Thomas CELLO CONCERTO NO. 3: LEGEND OF THE PHOENIX

Augusta Read Thomas

CELLO CONCERTO #3 Legend of the Phoenix for cello and orchestra

Full Score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

CELLO CONCERTO #3 Legend of the Phoenix for cello and orchestra

Commissioned by the Boston Symphony with generous support from Bill and Solange Brown

G. Schirmer, Inc. New York, NY

Instrumentation Piccolo 2 Flutes Oboe English Horn 2 Clarinets in B= (2nd doubling Bass Clarinet) Bassoon Contrabassoon 2 Horns in F 2 Trumpets in C (intended for Principal and Co-Principal) Piccolo Trumpet in B= (intended to be played by the 3rd trumpeter) Trombone Bass Trombone Percussion (4 players - see next page for exact instrumentation) Piano (doubling Celesta for measures 380-436 is optional) Measure 380 to 436: if no celesta is available, play your part on piano, playing everything one octave higher (so that it sounds at what would have been the celesta’s pitch) and play it all one dynamic quieter than notated.)

Harp Solo Cello Strings (Double basses need low C extensions) All string pizzicato are L.V. Molto Sempre

duration ca. 26-27 minutes

Transposed Score The following five players should be playing from the back of the stage, in the very back of the orchestra, arranged in a semi-circle in this order: Perc. 1, Perc. 2, Piano (Celesta), Perc. 3, Perc. 4 This way, they form a “wall or screen” of sound that surrounds the rest of the orchestra and soloist. The Harp should be seated somewhat near Percussion 1 and 2, and with the back of the violin section since the harp most often plays with Perc. 1, Perc. 2, Piano (Celesta), Perc. 3, Perc. 4. Grace notes always come before the beat and should never be slid or rushed through. Rolled chords start on the beat All harp harmonics sound one octave higher than written. All harp notes should be l.v. molto unless otherwise specified. All bowings marked by the composer are suggestions and do not need to be followed. There are only six dynamics used in this score (pp, p, mp, mf, f, ff) so that each “level” of volume has a clear meaning and sound. The term “molto rubato” is used often and means that it is not necessary to play the exact rhythm (a sextuplet, a quintuplet, a small triplet, etc.) but rather that the player can consider those rhythms (usually spanning only a beat or two) more gesturally.

– Augusta Read Thomas

Percussion Listing PERCUSSION I: Glockenspiel every note is “L.V. Molto” for the entire composition. (4 mallets needed) 3 Triangles (small, medium, extra-large) every attack is “L.V. Molto” for the entire composition. 2 very resonant wood bocks (medium or large and large or very large) Four graduated low tom-toms (on the lower end of the pitch spectrum)

PERCUSSION II: Crotales (2 complete octaves) every note is “L.V. Molto” for the entire composition. (4 mallets needed and 1 bow needed) 1 Triangle (large) every attack is “L.V. Molto” for the entire composition. Medium suspended cymbal every attack is “L.V. Molto” for the entire composition. 2 Bongo Drums (fairly high in pitch, i.e.: tight skins)

PERCUSSION III: Vibraphone (motor speeds are indicated in the score and part) 1 Triangle (very small) every attack is “L.V. Molto” for the entire composition. Claves very resonant 2 Conga Drums Taiko Drum

PERCUSSION IV: Marimba (5 octave) Tubular Chimes Please use the most “in-tune” set of chimes possible. 3 resonant suspended finger cymbals (small, medium, large) (not tinny!) please seek a sonic “cousin” to the triangles’ sounds as well as the crotales’ sounds. Every attack is “L.V. Molto” for the entire composition. Large suspended cymbal Tenor Drum (not too high in pitch- lower in pitch than the Conga Drums) Very large bass drum

**The score calls for five triangles in the percussion parts. Care should be given to insure that each of the triangles has a slightly different “pitch and color” from one another, so that each of them has a unique contribution to the overall sonic palette and so they blend elegantly with the crotales, glockenspiel, and finger cymbals. Unless otherwise specified, please use most common beater or mallet.

with admiration and gratitude to Lynn Harrell

CELLO CONCERTO #3 Legend of the Phoenix Augusta Read Thomas Majestic; blazing; illuminated 4 ∑ ∑ &4

Piccolo

1 Flute 2

4 &4

∑

& 44

q = 66

∑

π

∑

4 &4

English Horn

4 &4

∑

∑

∑

4 &4

∑

∑

∑

Clarinet in B b

1

f

∑

Oboe

∑

∑

w

∑

∑

(2013)

∑

Œ

>œ

˙

f

ƒ

∑

π

f >œ

ƒ sempre ˙.

∑

bell-like

f sempre

bell-like

ç >œ

f sempre ˙.

ç

f sempre

˙.

∑

# >˙ .

Œ

# ˙.

3

3

bell-like

∑

®œ œ œ œ œ œ

>œ >œ >œ œ >œ >œ œ

ç >œ

w

∑

# -œ

solo blazing; shimmering

ƒ sempre

>œ >œ >œ œ >œ >œ œ

blazing; shimmering

4 &4

∑

∑

∑

Bassoon

?4 4

∑

∑

∑

Contrabassoon

?4 4

∑

∑

∑

∑

∑

1

4 &4

∑

∑

∑

∑

∑

2

4 &4

∑

∑

∑

∑

∑

1

4 &4

∑

∑

2

4 &4

∑

∑

‰.

Piccolo Trumpet in B b (Trumpet 3)

4 &4

∑

∑

Piccolo Tpt.

Trombone

?4 4

∑

∑

∑

Bass Trombone

?4 4

∑

∑

∑

∑

∑

(Bass Clarinet) 2

Horn in F

Trumpet in C

1

Percussion

2

3

4

Piano (Celesta)

Harp

4 &4 4 ã 4 4 &4 4 ã 4 4 &4 4 ã 4

Glockenspiel

3 Triangles (Sm., Med., Extra Large)

Crotales

∑

∑

∑

∑

∑

∑

∑

∑

Large Triangle

Violin 1

solo

Ó

(XL)

œ > ƒ

œ > ƒ >œ œ

ƒ

>œ

ƒ

>œ >œ >˙ .

solo

® >œ >œ >œ >œ . ƒ

Ó

please l.v. molto sempre for the entire composition

Ó

please l.v. molto sempre for the entire composition

Œ

Ó

∑ Œ

play with triangle beaters

∑

4 &4

∑

∑

?4 4

∑

∑

(L)

Piano

œ F >œ

ƒ

please l.v. molto sempre for the entire composition

Ó

Œ

‰

4 &4

∑

∑

∑

∑

DCsBlEFGA

?4 4

* >≥˙

˙

ƒ

˙≤ .

f

ƒ

ƒ sempre

# >œ >œ >œ œ >œ >œ ˙ ƒ

Œ

>œ œ ƒ

Œ

ƒ (M)

œ

F

>œ œ

Ó

ƒ

∑

ç

Majestic; blazing; illuminated 4* ∑ ∑ &4

Œ

>œ œ

please l.v. molto sempre for the entire composition

Œ

œ

Ó

ƒ

∑

Violin 2

4* &4

∑

∑

∑

Viola

B 44 *

∑

∑

∑

Violoncello

? 4* 4

∑

∑

∑

Contrabass

? 44 *

∑

∑

∑

# >œ >œ >œ œ >œ >œ œ ƒ sempre

Œ w≤

&

∑

∑ Ó ∑ Œ

Ó

Œ

Ó

Œ

Ó

∑

Œ

#œ œœ > ƒ

Œ

# >œ ƒ >œ

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

please l.v. molto sempre for the entire composition

ƒ (M, S)

>œ œ

f # >œ œ

&

ƒ >œ œ

# >œ œœœ

Ó

ƒ

∑

Ó ∑

ƒ œ>œœ

∑

∑ ∑

>≥œ >œ >œ œ >œ >œ ˙ ƒ

®œ œ œ œ œ œ

∑ Ó

˙≤ F sub. # ≥˙

3

p ˙≤ .

p

3

3

∑

∑

œ œ œ œ œ œ

∑

3

3

∑

q = 66

3

w

Ped.

>œ

ƒ

®

>w

>œ œ ƒ

>œ œ

Ó

Œ

œ J

Œ

solo

∑

please l.v. molto sempre for the entire composition

Œ

∑

w

blazing; Mahler-like rubato

Œ

ƒ

ƒ sempre

blazing; Mahler-like rubato

ƒ

π

>w

Ped.

3 Sus. Finger Cymbals (Sm., Med., Large)

molto rubato

Solo Violoncello

>w

Œ

blazing; Mahler-like

ƒ

Vibraphone motor on - very slow speed

∑

4 &4

solo

Bf Clarinet

∑ ∑

f

ƒ ˙≤

Π&

π ˙≤

F

>≥œ >œ >œ >œ >œ >œ œ f œ. >≥œ >œ >œ >œ >œ >œ œ æ f >≥œ >œ >œ >œ >œ >œ œ f

P

‰

∑

*All string bowings marked by the composer are optional. Corrected 5/2013

Copyright © 2013 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 6 Picc.

1

& &

Fl. 2

&

Ob.

&

Eng. Hn.

&

1

&

2

&

Cl.

˙. ˙.

‰

œ æ

˙ æ

œ æ

˙ æ

fltz.

˙.

fltz.

w

˙

f

ƒ

3

p

‰

Œ

˙

∑

ƒ

F

ƒ ˙

F

ƒ

F

˙

∑

F

œ.

Bn.

?

∑

Cbn.

?

∑

∑

1

&

∑

∑

2

&

∑

∑

1

&

∑

∑

Ó ˙

Tpt. 2

Picc. Tpt.

& &

w

˙

w

?

∑

Bass Tbn.

?

∑

1

ã

(Glock.)

(3 Triangles)

Œ

‰

≈ #œ œ œ

& ‰

P 3

2

3

f

‰

solo

(M)

≈ œ œ œœœœ Œ p

3

3

œ.

f

roll slow to fast

˙æ >

ã

(Large Triangle)

∑

&

(Vib.)

∑

˙

®

F

≈ ≈ œ œ œ œ >>> F ƒ

ƒ

ƒ

‰

œ> œ> >œ œ >œ >œ .

f

ç

Ó

solo

ç

∑

Œ œ

œ

œ

œ

œ

œ

f f f

‰

>œ J ƒ

‰

>œ J ƒ

>˙ æ F

œ

˙

∑

Œ

ƒ

f

>œ

Œ

ƒ sempre

>œ >œ >œ

Ó

ƒ sempre

>œ >œ >œ ≈ >œ

ƒ

>˙

Œ

Ó

Œ

‰

Ó Œ

œ œ œ œœœœ

p

3

Ó

ƒ

œ J f

Œ

∑

Œ

∑

Tubular Bells

3

solo

# >œ J

‰

Œ œ Œ

œ ƒ

œ œ œ œœœœœ ‰ Œ J 3 p f œ œ œ œœœœœ œ œ œ œ Œ 3 p3 f

Ped.

4

Pno.

Hp.

Solo Vc.

ã

& &

∑ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ f shimmering 3

3

∑

Œ

∑

& Ó

∑

≥o o o o o o o o o o o o≤ o œ œ œ œ œ œ œ œ œ œ œ œ œ

ƒ shimmering 3

3

&

ƒ shimmering

3

&

ƒ shimmering 3

3

Cb.

& ?

P sub.

≥o o o o o o o o o o o o≤ o œ œ œ œ œ œ œ œ œ œ œ œ œ

sul A

Vc.

P sub.

œ≥œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ≤ ˙˙

div. (non harm.)

Va.

P sub.

≥o o o o o o o o o o o o≤ o œ œ œ œ œ œ œ œ œ œ œ œ œ 3

ƒ shimmering 3

3

P sub. ∑

Ó

f ƒ shimmering >œ >œ >œ œ >œ >œœ .. ‰ 3

œ>œœ

>œ

>œ

Ó

ƒ

∑

∑ Œ

Ó

ƒ

œo œo œo œo œo œo œo œo ƒ ƒ

œo œo œo œo œo œo œo œo ƒ

div.

‰ ww

>≥œ >œ >œ œ >œ >œ .

ƒ

f sub.

˙

>œ

ƒ

3

div. (non harm.)

Œ

unis.

Œ

Ó

f

3

3

Ó

Œ ∑

®

Œ

≈

œ

‰

ƒ

∑

f

3

f

3

>œ≤ >≥œ .

˙

ƒ

F sub. ˙

∑

>œ nœ

Ó

ƒ

œ

Œ

f

œ œ

ƒ

≤ >> ≈ œ œ œ œ œ ˙. f

3

w

ƒ

œ≤ œ œ

unis.

P

3

˙ æ

≥œ œ œ œ œ œ œ œ œ œ œ œ

f

tremolo slow to fast

˙ ˙ æ ƒ Œ

∑

ƒ

3

ƒ

div.

ƒ

ƒ

œ

Œ

∑

Œ

ƒ

œ

‰ ∑

œ≤ œ œ >œ >œ ˙ .

œ≤ œ œ >œ >œ œ ≈ œ œ œœœ œ

(non harm.)

f sub.

p

∑

unis.

œ œ œ œ œ œ.

f

≈ œ œ œœœ œ œ Œ

Ó

∑ œo œo œo œo œo œo œo œo

‰

Ped.

∑

&

sul D

Vn. 2

ƒ

Œ

Ped.

3

Œ

Cn

?

&

P

‰

>œ >œ >œ œ >œ >œ .

(Ped.)

sul E

Vn. 1

œœ œœ œœ œœ œœ œœ œœ œœ

&

3

Œ œ

Œ

f sempre

Œ

unis.

œ

f sempre

≥œ œ œ œ œ œ œ œ œ œ œ œ Œ

f

3

ƒ

∑

3

f

ƒ sempre

œ Œ

œ ƒ

‰

∑

(Ped.)

>œ >œ >œ >œ ≈

‰

(S & M)

f

3

solo

∑

Ó

Œ

solo

Œ

∑

Ó

ƒ

∑

>˙

blazing; Mahler-like

‰.

œ

∑

Œ

Œ

ƒ

∑

∑

œ œ ƒ

Œ

ƒ

∑

∑

Œ

œ œ ƒ

æ >˙ F

roll slow to fast

3

Œ

∑

˙ F

roll slow to fast

∑

∑

>œ >œ ˙

F

3

3

Œ

blazing; Mahler-like

˙

ƒ

solo 3

. >œ >œ >œ œ >œ >œ f

∑

Œ

∑

‰

Ó

∑

>>> ≈ ≈ œ œ œ œ

ƒ

3

∑

∑

∑

∑

(Crotales)

Perc.

>œ >œ >œ œ >œ >œ .

˙

Tbn.

&

‰

Œ ∑

w

f

Hn.

solo

Ó

∑

∑

P

∑

non fltz.

non fltz.

˙ ˙

>œ

˙

∑

w

>œ >œ >œ œ >œ >œ .

non fltz.

œ æ

fltz.

3 accel. 10

∑

&

Picc.

1

&

˙.

œ

&

Ob.

Eng. Hn.

∑

& œ

>˙

œ

˙ æ

˙ æ f sub.

Fl. 2

˙

˙ f

∑

œ

#œ

ƒ

˙. æ ƒ

œ

( ƒ)

∑ >˙

Œ Œ ˙

Ó

w

∑

&

˙.

ƒ Œ

w

œ

˙

˙

˙

ƒ ˙

Œ

ƒ

˙ æ f ˙

˙

ƒ

Ó

˙ æ f

ƒ

Ó Ó

Œ

Œ Œ

&

2

&

∑

Bn.

?

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

1

&

∑

2

&

∑

Cl.

( ƒ)

ƒ

w ƒ

˙

1

&

2

& œ

Tpt.

Picc. Tpt.

>œ >œ >œ

>œ >œ >œ Œ

ƒ sempre 3

œ

Œ

Ó

Œ

ƒ

∑

>œ >œ >œ œ

w

œ

>> > ≈ œœœ œ

w

œ

>˙

w

œ

Œ Œ Œ

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

(Glock.)

roll slow to very fast

œ ƒ

(Crot.)

2

(Vib.)

& Ó

&

œæ π

wæ

œ

œ æ π

w æ

(Tub. Bells)

˙

#˙

˙ Ó

Œ >˙ .

solo

Œ Ó Œ ∑

ƒ

œ

ƒ sempre œ

ƒ

œ

œ

ƒ sempre

Œ

œ. œ.

‰

Ó

œ.

#œ J

˙

œ J

˙

œ J

˙

œ.

B

‰

˙æ.

ƒ

˙. æ

ƒ

Œ

Œ

very intense

∑

ƒ

œ

œ.

ƒ

œ

œ.

ƒ sempre œ

œ. Œ œ.

ƒ

‰

Œ

‰

œ

œ

P

Large Sus. Cym.

∑

˙ æ π

Pno.

∑

&

ƒ

∑

∑

∑

∑

Ó

Œ ∑

Hp.

Solo Vc.

&

?

Vn. 1

Vn. 2

œ

f

& &

>˙ ∑

ƒ

≤ œ˙ p

>≥ ˙

œ

˙

ƒ

> & ˙

˙

Vc.

>≥ > > & ‰ œœœ Œ ƒ3

≤≥ ≤ ≈ œ œ œ.

Cb.

?

Va.

p

∑

∑

∑

∑

∑

∑

∑

∑

˙

f sempre

>˙

∑

Bf, Es

∑

& div.

˙

F

œ ƒ sempre

π

echo-like

˙

˙

F ˙ F ˙

F

˙ ˙ ˙

ç ç ç

∑

∑

∑

∑ ∑

‰

Ó

∑

∑

œ J

˙ œ

˙

‰

Ó

#œ J P

‰

>œ œ J f ƒ j b >œ œ f ƒ

l.v.

F œ J

˙

˙

˙

f

ç ç

∑

∑

∑

∑

Œ

∑

∑

Œ

∑

∑

Ó

Ó

Ó

b >œ

˙

f

˙

Ó

Œ ∑

ƒ ƒ

Ó ∑

Ó Ó

∑

Ó

∑

Ó

∑

Ó

≤ ˙o

unis. sul E

π ≤ ˙o

sul D

π ˙≤

π ≤ ˙ π

div.

∑

Œ

˙o . ˙o

˙˙

div.

>˙ . œ J ‰ F ƒ sempre w w

œ

œ ƒ sempre

≥ œ >œ ƒ sempre

œ.

œ.

œ J

∑

∑

∑

∑

∑

Ó

œ J

b >œ

Ó

J

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

ww

œœ

ƒ sempre ˙

≈

q = 76

accel.

b >˙

œœœœœœœœœœœ 3

w w ƒ sempre ∑

>œ

3

3

f

ƒ

f

ƒ

Ó

œ≤ œ

f

ƒ ∑

∑ bw

unis.

Ó

p

echo-like

∑

3

œ œ ∑

ϲ

œœ≤

Ó

∑

˙

P

ç

∑

ƒ

œ.

˙

Ó

˙.

Ped.

(Ped.)

œ

œ

ç

Œ

roll speed: slow to moderate

ã

˙

Ó

œ J

œ.

f

‰

œ J ƒ

in background

& Ó

w

˙

Sm. & Med. Triangles

Œ

w

f

∑

ã

q = 76

∑

play concert D if Tpt. 2 omits it

‰

˙

˙

optional C or D or both

œ

(Ped.)

>˙

J

˙

Ped.

∑

bœ

3

ƒ sempre

˙

∑ Ó

b >œ >œ >œ b >˙

∑

∑

Œ

b˙

non fltz.

solo blazing; Mahler-like

œ.

ƒ sempre œ ˙ J

Œ

˙ æ

ƒ sempre œ œ . œ

ƒ sempre

very intense

∑

œ

œ

œ

very intense

roll slow to very fast

ƒ

(Ped.)

4

œ ƒ

˙

æ ˙.

roll slow to very fast

& Ó

Perc. 3

æ w

æ œ π

œ

ƒ

?

& Ó

˙

ƒ

Œ

∑ Ó

ƒ

Tbn.

1

∑

˙.

∑ ≈

ƒ sempre 3

& #œ

Œ

˙

f

Hn.

œ

œ

ƒ

f

non fltz.

1

f

œ.

Ó

Œ

˙

b >˙ œ æ J ƒ sempre

non fltz.

∑ Ó

∑ ∑

Ó Ó Ó

Ó Ó

4 17

&

Picc.

1

π ∑

&

Fl. 2

w

&

w

∑

∑

∑

∑

∑

∑

∑

∑

w

F

pass note to clarinet

˙

˙

p

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

˙

w

π

˙

F

echo-like

Cl.

F ∑

∑

Ó

π

˙

∑

∑

∑

˙

∑

∑

∑

b ˙.

∑

&

&

Œ

∑

echo-like

Ob.

1

∑

w π

˙

˙

echo-like

P

π

π

Ó

∑

∑

∑

∑

Bn.

B

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

bw

˙ π

œ F

echo-like

π

w

w

w

˙.

P

echo-like

Œ

∑

&

2

Œ

˙. P

π

π

Œ

Hn.

Tpt.

Perc.

Pno.

Hp.

?

>≥ >≤ >≥ ≈ œœ œ

molto rubato sempre

Solo Vc.

Vn. 1

Vn. 2

Va.

& Œ

&

≤ œ.

f

∑

& &

ƒ

˙

‰

Œ

ç

>≥œ

ƒ

œ

˙≤ .

∑

∑

w

w

w

P

F

P sempre

∑

∑

ç

F

Œ

‰

≥ j bœ œ ƒ

3 ≥ œ ‰ >œ ƒ

˙

F

∑

>-≤ Œ b˙ P

∑

w

∑

3

œ

b ˙≤ .

‰

≥j œ > f

œ

≤ b œ œ # >œ ˙ . 3

ƒ

w

π

Ó

∑

P Œ

# ˙≤ . π

echo-like

≤ bw π

sul C

B

Œ

ç

Œ

echo-like

J ‰ Œ π ∑

˙

w P sempre

echo-like

w

Vc.

&

∑

∑

∑

∑

∑

∑

∑

Cb.

?

∑

∑

∑

∑

∑

∑

∑

?

5 24

∑

&

Picc.

1

∑

∑

‰

&

∑

∑

∑

‰

&

∑

∑

∑

‰

Fl. 2

& Ó

Ob.

Œ

œ π

˙

˙ p

echo-like

œ

π

Œ

Ó

&

∑

∑

∑

1

&

∑

∑

∑

2

& ˙

∑

∑

Eng. Hn.

Cl.

Ó

‰ ‰

‰

>œ >˙ . ≈≈R ƒ >œ >œ >˙ .

P

3

≈

3

>œ >œ >œ >˙ .

ƒ sempre >œ >œ >œ >˙ . ƒ sempre

˙

˙

∑

∑

Cbn.

?

∑

∑

∑

1

&

∑

∑

∑

Ó

Œ

2

&

∑

∑

∑

Ó

Œ

1

&

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Hn.

∑

∑

Œ

Tbn.

?

∑

∑

∑

Œ

Bass Tbn.

?

∑

∑

∑

Ó

ã

∑

∑

&

∑

∑

∑

(Crotales)

‰

&

∑

∑

∑

(Vib.)

Œ

1

2

(Sm. & Med. Trgls.)

∑

‰

Perc. 3

˙

#˙

œœœ

f

3

˙

˙ f

ƒ

bœ œ œ œ œ. >>>>> ƒ

œ œ œ >œ ƒ f 3

>œ œ œ f

ƒ

œ ƒ

molto rubato blazing; Mahler-like

ƒ

˙ f

ƒ

œ

>œ

ƒ

˙ f

Œ

ƒ ˙

solo

f

˙

œ

ƒ

ƒ

ƒ

œ ƒ

∑ Œ

b >w

ƒ espr. ˙

˙

˙

ƒ

f ˙

ƒ

˙

ƒ ˙

œ.

f

f p

‰

Pno.

ã

∑

∑

∑

Œ

&

∑

∑

∑

Œ

˙

˙

˙ ƒ espr.

˙

˙

ƒ espr.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙ ƒ

˙

˙ f

˙

˙

b˙ f

˙

˙

˙

˙

∑ Ó Ó Ó

Ó

˙

f espr.

˙ ∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

Œ

œ œ œœ˙ æ π 3

roll slow to fast

in background

f

" (choke)

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

f œœ >

π

π

Ped.

& #œ œ. ƒ ?

& Œ

Vn. 1

&

Vn. 2

&

Œ

Ó

>≥ ‰ œ J f

˙

>œ >œ .. ? R f

Œ

π

˙

echo-like

˙

P

espr.

∑

≥ ‰ j b >œ œ . ƒ

≤ ≥œ œ >

molto rubato

Œ

∑

Ó

˙

> n œœ œ œ ƒ >

ƒ

ç

f

P

œ

w

≥ w

w

˙.

π

Œ

Ó

œ

∑

π f

Ó Ó

Œ

#œ >

∑ ≥ ˙

∑

∑

˙

∑

π ≤ œ

p

Vc.

ƒ

˙

unis.

Ds, En

∑

≥˙ .

B w

∑

∑

˙

Va.

?

n˙

∑

(Large Sus. Cym.)

>œœ

∑

Ó

∑

∑

Solo Vc.

Cb.

∑

&

solo

Hp.

∑

Ó

ƒ

Ped.

4

Ó

ƒ espr.

3

Tpt.

f

˙

b >w

∑

∑

Ó ˙

3

œ œ œ ˙. >>>> ƒ sempre

ƒ

∑ ˙

∑

∑

f

3

?

&

ƒ

b >w

sub.

P

3

Bn.

Picc. Tpt.

˙

ƒ espr.

ƒ sempre >œ >œ >œ >˙ .

ƒ

˙

Œ

pizz.

bœ > ƒ ‰

b >œ . ƒ

w

π

Dn, Cs, Bn, Ef, Fs, As

∑

?

6 31

Cantabile; molto rubato ∑

&

Picc.

˙.

1

&

2

& ˙.

π

Fl.

π

q = 72–76 ∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

& ˙ P

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cl.

w π

echo-like

w P

∑

∑

Hn.

1 Tpt. 2

Picc. Tpt.

Ó

∑

& & ˙ P

π

Ó

Tbn.

?

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1

gently dampen crotales if they are still ringing

"

2

& Ó

Ó

3

&

∑

∑

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc.

Pno.

Hp.

Solo Vc.

?

? ‰

parlando

≥ b >œ .

˙

ƒ

majestic

ϲ .

f

≥ b ≥œ >œ ‰ ‰. R ç F

Cantabile; molto rubato Vn. 1

&

∑

Vn. 2

&

Va.

Vc.

œ.

f

q = 72–76

‰ Ó

F

‰

b ≥œ œ œ ƒ 3

espr.

declarative

œ

F

f

Œ

Œ

≈

b œ≤ ≥œ œ≤

ƒ F

œ b ≥œ b œ J ‰ ‰. R f P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B

∑

∑

?

∑

?

∑

Ó

Œ

arco

∑

≤ ‰ œ. π

˙

sul G

ϲ

sul tasto

Cb.

b -≥œ œ≤ . R ≈

molto rubato

π

˙.

w

p

b ϲ .

(sul tasto)

p

π ∑

Œ

‰

π

˙

echo cello

∑

w

w

w

w

ord.

p

b -≥œ œ b œ b œ œ

‰

3

lyrical

∑ ≤ w π

(sul D)

œ

P espr.

Œ

Ó

w

P ∑

≤ œ ‰ œ

∑

∑

≥ ≥ A >œ >œ œ f espr. 3

7

Picc.

1

q = 66

rit.

38

&

∑

∑

∑

&

∑

∑

∑

‰

Fl.

∑

œ. π

∑ ˙ p

echo cello

˙

œ

π

Œ

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

Cl. 2

w

π

∑

&

Ó

Œ

‰

j œ π

œ

echo cello

∑

˙ P

π

Ó

Œ

Œ ‰

j bœ π

echo cello

˙ p

j ‰ œ π

˙

Œ

Ó

Bn.

?

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Hn.

Tpt.

Perc.

Pno.

Hp.

Solo Vc.

?

?

˙

F

œ J ‰ ç

≈ œœ

b ≥œ

˙

˙

ƒ

b ϲ

P

≥ b œ >œ œ .

œ bœ J

f

rit. Vn. 1

Vn. 2

Va.

Vc.

∑

& & ˙ P

˙

F

∑

œ.

≥œ J

˙

w

˙

π dolce

q = 66

≤j œ ˙ π echo cello

Œ

∑ ˙

F

b ≥œ . J p

≈

b ≥˙

˙≤ P

espr.

∑

Œ

‰

w

w Ó

≤ ˙ π echo cello

sul G

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

espr.

Cb.

?

∑

F

sul D

espr.

B ? ˙

∑

ϲ J

parlando (no change of bow)

8

&

∑

1

&

∑

2

&

∑

∑

Ob.

&

∑

Eng. Hn.

&

∑

1

&

∑

Œ

&

∑

Œ

Bn.

?

∑

∑

Cbn.

?

∑

∑

Picc.

∑ Œ

Cl.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w

˙. p

w

˙. p

w

∑

accel. ∑

˙. p

Fl.

2

q = 72–86

accel.

45

π

π

Œ

˙. π

˙. P

echo cello

π

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

#˙ P

˙

elegant; in background; blend with and echo pizz.

1

&

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Hn.

Tpt.

Perc.

Pno.

Hp.

?

Solo Vc.

? Œ

>-≥œ bœ bœ. J

F

3

P

‰

-ϲ .

œ.

Vn. 2

& w

œ. P

Va.

B Ó

echo cello

?

Vc.

a

?

b

?

Cb.

b ˙≤ π

sul G

∑

div.

b œ b -œ œ b œ œ . ‰ J 3 π p P

w

espr.

& w P

Vn. 1

molto rubato

# ≥œ ˙ ≈ J ‰ J f F

œ.

P

accel.

≥j œ ˙

w

≥j œ ˙

w

≥œ ˙ J ∑

π π

w

π ∑

∑

bœ J

œ

π

Œ

q = 72–86

b œ≤ b œ b >≥œ >≥œ .. p

œ

b ˙≤ . espr.

3

∑

∑

∑

∑

∑

∑

∑

b w≤

sul D

∑

∑

∑

∑

∑

∑

∑

∑

π

echo cello

#w

ƒ espr.

#œ #œ ˙

∑ Œ

Ó

˙.

F p sub.

ƒ

accel. ∑

∑

≥ n >œ >œ .. R

?

∑ P in background

w

b w≤ π

w F

∑ ∑

∑

w

∑

∑

∑

∑

∑

P sempre

˙ ∑

pizz.

∑

(arco)

#œ f #˙ F

˙

Œ

F

Ó ˙

Œ

B

9 Luminous micro-fanfares 53

&

∑

∑

1

&

∑

2

&

Ob.

q = 100

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

Picc.

∑ w F

Fl.

Cl.

1

˙.

π

˙ p echo cello

& Ó

Hn. 2

Œ

& Œ

˙. π

echo cello section

w w F

˙. ∑

1

&

∑

∑

2

&

∑

∑

&

∑

∑

Tbn.

?

∑

∑

Bass Tbn.

?

∑

∑

1

ã

∑

2

&

3

4

Œ

F

Œ

Œ ∑

molto rubato 3

‰ œœœ >>> ƒ

solo

œ

Mahler-like; vivid

>œ b œ b œ >˙ . 3

ƒ

∑

œ

ƒ

˙. F

∑

w

˙. F

Mahler-like; vivid

π

w p

>œ >œ >œ .

Œ

∑

ƒ

Mahler-like; vivid

∑

w F sempre

solo

∑

Ó

rubato; majestic solo

Ó

solo

p

∑ ˙

∑

∑

straight metal mute

∑

w f

∑

∑

∑

solo

f

w

∑

∑ Ó

˙

∑

Tpt.

Picc. Tpt.

‰ œj π

∑

˙. P

F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Perc.

Pno.

?

Ó

˙

&

Hp.

?

Solo Vc.

>≤ >≥ >≤ >≥ B ‰ œ œ œ ˙.

w

ƒ sempre

≤

&

œ

≥

˙.

Vn. 2

&

∑

Va.

B

∑

π

? w

Vc.

a

?

b

?

Cb.

˙.

Œ

3

Luminous micro-fanfares Vn. 1

it is intended that you get slightly covered by the trombone dynamic and then re-emerge in the following measure

f

π ∑

˙

π

Ó

∑

q = 100

Œ

‰

œ œ œ œ .. bœ R

brass fanfare-like

œ

ƒ with slight dynamic nuance 3

œ œ œ. bœ ‰ œ 3

œ.

œ

≤ ≤ œ œ œ ≈ œ œ œ ≈ œ ‰ J ‰ 3

≥ œ≤ ≈ œœœ œ ≈ œ J ‰ Œ

espr.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w≥ P

π

∑

10 60

∑

&

Picc.

1

& w

2

&

p

Fl.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

& w F

w f

Eng. Hn.

&

∑

1

&

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cl.

p ∑

Ó

w

œ

˙ π

Œ

Ó

2

&

∑

∑

&

∑

∑

2

&

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

Tbn.

?

∑

Bass Tbn.

?

∑

∑

1

ã

∑

2

&

3

4

Hn.

1

w

f

w F sempre

solo

p

w

p

senza sord. solo

∑

via sord.

solo

Tpt.

˙

w

&

p

p

w F

1

F

˙

solo

∑

w F

˙ p

espr.

f

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

>œ >œ >œ œ ˙

˙

rubato; majestic solo

Œ

ƒ

π

F

3

solo-tone mute

˙ F

˙ f

via sord.

p

∑

Ó

Perc.

Pno.

Hp.

Solo Vc.

?

B œ

œ œ

>œ œ œ œœœ œ ‰ 3

3

œ

≈ œœ

Œ

Vn. 1

&

∑

∑

Vn. 2

&

∑

∑

œ.

œ.

œ≤ n œ œ ≥œ œ # œ≤ ≈ R ‰ molto rubato

F

3

≥ w P

3

˙

f

sul D

π ∑

Œ

‰

≈

n ϲ

# >œ >œ # >˙ .

ƒ

F

3

espr.

∑

∑

∑

∑

>-≥˙

˙

∑ ≤ w π

B

∑

∑

∑

∑

∑

≤

ƒ

Ó

≤ ˙ π echo cello

sul A

w F espr.

echo cello

Va.

w

w≤

w

F espr.

π

echo cello

Vc.

?

∑

∑

∑

∑

∑

∑

∑

Cb.

?

∑

∑

∑

∑

∑

∑

∑

11 67

&

∑

∑

∑

1

&

∑

∑

∑

2

&

∑

∑

∑

Picc.

∑ #œ

Ó

ƒ sempre

Fl.

& w π

Ob.

w

w

ç

echo cello

∑ œ

w

∑

∑

∑

∑

∑ > œ œ œ œ >œ >œ œ œ œ œ œ . ≈ œJ . 3 3 ƒ sempre

&

∑

∑

∑

∑

&

∑

∑

∑

∑

solo

1

solo

2

Bn.

Cbn.

1

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

&

∑

∑

∑

Œ

&

∑

∑

∑

≈ œ œ œ œ œ.

œ ˙ œ #œ ƒ

Hn. 2

1

& Ó

>œ >œ .. R F

œ œ œ œ œ œ.

solo

Tpt.

ƒ

œ ˙

3

&

∑

&

∑

∑

Tbn.

?

∑

Bass Tbn.

?

1

2

∑

senza sord.

˙ > f

>˙

solo

f

solo

f

3

œ œ.

œ œœœœ

œ œ œ œ œ œ.

œ œ.

œ œœœœ

˙

3

3

3

∑

∑

∑

∑

ã

∑

2

&

3

&

>œ ˙

w

∑

Ó

œ.

ƒ ƒ

œ œ

ƒ

œ

>œ œ .

œ œœœ œ 3

Hp.

Solo Vc.

Vn. 1

‰ œ

Œ

ƒ

ƒ

3

‰

œ œœœ œ

˙

3

‰. Œ

# >œ œ œ œ œ œ .

>œ J ƒ

œ >œ >œ 3

>œ œ

˙

˙

˙

˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Glockenspiel

Œ

Ó

œ ƒ ∑

(Vib.)

Œ

∑

∑

∑

∑

œ

ƒ

Œ

Ó

œ ƒ

œœ f ã

Ó

Tubular Bells

&

Œ

‰

Ó

œœ

f

œœ f

Œ

‰

Œ

Œ

‰ # œœœ ƒ

‰ # œœœ ƒ ∑

Œ

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≤ w P

w

∑

∑

∑

≤ #w P

w

∑

∑

∑

?

B ≈

>œ≤ >≥œ œ .

˙≤

f

3

& w & w

Va.

B

Vc.

? Ó

ç

w P

ƒ

w

B

˙≤

π

w

w

∑

ƒ

espr.

echo cello

?

∑

∑

3

it is intended that the trumpet almost slightly cover you for a split second

ƒ

Vn. 2

Fn

Œ

ƒ

3

Œ

∑

n œœ f

# œœœ

3

∑

Ó

Œ œ æ

∑

œ ƒ

# œœœ ƒ

‰ œ æ 3 p

∑

Œ

3

Medium Sus. Cym.

∑

&

Œ

3

∑

&

ƒ

3

∑

>œ œ œ œ œ œ ‰ R f 3 ƒ

œ

˙

∑

espr.

Cb.

Œ

∑

Ped.

Pno.

Œ

3

∑

Ped.

ã

‰ #œ

∑

Perc.

4

w

# >œ œ œ œ œ œ .

3

∑

ƒ

w

ƒ sempre

œ

∑

Picc. Tpt.

œ f

Œ

3

˙

ƒ

ƒ

>œ ˙

ƒ sempre

∑

#œ œ œ.

>œ

f

# >œ œ œ œ œ œ . 3

&

solo

œ

solo

Eng. Hn.

Cl.

∑

∑

∑

∑

w≤

∑

ç ç

w

P

ç

∑

∑

∑

∑

∑

∑

12 73

&

∑

∑

∑

∑

Œ

1

&

∑

∑

∑

∑

Œ

2

& #w P

Picc.

Fl.

œ J

& w P

Ob.

w

Œ

Ó

∑

∑

∑

& w

∑

∑

&

2

Bn.

?

Cbn.

?

w

P

1

. & ˙ f

2

&

1

& ˙. f

2

∑

w

1

Tpt.

Ó

∑

&

Hn.

‰

ç

Œ

∑

Eng. Hn.

Cl.

œ J

‰ ç

& ˙. f

œ J

∑

ç

ç ç

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w

π ˙

π

∑

w

ƒ sempre

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Ó

∑

π

∑

˙.

π

∑

p

∑ Œ

w

∑

b ˙.

w f

∑

˙

∑

∑

‰ ç

w π

œ J p

‰

#w ƒ

w

p

&

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

Ó

∑

∑

∑

ã

∑

∑

∑

Sm. & Med. Triangles

Ó

∑

∑

∑

∑

∑

œ #œ Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

molto rubato

(Glock.)

1

∑

œ

3

bœ f

bœ

molto rubato

œ œ

F

œ

b n œœ J p

‰

œ J π

‰

3

molto rubato

Perc.

2

3

ã

(Med. Sus. Cym.)

&

w æ

(Vib.)

l.v.

F ∑

∑

Crotales

&

3

œ f

œ

#œ

bœ

molto rubato

‰

‰

Œ

Ó

∑

∑

(Ped.)

œ

F

#œ

#œ

œ

&

(Tub. Bells)

∑

‰

‰

Œ

Ó

∑

∑

(Ped.)

nœ

#œ

π

3

Ped. molto rubato

4

π

p

œ F

≈ # # œœ .. J π

œ P

Ped.

nœ

molto rubato

Pno.

&

?

∑

∑

∑

∑

∑

∑

∑

∑

#œ œ œ œ# œ œ

F

#œ

J

‰

3

p

∑

Ped.

nœ

molto rubato

Hp.

Solo Vc.

&

∑

?

∑

B

∑

∑

∑

∑

&

‰

≤ ≥ ≈ ≈ œr ˙ . >> ƒ

(DCsBlEfFGAs)

∑

∑

œ

ƒ

œ # b œœ

ss.

gli

3

∑

Ó

P

∑

≥ w

&

w

div.

Vn. 1

&

∑

∑

∑

Vn. 2

&

∑

∑

∑

Va.

B

∑

∑

∑

Vc.

B

∑

∑

∑

Cb.

?

∑

∑

∑

Œ

Œ

b ≥˙ . ƒ

œ J ∑

b ≥˙ . ƒ

p

‰

p

œ

F

∑

Œ

w

∑ ∑

unis., arco

˙

Ó

≥ bœ ƒ

?

˙. F

Œ

b ≥œ

ƒ sempre

w w

∑

≤ w π

ww≥

˙˙

F

ossia:

emerge from background

∑

p

≤ bœ

Df, Cn, Fs, Gs

∑

it is intended that the orchestra cover you and that you melt back into the background for a moment

≤ w

3

∑

#œ

≤ w π

emerge from background

p

w p

b w≥

unis.

π

≥ ˙.

ƒ sempre ˙

∑ w

w

w

f

˙

p

ƒ sempre

w b ˙˙

div.

∑

ww ∑

13 accel.

81

∑

&

Picc.

Majestic ∑

q = 112

Lyrical

∑

∑

∑

∑ solo

Ó

‰

b >œ .

∑

˙

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

2

&

∑

∑

∑

Picc. Tpt.

&

∑

∑

Tbn.

?

∑

Bass Tbn.

?

1

Fl.

Cl.

1

Ó

Œ

rubato; majestic; Mahler-like

>> ‰ ≈ œœ F

π

f

>w

œ

3

Hn.

π

Œ

Ó

∑

Ó

w

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Tpt.

Perc.

Pno.

Hp.

?

Solo Vc.

(DfCBlEfFsGsAs)

≥ w > ƒ espr.

& w

w f

majestic

accel. ˙

Vn. 1

&

Vn. 2

& ˙

Va.

B

F

˙

? ˙˙

Vc.

a

?

b

?

Cb.

˙

˙ F ˙ F ˙˙

F

Majestic w≥

π

w≥

π

≥ ww

∑

∑

∑

∑

solo

Œ

bœ bœ

π

#œ

˙.

œ (ossia:

q = 112

π

≥ w

Œ

ƒ

∑

∑

∑

∑

∑

Ó

Œ

∑

Œ

div.

≥ b ˙. f

pizz.

bœ ƒ

Œ

Ó

#œ

≤ ˙. F F

bw p Ó

∑

∑

n˙

b ϲ

π (div.)

w

≤ ˙ p

˙

p

w Ó

∑

Œ

#œ ‰ J Œ

∑

∑

∑

F

∑

ç π)

p

≤ ‰ bœ. π

Fn

nœ f

Œ

≤

Œ

∑

‰ b œJ Œ

˙

‰

Œ

b œ≤ . π

‰

3

≥

bœ œ. > ƒ espr.

Lyrical

≥˙

˙

w

w

w

w w

w w

≤ œ bœ. J

œ b ≥œ œ

‰

˙

Ó

œ.

P

∑

w P sempre

w

w

w

P sempre ≥˙ . ˙.

P

∑

≥œ . espr.

π

≥ w ∑

b ϲ J

p

w

w P

?

Dn, Bf, En, Fs, An

j ‰ Œ œ π

Ó ∑

π

Œ

∑ ∑ ∑

‰& ç

14 90

&

∑

∑

1

&

∑

∑

2

&

∑

∑

Picc.

∑

∑

˙ π

Ó

Fl.

w

∑

w F

∑

w p

w

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

& w π

Eng. Hn.

&

1

&

2

&

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≤ j bœ. bœ F

≥ ‰ ˙

∑

œ

∑

Œ

∑

w

Ó ∑

w

˙

F

Cl.

π

˙

œ J ‰ Œ π

Ó

w

w

π

w

p

π

Hn.

Tpt.

Perc.

Pno.

Hp.

Solo Vc.

?

≤ j œ bœ.

≤ ≥ & ‰ j œ bœ f

ƒ

lyrical

∑

Vn. 1

&

Vn. 2

& w

Va.

B

Vc.

œ

? Ó

∑ w

p

Œ

Ó ˙≤

unis.

π

echo cello

Cb.

?

≥ œ ‰ œj œ f F

∑

œ f

œ

≤ w π

sul D

˙ ∑

w

F

Œ

π ∑

Ó

F

∑

˙.

p

espr.

≥ ˙

≤ w π

˙

π

˙≤

π espr.

echo cello

∑

Œ

Œ

Ó

˙. P

Ó w

P ∑

f

˙ P

w

p

œ.

π

w

Œ

≤

gentle

bœ π

bœ.

≥ j œ

≥≥ ‰ bœ œ. œ. >> F f espr.

˙

≤ ˙ F

∑

∑

∑

∑

∑

∑

∑

w

p

w≥

∑

œ.

œ.

insistent

∑

w

w

≤ ≥ ‰ ≈ bœ bœ œ. œ

becoming more intense

π ∑

˙

P

≥˙

˙

π

∑

∑

∑

∑

∑

∑

Ó

ç

15 99

&

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

Œ

‰ œj ˙ p espr.

∑

∑

∑

∑

1

&

∑

Œ

‰

&

∑

Bn.

?

∑

Cbn.

?

∑

∑

∑

1

&

∑

∑

2

&

∑

1

&

2

Picc. Tpt.

Picc.

Fl.

Cl.

j œ ˙ p espr.

w

œ

w

˙

Œ

Ó ˙

˙ π

w

w F

echo cello

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ ˙ ‰ J p espr.

∑

π

Ó

∑

Œ

∑

∑ ∑

2

∑

π

w

œ

π

Œ

Ó

Hn.

Tpt.

Perc.

Pno.

Hp.

Solo Vc.

?

& Œ

≥3 j # -œ œ > F

œ.

‰

≤

parlando

≈

bœ œ

‰

≥ j œ ˙

˙.

p

espr.

Vn. 1

&

∑

∑

Vn. 2

&

∑

∑

Œ

≥ 3 ‰ ‰ ≈ r œ > ˙. P

∑ ≤

w π

œ

∑

w p

echo cello

F espr.

π

Œ

≥

œ p

≤0 œ

3

≥ ≤

œ œ .. >>

œ

œ.

F

espr.

∑

w

≥ œ

≤j #œ

P

˙.

∑

w

f

Œ

≥

œ

3

œ f majestic

∑

w

0

≤

œ

œ

≥ œ

ƒ

sempre

∑

w F

Va.

B

∑

∑

∑

∑

∑

∑

∑

∑

Vc.

?

∑

∑

∑

∑

∑

∑

∑

∑

Cb.

?

∑

∑

∑

∑

∑

∑

∑

∑

16

Incandescent q = 69 gradually slow down trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >˙ ( b œ ) w

rit. 107

∑

&

Picc.

1

∑

∑

&

∑

∑

Ó

∑

Ob.

&

∑

∑

& Ó

˙ π

w

echo cello

Eng. Hn.

1 Cl. 2

∑

& j & œ ‰ π

Œ

∑

Ó ∑

& ?

∑

∑

∑

Cbn.

?

∑

∑

∑

1

&

∑

∑

∑

2

&

∑

∑

∑

1

&

∑

∑

2

&

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

Tpt.

Ó

Œ

ƒ

>˙

Ó Ó

#œ

F œ

F solo >œ >œ œ ‰ ≈ ƒ

F

Ó

f f

f

Tbn.

?

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

&

∑

∑

∑

(Glock.)

Perc. 3

ƒ

Œ

Ó

Œ

Ó

œ .. Œ

Ó

∑

∑

∑

&

∑

∑

∑

(Crotales)

ã

∑

∑

∑

&

∑

∑

∑

Ó Ó

#˙ > f # >˙

˙

f

f

∑

œ œ

j œ f

‰

rubato 3

œ bœ f

b >œ

œ J ƒ 3

œ œ ƒ

ƒ

5

bœ

rubato

F

∑

œ.

?

Pno.

∑

∑

Ó

Œ

∑

∑

∑

Ó

Œ

œœ

&

Hp.

?

∑

∑

(ossia: make this dotted quarter G into a half note, and omit the following eighth rest)

Solo Vc.

& œ.

ϲ

‰

f

heroic

a

& Ó

Vn. 1

(sul G)

b

& Ó

ƒ ç

o

(sul G)

˙ π

w F

o

B

Vc.

?

Cb.

?

w≤

≤ ˙.

p

sub.

˙≤ .

p

sub.

∑ w

π

∑

˙≤ .

o

∑

&

Va.

o

gg b # œœ gg ƒ

Ó

(DCBflEFsGsA)

˙ f

rit. w F

echo cello

Vn. 2

˙

˙ π

echo cello

div.

>≥ ‰ œ œ.

∑

&

nœ

˙≤ .

p

w

ç

ç ç ç

Œ

‰ ‰ ‰

>≥ >≤ ≈œœ f >≥ >≤ ≈œœ 3

œ

œ

f >≥ >≤ ≈œœ 3

f

3

f

echo cello

œ

#œ ggg # œ gg gg gg gg F gg n œ gg b œœœ gg nœ

∑

≈ œ. J F œ

Œ

≥œ

ƒ ≥œ ƒ sub.

œ ‰ @J π F

f

Œ

?

ƒ

∑

∑

∑

∑

∑

∑

∑

œœ

F Π3

≈

œœ 3

≈

œ P œ Œ R p

œœœ œ 3

‰

Ó

œ œ

œ

œ J

π

Œ

F ∑

Ó

∑

∑

3

f

Ó

l.v. molto

#œ >

#œ

∑

˙

p

˙

p

π π

∑

P

≈

l.v. molto

œ

‰.

l.v. molto

l.v. molto

# ≥œ œ œ œ ≥œ

≥ # >œ ≤ #˙

3

∑

∑

≥ div. # >œ ˙≤ b˙

œ ..

∑

∑

œ ..

3

œœœœœœœ œ œ œ œ π f

in background

o ≈ œ œ œ

f

∑

Œ

∑

≥ # >œ œ RÔ

p

ƒ w

∑

∑

‰ ..

>w

l.v. molto

f

Œ

optional tacet

Ó

l.v. molto

π

∑

∑

5

Incandescent q = 69 ≥ ≥œ œ œ œ ≥œ # >œ # œ >≥œ ‰ .. RÔ 3 f ƒ ≥ œ > ƒ

Œ

l.v. molto

l.v. molto

Large Sus. Cym.

rubato

∑

p

Ó

p

∑

Ped.

∑

˙.

Large Triangle

3

∑

∑

∑

l.v. molto

very slow rubato roll

&

p

∑

5

œ5

rubato

Ped.

∑

Œ

p

∑

œ bœ œ #œ œ f ƒ

f

4

ã

p

p

w F

∑

∑

Ped.

Ó

# ˙. > ƒ

w

rubato

(Tub. Bells)

w

˙.

solo

œ #œ œ œ b >œ œ œ ≈ œ

Ó

∑

p

∑

∑

(Vib.)

w Œ

rubato 5

Ó

∑

∑

ƒ >˙ .

w

>˙

( ƒ)

B

ã

∑

‰

w

w

solo

3 Triangles

&

π

∑

# >œ >˙

solo

1

2

ƒ # >˙

B

3

œ

œ.

˙

>˙ .

Œ ƒ p Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # >˙ ( œ ) w w

Ó

∑

p

w

f

∑

∑

∑

w

ƒ

∑

Bn.

Hn.

# >˙

w

∑

gradually slow down trill

ƒ

Ó

w

F

P

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >˙ ( œ ) w w

Ó

∑

˙

ƒ

Fl. 2

˙

no trill

ƒ

#œ #œ

unis., arco

#˙ > ƒ

Œ

Ó

∑ Œ

Ó ∑

≥ # >w

Ó

f >w

Ó

∑

unis.

∑

div.

∑ Œ

∑

æ ƒ ≥ w>

& B

œ

ƒ >≥˙ . ˙.

ƒ ≥ b >˙ . ƒ

#w f

p p

Œ Œ

?

17 w

113

&

Picc.

1 Fl. 2

solo

& Ó &

Eng. Hn.

&

1

&

2

&

Cl.

Bn.

B

Cbn.

?

‰

>œ J π

3

n >œ .

∑

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ œ. π

# w-

˙ p

π

∑

Œ ‰

‰

∑

Ó

∑

&

∑

1

&

∑

∑

2

& Π&

Tbn.

B

Bass Tbn.

?

1

&

∑

ã

∑

3

& #œ F #œ & F

Ped.

4

p

Œ

f

j l.v. molto œ Ó f œ ‰ J Ó f ∑

œ

f

(Tub. Bells)

Œ

∑

œ f

ƒ poss.

ƒ

œ œ. ƒ

˙

π

>œ # >˙ ‰ ≈≈R 3

∑

œ

f

Ó

Œ

∑

∑

∑

∑

∑

∑

π π

Ó ∑

-˙ π

p

∑ π ?

‰

-œ . p

w

œ

&

? Ó

Hp.

f

?

Solo Vc.

‰

nœ J ƒ

∑

Ó

˙

w F

œ J

optional tacet on low Bf

∑

bw ƒ Ó

∑

∑

j Ó œ

∑

Ó

#œ œ œ ‰ f 3

Œ

Œ

œ π

echo cello

π

‰

∑

∑

Œ

p

f

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

gg œœ gg f

Œ

∑

∑

œ œ f

Œ

∑

∑

Œ

∑

∑

Œ

∑

∑

Ped.

‰

j Ó œ F

∑

‰

∑

f œ J Ped.

‰

j Ó œ ƒ ∑

∑

&

Œ

∑

∑

∑

f

∑

∑

∑

Ó

Gn

∑

∑

Ó

∑

Ó

∑

∑

Œ

(Ped.)

#œ

∑

∑

∑

gradually lift pedal

&

∑

∑

Ó

∑

œ

π

∑

∑

Ó

Ped.

Pno.

Œ

∑

Ó

w

∑ #œ. > ƒ

Ó

w

b ˙. f

‰

F

Ó

Œ

Ó

œ

∑

espr.

œ

œ

∑

ƒ sempre ∑

Œ

‰

w

w

p

accel.

∑

w

∑

∑

œ f œ

3

F

∑

‰

&

j œ

∑

∑

(Crot.)

2

w

∑

˙.

f

œ

f w

∑

˙

‰ ≈

œœ œ

f

w

2

Picc. Tpt.

3

p w

Œ

≈ # >œ

ç

f

F

w-

∑

œ J F

œ

j œ ˙

&

‰

œ œ #œ œ œ

∑

w

1

Tpt.

∑

w

gradually slow down trill

sub.

‰ ≈

ƒ poss.

3

˙

π

π

Ó

j ‰ œ œ > F ∑

Hn.

Perc.

œ œ bœ œ

#œ f

& Œ

Ob.

Poetic and ardent

˙

Cs

‰

f œ J

œ ∑

ƒ nœ

∑

j ‰ #œ Œ

j ‰ #œ Œ

very slow rubato roll

Ó

Œ

bœ Ó bœ

#œ œ œ

gg ggg ggg ggg ggg ggg

f

œ

Ped.

Cn

ƒ

gg n œ gg gg ƒ gg gg œ gg

Œ

∑

Œ

Ó

Œ

Ó

Œ

Bn

∑

Œ

‰

j œ ƒ espr. ‰ j œ

∑

solo

∑

∑ Œ

?

>˙ .

ƒ with slight dynamic nuances; majestic

Poetic and ardent

a

&

Vn. 1

œ.

w P sempre w

# ww

non trem.

b

&

a

&

Vn. 2

P div. ˙

b

&

a

&

b

&

Va.

a Vc.

P sempre œ.

?

P

# ˙.

?

a

?

b

?

Cb.

div.

œ J F

w P

w

P sempre w

˙ F

œ

P sempre w

P w

∑ ∑

w P

P sempre

˙

#w

div.

b

div.

p p

π

‰ ≈

P Œ Œ ˙ ˙

‰

ϲ J

˙

F œ≤ ˙ ‰ J F π π

œ œ #œ œ œ

F 3

œ

> ≈ #œ

ƒ ww

ç

‰ ≈

f

œœ ˙

œ

ƒ

f ˙˙

3

w

˙

w

˙.

w

w

w

œ

œ J œ J

Ó

Œ

Ó

Œ

≥ œ.

f œ. f

˙. > ƒ

˙. > ƒ

˙

w

˙

w w bw >

espr.

ƒ

>œ # >˙ ‰ ≈≈R 3

˙

ƒ sempre unis. œœ œ. p # -˙

f

π w

π

Œ

∑

∑

∑

w Ó ˙

F ˙ F

w F espr. j œ ‰ Œ π

Ó

ƒ ƒ

π

Ó

ƒ

˙

π

Ó

˙

# w-

J

Œ

accel.

˙

œ

Œ

Ó

Œ

Ó

˙≤

œ

Ó

Ó

˙

˙

π ˙

˙

˙

π π

ƒ

Ó

ƒ

˙≤

∑

18 119

&

Picc.

1

q = 100

&

rit.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Fl. 2

& w F

˙. P

π

Ob.

&

∑

Eng. Hn.

&

∑

∑

∑

1

&

∑

∑

∑

∑

∑

Cl.

Bass Cl.

&

Cl. 2 take Bass Cl.

∑

B

Bn.

∑

Œ

∑

?

w

Ó

œ

P

π

w

∑

w

echo cello

˙ w π echo cello

∑

∑

∑

∑

∑

∑

F

Ó

Œ

˙.

∑

œ

Ó

∑ Ó

1

&

∑

∑

∑

∑

∑

∑

Ó

Œ

2

&

∑

∑

∑

∑

∑

∑

Ó

Œ

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

Ó

Œ

&

∑

∑

Œ

Ó

∑

∑

∑

Ó

Œ

∑

∑

Œ

Ó

∑

∑

∑

˙

w P

π

-œ

Œ

∑

˙ π

Œ

f

?

Cbn.

œ > ƒ

p

∑ œ > ƒ

Hn.

œ > ƒ

Tpt.

Perc.

Pno.

Hp.

?

Solo Vc.

?

q = 100

≈

œ.

œ.

œ

≥œ œ ≤ œ≤ bœ œ œ ≈ R ‰ 3

˙

3

b >œ R f

œ œ

rhapsodic line

Œ

‰.

œ bœ

n -≥˙

ϲ

ƒ

3

œ J

‰

b ˙.

œ œ œ.

P

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

∑

Vn. 2

Va.

a

?

b

?

w

unis.

B

w≤

w

w

w

w

w

π echo cello

˙

P w

˙≤

π

echo cello

w ˙

f

P

f

P

w f

w P

w

w

˙

w P

w

w

˙

w

a

?

b

? Ó

≤ ˙ π

w

˙

π π π

œ > ƒ

Ped.

ç >œ

œ > ƒ

∑ ˙

rit.

Ó

ç

Ó

∑ Œ

˙.

w

π

Œ

(Vib.)

˙

∑

&

Cb.

Œ

œœ

œ ƒ

∑

Vn. 1

Vc.

œ

solo

Ó

≥

unis. 0

œ > ƒ

F

Ó

∑

Ó

Œ

Ó

∑

Ó

Œ

Œ

>≥œ

ƒ >≥œ

ƒ

sempre

Ó

∑

∑

Ó

∑

∑

19 Illuminated

126 >w

&

Picc.

ƒ

1

&

∑

2

&

∑

Fl.

Ob.

& Œ

Eng. Hn.

& w

Cl.

1

Bass Cl.

∑

&

∑

?

Cbn.

?

w

w

# >w

w

ƒ

Ó

> ‰ œJ ˙ ƒ

&

Bn.

q = 69

w

Ó

p

∑

& w

˙

1

& Œ

> ‰ œJ œ ƒ

&

∑

Tbn.

?

∑

Bass Tbn.

?

∑

Picc. Tpt.

1

2 Perc. 3

F

f

sub.

Ó

Œ ∑

Pno.

Hp.

a Vn. 1 b

a Vn. 2

w π π

˙

p

w f

Ó π

espr.

˙ > F

∑

∑

w

π

˙.

ƒ

Œ

∑

∑

F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w

ƒ

w

ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

(Crot.)

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ œJ Ó

#œ

∑

Œ

Ó

œ

(Tub. Bells)

œ P

ƒ w >œ

& Œ & Œ

a

B

j œ

∑

‰

j œ F

∑

∑

∑

∑

∑

Ó

‰ ∑

∑

j Œ œ f

pizz. inside piano

ƒ

‰ ‰ j Œ œ > 3

‰ œJ Œ

∑

Ó

Ó

∑

Ó

ã ‰ œ. æ π

Large Sus. Cymbal

œ ‰ Œ @J f

Ó

l.v.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

Ped.

‰ œJ Ó

#œ

Œ

∑

∑

∑

∑

Illuminated >w≥

ƒ

‰

Ped.

w>

b

q = 69

œ

‰

j œ >

w

w

∑

Ó

œ.

b

‰ œJ Œ

∑

Ó

a

?

b

?

a

?

∑

∑

b

?

∑

∑

œ J ‰ Œ π w

Ó

‰

w

œ≤ . π

( ƒ)

w

œ J ‰ Œ π ˙

F ˙

w

w

w

w

Ó

Œ

≥œ ˙ ‰ J ƒ

w

w

œ ˙ ‰ J ƒ ‰ œJ ˙ ƒ

œ

( ƒ)

Œ Œ

&

#œ

w

π

Ó

Ó

≥˙

œ

˙

œ

p

w

w

œ J ‰ π w

Œ

( ƒ)

˙

w

Df, Cf, Bf, Ef, Fn

∑

w

ƒ

>œ J

π

‰ Ó

∑

w

ƒ

B

w

∑

w

œ. w

Ó

‰ œj Ó

ƒ 3 ‰ ‰ n œj Œ nœ >

F

#w

∑

w

Œ

w

w ≥ ‰ œJ ˙ ƒ sempre ≥ ‰ œJ ˙ ƒ sempre

∑

∑

w

div.

Cb.

solo

∑

∑

∑

div.

Vc.

Ó

∑

∑

∑

F

∑

ƒ (div.) ≥ w>

Va.

‰ œj ˙ p

∑

w

∑

π

Œ

w

espr.

∑

∑

F

espr.

w

Ó π

Œ

π espr.

π

˙

∑

F

w

∑

œ.

‰

∑

π

π

˙.

w ∑

Ó

π espr.

w

∑

?

&

3 ‰ ‰ œj ˙ . > ƒ

π

∑

∑ ˙ ( f)

˙.

∑

w

w

∑ ˙

ƒ espr.

œ. f

∑

π

espr.

∑

∑

> ‰ -œ .

Œ

‰

∑

#w

∑

∑

&

&

ƒ espr.

˙

Ó

∑

∑

∑

?

Solo Vc.

# >-œ .

˙

∑

∑

Ó

& Œ

&

‰ œj ˙ > f

w

f espr.

∑

P

∑

j œ w > ƒ espr.

p

∑

Œ

& œ ƒ

?

F

π

∑

(Glock.)

& œ ƒ

&

‰

-œ

˙

Ó

(Ped.)

4

j

œ.

p

w

Œ

Ó

w

w

w

‰

∑

w

∑

Ó

p

# œ .. >œ # ˙

solo

∑

&

j œ >

∑

2

j œ w > ƒ espr. w

ƒ

p

p

w

œ. > ƒ

∑

w

˙

2

˙ > ƒ

Ó

& w

Tpt.

‰

w

1 Hn.

Œ

accel.

3

Œ j œ ˙. >

≥ ‰ œ. f

π ƒ

Œ

˙

˙. ˙

π

Œ π

Ó

F

# ˙≤ .

˙

π espr.

Ó

ç

w

ç

∑ ∑

Œ ç

∑

∑

∑

∑

Œ ç

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

∑ œ ‰ Œ J π

ƒ

espr.

w

ϲ .

‰

w

echo cello

sul tasto

π

P

w

π Œ

w

˙

accel.

#˙

˙

w

˙

P

œ.

‰

Ó

˙ π

Ó

π π

˙≤ .

∑

π

≤ ˙.

ord.

∑

Œ ç

20 Rhapsodic, vivacious, capricious 135

&

∑

∑

1

&

∑

2

&

Ob.

q = 108

q = 116

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

∑

∑

Bass Tbn.

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

>œ œ

∑

∑

∑

2

& Œ

Ó

∑

∑

# œ>œœ

∑

∑

∑

Ó

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Picc.

∑

∑ . ‰ b œJ Œ Ó f blend with pizz.

Fl.

Cl.

Bass Cl.

∑ ∑

‰ œ. Œ Ó J f blend with pizz.

∑

œ. ‰ J Œ Ó f blend with pizz.

∑

j ‰ b œ. Œ Ó f blend with pizz. œ. ‰ J Œ Ó f blend with pizz.

∑ ∑

Hn.

Tpt.

(Crot.)

œ f

Perc. (Vib.)

3

& Œ

œ

f

Sm. & Med. Triangles

ã

Ó

Œ

Ó

Œ

ƒ

ƒ

Claves

turn Vib. motor off

∑

∑

ã

Ped.

œ

Marimba

4

Pno.

& Œ

F

&

?

>œ œ

‰ >œ Œ Ó J f blend with pizz.

∑

Sm. & Med. Finger Cymbals

ã

Ó

Œ

∑

F

∑

∑

œœ. ‰ b œR ≈ Œ Ó F blend with pizz. r ‰ œ ≈Œ Œ b œ.

ord., on keyboard

&

∑ Œ

∑

?

Ped.

solo

Hp.

& Π?

please continue l.v. molto sempre for the entire concerto, unless otherwise notated

>œ œ>œ

ƒ

∑

Ó

bœ f

œ >œ ƒ

Œ

b >œ œ œ>œ œ œ b œ œ œœ œœ ‰ J bœ f ƒ f ƒ ∑

Ó ∑

(DfCfBflEfFGA)

b >œœ œœ b œœ .. œ œ ‰. R bœ ‰ bœ bœ F ƒ ƒ ∑

∑

Œ

∑

> > œœ œ b b œœ ‰ . b œR œ ‰ J f ƒ bouncy ∑

solo

Dn

∑ ∑

Playful and coy yet cantabile-at-the-core of each note. The short notes can be played slightly longer than notated at your will and discretion; I am trying to notate a bouncy, capricious inner-life to the solo line, but do not hear the shortest notes as overly dry or rough-sounding. Perhaps think parlando and scat?

molto rubato

Solo Vc.

&

∑

∑

Rhapsodic, vivacious, capricious Vn. 1

&

∑

Solo 1

Œ

∑

q = 108

>œ b œ >-œ œ œ ‰. R f bouncy f ƒ œ≈≈ œ

&

∑

∑

bœ b -œ . ‰ R ≈ ≈ œR ‰ ‰ ç ç P

b >œ R ‰ . œ ≈ œ ≈ ≈ œR ‰ ≈ b œr ‰ ç çç ç ß

w

parlando

bouncy

˙

broad and lyrical

Vn. 2

∑

?

˙≤

tutti (unis.)

F ∑

˙ espr.

unis.

˙≤

π

>œ R ‰. ç

zing!

œ ..

q = 116

Œ >œ R ç

∑

div., pizz.

∑

div., pizz.

zing!

B

∑

∑

∑

∑

∑

unis., pizz.

Va.

?

∑

∑

∑

∑

∑

unis., pizz.

Vc.

Cb.

?

∑

∑

∑

∑

∑

bouncy

>œ ‰ œ J f >œ ‰ œJ f b >œ ‰ J f b >œ ‰ J f

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

∑

∑

21 142

∑

&

Picc.

∑

r œ œ#œ œ > F 3

‰.

Ó

solo

#œ

œ.

espr.

œ J

˙

˙

œ

unison rhythm with soloist for these 2 notes

≈ œ

P

ƒ

1

&

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Bn.

?

∑

∑

∑

∑

∑

Cbn.

?

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

Picc. Tpt.

&

∑

∑

∑

∑

∑

Tbn.

?

∑

∑

∑

∑

∑

Bass Tbn.