E Cl. (exit hall) B Tpt.

1 2

Tbn.

1 2

Perc.

2

(exit hall)

(exit hall)

1,3,5 7,9,11 B Tpt.

poss.

a5, one breath only

poss.

one breath only

2,4,6 8,10 1 2

F Hn.

( = 80)

poss. fast single stroke

(S.D.)

Surround Band

1 Perc.

poss.

fast single stroke

3 poss. B Cl. poss.

one breath only

Al. 1-2 Sax.

one breath only

poss. Ten. Bar. poss.

Str. Bs. 8

poss. 10-12 seconds Flutes to Flutes

(a2) Picc.

(stagger breath)

1 2

8va

(a2) Fl.

dim.

(stagger breath)

3 4 (a2)

poss.

a2

dim.

(stagger breath)

poss.

a2

dim.

(stagger breath)

poss.

tutti

dim.

(stagger breath)

dim.

(stagger breath)

dim.

(stagger breath)

dim.

(stagger breath)

dim.

(stagger breath)

dim.

(stagger breath)

dim.

(stagger breath)

1 2 Ob. 3 4

B Cl. 1 poss. B Cl. 2 poss. B Cl. 3 poss. a2

(a2) Bs. Cl.

1 2 poss.

Cb. Cl.

Bn.

8

(a3)

1 2 3

poss. 1.

2., 3.

poss. Cbn.

8

dim. poss.

(stagger breath)

open

1 2 Stage Band

dim. B Tpt.

F Hn.

3 4 1 3 2 4

open

poss.

(a2)

dim.

1., 3.

(a4)

2., 4.

poss.

1 2

(stagger breath)

poss.

Tbn.

(stagger breath)

dim.

open

(a2)

(stagger breath)

dim.

(stagger breath)

3 4 dim.

poss. a2

(a2)

(stagger breath)

1 2

Euph.

dim. poss.

a2

(stagger breath)

1 2

Tba.

poss.

dim.

Timp.

15

dim. fast single stroke roll (match Ten. Dr. sixteenth note roll)

poss. S.D.

(Glock.)

1 dim.

(Tam.) 2

Sus. Cym. Perc.

dim.

poss.

3 dim.

poss.

Ten. Dr., fast single stroke roll

4 dim.

B.D. 5

dim.

15ma

Piano

8va 8ba

Harp

l.v.

93


94 31

8 seconds

8 seconds

10 seconds

8 seconds

7 seconds

6 seconds

5 seconds

6-8 seconds

4 seconds

8 seconds

8 seconds

10 seconds

8 seconds

7 seconds

6 seconds

5 seconds

6-8 seconds

4 seconds

8 seconds

8 seconds

10 seconds

8 seconds

7 seconds

6 seconds

5 seconds

6-8 seconds

4 seconds

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1,3,5 7,9,11 B Tpt. 2,4,6 8,10 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

1 2 Fl. 3 4 1.

(a2) 1 2 2.

Ob.

(a2)

3.

3 4 4. div. B Cl. 1 div. B Cl. 2 div. B Cl. 3 (a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

(a3)

8

2. take straight mute 1.

1. take whispa mute 2., with straight mute

(a2)

1., with whispa mute

Stage Band

1 2 2. B Tpt. (a2)

4. 3. take straight mute

4. take whispa mute 3., with straight mute

4., with whispa mute

3 4 3. (a2)

1.

(a2)

2.

3. take straight mute

3., with straight mute

1 3 F Hn.

4. take straight mute

4., with straight mute

2 4

(a2)

2. take straight mute

2., with straight mute

1 2 Tbn.

(a2)

take straight mute

with straight mute

take straight mute

with straight mute

3 4 (a2) Euph.

1 2

Tba.

1 2

(a2)

Timp. (S.D.) 1 (Tam.) 2

Perc.

3 (Ten. Dr.) 4 (B.D.) 5

Piano

Harp

l.v.


VII Prayer

95

= 48 Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1,2,6 7,11 B Tpt. 3,4,5 8,9,10 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

= 48 1 2 Fl. 3 4 E.H. (ossia Oboe 1)

Oboe 1 to English Horn E.H.

Ob.

3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

with straight mute 1 2 B Tpt.

with straight mute

a2

a2

Stage Band

3 4

1 3 F Hn. 2 4 1. take straight mute

with straight mute

1 2 Tbn.

(with straight mute) 3 4

Euph.

1 2

Tba.

1 2

(with straight mute)

Timp.

1

2

Perc.

3

4

5

Piano

Harp


96 10 Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1,2,6 7,11 B Tpt. 3,4,5 8,9,10 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

1 2 Fl. 3 4

E.H.

Ob.

3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4

1., with straight mute

3., with straight mute

2., with straight mute

4., with straight mute

1 3 F Hn. 2 4

1 2 Tbn. 3 4 1., with straight mute Euph.

1 2

Tba.

1 2

1.

Timp.

1

2

Perc.

3

4

5

Piano

Harp


97 19 Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1,2,6 7,11 B Tpt. 3,4,5 8,9,10 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

1 2 Fl. 3 4 Oboe 2 E.H. 2 E.H.

Ob. 3 4 solo B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1.

1 2 3

Cbn.

2.

8

3

1 2 B Tpt.

Stage Band

3 4 (3.)

(1.)

1.

(4.)

(2.)

2.

1 3 F Hn. 2 4

1 2 Tbn. 3 4

2., with straight mute

(1.) Euph.

1 2

Tba.

1 2

(1.)

non dim.

non dim. Timp.

1

2

Perc.

3

4

5

Piano

Harp

2., with straight mute


98 29 Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2

1,2,6 7,11 B Tpt. 3,4,5 8,9,10 1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

1., solo 1 2 3

Fl. 3 4 E.H. E.H.

Ob.

3 4 solo

3

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

ossia

1 2 3

Cbn.

8

1 2 B Tpt.

Stage Band

3 4 1. remove mute 1 3 F Hn. 2 4 (straight mute) 1 2 Tbn.

4.

(straight mute)

3 4 a2 (straight mute) Euph.

1 2

Tba.

1 2

Timp.

1

2

Perc.

3

4

5

Piano

Harp


Moving forward 38

99

= 56–58

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 with straight mute

1,2,6 7,11

1. 2., 6. 7., 11.

B Tpt.

5., 9.

10.

10. 3. 4., 8.

3., 4., 8

1.

*

2., 6. 7. 11.

7. 11.

with straight mute 5., 9.

3,4,5 8,9,10

5., 9.

*

10. 3. 4., 8.

1 2

F Hn. Surround Band

1. 2., 6.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

Moving forward

= 56–58

a2

1 2 Fl.

a2 3 4 (E.H.)

E.H.

1 2

Ob.

3 4

English Horn to Oboe 1

Oboe

a2

a2

tutti B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1., solo, open 1 2 B Tpt. 3 4 Stage Band

1., solo, open

1.

1 3 F Hn.

3., with straight mute 2., with straight mute

remove mute

2 4 * 1 2 Tbn.

* 3 4 * a2

Euph.

1 2

Tba.

1 2

remove mute

1. (with straight mute)

Timp.

1

2

Perc.

3

4

5

Piano

Harp

*

= 5 beats.

*


100 46 Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 1. 2., 6.

1,2,6 7,11

7. 11. 5., 9. 10.

B Tpt. 3,4,5 8,9,10

2., 7., open remove mute

3., 8.

3. 4., 8.

3., 4., 8., 9.

4., 9. 5., 10.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

1.

(a2)

1. to Piccolo 1 2 (a2) Fl. 3 4 (a2)

1.

1 2 (a2)

Ob. 3 4

div.

1.

B Cl. 1 gli altri B Cl. 2

B Cl. 3

Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

a2 (open) 1 2 3

B Tpt.

remove mute

a2, open

Stage Band

3 4 3. remove mute 1 3 F Hn. 2 4 remove mute

open

1 2 Tbn.

remove mute

open

3 4

Euph.

1 2

Tba.

1 2

(1.)

remove mute

open

Timp. Vib. 15

Glock.

1 Pedal 2

Perc.

3

4

5

Piano

Harp

3., 8. 4., 9. 5., 10.

5., 10.

1 2

F Hn.

Surround Band

1., 6., 11, open

remove mute


101

= 60

( = ( =

54

) )

Marching Band

Fl.

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 take harmon mute

a5, with harmon mute, no stem, stagger breathing

take harmon mute

a6, with harmon mute, no stem, stagger breathing

1,2,6 7,11

B Tpt. 3,4,5 8,9,10

1 2

Surround Band

F Hn.

1 Perc. 3

B Cl.

Al. 1-2 Sax. Ten. Bar. Str. Bs. 8

= 60 Piccolo Picc.

1

Fl.

2

Fl.

3 4

( = ( =

1., Flute

8

1. 1 2 Ob. 3 4

B Cl. 1 tutti B Cl. 2 tutti B Cl. 3

1 Bs. Cl. 2

Cb. Cl.

8

1. Bn.

1 2 3

Cbn.

8

1 2

molto

B Tpt.

a2

Stage Band

3 4 molto open 1 3

molto

F Hn.

open 2 4

molto

1.

1 2

3

Tbn.

molto

a2

3 4 a2 open

molto

1 2

Euph.

molto open 1 2

Tba.

molto

Timp. Vib.

molto 1

2

Perc.

3

4

5

Piano

Harp

C

E

) )


102

VIII Coda: Veritas = 90 ( =

)

Fl.

Marching Band

E Cl.

B Tpt.

1 2

Tbn.

1 2

Perc.

2 (a5)

*

(a6)

*

1,2,6 7,11 B Tpt.

cresc. poco a poco

3,4,5 8,9,10 cresc. poco a poco 1 2

F Hn.

Surround Band

S.D., snares off, muffled 1 Perc.

5

S.D., snares off, muffled

cresc. poco a poco

3 5

5

cresc. poco a poco

B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

= 90 ( =

)

1 2

5

3 4

5

5

Fl. 5

1 2 Ob. 3 4

B Cl. 1

B Cl. 2

B Cl. 3

Bs. Cl.

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1. (open) 1 2 cresc. poco a poco

B Tpt.

(open) 3 4 cresc. poco a poco 3.

Stage Band

1 3

3. 1.

1. cresc. poco a poco

F Hn. 2 4

cresc. poco a poco a2 1 2 cresc. poco a poco Tbn. 3 4 cresc. poco a poco

Euph.

1 2

Tba.

1 2

1.

cresc. poco a poco

1.

cresc. poco a poco

cresc. poco a poco Timp.

1

2 High T. Dr. Perc.

3

4

5

Piano

Harp

*Slowly remove and replace mute with left hand, asynchronously with other trumpet players.

5

5


103 5

= 92

(tutti)

(a6)

1,3,5 7,9,11 (cresc.) B Tpt.

asynchronous

(tutti)

(a5)

2,4,6 8,10 (cresc.) asynchronous 1 2

F Hn.

(S.D.)

Surround Band

1 5

(cresc.)

Perc.

5

5

5

5

5

5

(S.D.)

3 (cresc.) B Cl.

Al. 1-2 Sax. Ten. Bar.

Str. Bs. 8

= 92 to Piccolos 1 2

5

5

5

5

3 4

5

5

5

5

Fl.

a2 1 2 Ob.

a2 3 4 tutti

B Cl. 1

B Cl. 2

B Cl. 3 a2 Bs. Cl.

Cb. Cl.

Bn.

8

1., 2.

1 2 3

3.

Cbn.

8

a2

a2 1 2 (cresc.)

B Tpt.

sost. a2

a2

3 4 (cresc.)

sost.

Stage Band

1.

a2

1 3 3.

F Hn.

a2

(cresc.)

2 4

(cresc.) (a2) 1 2 (cresc.)

Tbn. 3 4

(cresc.) (cresc.) a2 Euph.

1 2

Tba.

1 2

(1.)

(cresc.)

2.

a2

(cresc.)

Timp.

Glock. 15

1 Flexatone 2 (Ten. Dr.) 5

Perc.

5

5

5

3 Tam. 4 B.D. 5

Piano

8ba

Harp


104 3., 9. enter

5., 7.

9

1., 11, enter

*

stagger breathing

1,3,5 7,9,11 * 6.

B Tpt.

asynchronous 4., 8. enter

2., 10. enter stagger breathing

2,4,6 8,10 asynchronous 1 2

F Hn.

asynchronous

S.D.

Surround Band

1 Perc.

B Cl. asynchronous

Al. 1-2 asynchronous

Sax. Ten. Bar.

asynchronous

Str. Bs. 8 8

asynchronous

Piccolos, a2 8

Picc.

1 2

Fl.

3 4 (a2) 1 2

Ob.

(a2) 3 4

B Cl. 1

B Cl. 2

B Cl. 3 (a2) Bs. Cl.

1 2

Cb. Cl.

Bn.

8

(a2)

1 2 3

Cbn.

8

(a2) 1 2 B Tpt.

(a2) 3 4

Stage Band

5

5

5

5

S.D. 3

(a2) 1 3 F Hn.

(a2) 2 4

1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

(a2)

Timp. 2 Flexatones

1

Glock.

15

S.D. 2 H. Ten. Dr. Perc.

5

5

5

5

5

5

5

5

5

5

5

5

3 L. Ten. Dr. 4 (B.D.) 5

Piano

8ba

A

Harp

*Trumpets stagger entrances to create a “wave” of the motive around the hall. The players enter in the following order: 6, 5./7., 4./8., 3./9., 2./10., 1./11.


105 lunga

14 1,3,5 7,9,11

poss.

B Tpt. 2,4,6 8,10

poss. 1 2

F Hn.

Surround Band

(S.D.) 1 (S.D.)

Perc. 3

B Cl. poss. a2 Al. 1-2 Sax.

poss. Ten. Bar.

Str. Bs. 8

(a2)

lunga

8

Picc.

1 2

Fl.

3 4 (a2) 1 2

Ob.

poss.

(a2) 3 4

poss. B Cl. 1 poss. B Cl. 2 poss. B Cl. 3 poss. Bs. Cl.

1 2

Cb. Cl.

Bn.

8

1 2 3

Cbn.

8

1 2

poss.

B Tpt.

a2 3 4 poss.

Stage Band

(a2) 1 3 F Hn.

(a2) 2 4

1 2 Tbn. 3 4 (a2) Euph.

1 2

Tba.

1 2

Timp. (Flexatones)

1

Xyl.

(Glock.) 15

S.D. 2 H. Ten. Dr. Perc.

3 L. Ten. Dr. 4 (B.D.) 5

Piano

Harp

* 12 gauge Shotgun with super-packed blank.

Gunshot*

Corigliano CIRCUS MAXIMUS  

Works for Band/Wind/Brass Ensemble; score; G. Schirmer; musicsalesclassical.com; 26960

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