Page 1


Cast of Characters

The Trickster God, an African deity .................................................................................... Tenor Cinque, African captives’ leader ....................................................... ........................ Bass-Baritone Rep. John Quincy Adams, lawyer for captives ......................................................................... Bass The Goddess of the Waters, an African deity ....................................................... Mezzo-Soprano The Navigator ........................................................................................................................ Tenor

Abolitionist Tappan .............................................................................................................. Tenor The Phrenologist .................................................................................................. Character Tenor Antonio, slave cabin boy .................................................................................................... Baritone Kaleh, captive, male ............................................................................................................... Tenor Margru, captive, female ...................................................................................................... Soprano Grabeau, captive, male ....................................................................................................... Baritone Burnah, captive, male ................................................................................................................ Bass Kinnah, captive, male ............................................................................................................. Tenor Bahia, captive, female .................................................................................... Lyric Mezzo-Soprano American Lieutenant, a merchant seaman ........................................................................ Baritone The Judge ........................................................................................................................... Baritone Don Pedro, a Spanish slave trader ............................................................................................ Bass The Spaniard, a government official ......................................................................................... Bass President Van Buren ............................................................................................................. Tenor Southern Senator ............................................................................................................... Baritone Abolitionist Lawyer ........................................................................................................... Baritone Ship Cook ................................................................................................................................. Bass Four Reporters ................................................................................... 2 Tenors, 1 Baritone, 1 Bass

Synopsis

ACT I Scene 1: “Cloth for the Dead” The Spanish schooner Amistad, out of Cuba, drifts off Long Island. The “ghost” ship is legendary—taken over by slaves, haunting eastern waters. Aboard ship is one who shapes their fate—a ragged, boastful African deity. The Trickster God is the spirit of rebellion, uncertainty and mischief. When humans meet him, they are apt to lose their way. This Trickster has been led astray himself, and the torturous Middle Passage journey has blinded him and weakened his powers. Claiming that he will yet prevail (Aria: “The unknown is my realm”), the Trickster asks for help from the Goddess of the Waters. He hears the ship’s two hostages, a navigator and a slaver, scheming. They tie the helm on a northerly course, as they have every night. The African leader Cinque discovers the trick and realizes they have not headed to Africa, but zigzagged north towards another fate. (Duet: “We’re drifting”) When the ship runs aground, an enterprising seaman discovers them and seizes the ship to sell the Africans as salvaged cargo. The two Spaniards tell of mutiny and murder and claim to own the Africans, who insist they are free. (Chorus: “We have come to naught”) Cinque believes they are victims of a Mende taboo: to see a god can bring danger. (Aria: “The meaning is clear”) Antonio, a lifelong slave and witness to the mutiny, has fears too. (Aria: “And me, am I save’?”) Scene 2: “Savages of Legend” Newspaper reporters watch the captives being paraded to jail, and joust over their lot. (Sextet: “So these are the savages”) Setting foot on American soil scares the Africans (Chorus: “Are they going to kill us?”) but seems to restore the god of chance. (Aria: “Yap and snap”) Scene 3: “Ankle and Wrist” As people gawk, Margru tells of her capture (Aria: “I could tell”) and the captives vow not to reveal where they are from to protect their families. Cinque recalls being caught in a net. (Chorus: “Ankle and Wrist”; Aria: “The past is a fading”) A “scientist” who studies ethnic groups examines the prisoners and gives his findings to the press. (“The base of his brain”) Scene 4: “The Greatest Liberty” (Chorus: “Jesus Saviour, pilot me”) Abolitionist Tappan comes to plead Adams to act as lead lawyer for the Africans. The former president resists because he has not been in court in years. He then muses on the young republic’s vision of liberty. (Aria: “The greatest liberty”)


Synopsis (cnt’d) ACT II Scene 1: “Posers, Dandies, Hacks” The reporters introduce the cast at court. (Sextet: “It’s quite a show”) Scene 2: “What the Navigator Saw” The Navigator tells of waking to the touch of a blade. (Aria: “The Moonlight Died”) Scene 3: “What Antonio Saw” Antonio tells of the captain’s death. (Aria: “I beg mercy”) The court turns against the Africans. Scene 4: “They Saw a God” The captives say the story begins in Africa. (Quartet: “We thought they came for salt”) Scene 5: “Skin of Clouds” The Goddess of the Waters, invoked by their tale, recalls the Middle Passage. Scene 6: “Freed by Lord and Chief” On landing in Cuba, the seeds of revolt are sown when Antonio rebukes the Trickster (Chorus: “Nansi, Brer Nansi”) and the Cook threatens the captives. Antonio tells them they are now in a new world. (Aria: “Sis Goose”) Scene 7: “The Rising” The Trickster frees the captives and starts the revolt. (Aria: “All my tricks are old”) Cinque decides to spare Antonio. (Aria: “He sleeps at his master’s feet”) Scene 8: “Bird on the Wing” Adams sums up before the court (Aria: “To own one’s life”), and the captives’ case is won. They will go home but the Trickster decides to stay in the Americas. (Aria: “Liberty is my kingdom”)


Notes on Characters (in order of appearance)

The Trickster God A master of disguise, who lives on society’s edges, he translates all tongues, especially between gods and mortals. He is amoral—appearing as many animals, who will steal, molest, or kill, and eat other animals. Offerings are made to him first to prevent any accidents. Cinque (died ca. 1879) Leader of the captives. A rice farmer who lived with his father and a wife and three children. He returned to Mende and later became an interpreter for the American Missionary Association. Rep. John Quincy Adams (1767–1848) of Massachusetts, sixth U.S. president (1825–29). At the time, the former president was in the House of Representatives. Until his death he was obsessed with exposing the corruption in the Van Buren administration found in the Amistad case. Goddess of the Waters Like the Trickster, this West African deity is known throughout the African Diaspora. They both represent culture shared by Africa with the Americas. The mother of waters is known also as the mother of all the other orisha, or gods in African Yoruba, Brazilian Santeria, and Haitian vodun. She is a mature and sensual female spirit. She likes fans made of palm leaves or peacock feathers and, in the Americas, is seen in great indigo skirts with white petticoats. Abolitionist Tappan Based on Lewis Tappan (1788–1873), member of a New York silk merchant family that helped to finance the abolitionist cause. His brother Arthur was a founder of the American AntiSlavery Society and both experienced mob violence, vandalism and hate mail for their work. In the South, a price of $100,000 was put on their heads. At the end of the trials he and others arranged for the slave Antonio (16-year-old cabin boy) to escape to Canada. President MartinVan Buren (1782–1862) Eighth U.S. President (1837–41). A Jeffersonian Democrat, Van Buren earlier served as governor of New York and Secretary of State under Andrew Jackson. Van Buren was already unpopular at the time of the case, and worried about re-election. He lost to William H. Harrison, who died a month after taking office and was succeeded by John Tyler. Van Buren ran for president two more times. The Spaniard is a composite of two Spanish officials with overlapping terms in this case: Don Angel Calderon de la Barca, Spanish minister to the U.S., in 1839–40; and Pedro Alacantara de Argaiz, minister in late 1839. The Navigator and Don Pedro are composites based on two survivors of the Amistad—Jose Ruiz and Pedro Montes—and the buyer, Pedro Martinez, a major slaver with company headquarters in West Africa where the captives were taken. The Judge represents both a Connecticut judge and the men of the Supreme Court which, at the time, had just been enlarged from six to eight justices. Five of them, including Chief Justice Taney, were southerners who had at one time or another owned slaves. One justice died during the last trial.


AMISTAD

OV-1

OVERTURE

= 52

Anthony Davis

= 69

1. 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

2.

1 2

Bs. Cl. a2

1. Bn.

1 2

3

3

Cbn. a2

3

3

a2

3

3

1 2 Hn.

4. 3 4

1 2 Tpt. 3 1 2 Tbn.

a2

3 Tuba

Timp. Vibraphone 1 Chimes Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

= 69 = 52 I

Vn. II

div. Va.

Vc.

Cb.

Copyright Š 1997 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.


Overture

OV-2

accel. 9 1 2

Fl.

Picc. 1. Ob.

a2

3

1 2 3

3

E.H. a2 Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn. (a2)

3

1 2 Hn.

(a2)

a2 3

3

3 4

1. 1 2 Tpt. 3 a2 1 2 3

Tbn.

Tuba

3.

3 Tuba 3

Timp.

1 (Chimes) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

accel.

div.

1/2 Vn. I

I 3

cresc. Vn.

div.

unis.

3

II 3

3

unis. Va. 3

3

3

3

3

3

Vc.

Cb.

3


Overture

OV-3

Tempo primo 15

a2

1 2

Fl.

Faster,

= 126

Faster,

= 126

a2

3

3

3

Picc. 2. Ob.

a2

1 2

E.H. (a2) Cl.

1 2

2.

a2

3

Bs. Cl.

Bn.

1 2

Cbn. (a2) 1 2 Hn.

(a2) 3 4 (1.) 1 2

Tpt. 3 1. 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Chimes) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

Tempo primo

3

cresc. Vn. I div. I 3

Vn. II

Va.

Vc.

Cb.

3

3


Overture

OV-4 21

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc. Cbn.

cresc. 1 2 Hn. 3 4 1. mute 1 2 Tpt.

cresc.

mute 3

cresc. a2 1 2

cresc. Tbn.

a2

3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

cresc. pizz. Cb.

cresc.


Overture

OV-5

25 1 2

Fl.

Picc. 2. Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4

(1.)

a2

1 2 Tpt. 3 (a2)

1.

1 2 Tbn.

(a2)

3. solo

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

unis. I

Vn. II

Va.

Vc.

arco Cb.


OV-6

Overture

a2

30 1 2

Fl.

3

Picc. 3

Ob.

1.

1 2

E.H. a2 Cl.

3

1.

1 2

Bs. Cl. a2 Bn.

1 2 3

Cbn. a2

1.

1 2 Hn.

a2

3.

3 4 1.

1.

1 2 Tpt.

3. 3

1. 1 2 cresc. Tbn.

cresc.

3.

3 Tuba

Timp.

1 Marimba

Perc. 2 3

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I 3

Vn. II 3

Va. 3

pizz. Vc.

pizz. Cb.

3


Overture 35

OV-7

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. 3

a2

a2 Cl.

1 2 3

Bs. Cl. 3

a2

1. Bn.

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 a2

1.

a2

1 2 cresc. Tbn.

3.

a2

3.

3 Tuba cresc.

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass div.

I 3

Vn.

div. II

Va. 3

arco Vc. cresc.

arco Cb.


Overture

OV-8 40

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 (a2) 1 2 Tbn.

(3.)

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

unis. I

Vn.

unis. II

Va.

Vc.

Cb.


Overture

OV-9

45 (a2) 1 2

Fl.

(a2) Picc. a2 Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

a2 1 2

Hn.

a2 3 4 a2

3

a2 1 2 3

3

Tpt. 3 (a2) 1 2

cresc. Tbn.

(3.)

3 Tuba

cresc. Timp. 3

(Vibr.) 1 3

(Mar.) Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I

Vn.

3

II

Va. 3

Vc. cresc.

Cb.


Overture

OV-10 50

1.

a2

1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

2. Cl.

1 2 cresc.

Bs. Cl.

Bn.

1 2

Cbn. 1. 1 2 Hn.

3. 3 4 1. 1 2

Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2 cresc. 3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

Cb.


Overture 55

OV-11

Meno mosso,

= 108

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

a2

1.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. 1. 1 2 Hn.

3.

a2

3 4 a2 1 2 Tpt. 3 a2

plunger 1 2 Tbn. 3 Tuba

Timp. (Vib.) 1 Mar. Perc. 2 3

3

Cel.

Hp.

Vln.

W.W.

Tbn. brushes

S.D. Drums 3

pizz. Bass

Meno mosso, I 3

Vn. II 3

Va. 3

cresc.

Vc.

cresc. pizz. Cb.

= 108


Overture

OV-12 60

a2

1 2

Fl.

3

3

cresc.

Picc.

Ob.

1 2 3

E.H. 3

3

3

a2 Cl.

1 2

3

dim. Bs. Cl. a2 Bn.

1 2 3

3

3

3

Cbn. 3

1 2 3 3

Hn. 3 4 1 2 Tpt.

dim. 3

dim. 1 2

cresc. Tbn. 3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc. Bass

cresc.

I

dim. Vn. II

dim.

Va.

dim.

Vc.

dim. arco Cb.

3

cresc.

3

3


Overture 63

OV-13

a2

1 2

Fl.

3

3

Picc. a2 Ob.

3

1 2

cresc.

3

3

3

E.H. 3 3

Cl.

3

3

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc. Bass

cresc.

I

3 3

Vn. II

Va.

cresc.

Vc.

cresc.

Cb.

cresc.

cresc.

3


Overture

OV-14 66 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

a2

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 3

3

1 2

a2

Hn.

3

3

3 4 a2

3

3

3

3

1 2 Tpt.

3

3

3 a2

3

3.

3

1 2 Tbn.

3

3 Tuba 3

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

I

Vn. II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.


Overture 70

OV-15

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

a2 3

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc. a2

Hn.

3

3 4

3

3

3

3

3

3

3

cresc.

a2 3

3

3

3

3

3

3

3

1 2 Tpt.

3

cresc.

3

3

3

3

3

3

3

3 a2

3

3.

3

cresc.

3

3

3

1 2 3

Tbn.

cresc.

3

3

3 3

3 3

3 Tuba 3

cresc.

3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

I

Vn. II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.

3


Overture

OV-16 75 a2

a2

1 2

Fl.

dim.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

dim. 1 2 Hn. 3 4 1 2 Tpt.

dim. 3

dim. 1 2

dim. Tbn. 3 Tuba

dim. Timp. Vibr. 1

Perc. 2 Bs. Dr. 3

Cel.

Hp.

Vln.

W.W.

Tbn. solo Build solo - fill Drums

cresc. Bass

I

Vn. II

Va.

Vc.

dim.

Cb.

dim.

solo


Overture 79

OV-17

a2

1 2

Fl.

dim.

Picc.

Ob.

1 2

E.H. a2 Cl.

a2

1 2

Bs. Cl. a2 Bn.

1 2

dim. Cbn.

dim. 1 2 Hn. 3 4 1 2

dim.

Tpt. 3

dim. 1 2

dim. Tbn.

3.

3 Tuba

dim.

Timp. (Vibr.) 1

Perc. 2 (Bs. Dr.) 3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums

cresc. Bass

I

3 3

Vn. II

3 3

Va.

3 3

Vc.

dim. div. Cb.

dim.


Overture

OV-18 83

a2

1 2

Fl.

dim.

dim.

dim.

dim.

Picc.

Ob.

1 2

dim. E.H.

dim. a2 Cl.

1 2

dim.

dim.

Bs. Cl. a2 Bn.

1 2

dim.

dim.

dim.

dim.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2

dim.

Tbn. 3 Tuba

dim.

Timp.

1

Perc. 2 (Bs. Dr.) 3

Cel.

Hp.

Vln.

W.W.

Tbn. solo Drums

dim.

dim.

Bass

I

dim.

dim.

dim.

dim.

Vn. II

Va.

dim.

Vc.

dim.

dim.

Cb.

dim.

dim.


Overture 88

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn. cymbals only - brushes Drums

dim. Bass

I

Vn. II

Va.

Vc.

Cb.

OV-19


Overture

OV-20

a2

93 1 2

Fl.

dim. Picc. a2 Ob.

1 2

dim. E.H.

dim. Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

1 2

dim.

Hn. 3 4

dim. 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Vln.

W.W.

Tbn.

Drums 3

Bass

I

3

Vn. II

3

Va. 3

Vc.

Cb.


AMISTAD

Thulani Davis

Anthony Davis

SCENE 1 (Trickster)

= 108 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc.

3

Bs. Cl. a2 Bn.

1.

1 2

Cbn. 1. 1 2 3

Hn.

3. 3 4

3

mute

open

1 2 3

Tpt. 3 2.

1.

a2

1 2 Tbn. 3 Tuba

Timp. Marimba 1 Vibraphone Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Drums Drums 3

Bass

TRICKSTER

8

= 108

3

3

3

The un known is my realm

ca

la mi ty

my

king dom

Solo I Vn.

Solo II

Va. pizz.

arco

Vc. pizz. Cb.

Copyright Š 1997 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.


2

= 112 6

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 plunger 1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

I

am

a

God,

am

I

not?

Mas

= 112 tutti I Vn.

tutti II

Va.

pizz.

arco

pizz.

arco

Vc.

Cb.

ter


3 10 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1.

3

1 2 Hn.

4.

3

3 4

1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp. (Mar.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

of

mor

tal

dis

as

ters

I

I

cresc.

Vn. II

Va.

cresc.

Vc.

Cb.

cresc.

will

meet

this


4 14 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp.

(Mar.)

3

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

mo

ment

I Vn. II

Va. 3

Vc.

Cb.

as

I

meet

all

oth

ers:


5

= 108 17

1.

1 2

Fl.

3

Picc. 1 2

Ob.

E.H. 1 2

Cl.

3

Bs. Cl. a2 1 2

Bn.

Cbn.

1 2 Hn.

3

3. 3 4 3

a2 1 2 3

Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Mar.) 1 (Vibr.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

stal

wart,

au

da

cious

and

bold.

= 108

I Vn. II

Va. pizz. Vc.

Cb.

What

they call


6

(1.)

20 1 2

Fl.

3

Picc. 1.

3

Ob.

1 2 3

cresc.

3

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

tra

ge

dy

I will make my

his

to

ry.

I will make a sto

ry

I 3

Vn. II 3

Va.

cresc. Vc. pizz. Cb.

3

3

3

to be

told

of


7

= 80

= 84 accel.

24

a2

1 2

Fl.

3

Picc. a2 Ob.

3

1 2

dim.

cresc.

3

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1.

a2

1 2 Hn.

4. 3 4 3. 3

1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp.

1 (Vibr.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3

3

3

3

3

3

Tr. 8

ge

nius born of ne

ces

si

ty

Of cour age

come

eas

y

when the heart

= 80

is

cold

= 84 accel.

I 3

Vn.

3

II 3

Va. arco Vc.

Cb.

cresc.

3


8

= 96 a2

29 1 2

Fl.

3

cresc.

3

= 76

= 116

3

Picc. a2 Ob.

1 2 3

E.H. a2 Cl.

1 2 3

cresc.

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3 1 2 Tbn.

Tuba

3 Tuba

Timp. Chimes 1 (Vibr.) Perc. 2

3

Cel.

Hp.

Solo Cl. improv. Changes? W.W. 1 Contra Alto Cl. in E W.W. 2

Tbn. Funk Groove Drums

Bass

Tr. 8

= 96

= 76

= 116

unis. I 3

cresc.

3

3

div. Vn. II 3

cresc. div.

3

3

Va. 3

Vc.

pizz. Cb.


9 35

1.

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 mute 1 2 Tpt. 3 a2

3

1 2 Tbn.

(Tuba)

3 Tuba

Timp. Marimba 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass

8

I Vn. II

Va.

Vc.

Cb. 3


10 40

1.

1 2

Fl.

Picc. 1. Ob.

1 2 3

E.H. 1. Cl.

1 2

3

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 open 1 2 Tpt. 3 a2

3

1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

I am the danc

er of

all danc

ers,

li

I

cresc.

Vn. II

Va.

pizz. Vc.

Cb. 3

ar, thief

and


11 45

1.

1 2

Fl.

1. 3

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2 3

Bs. Cl. a2 Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

lov

er,

the one

who

I Vn. II

Va. 3

Vc.

Cb. 3

eats

when

the

fo

rest hun

gers.


12 49

1.

1 2

Fl.

Picc. 1. Ob.

1.

1 2 6

E.H. 1. Cl.

1 2

C.B. Cl. a2 Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

When

a

mor

tal

says

there’s

a

bird

on

a

wing

they

I Vn. II 6

Va.

3

Vc.

Cb. 3

say

a prayer

to


13 53 1 2

Fl.

Picc.

Ob.

1.

2. 1.

1 2

a2 3

2.

E.H. 2. Cl.

1 2 3

Bs. Cl. a2 Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

me.

When

a

mor

tal

says

there’s

a

bird

on

a

wing

This

I 3

Vn. II

Va.

3

Vc.

Cb. 3

wi

ly


14 57

a2

1.

1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 1. Cl.

3

2.

1 2

3

Bs. Cl. a2 Bn.

3

1 2

Cbn.

1 2 3

Hn. 3 4 1 2 Tpt. 3

a2 1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

god

comes

to

sing.

I

I 3

Vn. II

Va. 3 3

Vc.

Cb. 3

am the

danc

er

of

all danc

ers,


15 61

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 a2

1.

3

a2

1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

li

ar,

thief

I Vn. II

Va.

3

Vc.

Cb. 3

and lov

er,

the

one who

eats

when

the

for

est hun

gers


16 65

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1. 1 2 Hn.

3.

4. 3

3 4

3

1 2 Tpt. 3 a2

3

1 2 Tbn.

(Tuba)

3 Tuba

Timp. 6

Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

Bass

3

Tr. 8

It 6

I Vn. 3

II

3

Va.

3

Vc.

Cb. 3

is

on

ly

a slight

mis

hap


17 a2

69 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

3

1 2

cresc. Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

Tr. 8

my

I Vn. II

Va.

3

Vc.

Cb.

3

sight’s

a

lit

tle

dazed

Is

it

on

ly

a

mo

men


18 73 1 2

Fl.

Picc. 2. Ob.

1.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1 2

dim.

3

Cbn.

1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

tar y lapse

my

pow

ers

re

tire,

but

I

do

not

fail.

I Vn. II

Va. 3

3

cresc.

Vc. 3

cresc.

dim.

cresc.

dim.

Cb. 3


19 77 1 2

Fl.

dim. Picc.

Ob.

1 2

dim. E.H.

Cl.

1 2

dim. Bs. Cl. a2 Bn.

3

1 2

cresc. Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 a2 1 2 Tbn.

3

Tuba

3 Tuba 3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

(Drs.) Drums

Bass

3

3

Tr. 8

3

There

are the trials

a her

o

must suf

fer

to make

his sto

ry

bold.

I 3

3

3

cresc.

Vn. II

3 3

Va.

cresc. 3

Vc.

cresc.

cresc. 3

Cb.

cresc.

cresc.

3

3


20 82 1 2

Fl.

Picc.

Ob.

1 2

cresc. E.H.

Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 2.

1.

2.

1.

a2

2.

1.

2.

you live

a

1.

a2

1 2 Tbn.

(Tuba)

3 Tuba

Timp. Mar. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tr. 8

A mong

gods

it’s true

if

I Vn. II

Va.

arco Vc.

pizz. Cb.

arco

hu

man

life,


21 1.

88 1 2

Fl.

Picc. 1. Ob.

1 2

cresc. E.H. 1. Cl.

1 2

cresc.

cresc.

Bs. Cl. 1. Bn.

cresc.

1.

1.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3 2.

1.

2.

1.

a2

2.

1.

2.

1.

a2

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs.) Drums

cresc. Bass

3

Tr. 8

I Vn. II

Va.

Vc.

Cb.

you for

get

what a

god

knows.

If you

live

a

hu

man

life


22

= 100 94

Ritard.

2.

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl. 3

Bn.

1 2 3 3

Cbn. 1. 1 2 3

3

Hn. 3 4 3 3

1 2 Tpt. 3 2.

3

1 2

2. 1.

Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs.) Drums

Bass

3

3

3

Tr. 8

You’ll

re

gret

it

like

they

do

Speak

= 100

ing sor row

sing ing

Ritard.

I Vn. II

3

Va. 3 3

3

Vc. 3 3

Cb.


23

accel.

cresc.

3

3

= 88

3

3

3

99 1 2

Fl.

Picc.

Ob.

1 2 3

E.H. a2 Cl.

1.

1 2 3

Bs. Cl.

dim. Bn.

1 2

dim. Cbn. 1. 1 2 Hn.

3. 3 4 1. 1 2

Tpt. 3 3

1 2 Tbn.

(Tuba)

3 Tuba

Timp. Xyl. 1 3

Vibr. Perc. 2

3

Cel.

A , B , C - D , E, F , G Hp.

D

A

E

E

3

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tr. 8

blue.

div.

= 88

accel. unis.

I

dim. div.

Vn.

unis.

II

dim. div.

unis.

Va.

dim. 3

Vc.

dim.

Cb.

dim.


24

1. Flutter

103 1 2

Fl.

6

Picc. 1. Ob.

1 2

3

3

E.H. 3

1. Cl.

2.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 mute 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

A , B , C, D, E, F, G 4

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

3

Tr. 8

Men meet with di

sa

ster

no mat ter what they

I Vn. II

dim.

pizz.

4

Va.

dim. pizz. Vc.

Cb.

4

arco


25 108

1.

1 2

Fl.

Picc. 2. Ob.

1.

1 2

3

E.H. 2. Cl.

1.

1 2 3

Bs. Cl. 1. Bn.

1 2 2.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Vibr. Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

4

Tr. 8

do.

The hand moves first

and the

heart’s

sick

la

ter.

I Vn. II

arco Va.

Vc.

dim.

Cb.

dim.

They think

their


26 113 1. 1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 2 Hn.

a2 3 4 1. 1 2

3

Tpt. 3

1 2 Tbn.

Tuba

3 Tuba

Timp. Vibr. 1 Glock., soft mallet Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

gods

take pi ty on

them.

They think

I Vn. II

Va.

Vc.

Cb.

3

their

gods

are heart

sick,


27 119

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

I Vn. II

Va.

Vc.

Cb.

too

but

gods

are great er than

men—

not

nic

er,


28

= 120 124 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 3

Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Funk groove Drums pizz. Bass

4

3

Tr. 8

I

= 120 I Vn. II

Va. pizz. Vc.

pizz. Cb.

arco

pizz.

am

the

danc

er


29 128 1 2

Fl.

Picc.

Ob.

1 2

E.H. (1.) Cl.

a2

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3

1 2 3

dim.

Tbn.

3

3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

my

I Vn. II

Va.

Vc.

Cb. 3

sight’s

a

lit

tle

dazed


30 132 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2

cresc.

Tpt. 3

1 2 Tbn.

Tuba

3

Tbn. 3

3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

Bass 3

3

Tr. 8

It

is

on

ly

a

mo

men

ta

ry lapse

I

am

the dan

cer

I Vn. II

dim.

Va.

dim. Vc.

Cb. 3

of


31 136 1 2

Fl.

3

Picc.

Ob.

1 2 3

3

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba 3

3

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

3

Drums

Bass

3

3

3

Tr. 8

all danc ers,

li ar, thief

and

lov

er,

li

ar,thief

and

lov

I Vn.

3

II

Va.

Vc.

Cb.

3

3

3

3


32 141 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. a2 1 2 Hn.

a2 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba Tuba

3

Timp. Vibr. 1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums arco Bass 3

Tr. 8

er,

li

ar, thief

and lov

er,

I

Vn. II

cresc.

Va.

3

arco

Vc.

arco Cb. 3


33

= 80

= 66

= 80

= 66

= 80

146

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Vibr. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

God dess

= 80

of the wa

ters

= 66

Moth

= 80

= 66

er

of all

gods

Mis tress

= 80

I Vn. II

cresc. Va. 3

3 3

Vc.

Cb.

3

cresc.

of

o ceans,


34

1.

= 58

152

a2

1 2

Fl.

Picc.

Ob.

1 2

3

3

E.H.

Cl.

1 2 3

3 3

3 3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

2.

3

3

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 Contra Alto Clarinet

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tr. 8

ri

vers

I

know

you

think

me

just a

= 58 I Vn. II 3

3

cresc.

3 3

3

Va.

cresc.

3

3

3

3

3

3

3

Vc.

cresc.

cresc.

Cb. 3

3


35 157 1 2

Fl.

3

Picc. 3

Ob.

1.

3

1.

1 2 6

3

6

3

6

E.H. 3

Cl.

1 2 3

3

dim.

3

3

3

3

3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 3

Hn.

4.

3

3 4

3

3

dim. 1 2 Tpt. 3 1 2 Tbn.

3

3 Tuba

Timp. (Vibr.) 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

small

god

a

god

un

armed

and

weak

with

on

ly

3

I 3

6

6 6

Vn. II 3 3

Va. 3

3 3

3

3 3

3

3

3

Vc. 3

Cb. 3

3


36 161 1 2

Fl.

3

3

3

Picc.

Ob.

1 2

3

3

3

E.H. 3

Cl.

1 2 3 3

3

3

3

3

3 3

3

3

Bs. Cl.

Bn.

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Vibr. 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tr. 8

wit

and

brain

words

and

guile

but

it

on ly seems

I

am a

board

I 3

6

Vn. II 6

Va. 3 3

3

3

3 3

3

3 3

3

Vc.

Cb. 3

3

3

3

a


37 165 1 2

Fl.

Picc.

Ob.

1 2

E.H. 2. Cl.

3

a2

1 2 3 3

3

3

3

3

3

3

3

3

3

Bs. Cl.

dim. Bn.

dim.

cresc.

1 2 3

Cbn. 3

1 2

dim.

Hn.

3

3 4 a2

dim.

2.

3

3

1 2

cresc. Tpt. 3

3

cresc. 1 2 Tbn.

3

3

3

3

3 Tuba

dim.

dim.

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

dim.

3

3

3

3

3

3

Tbn.

Drums

Bass

3

3

3

3

Tr. 8

ship

I

can not

sail

I

will

pre

vail.

I 3

3

dim. Vn.

3

3

3

II

dim. Va. 3

6

cresc. 3

3

3

3

Vc.

dim. 3

3

3 3

Cb.

dim.

cresc.

3

3

dim. 3

3

3 3


38 169 1 2

Fl.

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2 3

3 3

3

Bs. Cl.

dim. Bn.

1 2

Cbn.

1 2 Hn. 3 4 2.

3

1 2

dim.

Tpt. 3 1 2 Tbn.

3

3

3

3 Tuba

3

3

3

3

Timp. Vibr. 1 3

Perc. 2

3

Cel.

Hp.

Alto Sax A7( 5 11)

sparsely

W.W. 1 (C.A. Cl.) W.W. 2 3

3

Tbn. R.S. Shuffle Drums pizz. Bass 3

dim. 3

3

3

3

3

cresc.

3

3

3

dim.

3

3

3

Tr. 8

Mark

my words

andhear my

tale

I 3

6

dim.

Vn.

3

3

dim.

6

II 3

dim.

3

dim.

Va. 3

dim.

dim. pizz.

3

3

3

3

3

3

3

Vc. 3

3

cresc.

3

dim.

3

pizz. Cb. 3

3

3

3

cresc.

3

3

3

dim.

3

3


39 173 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

dim.

3

3

3

3

3

Bs. Cl.

dim. Bn.

1 2

Cbn.

1 2 Hn. 3 4 3

1 2 Tpt.

3

3

dim.

3

1 2 Tbn.

3

3

3

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(even more sparse) A7( 11)

B 7( 11)/A

A7( 5)

A7 95

A whole tone

B 7/A 95

A7( 11)

B 7( 11)/A

W.W. 1

W.W. 2

Tbn.

Drums

Bass

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Tr. 8

I

3

3

dim.

Vn. II

dim.

3

dim.

3

3

Va. 3

3

3

3

arco

Vc. 3

3

3

Cb. 3

3

3

3

3

3

3

3

3


40 178

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2 3

dim.

3

3

dim.

3

dim.

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 3

Hn. 3 4

1.

3

1 2

3

dim.

Tpt. 3 a2 1 2 3

Tbn.

3

3

3

3

a2

3 Tuba 3 3

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

cresc.

B, C, D, E, F , G, A A7( 9)

G m6( 7)/A

B7( 11)

G7( 11)

W.W. 1 (C.A. Cl.)

3

3

W.W. 2

Tbn.

Drums 3

Bass 3

3

Tr. 8

I Vn. II

Va.

Vc. arco Cb. 3

3

3

Bsus9


a2 1 2

Fl.

41

SCENE 2 (on ship)

( = 58)

3 6

Picc. a2

3

1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 3

1 2

Bn.

3

Cbn.

3

1 2 Hn.

3. 3

3 4

3

1 2 Tpt. 3 1 2 Tbn. 3 Tuba gliss. Timp. 3

Vibr.

3

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

( = 58)

CHORUS

S

A

T 8

gliss. 3

B Drift

ing

I Vn. II

Va. div.

gliss.

Vc. 3

Cb.


42

Scene 2

= 120

4

a2

1 2

Fl.

Picc. a2 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

E, F , G, A B , C, D W.W. 1

W.W. 2

Tbn.

Drums

Bass

gliss.

3

S Drift gliss.

ing

Drift

ing

3

A gliss. 3

T 8

Drift

ing

ing

B ing

= 120

gliss. I 3

Vn. gliss. II gliss.

3

Va. 3

Vc. pizz. Cb.


Scene 2

43

= 100

8

= 120 2.

1 2

Fl.

3

Picc.

Ob.

1 2 3

E.H. 1. Cl.

1.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. mute 1 2 Tpt.

mute 3 1 2

Tbn. 3 Tuba

Timp. Vibr.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

3

Nav. 8

We

may

yet get

a

way,

we’re

well

to the north now,

= 120 = 100 I

Vn.

pizz. II

Va.

Vc.

Cb.


44

Scene 2

Ritard

= 92

14 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. 3

a2

2. Bn.

1 2

cresc.

cresc.

cresc.

cresc.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Vibr. 1

cresc. Mar. Perc. 2

cresc. 3

Cel.

dim. E, F , G, A B , C, D

Hp.

3

3

W.W. 1

W.W. 2

Tbn. 4

4

Drums

cresc. Bass

3

3

3

Nav. 8

We may yet

Ritard

es

cape

if these cut throats don’t

find

us

out

= 92

I

Vn.

pizz. 3

3

arco

3

arco

3

II

cresc. pizz. Va. 3

cresc. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


Scene 2

45

a2

20 1 2

Fl.

3

cresc. Picc.

3

cresc. Ob.

1.

1 2

3

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

cresc.

Mar. Perc. 2

cresc.

African bell 1 African bell 2 Tom-tom Conga

3

cresc.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 4

4

4

4

Drums

cresc. Bass

Nav. 8

I 3

Vn. II

cresc.

Va.

cresc. Vc.

Cb.

3


46

Scene 2 25

2.

1 2

Fl.

3

3

Picc. 1. Ob.

1 2

3

E.H. 2.

2. Cl.

1 2

3

3

3

3

3

Bs. Cl. a2 Bn.

3

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

DON PEDRO

East

by day,

North

arco

pizz. I

3 3

Vn. II

3

3 3

3 3

Va. pizz. 3

3

Vc. pizz. Cb. 3

3

by

night

A

ruse

3

so sim ple but


Scene 2 30

47

2.

1 2

Fl.

cresc.

cresc.

Picc.

Ob.

1 2

E.H. 1. Cl.

a2

1 2

cresc.

cresc. Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3 3

D.P.

3

3

bright...

You’ve saved

us with your de

ceit.

If you steered

as

they

said,

we’d be half way to

I

cresc.

cresc.

Vn. II

cresc.

Va.

cresc. Vc. 3

Cb. 3

cresc.


48

Scene 2 35

a2

1 2

Fl.

cresc. Picc. 1 2

Ob.

E.H. 1. a2 1 2

Cl.

cresc.

cresc.

Bs. Cl.

cresc.

a2

1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 mute 1 2 Tbn.

mute

3 Tuba

Timp. 3

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

D.P. A

fri

ca,

dead

meat

for

a

can

ni bal

feast.

cresc.

TENOR 2 T2 Mo

8

cresc.

BASS B Mo

I 3

Vn. 3

II

Va.

cresc.

cresc.

Vc. 3

Cb. 3


Scene 2 38

49

2.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 2.

a2

1 2

Cl.

Bs. Cl. a2 1 2

Bn.

cresc. Cbn.

1 2 Hn. 3 4 (mute)

2.

1 2 Tpt. 3 (mute) 1 2

cresc. Tbn.

3. (mute)

3 Tuba

cresc.

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

T2 8

yam

ba

Tem

ne,

Men

de,

Ma

no,

Mo

ro.

yam

ba

Tem

ne,

Men

de,

Ma

no,

Mo

ro.

B

I Vn.

cresc. II

cresc. Va.

Vc. cresc. a poco Cb.

cresc. a poco


50

Scene 2 41

a2

1 2

Fl.

3

dim.

3

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

3

3

Bs. Cl.

1 2

Bn.

Cbn.

1 2 Hn. 3 4

(mute)

1 2 Tpt.

(mute) 3 (mute) 1 2

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

S Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

Ta

pe

ta,

Ke

A TENOR 1 T 8

B

I 3 3

Vn. 3

II

dim.

Va. 3

Vc.

Cb.

3

dim.


Scene 2

51

=

43

a2

1 2

Fl.

cresc. Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 (mute) 1 2 Tpt.

(mute) 3 (mute) 1 2

Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

3

3

3

Cel.

3

3

3

Hp.

Clarinet upper register spare with multiphonics W.W. 1

W.W. 2

Tbn.

Drums

Bass

S ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

ne

ma,

Tem

ne,

Men

de.

A

T1 8

B

=

div. I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

3

3

3

3

3

3


52

Scene 2 46

a2

1 2

Fl.

3

3

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2

Tpt.

3

Tbn.

1 2

3 Tuba

Timp. Vibr. 1

Perc. 2

3

3

3

3

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3 3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

CINQUE

3

We’re

drift

3

3

ing

and

the

wind

is

chill

S

A

T 8

B

I 3

dim. Vn. II 3

Va.

3

3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

Vc.

dim. Cb.

dim.

3

3

3

dim.

3

dim.

3

3

3

3


Scene 2 50

53

a2

1 2

Fl.

6

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

dim.

Hn. 3 4 (mute)

dim.

1 2 3

Tpt.

(mute)

3

3 (mute) 1 2

3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

3

Cel.

3

cresc.

3

3

3

3

dim.

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Cin. We’re

drift

ing

and

we’re

too

far

north

3

S Drift

ing 3

A Drift

ing 3

T Drift

8

ing

B Drift div. I

3

3

3

3

3

cresc.

6

Vn. II 3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

Va. 3

Vc. Cb.

3

3


54

Scene 2 54 1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2 3

Tpt.

3

3

1 2 Tbn.

3

3.

3 Tuba 3

Timp.

1

Perc. 2

3 3 3

3

cresc.

Cel.

3 3

3 3

3

dim.

3

3

3

3

3

3

3

3 3

3

3

3 3

3

3

3

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Cin. I

see

birds

but

they

fly

west

3

S Drift

ing

Drift

ing

3

A 3

T Drift

8

ing

3

B ing

I

3

3

3

cresc.

Vn.

3

3

3

dim.

3

3

3

3

3

3

II

3

3

cresc.

3

3

dim.

3

3

div.

3

3

3 3

3

3 3

3

Va. 3

Vc.

Cb.

3


Scene 2 58

55

1.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

We’re

not

safe

yet DON PEDRO

Cin. Not

I Vn. II

cresc.

Va.

cresc. pizz. Vc.

pizz. Cb.

safe

yet


56

Scene 2 62

1.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Nav. 8

Soon

as they’re

through

with us,

theywill kill

I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

us

an

y

chance

they

get.


Scene 2

57

1.

66 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 open 1 2

Tpt.

open 3 open 1 2

Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2 Tom-t. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3+3

2+2+2+3

Drums

Bass

TRICKSTER Nav. 8

We’re not

safe

yet.

East

by day,

North

by night!

I Vn. II

cresc.

Va.

cresc. arco

pizz.

arco

pizz.

Vc.

Cb.


58

Scene 2 1.

70

1.

1.

a2

1 2

Fl.

cresc. Picc. 1. Ob.

1.

1 2

cresc. E.H. 1. Cl.

a2

1.

1.

1.

1 2

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 Mar. Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3+3

2+2+3

3+3

2+2+2+3

3+3

Drums

Bass Tr.

Tr. 8

They rule div.

I

Vn. II

div. Va.

Vc.

Cb.

us

yet

by

sleight.

Gut

less guile

they wield,

foul chi can er y, a dir

ty

trick!


Scene 2

59

75 1 2

Fl.

Picc. 1.

1.

1 2

Ob.

E.H. (1.) 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn.

3. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 2+2+3

2+2+2+3

3+3

Drums

Bass

Tr. 8

We should

cut their

throats,

We should

cut their

throats,

S Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

A

T 8

B

I Vn. II

Va.

Vc.

Cb.


60

Scene 2 78

a2

1 2

Fl.

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 gliss. 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 Mar. Perc. 2

Tom-t. & conga 3

cresc.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 2+3+2 Drums

cresc. Bass

3

Tr. 8

We

should cut their throats

and chance

the

wa ter

y

roads.

S Cut

their

throats

Cut

their

throats

Cut

their

throats

Cut

their

throats

A

T 8

Shift

B Shift tremolo I Vn. II

Va.

Vc.

Cb.


Scene 2 = 56

82

61

1 2

Fl.

Picc. 1 2

Ob.

3

dim.

E.H. 3

dim.

1 2

Cl.

6

6

dim.

3

3

3

3

Bs. Cl.

1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 C.A. Cl.

3

3

W.W. 2

Tbn. 3

brushes Shuffle (

)

Drums

Bass

CINQUE

3

Tr. 8

She’s

gliss.

S Drift gliss.

ing

Drift

ing

A Pitch gliss.

ing

T 8

ing

Pitch gliss.

ing

B

= 56

ing gliss. I Vn.

6

gliss.

6

II gliss. Va.

cresc. 3

3

Vc.

cresc. 3

Cb.

3


62

Scene 2 86

1.

1 2

Fl.

2.

6

Picc. 2. 1 2

Ob.

1.

3

3

3

3

dim.

3

3

3

3

E.H. 3

2.

dim.

2.

3

1 2

Cl.

3 3

3

3

3

3

3

Bs. Cl.

1 2

Bn.

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle) Drums

Bass

3

3

3

3

3

Cin. 3

shift

ing

and the

sails bare

ly

fill

she’s

slow

ing

andwe’re go

ing

I Vn. II

Va. 3

3

3

3

3

3

cresc.

3

Vc. 3

Cb.

3

3


Scene 2

63

89 1 2

Fl.

3

6

Picc. 1 2

Ob.

3

E.H. 1.

2. 1 2

Cl.

3 6 3

1.

3

3

3

3

3

3

3 3

3

3

3

Bs. Cl.

cresc.

cresc.

1 2

Bn.

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle) Drums

Bass

TRICKSTER 3

3

3

3

3

Cin. 8

no

where.

Chief,

you’ve

been

tricked

We’re

not

go ing home,

I 6

3 6

Vn. II

3 6

Va.

3 3 3

3

3

3

3 3

3

dim. 3

3

3

Vc. 3

Cb.

cresc.

3

3

3


64

Scene 2 1.

93

3

a2

1 2

Fl.

3

3

3

3

Picc. 2. Ob.

a2

1 2

dim.

3

3

E.H.

Cl.

1 2 3

3

3

3

3

3

3

3

3

Bs. Cl.

cresc. Bn.

3

dim.

1 2

cresc.

Cbn. 1. 1 2 3

Hn.

3.

3

3 4 1 2 Tpt. 3 1 2 Tbn.

3 3

3 Tuba

3

Timp. Vibr. 1 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

3

3

W.W. 2

cresc. Tbn. (Drs. - triplet shuffle) Drums

Bass

3

3

3

Tr. 8

We’re

head ed North

Free the helm

take

hold of

her

CINQUE

3

3

We’re

head

ed

North?

div.

3

I Vn.

3

3

3

II 3

div.

3

Va.

cresc. 3

3 3

3

3 3

3

3

3

3

Vc.

cresc. 3

Cb.

dim. 3

3

cresc.

3

3


Scene 2 97

65

2.

1 2

Fl.

Picc. 2. Ob.

1 2

3

3

E.H.

Cl.

1 2 3 3

3

3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt. 3 3

3

1 2 Tbn.

Tuba

a2

3

3

3 Tuba

Tuba

a2

cresc.

Tuba

3

cresc. 3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.A. Cl.)

3

3

W.W. 2

Tbn. (Drs. - triplet shuffle)

3

3

Drums

Bass

3

3

3

3

3

Tr. 8

Bound for chains, 3

and

head

ed

for

death.

We

go

as they de sire

3

Cin. Bound

for

where? 3

I 6

cresc.

Vn. II 3 3

3 3

Va. 3

cresc. 3

3

3

3 3

3

3

Vc. 3

3

3

cresc.

Cb. 3

3

cresc.

3


66

Scene 2 101

1.

1.

1 2

Fl.

3

Picc. 1. 1 2

Ob.

3

E.H. 2.

1.

2.

3

1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 3

Hn. 3 4 1 2 Tpt. 3 3

3

3

3

1 2 Tbn.

3

a2

Tuba 3

3 Tuba

3

a2

dim.

Tuba 3

3

a2

Tuba 3

a2

3

dim. 3

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

3

3

Drums

dim.

3

Bass

3

3

3

3

3

3

3

Tr. 8

From mu

ti ny

to

mas

sa

cre,

from

mu ti

ny

to mas

sa cre,

I 3

Vn. II

3

Va. 3 3

3

3

3

3

Vc.

dim.

dim.

Cb.

dim.

3

dim.

from mu ti ny to


Scene 2 105

67

= 72

1.

a2

1 2

Fl.

3

Picc. a2 Ob.

1 2

E.H. 1. Cl.

a2

1 2 3

Bs. Cl.

Bn.

1 2

Cbn. 1.

a2

3

1 2 Hn.

a2 3

3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2 Sn. Dr. & Tom-t. 3 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

mas sa

cre.

3

CINQUE

3 3

Lord,

You can

not

see

You

talk so just to rid dle me,

= 72 I 3

Vn. II 6

3

dim.

Va.

dim. Vc.

Cb.


68

Scene 2

= 112 110 1 2

Fl.

3

Picc.

Ob.

1 2

E.H. a2

1. Cl.

a2

3

1 2 3

3

Bs. Cl. a2

1. Bn.

1 2

3

Cbn.

1 2 Hn.

3

3. 3 4 1 2

3

Tpt. 3 1 2 Tbn.

3.

3 3

3 Tuba

Timp. (Vibr.) 1 3

3

cresc. Mar. 3

Perc. 2

(Sn. Dr. & Tom-t.) 3 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TRICKSTER

8

3

I

can

hear,

Chief

I can hear,

3

Now

3

do as I say,

= 112 I Vn. II

Va.

3

Vc.

pizz. Cb.

arco

pizz.

3

You can


Scene 2 115

69

= 104

1.

1 2

Fl.

Picc. 2. 1 2

Ob.

E.H. 2.

1.

1 2

Cl.

Bs. Cl.

a2

2.

1.

1 2

Bn.

Cbn.

2. 1 2 Hn. 3 4 3

3

1 2 Tpt. 3 1 2

3

3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass CINQUE 3

3

Tr. 8

steer

if

you mind the

tell

tales

What’s that

you

say,

Mind the

= 104 I Vn. II

Va.

pizz. 3

Vc.

pizz. 3

Cb.

tell

tales?


70

Scene 2

= 112 122 1 2

Fl.

Picc. 2. Ob.

2.

1 2

3

E.H. 1. Cl.

1 2 3

Bs. Cl. 3

2. Bn.

a2

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 2. 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

cresc. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TRICKSTER

3

8

3

3

3

3

3

They’ve

3

tied bits of cloth

3

Cin. More

of your

puz

zles

Lord Rid dler speaks

non sense,

non

sense

= 112 I

cresc.

Vn. II

Va. pizz.

arco

Vc. 3

pizz. Cb. 3

arco

3


Scene 2 127

a2

1.

1 2

Fl.

71

3

3

Picc. 1. Ob.

1 2

3

E.H. 2. Cl.

1 2

3

3

Bs. Cl. a2 Bn.

a2

3

1 2

3

Cbn. 1. 1 2 Hn.

3

3

3

3

3 4

1 2 Tpt. 3 1. 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3 3

3

3

3

3

Tr. 8

To the

mast

a bove my head.

They tell

I

cresc.

Vn. II

Va.

pizz.

arco

Vc. 3

pizz. arco Cb. 3

where the wind

goes

on the


72

Scene 2 132 1 2

Fl.

= 66

1.

3

3

Picc. a2 Ob.

1. 3

1 2

3

3 3

E.H. 6

Cl.

1 2 3

3

dim.

3

Bs. Cl. 3

1. Bn.

1 2

Cbn. 3

1.

2.

1 2 3

Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (Drs. - shuffle) Drums

Bass

3

3

3

3

Tr. cross

and the shrouds

They see

the

wind

ev

en

when

she’s

low

= 66 I Vn. II

Va. 6

3

cresc. 3

3

Vc.

3

Cb. 3


Scene 2

73

= 126 137

a2

1 2

Fl.

6

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn.

2. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Funk Drums pizz. Bass

TRICKSTER

8

It’s an

3

3

CINQUE

3

3

3

Tell

tales

seethe wind andthe shrouds,

3

3

Lord

what

are

shrouds?

= 126 I 3

Vn.

6

II 3

3

6

Va. 3

3

3

3

3

3

3

pizz.

Vc. pizz. 3

Cb.

3

3

arco


74

Scene 2 142

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl. a2 Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

Eng

lish word,

An Eng lish man word

for cloth forthe dead

or these ropes wrapped ’round the mast and ropes fromthe

I Vn. II

Va. pizz.

arco

pizz.

Vc. 3

Cb.

3

cresc. arco

pizz.


Scene 2

75

147

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

cresc.

Timp.

1 (Mar.)

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums 3

Bass

Tr. 8

prow.

Chief,

you ask ques

tions

while time

is

short

3

I Vn. II

cresc.

Va.

cresc. arco

pizz.

Vc. 3

arco Cb.

pizz. 3


76

Scene 2 152

a2

2.

1 2

Fl.

Picc. 2. Ob.

1 2

E.H. a2 Cl.

1.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. 1 2 Tpt. 3 1. 1 2 Tbn.

a2

3 Tuba

Timp. Xyl.

Vibr.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass

Tr. 8

Tell the boys to climb

I Vn. II

cresc. Va.

cresc. Vc.

Cb.

up

to

see

if

the land

lies

where those birds

fly.


Scene 2

77

158 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

cresc. Cbn. 2. 1 2 Hn. 3 4 2. 1 2 Tpt. 3

1 2 Tbn.

a2

3 Tuba

cresc. Timp. Vibr. 1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

Tr. 8

The bow is

in

the wind,

Chief.

I Vn. II

Va.

pizz.

arco

Vc.

cresc. pizz.

arco

Cb.

cresc.


78

Scene 2 165

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

a2 Bn.

1 2

cresc. Cbn. 2. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 1 2 3

3

Tbn.

Tuba

3 Tuba

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass

CINQUE

3

3

Tr. 8

The sails

are luff

fing,

Turn her off

the

wind

Cloth

for

I 3

Vn. II

cresc.

Va.

cresc. arco

pizz.

pizz.

Vc.

cresc. pizz.

cresc. arco

pizz.

Cb.

cresc.

cresc.

the dead


Scene 2 172

79

1.

1 2

Fl.

dim. Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc.

cresc.

Cbn.

2.

1.

4.

4.

1 2 Hn. 3 4 a2 1 2 Tpt. 3

1 2 3

Tbn.

cresc.

3 Tuba

Timp.

(Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8

19/8

Drums

Bass (Deck springs to life)

3

3

Cin. Climb

the

ropes

Tell

tales

Turn from the

wind

Climb

the

ropes

div. I dim. Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

arco

pizz.

arco

pizz.

Vc.

cresc. arco

pizz.

cresc. arco

pizz.

Cb.

cresc.

cresc.

Mind

the


80

Scene 2 180 1 2

Fl.

Picc. 1. 1 2

Ob.

dim. E.H.

dim. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 with mute 1 2

cresc. Tbn.

Tuba

3. with mute

3 Tuba

cresc.

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8 Drums

Bass

TRICKSTER

8

(to himself)

I

Cin. tell

tales

I Vn. II

Va. arco Vc.

cresc. Cb.

cresc.

1.


Scene 2 184

81

a2

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 (mute) 1 2

cresc. Tbn.

cresc.

3. (mute)

3 Tuba

cresc.

cresc.

Timp. (Vibr.) 1

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8 Drums

Bass

Tr. have noth ing

to

fear.

I

tell the

I Vn. II

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

wind

to

fill

the

sails.


82

Scene 2 190 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt.

cresc. 3

1 2 Tbn.

cresc.

3.

3 Tuba

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8

14/8

Drums

Bass

3

Tr. If

for now the winds

say

they will not

bring

us

to

sail, div.

I Vn. II

cresc.

Va.

cresc. Vc. arco Cb.

pizz.

arco

pizz.


Scene 2

83

196 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

2.

1 2

cresc. Bs. Cl.

cresc. Bn.

1 2

cresc. Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt.

cresc. 3 1 2

Tbn.

3.

cresc.

a2

3 Tuba

cresc.

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 14/8

11/8

11/8

Drums

Bass

3

Tr. 8

it

is

just

for

now.

If

I Vn. II

Va.

Vc.

cresc. arco

pizz.

arco

pizz.

Cb.

cresc.

the

rain

says

she


84

Scene 2 202

1.

1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

cresc.

cresc.

Bs. Cl.

cresc. Bn.

cresc.

2.

1 2

cresc.

cresc.

Cbn.

a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 11/8

11/8

11/8

Drums

Bass

4

3

3

Tr. 8

will not fill

thewa ter pails.

she

will heed

me

yet,

I am still

their

chief,

I 3

Vn.

cresc.

3

II

cresc.

3 3

Va. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


Scene 2

85

208 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 open 1 2

cresc. Tpt.

open 3

cresc. open 1 2

cresc. Tbn.

open

3 Tuba

cresc. Timp. (Vibr.)

cresc.

1

Perc. 2 Bs. Dr. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 11/8

Cym.

Drums

cresc. Bass

3

Tr. 8

Lord

of Il

lu

sion, and

De

ceit.

I

div. I

Vn.

div. II

3

Va.

Vc.

cresc.

cresc. arco

Cb.

cresc.

cresc.

will not be


86

Scene 2 214 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. mute 1 2 Tpt.

mute 3 1 2

Tbn.

a2

3 Tuba

dim.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

3

Tr. played

a

cheat. CINQUE

(spoken): Burnah! Grabeau!

Climb the sails and look!

I Vn.

dim. II

Va.

dim. pizz. Vc. pizz. Cb.


Scene 2 218

87 a2

a2

a2

1 2

Fl.

Picc. a2 1 2

Ob.

E.H. a2 1 2

Cl.

dim. Bs. Cl.

1 2

Bn.

Cbn. a2 1 2 Hn.

a2 3 4 1 2

Tpt.

cresc.

dim.

cresc.

dim.

3

1 2 3

Tbn.

3

3

dim.

3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19/8 Drums

Bass

T1 Tell

8

tales 3

T2 8

3

3

Tell

tales

Turn from

the

B1 Cloth

for

the

dead

Climb

the

ropes

Tell

tales

dead

Climb

the

ropes

Tell

tales

3

3

3

B2 Cloth

I

dim.

Vn. II

Va.

dim. Vc.

Cb.

for

the

Turn from

the


88

Scene 2 225 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. a2

1.

3

1 2 Hn.

a2

3

3

3 4 2. 1 2

cresc.

Tpt. 3

cresc. 1 2 Tbn.

3

a2

3 Tuba

cresc. Timp. (Vibr.) 1

cresc.

(Mar.) Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 19 8

3/4 Half time

Drums

cresc. Bass

3

T1 Climb

8

the

ropes

Mind

the

tell

tales

Cloth for the

3

T2 8

wind

Cloth for

the

dead

the

dead

3

B1 Climb

the

ropes

Cloth for

3

B2 wind

Mind

the

tell

tales

I Vn. II

cresc. Va.

cresc.

dim.

arco

pizz.

Vc.

cresc. pizz. Cb.

cresc.


Scene 2

89

232 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc. Cbn. a2 1 2 3

Hn.

a2

3

3 4 1 2 Tpt. 3 a2 1 2 3

Tbn.

a2

3

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

cresc.

cresc.

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

T1 5

dead

Climb

the ropes

Mind

the

tell

tales

tell

tales

tell

tales

tell

tales

3

T2 5

dead

Climb

the ropes

Mind

the 3

B1 dead

Climb the ropes

Mind

the

Mind

the

3

B2 Cloth for the

dead

Climb the

ropes

I

dim.

Vn. II

cresc.

cresc.

Va.

cresc. arco

pizz.

arco

pizz.

arco

Vc.

cresc. arco

cresc.

Cb.

cresc.

cresc.


90

Scene 2 a2

239 1 2

Fl.

Picc.

Ob.

1 2

E.H.

dim.

Cl.

1 2

cresc.

cresc.

Bs. Cl.

Bn.

1 2

cresc.

cresc.

Cbn. 1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 a2 1 2 Tbn.

a2

3 Tuba

Timp.

(Vibr.) 1

cresc.

cresc.

cresc.

cresc.

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

T1 Turn from the wind,

8

Turn

T2 Turn fromthe wind

8

Wind,

Turn from the wind

B1 Turn from the wind,

Turn

B2 Turn fromthe wind

Wind,

Turn fromthe wind

I Vn. II

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

div. Cb.


Scene 2 246

91

a2

1 2

Fl.

3

Picc. a2 Ob.

1 2 3

E.H. a2 Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 3

Tpt. 3

a2 1 2 Tbn.

a2

3 Tuba

Timp. (Vibr.) 1 3

(Mar.) Perc. 2

Cym. Tom-t.

3

Sn. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

T1 8

from the wind

Mind

the

tell

tales

8

Wind

Mind

the

tell

tales

Mind

the

tell

tales

Mind

the

tell

tales

T2

B1 from the wind B2 Wind I Vn.

cresc. II

Va.

cresc.

Vc. pizz. Cb.


92

Scene 2

= 88 252 a2 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2 1 2 3

Tbn.

3

cresc.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cym. Tom-t. Sn. Dr. Bs. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

= 88 gliss.

I

cresc. Vn.

gliss.

II

cresc. 3

gliss.

Va.

cresc. 3

Vc.

arco Cb.


Scene 2

= 108

257

93

1.

a2

1 2

Fl.

5

Picc. 1. Ob.

1 2 3

E.H. 3

1. Cl.

1 2 3

Bs. Cl. 3

2. Bn.

1 2 3

3

1. Cbn. 1. 1 2 Hn.

3

3.

3

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass TRICKSTER

NAVIGATOR

3

3

8

Land!

we’ve

hit

Land,

land! GRABEAU

3

There’s noth

= 108

boy?

Is there

3

ing.

I Vn. II 3

5

Va. 3 3

Vc. 3

Cb.

5


94

Scene 2

= 76 262

1.

1.

1 2

Fl.

6

3

Picc. 1.

3

Ob.

1 2

E.H. 6

1. Cl.

1 2 6

Bs. Cl.

Bn.

1 2 3

Cbn. 2. 1 2 3

Hn.

4.

3

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

land?

3

3

3

3

Gra. Yes land

sand and

dunes

as far

as

I

can

see

A shal

= 76 I 6

3

Vn. II 6

6

6

6

6

Va. 6

Vc.

6

Cb. 3

low

place


Scene 2

95

266 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. 1. Bn.

1 2

Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt.

3. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

Not as

DON PEDRO

We’re

yet

3

3

3

my

friend

God

knows

where

saved

G.

I

dim. Vn. II

Va.

Vc.

Cb.

we’ve

land

ed


96

Scene 2 270

= 108

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2 Sn. Dr. & Tom-t. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

CINQUE

You

= 108 I

II

cresc.

Va.

cresc.

Cb.

us

to

this

place

Boat

6

Vn.

Vc.

run


Scene 2 274

2.

1 2

Fl.

97

3

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2

cresc. Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Cin. man

this

is

some

trick of

yours

I

cresc.

Vn. II

cresc.

Va.

cresc.

Vc.

Cb.


98

Scene 2 277

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. 2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(NAVIGATOR makes no response) 3

(Grabs NAVIGATOR) Cin. We

go

for

wa

ter,

Watch

them.

I Vn. II

Va.

dim.

Vc.

dim. Cb.

dim.


Scene 2

99

= 80 281

1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2 6

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

DON PEDRO 3

Cin. I don’t care what place

this

is.

It

must be

A

mer i ca.

We’ll get help.

= 80 I Vn. II 6

Va.

Vc.

Cb.


100

Scene 2 286

a2

1 2

Fl.

3

Picc. a2 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1. 1 2

Bn.

cresc. Cbn. 1.

1.

1.

1.

1 2

cresc.

3

cresc.

3

Hn. 3 4

3

1.

cresc.

cresc.

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

D.P. One glance and they’ll see

our

plight. div.

unis.

I

dim.

Vn.

div. II

dim. div. Va.

div. Vc.

cresc. Cb.


Scene 2 292

a2

= 63

101

= 84

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. 1.

1. 1 2

cresc. Hn. 3 4

cresc. 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

= 63

= 84

I

cresc.

3

3

3

3

Vn. 3

II

cresc. Va.

Vc.

Cb.

3

3


3

102

Scene 2

= 299 1 2

Fl.

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2

3

Bs. Cl.

Bn.

3

3

3

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt.

3 3

3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 6

(Mar.) Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT (off stage) 3

3

A hoy

3

there

A

hoy

there

= I 3

3

Vn.

3

dim. 3

6

3

3

II

dim. Va. 3

Vc. 3 3

Cb.

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3


103

Scene 2 1.

302 1 2

Fl.

3

3

3

Picc.

Ob.

1 2 3

3

3

E.H.

Cl.

1 2 3

3

Bs. Cl. 3

Bn.

3

1 2 3

Cbn.

1 2 Hn. 3 4 a2

1.

3

1 2 3

Tpt. 3

3

1 2 Tbn. 3 Tuba 3

Timp.

1 (Mar.) Perc. 2 3

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(Climbs onto deck from off the side. From the other side,

3

Lt. how

I

say

you

lend

a

hand

3

3

Vn. II

3

cresc.

3

3

3

3

3

3

Va. 3

Vc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3 3

Cb.

3 3

3


104

Scene 2 305 1 2

Fl.

3

Picc.

Ob.

1 2

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 3 3

1 2 3

cresc.

Tpt.

3

3

3

1 2

3

Tbn.

cresc.

3

3

3.

3 Tuba

Timp. (Vibr.) 1

3

3

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Coast Guard men bring CINQUE and his party back on board) Lt.

I 3

3

6 6

6

Vn. II 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

Va. 3

Vc. 3

3

3

cresc.

Cb. 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

6


105

Scene 2 308 1 2

Fl.

3

3

Picc.

Ob.

1 2 3

3

3

E.H.

Cl.

1 2

3

3

Bs. Cl. 3

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4 3

1.

1 2 3

Tpt. 3

3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2 3

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Lt. This

is

a

strange

ship.

A

strange

ship

in

deed.

I 6 6

Vn. II 6

Va. 3

Vc.

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

cresc. 3

Cb.

3 3


106

Scene 2 310

a2

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

3

3

3

3

cresc.

3

3

Bs. Cl. 1 2

Bn.

3

Cbn. 2. 1 2 Hn.

4.

3 3

3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

(Vibr.) 1 3

3

3

3

3

3

3

3

3

(Mar.) Perc. 2 3

3

3

3

cresc.

3

3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Lt. You must

I

be

the

ghost

ship

Heard

of

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vn. II

Va. 3

3

3

3

3 cresc.

3

Vc.

Cb.

3

3

you


107

Scene 2 312

a2

1 2

Fl.

3

3

3

3

Picc.

Ob.

1 2 3

3

3

E.H. a2 3

Cl.

3

3

3

3

3

a2

3

a2

3

1 2 3

Bs. Cl.

Bn.

1 2

3

3

3

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

(Vibr.) 3

3

3

3

3

1 3

3

(Mar.)

3 3

3

3

3

3

3

3 3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

Lt. up

I

and

down these parts.

the ship

manned by black

men

haunt ing the

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

whole

Vn. II

Va. 3

3

3

3

3

3

3

3

3

cresc.

3

Vc.

cresc. Cb.

dim.

coast.


108

Scene 2 315

a2

1 2

Fl.

3

Picc.

Ob.

1 2

6

E.H. 3

Cl.

3

3

3

3

3

3

3

3

3

3

3

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl. 3

Bn.

3

cresc.

1 2

3

cresc.

3

3

3

3

3

cresc.

3

cresc.

3

3

3 cresc.

3

3

cresc.

3

3

3

3

3

Cbn.

1 2 Hn. 3 4 1. 1 2 6

Tpt.

6

3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

(Mar.) 3

3

3

cresc. 3

3

3

cresc.

3

Perc. 2 3

cresc.

3

3

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR

8

3

3

I as

3

3

sure you,sir.

We are

not

3

ghosts,

on

I 6

Vn. II 6

Va. 6

Vc.

Cb.

6

ly

near

ly

so.


Scene 2

109

320 1 2

Fl.

3

dim.

6

Picc.

Ob.

1 2

6

3 3

E.H.

dim. 3

Cl.

dim.

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

cresc.

cresc.

Bs. Cl. 3

Bn.

3

3

3

3

3

3

cresc.

3

1 2 3

3

cresc.

cresc.

3

3

3

3

3

cresc.

3

cresc.

3

3

3

3

cresc. 3

3

cresc.

Cbn.

1 2 3

Hn.

3.

3

3 4 1.

3

1 2 Tpt.

1.

3

3

1 2 Tbn. 3 Tuba

Timp.

(Vibr.)

3

3

3

3

3

3

3

3

3

3

3

3

3

1

cresc.

cresc.

3

(Mar.) 3

3

3

3

3

3

3

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

Nav. 8

Se cure these men—

They’ve killedour

crew,

Held us

I 3

Vn.

div.

3

II 3

div. Va. 3

Vc.

Cb.

3

6

cap tive man y weeks


110

Scene 2

= 108

325 1 2

Fl.

3

Picc.

Ob.

1 2 3

E.H. 3

3

Cl.

3

3

3

1 2 3

cresc. Bs. Cl. 3

Bn.

1 2

3

3

a2

a2

3

3

3

Cbn. a2 1 2

dim.

Hn.

3

3 4 1 2 Tpt. 3 a2

3

3

3

3

1 2

cresc. Tbn.

a2

3 Tuba

3

3

Timp. (Vibr.) 3

cresc.

3

1 (Mar.) 3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT 3

Nav. 8

now.

Who

are

you,

= 108

I 3

6

Vn.

3

3

3

II 3

cresc. 3

Va.

3

cresc.

3

3 3

3

Vc.

cresc. 3

Cb.

cresc.

3

pizz.

3

sir?


Scene 2

= 72

331 1.

111

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

NAVIGATOR 3

Lt. 8

Thecap tain of this

rig

whose ship flies no

I Vn. II

Va.

Vc.

div. Cb.

flag?

Nav

i ga tor,

sir.

= 72

Our


112 338

Scene 2

= 84

2. 1.

1.

1 2

Fl.

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2 3

Bs. Cl. a2 Bn.

1.

3

1 2 3

Cbn.

1 2 Hn. 3 4 3

1 2 Tpt. 3

1 2 3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Nav. 8

Cap tain

is dead.

This is the

A

mi

stad

of Span ish ti

tle,

Load ed in Cu

ba,

= 84

I 3

3

Vn. II

Va. pizz.

3

Vc. pizz. Cb. 3


Scene 2

113

343 1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl. a2

3

1 2

Bn.

Cbn.

1 2 3 3

Hn. 3 4 1 2 3

Tpt. 3

1. 1 2

dim.

Tbn.

3.

3 Tuba

dim. Timp. (Vibr.) 1 3

Perc. 2 Rim shot 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Nav. 8

tak

en

on

the

sea

by

these

slaves.

ANTONIO

Sir

I Vn. II

Va. 3

Vc.

Cb.

Ex

cept


114

Scene 2 347A

346

348

1 2

Fl.

Picc. 1 2

Ob.

3

3

3

3

E.H. 3

3

1 2

Cl.

dim.

3

Bs. Cl. 3

a2

3

3

dim. 3

3

1 2

Bn.

Cbn.

1 2 Hn. 3 4 3

2.

3

3

3

3

3

3

3

1 2 Tpt. 3 1. 1 2

3

Tbn.

dim.

3 Tuba

Timp.

1 3

(Mar.) Perc. 2 3

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6/8 3 = Drums 3

3

3

3

Bass

3

3

3

Nav. 8

This

one.

A

lo

yal

CINQUE (to ANTONIO)

slave.

3

Not just n

3

3

du

o

n

gil

3

le

not just a

6

I 3

3

3

3

3

3

Vn. II 3

Va. pizz. 3

3

3

Vc. pizz.

3

Cb. 3

3


Scene 2

115

349 1 2

Fl.

Picc. 1.

1. 1 2

Ob.

6

3

3

E.H. 1.

1.

1 2

Cl.

3 6

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 2. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2

cresc.

Tpt.

3

3

cresc. 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bass

(to LIEUTENANT) 3

3

3

3

3

3

3

3

Cin. slave.

A dog.

We

are

no

slaves.

We are free

I 3

Vn.

men.

Free men cap tured

6

6

dim.

dim.

3

II

cresc.

3

6

3 3

dim.

3

Va.

cresc. 3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

Vc.

cresc.

cresc. 3

3

Cb. 3

cresc.

3 3

3

3

3

3

3 3

3

3

3

3


116

Scene 2 354

a2

1 2

Fl.

6

3

Picc. a2 Ob.

1 2

3

3

E.H. a2 Cl.

1 2 3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2

dim.

Hn. 3 4

dim. 2.

3

6

3

3

2.

3

3

3

1 2

cresc. Tpt.

3

3

3

3

3

cresc.

3

3

3 3

3

3

3

3

3

3

cresc.

cresc. a2

1 2

3

a2

Tbn.

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 12/8 Drums 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bass

3

3

3

3

3

Cin. 3

out of Af

ri

ca.

And

bound

for

home.

We

are

not

slaves.

Not one

day.

div. I

3

dim.

6

Vn. II

3

3

3

dim.

dim.

Va. 3

dim. 3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3

Vc.

cresc. 3

3

Cb. 3

3

3

3

3

3 3

3

3

3

3

3

cresc.


117

Scene 2

= 108 358

a2

1 2

Fl.

3

Picc. 3

Ob.

1 2

E.H. a2 Cl.

1 2

3

Bs. Cl. a2 Bn.

3

1 2

3

3

3

Cbn.

1 2 Hn. 3 4 2. 3 1 2 Tpt.

3

3

2.

a2 1 2

3

Tuba

Tbn.

3

3 Tuba

3

3

Timp. Vibr. 1 Mar. Perc. 2

Rim shot 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass

LIEUTENANT 3

3

(They pull their weapon)

Cin. Chain these men.

They have a fierce look

= 108 I Vn. II

Va. 3

3

Vc. 3

Cb. 3

al


118

Scene 2 363 1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn. 1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) 3

6 3 6

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Lt.

3

3

right.

I pi ty these white

men

so long in their hands.

Slaves you say?

I 6

Vn. II

Va. 3

Vc.

Cb.

3

6


Scene 2

119

369 1 2

Fl.

3

Picc.

Ob.

1 2

dim.

3

E.H.

Cl.

1 2 3

dim.

Bs. Cl. a2 Bn.

3

1 2

Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Lt. What’s

their

worth?

DON PEDRO

3

3

A

great

deal

Tell

us, sir,

where

I Vn.

div. II

Va.

Vc.

pizz. 3

Cb.

arco

have

we


120

Scene 2 373 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

3 6

Bs. Cl. 3

3

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. 1 2

dim.

Tpt. 3

dim. 1. 1 2 Tbn.

dim.

a2

3 Tuba

Timp.

1 (Mar.)

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums pizz.

3

Bass

3 3

Lt. You are

in

New

York.

CINQUE

3

3

3

D.P. land

ed?

Gra

beau,

Bur

nah,

I 3

6

Vn. II

Va. 3

Vc. 3

Cb. 3

pizz.


Scene 2 376

121

a2

1 2

Fl.

Picc. 1. 1 2

Ob.

E.H. 1. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 2. 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

cresc.

cresc.

Timp. (Vibr.) 1

(Mar.)

3

3

Perc. 2

cresc.

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

3

Drums

Bass

cresc.

3

Lt. What’s that 3

he

says DON PEDRO

3

Cin.

3

3

Kin

na,

Ka

leh,

show them the gold.

Just their bush

I 3

Vn. II

3

pizz. Va. 3

pizz. Vc.

Cb. cresc.


122

Scene 2 380 1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. 2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.)

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

KINNA 3

8

I Vn. II

Va.

Vc.

Cb.

We 3

3

lan

guage

3

They don’t talk much Eng

lish.

3

have

gold.

We have gold and goods of val

3

ue.


123

Scene 2 384

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. 1. Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

2. 1 2 Tbn.

cresc.

3.

3 Tuba

cresc. Timp. (Vibr.) 1 (Mar.)

3

Perc. 2

cresc.

cresc.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

cresc.

Bass

cresc. 3

3

3

Ki. 8

You

see.

We

are

not

slaves.

LIEUTENANT

I’d have to see I

3

Vn. II

Va.

Vc.

Cb.

cresc.

that.


124

Scene 2 388 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. 1. 1 2 Hn. 3 4 1 2 3

Tpt.

3

cresc.

3 3

a2

3

cresc.

1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(CINQUE tells KINNA to show him. KINNA nods and gestures for the LIEUTENANT to follow. The LIEUTENANT sends two men with him.) Lt. I’ll have to make an in ven

I Vn.

3

II

cresc. Va.

Vc. 3

Cb.

to

ry.


125

Scene 2 392

= 74

ritard.

1.

1 2

Fl.

dim. Picc. 1. Ob.

1 2

dim. E.H. 1. Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Vibr. 1

dim. Perc. 2

3

Cel.

Hp.

Tenor Sax A whole tone/Gm9 W.W. 1

W.W. 2

Tbn. Brushes - soft time - steady! Drums

Bass

3

Lt. I’ll have to

ritard.

see

it

all.

= 74

I Vn. II

Va.

Vc.

pizz. Cb.

dim.

Gm11( 7)


126

Scene 2 398 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

dim. Bn.

1 2

dim. Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 mute 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

Gm11( 7)

D7alt/Gm

A whole tone/G

Gm7( 6)

Gm11( 7)

W.W. 1 C.A.Cl. W.W. 2

dim. Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

dim. arco Cb.

dim.

Dalt7


127

Scene 2 404 1 2

Fl.

dim.

dim.

dim.

dim.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

dim. Bn.

dim.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

D7( 6)

E 7( 11)

E 7( 9)

D7( 13)

W.W. 1

W.W. 2

dim. Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

dim.

Cb.

dim.

dim.

D9( 11)


128

Scene 2 410

a2

1.

1 2

Fl.

dim. Picc. a2

1.

1 2

Ob.

dim. E.H. a2 1 2

Cl.

dim.

dim. 3

Bs. Cl. 1 2

Bn.

Cbn. 1. 1 2 Hn. 3 4 1 2

Tpt.

3

Tbn.

1 2

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 3

(C.A. Cl.) W.W. 2

Tbn. 3

Drums pizz.

3

Bass

cresc. CINQUE

3

We

3

3

at

last

3

have

come

3

3

3

to 3

naught,

We

at 3

3

S We

at

last

3

have

come

3

to 3

naught,

We

at 3

3

A We

at

last

3

have

come

3

to 3

naught,

We

at 3

3

T 8

We

at

last

3

have

come

to 3

3

naught,

We

at 3

3

B We

at

last

have

come

I Vn. II

Va. pizz.

3

pizz.

3

Vc.

cresc.

Cb.

cresc.

to

naught,

We

at


129

Scene 2 416

a2

1.

a2

1.

1 2

Fl.

dim. Picc.

Ob.

1 2

dim. E.H. a2 Cl.

1 2

dim.

3

3

Bs. Cl.

dim. Bn.

dim.

1 2

Cbn.

1 2

cresc. Hn.

dim.

3 3

3

3

3

3

3 4

dim. Tpt.

1 2 3

Tbn.

1 2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 3

(C.B. Cl.)

3

W.W. 2

dim.

dim.

Tbn. 3

Drums 3 3

3

Bass

dim.

cresc. 3

3

3

3

3

3

Cin. last

have

come

3

to 3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

S last

have

come

3

to 3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

A last

have

come

3

to 3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

T 8

last

have

come

to 3

3

naught,

We

at

last

3

3

have

come

to

3

naught. 3

B last

have

come

to

naught,

We

at

last

have

I 3 3

Vn.

3

II

Va. 3

3

Vc.

cresc.

dim.

3

3

Cb.

cresc.

dim.

come

to

naught.


130

Scene 2

= 132 422 1. 1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

cresc. Bn.

1 2

Cbn.

Hn.

1 2 3 4

Tpt.

1 2 3 2. 1 2

Tbn. 3 Tuba

Timp. (Vibr.) 1

cresc. Mar. Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

cresc. Tbn.

Drums

Bass

cresc. 3

3

3

Cin. tell

tales, shrouds,

a

dead man’s cloth

the

S the A the T 8

the

B the

= 132 I Vn. II

Va. arco Vc.

arco

pizz.

Cb.

cresc.


Scene 2

131

428 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

cresc.

dim.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

dim.

Bs. Cl.

cresc. 1 2

Bn.

Cbn. 1 2

Hn.

3 4

Tpt.

a2

1 2 3

1 2 Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass 3 3

Cin. mean

ing

is

clear

The

chains

re

turn,

the

i

rons

i

rons

i

rons

i

rons

i

rons

3

3

S mean

ing

is

clear

The

chains

re

turn,

the 3

3

A mean

ing

is

clear

The

chains

re

turn,

the 3

3

T 8

mean

ing

is

clear

The

chains

re

turn,

the

3

3

B mean

ing

is

clear

The

chains

I Vn.

re

turn,

the

3

cresc.

dim.

II

cresc.

3

cresc.

3

dim.

Va.

dim.

Vc. 3

cresc.

dim.

Cb.

cresc.

dim.

cresc.


132

Scene 2 a2

433 1 2

Fl.

dim. Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

Hn.

1 2 3 4 1 2

Tpt.

cresc.

dim.

3

cresc.

dim.

cresc.

dim.

1 2 Tbn.

3.

3 Tuba

cresc.

Timp. (Vibr.) 1

cresc.

(Mar.) Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1 (C.A. Cl.) W.W. 2

Tbn. 4

5

5

6

4

Drums

Bass

Cin. come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

come

on.

The

mean

ing

is

clear.

S

A

T 8

B

I Vn. II

cresc.

Va.

cresc. Vc.

Cb.

5

5


Scene 2

133

437 1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

Cl.

1.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn.

1 2 3 4

Tpt.

1 2 3 a2 1 2

cresc.

Tbn. 3 Tuba

cresc.

cresc.

Timp. (Vibr.) 1

cresc.

cresc.

(Mar.) Perc. 2

cresc.

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

4

5

5

6

4

5

5

Drums

Bass

Cin. We had a brush with the gods— S We had

a

brush

with

the

gods—

We had

a

brush

with

the

gods—

we

A We saw

a god

T We

8

had a brush

with

the

gods—

B We had a brush with the gods

I Vn. II

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.

cresc.

cresc.


134

Scene 2 441 1 2

Fl.

dim. Picc.

Ob.

1 2

dim. E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

Hn.

1 2 3 4

1.

1 2 Tpt. 3

dim.

1. 1 2

dim.

Tbn. 3 Tuba

cresc.

Timp. (Vibr.) 1 (Mar.)

cresc.

cresc.

cresc.

cresc.

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

4

5

5

6

4

5

5

Drums

Bass

Cin. We saw

a

god

and this has brought us down.

S saw

a god

face

to

face

face

to

face

A

T 8

We saw

We a god

saw

a

god

and this has brought us

down.

and this has brought us

down.

B We saw

a

god

div. I Vn.

dim. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

Cb.


135

Scene 2 445

a2

1 2

Fl.

cresc.

dim.

Picc.

Ob.

1 2

dim. E.H.

Cl.

1 2

dim.

cresc. Bs. Cl.

Bn.

1 2

Cbn. 1.

a2

3.

a2

1 2

dim. Hn. 3 4

dim. 1 2 Tpt.

dim.

cresc. 3

dim. 1 2 Tbn. 3 Tuba

cresc. Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

4

5

5

6

5

5

Drums

Bass

Cin. To

be

the

prey

be

came

our

fate,

S brought

us down.

To

be

the

prey

be

came

our

fate,

brought

us down.

To

be

the

prey

be

came

our

fate,

To

be

the

prey

be

came

our

fate,

To

be

the

prey

be

came

our

fate,

A

T 8

B

I Vn.

cresc.

dim.

II

cresc. Va.

cresc. Vc.

cresc. Cb.

cresc.

dim.


136

Scene 2 449

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 4

5

5

4

5

5

Drums

Bass

3

and

we were caught and

S

A

T 8

B

I Vn. II

Va.

cresc. Vc.

cresc. Cb.

starved,

sold

3

on

these

wa

ters


137

Scene 2 453

a2

1 2

Fl.

3

dim.

Picc. 1. Ob.

1 2

3

dim.

E.H. 3

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4

Tpt.

1 2 3

Tbn.

1 2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 4

5

5

4

5

5

Drums

Bass

3

3

Cin. but

we

are

not

slaves,

But

S We

are not

slaves,

We

are not

slaves,

A

T We

8

are not

slaves,

B We

I Vn. II

Va.

cresc. Vc.

cresc. Cb.

are

not

slaves,

we

are

not


138

Scene 2 a2

457 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3

1 2 Tbn.

cresc.

3 Tuba

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 4

5

5

4

5

5

4

Drums

Bass

Cin. slaves

But we

S We

are not

slaves—

We

are not

slaves—

A

T 8

We are not slaves—

B We are not

slaves— 6

I

dim.

Vn.

div. II

dim. Va.

cresc. Vc.

cresc. Cb.

are

not

slaves—


Scene 2 462

139

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2

2.

1 2 Tbn.

a2

3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Sn. Dr. Drums

Bass

TRICKSTER

8

There (to TRICKSTER)

are

(The whites, who can’t see the TRICKSTER, are puzzled)

Cin. Tell me how to say it—

Tell me, Lord Trick

ster,

I Vn.

cresc. II

dim. Va.

cresc.

Vc.

arco Cb.

dim.

no


140

Scene 2 467 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tr. 8

words

No

Cin. Tell me how to say

it—

Tell me, Lord Trick

ster— div.

I Vn. II

Va.

Vc.

Cb.

words

at

all


141

Scene 2

= 69

ritard.

472

a2

1 2

Fl.

Picc. a2 Ob.

1 2

dim. E.H. a2 Cl.

dim.

1 2

dim. Bs. Cl.

Bn.

1 2

dim. Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Tr. 8

They will not—

3

not

3

Cin. Where

are the words

that

white men un der

stand?

= 69

ritard.

I Vn. II

Va.

Vc.

dim. Cb.

dim.

here,

not


142

Subito

Scene 2

= 100

a2

478 1 2

Fl.

3

a2

a2

a2

3

a2

a2

3

3

Picc. 3

Ob.

2.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

3

3

3

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 3

Tpt.

3

3

1 2

3

Tbn. 3 Tuba

Timp. Xyl. 1 3

Mar.

3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Hands on drums Drums 3

3

3

3

Bass

DON PEDRO

3

Tr. 8

LIEUTENANT

now.

They talk 3

He’s mad,

Subito I

= 100

3

Vn. 3

II

Va.

Vc.

Cb.

too.

He

talks to the air

3

a

stern.

to


143

Scene 2 484

a2

1 2

Fl.

a2

a2

3

3

a2

a2

a2

3

3

a2

a2

a2

a2

3

3

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

3

3

Bs. Cl. 3

(a2) Bn.

3

3

3

3

3

3

3

3

3

1 2

cresc. Cbn. 2. 3

1 2 Hn.

3

4.

3 4 mute

3

1 2 Tpt.

mute 3

3 mute 1 2 Tbn.

mute 3

3 Tuba

Timp. (Vibr.) 1 (Mar.) 3

3

3

3

3

3

Perc. 2

cresc. 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. play with triplets (hands on drums) Drums

Bass

TRICKSTER

3

8

3

3

You’re as good

3

3

3

as

dead

D.P. spir

its.

Sir,

you

have

much

to

learn. div.

I 3

Vn.

3

3

div. II 3

Va. 3 3

pizz.

3

Vc. 3

3

pizz.

3 3

Cb. 3

3

3

cresc.


144

Scene 2 488 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 3

Hn.

3

cresc.

3 3

3 4 3

cresc.

3

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

(The men return with trunks and open them, removing a few pouches) Tr. 8

3

3

3

I

cresc.

Vn. 3

3

3

3

3

3

3

II

cresc.

cresc.

Va. 3

3

3

cresc.

3

Vc. 3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

Cb. 3

cresc.

3

3

3


Scene 2

145

491 1 2

Fl.

3

Picc. a2 Ob.

1 2

3

E.H. a2 Cl.

1 2

3 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 open 1 2 3

open

Tpt.

3

3 open 1 2

3

Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplet feel)

march-like funk

Drums pizz. Bass

DON PEDRO

That

gold

is

mine,

my

3

I 3

6

3

Vn. 3

3

II 3 3

3

Va. 3

pizz.

3

Vc. 3

3

3

3

3

3

3

3

3

3

Cb. 3

3

3

gold.


146

Scene 2 496 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

3

1 2 Hn.

cresc.

3

3 4 1 2 Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

D.P. 3

There

I Vn. II

Va.

Vc.

Cb.

are

more

bags

in

their

belts.

I

own

these

and


Scene 2

147

500 1 2

Fl.

3

Picc.

Ob.

1 2

dim. E.H. 3

1. Cl.

1 2 3

dim.

dim.

Bs. Cl.

Bn.

1 2

3

3

Cbn.

3

1 2 Hn.

3

3 4 1 2 Tpt.

3

3 1 2 Tbn.

3.

dim.

a2

3

3

3

3

3 Tuba

dim.

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass 3

3

3

3

3

3

cresc.

3

3

3

D.P. man

y

oth

ers,

whole

bar ra coons

in Ha va

na.

He

is

mine,

too.

That

I Vn. II

Va.

3

3

3

3

Vc.

cresc. 3

Cb. 3

3

3

cresc.


148

Scene 2 504 1 2

Fl.

Picc. 1 2

Ob.

E.H. 3

3

1 2

Cl.

3

3

Bs. Cl. 3

3

1 2

Bn.

3

3

3

3

Cbn.

1 2 Hn. 3 4

1 2 3 3

Tpt. 3

1 2 3

Tbn.

3

3

3

3

3

3

3

3

3

3

3

3 Tuba

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

Bass 3

3

3

3

3

3

cresc.

3

3

3

3

3

D.P. one.

Cin

que,

the

lea

der,

They

are

all

mine.

3

I Vn. II 3

Va. 3 3

3

3

3

3

3

3

3

3

3

Vc.

cresc. 3

Cb. 3

3

3

3

3

cresc.

3

3

3

3


a2

149

Scene 2

= 120 507

3

a2

=

1 2

Fl.

Picc. a2 1 2

Ob.

dim. E.H. a2

(1.)

1 2

Cl.

dim. cresc. Bs. Cl. 1. 1 2

Bn.

Cbn.

1 2 Hn.

a2

dim.

3 4

dim. 1 2 Tpt. 3 1 2

dim.

Tbn.

cresc.

3 Tuba

dim.

cresc.

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5

5

sim.

Drums

Bass

LIEUTENANT

I

be

lieve,

sir,

you

should

be

glad

D.P.

= 120 3

= I

dim.

Vn. II

Va.

cresc. arco Vc.

cresc.

pizz. Cb.

dim.

cresc.


150

Scene 2 511 1 2

Fl.

dim. Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 3

1 2 Tpt.

dim. 3 1 2

cresc.

Tbn.

dim.

cresc.

3 Tuba

cresc.

dim.

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Lt. for

your

life.

It’s

the fear

I

of

all

slav

ers,

Fear

3 3

Vn. II

3

Va. 3

dim.

3

dim.

3

Vc.

Cb.

cresc.

dim.

cresc.


151

Scene 2 514

a2

1 2

Fl.

dim. Picc. 1. Ob.

1 2

dim. E.H. a2 Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

2. 1 2 Hn.

4. 3 4 2.

1.

a2

2.

1 2

cresc.

Tpt. 3

cresc. 1 2

cresc.

Tbn. 3 Tuba

cresc.

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

Lt. of all slav

ers:

a slave that

owns

him

with

a

cut

lass.

But this car

go

is

mine,

DON PEDRO

They

I Vn. II 3

Va. 3 3

Vc. 3

Cb.

cresc.

cresc.

are

all


152

Scene 2

= 126 517

a2

1 2

Fl.

Picc. a2 Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 2. 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

NAVIGATOR

3

3

Lt. 8

Sal vage

of

a

ship wreck.

Help these men

to a boat

They

D.P. mine,

= 126 I

dim.

Vn. II

Va.

3 3

cresc.

Vc. 3 3

dim.

cresc. arco

Cb.

dim.

are

kil

lers!


Scene 2

153

a2

521 1 2

Fl.

Picc. a2 Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

dim.

dim.

a2

3

1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(NAVIGATOR and DON PEDRO exit protesting)

3

Nav. 8

They are

DON PEDRO

kil

lers 3

Lt. I

be lieve

they

sure

ly are.

Of

fi

cer,

that

is

I Vn.

3

II

cresc.

dim. 3

Va. 3

Vc.

cresc. Cb.

dim.

dim.

not

right.


154

Scene 2 527 1 2

Fl.

cresc. Picc.

Ob.

1 2

cresc. E.H. a2 Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2. 1 2 Tpt. 3

1 2 Tbn.

a2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

LIEUTENANT

(Ignoring DON PEDRO, to his first mate)

Not a 3

D.P. They

are

mine,

all

mine.

I Vn. II

3

Va.

cresc. Vc.

div. Cb.

bad

day


155

Scene 2 533

a2

1.

1 2

Fl.

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Lt. Not a bad

I Vn. II

cresc.

Va.

Vc.

cresc.

Cb.

day,

I

say.


156

Scene 2 538

a2

1 2

Fl.

Picc. a2 Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3

1 2 Tbn.

3.

a2

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

3

Lt. We’ll have to head for New

I

Vn. II

Va.

Vc.

Cb.

Lon

don.

New York

is

not

a slave

state.

They’ll

let

them


Scene 2

157

544

a2

1 2

Fl.

Picc. 2. Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

1. Bn.

a2

1 2

Cbn.

1 2 Hn. 3 4 a2

1.

2.

1 2 Tpt. 3 1 2 Tbn.

Tuba

3 Tuba

cresc.

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Lt. go.

We sail for

port

in Con nec

ti

cut.

Slaves

they will

div. I Vn. II

Va.

cresc.

cresc.

cresc.

cresc.

Vc.

cresc.

Cb.

cresc.

cresc.

re


158

Scene 2 550

a2

1 2

Fl.

Picc.

Ob.

1 2

dim. E.H.

Cl.

a2

dim.

a2 1 2

dim. Bs. Cl. a2 Bn.

1 2

cresc. Cbn.

1 2 Hn. 3 4 a2 1 2

cresc.

Tpt. 3

cresc.

1 2 Tbn.

Tuba

3 Tuba

Timp. (Vibr.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Lt. main.

Slaves

they

will

re

main.

I

cresc.

dim.

Vn. II

dim.

Va.

Vc.

cresc. div. Cb.


Scene 2

159

557 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ANTONIO (Standing alone in the confusion)

And

I Vn. II

Va.

Vc. pizz. Cb.

me,

am

I

slave?

I

left Cu ba

a

slave


160

Scene 2 562 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

dim. Bs. Cl.

Bn.

cresc.

cresc.

cresc.

cresc.

1 2

Cbn.

cresc.

cresc.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

An. I’ll land

in A mer i ca a

slave

Not friend

nor

foe

to white or

black.

I Vn.

cresc. II

cresc. Va.

Vc.

Cb.

cresc.

I have no


Scene 2

161

566 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

dim.

cresc.

dim.

cresc.

cresc.

1 2

cresc.

Cbn.

dim.

dim.

cresc.

cresc. a2

1 2 6 3

Hn.

3.

3

1.

3

a2

3 4 6

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

An. chance with my“broth ers”

here.

They’ll nev er

trust

me.

Be sides, they got no chance

I

dim. Vn. II

dim.

Va.

dim.

cresc.

Vc.

Cb.

dim.

cresc.

cresc.

at


162

Scene 2

= 80

571

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

cresc. a2 1 2 Hn.

a2 3 4 a2 1 2

Tpt. 3

1 2

cresc. cresc. Tbn. 3 Tuba

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Fill Drums

cresc. Bass LIEUTENANT

all.

Take

them all

= 80 I

dim. Vn. II

dim.

Va.

dim. Vc.

cresc.

Cb.

cresc.


Scene 2 577

a2

1 2

Fl.

163

1.

3

3

cresc.

Picc. 3

Ob.

1.

1 2

3

dim. 3

E.H. 1.

3

Cl.

1 2 3

dim.

3

Bs. Cl.

Bn.

1 2

Cbn. 1. 1 2 Hn.

3. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Glock., soft mallets 1 3

Mar. 3

3

Perc. 2

3 6

cresc.

3

Cel.

3

3

3 3 6

Hp.

dim.

cresc.

E , F , G, A B ,C ,D

(C , G )

3

dim.

3

3

3

3

cresc.

(A , E )

(G )

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(The captives are tied to one another and taken off the ship. One of them grabs the TRICKSTER and hangs on.)

I 3

Vn. II 6

Va. 3

Vc.

dim. Cb.

dim.


164

SCENE 3 (Parade) (Wharf, New England port town. The Coast Guard parades the captives through the town en route to the jail. Citizens come out to watch. Parade move to exterior of jail, circling among people waiting.)

= 120 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2

cresc.

Tpt.

cresc.

3

cresc. 1 2 Tbn.

a2

3 Tuba

cresc.

cresc.

Timp. Glock. 1

cresc. Perc. 2 Bs. Dr.

Sn. Dr.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Snares on Drums

Bass

= 120 I

Vn. II

Va.

Vc.

Cb.

March - brushes


Scene 3 9 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

cresc. 1 2 Tbn. 3 Tuba

Timp. (Glock.) 1

cresc. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

Vn. II

Va.

Vc.

Cb.

1.

165


166

Scene 3 16 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3

1 2

Tbn. 3 Tuba

Timp.

1 Mar. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Double time brushes

5/8

Drums

cresc. Bass

I

Vn. II

Va.

Vc.

Cb.

2.


Scene 3

167

22 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. 1. Bn.

1 2

2.

a2

3

3

3

3

3

3

3

cresc.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5/8

3

3

Drums 3

3

3

3

3

Bass

I

Vn. II

Va.

3

3

3

Vc.

pizz. Cb.


168

Scene 3 29 1 2

Fl.

dim. Picc.

1 2

Ob.

E.H. 1. 1 2

Cl.

3

3

dim.

Bs. Cl. 1.

a2

1 2

Bn.

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

dim. Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Fill Drums

cresc. Bass

I

Vn. II

Va.

Vc.

dim.

dim. arco

Cb.

dim.

dim.


Scene 3

= 76 36

169

= 100 1.

1 2

Fl.

Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

cresc. Bn.

cresc.

1 2

cresc.

cresc.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

= 76

= 100

I

cresc.

Vn. II

Va.

Vc.

8va

8va

Cb.

cresc.

6


170

Scene 3 41 1 2

Fl.

Picc.

Ob.

1 2

cresc.

cresc.

E.H.

cresc.

cresc. 1.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

REPORTER 1

8

So these

are the sa

va

ges

a

board

the

le

gend

ship.

Mur der ers and man

I Vn. II

Va. div.

non div.

div.

Vc.

cresc.

Cb.

cresc.


Scene 3 45

171

2.

1 2

Fl.

Picc. 1 2

Ob.

cresc. E.H.

cresc.

dim.

2. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

R.1 8

ea

ters.

They

look

ev

’ry bit of

I Vn. II

Va. non div.

div.

Vc.

cresc. Cb.

it.

Bring

on

the

“E

thi

o

pi


172

Scene 3 49 1 2

Fl.

Picc. 1 2

Ob.

cresc.

cresc.

E.H.

cresc.

cresc.

cresc.

1 2

Cl.

Bs. Cl. a2

1 2

Bn.

cresc. Cbn.

1 2 Hn. 3 4 2.

1 2 Tpt. 3 1.

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

3

R.1 8

an

de lin

e

a

tors�

to

make

some

new

coon

bits.

I 3

Vn. 3

II

Va.

Vc.

cresc.

3

Cb.

cresc.

cresc.


Scene 3

173

52 1 2

Fl.

Picc.

Ob.

1 2

cresc. E.H.

cresc. Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

cresc. Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 6

5

5

6

Drums

Bass

cresc.

TENOR

8

We know BASS

fat

hap py Mam

bo

Sim ple laz y Sam

bo

Cot ton top

Un cle and

Shift

less

Coon

We know

fat

hap py Mam

bo

Sim ple laz y Sam

bo

Cot ton top

Un cle and

Shift

less

Coon

div.

I Vn. II

Va.

Vc.

Cb.

cresc.


174

Scene 3 55

2.

a2

a2

1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 1. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5

5

6

5

5

6

Drums

Bass

REPORTER 2

3

Would you be do cile

3

O

blig ing and ser

T 8

Who

are these brutes

talk ing mum bo jum

bo?

talk ing mum bo jum

bo?

B Who

are these brutes

(div.)

I Vn. II

Va.

Vc.

Cb.

vile

If


Scene 3 59

2.

175 2.

1 2

Fl.

Picc. 1.

2.

1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

3

1 2 Hn. 3

3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) Vibe. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5

5

6

5

5

6

Drums

Bass 3

3 3

R.2 ripped from home and near

ly killed?

If white men

had mutin eed

and dark

T 8

Whereis Mam bo?

WewantSam

bo.

Whereis Mam bo?

WewantSam

bo.

B

div. I Vn. II

Va. 3

pizz. Vc.

Cb.

arco

skins

were


Scene 3

176 63

2.

2

1 2

Fl.

cresc. Picc. 1

2.

1 2

Ob.

cresc. E.H. 2 1 2

Cl.

cresc. Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 3

1 2 Tpt.

3

3

1 2 3

Tbn.

Tuba

3.

3 Tuba

Timp. (Vibr.) Vibe. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

5

5

6

5

5

6

Drums

Bass

R.2 killed

you would hail the lead er

a he

ro

And de mand li

ber ty for one

and

all.

3

3

S Where is Mam bo?

We want Sam bo.

and we will give 3

3

A Where is Mam bo?

We want Sam bo.

and we will give 3

3

3

3

T 8

Where is Mam bo?

We want Sam bo.

Givethem lib 3

er ty

and we will give

3

3

B Sam bo.

Givethem lib

div.

er ty

give

I

cresc.

Vn.

3

div. II

3

Va. 3

pizz.

arco

pizz.

arco

3

3

3

cresc.

Vc. 3

3

cresc. Cb.

3


Scene 3

177

68 1 2

Fl.

dim. Picc. 1 2

Ob.

dim. E.H. 1. 1 2

Cl.

dim. Bs. Cl. 1 2

Bn.

dim. Cbn.

1 2

Hn.

3 4

(a2)

1 2

Tpt.

dim. 3

dim. 1 2 Tbn.

dim.

3 Tuba

Timp. (Vibr.) 1 Marimba Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

REPORTER 3 R.3 A

he

ro

A

S them

death.

them

death.

them

death.

them

death.

A

T 8

B

con sord. I Vn. II

Va.

Vc.

Cb.

mul ish Man din

go


Scene 3

178 72 1 2

Fl.

Picc.

Ob.

1 2

E.H. (a2) Cl.

a2

1

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2 Sn. Dr. 3 Low. Tom-t.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

R.3 mul lah

e mir of the grec

hees

and the gul

lah.

That man’s

div.

I Vn. II pizz.

arco

Va. pizz. arco Vc. pizz. Cb.

the

ve ry rea son

we

call

a to bac co chawa


Scene 3

179 2

77 1 2

Fl.

Picc. 2. 1 2

Ob.

E.H. 2. 1 2

Cl.

Bs. Cl. a2 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1.

mute

1.

1 2 3

Tpt.

mute 3 3

mute

1.

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 (Marimba) Perc. 2

3

Cel.

Hp.

W.W. 1 E Contra Alto Clarinet W.W. 2

Tbn. snares on

High Hat (open)

Drums

Bass

3

3

3

R.3 nig ger head,

and a rough nut

a

nig ger toe.

Why the

nig

ger

is the black

you

take off rice

grain

Nig

ger

head,

nig

ger

Nig

ger

head,

nig

ger

Nig

ger

head,

nig

ger

Nig

ger

head,

nig

ger

S

A

T 8

B solo

I Vn. II

Va.

Vc. pizz.

Cb.

cresc.

3

and


Scene 3

180 81 1 2

Fl.

Picc. 1 2

Ob.

3

dim.

E.H. 1 2

Cl.

3

dim.

Bs. Cl. 1 2

Bn.

cresc. Cbn.

cresc. 3

1 2 Hn.

dim. 3 4 (1.)

dim.

1

1 2 Tpt. 3

(1.) 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

R.3 su gar cane.

He’s the

chaff

that has to go

if you want to have wheat.

S toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

toe,

Nig

ger

head,

Ole

black

Joe,

Nig

ger

head,

nig

ger

toe,

Mam bo,

Sam bo,

A

T 8

B

3

I 3

3

Vn. II

Va. 3

Vc.

3 3

(pizz.) Cb.

cresc.

dim.


Scene 3

181

2.

86 1 2

Fl.

cresc.

cresc.

cresc.

cresc.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl.

1 2

Bn.

Cbn. 1. 1 2 Hn.

2. 3 4 1. 1 2

Tpt.

dim. 3

dim.

(1) 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 5 Drums

Bass

REPORTER 4 3

R.4 So

true

Why that crea ture there in the cage

He’s a

blub ber lipped nap py head sul len lout

Not half

as smart,

S Ole

Black

Joe,

Mam

bo,

Sam bo,

Mam bo,

Sam

bo,

Ole

Black

Joe,

Mam

bo,

Sam bo,

Mam bo,

Sam

bo,

Ole

Black

Joe,

Where is Mam

bo?

Ole

Black

Joe,

Where is Mam

bo?

want

Where

is

A We

want Sam bo. Where is

We

want Sam bo.

T 8

B

I Vn. II

Va.

Vc. (pizz.) Cb.

cresc.


Scene 3

182 91 1 2

Fl.

cresc.

dim.

Picc. 2. 1 2

Ob.

dim. E.H. 1 2

Cl.

cresc.

dim.

Bs. Cl. a2 1 2

Bn.

Cbn. 1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 7

7

Drums

Bass

REPORTER 5 3

R.4 8

not half

as smart

as

ev ’ry third

nig

ga

on our docks

Tru er words were nev

S Mam bo?

We

want Sam bo.

Mam bo?

We

want Sam bo.

We

want Sam bo.

We

want Sam bo.

A

T 8

B

I Vn.

non div. II

Va.

Vc. (pizz.) Cb.

arco

er


Scene 3

183

1

96 1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2 6

Bs. Cl. a2 Bn.

1 2

Cbn. 2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

R.5 8

said

We have learned

here,

here

in A mer

i

ca

Our blacks are

I Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

cresc.

Cb.

cresc.


Scene 3

184 101 1 2

Fl.

3

Picc. 1 2

Ob.

3

3

E.H. 3

1.

1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn. 2. 1 2 Hn.

4. 3 4 1 2

Tpt.

3 1 2

Tbn.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

R.5 8

hap

pi

er.

Sub

ject

ion

does

them

good

S Give them li

ber

Give them li

ber

A

T 8

B

I

dim.

Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


185 a2

105 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1.

1.

1 2

Cl.

dim. Bs. Cl.

cresc. 1 2

Bn.

Cbn. 1. 1 2 Hn.

3. 3 4 mute 1 2

Tpt.

cresc.

cresc.

cresc.

cresc.

mute 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. A. Clar.) W.W. 2

cresc. Tbn. Cymbals - sparse Drums

Bass REPORTER 6

Who S ty

we’ll

give

them

death.

ty

we’ll

give

them

death.

we’ll

give

them

death.

we’ll

give

them

death.

A

T 8

B

I Vn. II

Va.

Vc.

Cb.

told

you

that?


Scene 3

186 110 1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

3

Bs. Cl.

cresc.

cresc.

1 2

Bn.

Cbn.

1 1 2 Hn.

4 3 4

1 2 Tpt.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C. A. Clar.) W.W. 2

Tbn. Cymbals - sparse Drums

3

Bass

3

3

3

3

R.6 Some “hap

py” chained

up

black?

I Vn. II 3

Va.

Vc.

Cb.

3

The

slave

trade

is

a

tra

ge

dy.

We


Scene 3

187

114 1 2

Fl.

cresc. Picc. a2 Ob.

1 2

E.H. 2. Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

a2 1 2 Hn. 3 4 1 2 Tpt. 3 a2 1 2 Tbn.

a2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass REPORTER 4

R.6 must sup port

its

fi

nal

end

They’re so keen eyed

and

shif

ty—

They ought ta

I

cresc. Vn. II

cresc.

cresc. Va.

Vc.

cresc. pizz. Cb.

arco

pizz.

be


Scene 3

188 118 1 2

Fl.

cresc.

cresc.

Picc.

Ob.

1 2

dim.

dim.

dim.

dim.

E.H. (2.) Cl.

1 2

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn.

dim. 3 4 (2.)

mute

1 2 Tpt.

mute

dim.

3

dim. 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

REPORTER 6

3

R.4 hog

tied

and

whipped.

Well,

I

must

a

gree,

they

get

div. I 3

Vn. II

Va.

cresc. Vc.

cresc. Cb.

cresc.

a lot of sym pa


Scene 3

189

122 1 2

Fl.

cresc.

cresc.

Picc. 2. Ob.

1 2

cresc.

dim.

dim.

E.H.

dim.

(2) Cl.

1 2

cresc.

cresc.

Bs. Cl.

Bn.

1 2

dim. Cbn.

1. 1 2 Hn.

dim.

dim.

dim.

dim.

3 4 (mute) 1 2 Tpt.

dim. 3 1 2

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

R.6 thy

more

tears

from

la dies and

fools

than

white

men

I Vn. II

dim.

Va. 3

dim.

Vc.

cresc.

Cb.

cresc.

e

ver

could.


Scene 3

190 1.

126

1.

1.

1.

1 2

Fl.

cresc.

cresc.

cresc.

cresc.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

R.6 Whites

need

e

qual

just

ice

REPORTER 1

Cer

8

T1 In

8

deed.

T2 8

In

deed.

B In

deed.

div. I Vn.

div. II div.

Va.

dim. Vc.

cresc.

Cb.

cresc.

3

4

tain

lib

erals


Scene 3

191

2.

130 1 2

Fl.

cresc.

cresc.

Picc.

Ob.

1 2

E.H. 1. Cl.

1.

1.

1.

1 2

cresc.

cresc.

Bs. Cl. a2 Bn.

1 2

cresc. Cbn. 3

1. 1 2

cresc.

3

3

dim. Hn.

3

3

3

3 4

cresc.

dim.

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

R.1 8

you knowthe ones

I

mean,

de

fend the coons

e ven when they

kill

it’s

I 3

Vn. II 3

Va. 3

Vc.

Cb.


Scene 3

192

a2

134 1 2

Fl.

Picc.

Ob.

1 2 3

E.H. 3

Cl.

a2

1 2

cresc.

cresc.

Bs. Cl. a2 Bn.

1 2

cresc.

Cbn.

cresc. 3

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

a2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

8

gett ing so these brutes

can run a mok,

slit our throats

and live to

3

tell it

get fat and

com fy,

unis.

div.

3

I 3

Vn.

div.

3

II 3

div.

3

Va.

cresc.

3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

sleep ing in our

jail


Scene 3

193

139

a2

1 2

Fl.

3

Picc. a2 1 2

Ob.

3

E.H. a2

3

1 2

Cl.

3

Bs. Cl. 3

1 2

Bn.

3

Cbn.

1 2 Hn. 3 4 3

1 2 Tpt.

3

3 1 2 Tbn.

3

3 Tuba 3 3

3

3

3

3

3

3

3

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

cresc.

3

3

3

3

3

Bass

3

S Give

them

3

A 3

3

3

3

3

3

3

Give

T 8

Give

them

li

ber

3

3

ty,

Give

them

li

ber

ty,

Give

them

3

3

3

li

ber

3

ty, 3

B Give

them

li

ber

ty,

Give

them

li

ber

ty,

Give

them

li

ber

ty,

I Vn.

3 3

II 3

3

Va. 3

cresc.

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

Vc. 3

cresc. 3

Cb. 3

cresc.

them


Scene 3

194 141

(a2)

1 2

Fl.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Picc. (a2) 1 2

Ob.

3

E.H. (a2)

3

3

1 2

Cl.

3

3

3

3

Bs. Cl. 1 2

Bn. Cbn.

1 2

Hn.

3 4 1 2

Tpt.

3 a2 1 2 Tbn.

cresc.

a2

3 Tuba

cresc. 3

3

3

3

3

3

3

3

3

3

3

Timp.

1 Perc. 2 3

Cel.

Hp.

W.W. 1 W.W. 2 Tbn. Drums 3

3

3

3

cresc.

3

3

3

3

3

3

cresc.

Bass

3

3

3

S Captives

Are

they

are

they

go

ing to kill 3

us, 3

3

A Are

they

are

they

go

ing to kill

us,

3

3

3

T Are they

8

are

they

go

ing to kill

us,

B Are they,

3

3

are

3

3

they 3

S death,

Give

them

death,

Whites

3

Give them li 3

ber

ty, 3

3

Give them

li

3

A death,

Give

3

3

3

3

3

them

death,

3

3

Give them li 3

ber

ty, 3

3

Give them

li

3

T 8

death, Give them li 3

3

ber ty, 3

Give them li

ber ty, Give them li

3

3

3

ber ty,

death,

3

3

Give them li

ber

ty,

Give them

li

3

B death, Give them li

ber ty,

Give them li

ber ty, Give them li

ber ty,

death,

Give 3

I 3

cresc.

Vn.

6

cresc. 6

3

II

cresc.

3

3

3

3

3

3

3

3

cresc.

Va. 3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Vc.

cresc.

cresc. 3

3

Cb.

cresc.

cresc.


Scene 3

195

144

1.

a2

3

3

1.

a2

3

3

1 2

Fl.

dim.

3

3

3

3

3

3

3

3

3

Picc. 1 2

Ob.

dim. E.H.

a2 1 2

Cl.

3

dim.

3

Bs. Cl. 1 2

Bn. Cbn.

1 2 3 3

Hn. 3 4 1 2

Tpt.

3 a2

(a2) 1 2

3

Tbn.

3

(a2)

a2

3 Tuba 3

3

3

3

3

3

3

3

3

3

3

Timp. 1 Perc. 2 3

Cel.

Hp.

W.W. 1 W.W. 2 Tbn. 3

3

3

Drums 3

3

3

cresc.

3

3

3

3

3

3

Bass

3

3

S

Captives

go ing to

kill

us,

3

3

A go ing to 3

3

3

us,

go ing to

kill

us, 3

T Go ing to

8

kill

3

kill

us,

3

B go ing to 3

kill

Do you

us,

know 3

3

3

3

3

3

3

S ber ty, Give them li Whites

3

ber ty,

Give them li

3

3

ber ty, Give them li

3

3

3

ber ty,

Give them 3

3

A ber ty, Give them li 3

ber ty, 3

3

Give them li

3

3

3

3

ber ty, Give them li 3

3

ber ty,

Give them

3

3

T 8

ber ty, Give them li

ber ty,

Give

them

death,

Give them li

ber ty,

Give them li

ber ty, Give them li

ber ty,

3 3

3

3

3

3

3

3

3

3

B them

death,

Give

them

death,

Give them li

ber ty,

I Vn.

them

death,

3

3

dim.

Give

II 3

3

3

3 3

3 3

3

3

3

33

3

3

3

cresc.

33

3

3

Va. 3

3 3

3 3

3

cresc.

3

3

3 3

3 3

3

3

3

3

Vc.

cresc. 3

3

Cb.

cresc.


Scene 3

196 147 1 2

Fl.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Picc. 1 2

Ob.

E.H. 3

1 2

Cl.

3

3

3

Bs. Cl. 1 2

Bn. Cbn.

(a2) 1 2 Hn.

(a2) 3 4 1 2

Tpt. 3

1 2

Tbn.

3 Tuba 3

3

3

3

3

3

3

3

3

3

3

Timp.

cresc. 1 Perc. 2 3

Cel.

Hp.

W.W. 1 W.W. 2 Tbn. 3

Drums 3

3

3

cresc.

3

3

3

3

3

cresc.

3

Bass

Captives

S Do

you

know,

Do

you

know,

A

T 8

Are

they

Do you

go ing to

B Are 3

3

3

3

3

They

go ing to

3

3

3

3

3

3

S death,

Give them li

Whites

3

ber ty, 3

3

3

Give

them 3

death,

Give

3

them

death,

3

Give them li 3

3

ber ty, 3

Give them

li

3

A death,

Give them li

ber ty,

3

Give

them 3

3

death, 3

Give

them

death,

3

Give them li 3

3

ber ty,

Give them

li

3

T 8

death,

Give them li 3

3

3

ber ty, Give them li 3

3

3

ber ty,

death, Give them li

ber ty, 3

3

B death

Give them li

ber ty

Give them li

ber ty, Give them li

ber ty,

death,

Give them

I 3

Vn.

3

3

cresc. 3

3

3 3

3

II 3

3

3

3

3 3

cresc. 3

3

3

3

3

3

Va. 3

cresc. 3

3

3

3

3

3

3

3

3 3

3 3

3

3

3

3

3

3

3 3

Vc.

cresc. 3

3

Cb.

cresc.

3

li


Scene 3

197

150 a2 1 2

Fl. Picc.

a2 1 2

Ob. E.H.

a2 1 2

Cl. Bs. Cl.

1 2

Bn. Cbn.

1 2

Hn.

3 4 1 2 Tpt. 3 1 2 3

Tbn.

3

3 Tuba

3

3

3

Timp. (Vibr.) 1 Perc. 2 3

Cel.

Hp.

W.W. 1 W.W. 2 Tbn. Drums 3

3

3

Bass

Captives

S Are

they

go ing to

slit

our

throats

Are

they

go ing to

slit

our

throats

Slit

our

throats

Slit

our

throats

A

T 8

know

B 3

3

S ber

ty,

Give them death

Whites

3

3

A ber

ty,

Give them death

3

3

3

3

T Give them li

8

3

ber

3

ty,

Give them death 3

3

B ber

ty, Givethem

li

ber

ty,

Give them death div.

I Vn.

3

II 3

3 3

Va.

cresc. 3

3 3

3 3

div.

3

unis.

Vc. 3

cresc. 3

3

3

Cb.

cresc.

3


198

Scene 3 153

(a2)

1 2

Fl.

Picc. (a2) Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. (a2) Bn.

1 2

Cbn.

1 2 Hn. 3 4 mute 1.

1.

1.

1.

1 2 Tpt.

cresc.

cresc.

cresc.

cresc.

mute 3

1 2 Tbn.

Tuba

(Tuba)

3 Tuba

3.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

3

Tr. 8

They yap

and

snap,

snick er like

mon

keys.

Af ter so

I 3

Vn.

3

II

cresc. Va.

cresc. Vc.

Cb.

much

si

lence,


Scene 3

199

158 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

cresc. Bs. Cl.

cresc. Bn.

1 2

Cbn.

1 2

dim.

Hn. 3 4

dim. 1.

1.

1.

1 2

cresc.

Tpt. 3

cresc. 1 2 Tbn.

Tuba 3.

Tuba

3.

Tuba

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Scat (Whole tone) Tr. 8

so

much gloom,

the bush

re

a

wak ens me.

re a

wak ens me.

I 3

Vn. II

dim.

dim.

Va.

dim.

dim. arco

pizz.

Vc.

cresc. pizz. Cb.


Scene 3

200 164

a2

2.

1 2

Fl.

cresc. Picc. 1. Ob.

1 2

E.H.

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1 Marimba Perc. 2

3

Cel.

Hp.

W.W. 1 Contra Alto Clarinet in E

D half diminished

C7( 11) or

Duet with Trickster (interact)

W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

Bass

F half diminished

E 7( 11) or

Tr. 8

I Vn.

div. II div.

Va.

Vc.

Cb.


Scene 3 170

201

a2

2.

1 2

Fl.

cresc.

dim.

Picc.

Ob.

1 2

dim. E.H. a2 Cl.

1 2

cresc.

8

dim.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

dim. 3 4

dim. 1 2 Tpt. 3

1 2 Tbn.

3.

a2

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1 E ( 9) 7 Duet continues W.W. 2

Tbn. Fill Drums

Bass

E

( 9) 7

Tr. 8

They div.

I 8

Vn. II

dim.

Va.

dim. Vc.

Cb.


Scene 3

202 175

1.

1 2

Fl.

a2

(a2) 3

dim.

dim.

Picc.

Ob.

1 2 3

E.H. (a2) Cl.

1 2

dim.

dim.

Bs. Cl.

Bn.

1 2

Cbn.

1 2

dim.

Hn. 3 4

dim. 1 2

dim.

Tpt. 3

dim. 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

3

Xylophone Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Tr. 8

squalk

and

chirp

chirp and squalk

like

hun

gry

birds,

I

dim. Vn. II

cresc.

Va.

cresc. Vc.

cresc. Cb.

cresc.


Scene 3

203

180 1 2

Fl.

Picc. 6

Ob.

1 2

E.H. a2 Cl.

1 2

cresc.

6

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

a2

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Tr. 8

Like

hun

gry

birds ’round

a cook

ing

pot

I

cresc.

6

Vn. II

cresc.

Va.

Vc.

Cb.

dim.

dim.


204 a2

184 1 2

Fl.

Picc.

Ob.

1 2

dim. E.H.

Cl.

1 2

dim.

6

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt.

dim. 3

dim. 1 2 Tbn. 3 Tuba

dim. Timp.

(Vibr.) 1 (Xyl.) Perc. 2

3

Cel.

Hp.

W.W. 1 Contrabass Clarinet in E W.W. 2

Tbn.

Drums

dim.

cresc.

cresc.

Bass 3

4

3

Tr. 8

A place for a

crowd

I

like the sound of bar ter and

I 3

cresc. 4 Vn.

3 4

II

cresc.

Va.

Vc.

pizz. Cb.

dim.

noise


1.

Scene 3

a2

205

189 1 2

Fl.

cresc.

3

Picc.

cresc. Ob.

1 2

E.H. a2

a2 Cl.

1 2

cresc.

3

Bs. Cl. (a2) Bn.

3

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

dim.

3 Tuba Tuba

Timp. (Vibr.) 1

Perc. 2 Bass Drum 3

Cel.

Hp.

W.W. 1 3

W.W. 2

Tbn. Fill Drums

cresc. Bass

no tremolo

I

cresc.

3

dim.

6

Vn.

no tremolo II

cresc.

dim.

6

no tremolo Va.

dim.

3 6 3

Vc.

dim.

Cb.


206

SCENE 4 (Jail) Jail cell, interior. (If exterior is shown, streets still jammed with people.) Blacks are in three to four cells: Women in one and CINQUE and the other men in two or three. Men wear dark striped cotton trousers and striped cotton shirts; the women, calico dresses.

Freely,

= 69

1 2

Fl.

3

Picc. 2.

1. Ob.

1 2 3

3

3

3

1.

E.H. 3

dim.

3

3

2. Cl.

3

3

3

3

dim. 3

1 2

Bs. Cl. 3

1 Bn. 2

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Freely,

I

Vn. II

Va.

Vc.

Cb.

= 69

3


Scene 4

207

= 84

7 1 2

Fl.

3

3

3

cresc.

dim.

Picc. 2. Ob.

1 2 3

dim. E.H. 3

Cl.

3

dim.

cresc.

1 2

Bs. Cl. 3

Bn.

3

3

3

1 2

cresc.

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.)

3

3

1 Marimba Perc. 2

3

Cel.

E F GA ] 3

BC D

3

3

3

cresc.3

3

3

3

3

3

3

3

3

3

3

3

Hp.

E

F

W.W. 1

W.W. 2

Tbn. Sparse interjections cymbal swells (brushes) Drums

Bass

= 84 I Vn. II 3

3

solo Va. 3

cresc.

3

3

3

3

3

solo Vc. 3

Cb.

3

cresc.

3

3

3

3

3

3


Scene 4

208

1.

13 1 2

Fl.

3

Picc. 1. Ob.

1.

1 2 3

cresc.

3

3

cresc.

3

E.H. 3

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. 3

(Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

3

3

3

3

3

dim. Hp.

3

3

3

3 3

3

3

3

E

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

F

F

3

dim.

3

3

3

3

3

3

3

E

W.W. 1

W.W. 2

Tbn. (Sparse Interjections Cymbal Swells, etc.)

Brushes (triplet feel)

Drums

Bass

I Vn. II 3

3

3

Va. 3 3

dim.

3

3

3

3

3

3

3

3

3

3

3

3 3

cresc.

3

3

3

3

dim.

Vc. 3

Cb.

dim.

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

dim.

3


Scene 4

(1)

209

18 1 2

Fl.

3

3

dim. Picc. 2. Ob.

1.

1 2 3

3

3

dim.

E.H. 2. Cl.

1 2 3

dim.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. 3

(Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

3

3

cresc. 3

3

Hp.

3

3

E

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

F

3

3

3

3

E

F

3

3

3

3

dim. 3

3

3

3

3

3

E

3

3

F

W.W. 1

W.W. 2

Tbn.

Drums

Bass

MARGRU 3

3

3

I could tell

by their

looks,

3

3

their touch es,

the way they han

dled

me,

I Vn.

3

II 3

metà

3

3

3

3

Va. 3

3

3

3

cresc.

3

3

3

3

3

3 3

3

3

3

3

3

3

3

dim.

metà Vc. 3

3

3

3

3

3

cresc. Cb.

3

3

3

3

3

3

3

dim.

3

3

3

3

3


Scene 4

210 23

1.

1 2

Fl.

3

dim.

3

Picc. 2. Ob.

1 2 3

dim.

3

dim.

3

E.H.

Cl.

1 2 3

3

Bs. Cl.

Bn.

1 2

Cbn.

1. 1 2 Hn.

a2

3.

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

3

cresc. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

dim.

3

Hp.

3

3

3

3

3

E

F

3

3

3

3

3

F

E

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Mar. they want ed a

girl.

They thought I was

a

vir

gin.

E ven these

3

I

3

dim. Vn.

3

II 3

cresc.

dim.

3

3

3

Va. 3

cresc.

3

3

3

3

3

3 3

3

3

3

3

3

dim.

3

3

3

3

3

Vc. 3

Cb.

3

cresc.

3

3

3

3

3

3

dim.

3

3

3


Scene 4 27

1.

1 2

Fl.

211

3 3

3

3

3

Picc. 3

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. 1

a2 Bn.

1 2

3

3

Cbn. (1.)

1.

1 2 3

Hn.

3

3. 3 4 3

3

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibes.)

3

3

3

3

1 (Mar.) Perc. 2

3

3

Cel.

3

3

3

3

3 cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

Hp.

3

3

3

3

3

dim. 3

3

E

F

3

3

3

3

3

F

E

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

Mar. men

here,

in

this

pris

on,

call

me

the girl.

They think

I 3

3

3

Vn.

6

3

3

II 3

3

3

dim.

3

3

3

Va. 3

cresc.

3

3

3

3

3

3 3

3

3

3

3

3

dim.

3

3

3

Vc. 3

Cb.

3

cresc.

3

3

3

3

3

3

3

dim.

3

3

3

3

I’m


Scene 4

212

1.

31 1 2

Fl.

6

dim. Picc. 2. Ob.

1 2 3

3

E.H. 3

Cl.

1 2 (2.)

3

5

Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 Hn. 3 4

dim. 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

dim. Timp. 3

(Vibr.)

3

3

3

1 (Mar.) Perc. 2

3

Cel.

3

3

3

cresc. 3

3

3

3

3

3

3

3

3

3

3

3

3

Hp.

F

W.W. 1

W.W. 2

Tbn. switch to sticks Drums

dim.

dim.

Bass

3

3

3

3

3

Mar. a

vir

gin

They

got

what they want

ed,

a slight

I 3

dim.

5

Vn.

cresc.

3

II 3

tutti

3

3

Va.

3 3

cresc.

3

3

3

3

3

3

3

3

3

3

dim.3

3

3

dim. 3

3

3

3

tutti

Vc. 3

3

cresc.

3

3

3

3

3

3

3

div.

Cb.

dim.

3

3


Scene 4 35

a2

1 2

Fl.

213

3

3

3

dim.

Picc.

Ob.

1 2 3

3

3

3

E.H. 1. Cl.

2.

1 2 3

3

dim.

3

3

Bs. Cl. 3

3

2. Bn.

1 2 3

Cbn.

2. 1 2 3

Hn.

cresc.

3 4 1. 1 2 3

Tpt. 3

Tbn.

1 2

3 Tuba

Timp. 3

3

(Vibr.) 1 3

(Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

Mar. girl,

with

slim hips

and small breasts.

They don’t know

I left a ba

by wrapped in cloth wait ing

I Vn. II 3

3

Va. 3

dim.

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Vc. 3

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

Cb.

dim.

cresc.

3


Scene 4

214 40

2.

a2

1 2

Fl.

3

3

3

3

3

dim.

dim.

Picc. 3

1. Ob.

dim.

1 2 3

dim.

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

Tuba

3 Tuba

dim. Timp. 3

(Vibr.)

3

1 (Mar.) Perc. 2

3

3

Cel.

3

3

3

3

3

3

3

3

cresc.

Hp.

3

3

3

3

[B C D E F G A]

3

3

3

3

3

D G

W.W. 1

W.W. 2

Tbn. Color with cymbals (scrape?) Drums

dim.

cresc. Bass

3

3

3

3

Mar. for his milk.

He is ly

ing

in

his

cloth

on a 8va

I 3

3

3

3

cresc.

Vn.

3

dim.

metà

3

dim.

3

3

3

II 3

3

cresc.

3

dim.

3

3

3

3

cresc.

3

metà Va. 3

3

cresc.

3

3

3 3

3

3

3

3

3

3 3

dim.

Vc. 3

Cb.

3

cresc.

3

3

3

3

3

3

dim.

3

3

3

3

3

3

3

3

cresc.

3

3

3


Scene 4

215

45 1 2

Fl.

3

dim. Picc. 3

dim. Ob.

1 2 3

3

E.H. 3

Cl.

1 2 3

Bs. Cl.

Bn.

1 2 3

Cbn.

1 2 3.

Hn.

3

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 3

3

(Mba.)

3

3

Perc. 2

3

Cel.

3

Hp.

3

3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3

3

D

3

3

3

3

3

3

3

G

3

3

D

3

3

3

3

3

G

W.W. 1

W.W. 2

Tbn. brushes Drums

Bass

3

3

3

3

3

3

Mar. pal

let

on

the

ground

un

der my moth

er’s

gaze

in my house

of

grass

solo on top, tutti octave below solo

8va

div. I 6 3

Vn.

3

dim.

3

3 3

3

3

II 3 3

3

3

3

3

3

3

3

3

dim.

3

3

3

3

3

3

Va. 3

3

3

3

3

3

3

dim. Vc.

dim. Cb.

dim.

3

3

3

3

3

3


Scene 4

216 2.

49

3

1 2

Fl.

3

dim.

Picc.

dim.

1. Ob.

1 2 3

dim.

E.H. 1. 2. Cl.

1 2 2.

3

Bs. Cl.

Bn.

1 2

cresc. Cbn. 1. 1 2 Hn.

3

cresc.

(3.) 3 4

cresc. 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1 3 3

(Mar.) Perc. 2

3

Cel.

3

Hp.

3

3

3

3

3

3

3

3

3

3

3

3

cresc. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

Mar. in a small

round

house

on bar ren

heart less

soil

where the wind blows

all

but the goats

3

I

3

3

3

dim. Vn.

3

3

3

II 3

dim. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

Va. 3

3

3

3

3

3

3

3

3

3

3

cresc. Vc.

dim.

cresc.

Cb.

dim.

cresc.

cresc.

3

3

3


Scene 4

217

53 1 2

Fl.

3

3

3

3

Picc. (1.) Ob.

1 2 3

3

3

E.H. 1. Cl.

1 2 3

3

Bs. Cl.

Bn.

1 2

Cbn.

cresc. 1 2 Hn. 3 4 1.

3

1 2 3

Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

dim. Hp.

3

3

3

3

3

3

3

cresc.

3

3

G

3

3

3

G 3 C

3

3

3

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

4

3

3

range

with

3

Mar. a

way.

His cloth was

o

sea

shells

on

it.

I kept

him wrapped

I 6

cresc.

Vn.

3

tutti

3

3

II 3 3

3

dim.

3

3

3

3

cresc.

(metà)

Va. 3

3

dim.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc. (metà)

Vc. 3

3

cresc.

Cb.

dim.

cresc.

3

3

3


Scene 4

218 1.

57

(1.)

1 2

Fl.

3

6

Picc. 6 3

Ob.

3

3

2.

1 2 3

3

3

3

E.H. 2. Cl.

2.

1 2 3

3

3

3

3

Bs. Cl.

Bn.

1 2

cresc. Cbn.

cresc. 1 2 Hn. 3 4 1. 1 2

3

Tpt.

3 3

3 3

3

3 1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

6

6

6

cresc. 6

Cel.

6

6 6

6

6 6

6

6 6

6

6

6 3

3

3

3

B ,C 3

6 3

Hp.

3

3

3

3

3

3

3

3

3

3

3

6

sustain

3

W.W. 1

W.W. 2

Tbn. 6 against 4 Drums 3

3

3

3

cresc. Bass

3

3

3

3

3

3

3

Mar. tight

to my back,

ex cept

that

af ter noon,

ex

I

6

6

cept

6

that

af ter noon,

when I

6

6

6

6

6

6

6

6

6

cresc.

Vn. II 6

6

6

cresc.

6

tutti Va. 3 3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

tutti Vc. 3

Cb.

3

3

3

3

3

3

3

3

cresc.

3

3


Scene 4

6

61

219

1.

1 2

Fl.

3

6

3

dim.

Picc. 6

6

3

dim. Ob.

1 2 3

E.H. a2 Cl.

1 2 3

3

dim.

3

dim.

Bs. Cl.

Bn.

1 2

dim.

dim.

dim.

dim.

Cbn. 1.

3

1 2 Hn.

3. 3 4 3

1 2 3

3

3

3

dim.

dim.

Tpt. 3

dim.

dim. 1.

1 2 3

Tbn.

dim.

(Tuba)

a2

3 Tuba

dim.

dim. Timp.

1

Perc. 2

3

6

6

dim. 6

Cel.

6 6

6

3

6

3

6

6 6

6

6

6

Hp.

6

W.W. 1

W.W. 2

Tbn. 4/4 Drums 3

3

dim. Bass

3

3

3

3

3

3

Mar. went

for

food.

When

they

took

me

my

div.

I

6

6

6

6

6 3

dim. div.

Vn.

3

3

3

3

3

3

6 3

3

II 6

6

dim.

6

6

6

3

cresc.

3

div.

Va. 3 3

3

3

3

3

dim.

3

3

3

3

3

3

3

3

6

3

Vc. 3

dim.

3

3

3

3

cresc.

Cb.

dim.

dim.

cresc.

3

3

3

3

3

3


Scene 4

220 65

a2

1 2

Fl.

3 3

3

Picc. 1.

3

Ob.

(1.)

1 2

3

3

E.H. 3

Cl.

2.

(2.)

1 2 3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 3

3

1 2

cresc. Tpt.

3

3

cresc. 2. 1 2 3

Tbn.

cresc.

(a2)

3 Tuba

cresc. dim.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

Mar. milk

flowed

down

the

dirt trails,

down my

legs

and

arms

I

y

i

rons.

3

6

6

on the rust

6

Vn.

3

3

3

3

3

3

3

3

3

3

3

3

II 3

3

dim.

3

cresc.

3

3

Va. 3

3

cresc.

Vc. 3

3

3

3

dim.

3

3

3

3

3

cresc.

3

3

3

3

Cb.

dim.

cresc.

3

3

3


Scene 4

221

1.

69

a2

1 2

Fl.

dim. Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1.

2.

1 2

cresc.

Tpt. 3

cresc. 1 2

cresc.

cresc. Tbn.

3.

3 Tuba

cresc.

Tuba

cresc. Timp. (Vibr.) 1

Perc. 2

3

Cel.

[B C D E F G A]

cresc.

Hp.

W.W. 1

W.W. 2

Tbn. Cymbals only

Sticks

Drums

dim. Bass

Mar. And yes,

I

cresc.

Vn. II

dim.

cresc.

Va.

Vc.

dim.

cresc.

Cb.

dim.

cresc.

I helped to kill

the


Scene 4

222 74

(a2)

1 2

Fl.

dim.

dim. Picc.

1. Ob.

1 2

dim. E.H.

Cl.

dim.

dim.

dim.

dim.

dim.

dim.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 (2.) 1 2 Tpt. 3 1 2 Tbn.

(3.)

3 Tuba (Tuba)

cresc.

Timp.

1

Perc. 2

3

Cel.

cresc.

Hp.

dim.

cresc.

dim.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

dim.

dim.

Bass

Mar. men

I

cut

one

of

those sail

ors

in

his

chest.

I

I

cresc.

Vn.

cresc.

dim.

dim.

cresc.

dim.

dim.

II

cresc.

Va.

cresc. Vc.

Cb.

dim.

dim.


Scene 4

223

79 1 2

Fl.

dim. Picc. (1.) Ob.

1 2

dim. E.H. (1.) Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2

cresc.

(3)

Tbn. 3 Tuba

(Tuba)

dim.

cresc.

Timp. (Vibr.) 1

Perc. 2

3

Cel.

cresc.

dim.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim.

cresc.

Bass

Mar. was not

a

fraid

to

die.

I

was

I

dim.

cresc.

Vn. II

dim.

cresc.

Va.

cresc. Vc.

dim.

cresc.

Cb.

dim.

cresc.

a

fraid

I

could


Scene 4

224 84

(a2)

a2

1 2

Fl.

dim.

3

cresc.

dim.

cresc.

dim.

Picc.

Ob.

1 2

dim.

3

dim.

E.H. a2 Cl.

1 2

dim.

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 1.

dim.

3

dim.

1 2 Tpt.

dim.

3

dim.

dim.

1 2

cresc. Tbn.

(3.)

3 Tuba (Tuba)

dim.

cresc. Timp.

cresc. Xylophone 1

cresc. Marimba Perc. 2

cresc. 3

Cel.

cresc.

Hp.

cresc.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc. Bass

3

Mar. not

get

back

where

I

still

live

my

life.

I Vn.

cresc.

cresc.

cresc.

cresc.

II

Va. 3

cresc.

dim.

Vc.

cresc.

dim.

Cb.

cresc.

dim.


Scene 4 89

225

(a2)

1 2

Fl.

Picc. 2. Ob.

1 2

E.H. (a2) Cl.

1 2

Bs. Cl. 1. Bn.

1 2

Cbn. 1. 1 2

dim.

Hn.

4. 3 4

dim. 1 2 Tpt. 3 1 2 Tbn.

(3.)

3 Tuba (Tuba)

Timp. (Xylo.) 1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 2/4 Feel brushes Drums

Bass

3

Mar. I’m

still

caught

in

a

step

on

my

way

back

div.

I Vn. II

Va.

cresc.

dim.

cresc.

cresc.

dim.

cresc.

Vc.

Cb.

cresc.


Scene 4

226 95 1 2

Fl.

Picc. 4

Ob.

1 2 3 4

E.H.

1 3

3

3

3

cresc.

cresc.

Cl. Clarinet 2

3

2 3

3

3

3 3

cresc.

3

3

Bn.

1 2

Cbn.

1 2 4

Hn.

4

3

3 4

1 2 Tpt. 3 2. 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

4

3

3

3

3

3

3

Mar. to

a

pal

let

on

the

ground,

I 4

dim.

Vn. II

dim.

4

Va.

cresc.

cresc.

cresc.

cresc.

Vc.

Cb.


Scene 4

227

1.

101 1 2

Fl.

Picc. 1. Ob.

2.

1 2

E.H.

1 Cl. 2

Bn.

1 2

Cbn.

1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

4

4

Mar. my

ba

I Vn. II

Va.

dim.

Vc.

dim. Cb.

dim.

by wrapped in

sea shells,

wait ing

for

his

milk.


Scene 4

228 108 1 2

Fl.

3

3

3

3

3

3

cresc. Picc.

cresc. Ob.

1 2

E.H. 1. Cl.

1 2

3

cresc.

3

3

3

3

3

3

3

3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2 solo Tbn.

Drums

cresc. Bass

Mar.

div.

I 3

3

3

3

cresc.

cresc.

3

3

div.

Vn. II 3

cresc.

3

3

3

3

3

3

3

3

3

cresc.

Va.

cresc. cresc. Vc.

cresc. div. Cb.

cresc.

3

3


Scene 4

229 3

a2

=

113 1 2

Fl.

3 3

cresc.

3

3

3

3

3

Picc. 3

cresc. Ob.

3

3

1 2

E.H. (1.) Cl.

3

a2

3

1 2

3

2.

cresc.

3

3

3

3

3

3

3

Bs. Cl.

Bn.

1 2

dim. Cbn.

dim. 1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Vibraphone 1 Marimba Perc. 2 Tom Snare

3

Tom

dim.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

GRABEAU

Chief, 3

div.

=

I 3

3

3

3

cresc.

Vn. II

3

cresc.

3

3

3

Va.

cresc. Vc.

div. Cb.

cresc.

3

3

3

3

3

what will

be come

of


230

Scene 4

(a2)

118 1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2 3

Bs. Cl. 3

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. Xylophone (sounds octave higher)

(Vibr.) 1

cresc. (Mar.) Perc. 2

cresc. 3

cresc.

Cel.

E F G A? B C D

Hp.

cresc.

Alto Sax. in E W.W. 1

3

W.W. 2

Tbn.

Drums

cresc. Bass

3

3

3

3

Gra. us?

Sure

ly they will kill us,

pizz. I Vn.

cresc.

pizz.

II pizz.

cresc.

Va.

cresc. pizz. Vc.

cresc. Cb.

They know we’ve killed their

cap

tain

We should have killed

them all,


Scene 4

231 a2

123

(a2)

1 2

Fl.

dim. Picc. 1 2

Ob.

dim. E.H.

dim. 1 2

Cl.

dim. Bs. Cl. 1 2

Bn.

dim. Cbn.

dim.

3

1.

1 2

dim. Hn. 3 4 4.

dim.

3

1 2 Tpt. 3 1 2 Tbn.

(Tuba)

3 Tuba

Timp. (Xylo.) 1

cresc.

dim. (Mar.) Perc. 2

cresc.

dim. 3

dim.

cresc.

Cel.

dim.

Hp.

cresc. W.W. 1

W.W. 2

Tbn.

Drums

dim.

cresc.

Bass

3

KALEH

3

3

Gra. 8

dumped

them

in

to

the

sea.

Chief, CINQUE

3

We had no

3

oth

er

way.

(pizz.) I

dim. Vn.

arco

(pizz.) II

dim. (pizz.)

cresc. arco

Va.

dim.

cresc.

(pizz.) Vc. div. Cb.

dim.

dim.

my fam i ly—


Scene 4

232 (a2)

128 1 2

Fl.

3

Picc. 1. Ob.

2.

1 2 3 3

3

cresc.

E.H.

cresc. Cl.

1 2 3

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. (Xylo.) 1

cresc.

cresc.

cresc. (Drums)

cresc.

(Mar.) Perc. 2

3

cresc.

Cel.

Hp.

cresc.

cresc.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

3

3

3

Kal. 8

Will

I

e ver see them? MARGRU

3

3

Ka

leh—

we

all have

3

fam i

3

ly

help less

3

on the oth

er 3

div.

arco, div. I 3

Vn. II

cresc.

cresc.

Va.

cresc.

cresc.

Vc.

dim.

dim.

Cb.

dim.

dim.

shore.


Scene 4

233

132 1 2

Fl.

Picc.

Ob.

1 2

dim. E.H.

dim. Cl.

1.

1 2 3

dim.

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 2.

1. 1 2 3

Tpt. 3

1 2 3

Tbn. 3 Tuba

Timp. (Xylo.) 1

cresc. (Mar.)

cresc.

cresc. (Drums)

cresc.

Perc. 2

3

cresc.

cresc.

Cel.

cresc.

Hp.

cresc. Alto Saxophone in E W.W. 1 3

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

Mar. 8

CINQUE

3

4

3

The wo man makes a point.

We must not

say from where

we’ve

3

come,

3

Not from Men de,

or Sier ra Leo ne div.

I 6 3

Vn. II

cresc. Va.

cresc. Vc.

Cb.


234

Scene 4

a2

136 1 2

Fl.

cresc.

Picc.

cresc. Ob.

1 2

E.H. a2 Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

dim. 1 2 Hn. 3 4 1 2

cresc.

Tpt. 3

cresc. 1 2 Tbn.

a2

3 Tuba

dim.

dim.

Timp. (Xylo)

Vibraphone

1

cresc.

cresc.

cresc.

cresc.

cresc.

(Mar.) Perc. 2

cresc. (Drums)

Chimes

3

Cel.

Hp.

cresc.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

Cin.

I

cresc.

Vn. II

cresc.

cresc.

cresc.

cresc.

Va.

Vc.

cresc. Cb.

cresc.


(a2)

= 76

Scene 4

235

141 1 2

Fl.

3

cresc. Picc.

cresc.

1.

1 2

Ob.

E.H. (a2) 1 2

Cl.

3

cresc.

3

Bs. Cl. 3

1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2

cresc.

Tpt. 3

cresc. 1 2 Tbn.

(a2)

3 Tuba

Timp. (Vibr.) 1

cresc. Perc. 2 (Chimes) 3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

W.W. 2

Tbn.

Drums

cresc.

CAPTIVES

Bass

B Ank le

= 76 I

cresc.

Vn. II

cresc.

Va.

cresc.

Vc.

cresc. Cb.

and wrist,

ank le

and

wrist,


Scene 4

236 149 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1. 1 2

Cl.

1.

2.

3

3

Bs. Cl. 3

1 2

Bn.

Cbn.

1 2 Hn. 3 4 2. 1 2 3

Tpt.

3

3 2. Plunger wa dat 3

1 2 3. Plunger wa dat

Tbn.

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

W.W. 2

Tbn. 3

3

3

3

Drums 3

pizz.

3

Bass

CAPTIVES

CINQUE

3

3

The

past

3

is a fad ing day

3

light

B ank

le

and

wrist,

ank le

and

wrist,

ank le

and

wrist,

ank

le

and

I Vn. II

Va.

Vc. pizz. 3

Cb.


Scene 4

237

156 1 2

Fl.

Picc. 1 2

Ob.

E.H. 2. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 wa dat

straight

3

(2.)

3

3

3

3

3

1 2 Tbn.

(3.)

straight

wa dat 3

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

3

3

3

3

3

Tenor Saxophone in B W.W. 2 5

3

Tbn. 3

Drums 3

3

3

3

3

3

Bass

3

3

3

3

3

3

3

3

3

3

Cin.

CAPTIVES

We are float ing yet still

There is on ly the catch

The past

is a 3

3

B wrist,

ank le

and

wrist,

I Vn. II

Va. 3

Vc. arco 3

Cb.

er’s net,

3

ank le

and wrist,

fad ing day light


Scene 4

238 162 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1. 1 2

Cl.

5 3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Cl.

1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 5

5

Tpt.

5

3 3

(2.)

3

3

1 2 3

Tbn.

(3.)

3

3

5

5

3

3 Tuba

5

5

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1

5 3

5

(Tenor Sax.) W.W. 2

5 3

3

3

3

5

Tbn.

3 3 3

3

Drums 3

3

3

cresc.

3

3 3

3

3

3

Bass 3

3

cresc.

3

3

3

3

3

3

3 3

3

CAPTIVES

Cin. 3

3

We are float ing yet still

er’s

net

The

past

B ank

le

and wrist,

ank

I Vn. II

Va. 3

Vc. 3

Cb.

There is on ly a catch

le

and wrist,


Scene 4

239

= 96

167 1 2

Fl.

Picc. 1 2

Ob.

E.H. (1.) 1 2

Cl.

3

dim.

3

3

Bs. Cl.

dim. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 3

Tpt. 3

3

1 2 3

Tbn.

3

3

3

a2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

dim.

3

3

(Tenor Sax.) W.W. 2 3

dim.

Tbn.

3

3

3 3

3

3

3

3

rimshot Drums 3

3

3

3

Cm7 Bass 3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cin.

CAPTIVES

is a fad ing day

light

We are float ing yet still 3

There is on ly the catch er’s net

It snares us slow ly but

3

B ank

le

and

wrist,

= 96 I Vn. II

Va. 3

Vc. 3

Cb.


240

Scene 4

a2

173 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

a2 1 2 a2

Tbn.

3 3

3

3 Tuba

dim.

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

3

3

(Tenor Sax.) W.W. 2

Tbn. 3

Drums 3

Fill

Fill

Bass 3

Cin.

CAPTIVES

tight T 8

Net

and

beast

The

3

B ank

le

I Vn. II

Va.

Vc.

Cb.

dim.

and

wrist,

an

kle

and

wrist,


Scene 4

241

179 1 2

Fl.

Picc. 1 2

Ob.

3

E.H. 3

5

1 2

Cl.

dim.

Bs. Cl. 3

3

1 2

Bn.

Cbn.

1 2

dim.

Hn.

3. 3 4

dim. 1 2 3

Tpt. 3 1 2 Tbn.

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1

cresc.

3

(Tenor Sax.) W.W. 2 3

3

3

Tbn. 3

3

3

Drums 3

cresc. Bass 3

cresc.

3

cresc.

3

3

3

CAPTIVES

S Dead men walk A 3

T 8

dead

men

walk

A

ten

days

march

Net 3

B an

kle

I Vn. II

Va.

Vc.

Cb.

dim.

and

wrist,

an

kle

and

wrist,

an

kle

and


Scene 4

242 184 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1. 1 2

Cl.

cresc. Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2

Tbn.

3.

cresc.

dim.

cresc.

dim.

3 Tuba Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax.) W.W. 1 3

3

3

3

(Tenor Sax.)

W.W. 2

Tbn. 3

3

Drums D7 9

3

E7 9

Am7 9

Bass

cresc.

3 3

S

CAPTIVES

out

to

sea 3

A out

to

sea

T 8

And

beast

And

out

to

sea

B wrist,

I Vn. II

Va.

Vc.

Cb.

an

kle

and

wrist,

an

kle

and


Scene 4

243

188 1 2

Fl.

Picc. 1 2

Ob.

3

3

3

3

dim.

3

3

E.H. 3

1 2

Cl.

3

3

Bs. Cl. 1 2

Bn.

Cbn. a2

3

1 2 Hn.

dim.

a2

3

3 4

dim. 1 2 Tpt. 3 1 2

3

3

dim.

3

3

Tbn.

3. 3

dim.

3

a2

3

3 Tuba

3

3

dim. 3

3

dim.

3

Timp. (Vibr.) 1 3

3

3

3

dim.

3

3

Perc. 2

3

Cel.

Hp. (Alto Sax) W.W. 1

3

(Tenor Sax) W.W. 2

3

3

Tbn. 3

3

3 3

3

3

3

3

(triplet subdivision)

Drums 3

3

3

3

Bass 3

3

3

dim. 3

3

3

3

3

3

CINQUE 3

3

S The

dead

men

CAPTIVES

3

First

they threw

the

A The

dead

men

walk

3

3

3

T 8

a

si

lenced

prey

B wrist, I

6

Vn. II

Va.

Vc. arco

3

3

Cb.

dim.

3


Scene 4

244 193 1 2

Fl.

Picc.

Ob.

1 2 3

3

3

3

3

3

3

3

3

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn. 3 3

1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn.

3

3 Tuba

3

dim.

dim.

dim.

Timp.

dim.

3

3

(Vibr.) 1 3

3

3

3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplets) Drums

Bass

3

3

3

3

3

Cin. net

snared me like a beast

I was wild,

a prey

sur prised.

They

chained my wrists

and

6

I 3

6

Vn.

div. (unis.) (div.) II 3

3

3

3

3

3

3

3

3

3

3

3

Va. 3

Vc. 3

Cb.

dim.

3

3

dim.


Scene 4

245

198 1 2

Fl.

dim. Picc.

Ob.

1 2 3

3

3

3

3

3

3

3

3

3

3

3

cresc.

E.H. 1. Cl.

1 2 3

dim.

3

Bs. Cl.

Bn.

1 2

Cbn.

2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn.

a2

a2

3

3 Tuba

3

3

a2

cresc. cresc. 3

3

3

Timp.

cresc.

cresc.

(Vibr.) 1 3

3

3

3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplets) Drums

Bass

4

3

3

3

3

Cin. then

my

an

kles,

and kept me

in a shroud—

the

shroud,

a

cloth for

dead

men

for a ten

I 3

dim. Vn. II 3

3

3

3

3

3

3

3

3

3

3

Va. 3

3

Vc. 3

3 3

Cb. 3

3

3


Scene 4

246

= 76 203 a2 1 2

Fl.

Picc.

Ob.

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

E.H. (1.) Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

3

Timp.

dim.

3

(Vibr.)

1 3

3

3

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. (triplets) Drums 3

Bass

3

3

BARITONES & CINQUE

3

Cin. days

march.

Net

and

beast

a si

lenced

prey

The

= 76 I

3

Vn. II 3

3

3

3

3

3

3

3

3

cresc.

Va. 3 3 3

Vc. 3 3 3

Cb. 3


Scene 4 208

a2

1 2

Fl.

247

3

3

dim.

dim.

Picc. a2 1 2

Ob.

3

3

dim.

dim.

E.H. a2 1 2

Cl.

dim.

dim. Bs. Cl. 3

3

dim.

1 2

Bn.

Cbn. 1 2

Hn.

3 4

mute

1 2

dim.

3

mute Tpt.

3

3

dim. 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

Alto Sax W.W. 1 3

dim.

3

3

dim.

3

Tenor Sax W.W. 2

Tbn.

Drums pizz. Bass

3

3

3

3

3

3

3

3

3

3

Cin. & Bar. past

is

a fad ing day

light

We are

float ing yet

still

There is on ly the

catch

er’s

net,

3

S net

and

beast

and

beast

The

CAPTIVES

3

A net

The

3

3

T 8

Dead

men walk

out

to

sea

B An

kle

and

wrist,

an

kle

and

I 3

3

dim.

Vn.

dim.

II 3

3

3

dim.

3

dim.

Va. arco Vc. arco Cb.

dim.

dim.

wrist,


Scene 4

248 212 1 2

Fl.

3

Picc. 1 2

Ob.

3

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2

dim. Tpt.

3 3

3

3

1 2

3

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax) W.W. 1

W.W. 2

Tbn.

Drums pizz. Bass

3

3

The past

is

3

3

3

3

3

3

3

3

3

Cin. & Bar. a

fad ing day light

We are float ing yet still

There is on ly the catch

3

S dead

men

walk

a

ten

days

march

ten

days

march

ten

days

march

CAPTIVES

3

A dead

men

walk

a 3

3

T 8

Dead

men

walk

B an

kle

I 3

Vn. II 3

Va. Vc.

Cb.

3

and

wrist,

An

kle

and

wrist,

er’s

net,

the


Scene 4

249

217 1 2

Fl.

3

3

Picc. 1 2

Ob.

3 3

E.H. 1. 1 2

Cl.

3

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2

Tpt.

3 1 2

3

dim.

Tbn.

3

3

3

3

3

3

3 Tuba

Timp. (Vibr.) 1 3

Perc. 2

3

Cel.

Hp.

(Alto Sax) W.W. 1

3

3

dim. (Tenor Sax) W.W. 2

3

3

dim. Tbn. 3

dim.

3

3

3

3

3

3

Drums 3

pizz.

3

Bass 3

3

3 3

3

3

3

3

Cin. & Bar. past

is

a fad ing day

light,

3

3

3

3

S The

past

We are float ingyet still,

CAPTIVES

3

the

past 3

3

A The

past

float ingyet still,

the

past

3

T 8

Net

and

beast,

net

3

3

3

and

3

3

3

B an

kle

and wrist,

an

kle

and

wrist,

an

kle

and wrist

I 3

Vn. II

Va. 3

3

3

3

3

3

3

3

3

3

3

3

Vc.

Cb.


Scene 4

250 221 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1. 1 2

Cl.

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4

(mute)

1 2 3

Tpt.

3

dim.

3

1 2

Tbn.

3

3

3

3

3

3

3

3

3

3

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

(Alto Sax) W.W. 1 3

(Tenor Sax) W.W. 2

3

3

dim.

3

dim.

Tbn. 3

3

Drums pizz.

3

3

3

3

Bass

3

3

3

3

3

3

3

3

Cin. & Bar. is

a fad ing day light

is

a fad ing day light.

3

3

3

S

CAPTIVES

float ing

yet

still,

yet

still,

3

A

T 8

3

beast,

3

3

net

3

and

beast

B An

kle

and

wrist,

an

kle

and

wrist,

an

kle

and

wrist,

I Vn. II

Va. 3

3

3

3

3

3

3

3

3

3

3

3

Vc.

Cb.


Scene 4

251

224 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

3

3

Bs. Cl. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2

Tpt.

3 1 2

Tbn.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bass

TRICKSTER Cin. & Bar. 8

Sh!

CAPTIVES

S

A

dim. T 8

net

3

3

and

beast,

3

3

net

3

3

and

beast

3

3

B an kle

and wrist,

an kle

and wrist,

an

kle

and wrist,

an kle

and wrist

I Vn. II

Va.

Vc. pizz. 3 Cb.

3

3

3

3

3

3

3


Scene 4

252

1.

229 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 open 1 2 open

Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Glock. 1

Perc. 2 Sn. Dr. 3 Bs. Dr.

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. Sn. Dr. - March Drums

Bass

(CITIZENS file through, paying admisssion and gawking, communicating with CAPTIVES by handsigns. TRICKSTER wanders among them, still blind, picking their pockets, looking for food.

= 126

8

I Vn. II

Va.

Vc.

Cb.

TRICKSTER

Sh!


Scene 4

253 (PHRENOLOGIST enters)

238 1 2

Fl.

cresc. Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

cresc. 1 2 Tbn. 3 Tuba

Timp. (Glock.) 1

cresc. Perc. 2 Funny sound 3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

(PHRENOLOGIST enters) I

Vn. II

Va.

Vc.

Cb.


Scene 4

254 245 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

dim.

Bn.

1 2

dim. Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

a2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums 3

3

3

dim.

Bass

I Vn. II 3

Va. 3

3 3

3

Vc. 3

div.

pizz.

Cb.

dim.


Scene 4

255

252 1 2

Fl.

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

cresc. Bs. Cl.

cresc.

cresc. 1 2

Bn.

cresc. Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

cresc.

3 Tuba

cresc. Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

Bass

cresc.

cresc. S1

S1

S2

3

S CAPTIVES

Are they—

Are

they—

go ing to

kill

us?

A T1

T2

T1

T2 3

T 8

Are they—

Are they—

go ing to

kill

us? B2

Arethey— B1 Are

B Are they—

I Vn. II 3 3

Va.

Vc.

Cb.

cresc.

cresc.


Scene 4

256 258

1.

1 2

Fl.

dim. Picc. 1. 1 2

Ob.

dim. E.H. 1 2

Cl.

cresc. Bs. Cl.

cresc. 1 2

Bn.

Cbn.

1 2

Hn.

3 4 3

1 2 Tpt. 3

3

1 2

Tbn.

3

3 Tuba 3

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(PHRENOLOGIST makes his examination.) 3

S

CAPTIVES

Go ing to

kill

us?

kill

us?

A T2

T1

T1

3

3

T 8

Are they—

go ing to kill

us? Go ing to

Are they going to—

they— B2

3

B Are they—

I Vn. II

Va.

Vc.

Cb.

go ing to kill

us?

Do you

know?


Scene 4 264

257

a2

1 2

Fl.

Picc. a2 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

CAPTIVES

S Do you

know?

Are they

go ing to

slit

our

throats?

Do you

know?

Are they

go ing to

slit

our

throats?

slit slit

our our

throats? throats?

A

T 8

Do you

know?

B Are they

go ing to

Throats

I Vn. II

Va.

Vc.

arco Cb.


Scene 4

258

= 92 270 1 2

Fl.

Picc.

1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl.

a2

a2

1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2

Tpt.

3

Tbn.

1 2

3 Tuba

Timp.

1 Mar. Perc. 2 Tom-t. Sm. Tom-t. Bs. Dr.

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

a2

PHRENOLOGIST

(PHRENOLOGIST speaks to reporters)

S 8

CAPTIVES

Do you know?

of his The base REPORTER 1

brain

is small er than

A 8

a2

Base of his brain REPORTER 2

T 8

Do you know? a2

REPORTER 3

Base of his brain

B Do you know?

Base of his brain

= 92 I Vn. II

Va.

Vc.

Cb.


Scene 4

259

276 1 2

Fl.

Picc.

1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. a2 1 2

Bn.

Cbn.

1 2

Hn.

3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums pizz. Bass

Ph. 8

oth er parts—

Parts of the brain

Lower an i mal pro pens i

ties

Do not dom i nate.

He’s not that bad.

R.1 8

What parts?

What’s

that?

What’s

that?

R.2 What parts?

Ah

ha

Ah

ha

R.3 And so

I Vn. II

Va.

Vc. pizz. Cb.


Scene 4

260 281 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

Hn.

1 2 3 4

Tpt.

1 2 3

gliss. 1 2

6

Tbn.

cresc.

3. gliss.

3 Tuba

cresc.

6

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc. Ph. gliss.

8

The ce

re

6

bral or

ga ni cresc.

za

tion is sup er

i

or—

Ce re bral or

ga

ni za tion

Su pe ri or?

Ce re bralor

ga

ni za tion

Su pe ri or?

Or

ga

ni za tion

Su pe ri or?

R.1 8

Oh gliss.

6

cresc.

R.2 Oh gliss.

6

R.3 Oh

I Vn. II

cresc. Va.

Vc.

Cb.

You

don’t mean


Scene 4

261

286 1 2

Fl.

3

Picc.

Ob.

1 2 3

E.H.

Cl.

1 2 3

cresc. Bs. Cl. 3

a2 Bn.

cresc.

1 2

Cbn.

Hn.

1 2 3 4 3

1 2 Tpt. 3 1.

Tbn.

1 2 Tuba

3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

3

3

3

Ph. 8

Su pe ri or

to most Ne groes

here

In

fact

he is rath er well bal anced

R.1 8

that

Oh

good

R.2 Good 3

R.3 Good

I Vn. II

Va.

Vc.

Cb.

What did he

6


Scene 4

262 291 1 2

Fl.

Picc. a2 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 2.

2. 1.

1 2 Tbn.

3.

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

cresc.

Bass

3

3

4

3

Ph. 8

bet ter de vel oped

than most

per

sons—

than most be long ing

to his race.

R.1 8

What’s

that?!

What?

What’s

that?!

What?

R.2

R.3 say?

What? He’s a black

I

6

Vn. 4

II 6 4

Va.

Vc.

Cb.


Scene 4

263

295 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

cresc. Bn.

1 2

Cbn. 2.

Hn.

1 2

4.

3 4 1 2 Tpt. 3 1.

1.

1 2 Tbn.

(Tuba)

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

cresc.

3

Ph. 8

His brain is good all

the

same.

the ce re

bral or

ga ni za

tion,

R.1 8

What’s

that he said?

What’s that he

What’s

that he said?

What’s that he

That he said?

That he

3

R.2 a kil

ler!

3

R.3 pi

rate

I

3

cresc.

Vn. II

3

Va.

pizz. Vc.

Cb.


Scene 4

264 299 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc. Cbn. 2. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

cresc.

cresc.

Bass

cresc.

Ph. 8

the

ce

re

bral

or

ga

ni

za

tion,

the

ce

R.1 8

said?

What did you

say?

said?

What did you

say?

R.2

R.3 said?

I 6

Vn. II

Va.

Vc.

cresc. Cb.

cresc.

re

bral

or

ga


Scene 4

265

= 69 302 1 2

Fl.

Picc. a2 Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

cresc. Bn.

1 2

Cbn.

1 2 Hn.

dim. 3 4

dim. 1 2 Tpt. 3 a2 1 2 Tbn.

a2

Tuba

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Ph. 8

ni

za

tion

R.1 8

R.2

R.3 How do you spell

ce

re bral?

= 69 I Vn. II

Va.

arco Vc.

dim. arco Cb.


266

SCENE 5 (Transition)

= 69 1 2

Fl.

Picc. 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

AMERICANS

S

A 3

3

T 8

Deep

in the fes

t’ring hold

thy fa ther lies,

of his bones New Eng landpews aremade,

those are al

tar lights

that were his eyes.

of his bones New Eng landpews aremade,

those are al

tar lights

that were his eyes.

3 3

B Deep

= 69 I Vn. II

Va.

Vc.

Cb.

in the fes

t’ring hold

thy fa ther lies,


Scene 5

267

7 1 2

Fl.

Picc.

1 2

Ob.

E.H.

1 2

Cl.

Bs. Cl.

1 2

Bn.

Cbn.

dim. 1 2 Hn. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3 3

3

3

S Je

sus Sa viour Pi lot

Me

O ver Life’s

AMERICANS

3 3

Tem pes tuous sea 3

3

A Je

3

sus Sa viour Pi lot

Me

O ver Life’s

3

T 8

Deep

in thefes

t’ring hold

thy fa ther lies,

of his bones

New Eng landpewsare made,

of his bones

New Eng landpewsare made,

3 3

B Deep

in thefes

I Vn. II

Va.

dim. Vc.

dim. Cb.

dim.

t’ring hold

3

thy fa ther lies,

Tem pes tuous sea


Scene 5

268 13 1 2

Fl.

Picc.

1 2

Ob.

E.H.

1 2

Cl.

Bs. Cl.

1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

S

AMERICANS

Oh,

Je

sus

Sa viour Pi

lot

Me

O

A Oh,

Je

sus

Sa viour Pi

lot

Me

O 3

T 8

those

are

al

tar

lights

that were his eyes.

Deep in the fes

t’ring hold

thy

fa ther lies, 3

B those

I Vn. II

Va.

Vc.

Cb.

ver 3

are

al

tar

lights

that were his eyes.

Deep in the fes

t’ring hold

thy

fa ther lies,

ver


Scene 5

269

18 1 2

Fl.

Picc.

1 2

Ob.

E.H.

1 2

Cl.

Bs. Cl.

1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

S life’s

tem pes tuous sea

Oh,

Je

sus Sa viour Pi

life’s

8

I Vn. II

Va.

Vc.

Cb.

lot

me

O ver Life’s

3

3

tem pes tuous sea

Oh,

Je

sus Sa viour Pi

3

3

lot

me

Tem pes tuous

O ver Life’s

Tem pes tuous

of his bones

New

Eng land pews are made,

those are al

tar

lights

that were his eyes.

of his bones

New

Eng land pews are made,

those are al

tar

lights

that were his eyes.


Scene 5

270 23 1 2

Fl.

Picc.

1 2

Ob.

E.H.

1 2

Cl.

Bs. Cl.

1 2

Bn.

Cbn.

1 2 Hn. 3 4

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

S

AMERICANS

Sea

Oh,

Je

sus

Sa viour

Pi lot Me

O

3

ver Life’s

tem pes tuous Sea 3

3

A Sea

Oh,

Je

sus

Sa viour

Pi lot Me

O

ver Life’s

tem pes tuous Sea

3

T 8

Deep in the fes

t’ring

hold

thy fa ther lies,

of his

bones

New Eng land pews are made,

of his

bones

New Eng land pews are made,

3

B Deep in the fes

I Vn. II

Va.

Vc.

Cb.

t’ring

hold

thy fa ther lies,


Scene 5 28

271 2.

a2

1 2

Fl.

Picc. 1 2

Ob.

E.H. a2 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn. a2 1 2 Hn. 3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

S

AMERICANS

those are

al

3

tar

lights

tar

lights

that were his

3

A those are

al

eyes.

T 8

those

are al

tar

lights

that were his

eyes.

those

are al

tar

lights

that were his

eyes.

B

I Vn. II

Va.

Vc.

dim. Cb.

dim.

eyes.


Scene 5

272

= 66 33

1.

1 2

Fl.

3

Picc.

Ob.

1 2

E.H. 2. Cl.

1.

1 2 3

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

(Parlour of former President, and current Representative JOHN QUINCY ADAMS of Massachusetts. Enter Abolitionist TAPPAN and another lawyer. ADAMS welcomes them in and offers them seats. Maybe even tea.) TAPPAN

8

3

3

3

We are grate ful, sir

that

= 66

I Vn. II 3

3

Va. 3 3

Vc.

Cb.

3

you al low us

3

a

word,

to

press a


Scene 5

273

40

1.

1 2

Fl.

Picc. 1. Ob.

1 2

E.H.

Cl.

1 2 6

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

cresc.

cresc.

cresc.

cresc.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

(Joking)

3

3

3

3

Tap. 8

cause,that you’ve

fought, too

Ah,

there we were forced.

But

weare

lu na tics

rad i cals, and fa

ADAMS 3

Not as you

3

withtorch and sword.

I

dim. Vn. II

dim. Va.

dim.

3

3

dim.

Vc.

3

3

dim. Cb.


Scene 5

274 1.

45 1 2

Fl.

6

3

3

3

Picc. 1. Ob.

1 2

1.

3

1.

3

3

3

E.H. 1. Cl.

2.

2. 1.

1 2 3

3

3

Bs. Cl.

Bn.

1 2

3

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

cresc.

cresc.

cresc.

cresc.

3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tap. 8

I Vn.

nat ics,

thekindyoufind ma

3

ligned

inthe news.

6

3

It’s quite all right.

If itmustbe a bright light

3 3

3

II 3

3 3

Va. 3

Vc.

Cb.

we shineon slav ery,

so be it.


Scene 5 51 1 2

Fl.

275

1.

3

Picc. 2. Ob.

1 2

3

E.H.

Cl.

1 2 3

Bs. Cl.

Bn.

1 2

Cbn.

a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2

cresc.

Tbn.

cresc.

cresc.

cresc.

cresc.

3 Tuba

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

3

3

3

3

3

Tap. 8

But you bring us a cool

head

and a wise

re pu ta tion.

And you’ve fought to build a just and freena

tion

with free states, not

I 3

Vn. II 3

Va.

3 3

3

Vc. 3 3

Cb.

3


Scene 5

276

= 120 57 1 2

Fl.

Picc. a2 1 2

Ob.

E.H. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

cresc.

Tap. 8

slave,

with

free

states,

not

slave. ADAMS

Fail ing

= 120

in that—

a

ba lance.

I Vn. II

Va.

cresc.

cresc.

arco Vc.

cresc.

cresc.

cresc.

cresc.

pizz. Cb.


Scene 5

277 a2

62 1 2

Fl.

Picc. a2 Ob.

1 2 6

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

a2 3 4 1 2

Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

Tap. 8

with

free

states,

not

slave.

Ad. We’re rath

er

like No

ah’s ark:

div. I 6

Vn. II

Va.

Vc.

cresc.

Cb.

cresc.


Scene 5

278 67 1 2

Fl.

Picc.

Ob.

1 2

dim. E.H. 1. Cl.

1 2 6

Bs. Cl.

Bn.

1 2

Cbn. 2. 1 2 Hn. 3 4 1.

2.

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

cresc.

cresc.

3

Ad. tak

ing

two

of each

one

slave,

one

free,

I

dim.

Vn. II

cresc.

cresc.

Va. 6

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.

hop ing

to make

room

e nough for


Scene 5

279

72 1 2

Fl.

Picc.

Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2

cresc.

Tpt. 3

cresc. 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TAPPAN

8

But wemust let

Ad. all.

I Vn. II

Va.

Vc.

arco Cb.

no

clan

change the law

for the rest.


Scene 5

280

a2

78 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

cresc. Bs. Cl.

cresc.

Bn.

1 2

Cbn.

3

1 2 Hn.

3

3 4

3 3

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp. (Vibr.) 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Tap. 8

The A mi

stad

is

a

test

if

I Vn. 3

II 3 3

Va.

Vc.

Cb.

we

mean lib er ty

is

for

ev

’ry

man.


Scene 5 84

281

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc. Bass

Tap. 8

ADAMS

I

on

ly hope,

sir

I may be of help.

I be

lieve

your case may div.

I 3

Vn.

3

II

Va.

cresc.

Vc.

Cb.

cresc.


Scene 5

282 90 1 2

Fl.

Picc.

Ob.

1 2 3

E.H. 2. Cl.

1 2

Bs. Cl. 2. Bn.

1.

1 2

Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tap. 8

In deed

Ad. have some chance.

The Span

iards flaunt

the ban

on slav ing a

I 3

Vn. II

Va.

Vc.

Cb.

3

cross the seas.

they do.


Scene 5

283

1.

97

a2

1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1.

2. Cl.

1 2

cresc. Bs. Cl.

cresc. Bn.

cresc.

1.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 C.B. Cl. in E W.W. 2

Tbn.

Drums

Bass

3

3

3

Tap. 8

They sneak in to Cu ba

with slaves

by night.

Can blacks

see

jus

tice

I Vn. 3

II

cresc. 3

Va.

cresc.

Vc.

Cb.

cresc.

as

a ny oth er

men?


Scene 5

284

a2

103 1 2

Fl.

Picc. 1. Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

1. Bn.

dim.

dim.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

3.

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.B. Cl.) W.W. 2

dim. Tbn.

Drums

Bass

Tap. 8

But

if we give

them

to Spain

they go

in

to

cap

ti

vi

ty

I Vn. II

Va.

Vc.

dim. Cb.

dim.


Scene 5

285

109 1 2

Fl.

Picc. a2 Ob.

1 2

dim. E.H. a2 Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 a2 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1 (C.B. Cl.) W.W. 2

Tbn.

Drums

Bass

3

3

3

Tap. 8

and death that

is

cer

tain.

In

Cu

ba they will die to teach a

slav

er’s

les

son.

div. I Vn. II

Va.

Vc.

Cb.


Scene 5

286 a2

115 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

a2

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 2.

1.

1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ADAMS

This is where the case

I Vn. II

Va.

Vc.

pizz. Cb.

lies:

these

blacks

are nei ther slaves nor


Scene 5

287

121 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

2. 1 2 Hn.

4. 3 4 1 2

Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Ad. ci ti zens of Spain.

I Vn. II

Va.

Vc.

Cb.

Span ish

law

does not

ap

ply.

They don’t speak Span

ish

just

their


Scene 5

288 127

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Ad. own

tongue.

They can’t

have been

I Vn. 3

II

3

Va.

Vc.

Cb.

held

long.

Theywere not in Cu

ba

long e nough

to


Scene 5 133

289

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 ten. 1 2

ten.

Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Ad. see

a

farm.

Spain

at

tempts

to de

I

Vn. II

Va. 3

3

Vc. 3

Cb.

3

ceive

with false pa

pers

up


Scene 5

290 137 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1. 1 2 Tpt. 3 1. 1 2 Tbn.

a2

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

TAPPAN

8

3

Spain will try

for

a

set tle ment

an ar range ment

Ad. her sleeve. 3

I Vn. II

Va.

cresc. Vc.

cresc.

Cb.

with the

Pres

i


Scene 5 143

291 1.

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim.

cresc.

dim. a2

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2

dim.

Hn. 3 4 1 2 Tpt. 3

1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

dim.

Bass

cresc. 3

Tap. 8

dent.

You can count on it.

3

3

3

Ad. He

won’t

want to rile

a ny one

o

ver some

mu ti nous blacks.

I 3

3

Vn. II

Va. 3

arco

pizz.

Vc.

cresc. Cb.

cresc.

arco


Scene 5

292 148 1 2

Fl.

Picc. a2 Ob.

1 2

dim. E.H.

dim. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn. 2. 1 2 Hn.

3.

4.

3 4

3.

1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Tap. 8

Will you help us plead

this case?

Take it as far 3

as

we go

through

the courts

3

Ad. Plead this case?

I div.

I Vn. II

dim. Va.

dim. Vc. 3

Cb.

3

can

ad vise.


Scene 5

293

154 1 2

Fl.

Picc. a2 Ob.

1 2 3

E.H.

Cl.

1 2

cresc.

cresc.

cresc.

cresc.

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

cresc.

cresc.

3

3

3

3

Ad. Sure

ly

that is

all you want of me.

It’s been thir

ty

years

since I’ve been

in

court.

I’d be a

I 3

Vn. II

3

Va. 3

Vc.

cresc.

cresc.

cresc.

cresc.

Cb.


Scene 5

294

= 63

ritard.

159

1.

2.

1.

2.

1 2

Fl.

Picc. 1 2

Ob.

E.H. 1. 1 2

Cl.

Bs. Cl. 1 2

Bn.

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

a2 1 2 Tbn.

3.

3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

TAPPAN

3

3

3

3

Ad. 8

poor

hand

when you need one that’s sure.

ritard. I Vn. II

Va.

Vc.

arco Cb.

= 63

You’re the man for

us.


Scene 5 165 1 2

Fl.

dim. Picc.

dim. 1. Ob.

1 2

dim. E.H. 1. Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1 Mar., soft mallets Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

(They shake hands and TAPPAN exits)

Tap. 8

Think on it.

I Vn. II con sord. Va.

Vc.

dim.

Cb.

dim.

295


Scene 5

296 169 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I Vn. II

Va.

Vc.

Cb.


Scene 5

297

a2

172 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

dim. Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. brushes Drums

Bass

I Vn. II

Va.

Vc.

Cb.


Scene 5

298 175 1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

dim.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I Vn. II

Va.

Vc.

Cb.

dim.

dim.


a2

Scene 5

299

178 1 2

Fl.

dim. Picc. a2 Ob.

1 2

dim. E.H. a2 Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3

1 2 Tbn. 3 Tuba

Timp.

1 (Mar.) Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

I

dim. Vn. II

dim.

Va.

Vc.

dim. Cb.


Scene 5

300 181 1 2

Fl.

Picc.

Ob.

1 2

dim. E.H. 1. Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

cresc.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ADAMS 3

3

We’ve

had

on

ly

fif

ty

years

to

try

our

ex

per

i ment

to

heal

the blood

I Vn. II

Va.

Vc.

Cb.

cresc.

cresc.

and


Scene 5

301

184 1 2

Fl.

cresc. Picc.

Ob.

1 2

E.H.

Cl.

1 2 3 3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

3

Ad. tears

and trials

of

war

and be gin to in vent

a

na

tion

built on lib er ty.

I Vn. II

Va.

Vc.

3 3

Cb.

dim.


Scene 5

302 187

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.

a2

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

Ad. On ly

I

dim. Vn. II

dim.

Va.

Vc.

dim.

Cb.

dim.

fif

ty years since the Bill

of

Rights.


Scene 5

303

190 1 2

Fl.

Picc. 2. Ob.

1 2

E.H. 2. Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

dim.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

4

3

3

Ad. We

learn

its

mean ing

on ly from day

I Vn. II

Va.

Vc.

Cb.

dim.

to

day.

How each man must test

what we say

and do


304

Scene 5

1.

193 1 2

Fl.

cresc. Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

4

3

4

Ad. How

we up hold this lib erty.

And yet

we

know

the Au

thor

of our Ex

I

cresc. Vn. II

cresc.

Va.

Vc.

Cb.

4

dim.

4

is

tence


Scene 5

305

196 a2 1 2

Fl.

dim.

6

Picc.

Ob.

1 2

3

dim.

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

4

3

3

3

3

Ad. gives us His con di

tions

the

means

to

sow,

the seeds

of true

compas

sion

to pro

I 6

Vn. II

Va.

Vc. 3

Cb.


Scene 5

306 199 1 2

Fl.

3

Picc.

Ob.

1 2

E.H.

dim.

Cl.

1 2

3

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

Ad. tect

and im prove

I

3

Vn. II

Va.

Vc.

Cb.

men.

3


Scene 5

307

202 1 2

Fl.

3

3

Picc.

Ob.

1 2 3

dim.

3

E.H.

dim.

Cl.

1 2 3

3

Bs. Cl.

Bn.

1 2

dim. Cbn.

cresc.

cresc.

dim.

1. 1 2 Hn.

3. 3 4

1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

Drums

cresc. Bass

3

3

4

3

3

3

3

3

3

Ad. We dwell with sat is fac

tion

up on our dreams

and vi

sion.

yet

we

for get—

lib er ty

I 3

Vn.

3

II

Va.

Vc. 3

3

3

Cb.

cresc.

dim.

cresc.


Double time, = 126

Scene 5

308

a2

205 1 2

Fl.

dim. Picc.

Ob.

1 2

E.H.

Cl.

1 2

dim. Bs. Cl.

Bn.

1 2

Cbn.

cresc. 1 2 Hn.

dim. 3 4

dim. 1 2

dim.

Tpt. 3

dim. a2 1 2

4

3

Tbn. 3 Tuba

cresc.

Timp.

cresc. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn. 3

4

Drums 3

Bass

3

3

4

Ad. is

pow

er,

Lib er ty

is

pow

er,

lib er ty

is

pow

4

I

3

Vn.

3

II

Va.

Vc.

Cb.

cresc.

er.

Double time, = 126

dim. 3

4


Scene 5

309

209

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

3

1 2 Hn. 3 4

1 2 Tpt. 3 a2 1 2 Tbn.

Tuba

3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Ad. The

na tion blessedwiththe great est lib

er ty

must

ex ert the great est pow er

to

se

cure

I 3

Vn. II 3 3

3

3

3

3

Va.

Vc.

Cb.

3


Scene 5

310 216 1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn.

3. 3 4 1 2

Tpt. 3 1 2

cresc.

Tbn. 3 Tuba

cresc.

Timp.

cresc. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

cresc.

dim.

cresc.

Bass

Ad. lib

er ty

for one

thus lib

er ty

I 3

Vn. II

Va.

Vc.

Cb.

cresc.

dim.

for all.

And still

we

for

get,

the great est lib

er ty


Scene 5 222

311

a2

1 2

Fl.

Picc. a2 Ob.

1 2

dim. E.H. 1. Cl.

1 2

Bs. Cl.

Bn.

1 2

cresc.

dim. dim.

Cbn.

cresc.

dim.

dim.

1 2

dim.

Hn. 3 4

dim. 1 2 Tpt. 3 1 2 Tbn.

Tuba

3 Tuba

dim. dim. Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

dim. Bass

3

Ad. the great est

lib

er ty

brings the great

I Vn. II 5 3

Va.

3

Vc.

Cb.

est

pow

er

but on

ly to

be used


312

Half time,

ritard. 228

= 63

Scene 5

1 2

Fl.

Picc.

Ob.

1 2

E.H.

Cl.

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

3

3

3

Ad. for the great er

ritard.

good.

Half time,

Could God

= 63

I

Vn. II

Va.

Vc.

dim.

dim.

dim.

dim.

div. Cb.

in tend usto


Scene 5

313

232

a2

1 2

Fl.

Picc.

Ob.

1 2

E.H. 1. Cl.

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba

Timp. Vibr. 1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

Ad. do

I Vn. II

Va.

Vc.

dim. Cb.

dim.

oth er wise?


Scene 5

314

ritard.

235 1 2

Fl.

Picc.

Ob.

1 2

E.H. a2 Cl.

1 2

Bs. Cl.

Bn.

1 2

dim. Cbn.

dim. 1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn.

dim.

3 Tuba

dim.

Timp.

1

Perc. 2

3

Cel.

Hp.

W.W. 1

W.W. 2

Tbn.

Drums

Bass

ritard. I Vn. II

Va.

cresc.

Vc.

Cb.

dim.


Davis AMISTAD, ACT I (full score)  

Opera and Music Theatre; full score; G. Schirmer; musicsalesclassical.com; 27225

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