Page 1

The Choral and Organ Music of John Joubert

Joubert at 90

CAT07920 Joubert at 90 Brochure v8.indd 2

2/08/2016 10:17


Op.177

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ďƒşď‚Şď‚Ş ď ˘ďƒ? ďƒşďƒşď‚Ş ď ˘ ďƒ?ďƒ? ďƒŽ ď ˘ ďƒşďƒ?

ď ˇ ďƒ? . ď ˇ Ĺ Ĺ ďƒ? Ĺ  Ĺ  bĹ Ĺ  Ĺ Ĺ . ďƒşďƒş Ĺ  . Ĺ  Ĺ  ďƒŽď ˇ  ďƒş Ĺ  . ď ˇ Ĺ . Ĺ  ď€Łďƒş Ĺ  ď ˇ Ĺ  ď ˇ p ď ˇ e Ĺ  Ĺ  Ĺ  bĹ ďƒ?ďƒ?Ĺ ď Ş.. ďƒ¤ ďƒŽ Ĺ Ĺ ďƒş. Ĺ  Ĺ  bV 68 Š Š ŠŠ..ďƒşď‚Ş Ĺ  ď Ş ď Š ďƒş ďƒş ďƒşďƒş ďƒşď‚Ş ďƒ?ďƒ? eď ˇĹ  Ĺ  Ĺ  . Ĺ  Ĺ  Ĺ  . ďƒ?ďƒ? ďƒ? ď‚Ş ďƒş ďƒş p e Ĺ  Ĺ  Ĺ  Ĺ  Ĺ  ď ˇĹ  . Ĺ .ď ˇď ˇ ď Ş ď Š ďƒ?ď‚Ş ďƒş ďƒ? ďƒ¤ ďƒŽ ďƒş Ĺ  ďƒşĹ  . ď Ş Ĺ . ď Šďƒ? ďƒş ď Ş ďƒşďƒş ďƒş ď ˘ ď Žďƒ?ďƒ? ďƒşďƒş ďƒşď‚Şď‚Ş ďƒş ď ˘ ďƒ?ďƒ? ďƒş ď‚Ş ďƒ?ďƒ? ďƒ?ďƒ? ď‚Şď‚Ş ďƒş . ď Š ďƒş  ďƒş ďƒşď‚Ş ď ˘ ďƒ? ďƒşďƒşď‚Şď‚Ş Ĺ  Ĺ ď ˘ ďƒ?ďƒ? Ĺ  ď ˇ Ĺ  Ĺ  Ĺ  Ĺ  ďƒ? ďƒ¤ ďƒŽ ďƒş ď ˘ ďƒşďƒ? Ĺ  ď ˘ďƒ? ď ˇ ď ˇ ď Šďƒ? MAS ď ˇ ď ˇď ˇ Ĺ . ďƒŽ bĹ  Ĺ  ďƒŽ ď ˘ďƒşďƒ? ď ˇ RIST ď ˇď ˇ H  ď€Łďƒş Ĺ  ď Žďƒ? Ĺ ď Ş Ĺ  C ď ˘ďƒş ďƒŽ ďƒş ď Žďƒ? ďƒ¤ T ďƒ? ďƒ? A ďƒş ďƒ? ďƒŽ ď€Łďƒş N ďƒ? ďƒ? ď‚Ş ďƒ? ďƒş W ď‚Ş . ď‚Ş Ĺ  O ď Š ď Š ďƒ?ďƒ? ďƒşďƒşď‚Şď‚Ş = Ĺ  ď ˇ==Ĺ Ĺ  Ĺ  ďƒşďƒşď‚Ş ED  ďƒ? bĹ  ďƒş ď‚Ş Ĺ  bŠďƒ?ďƒ?Ĺ  Ĺ ď ˇ Ĺ  5 Ĺ  CAM ďƒ? ď ˇ  5 ď ˇ ď ˇ . Ĺ . Ĺ  M Ĺ  ď ˇĹ  Ĺ  Ĺ  ď ˇ Ĺ  Ĺ  5 5 ď ˇ Ĺ . ď ˇ  B Ĺ . bĹ Ĺ . Ĺ  Ĺ  Ĺ  . Ĺ . M 5 5 5 Ĺ Ĺ .. Ĺ Ĺ  . Ĺ  Ĺ  bĹ bĹ . 5 5 5 M 5 5 4 5 5     5 5 5 Ĺ . 5 5 5  5 5 5 Ĺ  Ĺ  =Ĺ  Ĺ  Ĺ  5M 5 5 Ĺ  Ĺ     4 5 Ĺ   B Ĺ  M G Ĺ  Ĺ  Ĺ . 5 5 5 5 5 5  Ĺ Ĺ .. 4 5 M 5 5    5 5 5 5 Ĺ  Ĺ  =Ĺ  Ĺ  Ĺ  Ĺ  5 5 G Ĺ  Ĺ  5 5 5 i 5 = Ĺ  =Ĺ Ĺ  Ĺ  . = Ĺ  Ĺ   4     Ĺ  Ĺ  Ĺ Ĺ .. 2 Ĺ Ĺ . Ĺ e Ĺ Ĺ  . Ĺ  Ĺ  Ĺ  Ĺ .    VOICES

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ďƒş ďƒş

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2/08/2016 10:17


John Joubert

An Appreciation As a student at Birmingham University in 1968, I had my first encounter with John Joubert, then Reader in the Music Department. Although a full participant in the departmental work, seminars and tutorials, lecturing perhaps on unexpected subjects like nineteenth-century Italian opera or perhaps more appropriately, Marenzio and Gesualdo, generations of musical alumni will chiefly remember his Motet Choir sessions, distinct from the University Choir: Wednesday afternoons, not quite obligatory… just the BMus students knocking out some tolerably advanced choral works to an impressive standard: Copland, Hindemith, Gordon Crosse, Kenneth Leighton, Peter Dickinson, Malcolm Williamson, Richard Rodney Bennett, not to mention more standard repertoire. Once, when a rehearsal for Dixit Dominus overran into the lunch hour, John admonished us: “Who needs food when we have Handel?” Above all, though, we remember early runs through of John’s own choral pieces, possibly newly published or as yet unpublished. He told us “An occupational hazard of Motet Choir membership is the frequent performance of John Joubert”: Let there be light, The Beatitudes, How are my foes increased, O tristia secla… John was a fine orchestral conductor, too, certainly unconfined to choral works. I remember an intensely cultured, widely read opera-lover. He towered over us in intellect as well as stature; one of the girls remarked that, when he stood up at his desk, she thought he would go on growing forever. It was therefore my good fortune to arrive at Novello some eighteen years ago to discover that not only did the publishing house handle most of his output but that he was still creating with the same fluency as in the 1960s, still widely admired, even loved, not just as the resident Ossian of the West Midlands but way beyond. A composer whose professional composing career spans a remarkable seven decades, with an output of over 160 works across the whole range of genres, John Joubert continues to provide us with his recognisably intricate, lyrical and personal statements. Nowhere is this felt more than in his choral works. Though far from exclusively sacred, Eliot, Hopkins and Yeats figuring among the texts he has used, it is in his liturgical or more broadly Christian settings that he has reached the widest public: Torches!, There is no rose and O Lorde, the maker of al thing, heard around the world now for half a century. From such perfect miniatures to his recent larger-scale works, An English Requiem (2010), Northumbrian Triptych (settings of Bede, 2011) and the St Mark Passion (2015), every piece successfully combines direct spiritual statement with an almost Romantic immediate appeal: an exceptional voice still creating in the twenty-first century.

Howard Friend Managing Editor, Chester Music Limited, Novello & Company Limited

CAT07920 Joubert at 90 Brochure v8.indd 1

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John Joubert John Joubert was born in Cape Town in 1927. His father was a descendant of the French Protestant (Huguenot) settlers who were granted land at the Cape – then a Dutch colony – in 1688. His forebears on his mother’s side, who were Dutch, had become anglicised when the Cape became a British colony in 1815. Joubert’s upbringing and education were both English and, through his school, the Diocesan College Rondebosch, Anglican. He received his early musical education from his mother, a pianist and a pupil of Harriet Cohen. The Head of Music at his school, as a former assistant to Sir Ivor Atkins at Worcester Cathedral, had greatly developed its musical life to the extent that Joubert was able to have his early compositions performed by the College’s chapel choir and eventually to matriculate in music preparatory to his starting a degree course in 1945 at the South African College of Music. He had already been having composition lessons privately with a previous principal of the College, W.H. Bell, who had been a pupil of Frederick Corder at the Royal Academy of Music and a well-known English composer before his departure for South Africa in 1912. Some of Joubert’s early works were performed by the Cape Town Municipal Orchestra during his studies with Bell, culminating in the orchestral Threnody on Bell’s death in 1946. Later the same year, Joubert competed for and won a Performing Right Society Scholarship to the Royal Academy of Music which enabled him to have four years’ study in London, during which time his composition teachers were Theodore Holland, Howard Ferguson and Alan Bush. It also enabled him to hear some of the foremost conductors of the day, including Beecham, Furtwängler, Bruno Walter and Richard Strauss. While at the Academy he won several awards for composition, including the Lionel Tertis Prize (for a viola concerto), the Frederick Corder Prize (for a work for chorus and orchestra) and the Royal Philharmonic Society Prize (for a Symphonic Study for orchestra). During the final two years of his scholarship he composed a String Quartet and a Divertimento for Piano Duet which were subsequently published as his op.1 and op.2 respectively. At the same time, he was studying privately for a Durham University External BMus and graduated successfully in 1950, the year his scholarship at the Academy came to an end. The next twelve years were spent as Lecturer in Music at the University of Hull. Here, despite the demands of a new job and a growing family (Joubert was married in 1951 and his two children were born in 1954 and 1957) new works from his pen continued to appear, many of them the result of commissions. Some of his best known and most popular works date from this time, including the two carols Torches! and There is no rose of such virtue and the anthem O Lorde, the maker of al thing which won the Novello Anthem Composition Prize in 1952. Other works from this period include the Violin Concerto (York Festival, 1954),

CAT07920 Joubert at 90 Brochure v8.indd 2

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the First Symphony (released on CD by Lyrita) and the Piano Concerto (Hallé Orchestra, 1957). His first full-length opera, Silas Marner, received its world premiere in Cape Town in 1961 and its European premiere in London later the same year. Among the smaller-scale works of the ’50s and early ’60s are an Octet, a String Trio and a one-movement Piano Sonata. In 1962, Joubert was appointed to a Lectureship in Music at the University of Birmingham. He was subsequently promoted to a Senior Lectureship and then to a Readership. As at Hull, new works continued to appear at regular intervals including three more String Quartets, two more Piano Sonatas, several song-cycles and a considerable amount of church music (including two settings of the Anglican Evening Canticles and two of the Latin Mass). Larger-scale projects are represented by the Second Symphony (Royal Philharmonic Society), two more three-act operas (Under Western Eyes, premiered in 1968, and Jane Eyre) and a succession of works for chorus and orchestra. The full-length oratorio Wings of Faith received its premiere in 2007 as part of the ‘Joubertiade’, a nation-wide celebration of the composer’s 80th birthday. An English Requiem for soloists, chorus and orchestra was the centrepiece of Joubert’s time as Composer in Residence at the 2010 Three Choirs Festival. Joubert was featured composer at the new music wells 73-13 festival in June 2013 which included a new mass setting and anthem for the choir of Wells Cathedral. His new St Mark Passion received its first performance at Wells on 20 March 2016 -- his 89th birthday. In 1979, Joubert was appointed to a Visiting Professorship at the University of Otago, New Zealand. Further academic honours include Honorary Doctorates from Durham University (1991) and the University of Birmingham (2007). Joubert was made a Fellow of the Royal Academy of Music in 1957 and awarded an Honorary Fellowship of Birmingham Conservatoire in 2014. He continues to live and work in Birmingham. Top: With John McCabe, Presteigne Festival, August 2013. Below: Cheltenham Music Festival, 1953: (from left) William Alwyn, Iain Hamilton, Arthur Benjamin, JJ, Peter Racine Fricker, Phyllis Tate, William Wordsworth. Bottom right: John and his wife Mary working on a production at Hull University in the 1950s.

CAT07920 Joubert at 90 Brochure v8.indd 3

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Works for Upper Voices and Piano or Organ Accompaniment

The God Pan Op.18 (1955) SSA/Piano John Fletcher NOV510613

I will lift up mine eyes unto the hills Op.63 (1969) SSAA/Piano Psalm 121 NOV290434

All wisdom cometh from the Lord Op.62 (1969)

In the bleak mid-winter Op.177 (2013)

SA/Organ Ecclesiasticus 1:1-5, 8-10 NOV290345

SA/Organ Christina Rossetti

Autumn Rain Op.105 (1985)

NOV294129

SSAA/Piano D.H. Lawrence

Universal Nature Op.133 (Rochester Triptych No.2) (1991)

NOV950468

SA/Organ John Wilmot, 2nd Earl of Rochester NOV290676 ber 1985, y, Septem Centenar ts. Lawrence nds Ar the D. H. by East Midla mus for ed nta vid Ca pro ds JOHN oned by aid of fun Commissi with the

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in

in

in fall-ing seed s of

3

and wet fall black

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cresc.

3

4

ssetti Christina Ro ) (1830-1894 Moderato

2 11

fall-ing seeds of rain,

fall-ing seeds of rain,

of

ALTO

rain,

in fall-ing seed s of

in

sheaves

in

rain,

in fall-ing seed s of

p

      

Organ 14

f

he

fields set a-ven’s

drawn

d are droop an

   

the bleak mid

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rain,

set ’s fields

d are droop an

drawn

f

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any Lim

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rain;

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p



rain,

3

3

hea-ven

© Copyr

p

in rain, mf

f

3

8

mf

rain,

3







             

cresc.

rt John Joube Op.177





   

L.H.

lawn;

INTER

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IN THE BL

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2/08/2016 10:18




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on snow,

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fal







on snow,

 









 



  

 



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snow

on snow,





  

 

snow









 

  



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2/08/2016 10:18


Commissioned by Music Sales to commemorate the 400th anniversary of Shakespeare’s death.

Be not afeard John Joubert (b.1927) Op. 179

The Tempest III:ii Shakespeare

    

Poco Lento

SOLO SOPRANO

SOPRANO



    



    

ALTO









p

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BASS

    

Be not a - feard:



p            Be not a - feard: p          

PIANO ( for rehearsal only)



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ah

    

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p

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    hurt

CAT07920 Joubert at 90 Brochure v8.indd 6

       



not.



not.

 not.

    2/08/2016    10:18       


Works for Unaccompanied Mixed Voices Antiphon Op.182 (2016)

Five Songs of Incarnation Op.163 (2007) Of a Rose, a lovely Rose Make we joy now in this feast I sing of a Maiden Let us gather hand in hand When Christ was born of Mary Tenor/SATB

SATB

NOV020790

NOV296560

Be not afeard Op.179 (2015) Soprano/SATB William Shakespeare The Tempest NOV165748

The Beatitudes Op.47 (1964)

Four Motets Op.89 (Edington Festival – 1976)

Introit* (Ecclesiasticus 15.5/Psalm 92:1) Gradual (Psalm 89:21) Offertory (Psalm 37:31-32) Communion (Psalm 92:11) SATB Divisi

Soprano/Tenor/SATB Matthew 5:3 -12

Oxford University Press/ Banks Music Publications (9278)

NOV290421

*Introit – ‘In medio Ecclesiae’ also appears in the collection ‘Cantica Nova’ (Oxford University Press)

The Christ-child lay Op.136a (1996)

Four Stations on the Road to Freedom Op.73 (1972)

SATB G.K. Chesterton NOV290687

SSAATTBB Dietrich Bonhoeffer trans. Frank Clarke

Coverdale’s Carol Op.75 (1972)

NOV200160

SATB Miles Coverdale

Here we come a-wassailing (1964)

NOV290185

SATB NOV050020-01

A Hymne to God the Father Op.114 (1987)

2 9

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       p 

     p  

Sounds



mf

    

Sounds

ah



and sw eet

12

and sw eet

             

f            

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ah



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that give

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airs,



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de - light

    



NOV290644  

de - light

    

   

SATB John Donne

 

    

airs, mf

  

ah



ah

mf

     Sounds and sw  eet airs,     p     mf     Sounds and sw eet   p airs,           mf

                

hurt

       

Hymn to the Virgin (Three Carols Op.102 No.1) (1984) 2 Sopranos/SATB NOV290591-01

I sing of a Maiden (Five Songs of Incarnation Op.163) (2007) Tenor/SATB NOV020790-03

 



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Incantation Op.22 (1956) Soprano/SATB W.B. Yeats NOV165605

A little child there is yborn Op.48 (1965)

Introit – Lord, in the strength of grace Op.115 (1981/2011)

SATB Soli/SATB 15th Century anon.

SATB Charles Wesley

Oxford University Press/ Banks Music Publications (X156)

NOV060148

Joy in the Morning Op.136b (1996) SATB Kenneth Grahame NOV290688

Let there be light Op.56 (1968) SATB Saint Augustine of Hippo

Lines from ‘The Youth of Man’ Op.90 (1977) SATB Matthew Arnold NOV160179

Locus iste Op.175 (2013) SATB Divisi

NOV290433

NOV293788

Libera Plebem Op.19 (Pro Pace Motet No.1) (1955)

Love came down at Christmas Op.176 (2013)

SAATBB Sedulius Scottus

SATB Christina Rossetti

NOV290422

NOV294140

CAT07920 Joubert at 90 Brochure v8.indd 8

2/08/2016 10:18


Missa Wellensis Op.174 (2013)

Preces and Responses Op.168 (2010)

SATB NOV293700

SATB

O tristia secla priora Op.32 (Pro Pace Motet No.2) (1959)

NOV060082

SATB Eugenius Vulgarius

Libera plebem Op.19 (1955) O tristia secla priora Op.32 (1959) Solus ad victimam Op.29 (1959)

Pro Pace Motets

NOV290429

SSAATTBB

Pilgrimage Song Op.169 (2010)

NOV030142

Baritone/SATB Stephen Tunnicliffe

Rorate Coeli Op.107 (1985)

NOV060093

SATB Liber Usualis NOV290619

ssetti Christina Ro zza ) – con tenere (1830–1894 Poco lento

M 1     5 G

SOPRANO

5 5

  4 5 G   

5 5 5

5 5

5

5

came down

love

mas,

-

NOV160172

at

5 5

4 5

Soprano/Tenor/SATB Sir Thomas Browne, Julian of Norwich

5

came down

love

, Christ - mas

at

e down Love cam p

t John Jouber Op.176

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5M

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5M

5

5

5 

p

Sleep Canticle Op.81 (1974)

MAS

T CHRIST

E DOWN A

LOVE CAM

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5 p  5 5M at down    5M 5 5 love came  ,  mas G Christ at e down 5 5 5 i 5 Love cam 4 5 p 5 5 5 5 5 5 5 5 came down love    4 - mas, at Christ 2 

ALTO

TENOR

BASS

came down

Love

Piano (rehearsal only)

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   5M G    4

1    5M G

55

5M

5

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at

5 5 5

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Christ

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2013

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all love - ly,

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e - le - i - so n, e le - i - son, e - le mf e - le - i - so n, e le - i - son, e - le

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all love - ly,

4

all love - ly,

mf e - le - i - so n, e le - i - son, e - le mf

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5 5 5 5

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5 5 5 5

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all love - ly, cresc.

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5 5

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4

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55

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  5 B G    5M mas, i Christ -

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2

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mas,

-

cresc.

4

55

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love

all love - ly,

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5 5 5 4 

cresc.

mas,

-

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5M

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5 5

5

Christ

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5

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4

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Ky p cresc.

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pany Ltd. Novello & Com

10 S.

mf cresc.

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Ky

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e - le

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Ky mf cresc. -

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e - le

i - son,

B.

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mf cresc.

e - le

CAT07920 Joubert at 90 Brochure v8.indd 9

i - son,

-

mf cresc. -

i - so n,

Ky

ri - e

-

ri - e

e - le

i - son,

-

e - le

i - son,

i - son,

-

i-

2/08/2016 10:18


Solus ad victimam Op.29 (Pro Pace Motet No.3) (1958) SSATBB Peter Abelard NOV030142-03

ng

Pilgrimage So Poco lento

    

SOPRANO

SATB Algernon Charles Swinburne NOV950466

Sweet Content Op.40 (1962) SATB Thomas Dekker

TENOR

BASS

    

Piano ((for only) rehearsal only

SATB NOV290171

B.

ah

   ah  

ah

  

 S.   with  s        mf  its ton  A.  

 

 

mf

  

      mf

 

with its tons

of

stone

    

    



  

più f

 

 

 

     

Three Carols Op.102 (1984)

      

 3    

hewn

   

 3    

stone sto n - i - ly



 

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3

     

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ah

hewn

   

ah

  

ah

  

  

 

 

più f

 

    



ah

   

ah

più f

ah

 

   

ah

  ah

 

ah

 

stone sto n - i - ly più f

ah

ah

         

   

ted

ah

- der - ous  seen  pon 

-

     of sto ne

 

  

ah

  

3

          

down

   

     

ah

    

ah

pany Limi Novello & Com

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Pno.

 

ah

ah

7

mf 

  

s him

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 

  

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the thatfarpin -

    

    



  down

ah

ah

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that pin s him

   

 

  mf          

B.

    

to         mf     

B.

 

  

 

pile

Pno.

  

Pno.

 

                 slope                        ah mf

T.

 

ah

the stren - uous

            ah  ah ah  

      

A.

This is the gate of the Lord Op.164 (2007) NOV720016



 

    

T.

slope

© 2010 by

SATB Psalm 118

   

    

S.

NOV160160

There is no rose of such virtue Op.14 (1954)

  



climb

 

 

pile

        

 

We

ah

 A.   

p

5       S.    ah ah

the stren - uous

ah

p

climb

 

ah

ah

2

mf

3

 

We

           

p

          

p

     

ALTO

  

SOLO BARITONE

ah

Sonnet Op.123 (1989)

John Joubert Op. 169

nicliffe

Stephen Tun

    

     

Hymn to the Virgin Be mery Lullay SATB NOV290591

Three Portraits Op.97 (1983) SATB John Skelton NOV160183

on the n Wilkinson For Stephe

e

Swinburn

Adagio:

4 4

Soprano

non tropp

ction de and affe y in gratitu 70th birthda

T SONNE

o lento q

= 63

cresc. poc

p

heart of

O

hearts,

SATB

Tenor

Whitsun Carol – Come, holy ghost, who ever one Op.115b (1987) SATB St Ambrose trans. J.H. Newman

heart of

Bass

cresc. poc

Piano (for only) rehearsal

Adagio:

non troppo

and first alto

first bass

parts may

with Hid round

cresc.

e's fire, ice of lov o poco a poc

the

chal

ice

lento q =

4 4 The

o a poco

hearts, p

of hearts, O heart

4 4

be taken

by second

sopranos

nd tenors

and seco

if respectively

preferred.

and all

f

the boun

and all and all

S.

the boun

flowers

f

all

the boun

and all

ty,

ers with flow Hid round f

and all flowers

the boun

CAT07920 Joubert at 90 Brochure v8.indd 10

ty,

the boun

ty,

ty,

f

and

B.

n the bou

and all and all

T.

the

ty,

ty,

and

A.

fire, of love's

63

7

NOV951115

fire, of love's

chal

l the cha O

o a poco ice

4 4

NOV401375

cresc. poc

the

p

Welcome Yule Op.27 (1956)

with Hid round e's fire, ice of lov

p of hearts, O heart

4 4

bert John Jou Op.123

o a poco

l the cha

4 4

Alto

of his occasion

all

the boun

ty

and all

n the bou

ers with flow Hid round

2/08/2016 10:18

ty,

the


2 p

13

S. boun

ty

of

bloom;

p A. and all the

boun

ty

of

bloom;

p

SOLO p

T.  

boun

of

bloom;

O

won

der ful and per fect

B.

h

 

ty

p

  

and all the

boun

ty

of

bloom;

O heart of

hearts,

  

19

SOLO mf

S. O

rt hn Joube Op.123

A.

with Hid round

re,

T. with Hid round

heart,

for whom the ly

rist

li

ber ty

made

life

a

lyre;

s fire,

B. O per fect

and all

d all

n the bou

heart,

The lyr

ist

lib

er ty

made life

a

the

ty,

and all

the

ty,

and all

n the bou

ty,

CAT07920 Joubert at 90 Brochure v8.indd 11

2/08/2016 10:18


For the beauty of the earth Hymn-anthem on the tune ‘Moseley’

F.S. Pierpoint

John Joubert

p

p

Flowing, but not too fast V.1 SA UNISON V.3 TB UNISON

V b 68

VOICES

ORGAN or PIANO

{

V b 68 Š Š Š ŠŠ.. p B b 68 ŠŠ. Še ŠŠ . Š Š

Š Š Š ŠŠ.. ŠŠ. Še ŠŠ . Š Š

V b Š Š Š Š Š Š Š Š Š Š.

5

For the beau - ty Bro - ther, sis - ter,

{

V b =Š Š B b ŠŠ.

of the skies, par - ent, child,

ŠŠŠŠ ŠŠ Še ŠŠ . Š Š ŠŠ..

1. For the beau -ty 3. For the joy of

.Š Š Š Š Š Š p . ŠŠ. Še ŠŠ . Š Š

of the earth, hu - man love,

Š Š bŠŠ ŠŠ.. bŠ.Š . ŠŠ . Š Š

bŠ Š Š Š Š Š Š Š Š Š . For the love that Friends on earth, and

from our birth friends a - bove,

Š Š.Š . bŠŠ Š b Š Š Š Š = Š =ŠŠ Š Š . ŠŠ . Š Š bŠŠ.. bŠŠ. Š Š Š.Š Š Š Š . Š. 2

V b Š Š Š Š Š Š Š Š Š Š.

9

O - ver and a - round us lies: Plea - sures pure and un - de - filed:

{

. Šp Š Š Š Š Š Š Š Š Š.

V b Š Š Š Š Š bŠŠ B b Š.Š . bŠ.Š Š Š

Š Š Š Š Š Š =Š Š Š Š.

Lord

of

all,

to

thee

13

Vb Š Š mf Bb #Š Š

This

{

we raise

Š # = Š =ŠŠ Š . = Š Š Š Š Š Š = Š Š Š Š.Š . ŠŠ. Š Š ŠŠ. Še ŠŠ . Š Š ŠŠ..

© Copyright 2001 Novello & Company Limited

V b mfŠ

SATB UNISON

Š.Š .

U

�V b mf Š Š 17

S. A.

Š Š ŠbŠ

U

2. For 4. For

f

th eac

�Bb ŠŠ Š ŠŠ mf f V b r. Bb mf Š. Š

T. B.

{

�V b Š Š Š. fŠ Š Š 2/08/2016 B10:18 bŠ Š Š Š Š 20

of free

CAT07920 Joubert at 90 Brochure v8.indd 12

-

the ly

nigh giv’n,


Works for Mixed Voices and Piano or Organ Accompaniment All and some (Nowell sing we) Op.58 (1968) SATB/Organ

NOV296527

For the beauty of the earth – Hymn Tune ‘Moseley’ (1965)

For the beauty of the earth – Hymn-Anthem on ‘Moseley’ (2001)

NOV020746

SATB/Organ or Piano F.S. Pierpoint

Behold the Tabernacle Op.70 (1974)

NOV296505

Give us the wings of faith – Hymn Tune ‘Edgbaston’ (1993)

NOV860040

SATB with Descant/Organ Isaac Watts

Blest Glorious Man Op.126 (Rochester Triptych No.3) (1991)

NOV290682

SATB/Organ John Wilmot, 2nd Earl of Rochester

SATB/Organ The Alternative Service Book

V b mfŠ Š Š Š Š Š Š Š V b Š Š =ŠŠ Š Š Š Š mf Bb # Š Š # Š =Š Š Š. U our grate - ful

Š Š ‰.p Še t t r . ŠŠ Š Š Š Š Š . Š Š Š Š. p Š. Š.Š Še ŠŠ Š Š . Š.Š Še ŠŠ. Š Š

hymn

U

of

God rest you merry gentlemen (1963)

S. A.

beau ty per fect

of gift

17

SATB/Organ NOV290423

praise.

�V b mf Š Š ŠŠ Š Š ŠŠ Š Š Š Š. bŠf Š Š Š Š Š f f Š Š Š ŠŠ fŠ f B Š Š Š Š b � Š Š Š Š ŠŠ bŠŠ Š Š Š mf f f fŠ Š . Š Š ŠŠ Š ŠŠ ŠŠ Š ŠŠ V b r. ŠŠ.. ŠŠ ŠŠ Š Š Š Š bŠŠ ŠŠ . f ŠŠ.. f Bb mf r Š. Š. bŠ Še Š. Š. Š. �V b Š Š Š. fŠ Š Š Š bŠŠ Š bŠŠ Š Š Š f f Š Š fŠ ŠŠ. Š Š Š Š CAT07920 Joubert at 90 Brochure v8.indd 13 Bb Š Š Š Š Š 17

Glory and honour Op.106 (1985) NOV290589

13

the each

Unison Voices/SATB/Organ

NOV290425

2

T. B.

Communion Service in D Op.46 (1964)

And thou, child, shalt be called Op.158 (2006)

NOV290661

2. For 4. For

NOV281417

SATB/Organ F.S. Pierpont

SATB/Organ Sarum Antiphon

{

SATB/Organ I Corinthians 15:20

NOV950332

SATB/Organ St Luke 1:76-79

This

Christ is risen Op.36 (1960)

each ho ur of thine

Of To

the our

{

day race

and so

Great Lord of Lords Op.16 (1954) SATB/Organ Anon. NOV290424

The Holy Mountain Op.44 (1963) SATB/2 Pianos (or Piano Duet) Isaiah 11:1-9 Vocal Score – NOV950467 Piano Duet Part – NOV950467-01

20

of free

-

the ly

night, giv’n,

Hill Gra

-

and ces

vale hu -

and man

tree and

and

flow’r,

2/08/2016 10:18


How are my foes increased, Lord! Op.61 (1970) SATB/Organ George Herbert NOV860029

An Hymne of the Nativity Op.146 (1987) Countertenor or Alto/Baritone/SATB/Organ Richard Crashaw NOV290713

Leaves of Life Op.41 (1962) Soloists/SATB/Piano NOV070181

Let me rejoice Op.94 (1980) SATB/Organ Isaiah 61:10-11

Lord, make me an instrument of thy peace Op.84 (1976) Soprano/SSAATTBB/Organ St Francis of Assisi Oxford University Press/ Banks Music Publications (A319)

Lord, thou hast been our refuge Op.53 (1967) SATB/Organ Psalm 90:1-7, 9, 13, 17 NOV860001

Magnificat and Nunc Dimittis in A Op.57 (1968)

Addington Press/Royal School of Church Music (RAP209)

SATB/Organ

Let this mind be in you Op.34 SATB/Organ Philippians 2:5-11

Magnificat and Nunc Dimittis in C Op.103 (1984)

Originally intended as an anthem, it became the final chorus for Urbs beata Op.42

NOV290584

CAT07920 Joubert at 90 Brochure v8.indd 14

NOV950416

SATB/Organ

2/08/2016 10:18


Missa Beata Ioannis Op.37 (1961) SATB/Organ NOV070182

O Lorde, the maker of al thing Op.7b (1952) SATB/Organ Attributed to King Henry VIII

Northumbrian Triptych – Three Settings of Bede Op.170 (2010)

NOV290250

O praise God in his holiness Op.52 (1967)

Tenor/SATB/Organ The Venerable Bede

SATB/Organ Psalm 150

NOV293106

NOV401499

O Lord our Lord Op.45 (1963) SATB/Organ Psalm 8

O search me, God Op.127 (1991) SATB/Organ Psalm 138 (Grail Translation)

NOV290427

NOV959387

YCH N TRIPT UMBRIA NORTH ee Settings of Bede Thr Bede

A History

ople (731)

I Introit

ď‚Ą ď ˘ď ˘  

to

Poco len

O

ALTO

ert John Joub 0 Op.17

SATB/Organ Psalm 148 NOV290668

ch and Pe

glish Chur

of the En

SOPRAN

Praise the Lord from the heavens Op.128 (1991)

ď ˘ď€´ ď€Śď ˘ 

ď ˘ď€´ ď€Śď ˘  ďƒœ

ďƒ? ďƒ? ďƒ? ďƒ? ďƒ¤ ďƒ?ď Š ďƒ? ďƒ¤ ďƒ?ď Š Je

ďƒ?

p



u, I pray yo 2

no - ble



su,

u have

that as Yo

4 3 1  5 35 5 5 5 5 5 5 ďƒ? 5Mďƒ? 5ďƒ?5 5 5 5 5 5 G ď Ş ďƒ? ďƒ? oy joy ďƒ? ďƒ? -ďƒ?ly grantďƒ? ed me ďƒ¤ ď Ş u have that as Yo ďƒ¤ ďƒ? ďƒ? ďƒ? ďƒ? gra - cious - su, no 5- ble35 Je5 !5 5 u, M  yo M y B 5 5 5 I pra G ed me gra - cious - ly grant ďƒ? ďƒ?3 ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? 3ďƒ? ďƒ? p 55MM 5 hav ďƒ? ďƒ? ďƒ?Gďƒ¤ ď Š5 5 5 5 5 5 5 !5 t as 5 e 5 5 5 5 5 You tha ďƒ¤ ď Š oy joy - su, ed me i gra - ble- ly Jegrant no - cious

p



-

3 ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?

5 5 55 5

5M 5 5

joy

ful - ly,

-

5M 5 5 5 5 55 5 oy joy

5M 105 5 1  G ful -ly,

-

ful - ly

5 5 55 5 -

0 55MM 5 5 3 3 0 mf 5 5  5 5p 5  5 5 5 5 !5 5 ďƒ? 55Mďƒ?M 5ďƒ?3 BBMM ďƒ? G =  = 3 ďƒ?  3 2 ful - ly 5 5 5 5 53 5 3 ďƒ?oy joy ďƒ? ed me 5 - 5 5 5 5 5 55 5 gra ďƒ?- ly grant ďƒ?- cious ďƒ?  5 p M ďƒ? So 5 Yo ďƒ? 5 u ďƒ? will al So 5 55 e ďƒ¤ ď Š 5 BM - so of 5 ll 5al - so5of Your 5 55 5su, 5 5 tha5t as Yo5u hav5 5 5 5 5 5  5 Yo5u wi Your ďƒ¤ ď Š   5  boun 5 = 4 G 5 5 ? 5  ď ˘ď ˘  5 5 5 ty G u, 5 no - ble !5Je 0 BASS  I pray yo i 5 55 0 mf 5 5 5 5 5 !5 5 5 5 5 5 5 5 5  p5 5 5 5 =  2  5= 5 55 5 5 53 3 ďƒ? ďƒ?ďƒ?  5  5 5 5 5 53 5 3 5 5 5 5 5 M ďƒ¤ ďƒ?ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? 55 5 ďƒ? to 5 So You wi BM len co So  Po 8' You will ll0al - so ďƒşď€Ž 5 al - so of Your 5 = 4 B  4 of Yo 5 boun ď ˘  ďƒŽ ďƒ?ďƒşď€Ž ďƒ? ďƒ? ďƒşď€Ž !5 5 ur ty ďƒ?  = 4 ? ď€Śď ˘  G  4 ďƒ? ďƒ?ďƒ? ďƒ? 3 p 5 5 5 ďƒ? 3 p f 7 555 3 5 5 5 ďƒ? 5  = ďƒŽ M 5 ďƒş 5 5 5 3 B 5 5 5 5 5 55 ďƒş ďƒşď€Ž 1  5 5 5 5 5 Organ  B 555 4  5 5 5 G 5 5 5 3 the wordsof Your know - ledge, 5  ď ˘ď ˘  ďƒŽ b m - bibe to im - ful - ly p '5 mf 5 5 3

5  = f 5 5 5 5  5 5 5  5 B 5 5 5 5 5 5  5'' 5 5 5 5 G  5 5 5 5 the words of Your know - ledge, bibe m-b to im ful - ly oy joy  p BB  ď ˘ď ˘  5M 3

5 f = =  5 5 5 M 5 M Pedals 5 5 5 13 . ' 5 5 B 5 5 5 5 5  B 1  Ltd ' G any & Comp   5ofM Your Gwords Novello - ledge, i 5 BMknow the ight 2011 b m - bibe to im Š Copyr f p - ful - ly

3 =  5= 5 5 5 boun f 5M 5 5 5 5 5 5 - ty 5 M 55 5 5 5 5 5 5 5 5 5   5 5 B 5 5 gra nt me to 2 Gthewords of Your know - ledge, 5 5 5 = 5 come at bibe m-b to im 0 length f ful - ly oy joy 5 5 5 to Your = 5 5 5 5M - self, to Your 5 5  4 - self, 5 55 BB = 5 5 = 5 5 5 5  5  = 5 5 5 5  G  M5 5 BM 5 55  5 5 = G 5 grant me to come at  5 5 5 p length f i to Your 5 f 5 = 5 5 5 5 - self, 55 55 boun 5 ty B to 5 Your - sel M 55 5 = 5 5 55 B ? f, 5 5  5 5 5 5  = grant me 5 5 5 = 5 to come 2  at length f5 0 8' 5 5 5M 5 5 5 5 to Your ' =  - self, 0 5  0 ' to Your 5 5 - self, 5 5 5 5 grant me to come = 5 5 5 G  5 5 5 5 5 5 5 5 at length 5555 to Your - self, 5 3 5 4 5 to Your 3 - self, 3 55 3 5 5 5  f 5  ' 5 5 = 4 5 5 5 5 5 5 5  5 5 5   B 5 B = B 55 MM = B 5 5 5  BB ' '

TENOR

u, I pray yo

CAT07920 Joubert at 90 Brochure v8.indd 15

joy

2/08/2016 10:18


Psalm 100 (Jubilate) Op.167 (2009) SATB/SATB/Organ NOV060060

Seek the Lord Op.148 (2002) SATB/Organ Thomas Campion NOV016214

The Souls of the Righteous Op.142 (1998) SATB/Organ The Wisdom of Solomon 3:1-3 NOV290702

St Mark Passion Op.180 (2015) 2 Tenors/3 Baritones/SATB/Cello/Organ Vocal Score – NOV295757 Cello Part – NOV295757-01

Te Deum Op.49 (Malvern College) (1964) Soprano/SATB/Organ/Optional Unison Part for Congregation

To Anna and

Rob

00

PSALM 1

ert John Joub 9) (200

ayer

mmon Pr

               ye lands: O     all  SOPRAN - ful  O be joy ALTO       is.    un  I s oru Ch        TENOR   f BASS        f unis.       ds: ye lan  O    all  SOPRAN - ful  O be joy ALTO        unis.    Chorus II        TENOR           f BASS            i sa   as ato         Moder                                                   f                        

Book of Co 1662

Moderato

assai

unis.

f



 

           be - fore his 4   and come       ness, d  gla h   wit  the Lord     serve      I                      for be - e his   and come       ness,  d gla h   wit  the Lord      serve     II                                                                             © Copyrigh

.

mpany Ltd

vello & Co

t 2010 No

Chorus Part – NOV290430 Congregational Part – NOV290430-01

Te Deum Op.8 (St Bartholomew’s Smithfield) (1953) SATB/Organ Oxford University Press/ Banks Music Publications (9279)

Torches! Op.7a (1951)

They are happy Op.119 (1988)

Unison Voices (Optional 2nd Part)/Organ Traditional Spanish trans. J.B. Trend

SATB/Organ Psalm 33:12-15, 20-22 (Grail Translation)

NOV290170

NOV951126

Two Hymn Tunes (1967)

Three Hymns to St Oswald Op.74 (1972/1974)

Bishops – To mercy, pity, peace and love William Blake

Plumstead – He that is down need fear no fall

SATB/Organ

John Bunyan

NOV950465

SATB/Organ or Piano NOV290431

Torches! Op.7a (1951)

Vision and Prayer Op.111 (1986)

SATB/Organ Traditional Spanish trans. J.B. Trend

SATB/Piano Duet

NOV290249

NOV950464

CAT07920 Joubert at 90 Brochure v8.indd 16

2/08/2016 10:18


2 6           I

                   

   

    

pre - sence with

II

  fore his

 

pre - sence with

           

   be - fore his

  

 

 

            

  

  

    

   

 

a

song.

    

   

song.

I

   

    

ye sure

   

p

     p

Be

ye

     p

                     p                       



9

Be

    a

   

p

  

 

   

II

   



     



  

that

the



  

   

 

he



  

    

   

Lord

  

sure

 



 

 

that



  

  

is

   the   



                                                

CAT07920 Joubert at 90 Brochure v8.indd 17

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An English Requiem      

    

    

 

Lento

pp

Piano

8

    

    

   

  

 

 

   15

S. A.

T. B.

    

    

  

  

  

 

   21

  

     - to

 

    

  the



      

     

        

   

  

 

 

    

            

  pp

 

We



pp

 

brought

 

pp

  

 

 

pp

   

    

  

 

pp

       

    

     

 



     

 

 

pp

  

 

   

    

  

 

pp



      

cresc.

   

   

    

  

 

 

 

we

   

  

-



       cresc. and

  in

 



© Novello & Company Limited 2010

CAT07920 Joubert at 90 Brochure v8.indd 18

 

         

                     p f                           

 

world,

 

  

   

 

             

   

        no - thing                  

 

 

       



  

JOHN JOUBERT (Op. 166)

I Intimations (Chorus)

 

 

take



 

          

no - thing

     

 

2

 f    27

out.

 

   



f

  

   p

     

  32

 



              pp

   38

 

    p

 

      they flou r - ish         p                  2/08/2016 10:18  


Works for Unaccompanied Men’s Voices

Works for Choir and Ensemble/ Orchestra

Jolly Good Ale Op.117 (1987)

Blest Glorious Man (Rochester Triptych Op.139) (1997)

AATBBB William Stevenson

SATB/Orchestra (3333/4331/timp.2perc/ org.hp/str)

NOV166221

Two Antiphons Op.80 (1974) AATTBB George Herbert NOV290549

Works for Men’s Voices and Piano or Organ Accompaniment

    

Vocal Score – NOV290661 Score/Parts – Hire Only

The Burghers of Calais Op.12 (1953) Soprano/Countertenor/2 Tenors/Baritone/ Bass/SATB/Orchestra (1111/1110/timp.perc/ pf/str (11111)) G.K. Turner Vocal Score, Score and Parts – Hire Only

The Choir Invisible Op.54 (1968) Baritone/SATB/Orchestra (3(pic)333/4331/ timp.3perc.xyl/hp.pf.org/str) Stephen Spender and George Eliot

Impartial Death Op.132 (Rochester Triptych No.1) (1992)

Vocal Score – NOV070376 Score/Parts – Hire Only

TB/Organ John Wilmot, 2nd Earl of Rochester

An English Requiem Op.166 (2010)

NOV290675

Soprano/Baritone/Junior Chorus/SATB/ Orchestra (3(pic)3(ca)3(bcl)3(cbn)/4331/ timp.2perc/hp.org/str) Vocal Score – NOV958782 Score/Parts – Hire Only

2

27

John Wilmot, 2nd Earl of Rochester

f

out.

    f

p

 

      

    p                       p       f                                     pp           32       poco più  mosso   p  mf          The days    of mor - tals    are as   grass;         p  mf       poco più mo               sso                                       pp                    mf   p          mf                                                  38             p                mf              they flou  r - ish       as  the     flowers         p    of      the                  CAT07920 mf Brochure v8.indd at 90 19        Joubert                       

For the beauty of the earth Op.124 (1989) Soprano/Baritone/Boys’ Choir/SATB/Orchestra (2(pic)222/4331/timp.1perc/hp.org/str) Gerard Manley Hopkins Vocal Score – NOV072462 Score/Parts – Hire Only

God rest you merry gentlemen (1963) SATB/Orchestra (2(pic)/222(cbn)/4331/ timp.2perc/hp.org/str) Vocal Score – NOV290423 Score/Parts – Hire Only

2/08/2016 10:18


Gong-Tormented Sea Op.96 (1981)

Nowell Op.58 (1968/2002)

Baritone/SATB/Orchestra (3(2pic)3(ca) 3(bcl)3(cbn)/4331/timp.4perc/hp/str) Walt Whitman, Roy Campbell and W.B. Yeats

SATB/Orchestra (222/4231/timp.3perc/ cel.org/str)

Vocal Score, Score and Parts – Hire Only

Vocal Score – NOV290426 Score/Parts – Hire Only

Herefordshire Canticles Op.93 (1979)

Psalm 100 (Jubilate) Op.167 (2009)

Soprano/Baritone/Boys’ Choir/SATB/ Orchestra (3(pic)3(ca)3(bcl)3(cbn)/4331/ timp.4perc/2hp.cel.org/str) T.S. Eliot, Gerard Manley Hopkins and Liturgical Latin

SATB/SATB/Orchestra (0000/4341/timp/hp.org)

Vocal Score, Score and Parts – Hire Only

Impartial Death (Rochester Triptych Op.139) (1997) TB/0000/0331/timp/org John Wilmot, 2nd Earl of Rochester

Vocal Score – NOV060060 Score/Parts – Hire Only

The Raising of Lazarus Op.67 (1970) Mezzo-Soprano/Tenor/SATB/Orchestra (3(pic)333/4441/timp.perc/2hp.pf.org/str) Vocal Score – NOV296549 Score/Parts – Hire Only

Vocal Score – NOV290675 Score/Parts – Hire Only

Rochester Triptych Op.139 (1997)

The Magus Op.83 (1976)

Blest Glorious Man

Tenor/2 Baritones/SATB/Orchestra (03(ca)03(cbn)/0330/timp.2perc/pf/org/str) Stephen Tunnicliffe Vocal Score – NOV070447 Score/Parts – Hire Only

The Martyrdom of St Alban Op.59 (1968) Speaker/Tenor/Baritone/Orchestra (1111/ 1000/timp.perc/pf.org/str(11111)) Vocal Score, Score and Parts – Hire Only

Missa Brevis Op.122 (1988) Soprano/Alto/Tenor/Bass/SATB/Orchestra (1(pic)222/2000/str) Vocal Score – NOV296538 Score/Parts – Hire Only

Music for a Pied Piper Op.108 (1985) AATBBB/Descant Recorder/2 Lutes/2 Violins, Bass Viol, Violone Robert Browning Alt. version Op.108a (Peacock Press) for Countertenor/Descant Recorder/ Chamber Organ/Harp

CAT07920 Joubert at 90 Brochure v8.indd 20

SATB/Orchestra (3333/4331/timp.2perc/ org/hp/str) Vocal Score – NOV290661

Universal Nature Vocal Score – NOV290676

Impartial Death Vocal Score – NOV290675

A Song for St Stephen Op.150 (2003) Soprano/Alto/Tenor/Bass/Junior and Senior Choirs/SATB/Orchestra (2222/4331/ timp.2perc/hp.org.str) Stephen Tunnifcliffe Vocal Score – NOV078782 Score/Parts – Hire Only

South of the Line Op.109 (1985) Soprano/Baritone/SATB/timp.2perc/2pf Thomas Hardy Vocal Score – NOV070504 Score/Parts – Hire Only

Torches! Op.7a (1951) Unison Voices (Optional 2nd Part)/Small Orchestra Traditional Spanish trans. J.B.Trend Vocal Score – NOV290170 Score/Parts – Hire Only

2/08/2016 10:18


Torches! Op.7a (1951) SATB/Strings Traditional Spanish trans. J.B. Trend Vocal Score – NOV290249 Score/Parts – Hire Only

Torches! Op.7a (1979) SATB/Orchestra (2222/4231/timp.perc/hp/str) Traditional Spanish trans. J.B. Trend Vocal Score – NOV290249 Score/Parts – Hire Only

Universal Nature (Rochester Triptych Op.139) (1997) SA/Orchestra (3333/4000/perc/org.hp/str) John Wilmot, 2nd Earl of Rochester Vocal Score – NOV290676

Urbs beata Op.42 (1963) Tenor/Baritone/SATB/Orchestra (333/4331/ timp.perc/hp.org/str) Genesis 28:10-22, Psalm 22, Revelation 21:1-4, Philippians 2:5-11 Vocal Score – NOV070185 Score/Parts – Hire Only

Wings of Faith Op.143 (2003) Speaker/Soprano/Alto/Tenor/2 Baritones/ Chamber Choir/Youth Choir/Orchestra (1(pic) 1(ca)1(ca)1/1000/timp.perc/pf+org/str(11111)) Stephen Tunnicliffe Vocal Score – NOV072528 Full Score – NOV950533 Parts – Hire Only

Works for Solo Organ Prelude on ‘Old Hundredth’ Op.15 (1955) Oxford University Press/Allegro Music

Passacaglia and Fugue Op.35 (1963) NOV620012

Prelude on ‘Picardy’ Op.55 (Easy Modern Organ Music Vol.2) (1967) Oxford University Press/Allegro Music

Prelude on ‘York’ Op.152 (2004) Edition Peters (EP71420)

Reflections on a Martyrdom Op.141 (1997) NOV950287

Six Short Preludes on English Hymn Tunes for Chamber Organ Op.125 (1990) Picardy Song One Southwell Abridge Mon Dieu, prête-moi l’oreille Old Hundredth NOV360125

CAT07920 Joubert at 90 Brochure v8.indd 21

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CAT07920

CAT07920 Joubert at 90 Brochure v8.indd 1

2/08/2016 10:17

JOUBERT AT 90: The Choral and Organ Music of John Joubert  

Cat07920; musicsalesclassical.com

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