Cast of Characters
The Trickster God, an African deity .................................................................................... Tenor Cinque, African captives’ leader ....................................................... ........................ Bass-Baritone Rep. John Quincy Adams, lawyer for captives ......................................................................... Bass The Goddess of the Waters, an African deity ....................................................... Mezzo-Soprano The Navigator ........................................................................................................................ Tenor
Abolitionist Tappan .............................................................................................................. Tenor The Phrenologist .................................................................................................. Character Tenor Antonio, slave cabin boy .................................................................................................... Baritone Kaleh, captive, male ............................................................................................................... Tenor Margru, captive, female ...................................................................................................... Soprano Grabeau, captive, male ....................................................................................................... Baritone Burnah, captive, male ................................................................................................................ Bass Kinnah, captive, male ............................................................................................................. Tenor Bahia, captive, female .................................................................................... Lyric Mezzo-Soprano American Lieutenant, a merchant seaman ........................................................................ Baritone The Judge ........................................................................................................................... Baritone Don Pedro, a Spanish slave trader ............................................................................................ Bass The Spaniard, a government official ......................................................................................... Bass President Van Buren ............................................................................................................. Tenor Southern Senator ............................................................................................................... Baritone Abolitionist Lawyer ........................................................................................................... Baritone Ship Cook ................................................................................................................................. Bass Four Reporters ................................................................................... 2 Tenors, 1 Baritone, 1 Bass
Synopsis
ACT I Scene 1: “Cloth for the Dead” The Spanish schooner Amistad, out of Cuba, drifts off Long Island. The “ghost” ship is legendary—taken over by slaves, haunting eastern waters. Aboard ship is one who shapes their fate—a ragged, boastful African deity. The Trickster God is the spirit of rebellion, uncertainty and mischief. When humans meet him, they are apt to lose their way. This Trickster has been led astray himself, and the torturous Middle Passage journey has blinded him and weakened his powers. Claiming that he will yet prevail (Aria: “The unknown is my realm”), the Trickster asks for help from the Goddess of the Waters. He hears the ship’s two hostages, a navigator and a slaver, scheming. They tie the helm on a northerly course, as they have every night. The African leader Cinque discovers the trick and realizes they have not headed to Africa, but zigzagged north towards another fate. (Duet: “We’re drifting”) When the ship runs aground, an enterprising seaman discovers them and seizes the ship to sell the Africans as salvaged cargo. The two Spaniards tell of mutiny and murder and claim to own the Africans, who insist they are free. (Chorus: “We have come to naught”) Cinque believes they are victims of a Mende taboo: to see a god can bring danger. (Aria: “The meaning is clear”) Antonio, a lifelong slave and witness to the mutiny, has fears too. (Aria: “And me, am I save’?”) Scene 2: “Savages of Legend” Newspaper reporters watch the captives being paraded to jail, and joust over their lot. (Sextet: “So these are the savages”) Setting foot on American soil scares the Africans (Chorus: “Are they going to kill us?”) but seems to restore the god of chance. (Aria: “Yap and snap”) Scene 3: “Ankle and Wrist” As people gawk, Margru tells of her capture (Aria: “I could tell”) and the captives vow not to reveal where they are from to protect their families. Cinque recalls being caught in a net. (Chorus: “Ankle and Wrist”; Aria: “The past is a fading”) A “scientist” who studies ethnic groups examines the prisoners and gives his findings to the press. (“The base of his brain”) Scene 4: “The Greatest Liberty” (Chorus: “Jesus Saviour, pilot me”) Abolitionist Tappan comes to plead Adams to act as lead lawyer for the Africans. The former president resists because he has not been in court in years. He then muses on the young republic’s vision of liberty. (Aria: “The greatest liberty”)
Synopsis (cnt’d) ACT II Scene 1: “Posers, Dandies, Hacks” The reporters introduce the cast at court. (Sextet: “It’s quite a show”) Scene 2: “What the Navigator Saw” The Navigator tells of waking to the touch of a blade. (Aria: “The Moonlight Died”) Scene 3: “What Antonio Saw” Antonio tells of the captain’s death. (Aria: “I beg mercy”) The court turns against the Africans. Scene 4: “They Saw a God” The captives say the story begins in Africa. (Quartet: “We thought they came for salt”) Scene 5: “Skin of Clouds” The Goddess of the Waters, invoked by their tale, recalls the Middle Passage. Scene 6: “Freed by Lord and Chief” On landing in Cuba, the seeds of revolt are sown when Antonio rebukes the Trickster (Chorus: “Nansi, Brer Nansi”) and the Cook threatens the captives. Antonio tells them they are now in a new world. (Aria: “Sis Goose”) Scene 7: “The Rising” The Trickster frees the captives and starts the revolt. (Aria: “All my tricks are old”) Cinque decides to spare Antonio. (Aria: “He sleeps at his master’s feet”) Scene 8: “Bird on the Wing” Adams sums up before the court (Aria: “To own one’s life”), and the captives’ case is won. They will go home but the Trickster decides to stay in the Americas. (Aria: “Liberty is my kingdom”)
Notes on Characters (in order of appearance)
The Trickster God A master of disguise, who lives on society’s edges, he translates all tongues, especially between gods and mortals. He is amoral—appearing as many animals, who will steal, molest, or kill, and eat other animals. Offerings are made to him first to prevent any accidents. Cinque (died ca. 1879) Leader of the captives. A rice farmer who lived with his father and a wife and three children. He returned to Mende and later became an interpreter for the American Missionary Association. Rep. John Quincy Adams (1767–1848) of Massachusetts, sixth U.S. president (1825–29). At the time, the former president was in the House of Representatives. Until his death he was obsessed with exposing the corruption in the Van Buren administration found in the Amistad case. Goddess of the Waters Like the Trickster, this West African deity is known throughout the African Diaspora. They both represent culture shared by Africa with the Americas. The mother of waters is known also as the mother of all the other orisha, or gods in African Yoruba, Brazilian Santeria, and Haitian vodun. She is a mature and sensual female spirit. She likes fans made of palm leaves or peacock feathers and, in the Americas, is seen in great indigo skirts with white petticoats. Abolitionist Tappan Based on Lewis Tappan (1788–1873), member of a New York silk merchant family that helped to finance the abolitionist cause. His brother Arthur was a founder of the American AntiSlavery Society and both experienced mob violence, vandalism and hate mail for their work. In the South, a price of $100,000 was put on their heads. At the end of the trials he and others arranged for the slave Antonio (16-year-old cabin boy) to escape to Canada. President MartinVan Buren (1782–1862) Eighth U.S. President (1837–41). A Jeffersonian Democrat, Van Buren earlier served as governor of New York and Secretary of State under Andrew Jackson. Van Buren was already unpopular at the time of the case, and worried about re-election. He lost to William H. Harrison, who died a month after taking office and was succeeded by John Tyler. Van Buren ran for president two more times. The Spaniard is a composite of two Spanish officials with overlapping terms in this case: Don Angel Calderon de la Barca, Spanish minister to the U.S., in 1839–40; and Pedro Alacantara de Argaiz, minister in late 1839. The Navigator and Don Pedro are composites based on two survivors of the Amistad—Jose Ruiz and Pedro Montes—and the buyer, Pedro Martinez, a major slaver with company headquarters in West Africa where the captives were taken. The Judge represents both a Connecticut judge and the men of the Supreme Court which, at the time, had just been enlarged from six to eight justices. Five of them, including Chief Justice Taney, were southerners who had at one time or another owned slaves. One justice died during the last trial.
AMISTAD
OV-1
OVERTURE
= 52
Anthony Davis
= 69
1. 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
2.
1 2
Bs. Cl. a2
1. Bn.
1 2
3
3
Cbn. a2
3
3
a2
3
3
1 2 Hn.
4. 3 4
1 2 Tpt. 3 1 2 Tbn.
a2
3 Tuba
Timp. Vibraphone 1 Chimes Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
= 69 = 52 I
Vn. II
div. Va.
Vc.
Cb.
Copyright Š 1997 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.
Overture
OV-2
accel. 9 1 2
Fl.
Picc. 1. Ob.
a2
3
1 2 3
3
E.H. a2 Cl.
1 2 3
Bs. Cl. a2 Bn.
1 2
Cbn. (a2)
3
1 2 Hn.
(a2)
a2 3
3
3 4
1. 1 2 Tpt. 3 a2 1 2 3
Tbn.
Tuba
3.
3 Tuba 3
Timp.
1 (Chimes) Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
accel.
div.
1/2 Vn. I
I 3
cresc. Vn.
div.
unis.
3
II 3
3
unis. Va. 3
3
3
3
3
3
Vc.
Cb.
3
Overture
OV-3
Tempo primo 15
a2
1 2
Fl.
Faster,
= 126
Faster,
= 126
a2
3
3
3
Picc. 2. Ob.
a2
1 2
E.H. (a2) Cl.
1 2
2.
a2
3
Bs. Cl.
Bn.
1 2
Cbn. (a2) 1 2 Hn.
(a2) 3 4 (1.) 1 2
Tpt. 3 1. 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Chimes) Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
Tempo primo
3
cresc. Vn. I div. I 3
Vn. II
Va.
Vc.
Cb.
3
3
Overture
OV-4 21
1.
1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
cresc. Cbn.
cresc. 1 2 Hn. 3 4 1. mute 1 2 Tpt.
cresc.
mute 3
cresc. a2 1 2
cresc. Tbn.
a2
3 Tuba
cresc. Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
cresc. pizz. Cb.
cresc.
Overture
OV-5
25 1 2
Fl.
Picc. 2. Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4
(1.)
a2
1 2 Tpt. 3 (a2)
1.
1 2 Tbn.
(a2)
3. solo
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
unis. I
Vn. II
Va.
Vc.
arco Cb.
OV-6
Overture
a2
30 1 2
Fl.
3
Picc. 3
Ob.
1.
1 2
E.H. a2 Cl.
3
1.
1 2
Bs. Cl. a2 Bn.
1 2 3
Cbn. a2
1.
1 2 Hn.
a2
3.
3 4 1.
1.
1 2 Tpt.
3. 3
1. 1 2 cresc. Tbn.
cresc.
3.
3 Tuba
Timp.
1 Marimba
Perc. 2 3
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
I 3
Vn. II 3
Va. 3
pizz. Vc.
pizz. Cb.
3
Overture 35
OV-7
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. 3
a2
a2 Cl.
1 2 3
Bs. Cl. 3
a2
1. Bn.
1 2
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 a2
1.
a2
1 2 cresc. Tbn.
3.
a2
3.
3 Tuba cresc.
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass div.
I 3
Vn.
div. II
Va. 3
arco Vc. cresc.
arco Cb.
Overture
OV-8 40
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 (a2) 1 2 Tbn.
(3.)
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
unis. I
Vn.
unis. II
Va.
Vc.
Cb.
Overture
OV-9
45 (a2) 1 2
Fl.
(a2) Picc. a2 Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
a2 1 2
Hn.
a2 3 4 a2
3
a2 1 2 3
3
Tpt. 3 (a2) 1 2
cresc. Tbn.
(3.)
3 Tuba
cresc. Timp. 3
(Vibr.) 1 3
(Mar.) Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
I
Vn.
3
II
Va. 3
Vc. cresc.
Cb.
Overture
OV-10 50
1.
a2
1 2
Fl.
Picc. 1. Ob.
1 2
E.H.
2. Cl.
1 2 cresc.
Bs. Cl.
Bn.
1 2
Cbn. 1. 1 2 Hn.
3. 3 4 1. 1 2
Tpt. 3
1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2 cresc. 3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
Cb.
Overture 55
OV-11
Meno mosso,
= 108
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
a2
1.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn. 1. 1 2 Hn.
3.
a2
3 4 a2 1 2 Tpt. 3 a2
plunger 1 2 Tbn. 3 Tuba
Timp. (Vib.) 1 Mar. Perc. 2 3
3
Cel.
Hp.
Vln.
W.W.
Tbn. brushes
S.D. Drums 3
pizz. Bass
Meno mosso, I 3
Vn. II 3
Va. 3
cresc.
Vc.
cresc. pizz. Cb.
= 108
Overture
OV-12 60
a2
1 2
Fl.
3
3
cresc.
Picc.
Ob.
1 2 3
E.H. 3
3
3
a2 Cl.
1 2
3
dim. Bs. Cl. a2 Bn.
1 2 3
3
3
3
Cbn. 3
1 2 3 3
Hn. 3 4 1 2 Tpt.
dim. 3
dim. 1 2
cresc. Tbn. 3 Tuba
cresc. Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
cresc. Bass
cresc.
I
dim. Vn. II
dim.
Va.
dim.
Vc.
dim. arco Cb.
3
cresc.
3
3
Overture 63
OV-13
a2
1 2
Fl.
3
3
Picc. a2 Ob.
3
1 2
cresc.
3
3
3
E.H. 3 3
Cl.
3
3
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
cresc. Bass
cresc.
I
3 3
Vn. II
Va.
cresc.
Vc.
cresc.
Cb.
cresc.
cresc.
3
Overture
OV-14 66 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
a2
1 2
Bs. Cl.
Bn.
1 2
Cbn.
a2 3
3
1 2
a2
Hn.
3
3
3 4 a2
3
3
3
3
1 2 Tpt.
3
3
3 a2
3
3.
3
1 2 Tbn.
3
3 Tuba 3
Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
cresc.
cresc.
cresc.
cresc.
Bass
I
Vn. II
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
Overture 70
OV-15
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
a2 3
1 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc. a2
Hn.
3
3 4
3
3
3
3
3
3
3
cresc.
a2 3
3
3
3
3
3
3
3
1 2 Tpt.
3
cresc.
3
3
3
3
3
3
3
3 a2
3
3.
3
cresc.
3
3
3
1 2 3
Tbn.
cresc.
3
3
3 3
3 3
3 Tuba 3
cresc.
3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
cresc.
cresc.
cresc.
cresc.
Bass
I
Vn. II
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
3
Overture
OV-16 75 a2
a2
1 2
Fl.
dim.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
dim. Cbn.
dim. 1 2 Hn. 3 4 1 2 Tpt.
dim. 3
dim. 1 2
dim. Tbn. 3 Tuba
dim. Timp. Vibr. 1
Perc. 2 Bs. Dr. 3
Cel.
Hp.
Vln.
W.W.
Tbn. solo Build solo - fill Drums
cresc. Bass
I
Vn. II
Va.
Vc.
dim.
Cb.
dim.
solo
Overture 79
OV-17
a2
1 2
Fl.
dim.
Picc.
Ob.
1 2
E.H. a2 Cl.
a2
1 2
Bs. Cl. a2 Bn.
1 2
dim. Cbn.
dim. 1 2 Hn. 3 4 1 2
dim.
Tpt. 3
dim. 1 2
dim. Tbn.
3.
3 Tuba
dim.
Timp. (Vibr.) 1
Perc. 2 (Bs. Dr.) 3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums
cresc. Bass
I
3 3
Vn. II
3 3
Va.
3 3
Vc.
dim. div. Cb.
dim.
Overture
OV-18 83
a2
1 2
Fl.
dim.
dim.
dim.
dim.
Picc.
Ob.
1 2
dim. E.H.
dim. a2 Cl.
1 2
dim.
dim.
Bs. Cl. a2 Bn.
1 2
dim.
dim.
dim.
dim.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2
dim.
Tbn. 3 Tuba
dim.
Timp.
1
Perc. 2 (Bs. Dr.) 3
Cel.
Hp.
Vln.
W.W.
Tbn. solo Drums
dim.
dim.
Bass
I
dim.
dim.
dim.
dim.
Vn. II
Va.
dim.
Vc.
dim.
dim.
Cb.
dim.
dim.
Overture 88
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
3.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn. cymbals only - brushes Drums
dim. Bass
I
Vn. II
Va.
Vc.
Cb.
OV-19
Overture
OV-20
a2
93 1 2
Fl.
dim. Picc. a2 Ob.
1 2
dim. E.H.
dim. Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
dim. Cbn.
1 2
dim.
Hn. 3 4
dim. 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
Vln.
W.W.
Tbn.
Drums 3
Bass
I
3
Vn. II
3
Va. 3
Vc.
Cb.
AMISTAD
Thulani Davis
Anthony Davis
SCENE 1 (Trickster)
= 108 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc.
3
Bs. Cl. a2 Bn.
1.
1 2
Cbn. 1. 1 2 3
Hn.
3. 3 4
3
mute
open
1 2 3
Tpt. 3 2.
1.
a2
1 2 Tbn. 3 Tuba
Timp. Marimba 1 Vibraphone Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Drums Drums 3
Bass
TRICKSTER
8
= 108
3
3
3
The un known is my realm
ca
la mi ty
my
king dom
Solo I Vn.
Solo II
Va. pizz.
arco
Vc. pizz. Cb.
Copyright Š 1997 by G. Schirmer, Inc. (ASCAP) New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal Law and subject to criminal prosecution.
2
= 112 6
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn.
3. 3 4 1 2
Tpt. 3 plunger 1 2 Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
I
am
a
God,
am
I
not?
Mas
= 112 tutti I Vn.
tutti II
Va.
pizz.
arco
pizz.
arco
Vc.
Cb.
ter
3 10 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1.
3
1 2 Hn.
4.
3
3 4
1 2 Tpt. 3 1 2 Tbn.
(Tuba)
3 Tuba
Timp. (Mar.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
of
mor
tal
dis
as
ters
I
I
cresc.
Vn. II
Va.
cresc.
Vc.
Cb.
cresc.
will
meet
this
4 14 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3 1 2 Tbn.
(Tuba)
3 Tuba
Timp.
(Mar.)
3
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
mo
ment
I Vn. II
Va. 3
Vc.
Cb.
as
I
meet
all
oth
ers:
5
= 108 17
1.
1 2
Fl.
3
Picc. 1 2
Ob.
E.H. 1 2
Cl.
3
Bs. Cl. a2 1 2
Bn.
Cbn.
1 2 Hn.
3
3. 3 4 3
a2 1 2 3
Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Mar.) 1 (Vibr.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
stal
wart,
au
da
cious
and
bold.
= 108
I Vn. II
Va. pizz. Vc.
Cb.
What
they call
6
(1.)
20 1 2
Fl.
3
Picc. 1.
3
Ob.
1 2 3
cresc.
3
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
(Tuba)
3 Tuba
Timp.
1 Vibr. Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
tra
ge
dy
I will make my
his
to
ry.
I will make a sto
ry
I 3
Vn. II 3
Va.
cresc. Vc. pizz. Cb.
3
3
3
to be
told
of
7
= 80
= 84 accel.
24
a2
1 2
Fl.
3
Picc. a2 Ob.
3
1 2
dim.
cresc.
3
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1.
a2
1 2 Hn.
4. 3 4 3. 3
1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba
Timp.
1 (Vibr.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3
3
3
3
3
3
Tr. 8
ge
nius born of ne
ces
si
ty
Of cour age
come
eas
y
when the heart
= 80
is
cold
= 84 accel.
I 3
Vn.
3
II 3
Va. arco Vc.
Cb.
cresc.
3
8
= 96 a2
29 1 2
Fl.
3
cresc.
3
= 76
= 116
3
Picc. a2 Ob.
1 2 3
E.H. a2 Cl.
1 2 3
cresc.
3
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4 1 2
Tpt. 3 1 2 Tbn.
Tuba
3 Tuba
Timp. Chimes 1 (Vibr.) Perc. 2
3
Cel.
Hp.
Solo Cl. improv. Changes? W.W. 1 Contra Alto Cl. in E W.W. 2
Tbn. Funk Groove Drums
Bass
Tr. 8
= 96
= 76
= 116
unis. I 3
cresc.
3
3
div. Vn. II 3
cresc. div.
3
3
Va. 3
Vc.
pizz. Cb.
9 35
1.
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 mute 1 2 Tpt. 3 a2
3
1 2 Tbn.
(Tuba)
3 Tuba
Timp. Marimba 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass
8
I Vn. II
Va.
Vc.
Cb. 3
10 40
1.
1 2
Fl.
Picc. 1. Ob.
1 2 3
E.H. 1. Cl.
1 2
3
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 open 1 2 Tpt. 3 a2
3
1 2 Tbn.
(Tuba)
3 Tuba
Timp.
1 Vibr. Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
I am the danc
er of
all danc
ers,
li
I
cresc.
Vn. II
Va.
pizz. Vc.
Cb. 3
ar, thief
and
11 45
1.
1 2
Fl.
1. 3
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2 3
Bs. Cl. a2 Bn.
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
lov
er,
the one
who
I Vn. II
Va. 3
Vc.
Cb. 3
eats
when
the
fo
rest hun
gers.
12 49
1.
1 2
Fl.
Picc. 1. Ob.
1.
1 2 6
E.H. 1. Cl.
1 2
C.B. Cl. a2 Bn.
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
When
a
mor
tal
says
there’s
a
bird
on
a
wing
they
I Vn. II 6
Va.
3
Vc.
Cb. 3
say
a prayer
to
13 53 1 2
Fl.
Picc.
Ob.
1.
2. 1.
1 2
a2 3
2.
E.H. 2. Cl.
1 2 3
Bs. Cl. a2 Bn.
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Mar. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
me.
When
a
mor
tal
says
there’s
a
bird
on
a
wing
This
I 3
Vn. II
Va.
3
Vc.
Cb. 3
wi
ly
14 57
a2
1.
1 2
Fl.
3
Picc.
Ob.
1 2
E.H. 1. Cl.
3
2.
1 2
3
Bs. Cl. a2 Bn.
3
1 2
Cbn.
1 2 3
Hn. 3 4 1 2 Tpt. 3
a2 1 2 Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
god
comes
to
sing.
I
I 3
Vn. II
Va. 3 3
Vc.
Cb. 3
am the
danc
er
of
all danc
ers,
15 61
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2 3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 a2
1.
3
a2
1 2 Tbn.
(Tuba)
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
li
ar,
thief
I Vn. II
Va.
3
Vc.
Cb. 3
and lov
er,
the
one who
eats
when
the
for
est hun
gers
16 65
1.
1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1. 1 2 Hn.
3.
4. 3
3 4
3
1 2 Tpt. 3 a2
3
1 2 Tbn.
(Tuba)
3 Tuba
Timp. 6
Mar. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
Bass
3
Tr. 8
It 6
I Vn. 3
II
3
Va.
3
Vc.
Cb. 3
is
on
ly
a slight
mis
hap
17 a2
69 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
3
1 2
cresc. Cbn.
1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn.
(Tuba)
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
Tr. 8
my
I Vn. II
Va.
3
Vc.
Cb.
3
sight’s
a
lit
tle
dazed
Is
it
on
ly
a
mo
men
18 73 1 2
Fl.
Picc. 2. Ob.
1.
1 2
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
1 2
dim.
3
Cbn.
1 2 Hn.
4. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
tar y lapse
my
pow
ers
re
tire,
but
I
do
not
fail.
I Vn. II
Va. 3
3
cresc.
Vc. 3
cresc.
dim.
cresc.
dim.
Cb. 3
19 77 1 2
Fl.
dim. Picc.
Ob.
1 2
dim. E.H.
Cl.
1 2
dim. Bs. Cl. a2 Bn.
3
1 2
cresc. Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3 a2 1 2 Tbn.
3
Tuba
3 Tuba 3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
(Drs.) Drums
Bass
3
3
Tr. 8
3
There
are the trials
a her
o
must suf
fer
to make
his sto
ry
bold.
I 3
3
3
cresc.
Vn. II
3 3
Va.
cresc. 3
Vc.
cresc.
cresc. 3
Cb.
cresc.
cresc.
3
3
20 82 1 2
Fl.
Picc.
Ob.
1 2
cresc. E.H.
Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 2.
1.
2.
1.
a2
2.
1.
2.
you live
a
1.
a2
1 2 Tbn.
(Tuba)
3 Tuba
Timp. Mar. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tr. 8
A mong
gods
it’s true
if
I Vn. II
Va.
arco Vc.
pizz. Cb.
arco
hu
man
life,
21 1.
88 1 2
Fl.
Picc. 1. Ob.
1 2
cresc. E.H. 1. Cl.
1 2
cresc.
cresc.
Bs. Cl. 1. Bn.
cresc.
1.
1.
1 2
Cbn.
1 2 Hn.
3. 3 4 1 2
Tpt. 3 2.
1.
2.
1.
a2
2.
1.
2.
1.
a2
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (Drs.) Drums
cresc. Bass
3
Tr. 8
I Vn. II
Va.
Vc.
Cb.
you for
get
what a
god
knows.
If you
live
a
hu
man
life
22
= 100 94
Ritard.
2.
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl. 3
Bn.
1 2 3 3
Cbn. 1. 1 2 3
3
Hn. 3 4 3 3
1 2 Tpt. 3 2.
3
1 2
2. 1.
Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (Drs.) Drums
Bass
3
3
3
Tr. 8
You’ll
re
gret
it
like
they
do
Speak
= 100
ing sor row
sing ing
Ritard.
I Vn. II
3
Va. 3 3
3
Vc. 3 3
Cb.
23
accel.
cresc.
3
3
= 88
3
3
3
99 1 2
Fl.
Picc.
Ob.
1 2 3
E.H. a2 Cl.
1.
1 2 3
Bs. Cl.
dim. Bn.
1 2
dim. Cbn. 1. 1 2 Hn.
3. 3 4 1. 1 2
Tpt. 3 3
1 2 Tbn.
(Tuba)
3 Tuba
Timp. Xyl. 1 3
Vibr. Perc. 2
3
Cel.
A , B , C - D , E, F , G Hp.
D
A
E
E
3
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tr. 8
blue.
div.
= 88
accel. unis.
I
dim. div.
Vn.
unis.
II
dim. div.
unis.
Va.
dim. 3
Vc.
dim.
Cb.
dim.
24
1. Flutter
103 1 2
Fl.
6
Picc. 1. Ob.
1 2
3
3
E.H. 3
1. Cl.
2.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 mute 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
A , B , C, D, E, F, G 4
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
3
Tr. 8
Men meet with di
sa
ster
no mat ter what they
I Vn. II
dim.
pizz.
4
Va.
dim. pizz. Vc.
Cb.
4
arco
25 108
1.
1 2
Fl.
Picc. 2. Ob.
1.
1 2
3
E.H. 2. Cl.
1.
1 2 3
Bs. Cl. 1. Bn.
1 2 2.
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1 Vibr. Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
4
Tr. 8
do.
The hand moves first
and the
heart’s
sick
la
ter.
I Vn. II
arco Va.
Vc.
dim.
Cb.
dim.
They think
their
26 113 1. 1 2
Fl.
3
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn.
a2 3 4 1. 1 2
3
Tpt. 3
1 2 Tbn.
Tuba
3 Tuba
Timp. Vibr. 1 Glock., soft mallet Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
gods
take pi ty on
them.
They think
I Vn. II
Va.
Vc.
Cb.
3
their
gods
are heart
sick,
27 119
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
dim. Cbn.
a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
I Vn. II
Va.
Vc.
Cb.
too
but
gods
are great er than
men—
not
nic
er,
28
= 120 124 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 3
Tbn. 3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Funk groove Drums pizz. Bass
4
3
Tr. 8
I
= 120 I Vn. II
Va. pizz. Vc.
pizz. Cb.
arco
pizz.
am
the
danc
er
29 128 1 2
Fl.
Picc.
Ob.
1 2
E.H. (1.) Cl.
a2
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3
1 2 3
dim.
Tbn.
3
3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
Bass 3
3
Tr. 8
my
I Vn. II
Va.
Vc.
Cb. 3
sight’s
a
lit
tle
dazed
30 132 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4
1 2
cresc.
Tpt. 3
1 2 Tbn.
Tuba
3
Tbn. 3
3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
Bass 3
3
Tr. 8
It
is
on
ly
a
mo
men
ta
ry lapse
I
am
the dan
cer
I Vn. II
dim.
Va.
dim. Vc.
Cb. 3
of
31 136 1 2
Fl.
3
Picc.
Ob.
1 2 3
3
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba 3
3
Timp.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
3
Drums
Bass
3
3
3
Tr. 8
all danc ers,
li ar, thief
and
lov
er,
li
ar,thief
and
lov
I Vn.
3
II
Va.
Vc.
Cb.
3
3
3
3
32 141 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn. a2 1 2 Hn.
a2 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba Tuba
3
Timp. Vibr. 1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums arco Bass 3
Tr. 8
er,
li
ar, thief
and lov
er,
I
Vn. II
cresc.
Va.
3
arco
Vc.
arco Cb. 3
33
= 80
= 66
= 80
= 66
= 80
146
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1 Vibr. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
God dess
= 80
of the wa
ters
= 66
Moth
= 80
= 66
er
of all
gods
Mis tress
= 80
I Vn. II
cresc. Va. 3
3 3
Vc.
Cb.
3
cresc.
of
o ceans,
34
1.
= 58
152
a2
1 2
Fl.
Picc.
Ob.
1 2
3
3
E.H.
Cl.
1 2 3
3 3
3 3
3
3
Bs. Cl.
Bn.
1 2
Cbn.
2.
3
3
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 Contra Alto Clarinet
3
3
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tr. 8
ri
vers
I
know
you
think
me
just a
= 58 I Vn. II 3
3
cresc.
3 3
3
Va.
cresc.
3
3
3
3
3
3
3
Vc.
cresc.
cresc.
Cb. 3
3
35 157 1 2
Fl.
3
Picc. 3
Ob.
1.
3
1.
1 2 6
3
6
3
6
E.H. 3
Cl.
1 2 3
3
dim.
3
3
3
3
3
3
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 3
Hn.
4.
3
3 4
3
3
dim. 1 2 Tpt. 3 1 2 Tbn.
3
3 Tuba
Timp. (Vibr.) 1 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
small
god
a
god
un
armed
and
weak
with
on
ly
3
I 3
6
6 6
Vn. II 3 3
Va. 3
3 3
3
3 3
3
3
3
Vc. 3
Cb. 3
3
36 161 1 2
Fl.
3
3
3
Picc.
Ob.
1 2
3
3
3
E.H. 3
Cl.
1 2 3 3
3
3
3
3
3 3
3
3
Bs. Cl.
Bn.
1 2
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Vibr. 1 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
3
Tr. 8
wit
and
brain
words
and
guile
but
it
on ly seems
I
am a
board
I 3
6
Vn. II 6
Va. 3 3
3
3
3 3
3
3 3
3
Vc.
Cb. 3
3
3
3
a
37 165 1 2
Fl.
Picc.
Ob.
1 2
E.H. 2. Cl.
3
a2
1 2 3 3
3
3
3
3
3
3
3
3
3
Bs. Cl.
dim. Bn.
dim.
cresc.
1 2 3
Cbn. 3
1 2
dim.
Hn.
3
3 4 a2
dim.
2.
3
3
1 2
cresc. Tpt. 3
3
cresc. 1 2 Tbn.
3
3
3
3
3 Tuba
dim.
dim.
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
dim.
3
3
3
3
3
3
Tbn.
Drums
Bass
3
3
3
3
Tr. 8
ship
I
can not
sail
I
will
pre
vail.
I 3
3
dim. Vn.
3
3
3
II
dim. Va. 3
6
cresc. 3
3
3
3
Vc.
dim. 3
3
3 3
Cb.
dim.
cresc.
3
3
dim. 3
3
3 3
38 169 1 2
Fl.
Picc.
Ob.
1 2 3
E.H.
Cl.
1 2 3
3 3
3
Bs. Cl.
dim. Bn.
1 2
Cbn.
1 2 Hn. 3 4 2.
3
1 2
dim.
Tpt. 3 1 2 Tbn.
3
3
3
3 Tuba
3
3
3
3
Timp. Vibr. 1 3
Perc. 2
3
Cel.
Hp.
Alto Sax A7( 5 11)
sparsely
W.W. 1 (C.A. Cl.) W.W. 2 3
3
Tbn. R.S. Shuffle Drums pizz. Bass 3
dim. 3
3
3
3
3
cresc.
3
3
3
dim.
3
3
3
Tr. 8
Mark
my words
andhear my
tale
I 3
6
dim.
Vn.
3
3
dim.
6
II 3
dim.
3
dim.
Va. 3
dim.
dim. pizz.
3
3
3
3
3
3
3
Vc. 3
3
cresc.
3
dim.
3
pizz. Cb. 3
3
3
3
cresc.
3
3
3
dim.
3
3
39 173 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
dim.
3
3
3
3
3
Bs. Cl.
dim. Bn.
1 2
Cbn.
1 2 Hn. 3 4 3
1 2 Tpt.
3
3
dim.
3
1 2 Tbn.
3
3
3
3
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(even more sparse) A7( 11)
B 7( 11)/A
A7( 5)
A7 95
A whole tone
B 7/A 95
A7( 11)
B 7( 11)/A
W.W. 1
W.W. 2
Tbn.
Drums
Bass
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Tr. 8
I
3
3
dim.
Vn. II
dim.
3
dim.
3
3
Va. 3
3
3
3
arco
Vc. 3
3
3
Cb. 3
3
3
3
3
3
3
3
3
40 178
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2 3
dim.
3
3
dim.
3
dim.
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 3
Hn. 3 4
1.
3
1 2
3
dim.
Tpt. 3 a2 1 2 3
Tbn.
3
3
3
3
a2
3 Tuba 3 3
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
cresc.
B, C, D, E, F , G, A A7( 9)
G m6( 7)/A
B7( 11)
G7( 11)
W.W. 1 (C.A. Cl.)
3
3
W.W. 2
Tbn.
Drums 3
Bass 3
3
Tr. 8
I Vn. II
Va.
Vc. arco Cb. 3
3
3
Bsus9
a2 1 2
Fl.
41
SCENE 2 (on ship)
( = 58)
3 6
Picc. a2
3
1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 3
1 2
Bn.
3
Cbn.
3
1 2 Hn.
3. 3
3 4
3
1 2 Tpt. 3 1 2 Tbn. 3 Tuba gliss. Timp. 3
Vibr.
3
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
( = 58)
CHORUS
S
A
T 8
gliss. 3
B Drift
ing
I Vn. II
Va. div.
gliss.
Vc. 3
Cb.
42
Scene 2
= 120
4
a2
1 2
Fl.
Picc. a2 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn.
3. 3 4 1 2
Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
E, F , G, A B , C, D W.W. 1
W.W. 2
Tbn.
Drums
Bass
gliss.
3
S Drift gliss.
ing
Drift
ing
3
A gliss. 3
T 8
Drift
ing
ing
B ing
= 120
gliss. I 3
Vn. gliss. II gliss.
3
Va. 3
Vc. pizz. Cb.
Scene 2
43
= 100
8
= 120 2.
1 2
Fl.
3
Picc.
Ob.
1 2 3
E.H. 1. Cl.
1.
1 2 3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 2. mute 1 2 Tpt.
mute 3 1 2
Tbn. 3 Tuba
Timp. Vibr.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
3
Nav. 8
We
may
yet get
a
way,
we’re
well
to the north now,
= 120 = 100 I
Vn.
pizz. II
Va.
Vc.
Cb.
44
Scene 2
Ritard
= 92
14 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl. 3
a2
2. Bn.
1 2
cresc.
cresc.
cresc.
cresc.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Vibr. 1
cresc. Mar. Perc. 2
cresc. 3
Cel.
dim. E, F , G, A B , C, D
Hp.
3
3
W.W. 1
W.W. 2
Tbn. 4
4
Drums
cresc. Bass
3
3
3
Nav. 8
We may yet
Ritard
es
cape
if these cut throats don’t
find
us
out
= 92
I
Vn.
pizz. 3
3
arco
3
arco
3
II
cresc. pizz. Va. 3
cresc. 3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
Scene 2
45
a2
20 1 2
Fl.
3
cresc. Picc.
3
cresc. Ob.
1.
1 2
3
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Vibr. 1
cresc.
Mar. Perc. 2
cresc.
African bell 1 African bell 2 Tom-tom Conga
3
cresc.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 4
4
4
4
Drums
cresc. Bass
Nav. 8
I 3
Vn. II
cresc.
Va.
cresc. Vc.
Cb.
3
46
Scene 2 25
2.
1 2
Fl.
3
3
Picc. 1. Ob.
1 2
3
E.H. 2.
2. Cl.
1 2
3
3
3
3
3
Bs. Cl. a2 Bn.
3
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
DON PEDRO
East
by day,
North
arco
pizz. I
3 3
Vn. II
3
3 3
3 3
Va. pizz. 3
3
Vc. pizz. Cb. 3
3
by
night
A
ruse
3
so sim ple but
Scene 2 30
47
2.
1 2
Fl.
cresc.
cresc.
Picc.
Ob.
1 2
E.H. 1. Cl.
a2
1 2
cresc.
cresc. Bs. Cl.
Bn.
1 2 3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3 3
D.P.
3
3
bright...
You’ve saved
us with your de
ceit.
If you steered
as
they
said,
we’d be half way to
I
cresc.
cresc.
Vn. II
cresc.
Va.
cresc. Vc. 3
Cb. 3
cresc.
48
Scene 2 35
a2
1 2
Fl.
cresc. Picc. 1 2
Ob.
E.H. 1. a2 1 2
Cl.
cresc.
cresc.
Bs. Cl.
cresc.
a2
1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 mute 1 2 Tbn.
mute
3 Tuba
Timp. 3
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
D.P. A
fri
ca,
dead
meat
for
a
can
ni bal
feast.
cresc.
TENOR 2 T2 Mo
8
cresc.
BASS B Mo
I 3
Vn. 3
II
Va.
cresc.
cresc.
Vc. 3
Cb. 3
Scene 2 38
49
2.
1 2
Fl.
Picc. 1 2
Ob.
E.H. 2.
a2
1 2
Cl.
Bs. Cl. a2 1 2
Bn.
cresc. Cbn.
1 2 Hn. 3 4 (mute)
2.
1 2 Tpt. 3 (mute) 1 2
cresc. Tbn.
3. (mute)
3 Tuba
cresc.
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
T2 8
yam
ba
Tem
ne,
Men
de,
Ma
no,
Mo
ro.
yam
ba
Tem
ne,
Men
de,
Ma
no,
Mo
ro.
B
I Vn.
cresc. II
cresc. Va.
Vc. cresc. a poco Cb.
cresc. a poco
50
Scene 2 41
a2
1 2
Fl.
3
dim.
3
Picc. 1 2
Ob.
E.H. a2 1 2
Cl.
3
3
Bs. Cl.
1 2
Bn.
Cbn.
1 2 Hn. 3 4
(mute)
1 2 Tpt.
(mute) 3 (mute) 1 2
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
S Ta
pe
ta,
Ke
Ta
pe
ta,
Ke
Ta
pe
ta,
Ke
Ta
pe
ta,
Ke
A TENOR 1 T 8
B
I 3 3
Vn. 3
II
dim.
Va. 3
Vc.
Cb.
3
dim.
Scene 2
51
=
43
a2
1 2
Fl.
cresc. Picc. 1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 (mute) 1 2 Tpt.
(mute) 3 (mute) 1 2
Tbn.
3.
3 Tuba
Timp.
1
Perc. 2
3
3
3
3
Cel.
3
3
3
Hp.
Clarinet upper register spare with multiphonics W.W. 1
W.W. 2
Tbn.
Drums
Bass
S ne
ma,
Tem
ne,
Men
de.
ne
ma,
Tem
ne,
Men
de.
ne
ma,
Tem
ne,
Men
de.
ne
ma,
Tem
ne,
Men
de.
A
T1 8
B
=
div. I Vn. II
cresc.
Va.
cresc. Vc.
Cb.
3
3
3
3
3
3
52
Scene 2 46
a2
1 2
Fl.
3
3
Picc. 1 2
Ob.
3
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2
Tpt.
3
Tbn.
1 2
3 Tuba
Timp. Vibr. 1
Perc. 2
3
3
3
3
3
Cel.
3
3
3
3
3
3
3
3
3
3
3
dim.
3
3
3
3
3
3 3
3
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
CINQUE
3
We’re
drift
3
3
ing
and
the
wind
is
chill
S
A
T 8
B
I 3
dim. Vn. II 3
Va.
3
3
3
3
3
3
3
3
3
3
dim.
3
3
3
3
Vc.
dim. Cb.
dim.
3
3
3
dim.
3
dim.
3
3
3
3
Scene 2 50
53
a2
1 2
Fl.
6
Picc. 1 2
Ob.
3
E.H. 1 2
Cl.
3
Bs. Cl. 1 2
Bn.
Cbn.
1 2
dim.
Hn. 3 4 (mute)
dim.
1 2 3
Tpt.
(mute)
3
3 (mute) 1 2
3
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
3
Cel.
3
cresc.
3
3
3
3
dim.
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
Cin. We’re
drift
ing
and
we’re
too
far
north
3
S Drift
ing 3
A Drift
ing 3
T Drift
8
ing
B Drift div. I
3
3
3
3
3
cresc.
6
Vn. II 3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
Va. 3
Vc. Cb.
3
3
54
Scene 2 54 1 2
Fl.
Picc. 1 2
Ob.
3
E.H. 1 2
Cl.
3
Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2 3
Tpt.
3
3
1 2 Tbn.
3
3.
3 Tuba 3
Timp.
1
Perc. 2
3 3 3
3
cresc.
Cel.
3 3
3 3
3
dim.
3
3
3
3
3
3
3
3 3
3
3
3 3
3
3
3
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Cin. I
see
birds
but
they
fly
west
3
S Drift
ing
Drift
ing
3
A 3
T Drift
8
ing
3
B ing
I
3
3
3
cresc.
Vn.
3
3
3
dim.
3
3
3
3
3
3
II
3
3
cresc.
3
3
dim.
3
3
div.
3
3
3 3
3
3 3
3
Va. 3
Vc.
Cb.
3
Scene 2 58
55
1.
1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
8
We’re
not
safe
yet DON PEDRO
Cin. Not
I Vn. II
cresc.
Va.
cresc. pizz. Vc.
pizz. Cb.
safe
yet
56
Scene 2 62
1.
1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Nav. 8
Soon
as they’re
through
with us,
theywill kill
I Vn. II
cresc.
Va.
cresc. Vc.
Cb.
us
an
y
chance
they
get.
Scene 2
57
1.
66 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4 open 1 2
Tpt.
open 3 open 1 2
Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2 Tom-t. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3+3
2+2+2+3
Drums
Bass
TRICKSTER Nav. 8
We’re not
safe
yet.
East
by day,
North
by night!
I Vn. II
cresc.
Va.
cresc. arco
pizz.
arco
pizz.
Vc.
Cb.
58
Scene 2 1.
70
1.
1.
a2
1 2
Fl.
cresc. Picc. 1. Ob.
1.
1 2
cresc. E.H. 1. Cl.
a2
1.
1.
1.
1 2
cresc.
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 Mar. Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3+3
2+2+3
3+3
2+2+2+3
3+3
Drums
Bass Tr.
Tr. 8
They rule div.
I
Vn. II
div. Va.
Vc.
Cb.
us
yet
by
sleight.
Gut
less guile
they wield,
foul chi can er y, a dir
ty
trick!
Scene 2
59
75 1 2
Fl.
Picc. 1.
1.
1 2
Ob.
E.H. (1.) 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn.
3. 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Vibr. 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 2+2+3
2+2+2+3
3+3
Drums
Bass
Tr. 8
We should
cut their
throats,
We should
cut their
throats,
S Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
A
T 8
B
I Vn. II
Va.
Vc.
Cb.
60
Scene 2 78
a2
1 2
Fl.
Picc. 1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 gliss. 1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1 Mar. Perc. 2
Tom-t. & conga 3
cresc.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 2+3+2 Drums
cresc. Bass
3
Tr. 8
We
should cut their throats
and chance
the
wa ter
y
roads.
S Cut
their
throats
Cut
their
throats
Cut
their
throats
Cut
their
throats
A
T 8
Shift
B Shift tremolo I Vn. II
Va.
Vc.
Cb.
Scene 2 = 56
82
61
1 2
Fl.
Picc. 1 2
Ob.
3
dim.
E.H. 3
dim.
1 2
Cl.
6
6
dim.
3
3
3
3
Bs. Cl.
1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 C.A. Cl.
3
3
W.W. 2
Tbn. 3
brushes Shuffle (
)
Drums
Bass
CINQUE
3
Tr. 8
She’s
gliss.
S Drift gliss.
ing
Drift
ing
A Pitch gliss.
ing
T 8
ing
Pitch gliss.
ing
B
= 56
ing gliss. I Vn.
6
gliss.
6
II gliss. Va.
cresc. 3
3
Vc.
cresc. 3
Cb.
3
62
Scene 2 86
1.
1 2
Fl.
2.
6
Picc. 2. 1 2
Ob.
1.
3
3
3
3
dim.
3
3
3
3
E.H. 3
2.
dim.
2.
3
1 2
Cl.
3 3
3
3
3
3
3
Bs. Cl.
1 2
Bn.
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
W.W. 2
Tbn. (Drs. - triplet shuffle) Drums
Bass
3
3
3
3
3
Cin. 3
shift
ing
and the
sails bare
ly
fill
she’s
slow
ing
andwe’re go
ing
I Vn. II
Va. 3
3
3
3
3
3
cresc.
3
Vc. 3
Cb.
3
3
Scene 2
63
89 1 2
Fl.
3
6
Picc. 1 2
Ob.
3
E.H. 1.
2. 1 2
Cl.
3 6 3
1.
3
3
3
3
3
3
3 3
3
3
3
Bs. Cl.
cresc.
cresc.
1 2
Bn.
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
Tbn. (Drs. - triplet shuffle) Drums
Bass
TRICKSTER 3
3
3
3
3
Cin. 8
no
where.
Chief,
you’ve
been
tricked
We’re
not
go ing home,
I 6
3 6
Vn. II
3 6
Va.
3 3 3
3
3
3
3 3
3
dim. 3
3
3
Vc. 3
Cb.
cresc.
3
3
3
64
Scene 2 1.
93
3
a2
1 2
Fl.
3
3
3
3
Picc. 2. Ob.
a2
1 2
dim.
3
3
E.H.
Cl.
1 2 3
3
3
3
3
3
3
3
3
Bs. Cl.
cresc. Bn.
3
dim.
1 2
cresc.
Cbn. 1. 1 2 3
Hn.
3.
3
3 4 1 2 Tpt. 3 1 2 Tbn.
3 3
3 Tuba
3
Timp. Vibr. 1 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
3
3
W.W. 2
cresc. Tbn. (Drs. - triplet shuffle) Drums
Bass
3
3
3
Tr. 8
We’re
head ed North
Free the helm
take
hold of
her
CINQUE
3
3
We’re
head
ed
North?
div.
3
I Vn.
3
3
3
II 3
div.
3
Va.
cresc. 3
3 3
3
3 3
3
3
3
3
Vc.
cresc. 3
Cb.
dim. 3
3
cresc.
3
3
Scene 2 97
65
2.
1 2
Fl.
Picc. 2. Ob.
1 2
3
3
E.H.
Cl.
1 2 3 3
3
3
3
3
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. 3 4 1 2 Tpt. 3 3
3
1 2 Tbn.
Tuba
a2
3
3
3 Tuba
Tuba
a2
cresc.
Tuba
3
cresc. 3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.A. Cl.)
3
3
W.W. 2
Tbn. (Drs. - triplet shuffle)
3
3
Drums
Bass
3
3
3
3
3
Tr. 8
Bound for chains, 3
and
head
ed
for
death.
We
go
as they de sire
3
Cin. Bound
for
where? 3
I 6
cresc.
Vn. II 3 3
3 3
Va. 3
cresc. 3
3
3
3 3
3
3
Vc. 3
3
3
cresc.
Cb. 3
3
cresc.
3
66
Scene 2 101
1.
1.
1 2
Fl.
3
Picc. 1. 1 2
Ob.
3
E.H. 2.
1.
2.
3
1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 3
Hn. 3 4 1 2 Tpt. 3 3
3
3
3
1 2 Tbn.
3
a2
Tuba 3
3 Tuba
3
a2
dim.
Tuba 3
3
a2
Tuba 3
a2
3
dim. 3
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
3
3
Drums
dim.
3
Bass
3
3
3
3
3
3
3
Tr. 8
From mu
ti ny
to
mas
sa
cre,
from
mu ti
ny
to mas
sa cre,
I 3
Vn. II
3
Va. 3 3
3
3
3
3
Vc.
dim.
dim.
Cb.
dim.
3
dim.
from mu ti ny to
Scene 2 105
67
= 72
1.
a2
1 2
Fl.
3
Picc. a2 Ob.
1 2
E.H. 1. Cl.
a2
1 2 3
Bs. Cl.
Bn.
1 2
Cbn. 1.
a2
3
1 2 Hn.
a2 3
3 4
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2 Sn. Dr. & Tom-t. 3 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
mas sa
cre.
3
CINQUE
3 3
Lord,
You can
not
see
You
talk so just to rid dle me,
= 72 I 3
Vn. II 6
3
dim.
Va.
dim. Vc.
Cb.
68
Scene 2
= 112 110 1 2
Fl.
3
Picc.
Ob.
1 2
E.H. a2
1. Cl.
a2
3
1 2 3
3
Bs. Cl. a2
1. Bn.
1 2
3
Cbn.
1 2 Hn.
3
3. 3 4 1 2
3
Tpt. 3 1 2 Tbn.
3.
3 3
3 Tuba
Timp. (Vibr.) 1 3
3
cresc. Mar. 3
Perc. 2
(Sn. Dr. & Tom-t.) 3 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TRICKSTER
8
3
I
can
hear,
Chief
I can hear,
3
Now
3
do as I say,
= 112 I Vn. II
Va.
3
Vc.
pizz. Cb.
arco
pizz.
3
You can
Scene 2 115
69
= 104
1.
1 2
Fl.
Picc. 2. 1 2
Ob.
E.H. 2.
1.
1 2
Cl.
Bs. Cl.
a2
2.
1.
1 2
Bn.
Cbn.
2. 1 2 Hn. 3 4 3
3
1 2 Tpt. 3 1 2
3
3
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass CINQUE 3
3
Tr. 8
steer
if
you mind the
tell
tales
What’s that
you
say,
Mind the
= 104 I Vn. II
Va.
pizz. 3
Vc.
pizz. 3
Cb.
tell
tales?
70
Scene 2
= 112 122 1 2
Fl.
Picc. 2. Ob.
2.
1 2
3
E.H. 1. Cl.
1 2 3
Bs. Cl. 3
2. Bn.
a2
1 2
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 2. 1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1
cresc. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TRICKSTER
3
8
3
3
3
3
3
They’ve
3
tied bits of cloth
3
Cin. More
of your
puz
zles
Lord Rid dler speaks
non sense,
non
sense
= 112 I
cresc.
Vn. II
Va. pizz.
arco
Vc. 3
pizz. Cb. 3
arco
3
Scene 2 127
a2
1.
1 2
Fl.
71
3
3
Picc. 1. Ob.
1 2
3
E.H. 2. Cl.
1 2
3
3
Bs. Cl. a2 Bn.
a2
3
1 2
3
Cbn. 1. 1 2 Hn.
3
3
3
3
3 4
1 2 Tpt. 3 1. 1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3 3
3
3
3
3
Tr. 8
To the
mast
a bove my head.
They tell
I
cresc.
Vn. II
Va.
pizz.
arco
Vc. 3
pizz. arco Cb. 3
where the wind
goes
on the
72
Scene 2 132 1 2
Fl.
= 66
1.
3
3
Picc. a2 Ob.
1. 3
1 2
3
3 3
E.H. 6
Cl.
1 2 3
3
dim.
3
Bs. Cl. 3
1. Bn.
1 2
Cbn. 3
1.
2.
1 2 3
Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (Drs. - shuffle) Drums
Bass
3
3
3
3
Tr. cross
and the shrouds
They see
the
wind
ev
en
when
she’s
low
= 66 I Vn. II
Va. 6
3
cresc. 3
3
Vc.
3
Cb. 3
Scene 2
73
= 126 137
a2
1 2
Fl.
6
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2 3
Bs. Cl. a2 Bn.
1 2
Cbn.
2. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Funk Drums pizz. Bass
TRICKSTER
8
It’s an
3
3
CINQUE
3
3
3
Tell
tales
seethe wind andthe shrouds,
3
3
Lord
what
are
shrouds?
= 126 I 3
Vn.
6
II 3
3
6
Va. 3
3
3
3
3
3
3
pizz.
Vc. pizz. 3
Cb.
3
3
arco
74
Scene 2 142
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl. a2 Bn.
1 2 3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
Eng
lish word,
An Eng lish man word
for cloth forthe dead
or these ropes wrapped ’round the mast and ropes fromthe
I Vn. II
Va. pizz.
arco
pizz.
Vc. 3
Cb.
3
cresc. arco
pizz.
Scene 2
75
147
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2 3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
cresc.
Timp.
1 (Mar.)
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums 3
Bass
Tr. 8
prow.
Chief,
you ask ques
tions
while time
is
short
3
I Vn. II
cresc.
Va.
cresc. arco
pizz.
Vc. 3
arco Cb.
pizz. 3
76
Scene 2 152
a2
2.
1 2
Fl.
Picc. 2. Ob.
1 2
E.H. a2 Cl.
1.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 2. 1 2 Tpt. 3 1. 1 2 Tbn.
a2
3 Tuba
Timp. Xyl.
Vibr.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8
19/8
Drums
Bass
Tr. 8
Tell the boys to climb
I Vn. II
cresc. Va.
cresc. Vc.
Cb.
up
to
see
if
the land
lies
where those birds
fly.
Scene 2
77
158 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
cresc. Cbn. 2. 1 2 Hn. 3 4 2. 1 2 Tpt. 3
1 2 Tbn.
a2
3 Tuba
cresc. Timp. Vibr. 1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums
Bass
Tr. 8
The bow is
in
the wind,
Chief.
I Vn. II
Va.
pizz.
arco
Vc.
cresc. pizz.
arco
Cb.
cresc.
78
Scene 2 165
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
a2 Bn.
1 2
cresc. Cbn. 2. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 1 2 3
3
Tbn.
Tuba
3 Tuba
Timp. (Vibr.) 1
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8
19/8
Drums
Bass
CINQUE
3
3
Tr. 8
The sails
are luff
fing,
Turn her off
the
wind
Cloth
for
I 3
Vn. II
cresc.
Va.
cresc. arco
pizz.
pizz.
Vc.
cresc. pizz.
cresc. arco
pizz.
Cb.
cresc.
cresc.
the dead
Scene 2 172
79
1.
1 2
Fl.
dim. Picc.
Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl.
Bn.
1 2
cresc.
cresc.
Cbn.
2.
1.
4.
4.
1 2 Hn. 3 4 a2 1 2 Tpt. 3
1 2 3
Tbn.
cresc.
3 Tuba
Timp.
(Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8
19/8
Drums
Bass (Deck springs to life)
3
3
Cin. Climb
the
ropes
Tell
tales
Turn from the
wind
Climb
the
ropes
div. I dim. Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
arco
pizz.
arco
pizz.
Vc.
cresc. arco
pizz.
cresc. arco
pizz.
Cb.
cresc.
cresc.
Mind
the
80
Scene 2 180 1 2
Fl.
Picc. 1. 1 2
Ob.
dim. E.H.
dim. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3 with mute 1 2
cresc. Tbn.
Tuba
3. with mute
3 Tuba
cresc.
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 14/8 Drums
Bass
TRICKSTER
8
(to himself)
I
Cin. tell
tales
I Vn. II
Va. arco Vc.
cresc. Cb.
cresc.
1.
Scene 2 184
81
a2
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 (mute) 1 2
cresc. Tbn.
cresc.
3. (mute)
3 Tuba
cresc.
cresc.
Timp. (Vibr.) 1
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 14/8 Drums
Bass
Tr. have noth ing
to
fear.
I
tell the
I Vn. II
Va.
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
wind
to
fill
the
sails.
82
Scene 2 190 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt.
cresc. 3
1 2 Tbn.
cresc.
3.
3 Tuba
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 14/8
14/8
Drums
Bass
3
Tr. If
for now the winds
say
they will not
bring
us
to
sail, div.
I Vn. II
cresc.
Va.
cresc. Vc. arco Cb.
pizz.
arco
pizz.
Scene 2
83
196 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
2.
1 2
cresc. Bs. Cl.
cresc. Bn.
1 2
cresc. Cbn.
1. 1 2 Hn. 3 4 1 2 Tpt.
cresc. 3 1 2
Tbn.
3.
cresc.
a2
3 Tuba
cresc.
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 14/8
11/8
11/8
Drums
Bass
3
Tr. 8
it
is
just
for
now.
If
I Vn. II
Va.
Vc.
cresc. arco
pizz.
arco
pizz.
Cb.
cresc.
the
rain
says
she
84
Scene 2 202
1.
1 2
Fl.
3
Picc.
Ob.
1 2
E.H. 2. Cl.
1 2
cresc.
cresc.
Bs. Cl.
cresc. Bn.
cresc.
2.
1 2
cresc.
cresc.
Cbn.
a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 11/8
11/8
11/8
Drums
Bass
4
3
3
Tr. 8
will not fill
thewa ter pails.
she
will heed
me
yet,
I am still
their
chief,
I 3
Vn.
cresc.
3
II
cresc.
3 3
Va. 3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
Scene 2
85
208 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 open 1 2
cresc. Tpt.
open 3
cresc. open 1 2
cresc. Tbn.
open
3 Tuba
cresc. Timp. (Vibr.)
cresc.
1
Perc. 2 Bs. Dr. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 11/8
Cym.
Drums
cresc. Bass
3
Tr. 8
Lord
of Il
lu
sion, and
De
ceit.
I
div. I
Vn.
div. II
3
Va.
Vc.
cresc.
cresc. arco
Cb.
cresc.
cresc.
will not be
86
Scene 2 214 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 2. mute 1 2 Tpt.
mute 3 1 2
Tbn.
a2
3 Tuba
dim.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums
Bass
3
Tr. played
a
cheat. CINQUE
(spoken): Burnah! Grabeau!
Climb the sails and look!
I Vn.
dim. II
Va.
dim. pizz. Vc. pizz. Cb.
Scene 2 218
87 a2
a2
a2
1 2
Fl.
Picc. a2 1 2
Ob.
E.H. a2 1 2
Cl.
dim. Bs. Cl.
1 2
Bn.
Cbn. a2 1 2 Hn.
a2 3 4 1 2
Tpt.
cresc.
dim.
cresc.
dim.
3
1 2 3
Tbn.
3
3
dim.
3 Tuba
cresc. Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19/8 Drums
Bass
T1 Tell
8
tales 3
T2 8
3
3
Tell
tales
Turn from
the
B1 Cloth
for
the
dead
Climb
the
ropes
Tell
tales
dead
Climb
the
ropes
Tell
tales
3
3
3
B2 Cloth
I
dim.
Vn. II
Va.
dim. Vc.
Cb.
for
the
Turn from
the
88
Scene 2 225 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn. a2
1.
3
1 2 Hn.
a2
3
3
3 4 2. 1 2
cresc.
Tpt. 3
cresc. 1 2 Tbn.
3
a2
3 Tuba
cresc. Timp. (Vibr.) 1
cresc.
(Mar.) Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 19 8
3/4 Half time
Drums
cresc. Bass
3
T1 Climb
8
the
ropes
Mind
the
tell
tales
Cloth for the
3
T2 8
wind
Cloth for
the
dead
the
dead
3
B1 Climb
the
ropes
Cloth for
3
B2 wind
Mind
the
tell
tales
I Vn. II
cresc. Va.
cresc.
dim.
arco
pizz.
Vc.
cresc. pizz. Cb.
cresc.
Scene 2
89
232 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
cresc. Cbn. a2 1 2 3
Hn.
a2
3
3 4 1 2 Tpt. 3 a2 1 2 3
Tbn.
a2
3
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
cresc.
cresc.
cresc.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
T1 5
dead
Climb
the ropes
Mind
the
tell
tales
tell
tales
tell
tales
tell
tales
3
T2 5
dead
Climb
the ropes
Mind
the 3
B1 dead
Climb the ropes
Mind
the
Mind
the
3
B2 Cloth for the
dead
Climb the
ropes
I
dim.
Vn. II
cresc.
cresc.
Va.
cresc. arco
pizz.
arco
pizz.
arco
Vc.
cresc. arco
cresc.
Cb.
cresc.
cresc.
90
Scene 2 a2
239 1 2
Fl.
Picc.
Ob.
1 2
E.H.
dim.
Cl.
1 2
cresc.
cresc.
Bs. Cl.
Bn.
1 2
cresc.
cresc.
Cbn. 1. 1 2 Hn.
3. 3 4 1 2
Tpt. 3 a2 1 2 Tbn.
a2
3 Tuba
Timp.
(Vibr.) 1
cresc.
cresc.
cresc.
cresc.
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
T1 Turn from the wind,
8
Turn
T2 Turn fromthe wind
8
Wind,
Turn from the wind
B1 Turn from the wind,
Turn
B2 Turn fromthe wind
Wind,
Turn fromthe wind
I Vn. II
Va.
Vc.
cresc.
cresc.
cresc.
cresc.
div. Cb.
Scene 2 246
91
a2
1 2
Fl.
3
Picc. a2 Ob.
1 2 3
E.H. a2 Cl.
1 2 3
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 3
Tpt. 3
a2 1 2 Tbn.
a2
3 Tuba
Timp. (Vibr.) 1 3
(Mar.) Perc. 2
Cym. Tom-t.
3
Sn. Dr.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
T1 8
from the wind
Mind
the
tell
tales
8
Wind
Mind
the
tell
tales
Mind
the
tell
tales
Mind
the
tell
tales
T2
B1 from the wind B2 Wind I Vn.
cresc. II
Va.
cresc.
Vc. pizz. Cb.
92
Scene 2
= 88 252 a2 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2 1 2 3
Tbn.
3
cresc.
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cym. Tom-t. Sn. Dr. Bs. Dr.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
= 88 gliss.
I
cresc. Vn.
gliss.
II
cresc. 3
gliss.
Va.
cresc. 3
Vc.
arco Cb.
Scene 2
= 108
257
93
1.
a2
1 2
Fl.
5
Picc. 1. Ob.
1 2 3
E.H. 3
1. Cl.
1 2 3
Bs. Cl. 3
2. Bn.
1 2 3
3
1. Cbn. 1. 1 2 Hn.
3
3.
3
3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass TRICKSTER
NAVIGATOR
3
3
8
Land!
we’ve
hit
Land,
land! GRABEAU
3
There’s noth
= 108
boy?
Is there
3
ing.
I Vn. II 3
5
Va. 3 3
Vc. 3
Cb.
5
94
Scene 2
= 76 262
1.
1.
1 2
Fl.
6
3
Picc. 1.
3
Ob.
1 2
E.H. 6
1. Cl.
1 2 6
Bs. Cl.
Bn.
1 2 3
Cbn. 2. 1 2 3
Hn.
4.
3
3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
land?
3
3
3
3
Gra. Yes land
sand and
dunes
as far
as
I
can
see
A shal
= 76 I 6
3
Vn. II 6
6
6
6
6
Va. 6
Vc.
6
Cb. 3
low
place
Scene 2
95
266 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. 1. Bn.
1 2
Cbn.
1 2 Hn. 3 4 1. 1 2 Tpt.
3. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
8
Not as
DON PEDRO
We’re
yet
3
3
3
my
friend
God
knows
where
saved
G.
I
dim. Vn. II
Va.
Vc.
Cb.
we’ve
land
ed
96
Scene 2 270
= 108
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2 3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2 Sn. Dr. & Tom-t. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
CINQUE
You
= 108 I
II
cresc.
Va.
cresc.
Cb.
us
to
this
place
Boat
6
Vn.
Vc.
run
Scene 2 274
2.
1 2
Fl.
97
3
Picc.
Ob.
1 2
E.H.
Cl.
1 2 3
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2
cresc. Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Cin. man
this
is
some
trick of
yours
I
cresc.
Vn. II
cresc.
Va.
cresc.
Vc.
Cb.
98
Scene 2 277
1.
1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn. 2. 1 2 Hn.
4. 3 4 1 2
Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(NAVIGATOR makes no response) 3
(Grabs NAVIGATOR) Cin. We
go
for
wa
ter,
Watch
them.
I Vn. II
Va.
dim.
Vc.
dim. Cb.
dim.
Scene 2
99
= 80 281
1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2 6
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
DON PEDRO 3
Cin. I don’t care what place
this
is.
It
must be
A
mer i ca.
We’ll get help.
= 80 I Vn. II 6
Va.
Vc.
Cb.
100
Scene 2 286
a2
1 2
Fl.
3
Picc. a2 1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 1. 1 2
Bn.
cresc. Cbn. 1.
1.
1.
1.
1 2
cresc.
3
cresc.
3
Hn. 3 4
3
1.
cresc.
cresc.
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
D.P. One glance and they’ll see
our
plight. div.
unis.
I
dim.
Vn.
div. II
dim. div. Va.
div. Vc.
cresc. Cb.
Scene 2 292
a2
= 63
101
= 84
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn. 1.
1. 1 2
cresc. Hn. 3 4
cresc. 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
= 63
= 84
I
cresc.
3
3
3
3
Vn. 3
II
cresc. Va.
Vc.
Cb.
3
3
3
102
Scene 2
= 299 1 2
Fl.
Picc.
Ob.
1 2 3
E.H.
Cl.
1 2
3
Bs. Cl.
Bn.
3
3
3
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt.
3 3
3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 6
(Mar.) Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
LIEUTENANT (off stage) 3
3
A hoy
3
there
A
hoy
there
= I 3
3
Vn.
3
dim. 3
6
3
3
II
dim. Va. 3
Vc. 3 3
Cb.
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
103
Scene 2 1.
302 1 2
Fl.
3
3
3
Picc.
Ob.
1 2 3
3
3
E.H.
Cl.
1 2 3
3
Bs. Cl. 3
Bn.
3
1 2 3
Cbn.
1 2 Hn. 3 4 a2
1.
3
1 2 3
Tpt. 3
3
1 2 Tbn. 3 Tuba 3
Timp.
1 (Mar.) Perc. 2 3
3
3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(Climbs onto deck from off the side. From the other side,
3
Lt. how
I
say
you
lend
a
hand
3
3
Vn. II
3
cresc.
3
3
3
3
3
3
Va. 3
Vc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3 3
Cb.
3 3
3
104
Scene 2 305 1 2
Fl.
3
Picc.
Ob.
1 2
E.H.
Cl.
1 2 3
Bs. Cl.
Bn.
1 2 3
Cbn.
1 2 Hn. 3 4 3 3
1 2 3
cresc.
Tpt.
3
3
3
1 2
3
Tbn.
cresc.
3
3
3.
3 Tuba
Timp. (Vibr.) 1
3
3
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Coast Guard men bring CINQUE and his party back on board) Lt.
I 3
3
6 6
6
Vn. II 3
cresc.
3
3
3
3
3
3
3
3
3
cresc.
Va. 3
Vc. 3
3
3
cresc.
Cb. 3
cresc.
3
3
3
3
3
3
3
3
3
cresc.
6
105
Scene 2 308 1 2
Fl.
3
3
Picc.
Ob.
1 2 3
3
3
E.H.
Cl.
1 2
3
3
Bs. Cl. 3
Bn.
1 2 3
Cbn.
1 2 Hn. 3 4 3
1.
1 2 3
Tpt. 3
3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2 3
3
3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Lt. This
is
a
strange
ship.
A
strange
ship
in
deed.
I 6 6
Vn. II 6
Va. 3
Vc.
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
cresc. 3
Cb.
3 3
106
Scene 2 310
a2
1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
3
3
3
3
cresc.
3
3
Bs. Cl. 1 2
Bn.
3
Cbn. 2. 1 2 Hn.
4.
3 3
3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
(Vibr.) 1 3
3
3
3
3
3
3
3
3
(Mar.) Perc. 2 3
3
3
3
cresc.
3
3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Lt. You must
I
be
the
ghost
ship
Heard
of
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vn. II
Va. 3
3
3
3
3 cresc.
3
Vc.
Cb.
3
3
you
107
Scene 2 312
a2
1 2
Fl.
3
3
3
3
Picc.
Ob.
1 2 3
3
3
E.H. a2 3
Cl.
3
3
3
3
3
a2
3
a2
3
1 2 3
Bs. Cl.
Bn.
1 2
3
3
3
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
(Vibr.) 3
3
3
3
3
1 3
3
(Mar.)
3 3
3
3
3
3
3
3 3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
Lt. up
I
and
down these parts.
the ship
manned by black
men
haunt ing the
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
whole
Vn. II
Va. 3
3
3
3
3
3
3
3
3
cresc.
3
Vc.
cresc. Cb.
dim.
coast.
108
Scene 2 315
a2
1 2
Fl.
3
Picc.
Ob.
1 2
6
E.H. 3
Cl.
3
3
3
3
3
3
3
3
3
3
3
1 2
cresc.
cresc.
cresc.
cresc.
Bs. Cl. 3
Bn.
3
cresc.
1 2
3
cresc.
3
3
3
3
3
cresc.
3
cresc.
3
3
3 cresc.
3
3
cresc.
3
3
3
3
3
Cbn.
1 2 Hn. 3 4 1. 1 2 6
Tpt.
6
3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
(Mar.) 3
3
3
cresc. 3
3
3
cresc.
3
Perc. 2 3
cresc.
3
3
cresc.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR
8
3
3
I as
3
3
sure you,sir.
We are
not
3
ghosts,
on
I 6
Vn. II 6
Va. 6
Vc.
Cb.
6
ly
near
ly
so.
Scene 2
109
320 1 2
Fl.
3
dim.
6
Picc.
Ob.
1 2
6
3 3
E.H.
dim. 3
Cl.
dim.
3
3
3
3
3
3
3
3
3
3
3
3
1 2 3
cresc.
cresc.
Bs. Cl. 3
Bn.
3
3
3
3
3
3
cresc.
3
1 2 3
3
cresc.
cresc.
3
3
3
3
3
cresc.
3
cresc.
3
3
3
3
cresc. 3
3
cresc.
Cbn.
1 2 3
Hn.
3.
3
3 4 1.
3
1 2 Tpt.
1.
3
3
1 2 Tbn. 3 Tuba
Timp.
(Vibr.)
3
3
3
3
3
3
3
3
3
3
3
3
3
1
cresc.
cresc.
3
(Mar.) 3
3
3
3
3
3
3
3
3
3
3
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
Nav. 8
Se cure these men—
They’ve killedour
crew,
Held us
I 3
Vn.
div.
3
II 3
div. Va. 3
Vc.
Cb.
3
6
cap tive man y weeks
110
Scene 2
= 108
325 1 2
Fl.
3
Picc.
Ob.
1 2 3
E.H. 3
3
Cl.
3
3
3
1 2 3
cresc. Bs. Cl. 3
Bn.
1 2
3
3
a2
a2
3
3
3
Cbn. a2 1 2
dim.
Hn.
3
3 4 1 2 Tpt. 3 a2
3
3
3
3
1 2
cresc. Tbn.
a2
3 Tuba
3
3
Timp. (Vibr.) 3
cresc.
3
1 (Mar.) 3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
LIEUTENANT 3
Nav. 8
now.
Who
are
you,
= 108
I 3
6
Vn.
3
3
3
II 3
cresc. 3
Va.
3
cresc.
3
3 3
3
Vc.
cresc. 3
Cb.
cresc.
3
pizz.
3
sir?
Scene 2
= 72
331 1.
111
1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
NAVIGATOR 3
Lt. 8
Thecap tain of this
rig
whose ship flies no
I Vn. II
Va.
Vc.
div. Cb.
flag?
Nav
i ga tor,
sir.
= 72
Our
112 338
Scene 2
= 84
2. 1.
1.
1 2
Fl.
Picc.
Ob.
1 2 3
E.H.
Cl.
1 2 3
Bs. Cl. a2 Bn.
1.
3
1 2 3
Cbn.
1 2 Hn. 3 4 3
1 2 Tpt. 3
1 2 3
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
Nav. 8
Cap tain
is dead.
This is the
A
mi
stad
of Span ish ti
tle,
Load ed in Cu
ba,
= 84
I 3
3
Vn. II
Va. pizz.
3
Vc. pizz. Cb. 3
Scene 2
113
343 1 2
Fl.
Picc. 1 2
Ob.
3
E.H. 1 2
Cl.
3
Bs. Cl. a2
3
1 2
Bn.
Cbn.
1 2 3 3
Hn. 3 4 1 2 3
Tpt. 3
1. 1 2
dim.
Tbn.
3.
3 Tuba
dim. Timp. (Vibr.) 1 3
Perc. 2 Rim shot 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Nav. 8
tak
en
on
the
sea
by
these
slaves.
ANTONIO
Sir
I Vn. II
Va. 3
Vc.
Cb.
Ex
cept
114
Scene 2 347A
346
348
1 2
Fl.
Picc. 1 2
Ob.
3
3
3
3
E.H. 3
3
1 2
Cl.
dim.
3
Bs. Cl. 3
a2
3
3
dim. 3
3
1 2
Bn.
Cbn.
1 2 Hn. 3 4 3
2.
3
3
3
3
3
3
3
1 2 Tpt. 3 1. 1 2
3
Tbn.
dim.
3 Tuba
Timp.
1 3
(Mar.) Perc. 2 3
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6/8 3 = Drums 3
3
3
3
Bass
3
3
3
Nav. 8
This
one.
A
lo
yal
CINQUE (to ANTONIO)
slave.
3
Not just n
3
3
du
o
n
gil
3
le
not just a
6
I 3
3
3
3
3
3
Vn. II 3
Va. pizz. 3
3
3
Vc. pizz.
3
Cb. 3
3
Scene 2
115
349 1 2
Fl.
Picc. 1.
1. 1 2
Ob.
6
3
3
E.H. 1.
1.
1 2
Cl.
3 6
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 2. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 2
cresc.
Tpt.
3
3
cresc. 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bass
(to LIEUTENANT) 3
3
3
3
3
3
3
3
Cin. slave.
A dog.
We
are
no
slaves.
We are free
I 3
Vn.
men.
Free men cap tured
6
6
dim.
dim.
3
II
cresc.
3
6
3 3
dim.
3
Va.
cresc. 3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Vc.
cresc.
cresc. 3
3
Cb. 3
cresc.
3 3
3
3
3
3
3 3
3
3
3
3
116
Scene 2 354
a2
1 2
Fl.
6
3
Picc. a2 Ob.
1 2
3
3
E.H. a2 Cl.
1 2 3
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2
dim.
Hn. 3 4
dim. 2.
3
6
3
3
2.
3
3
3
1 2
cresc. Tpt.
3
3
3
3
3
cresc.
3
3
3 3
3
3
3
3
3
3
cresc.
cresc. a2
1 2
3
a2
Tbn.
3
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 12/8 Drums 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bass
3
3
3
3
3
Cin. 3
out of Af
ri
ca.
And
bound
for
home.
We
are
not
slaves.
Not one
day.
div. I
3
dim.
6
Vn. II
3
3
3
dim.
dim.
Va. 3
dim. 3
3
3
3
3
3
3
3
dim.
3
3
3
3
3
3
Vc.
cresc. 3
3
Cb. 3
3
3
3
3
3 3
3
3
3
3
3
cresc.
117
Scene 2
= 108 358
a2
1 2
Fl.
3
Picc. 3
Ob.
1 2
E.H. a2 Cl.
1 2
3
Bs. Cl. a2 Bn.
3
1 2
3
3
3
Cbn.
1 2 Hn. 3 4 2. 3 1 2 Tpt.
3
3
2.
a2 1 2
3
Tuba
Tbn.
3
3 Tuba
3
3
Timp. Vibr. 1 Mar. Perc. 2
Rim shot 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass
LIEUTENANT 3
3
(They pull their weapon)
Cin. Chain these men.
They have a fierce look
= 108 I Vn. II
Va. 3
3
Vc. 3
Cb. 3
al
118
Scene 2 363 1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn. 1. 1 2 Hn.
3. 3 4 1 2
Tpt. 3 a2 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Mar.) 3
6 3 6
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Lt.
3
3
right.
I pi ty these white
men
so long in their hands.
Slaves you say?
I 6
Vn. II
Va. 3
Vc.
Cb.
3
6
Scene 2
119
369 1 2
Fl.
3
Picc.
Ob.
1 2
dim.
3
E.H.
Cl.
1 2 3
dim.
Bs. Cl. a2 Bn.
3
1 2
Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Lt. What’s
their
worth?
DON PEDRO
3
3
A
great
deal
Tell
us, sir,
where
I Vn.
div. II
Va.
Vc.
pizz. 3
Cb.
arco
have
we
120
Scene 2 373 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
3 6
Bs. Cl. 3
3
Bn.
1 2
Cbn.
1 2 Hn. 3 4 2. 1 2
dim.
Tpt. 3
dim. 1. 1 2 Tbn.
dim.
a2
3 Tuba
Timp.
1 (Mar.)
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums pizz.
3
Bass
3 3
Lt. You are
in
New
York.
CINQUE
3
3
3
D.P. land
ed?
Gra
beau,
Bur
nah,
I 3
6
Vn. II
Va. 3
Vc. 3
Cb. 3
pizz.
Scene 2 376
121
a2
1 2
Fl.
Picc. 1. 1 2
Ob.
E.H. 1. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 2. 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
cresc.
cresc.
Timp. (Vibr.) 1
(Mar.)
3
3
Perc. 2
cresc.
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
3
Drums
Bass
cresc.
3
Lt. What’s that 3
he
says DON PEDRO
3
Cin.
3
3
Kin
na,
Ka
leh,
show them the gold.
Just their bush
I 3
Vn. II
3
pizz. Va. 3
pizz. Vc.
Cb. cresc.
122
Scene 2 380 1 2
Fl.
Picc. 1. Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn. 2. 1 2 Hn.
4. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Mar.)
3
3
3
3
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
KINNA 3
8
I Vn. II
Va.
Vc.
Cb.
We 3
3
lan
guage
3
They don’t talk much Eng
lish.
3
have
gold.
We have gold and goods of val
3
ue.
123
Scene 2 384
1.
1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. 1. Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
2. 1 2 Tbn.
cresc.
3.
3 Tuba
cresc. Timp. (Vibr.) 1 (Mar.)
3
Perc. 2
cresc.
cresc.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
cresc.
Bass
cresc. 3
3
3
Ki. 8
You
see.
We
are
not
slaves.
LIEUTENANT
I’d have to see I
3
Vn. II
Va.
Vc.
Cb.
cresc.
that.
124
Scene 2 388 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn. 1. 1 2 Hn. 3 4 1 2 3
Tpt.
3
cresc.
3 3
a2
3
cresc.
1 2 Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(CINQUE tells KINNA to show him. KINNA nods and gestures for the LIEUTENANT to follow. The LIEUTENANT sends two men with him.) Lt. I’ll have to make an in ven
I Vn.
3
II
cresc. Va.
Vc. 3
Cb.
to
ry.
125
Scene 2 392
= 74
ritard.
1.
1 2
Fl.
dim. Picc. 1. Ob.
1 2
dim. E.H. 1. Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Vibr. 1
dim. Perc. 2
3
Cel.
Hp.
Tenor Sax A whole tone/Gm9 W.W. 1
W.W. 2
Tbn. Brushes - soft time - steady! Drums
Bass
3
Lt. I’ll have to
ritard.
see
it
all.
= 74
I Vn. II
Va.
Vc.
pizz. Cb.
dim.
Gm11( 7)
126
Scene 2 398 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
dim. Bn.
1 2
dim. Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 mute 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
Gm11( 7)
D7alt/Gm
A whole tone/G
Gm7( 6)
Gm11( 7)
W.W. 1 C.A.Cl. W.W. 2
dim. Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
dim. arco Cb.
dim.
Dalt7
127
Scene 2 404 1 2
Fl.
dim.
dim.
dim.
dim.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim. Bs. Cl.
dim. Bn.
dim.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
D7( 6)
E 7( 11)
E 7( 9)
D7( 13)
W.W. 1
W.W. 2
dim. Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
dim.
Cb.
dim.
dim.
D9( 11)
128
Scene 2 410
a2
1.
1 2
Fl.
dim. Picc. a2
1.
1 2
Ob.
dim. E.H. a2 1 2
Cl.
dim.
dim. 3
Bs. Cl. 1 2
Bn.
Cbn. 1. 1 2 Hn. 3 4 1 2
Tpt.
3
Tbn.
1 2
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 3
(C.A. Cl.) W.W. 2
Tbn. 3
Drums pizz.
3
Bass
cresc. CINQUE
3
We
3
3
at
last
3
have
come
3
3
3
to 3
naught,
We
at 3
3
S We
at
last
3
have
come
3
to 3
naught,
We
at 3
3
A We
at
last
3
have
come
3
to 3
naught,
We
at 3
3
T 8
We
at
last
3
have
come
to 3
3
naught,
We
at 3
3
B We
at
last
have
come
I Vn. II
Va. pizz.
3
pizz.
3
Vc.
cresc.
Cb.
cresc.
to
naught,
We
at
129
Scene 2 416
a2
1.
a2
1.
1 2
Fl.
dim. Picc.
Ob.
1 2
dim. E.H. a2 Cl.
1 2
dim.
3
3
Bs. Cl.
dim. Bn.
dim.
1 2
Cbn.
1 2
cresc. Hn.
dim.
3 3
3
3
3
3
3 4
dim. Tpt.
1 2 3
Tbn.
1 2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 3
(C.B. Cl.)
3
W.W. 2
dim.
dim.
Tbn. 3
Drums 3 3
3
Bass
dim.
cresc. 3
3
3
3
3
3
Cin. last
have
come
3
to 3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
S last
have
come
3
to 3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
A last
have
come
3
to 3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
T 8
last
have
come
to 3
3
naught,
We
at
last
3
3
have
come
to
3
naught. 3
B last
have
come
to
naught,
We
at
last
have
I 3 3
Vn.
3
II
Va. 3
3
Vc.
cresc.
dim.
3
3
Cb.
cresc.
dim.
come
to
naught.
130
Scene 2
= 132 422 1. 1 2
Fl.
Picc. 1. Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
cresc. Bn.
1 2
Cbn.
Hn.
1 2 3 4
Tpt.
1 2 3 2. 1 2
Tbn. 3 Tuba
Timp. (Vibr.) 1
cresc. Mar. Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
cresc. Tbn.
Drums
Bass
cresc. 3
3
3
Cin. tell
tales, shrouds,
a
dead man’s cloth
the
S the A the T 8
the
B the
= 132 I Vn. II
Va. arco Vc.
arco
pizz.
Cb.
cresc.
Scene 2
131
428 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
cresc.
dim.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
cresc.
dim.
Bs. Cl.
cresc. 1 2
Bn.
Cbn. 1 2
Hn.
3 4
Tpt.
a2
1 2 3
1 2 Tbn.
3.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass 3 3
Cin. mean
ing
is
clear
The
chains
re
turn,
the
i
rons
i
rons
i
rons
i
rons
i
rons
3
3
S mean
ing
is
clear
The
chains
re
turn,
the 3
3
A mean
ing
is
clear
The
chains
re
turn,
the 3
3
T 8
mean
ing
is
clear
The
chains
re
turn,
the
3
3
B mean
ing
is
clear
The
chains
I Vn.
re
turn,
the
3
cresc.
dim.
II
cresc.
3
cresc.
3
dim.
Va.
dim.
Vc. 3
cresc.
dim.
Cb.
cresc.
dim.
cresc.
132
Scene 2 a2
433 1 2
Fl.
dim. Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
Hn.
1 2 3 4 1 2
Tpt.
cresc.
dim.
3
cresc.
dim.
cresc.
dim.
1 2 Tbn.
3.
3 Tuba
cresc.
Timp. (Vibr.) 1
cresc.
(Mar.) Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1 (C.A. Cl.) W.W. 2
Tbn. 4
5
5
6
4
Drums
Bass
Cin. come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
come
on.
The
mean
ing
is
clear.
S
A
T 8
B
I Vn. II
cresc.
Va.
cresc. Vc.
Cb.
5
5
Scene 2
133
437 1 2
Fl.
Picc. 1. Ob.
1 2
E.H.
Cl.
1.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
Hn.
1 2 3 4
Tpt.
1 2 3 a2 1 2
cresc.
Tbn. 3 Tuba
cresc.
cresc.
Timp. (Vibr.) 1
cresc.
cresc.
(Mar.) Perc. 2
cresc.
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
4
5
5
6
4
5
5
Drums
Bass
Cin. We had a brush with the gods— S We had
a
brush
with
the
gods—
We had
a
brush
with
the
gods—
we
A We saw
a god
T We
8
had a brush
with
the
gods—
B We had a brush with the gods
I Vn. II
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
cresc.
cresc.
134
Scene 2 441 1 2
Fl.
dim. Picc.
Ob.
1 2
dim. E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
Hn.
1 2 3 4
1.
1 2 Tpt. 3
dim.
1. 1 2
dim.
Tbn. 3 Tuba
cresc.
Timp. (Vibr.) 1 (Mar.)
cresc.
cresc.
cresc.
cresc.
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
4
5
5
6
4
5
5
Drums
Bass
Cin. We saw
a
god
and this has brought us down.
S saw
a god
face
to
face
face
to
face
A
T 8
We saw
We a god
saw
a
god
and this has brought us
down.
and this has brought us
down.
B We saw
a
god
div. I Vn.
dim. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
135
Scene 2 445
a2
1 2
Fl.
cresc.
dim.
Picc.
Ob.
1 2
dim. E.H.
Cl.
1 2
dim.
cresc. Bs. Cl.
Bn.
1 2
Cbn. 1.
a2
3.
a2
1 2
dim. Hn. 3 4
dim. 1 2 Tpt.
dim.
cresc. 3
dim. 1 2 Tbn. 3 Tuba
cresc. Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
4
5
5
6
5
5
Drums
Bass
Cin. To
be
the
prey
be
came
our
fate,
S brought
us down.
To
be
the
prey
be
came
our
fate,
brought
us down.
To
be
the
prey
be
came
our
fate,
To
be
the
prey
be
came
our
fate,
To
be
the
prey
be
came
our
fate,
A
T 8
B
I Vn.
cresc.
dim.
II
cresc. Va.
cresc. Vc.
cresc. Cb.
cresc.
dim.
136
Scene 2 449
1.
1 2
Fl.
Picc. 1. Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
2. 1 2 Hn.
4. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 4
5
5
4
5
5
Drums
Bass
3
and
we were caught and
S
A
T 8
B
I Vn. II
Va.
cresc. Vc.
cresc. Cb.
starved,
sold
3
on
these
wa
ters
137
Scene 2 453
a2
1 2
Fl.
3
dim.
Picc. 1. Ob.
1 2
3
dim.
E.H. 3
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4
Tpt.
1 2 3
Tbn.
1 2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 4
5
5
4
5
5
Drums
Bass
3
3
Cin. but
we
are
not
slaves,
But
S We
are not
slaves,
We
are not
slaves,
A
T We
8
are not
slaves,
B We
I Vn. II
Va.
cresc. Vc.
cresc. Cb.
are
not
slaves,
we
are
not
138
Scene 2 a2
457 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4 1 2
Tpt. 3
1 2 Tbn.
cresc.
3 Tuba
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 4
5
5
4
5
5
4
Drums
Bass
Cin. slaves
But we
S We
are not
slaves—
We
are not
slaves—
A
T 8
We are not slaves—
B We are not
slaves— 6
I
dim.
Vn.
div. II
dim. Va.
cresc. Vc.
cresc. Cb.
are
not
slaves—
Scene 2 462
139
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2
2.
1 2 Tbn.
a2
3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Sn. Dr. Drums
Bass
TRICKSTER
8
There (to TRICKSTER)
are
(The whites, who can’t see the TRICKSTER, are puzzled)
Cin. Tell me how to say it—
Tell me, Lord Trick
ster,
I Vn.
cresc. II
dim. Va.
cresc.
Vc.
arco Cb.
dim.
no
140
Scene 2 467 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tr. 8
words
No
Cin. Tell me how to say
it—
Tell me, Lord Trick
ster— div.
I Vn. II
Va.
Vc.
Cb.
words
at
all
141
Scene 2
= 69
ritard.
472
a2
1 2
Fl.
Picc. a2 Ob.
1 2
dim. E.H. a2 Cl.
dim.
1 2
dim. Bs. Cl.
Bn.
1 2
dim. Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Tr. 8
They will not—
3
not
3
Cin. Where
are the words
that
white men un der
stand?
= 69
ritard.
I Vn. II
Va.
Vc.
dim. Cb.
dim.
here,
not
142
Subito
Scene 2
= 100
a2
478 1 2
Fl.
3
a2
a2
a2
3
a2
a2
3
3
Picc. 3
Ob.
2.
1 2
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
3
3
3
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 3
Tpt.
3
3
1 2
3
Tbn. 3 Tuba
Timp. Xyl. 1 3
Mar.
3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Hands on drums Drums 3
3
3
3
Bass
DON PEDRO
3
Tr. 8
LIEUTENANT
now.
They talk 3
He’s mad,
Subito I
= 100
3
Vn. 3
II
Va.
Vc.
Cb.
too.
He
talks to the air
3
a
stern.
to
143
Scene 2 484
a2
1 2
Fl.
a2
a2
3
3
a2
a2
a2
3
3
a2
a2
a2
a2
3
3
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
3
3
Bs. Cl. 3
(a2) Bn.
3
3
3
3
3
3
3
3
3
1 2
cresc. Cbn. 2. 3
1 2 Hn.
3
4.
3 4 mute
3
1 2 Tpt.
mute 3
3 mute 1 2 Tbn.
mute 3
3 Tuba
Timp. (Vibr.) 1 (Mar.) 3
3
3
3
3
3
Perc. 2
cresc. 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. play with triplets (hands on drums) Drums
Bass
TRICKSTER
3
8
3
3
You’re as good
3
3
3
as
dead
D.P. spir
its.
Sir,
you
have
much
to
learn. div.
I 3
Vn.
3
3
div. II 3
Va. 3 3
pizz.
3
Vc. 3
3
pizz.
3 3
Cb. 3
3
3
cresc.
144
Scene 2 488 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 3
Hn.
3
cresc.
3 3
3 4 3
cresc.
3
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
(The men return with trunks and open them, removing a few pouches) Tr. 8
3
3
3
I
cresc.
Vn. 3
3
3
3
3
3
3
II
cresc.
cresc.
Va. 3
3
3
cresc.
3
Vc. 3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
Cb. 3
cresc.
3
3
3
Scene 2
145
491 1 2
Fl.
3
Picc. a2 Ob.
1 2
3
E.H. a2 Cl.
1 2
3 3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 open 1 2 3
open
Tpt.
3
3 open 1 2
3
Tbn.
3.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplet feel)
march-like funk
Drums pizz. Bass
DON PEDRO
That
gold
is
mine,
my
3
I 3
6
3
Vn. 3
3
II 3 3
3
Va. 3
pizz.
3
Vc. 3
3
3
3
3
3
3
3
3
3
Cb. 3
3
3
gold.
146
Scene 2 496 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
3
1 2 Hn.
cresc.
3
3 4 1 2 Tpt. 3
1 2 Tbn.
3.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
D.P. 3
There
I Vn. II
Va.
Vc.
Cb.
are
more
bags
in
their
belts.
I
own
these
and
Scene 2
147
500 1 2
Fl.
3
Picc.
Ob.
1 2
dim. E.H. 3
1. Cl.
1 2 3
dim.
dim.
Bs. Cl.
Bn.
1 2
3
3
Cbn.
3
1 2 Hn.
3
3 4 1 2 Tpt.
3
3 1 2 Tbn.
3.
dim.
a2
3
3
3
3
3 Tuba
dim.
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass 3
3
3
3
3
3
cresc.
3
3
3
D.P. man
y
oth
ers,
whole
bar ra coons
in Ha va
na.
He
is
mine,
too.
That
I Vn. II
Va.
3
3
3
3
Vc.
cresc. 3
Cb. 3
3
3
cresc.
148
Scene 2 504 1 2
Fl.
Picc. 1 2
Ob.
E.H. 3
3
1 2
Cl.
3
3
Bs. Cl. 3
3
1 2
Bn.
3
3
3
3
Cbn.
1 2 Hn. 3 4
1 2 3 3
Tpt. 3
1 2 3
Tbn.
3
3
3
3
3
3
3
3
3
3
3
3 Tuba
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
Bass 3
3
3
3
3
3
cresc.
3
3
3
3
3
D.P. one.
Cin
que,
the
lea
der,
They
are
all
mine.
3
I Vn. II 3
Va. 3 3
3
3
3
3
3
3
3
3
3
Vc.
cresc. 3
Cb. 3
3
3
3
3
cresc.
3
3
3
3
a2
149
Scene 2
= 120 507
3
a2
=
1 2
Fl.
Picc. a2 1 2
Ob.
dim. E.H. a2
(1.)
1 2
Cl.
dim. cresc. Bs. Cl. 1. 1 2
Bn.
Cbn.
1 2 Hn.
a2
dim.
3 4
dim. 1 2 Tpt. 3 1 2
dim.
Tbn.
cresc.
3 Tuba
dim.
cresc.
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5
5
sim.
Drums
Bass
LIEUTENANT
I
be
lieve,
sir,
you
should
be
glad
D.P.
= 120 3
= I
dim.
Vn. II
Va.
cresc. arco Vc.
cresc.
pizz. Cb.
dim.
cresc.
150
Scene 2 511 1 2
Fl.
dim. Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 3
1 2 Tpt.
dim. 3 1 2
cresc.
Tbn.
dim.
cresc.
3 Tuba
cresc.
dim.
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Lt. for
your
life.
It’s
the fear
I
of
all
slav
ers,
Fear
3 3
Vn. II
3
Va. 3
dim.
3
dim.
3
Vc.
Cb.
cresc.
dim.
cresc.
151
Scene 2 514
a2
1 2
Fl.
dim. Picc. 1. Ob.
1 2
dim. E.H. a2 Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
2. 1 2 Hn.
4. 3 4 2.
1.
a2
2.
1 2
cresc.
Tpt. 3
cresc. 1 2
cresc.
Tbn. 3 Tuba
cresc.
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
Lt. of all slav
ers:
a slave that
owns
him
with
a
cut
lass.
But this car
go
is
mine,
DON PEDRO
They
I Vn. II 3
Va. 3 3
Vc. 3
Cb.
cresc.
cresc.
are
all
152
Scene 2
= 126 517
a2
1 2
Fl.
Picc. a2 Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 2. 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
NAVIGATOR
3
3
Lt. 8
Sal vage
of
a
ship wreck.
Help these men
to a boat
They
D.P. mine,
= 126 I
dim.
Vn. II
Va.
3 3
cresc.
Vc. 3 3
dim.
cresc. arco
Cb.
dim.
are
kil
lers!
Scene 2
153
a2
521 1 2
Fl.
Picc. a2 Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
dim.
dim.
a2
3
1 2 Hn. 3 4 a2 1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(NAVIGATOR and DON PEDRO exit protesting)
3
Nav. 8
They are
DON PEDRO
kil
lers 3
Lt. I
be lieve
they
sure
ly are.
Of
fi
cer,
that
is
I Vn.
3
II
cresc.
dim. 3
Va. 3
Vc.
cresc. Cb.
dim.
dim.
not
right.
154
Scene 2 527 1 2
Fl.
cresc. Picc.
Ob.
1 2
cresc. E.H. a2 Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 2. 1 2 Tpt. 3
1 2 Tbn.
a2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
LIEUTENANT
(Ignoring DON PEDRO, to his first mate)
Not a 3
D.P. They
are
mine,
all
mine.
I Vn. II
3
Va.
cresc. Vc.
div. Cb.
bad
day
155
Scene 2 533
a2
1.
1 2
Fl.
Picc. 1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Lt. Not a bad
I Vn. II
cresc.
Va.
Vc.
cresc.
Cb.
day,
I
say.
156
Scene 2 538
a2
1 2
Fl.
Picc. a2 Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 Tpt. 3
1 2 Tbn.
3.
a2
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
3
Lt. We’ll have to head for New
I
Vn. II
Va.
Vc.
Cb.
Lon
don.
New York
is
not
a slave
state.
They’ll
let
them
Scene 2
157
544
a2
1 2
Fl.
Picc. 2. Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
1. Bn.
a2
1 2
Cbn.
1 2 Hn. 3 4 a2
1.
2.
1 2 Tpt. 3 1 2 Tbn.
Tuba
3 Tuba
cresc.
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Lt. go.
We sail for
port
in Con nec
ti
cut.
Slaves
they will
div. I Vn. II
Va.
cresc.
cresc.
cresc.
cresc.
Vc.
cresc.
Cb.
cresc.
cresc.
re
158
Scene 2 550
a2
1 2
Fl.
Picc.
Ob.
1 2
dim. E.H.
Cl.
a2
dim.
a2 1 2
dim. Bs. Cl. a2 Bn.
1 2
cresc. Cbn.
1 2 Hn. 3 4 a2 1 2
cresc.
Tpt. 3
cresc.
1 2 Tbn.
Tuba
3 Tuba
Timp. (Vibr.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Lt. main.
Slaves
they
will
re
main.
I
cresc.
dim.
Vn. II
dim.
Va.
Vc.
cresc. div. Cb.
Scene 2
159
557 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn.
3. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ANTONIO (Standing alone in the confusion)
And
I Vn. II
Va.
Vc. pizz. Cb.
me,
am
I
slave?
I
left Cu ba
a
slave
160
Scene 2 562 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
dim. Bs. Cl.
Bn.
cresc.
cresc.
cresc.
cresc.
1 2
Cbn.
cresc.
cresc.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
An. I’ll land
in A mer i ca a
slave
Not friend
nor
foe
to white or
black.
I Vn.
cresc. II
cresc. Va.
Vc.
Cb.
cresc.
I have no
Scene 2
161
566 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
dim.
cresc.
dim.
cresc.
cresc.
1 2
cresc.
Cbn.
dim.
dim.
cresc.
cresc. a2
1 2 6 3
Hn.
3.
3
1.
3
a2
3 4 6
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
An. chance with my“broth ers”
here.
They’ll nev er
trust
me.
Be sides, they got no chance
I
dim. Vn. II
dim.
Va.
dim.
cresc.
Vc.
Cb.
dim.
cresc.
cresc.
at
162
Scene 2
= 80
571
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
cresc. a2 1 2 Hn.
a2 3 4 a2 1 2
Tpt. 3
1 2
cresc. cresc. Tbn. 3 Tuba
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Fill Drums
cresc. Bass LIEUTENANT
all.
Take
them all
= 80 I
dim. Vn. II
dim.
Va.
dim. Vc.
cresc.
Cb.
cresc.
Scene 2 577
a2
1 2
Fl.
163
1.
3
3
cresc.
Picc. 3
Ob.
1.
1 2
3
dim. 3
E.H. 1.
3
Cl.
1 2 3
dim.
3
Bs. Cl.
Bn.
1 2
Cbn. 1. 1 2 Hn.
3. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Glock., soft mallets 1 3
Mar. 3
3
Perc. 2
3 6
cresc.
3
Cel.
3
3
3 3 6
Hp.
dim.
cresc.
E , F , G, A B ,C ,D
(C , G )
3
dim.
3
3
3
3
cresc.
(A , E )
(G )
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(The captives are tied to one another and taken off the ship. One of them grabs the TRICKSTER and hangs on.)
I 3
Vn. II 6
Va. 3
Vc.
dim. Cb.
dim.
164
SCENE 3 (Parade) (Wharf, New England port town. The Coast Guard parades the captives through the town en route to the jail. Citizens come out to watch. Parade move to exterior of jail, circling among people waiting.)
= 120 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2
cresc.
Tpt.
cresc.
3
cresc. 1 2 Tbn.
a2
3 Tuba
cresc.
cresc.
Timp. Glock. 1
cresc. Perc. 2 Bs. Dr.
Sn. Dr.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Snares on Drums
Bass
= 120 I
Vn. II
Va.
Vc.
Cb.
March - brushes
Scene 3 9 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
cresc. 1 2 Tbn. 3 Tuba
Timp. (Glock.) 1
cresc. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
Vn. II
Va.
Vc.
Cb.
1.
165
166
Scene 3 16 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
1.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 Tpt. 3
1 2
Tbn. 3 Tuba
Timp.
1 Mar. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Double time brushes
5/8
Drums
cresc. Bass
I
Vn. II
Va.
Vc.
Cb.
2.
Scene 3
167
22 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. 1. Bn.
1 2
2.
a2
3
3
3
3
3
3
3
cresc.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5/8
3
3
Drums 3
3
3
3
3
Bass
I
Vn. II
Va.
3
3
3
Vc.
pizz. Cb.
168
Scene 3 29 1 2
Fl.
dim. Picc.
1 2
Ob.
E.H. 1. 1 2
Cl.
3
3
dim.
Bs. Cl. 1.
a2
1 2
Bn.
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
dim. Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Fill Drums
cresc. Bass
I
Vn. II
Va.
Vc.
dim.
dim. arco
Cb.
dim.
dim.
Scene 3
= 76 36
169
= 100 1.
1 2
Fl.
Picc.
Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl.
cresc. Bn.
cresc.
1 2
cresc.
cresc.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
= 76
= 100
I
cresc.
Vn. II
Va.
Vc.
8va
8va
Cb.
cresc.
6
170
Scene 3 41 1 2
Fl.
Picc.
Ob.
1 2
cresc.
cresc.
E.H.
cresc.
cresc. 1.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
REPORTER 1
8
So these
are the sa
va
ges
a
board
the
le
gend
ship.
Mur der ers and man
I Vn. II
Va. div.
non div.
div.
Vc.
cresc.
Cb.
cresc.
Scene 3 45
171
2.
1 2
Fl.
Picc. 1 2
Ob.
cresc. E.H.
cresc.
dim.
2. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
R.1 8
ea
ters.
They
look
ev
’ry bit of
I Vn. II
Va. non div.
div.
Vc.
cresc. Cb.
it.
Bring
on
the
“E
thi
o
pi
172
Scene 3 49 1 2
Fl.
Picc. 1 2
Ob.
cresc.
cresc.
E.H.
cresc.
cresc.
cresc.
1 2
Cl.
Bs. Cl. a2
1 2
Bn.
cresc. Cbn.
1 2 Hn. 3 4 2.
1 2 Tpt. 3 1.
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
3
R.1 8
an
de lin
e
a
tors�
to
make
some
new
coon
bits.
I 3
Vn. 3
II
Va.
Vc.
cresc.
3
Cb.
cresc.
cresc.
Scene 3
173
52 1 2
Fl.
Picc.
Ob.
1 2
cresc. E.H.
cresc. Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
cresc. Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 6
5
5
6
Drums
Bass
cresc.
TENOR
8
We know BASS
fat
hap py Mam
bo
Sim ple laz y Sam
bo
Cot ton top
Un cle and
Shift
less
Coon
We know
fat
hap py Mam
bo
Sim ple laz y Sam
bo
Cot ton top
Un cle and
Shift
less
Coon
div.
I Vn. II
Va.
Vc.
Cb.
cresc.
174
Scene 3 55
2.
a2
a2
1 2
Fl.
Picc. 1 2
Ob.
3
E.H. 1. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5
5
6
5
5
6
Drums
Bass
REPORTER 2
3
Would you be do cile
3
O
blig ing and ser
T 8
Who
are these brutes
talk ing mum bo jum
bo?
talk ing mum bo jum
bo?
B Who
are these brutes
(div.)
I Vn. II
Va.
Vc.
Cb.
vile
If
Scene 3 59
2.
175 2.
1 2
Fl.
Picc. 1.
2.
1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
3
1 2 Hn. 3
3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) Vibe. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5
5
6
5
5
6
Drums
Bass 3
3 3
R.2 ripped from home and near
ly killed?
If white men
had mutin eed
and dark
T 8
Whereis Mam bo?
WewantSam
bo.
Whereis Mam bo?
WewantSam
bo.
B
div. I Vn. II
Va. 3
pizz. Vc.
Cb.
arco
skins
were
Scene 3
176 63
2.
2
1 2
Fl.
cresc. Picc. 1
2.
1 2
Ob.
cresc. E.H. 2 1 2
Cl.
cresc. Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 3
1 2 Tpt.
3
3
1 2 3
Tbn.
Tuba
3.
3 Tuba
Timp. (Vibr.) Vibe. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
5
5
6
5
5
6
Drums
Bass
R.2 killed
you would hail the lead er
a he
ro
And de mand li
ber ty for one
and
all.
3
3
S Where is Mam bo?
We want Sam bo.
and we will give 3
3
A Where is Mam bo?
We want Sam bo.
and we will give 3
3
3
3
T 8
Where is Mam bo?
We want Sam bo.
Givethem lib 3
er ty
and we will give
3
3
B Sam bo.
Givethem lib
div.
er ty
give
I
cresc.
Vn.
3
div. II
3
Va. 3
pizz.
arco
pizz.
arco
3
3
3
cresc.
Vc. 3
3
cresc. Cb.
3
Scene 3
177
68 1 2
Fl.
dim. Picc. 1 2
Ob.
dim. E.H. 1. 1 2
Cl.
dim. Bs. Cl. 1 2
Bn.
dim. Cbn.
1 2
Hn.
3 4
(a2)
1 2
Tpt.
dim. 3
dim. 1 2 Tbn.
dim.
3 Tuba
Timp. (Vibr.) 1 Marimba Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
REPORTER 3 R.3 A
he
ro
A
S them
death.
them
death.
them
death.
them
death.
A
T 8
B
con sord. I Vn. II
Va.
Vc.
Cb.
mul ish Man din
go
Scene 3
178 72 1 2
Fl.
Picc.
Ob.
1 2
E.H. (a2) Cl.
a2
1
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2 Sn. Dr. 3 Low. Tom-t.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
R.3 mul lah
e mir of the grec
hees
and the gul
lah.
That man’s
div.
I Vn. II pizz.
arco
Va. pizz. arco Vc. pizz. Cb.
the
ve ry rea son
we
call
a to bac co chawa
Scene 3
179 2
77 1 2
Fl.
Picc. 2. 1 2
Ob.
E.H. 2. 1 2
Cl.
Bs. Cl. a2 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1.
mute
1.
1 2 3
Tpt.
mute 3 3
mute
1.
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 (Marimba) Perc. 2
3
Cel.
Hp.
W.W. 1 E Contra Alto Clarinet W.W. 2
Tbn. snares on
High Hat (open)
Drums
Bass
3
3
3
R.3 nig ger head,
and a rough nut
a
nig ger toe.
Why the
nig
ger
is the black
you
take off rice
grain
Nig
ger
head,
nig
ger
Nig
ger
head,
nig
ger
Nig
ger
head,
nig
ger
Nig
ger
head,
nig
ger
S
A
T 8
B solo
I Vn. II
Va.
Vc. pizz.
Cb.
cresc.
3
and
Scene 3
180 81 1 2
Fl.
Picc. 1 2
Ob.
3
dim.
E.H. 1 2
Cl.
3
dim.
Bs. Cl. 1 2
Bn.
cresc. Cbn.
cresc. 3
1 2 Hn.
dim. 3 4 (1.)
dim.
1
1 2 Tpt. 3
(1.) 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
R.3 su gar cane.
He’s the
chaff
that has to go
if you want to have wheat.
S toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
toe,
Nig
ger
head,
Ole
black
Joe,
Nig
ger
head,
nig
ger
toe,
Mam bo,
Sam bo,
A
T 8
B
3
I 3
3
Vn. II
Va. 3
Vc.
3 3
(pizz.) Cb.
cresc.
dim.
Scene 3
181
2.
86 1 2
Fl.
cresc.
cresc.
cresc.
cresc.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl.
1 2
Bn.
Cbn. 1. 1 2 Hn.
2. 3 4 1. 1 2
Tpt.
dim. 3
dim.
(1) 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 5 Drums
Bass
REPORTER 4 3
R.4 So
true
Why that crea ture there in the cage
He’s a
blub ber lipped nap py head sul len lout
Not half
as smart,
S Ole
Black
Joe,
Mam
bo,
Sam bo,
Mam bo,
Sam
bo,
Ole
Black
Joe,
Mam
bo,
Sam bo,
Mam bo,
Sam
bo,
Ole
Black
Joe,
Where is Mam
bo?
Ole
Black
Joe,
Where is Mam
bo?
want
Where
is
A We
want Sam bo. Where is
We
want Sam bo.
T 8
B
I Vn. II
Va.
Vc. (pizz.) Cb.
cresc.
Scene 3
182 91 1 2
Fl.
cresc.
dim.
Picc. 2. 1 2
Ob.
dim. E.H. 1 2
Cl.
cresc.
dim.
Bs. Cl. a2 1 2
Bn.
Cbn. 1 2 Hn. 3 4
1 2 Tpt. 3 1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 7
7
Drums
Bass
REPORTER 5 3
R.4 8
not half
as smart
as
ev ’ry third
nig
ga
on our docks
Tru er words were nev
S Mam bo?
We
want Sam bo.
Mam bo?
We
want Sam bo.
We
want Sam bo.
We
want Sam bo.
A
T 8
B
I Vn.
non div. II
Va.
Vc. (pizz.) Cb.
arco
er
Scene 3
183
1
96 1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2 6
Bs. Cl. a2 Bn.
1 2
Cbn. 2. 1 2 Hn.
4. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
R.5 8
said
We have learned
here,
here
in A mer
i
ca
Our blacks are
I Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
cresc.
Cb.
cresc.
Scene 3
184 101 1 2
Fl.
3
Picc. 1 2
Ob.
3
3
E.H. 3
1.
1 2
Cl.
3
Bs. Cl. 1 2
Bn.
Cbn. 2. 1 2 Hn.
4. 3 4 1 2
Tpt.
3 1 2
Tbn.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
R.5 8
hap
pi
er.
Sub
ject
ion
does
them
good
S Give them li
ber
Give them li
ber
A
T 8
B
I
dim.
Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
185 a2
105 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1.
1.
1 2
Cl.
dim. Bs. Cl.
cresc. 1 2
Bn.
Cbn. 1. 1 2 Hn.
3. 3 4 mute 1 2
Tpt.
cresc.
cresc.
cresc.
cresc.
mute 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. A. Clar.) W.W. 2
cresc. Tbn. Cymbals - sparse Drums
Bass REPORTER 6
Who S ty
we’ll
give
them
death.
ty
we’ll
give
them
death.
we’ll
give
them
death.
we’ll
give
them
death.
A
T 8
B
I Vn. II
Va.
Vc.
Cb.
told
you
that?
Scene 3
186 110 1 2
Fl.
Picc. 1 2
Ob.
3
E.H. 1 2
Cl.
3
Bs. Cl.
cresc.
cresc.
1 2
Bn.
Cbn.
1 1 2 Hn.
4 3 4
1 2 Tpt.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C. A. Clar.) W.W. 2
Tbn. Cymbals - sparse Drums
3
Bass
3
3
3
3
R.6 Some “hap
py” chained
up
black?
I Vn. II 3
Va.
Vc.
Cb.
3
The
slave
trade
is
a
tra
ge
dy.
We
Scene 3
187
114 1 2
Fl.
cresc. Picc. a2 Ob.
1 2
E.H. 2. Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn. 3 4 1 2 Tpt. 3 a2 1 2 Tbn.
a2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass REPORTER 4
R.6 must sup port
its
fi
nal
end
They’re so keen eyed
and
shif
ty—
They ought ta
I
cresc. Vn. II
cresc.
cresc. Va.
Vc.
cresc. pizz. Cb.
arco
pizz.
be
Scene 3
188 118 1 2
Fl.
cresc.
cresc.
Picc.
Ob.
1 2
dim.
dim.
dim.
dim.
E.H. (2.) Cl.
1 2
cresc.
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn.
dim. 3 4 (2.)
mute
1 2 Tpt.
mute
dim.
3
dim. 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
REPORTER 6
3
R.4 hog
tied
and
whipped.
Well,
I
must
a
gree,
they
get
div. I 3
Vn. II
Va.
cresc. Vc.
cresc. Cb.
cresc.
a lot of sym pa
Scene 3
189
122 1 2
Fl.
cresc.
cresc.
Picc. 2. Ob.
1 2
cresc.
dim.
dim.
E.H.
dim.
(2) Cl.
1 2
cresc.
cresc.
Bs. Cl.
Bn.
1 2
dim. Cbn.
1. 1 2 Hn.
dim.
dim.
dim.
dim.
3 4 (mute) 1 2 Tpt.
dim. 3 1 2
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
R.6 thy
more
tears
from
la dies and
fools
than
white
men
I Vn. II
dim.
Va. 3
dim.
Vc.
cresc.
Cb.
cresc.
e
ver
could.
Scene 3
190 1.
126
1.
1.
1.
1 2
Fl.
cresc.
cresc.
cresc.
cresc.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
R.6 Whites
need
e
qual
just
ice
REPORTER 1
Cer
8
T1 In
8
deed.
T2 8
In
deed.
B In
deed.
div. I Vn.
div. II div.
Va.
dim. Vc.
cresc.
Cb.
cresc.
3
4
tain
lib
erals
Scene 3
191
2.
130 1 2
Fl.
cresc.
cresc.
Picc.
Ob.
1 2
E.H. 1. Cl.
1.
1.
1.
1 2
cresc.
cresc.
Bs. Cl. a2 Bn.
1 2
cresc. Cbn. 3
1. 1 2
cresc.
3
3
dim. Hn.
3
3
3
3 4
cresc.
dim.
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
R.1 8
you knowthe ones
I
mean,
de
fend the coons
e ven when they
kill
it’s
I 3
Vn. II 3
Va. 3
Vc.
Cb.
Scene 3
192
a2
134 1 2
Fl.
Picc.
Ob.
1 2 3
E.H. 3
Cl.
a2
1 2
cresc.
cresc.
Bs. Cl. a2 Bn.
1 2
cresc.
Cbn.
cresc. 3
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
3.
a2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
8
gett ing so these brutes
can run a mok,
slit our throats
and live to
3
tell it
get fat and
com fy,
unis.
div.
3
I 3
Vn.
div.
3
II 3
div.
3
Va.
cresc.
3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
sleep ing in our
jail
Scene 3
193
139
a2
1 2
Fl.
3
Picc. a2 1 2
Ob.
3
E.H. a2
3
1 2
Cl.
3
Bs. Cl. 3
1 2
Bn.
3
Cbn.
1 2 Hn. 3 4 3
1 2 Tpt.
3
3 1 2 Tbn.
3
3 Tuba 3 3
3
3
3
3
3
3
3
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
cresc.
3
3
3
3
3
Bass
3
S Give
them
3
A 3
3
3
3
3
3
3
Give
T 8
Give
them
li
ber
3
3
ty,
Give
them
li
ber
ty,
Give
them
3
3
3
li
ber
3
ty, 3
B Give
them
li
ber
ty,
Give
them
li
ber
ty,
Give
them
li
ber
ty,
I Vn.
3 3
II 3
3
Va. 3
cresc.
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
Vc. 3
cresc. 3
Cb. 3
cresc.
them
Scene 3
194 141
(a2)
1 2
Fl.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Picc. (a2) 1 2
Ob.
3
E.H. (a2)
3
3
1 2
Cl.
3
3
3
3
Bs. Cl. 1 2
Bn. Cbn.
1 2
Hn.
3 4 1 2
Tpt.
3 a2 1 2 Tbn.
cresc.
a2
3 Tuba
cresc. 3
3
3
3
3
3
3
3
3
3
3
Timp.
1 Perc. 2 3
Cel.
Hp.
W.W. 1 W.W. 2 Tbn. Drums 3
3
3
3
cresc.
3
3
3
3
3
3
cresc.
Bass
3
3
3
S Captives
Are
they
are
they
go
ing to kill 3
us, 3
3
A Are
they
are
they
go
ing to kill
us,
3
3
3
T Are they
8
are
they
go
ing to kill
us,
B Are they,
3
3
are
3
3
they 3
S death,
Give
them
death,
Whites
3
Give them li 3
ber
ty, 3
3
Give them
li
3
A death,
Give
3
3
3
3
3
them
death,
3
3
Give them li 3
ber
ty, 3
3
Give them
li
3
T 8
death, Give them li 3
3
ber ty, 3
Give them li
ber ty, Give them li
3
3
3
ber ty,
death,
3
3
Give them li
ber
ty,
Give them
li
3
B death, Give them li
ber ty,
Give them li
ber ty, Give them li
ber ty,
death,
Give 3
I 3
cresc.
Vn.
6
cresc. 6
3
II
cresc.
3
3
3
3
3
3
3
3
cresc.
Va. 3
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Vc.
cresc.
cresc. 3
3
Cb.
cresc.
cresc.
Scene 3
195
144
1.
a2
3
3
1.
a2
3
3
1 2
Fl.
dim.
3
3
3
3
3
3
3
3
3
Picc. 1 2
Ob.
dim. E.H.
a2 1 2
Cl.
3
dim.
3
Bs. Cl. 1 2
Bn. Cbn.
1 2 3 3
Hn. 3 4 1 2
Tpt.
3 a2
(a2) 1 2
3
Tbn.
3
(a2)
a2
3 Tuba 3
3
3
3
3
3
3
3
3
3
3
Timp. 1 Perc. 2 3
Cel.
Hp.
W.W. 1 W.W. 2 Tbn. 3
3
3
Drums 3
3
3
cresc.
3
3
3
3
3
3
Bass
3
3
S
Captives
go ing to
kill
us,
3
3
A go ing to 3
3
3
us,
go ing to
kill
us, 3
T Go ing to
8
kill
3
kill
us,
3
B go ing to 3
kill
Do you
us,
know 3
3
3
3
3
3
3
S ber ty, Give them li Whites
3
ber ty,
Give them li
3
3
ber ty, Give them li
3
3
3
ber ty,
Give them 3
3
A ber ty, Give them li 3
ber ty, 3
3
Give them li
3
3
3
3
ber ty, Give them li 3
3
ber ty,
Give them
3
3
T 8
ber ty, Give them li
ber ty,
Give
them
death,
Give them li
ber ty,
Give them li
ber ty, Give them li
ber ty,
3 3
3
3
3
3
3
3
3
3
B them
death,
Give
them
death,
Give them li
ber ty,
I Vn.
them
death,
3
3
dim.
Give
II 3
3
3
3 3
3 3
3
3
3
33
3
3
3
cresc.
33
3
3
Va. 3
3 3
3 3
3
cresc.
3
3
3 3
3 3
3
3
3
3
Vc.
cresc. 3
3
Cb.
cresc.
Scene 3
196 147 1 2
Fl.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Picc. 1 2
Ob.
E.H. 3
1 2
Cl.
3
3
3
Bs. Cl. 1 2
Bn. Cbn.
(a2) 1 2 Hn.
(a2) 3 4 1 2
Tpt. 3
1 2
Tbn.
3 Tuba 3
3
3
3
3
3
3
3
3
3
3
Timp.
cresc. 1 Perc. 2 3
Cel.
Hp.
W.W. 1 W.W. 2 Tbn. 3
Drums 3
3
3
cresc.
3
3
3
3
3
cresc.
3
Bass
Captives
S Do
you
know,
Do
you
know,
A
T 8
Are
they
Do you
go ing to
B Are 3
3
3
3
3
They
go ing to
3
3
3
3
3
3
S death,
Give them li
Whites
3
ber ty, 3
3
3
Give
them 3
death,
Give
3
them
death,
3
Give them li 3
3
ber ty, 3
Give them
li
3
A death,
Give them li
ber ty,
3
Give
them 3
3
death, 3
Give
them
death,
3
Give them li 3
3
ber ty,
Give them
li
3
T 8
death,
Give them li 3
3
3
ber ty, Give them li 3
3
3
ber ty,
death, Give them li
ber ty, 3
3
B death
Give them li
ber ty
Give them li
ber ty, Give them li
ber ty,
death,
Give them
I 3
Vn.
3
3
cresc. 3
3
3 3
3
II 3
3
3
3
3 3
cresc. 3
3
3
3
3
3
Va. 3
cresc. 3
3
3
3
3
3
3
3
3 3
3 3
3
3
3
3
3
3
3 3
Vc.
cresc. 3
3
Cb.
cresc.
3
li
Scene 3
197
150 a2 1 2
Fl. Picc.
a2 1 2
Ob. E.H.
a2 1 2
Cl. Bs. Cl.
1 2
Bn. Cbn.
1 2
Hn.
3 4 1 2 Tpt. 3 1 2 3
Tbn.
3
3 Tuba
3
3
3
Timp. (Vibr.) 1 Perc. 2 3
Cel.
Hp.
W.W. 1 W.W. 2 Tbn. Drums 3
3
3
Bass
Captives
S Are
they
go ing to
slit
our
throats
Are
they
go ing to
slit
our
throats
Slit
our
throats
Slit
our
throats
A
T 8
know
B 3
3
S ber
ty,
Give them death
Whites
3
3
A ber
ty,
Give them death
3
3
3
3
T Give them li
8
3
ber
3
ty,
Give them death 3
3
B ber
ty, Givethem
li
ber
ty,
Give them death div.
I Vn.
3
II 3
3 3
Va.
cresc. 3
3 3
3 3
div.
3
unis.
Vc. 3
cresc. 3
3
3
Cb.
cresc.
3
198
Scene 3 153
(a2)
1 2
Fl.
Picc. (a2) Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl. (a2) Bn.
1 2
Cbn.
1 2 Hn. 3 4 mute 1.
1.
1.
1.
1 2 Tpt.
cresc.
cresc.
cresc.
cresc.
mute 3
1 2 Tbn.
Tuba
(Tuba)
3 Tuba
3.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
3
Tr. 8
They yap
and
snap,
snick er like
mon
keys.
Af ter so
I 3
Vn.
3
II
cresc. Va.
cresc. Vc.
Cb.
much
si
lence,
Scene 3
199
158 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
cresc. Bs. Cl.
cresc. Bn.
1 2
Cbn.
1 2
dim.
Hn. 3 4
dim. 1.
1.
1.
1 2
cresc.
Tpt. 3
cresc. 1 2 Tbn.
Tuba 3.
Tuba
3.
Tuba
3.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Scat (Whole tone) Tr. 8
so
much gloom,
the bush
re
a
wak ens me.
re a
wak ens me.
I 3
Vn. II
dim.
dim.
Va.
dim.
dim. arco
pizz.
Vc.
cresc. pizz. Cb.
Scene 3
200 164
a2
2.
1 2
Fl.
cresc. Picc. 1. Ob.
1 2
E.H.
Cl.
1 2
cresc.
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1 Marimba Perc. 2
3
Cel.
Hp.
W.W. 1 Contra Alto Clarinet in E
D half diminished
C7( 11) or
Duet with Trickster (interact)
W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
Bass
F half diminished
E 7( 11) or
Tr. 8
I Vn.
div. II div.
Va.
Vc.
Cb.
Scene 3 170
201
a2
2.
1 2
Fl.
cresc.
dim.
Picc.
Ob.
1 2
dim. E.H. a2 Cl.
1 2
cresc.
8
dim.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
dim. 3 4
dim. 1 2 Tpt. 3
1 2 Tbn.
3.
a2
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1 E ( 9) 7 Duet continues W.W. 2
Tbn. Fill Drums
Bass
E
( 9) 7
Tr. 8
They div.
I 8
Vn. II
dim.
Va.
dim. Vc.
Cb.
Scene 3
202 175
1.
1 2
Fl.
a2
(a2) 3
dim.
dim.
Picc.
Ob.
1 2 3
E.H. (a2) Cl.
1 2
dim.
dim.
Bs. Cl.
Bn.
1 2
Cbn.
1 2
dim.
Hn. 3 4
dim. 1 2
dim.
Tpt. 3
dim. 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
3
Xylophone Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Tr. 8
squalk
and
chirp
chirp and squalk
like
hun
gry
birds,
I
dim. Vn. II
cresc.
Va.
cresc. Vc.
cresc. Cb.
cresc.
Scene 3
203
180 1 2
Fl.
Picc. 6
Ob.
1 2
E.H. a2 Cl.
1 2
cresc.
6
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
a2
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Tr. 8
Like
hun
gry
birds ’round
a cook
ing
pot
I
cresc.
6
Vn. II
cresc.
Va.
Vc.
Cb.
dim.
dim.
204 a2
184 1 2
Fl.
Picc.
Ob.
1 2
dim. E.H.
Cl.
1 2
dim.
6
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt.
dim. 3
dim. 1 2 Tbn. 3 Tuba
dim. Timp.
(Vibr.) 1 (Xyl.) Perc. 2
3
Cel.
Hp.
W.W. 1 Contrabass Clarinet in E W.W. 2
Tbn.
Drums
dim.
cresc.
cresc.
Bass 3
4
3
Tr. 8
A place for a
crowd
I
like the sound of bar ter and
I 3
cresc. 4 Vn.
3 4
II
cresc.
Va.
Vc.
pizz. Cb.
dim.
noise
1.
Scene 3
a2
205
189 1 2
Fl.
cresc.
3
Picc.
cresc. Ob.
1 2
E.H. a2
a2 Cl.
1 2
cresc.
3
Bs. Cl. (a2) Bn.
3
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
3.
dim.
3 Tuba Tuba
Timp. (Vibr.) 1
Perc. 2 Bass Drum 3
Cel.
Hp.
W.W. 1 3
W.W. 2
Tbn. Fill Drums
cresc. Bass
no tremolo
I
cresc.
3
dim.
6
Vn.
no tremolo II
cresc.
dim.
6
no tremolo Va.
dim.
3 6 3
Vc.
dim.
Cb.
206
SCENE 4 (Jail) Jail cell, interior. (If exterior is shown, streets still jammed with people.) Blacks are in three to four cells: Women in one and CINQUE and the other men in two or three. Men wear dark striped cotton trousers and striped cotton shirts; the women, calico dresses.
Freely,
= 69
1 2
Fl.
3
Picc. 2.
1. Ob.
1 2 3
3
3
3
1.
E.H. 3
dim.
3
3
2. Cl.
3
3
3
3
dim. 3
1 2
Bs. Cl. 3
1 Bn. 2
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Freely,
I
Vn. II
Va.
Vc.
Cb.
= 69
3
Scene 4
207
= 84
7 1 2
Fl.
3
3
3
cresc.
dim.
Picc. 2. Ob.
1 2 3
dim. E.H. 3
Cl.
3
dim.
cresc.
1 2
Bs. Cl. 3
Bn.
3
3
3
1 2
cresc.
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.)
3
3
1 Marimba Perc. 2
3
Cel.
E F GA ] 3
BC D
3
3
3
cresc.3
3
3
3
3
3
3
3
3
3
3
3
Hp.
E
F
W.W. 1
W.W. 2
Tbn. Sparse interjections cymbal swells (brushes) Drums
Bass
= 84 I Vn. II 3
3
solo Va. 3
cresc.
3
3
3
3
3
solo Vc. 3
Cb.
3
cresc.
3
3
3
3
3
3
Scene 4
208
1.
13 1 2
Fl.
3
Picc. 1. Ob.
1.
1 2 3
cresc.
3
3
cresc.
3
E.H. 3
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. 3
(Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
3
3
3
3
3
dim. Hp.
3
3
3
3 3
3
3
3
E
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
F
F
3
dim.
3
3
3
3
3
3
3
E
W.W. 1
W.W. 2
Tbn. (Sparse Interjections Cymbal Swells, etc.)
Brushes (triplet feel)
Drums
Bass
I Vn. II 3
3
3
Va. 3 3
dim.
3
3
3
3
3
3
3
3
3
3
3
3 3
cresc.
3
3
3
3
dim.
Vc. 3
Cb.
dim.
3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
dim.
3
Scene 4
(1)
209
18 1 2
Fl.
3
3
dim. Picc. 2. Ob.
1.
1 2 3
3
3
dim.
E.H. 2. Cl.
1 2 3
dim.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. 3
(Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
3
3
cresc. 3
3
Hp.
3
3
E
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
F
3
3
3
3
E
F
3
3
3
3
dim. 3
3
3
3
3
3
E
3
3
F
W.W. 1
W.W. 2
Tbn.
Drums
Bass
MARGRU 3
3
3
I could tell
by their
looks,
3
3
their touch es,
the way they han
dled
me,
I Vn.
3
II 3
metà
3
3
3
3
Va. 3
3
3
3
cresc.
3
3
3
3
3
3 3
3
3
3
3
3
3
3
dim.
metà Vc. 3
3
3
3
3
3
cresc. Cb.
3
3
3
3
3
3
3
dim.
3
3
3
3
3
Scene 4
210 23
1.
1 2
Fl.
3
dim.
3
Picc. 2. Ob.
1 2 3
dim.
3
dim.
3
E.H.
Cl.
1 2 3
3
Bs. Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn.
a2
3.
3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
3
cresc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
dim.
3
Hp.
3
3
3
3
3
E
F
3
3
3
3
3
F
E
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Mar. they want ed a
girl.
They thought I was
a
vir
gin.
E ven these
3
I
3
dim. Vn.
3
II 3
cresc.
dim.
3
3
3
Va. 3
cresc.
3
3
3
3
3
3 3
3
3
3
3
3
dim.
3
3
3
3
3
Vc. 3
Cb.
3
cresc.
3
3
3
3
3
3
dim.
3
3
3
Scene 4 27
1.
1 2
Fl.
211
3 3
3
3
3
Picc. 3
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. 1
a2 Bn.
1 2
3
3
Cbn. (1.)
1.
1 2 3
Hn.
3
3. 3 4 3
3
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibes.)
3
3
3
3
1 (Mar.) Perc. 2
3
3
Cel.
3
3
3
3
3 cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Hp.
3
3
3
3
3
dim. 3
3
E
F
3
3
3
3
3
F
E
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
Mar. men
here,
in
this
pris
on,
call
me
the girl.
They think
I 3
3
3
Vn.
6
3
3
II 3
3
3
dim.
3
3
3
Va. 3
cresc.
3
3
3
3
3
3 3
3
3
3
3
3
dim.
3
3
3
Vc. 3
Cb.
3
cresc.
3
3
3
3
3
3
3
dim.
3
3
3
3
I’m
Scene 4
212
1.
31 1 2
Fl.
6
dim. Picc. 2. Ob.
1 2 3
3
E.H. 3
Cl.
1 2 (2.)
3
5
Bs. Cl.
Bn.
1 2 3
Cbn.
1 2 Hn. 3 4
dim. 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
dim. Timp. 3
(Vibr.)
3
3
3
1 (Mar.) Perc. 2
3
Cel.
3
3
3
cresc. 3
3
3
3
3
3
3
3
3
3
3
3
3
Hp.
F
W.W. 1
W.W. 2
Tbn. switch to sticks Drums
dim.
dim.
Bass
3
3
3
3
3
Mar. a
vir
gin
They
got
what they want
ed,
a slight
I 3
dim.
5
Vn.
cresc.
3
II 3
tutti
3
3
Va.
3 3
cresc.
3
3
3
3
3
3
3
3
3
3
dim.3
3
3
dim. 3
3
3
3
tutti
Vc. 3
3
cresc.
3
3
3
3
3
3
3
div.
Cb.
dim.
3
3
Scene 4 35
a2
1 2
Fl.
213
3
3
3
dim.
Picc.
Ob.
1 2 3
3
3
3
E.H. 1. Cl.
2.
1 2 3
3
dim.
3
3
Bs. Cl. 3
3
2. Bn.
1 2 3
Cbn.
2. 1 2 3
Hn.
cresc.
3 4 1. 1 2 3
Tpt. 3
Tbn.
1 2
3 Tuba
Timp. 3
3
(Vibr.) 1 3
(Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
Mar. girl,
with
slim hips
and small breasts.
They don’t know
I left a ba
by wrapped in cloth wait ing
I Vn. II 3
3
Va. 3
dim.
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Vc. 3
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3
Cb.
dim.
cresc.
3
Scene 4
214 40
2.
a2
1 2
Fl.
3
3
3
3
3
dim.
dim.
Picc. 3
1. Ob.
dim.
1 2 3
dim.
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
Tuba
3 Tuba
dim. Timp. 3
(Vibr.)
3
1 (Mar.) Perc. 2
3
3
Cel.
3
3
3
3
3
3
3
3
cresc.
Hp.
3
3
3
3
[B C D E F G A]
3
3
3
3
3
D G
W.W. 1
W.W. 2
Tbn. Color with cymbals (scrape?) Drums
dim.
cresc. Bass
3
3
3
3
Mar. for his milk.
He is ly
ing
in
his
cloth
on a 8va
I 3
3
3
3
cresc.
Vn.
3
dim.
metà
3
dim.
3
3
3
II 3
3
cresc.
3
dim.
3
3
3
3
cresc.
3
metà Va. 3
3
cresc.
3
3
3 3
3
3
3
3
3
3 3
dim.
Vc. 3
Cb.
3
cresc.
3
3
3
3
3
3
dim.
3
3
3
3
3
3
3
3
cresc.
3
3
3
Scene 4
215
45 1 2
Fl.
3
dim. Picc. 3
dim. Ob.
1 2 3
3
E.H. 3
Cl.
1 2 3
Bs. Cl.
Bn.
1 2 3
Cbn.
1 2 3.
Hn.
3
3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 3
3
(Mba.)
3
3
Perc. 2
3
Cel.
3
Hp.
3
3
3
3
3
3
3
3
3
3
dim.
3
3
3
3
3
3
3
D
3
3
3
3
3
3
3
G
3
3
D
3
3
3
3
3
G
W.W. 1
W.W. 2
Tbn. brushes Drums
Bass
3
3
3
3
3
3
Mar. pal
let
on
the
ground
un
der my moth
er’s
gaze
in my house
of
grass
solo on top, tutti octave below solo
8va
div. I 6 3
Vn.
3
dim.
3
3 3
3
3
II 3 3
3
3
3
3
3
3
3
3
dim.
3
3
3
3
3
3
Va. 3
3
3
3
3
3
3
dim. Vc.
dim. Cb.
dim.
3
3
3
3
3
3
Scene 4
216 2.
49
3
1 2
Fl.
3
dim.
Picc.
dim.
1. Ob.
1 2 3
dim.
E.H. 1. 2. Cl.
1 2 2.
3
Bs. Cl.
Bn.
1 2
cresc. Cbn. 1. 1 2 Hn.
3
cresc.
(3.) 3 4
cresc. 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1 3 3
(Mar.) Perc. 2
3
Cel.
3
Hp.
3
3
3
3
3
3
3
3
3
3
3
3
cresc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
Mar. in a small
round
house
on bar ren
heart less
soil
where the wind blows
all
but the goats
3
I
3
3
3
dim. Vn.
3
3
3
II 3
dim. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
Va. 3
3
3
3
3
3
3
3
3
3
3
cresc. Vc.
dim.
cresc.
Cb.
dim.
cresc.
cresc.
3
3
3
Scene 4
217
53 1 2
Fl.
3
3
3
3
Picc. (1.) Ob.
1 2 3
3
3
E.H. 1. Cl.
1 2 3
3
Bs. Cl.
Bn.
1 2
Cbn.
cresc. 1 2 Hn. 3 4 1.
3
1 2 3
Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
dim. Hp.
3
3
3
3
3
3
3
cresc.
3
3
G
3
3
3
G 3 C
3
3
3
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
4
3
3
range
with
3
Mar. a
way.
His cloth was
o
sea
shells
on
it.
I kept
him wrapped
I 6
cresc.
Vn.
3
tutti
3
3
II 3 3
3
dim.
3
3
3
3
cresc.
(metà)
Va. 3
3
dim.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc. (metà)
Vc. 3
3
cresc.
Cb.
dim.
cresc.
3
3
3
Scene 4
218 1.
57
(1.)
1 2
Fl.
3
6
Picc. 6 3
Ob.
3
3
2.
1 2 3
3
3
3
E.H. 2. Cl.
2.
1 2 3
3
3
3
3
Bs. Cl.
Bn.
1 2
cresc. Cbn.
cresc. 1 2 Hn. 3 4 1. 1 2
3
Tpt.
3 3
3 3
3
3 1 2 Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
6
6
6
cresc. 6
Cel.
6
6 6
6
6 6
6
6 6
6
6
6 3
3
3
3
B ,C 3
6 3
Hp.
3
3
3
3
3
3
3
3
3
3
3
6
sustain
3
W.W. 1
W.W. 2
Tbn. 6 against 4 Drums 3
3
3
3
cresc. Bass
3
3
3
3
3
3
3
Mar. tight
to my back,
ex cept
that
af ter noon,
ex
I
6
6
cept
6
that
af ter noon,
when I
6
6
6
6
6
6
6
6
6
cresc.
Vn. II 6
6
6
cresc.
6
tutti Va. 3 3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
tutti Vc. 3
Cb.
3
3
3
3
3
3
3
3
cresc.
3
3
Scene 4
6
61
219
1.
1 2
Fl.
3
6
3
dim.
Picc. 6
6
3
dim. Ob.
1 2 3
E.H. a2 Cl.
1 2 3
3
dim.
3
dim.
Bs. Cl.
Bn.
1 2
dim.
dim.
dim.
dim.
Cbn. 1.
3
1 2 Hn.
3. 3 4 3
1 2 3
3
3
3
dim.
dim.
Tpt. 3
dim.
dim. 1.
1 2 3
Tbn.
dim.
(Tuba)
a2
3 Tuba
dim.
dim. Timp.
1
Perc. 2
3
6
6
dim. 6
Cel.
6 6
6
3
6
3
6
6 6
6
6
6
Hp.
6
W.W. 1
W.W. 2
Tbn. 4/4 Drums 3
3
dim. Bass
3
3
3
3
3
3
Mar. went
for
food.
When
they
took
me
my
div.
I
6
6
6
6
6 3
dim. div.
Vn.
3
3
3
3
3
3
6 3
3
II 6
6
dim.
6
6
6
3
cresc.
3
div.
Va. 3 3
3
3
3
3
dim.
3
3
3
3
3
3
3
3
6
3
Vc. 3
dim.
3
3
3
3
cresc.
Cb.
dim.
dim.
cresc.
3
3
3
3
3
3
Scene 4
220 65
a2
1 2
Fl.
3 3
3
Picc. 1.
3
Ob.
(1.)
1 2
3
3
E.H. 3
Cl.
2.
(2.)
1 2 3
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 3
3
1 2
cresc. Tpt.
3
3
cresc. 2. 1 2 3
Tbn.
cresc.
(a2)
3 Tuba
cresc. dim.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
Mar. milk
flowed
down
the
dirt trails,
down my
legs
and
arms
I
y
i
rons.
3
6
6
on the rust
6
Vn.
3
3
3
3
3
3
3
3
3
3
3
3
II 3
3
dim.
3
cresc.
3
3
Va. 3
3
cresc.
Vc. 3
3
3
3
dim.
3
3
3
3
3
cresc.
3
3
3
3
Cb.
dim.
cresc.
3
3
3
Scene 4
221
1.
69
a2
1 2
Fl.
dim. Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1.
2.
1 2
cresc.
Tpt. 3
cresc. 1 2
cresc.
cresc. Tbn.
3.
3 Tuba
cresc.
Tuba
cresc. Timp. (Vibr.) 1
Perc. 2
3
Cel.
[B C D E F G A]
cresc.
Hp.
W.W. 1
W.W. 2
Tbn. Cymbals only
Sticks
Drums
dim. Bass
Mar. And yes,
I
cresc.
Vn. II
dim.
cresc.
Va.
Vc.
dim.
cresc.
Cb.
dim.
cresc.
I helped to kill
the
Scene 4
222 74
(a2)
1 2
Fl.
dim.
dim. Picc.
1. Ob.
1 2
dim. E.H.
Cl.
dim.
dim.
dim.
dim.
dim.
dim.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 (2.) 1 2 Tpt. 3 1 2 Tbn.
(3.)
3 Tuba (Tuba)
cresc.
Timp.
1
Perc. 2
3
Cel.
cresc.
Hp.
dim.
cresc.
dim.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
dim.
dim.
Bass
Mar. men
I
cut
one
of
those sail
ors
in
his
chest.
I
I
cresc.
Vn.
cresc.
dim.
dim.
cresc.
dim.
dim.
II
cresc.
Va.
cresc. Vc.
Cb.
dim.
dim.
Scene 4
223
79 1 2
Fl.
dim. Picc. (1.) Ob.
1 2
dim. E.H. (1.) Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2
cresc.
(3)
Tbn. 3 Tuba
(Tuba)
dim.
cresc.
Timp. (Vibr.) 1
Perc. 2
3
Cel.
cresc.
dim.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim.
cresc.
Bass
Mar. was not
a
fraid
to
die.
I
was
I
dim.
cresc.
Vn. II
dim.
cresc.
Va.
cresc. Vc.
dim.
cresc.
Cb.
dim.
cresc.
a
fraid
I
could
Scene 4
224 84
(a2)
a2
1 2
Fl.
dim.
3
cresc.
dim.
cresc.
dim.
Picc.
Ob.
1 2
dim.
3
dim.
E.H. a2 Cl.
1 2
dim.
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4 1.
dim.
3
dim.
1 2 Tpt.
dim.
3
dim.
dim.
1 2
cresc. Tbn.
(3.)
3 Tuba (Tuba)
dim.
cresc. Timp.
cresc. Xylophone 1
cresc. Marimba Perc. 2
cresc. 3
Cel.
cresc.
Hp.
cresc.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc. Bass
3
Mar. not
get
back
where
I
still
live
my
life.
I Vn.
cresc.
cresc.
cresc.
cresc.
II
Va. 3
cresc.
dim.
Vc.
cresc.
dim.
Cb.
cresc.
dim.
Scene 4 89
225
(a2)
1 2
Fl.
Picc. 2. Ob.
1 2
E.H. (a2) Cl.
1 2
Bs. Cl. 1. Bn.
1 2
Cbn. 1. 1 2
dim.
Hn.
4. 3 4
dim. 1 2 Tpt. 3 1 2 Tbn.
(3.)
3 Tuba (Tuba)
Timp. (Xylo.) 1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 2/4 Feel brushes Drums
Bass
3
Mar. I’m
still
caught
in
a
step
on
my
way
back
div.
I Vn. II
Va.
cresc.
dim.
cresc.
cresc.
dim.
cresc.
Vc.
Cb.
cresc.
Scene 4
226 95 1 2
Fl.
Picc. 4
Ob.
1 2 3 4
E.H.
1 3
3
3
3
cresc.
cresc.
Cl. Clarinet 2
3
2 3
3
3
3 3
cresc.
3
3
Bn.
1 2
Cbn.
1 2 4
Hn.
4
3
3 4
1 2 Tpt. 3 2. 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
4
3
3
3
3
3
3
Mar. to
a
pal
let
on
the
ground,
I 4
dim.
Vn. II
dim.
4
Va.
cresc.
cresc.
cresc.
cresc.
Vc.
Cb.
Scene 4
227
1.
101 1 2
Fl.
Picc. 1. Ob.
2.
1 2
E.H.
1 Cl. 2
Bn.
1 2
Cbn.
1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
4
4
Mar. my
ba
I Vn. II
Va.
dim.
Vc.
dim. Cb.
dim.
by wrapped in
sea shells,
wait ing
for
his
milk.
Scene 4
228 108 1 2
Fl.
3
3
3
3
3
3
cresc. Picc.
cresc. Ob.
1 2
E.H. 1. Cl.
1 2
3
cresc.
3
3
3
3
3
3
3
3
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2 solo Tbn.
Drums
cresc. Bass
Mar.
div.
I 3
3
3
3
cresc.
cresc.
3
3
div.
Vn. II 3
cresc.
3
3
3
3
3
3
3
3
3
cresc.
Va.
cresc. cresc. Vc.
cresc. div. Cb.
cresc.
3
3
Scene 4
229 3
a2
=
113 1 2
Fl.
3 3
cresc.
3
3
3
3
3
Picc. 3
cresc. Ob.
3
3
1 2
E.H. (1.) Cl.
3
a2
3
1 2
3
2.
cresc.
3
3
3
3
3
3
3
Bs. Cl.
Bn.
1 2
dim. Cbn.
dim. 1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Vibraphone 1 Marimba Perc. 2 Tom Snare
3
Tom
dim.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
GRABEAU
Chief, 3
div.
=
I 3
3
3
3
cresc.
Vn. II
3
cresc.
3
3
3
Va.
cresc. Vc.
div. Cb.
cresc.
3
3
3
3
3
what will
be come
of
230
Scene 4
(a2)
118 1 2
Fl.
3
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2 3
Bs. Cl. 3
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1. 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. Xylophone (sounds octave higher)
(Vibr.) 1
cresc. (Mar.) Perc. 2
cresc. 3
cresc.
Cel.
E F G A? B C D
Hp.
cresc.
Alto Sax. in E W.W. 1
3
W.W. 2
Tbn.
Drums
cresc. Bass
3
3
3
3
Gra. us?
Sure
ly they will kill us,
pizz. I Vn.
cresc.
pizz.
II pizz.
cresc.
Va.
cresc. pizz. Vc.
cresc. Cb.
They know we’ve killed their
cap
tain
We should have killed
them all,
Scene 4
231 a2
123
(a2)
1 2
Fl.
dim. Picc. 1 2
Ob.
dim. E.H.
dim. 1 2
Cl.
dim. Bs. Cl. 1 2
Bn.
dim. Cbn.
dim.
3
1.
1 2
dim. Hn. 3 4 4.
dim.
3
1 2 Tpt. 3 1 2 Tbn.
(Tuba)
3 Tuba
Timp. (Xylo.) 1
cresc.
dim. (Mar.) Perc. 2
cresc.
dim. 3
dim.
cresc.
Cel.
dim.
Hp.
cresc. W.W. 1
W.W. 2
Tbn.
Drums
dim.
cresc.
Bass
3
KALEH
3
3
Gra. 8
dumped
them
in
to
the
sea.
Chief, CINQUE
3
We had no
3
oth
er
way.
(pizz.) I
dim. Vn.
arco
(pizz.) II
dim. (pizz.)
cresc. arco
Va.
dim.
cresc.
(pizz.) Vc. div. Cb.
dim.
dim.
my fam i ly—
Scene 4
232 (a2)
128 1 2
Fl.
3
Picc. 1. Ob.
2.
1 2 3 3
3
cresc.
E.H.
cresc. Cl.
1 2 3
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. (Xylo.) 1
cresc.
cresc.
cresc. (Drums)
cresc.
(Mar.) Perc. 2
3
cresc.
Cel.
Hp.
cresc.
cresc.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
3
3
3
Kal. 8
Will
I
e ver see them? MARGRU
3
3
Ka
leh—
we
all have
3
fam i
3
ly
help less
3
on the oth
er 3
div.
arco, div. I 3
Vn. II
cresc.
cresc.
Va.
cresc.
cresc.
Vc.
dim.
dim.
Cb.
dim.
dim.
shore.
Scene 4
233
132 1 2
Fl.
Picc.
Ob.
1 2
dim. E.H.
dim. Cl.
1.
1 2 3
dim.
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 2.
1. 1 2 3
Tpt. 3
1 2 3
Tbn. 3 Tuba
Timp. (Xylo.) 1
cresc. (Mar.)
cresc.
cresc. (Drums)
cresc.
Perc. 2
3
cresc.
cresc.
Cel.
cresc.
Hp.
cresc. Alto Saxophone in E W.W. 1 3
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
Mar. 8
CINQUE
3
4
3
The wo man makes a point.
We must not
say from where
we’ve
3
come,
3
Not from Men de,
or Sier ra Leo ne div.
I 6 3
Vn. II
cresc. Va.
cresc. Vc.
Cb.
234
Scene 4
a2
136 1 2
Fl.
cresc.
Picc.
cresc. Ob.
1 2
E.H. a2 Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
dim. 1 2 Hn. 3 4 1 2
cresc.
Tpt. 3
cresc. 1 2 Tbn.
a2
3 Tuba
dim.
dim.
Timp. (Xylo)
Vibraphone
1
cresc.
cresc.
cresc.
cresc.
cresc.
(Mar.) Perc. 2
cresc. (Drums)
Chimes
3
Cel.
Hp.
cresc.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
Cin.
I
cresc.
Vn. II
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
cresc. Cb.
cresc.
(a2)
= 76
Scene 4
235
141 1 2
Fl.
3
cresc. Picc.
cresc.
1.
1 2
Ob.
E.H. (a2) 1 2
Cl.
3
cresc.
3
Bs. Cl. 3
1 2
Bn.
Cbn.
1 2 Hn. 3 4
1 2
cresc.
Tpt. 3
cresc. 1 2 Tbn.
(a2)
3 Tuba
Timp. (Vibr.) 1
cresc. Perc. 2 (Chimes) 3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
W.W. 2
Tbn.
Drums
cresc.
CAPTIVES
Bass
B Ank le
= 76 I
cresc.
Vn. II
cresc.
Va.
cresc.
Vc.
cresc. Cb.
and wrist,
ank le
and
wrist,
Scene 4
236 149 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1. 1 2
Cl.
1.
2.
3
3
Bs. Cl. 3
1 2
Bn.
Cbn.
1 2 Hn. 3 4 2. 1 2 3
Tpt.
3
3 2. Plunger wa dat 3
1 2 3. Plunger wa dat
Tbn.
3
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
W.W. 2
Tbn. 3
3
3
3
Drums 3
pizz.
3
Bass
CAPTIVES
CINQUE
3
3
The
past
3
is a fad ing day
3
light
B ank
le
and
wrist,
ank le
and
wrist,
ank le
and
wrist,
ank
le
and
I Vn. II
Va.
Vc. pizz. 3
Cb.
Scene 4
237
156 1 2
Fl.
Picc. 1 2
Ob.
E.H. 2. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 wa dat
straight
3
(2.)
3
3
3
3
3
1 2 Tbn.
(3.)
straight
wa dat 3
3
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
3
3
3
3
3
Tenor Saxophone in B W.W. 2 5
3
Tbn. 3
Drums 3
3
3
3
3
3
Bass
3
3
3
3
3
3
3
3
3
3
Cin.
CAPTIVES
We are float ing yet still
There is on ly the catch
The past
is a 3
3
B wrist,
ank le
and
wrist,
I Vn. II
Va. 3
Vc. arco 3
Cb.
er’s net,
3
ank le
and wrist,
fad ing day light
Scene 4
238 162 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1. 1 2
Cl.
5 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bs. Cl.
1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 5
5
Tpt.
5
3 3
(2.)
3
3
1 2 3
Tbn.
(3.)
3
3
5
5
3
3 Tuba
5
5
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1
5 3
5
(Tenor Sax.) W.W. 2
5 3
3
3
3
5
Tbn.
3 3 3
3
Drums 3
3
3
cresc.
3
3 3
3
3
3
Bass 3
3
cresc.
3
3
3
3
3
3
3 3
3
CAPTIVES
Cin. 3
3
We are float ing yet still
er’s
net
The
past
B ank
le
and wrist,
ank
I Vn. II
Va. 3
Vc. 3
Cb.
There is on ly a catch
le
and wrist,
Scene 4
239
= 96
167 1 2
Fl.
Picc. 1 2
Ob.
E.H. (1.) 1 2
Cl.
3
dim.
3
3
Bs. Cl.
dim. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 3
Tpt. 3
3
1 2 3
Tbn.
3
3
3
a2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
dim.
3
3
(Tenor Sax.) W.W. 2 3
dim.
Tbn.
3
3
3 3
3
3
3
3
rimshot Drums 3
3
3
3
Cm7 Bass 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cin.
CAPTIVES
is a fad ing day
light
We are float ing yet still 3
There is on ly the catch er’s net
It snares us slow ly but
3
B ank
le
and
wrist,
= 96 I Vn. II
Va. 3
Vc. 3
Cb.
240
Scene 4
a2
173 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
3
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
a2 1 2 a2
Tbn.
3 3
3
3 Tuba
dim.
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
3
3
(Tenor Sax.) W.W. 2
Tbn. 3
Drums 3
Fill
Fill
Bass 3
Cin.
CAPTIVES
tight T 8
Net
and
beast
The
3
B ank
le
I Vn. II
Va.
Vc.
Cb.
dim.
and
wrist,
an
kle
and
wrist,
Scene 4
241
179 1 2
Fl.
Picc. 1 2
Ob.
3
E.H. 3
5
1 2
Cl.
dim.
Bs. Cl. 3
3
1 2
Bn.
Cbn.
1 2
dim.
Hn.
3. 3 4
dim. 1 2 3
Tpt. 3 1 2 Tbn.
3
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1
cresc.
3
(Tenor Sax.) W.W. 2 3
3
3
Tbn. 3
3
3
Drums 3
cresc. Bass 3
cresc.
3
cresc.
3
3
3
CAPTIVES
S Dead men walk A 3
T 8
dead
men
walk
A
ten
days
march
Net 3
B an
kle
I Vn. II
Va.
Vc.
Cb.
dim.
and
wrist,
an
kle
and
wrist,
an
kle
and
Scene 4
242 184 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1. 1 2
Cl.
cresc. Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2
Tbn.
3.
cresc.
dim.
cresc.
dim.
3 Tuba Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax.) W.W. 1 3
3
3
3
(Tenor Sax.)
W.W. 2
Tbn. 3
3
Drums D7 9
3
E7 9
Am7 9
Bass
cresc.
3 3
S
CAPTIVES
out
to
sea 3
A out
to
sea
T 8
And
beast
And
out
to
sea
B wrist,
I Vn. II
Va.
Vc.
Cb.
an
kle
and
wrist,
an
kle
and
Scene 4
243
188 1 2
Fl.
Picc. 1 2
Ob.
3
3
3
3
dim.
3
3
E.H. 3
1 2
Cl.
3
3
Bs. Cl. 1 2
Bn.
Cbn. a2
3
1 2 Hn.
dim.
a2
3
3 4
dim. 1 2 Tpt. 3 1 2
3
3
dim.
3
3
Tbn.
3. 3
dim.
3
a2
3
3 Tuba
3
3
dim. 3
3
dim.
3
Timp. (Vibr.) 1 3
3
3
3
dim.
3
3
Perc. 2
3
Cel.
Hp. (Alto Sax) W.W. 1
3
(Tenor Sax) W.W. 2
3
3
Tbn. 3
3
3 3
3
3
3
3
(triplet subdivision)
Drums 3
3
3
3
Bass 3
3
3
dim. 3
3
3
3
3
3
CINQUE 3
3
S The
dead
men
CAPTIVES
3
First
they threw
the
A The
dead
men
walk
3
3
3
T 8
a
si
lenced
prey
B wrist, I
6
Vn. II
Va.
Vc. arco
3
3
Cb.
dim.
3
Scene 4
244 193 1 2
Fl.
Picc.
Ob.
1 2 3
3
3
3
3
3
3
3
3
E.H.
Cl.
1 2 3
Bs. Cl.
Bn.
1 2
Cbn. 3 3
1 2 Hn. 3 4
1 2 Tpt. 3 1 2 Tbn.
3
3 Tuba
3
dim.
dim.
dim.
Timp.
dim.
3
3
(Vibr.) 1 3
3
3
3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplets) Drums
Bass
3
3
3
3
3
Cin. net
snared me like a beast
I was wild,
a prey
sur prised.
They
chained my wrists
and
6
I 3
6
Vn.
div. (unis.) (div.) II 3
3
3
3
3
3
3
3
3
3
3
3
Va. 3
Vc. 3
Cb.
dim.
3
3
dim.
Scene 4
245
198 1 2
Fl.
dim. Picc.
Ob.
1 2 3
3
3
3
3
3
3
3
3
3
3
3
cresc.
E.H. 1. Cl.
1 2 3
dim.
3
Bs. Cl.
Bn.
1 2
Cbn.
2. 1 2 Hn.
4. 3 4 1 2
Tpt. 3 1 2 Tbn.
a2
a2
3
3 Tuba
3
3
a2
cresc. cresc. 3
3
3
Timp.
cresc.
cresc.
(Vibr.) 1 3
3
3
3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplets) Drums
Bass
4
3
3
3
3
Cin. then
my
an
kles,
and kept me
in a shroud—
the
shroud,
a
cloth for
dead
men
for a ten
I 3
dim. Vn. II 3
3
3
3
3
3
3
3
3
3
3
Va. 3
3
Vc. 3
3 3
Cb. 3
3
3
Scene 4
246
= 76 203 a2 1 2
Fl.
Picc.
Ob.
1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
E.H. (1.) Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
3
Timp.
dim.
3
(Vibr.)
1 3
3
3
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. (triplets) Drums 3
Bass
3
3
BARITONES & CINQUE
3
Cin. days
march.
Net
and
beast
a si
lenced
prey
The
= 76 I
3
Vn. II 3
3
3
3
3
3
3
3
3
cresc.
Va. 3 3 3
Vc. 3 3 3
Cb. 3
Scene 4 208
a2
1 2
Fl.
247
3
3
dim.
dim.
Picc. a2 1 2
Ob.
3
3
dim.
dim.
E.H. a2 1 2
Cl.
dim.
dim. Bs. Cl. 3
3
dim.
1 2
Bn.
Cbn. 1 2
Hn.
3 4
mute
1 2
dim.
3
mute Tpt.
3
3
dim. 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
Alto Sax W.W. 1 3
dim.
3
3
dim.
3
Tenor Sax W.W. 2
Tbn.
Drums pizz. Bass
3
3
3
3
3
3
3
3
3
3
Cin. & Bar. past
is
a fad ing day
light
We are
float ing yet
still
There is on ly the
catch
er’s
net,
3
S net
and
beast
and
beast
The
CAPTIVES
3
A net
The
3
3
T 8
Dead
men walk
out
to
sea
B An
kle
and
wrist,
an
kle
and
I 3
3
dim.
Vn.
dim.
II 3
3
3
dim.
3
dim.
Va. arco Vc. arco Cb.
dim.
dim.
wrist,
Scene 4
248 212 1 2
Fl.
3
Picc. 1 2
Ob.
3
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2
dim. Tpt.
3 3
3
3
1 2
3
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax) W.W. 1
W.W. 2
Tbn.
Drums pizz. Bass
3
3
The past
is
3
3
3
3
3
3
3
3
3
Cin. & Bar. a
fad ing day light
We are float ing yet still
There is on ly the catch
3
S dead
men
walk
a
ten
days
march
ten
days
march
ten
days
march
CAPTIVES
3
A dead
men
walk
a 3
3
T 8
Dead
men
walk
B an
kle
I 3
Vn. II 3
Va. Vc.
Cb.
3
and
wrist,
An
kle
and
wrist,
er’s
net,
the
Scene 4
249
217 1 2
Fl.
3
3
Picc. 1 2
Ob.
3 3
E.H. 1. 1 2
Cl.
3
3
Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2
Tpt.
3 1 2
3
dim.
Tbn.
3
3
3
3
3
3
3 Tuba
Timp. (Vibr.) 1 3
Perc. 2
3
Cel.
Hp.
(Alto Sax) W.W. 1
3
3
dim. (Tenor Sax) W.W. 2
3
3
dim. Tbn. 3
dim.
3
3
3
3
3
3
Drums 3
pizz.
3
Bass 3
3
3 3
3
3
3
3
Cin. & Bar. past
is
a fad ing day
light,
3
3
3
3
S The
past
We are float ingyet still,
CAPTIVES
3
the
past 3
3
A The
past
float ingyet still,
the
past
3
T 8
Net
and
beast,
net
3
3
3
and
3
3
3
B an
kle
and wrist,
an
kle
and
wrist,
an
kle
and wrist
I 3
Vn. II
Va. 3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
Scene 4
250 221 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1. 1 2
Cl.
3
Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4
(mute)
1 2 3
Tpt.
3
dim.
3
1 2
Tbn.
3
3
3
3
3
3
3
3
3
3
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
(Alto Sax) W.W. 1 3
(Tenor Sax) W.W. 2
3
3
dim.
3
dim.
Tbn. 3
3
Drums pizz.
3
3
3
3
Bass
3
3
3
3
3
3
3
3
Cin. & Bar. is
a fad ing day light
is
a fad ing day light.
3
3
3
S
CAPTIVES
float ing
yet
still,
yet
still,
3
A
T 8
3
beast,
3
3
net
3
and
beast
B An
kle
and
wrist,
an
kle
and
wrist,
an
kle
and
wrist,
I Vn. II
Va. 3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
Scene 4
251
224 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
3
3
Bs. Cl. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2
Tpt.
3 1 2
Tbn.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bass
TRICKSTER Cin. & Bar. 8
Sh!
CAPTIVES
S
A
dim. T 8
net
3
3
and
beast,
3
3
net
3
3
and
beast
3
3
B an kle
and wrist,
an kle
and wrist,
an
kle
and wrist,
an kle
and wrist
I Vn. II
Va.
Vc. pizz. 3 Cb.
3
3
3
3
3
3
3
Scene 4
252
1.
229 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 open 1 2 open
Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Glock. 1
Perc. 2 Sn. Dr. 3 Bs. Dr.
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. Sn. Dr. - March Drums
Bass
(CITIZENS file through, paying admisssion and gawking, communicating with CAPTIVES by handsigns. TRICKSTER wanders among them, still blind, picking their pockets, looking for food.
= 126
8
I Vn. II
Va.
Vc.
Cb.
TRICKSTER
Sh!
Scene 4
253 (PHRENOLOGIST enters)
238 1 2
Fl.
cresc. Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
cresc. 1 2 Tbn. 3 Tuba
Timp. (Glock.) 1
cresc. Perc. 2 Funny sound 3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
(PHRENOLOGIST enters) I
Vn. II
Va.
Vc.
Cb.
Scene 4
254 245 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
dim.
Bn.
1 2
dim. Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
a2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums 3
3
3
dim.
Bass
I Vn. II 3
Va. 3
3 3
3
Vc. 3
div.
pizz.
Cb.
dim.
Scene 4
255
252 1 2
Fl.
Picc. 1 2
Ob.
E.H. a2 1 2
Cl.
cresc. Bs. Cl.
cresc.
cresc. 1 2
Bn.
cresc. Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
cresc.
3 Tuba
cresc. Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
Bass
cresc.
cresc. S1
S1
S2
3
S CAPTIVES
Are they—
Are
they—
go ing to
kill
us?
A T1
T2
T1
T2 3
T 8
Are they—
Are they—
go ing to
kill
us? B2
Arethey— B1 Are
B Are they—
I Vn. II 3 3
Va.
Vc.
Cb.
cresc.
cresc.
Scene 4
256 258
1.
1 2
Fl.
dim. Picc. 1. 1 2
Ob.
dim. E.H. 1 2
Cl.
cresc. Bs. Cl.
cresc. 1 2
Bn.
Cbn.
1 2
Hn.
3 4 3
1 2 Tpt. 3
3
1 2
Tbn.
3
3 Tuba 3
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(PHRENOLOGIST makes his examination.) 3
S
CAPTIVES
Go ing to
kill
us?
kill
us?
A T2
T1
T1
3
3
T 8
Are they—
go ing to kill
us? Go ing to
Are they going to—
they— B2
3
B Are they—
I Vn. II
Va.
Vc.
Cb.
go ing to kill
us?
Do you
know?
Scene 4 264
257
a2
1 2
Fl.
Picc. a2 1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
CAPTIVES
S Do you
know?
Are they
go ing to
slit
our
throats?
Do you
know?
Are they
go ing to
slit
our
throats?
slit slit
our our
throats? throats?
A
T 8
Do you
know?
B Are they
go ing to
Throats
I Vn. II
Va.
Vc.
arco Cb.
Scene 4
258
= 92 270 1 2
Fl.
Picc.
1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl.
a2
a2
1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2
Tpt.
3
Tbn.
1 2
3 Tuba
Timp.
1 Mar. Perc. 2 Tom-t. Sm. Tom-t. Bs. Dr.
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
a2
PHRENOLOGIST
(PHRENOLOGIST speaks to reporters)
S 8
CAPTIVES
Do you know?
of his The base REPORTER 1
brain
is small er than
A 8
a2
Base of his brain REPORTER 2
T 8
Do you know? a2
REPORTER 3
Base of his brain
B Do you know?
Base of his brain
= 92 I Vn. II
Va.
Vc.
Cb.
Scene 4
259
276 1 2
Fl.
Picc.
1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. a2 1 2
Bn.
Cbn.
1 2
Hn.
3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums pizz. Bass
Ph. 8
oth er parts—
Parts of the brain
Lower an i mal pro pens i
ties
Do not dom i nate.
He’s not that bad.
R.1 8
What parts?
What’s
that?
What’s
that?
R.2 What parts?
Ah
ha
Ah
ha
R.3 And so
I Vn. II
Va.
Vc. pizz. Cb.
Scene 4
260 281 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
Hn.
1 2 3 4
Tpt.
1 2 3
gliss. 1 2
6
Tbn.
cresc.
3. gliss.
3 Tuba
cresc.
6
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc. Ph. gliss.
8
The ce
re
6
bral or
ga ni cresc.
za
tion is sup er
i
or—
Ce re bral or
ga
ni za tion
Su pe ri or?
Ce re bralor
ga
ni za tion
Su pe ri or?
Or
ga
ni za tion
Su pe ri or?
R.1 8
Oh gliss.
6
cresc.
R.2 Oh gliss.
6
R.3 Oh
I Vn. II
cresc. Va.
Vc.
Cb.
You
don’t mean
Scene 4
261
286 1 2
Fl.
3
Picc.
Ob.
1 2 3
E.H.
Cl.
1 2 3
cresc. Bs. Cl. 3
a2 Bn.
cresc.
1 2
Cbn.
Hn.
1 2 3 4 3
1 2 Tpt. 3 1.
Tbn.
1 2 Tuba
3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
3
3
3
Ph. 8
Su pe ri or
to most Ne groes
here
In
fact
he is rath er well bal anced
R.1 8
that
Oh
good
R.2 Good 3
R.3 Good
I Vn. II
Va.
Vc.
Cb.
What did he
6
Scene 4
262 291 1 2
Fl.
Picc. a2 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 2.
2. 1.
1 2 Tbn.
3.
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
cresc.
Bass
3
3
4
3
Ph. 8
bet ter de vel oped
than most
per
sons—
than most be long ing
to his race.
R.1 8
What’s
that?!
What?
What’s
that?!
What?
R.2
R.3 say?
What? He’s a black
I
6
Vn. 4
II 6 4
Va.
Vc.
Cb.
Scene 4
263
295 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
cresc. Bn.
1 2
Cbn. 2.
Hn.
1 2
4.
3 4 1 2 Tpt. 3 1.
1.
1 2 Tbn.
(Tuba)
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
cresc.
3
Ph. 8
His brain is good all
the
same.
the ce re
bral or
ga ni za
tion,
R.1 8
What’s
that he said?
What’s that he
What’s
that he said?
What’s that he
That he said?
That he
3
R.2 a kil
ler!
3
R.3 pi
rate
I
3
cresc.
Vn. II
3
Va.
pizz. Vc.
Cb.
Scene 4
264 299 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
cresc. Cbn. 2. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
cresc.
cresc.
Bass
cresc.
Ph. 8
the
ce
re
bral
or
ga
ni
za
tion,
the
ce
R.1 8
said?
What did you
say?
said?
What did you
say?
R.2
R.3 said?
I 6
Vn. II
Va.
Vc.
cresc. Cb.
cresc.
re
bral
or
ga
Scene 4
265
= 69 302 1 2
Fl.
Picc. a2 Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
cresc. Bn.
1 2
Cbn.
1 2 Hn.
dim. 3 4
dim. 1 2 Tpt. 3 a2 1 2 Tbn.
a2
Tuba
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Ph. 8
ni
za
tion
R.1 8
R.2
R.3 How do you spell
ce
re bral?
= 69 I Vn. II
Va.
arco Vc.
dim. arco Cb.
266
SCENE 5 (Transition)
= 69 1 2
Fl.
Picc. 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
AMERICANS
S
A 3
3
T 8
Deep
in the fes
t’ring hold
thy fa ther lies,
of his bones New Eng landpews aremade,
those are al
tar lights
that were his eyes.
of his bones New Eng landpews aremade,
those are al
tar lights
that were his eyes.
3 3
B Deep
= 69 I Vn. II
Va.
Vc.
Cb.
in the fes
t’ring hold
thy fa ther lies,
Scene 5
267
7 1 2
Fl.
Picc.
1 2
Ob.
E.H.
1 2
Cl.
Bs. Cl.
1 2
Bn.
Cbn.
dim. 1 2 Hn. 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3 3
3
3
S Je
sus Sa viour Pi lot
Me
O ver Life’s
AMERICANS
3 3
Tem pes tuous sea 3
3
A Je
3
sus Sa viour Pi lot
Me
O ver Life’s
3
T 8
Deep
in thefes
t’ring hold
thy fa ther lies,
of his bones
New Eng landpewsare made,
of his bones
New Eng landpewsare made,
3 3
B Deep
in thefes
I Vn. II
Va.
dim. Vc.
dim. Cb.
dim.
t’ring hold
3
thy fa ther lies,
Tem pes tuous sea
Scene 5
268 13 1 2
Fl.
Picc.
1 2
Ob.
E.H.
1 2
Cl.
Bs. Cl.
1 2
Bn.
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
S
AMERICANS
Oh,
Je
sus
Sa viour Pi
lot
Me
O
A Oh,
Je
sus
Sa viour Pi
lot
Me
O 3
T 8
those
are
al
tar
lights
that were his eyes.
Deep in the fes
t’ring hold
thy
fa ther lies, 3
B those
I Vn. II
Va.
Vc.
Cb.
ver 3
are
al
tar
lights
that were his eyes.
Deep in the fes
t’ring hold
thy
fa ther lies,
ver
Scene 5
269
18 1 2
Fl.
Picc.
1 2
Ob.
E.H.
1 2
Cl.
Bs. Cl.
1 2
Bn.
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
S life’s
tem pes tuous sea
Oh,
Je
sus Sa viour Pi
life’s
8
I Vn. II
Va.
Vc.
Cb.
lot
me
O ver Life’s
3
3
tem pes tuous sea
Oh,
Je
sus Sa viour Pi
3
3
lot
me
Tem pes tuous
O ver Life’s
Tem pes tuous
of his bones
New
Eng land pews are made,
those are al
tar
lights
that were his eyes.
of his bones
New
Eng land pews are made,
those are al
tar
lights
that were his eyes.
Scene 5
270 23 1 2
Fl.
Picc.
1 2
Ob.
E.H.
1 2
Cl.
Bs. Cl.
1 2
Bn.
Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
S
AMERICANS
Sea
Oh,
Je
sus
Sa viour
Pi lot Me
O
3
ver Life’s
tem pes tuous Sea 3
3
A Sea
Oh,
Je
sus
Sa viour
Pi lot Me
O
ver Life’s
tem pes tuous Sea
3
T 8
Deep in the fes
t’ring
hold
thy fa ther lies,
of his
bones
New Eng land pews are made,
of his
bones
New Eng land pews are made,
3
B Deep in the fes
I Vn. II
Va.
Vc.
Cb.
t’ring
hold
thy fa ther lies,
Scene 5 28
271 2.
a2
1 2
Fl.
Picc. 1 2
Ob.
E.H. a2 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn. a2 1 2 Hn. 3 4
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
S
AMERICANS
those are
al
3
tar
lights
tar
lights
that were his
3
A those are
al
eyes.
T 8
those
are al
tar
lights
that were his
eyes.
those
are al
tar
lights
that were his
eyes.
B
I Vn. II
Va.
Vc.
dim. Cb.
dim.
eyes.
Scene 5
272
= 66 33
1.
1 2
Fl.
3
Picc.
Ob.
1 2
E.H. 2. Cl.
1.
1 2 3
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
(Parlour of former President, and current Representative JOHN QUINCY ADAMS of Massachusetts. Enter Abolitionist TAPPAN and another lawyer. ADAMS welcomes them in and offers them seats. Maybe even tea.) TAPPAN
8
3
3
3
We are grate ful, sir
that
= 66
I Vn. II 3
3
Va. 3 3
Vc.
Cb.
3
you al low us
3
a
word,
to
press a
Scene 5
273
40
1.
1 2
Fl.
Picc. 1. Ob.
1 2
E.H.
Cl.
1 2 6
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
cresc.
cresc.
cresc.
cresc.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
(Joking)
3
3
3
3
Tap. 8
cause,that you’ve
fought, too
Ah,
there we were forced.
But
weare
lu na tics
rad i cals, and fa
ADAMS 3
Not as you
3
withtorch and sword.
I
dim. Vn. II
dim. Va.
dim.
3
3
dim.
Vc.
3
3
dim. Cb.
Scene 5
274 1.
45 1 2
Fl.
6
3
3
3
Picc. 1. Ob.
1 2
1.
3
1.
3
3
3
E.H. 1. Cl.
2.
2. 1.
1 2 3
3
3
Bs. Cl.
Bn.
1 2
3
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
cresc.
cresc.
cresc.
cresc.
3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
3
Tap. 8
I Vn.
nat ics,
thekindyoufind ma
3
ligned
inthe news.
6
3
It’s quite all right.
If itmustbe a bright light
3 3
3
II 3
3 3
Va. 3
Vc.
Cb.
we shineon slav ery,
so be it.
Scene 5 51 1 2
Fl.
275
1.
3
Picc. 2. Ob.
1 2
3
E.H.
Cl.
1 2 3
Bs. Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn. 3 4 1 2 Tpt. 3 1 2
cresc.
Tbn.
cresc.
cresc.
cresc.
cresc.
3 Tuba
cresc.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
3
3
3
3
3
Tap. 8
But you bring us a cool
head
and a wise
re pu ta tion.
And you’ve fought to build a just and freena
tion
with free states, not
I 3
Vn. II 3
Va.
3 3
3
Vc. 3 3
Cb.
3
Scene 5
276
= 120 57 1 2
Fl.
Picc. a2 1 2
Ob.
E.H. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
cresc.
Tap. 8
slave,
with
free
states,
not
slave. ADAMS
Fail ing
= 120
in that—
a
ba lance.
I Vn. II
Va.
cresc.
cresc.
arco Vc.
cresc.
cresc.
cresc.
cresc.
pizz. Cb.
Scene 5
277 a2
62 1 2
Fl.
Picc. a2 Ob.
1 2 6
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
a2 3 4 1 2
Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
Tap. 8
with
free
states,
not
slave.
Ad. We’re rath
er
like No
ah’s ark:
div. I 6
Vn. II
Va.
Vc.
cresc.
Cb.
cresc.
Scene 5
278 67 1 2
Fl.
Picc.
Ob.
1 2
dim. E.H. 1. Cl.
1 2 6
Bs. Cl.
Bn.
1 2
Cbn. 2. 1 2 Hn. 3 4 1.
2.
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
cresc.
cresc.
3
Ad. tak
ing
two
of each
one
slave,
one
free,
I
dim.
Vn. II
cresc.
cresc.
Va. 6
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
hop ing
to make
room
e nough for
Scene 5
279
72 1 2
Fl.
Picc.
Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2
cresc.
Tpt. 3
cresc. 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TAPPAN
8
But wemust let
Ad. all.
I Vn. II
Va.
Vc.
arco Cb.
no
clan
change the law
for the rest.
Scene 5
280
a2
78 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
cresc. Bs. Cl.
cresc.
Bn.
1 2
Cbn.
3
1 2 Hn.
3
3 4
3 3
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp. (Vibr.) 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Tap. 8
The A mi
stad
is
a
test
if
I Vn. 3
II 3 3
Va.
Vc.
Cb.
we
mean lib er ty
is
for
ev
’ry
man.
Scene 5 84
281
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4 1 2
Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc. Bass
Tap. 8
ADAMS
I
on
ly hope,
sir
I may be of help.
I be
lieve
your case may div.
I 3
Vn.
3
II
Va.
cresc.
Vc.
Cb.
cresc.
Scene 5
282 90 1 2
Fl.
Picc.
Ob.
1 2 3
E.H. 2. Cl.
1 2
Bs. Cl. 2. Bn.
1.
1 2
Cbn. 1. 1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tap. 8
In deed
Ad. have some chance.
The Span
iards flaunt
the ban
on slav ing a
I 3
Vn. II
Va.
Vc.
Cb.
3
cross the seas.
they do.
Scene 5
283
1.
97
a2
1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1.
2. Cl.
1 2
cresc. Bs. Cl.
cresc. Bn.
cresc.
1.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 C.B. Cl. in E W.W. 2
Tbn.
Drums
Bass
3
3
3
Tap. 8
They sneak in to Cu ba
with slaves
by night.
Can blacks
see
jus
tice
I Vn. 3
II
cresc. 3
Va.
cresc.
Vc.
Cb.
cresc.
as
a ny oth er
men?
Scene 5
284
a2
103 1 2
Fl.
Picc. 1. Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
1. Bn.
dim.
dim.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
3.
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.B. Cl.) W.W. 2
dim. Tbn.
Drums
Bass
Tap. 8
But
if we give
them
to Spain
they go
in
to
cap
ti
vi
ty
I Vn. II
Va.
Vc.
dim. Cb.
dim.
Scene 5
285
109 1 2
Fl.
Picc. a2 Ob.
1 2
dim. E.H. a2 Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 a2 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1 (C.B. Cl.) W.W. 2
Tbn.
Drums
Bass
3
3
3
Tap. 8
and death that
is
cer
tain.
In
Cu
ba they will die to teach a
slav
er’s
les
son.
div. I Vn. II
Va.
Vc.
Cb.
Scene 5
286 a2
115 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
a2
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 2.
1.
1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ADAMS
This is where the case
I Vn. II
Va.
Vc.
pizz. Cb.
lies:
these
blacks
are nei ther slaves nor
Scene 5
287
121 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
2. 1 2 Hn.
4. 3 4 1 2
Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Ad. ci ti zens of Spain.
I Vn. II
Va.
Vc.
Cb.
Span ish
law
does not
ap
ply.
They don’t speak Span
ish
just
their
Scene 5
288 127
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn. 1 2 Hn. 3 4 1 2 Tpt. 3 1. 1 2 Tbn. 3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Ad. own
tongue.
They can’t
have been
I Vn. 3
II
3
Va.
Vc.
Cb.
held
long.
Theywere not in Cu
ba
long e nough
to
Scene 5 133
289
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 ten. 1 2
ten.
Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Ad. see
a
farm.
Spain
at
tempts
to de
I
Vn. II
Va. 3
3
Vc. 3
Cb.
3
ceive
with false pa
pers
up
Scene 5
290 137 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1. 1 2 Tpt. 3 1. 1 2 Tbn.
a2
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
TAPPAN
8
3
Spain will try
for
a
set tle ment
an ar range ment
Ad. her sleeve. 3
I Vn. II
Va.
cresc. Vc.
cresc.
Cb.
with the
Pres
i
Scene 5 143
291 1.
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim.
cresc.
dim. a2
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1 2
dim.
Hn. 3 4 1 2 Tpt. 3
1 2 Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
dim.
Bass
cresc. 3
Tap. 8
dent.
You can count on it.
3
3
3
Ad. He
won’t
want to rile
a ny one
o
ver some
mu ti nous blacks.
I 3
3
Vn. II
Va. 3
arco
pizz.
Vc.
cresc. Cb.
cresc.
arco
Scene 5
292 148 1 2
Fl.
Picc. a2 Ob.
1 2
dim. E.H.
dim. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn. 2. 1 2 Hn.
3.
4.
3 4
3.
1 2 Tpt. 3 a2 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Tap. 8
Will you help us plead
this case?
Take it as far 3
as
we go
through
the courts
3
Ad. Plead this case?
I div.
I Vn. II
dim. Va.
dim. Vc. 3
Cb.
3
can
ad vise.
Scene 5
293
154 1 2
Fl.
Picc. a2 Ob.
1 2 3
E.H.
Cl.
1 2
cresc.
cresc.
cresc.
cresc.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
cresc.
cresc.
3
3
3
3
Ad. Sure
ly
that is
all you want of me.
It’s been thir
ty
years
since I’ve been
in
court.
I’d be a
I 3
Vn. II
3
Va. 3
Vc.
cresc.
cresc.
cresc.
cresc.
Cb.
Scene 5
294
= 63
ritard.
159
1.
2.
1.
2.
1 2
Fl.
Picc. 1 2
Ob.
E.H. 1. 1 2
Cl.
Bs. Cl. 1 2
Bn.
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
a2 1 2 Tbn.
3.
3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
TAPPAN
3
3
3
3
Ad. 8
poor
hand
when you need one that’s sure.
ritard. I Vn. II
Va.
Vc.
arco Cb.
= 63
You’re the man for
us.
Scene 5 165 1 2
Fl.
dim. Picc.
dim. 1. Ob.
1 2
dim. E.H. 1. Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1 Mar., soft mallets Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
(They shake hands and TAPPAN exits)
Tap. 8
Think on it.
I Vn. II con sord. Va.
Vc.
dim.
Cb.
dim.
295
Scene 5
296 169 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I Vn. II
Va.
Vc.
Cb.
Scene 5
297
a2
172 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
dim. Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. brushes Drums
Bass
I Vn. II
Va.
Vc.
Cb.
Scene 5
298 175 1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
dim.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I Vn. II
Va.
Vc.
Cb.
dim.
dim.
a2
Scene 5
299
178 1 2
Fl.
dim. Picc. a2 Ob.
1 2
dim. E.H. a2 Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3
1 2 Tbn. 3 Tuba
Timp.
1 (Mar.) Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
I
dim. Vn. II
dim.
Va.
Vc.
dim. Cb.
Scene 5
300 181 1 2
Fl.
Picc.
Ob.
1 2
dim. E.H. 1. Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
cresc.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ADAMS 3
3
We’ve
had
on
ly
fif
ty
years
to
try
our
ex
per
i ment
to
heal
the blood
I Vn. II
Va.
Vc.
Cb.
cresc.
cresc.
and
Scene 5
301
184 1 2
Fl.
cresc. Picc.
Ob.
1 2
E.H.
Cl.
1 2 3 3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
3
Ad. tears
and trials
of
war
and be gin to in vent
a
na
tion
built on lib er ty.
I Vn. II
Va.
Vc.
3 3
Cb.
dim.
Scene 5
302 187
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn.
a2
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
Ad. On ly
I
dim. Vn. II
dim.
Va.
Vc.
dim.
Cb.
dim.
fif
ty years since the Bill
of
Rights.
Scene 5
303
190 1 2
Fl.
Picc. 2. Ob.
1 2
E.H. 2. Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
dim.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
4
3
3
Ad. We
learn
its
mean ing
on ly from day
I Vn. II
Va.
Vc.
Cb.
dim.
to
day.
How each man must test
what we say
and do
304
Scene 5
1.
193 1 2
Fl.
cresc. Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
4
3
4
Ad. How
we up hold this lib erty.
And yet
we
know
the Au
thor
of our Ex
I
cresc. Vn. II
cresc.
Va.
Vc.
Cb.
4
dim.
4
is
tence
Scene 5
305
196 a2 1 2
Fl.
dim.
6
Picc.
Ob.
1 2
3
dim.
E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
4
3
3
3
3
Ad. gives us His con di
tions
the
means
to
sow,
the seeds
of true
compas
sion
to pro
I 6
Vn. II
Va.
Vc. 3
Cb.
Scene 5
306 199 1 2
Fl.
3
Picc.
Ob.
1 2
E.H.
dim.
Cl.
1 2
3
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
Ad. tect
and im prove
I
3
Vn. II
Va.
Vc.
Cb.
men.
3
Scene 5
307
202 1 2
Fl.
3
3
Picc.
Ob.
1 2 3
dim.
3
E.H.
dim.
Cl.
1 2 3
3
Bs. Cl.
Bn.
1 2
dim. Cbn.
cresc.
cresc.
dim.
1. 1 2 Hn.
3. 3 4
1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
Drums
cresc. Bass
3
3
4
3
3
3
3
3
3
Ad. We dwell with sat is fac
tion
up on our dreams
and vi
sion.
yet
we
for get—
lib er ty
I 3
Vn.
3
II
Va.
Vc. 3
3
3
Cb.
cresc.
dim.
cresc.
Double time, = 126
Scene 5
308
a2
205 1 2
Fl.
dim. Picc.
Ob.
1 2
E.H.
Cl.
1 2
dim. Bs. Cl.
Bn.
1 2
Cbn.
cresc. 1 2 Hn.
dim. 3 4
dim. 1 2
dim.
Tpt. 3
dim. a2 1 2
4
3
Tbn. 3 Tuba
cresc.
Timp.
cresc. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn. 3
4
Drums 3
Bass
3
3
4
Ad. is
pow
er,
Lib er ty
is
pow
er,
lib er ty
is
pow
4
I
3
Vn.
3
II
Va.
Vc.
Cb.
cresc.
er.
Double time, = 126
dim. 3
4
Scene 5
309
209
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
3
1 2 Hn. 3 4
1 2 Tpt. 3 a2 1 2 Tbn.
Tuba
3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Ad. The
na tion blessedwiththe great est lib
er ty
must
ex ert the great est pow er
to
se
cure
I 3
Vn. II 3 3
3
3
3
3
Va.
Vc.
Cb.
3
Scene 5
310 216 1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. 3 4 1 2
Tpt. 3 1 2
cresc.
Tbn. 3 Tuba
cresc.
Timp.
cresc. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
cresc.
dim.
cresc.
Bass
Ad. lib
er ty
for one
thus lib
er ty
I 3
Vn. II
Va.
Vc.
Cb.
cresc.
dim.
for all.
And still
we
for
get,
the great est lib
er ty
Scene 5 222
311
a2
1 2
Fl.
Picc. a2 Ob.
1 2
dim. E.H. 1. Cl.
1 2
Bs. Cl.
Bn.
1 2
cresc.
dim. dim.
Cbn.
cresc.
dim.
dim.
1 2
dim.
Hn. 3 4
dim. 1 2 Tpt. 3 1 2 Tbn.
Tuba
3 Tuba
dim. dim. Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
dim. Bass
3
Ad. the great est
lib
er ty
brings the great
I Vn. II 5 3
Va.
3
Vc.
Cb.
est
pow
er
but on
ly to
be used
312
Half time,
ritard. 228
= 63
Scene 5
1 2
Fl.
Picc.
Ob.
1 2
E.H.
Cl.
1 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
3
3
3
Ad. for the great er
ritard.
good.
Half time,
Could God
= 63
I
Vn. II
Va.
Vc.
dim.
dim.
dim.
dim.
div. Cb.
in tend usto
Scene 5
313
232
a2
1 2
Fl.
Picc.
Ob.
1 2
E.H. 1. Cl.
1 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 1 2 Tbn. 3 Tuba
Timp. Vibr. 1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
Ad. do
I Vn. II
Va.
Vc.
dim. Cb.
dim.
oth er wise?
Scene 5
314
ritard.
235 1 2
Fl.
Picc.
Ob.
1 2
E.H. a2 Cl.
1 2
Bs. Cl.
Bn.
1 2
dim. Cbn.
dim. 1 2 Hn. 3 4 1. 1 2 Tpt. 3 1 2 Tbn.
dim.
3 Tuba
dim.
Timp.
1
Perc. 2
3
Cel.
Hp.
W.W. 1
W.W. 2
Tbn.
Drums
Bass
ritard. I Vn. II
Va.
cresc.
Vc.
Cb.
dim.