John Harbison
CANONICAL AMERICAN SONGBOOK Full Score
From the Rental Library of G. Schirmer, Inc. Date of printing:___________________
Associated Music Publishers, Inc. New York, NY
John Harbison
CANONICAL AMERICAN SONGBOOK Full Score
Commissioned by the Albany Symphony Orchestra, Albany, NY David Alan Miller, Music Director
Associated Music Publishers, Inc. New York, NY
Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 2 Horns in F 2 Trumpets in C Timpani Percussion (2 players) 1. Xylophone, Marimba, Castenets, 2 Suspended Cymbals, 2 Nipple Gongs, Sizzle Cymbal 2. Vibraphone, Tubular Bells
Harp Strings
duration ca. 12 minutes Program Note In 2004 I composed Songs American Loves to Sing, a collection of ten treatments of traditional songs scored for flute, clarinet, violin, cello, and piano. It was David Alan Miller’s suggestion that some of them might be arranged for chamber orchestra, for the Albany Symphony’s American Heritage, American Dreams series. The original version alternates solos and canons; since the latter have fuller textures I chose them for expansion, thus the punning title, Canonical American Songs. Just how canonical the songs are is debatable. The idea of the piece is to embed familiar material in inventive musical environments (strict against free, the chorale-prelude principle), with familiar tunes acting as guides through unfamiliar terrain.
From performances of Songs American Loves to Sing (the original conception), I have learned that these tunes are no longer widely known. Veterans of the Civil Rights movement remember “We Shall Overcome.” Survivors of the ‘50s and ‘60s recall a famous pop singer singing something resembling “Aura Lee.” Folkies can conjure up “Careless Love.” It is like a musical excursion down Rte. 66, once America’s main highway, now off the beaten track. In each movement I seek to place the tune (and its remembered words) in a colorful album page. 1.
“Careless Love.” The melody is a phantom backdrop (first in the harp) for the canons (rounds at the octave).
2.
“Aura Lee.” The old Scotch ballad is projected like wallpaper, the “update” version entering later, at various speeds.
3.
“St. Louis Blues.” An elaborate piece, a double inversion canon in thickened lines, over a free bass line.
4.
“We Shall Overcome.” Early music, as in, when shall we overcome?
5. “Anniversary Song.” First my five-year old sister Helen, weeping at her birthday party; later something more celebratory. – John Harbison
for the Albany Symphony, David Alan Miller, conductor
CANONICAL AMERICAN SONGBOOK Andante
1. Careless Love
= 63
John Harbison
solo 1 Flute
to Flute 2
(Piccolo)
1 Oboe
to Oboe 2
(English Horn)
solo 1 Clarinet in B
to Clarinet in B 2
(Bass Clarinet)
1 Bassoon
to Bassoon
2 (Contrabassoon)
1 Horn in F 2
1 Trumpet in C 2
Timpani
1 Percussion 2
solo vago, misterioso
3
Harp
3
Andante
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
= 63
I Violin II
Viola
Violoncello
Contrabass
Copyright Š 2005 by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 7 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
3
3
3
3 cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3 13 1 Fl.
Flute 2 3
3
3
3
3
3
3
3
3
3
1 Ob.
Oboe
3
2 3
1 Cl. in B
Clarinet in B 2 3
3
1 Bn.
Bassoon 2 3
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
3
3
3
3
3
3
3
3
3
3
3
3
1 solo I Vn. II
1 sola Va.
Vc.
Cb.
3
4 19 1 Fl. 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Ob.
3
2
1 Cl. in B 2
1 Bn. 2
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
(1 solo) I Vn. II
(1 sola) Va.
Vc.
Cb.
5 25 1 Fl. 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Ob.
3
3
2 3
3
3
3
3
1 Cl. in B 2 3
3
3
3
3
3
3
1 Bn. 2 3
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
(1 solo)
I Vn. II
(1 sola)
Va.
Vc.
Cb.
3
3
3
3
3
3
6 31 1 Fl.
to Piccolo 2 3
1 Ob.
3
to English Horn
2
1 Cl. in B
to Bass Clarinet 2 3
1
Bn.
to Contrabassoon 2 3
solo 1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
(1 solo) I Vn. 3
II
3
3
3
3
3
3
3
3
(1 sola) Va.
div. Vc. 3 3
Cb.
3
7 38 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
I Vn. 3
3
3
3
3
II
3
3
3
3
3
3
3
3
3
3
Va.
Vc. 3 3
Cb.
3 3
3
3
8 Piccolo solo
46 Picc.
5
Fl.
1
solo Ob.
1 5
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
to mute 1 Hn. in F 2
1 Tpt. in C 2
Timp.
1
Vibraphone
Perc. 2
Hp.
Vn.
I
Vn.
II
tutti div.
3
3
tutte div.
Va.
3
3
3
3
Vc.
Cb.
3
3
9 52 Picc. 3
Fl.
1
Ob.
1
3
5
5
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1
(Vib.)
Perc. 2
Hp.
Vn.
I
Vn.
II
Va.
Vc.
Cb.
3
3
3
3
10 57 Picc.
6
3
Fl.
1
Ob.
1
6 6
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc.
(Vib.) 2
Hp.
Vn.
I
Vn.
II
Va.
Vc.
Cb.
3 6
3
6
6
3 5
11 62 Picc. 5
Fl.
3
5
3
dim.
1
6
Ob.
3
3
3
1 3
5
dim.
3
3
3
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1
(Vib.)
Perc. 2
dim.
Hp.
dim. Vn.
I
dim. Vn.
II
dim. Va.
dim. Vc.
actual pitch Cb.
12 Moderato, deliberato
= 76
2. Aura Lee
Picc.
staccatiss.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
staccatiss. Contrabassoon Cbn.
staccatiss. 1 Hn. in F 2
to harmon mute 1 Tpt. in C 2
Timp.
Xylophone 1
secco Perc. 2
secchissimo
Hp.
Moderato, deliberato
= 76
unis., pizz. I
secco Vn.
pizz. II
secco
Va.
unis., pizz. Vc.
secco pizz. Cb.
secco
13 8 Picc.
Fl.
1
Ob.
1
staccatiss. E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
mute 1 Hn. in F
legato 2
1 Tpt. in C 2
Timp.
(Xyl.)
Marimba
1 Perc. 2
Hp.
I Vn. II
unis. Va.
legato Vc.
Cb.
14 15 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Mar.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
15 21 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
Bass Clarinet B.Cl.
legato Bn.
1
Cbn.
1 Hn. in F 2
legato 1 Tpt. in C 2
Timp.
(Mar.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
16 27 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Mar.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
17 33 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
mute
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Tpt. in C 2
Timp.
(Mar.)
Xylophone
1
(Vib.)
Perc.
3
2
sost.
Hp.
I Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
18 39 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
3
3
3
1 Tpt. in C
3
3
3
3
3
3
3
3
3
3
3
3
2
Timp.
1 Perc.
3
3
3
2
Hp.
I Vn. II
Va.
Vc.
Cb.
19 45 Picc. 8va
Fl.
1
Ob.
1
English Horn E.H.
Cl. in B
1 3
B.Cl.
Bn.
1
Cbn.
to mute 1 Hn. in F
to mute 2
3
3
3
3
3
3
to straight mute
1 3
Tpt. in C
3
2
Timp.
1 Perc. 2 3
Hp.
I Vn. II
Va.
Vc.
Cb.
3
Tubular Bells
3
3
3
20 poco rit.
51 Picc.
8va
Fl.
1
Ob.
1
E.H.
Cl. in B
1 3
3
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C
to straight mute 2
Timp.
1 Perc. 2
dim.
dim.
Hp.
poco rit. I Vn. II
Va.
Vc.
Cb.
21
3. St. Louis Blues Camminando
= 92
Picc.
Fl.
1
(balance Trumpets) 3
Ob.
1
rilassato (balance Trumpets)
3
3
3
E.H. 3
Cl. in B
rilassato
1 3
B.Cl. 2 3
Bn.
1
Cbn.
mute 3
1
rilassato
Hn. in F
mute 3
2
rilassato
straight mute
3
1 3
Tpt. in C
rilassato
straight mute 2 3
rilassato
Timp.
1 Perc. 2
Hp.
Camminando arco
= 92
3
I
sost.
Vn.
arco
3
II
sost. pizz. Va.
arco Vc.
non sost. (pizz.) Cb.
3
3
3
3
3
3
22 5 Picc.
Fl.
1
3
Ob.
1 3
3
3 3
3
E.H. 3
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
3
3
3
1 3
3
Hn. in F
3
3
3
3
2
1 3
Tpt. in C 2
3
Timp.
1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
3
3
3
3
23 9 Picc.
Fl.
1
3
Ob.
1 3
3
3
E.H. 3
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
3
1 Hn. in F
3
3
3
3
3
2
3
mute out
1 3
Tpt. in C
3
2 3
Timp.
1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
mute out
24 13 Picc.
Fl.
1
Ob.
1 3
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
mute out 1 3
Hn. in F
mute out 2 3
1 Tpt. in C 2
legno Timp.
Maracas 1 Perc. 2
Hp.
I Vn. II
acc. arco Va.
Vc.
acc. (pizz.) Cb.
25 17 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Marac.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
26 21 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Marac.) 1 Perc. 2 8va
Hp.
I Vn. II
Va.
Vc.
Cb.
27 25 Picc.
cresc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
cresc.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
cresc.
Sus. Cym.
(Marac.) 1
cresc. Perc. 2 8va
cresc.
Hp.
I Vn. II
Va.
Vc.
cresc.
Cb.
cresc.
28 29 Picc.
Fl.
1
Ob.
1
E.H.
(match Trumpets) Cl. in B
1
(match Trumpets)
rilassato poco stacc.
B.Cl.
rilassato poco stacc. Bn.
1
Cbn.
without mute 1
rilassato poco stacc. without mute
Hn. in F 2
rilassato poco stacc. without mute 1
rilassato poco stacc. without mute
Tpt. in C 2
rilassato poco stacc. Timp.
(Sus. Cym.)
Two Nipple Gongs
Sizzle Cymbal
1
acc. Perc. 2 8va
Hp.
I Vn. II
pizz. Va.
pizz. Vc.
Cb.
29 33 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Sizz. Cym.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
Nipple Gongs
Sizzle Cymbal
Nipple Gongs
30 38 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Nipple Gongs)
Three Tom–toms
1 3
Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
3
3
31 42 Picc.
Fl.
1
Ob.
1
non stacc.
E.H.
non stacc.
Cl. in B
1
B.Cl.
3
Bn.
1 3
non legato 3
Cbn. 3
non legato
1
non stacc.
Hn. in F 2
non stacc.
1
non stacc.
Tpt. in C 2
non stacc. Timp.
(T.–t.) 1 3
Perc.
3
2
non legato
Hp.
I Vn. II
arco Va.
arco Vc.
(pizz.) Cb. 3
3
32 46 Picc.
Fl.
1
Ob.
1
E.H.
Cl. in B
1
B.Cl.
3
Bn.
1 3 3
Cbn. 3
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(T.–t.) 1 3
Perc.
3
2
Hp.
I Vn. II
Va.
Vc.
Cb. 3
3
33 rit.
50 Picc.
Fl.
1
3
Ob.
3
3
3
1
cresc.
E.H. 3
cresc.
Cl. in B
3
3
3
3
3
3
3
3
3
1
B.Cl.
3
Bn.
1
3
Cbn.
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
cresc.
3
3
3
3
1
cresc.
Hn. in F 2
cresc. 1 Tpt. in C 2
Timp.
Marimba
(T.–t.)
Sizzle Cym.
1 3
Perc.
3
3
3
3
3
3
2
Hp.
rit. I Vn. II
Va.
Vc.
arco
3
Cb. 3
3
3
34
4. We Shall Overcome Poco allegro
= 66
1 Fl.
to Flute 2
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
to mute 1 Hn. in F
to mute 2
to hat mute 1 Tpt. in C
to hat mute 2
Timp.
Side Drum 1
lontano Perc. 2
Hp.
Poco allegro I Vn. II
Va.
Vc.
Cb.
= 66
35 6 1 Fl. 2
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Side Drum) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
36 11 1 Fl. 2
Ob.
1
E.H.
Cl. in B
1
B.Cl.
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Side Drum) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
37 16 1
marc. Fl.
Flute 2
marc.
Ob.
1
E.H.
Cl. in B
1
to Clarinet in B B.Cl.
Bn.
1
Cbn.
mute 1
secco
Hn. in F
mute 2
secco
1 Tpt. in C 2
Timp.
Snare Drum 1
lontano Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
38 21 1 Fl. 2
Ob.
1
marc.
E.H.
marc.
1 Cl. in B 2
Bn.
1
Cbn.
mute out
without mute
mute out
without mute
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(S.D.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
39 26 1 Fl. 2
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(S.D.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
40 31 1 Fl.
to Piccolo 2
Ob.
1
E.H.
1
secco, brusco
Cl. in B
Clarinet in B 2
secco, brusco
Bn.
1
Cbn.
1 Hn. in F 2
hat mute 1
molto marc.
Tpt. in C
hat mute 2
molto marc.
Timp.
Tambourine 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
41 36 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Tamb.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
42 41 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Tamb.) 1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
43 46
=
Piccolo
Picc. 3
secco,
Fl.
3
3
3
3
3
3
3
3
1 3
secco, 3
Ob.
3
non legato
3
3
non legato
3
3
3
3
3
3
3
1
secco, non legato 3
3
3
E.H.
secco, non legato
1 Cl. in B 2
Bn.
1
non legato Cbn.
non legato 1 Hn. in F 2
mute out 1 Tpt. in C
mute out 2
Timp.
Triangle 1 Perc.
Bass Drum 2
secco
Hp.
8ba 8va
= I
3
secco,
3
3
3
3
3
3
3
3
3
non legato
Vn. II 3
secco,
3
non legato
Va. 3
3
secco, non legato
3
3
3
3
3
3
3
Vc. 3
3
secco, non legato div. Cb.
non legato
3
unis.
44 51 Picc.
Fl.
Ob.
3
3
3
3
3
3
1
3
3
3
3
3
3
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Trgl.) 1 Perc.
(B.D.) 2
Hp.
8ba 8va 8va
I 3
3
3
3
3
3
Vn. II
Va. 3
3
3
3
3
3
Vc.
div. Cb.
45 rit. 56 Picc. 3
3
3
3
3
dim.
3
3
to Flute Fl.
1 3
3
3
3
3
3
3
dim. 3
3
Ob.
3
3
3
3
3
1
dim. 3
3
3
3
3
3
to Oboe
3
E.H.
dim. 1 Cl. in B 2
Bn.
1
dim. Cbn.
dim. 1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Trgl.) 1 Perc.
(B.D.) 2
dim.
Hp.
8ba
rit.
8va
I 3
3
3
3
3
dim.
3
3
3
3
Vn. II 3
3
3
3
3
dim.
Va. 3
3
3
dim.
3
dim.
3
3
3
3
Vc. 3
3
3
3
3
3
unis. Cb.
dim.
46
5. Anniversary Song Andante
= 69
Andante
= 69
1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
I Vn. II
Va.
Vc.
Cb.
47 8 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
malinconico Bn.
1
malinconico
Cbn.
1 Hn. in F
malinconico 2
1 Tpt. in C 2
Timp.
1 Perc. 2
malinconico
Hp.
I Vn. II
Va.
malinconico Vc.
malinconico
Cb.
malinconico
48 Luminoso, semplice, poco meno mosso = 63
15 1 Fl.
Flute 2
1 Ob.
Oboe 2
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
without mute 1 Tpt. in C
without mute 2
Timp.
Glockenspiel 1
marc. Perc.
Vibraphone 2
marc.
marc.
Hp.
8ba
Luminoso, semplice, poco meno mosso = 63 I Vn. II
Va.
Vc.
div., pizz. Cb.
49 22 1
più
Fl. 2
più 1
più
Ob. 2
più 1 Cl. in B
più 2
più Bn.
1
più Cbn.
più
1 Hn. in F
più 2
più 1 Tpt. in C
più 2
più
Timp.
(Glock.) 1 Perc.
(Vib.)
più
2
più
più
Hp.
8ba
I
più Vn. II
più Va.
più Vc.
più
Cb.
più
50 29 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
(Glock.) 1
(Vib.)
Perc. 2
Hp.
8ba
I Vn. II
Va.
div. Vc.
arco Cb.
51 36
ritardando
Meno mosso
1 Fl. 2
1
reed only (party horn)
Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
mouthpiece only 1 Hn. in F 2
mouthpiece only 1 Tpt. in C
mouthpiece only 2
Timp.
(Glock.) 1 Perc.
(Vib.) 2
Hp.
8ba
ritardando
Meno mosso sul pont.
I
Vn.
sul pont. II
pizz. Va.
Vc.
Cb.
arco
52 mouthpiece only
42 1
mouthpiece only
Fl. 2
reed only (party horn) 1 Ob. 2
mouthpiece only 1 Cl. in B
mouthpiece only 2
reed only (party horn) Bn.
1
Cbn.
1 Hn. in F
mouthpiece only 2
1 Tpt. in C 2
Timp.
1 Perc. 2
Hp.
I Vn. II
pizz.
arco
pizz.
arco
Va.
Vc.
unis. Cb.
53 48 1 Fl. 2
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1 Hn. in F 2
1 Tpt. in C 2
Timp.
Marimba trem. 1 Perc.
(Vib.) 2
Hp.
ord. I
cresc. ord.
Vn. II
cresc.
Va.
sul G
cresc. I, II
unis. Vc.
cresc. open
sul G
Cb.
cresc.