Page 1

JAMES WHITBOURN

ANNELIES (2004)

Libretto by Melanie Challenger based on “Anne Frank: The Diary of a Young Girl”

“If you become part of the suffering, you’ll be entirely lost”

Full Score

CHESTER MUSIC


Three of the fourteen movements were first performed in Westminster Hall London, on 27th January 2005 within the National Holocaust Commemoration. The excerpts from Annelies were introduced by Hanneli Goslar, the childhood friend of Anne Frank referred to in Movement 9. The first performance of the complete work took place on 5th April 2005, with Louise Kateck (soprano), the Choir of Clare College Cambridge and the Royal Philharmonic Orchestra conducted by Leonard Slatkin. The performance was introduced by Anne Frank’s cousin, Mr Bernd (Buddy) Elias. Libretto © Copyright 2005 by Melanie Challenger and © Copyright 1991 by The Anne Frank-Fonds, Basel, Switzerland. English Translation © Copyright 2005 by Melanie Challenger and © Copyright 1995 by Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc.

Instrumentation Soprano solo Chorus* Concertante choir * Flute Oboe Clarinet Bassoon (one woodwind player to double with descant recorder) 2 Horns 3 Trombones Timpani 4 Percussionists: Side drum (with and without snares) Bass drum Drum kit Shells Tam-tam Cymbals (suspended and clash) Marimba Glockenspiel Tubular bells Triangle

Piano (placed centrally) Strings (with divisi) [Recommended: 12-10-8-6-4][minimum: 8-6-4-3-2] Note on the two choirs: This work calls for the use of two choirs with distinct sounds. The chorus demands the force and power to balance a large orchestra, while the concertante choir requires the delicacy and focus associated with a much smaller group of singers. A choir of young voices with a very controlled and blended vibrato is preferred for this part. At times, the concertante choir is used as an addition to the orchestral sound palette. For smaller-scale performances, the whole work can be performed by a single choir, in which case, the divisions between chorus and concertante should be disregarded. ii


CONTENTS 1. Introit - Prelude 2. The capture foretold 3. The plan to go into hiding 4. The last night at home and arrival at the annexe 5. Life in hiding 6. Courage 7. Fear of capture and the second break-in 8. Kyrie – Sinfonia 9. The dream 10. Devastation of the outside world 11. Passing of time 12. The hope of liberation and a spring awakening 13. The capture and the concentration camp 14. Anne’s meditation

1 16 33 54 65 85 98 114 128 136 148 153 170 177

Duration circa 75 minutes. Permitted cuts If a shorter version of the work is required, the following cuts may be made: No. 6: from C2 (b.103) to the end of the movement. No. 12: from b.56 to b.82 incl.

iii


1. Introit - Prelude 2. The capture foretold Up above you can hear the breathing, eight pounding hearts, footsteps on the stairs, a rattling on the bookcase. Suddenly, a couple of bangs. Doors slammed inside the house. (11 April 1944)

We are in blue sky, surrounded by black clouds. See it, the perfectly round spot? but the clouds are moving in, and the ring between danger grows smaller. We look at the fighting below, and the peace and beauty above, but the dark mass of clouds looms before us, and tries to crush us. O ring, ring, open wide and let us out! (8 November 1943)

3. The plan to go into hiding When would we go into hiding? Where would we hide? In the city? In the country? In a house? In a shack? (8 July 1942)

These questions kept running through my mind. I started packing my important belongings. The first thing was my diary. Memories mean more to me than dresses. (8 July 1942)

Ik zal, hoop ik, aan jou alles kunnen toevertrouwen, zoals ik het nog aan niemand gekund heb, en ik hoop dat je een grote steun voor me zult zijn. (12 June 1942)

It seems like years since Sunday morning. So much has happened, it’s as if the whole world had suddenly turned upside down. (8 July 1942)

4. The last night at home and arrival at the annexe My last night in my own bed. A warm rain fell. The four of us wrapped in layers of clothing, iv


the stripped beds, the breakfast things on the table. We closed the door behind us. (8 July 1942)

Walking in the pouring rain, walking down the street, each of us with a satchel filled to the brim. (9 July 1942)

We arrived at Prinsengracht, led through the long passage and up the wooden staircase to the Annexe. The door was shut behind us, leaving us alone. Then for the first time, I found a moment to tell you about it, to realise what had happened to me and what was about to happen. (10 July 1942)

We’re Jews in chains, chained to one spot, without any rights, a thousand obligations. We must be brave and trust in God. (11 April 1944)

5. Life in hiding The days here are very quiet, (1 October 1942)

having to sit still all day and not say a word, you can imagine how hard that is for me. On ordinary days, we speak in a whisper. Not being able to talk is worse. (29 September 1942)

The silence makes me so nervous, but the chiming of the Westertoren clock reassures me at night. (11 July 1942)

You no doubt want to hear what I think of life in hiding? (11 July 1942)

v


The blue sky, the bare chestnut tree, glistening with dew, the seagulls, glinting with silver swooping through the air. As long as this exists, this sunshine and this cloudless sky, how can I be sad? (23 February 1944)

Prospectus and Guide to the Secret Annexe. A Unique Facility for the Temporary Accommodation of Jews and Other Dispossessed Persons. Now our Annexe has truly become a secret, a bookcase has been built in front of the entrance. It swings on its hinges and opens like a door. It is Open All Year Round, Located in Beautiful, Quiet, Wooded Surroundings, In the Heart of Amsterdam. Inside it is Necessary to Speak Softly at all times, Singing is Permissible, only Softly and After Six pm! (17 November 1942)

The strangest things happen when you’re in hiding. Try to picture this. We scrub ourselves in a tin tub, since the curtains are drawn, we scrub ourselves in the dark, while one looks out the window and gazes at the endlessly amusing people. (29 September 1942)

The children run around in thin shirts and wooden clogs. They have no coats, no socks, no caps and no one to help them. Gnawing on a carrot to still their hunger, they walk from their cold houses through cold streets. (13 January 1943)

One day this terrible war will be over, and we’ll be people again, and not just Jews. (11 April 1944)

vi


6. Courage If you become part of the suffering, you’d be entirely lost. (7 March 1944)

Der Winter ist vergangen. 1 Ich seh’ des Maien Schein; Ich seh’ die Blümlein prangen; Des ist mein Herz erfreut. Da singt Frau Nachtigalle Und manch’ Waldvögelein. (German trad.)

Beauty remains, even in misfortune. One who is happy will make others happy, one who has courage will never die in misery. (7 March 1944)

Ade, mein’ Allerliebste! Ade, schön’s Blümelein! Ade, schön’ Rosenblume; Es muß geschieden sein! Das Herz in meinem Leibe Gehört ja allzeit dein. (German trad.)

If you become part of the suffering, you’ll be entirely lost. (7 March 1944)

Himmelhoch jauchzend, zu Tode betrübt. On top of the world, or in the depths of despair. (24 December 1943)

7. Fear of capture and the second break-in In the evenings, when it’s dark, lines of good innocent people 1

Annelies Marie Frank was born in the German city of Frankfurt to German parents, and lived in Germany until her family emigrated to Holland when she was four years old. Her mother was always more comfortable with the German language than with Dutch. Although Anne learned Dutch, and wrote the diary in her adopted language, she was familiar with German poems and prayers, especially those given to her by her mother. This was originally a Dutch song that became popular in Germany during the seventeenth century. Its translation reads: “The winter is over, I see the light of May; I see blossoms everywhere; and my heart is pleased. There sings the Nightingale and the small forest birds; Goodbye, my beloved! Goodbye, beautiful blossoms! Goodbye, beautiful rose flower; I must leave you. My love for you will burn in my heart forever.” MC. vii


and crying children walk on and on, ordered by men who bully and beat them. No one is spared, all are marched to their death. (19 November 1942)

Westerbork! Westerbork!2 Night after night, green and grey vehicles cruise the streets and knock on every door. (19 November 1942)

Westerbork! Westerbork!

Sshh. I heard a sound from the bookcase, hammering on the door. We turned white with fear. Had he heard something, this stranger? Open up! Open up! In my imagination, the man kept growing and growing, until he become a giant, the cruellest fascist in the world. (20 October 1942)

8. Kyrie – Sinfonia Kyrie eleison. (Greek liturgical)

Help us. Rescue us from this hell. (27 November 1943)

We must be brave and trust in God. (11 April 1944)

9. The dream Last night, just as I was falling asleep, an old friend appeared before me. I saw her there, dressed in rags, 2

The Dutch Jews were required to build and pay for a refugee camp when Justice Minister Goseling allowed 8,000 refugees into the Netherlands in 1938. This refugee camp, which was built at Westerbork, later became the transit camp where Jews were held before being taken to Auschwitz and Sobibor. viii


her face thin and worn. She looked at me with such sadness. Anne, why have you deserted me? Help me, help me, rescue me from this hell! (27 November 1943)

To me, she is the suffering of all my friends, and all the Jews. When I pray for her, I pray for all those in need. (6 January 1944)

Merciful God, comfort her, remain with her so she won’t be alone. (27 November 1943)

Dear God, watch over her and bring her back to us. (29 December 1943)

10. Devastation of the outside world On Sunday, Amsterdam was bombed. (19 July 1943)

The planes dived and climbed. The air was abuzz with the drone of engines. (26 July 1943)

The streets are in ruins, countless are wounded. In the smouldering ruins, children search forlornly for their parents. (19 July 1943)

It makes me shiver to think of the dull, distant drone of approaching destruction. (19 July 1943)

I wander from room to room, climb up and down the stairs and feel like a songbird, whose wings have been ripped off and who keeps hurling itself against the bars of its dark cage. (29 October 1943)

‘Let me out, where there’s fresh air and laughter,’ a voice within me cries. (29 October 1943)

ix


11. Passing of time The years went by. There’s a saying: ‘Time heals all wounds,’ that’s how it was for me. (7 January 1944)

Until one day, I saw my face in the mirror. It looked so different. My eyes were clear and deep, my cheeks were rosy, my mouth was softer. I looked happy, and yet, in my expression, there was something so sad. (7 January 1944)

12. The hope of liberation and a spring awakening This is D-Day, this is the day. Fighting will come, but after this the victory! Eleven thousand planes, four thousand boats, is this the beginning of the long-awaited liberation? (6 June 1944)

I walk from one room to another, breathe through the crack in the window frame, feel my heart beating as if to say, ‘Fulfil my longing at last…’ I think spring is inside me, I feel spring awakening, I feel it in my entire body and soul. (12 February 1944)

Ich danke dir für all das Gute und Liebe und Schöne.3 (7 March 1944)

13. The capture and the concentration camp On August the 4th 1944, a car pulled up at Prinsengracht. Several figures emerged, armed, and dressed in civilian clothes. The eight residents of the Annexe 3

This phrase appears in German in the diary. It translates: ‘Thank you, God, for all that is good and dear and beautiful’. x


were taken to prison, and from there, transported to Westerbork, and onwards to the concentration camps. (information from contemporary reports)

The atmosphere is stifling, outside you don’t hear a single bird. A deathly silence hangs in the air. It clings to me as if it were going to drag me into the deepest regions of the underworld. (29 October 1943)

4

There is no speech or language where their voice is not heard. Their sound is gone out through all the earth, and their words to the end of the world. (Psalm xix, verses 3-4)

Their blood have they shed like water, and there was none who could bury them. (Psalm lxxix, verse 3)

The young and the old lie on the ground; the maids and young men are fallen. (Lamentations ii, verse 21)

14. Anne’s meditation I see the world being slowly turned into wilderness. I hear the approaching thunder, that one day will destroy us too. And yet, when I look at the sky, I feel that everything will change for the better. (15 July 1944)

Whenever you feel lonely or sad, try going to the loft on a beautiful day and looking at the sky. As long as you can look fearlessly at the sky, you’ll know you’re pure within. (23 February 1944)

4

Some aspects of life in hiding were similar to life in the concentration camps. Anne did not continue her diary after she left the Annexe, but this extract, written about the Annexe, echoes the atmosphere described by others of the Nazi concentration camps. xi


Commissioned by the Mostar Cooperative with support from the Jewish Music Institute

xii


ANNELIES 1. Introit - Prelude 

   

mp

mf

Lento e espressivo (h = 44) Flute

Oboe

     

     

   

mp

Clarinet in Bb

1 Horn in F 2

        



  

mf

   

   

mp

Bassoon

JAMES WHITBOURN

 

  



  



 

  

mp

  

mp

 

mf

  mp

 mp

 p

 

   



mf

p

Timpani

Tubular Bells

Glockenspiel

   



 

     

 

p

   



p

mf

     

Soprano

    

Alto

    

          

CHORUS * Tenor

Bass

* Just audible through the orchestral texture

Violin I

div.       

Violoncello

Double Bass

p

    

    

 pp

 pp

    

p

© Copyright Chester Music Ltd 2005

aa

 



p

pp

ord. legato e cantabile

    

mp mf ord. legato e cantabile mp espr.

mf

    

 

    

mp

mf

mp mf legato e cantabile

senza vib.

pp

pp p senza vib.

  

    

 



p Viola

 

p

 vib.  senza          

(mouth half open)

       

pp

Violin II div.

pp

aa

Lento e espressivo (h = 44)



p

pp

 

ord. legato e cantabile

mp

    

mf

rev. 03/13


2



6

Fl.

   

  

mp

Ob.

   

     

mp Bsn

1

     

Timp.

Glock.

 

 

mp

 

A

  

  

 

  





mf

  

p

 

 p

  

p

 

 

mf

  

mf

p

pp

p

p

p

 

 p

p



mf



Horn 2

mf





 

mf

mp

Cl.



mp

 

mf

   

  



  pp   

  



mp

S.

aa

CHORUS B.

aa

(mouth half open)

    

pp

    

aa

     

     

(div.)

Vln I

pp

Vla

Vc.

     

Db.

pp

    

 

 

senza vib.

 pp



p

pp p

mp ord. espr. pp

mp

p

aa

A 

ord. espr.

     



     



 





    



 

 

mf

mp espr.

mf

mp

mf

espr.



pp

p



senza vib.

 



p

   

 

p

 vib. senza   Vln II div.

 

mp ord. espr. div.

 

mp

mf

            mf




3

           11

Fl.

mp Ob.

        

1

Tub. B.

Glock.



mp



 





mf

 p





p

mf

    

f

mf

         

   

      

mf

mf

 

      

         

p

   

mp

 

mf

mf

      

mp

mf

 

p

Horn 2

mf

     

mp

          

mp

Bsn

mf

mp

Cl.

   

f

    

    

mp

S. CHORUS B.

    

p

    aa

   

               

 

Vln I

mp

    

Vla

 

 

p

pp p

pp p

   

senza vib.

p

pp

  

Vc.

Db.

  

    

 

 

pp p

 p

 

div.

             mp   

pp

pp p



 p

 

          



   

 

                mf f

 

       

 

mf unis.

 

f

div.

p

p

aa

pp

mf

mf

 vib. senza    Vln II div.

 

   aa

mp

aa

(div.)

p

f


4

Ob.

   

 

 



f

f



Cl.

Con energia (h = 92-100)   

   

Fl.

B

16

q=h

    mp

f

   

Bsn

Hn.



  2 1

 

S. D.

Glock.



        

S.

f





 

 

 

ppp

 



T.

   



B.

  



(div.)

Vln I

     

 

mf

   Vln II div.

pp

pp

Vla

Vc.

Db.

       



 pp







 trem. 



    trem. 

pp

unis.

(div.)



pp

p

   f

p

p

p

Con energia (h = 92-100)

  

q=h

   

B

 



mf

f



f

mf

f

 

   

     f

3

   mp

CHORUS

7

   

mp

  

A.

7

mf

 

 

f

fp 3

fp

 

 trem.          3 fp 3


5

        

          

18

Fl.

mf

mf Cl.

Bsn

  

7

       mf

 

1 Tbn. 2

    

f

           7

f

7 7

   

f

3                 f ff

mf

1 Hn. 2

f

mf

        

   

f

 

3                   ff f f     

 

f

  

ff

f

                f ff 3

f

B. Tbn.

Susp. Cym.

S. D.

S.

   





  

3



   

3

              f ff f        mf f   

mf

f

 

mf



 

 

 

f

aa

A.

  

mf

aa

CHORUS T.

 mp     aa mp

B.

   

mf

aa

mf

aa

Vln I

Vln II

Vla

Vc.

Db.

aa

unis. 3    trem.      ord.              mf f mf f unis. ord.  trem.          3  ord.                mf  f mf f ord.             mf f mf f        3  ord.                f mf mf f        3  ord.                               mf   3 mf f f

       3                 

f

       f     

f

  

unis.

        f         f

ff

 

 

ff

 

f

3          

f

 

 

ff

f

           ff 3

 

    f

3                f

ff

3

 


6 20

Fl.

Ob.

   

 ff

Bsn

1 Horn 2

1 Tbn. 2 B. Tbn.

Timp. Susp. Cym. S. D. Tri.





ff

f

        ff

Cl.



f

3

3

  f

 

ff





 3  

rit.

 3  

 3  





 3  

ff

  ff   

f     3     ff ff f ff f        3           ff f ff f ff   3                    ff ff f f ff 3                      ff ff f f          ff f ff f 3                 ff ff 3 f f                     f ff f ff          ff        ff              



 

S.

A.

   

T.

B.

Vln II

Vc.

       ff              ff         ff

Db.





   

   

















aa

    aa      

ff

Vla



aa

Vln I

aa

CHORUS





ff





 

mf

    

  f

  f

   

   

 

f

          ff f

ff

 

ff

 

       

 

        fp    

 

f

 

 

ff

 

 

 

 

 

 

 

 

ff

ff

   

div. 3

3

fp

fp

       fp 3        fp 3

ff

 

  

  





ff

    ff   ff  div.    ff

3

 

       

 3  

rit.

 

3











 3  

  

  

 

       

3

3

 

    


7

C  

  





22

1 Horn 2

1 Tbn. 2

B. Tbn.

        

 

 

 

ff

p

ff

Timp.

S. solo

 











pp

pp

 

ff

 



p

     

p

pp

       f

   

p

pp

Off stage p

           

 

rit.

 

 

 

Lento (q = 56)

aa

C Vln I

Vln II

unis.

 

sfz

p

     

      sfz

Vla

Vc.

Db.

   

   

p

p



 

sfz

p

         sfz

  

p

Lento (q = 56)

rit.

 

 dolce 

 dolce 

pp

pp

pp

 

sfz

aa

dolce

  

 

pp

pp

pp





pp

pp


8 26

Fl.

   

cantabile

a tempo

 

    

mp

Cl.



p

Bsn

1

  

 

S. solo



                

       

aa

mp cantabile

  

mp

p

  





 a tempo

Vc.

p

             

Pno

Vla

mp

colla voce

Vln II

p

aa

Vln I

p

Horn 2

               



 

 

cantabile



 



   

mp

mf

mp



  



  



  

    

  

 

p







p

unis. p


9 30

Fl.

   



mf

Ob.

 

mp

   

  



 

3

   

mp

1

 



  

  



        

 

5

f

 p





     

p

   

mf

Bsn

 

mf

 

 

mp



 

mp

Cl.



mf



 

mf

p





mf

p



Horn 2





mp

S. solo

mf

  

Vln I

   

  





  

mf

Vln II





 

  

 

   mp

Vc.

    

mp

mf

  

  

mp legato cantabile

  

 



f



 





 

p

mf

mf

     

       



 

p

mf

        

mp

Vla



f

   

  

mf



p

Pno



      

 

p div.

  p

  


10

D 33

Fl.

   

rit.

Con energia (q = 88)

       



p

Ob.

Cl.

     p    

 



















p

Bsn

     p

1

 

  

 

             

f

Horn 2

1 Tbn. 2

   

 

 

f

      

      

    

 

S. D.

Tub. B.



         



 

 

 



f

 



3

            

mf

f

3 3                                     3

3

f

 



 



 

3

    

3

 

 

f

           

mf Timp.

 

3

mf

mf

B. Tbn.

 

ff

3

ff

f

      

f

3

    ff



D Con energia (q = 88)

rit.

Vln I

   

Vln II

  

Vla

 

  3             

f

3                 f         

f

Vc.

  

              

f

Db.

  

unis.

3

              f

3

3                

ff

f

    ff f  

3           

ff

f

 

 

           

ff

f

3

          

ff

f

3

    


11

E 36

1

 

 

ff

Horn 2

 





 

rit.

  

p

  

1 Tbn. 2



ff

    



3















B. Tbn.

3

ff

Timp.

Cym.

 

 





3

ff

Tub. B.

 

 

 



sffz

 

pp



        



 

3

p

  

3

 p

sffz

3

                   

 3

pp

 

f 3

p

  

(clash)

3

S. D.

 

  

pp

sffz

     

p

  

ff

pp

sffz

      

sffz



Lento e dolce (q = 56)

  



pp

On stage

S. solo

    



p

        aa

aa

E Vln I

      

  

ff

Vln II

          ff

Vc.

Db.

   

 ff

     ff

 





 

 



rit.

Lento e dolce (q = 56)

3 3

  

ff Vla

  



  



 

3





p



3

  

p



p

 

 




12 42

1

 

p

Horn 2

S. solo



p

aa

aa

p sempre

mp

                         

   





aa

S. div.

  

p

mf







aa

A.

  

p



mf

aa CONCERTANTE

T.

p

   

  

aa

p

 

mf



mf

 

 

aa

B. div.

p

  



mf

aa

Vln I

Vln II

Vla

Vc.

Db.

   



cantabile

 



p

mf

       

div.

   

  

       

 

  

   

  

    

    

 

 

    

 

 

  





  







mp

mp



mp

pizz.

mp

poco cresc.




13

              

47

Fl.

Ob.

   

mp

  

           

mp Cl.



p

mf

mp

mf

 p

Bsn

1

    

  



Tbn. 2

   

 

 

mp

mf

   

CONCERTANTE

T.

mp



  

 

 

pp



p



pp

 











mf



aa

unis.

pp



p

mf

aa

 

    

   

aa

mp

    



mp

mp (non cresc.)

aa

mp

p





mp

B.



       

mp

unis.

A.

     

mp

   

mf

S.





mf B. Tbn.

p

mf

1

p

Horn 2



mf

  



aa

Vln I

unis. div.                                 f

mp subito

   

unis.

Vln II



mf Vla

   mf

Vc.

       



mf

Db.







mp subito

mf

mp subito



 



mp subito





 mp

  


14

F 52

Fl.

    



pp

Ob.

          p

Cl.

Bsn

mp

   pp



  

p

1

2

Timp.

B. D.

Susp. Cym.

Tub. B.

Glock.



 

 

 

   

 

 

 

 

p



p



pp

Horn

p

pp

 

p



    



Tempo primo (h = 44) 



  



  









 



pp con sord.



pp

pp

     

pp

p

 

con sord.

ppp

p

pp

mp

p

F Tempo primo (h = 44)

Vln I

   

  

 

div.

p

   Vln II div.

senza vibrato

 

p

  

 

pp

senza vibrato

p Vc.

Db.

  

  

pp

arco

pp



 

 senza vibrato

p


15 56

Fl.

   





mp

Ob.

   



 

1

  



 

 





Timp.

Glock.



 

p

mf

senza sord.

pp

   

 

     

 

 

 

 

 

 

 

 

 

 

p

     

p

pp

   p

     

mf



ord. espr.

 

p

 

     



p

 

mf



 

p



    



p

mf

p

espr.

espr.

  

mp

ord. espr.

pp

     

pp

pp

Db.

 

   

p

Vc.

mf

    

Vla

 

p

mp

Vln II div.

p

(div.)

Vln I

senza sord.

Horn 2

  

  p

p

 

 

p

mp

Bsn

p

mp

Cl.

ord. espr.

p

mf

     

mf

p

  p



  p


16

2. The capture foretold  

   

 legato    

   

legato

Lento ma ritmico (h = 60)

Fl.

Ob.

Cl.

Timp.

Tri.

S.

   

  

  

   

   

  

 





p

 

 



p

legato

 

   

p



 





     









 

pp

    

   



pp pp

a - bove

you can

pp

p

hear

the

a - bove

you can

pp

breath - ing,

p

 pp     

   

   

Up



   

   

Up

A.





hear

the

breath - ing,

CHORUS T.

B.

    

    

pp

   

Up

   Pno

a - bove

you can

pp

a - bove

you can

  

hear

 

Lento ma ritmico (h = 60) trem., sul pont.

      

Vln I

Vln II

trem., sul pont.

    

ppp

Vc.

Db.

        

pp

p

pp

the

 pp

breath

- ing,

 - ing,

    

    

  

 

  



 

  

 

  



    

  





pizz.

breath

  

ppp

unis.

the

   

hear

 

unis.

pp   

    

   

Up

p

    

pizz.

pp

  

  


17 6

Fl.

Ob.

Cl.

Timp.

   

legato



 

    







 

    

 





 











p

 

G 

 

legato



    

p



  

    

p legato







pp

Tri.

S.

 

  

pp





eight

B.

Vln I



   

 



   

 



  

 

  

eight



       

   

      

 



 

 





    



   

 

  

Vc.

   

Db.

         pp

pp arco

    p



 

pp arco

pp

      foot - steps

    

 

 





pp

     



on

pp

  on

on

the

the

   

    



G   pp

on

   

p

pp

p

    

the

 



p

 



  



the

      foot - steps

p

  

pp

      foot - steps

foot - steps

pp Vln II

hearts,

        



hearts,

pound - ing

hearts,

pound - ing

pp

   

hearts,

pound - ing

pp

eight

Pno

pound - ing

pp

 

CHORUS T.



pp

eight

A.



  



            p


18

    legato

11

Fl.

    

  

  

   





 







 









 





 





 



pp

   

Ob.

legato    pp

Cl.

   

legato

   pp

  

   

Susp. Cym.

 

 

Tri.

  



     pp





 







 



Shell Shake

S.

     

p

pp



stairs,

  

A.

stairs,

CHORUS T.

B.



p

              A ratt - ling on the book

  



stairs,

 

  

  

Vln II

      A ratt - ling

      Pno

Vln I

p

   

 

pp

   

pp

Vc.

    

Db.

    

 

 



 

    pp

pp

    - case. pp            on the book - case.        

      stairs,

 pp

 

 

   

 



  



     



 pp



 




H

19

    fltz.  

Feroce (q = 144) 15

Fl.

   

  

  

Ob.

Cl.

  Hn.   2

1

ff 3

a2

ff

  

2

  

B. Tbn.

  

1 Tbn.

Timp. Shell Shake Susp. Cym.

   

 

S. D.

    

S.

   

   fltz.   ff 3 fltz.       ff 3      

B.



ff gli ss.



 

 

  

 

         

mp

      

 

 

mf

fff

 fff     3

fff

   

     

fff

p

slammed!

 

slammed!       3

Doors

a

a

a

cou - ple of bangs.

3

cou - ple of bangs.

      3      Sud den - ly,

3

      3             3

Doors

3         

Sud - den - ly,

    

 Rim shot

3

slammed!

 

fff

Sud -den - ly,

3

fff

ff

3

      

Doors

  

3

cou - ple of bangs.

fff (Shout - unpitched)

                     

fff

        

  

 

 

ff

   

Pno

gliss.



3

T.



ff

  

CHORUS

gliss.

Doors

A.

slammed!

Bliebst

du!

An - schlag!

                      

b 

ff

               

H    b     ff 3    b    

Feroce (q = 144) Vln I

   

Vln II

  

Vla

  

Vc.

  

Db.

   

ff

3

    ff   ff

    

   

ff

   

3

 

3

sul pont. ff col legno ff

ff

 



 



          

 





3

 





ff

 

6  6  6             

ff

3

 


20 20

  

1 Horn

 

2



 

   

 

 



ff

  

1

  ff 

ff

Tbn.



 

2

ff

     ff    

B. Tbn.

Timp.

 

Susp. Cym.

S.

   

ff

fff





Doors

ff

 

A.

T.

B.

ff

      

Pno





 Vln II div.

   



           3 3    3     

-



               

3

Vln. I div.

slammed



-

in



               

     

slammed

Doors



in

Doors

ff

slammed

Doors

CHORUS

   

slammed

in

-

in

-

                                  





3

   3

   

    

3

3

3

3

                                       6

6

ord.

 



6



6



6

6



6

6

ff

Vla

                                         

Vc.

legno  col                                         pizz.

Db.

   

5

 

  sf

5

 

 

5

 

  sf

5

 

 

5

 

  sf

5

 

 

5

 

  sf

5

 


21 22

1 Horn 2

1 Tbn. 2

B. Tbn.

Timp.

B. D.

S.

              

  

    











- side

the

house.

the

house.



house.

- side

the

house.

               

3

 

 





               

  



the

        3   

 





mf

  - side   

 



 

- side

T.

Vln. I div.





 

CHORUS

Pno



          

A.

B.

  3

 

   3





                     



                                   

3

3

3

3



                                        Vln II div.

Vla

Vc.

Db.

 

6

6



6



6

                   

                         

5

 

  sf

5

 

 

5

 

  sf

5

 

6

6

6

6



                           

5

 

5

   

    5   arco, trem.    

sf

5

   

 


22

1 Tbn. 2

I 24       

     

rall.

fff

fff

B. Tbn.

        fff

B. D.

S.

      

 

 

 

 

 

    

   

mf

               Eight pound - ing hearts, mf

              Eight pound - ing hearts,

Pno

Vln I

 

 hh

 hh

 hh

 

poco

 

a

 hh

 hh

 

 

 

 hh

hh

 

 

 

 

poco

 

hh

 

hh

 hh

hh

 hh

 hh

 hh

* A sharp intake of breath. The exhalation should be silent.

CHORUS

B.

 

dim.

hh*

T.

 

p

hh*

A.

 

          eight pound - ing hearts,

        eight pound - ing hearts,

          eight pound - ing hearts,

        eight pound - ing hearts,

    

pound - ing hearts,

     pound - ing hearts,

       

     

I   unis.    unis.

rall.

Vln II

  

Vla

  

Vc.

   

Db.

      

         

f dim. poco a poco

         

mf

         

              dim.


23

(rall.) 34

B. D.

S.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p



 hh

A.

 



 hh

 hh

 hh

 hh

hh

 hh

hh

hh

 

hh

hh

 

hh

hh

hh

CHORUS mp

T.

         eight pound -ing hearts,

mp

B.

       

pound - ing

eight pound -ing hearts,

Vln I

   pound - ing

(rall.)

  

    



mp

 

p

    

hearts,

pound -ing hearts,

pp

mp

pp

pp

mp

  

 

     

pp

          mp

p

    

pound -ing hearts,

ord.

pp

hearts,

             pp

Vln II

pp

pp

Vla



Vc.

  

Db.

     p

            dim.

 

   

       

     

      pp


24

J q = q. Moderato (q. = 54)

(rall.) 44

W.Blk

Glock.

S.

 

 

  

   

A.

 

  

p

  

 

tranquillo p

    

mp

   

  

hh

p

         

We are in



blue sky,

tranquillo p

mp

p

        

We are in

CHORUS



blue sky,

CONCERTANTE

 

T.

B.

   

p

hh



  



 

  



sonoro mf

 

Sur -

 

  



sonoro mf

 

Sur -

J (rall.)

Vln I

  

 

Vln II

legato

    

  

pp

mf

legato

   

  

q = q. Moderato (q. = 54)

      

  

p

mf

pp



     

p

      

   



  

p

 p

Vla



 

 

Vc.



 

  



arco ord.



p

Db.

    

     

  

  





p


25 51

Hn.1

1 Tbn. 2

 

 



p

    con sord.      p con sord.        



     











  





senza sord.

  



  



p senza sord.

p

p

B. Tbn.

W.Blk

Glock.

S.

 

con sord.



p

  

      pp

    

    





     









              

 



 



  

 

  

p mp

   

See

A.

senza sord.

  

p





   

p

it,

mp

mp

p

the per - fect - ly round spot?

p

mp

p

            

See

it,

the per - fect - ly round spot?

CONCERTANTE

T.

       

  





mp

- round -ed by black clouds.

B.

           

But the

Vln II

Vla

Vc.

   



  

      

clouds are mov - ing

mp



mf           



- round -ed by black clouds.

Vln I

mf

        



But the

 

 



     



     

   

p

p

mf

     

   

p

p

mf

 

clouds are mov - ing









  





  



sempre p

Db.

     

     





sempre p


26 55

Hn.1

1 Tbn. 2

B. Tbn.

 

K 









p

    



    



     



  mp

  



  

 

 

mp

   mp

 

 mf



mp

mf

 



        

mf

Susp. Cym.

Glock.

S.

A.

 

    p

   









   

   

                           and the ring be - tween dan -ger grows small - er.

      in,           

  

K

 

 ff

           

small - er er.

grows

f

We

p

and the ring be - tween dan - ger

p

  

Vc.

Db.

 

look at the figh - ting be - low,

f

ff

          

small - er.

We





         

 

         

 





  

look at the figh - ting be - low,







    p





 

   

 

arco ord.

f

 

  

p

Vla

p

and the

                             

in,

Vln II

grows

mf



small - er.

                    and the ring be - -tween dan - ger





p

mf

mp

and the

                grows





p

mf

sonoro mp

mp

Vln I



p

mf

mp sonoro

CONCERTANTE

B.



p

and the ring be - tween dan - ger

T.

mp

   mf f

 



    ff




27

Bsn

1

 

1 Tbn. 2

B. Tbn.

Timp.

Susp. Cym.

espress.

mf



f

mf



q. = h





    

 





   



   

   

     mf ff       

 

mf



                            mp f



fp

 

 





              

          



   



mf ff

 



     



 

f

mf f        O o



 

f

     O o

peace and beau -ty a - bove,

B.

espress.

Vln I

    

 

ff                  

f        

but the dark mass of clouds

       

looms be - fore

        

but the dark mass of clouds

us,

and tries

to

crush

ff                

     f

espress.

looms be - fore



us,

and tries to

crush

 

mf p

Vln II

    

 

Vc.

Db.

   

 

O

  f     us.

O

q. = h

    



 

      f

     

espress.        

               mf ff

    

  

f

us.

f

               mf ff

mf



    

        mf

   

arco ord. espress.

CHORUS

f

        mf p

Vla



mf ff

CONCERTANTE

T.



    

 



ff

peace and beau -ty a - bove,

A.



mf ff

mf

S.



f

pp

Horn 2

               

       

61

    

f

f



 



 

f

f



    f


28 68

1

  

  

   

 



 



 



   

 



 



f

 

ff

      

ring, R

     

ring, R

ff

                3





3

ring,

marcato

A.



ff

marcato

S.

 

f

Horn 2

L Furioso (h = 54)     

op - en

wide and let us out,

ring,

ff

          3

 ring,

op - en

ring,

wide and let us out,

ring,

 ring,

                3

3

op - en wide and let us out,

         op - en wide and let us out,



sfz



sfz

f



3

     3

ring, ring,

3

op - en

f

ring, ring,

3    

op - en

CHORUS marcato

T.

      

ring,

marcato

B.

     

ring,

L Vln I

ff

              3

ring,

op - en

wide and let us out,

f

ring,

mf

f

ring, ring,

3              

op - en wide and let us out,

                                                   3

mf

     ff

op - en

f

    3

ring, ring,

div.

3    

op - en

           3

                                                3 3

          

3 3                                       

           

f

f

mf

mf

ff

ff

3

3

                                3 3

          

          

                                  3 3

          

          

mf

Db.

ring,

op - en wide and let us out,

(h = 54)

mf

Vc.

ring,

ff

mf

Vla

ring,

           

ring,

Furioso

wide and let us out,

3

               3

op - en

3

Vln II

mf

f

f

mf

mf

ff

ff

3

3


29

accel.

73

Fl.

Ob.

Cl.

Bsn

1

          

2

1 Tbn. 2



 

 



 



 

  ff

f

 

  ff

     



     



f

 

  



A. CHORUS T.

B.

ff         wide

Vln II

Vla

Vc.

Db.

let us out,

ring,

              and

          wide and ff            ff

wide

Vln I

and

and

let us out,

ring,

          let us out,

ring,

        let us out,

      (div.)                                          

ring,

M     

gliss. gliss.

sfz





 

sfz

  ring,

  ring,

 ring,

 

 

ff

f 3

ff

f 3

ff

f

                       3

           ff

    

f 3





ff

     ff

3

ring,

        

                    



 



 



                          wide



f

ff

S.























     



   

Horn



M 

ff



f

ff

f 3

ff

f 3

          

3                      

 

op - en

ring,

op - en

 

ring,

op - en

 

3    

                 

ring,

op - en



  

op - en

ring,

op - en

3

3

wide

    

op - en

wide

and

let us out,

ring,

            and

let us out,

ring,

                  3

op - en

3

wide

wide

and

and

let us out,

ring,

let us out,

ring,

accel.

                         3

   

3

     3

3

  

3

        f

3

                               

gliss.

3

f 3

3

f 3

                                  

             

gliss.

                         

               

gliss.

3

f 3

                                3

f

3


30

(accel.)

          

79

Fl.

     

ff

f

3

ff

f

3

ff

f

3

ff

f

3

ff

f

3

ff

f

3

ff

f

3

ff

f

3

 ff

Ob.

                   

Cl.

                 

Bsn

1 Tbn. 2

ff

                   

ff

f

3

ff

f

3

     

3

ff

f

          

        

          

  

ff

                    f

        

                 

3



3

f

3

f

3

f

3

           

                             



f

3

f

3

           

ff

f

           

ff

                    

ff

B. Tbn.

ff

3            f

ff

S.

 3 3                             wide,

A. CHORUS T.

B.

       wide,

3

op -

3

op -

en

wide,

3

op -

   

en

op -

wide,

3

en



wide

and

     en

and

 3 3                   wide, op - en wide, op - en wide

wide,

op

3

- en

wide,

op

3

- en

let

us

out,

          

wide

                  

            

wide

let

us

out,

          and

let

us

out,

        and

let

us

out,

   ring,

   ring,

   ring,

  ring,

 

3

     3

ring,

op

 

3

ring,

op

-

  ring,

 ring,

-

en

   en

3    

op

-

en

     op

3

-

en

(accel.)

                                (div.)

Vln I

Vln II

Vla

Vc.

Db.

ff

f

3

ff

f

3

ff

f

3

ff

f

3

ff

ff

f

3

ff

f

3

ff

ff

f

3

ff

f

3

ff

f

3

ff

f

3

ff

                    



   

     

                   

    

ff

                    ff



                                               

    

            f

3

            f

3

f

3

f

3

f

3

                                  


Fl.

N Più agitato      84       ff

Ob.

    



f

ff

Cl.

     

ff

Bsn

       

ff

1 Tbn. 2

B. Tbn.

S.

     



ff

            

  

ff

CHORUS T.

B.

       



       wide,

        wide,      

3



ff



ff



  

3

3

3

  

f

3

-

en

3

 

op

-

en 3

   op

-

en

   3

-

en

      

3

   f

       

       

ff

   f



3

3

   f

3

   f

3



wide,

  wide,

wide,

wide,

 

 

ff



3

 

op

-

en 3

   -

en

   3

-

 



 

 

 



 



 

 



 



 

 



 



 

 



 



 

 

 



 



 



  

  

 

  



and

let

us

out,

 

 

  



and

let

us

out,

 

  

 

 



and

let

us

out,

 

 



 



and

let

us

out,

 

  

  

 

  





 

 

 

 





 

  



 





 

 



 





 

 

 

 



  ff

  ff

 

      3

  

f

ff

3

3

   f

3

   f

3



wide

 

 

wide

  

wide

  

en

  

ff

ff

f





en

f

ff



3

-

op





3

op

 

ff

   op

 

 

3





3

  

f





 

ff

   f

 

ff

   f

ff

3

f

ff

Db.

3

  

op

ff

Vc.

3

N Più agitato      (div.)            

  



ff

   f

ff

  

op

ff

Vla



3

ff

ff

Vln II

3

  

f

wide,

Vln I

f



   f

ff

  

f

wide,

A.

3

   f

ff

   f

3



31

wide



 

ff

  ff

   ff

  ff

  ff


32

Maestoso

        ff         88

Fl.

Ob.

 

(q = 112)

 

 

  

  

  

  

      

sfz

Cl.

Bsn

1 Tbn. 2 B. Tbn.

Timp.

  ff      

Cym.

  

  

  

   

   

   

 

    

  

 



f

   mp

 

 

f

let

us

out!

A.





let

        let      

us

    

Db.



out!

Let

us

out!

let

us (q = 112)

ff trem.

  

      ff         ff         ff



   

     

 

 

fff

   

ff

    

 

 l.v.

ff

fff

   

fff

   

fff

   

  

fff

   

   

   

   

out!

     

ff trem.

Vc.

 

Maestoso

Vla

 

out!





trem.   unis.        



us



ff

ff

Vln II

fff

  

 

 ff      

Vln I

sfz

ff

S.

B.

   

fff

 



T.



   ff    

CHORUS

fff

       sfzp ff--> f ff--> f fff                    ff--> f ff--> f sfzp fff                    sfzp ff--> f ff--> f fff            

 Tam-tam  Susp. Cym.

a2

sfz

sfz

ff

 Hn. 1  2

    fff    

ff

      ff        

fff

  

 

  

 

  

 

 

 

 

 

fff

fff

fff

     fff      fff

 


33

3. The plan to go into hiding Quasi recitative S. solo

Pno

      

(h = 50)

3       

p

Vln I

Vln II



Vla

Vc.

Db.

  

     

     

 

When would we go in - to

hid - ing?



 

  

   Where

 

    

   would we hide?

In the ci - ty? 3

     

  

pp

(h = 50)

      

3     

colla voce

Quasi recitative

       

mp

 

 

pp

 

pp

  

pp pizz.

pp (arco)

pp

8

S. solo

         

 

In the coun - try?

     Pno

Vln I

         

Vln II

     

Vla

    



In a house?

O Più mosso             

mf

cresc.

  

 

In a shack? These

quest- ions keep run ning through my mind.

   

     

   

Vc.

      

Db.

      

O Più mosso 1 solo      mp 1 solo

     mp      1 solo      mp 1 solo            mp      

     mp







 

 





 


34

mf

13

 

 

S. solo

   

 

p

These ques -tions keep run -ning through my mind.

        

Pno

 

(1 solo)

Vln II

 

(1 solo)

Vla

Vc.



 

  

Vln I

When would we go?

p

 

rit.

  

  

 

   



   (1 solo)





 

Where would we hide?

I

      

p

 



rit.

(1 solo)

mp

 

 









 





 

P

a tempo

18

 

S. solo

mf

start - ed pack - ing my be - long - ings,

 Pno

    p

Vln II

Vla

Vc.

Db.

 

 

tutti pizz.

p tutti pizz.

p tutti pizz.

p

meno mosso

 

 

be - long - ings.

The

first thing

was my

 

 

 

 

my im - por - tant

pp

a tempo

tutti pizz.

Vln I

P

my be - long - ings,

  

mp

                  

 

arco, trem.

 

pp

 mf

arco, trem.

 

 

 

 



  

 

 

pp arco, trem.

mf

(nat.)

pp

pp

 p

pp

 p  

 

pp



 

mf

p

pp

 mf

p

p

 

pp

(nat.)

mf

arco, trem.

meno mosso

p

(nat.)

 

  

 

(nat.)

 pp


35

p

24

  

S. solo

 

dia - ry,

my

  

  di - ary.

    

Mem - o - ries

mean more

to

me

than

S.

 

A.

 

CHORUS

T.

B.

    Pno

Vln I

   

       

 

 

     



   

 



sul pont.







 

 

   

 

 

  

  

  

 

pp sul pont.

Vln II

 

pp

Vla

sul pont. div.



pp

Vc.

Db.

sul pont.

pp

sul pont.

pp


36

Q 31

Glock.



(q = 60)

pp

    

S. solo

Adagio





mf espress.

dress - es.

S.

 

Ik

affetuoso p

pp

  3     Mem - o - ries.

A.

p

affetuoso

pp

  3     p

 

T.

pp

 3     



Mem- o - ries.

pp

 3    

p

pp

3

    Mem- o - ries.

p

pp

 3    

p

pp

3

   

Mem - o - ries.

Mem - o - ries.

legato e cantabile

pp

3

   

p

 

p

Mem - o - ries.

affetuoso

Mem - o - ries.

B.

pp

 3    

Mem - o - ries.

Mem - o - ries.

CONCERTANTE

p

 

mf

Pno



Q Adagio Vln I

 

(q = 60)

nat. con sord.3

3 3 3 3 3 3 3 3 3 3 3                 

p legato

Vln II

Vla

 



nat., con sord

p unis., con sord., trem, nat.

 

nat.



p

Vc.

Db.

 



p

 

nat.

mp

sonore

 








37

35

Glock.



 

S. solo

zal,



hoop

ik,

aan

jou

p

S.

pp

3      

A.

p

pp p

3

Mem - o - ries.

pp

3

p

pp p

Mem- o - ries.

al

 - les

kun

pp p

3

Mem - o - ries.

-

nen

toe

- ver -

pp

3

    Mem - o - ries.

pp p

3

pp

3

   

   

   

   

Mem - o - ries.

3

   

   

Mem - o - ries.

p

Mem - o - ries.

Mem - o - ries.

CONCERTANTE

p

      Mem - o - ries.

T.

B.

pp

3

mp

p

3

Pno

Vln I

p

3

p

3

p

3

Mem - o - ries.

mp

   

Mem - o - ries.

Mem - o - ries.

   

Mem - o - ries.

mp

pp

3

   

Mem - o - ries.

   

mp

pp p

3

   

Mem - o - ries.

Mem - o - ries.

pp p

3

   

   

p

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                   

Vla

 

Vc.

Db.

Vln II

 







 

  



 



 





 



 








38

R

39

 Mar.

- trou

-

-

pp

     

Mem - o - ries.

zo - als

pp

3

    

A.

 

 

mp

3

p

  

  

 

wen,

p

S.

     



mp

S. solo

Mem - o - ries.



ik

het

nog

aan



ik

het

nog

aan

 

nie - mand ge -

mp

zo - als

 

nie - mand ge -

CONCERTANTE

p

      Mem - o - ries.

T.

B.

pp

3

 pp

3

   

Mem - o - ries.

  Pno

Vln I

sempre legato                        

R                 3

Vc.

Db.

3

            

 

senza sord.

3

     mp



3

p

3

   

mp

p

p

mp

p 3

p

3

          

Vla

mp

p

Vln II

mp

     mp

p

3

p

   

mp



p

p


39

43

1

 



mp

Horn 2

Glock.

Mar.





mf



p

         mf

mp

              

mf

S. solo

S.

 

B.

- kund

T.

 



en ik

hoop

dat

je

een

Vln I

 

mp

3

3

mp

Db.

 

3

3

3

3

mp 3

3

3

3

3

3

mp

3

p

     mp

p

    mp

p

mp

3

    mp mp

3

p

      

                

mp

Vc.

p



Vla

te

               

 

Vln II

-

heb,

 

gro

             Pno

heb,



CONCERTANTE

mf

- kund

A.

3

p

     mf

p

    mf

3



3

mp

     mf

mp

    mf

3



mp

3



mf

mp


40

S molto espress. e legato       

47

D. Rec.

 





mf

1

 

 



 

 mp

mp

Horn 2

   mp

mf

Timp.

  

S. solo



 

p

steun

voor

me

zult

 

  

zijn.

S.

 



A.



 







  

  

CONCERTANTE

T.

B.

 

  

Pno

   

 

f

 

 Vln I

  



3

3

3

3

mf

3

      mf

Vla

Db.

p 3

3                3

Vln II

Vc.



S  

mf 3



 

 

mp

3

mp

3

    mf 

3

     mf

mp

    mf 

mp

 

(p)

  



  

   mp

senza sord. div.

p

p div.

senza sord.

 

   

p

 

mp





mf



 

mp

mf





mp

mf

 



mp

mf



mp

 mf


41

T 54

1

    

  



 

(q = 100)

sfz

        brillante



mf

p

f

 

sfz

f

Horn 2

Alla marcia

  



f

p

 p

sfz

1 brillante

 

Tbn. 2



mf

B. Tbn.

Timp.

S. D.

       

f

sfz

p

brillante





mf

f

    

             

      

mf

f



 

 

 

ff

  



  



f

T Alla marcia

      div.

Vln I

f

 

Vln II

f div.

  

Vla

f

Vc.

Db.

  f

  f

  ff

  ff unis.



  trem.    

        

trem.

 trem. 

(q = 100)

        5

  

ff div.

 

ff

5



f

ff

 

 trem.        trem.      

unis.

5



f

unis.



ff>f

5



5

    

ff>f

 

ff>f

  

  

5

 

5

   

5

  ff>f


42

59

B. Tbn.

S. D.

S.

  

  

 

 

f

    

It seems like years

A.

since

f

   

 

It seems like years

since

CHORUS

T.

B.

 

f

    

 

It seems like years

f     

since

 

It seems like years

Vln I

 unis.          f

 (div.)         f  

Vln II

5

 

Vla

5

Vc.

Db.

f

      

      

  

  

     

     

 

           

           

           

         

           

  

   

     

since

5

  5

   

5

    

5

5

  5

   

   

5

5

    

    

  

5

5

   


43

62

B. Tbn.

S.

  

   Sun

-

  

A.

 



 

day

morn

 

 

day

morn

 



day

morn

 



day

morn

Sun

-

-

  

ing.

-

It seems

 



like years

    

ing.

It seems

since

like years

since

CHORUS

    Sun

T.

B.

-

   Sun

-

-

ing.

-

  

   

  

   

       

    

Vln II

 

Vla

 

Vc.

Db.

   



 

       

  

5

since

   

 

        

  

5

5

      5

  5

  

  

5

since

like years

    

     

  

5

like years

It seems

    

   

       

ing.

Vln I

It seems



5

  


44

64

1

 



1





Tbn.





f



 

f

S.

 



 

  



 

day

morn

 

day

morn

 

day

morn

 

day

morn

   Sun

-

-

 

A.



gliss.

 



gliss.

 

gliss.

 

f

2

B. Tbn.



f

Horn 2

Sun

-

-

-

ing.

 -

  

  

So much

has hap

  

  

So much

has hap

  

  

So much

has hap

  

 

So much

has hap

ing.

 -

pened,

 -

pened,

CHORUS

    Sun

T.

B.

-

-

  Sun

-

-

 -

 -

Vln I

  

  

       

    

Vln II

 

Vla

 

Vc.

      

Db.

     

3

 

      5      

   

 

5

ing.

   

ing.

  

5

-

 -

 

5

      5

  



pened,

pened,

    3         3              

3

 

     5

5

5

  


45

66

1

  

 

 



 ff

Horn 2

  

  



 



 

ff

  Tbn.

2

B. Tbn.

Timp.

Cym.

S.



 

gliss.



gliss.



gliss.

 

 

    

A.

ff    ff

   so much

CHORUS

  

T.

 



  

 



  

 



 

      f

so much

B.

1

 

ff    so much

ff

    so much

  f

  

Vln II

Vla

Vc.

has hap

- pened,

  

 

- pened,

  

 

has hap

- pened,

 

Sun

-

since

Sun

since

has hap

 since

has hap

 

- pened,

Sun

since

Sun

-

 -

-

-

-

-

-

-

-

-

-

-







day





day

 -

 -

day

 -

 

day

 6 3                                         6 6 f 6 ff  3    6 6 unis. 6                                        6 ff    f 5 5  6                              6 6 6 f 6          trem.           3

5

Db.

 

3

Vln I

  ff

5



  f

6

ff

 ff




46

Fl.

U 70     

   

   

 

 

  

 

  

  

 



   

 

   

 

   

f

  

Ob.

    

Cl.

   f

   f

Bsn

1 Horn 2

1

  

   

   

   

Tbn.

B. Tbn.

Timp.

S.



   

B.

Vln I

-

-

     morn     

-

morn

-

 

ff



 

   

   

 





f

f

  

  

    

   



 



  

    5

f

       f

5

5

ing.

   

ing.

U    



ff

ing.

ff

Db.

ing.

ff

Vc.



morn

Vla

ff

  

Vln II

 

morn

T.

ff

   

CHORUS

 ff

    

A.

f

   

2





   5

  



  



   

div.

      5

     

  

5

 f

5

    

5


47

   

72

Fl.

 

Ob.



Cl.

 



Bsn

1

   

 

 

 

 



Horn 2



1 Tbn.

2

B. Tbn.

S.

 

 

  

B.

Vln I

f

  

   

It seems

  

Vla

Vc.

  

Sun

5

      5

since

Sun



since

Sun

since

Sun

    

unis.

-

-

  

         5  

5

-



div.

  

-



like years

 

Db.

like years

f

Vln II

since

like years

It seems

 



f

It seems

 

like years

  

CHORUS T.

day

morn

 

day

morn

 

      

 -

ing.

-

ing.

day

morn

 

day

morn

 -

ing.

 -

 

ing.



            5     

 



5

     5      

  

5

f f

It seems

A.


48

   

74

Fl.

 

Ob.



Cl.

 



Bsn

B. Tbn.

S.

 

 

  

It seems

A.

It seems

 

like years

Sun

-

-



since

Sun



since

Sun



since

Sun

-

-

CHORUS T.

B.

 

   

It seems

like years

   

 

Vln II

Vla

Vc.

Db.

 

It seems

Vln I

like years

   

       

  

5

    5

  

  

        

   5

  5

  

 

day

morn

 

day

morn

 

day

morn

 

day

morn



-

-

-

-

-

ing.

 -

ing.

 -

ing.

 

  

       

    

   

5

      

ing.

   

-

  

 5

    

5

 

 

5

since

 

like years

  

   


49 76

1

  



 

 



  



 



gliss.

 

gliss.



gliss.

  



gliss.

 

gliss.

  



gliss.

f

Horn 2

f

1

f

Tbn.

2

f

B. Tbn.

Timp.

Susp. Cym.

S.

 

  

So much

has hap

  

  

So much

has hap

  

  

  

So much

has hap

 

   

 

So much

has hap

 

Vln I

 trem.   



trem.

    

   

Vln II

Vla

 

Vc.

5

    5

   

 -



 



  



  

  ff

  

 

  

 -

-

 

  

  

so much

has hap

  

  

so much

has hap

   

 

so much

has hap

 



   

     5      

5

   

ff

     

-

-

 ff

so

 

so

 

so

 

pened,

so

       





5

   

6

     6

            

5



pened,

 -

pened,

 -

pened,

  

5

 

ff

  

      

has hap

pened,



so much

pened,

 -

  

pened,

p

  

pened,

5

Db.

  

  

CHORUS

B.

  

T.



mf

 

A.

 

6

  f


50

V

3 3           

79

Bsn

1

 

 

 





 





 



 



f

2



             3

3



3

3

f

B. Tbn.

Timp.

Susp. Cym.

S.



    

 

    

A.

has

  

T.

has

Vln I

Vln II

3

     

 

3

ff



  



  

3       

has

ff

3

            6

6

  ff

 

3

trem.

 

   ff

world

   

 

3

ff

had

   

3

  

       ff

whole

5

6

the 3

  

6

ff

as if

 

      

It's

3

3 3                 3 much has hap - pened. It's as if the whole world had sud - den - ly V     6 div.                            6 6   ff 6 f  6 6 unis. 6                               ff    6

 

hap - pened.

turned

Vla

Db.

  

3

    

 

sud - den - ly

f

Vc.

3

ff

hap - pened.

 

much

  

hap - pened.

 

much

CHORUS

  

 

f

   

much

B.

 

3

 

3 3           

1

    

 

3



ff



  

ff

Tbn.

3

ff

Horn 2



5

  

 

5





5

     5

  

5

turned


51

      

84

Fl.

    

3

   

Cl.

Bsn

1

      

3

3

     

    

3

  

3

3

  

3

1 Tbn. 2

B. Tbn.

S.

A. CHORUS T.

B.

Vln I

Vln II

Vla

Vc.



3



3

 







 



 













 



 





   

    





3

         3

    

3       

   

ff

It's 3

3

as if

3

the whole

3

   world

    

 



   



3

had 3

3

sud - den - ly

turned

3

3

 

    

had

sud - den - ly

up - side down.



   

turned

up - side down.





 5

  

   

div.

    



  

 

5

  

5

  

world

unis.

    

        

3

the whole

 

5

  

3

      It's

         3  up - side down.         3   up -side down.                 

as if

ff

    

    

5

Db.

   

3

Horn 2



3

    

ff

   

3

 



3

    

 

3

ff

   

3

3       

  

    

 

3

3

ff

Ob.

3

 







5

 

  

     

5

    

 

   

5

5

        



5




52

   

 

   

 

Fl.

       

Ob.

      

   

  

   

  

Cl.

     

  

   

   

   

    

       

    

89

Bsn

1

1 Tbn. 2

 



 



 



 

 

 

      



 

 

      



 



 

      

 



 

 

ff

ff

B. Tbn.

Cym.

S.

A. CHORUS T.

B.

 

f

                           

   

 

So much

   

has hap

So much

   

has hap

So much

   

has hap

 

-

So much

has hap

-

unis. trem.

Vln I

  

   5      

Vla

Vc.

   

           

 

       

pened,

 -

pened,

pened,

pened,



 

  

   

    

5

 

   

 

so much

   

has hap

so much

   

has hap

so much

   

has hap

 

-

pened,

so much

has hap

-

pened,

      

-

pened,

 

 -

pened,

 





    

  

5

   5      

5

5

Db.

-

 

              

 



div.trem.

Vln II

 

Horn 2

 

5



5

 


53 91

Fl.

     

Ob.

    

Cl.

   

Bsn

1

      

1 Tbn. 2

B. Tbn.

Timp.



 



  



f

 f 

ff 3





f

3    ff  

   

 

ff 3

 

  

 

ff 3

f

Horn 2

    

 

  fff

 



fff

           fff            fff            fff      fp

S.

     

A.

    

CHORUS T.

B.

          

the

world

the

world

the

world

the

Vln I

     

world



has turned

up

up

up

has turned

       6

Vla

Vc.

Db.

-

-

up

-

-

-

-

-

ff

6

-

-

-

6

-

-

           

(ff)

6

6

 

    fff

side

down.



side

down.

                 

down.

side

down.

            6

 

side





6

fff

 unis. 6                                        6 fff 6 ff f 6                                  6 6 6 6 fff 6 f ff  trem.                        6 fff 6 ff f                  6

Vln II

-

           

6

f

-

 

has turned

-



has turned

-

   

                

    


54

4. The last night at home and arrival at the annexe Andante moderato (q = 72)

   Pno

mf

   

  

  



  

  



Andante moderato (q = 72)

Vln I

Vln II

Vla

Vc.

Db.

    

 



 



 



p

   

p

        



     

espress.

  

 



  

  

 



  

 

 



mp

p

mp

mp

p

  

p



mp

mf

  

p

mp



 

   mp



   mp   

p

             

mf espress.

    

div.

   

   

mp

   

   

   

9

S. solo



W  

. p espr.

 My

 Pno

     

mf



p

W

Vln I

  

Vln II



Vla

Vc.

Db.



espress.

  

div.



               

   

   

   

   

   

  

f

 

f

   

   

    

   

   

unis.

  

   

   

mp

   

   

   

 

mp espress.

 



   

   

p

 p

mf

   

   

   

   

unis.



 p


55

18

Ob.

S. solo

  



mp

mf

  

legato cantabile

       



X       

        mp

 

last night in my own bed.



mf

warm

rain

fell.

In the morn - ing

a

  The

X Vln I

Vln II

 



 

  

 

mp

mf

 



mp Vla

 

  

   





   



 

      

p pizz.

 

p

p

 

unis.



  

mf

p

mp

 

div.

mf

p





mf

(p)

p



(p)

Db.

mf div.

(p) Vc.

unis. pizz.

div.

unis.





 p div.



 

p

mp





p

divisi

mp

1.col legno 2. pizz

       pp

 espress.

   

26

Ob.

Hn.

S. solo

   

 mp

 



 

 

 

  

mf

1.

  

p

 

   

four of us wrapped in layers of

cloth

-

ing,

the

stripped

 

beds,

the

 

 

break - fast things

on the

   

     

       

       

        

Vln II

 

   

    

  

  

Vla

 



Vc.

   





Vln I

unis.

Db.

      

 

 

 

 

    

    

 

              


56

31

Ob.

  

S. solo

Vln II

Vla

Vc.

   

 the

    



mp

door be - hind

 



 



    



p

mf

      

 









us.

arco

          

arco

          

mp

  

Db.

We closed

p

                          

 

mf



tab - le.

Vln I

 

mf

 

   

mp 1.

Hn.

mf unis. arco nat.

p

p

mf

            mp



  

mp

mp



Y

38

Ob.

Timp.

T. CHORUS B.

                   

 

  

   

mp

     

walk - ing down the

     

Vln II

  

Db.

Y

                     

   p 

div.

  

  

walk - ing down the

street,

  



each of us

with a

  



each of us

with a

  

   

mp

   p

street,

   

mp

Vln. I

    

    

   

Walk - ing in the pour - ing rain,

   

Vc.

pp

Walk - ing in the pour - ing rain,

Vla

  



div.

   

  

mf

   

   

      

      

   

  

  

   

mp unis.

  

 div.

   

  

mf

   

   

  

  

unis.

mp` div.



   

   

mp unis.



    




57

espress.   

44

Ob.

Timp.

S.

  

    

mf

     

  

  

    

mp

   



mp

 

We

A.



CHORUS

T.

B.

     sat - chel     

mf

 

filled

to the

brim.

mf

sat - chel



  

filled

to the

brim.

Vln. I

  

Vln II



p

Vla

 

 

mf

Vc.

Db.

          

unis.



p

mp

  

mf

mp

 p

 mp

 mp

p

mp

 mp


58

Z 51

Ob.

Timp.

   

 

rit.





Adagio

(q = 54)







    



   



mp

S.

        closed the door be - hind



A.





 

   mf         

us.

We ar - rived





 

 

at Prin - sen

            

mf

We ar - rived

at Prin - sen

CHORUS

T.

B.

 







 

mf              We ar- rived





 

at Prin - sen

mf              We ar - rived

at Prin - sen

Z Adagio

rit. Vln I

   p

 

Vln II

p

 

Vla

p

Vc.

Db.

  p

    p

unis.

div.

       

mp

 mp

 





  





 









   



mp

mf

      

mf

 

   

mp

mf

mp





mf

  

mp

mf

 mp

   

mp

(q = 54)

 

 mp

    

 mp

    


59 58

Timp.

S.

      

 

    

 

 

- gracht,

   

A.

T.

B.

 

   

led through the long pas - sage

 

 

  

led through the long pas - sage

- gracht,

led through the long pas - sage

Vln I

   

Vln II

  

Vla

     

 

Db.

      

and up

to the

An - nexe.

p

p

stair - case.

p

              and up

the wood - en

  

stair - case.











div.

div.

 gliss. 

pp



 gliss.  

pp

pp



div.

 gliss.  

 

gliss.

pp

 gliss. 

pp

A1 65

S.



Pno

Vln I

  

door was shut be - hind us,

leav - ing us



   

 

 

Vla

  

Vc.

Db.

 ppp

     a - lone.

q = 76 p

   A - lone,

    

   

 

 

    

 

 



  

p

unis.

Vln II

CHORUS         





The

 S. solo

pp



stair - case.

the wood - en

stair - case

the wood - en

and up

Vc.

   

the wood - en

          



          

      - gracht,     

 

and up

p

         

  

led through the long pas - sage

 

- gracht,

CHORUS



   

  

unis.

  

 

 

A1

 q = 76



ppp

ppp

ppp

 

 ppp

 ppp


60

73

     

S. solo

      

a - lone.

   

   

I

a

Then ` for the first time,

found

     

mo - ment to

tell you

a - bout it,

to

    real - ise what had

B1 81



S. solo

       

hap - pened, what had hap - pened to

S.

Tempo giusto

 

me

   

and what

A.

pp



CONCERTANTE

T.

B.

 

pp

We're Jews

 



 

pp





in

chains,

 

We're Jews

 

in

chains,





in

 

chains,

in

chains,



pp

We're Jews

was a - bout to hap - pen.

We're Jews



    chained to one

     

chained to one

spot,

spot,

with-

   chained to one

 with-

     

spot,

with-

chained to one

spot,

with-



 90

S.

      - out an - y

      

A. CONCERTANTE

T.

B.

Vln I

-out an - y

rights,

rights,

-out an - y

rights,

 





Vla

Db.

     -out an - y        

Vln II

Vc.

rights,



 

mp          

 

a

in

   

chains,

mp

  



mf

 mp             

in

chains,

a

in

     

mp



thou-sand ob - li - ga - tions. We're Jews

thou-sand ob - li - ga - tions. We're Jews

   

  



chained to one

mp

mf



  

chains,

chained to one

mf

spot,

mf

spot,

mf

spot,

  

with - out an - y

mp

  

with - out an - y

mp

  

with - out an - y

mp

  

with - out an - y

                          

mf cantabile

             

mf cantabile

            

 

spot,

mp

mf cantabile

 

mp

 

chained to one

cantabile

chained to one

mf

chains,

a

thou - sand ob - li - ga - tions. We're Jews

mf

   

in

thou - sand ob - li - ga - tions. We're Jews

    mp           a

mp

mf



  

mf

   mp



mf




C1

61

WITH CHORUS 99

S.

mf

mp

   

rights,

a

mf

rights,

    thou -sand ob - li

mp

 

A.

a

f

    rights, a

T.

B.

mp

f

 

mp

 mf   rights,

Vln I

   f

 

Vln II

f

Vla

  

Vc.

  

Db.

   

thou -sand ob - li

   

a

thou -sand ob - li

Jews

in

chains,

 

 

 

We're

Jews

in

chains,







Jews

WITH CHORUS mf

f

 

- ga - tions.

We're

f

 

- ga - tions.

 

 



We're

Jews

in

chains,



   

      

 

 





 



 

chained to one

 

   

chained to one

mf

mf

mf



  

spot,

with - out an - y

     

spot,

with - out an - y

  

spot,

with - out an - y

     

spot,

with - out an - y

       

             

               

            

       

  

   

chained to one



chains,

 

chained to one

 

in

C1       



WITH CHORUS mf

   

espress.

We're



espress.



- ga - tions.

   



WITH CHORUS mf

CONCERTANTE

mf



- ga - tions.

    thou -sand ob - li

mf

 

mf espress.





chained to

one

spot,

chained to

one

spot,

chained to

one

spot,

chained to

one

spot,

 107

S.

   

rights,

 

A.

rights,

CHORUS T.

B.

a

a

   rights,

 

a

rights,

Vln I

a

    

 f

   

Vln II



Vla

  

thou- sand ob - li

Db.

   



 

-

thou - sand ob - li

-

        

 

thou - sand ob - li

-

     

poco f

 

ga - tions. We're Jews

 -

poco f

 

ga - tions. We're Jews



thou- sand ob - li

poco f

ga - tions. We're Jews

poco f

 

ga - tions. We're Jews



in

chains,



in

chains,



in

chains,



in

chains,

 

         

   

     

         

   

     

f (espress.)

     

Vc.



 









 with -

 with -

 with -

 with -

    






62

D1 Maestoso deciso

114

1

 

 

ff

Horn 2



 

ff

1

(q =72)

  

 

Tbn.

2

  

 

  

ff    

  

ff

B. Tbn.

  

  

ff

Cym.

S.

 

   - out

 

A.

- out

CHORUS

an - y

an - y

    - out an

T.

 - y



rights,

a

rights,

a

rights,

a

 

thou - sand ob - li

 

-

   f      

ga -tions.

-

-

   f      

ga -tions.

B.

 - out

Vln I

an - y

rights,

a

 

thou- sand ob - li

-

 

 

ga - tions.

We

 

  

ga - tions.

We

    must

    must

be brave and

   

be brave and

ff

                                  7 ff 

Vln II



Vla

    ff

Db.

  

D1  Maestoso deciso (q =72)                                             7

Vc.

We must be brave and

f

f



We must be brave and

 

thou- sand ob - li

ff

 

thou- sand ob - li

 

 



   

 



 

       

  

ff



    ff


63 119

1

 

  

1

B. Tbn.

Cym.

S.



  

 

  

     

  

  

 

  

     

 

trust

   trust

T.

B.

in

God,



     trust in



 

   

  



in

God,

we

   we



    3

Vln II

 

Vla

    

Vc.

 

  

must

must

   be brave

    be brave

  

trust

we must be brave

God,

and

    

God,

we must be brave

 

   

Db.

    

in

trust

Vln I

   

  

   

CHORUS

  



 

A.

  

 

   

2

   



Tbn.

   

  

Horn 2

 



and

trust

and

in



God,



  in

God,

trust

in

we

and

trust

in

God,



 

     

         

we

    

     

must

  

God,

 

       

we must be brave,

  

 

we must be brave,

 

be brave,

we

     

must

be brave,

we



   

     

  

5

  

 3     

  

  

 

 

 

  

 

 

 

 


64 123

1

 

   

E1    

 

   

 

 

 

 

 

 

Horn 2

1 Tbn. 2

B. Tbn.

Tam-tam

Cym.

S.

              

 

         

 



 

f

         

Sonoro appassianato ff

we must be brave,

              

A.

   

T.

     

must

B.

   must

Vln I

  

be brave,





we must

brave

be

   

we must

brave

be

Sonoro appassianato ff

be brave,

    

   

Sonoro appassianato ff

we must be brave,

CHORUS

   

we must

brave

be

Sonoro appassianato ff

 

 

Be

brave

   E1

   



and

   

and

   

and

 

  and

  trust

 

 

  

trust

in

God.

 

 

 

trust

in

God.





  

trust

in

God.

 

  in

port. port.

   God.

 

Vln II

  

      

 

Vla

  

    

 

  

   

 

  

   

 

Vc.

Db.

 


65

5. Life in hiding Lento ma non troppo

Tub. B.

       

S. solo

  

     mp sempre

    

Pno

mp sempre

(q = 60)

   

 

p

 

   

 

   

       

 

 

   



 

   





  



The days

are

 

ve - ry

quiet,

 

here

 

F1

15

Tub. B.

Glock.

  

S. solo

Pno

 

  

  

      

       

 p

 

 

 

 

hav - ing to sit still

 

   



   

all

    

 

 

   

day

     

 

 

   



and

not

   

say

 

a

word,



mp sempre

     

 



G1

28

Tub. B.

Glock.

   

S. solo

S.

CHORUS

 

T.

  

 

  

 

 

  

p 3              you can im - ag - ine

 

 

 

 

how hard that

 

is for

 

me.

 

ppp

 

  

On

ord - in -ary

ppp

 On

ppp

 On

     

 

   

    

    



 

      

 Pno

  

A.

B.

 

ppp

   ord - in -ary

   ord - in -ary

 days,

 days,

 days,

      





ord - in -ary

days,

 

 

On


66 41

Tub. B.

Glock.

S. solo

S.

A.

T.

B.

   

  

       

we speak

we speak

  in

a

        we speak in a          we speak

 Pno

a



 

in

 

a

-

      

 

-

 -

 whis

-

 

p

per.

           

talk

is

worse.

   



 

     

 

 

per.

per.

whis

      

whis



whis

     

Not being ab - le to

   in

   

per.

   

  

H1

55

Tub. B.

Glock.

S. solo

Pno

  

    

 

   

       

   

 

 let ring  let ring

            

 

   

      

    

 

   

        

  

 



 

 

p

 

The

 

 

sil - ence,

 

 

the

sil - ence,

 68

Tub. B.

Glock.

S. solo

 

 

   

       

 

 

              

 

   

    

the

Wes -ter - to - ren



makes me

 Pno

       



 

so

 

ner - vous,

 

but the

  

  

chi - ming

of the

         

  

clock,

 

   

     

 

   

   

  

clock,

re - as - sures me,

 

  

 

  


67 81

Tub. B.

 

        

S. solo

 Pno

 

re - as - sures me



  

 

 

  

  

night.

at

S. solo

 

 

      

 

 

 

 

 

 

 

 

 

 

 

Con moto

 

 

     

Pno

 

95

   

     

 Tub. B.

 

 

 

 

 

 

 

 

 

 













 

           

mf

   

No

     

doubt

you want to hear what I think of life in

I1 Waltz (q = c. 108)

      

105

   

S. solo

 Pno

3

hi - ding?

The

 p

 

sky,

       

the bare

glist

   

   

 

 

S. solo

3

3

Pno

 

Vla

 

Vc.

 

 

Db.

   

 

   

   

  

  3       

3

sea

     

   

 



 

3

   3

 3

mp

 

 div.

 

p

 

p

3

gulls,

  

   

  

3

-

 

3

3

the

3

    

swoop - ing through the air.

  

en - ing glist - 'ning with dew,

      

3               

glint -ing with sil - ver

 

 

      

3

-

111

Cl.

3

chest - nut tree,

    

 

   



blue

 3     3



p




















68

        117

Cl.

3

Pno

Vla

Vc.

Db.

 Cl.

S. solo

Pno

3



    

  

Vln I

  

Vln II

 

3

3

     mp

    





Vc.

  

   mp

  

126

 p

   

mp





mf

  

 

        3

3

  

3

3

 

3

 





the sun - shine and this

   cloud

 

 



less

sky,

-

3 3

   

3

  

ex - ists,



J1

 

      

Vla

S. solo

       

3

Solo Vln



       As long as this       

Db.

  

121        

  

3



    

 

3

          

  

3    

 

                                3

       

3

3

3

3





  

  













f         

3

3

  

3

  

3





 

          

how can I be sad? As long as this ex - ists, the sun -shineandthis cloud less                                                                                 how, 3

Solo Vln

3

3

3

Vln I

   

Vln II

  

Vla

  





    

Vc.

Db.

  

3

  

3

3



3

3

mf

3

3

3

    

mf







    





 

mf

 

 mf





mf

mf

3

3

3

3

3

3

                        










69

  

132

S. solo

sky,

  

the

sun

shine

-

and

this



  



cloud - less

K1     

sky,

as

long as this

ex - ists,

                                                                       

Solo Vln

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vln I

   

  





  

    

Vln II

  

  





  



    

Vla

  

















    



Vc.

    

 

  

Db.

 





             



the sun - shine and this cloud

sky,

138

S. solo

-

less

 how,

3

3

3

3

3

3

3

3

3

Vln I

             



Vln II

           



  









    

Vla

Db.

  



how can I

be

sad?

3                                3                                

Solo Vln

Vc.

  

 





 

3

 

3

3

3

3

  





3

3














70

 

mf      

144

S. solo

  Pno

Solo Vln

Vln I

Vln II

 

Vc.

  



3











  

3





 

glint -ing with sil

-

ver

swoop -

ing through the air.

Vln I

Vln II

 

Db.

        





 







As

  

mf

  

  

3

 

long as this

     

ex - ists,

the sun - shine and this

 

L1   

  mf

mf

mf

3

     

 

     

mf



3

 



3

          



            

3



  



 

the sun - shine and this

3

         mp

ex - ists,

           3

long as this

     

3





  

    

 

mf      

{

           

Vc.

gulls,

L1

As

Vla

-

3

3

div.

Solo Vln

3

sea



           

3

Pno

the

mp

     

en -ing glist -'ning with dew,



mp

150

CHORUS

3

-

mp

 S. solo

glist

  

the bare chest - nut tree,

                                          3 3 3      



S.

sky,

 

mp

   

S.

blue

      

     

Vla

Db.

 

3

The

        

  3     3

mf





  





 


71

      155

S.

cloud

CHORUS S.



 -

   

less



cloud

-

3

3

less

  

sky,

the

sun

shine

  

sky,

the

sun

shine

-

-

and

this

and

this



 

cloud

-



 

cloud

-

 

less

 

less

                                                       

Solo Vln

3

3

3

3

mf

3

3

3

3

3

3

3

3

3

Vln I

     



  



 

 

Vln II

     



  



 

 



















  





Vc.

    

Db.

  

 

as

long as this

Vla

  

S. CHORUS S.

160     sky,

       

Pno

 

Solo Vln

Vln I

  

Vc.

Db.

as

long as this

ex - ists,

 

the sun - shine and this

ex - ists,

the sun - shine and this

  

cloud

-

         cloud

-





less

sky,





less

sky,

           3

mp 3

                                     3     3 3 3 3 3 3 3 3 3 3 3                   

               

  

  

Vln II

Vla

sky,



        



  

 







           













3





 


72 Più mosso

 mf  

165

S. solo

  

how,

Pno

how can

       

I

Vln I

Vln II

   

be,

   

3

tutti    

3

  

how can



I

Vc.

Db.

 

  



be,

be

sad?

 



 



p

  

 pp

I

 

 ,         

,



,

,

pp

how can

,



pp

  

p

   

Vla

 

  

 , mp   

,







pizz.

pizz.

 







pp

M1

170

Tub. B.

S. solo

 

  

   

 

ppp

  

 

[Spoken]: "Prospectus and Guide to the Secret Annexe. A Unique Facility for the Temporary Accommodation of Jews and Other Dispossessed Persons. Now our annexe has truly become a secret, a bookcase has been built in front of the entrance. It swings on its hinges and opens like a door. It is Open All Year Round, Located in Beautiful, Quiet, Wooded Surroundings, In the Heart of Amsterdam. Inside it is Necessary to Speak Softly at all times, Singing is Permissible, only Softly and After Six pm!"

  Pno

 

  

 

ppp

 

 

 

 

Vln I

    

 

 

 

Vln II

   

 

 

 

     

 

 

 

   

 

 

 

     

 

 

 

M1

pp

Vla

Vc.

Db.


73

N1 Liberamente       173

Tub. B.

S. solo

   

   Pno

  

doo doo doo doo doo

 

           

         

doo doo doo doo

(breaks off, but continues in same style) mf

under the breath pp

   

doo doo doo doo

The

  

     3

strang - est things hap - pen

      mp      



when you're in





O1 Alla marcia 180

Drum Kit

S. solo

 

    

  

Db.

 

mp

mp

   

hi - ding.

Pno

  

Try

  

to

   

pic - ture

this.

  

 

   

   

   

 

   

3                

 

We

we

scrub, scrub, scrub our- selves in

  

   mf    O1

  

mf

tin

tub,

                        

   

 pizz.  

a

3

Alla marcia

  

(q = 104-108)

extemporise in military / music hall style

(q = 104-108)

   

f

 188

Drum Kit

S. solo

 

Db.

3

our - selves

            

    

     wash

Pno

in

a tin

tub.

  

  



      

  

  

  

Since the cur - tains are drawn, yes,

3

          

 

 

      

the

  

cur - tains are drawn, we

      

     




a tempo (q = 100)

74

P1

  

con sord. 192



1



2

Drum Kit

S. solo

meno mosso

p



  

p con sord.



 

p

                          

200

Tbn. 2

B. Tbn.

Susp. Cym.

S. solo

 

 



wa - wa    

 

    peo - ple.

S.

  

Pno

Db.

 

(plunger)

 

mp

 

  

wa - wa -

mf  3                             

while

one looks out of the win - dow and ga - zes at the peo - ple, the end -less - ly a - mus - ing

 

mp

 

   P1 meno mosso  

 

 



 

(q = 88)

             mf          a tempo (q = 100)    

rall.

Grave









  l.v.

 

 



and

wood - en

mf  

 

mp

      

child - ren run a - round in



 

thin

shirts

mf

 clogs.

They



          

     

 

(h = 44)



CONCERTANTE

A.

 

wa - wa -

 

The

mp

 

 

Q1

wa - wa     wa - wa        

mp

3              

 1

mp

    

3

Db.



scrub, scrub, scrub our selves in the dark,

Pno

 

(plunger)

    

 

    

wa - wa (q = 88)

con sord.

Tbn.

B. Tbn.

(plunger)

mp



            Q1 

 







      

  

  

rall.

arco



mf

mf

  

They



have no

  have no

Grave

 

mp

(h = 44)


75 211

B. D.

S.

 

 

     

 

coats,

A.

T.

B.

no

    

no

    

   

 

no

 

socks,

pp

 

socks,

 

coats,

CONCERTANTE

mp p

R1

 

no



 3      

caps

and no - one to help them.



 3      

caps

and no - one to help them.

 p

   

a

car - rot

to

   

 

a

car - rot

to

still their hun

   

 

  

a

car - rot

to

still their hun

   

 

  

car - rot

to

still their hun

Gnaw - ing on

p

Gnaw - ing on

p

p

Gnaw - ing on

Db.

R1

     

 

Gnaw - ing on

a

    still their hun

   

218

Timp.

B. D. Susp. Cym.

S.

A. CONCERTANTE

T.

B.

  

 

  

  

ppp

- ger, they

walk

 

from their cold

    hous -es

      

- ger, they

     - ger.      

walk

through cold



through cold



pp

    

        

ppp



pp



pp

ppp

streets.

from their cold

hous -es

streets.

- ger.

sul pont.

Vln I

Vln II

        

div.

 

ppp sul pont.

div.

 

ppp













 unis.



-

-

-

-


76

S1

Tbn. 2

B. Tbn.

   

 

   

 

p

S. solo

    

One

S.

    

 

 

   

B.

 

One

 

 

   

 

day

pp senza sord.

  pp

senza sord.

  pp f

mp

     3

poco rit.

this ter - ri - ble war

will

p

 be

 pp

 

One

Vln I

Vln II

Vla

Vc.

Db.

  

ov

-

er.

day,

one

day,

day,

one

day,

day,



one

day,

pp

  One

 



 

 

 

 

day,

 

one

Grave

 

day,

S1    

pp

One

    

 

senza sord.

pp

 

CONCERTANTE

T.

day,

One

A.

(h = 46 / q = 92)

 

227

1

Grave

   

poco rit. (h = 46 / q = 92)

unis. nat.

legato

 

 

pp

 

mp

nat. legato

 

  mp

pp

 

 

   

 

   

 

 arco





p

p


77

T1 a tempo 236

S.

p       

CHORUS A.

mf

and we'll be

peo

p

mf

      a tempo

Vln I

  

pp



Vln II



peo

Vla

Vc.

  

p

Db.

  -

ple

a

 

- gain,

peo

  -

ple

- gain,

peo

-

ple

p

pp

p

a

div.

 

   

 

will be

   

 

   

unis.

will be

    we

 

 

gain,

    we

 -

 

gain,

 

   

-

 

p

pp

a

pp

a



arco

 

ple

cantabile

mf

pp

-

and we'll be

 

 243

S.

    

CHORUS

a

 - gain,

mf

mf

        f

Vln II

Vla

Vc.

Db.

     f       f      f    

f

mf

 peo

 peo

peo

Vln I

 peo

  

mf

- gain,

peo - ple

T.

B.

a

  

A.

peo - ple

  -

- ple

mf

  

 

mf

mf

 

 

 

we'll be

 

 

we'll be

mf

ple, a - gain,

 cantabile

a - gain,

 

 

      

mf



 

- gain,

ple, a - gain,

  -

-

  ple a

 

 

 

                      


78

250

Cl.

  

               

       

mf

Bsn

 

       

             

       

mf

S.

A.

 



not

just

Jews.

not

just

Jews.

f

We

f

We

  will

be

  will

be

  

 

peo

- ple

a-

  

 

peo

a-

- ple

CHORUS legato

T.

              peo

-

-

-

    

ple,

not

legato

B.

              peo

Vln I

Vln II

Vla

Vc.

Db.

-

      

-

-

not

div.

     

     

                 

f

Jews.

  

 f

 

We

  will

be

peo

  will

be

-

ple

 

a -

peo - ple

a -

        

  

      

    



    

 

                  

 

 f

  

         

f

 

       

f

We

 

f

  

  



Jews.

just

     

    

   

just

    

ple,

f

 


79 256

Cl.

Bsn

1

                            

         

                      

 

1



 

Tbn. 2

 f

Timp.

Susp. Cym.

S.

  

 

 

 

we

Vln II

 

 

Vc.

   

 

 we

      

we

                                                    

    

Vla

Db.

  we

   - gain,

- gain,

Vln I

 

- gain,

T.

 

CHORUS

f

  

A.

f

- gain,

B.

f f

B. Tbn.

f

Horn 2

 

 

ff

   

will

be

peo

will

be

  will

be

will

be

  

-

  peo

peo

-

-

 peo

-

ple

a

gain.

ple

a

- gain.



ple

a

-

ple

a

       

ff

ff

 - gain.

                 

    trem.                   

ff

unis.                    5

        

ff

5


80

261

1

    ff

Horn 2

 

 

 



 

 

 

 

 

 

 

 



 







































 

 

 

 





 

 

 

 





 

 

ff

 1 Tbn.

2

  ff

  ff

B. Tbn.





ff

Timp.

  

 

ff

Cym.

 

Susp. Cym.

Vln I



  

 

 

ff

Vln II

   

 

ff

Vla

  

 



Vc.

ff Db.

 div.   ff



        

       

       

   

   

ff

 

 

      



 

 

ten.       

   



 

 

ten.       





   

   

 

 

ff div.       

 



   

 



 

ff



 

 

   

unis.

 

ten.

    

div.

 

 

 


81

Fl.

U1                                 

268      

f

   

Ob.

   

Cl.

Bsn

1 Horn 2

1

f

  

f

                              

  

                              

  





f

  

 f

   

f

  

2



f

   

Tbn.





f B. Tbn.

Cym.

S.

     

  

 

f

ff



CHORUS

B.

Vln I

Vln II

Vla



 

  

   

We'll

be

We'll

be

ff

We'll

be

ff

 

T.

 U1         

unis.

Db.

        

7

                        7

7

Vc.

 unis.



be

ff



f

We'll

A.



 

 

   

peo - ple,

 

peo - ple,

  

peo - ple,

                     





 



 



 

peo - ple,



we'll

be

we'll

be

we'll

be

we'll

be

   

f

  

   

f

f

 

peo - ple

peo - ple

peo - ple

peo - ple

 a-

 a-

 a-

 a-

3              3             3             









f



f


82 273

Fl.

  

Ob.



Cl.

  

Bsn

1

             

 

 



1 Tbn. 2

 

mf

 

         

         

         



mf



mf

 

mf

Horn 2

 

mf

                          

      

 

  

 



 

 mf 

mf

mf B. Tbn.

   



mf

Susp. Cym.



Cym.



S.

   

- gain,

A. CHORUS T.

B.

  - gain,

    - gain,     - gain,

Vln I

Vln II

Vla

and

not

 

  

mp

 

  

just

Jews,



and`

not

just





and

not

just

Jews,

and

not

just

3  3  3  3              3 3  3  3  3               3 3  3  3  3            

 

 

 

 

3

 

 

we'll

be

peo

we'll

be

peo

 

be

 -

 -

 

peo

ple,

-

   

ple,

 

  

ple,

             3                 7 3        3   3                           7  3                    

Jews,

 

mf

we'll





f

 

Jews,



we'll

   



Db.

   



peo

7

3

Vc.

be

 

 

-

ple,


83 278

Fl.

  

Ob.



Cl.

Bsn

1

 



     

      

 

 

 



1 Tbn. 2

mp

Horn 2

 

  

  

 

p

mp

S.

   

peo - ple

 

we'll

be

peo - ple

   we'll   

 

be

peo - ple

we'll

be

 

B.

Solo Vln



Vln I

  

Vln II

Vla

 





 

and

mp

a - gain.

mp

a - gain.

not

mp

just

   

 

    

mf

   

 

   

 

         

Db.

       

pp

 

mp espress.

mf

 

pp

mf Vc.

pp

 mf

mf espress.

mf

   

Jews.

a - gain.

 

mp



a - gain,

peo - ple

           

p



 

 

 

be

CHORUS T.



mp

      we'll

A.

 p



mp B. Tbn.

p

mp




84

V1

285

rall.

Fl.

  

Ob.



Cl.

Bsn

  

 



 



  

 

1 Horn 2

1 Tbn. 2

B. Tbn.

S.

p

 Peo



A.

CHORUS T.

B.

Vln I

V1 

 



  

 

 

Vla

Db.

   

Vln II

Vc.

peo - ple,

 - ple,

peo - ple,

p

Peo -

 

Solo Vln

- ple,



 

p

Peo -

   

 

 

  

 

  

pp



Jews.

 

 pp

just

Jews.

ple,

not

ple,

not

 

rall.

 

p

pp

 

just Jews.

 

just Jews.

 

 

 

 

 

p

mp

just

  not

mp

  

 

  not

p

Peo

 

pp

 

 


85

6. Courage Lento

S.

    

A.

   

(h = 50)

p

   

If you be - come part

CHORUS T.

B.

Pno

Vln I

 

  

of the

suf - fer - ing,

p

   

If you be - come part

 

  

of the

suf - fer - ing,

 

   

of the

suf - fer - ing,

   

you'll be en - tire - ly

    

you'll be en - tire - ly

 lost.

   

   

If you be - come part

    

       div.     

  

  

pp

you'll be en - tire - ly

lost.

mp

 

p con sord.

Db.

lost.

pp

   

p

  

  

W1 

con sord.

Vc.



p

  Lento (h= 50)  

Vla

W1

       

  

Vln II



pp

 



     

  



 

   

 

pp



con sord.



pp

 

unis.

pp

pp

    

pp

con sord.

pp

 9

    

Pno

Vln I

 

 

   

 

 





  





  







Vla

Db.

   

Vln II

Vc.

     

 

 

con sord. pp

pp


86

X1 Moderato

(h = 88)

15

S.

   mf     

  

Der Win - ter

  mf     

A.

ist

  

mf        

  

ist

Der Win - ter

 

-

gen. Ich

seh' des

Mai - en

 

 

 

 

-

gen. Ich

seh' des

Mai - en

 

 

 

gen. Ich

seh' des

ver - gan

  mf       Der Win - ter

T.

 

ver - gan

  

Der Win - ter

CONCERTANTE

B.

ist

  

ver - gan

-



ist

ver - gan

-

gen. Ich

seh' des







gen;

Des

ist

mein

Herz

er



gen;

Des

ist

mein

Herz

er

gen;

Des

ist

mein

Des

ist

  

Schein;

  Schein;

      Mai - en

    

  

Mai - en

Schein;

  Schein;

Ich

die

Blüm - lein

  

  

Ich

seh'

  

die

Blüm - lein

  

  

Ich

seh'

die

Blüm - lein

  

  

Ich

seh'

seh'

die

Blüm - lein

24

S.

   



pran

A.

pran

CONCERTANTE

-

    pran

T.

B.

-

    

 -

  

pran

Vln I

  

Vln II

   

Vla

-

gen;

  mein

  -

freut.

  -

freut.

       Herz

er

Herz

er

-

freut.

  -

freut.



Des

ist

mein



Des

ist

mein

Des

ist

mein

Des

ist

mein

Db.

 

 

Herz

er -

  



Herz

 





er -



Herz



 er

  

-

Herz



er -

 





  



 

  



  



p



 p



 p

Vc.

 



p



p






87 31

S.

      

     

- freut.

Da

singt

Frau

- freut.

Da

singt

Frau

Da

singt

Frau

Da

singt

Frau

A. CONCERTANTE

T.

B.

         - freut.      - freut.

Vln I

      

Vln II

Vla

 

Nach - ti

 

-

Nach - ti

 

-

Nach - ti

ga

-

Nach - ti

-

 

 

 -

le

Und

 

ga

le

Und

-

ga

-

le

Und

  ga

-



manch' Wald

 

-

ge

-

lein.

 



manch' Wald

-

-

ge

-

lein.

manch' Wald

-

-

ge

-

 

-

-

ge

-

lein.

       

 

Und

-

le



manch' Wald

lein.





     





div.      













Vc.

  

Db.

    



Y1 meno mosso

39

S. solo

 

S.

  

A.

 

  

 

mf

 

Beau

CONCERTANTE

T.

B.

p

    

S.

      

A.

T.

B.

A -

de,

mein'

p

A -

de,

mein'

A -

de,

mein'

A -

de,

mein'

p

46

- for

 S. solo

  -

 

Al - ler

Al - ler

ty

-

-

-

-

 

tune.

 

de,

schön'

 

  - lein!   

A

       - lein!    

- lein!

A

-

de,

schön'

-

de,

schön'

- lein!

A

-

de,

schön'

-

A

 



lieb

-



lieb

-

lieb

-







de,

schön's

Blü

de,

schön's

Blü

-

me

-

ste!

A

-

de,

schön's

Blü

-

me

-

A

-

de,

schön's

hap - py

Blü

will make oth - ers hap - py,

Ro - sen

-

blu

-

Ro - sen

-

blu

-

   



 -

me

-

  

me;

Es

muß

ge

-

-

me;

Es

muß

ge

-

-

me;

Es

muß

ge

-

Es

muß

ge

-

-







 -

-





me



 -

-

 

ste!

blu



-

            

-

in mis -

A

mf

en

ste!

blu

 

-

-

ev

Ro - sen

 

    

A

-

-

ste!

lieb

Ro - sen

re - mains,

One who is

Al - ler

 

-

Al - ler

 

 

 

-

 

p

-

-

 

me;

 


88 p

    

52

S. solo

S.

  

A.

T.

B.

   

 

den



 

den

sein!

- ers   oth   - schie

CONCERTANTE

- schie

-

-

hap

-

- schie

Vln I

Vln II

-

sein!

den

sein!



 



Vla

 



Vc.

 



 



Es

muß

ge



Es

muß

ge

Es

muß

ge

-

Es

muß

ge

-

p

py,

Db.

          - schie - den sein!          



p unis.

p

 

mp



 one



Herz

in



sein!

Das

Herz

in

sein!

Das

Herz

in

 

den

sein!

Das

Herz

in

 



  



 

 



  

 div.   



 



 

 

 



-

-

p



p

 

schie

-

schie

-



  

den

 

Das

sein!

   schie

den

 -

  schie

  

den

-



 



 58

     

S. solo

who has

S.

     

A. CONCERTANTE

T.

B.

-

age

will

-

mei - nem

Lei

  

         die

ne

- ver





-

hört

ja

all

 



Lei

       mei - nem      

Ge

-

hört

ja

all

-

zeit

dein.

      



-

hört

ja

all

-

zeit

dein.

 



ja

all

Lei

-

be

Ge





Lei

-

be

Ge

-

hört

    



   

  

 

zeit



be

 

-

   



 

 

-

mi - se - ry.

Ge

Vln II

in



be

    Pno

Vla

cour

 mei - nem     

mei - nem

Vln I

     

   



 -

dein.

 

zeit

dein.







 

 

 

 pp

 

 

ppp



ppp

 ppp


89

  

65

 

Pno

Vln I

   

Vln II

Vla





rit.

rit.







   





 



   











Vc.

 

Db.

 

 

ppp

Z1 Lento 70

S.

     

A. CONCERTANTE

T.

B.

(h = 52)

ppp

Der

Win - ter

ppp

Der

   

Vln I



ist

ver

Win - ter

ist

ver

 

ist

ver

3

 

(h = 52)



-

 

 -

-

-





gen.

Ich

seh'

des

Mai

gen.

Ich

seh'

des

Mai

-

en

-

gen.

Ich

seh'

des

Mai

-

en

Ich

seh'

gan

-

-

gen.

  des

 -



 Mai

en

  

-

   

en

3    3   3   3   3    3   3        3

 

  

 

 



ppp

-

gan

  

-

ppp

 

gan

 

ppp

-



 3 



-

 -





gan

ppp

Vc.

ver

 

Vla

ist

p cantabile

Z1 Lento    

Vln II

Win - ter 3

 

Der

   

Win - ter

 ppp    Der ppp    

Pno





div.







unis.



 





 



 




90 76

S.

      

 

Ich

seh'

die

 

       Schein;      

Ich

seh'

die

seh'

die

Schein;

Ich

seh'

die

Schein;

     

A. CONCERTANTE

T.

B.

Schein;

Ich

Vln I

Vln II

   

Blüm

-

 

Blüm

-

Blüm

-

   

B.

Db.

lein

pran

-

-



lein

   

-

   

 

    

 



mein

Herz

er

ist

mein

    ist    

Herz

mein

Herz

mein

 

 

er

-

er

-

Herz

    3 

-

er

 

Des

ist

mein

freut.

Des

ist

mein

3

 

3   

-

 

-

Herz

er

  

-

Herz

er

  

 

 



-

 

 

A2 

 





 



  



   

 

  



  





  

 

er

mein

  

Herz

ist



er

Des



Herz

freut.

unis.

Des

  



gen;



         

 



Des

 mein

 

gen;

 ist

freut.

Des

  

div.

 

-

 3   3 

A2 

freut.

Des

 ist  

gen;

-

     3       

3

 

  

3



-

   

Des

-



gen;

pran 3

-

Pno

Vc.

 

Vla

pran

 

3

Vln II

lein

ist

Vln I

A.

T.

-

81

CONCERTANTE

pran





 S.

lein

 



           

Vla

Vc.

-

3

   3   3     Pno

Blüm



ppp






91 86

S.

      

- freut.

Da

     

A. CONCERTANTE

T.

B.

Da

       - freut.

     

Vln I

  

Nach - ti

Nach - ti

Nach - ti

gal

 

-

 -

-

  

singt Frau

-

le

-

gal

-

le

Und

  le

 -

Und

   

gal

  

singt Frau

Da

Nach - ti

     

  

singt Frau

- freut.

Pno

Da



singt Frau

- freut.

  

  

Und

 

gal

-

le

Und

  

    

  

   

unis.

  

  



Vc.

  

Db.

    





- ge



- ge

 -

- ge

  

-



  -

lein.



  -

lein.

    

manch' Wald

    

div.

     

-

manch' Wald

Vla

manch' Wald

-

- ge

-



lein.

  -



lein.

                  



      

Vln II

manch' Wald

rit.



div.



 

rit.



unis.

 





 



 

    



 

  

 





B2 94

S.

A tempo

    

pp

    you'll be

        p

A.

If

you be - come

 part

 

  

of

suf - fer - ing,

the

en - tire -

pp

    you'll be

 

en - tire -





ly

lost.

ly

lost.

ly

lost.

ly

lost.

 

CHORUS

  p        If you be - come part

T.

B.

p        If

you be - come

 part

 

   

of

suf - fer - ing,

the

 

   

of

suf - fer - ing,

the



pp

    you'll be

en - tire -

pp

    you'll be

en - tire -

 




92

C2 Andante

Ob.

  

Vln I

  

Vln II

 



mp

Andante

 

espress.

(q = 54)



mf

 

pp

 

pp Vc.

 



mp

 

Vla

(q = 54)

                              

102

 

  

 

p

pp

p

pp

pp



p

pp



p

pp

p

  

mp

p

  



pp





mp

    

pp

mf

112

Ob.

    

Pno

Vln I



   

  



mf



3

     



            

3

mp



     

3

   3

 

 

     mp

Vln II

 



mf

mp



Vla

mf Vc.

Db.

mp

  

  





  

  

mf



 

mp

 

mp

 

mf

   

  

   

  



div.

 

 

mp

 mp


93

121

Ob.

  

D2     

      3

Pno

Vln I



3

3

  

   

mp

  

3

3



mp

p

               

               

  

mp

     



mp



 

p

       



p



   

p

p

  

D2 cantabile              

 

 

    

  

3

  



p

  

Vla

Db.

 

Vln II

Vc.

3

    

   

mp

Ob.

128             



mf

Vln I

 

    

Vln II

    

Vla

Vc.

Db.

   



       

                        f

mf

               

 

 

      mf

      

      

mf



  



  

mf

 

 


94 137

Ob.

   

Pno

Vln I

   

  3

3

mf



    

3

            

      

   

div.

 

Vla



mf mp

Vc.



  

cantabile



3

    



3

3

3

    

  3

legato cantabile        

mp

mf

Vln II

  

 

mf

 

        mf

   

   

   

mp

 

  

 p

   





  

p mf

p

                        

E2

145

Ob.

Pno

Vln I

 





    mf

   

    

E2                                          

Vln II

  

mf



     mp

  

Vla

Vc.



  

   

 

 

 

 

 



mf

mp

mp

mf

mp

mp

mf

mp

  


95 154

Ob.

  

  Pno

Vln I

   



     

Vln II



Vla





mp



  



mf p



p



mf



mf



 

mf



 

mf





mf



p

 



  



mf Vc.

 

             

   div.                 

  

            



mf

mp

 

    

p

mf

F2 162

Ob.

S.

  

     p

  



  

 

   

 

 

CONCERTANTE

A.

 

Pno

A tempo

p   

  

 

Him -

mel - hoch

  

jauch-

   Him -

mel - hoch

jauch-

p

 

    

 

 

F2

A tempo

Vln I

    

 



      

unis.

 



      

p

                             

  

Vln II

pp

p



Vla



pp

            p

Vc.

Db.

 

  

    p

            

                  p

cantabile

              

mp

  p

pp

p

  

pp





  

 

p

pp

  

  

 

 


96 170

S.

  



- zend,

 

A. CONCERTANTE

B.

Vln I

  

zu

To



zu

To

-

-

  

  

de

  

be - trübt.

de

be - trübt.

  

   

mf

                 mp

Vln II

 



Vla

 

   







mp

mf

mp

mf

div.

mp unis.



mp

mf

mp

  



mf

mf

 

  

mp

  

On      

mf

of the world.

  

  





  



  mf

   



On top

mf

Vc.





- zend,

T.

 

mf

  

G2

180

S.

 

A.



CONCERTANTE

T.

B.

                top

Pno

Vln I

Vln II

or

in

the





  

 

Vc.

 

  

     

 

mp



 

 

       





      

                                       

   



 



  



  

 

 

 

 

    

 

p







p



of des - pair.

      G2     

 

depths

mp

  

Vla

Db.

of the world,

p

 p

 

 


97 187

S.

  

A.



   





CONCERTANTE

T.

B.

Pno

Vln I

   

 

  





p

Vln II

Vla

Vc.

                                                                                               

 rall.

 

S.

    

 

A.



 

    

 

 



 



 

192

Fl.

CONCERTANTE

T.

B.

Pno

Vln I

  

 pp

Vln II

Vc.





rall.

   



ppp

                          



 

                          pp ppp         

 

pp

Vla

pp

ppp

ppp

 

 

 


98

7. The fear of capture and the second break-in Moderato ma ritmico

Fl.

                



           



        

(q. = 84)

f

f

            

Ob.

f

Cl.

Bsn

1

sfz

    

2



 

sfz

B. Tbn.

Timp.

B. D.

Mar.

T. CHORUS B.

    sfz     

 Hard sticks                       f       

 

       f        f

 

       

 

 

 

Vc.

Db.

   



            

                

     

  

  

p

sfz

 

 

p

sfz

         

   

ff

f

  



 p

  ff

f

   In the



f

  

  

 

 

senza sord.



p

          

(q. = 84)

 

In the



    sfz   

mf

sfz senza sord. trem.

f

                  

mf



     

Vla

mf

Moderato ma ritmico

Vln II





senza sord. trem.

           f  

f

f

Pno



     

         p

            

Vln I



     f

f

                  f        sfz      

Tbn.






8

Fl.

 

          

99

H2 

f

Ob.

   

         

p

Cl.

Bsn

Timp.

B. D.

 

f

    p 



          

 p



       pp         

T. CHORUS B.

      

       eve-nings,



     

 



    when it's



when it's



      



Vc.

  

H2  

in - no -cent

peo - ple

  peo - ple

 

 

 

 

 

 

p

p

Vla

mf

lines of good

         

in - no -cent

        

dark,

mf

         lines of good

  

mp

p

Db.

 

   

        

dark,

     

Pno

Vln II

 f

p

eve nings,

Vln I

             mp

pp

Mar.



f

  

p

p







senza sord. div.

 







 







pp



f

p


100 17

Cl.

 

          mf

Bsn

1

B. D.

S.

mf



       



     

mp

mp

mf

2

Timp.

      



Tbn.

B. Tbn.

           

     

mf

     

mf

 

 

 

 

pp





           





f



 





mp





gliss.

 











gliss.

 







     

ah

pp

A.

 ah

CHORUS

 

T.

B.

      

       

and cry -ing child - ren

      

walk

on

ord -ered by men who



and on,

f

        

ord - ered by men who

          

      













Pno

sul pont. (non trem.)

  

Vln II

walk



and on,

       

and cry -ing child - ren

Vln I

on

f







(p) sul pont. (non trem.) gliss.



 

gliss.





gliss.



gliss.



f





gliss.



gliss.

(p)

Vla

Vc.

Db.

 

   













    ff











 p


101

             

         

            

25

Fl.

 

     

f

Ob.

Bsn

     

mf

  mf

 

     



mf



  

   

  

       



  

 

       



1 Tbn. 2

B. Tbn.

      mf

f

mf

f

Cl.

  

 

S.

 

A.

    



   

S. D.

CHORUS

 

T.

B.

Rim shot

fff

  



Rim shots

  fff



bul - ly,

f

   who

    





who

         

        

Vln I

 

Vln II

Vla

Vc.

Pno

Db.

   







  

  

  

 







ff

 

  

(pp)

 

 



f sonoro

bul ly and beat them.

f

trem.



bul ly and beat them.

               f

bul - ly,

f sonoro



     

No - one

is

No - one

is

   



mf

    



  

       p








102 34

Fl.

 

I2 

 

ff

Cl.

  f

Bsn

1

Tbn.

f

 mp

      





    



sfz

  



 

ff

sfz





  ff

2

mp

 



 

   

 ff

B. Tbn.

 ff

Tam-tam

Cym.

S.





 l.v. ff

 l.v. ff ff

 



West

CHORUS



  spared,

T.

B.

A.

       



           

-

 West

mf pesante

-

ff

ff



all are marched to their death.

spared,

Vln I

mf pesante

   

 

West

-

-

-

West

I2

all are marched to their death.

-

-

-

-

er -

 

er -

 

 -

er -

 



-

ff



  



-

er -

            

div. nat.

ff

Vln II

Vla

Vc.

Db.

  

nat.

            

ff div. senza sord., trem.

   

ff trem.

 

ff trem.

 sfz p







 sfz p



  ff


103

            fltz.        42

Fl.



   

ff

fff

Ob.

Cl.

fltz.                   

   

ff



1

 

Tbn.

2

 

   



  





  

Cym.

S.

 



  



   

 

 



  



 



 

- bork!

  

A.

- bork!

CHORUS

 

T.

B.

  - bork!   

Vln II









  



ff



  

l.v.



l.v.



ff



ff ff

ff

ff

 West

West



ff



West

    

 -



West

- bork!

Vln I



ff

fff Tam-tam

-

 -

-

-

-

er

-

-

bork!.

      

 -

er

er

bork!.

  -

bork!

   -

er

-

bork!

                                          

                                   

                     

ff                                 

unis.

ff Vla

Vc.

Db.



ff

fff B. Tbn.

 ff

fff





ff

fff Bsn





   

  

   

 

   

 

  

  

    fff

fff

  

 

 

 

 

 

ff

ff

fff

ff


104 47



J2    

Fl.

 

Ob.

  



Cl.

  



Bsn

1

  

Tbn.

2

B. Tbn.



Tam-tam

    

Cym.



 

fff fff

B. D.

Mar.



fff

 



 



mf

             

 

 



 













fff

mf

             pp

    

    

      

f

 

       

S.

   



A.

 







CHORUS

 

T.

B.

         

mf

    

Night af - ter night,

 



      

mf

Vln I

Vln II

fff

ve - hi - cles

cruise the

            

Night af - ter night,

trem.        trem.      

green and grey

 

green and grey

ve - hi - cles

cruise the

 streets

 streets

J2      









 

 

fff

Vla

Vc.

Db.

 

 

     

fff

fff

fff

  mf

 










105 56

Fl.

     

Cl.

  

     

Bsn

1

1 Tbn. 2

B. Tbn.

Timp.

Tam-tam

Cym.

S.

f



                     

f

  ff

Horn 2

K2 

             

  

   mf

 

                

ff

      







mf

                 mf Double stick        

 

ff



ff

 ff



ff



 l.v.

ff



l.v.

ff ff

  West

A. CHORUS T.

B.

   

             

         



and knock on ev - 'ry

Vln I

     

Vln II

     

West



Vc.

   

Db.

       



 



 

 



 

er -

-

er -

-

er -

   

K2 div.                          ff

-

West

 

 -

er -

door.

-

ff

 

-

 

door.

            

ff

 

-

ff

West

and knock on ev - 'ry

Vla

 



   

   

-

            ff div. trem.

  

ff trem.

 

ff trem.

  

ff


106

            fltz.             63

Fl.

Ob.

Cl.

Bsn

1

   

                        

1 Tbn. 2

B. Tbn.

   fltz.

  

 

 

  

  

    



  

    



  

    



  





S.

      



    

A.

     



  



   



   

CHORUS T.

B.

- bork!



     - bork!       

Vln II

Vla

Vc.

Db.



 

 

 

 

ff





ff



   





 ff

 

         

    

        

  

             

l.v.



-

West

-

West

-

  

West

 





 West

                                                                                 

l.v.

ff





ff

- bork!

Vln I



ff



- bork!

  

ff





   

ff



Cym.

 



Tam-tam

 

Horn 2



   

 

-

-

er - bork!     er - bork!   

-

er - bork!

-

er - bork!

 -



 



unis.                                   ff

  

                               

ff

ff

 

   

ff

  

ff

  


107 68                      

L2 meno mosso    

     

                         

       Tam-tam  

Fl.

Ob.

Cl.

Bsn

1 Horn 2 1 Tbn. 2

   

    

B. Tbn.

Cym. S. D. Tri.

  

S.

      

A.

    

CHORUS T.

B.

Pno

Vln I

Vln II

Vla

Vc.

Db.

 

                                         

 





 

 

  

 

 

       p 

 

 

  

   

  

                    

(q = 80)

 

pp

 

pp

pp

   

shh!

shh!

p      

    

I heard a sound

 

  

      

    p

  p   

   pp

  pp   

    

p

L2 meno mosso       

  

    

  

trem.

(q = 80)

div.

ppp

I heard a sound

from the

 

from the

 

  

   

   

   

   

   

   

   

   

   

   

   

   

ppp

p



ppp

ppp

ppp


108 con sord. 75

  

Tbn.

 

2

S. D.

T. CHORUS B.

 







    

pp con sord.

   

 

pp

 

   

         



    



mf

f

  ff

book - case,

book- case,

 Pno

 Vln I

pp con sord.

1

B. Tbn.

M2

   

 

   

Vln II

Vla

    mf

   

 



    

f

     3 trem.       3

 

  mf        ham - mer - ing on the mf       ham - mer - ing



ff

   

on the



M2

trem. 3        



mp

mp 3









Vc.

Db.

  trem.   

 82

S.

   

A. CHORUS T.

B.

 pp    

 

We turned white

 

     

Vln II

  





Had he heard some - thing,

 

ppp

 

 

ppp

ppp

 

 

 

      



  



Had he heard

sotto voce

   Had he heard

sotto voce

  

this stran - ger?

          Had he heard some -thing,

  

this stran - ger?

           Had he heard some -thing,

sotto voce

this stran - ger?

            Had he heard some -thing,

ppp

ppp

ppp

           

with fear.

  div.

Vln I



 

 

with fear.

pp

We turned white

     door.    door.

 

Had he heard

  

sotto voce

this stran - ger?

Had he heard

  

sul pont.

 

 

 

unis.

ppp sul pont.

  

ppp


91

Fl.

  

N2 

109

      

ff

Ob.

Cl.

 

Timp.

Susp. Cym.

S. D.

S.



     



      ff

 



    



ff



 

T.



some - thing,



some - thing,

 Pno

  this

 this

stran

this

stran

  this

 



 

 3   

    

f

ff

stran



Vla

 3   3

- ger?

     

Op - en up!

 

 

Op - en up!

  ff    3

- ger?

3

ff          Op - en up!



   

3

    Op - en up!

3

 

Op - en up!

    

       Op - en up!

3     

- ger?

 

  

 ff

    N2 

  

3

Op - en up!

         

    

       nat.

ff nat.



niente





Op - en up!

niente

Vln II

3

ff

- ger?

 

stran

  

ff

some - thing,

CHORUS

   

A.

Vln I

ff

some - thing,

B.

     

ff



    

ff Vc.

Db.

 

 

 

 

 

 



 trem.

   ff

 

ff


110

Fl.

98          



       



      







Ob.

Cl.

Bsn

1

Allegro molto

(q = 100)

B. Tbn.

Timp.

Mar.

 

T. CHORUS B.

 

    

    





 



  

 

 

   

  

   

 

 

  

 



  

    



 

  

  

  

   

 

 

  

 

   

   

mf



Vc.





 

  



senza sord.





   



   

   

  

  

       

 

     

 

     

  

  

  

  

a - tion,

the

  

 

a - tion,

the

f

    



    f

my im - ag - in

-

   

In



f

f

In

mf



       

Vla



         

  

mf

           

Vln II

    

 

mf

  

Pno

Vln I





mf

Horn 2

  mf mf

my im - ag - in

-

   

man kept grow - ing,

man kept grow - ing,

 

     

       

and grow - ing,

     

mf



Allegro molto



   

(q = 100)

                                

mf



              mf



      

              

mf

  

and grow - ing,

                      

   

  

  

  

mf

Db.

          mf

(mf)


104

Fl.

   

 

Ob.

Cl.

   

Bsn

1



  

   

1

  

Tbn.





       

Timp.

Mar.

S.

Vla

Vc.

Db.





 



   

   





 



   





 



   

 

  

  

    

        

 

   

Vln II

f



 

  



and

grow - ing,

 

       

 

  un

f

- til

gi

3

  

    

- til

     

          

he be - came a

he be - came a

gi

grow - ing,

 

f

              f 3        un

and

Vln I

   

T.

Pno

   

CHORUS

3

f

 



 

    

 

  

senza sord.

  



3





A.

B.

    

senza sord.

mf

mf

 



    

     mf

2

B. Tbn.

       

 

    





Horn 2

111

  

 

 

   

 

-

-

























 

 

 

 

 

ff

ff

ff

ff

  

ant,

ant,

     

 

 

f



                                                                         f                                       f                                          

   

f

  



  



f

f

  



 

  



 

    ff

   

ff

                       

     3

  

3

3

  

3


112

  

109

Fl.

Ob.

Cl.

Bsn 1 Horn 2 1

Timp. Cym. Tri. Mar.

S.

          

 

CHORUS T.

Pno

fff









 

 



 

     

 

  

  

 



 

fff

fff























 

 

 

cruel

-

lest

the

cruel

-



-

lest





cruel

the

cruel

 

 

 

   

   

   

   

   

 

      

  

fff











fff

        

fff

fff



-

   

 

fff

lest

fff

lest

 

   

     ff        fff         fas cist fff   

 

the



   

  

ff



 

   

 

    



the

 

ff

 

 



fff

ff

fff

 

ff

      



A.

B.



2 B. Tbn.



   

     

 

  

Tbn.

    



 

   in  

   the  

 

fas

-



cist

in



the



fas

-



cist

in



the

 

-

cist

in

the

fas

 

  

 

                       trem.

 

 

   

 

Vla

fff ff   trem.     ff   fff    trem.   

 

 

   



ff

Vc.



 

 

 

 

 

 

 

 

 

Vln I

  

Vln II

Db.

 

  3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ffftrem. ffftrem.

fff


113 115

Fl.

   

Ob.

1

   

Horn 2

   

      

Cl.

Bsn

   

  

             

 

   

ff

fff



2

B. Tbn.

Timp.

Cym. Tri. Mar.

S.



 ff

  

 

    fff              

 

   



pp

p



 

p

    pp  



 



 

   



 

                



 



 



       

 





 

pp

 

   





   



   



 



   



 

   



 

 

 

                           

 

           

world.



Attacca

pp



p

   



        

A.

pp

 

world.

CHORUS

 

T.

B.

    



   



    

 

fff

ff

1 Tbn.

h=h

 



world.

 world. .

Vln I

Vln II

Vla Vc.

Db.

    

 

     

       

h=h



 



 

 

   



 

Attacca


114

8. Kyrie - Sinfonia Adagio

(e = c.96)

espress.         

Solo Vln

mp

       







  







  







pp

Vla

pp Vc.

 

 

Db.

 

    

  



mp

mf

       



  



  

p





























































           

p

  

mp

 

p

p



       



p

mp

pp Vln II

mf

    

Vln I

p

O2                 espress.

15

Ob.

p

CONCERTANTE

S.

 

mp

mf

p sempre





Ky

Solo Vln

 

         

-

ri



-





e

e

 -



le

-

i



   -

son,





e

-



le

-

  

i

 

-

son,

e

-

mp Vln I

   

Vln II

Vla







 





Db.

 

 



 pp

 

pp

 







pp

pp Vc.





pp

 p

 













 



       







  



































p

 

p

p

mp



p



  



p



 

   


115

)    

Ob.

Hn.1

 

  

Vln I

Vln II

Vla

Vc.

Db.

 

 

mp



-

i

-

  

Q2 )     

  

B.

Pno

Vln I

 

Vc.

Db.

 

f

mf





  

  

























mf





f

 

 

Ky

ri

e

e







e

e





e

e

p

-

 -

p



 



-



p



-

Ky

-

ri

-

 ri

-

mf

 





e

e

 





mp

Q2                



 -



le

-

 le

-

-

le

-

 



i

-

i

-

 

le

-

i

-

   

 



  



-



-

-

i



p

mf

                   mf f mf                       

ri

     



       



 

  



f

mp

   

     

      

       



mp p

mf

Vla

unis.

Ky

  

Vln II



 

Ky

CONCERTANTE

  

mf

(

           

son.

mf

 

T.

mp

     

A.

 



42

S.

espress.

mf

 Hn.1

P2 Poco più mosso      unis. div.                        espress. mf                  espress. mf div. div.   unis.        mp div. unis.           mp        

- le

 

Poco più mosso

 



CONCERTANTE

S.

P2

(

29

  

p p

p









 p


116

R2 Più mosso       

55

Ob.

Hn.1

Timp.

S.

 

 

mf

  

  

mf Hard sticks

 

         

mp

  

     

- son,

- son,



e - le

-



 

 

A.

e

-

i

-



le

-

son,

e

i

-



  -

 

son,



le

-



e

-



i

-



le

-

-

mf









son.



i

son.

CONCERTANTE

     - son, e

T.

B.

 -



le

-

i

    

   - son.,

  

 -

 

son,

e

 -

son,

e

 

    

i

-

-

le

-



 

e - le





-

Vln I

 

  

  

le

-

  

   









-

son.



i

-

son.

   

  

 

i



Pno







 

mf



   





  

    

 

  

R2 Più mosso    

f

Vln II

      espress.      mf

f

                

 





div.

Vla

mf

Vc.

Db.

  

mf

mf


117

Ob.

67   

  

  

  

   

  

   

  

  

 

f

Hn.1

f

  



  



S.

 

A.

 

CONCERTANTE

T.

B.

 Pno

Vln I

  

Vln II

Db.

    

 



 



  

Vla

Vc.

   

 

  

              

      

    

          

 

 

    

 



  



  

  



 

 

 

 

 

 











div.





 

 

















 

mf

   

    

  

  



unis.   

  

 


118 76

Ob.

Hn.1

S2

  

   







()   





  

  

     

 

( )



mf

S.

 

p

  

 Help

A.

us!

mp

 



Help

us!

CONCERTANTE

T.

B.

 

                       

                Pno

  

Vln I

 



   

    

    

    

 

mp

      

 

cresc.

S2    

 



mp

 

Vln II

Vla

Vc.

Db.

 

  

  

 

  

 





cresc.

  

mp

 

 





mp





mp









 mp

 



  poco

a

 poco

cresc.

poco

a

 

 poco

  a



poco

 poco

a

 cresc.

poco

cresc. div.

cresc.



poco

 poco

a

poco


119

T2

85

Hn.1

    

  

  



  



1 Tbn. 2

B. Tbn.

S.

 mf  

 

Help

us!

Help

f

 

us!

 

Help



us!

 

loco                                            

cresc.

Pno

mf

   

Vln II

Vla

 

  

 

      



 

 

 

div.

div.

 



   unis.

Db.



CHORUS

 

Vc.

 

  

f

Help

T.

Vln I

 Help

CONCERTANTE

B.

f

us!

A.



  

unis.







 







  div.

 



 

  

 

T2 





  

 

 





 



  

     

unis.

div.



 





unis.

 

 


120 94

1 Horn 2

1

      



2

 

Susp. Cym.

S.





 

  

us!

Res

  

mf

B.

  

  

 

  

- cue

us from this

 

Vln I

 

 

div.

 

  

     

mf

     

Vla

Vc.

Db.

    

 





div.





  



  

 

hell!

 

f

  

  

be

  

We must

be

  

     

  and

 

brave,

and

        

            f unis.    

brave,

f

     

    

     

 

 



  

 

trust

 

trust

        



  

simile

                    

unis.

3

 

3

3

3

3

3

3

3

3

 

    

  

f

 

f

f Vln II

 f    

 



 loco                       f          

Pno

 

f

We must

f

CHORUS T.

  

mf

f

  





mf

 

A.

  

   

mp B. Tbn.

  

f



Tbn.



 f

f

 


121

U2 

102

1

 

f

Horn 2

Timp.

 

 

 

 

 

 



   

f

mf

Cym.

S.

 

 

A.

B.

 

   

and

  and

     



 

 

must

be

brave,

 

 

We

must

be

brave,

in

God.

 

     

   

 

     

    

 

  

 

          

ff

  

 

God.



 

3

3

  

3

3

Vln II

 

Vla

 

  



3

  

3

3

3

  

3

  

3

3

3

Db.

   

 

 

 



3

3

3                  3 3 3 3  3                  3

      trem.      3

3

3

3

3

Vc.

 

                     U2                               

We

trust

 

 

in

trust

 

f

 

       Pno

Vln I

 



 ff

CHORUS T.

 



3

3

   

   

3

  

3

3

    

3

ord.

 

3






122 108

1

  

 

 

 

 

Horn 2

Timp.

Cym.

S.

 

 

  

 

 

 

  

  and

 

 

A.

and

 

 

trust,

 

and

 

trust,

and

 



trust

 



 in

 



trust

 

God.

 

 in

 

God.

CHORUS T.

B.

 

       

 

     

        



 

 

      

 

     

 



 

Pno

   

Vln I

Vln II

 

Vla

Db.

  

  

 

  

     

    

  

 

  

                           3       3                 3

Vc.

  



 

3

3

3

3

 

  

3

 

3

3

3

3

3

3

3

3

 



 

3

3


123 114

1

  

 

 

Horn 2

1

  





Tbn.



 ff

 ff

 

f

2

 



 

f B. Tbn.

Timp.

S.

 

  

CHORUS

mf sonoro

   Trust

T.

Vln I

 God,

 



Trust

in

God,

 Pno

  in

       

     

3



mf sonoro

 

mf sonoro

 

A.

B.

 

 

3

3

        

   

f



trust

in

God.



 

f



in

God.

 



in

God.

  

        

f

         

 

 

  

 

 

   

   

  

 

    

3

3

3

3

3

3

3

3

3

3













        













        

 

mf

Vla

 

                              

mf Vln II

God.

mf sonoro

trust

  



in





mf f

trust

trust

 

3

 



         

3

 f  

mf

Vc.

Db.

 

 

 mf

  mf

 

 

trem.

 

 

  






124

  

 

V2 

 

 

119

1 Horn 2

  1 Tbn.

 

2

      

 

    

ff

  

  

   

 

    

  

  

ff B. Tbn.

Timp.

Cym.

S.



ff



   

ff

 



ff

  

 

    

A. CHORUS T.

B.

Pno

Vln I

 

 

 

    

3

Vc.

Db.

 

 

 

 

   

ff



3

3

ff

3

3

3

                      3  ff   div.                ff            ff        3

Vla

   

         V2                        

3

Vln II

   

ff

  

  



     

 

 

  



 

               3

3

3

                         

3

3

              

3

 

     

3

3

              

  


125 124

1

  

 



 

Horn 2

1



Tbn.

Timp.

Cym.

 

 

   

Vc.

Db.

    

 

 

 

  

 

 

  

 

 

 

       

  

  

3

3

        

     

   

 

 

  



    

   

  

ff

   

 

 

   



  

 

   

 

  

 

                           

3



  

ff

 

  

      

  

 

3

 

Vla

         

 

Vln II

 

   

 

f

Pno

Vln I

 



  

 

2

B. Tbn.

  

 



3

3

    

        

3

3

3

3

3

3

3

3

3

3

3

                         3 3 3 3 

 

   







                     

  

    

3

   



3

3

3

 

3



  

3

 

 


126 129

1

  

 

 

 

 

  

 

  

 

 

 

 

Horn 2

  

  

  

   

1 Tbn. 2

B. Tbn.

Timp.

Cym.





  

 

  



 

 

         

 

 

  

    

 

 

   



 

 

3

     

Vla

 

       

Vc.

  

3

 

Vln II

   

 

     

 

 

  



 

 

 

      

 

 

  

                             3

Db.



  

 

Pno

Vln I

  



 

 

 

3

3

3



     



       

   



  

3

3

3



     



    

  

  



3

3

3

3

3



     





       

        

   

3

  





  

 

    




127

rall.

134

1

   

  

 

 

 

 

Horn 2

1 Tbn. 2

B. Tbn.

Timp.

Cym.

 

 

    

     





        Pno

   

Vln I

 

 

     

 

   3 3       3

  

3

             

3

  

    

mf

3

              



rall.                mf

p

             

f

 

Vln II

 

mf

f unis.

 

Vla

 

div.

   

 

Vc.

Db.

 

 

 

 

 



         



 mf

p

mp

mf

 

p

mp

     



       

mf



 mp

p

  



 p


128

9. The dream Lento

Fl.

    

(q = 80)

   



      



      











mp

Ob.

    

 mp

Cl.

Glock.

   

 mp

          

     

                     

p

S. solo

    

Lento

Vln I

    

(q = 80)



mp

Last

night,

      

div.

ppp

Vln II

   

Vla

 

I was

fal





- ling

a

-

  

  



 

 



 



pp



ppp

  

just as

pp

unis.



pp

Vc.

   







Db.

   








129

      6

Fl.



 mp

Ob.

    



 mp

Cl.

Glock.

S. solo

    



mp

                 

      mp

 

p

 

- sleep,

S.

    

an

pp

  

A.









     

     

mm

CONCERTANTE

    

pp

  

mm

    

       p



Pno

   

Vln I

       





  

 

pp Vln II

Vla

Vc.

Db.

 

     



 



p

   

pp

  





  





p

   

   

p




130

W2 

   





       

11

Fl.

Ob.

Cl.

Glock.

S. solo



   

 

 



poco rall.



Meno mosso



 

 

 

 

 p

p

p

   

 friend

   

 

ap

be - fore

- peared

 

Vla



me.

     

  

       

   

 

 

 

 

mp



mp





  

 I

Meno mosso

      



mp

p

W2

      

 

 

poco rall.

Vln II

                                

old

Vln I

( q = 76)





saw

her

( q = 76)

trem.

    

    

p

 

Fl.

    



Ob.

   





  





    







       

   

dressed

in

rags,

 

 

ppp pp

ppp pp

   





18

Cl.

S. solo

there,

Vln I

Vln II

Vla

Vc.

 

   

ord.

 

p



 





 

 





 



 

 

ppp pp

ppp pp



p



p





her

  











face

thin

and

 

 

ppp

  

div.

 



 

     

   

ppp

mp



p

 pizz.

 

 

 p

 pp

  


131 26

Fl.

   

 



  

p

Ob.



    

 

Cl.



 

 

  

  

S. solo

  

  

  

    

 

A.

   

She

 

 



pp

p

worn.

S.

 pp

   looked at

me

p

with

such



p



with

such

  

p

  



pp

p

Bsn

pp

p





CONCERTANTE

with

such

  sad

 -

  sad

  sad

ness.

 -

 

ness.

 -

ness.

T.

   



B.

  



Vln I

Vln II

Vla

Vc.

              



 











          p

pp

  ppp

 


132

X2 32

Fl.

Ob.

Cl.

Bsn 1 Horn 2 1 Tbn. 2

B. Tbn.

Maestoso

   

 ff

  



    

   

     



ff



  

B.

Vln I

Vln II

Vla

Vc.

Db.

     

                           



 

ff



 

ff

 



       mf ff                 ff

ff



ff

 

     

Anne,

CHORUS T.

   

Anne,

A.

 

ff

S. D.

S.



Cym.

   

ff

B. D.



ff

    

Timp.



(q = 92)

   

       

 

unis.

unis.

Anne,

 

 

trem.

fftrem.

 

ff trem.

 

 

 

arco

ff trem.

 

ff

div.

     

ff

         

     



 



             ff       ff                 





      



                    

- sert - ed me?

     



Help

 

me!

    



Help

me!

    

- sert - ed me?

         

why have you de

Help

- sert - ed me?



    

- sert - ed me?



          why have you de

    

   

why have you de



ff

 

                        f     f    

why have you de

Anne,

    X2  Maestoso (q = 92)     



ff

    

me!



   Help

me!

        

    



          

    

trem.

 

   trem.  







trem.



 

trem.     

 

   

unis.     


133 38

Fl.

   



 

  

 

   

Y2 



q=q



Ob.

   



    

 

  







Cl.





    

 

  







  



 

  

 

   







 

  

 







 

  

 







   



     

   







   









  

   







 

  

    







  

   

 

Bsn

1

 

Horn 2

1 Tbn. 2

B. Tbn.

Timp.



   



         

B. D.



   



Cym.





     

     

 

      

 

me!

Res - cue me

from this



    

 

S.

Help

A. CHORUS T.

     Help

   

me!

Res - cue me

from this



    

 

Help

me!

Res - cue me

from this



    

me!

Res - cue me

from this

Vln I

    



    

 

Vln II

     

  

               div.    

  

B.

  

Help

Vla

Vc.

Db.

             

 



 



   hell!

ff

 f  

 

  

To

me

 f    

 

hell!

To

me

f

 

hell!

hell!

   

  

To

me

 f   

 

To

me

 

   

Y2 

   

       

     

        

 

 

 

           she is the

suf - fer - ing of

           she is the

suf - fer - ing of

         she is the

suf - fer - ing of

           she is the

suf - fer - ing of

q=q






























134 44

Bsn

     









 f

S.

      



all

A.

all

CHORUS T.

my

     



all

B.

friends,

 

 my

      

 



my

       



 

friends,

 

all



friends,

my

     

 

 





friends,



  

and

all

 

and

all

 

 

and

all

 

and

all





 

the

Jews.

  

 





Jews.

the





When

I

When

I

cresc.





When

I

cresc.

 

cresc.

cresc.

 

the



Jews.

the





Jews.

When

I

   

49

Bsn

1

 

1 Tbn. 2

B. Tbn.





CHORUS T.

B.



             

 mf

 

  



      pray

A.

   

mf

S.



      pray

        pray       pray

 mf

 mf

    

 

for

I

her,

  

for

I

her,

  



for

I

her,

  

for

I

her,

    

  



 

       

 

    

f

 

ff

       

        

 

       



 

  

mf

Horn 2









  



             

 

  

pray

for

all

those

        pray

for

all

those

        pray

for

all

those

        pray

for

all

those

ff

f

ff

f

ff

  

in





         

        

ff

    

  

    

  

    

  

    

  

need.

ff

  need.

ff

 

in



    

f

 

ff

ff

in

    

f

in



  

need.

ff

  need.


135

Z2 55

S.

Adagio

(q. = 56-60)

   

 

p

Mer

-

p

  

A.

Mer

CONCERTANTE

  

T.

B.



- ful

God,





- ful

God,

  -

ci

 p

    Mer

ci



-

 com





ci

- ful

God,

60

-

-





com

p

-



 

com

-

 



 



her

so

she

won't

be

a

- lone.

A.

  

 





 

CONCERTANTE

her

so

she

won't

be

a

- lone.

T.

  

 



 



so

she

won't

be

a

- lone.

 



her,

her,





fort

her,







- main

with

 





re -

main

with

 

 Dear



Dear



main

with







Dear





watch



watch

  watch



unis.



 

God,

 

God,



  watch

God,

 



God,







Dear

 

  re

fort

her

Db.

fort

re -

B.

 

  

S.

 

pp

 Ob.

65   

 









er

her



 







 

p

S.

   ov

 

A.

ov

CONCERTANTE

   ov

T.

B.

-

-

 ov

Db.

-

  

-

 







and

bring

her

back,





bring

her

back,

back

to





 







er

her

and

bring

her







er

her

bring

  and

ppp

 



and



us.



her



to



er

back

 





pp





 

pp







back,

back

to

us.





pp





 

her

back,

back

to

us.



us.

 

pp

 


136

10. Devastation of the outside world Lento

Cl.

Timp.

B. D. S. D.

   

Vla

Vc.

ff

mp

Db.

p

   

 

mf

(Bombs fall)

                     

(Air raid siren) gliss.

p

ppp

  

   

   

ff l.v.

p l.v.



   

 

pp l.v.

 

 

mp

 On

   div.     f div.      f  div.     f          

  

Lento

Vln II

    

  T.    CHORUS   B.  

Vln I

(h = 50)

   p



gliss.

p

gliss.

 

gliss.



p

f

mp

 

On

 trem.        pp  trem.         pp   trem.     

(h = 50)

gliss.

 

unis. (Air raid siren) gliss.



   gliss. 



mf

p

 

 

pp

  trem.    

p

pp

p

pp

pp

  

 Cl.

B. D.

S. D.

T. CHORUS B.

A3 7        

(q = q)

  



 

  



 

p

     

 

*

Su - n - day,

*

Su - n - day,

Vln I

A3     

Vc.

   

Db.

   

Am - ster

Am - ster

 



dam

 -

was

dam

    

was

pp l.v.

 

bombed.

    

* The small note indicates a liquescent, a sung consonant.

 

       

ppp



  

bombed.





(q = q)

p colla parte (plainsong)

-

 

 

The

planes

The

planes



 

   





 

 





 


137 11

                                      

B. D.

S. D.

pp

T.

      dived

   

  

  

and

climbed.

B.

dived

Vc.

Db. div.

and

         

  

  

 The

CHORUS

 

 

climbed.

 The

        

 



 



    air

was a

    -

    air

was a

buzz

    -

buzz

  

  



  

   

 



 

 

   

          



    

 



  

 

   

  

 

 

18

B. D.

T.

   

        with the drone of

 



      en

-

-

 

  -

 

 

-

gines.

 

-

gines.







 



   pp l.v.

CHORUS

B.

      with the drone of

Vc.

Db. div.

     en

    

 

   

  

    

  

-

-

 -

 

   

 

   

 

   

gliss.

ppp

gliss.



   ppp

 ppp




138

B3 25

S.

Lento

(q = 60)

    

   

A.

       

Bar.

B.





The

streets

The

streets

 

 

The

streets

pp

   

 

  



are

in

ru - ins,

count

 

  

are

in

ru - ins,

count

  

 

 

are

ru - ins,

count

  - less



are





wound - ed,

 

streets

are

in

streets

are

in

 

 

are

in

 

pp

CONCERTANTE

T.

pp

in

  - less

are

wound - ed,

    - less

are

wound - ed,

streets

 

mf

In the smould - er - ing

pp

The

streets

 

  

are

ru - ins,

count

in

  - less



are



wound - ed,

streets

are

in

 31

Cl.

  

      

mf

S.

   



ru

- ins,

  

A.

ru -

count

 

ins,

count

ru - ins,

B.

   

- less are

- less are

count

- less are

wound - ed,

      



  



 

streets





wound - ed,

C3 Tempo rubato   

streets

  streets

 

are in

-

ins,

 streets

ru

 -

ins,

  

are in

ins,

ru -

     

child - ren

ru

  

- ents,

are in



are in

ru

 -

ins,



 



      

CONCERTANTE

par - ents.

 

to





count - less are wound - ed.

 

  



count - less are wound - ed.

 

   

 

for - lorn - ly

 



for their





count - less are wound - ed.

3   3                             

shi - ver



count - less are wound - ed.

search for - lorn - ly,

   





 



espress.

  

mp

mp

It makes me

Bar.

 

   



wound - ed,

  

- ins,

    

S. solo



 

38

Ob.

wound - ed,

child - ren search for their par



ru

- less are



     

   

Bar.



 

- ins,

  

T.

count



ru

CONCERTANTE







think of the dull, dis - tant drone of ap - proach - ing de - struc - tion.






139

D3 a tempo

Ob.

(q = 60)

44       

   

3

Bsn

Vln. I

     

   

 

3

a tempo

(q = 60)

Vla

  

  







p unis.





















  

p

  



 

p

3



 unis.

   

3

p

  

Db.

3

Vln II

Vc.

   

E3 poco più mosso (q = 66) 49

Fl.

  

Bsn

Timp.

Vln I

 

 

 

Vc.

Db.

  

 

  

 

         

    

mf



 

mf

           div.      

  

E3 poco più mosso (q = 66)      

mf

unis.

  

 

mf

mf

            mf      

mp

  3

mp

        

3

mf

      

Vla

3



 

mf

  

Vln II

3

3

3

Cl.

           

     

Ob.

 

3

3

 mf

  


140 54

Fl.

  

3

Cl.

Bsn

  

   

f

      

 

3

3

 

agitato e accel. F3 Poco poco a poco > q = 104            

     

3

      

3



                

3

   



               



p3

mf

  

 

 

S. solo

3

  

Ob.

Timp.

     

   

 





  

mf

I

S.

  

mf

I

A.

 

  

CHORUS T.

B.

mf

 I

  

mf

I

Vln I

  

  

Vla

Db.

3

 

  

f

   

   

3

 

     

3

         

Vln II

Vc.

      

Poco agitato e accel. q = 104

  

  

3

F3 poco a poco >          3

3

                   

  

   

 

   

 

 

               

3

 unis. leggiero    

mf

 

 



3 p3 leggiero

3

p3

3

  

p

3

  


141

Fl.

    60         

       

      

p

Ob.

S. solo

             

       

     

       3

  

3

   

 

room

room

 

from

 

from

wan - der

A.

non stacc.

     

     

mp

wan - der

S.

     

mp

p

Bsn

     

non stacc.

3



to

room,



to

room,

 

3

 

3

mp

climb

up

climb

up

and

down

the

and

down

the

     

     

CHORUS

T.

B.

         wan - der from

     

     

     

wan - der

from

legato

Vln I

        

room

to

room

 room,

to

climb

climb

     

p

       

    

     

p

Vla

leggiero

     

      down

the

       

leggiero

     

       

                                            3

3

3

3

3

3

3

3

3

3

3

3

mp

3

3

                                              3

Db.

and

the

mp

3

Vc.

up

down

mp

legato

Vln II

and

     

 room,

    

up

  

3

3

  

3

3

3

  

3

3

3

  

3

3

mp

 mp

3

3

3

3


142

G3 Allegro

      

        65

Fl.

(h. = 52)

mf

Ob.

Bsn

             

3

S. solo

f

   stairs

S.

f



  

        

feel like a song - bird, whose wings have been ripped off

and who keeps hur - ling it - self

        

feel like a song - bird, whose wings have been ripped off

and who keeps hur - ling it - self

    

stairs

and

 

  

CONCERTANTE

f

ff

and

   

 

CONCERTANTE

A.

  

f

and

CHORUS

T.

  

        

feel like a song -bird, whose wings have been ripped off

and who keeps hur - ling it - self

    

 

 

CONCERTANTE

f

    stairs

and

B.

f

stairs

Vln I

Vln II

Vla

  

        

   

feel like a song - bird whose wings have been ripped off

and who keeps hur - ling it - self

Vc.

 

           

           

   

3

3

Db.

 



3

3

3



a- gainst the

a- gainst the

3

   

and who keeps hur - ling it - self

      

a - gainst the

feel like a song -bird, whose wings have been ripped off

 

G3Allegro (h. = 52)  

       

    

   

    

and

a - gainst the

       

 

CONCERTANTE

   

    

  

    

     



    

    

a - gainst the


143

H3 rall.

(q = 104)

 hard sticks         

69

Timp.

 

S. solo

bars,

p

dark,

 

its

dark,

 its





dark

cage.



S.

bars of

A.

 

bars,



      

its dark,

   



CHORUS pp

p

       

'Let me out,

p

pp



its

dark,



its

dark,

   



p

ppp

mp       

where there's fresh

CHORUS pp





cage.

       'Let me out,

  

   

where there's fresh

CONCERTANTE

T.

Bar.

p

    bars,  

   its



dark,

pp



its

dark,

CHORUS pp

 



cage.

       'Let me out,

       'Let me out,

B.

p

   

  

bars

Its

 



dark,

pp



 

its

dark,







  

       Let me out

H3 (q = 104)      

   

where there's fresh

CHORUS pp

cage.

rall. Vln I

where there's fresh

CHORUS pp

   

   

where there's fresh





     









p

Vln II

 

p

 



Vc.

  

 

     p

   

Db.

  

 

     p

   

Vla

 p




144

75

Timp.

                                 mf

S.

p

f p

                                air and laugh

A.

f

-

      

ter,'

a

ter,'

p

              voice

       

air and laugh

p

a

voice

   

with - in me

with - in me

mf

Let me out,

      

cries.

       

p

      

cries.

Let me out,

f p

                    

where there's fresh

  

 

p

air and laugh

-

    

where there's fresh

air and laugh

-

CHORUS

T.

Bar.

        air and laugh

        ter,'

-

Vln II

Vla

Vc.

                   

ter,'

-

a

voice

ter,

a

voice

      

 

cries.

Let me out,

with - in me

cries.

with - in me

 

where there's fresh

  

Let me out,

Let me out

     



      

 

     









    





mf

p

f p

f

p

p

p

p

-

    

p

air and laugh

                                 

f

-

    

f p

air and laugh

           

    

p

-

             

where there's fresh

 

air and laugh

where there's fresh

      

cries.

     

                                    mf

Db.

with - in me

                               air and laugh

Vln I

voice

      

                      air and laugh

B.

a

     

            mf

p

f p

          mf

p

f p


145 82

Fl.

  

Ob.

 

Cl.

Bsn

1

1 Tbn. 2

B. Tbn.

Timp.

S.

A. CHORUS T.

Bar.





      





  



 





 

    

Vln II

Vla

Vc.

Db.

  

f

f

     f    f   

  

f

         f              



- ter, a voice with - in me

         - ter, a voice with - in me        

 



   

 

 

 



 

 



 

 



 

 



 



 

  



     



f

     



     f    



f

f

    f     f     f    

  



 

 

 







      f  



f



                          

cries.

Let me out, where there's

fresh

ff

         - ter, a voice with - in me





ff

                   

 

f



  

 

f



cries.

and

laugh

ter.

Let me out,where there is

Let me out, where there's

         

fresh

air

and

laugh - ter.

Let me out,where there is

Let me out, where there's

fresh

air

and

laugh - ter.

Let me out,where there is

fresh

air

and

laugh

Let me out,where there is

cries.

  

air

         ff

 

ff

 

cries.

    



Let me out, where there's

      



                      

             ter.

                                         ff

              - ter, a voice with - in me

Vln I

      

- ter, a voice with - in me

B.

       f    

Horn 2

I3    

cries.

Let me out, where there's

fresh

air

and

laugh

ter.

Let me out,where there is

          



I3 









         













 













   









   









                               


146

      88

Fl.

 



  

 





 





 









 





 





 





  

 





    

 





   

ff Ob.

     

 



  

ff

Cl.

Bsn

1 Horn 2

1 Tbn. 2

B. Tbn.

S.

       



CHORUS T.

Bar.



 

   



 

    



 

   ff    ff   

   



 



 

     

    

fresh

air

 air

air

Vln II

Vla

air

laugh

    

and

laugh

     -

-

laugh

-

  

laugh

ter.

ter.

   -

ter.

   

    

and

     



laugh

ter.

-

ter,

   







 

Let

me

 

Let

me

Let

me

Let

me

 

 

Let

me

out,

out,

  out,



 out,

  out,



    



a

voice

with

-

a

voice

with

-

  

 

   a

voice

   a

with

voice

     a

 

voice

 

-

in

me cries:

in

me cries:

     -

  with

me cries:

    

 with

in

    

in

me cries:

        -

in

me cries:







   







  







   

 

    

  





    

  





ff Db.



ff

 

and

                 



ff

    

and

         fresh air and         

fresh

 

ff

            

Vln. I

Vc.

 



    

fresh

B.

ff

fresh

A.

   ff   

 



   

 

ff


147 92

1

 

1 Tbn. 2

 

 

 

 

  

f

Horn 2

   

 f

 f

 

f B. Tbn.

    f

Timp.

            f

Cym.

S.

 

f

  ff 

Let

me

out!

  

Let

me

out!

ff

me

out!

ff

A.

T.

Bar.

    Let  

ff

Let

B.

  

ff

Vln II

Vla

Vc.

  3      f    

Db.

3

3

       

 

    f

me

out!

3

   

3

3

3

  

ff

fff

 

  

      

fff

 

fff

 

fff

 

out!

3

3

3

         

3

         f

me

3    3          f

f

Let

Vln I

3

        3

3

3

3

 

3

     

3

     

3

      3         3

3

3

  

      3

      

         

     

  





  

3

3


148

11. The passing of time Lento

Ob.

    

(q = 60)

  

 

mp

Bsn

  

   

 

went

by.

 

mp

   The years

S.









p



       There's a





  

 



say - ing:



mp

      

that's how it was

p



  

'Time

A.



p

   

S. solo

 

 

p





heals

all

 

'Time

 



heals

for















wounds,'

  

all

wounds,'

CONCERTANTE

   

T.

B.

 

p

            'Time

  

 

p



heals

Lento

Vln I

(q = 60)

 

 

 

 

div.

p

   

Vln II

p

   

Vla

 

p

Vc.

Db.

  

   

p

 p

 

 

'Time

   

all

heals



wounds,'

 

all

wounds,'









 





pp





pp





 pp

 

 





  pp

 





 pp


149 9

Ob.

   



 

pp

  

Cl.

Bsn

S. solo

  

A.





pp

mp

         

p

   

pp

     me,

S.



   

   

  

pp

         un - til

one





mf



day,

I

p



One

day,

mp

         

One

saw my face in the mir - ror.

pp

p

pp

 port. 

 

day,

   

It

looked so diff - 'rent.



   

It

looked so diff - 'rent.

CONCERTANTE

T.

B.

       



 port.  One



     



 

 

day,

pp

p

 port. 

One

Vln I

pp

p

day,

pp

ppp

Vln II

     



ppp

Vla

     



       

     

ppp

 pp



ppp

Db.

pp

ppp

Vc.

  pp



 pp


150

J3 Largo

16

S.

    

A. CONCERTANTE

T.

B.

     

J3 Largo Vln I

(q = 52)

p



My

eyes

p

were clear





 

and

deep,

my

cheeks

were

ro - sy,

my

mouth

was

My

eyes

were

clear

and

deep,

my

cheeks

were

ro

My

eyes

were

clear

and

deep,

my

cheeks

were

ro







My

eyes

were

clear

and

deep,

my

cheeks

were

ro

p

p

(q = 52)

  

   

   

   

   

 -

sy,

 -

sy,

sy,

 



Vla



Vc.



  

Db.

 my

p espress.

Vln II

 my

 -

 my

 

mp

















p

unis.

p

p

p

S. solo

S.



    

 

CONCERTANTE

T.

B.

Vln I

  mouth

 

was

sof - ter.

   mouth    

 

was

sof - ter.

 

mouth

was

sof - ter.

    

p

 

and

           

I

looked

3

  

   

mf

3

yet,



  



  



  



  

sof - ter.

A.

rit.

p

23

 

hap

py,



  



  





  



  



  

Vln II

 

Vla

 

Vc.

   

Db.

   

-

rit.


151

K3 Grave mf

      

29

S. solo

(q = 50)

   

 

3

in my ex - pres - sion,

Vln I

Vln II

Vla

Vc.

  mp sonoro           mp sonoro         mp sonoro   1. solo   

gli altri div. a 2 Vc.

Db.

    sonoro      mp     sonoro    

    3

there was some - thing



so





sad,.



some - thing



 



   



mp

     

so

3

  







 

3

  

mf

  

  

espr.

sonoro

    

espr.

     

Vc.



    

    mf      

3

   

mf

   

 

 

 

mp

    

34

S. solo



sad.

Vln I

    

Vln II

 

Vla

 

Vc.

 

Vc. div.



Vc.

 

Db.

  



   

 

    

 



 1.solo    

 





 

    

 

   

 

     

    

 



  

   

 



 

 





     

    

   

 

 

 

 



 




152

  

L3     

39

Fl.

mp

Ob.

  

Cl.

    

Bsn

Vln I

Vla

Vc.

  1. solo    

 

   

p

  

   

  

   



mp

 

p

3    3

  3 



pp

   



 





p

 

p

 

 

       44

Vln I

    

Cl.

Bsn

p

  

Ob.

    p

   

 



 pp







 

3





 pp

                

   

   

   

   

   

pp

pp

       

   

                

       

   

                

pp

Db.

   

   

tutti unis.

Vc.

       

Attacca

p

pp div.

Vla

    mp

  

Vln II

p

 Fl.



mp

 

pp

pp

  



mp

3

L3  

p

Db.

mf

    

mp

   

Vc.

mp

Vln II

div.

    

 

Vc.



   

   

espr.

mp

 

    

  

3

 

 

 

 

  

pp

p

ppp

  

ppp

pp

Attacca


12. The hope of liberation and a spring awakening Tempo marziale

Fl.

Ob.

       

    

153

(q = 104)

   

mp

   

mp Cl.

    

   

mp Bsn

1 Horn 2

1 Tbn. 2

B. Tbn.

Timp.

B. D.

S. D. 2

Tub. B.

T. CHORUS B.

     

 







 







p

    p

   

mp

    

 

 

 

p

ppp

            3 3 3 ppp                p



        

     

       pp

      

Tempo marziale



            

This is D - Day,

       

mf

pp

this is D - Day,

this

is

this is D - Day,

this

is

mf

D - Day,

   

this is

            

This is D - Day,

Vln I

mp

p

       

p

           

 

p

mf

D - Day,

D - Day,

   

this is

D - Day,

(q = 104)

   

mp Vln II

Vla

    

  

  

        

pp

 

pp

Db.

       

div.

Vc.

   

unis.

    p unis.

mp

    mp

mp

   

mp

 mp


154

      

  

    

  

7

Fl.

Ob.

Cl.

Bsn

1

   

1 Tbn. 2

B. Tbn.

Timp.

  

    

T. CHORUS B.

     

 

 



 









 







          

     

      





     

 

      

3

    

this is

D - Day,

   this is

 

D - Day,

3

3

3

       

3

     3

3

3

3

    

      

3

3

3

3

3

3

3

3

      

3

   

3

      

              

      

3

 3



3

      

    

this

is

f

3

 

3



 

this

is

f

f

 

 D

-

-

D

-

-



 

 -

Day,

-

Day,

  

              

    

  

  

               

Vla

  

  

  

  

Vc.

    

      

Db.

Vln II

 

3



  

Vln I

      

  

 

   

 

       

3

Tub. B.



 

 S. D. 1 S. D. 2

3

Horn 2

  


155

Fl.

Ob.

Cl.

M3 10        f           

               

f

f

Bsn

1 Horn 2

       f    ff  

Tbn. 2

       

     

       

    













  

   



f

  

 

    

 





     



     

    

               

f

B. Tbn.

Timp. B. D. Cym.

S. D. 1

S. D. 2

     f     f  

f

f

ff

A.

ff           ff   M3       f        f

Vla

Vc. Db.

f

3

3

3

3

3

3

3

3

3

3

3

3

  

Ah

this is

Vln II

                     

     

Vln I



S.

B.

                     

ff

T.

    

CHORUS

  

ff

div.

     

S.

  

             f    f

D

  

this is

D

  

this is

D

  

this is

D

        

   

 

 

D

   D

  

this is

D

  

this is

- Day,

  

this is

- Day,

this is

- Day,

Ah

- Day,

D

 

- Day,

- Day,

- Day,

- Day,

  

  

  

  

this

is

the



this

is

the

day,

this



is

 

the

day,

this

is

the

day,

this

is

the

day,

  

  

  

 

 

l.v.

 

3

    p

 day,

 

 

   

   

f

 

   



  

  



               

ff

1

       

               

 


156 14

1

 

 

 



 

 

 

 

  

 

 



  

f

Horn 2



f

1 Tbn. 2

B. Tbn.

            

   f

   f

 

 

 



 

 

  

 

  

 





 mp 3

S. D. 1

     f

Cym.



3

3

3

3

3

3

3

                           

S.

    

A.

   

CHORUS T.

B.

          

f

  

This is

D - Day,

f

  

This is

D - Day,

 

this is

the

day,

 

 

this is

the

day,

 

   This is

D - Day,

   This is

D - Day,

 

fight- ing

will

come,

  

 

fight- ing

will

come,

  

Vln I

     

Vln II

    

Vla

 

Vc.

   

Db.

     


157

            

18

Fl.

     

 f

Ob.

   

                   

f

Cl.

   

                      

f

Bsn

1

   

f

 

 

 

 

 

 



 

 

 

 

     

 



 

  



Horn 2

1 Tbn. 2

B. Tbn.

Timp.

S. D. 1

Tub. B.

T. CHORUS B.

Vln I

Vln II

   

    

   

   

   

   

    

 

 

  

 3



   

 3

3

 3

3

3

mp

                 

 

     This is

    This is

D - Day,

D - Day,

 this

 

is

this

is

the

day.

 

the

day.

sonoro

 f

 

 

 

 

sonoro

 sonoro

 

f

espr. e sonoro Vc.

Db.

f Vla

f

                   

     

     

f

sonoro

 f


158

N3 23                       

Ob.

                      

Cl.

   

3 3 3 3 ff                   



  

   

  

  

Fl.

3

Bsn

1

        

1

Cym.

S. D. 1

S.

3

3

ff

ff

3

ff

f

   

       

  

 

ff

     

2

Timp.

3



Tbn.

B. Tbn.

3

ff

Horn 2

3

3

3

3

3

3

ff

       

f

3

3

3

3

ff



     

B.

    

3

 

      

Vla

3

 



  



   

Vc.

Db.

      

  

  

ff

D

   D

 - Day,

 - Day,

ff

   D

ff

  

 - Day,

N3 This is D - Day,          ff         ff            ff

ff

3

unis. ff

This is

   

Vln II

  

3

3

                 mf

    

Vln I

f

This is

     

 

This is

T.

 

ff

CHORUS



ff

   



A.

 

 

 ff

 

 

will

come,

will

come,

   fight - ing

 

   fight- ing

 

   fight- ing

  

fight - ing

    

 

will

come,

 

will

come,

                     

  


159

Fl.

   

  

   

  

   

  

   

  



 



 



 

gliss.



 

gliss.

gliss.



27

     

ff

    

Ob.



ff

   

Cl.



ff Bsn

1

     

 





Horn 2

1

S.

B.

      

 

  

 

     

 

  

 



  

        

        

but af - ter

          but af - ter                     

Vla

3

          

Vln II



3

3

3

that

the

that

the

that

the

that

 vic

vic



vic

 the

vic

   



     

   



  

Db.

      

 

to

 

-

to

 



   

-



        

Vc.

 



-

to

-

-

ry!

 -

ry!

 -

to

-

  



ry!



ry!

       

  

   

El - ev

  

- en thou

 

- sand planes,

El - ev

- en thou

- sand planes,

3 3

  

   3

 

             3

  

 

  

ff

              

but af - ter

Vln I

      



A.

T.

but af - ter

CHORUS

  



2

S. D.

 

 



 

Tbn.

B. Tbn.

    3

3 3

3

3

                    3

3

  

3

 

 

 

trem.

  

  


160

O3 Più mosso (q = 108-112)              

30

Fl.

      

Ob.

     

Cl.

   

Bsn

1 Horn 2

1 Tbn. 2 B. Tbn.

Cym.

S.

                                          

        

  

                        

  

    

  

                 

      

 

    gliss.     gliss.   gliss. 

 

     

f

 

ff appassionato

3

3

        

 

Is this the be - gin - ning of the

A. CHORUS T.

B.

    

 

ff appassionato 3

3

        

lib

 

Is this the be - gin - ning of the

     

    

 

four thou - sand boats,

    

     

ff appassionato

3

3

        

 

  O3

four thou - sand boats,

        

-

lib

-

long

-

           long

-

Vln I

3

3

3

Vln II

Vla

             3

Vc.

Db.

   

  

      

3

3

3

         

3

  

3

sfz 3

      3

3

 

er - a - tion, the

long

-

  p  

 

 

 trem. 

 

 

p

mp

sfz

 

  







sfz

sfz

a -

   f       

er - a - tion, the

long

-

p

   trem.   sfz    trem.  

a -

f          

Più mosso (q = 108-112)

     

a -

f

er - a - tion, the

  

3

3

Is this the be - gin - ning of the

            trem.      

-

f          

er - a - tion, the

   lib



-

   lib

Is this the be - gin - ning of the

ff appassionato

  

p

p

 

 

a -


161 36

S.

        

  

- wait - ed

A.

lib

       

-



er - a - tion?

ff

  

- wait - ed

lib

-

ff



er - a - tion?

CHORUS T.

  

        

- wait - ed

B.

lib

er - a - tion?

  

     - wait - ed

Db.

-

lib

        

-

ff



er - a - tion?

 

 



Long - a - wait - ed

lib

  



    

Long - a - wait - ed

lib

-

  

    

 

-

er

er

lib -

er



  

Long - a - wait - ed

lib

-

 

 

  

          

    

Long - a - wait - ed

ff



  



 

er

-

a -

tion,

lib - er - a

-

           -

a -

tion,

lib - er - a

-

           -

a -

tion,

lib - er - a

-

         -

a -

tion,

non trem.

 

lib - er - a

 



-

f

P3 Andante ( q = 84 )

      

46

S. solo

  

mf            I

S.

        - tion?

A. CHORUS T.

B.

        

- tion?

       - tion?        

p

        

walk from one room to an - oth - er,



breathe through the crack in the win- dow frame,

 



 



 



 



 



p

p

p

- tion?

       Pno

      

p

 

 

 





 

 








162

Q3 poco rit.

52

S. solo

     

(q = 80)

 

mf

 



     

'Ful - fil

S.

      

A.

    

CONCERTANTE

T.

B.

 

mp

    

heart

if

to

say,

as

if

to





p

Ah





poco rit.

     

Ah

p

 mp





 

Q3 solo Vln

Ah

I think



say,

last...'

Ah

p

beat - ing

     

as

my long - ing at

     

                    feel my heart beat - ing mp                       my

p

     

mp

feel

Pno

mp



(q = 80)



 

 



 



          

mf legato cantabile

               

58

S. solo

spring is in-side

S.

     

me, I feel spring

 

  

a- wake - ning,

 

    

T.

B.

    

 

 Ah

 

                

solo Vln

p

mf

 Ah

 

Ah

Ah

                       





   

Ah

     

bo - dy and

Ah



Ah

Pno

  

my en - tire

Ah

      Ah

   

 

 

feel it in my bo - dy and soul,

Ah

Ah

CONCERTANTE

I

Ah

A.

          

               simile                                     

p

mf


163

R3 63

S. solo

     

S.

      

(sempre q = 80)

                

    

    

soul.

A. CONCERTANTE

T.

B.

Pno

R3 (sempre q = 80)                                                         sim.

solo Vln

mf animoso

Vln I

    

Vln II

   

Vla

 

Vc.

   

         mf animoso         mf animoso        

               

       

   

   

       

mf animoso

                       

                                              f               div.                                  f ff                                      68

solo Vln

Vln I

Vln II

Vla

Vc.

Db.

         

       

           

       

   

f

               

f

       div.               f  f

ff

   

   

       

 


164 71

solo Vln

Vln I

Vln II

Vla

   



     



 



  

 



  





        

          

  

  

         

                                                                     

Vc.

    

Db.

   

                                   f                                                              unis.                 73

solo Vln

Vln I

Vln II

Vla

Vc.

Db.

              

 

                   

                              

   

                    

f

                                                                                                                           75

solo Vln

Vln I

Vln II

Vla

Vc.

Db.

                

      

            

                 

 

       

 





   

 

 

  


165

                                                                                                                                                                                                                        77

solo Vln

Vln I

Vln II

Vla

Vc.

Db.

 79

S. solo

   

S.

    

S3 

mf

'Ful - fil

A. CONCERTANTE

T.

B.

solo Vln

   

 

p

p

Ah

   

          mf

      

  

     

 

p

 Ah

mp

 

    

 

Vla

  

 

Vc.

      

 

mf

mf

mf

 

   

 

   

 

   

mp

 mp

mp

legato cantabile

mp

Vln II



     S3                

                 

trem.

Vln I

Ah

        

   

my long - ing at

p

Ah

    Pno

 


166

             

84

S. solo

      last...'

S.

A. CONCERTANTE

T.

B.

  

I think spring is in - side me, I feel spring

     

 

          

a- wake - ning,

 

    



    





solo Vln

 

Ah



Ah

Ah

Pno



Ah

Ah

   

my en-

Ah

Ah

  

Ah

     

feel it in my bo - dy and soul,

Ah

    

I





 



  

                        

p

    

    

    

mf

 

  



p

         

simile

             

 mf

T3

89

S. solo

     - tire

S.

A. CONCERTANTE

T.

B.

 

solo Vln

     

mp



 Ah

    

 

Ful - fil

mp



 

my long - ing,

    my long - ing,

   

Ful - fil



Ah

Pno

mp

Ful - fil

      Ah

bo - dy and soul.

               

                                       

mp

 

my long - ing,

   

Ful - fil

my long - ing,

p

pp

            

my long - ing, ful - fil

pp

 

    

my long - ing, ful - fil

pp

 

p

my

    

my long - ing, ful - fil

pp

my

p

p

my

  

my long - ing, ful - fil

my

 

long - ing at

last,

     long - ing at

last,

my

 my

  

long - ing at

last,

  

long - ing at

last,

my

 my


167

U3 97

S.

   

A. CONCERTANTE

 

long - ing

 long -

      long

T.

B.

rall.

     

 last. 

 ing at last.     

long - ing

at

 at

 

  

pp



 Ich

 

(h = 60)

 

last.

 

last.

rall.

dan

-

ke

dir

für

all

das

Gu

-

te

und

U3 Molto tranquillo

(h = 60)

 

 

   

 

 

 

 

 

 

 

 

 

Vln. I

    

Vln II

Vla

Molto tranquillo

CHORUS

 

- ing

    

at





  

pp legato Vc.

   

Db.

   

div.

 

 

 

te

und

pp legato

pp legato

 p

105

S.

  

A.

 

CHORUS

 Ich

     Lie   

T.

   be

und

Schö

-

ne.

Vln II

Vla

 

  

-

Db.

Gu

das

Vc.

all

für

 

 

Vln I

  

  

dir

 

ke

 

 

-

 

   

B.

dan

 



  

div.



 

 

 

 



p legato

p legato

p unis. p


168 114

S.

        

A.

-

be

und

Schö

 -

ne.

  

T.

Vln I

    

ke

dir

für

all

das

Gu - te und

  

dan - ke

dir

für

all

das

Gu - te und

dan - ke

dir

für

all

das

Gu - te und

  

dan - ke

dir

für

all

das

Gu - te und

dan

p

 p

Ich

  unis.     

Ich

Ich

  



p

 

Ich

CHORUS

B.

Lie

-

 

  

  

   

Vln II

  

    

Vla

  

    

 

Vc.

  

    

Db.

  

 122

S.

   

-

A.

  

Lie

be

und

Schö

-

be

und

Schö

-

be

und

Schö

Lie

CHORUS

   Lie

T.

B.

  

 Schö

Lie

-

be

und

Vln I

   

Vln II

  

Db.







   





ne.

-

ne.

-

ne.

 -

mp

 Ich

 dan

  -

ke

dir

ne.

div.









 

für

all

das

Gu





 

 

für

all

das

Gu



 

mp





-

te

und

 

 

te

und

 

 

 

-

pp



 

-

  

Vla

Vc.

 

 

pp

pp

pp

 

pp


169

V3

131

S.

  

A.

 

CHORUS T.

B.

        Lie     





 

be

und

Schö

 



 

be

und

Schö





   

Lie

-

    

 -

ne.

 -

ne.

unis.

Vln I

 

Vln II

  

Vla

Vc.

Db.

      

    mp

   

 

mf

mp

mp

mf

p

 

mp

mp

 139

Vln I

   

Vln II

  

Vla

  

Vc.

  

  

Db.

(mp)



(mp)

mp div.

 

mf



mf

 





mp

(mp)

 rall.

146

Vln I

Vln II

Vla

  

      

Vc.

   

Db.

   

 





 

 

pp

unis.

 

pp

pp

pp

 pp


170

13. The capture and the concentration camp

Quasi plainchant

T.

(q = 112)

  mp       On Aug -ust the

   

fourth, nine - teen for - ty

 - four,

 

a car

pulled

 

a car

pulled

   up

 

at

  

Prin - sen - gracht.

Sev - er - al

CONCERTANTE

B.

  

mp

  

On

Aug - ust the

Quasi plainchant

Vla

  

con sord.

Vla

  

p

pp

    

p



  

   up

 

at

  

Prin -sen - gracht.

pp

 

  

p

pp

p

  

 

      

pp

Sev - er - al

pp

 

pp

p

pp

 

    

p

  

pp

p

   

 

 

p

 

senza vibrato

con sord. senza vibrato

Vc.

- four,

   pp

  

(q = 112)



   

fourth, nine - teen for - ty

con sord. senza vibrato p

div.

  

 pp p

 pp p

7

T.

      fig - ures em

 - erged,

armed,

  

  

and dressed in civ - il - i - an

clothes.

CONCERTANTE

B.

   



fig - ures em - erged,

Vla

 

armed,



  

  

and dressed in civ - il - i - an







p

div.

Vla





p Vc.



 

 pp

  

clothes.

The eight

   

   re - si - dents



pp

 pp

   p



 

 

 

pp p



p



p

 

pp

 



   pp






171

15

 T.   CONCERTANTE  B.  Vla

  

div.

 

Vla

Vc.



 

 

  

of the

An - nexe

were

ta - ken to

pri



pp

pp

pp p

p

  

 

p

pp

 

 



son,

p

pp

-

sport - ed



pp





p

to

p

 

 



pp



p

 

pp

West - er -

   



p

pp

 

tran

   

and from there,

  

   

-

 

 

p

 



p

W3 Grave 22

Mar.

T. CONCERTANTE

B.



  

 

 

(q = 72) bowed







p

- bork,

and

on - wards

  

  

to

con

the

 

- cen - tra

-

 



tion

camps.

 con sord. senza vibrato

W3 Vln I

 

 

Vln II

  

 



Grave

(q = 72)



pp



con sord. senza vibrato



pp



Vla







Vla







pp





  

  



 

 

 ppp



p

pp

  



 ppp



pp

Db.

pp

p

div.

Vc.

 



con sord. senza vibrato



pp












172

31

Fl.

 



  









 



p



Ob.

   p

 

Cl.



p

Bsn

Mar.

S.



p



 



 





A.

mp

3

  out - side

CHORUS

 

T.

B.

pp

           The

at - mos - phere is

Vln I

Vln II





 









unis.

Vc.

Db.







 

bird.

3

      you don't hear a sin - gle

bird.

- ling,



 

you don't hear a sin - gle



Vla

stif

mp

out - side

pp

at - mos phere is

stif - ling,

         port.  The

 

     

 pp


173 40

1



Tbn. 2 B. Tbn.

S.

 

p

   

A death - ly

sil

   

 

 

  

 

 

ppp div.

Vln II

mf





mf

mf CHORUS

div.

Vln I

 -

3

   

ence

hangs in the

gliss.

air.

 

 

 

 

 

 

 

 

ppp

Vla

Vc.

Db.

 

pp

X3 

50

1

 

Tbn.

 

2 B. Tbn.

 

Meno mosso















S.

 

A.

CHORUS T.

B.

  

 

 









mf



It

clings

to

mf

 It

  clings



me

as

   to





   if

me

to

 

X3 Vla



div. Vla

Vc.



Meno mosso

  

  

  

  

  

  

  

 



 





 



ord. mp ord. mp ord. mp




174

 

 

 

 

  

59

1

  

Tbn.

 

2

B. Tbn.

S.

drag

CHORUS

me

   

div.

mf

Vc.

 











un

in - to



the

-



the

un

 -



 



 



 

p



 

  

mf

mf

p

  









p

p

 

p

der - world,

p



der - world,

   

 

Vla

 

in - to

   

 

Vla



mp

   

T.

B.





p

  

  mp

  

A.



p

66

1

 

 









Tbn. 2

B. Tbn.

B.



 CHORUS  

p

    the deep - est

Vc.

Db.

 

 

 

 

    reg - ions of

the

 und

 -

er - world.





ppp ord. pp


175

Y3 Adagio con dolore 75

S.

  

        There

There

        There

is

        There

is

where

where

their voice

where

their voice

   

no speech or lang - uage



their voice

   

no speech or lang - uage

p

  



  

no speech or lang - uage

p

  

T.

is

   

no speech or lang - uage

       

CONCERTANTE

B.

is

p

 

A.

(q = 76)

p

where

their voice



 

is

not

 

is

not

 

is

not

 

is

not

  heard.

  heard.

  heard.

  heard.

   Their

  

sound

is gone

    Their

  

sound

is gone

    Their

sound

is gone

 

sound

is gone



Their

   



82

S.

  

out

all

the

  

through

all

the

  

through

all

the

   

out

through

all

the

out

CONCERTANTE

    out

T.

B.

through

  

A.

 

 



and their

words

 

and their

words

 

and their

words

     earth,

earth,

earth,

earth,

  and their

    



 

to

end

of

the

   

 

to

end

of

the

   

 

to

end

of

the

   

 

words

to

of

the

the

the

the

the

end

 

 

world.

There

 

 

world.

There

 

 

world.

There

 

world.

There

   

 

89

S.

       is

A. CONCERTANTE

T.

B.

no speech or lang - uage

      is

    where

  

no speech or lang - uage

where

           is no speech or lang - uage where        is

   

no speech or lang - uage

where







 

their

voice

is

not

 

their

voice

is

not

 

their

voice

is

not

 

their

voice

is

not

  heard.

  heard.

  heard.

  heard.

Their blood

Their blood

Their blood

Their blood

have they

shed

    have they

shed

     have they

 

have they

shed



shed

like

  like

   like

like




176

96

S.

   wa

-

  

A.

wa

CONCERTANTE

   wa

T.

B.

ter,

-

   

ter,

   

ter,

   

-

ter,

none

 

 

none,

none

 

 

and there was

  

none,

and there was

 -

 

and there was

   wa

   

none,

none

 

and there was

 

none,



 

who

could

bu

 

bu

who







 

their

voice

is

not

 

their

voice

is

not

 

their

voice

is

not

 

their

voice

is

not

  

could

bu

  





There

- ry them.

  

 There

- ry them.

 

 

- ry them.

 

could

none

  

 

could

who

bu

 

who

 



There

- ry them.



There

Z3 103

S.

    is

is

CONCERTANTE

 

    is

where

 

where

 

lang - uage

 

no speech or

  

lang - uage

 

speech or

lang - uage

 

no speech or

     is no

T.

 

no speech or

   

A.

B.

where

 

lang - uage

where

  heard.

  heard.

  heard.

The

young

The

young

The

young

  heard.

The

  and

the

  and

young

and



the

 

and



the

 





the

 Meno mosso (q = 70)

109

S.

A. CONCERTANTE

T.

B.

  

  



old

lie

on

ground;

the

maids

the

  

old

    old    

  

old

lie

on

  

lie

on

ground;

the

maids

  

on

ground;

the

maids

ground;

the

lie

the

the

the

 maids

    and

young

   and

young

   and

young

    and

young

 men

 men

 men

 men

 

 

are

fal

 

 

are

fal

 

 

are

fal

 

 

are

fal

 -

-

There

pp

  

len.

There

pp

  

len.

 -

pp

  

len.

 -

len.

There

pp

  

There


177

117

S.

    is

is

CONCERTANTE

B.

    is

lang - uage

 

no speech or

lang - uage

 

speech or

lang - uage

 

no speech or

     is no

T.

 

no speech or

   

A.

lang - uage

   where

  where

  where

  where







their

voice,

their

their

voice,

their

their

voice,

their

their

voice,

their

voice

  voice

  voice

  voice

is

not

is

not

is

not

is

not

Attacca

  

         

heard.

 

  heard.

   

heard.

   heard.

Attacca

14. Anne's meditation

Lacrimoso - Grave

Pno

                      p             

Lacrimoso - Grave

Vln I

Vln II

(q = 48)

     

   

(q = 48)

           

  

 

  

 



           

unis., senza sord. senza vibrato

 

pp unis., senza sord. senza vibrato



pp

Vla

   

  

 

unis., senza sord. senza vibrato



 

 

      

   

       

gliss.

 



 

gliss.

 

 

gliss.

 



gliss.

 

pp

Vc.

   

  

 

senza sord. senza vibrato



 

pp

Db.

    

  

 




178

A4 Lento

7

 Hn. 1  

mp

  I

Pno

con sord.

    



p

 

S. solo

(q = 60)

   see the

  

 



  

I

see

the world

be - ing

world,

        

  

 

       

  

 

A4 Vln I

   

Vln II

 

Vla

 

Vc.

div.

ord.

gliss.



ord.



gliss.



     

div.



gliss.

    

gliss.

 

 unis.   

  

div.

   





pp

 

    

div. ord.

pp

    

mp espr. gli altri

 



pp



senza sord. senza vibrato

(q = 60)

 pp 1.solo

ord. gliss.

 

ord.



Lento

pp

ord.

  

Vc.

Db.

 



  

 13

 Hn. 1   S. solo



mf

   slow

-



ly

turned,



 





Vln II

   



 





Vla

  

Vc.

Vc. gli altri Db.

 

     

    

mf

       

 in

   

  

turned

Vln I

(1.solo)

    

-

to

    a

 









    

           


179 18

 Hn. 1  

 







 









 

pp

   

S. solo

B4 

wild

   - er - ness.

S.

  









 

A.

 









 

CHORUS

   

T.

B.

   

mf

      I

mf

     

Vln I

    

Vln II

  

   



 

Vc.

Vc. gli altri

Db.

  

 tutti div.a 2

der, that

one

day

f

              thun

-

der, that

one

will

de - stroy

      

day

will

de - stroy

 



us

too.

  us

p

 





too.





 









 



  

  pp

 

 







           

 









           

 









           

 

pp

{

 

pp

  

-

p



(1.solo)

 

thun

      

B4  

pp



hear the'ap- proach - ing

 

  

Vla



hear the'ap- proach - ing

I

   

f

             







div.

 






180 mf

27

S. solo

     

And yet,

  when I

 look

  at

the

 sky,

   I

feel

ev

-

  

'ry - thing

will

  

'ry - thing

will

  

'ry - thing

will

  

'ry - thing

will

  

'ry - thing

will

 

change

CONCERTANTE

S.

pp sempre

    

 

And



yet,

  when I

 look

     



at

ev

the

sky,

I

feel

-

 

change

CONCERTANTE

A.

   

pp sempre

yet,

CHORUS T.

 

when I

CONCERTANTE

     

pp sempre

yet,

 

when I

 look

 look

  at

the

  at

the

 sky,

 sky,

   I

feel

ev

 



I

ev

feel

-

-

 

change

 

 

change

CONCERTANTE

B.

     

pp sempre

yet,

   

 

when I

  look

    at

the

 sky,

 



I

ev

feel

  

Vln II

     

Vc. div. a2 Vc.

Db.

     

  

 



  

 

 



  

 

 

   





 

   

ppp

pp

div.



           

 

ppp

Vla

change

mf

Pno

Vln I

-

     

pp

unis.


181

33

S. solo

S.

A.

 

for

the

bet

   

B.

 -

-

ter.

When - ev - er

 

you feel

lone



pp



  

 

for the

bet

CONCERTANTE

T.

C4 Poco più mosso    

 

for the

bet

   

   

 -

 

ter.

 -

-

ly

or







you

feel

When - ev - er

pp

 

ter.

When

ev - er

pp

  pp

 

 

Vln II

Vla

      



   1.solo

Vc.

   

gli altri

Db.

 

 

           C4 Poco più mosso     

 



   

  

mf

Vc.

  

you

feel

you

feel

  

  

unis.

 

 

 Tutti div.a 2

 

 feel

p

Pno

Vln I

When - ev - er

     

you

When - ev - er

{

pp


182

39

S. solo

    sad,

S.

    sad,

A.

   sad,

try

go - ing

to

the

loft

on

a

beau













try

go - ing

to

the

loft

on

a

beau

 

try

go - ing

to

the

loft

on

a

beau

try

go - ing

to

the

loft

on

a

beau





try

go - ing

to

the

loft

on

a

beau





ti - ful

day

and



ti - ful

day



ti - ful

day

 



ti - ful

day

 -

 -

 -

CONCERTANTE

T.

B.

    sad,     sad,

Pno

 

  

-



ti - ful

Vln I



Vln II

  





Vla

  



day

   

 





 





1.solo

        f espress.

Vc.

Db.

  

  

mf espress.

   

Vc.

               

   

-



gli altri div.

 


183

D4 44

S. solo

  

 

look

S.

A.

   

  

-

ing,

 

and

look - ing,

 

and

look - ing,

at

the

sky,

look

look - ing

at

the

sky.



look - ing

at

the

sky.

look

-

ing

 -

ing

CONCERTANTE

T.

B.

  

  

3

            

try

go - ing to the loft

mf espress.

on a

beau

-

ti - ful

D4    

 

Vln I



Vln II

  

 

 

       



Vla

 

(1.solo)

Vc.

Vc. gli altri

Db.

 pp

   

 

  

            

 


184

  



at

the

sky.

49

S. solo

S.

   

mp

 

and

A.

 

As

  

   look - ing at

E4  

p

the

 

long,

as

 



as

you

can

long

sky.

CONCERTANTE

T.

     day,

  

 

 

   



      E4   

   



Vla

  



Vc.

 

B.

Pno

Vln I

Vln II

   

tutti, unis.

Db.



   

div.





 

 



 



 





leggiero

                    

 

 

 


185

55

S. solo

  

look

Vln I

   

Vln II

   

Vla

Vc.

Db.







      

fear





-

     



  

less - ly,













-



less - ly

at

the

sky,



rit.

3









     





 



div.

      

fear

rit.

 

 

 

  



  

 60

S. solo

Meno mosso

  

pp

  you'll

Meno mosso

Vln I

   

 know,

 

you'll know

 

 



you are

pure

with

  

-

in.

ppp

Vln II

  

Vla

  



 



  

Vc.

Db.

ppp



 





sempre ppp



ppp

  

div.

ppp

  

  

sempre ppp

ppp unis.

 



       

        sempre ppp

p

ppp

sempre ppp

sempre ppp

         

  

 

Whitbourn ANNELIES  

Chorus and Orchestra; Chester Music; musicsalesclassical.com; 14649