ScoresOnDemand
Wood, Hugh Ballade
Score for sale (North America): Not currently available Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/id_no/01065649/details.html?kbid=1296 Information about the work and materials for hire: http://www.musicsalesclassical.com/composer/work/47559
Chester Music Limited Part of the Music Sales Group
Commissioned by BBC Radio 3, and first performed by Joanna MacGregor on 7th June 2012, at the Guildhall, Bath, as part of the Bath International Music Festival.
Duration: c. 9 minutes Order No. CH79926
COMPOSER’S NOTE The music of Chopin is a revelation which came disgracefully late in my life. To admire is one thing; to try to emulate is quite another: and all that I have borrowed here is a title. Perhaps memories of Joanna MacGregor performing the Fourth Ballade very beautifully long ago played a part in the naming. But to define what a Ballade should or should not be is quite beyond me: after all, Chopin and Brahms both came to quite different conclusions. I just like the old, rather poetic word. A fanfarish beginning ends in a falling arpeggionic cascade which will recur in varied form at turning points throughout the piece. A major third emerges, to become the accompaniment to the main lyrical melody which becomes more and more decorated until it ends with a second cascade. The tune resumes more urgently against an undulating semiquaver accompaniment. A bigger climax suddenly gives way to a reminiscence of one of the opening figures and then introduces alla recit., a new motif. But immediately the main melody continues – this time getting gradually calmer, quieter and sweeter – until the new motif takes over in a passage of and is more fully worked out. From very high up, the opening fanfares are heard in the distance, and a faster tempo brings a more vigorous passage, culminating in the biggest and most climactic of the cascades. This might be the end of the piece, but it is not. A sequence of soft, velvety chords rises up, eventually to reveal the original major third. Four phrases of the opening melody are then heard over it in their plainest form. H.W.
for Jo
BALLADE ÑÑÑ^ '' ÑÑÑ^ ' ÑÑÑ_ '
Vigoroso, brassy
G 3
! 55
3
ff
5 5 3 G
G 3 55
G 3
55 =
till clear
6
5k
3
!5 5
5
' !'
= 55M !55 5 ? M 5M 'ÑÑÑ^ 'ÑÑÑ_
(loco)
B p p
: 4 B ! 'ÑÑÑ_
5, 5, !5 5
E5 E5 5 5H H
0
5 ! 5
? 4 3
!5
'ÑÑÑ^ ! 'ÑÑÑ_
5
5M 5M
5M G
' 5
E5
E5
E5
'ÑÑÑ^ ! 'ÑÑÑ_
p cantabile
G
B
© Copyright 2012 Chester Music Ltd.
5
5:
5
!ÑÑÑ_
5
5 3 5 5 55H 5H !55 ! 5 H H ! 5H `b
!' mp 4 = M M M M M 55 5 E5 'ÑÑÑ_ E5 pp
chiaro
5 =
rall. poco
mp
p
5
11 Andante calmo
G B
!55
! ÑÑÑ^ ' 5 ! ' $ 5 5 !ÑÑÑ^ ' ÑÑÑ_ 5
' 5 !ÑÑÑ^ ' 5 ÑÑÑ^ ' ÑÑÑ_
`a (loco) ! 5 ! 5 5, , 5 E5 = !5 ! 5 5 5 5
mf distinto
sffz
5 5
!55
3 !! 55
' ÑÑÑ^ 'ÑÑÑ^ ' ÑÑÑ_ 5 ÑÑÑ_ ' 5
5 E 55 ! 55 5 5
4
' 'ÑÑÑ^ ÑÑÑ^ ' 'ÑÑÑ_
Hugh Wood op.57
!5 B
5 = 5 5 5
= B 5 5 5 5 ' ÑÑÑ_ 5 5 5 5 5 5 : 5 5 BB ' ÑÑÑ_ p
5 5 5
pp
CH79926
11.12
2 16
G !5 5
pp
55 55 55 B:
!5 ! 5 5 E 5 E 5B 5
55 55 4
55
4
p
G 5 5 19
55
5k
55 55
GGGGGGGGGGGGGGGGGGGGGGGG
21
G
5M
5M !5 M pp
5
G 5 :
=
55
B:
BB 5 5 !5 BÑÑÑ_ ÑÑÑ_ 5 !5 !5 !5 55 55 :: p G 5 = 5 5M EE55M 5 ! 55M
(loco) = `a ÑÑÑ^ ' 5 5: 5 ' 5 ' ÑÑÑ_ 5 : E 5 5 ' ÑÑÑ_ 5 !5 !5 ! ''
5
B B G B B
27
'ÑÑÑ^ ' ÑÑÑ_ ' ÑÑÑ_ 'ÑÑÑ_
K
5 5
5:
!5 E5 5
5 5
55
5
5 5
5 !5
!5
5 5
5
f
!5
5 5
5 !5 ! 5
4 BB ÑÑÑ_ ÑÑÑ_
G
3
K 5
!5
6
poco
5 55 = 4
!5 !5 5 5 G !5 E5
E': 5 5 55 ':: 5 5 !55 !55 ' 5 5 5 ! 5 !5 fp 5
55
55
E5 5
E5
E5
5
24
55
oscuro ten. K = !5 5 5 : !5 ! 5 = = 5 ! 5 5 : 55 5M ! 55 5M M 5 M `b (loco)
ÑÑÑ^ G !' ' ÑÑÑ_ ' ÑÑÑ_
G 5
p molto cantabile
pp
'
5
mp
E5
!5
=
5
5
5
!5
B: 5 !5 5 BB :: 5 E !5 5 5 B: 5
5 5 5 5 5
f
3
fp
sonore p sub.
4 !BBB B
`a 55 5 5 E 5 E5 5 !5 !5 E5 !5 5 sonore p sub.
4 E5 ' ' E 5 !!' '
f
E5 E! 555
!5555
555 5
88
G
`a ':
Vivace
ÑÑÑ^ 5: E55 E5 E 5 ; M pp lontano
5 E55 ;
5k
sfzp
G ':
5
sfzp
G
5 55
5 55
BB :: B:
5: ÑÑÑ_
0
55 :: M 5 5 5 : 55M =
BB :: B:
5 :: 55 :
5 :: M ! 5 5M 55 : = 5 ! 5
EB : !5 ! 5 5; 5; 5 E BB :: E 5M 55 :: 5:
55 5
55 :: 5:
55 !5 5 5
p
(p) 5 E5 : G 5 E5 E 5 EE 55 55 :: 5M M
pp
= 5 55 55 :: 5M M 5 :
B: BB ::
9
(pp)
p poco lontano quasi corni
quasi trpti
5k
93
5 :: 55 :
(loco)
5 5 mp
Brisk, sprightly
; 55
ancor quasi lontano 97
G
; ! 55 ;55
!5 5
5 ;5
!5 5 5 5 5 5 5 5
pp sub.
G
!55, = 4 5 ;5
;55
;5 ! 5 ! 5 ! 5 5 ! 5 !5 ! 5 E5 5 5 ;5 E5 E!55; G f mp ;5 E 5 5 5 !5 !5 4 G E 5 E55 !5;
101
5 5
; 55 ;55
f
!55 ::
55
! 55 ::
!5 = 5 !55 55
55
p sub.
5 5 5 5 5 5 ! 55 5:
;5 ; E 5 ! 5 ! 5 E55 E5 !5 G 5 E5 5 5 !5 5 5 E 5; E5
55 ::
5 5
5 !5 !5 E5 55 55 55 !5 !5 55 5 !5 !5 G E55 5
106
55 55
5 55
5 55 5 55
5 5 ! 55 5 55 5
5; = ! 5 5 55 ! 5 5; ; ;
5;
!55
!! 55
= 5 5 5
!' !'
0
ppp sempre velvety
( fff )
5k
133
G 4
'
' ÑÑÑ_
!! BBB :::
'' '
' ' '
? BB G 4 ! BB ::
55 BB
pppp
ÑÑÑ^ ÑÑÑ^ ' ' ' ÑÑÑ_
138
5 G 4
55
55 55
0
5 5
!5
' !' '
EB
!' _ ' _'
5
B
!5
11
E' !' '
k 5 5
' '
555 = E5 E5 E5
pppp
G
!' ' !' '
E' '' '
' ' '
' E' '
Tempo primo (andante calmo)
till clear 0
126
B
5:
=
p semplice, molto cantabile
55 55 55 55 55 55 55 55 55 55 55 55 55 p 5 E5 E5 = 0 0 G B ÑÑÑ_
B
`a
5:
= 4 !5
E5
5
E5
'
55 5 5 5 55 5 5 5 55 5 5 5 55 5 5 5 55 5 55 55 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 (p) 5 (p) 5 5 55 B 0 0 0 4 5 G G = ` B G
'
ÑÑÑ^ '
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ' ' '
ÑÑÑ^ ' ' ÑÑÑ_ ' ÑÑÑ_
5:
143
E5
!B
(loco)
= 4
5
!' '
5
5
E5
5
BB
5
5
55 ::
B
5
=
!B
0
0
0
a.m.D.g. 30th March 2012 32 Woodsome Rd NW5