Davis AMISTAD, ACT I (full score)

Cast of Characters

The Trickster God, an African deity .................................................................................... Tenor Cinque, African captives’ leader ....................................................... ........................ Bass-Baritone Rep. John Quincy Adams, lawyer for captives ......................................................................... Bass The Goddess of the Waters, an African deity ....................................................... Mezzo-Soprano The Navigator ........................................................................................................................ Tenor

Abolitionist Tappan .............................................................................................................. Tenor The Phrenologist .................................................................................................. Character Tenor Antonio, slave cabin boy .................................................................................................... Baritone Kaleh, captive, male ............................................................................................................... Tenor Margru, captive, female ...................................................................................................... Soprano Grabeau, captive, male ....................................................................................................... Baritone Burnah, captive, male ................................................................................................................ Bass Kinnah, captive, male ............................................................................................................. Tenor Bahia, captive, female .................................................................................... Lyric Mezzo-Soprano American Lieutenant, a merchant seaman ........................................................................ Baritone The Judge ........................................................................................................................... Baritone Don Pedro, a Spanish slave trader ............................................................................................ Bass The Spaniard, a government official ......................................................................................... Bass President Van Buren ............................................................................................................. Tenor Southern Senator ............................................................................................................... Baritone Abolitionist Lawyer ........................................................................................................... Baritone Ship Cook ................................................................................................................................. Bass Four Reporters ................................................................................... 2 Tenors, 1 Baritone, 1 Bass

Synopsis

ACT I Scene 1: “Cloth for the Dead” The Spanish schooner Amistad, out of Cuba, drifts off Long Island. The “ghost” ship is legendary—taken over by slaves, haunting eastern waters. Aboard ship is one who shapes their fate—a ragged, boastful African deity. The Trickster God is the spirit of rebellion, uncertainty and mischief. When humans meet him, they are apt to lose their way. This Trickster has been led astray himself, and the torturous Middle Passage journey has blinded him and weakened his powers. Claiming that he will yet prevail (Aria: “The unknown is my realm”), the Trickster asks for help from the Goddess of the Waters. He hears the ship’s two hostages, a navigator and a slaver, scheming. They tie the helm on a northerly course, as they have every night. The African leader Cinque discovers the trick and realizes they have not headed to Africa, but zigzagged north towards another fate. (Duet: “We’re drifting”) When the ship runs aground, an enterprising seaman discovers them and seizes the ship to sell the Africans as salvaged cargo. The two Spaniards tell of mutiny and murder and claim to own the Africans, who insist they are free. (Chorus: “We have come to naught”) Cinque believes they are victims of a Mende taboo: to see a god can bring danger. (Aria: “The meaning is clear”) Antonio, a lifelong slave and witness to the mutiny, has fears too. (Aria: “And me, am I save’?”) Scene 2: “Savages of Legend” Newspaper reporters watch the captives being paraded to jail, and joust over their lot. (Sextet: “So these are the savages”) Setting foot on American soil scares the Africans (Chorus: “Are they going to kill us?”) but seems to restore the god of chance. (Aria: “Yap and snap”) Scene 3: “Ankle and Wrist” As people gawk, Margru tells of her capture (Aria: “I could tell”) and the captives vow not to reveal where they are from to protect their families. Cinque recalls being caught in a net. (Chorus: “Ankle and Wrist”; Aria: “The past is a fading”) A “scientist” who studies ethnic groups examines the prisoners and gives his findings to the press. (“The base of his brain”) Scene 4: “The Greatest Liberty” (Chorus: “Jesus Saviour, pilot me”) Abolitionist Tappan comes to plead Adams to act as lead lawyer for the Africans. The former president resists because he has not been in court in years. He then muses on the young republic’s vision of liberty. (Aria: “The greatest liberty”)

Synopsis (cnt’d) ACT II Scene 1: “Posers, Dandies, Hacks” The reporters introduce the cast at court. (Sextet: “It’s quite a show”) Scene 2: “What the Navigator Saw” The Navigator tells of waking to the touch of a blade. (Aria: “The Moonlight Died”) Scene 3: “What Antonio Saw” Antonio tells of the captain’s death. (Aria: “I beg mercy”) The court turns against the Africans. Scene 4: “They Saw a God” The captives say the story begins in Africa. (Quartet: “We thought they came for salt”) Scene 5: “Skin of Clouds” The Goddess of the Waters, invoked by their tale, recalls the Middle Passage. Scene 6: “Freed by Lord and Chief” On landing in Cuba, the seeds of revolt are sown when Antonio rebukes the Trickster (Chorus: “Nansi, Brer Nansi”) and the Cook threatens the captives. Antonio tells them they are now in a new world. (Aria: “Sis Goose”) Scene 7: “The Rising” The Trickster frees the captives and starts the revolt. (Aria: “All my tricks are old”) Cinque decides to spare Antonio. (Aria: “He sleeps at his master’s feet”) Scene 8: “Bird on the Wing” Adams sums up before the court (Aria: “To own one’s life”), and the captives’ case is won. They will go home but the Trickster decides to stay in the Americas. (Aria: “Liberty is my kingdom”)

Notes on Characters (in order of appearance)

The Trickster God A master of disguise, who lives on society’s edges, he translates all tongues, especially between gods and mortals. He is amoral—appearing as many animals, who will steal, molest, or kill, and eat other animals. Offerings are made to him first to prevent any accidents. Cinque (died ca. 1879) Leader of the captives. A rice farmer who lived with his father and a wife and three children. He returned to Mende and later became an interpreter for the American Missionary Association. Rep. John Quincy Adams (1767–1848) of Massachusetts, sixth U.S. president (1825–29). At the time, the former president was in the House of Representatives. Until his death he was obsessed with exposing the corruption in the Van Buren administration found in the Amistad case. Goddess of the Waters Like the Trickster, this West African deity is known throughout the African Diaspora. They both represent culture shared by Africa with the Americas. The mother of waters is known also as the mother of all the other orisha, or gods in African Yoruba, Brazilian Santeria, and Haitian vodun. She is a mature and sensual female spirit. She likes fans made of palm leaves or peacock feathers and, in the Americas, is seen in great indigo skirts with white petticoats. Abolitionist Tappan Based on Lewis Tappan (1788–1873), member of a New York silk merchant family that helped to finance the abolitionist cause. His brother Arthur was a founder of the American AntiSlavery Society and both experienced mob violence, vandalism and hate mail for their work. In the South, a price of $100,000 was put on their heads. At the end of the trials he and others arranged for the slave Antonio (16-year-old cabin boy) to escape to Canada. President MartinVan Buren (1782–1862) Eighth U.S. President (1837–41). A Jeffersonian Democrat, Van Buren earlier served as governor of New York and Secretary of State under Andrew Jackson. Van Buren was already unpopular at the time of the case, and worried about re-election. He lost to William H. Harrison, who died a month after taking office and was succeeded by John Tyler. Van Buren ran for president two more times. The Spaniard is a composite of two Spanish officials with overlapping terms in this case: Don Angel Calderon de la Barca, Spanish minister to the U.S., in 1839–40; and Pedro Alacantara de Argaiz, minister in late 1839. The Navigator and Don Pedro are composites based on two survivors of the Amistad—Jose Ruiz and Pedro Montes—and the buyer, Pedro Martinez, a major slaver with company headquarters in West Africa where the captives were taken. The Judge represents both a Connecticut judge and the men of the Supreme Court which, at the time, had just been enlarged from six to eight justices. Five of them, including Chief Justice Taney, were southerners who had at one time or another owned slaves. One justice died during the last trial.

AMISTAD

OV-1

OVERTURE

= 52

Anthony Davis

= 69

1. 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

2.

1 2

Bs. Cl. a2

1. Bn.

1 2

3

3

Cbn. a2

3

3

a2

3

3

1 2 Hn.

4. 3 4

1 2 Tpt. 3 1 2 Tbn.

a2

3 Tuba

Timp. Vibraphone 1 Chimes Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

= 69 = 52 I

Vn. II

div. Va.

Vc.

Cb.

Copyright Š 1997 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.

Overture

OV-2

accel. 9 1 2

Fl.

Picc. 1. Ob.

a2

3

1 2 3

3

E.H. a2 Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn. (a2)

3

1 2 Hn.

(a2)

a2 3

3

3 4

1. 1 2 Tpt. 3 a2 1 2 3

Tbn.

Tuba

3.

3 Tuba 3

Timp.

1 (Chimes) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

accel.

div.

1/2 Vn. I

I 3

cresc. Vn.

div.

unis.

3

II 3

3

unis. Va. 3

3

3

3

3

3

Vc.

Cb.

3

Overture

OV-3

Tempo primo 15

a2

1 2

Fl.

Faster,

= 126

Faster,

= 126

a2

3

3

3

Picc. 2. Ob.

a2

1 2

E.H. (a2) Cl.

1 2

2.

a2

3

Bs. Cl.

Bn.

1 2

Cbn. (a2) 1 2 Hn.

(a2) 3 4 (1.) 1 2

Tpt. 3 1. 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Chimes) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

Tempo primo

3

cresc. Vn. I div. I 3

Vn. II

Va.

Vc.

Cb.

3

3

Overture

OV-4 21

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc. Cbn.

cresc. 1 2 Hn. 3 4 1. mute 1 2 Tpt.

cresc.

mute 3

cresc. a2 1 2

cresc. Tbn.

a2

3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

cresc. pizz. Cb.

cresc.

Overture

OV-5

25 1 2

Fl.

Picc. 2. Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4

(1.)

a2

1 2 Tpt. 3 (a2)

1.

1 2 Tbn.

(a2)

3. solo

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

unis. I

Vn. II

Va.

Vc.

arco Cb.

OV-6

Overture

a2

30 1 2

Fl.

3

Picc. 3

Ob.

1.

1 2

E.H. a2 Cl.

3

1.

1 2

Bs. Cl. a2 Bn.

1 2 3

Cbn. a2

1.

1 2 Hn.

a2

3.

3 4 1.

1.

1 2 Tpt.

3. 3

1. 1 2 cresc. Tbn.

cresc.

3.

3 Tuba

Timp.

1 Marimba

Perc. 2 3

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I 3

Vn. II 3

Va. 3

pizz. Vc.

pizz. Cb.

3

Overture 35

OV-7

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. 3

a2

a2 Cl.

1 2 3

Bs. Cl. 3

a2

1. Bn.

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 a2

1.

a2

1 2 cresc. Tbn.

3.

a2

3.

3 Tuba cresc.

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass div.

I 3

Vn.

div. II

Va. 3

arco Vc. cresc.

arco Cb.

Overture

OV-8 40

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 (a2) 1 2 Tbn.

(3.)

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

unis. I

Vn.

unis. II

Va.

Vc.

Cb.

Overture

OV-9

45 (a2) 1 2

Fl.

(a2) Picc. a2 Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

a2 1 2

Hn.

a2 3 4 a2

3

a2 1 2 3

3

Tpt. 3 (a2) 1 2

cresc. Tbn.

(3.)

3 Tuba

cresc. Timp. 3

(Vibr.) 1 3

(Mar.) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I

Vn.

3

II

Va. 3

Vc. cresc.

Cb.

Overture

OV-10 50

1.

a2

1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

2. Cl.

1 2 cresc.

Bs. Cl.

Bn.

1 2

Cbn. 1. 1 2 Hn.

3. 3 4 1. 1 2

Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2 cresc. 3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

Cb.

Overture 55

OV-11

Meno mosso,

= 108

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

a2

1.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. 1. 1 2 Hn.

3.

a2

3 4 a2 1 2 Tpt. 3 a2

plunger 1 2 Tbn. 3 Tuba

Timp. (Vib.) 1 Mar. Perc. 2 3

3

Cel.

Hp.

Vln.

W.W.

Tbn. brushes

S.D. Drums 3

pizz. Bass

Meno mosso, I 3

Vn. II 3

Va. 3

cresc.

Vc.

cresc. pizz. Cb.

= 108

Overture

OV-12 60

a2

1 2

Fl.

3

3

cresc.

Picc.

Ob.

1 2 3

E.H. 3

3

3

a2 Cl.

1 2

3

dim. Bs. Cl. a2 Bn.

1 2 3

3

3

3

Cbn. 3

1 2 3 3

Hn. 3 4 1 2 Tpt.

dim. 3

dim. 1 2

cresc. Tbn. 3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc. Bass

cresc.

I

dim. Vn. II

dim.

Va.

dim.

Vc.

dim. arco Cb.

3

cresc.

3

3

Overture 63

OV-13

a2

1 2

Fl.

3

3

Picc. a2 Ob.

3

1 2

cresc.

3

3

3

E.H. 3 3

Cl.

3

3

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc. Bass

cresc.

I

3 3

Vn. II

Va.

cresc.

Vc.

cresc.

Cb.

cresc.

cresc.

3

Overture

OV-14 66 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

a2

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 3

3

1 2

a2

Hn.

3

3

3 4 a2

3

3

3

3

1 2 Tpt.

3

3

3 a2

3

3.

3

1 2 Tbn.

3

3 Tuba 3

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

I

Vn. II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.

Overture 70

OV-15

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

a2 3

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc. a2

Hn.

3

3 4

3

3

3

3

3

3

3

cresc.

a2 3

3

3

3

3

3

3

3

1 2 Tpt.

3

cresc.

3

3

3

3

3

3

3

3 a2

3

3.

3

cresc.

3

3

3

1 2 3

Tbn.

cresc.

3

3

3 3

3 3

3 Tuba 3

cresc.

3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

I

Vn. II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.

3

Overture

OV-16 75 a2

a2

1 2

Fl.

dim.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

dim. 1 2 Hn. 3 4 1 2 Tpt.

dim. 3

dim. 1 2

dim. Tbn. 3 Tuba

dim. Timp. Vibr. 1

Perc. 2 Bs. Dr. 3

Cel.

Hp.

Vln.

W.W.

Tbn. solo Build solo - fill Drums

cresc. Bass

I

Vn. II

Va.

Vc.

dim.

Cb.

dim.

solo

Overture 79

OV-17

a2

1 2

Fl.

dim.

Picc.

Ob.

1 2

E.H. a2 Cl.

a2

1 2

Bs. Cl. a2 Bn.

1 2

dim. Cbn.

dim. 1 2 Hn. 3 4 1 2

dim.

Tpt. 3

dim. 1 2

dim. Tbn.

3.

3 Tuba

dim.

Timp. (Vibr.) 1

Perc. 2 (Bs. Dr.) 3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc. Bass

I

3 3

Vn. II

3 3

Va.

3 3

Vc.

dim. div. Cb.

dim.

Overture

OV-18 83

a2

1 2

Fl.

dim.

dim.

dim.

dim.

Picc.

Ob.

1 2

dim. E.H.

dim. a2 Cl.

1 2

dim.

dim.

Bs. Cl. a2 Bn.

1 2

dim.

dim.

dim.

dim.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2

dim.

Tbn. 3 Tuba

dim.

Timp.

1

Perc. 2 (Bs. Dr.) 3

Cel.

Hp.

Vln.

W.W.

Tbn. solo Drums

dim.

dim.

Bass

I

dim.

dim.

dim.

dim.

Vn. II

Va.

dim.

Vc.

dim.

dim.

Cb.

dim.

dim.

Overture 88

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn. cymbals only - brushes Drums

dim. Bass

I

Vn. II

Va.

Vc.

Cb.

OV-19

Overture

OV-20

a2

93 1 2

Fl.

dim. Picc. a2 Ob.

1 2

dim. E.H.

dim. Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

1 2

dim.

Hn. 3 4

dim. 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums 3

Bass

I

3

Vn. II

3

Va. 3

Vc.

Cb.

AMISTAD

Thulani Davis

Anthony Davis

SCENE 1 (Trickster)

= 108 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc.

3

Bs. Cl. a2 Bn.

1.

1 2

Cbn. 1. 1 2 3

Hn.

3. 3 4

3

mute

open

1 2 3

Tpt. 3 2.

1.

a2

1 2 Tbn. 3 Tuba

Timp. Marimba 1 Vibraphone Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Drums Drums 3

Bass

TRICKSTER

8

= 108

3

3

3

The un known is my realm

ca

la mi ty

my

king dom

Solo I Vn.

Solo II

Va. pizz.

arco

Vc. pizz. Cb.

Copyright Š 1997 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.

2

= 112 6

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 plunger 1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

I

am

a

God,

am

I

not?

Mas

= 112 tutti I Vn.

tutti II

Va.

pizz.

arco

pizz.

arco

Vc.

Cb.

ter

3 10 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1.

3

1 2 Hn.

4.

3

3 4

1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp. (Mar.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

of

mor

tal

dis

as

ters

I

I

cresc.

Vn. II

Va.

cresc.

Vc.

Cb.

cresc.

will

meet

this

4 14 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp.

(Mar.)

3

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

mo

ment

I Vn. II

Va. 3

Vc.

Cb.

as

I

meet

all

oth

ers:

5

= 108 17

1.

1 2

Fl.

3

Picc. 1 2

Ob.

E.H. 1 2

Cl.

3

Bs. Cl. a2 1 2

Bn.

Cbn.

1 2 Hn.

3

3. 3 4 3

a2 1 2 3

Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Mar.) 1 (Vibr.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

stal

wart,

au

da

cious

and

bold.

= 108

I Vn. II

Va. pizz. Vc.

Cb.

What

they call

6

(1.)

20 1 2

Fl.

3

Picc. 1.

3

Ob.

1 2 3

cresc.

3

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

tra

ge

dy

I will make my

his

to

ry.

I will make a sto

ry

I 3

Vn. II 3

Va.

cresc. Vc. pizz. Cb.

3

3

3

to be

told

of

7

= 80

= 84 accel.

24

a2

1 2

Fl.

3

Picc. a2 Ob.

3

1 2

dim.

cresc.

3

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1.

a2

1 2 Hn.

4. 3 4 3. 3

1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp.

1 (Vibr.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3

3

3

3

3

3

Tr. 8

ge

nius born of ne

ces

si

ty

Of cour age

come

eas

y

when the heart

= 80

is

cold

= 84 accel.

I 3

Vn.

3

II 3

Va. arco Vc.

Cb.

cresc.

3

8

= 96 a2

29 1 2

Fl.

3

cresc.

3

= 76

= 116

3

Picc. a2 Ob.

1 2 3

E.H. a2 Cl.

1 2 3

cresc.

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3 1 2 Tbn.

Tuba

3 Tuba

Timp. Chimes 1 (Vibr.) Perc. 2

3

Cel.

Hp.

Solo Cl. improv. Changes? W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn. Funk Groove Drums

Bass

Tr. 8

= 96

= 76

= 116

unis. I 3

cresc.

3

3

div. Vn. II 3

cresc. div.

3

3

Va. 3

Vc.

pizz. Cb.

9 35

1.

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 mute 1 2 Tpt. 3 a2

3

1 2 Tbn.

(Tuba)

3 Tuba

Timp. Marimba 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass

8

I Vn. II

Va.

Vc.

Cb. 3

10 40

1.

1 2

Fl.

Picc. 1. Ob.

1 2 3

E.H. 1. Cl.

1 2

3

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 open 1 2 Tpt. 3 a2

3

1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

I am the danc

er of

all danc

ers,

li

I

cresc.

Vn. II

Va.

pizz. Vc.

Cb. 3

ar, thief

and

11 45

1.

1 2

Fl.

1. 3

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2 3

Bs. Cl. a2 Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

lov

er,

the one

who

I Vn. II

Va. 3

Vc.

Cb. 3

eats

when

the

fo

rest hun

gers.

12 49

1.

1 2

Fl.

Picc. 1. Ob.

1.

1 2 6

E.H. 1. Cl.

1 2

C.B. Cl. a2 Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

When

a

mor

tal

says

there’s

a

bird

on

a

wing

they

I Vn. II 6

Va.

3

Vc.

Cb. 3

say

a prayer

to

13 53 1 2

Fl.

Picc.

Ob.

1.

2. 1.

1 2

a2 3

2.

E.H. 2. Cl.

1 2 3

Bs. Cl. a2 Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

me.

When

a

mor

tal

says

there’s

a

bird

on

a

wing

This

I 3

Vn. II

Va.

3

Vc.

Cb. 3

wi

ly

14 57

a2

1.

1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 1. Cl.

3

2.

1 2

3

Bs. Cl. a2 Bn.

3

1 2

Cbn.

1 2 3

Hn. 3 4 1 2 Tpt. 3

a2 1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

god

comes

to

sing.

I

I 3

Vn. II

Va. 3 3

Vc.

Cb. 3

am the

danc

er

of

all danc

ers,

15 61

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 a2

1.

3

a2

1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

li

ar,

thief

I Vn. II

Va.

3

Vc.

Cb. 3

and lov

er,

the

one who

eats

when

the

for

est hun

gers

16 65

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1. 1 2 Hn.

3.

4. 3

3 4

3

1 2 Tpt. 3 a2

3

1 2 Tbn.

(Tuba)

3 Tuba

Timp. 6

Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

Bass

3

Tr. 8

It 6

I Vn. 3

II

3

Va.

3

Vc.

Cb. 3

is

on

ly

a slight

mis

hap

17 a2

69 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

3

1 2

cresc. Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

Tr. 8

my

I Vn. II

Va.

3

Vc.

Cb.

3

sight’s

a

lit

tle

dazed

Is

it

on

ly

a

mo

men

18 73 1 2

Fl.

Picc. 2. Ob.

1.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1 2

dim.

3

Cbn.

1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

tar y lapse

my

pow

ers

re

tire,

but

I

do

not

fail.

I Vn. II

Va. 3

3

cresc.

Vc. 3

cresc.

dim.

cresc.

dim.

Cb. 3

19 77 1 2

Fl.

dim. Picc.

Ob.

1 2

dim. E.H.

Cl.

1 2

dim. Bs. Cl. a2 Bn.

3

1 2

cresc. Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 a2 1 2 Tbn.

3

Tuba

3 Tuba 3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

(Drs.) Drums

Bass

3

3

Tr. 8

3

There

are the trials

a her

o

must suf

fer

to make

his sto

ry

bold.

I 3

3

3

cresc.

Vn. II

3 3

Va.

cresc. 3

Vc.

cresc.

cresc. 3

Cb.

cresc.

cresc.

3

3

20 82 1 2

Fl.

Picc.

Ob.

1 2

cresc. E.H.

Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 2.

1.

2.

1.

a2

2.

1.

2.

you live

a

1.

a2

1 2 Tbn.

(Tuba)

3 Tuba

Timp. Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tr. 8

A mong

gods

it’s true

if

I Vn. II

Va.

arco Vc.

pizz. Cb.

arco

hu

man

life,

21 1.

88 1 2

Fl.

Picc. 1. Ob.

1 2

cresc. E.H. 1. Cl.

1 2

cresc.

cresc.

Bs. Cl. 1. Bn.

cresc.

1.

1.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3 2.

1.

2.

1.

a2

2.

1.

2.

1.

a2

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs.) Drums

cresc. Bass

3

Tr. 8

I Vn. II

Va.

Vc.

Cb.

you for

get

what a

god

knows.

If you

live

a

hu

man

life

22

= 100 94

Ritard.

2.

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl. 3

Bn.

1 2 3 3

Cbn. 1. 1 2 3

3

Hn. 3 4 3 3

1 2 Tpt. 3 2.

3

1 2

2. 1.

Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs.) Drums

Bass

3

3

3

Tr. 8

You’ll

re

gret

it

like

they

do

Speak

= 100

ing sor row

sing ing

Ritard.

I Vn. II

3

Va. 3 3

3

Vc. 3 3

Cb.

23

accel.

cresc.

3

3

= 88

3

3

3

99 1 2

Fl.

Picc.

Ob.

1 2 3

E.H. a2 Cl.

1.

1 2 3

Bs. Cl.

dim. Bn.

1 2

dim. Cbn. 1. 1 2 Hn.

3. 3 4 1. 1 2

Tpt. 3 3

1 2 Tbn.

(Tuba)

3 Tuba

Timp. Xyl. 1 3

Vibr. Perc. 2

3

Cel.

A , B , C - D , E, F , G Hp.

D

A

E

E

3

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tr. 8

blue.

div.

= 88

accel. unis.

I

dim. div.

Vn.

unis.

II

dim. div.

unis.

Va.

dim. 3

Vc.

dim.

Cb.

dim.

24

1. Flutter

103 1 2

Fl.

6

Picc. 1. Ob.

1 2

3

3

E.H. 3

1. Cl.

2.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 mute 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

A , B , C, D, E, F, G 4

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

3

Tr. 8

Men meet with di

sa

ster

no mat ter what they

I Vn. II

dim.

pizz.

4

Va.

dim. pizz. Vc.

Cb.

4

arco

25 108

1.

1 2

Fl.

Picc. 2. Ob.

1.

1 2

3

E.H. 2. Cl.

1.

1 2 3

Bs. Cl. 1. Bn.

1 2 2.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

4

Tr. 8

do.

The hand moves first

and the

heart’s

sick

la

ter.

I Vn. II

arco Va.

Vc.

dim.

Cb.

dim.

They think

their

26 113 1. 1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 2 Hn.

a2 3 4 1. 1 2

3

Tpt. 3

1 2 Tbn.

Tuba

3 Tuba

Timp. Vibr. 1 Glock., soft mallet Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

gods

take pi ty on

them.

They think

I Vn. II

Va.

Vc.

Cb.

3

their

gods

are heart

sick,

27 119

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

I Vn. II

Va.

Vc.

Cb.

too

but

gods

are great er than

men—

not

nic

er,

28

= 120 124 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 3

Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Funk groove Drums pizz. Bass

4

3

Tr. 8

I

= 120 I Vn. II

Va. pizz. Vc.

pizz. Cb.

arco

pizz.

am

the

danc

er

29 128 1 2

Fl.

Picc.

Ob.

1 2

E.H. (1.) Cl.

a2

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3

1 2 3

dim.

Tbn.

3

3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

my

I Vn. II

Va.

Vc.

Cb. 3

sight’s

a

lit

tle

dazed

30 132 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2

cresc.

Tpt. 3

1 2 Tbn.

Tuba

3

Tbn. 3

3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

It

is

on

ly

a

mo

men

ta

ry lapse

I

am

the dan

cer

I Vn. II

dim.

Va.

dim. Vc.

Cb. 3

of

31 136 1 2

Fl.

3

Picc.

Ob.

1 2 3

3

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba 3

3

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

3

Drums

Bass

3

3

3

Tr. 8

all danc ers,

li ar, thief

and

lov

er,

li

ar,thief

and

lov

I Vn.

3

II

Va.

Vc.

Cb.

3

3

3

3

32 141 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. a2 1 2 Hn.

a2 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba Tuba

3

Timp. Vibr. 1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums arco Bass 3

Tr. 8

er,

li

ar, thief

and lov

er,

I

Vn. II

cresc.

Va.

3

arco

Vc.

arco Cb. 3

33

= 80

= 66

= 80

= 66

= 80

146

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Vibr. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

God dess

= 80

of the wa

ters

= 66

Moth

= 80

= 66

er

of all

gods

Mis tress

= 80

I Vn. II

cresc. Va. 3

3 3

Vc.

Cb.

3

cresc.

of

o ceans,

34

1.

= 58

152

a2

1 2

Fl.

Picc.

Ob.

1 2

3

3

E.H.

Cl.

1 2 3

3 3

3 3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

2.

3

3

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 Contra Alto Clarinet

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

ri

vers

I

know

you

think

me

just a

= 58 I Vn. II 3

3

cresc.

3 3

3

Va.

cresc.

3

3

3

3

3

3

3

Vc.

cresc.

cresc.

Cb. 3

3

35 157 1 2

Fl.

3

Picc. 3

Ob.

1.

3

1.

1 2 6

3

6

3

6

E.H. 3

Cl.

1 2 3

3

dim.

3

3

3

3

3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 3

Hn.

4.

3

3 4

3

3

dim. 1 2 Tpt. 3 1 2 Tbn.

3

3 Tuba

Timp. (Vibr.) 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

small

god

a

god

un

armed

and

weak

with

on

ly

3

I 3

6

6 6

Vn. II 3 3

Va. 3

3 3

3

3 3

3

3

3

Vc. 3

Cb. 3

3

36 161 1 2

Fl.

3

3

3

Picc.

Ob.

1 2

3

3

3

E.H. 3

Cl.

1 2 3 3

3

3

3

3

3 3

3

3

Bs. Cl.

Bn.

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Vibr. 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tr. 8

wit

and

brain

words

and

guile

but

it

on ly seems

I

am a

board

I 3

6

Vn. II 6

Va. 3 3

3

3

3 3

3

3 3

3

Vc.

Cb. 3

3

3

3

a

37 165 1 2

Fl.

Picc.

Ob.

1 2

E.H. 2. Cl.

3

a2

1 2 3 3

3

3

3

3

3

3

3

3

3

Bs. Cl.

dim. Bn.

dim.

cresc.

1 2 3

Cbn. 3

1 2

dim.

Hn.

3

3 4 a2

dim.

2.

3

3

1 2

cresc. Tpt. 3

3

cresc. 1 2 Tbn.

3

3

3

3

3 Tuba

dim.

dim.

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

dim.

3

3

3

3

3

3

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

ship

I

can not

sail

I

will

pre

vail.

I 3

3

dim. Vn.

3

3

3

II

dim. Va. 3

6

cresc. 3

3

3

3

Vc.

dim. 3

3

3 3

Cb.

dim.

cresc.

3

3

dim. 3

3

3 3

38 169 1 2

Fl.

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2 3

3 3

3

Bs. Cl.

dim. Bn.

1 2

Cbn.

1 2 Hn. 3 4 2.

3

1 2

dim.

Tpt. 3 1 2 Tbn.

3

3

3

3 Tuba

3

3

3

3

Timp. Vibr. 1 3

Perc. 2

3

Cel.

Hp.

Alto Sax A7( 5 11)

sparsely

W.W. 1 (C.A. Cl.) W.W. 2 3

3

Tbn. R.S. Shuffle Drums pizz. Bass 3

dim. 3

3

3

3

3

cresc.

3

3

3

dim.

3

3

3

Tr. 8

Mark

my words

andhear my

tale

I 3

6

dim.

Vn.

3

3

dim.

6

II 3

dim.

3

dim.

Va. 3

dim.

dim. pizz.

3

3

3

3

3

3

3

Vc. 3

3

cresc.

3

dim.

3

pizz. Cb. 3

3

3

3

cresc.

3

3

3

dim.

3

3

39 173 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

dim.

3

3

3

3

3

Bs. Cl.

dim. Bn.

1 2

Cbn.

1 2 Hn. 3 4 3

1 2 Tpt.

3

3

dim.

3

1 2 Tbn.

3

3

3

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(even more sparse) A7( 11)

B 7( 11)/A

A7( 5)

A7 95

A whole tone

B 7/A 95

A7( 11)

B 7( 11)/A

W.W. 1

W.W. 2

Tbn.

Drums

Bass

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Tr. 8

I

3

3

dim.

Vn. II

dim.

3

dim.

3

3

Va. 3

3

3

3

arco

Vc. 3

3

3

Cb. 3

3

3

3

3

3

3

3

3

40 178

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2 3

dim.

3

3

dim.

3

dim.

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 3

Hn. 3 4

1.

3

1 2

3

dim.

Tpt. 3 a2 1 2 3

Tbn.

3

3

3

3

a2

3 Tuba 3 3

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

cresc.

B, C, D, E, F , G, A A7( 9)

G m6( 7)/A

B7( 11)

G7( 11)

W.W. 1 (C.A. Cl.)

3

3

W.W. 2

Tbn.

Drums 3

Bass 3

3

Tr. 8

I Vn. II

Va.

Vc. arco Cb. 3

3

3

Bsus9

a2 1 2

Fl.

41

SCENE 2 (on ship)

( = 58)

3 6

Picc. a2

3

1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 3

1 2

Bn.

3

Cbn.

3

1 2 Hn.

3. 3

3 4

3

1 2 Tpt. 3 1 2 Tbn. 3 Tuba gliss. Timp. 3

Vibr.

3

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

( = 58)

CHORUS

S

A

T 8

gliss. 3

B Drift

ing

I Vn. II

Va. div.

gliss.

Vc. 3

Cb.

42

Scene 2

= 120

4

a2

1 2

Fl.

Picc. a2 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

E, F , G, A B , C, D W.W. 1

W.W. 2

Tbn.

Drums

Bass

gliss.

3

S Drift gliss.

ing

Drift

ing

3

A gliss. 3

T 8

Drift

ing

ing

B ing

= 120

gliss. I 3

Vn. gliss. II gliss.

3

Va. 3

Vc. pizz. Cb.

Scene 2

43

= 100

8

= 120 2.

1 2

Fl.

3

Picc.

Ob.

1 2 3

E.H. 1. Cl.

1.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. mute 1 2 Tpt.

mute 3 1 2

Tbn. 3 Tuba

Timp. Vibr.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

3

Nav. 8

We

may

yet get

a

way,

we’re

well

to the north now,

= 120 = 100 I

Vn.

pizz. II

Va.

Vc.

Cb.

44

Scene 2

Ritard

= 92

14 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. 3

a2

2. Bn.

1 2

cresc.

cresc.

cresc.

cresc.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Vibr. 1

cresc. Mar. Perc. 2

cresc. 3

Cel.

dim. E, F , G, A B , C, D

Hp.

3

3

W.W. 1

W.W. 2

Tbn. 4

4

Drums

cresc. Bass

3

3

3

Nav. 8

We may yet

Ritard

es

cape

if these cut throats don’t

find

us

out

= 92

I

Vn.

pizz. 3

3

arco

3

arco

3

II

cresc. pizz. Va. 3

cresc. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

Scene 2

45

a2

20 1 2

Fl.

3

cresc. Picc.

3

cresc. Ob.

1.

1 2

3

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

cresc.

Mar. Perc. 2

cresc.

African bell 1 African bell 2 Tom-tom Conga

3

cresc.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 4

4

4

4

Drums

cresc. Bass

Nav. 8

I 3

Vn. II

cresc.

Va.

cresc. Vc.

Cb.

3

46

Scene 2 25

2.

1 2

Fl.

3

3

Picc. 1. Ob.

1 2

3

E.H. 2.

2. Cl.

1 2

3

3

3

3

3

Bs. Cl. a2 Bn.

3

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

DON PEDRO

East

by day,

North

arco

pizz. I

3 3

Vn. II

3

3 3

3 3

Va. pizz. 3

3

Vc. pizz. Cb. 3

3

by

night

A

ruse

3

so sim ple but

Scene 2 30

47

2.

1 2

Fl.

cresc.

cresc.

Picc.

Ob.

1 2

E.H. 1. Cl.

a2

1 2

cresc.

cresc. Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3 3

D.P.

3

3

bright...

You’ve saved

us with your de

ceit.

If you steered

as

they

said,

we’d be half way to

I

cresc.

cresc.

Vn. II

cresc.

Va.

cresc. Vc. 3

Cb. 3

cresc.

48

Scene 2 35

a2

1 2

Fl.

cresc. Picc. 1 2

Ob.

E.H. 1. a2 1 2

Cl.

cresc.

cresc.

Bs. Cl.

cresc.

a2

1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 mute 1 2 Tbn.

mute

3 Tuba

Timp. 3

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

D.P. A

fri

ca,

dead

meat

for

a

can

ni bal

feast.

cresc.

TENOR 2 T2 Mo

8

cresc.

BASS B Mo

I 3

Vn. 3

II

Va.

cresc.

cresc.

Vc. 3

Cb. 3

Scene 2 38

49

2.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 2.

a2

1 2

Cl.

Bs. Cl. a2 1 2

Bn.

cresc. Cbn.

1 2 Hn. 3 4 (mute)

2.

1 2 Tpt. 3 (mute) 1 2

cresc. Tbn.

3. (mute)

3 Tuba

cresc.

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

T2 8

yam

ba

Tem

ne,

Men

de,

Ma

no,

Mo

ro.

yam

ba

Tem

ne,

Men

de,

Ma

no,

Mo

ro.

B

I Vn.

cresc. II

cresc. Va.

Vc. cresc. a poco Cb.

cresc. a poco

50

Scene 2 41

a2

1 2

Fl.

3

dim.

3

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

3

3

Bs. Cl.

1 2

Bn.

Cbn.

1 2 Hn. 3 4

(mute)

1 2 Tpt.

(mute) 3 (mute) 1 2

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

S Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

A TENOR 1 T 8

B

I 3 3

Vn. 3

II

dim.

Va. 3

Vc.

Cb.

3

dim.

Scene 2

51

=

43

a2

1 2

Fl.

cresc. Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 (mute) 1 2 Tpt.

(mute) 3 (mute) 1 2

Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

3

3

3

Cel.

3

3

3

Hp.

Clarinet upper register spare with multiphonics W.W. 1

W.W. 2

Tbn.

Drums

Bass

S ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

A

T1 8

B

=

div. I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

3

3

3

3

3

3

52

Scene 2 46

a2

1 2

Fl.

3

3

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2

Tpt.

3

Tbn.

1 2

3 Tuba

Timp. Vibr. 1

Perc. 2

3

3

3

3

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3 3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

CINQUE

3

We’re

drift

3

3

ing

and

the

wind

is

chill

S

A

T 8

B

I 3

dim. Vn. II 3

Va.

3

3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

Vc.

dim. Cb.

dim.

3

3

3

dim.

3

dim.

3

3

3

3

Scene 2 50

53

a2

1 2

Fl.

6

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

dim.

Hn. 3 4 (mute)

dim.

1 2 3

Tpt.

(mute)

3

3 (mute) 1 2

3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

3

Cel.

3

cresc.

3

3

3

3

dim.

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Cin. We’re

drift

ing

and

we’re

too

far

north

3

S Drift

ing 3

A Drift

ing 3

T Drift

8

ing

B Drift div. I

3

3

3

3

3

cresc.

6

Vn. II 3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

Va. 3

Vc. Cb.

3

3

54

Scene 2 54 1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2 3

Tpt.

3

3

1 2 Tbn.

3

3.

3 Tuba 3

Timp.

1

Perc. 2

3 3 3

3

cresc.

Cel.

3 3

3 3

3

dim.

3

3

3

3

3

3

3

3 3

3

3

3 3

3

3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Cin. I

see

birds

but

they

fly

west

3

S Drift

ing

Drift

ing

3

A 3

T Drift

8

ing

3

B ing

I

3

3

3

cresc.

Vn.

3

3

3

dim.

3

3

3

3

3

3

II

3

3

cresc.

3

3

dim.

3

3

div.

3

3

3 3

3

3 3

3

Va. 3

Vc.

Cb.

3

Scene 2 58

55

1.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

We’re

not

safe

yet DON PEDRO

Cin. Not

I Vn. II

cresc.

Va.

cresc. pizz. Vc.

pizz. Cb.

safe

yet

56

Scene 2 62

1.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Nav. 8

Soon

as they’re

through

with us,

theywill kill

I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

us

an

y

chance

they

get.

Scene 2

57

1.

66 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 open 1 2

Tpt.

open 3 open 1 2

Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2 Tom-t. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3+3

2+2+2+3

Drums

Bass

TRICKSTER Nav. 8

We’re not

safe

yet.

East

by day,

North

by night!

I Vn. II

cresc.

Va.

cresc. arco

pizz.

arco

pizz.

Vc.

Cb.

58

Scene 2 1.

70

1.

1.

a2

1 2

Fl.

cresc. Picc. 1. Ob.

1.

1 2

cresc. E.H. 1. Cl.

a2

1.

1.

1.

1 2

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 Mar. Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3+3

2+2+3

3+3

2+2+2+3

3+3

Drums

Bass Tr.

Tr. 8

They rule div.

I

Vn. II

div. Va.

Vc.

Cb.

us

yet

by

sleight.

Gut

less guile

they wield,

foul chi can er y, a dir

ty

trick!

Scene 2

59

75 1 2

Fl.

Picc. 1.

1.

1 2

Ob.

E.H. (1.) 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn.

3. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 2+2+3

2+2+2+3

3+3

Drums

Bass

Tr. 8

We should

cut their

throats,

We should

cut their

throats,

S Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

60

Scene 2 78

a2

1 2

Fl.

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 gliss. 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 Mar. Perc. 2

Tom-t. & conga 3

cresc.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 2+3+2 Drums

cresc. Bass

3

Tr. 8

We

should cut their throats

and chance

the

wa ter

y

roads.

S Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

A

T 8

Shift

B Shift tremolo I Vn. II

Va.

Vc.

Cb.

Scene 2 = 56

82

61

1 2

Fl.

Picc. 1 2

Ob.

3

dim.

E.H. 3

dim.

1 2

Cl.

6

6

dim.

3

3

3

3

Bs. Cl.

1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 C.A. Cl.

3

3

W.W. 2

Tbn. 3

brushes Shuffle (

)

Drums

Bass

CINQUE

3

Tr. 8

She’s

gliss.

S Drift gliss.

ing

Drift

ing

A Pitch gliss.

ing

T 8

ing

Pitch gliss.

ing

B

= 56

ing gliss. I Vn.

6

gliss.

6

II gliss. Va.

cresc. 3

3

Vc.

cresc. 3

Cb.

3

62

Scene 2 86

1.

1 2

Fl.

2.

6

Picc. 2. 1 2

Ob.

1.

3

3

3

3

dim.

3

3

3

3

E.H. 3

2.

dim.

2.

3

1 2

Cl.

3 3

3

3

3

3

3

Bs. Cl.

1 2

Bn.

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle) Drums

Bass

3

3

3

3

3

Cin. 3

shift

ing

and the

sails bare

ly

fill

she’s

slow

ing

andwe’re go

ing

I Vn. II

Va. 3

3

3

3

3

3

cresc.

3

Vc. 3

Cb.

3

3

Scene 2

63

89 1 2

Fl.

3

6

Picc. 1 2

Ob.

3

E.H. 1.

2. 1 2

Cl.

3 6 3

1.

3

3

3

3

3

3

3 3

3

3

3

Bs. Cl.

cresc.

cresc.

1 2

Bn.

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle) Drums

Bass

TRICKSTER 3

3

3

3

3

Cin. 8

no

where.

Chief,

you’ve

been

tricked

We’re

not

go ing home,

I 6

3 6

Vn. II

3 6

Va.

3 3 3

3

3

3

3 3

3

dim. 3

3

3

Vc. 3

Cb.

cresc.

3

3

3

64

Scene 2 1.

93

3

a2

1 2

Fl.

3

3

3

3

Picc. 2. Ob.

a2

1 2

dim.

3

3

E.H.

Cl.

1 2 3

3

3

3

3

3

3

3

3

Bs. Cl.

cresc. Bn.

3

dim.

1 2

cresc.

Cbn. 1. 1 2 3

Hn.

3.

3

3 4 1 2 Tpt. 3 1 2 Tbn.

3 3

3 Tuba

3

Timp. Vibr. 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

cresc. Tbn. (Drs. - triplet shuffle) Drums

Bass

3

3

3

Tr. 8

We’re

head ed North

Free the helm

take

hold of

her

CINQUE

3

3

We’re

head

ed

North?

div.

3

I Vn.

3

3

3

II 3

div.

3

Va.

cresc. 3

3 3

3

3 3

3

3

3

3

Vc.

cresc. 3

Cb.

dim. 3

3

cresc.

3

3

Scene 2 97

65

2.

1 2

Fl.

Picc. 2. Ob.

1 2

3

3

E.H.

Cl.

1 2 3 3

3

3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt. 3 3

3

1 2 Tbn.

Tuba

a2

3

3

3 Tuba

Tuba

a2

cresc.

Tuba

3

cresc. 3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle)

3

3

Drums

Bass

3

3

3

3

3

Tr. 8

Bound for chains, 3

and

head

ed

for

death.

We

go

as they de sire

3

Cin. Bound

for

where? 3

I 6

cresc.

Vn. II 3 3

3 3

Va. 3

cresc. 3

3

3

3 3

3

3

Vc. 3

3

3

cresc.

Cb. 3

3

cresc.

3

66

Scene 2 101

1.

1.

1 2

Fl.

3

Picc. 1. 1 2

Ob.

3

E.H. 2.

1.

2.

3

1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 3

Hn. 3 4 1 2 Tpt. 3 3

3

3

3

1 2 Tbn.

3

a2

Tuba 3

3 Tuba

3

a2

dim.

Tuba 3

3

a2

Tuba 3

a2

3

dim. 3

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

3

3

Drums

dim.

3

Bass

3

3

3

3

3

3

3

Tr. 8

From mu

ti ny

to

mas

sa

cre,

from

mu ti

ny

to mas

sa cre,

I 3

Vn. II

3

Va. 3 3

3

3

3

3

Vc.

dim.

dim.

Cb.

dim.

3

dim.

from mu ti ny to

Scene 2 105

67

= 72

1.

a2

1 2

Fl.

3

Picc. a2 Ob.

1 2

E.H. 1. Cl.

a2

1 2 3

Bs. Cl.

Bn.

1 2

Cbn. 1.

a2

3

1 2 Hn.

a2 3

3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2 Sn. Dr. & Tom-t. 3 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

mas sa

cre.

3

CINQUE

3 3

Lord,

You can

not

see

You

talk so just to rid dle me,

= 72 I 3

Vn. II 6

3

dim.

Va.

dim. Vc.

Cb.

68

Scene 2

= 112 110 1 2

Fl.

3

Picc.

Ob.

1 2

E.H. a2

1. Cl.

a2

3

1 2 3

3

Bs. Cl. a2

1. Bn.

1 2

3

Cbn.

1 2 Hn.

3

3. 3 4 1 2

3

Tpt. 3 1 2 Tbn.

3.

3 3

3 Tuba

Timp. (Vibr.) 1 3

3

cresc. Mar. 3

Perc. 2

(Sn. Dr. & Tom-t.) 3 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TRICKSTER

8

3

I

can

hear,

Chief

I can hear,

3

Now

3

do as I say,

= 112 I Vn. II

Va.

3

Vc.

pizz. Cb.

arco

pizz.

3

You can

Scene 2 115

69

= 104

1.

1 2

Fl.

Picc. 2. 1 2

Ob.

E.H. 2.

1.

1 2

Cl.

Bs. Cl.

a2

2.

1.

1 2

Bn.

Cbn.

2. 1 2 Hn. 3 4 3

3

1 2 Tpt. 3 1 2

3

3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass CINQUE 3

3

Tr. 8

steer

if

you mind the

tell

tales

What’s that

you

say,

Mind the

= 104 I Vn. II

Va.

pizz. 3

Vc.

pizz. 3

Cb.

tell

tales?

70

Scene 2

= 112 122 1 2

Fl.

Picc. 2. Ob.

2.

1 2

3

E.H. 1. Cl.

1 2 3

Bs. Cl. 3

2. Bn.

a2

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 2. 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

cresc. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TRICKSTER

3

8

3

3

3

3

3

They’ve

3

tied bits of cloth

3

Cin. More

of your

puz

zles

Lord Rid dler speaks

non sense,

non

sense

= 112 I

cresc.

Vn. II

Va. pizz.

arco

Vc. 3

pizz. Cb. 3

arco

3

Scene 2 127

a2

1.

1 2

Fl.

71

3

3

Picc. 1. Ob.

1 2

3

E.H. 2. Cl.

1 2

3

3

Bs. Cl. a2 Bn.

a2

3

1 2

3

Cbn. 1. 1 2 Hn.

3

3

3

3

3 4

1 2 Tpt. 3 1. 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3 3

3

3

3

3

Tr. 8

To the

mast

a bove my head.

They tell

I

cresc.

Vn. II

Va.

pizz.

arco

Vc. 3

pizz. arco Cb. 3

where the wind

goes

on the

72

Scene 2 132 1 2

Fl.

= 66

1.

3

3

Picc. a2 Ob.

1. 3

1 2

3

3 3

E.H. 6

Cl.

1 2 3

3

dim.

3

Bs. Cl. 3

1. Bn.

1 2

Cbn. 3

1.

2.

1 2 3

Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs. - shuffle) Drums

Bass

3

3

3

3

Tr. cross

and the shrouds

They see

the

wind

ev

en

when

she’s

low

= 66 I Vn. II

Va. 6

3

cresc. 3

3

Vc.

3

Cb. 3

Scene 2

73

= 126 137

a2

1 2

Fl.

6

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn.

2. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Funk Drums pizz. Bass

TRICKSTER

8

It’s an

3

3

CINQUE

3

3

3

Tell

tales

seethe wind andthe shrouds,

3

3

Lord

what

are

shrouds?

= 126 I 3

Vn.

6

II 3

3

6

Va. 3

3

3

3

3

3

3

pizz.

Vc. pizz. 3

Cb.

3

3

arco

74

Scene 2 142

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl. a2 Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

Eng

lish word,

An Eng lish man word

for cloth forthe dead

or these ropes wrapped ’round the mast and ropes fromthe

I Vn. II

Va. pizz.

arco

pizz.

Vc. 3

Cb.

3

cresc. arco

pizz.

Scene 2

75

147

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

cresc.

Timp.

1 (Mar.)

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums 3

Bass

Tr. 8

prow.

Chief,

you ask ques

tions

while time

is

short

3

I Vn. II

cresc.

Va.

cresc. arco

pizz.

Vc. 3

arco Cb.

pizz. 3

76

Scene 2 152

a2

2.

1 2

Fl.

Picc. 2. Ob.

1 2

E.H. a2 Cl.

1.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. 1 2 Tpt. 3 1. 1 2 Tbn.

a2

3 Tuba

Timp. Xyl.

Vibr.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass

Tr. 8

Tell the boys to climb

I Vn. II

cresc. Va.

cresc. Vc.

Cb.

up

to

see

if

the land

lies

where those birds

fly.

Scene 2

77

158 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

cresc. Cbn. 2. 1 2 Hn. 3 4 2. 1 2 Tpt. 3

1 2 Tbn.

a2

3 Tuba

cresc. Timp. Vibr. 1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

Tr. 8

The bow is

in

the wind,

Chief.

I Vn. II

Va.

pizz.

arco

Vc.

cresc. pizz.

arco

Cb.

cresc.

78

Scene 2 165

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

a2 Bn.

1 2

cresc. Cbn. 2. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 1 2 3

3

Tbn.

Tuba

3 Tuba

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass

CINQUE

3

3

Tr. 8

The sails

are luff

fing,

Turn her off

the

wind

Cloth

for

I 3

Vn. II

cresc.

Va.

cresc. arco

pizz.

pizz.

Vc.

cresc. pizz.

cresc. arco

pizz.

Cb.

cresc.

cresc.

the dead

Scene 2 172

79

1.

1 2

Fl.

dim. Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc.

cresc.

Cbn.

2.

1.

4.

4.

1 2 Hn. 3 4 a2 1 2 Tpt. 3

1 2 3

Tbn.

cresc.

3 Tuba

Timp.

(Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass (Deck springs to life)

3

3

Cin. Climb

the

ropes

Tell

tales

Turn from the

wind

Climb

the

ropes

div. I dim. Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

arco

pizz.

arco

pizz.

Vc.

cresc. arco

pizz.

cresc. arco

pizz.

Cb.

cresc.

cresc.

Mind

the

80

Scene 2 180 1 2

Fl.

Picc. 1. 1 2

Ob.

dim. E.H.

dim. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 with mute 1 2

cresc. Tbn.

Tuba

3. with mute

3 Tuba

cresc.

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8 Drums

Bass

TRICKSTER

8

(to himself)

I

Cin. tell

tales

I Vn. II

Va. arco Vc.

cresc. Cb.

cresc.

1.

Scene 2 184

81

a2

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 (mute) 1 2

cresc. Tbn.

cresc.

3. (mute)

3 Tuba

cresc.

cresc.

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8 Drums

Bass

Tr. have noth ing

to

fear.

I

tell the

I Vn. II

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

wind

to

fill

the

sails.

82

Scene 2 190 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt.

cresc. 3

1 2 Tbn.

cresc.

3.

3 Tuba

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8

14/8

Drums

Bass

3

Tr. If

for now the winds

say

they will not

bring

us

to

sail, div.

I Vn. II

cresc.

Va.

cresc. Vc. arco Cb.

pizz.

arco

pizz.

Scene 2

83

196 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

2.

1 2

cresc. Bs. Cl.

cresc. Bn.

1 2

cresc. Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt.

cresc. 3 1 2

Tbn.

3.

cresc.

a2

3 Tuba

cresc.

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8

11/8

11/8

Drums

Bass

3

Tr. 8

it

is

just

for

now.

If

I Vn. II

Va.

Vc.

cresc. arco

pizz.

arco

pizz.

Cb.

cresc.

the

rain

says

she

84

Scene 2 202

1.

1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

cresc.

cresc.

Bs. Cl.

cresc. Bn.

cresc.

2.

1 2

cresc.

cresc.

Cbn.

a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 11/8

11/8

11/8

Drums

Bass

4

3

3

Tr. 8

will not fill

thewa ter pails.

she

will heed

me

yet,

I am still

their

chief,

I 3

Vn.

cresc.

3

II

cresc.

3 3

Va. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

Scene 2

85

208 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 open 1 2

cresc. Tpt.

open 3

cresc. open 1 2

cresc. Tbn.

open

3 Tuba

cresc. Timp. (Vibr.)

cresc.

1

Perc. 2 Bs. Dr. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 11/8

Cym.

Drums

cresc. Bass

3

Tr. 8

Lord

of Il

lu

sion, and

De

ceit.

I

div. I

Vn.

div. II

3

Va.

Vc.

cresc.

cresc. arco

Cb.

cresc.

cresc.

will not be

86

Scene 2 214 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. mute 1 2 Tpt.

mute 3 1 2

Tbn.

a2

3 Tuba

dim.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

3

Tr. played

a

cheat. CINQUE

(spoken): Burnah! Grabeau!

Climb the sails and look!

I Vn.

dim. II

Va.

dim. pizz. Vc. pizz. Cb.

Scene 2 218

87 a2

a2

a2

1 2

Fl.

Picc. a2 1 2

Ob.

E.H. a2 1 2

Cl.

dim. Bs. Cl.

1 2

Bn.

Cbn. a2 1 2 Hn.

a2 3 4 1 2

Tpt.

cresc.

dim.

cresc.

dim.

3

1 2 3

Tbn.

3

3

dim.

3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

T1 Tell

8

tales 3

T2 8

3

3

Tell

tales

Turn from

the

B1 Cloth

for

the

dead

Climb

the

ropes

Tell

tales

dead

Climb

the

ropes

Tell

tales

3

3

3

B2 Cloth

I

dim.

Vn. II

Va.

dim. Vc.

Cb.

for

the

Turn from

the

88

Scene 2 225 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. a2

1.

3

1 2 Hn.

a2

3

3

3 4 2. 1 2

cresc.

Tpt. 3

cresc. 1 2 Tbn.

3

a2

3 Tuba

cresc. Timp. (Vibr.) 1

cresc.

(Mar.) Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19 8

3/4 Half time

Drums

cresc. Bass

3

T1 Climb

8

the

ropes

Mind

the

tell

tales

Cloth for the

3

T2 8

wind

Cloth for

the

dead

the

dead

3

B1 Climb

the

ropes

Cloth for

3

B2 wind

Mind

the

tell

tales

I Vn. II

cresc. Va.

cresc.

dim.

arco

pizz.

Vc.

cresc. pizz. Cb.

cresc.

Scene 2

89

232 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc. Cbn. a2 1 2 3

Hn.

a2

3

3 4 1 2 Tpt. 3 a2 1 2 3

Tbn.

a2

3

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

cresc.

cresc.

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

T1 5

dead

Climb

the ropes

Mind

the

tell

tales

tell

tales

tell

tales

tell

tales

3

T2 5

dead

Climb

the ropes

Mind

the 3

B1 dead

Climb the ropes

Mind

the

Mind

the

3

B2 Cloth for the

dead

Climb the

ropes

I

dim.

Vn. II

cresc.

cresc.

Va.

cresc. arco

pizz.

arco

pizz.

arco

Vc.

cresc. arco

cresc.

Cb.

cresc.

cresc.

90

Scene 2 a2

239 1 2

Fl.

Picc.

Ob.

1 2

E.H.

dim.

Cl.

1 2

cresc.

cresc.

Bs. Cl.

Bn.

1 2

cresc.

cresc.

Cbn. 1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 a2 1 2 Tbn.

a2

3 Tuba

Timp.

(Vibr.) 1

cresc.

cresc.

cresc.

cresc.

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

T1 Turn from the wind,

8

Turn

T2 Turn fromthe wind

8

Wind,

Turn from the wind

B1 Turn from the wind,

Turn

B2 Turn fromthe wind

Wind,

Turn fromthe wind

I Vn. II

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

div. Cb.

Scene 2 246

91

a2

1 2

Fl.

3

Picc. a2 Ob.

1 2 3

E.H. a2 Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 3

Tpt. 3

a2 1 2 Tbn.

a2

3 Tuba

Timp. (Vibr.) 1 3

(Mar.) Perc. 2

Cym. Tom-t.

3

Sn. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

T1 8

from the wind

Mind

the

tell

tales

8

Wind

Mind

the

tell

tales

Mind

the

tell

tales

Mind

the

tell

tales

T2

B1 from the wind B2 Wind I Vn.

cresc. II

Va.

cresc.

Vc. pizz. Cb.

92

Scene 2

= 88 252 a2 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2 1 2 3

Tbn.

3

cresc.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cym. Tom-t. Sn. Dr. Bs. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

= 88 gliss.

I

cresc. Vn.

gliss.

II

cresc. 3

gliss.

Va.

cresc. 3

Vc.

arco Cb.

Scene 2

= 108

257

93

1.

a2

1 2

Fl.

5

Picc. 1. Ob.

1 2 3

E.H. 3

1. Cl.

1 2 3

Bs. Cl. 3

2. Bn.

1 2 3

3

1. Cbn. 1. 1 2 Hn.

3

3.

3

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass TRICKSTER

NAVIGATOR

3

3

8

Land!

we’ve

hit

Land,

land! GRABEAU

3

There’s noth

= 108

boy?

Is there

3

ing.

I Vn. II 3

5

Va. 3 3

Vc. 3

Cb.

5

94

Scene 2

= 76 262

1.

1.

1 2

Fl.

6

3

Picc. 1.

3

Ob.

1 2

E.H. 6

1. Cl.

1 2 6

Bs. Cl.

Bn.

1 2 3

Cbn. 2. 1 2 3

Hn.

4.

3

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

land?

3

3

3

3

Gra. Yes land

sand and

dunes

as far

as

I

can

see

A shal

= 76 I 6

3

Vn. II 6

6

6

6

6

Va. 6

Vc.

6

Cb. 3

low

place

Scene 2

95

266 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. 1. Bn.

1 2

Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt.

3. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

Not as

DON PEDRO

We’re

yet

3

3

3

my

friend

God

knows

where

saved

G.

I

dim. Vn. II

Va.

Vc.

Cb.

we’ve

land

ed

96

Scene 2 270

= 108

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2 Sn. Dr. & Tom-t. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

CINQUE

You

= 108 I

II

cresc.

Va.

cresc.

Cb.

us

to

this

place

Boat

6

Vn.

Vc.

run

Scene 2 274

2.

1 2

Fl.

97

3

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2

cresc. Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Cin. man

this

is

some

trick of

yours

I

cresc.

Vn. II

cresc.

Va.

cresc.

Vc.

Cb.

98

Scene 2 277

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. 2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(NAVIGATOR makes no response) 3

(Grabs NAVIGATOR) Cin. We

go

for

wa

ter,

Watch

them.

I Vn. II

Va.

dim.

Vc.

dim. Cb.

dim.

Scene 2

99

= 80 281

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2 6

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

DON PEDRO 3

Cin. I don’t care what place

this

is.

It

must be

A

mer i ca.

We’ll get help.

= 80 I Vn. II 6

Va.

Vc.

Cb.

100

Scene 2 286

a2

1 2

Fl.

3

Picc. a2 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1. 1 2

Bn.

cresc. Cbn. 1.

1.

1.

1.

1 2

cresc.

3

cresc.

3

Hn. 3 4

3

1.

cresc.

cresc.

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

D.P. One glance and they’ll see

our

plight. div.

unis.

I

dim.

Vn.

div. II

dim. div. Va.

div. Vc.

cresc. Cb.

Scene 2 292

a2

= 63

101

= 84

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. 1.

1. 1 2

cresc. Hn. 3 4

cresc. 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

= 63

= 84

I

cresc.

3

3

3

3

Vn. 3

II

cresc. Va.

Vc.

Cb.

3

3

3

102

Scene 2

= 299 1 2

Fl.

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2

3

Bs. Cl.

Bn.

3

3

3

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt.

3 3

3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 6

(Mar.) Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT (off stage) 3

3

A hoy

3

there

A

hoy

there

= I 3

3

Vn.

3

dim. 3

6

3

3

II

dim. Va. 3

Vc. 3 3

Cb.

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

103

Scene 2 1.

302 1 2

Fl.

3

3

3

Picc.

Ob.

1 2 3

3

3

E.H.

Cl.

1 2 3

3

Bs. Cl. 3

Bn.

3

1 2 3

Cbn.

1 2 Hn. 3 4 a2

1.

3

1 2 3

Tpt. 3

3

1 2 Tbn. 3 Tuba 3

Timp.

1 (Mar.) Perc. 2 3

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(Climbs onto deck from off the side. From the other side,

3

Lt. how

I

say

you

lend

a

hand

3

3

Vn. II

3

cresc.

3

3

3

3

3

3

Va. 3

Vc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3 3

Cb.

3 3

3

104

Scene 2 305 1 2

Fl.

3

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 3 3

1 2 3

cresc.

Tpt.

3

3

3

1 2

3

Tbn.

cresc.

3

3

3.

3 Tuba

Timp. (Vibr.) 1

3

3

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Coast Guard men bring CINQUE and his party back on board) Lt.

I 3

3

6 6

6

Vn. II 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

Va. 3

Vc. 3

3

3

cresc.

Cb. 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

6

105

Scene 2 308 1 2

Fl.

3

3

Picc.

Ob.

1 2 3

3

3

E.H.

Cl.

1 2

3

3

Bs. Cl. 3

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 3

1.

1 2 3

Tpt. 3

3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2 3

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Lt. This

is

a

strange

ship.

A

strange

ship

in

deed.

I 6 6

Vn. II 6

Va. 3

Vc.

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

cresc. 3

Cb.

3 3

106

Scene 2 310

a2

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

3

3

3

3

cresc.

3

3

Bs. Cl. 1 2

Bn.

3

Cbn. 2. 1 2 Hn.

4.

3 3

3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

(Vibr.) 1 3

3

3

3

3

3

3

3

3

(Mar.) Perc. 2 3

3

3

3

cresc.

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Lt. You must

I

be

the

ghost

ship

Heard

of

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vn. II

Va. 3

3

3

3

3 cresc.

3

Vc.

Cb.

3

3

you

107

Scene 2 312

a2

1 2

Fl.

3

3

3

3

Picc.

Ob.

1 2 3

3

3

E.H. a2 3

Cl.

3

3

3

3

3

a2

3

a2

3

1 2 3

Bs. Cl.

Bn.

1 2

3

3

3

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

(Vibr.) 3

3

3

3

3

1 3

3

(Mar.)

3 3

3

3

3

3

3

3 3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

Lt. up

I

and

down these parts.

the ship

manned by black

men

haunt ing the

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

whole

Vn. II

Va. 3

3

3

3

3

3

3

3

3

cresc.

3

Vc.

cresc. Cb.

dim.

coast.

108

Scene 2 315

a2

1 2

Fl.

3

Picc.

Ob.

1 2

6

E.H. 3

Cl.

3

3

3

3

3

3

3

3

3

3

3

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl. 3

Bn.

3

cresc.

1 2

3

cresc.

3

3

3

3

3

cresc.

3

cresc.

3

3

3 cresc.

3

3

cresc.

3

3

3

3

3

Cbn.

1 2 Hn. 3 4 1. 1 2 6

Tpt.

6

3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

(Mar.) 3

3

3

cresc. 3

3

3

cresc.

3

Perc. 2 3

cresc.

3

3

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

3

3

I as

3

3

sure you,sir.

We are

not

3

ghosts,

on

I 6

Vn. II 6

Va. 6

Vc.

Cb.

6

ly

near

ly

so.

Scene 2

109

320 1 2

Fl.

3

dim.

6

Picc.

Ob.

1 2

6

3 3

E.H.

dim. 3

Cl.

dim.

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

cresc.

cresc.

Bs. Cl. 3

Bn.

3

3

3

3

3

3

cresc.

3

1 2 3

3

cresc.

cresc.

3

3

3

3

3

cresc.

3

cresc.

3

3

3

3

cresc. 3

3

cresc.

Cbn.

1 2 3

Hn.

3.

3

3 4 1.

3

1 2 Tpt.

1.

3

3

1 2 Tbn. 3 Tuba

Timp.

(Vibr.)

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

cresc.

3

(Mar.) 3

3

3

3

3

3

3

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

Nav. 8

Se cure these men—

They’ve killedour

crew,

Held us

I 3

Vn.

div.

3

II 3

div. Va. 3

Vc.

Cb.

3

6

cap tive man y weeks

110

Scene 2

= 108

325 1 2

Fl.

3

Picc.

Ob.

1 2 3

E.H. 3

3

Cl.

3

3

3

1 2 3

cresc. Bs. Cl. 3

Bn.

1 2

3

3

a2

a2

3

3

3

Cbn. a2 1 2

dim.

Hn.

3

3 4 1 2 Tpt. 3 a2

3

3

3

3

1 2

cresc. Tbn.

a2

3 Tuba

3

3

Timp. (Vibr.) 3

cresc.

3

1 (Mar.) 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT 3

Nav. 8

now.

Who

are

you,

= 108

I 3

6

Vn.

3

3

3

II 3

cresc. 3

Va.

3

cresc.

3

3 3

3

Vc.

cresc. 3

Cb.

cresc.

3

pizz.

3

sir?

Scene 2

= 72

331 1.

111

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR 3

Lt. 8

Thecap tain of this

rig

whose ship flies no

I Vn. II

Va.

Vc.

div. Cb.

flag?

Nav

i ga tor,

sir.

= 72

Our

112 338

Scene 2

= 84

2. 1.

1.

1 2

Fl.

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2 3

Bs. Cl. a2 Bn.

1.

3

1 2 3

Cbn.

1 2 Hn. 3 4 3

1 2 Tpt. 3

1 2 3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Nav. 8

Cap tain

is dead.

This is the

A

mi

stad

of Span ish ti

tle,

Load ed in Cu

ba,

= 84

I 3

3

Vn. II

Va. pizz.

3

Vc. pizz. Cb. 3

Scene 2

113

343 1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl. a2

3

1 2

Bn.

Cbn.

1 2 3 3

Hn. 3 4 1 2 3

Tpt. 3

1. 1 2

dim.

Tbn.

3.

3 Tuba

dim. Timp. (Vibr.) 1 3

Perc. 2 Rim shot 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Nav. 8

tak

en

on

the

sea

by

these

slaves.

ANTONIO

Sir

I Vn. II

Va. 3

Vc.

Cb.

Ex