Wood AN EPITHALAMION

Hugh Wood

AN EPITHALAMION, OR MARIAGE SONG on the Lady Elizabeth, and Count Palatine being married on St Valentines day for chorus and orchestra Op. 60

words by

John Donne

CHESTER MUSIC (part of The Music Sales Group) 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592

web: www.musicsalesclassical.com

e-mail: music@musicsales.co.uk rev. 07.16 v2

AN EPITHALAMION, OR MARIAGE SONG ON THE LADY ELIZABETH, AND COUNT PALATINE BEING MARRIED ON ST VALENTINES DAY I Haile Bishop Valentine, whose day this is, All the Aire is thy Diocis, And all the chirping Choristers And other birds are thy Parishioners, Thou marryest every yeare The Lirique Larke, and the grave whispering Dove, The Sparrow that neglects his life for love, The household Bird, with the red stomacher, Thou mak’st the black bird speed as soone, As doth the Goldfinch, or the Halcyon; The husband cocke lookes out, and straight is sped, And meets his wife, which brings her feather-bed.

This day more cheerfully than ever shine, This day, which might enflame thy self, Old Valentine.

IV Come forth, come forth, and as one glorious flame Meeting Another, growes the same, So meet thy Fredericke, and so To an unseparable union growe.

[Since separation Falls not on such things as are infinite, Nor things which are but one, can disunite, You’are twice inseparable, great, and one;] Goe then to where the Bishop staies, To make you one, his way, [which divers waies Must be effected;] and when all is past, And that you’are one, by hearts and hands made fast, You two have one way left, your selves to’entwine, Besides this Bishops knot, or Bishop Valentine.

II Till now, Thou warmd’st with multiplying loves Two larkes, two sparrowes, or two Doves, All that is nothing unto this, For thou this day couplest two Phœnixes; Thou mak’st a Taper see What the sunne never saw, and what the Arke (Which was of foules, and beasts, the cage, and park,) Did not containe, one bed containes, through Thee, Two Phœnixes, whose joyned breasts Are unto one another mutuall nests, Where motion kindles such fires, as shall give Yong Phœnixes, and yet the old shall live.

Whose love and courage never shall decline, But make the whole year through, thy day, O Valentine.

V But oh, what ailes the Sunne, that here he staies, Longer to day, then other daies?

Staies he new light from these to get?

And finding here such store, is loth to set?

And why doe you two walke So slowly pac’d in this procession?

Is all your care but to be look’d upon, And be to others spectacle, and talke?

The feast, with gluttonous delaies, Is eaten, and too long their meat they praise, The masquers come too late, and’I thinke, will stay, Like Fairies, till the Cock crow them away.

Alas, did not Antiquity assigne A night, as well as day, to thee, O Valentine?

III Up then faire Phœnix Bride, frustrate the Sunne, Thy selfe from thine affection Takest warmth enough, and from thine eye All lesser birds will take their Jollitie.

Up, up, faire Bride, and call, Thy starres, from out their severall boxes, take Thy Rubies, Pearles, and Diamonds forth, and make Thy selfe a constellation, of them All, And by their blazing, signifie, That a Great Princess falls, but doth not die; Bee thou a new starre, that to us portends Ends of much wonder; And be Thou those ends.

Since thou dost this day in new glory shine, May all men date Records, from this thy Valentine.

VI They did, and night is come; and yet wee see Formalities retarding thee.

What meane these Ladies, which (as though They were to take a clock in peeces,) goe So nicely about the Bride; A Bride, before a good night could be said, Should vanish from her cloathes, into her bed, As Soules from bodies steale, and are not spy’d.

But now she is laid; What though shee bee?

Yet there are more delayes, For, where is he?

He comes, and passes through Spheare after Spheare, First her sheetes, then her Armes, then any where.

Let not this day, then, but this night be thine, Thy day was but the eve to this, O Valentine.

VII [Here lyes a shee Sunne, and a hee Moone here, She gives the best light to his Spheare, Or each is both, and all, and so They unto one another nothing owe, And yet they doe, but are So just and rich in that coyne which they pay, That neither would, nor needs forbeare nor stay; Neither desires to be spar’d, nor to spare, They quickly pay their debt, and then Take no acquittances, but pay again; They pay, they give, they lend, and so let fall No such occasion to be liberall.

More truth, more courage in these two do shine, Then all thy turtles have, and sparrows, Valentine.]

VIII And by this act of these two Phenixes Nature againe restored is, For since these two are two no more, Ther’s but one Phenix still, as was before.

Rest now at last, and wee As Satyres watch the Sunnes uprise, will stay Waiting, when your eyes opened, let out day, Onely desir’d, because your face wee see; Others neare you shall whispering speake, And wagers lay, at which side day will breake, And win by’observing, then, whose hand it is That opens first a curtaine, hers or his; This will be tryed to morrow after nine, Till which houre, wee thy day enlarge, O Valentine.

John Donne (1613)

Commissioned by BBC Radio 3 and ďŹ rst performed on 22nd July 2015 at the Royal Albert Hall, London, by the BBC Symphony Chorus (Director Stephen Jackson) and the BBC Symphony Orchestra, conducted by Sir Andrew Davis, as part of the 2015 BBC Proms season.

SCORING 3 utes (3rd doubling piccolo) 3 oboes 3 clarinets in B * (1st and 2nd doubling clarinet in A*, 3rd doubling bass clarinet*) 3 bassoons (3rd doubling contrabassoon) 4 horns in F* 3 trumpets in C 3 trombones Tuba Timpani Percussion (3-4 players): bass drum, side drum, whip, suspended cymbal, clashed cymbals, tambourine, glockenspiel, tubular bells, 2 tam-tams (large and small), triangle

1 or 2 harps†Celesta SATB chorus (including semi-chorus taken from the main choir)

Strings

* Notated in C in the score †If required, the harp part may be doubled by a second harp, at the discretion of the conductor.

Duration c. 20 minutes Study score on sale Order No. CH83765 Vocal score on sale Order No. CH83765-01 Conductor’s score, vocal score and orchestral parts are available on hire

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CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592

www.musicsalesclassical.com e-mail: music@musicsales.co.uk

Order No. CH83765