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Joby Talbot

ALICE’S ADVENTURES IN WONDERLAND

Acts II & III

FULL SCORE

October 2012

CHESTER MUSIC


CONTENTS

Act II c.26’

1. The Cheshire Cat ................................................ 187 2. The Mad Hatter’s Tea-Party ................................ 193 3. Alice Alone......................................................... 210 4. The Caterpillar.................................................... 222 5. Back in the Hallway ........................................... 232 6. The Flower Garden............................................. 237

Act III c.43’

1. The Gardeners .................................................... 286 2. Enter the King and Queen .................................. 298 3. The Queen’s Adagio........................................... 303 4. The Croquet Match............................................. 313 5. Playing Card Dance ............................................ 331 6. Setting Up the Courtroom................................... 343 7. The Queen’s Tango ............................................ 351 8. The Trial ............................................................. 356 9. The Chase ........................................................... 398 10. Epilogue............................................................. 412


187

ACT II 1. The Cheshire Cat Andante misterioso q = 76 1

UFO sound effect

Flute 1

 

2

3

4



 



Piccolo

 

Piccolo

5

6

7

8

139

Flute 2

Flute 3

 



Oboe 1

 

 

Cor Anglais Oboe 2

 



Clarinet in A

 



 



 

 



Horn 3, 4 in F

 

 

Trumpet 1 in Bb

 



Trumpet 2 in Bb

 

 

Trumpet 3 in Bb

 



Trombone 1, 2

 



Bass Trombone

 



 



 

 

Handbells   







 

motor on, slow  







Percussion 4

 



Percussion 5



 



 

 

 



 



 

 

 



 



 

 

Clarinet 1 in A

Clarinet 2 in A



Horn 1, 2 in F

Tuba

Percussion 2

Percussion 3

Clarinet in A

Harp 1

Harp 2

Celesta

Piano

  

D# C# B# G#

D# C# B# G#

 

con sord: Tonwolf

con sord: Tonwolf

Violin II

con sord: Tonwolf

Viola

con sord: Tonwolf

Violoncello

Double Bass

Vibraphone

p

INSIDE PIANO*

Violin I

p

 

(different sides of note, with fingernail)

 

p l.v. sempre

139



 

 

 



 



 

*MIDI keyboard

mf

Andante misterioso q = 76

 

 

non div.

pp

 p

 1-4. only

  mf



  

 

 

 

 

 

 

 





f

  mf


II-01 The Cheshire Cat

188 Fl. 1

 

9

10

11

12

13

14

15

16

solo, fltr.

        

Piccolo

Picc. 2

 

3

mf molto ritmico

Piccolo

Picc. 3

            solo, fltr.

 

        

mf 3

         

3

mf molto ritmico

mf

 

        3

mf

          3

        3

simile

          3

mf

3

 

        

3

         

simile

 

 

        

3

         

3

 

       3

         3

3

 

         3

           3

Ob. 1

Ob. 2

solo fltr.

Cl. 1 A

Cl. 2 A

Perc. 3



 

Perc. 5





p sempre





  

3

solo fltr. 3

       

 

 





  



 







 

 





  

 



 Crotales



       

p molto ritmico

p

Perc. 4

p molto ritmico

(H.Bells)

Perc. 2

with bow p

Keyed Glockenspiel

 

mf



 

mf



 

mf



 

 

mf

 

   p

  p

Hp. 1

optional: double Piccolos

  

 

3

  

 

3

   

3

   

3

  

 

3

  

 

3

   

Harp play

3

   

mf

Hp. 2

  

mf

 

3

  

 

   

3

3

   

   

3

3

  

 

   

3

3

   

3

Cel.

 

PIANO

(INSIDE)

mf



mf

 

mf

 

 

 

 

 

 

pp molto vib.

f

p

f

p

f

 

 

 

 

 

f

p

f

p

f



 



4 soli

Vln. I

 

  pp molto vib.

 



mfp

   

mfp

mfp





   

mfp

 

mfp

 



 

 

   

mfp

 

pp molto vib.

f

  

 

  

 



mfp





   

mfp

 

 

 

   f

 

pp molto vib.

f

4 sole

Vla.

Vc. 1-4. only

p

 

Vln. II div.

mf Pno.



  

   mf

 D.B. 4 soli



  

  

pp

f

    pp

   f

p

 

 

pp molto vib.

f

 

 

mf

 

p

  

 

mf

p

mf

pp

f

pp

f

    

   f

 

pp molto vib.

 

  

   

 

p

mf

    p


II-01 The Cheshire Cat

Fl. 1

Picc. 2

Picc. 3

    

17

18

19

20

21

22

23

24

    

f

3

      

f

 

      

3

3

simile

      

3

simile

     3

        3

 

 

 

     3

        3

Ob. 1

Ob. 2

Cl. 1 A

 

Cl. 2 A

     

p 3

          

p 3

(Handbells)

      

Perc. 4





Keyed Glock.

Perc. 5



Hp. 1



 

 

3

  

  

     

3

    

      





     3



3



 



        3









   



loco



mf

p

 



with beater

p



   

p

p

   

 



 

3



    



3

      3

3

p

p

mf

p

 



mf

3

 

    



       

 

 

 

3

  

3



 

        

3

 

 

       

  



3

       

simile



      

simile

(Crot.)



3

3

       

      

p 3

(Vibr.)

Perc. 3

 

     

        

p 3

Perc. 2

 

189

Hp. 2

Cel.

           3

3

3

3

3

3

3

Vln. I tutti div. a 3



Vla.

3

                 3

3

3

mf molto vib. (free bowing)

3

3

3

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3



3

3

3

      3

3



  

f

3

3

3

3

3

3

       3

3

3

3

  

 

8 sole

f

  

3

 

3

3

3

3

   3

3

 



   f

   

   f

 

 

 D.B. 4 soli



  

  

pp

f

    pp

   f

div. in 4

p molto vib.

loco

3

3

3

3

mf

3

loco

3

3

3

3

3

3

f appass.



3

3

3

3

3

3



 

3

3

mf 3

3

mf



 

 

    

   

p molto vib.

f

 

 

 

3

  

  

pp

f

    pp

   f

 

3

3

   3

3

3

3



    

f cantabile

 f cantabile

1-4. unis.

 f cantabile





f

f

loco

  

   

 

                                       

f

mf

Vc.

5-8.

               

3

 

f

                                                    

 

 

3

       

f

 

3

3

  

                                     

3

 

3

                f appass.

3

3

3

     

                 f appass.

3

 

3

f

    

 

3

       3

      

f

  

3

mf

      3



 

                                        

3

3

                                        

 

                     

3

 

3

f

mf

                        

mf molto vib. (free bowing)



p molto vib.

1-4.

3

mf molto vib. (free bowing)

 Vln. II

                  

3

Pno.

 

       ���                                                  

mf

mp deliberato (sluggishly)



  f cantabile

5


II-01 The Cheshire Cat

190

140

 

Fl. 1

Picc. 2

Picc. 3

 

25

26

27

28

29

30

31

32

       

3

         

 

Cl. 2 A

 

Hn. 1

Hn. 2

 

3

       

 

    

3

pp

p

 

p

 

(purring)

pp

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Harmon mute (stem removed)

 

pp

pp

 

Harmon mute (stem removed)

 

 

(purring)

 

(purring)

(purring)

pp

Harmon mute (stem removed)

 

pp

Tbn. 1

Tba.

      pp

Perc. 4

Perc. 5



Hp. 1

Hp. 2





(K.Glock.)

p

Cel.

3

mf

Pno.

2 soli

g.a.

g.a.

1-4 unis.

 

Vc.

    3



3

   

 

 

3

   

3

3

  

  

 

      flautando

div.

pp

p

 

 

 

    3

p

     3

     3

 p

      f 3

 

     3

      3

    3

   f



3

p

    

3

           

           

           

3

 

f



3

3

3

3

mf

3



 

   

 

3

3

3

mf

 

 

f simile

 

 

 

 

f

p

f

p

f





 

 

   

  



   

  

 

f

  

 



 



3

 

p molto vib.

   

           

3

    f



           

f

   

   

p

3



f

    

p

     

f

p

pp molto vib.

 

p

      

 

p

pp

 

 

f flautando

  

     

    

p

p

pp

 

pp

p

p

 

 

pp

 

 

 

pp

 

 

pp molto vib.



p

p

 

 

mf

 

 

 

pp

p

 

 

 

3

 



tutti unis.

p

 

 

 



 

3

 p

p

pp

p

 

 

p

 

mf

p

  

   

 

 

pp

3

   

 

pp

    

 

  

 

3

 

p

(purring)

p

 

pp

 

pp

p

     

 

 

 

 

(purring)

    

 



 

(purring)

pp

     

3

mf

pp

D.B.

pp

 

           

 

 

Vla. 5-8. div.

p

pp con sord.

 

pp

 

           

Vln. II

p

pp

Harmon mute (stems in)

 

           

f

2 soli

p

 

p

 

Harmon mute (stems in)

p

pp

unis.

 

pp

140  

Vln. I

 

pp

 

 

 

 

pp

p

     

 

p

(purring)



 

 



(Crot.)

pp

pp

(Vibr.)

Perc. 3

 

p

 

p

 





pp

 (Handbells)

 

p

 

Perc. 2

p

B. Tbn.

Harmon mute (stem in)

Tbn. 2

  

Harmon mute (stem removed)

p

(purring)

pp

pp

Hn. 3

 

 

(purring)

Harmon mute (stem removed)

 

(purring)

Harmon mute (stem removed)

3

 

       

3

Harmon mute (stem removed)

3

 

3

    

       

         

3

Cl. 1 A

 

   f

  

  





pp

f

p molto vib.

f

 

 

 f



  



 


II-01 The Cheshire Cat

Fl. 1

  

Picc. 2

Picc. 3

33

                           p

3

3

3

3

3

3

3

3

pp 3

3

  

3

3

3

3

3

3

                       

pp 3

3

3

3

3

3

3

35           

36

f

                          

Ob. 1

34

                                

3

f

 f

3

Bsn. 1

Hn. 1

 

3

pp

p

 

 

(purring)

p

pp

Tpt. 1

Tpt. 2

Tpt. 3

  

Hn. 4

pp

pp

 

 

 

(purring)

 

 

(purring)

(purring)

pp

 

p

(purring)

pp

p

 

Tbn. 2

B. Tbn.

Tba.

 

 

pp

 



(Crot.)

Perc. 5



Hp. 1

    3

Hp. 2



(K.Glock.)

Cel.

Pno.

g.a. div.

2 soli

Vln. II g.a.

 

 

3

   

   

   

3

3

3

3

     

3             3 3      

 

    f



3

Vc.

D.B.

3

3

  

 

 



f

3

3

   

3

3

3

p

 

     

  

 

       

 

     

  

 

       

         

   

 

         

p

3

3

  

p

 

 

  

 

 

 

p

 

p

 

 

p

p

p

 

  pp  

pp

pp

 

 

pp

p

 

 

 

 

p 3 sost.

3

   3

3

3

  

mf

 

  3

  3

3

3

  

3

  3

3

      3

        

 

3

 

3

3

  

3

3

  3

3

    

  

             3

3 3

3

3



3

3

p



    3

3

3

        

 

        

3

  

 

         

 

 

 

 

 

p

f

p

f

p

 

  

 

 

f

p

f

 

   

  

  





 

   



   

  



  

  

  



p molto vib.

f



 

f

 

 



 

pp

 



f



3

3

3                  

    f

   

   

3

         

3

   

   

3



3

      

    

3

                

   

                    

           

 

      

      

D§ Bb

3

3 3

           

    

3

 

3 3

  

           

p

3

3

p



3

   

p

pp



3

3

3

3

3

3

pp

                       

     

3

 

 

                

p

p

pp



p

 

 

p



p

 

 



p

p

 

pp

 

 

pp

 

p

p

 

pp

p

 



f

        

3



 

3

p



   

3

 

f

p molto vib.

           

3

3

 

    f

         

      

 

            

3

 

 

 

   

 





 

 

pp molto vib.

  

 

  

3

      

3



            

3

    

mf

f

3

p

       

        

pp

                 3       

pp molto vib.

  

 

3

pp

3

 

   

f

3

3

3

                          

 



mf

 

  

3

pp

3

pp

3 3           

 

3

pp

3

Vla.

3

             

 



  

3

 

 

3

3 3



3

p

 

     

3

 

3

   

          

3

mf

3

3

191

40         

 

p

          

mf

3

pp 3

3

p

          

3

3

         

mf

 

pp



3

3

 

 

      

 (2 soli)  Vln. I

3

 

p

    

 

3

 

p



3

p

pp

     

3

pp

     

mf

3

  

pp

 

p

3

 

p

pp

pp

  

Perc. 4

 

p

pp

(Vibr.)

Perc. 3

 

(Handbells)

Perc. 2

 

pp

3

 

 

pp

(purring)

Tbn. 1

 

p

 

p

 

p

3

3

p sost.

pp

(purring)

                   

 

pp

Hn. 3

3

 

 

(purring)

            

3

p sost.

Hn. 2

       

  

p sost. Cl. 1 A

3

p sost. Cor Anglais

Ob. 2

                  

38 39                              

37

 

 




II-01 The Cheshire Cat

192

Fl. 1

42  

 

 

 



 

 



 

 

 



 

 



 



���

 

  

Picc. 2

Picc. 3

Ob. 1

C. A.

UFO noise fades away

rall.

41

 mf dolce

 mf dolce

 mf dolce

 mf dolce

mf dolce

Cl. 1 A

Cl. 2 A

Bsn. 1

Hn. 1/2

 

 

mf dolce

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1/2

B. Tbn.

45  

 



 To Flute

To Oboe

 a2    p

 

 

 

p

 

mf



 

 

p

 

mf

 



 

  p

  

mf

 

 

 

 

 

 



 



 

 

 



 



 



 

 

 



p

mf

      

    

    

      

 



   l.v.  

mf

p.d.l.t.

 





(K.Glock.)

3

 mf



3

 



3

 





3

 3

 3



  

D.B.





3

 3



 3



  

 







3

 3

 3

(pp)

  

 

p

 



 





 



mf

 

 

  

 

 

l.v.

 



 



 



  

 



 



 



 



 

  

 



p



 

  

 

 

 

  

 

 

  

remove mutes

ff appass.

 

tutti unis.









ff appass.

  ff appass.

  ff appass.

remove mutes

 remove mutes

 



attacca 

mf appass.

remove mutes

 

 



 

rall. 

ff appass.

Vc.



l.v.

mf

   

Vla.



 



l.v.

(pp)

 

Vln. II

 

Vln. I

 

mf

Pno.

p

 

Cel.

 

 

Hp. 2

 

pp

Hp. 1

 

(Crot.)

Perc. 5

mf



 

(Vibr.)

Perc. 4



 

pp

Perc. 3

 

attacca

 

(H.Bells)

Perc. 2

44

 

Hn. 3/4

Tba.

mf dolce

43

remove mutes



  



 



 



 




2. The Mad Hatter's Tea-Party 141

Fl. 1

  

193

Scherzando q = 104 46

47

48

49

50

51

52

53

 

Flute

Fl. 2

 

Piccolo

Picc. 3

Ob. 1

 

 

Oboe

Ob. 2

 

Clarinet in A

Cl. 1 A

 

Clarinet in A

Cl. 2 A

 

Clarinet in A

Cl. 3 A

  

Contrabassoon

Cbsn. 2

  

Hn. 3/4

 

Tpt. 1

 

Hn. 1/2

  

Harmon mute, stem in solo

Harmon mute, stem in solo

mf

  

  

    

 

 

Tpt. 3

 

Tbn. 1/2

 

B. Tbn.

 

Tba.

  

Tpt. 2

Perc.

Timp.

Perc. 4

Perc. 5

     p   

 

Hp. 1

Cel.

pp light, con ped.



p.d.l.t.





    



 

 

 

 

 

 

 

 p.d.l.t.

pp brittle

F#

     

(2)

 

  

mp

 

 

 





 

(3)



 

  

  

 

 

 

 

  

 

(4)

 

l.v.

 

 

 

 

 

 

 

 

(5)

 

 

 

 

 

 

 

 

(6)

 

 

 

 

 

 

 

 

    

(7)

 

 

   

 

 

 

 

 

 

(8)

 

  

  

 

  

  

   

 

  

   

  

  

   

 

  

   

   

  

   

   

 

  

  

  

   

   

  

   

   

 

  

   

 

  

  

 

   

   

  

  

  

  

   

 

 

 















pp brittle

              p   (pp)  Scherzando q = 104 141    







   



  



  

 

 

 

mp





  



 







   





  



 





 







   





  





  



 











  

  

1º solo con sord.



mf



2º solo con sord.

mf







  





   

   





 

 









  



 

   









   







  



 

 

 

 

  

 

 







  





  

 

  

      







  

  

  

 

  

  

  

 

  

  

 

 

  

  

  

 

  

  

  

 

  

 

  

 

  

 

  

 

  

  

  

 

4º solo senza  sord.          

  

 

   

  

  

 

   

  

 

 

   

  

  

 

   

  

  

 

   

 

  

 

   

 

  

 

   

  

  

 









































  

p

p





g.a. senza sord.col legno

 









































p marc.

 















1º solo con sord.

 

mp

2 soli

 

 g.a., senza sord., pizz.

   

   

   

   

   

  

mp

  

 

 

   

   

2º solo con sord.





   

  

     







 



   

   



 

 

   





   



   







   

   

Vla.

 

Vc.

 

mp brittle

     p

pizz.



  



 

D.B.

  

 

3º solo senza sord.

Vln. II

pp brittle

 

Vln. I





Handbells

Keyed Glockenspiel

 

 

Pno.

 

     

Hp. 2

mf

  

  

 


II-02 The Mad Hatter’s Tea-Party

194

Fl. 1

142        mf

Fl. 2

Ob. 1

54   

 

   mf

accel. 

   

56    

 

 

  

  

  

Più mosso q = 116

57    

  

  

  

   poco f

   poco f

58

59                             

p

f

f

Tpt. 1

Tpt. 2

Perc. 1



Clarinet in A

        

                         6

Clarinet in A

                

 

(Handbells)

 

p

(K.Glock.)

  

  



 

 

 

 

 

    

 

 

   

 

  

 



(10)

 

    

 

  

            

  

  

l.v.

 

 

 

                       6



 



 

 

(11)

 



 

 

 

 

 

 

(12)

 

 Bass Drum hard sticks

 

p

Vibraphone med. sticks

        



 

f

                    6 6

f

mf



l.v. ord.

mf

f



 p













3

3

f







f

  Hp. 2

 

 

   

 



 

 

 

   

 



  l.v.

 

 

   

 

    

   

 

    

 

   

 

ord.

mf



f C# D# B E# F# G§ A§ l.v.

(2º solo)

  (3º solo)

 

(4º solo)

 



(g.a.)





 

      

 



 

 





















 

  

 

 





 

 

 

  



 

  







  



(2º solo)

 (g.a.)

p





































 

 





 

  

 

 

accel.   

 

 



 



 

 





 

  





 

 

  

 

 

 

 

 









 

 

 

 





 

 



 

  





  

 

 

 





  



 



 

 



  

 

 

   

 

  

       

 

 

   

   

 



  

     

 

   

 



 

     



 





 







f





                      6

 

Più mosso q = 116    

poco f

  

6

  

f

con ped.

 tutti, div. a3

arco ord. senza sord.

 

 

mf

 

 poco f

arco ord. senza sord.



 mf

arco ord. senza sord.



 mf

mf



 

 

   

div. a3 senza sord.

div. a3 senza sord.

senza sord.





mp senza sord.



mp

   

mp arco tutti, div. a3

poco f

  



 mf

poco f

6

f

                      6



3

3

fp

 

3

mf

f

senza sord.



3

 

con ped.

fp

Vc.



p

               

mf



(1º solo)

  



mf

142 (1º solo)    

Vla.

  

Vln. II

 

p

Vln. I

D.B.

mf

 

fp con ped.

l.v.

p Ratchet

f

 

C# D# B F§ G§ A§

Pno.

Small Susp. Cym. med. sticks

poco f

 

f

poco f

Hp. 1

Cel.

6

   

 

f

   

 

 

Clarinet in A

    

 

 

 (9)

    

Perc. 4

Perc. 3

Perc. 5

 



Perc. 2

6

f

fp

     

6

6

fp

Cl. 3 A

6

             6

fp

Cl. 2 A

6

                    p

6

f

Cl. 1 A

55   

     

  

  

  

  

pp


II-02 The Mad Hatter’s Tea-Party

143

Fl. 1

 

60

61

62

63

Cl. 1 A

195         solo

mf anarchic solo

 

  

 

mf anarchic

To Bass Cl.

Cbsn. 2

Hn. 1

Cl. 3 A

 

Hn. 2

Contrabassoon















p



p

Hn. 3

p

Hn. 4

solo (Harmon mute)

      

Tpt. 1

mf anarchic

 

cup mute

Tbn. 1

Tbn. 2



Perc.

Timp.

Perc. 1



cup mute



l.v. sempre

f



   

mf

 

 

mf

pp light, con ped. p.d.l.t.

 







 

 

 

 

 

 

p.d.l.t.



 

  

 

 

 

  

  

mf

  

 

1º solo

p

   p



g.a. col legno

 







 

 

 

(3)





  

  

f

  

  

  

     

           



















p marc.

 

 

 

 

p marc. senza sord.

p marc.

 

 

 

 



 

   

mf

  mfp

 

 

fltr.

ord.

fp





mfp

espress.

espress.

mfp







mfp

espress.

mfp



espress.





 







 

 

(5)





 

 

 

                                             p

 

 

mfp

 

mf

 



               



mfp

espress.

 





mfp

espress.







mp

 

      

mf

   

Timp. soft stick

(4)

 

 

 

  

      

 

 

   

 

(6)





mf

 

 

 

 

   

 

(7)





 

 

 





 



  

 

   

 

 

  

  

 





 

 

  





 

 

  

  

 

 

  

  

 

 

 

  

  

 

 

 

 

  

  

 

 

 

  

  

 

 

 

  

  

 

 

  

                                         

               

p

p

p

p

mf



  

 

   

 

               









 

 

  





 



 

 

  





mf





 

 

  









 

 

  









 

 

  





 



 

 

  





mf





 

 

  









 

 

  









 

 

  





 



 

 

  









 

 

  









 

 

  









 

 

  





 



 

 

  





mf





 

 

  









 

 

  









 

 

  





 



 

 

  









 

 

  









 

 

  









 

 

  









 

 

  









 

 

 

  

  









p marc.

unis.     sf

sul tasto

pizz.    

mp brittle

  

  

  

  

  

   

  

 non trem.

 

 

 

 

 

  

 

fp

 

  

  

                                         

pp brittle

143





p con ped.

 

 

mp brittle



 

       

66             

pp brittle

sf

sf

(2)



 

 

mfp

 

 

 

 

 

 

 

p (K.Glock.)

 

f

     

mfp

  

  

mf

2º solo

D.B.

 

(loco)

poco

mfp

 

Vc.

mf

 

Vla.

mfp

 

p

Vln. II

   

   

  

Vln. I

(Harmon mute)

                

Pno.

 

f (Vibr.)

 

 

 

  

Cel.

 

Hp. 2



 

   fltr.

 

Finger Cymbals

 

Hp. 1





(Handbells)

Perc. 5

plunger mute



 

       

p

Whip

Perc. 4

  

p

Perc.3

 

 

p

 

 

      



cup mute

B. Tbn.

 

 

Tpt. 3

 

Tpt. 2

  

  

        

65            

poco

senza sord.

f

  

 

poco

senza sord.

  

f

senza sord.

 

Bass Clarinet in Bb

64         

     

  

  

 

mp

pp

div. a 3

 

   leggiero

  

 

mp espress.

div. in 3 arco

 

 

  

mp espress.

  

pp

  

  

pp



mp espress.

   leggiero

mp espress.

  

  

 



pp

pp

  

 

 



mp espress.

   leggiero

mp espress.


II-02 The Mad Hatter’s Tea-Party

196 Fl. 1

 67                

 

                

Picc. 3

mf

mf

Ob. 2

Cl. 1 A

68         

f

 

          6

mf dolce, legato

6



 

mf dolce, legato

       

  

 

f

 

 



6

6

6

 

            

mf

 

B. Cl.

Cbsn.

Hn. 1



            6

Tpt. 2

mf

Tpt. 3

Tbn. 1

  

    mf

Tbn. 2

   

Perc.

      mf

B. Tbn.

mf

         

mf

f



mf

  

Perc. 5

Hp. 1

 

 

  

 

 

 

(8)

 

 

   

Pno.

 

    

Vln. I



 

Vln. II

  

Vla.

   

Vc.

pp

D.B.

  pp

        

  

     

       

       

p dolce

poco

  f

  f

  



poco

   

 

  

           

  

  

 

 

 

 

 

       

 

ord.

mf fltr.

f 3 ord.

 

Xylophone

 



 



 

p con ped.

3

  

l.v.

  

 

  

  

  

  

mf



mfp

p.d.l.t.



             3

 

 

 

  

mp

 

 

 

            

mf

f 3

pp





  mp

 

 

 

 

   1º solo     

2º solo    p   p

    



 

 

  

  

 

   

 

  

 

 

 

 

 

 

       

    

       

 

 

 

  

  

  

  

mp

  

pp

  

 

tutti div. a 3 ord.

mp espress.

  

div. a 3



leggiero

mp espress.

  

 

                

mf

    

        

    

       

     

       

    

p (pizz.)

 

                 

 

g.a. col leg.

 

 

con ped.

3

p

 

 

 

 

 

p.d.l.t.

 

pp

 

espress.

 

poco

mfp

p

  

espress.

mf

  

espress.

p

  



              

  

mfp

                     

  

espress.



 

  

espress.

 

mp

p unis.

mfp

mfp

 

3

f

 



f

espress.

p

mfp

 



 

3

   144 

3

        







f

3

 





3

p

 



f 3

 

3

f

Tambourine

 

f 3

            

3

mf anarchic

      

3

mf





 

 

     

           

mf

f





p marc.

     

  





     

fltr.

p marc.

poco

senza sord.

 

poco

poco

p marc.

poco

f

f

 

poco



poco

3

  

f

poco

p



mf

3

poco

  



 



To C. A.

73            

               

           

mf

mf anarchic

3

 

mf anarchic

f

p



  

 





3 f marc.

poco

                      

Cel.

mf

p dolce

f

     

 

f



Hp. 2



p (Handbells)

 

Oboe

poco

 

3

p dolce

                

   

3 f marc.



(K.Glock.)

mf

mf

  

Perc. 4

  

(Vibr.)

Perc.3

     



  Timp.   mf  Perc. 1  Perc. 2

(F. Cyms.)

3

  

  

 

      

3 f marc.

72        

      

 

    

3

mf

  

3 f marc.

  

mf



 



3



Tpt. 1

 

  

6

3

      

mf

 

Hn. 4

     

f

mf

Hn. 3

3

 

Hn. 2

3

        

 

71                      

mf

 





mf

  

f

mf

 

  



         

f



 

Bsn. 1

  

  

6



mf dolce, legato Cl. 2 A

70          

 

          

         

mf dolce, legato



        

f

69

marc.

          

Ob. 1

 

144

Fl. 2



  

  pp



pp

  

  

  

mp espress.

  

mp espress.

       


II-02 The Mad Hatter’s Tea-Party

Fl. 1

  

Fl. 2

Picc. 3

Ob. 1

 

Bsn. 1

Hn. 1

   

Tpt. 3

 mfp



Cel.

Pno.

mf

   



   

mf

mf

 

mf

To Bsn.

mf

  

  

f



p dolce

  

  

     

   mf

       



 

p dolce

  

  

  

  

 

  

f

    

  

  f

poco



poco









 







 







 







  

 

  

  

p con ped. solo

    

  

 

  

 

 

  

 

  

 

 

 

  

  

C# D§ B§ Eb F§ G§ A§

                              



p



 



   

          

   





mf



 

 

  



  

       

   

   

p





 

 

  





   

      

   







 

 

  

   

       

   





 



Vla.

6

6



         

 

6

 

  



pp

mp espress.

pp

 

pp

   mp espress.

 

pp

mf

    

C§ D§

   Db

CBb

6





              6

         

1a solo, nat.

6



              6

1º solo

  

6



pp

senza sord.

 

 

  

 



 

  

  

6

    

          

3

     f 3

fp

  

          3

f

f

f

fp

  

3

145

 

 

  

         

f

mf

       

  

 

 

       

 

  

f

p

f

  

    











poco

poco

poco

 To Marimba

 

f

fp

f

  

  

f

        



 

mp

  

       

f

f

 



poco

        

pp

p

 

   



poco



6

sub.p

3



poco





 

f



p

f

gli altri div. a 3, arco pp

             

f appass.

 



3        3             3 3 f      

 

  

   

 

  

  

         

6

  

pp

f appass. le altre, div. a 3 (sul tasto)

gli altri div.



6

             

f appass.

mf

  

 

       

 



1º solo, nat. arco

pp





C# B§

f appass.

  

   

             

f appass.

mf

 

  

tutti div. a 3

D.B.

             

   1º solo     

  

Vc.

  

3

  

 

 

 

senza sord.

3

3

C Bb

 

 





   



gli altri div. a 3 (sul tasto) arco

  

3

      

senza sord.

Vln. II

tutte div. a 3

  

3

 

3

mf

mf

 

3

solo (p.d.l.t.)

3

                 f    

      

C# D# B§ Eb F§ G§ A§

3        3             f 3 3

poco

(p.d.l.t.)

mf

  

mf

poco

f appass.

poco

sub. p



3



poco

3

          

poco

mf

3

3

mf

                          f

poco

poco

 

 

mf





poco

p

  

          

 

                     

mf

               mf                

       

f

Cor Anglais

              

  

f

3

poco

  

3

p dolce

f

mf                                  3 3 3 3

  



f

 

3

f

          3

  

 

mf

 3   3   

(Tamb.)

 

3  

81

poco



3

f

mf

mf

80

 

  

  

  

(Vibr.)



  

Vln. I

 

              

Hp. 2

(Xylo.)

Hp. 1

(K.Glock.)

Perc. 5

mf

p (Handbells)

Perc. 4

mf

mf

(F. Cyms.)



mfp

 

f

mf

      

  

Perc.2

Perc.3





  Timp.    mp Perc.1

                     

mfp

 Perc.

 

Tbn. 2

   

f

              

Tbn. 1

f

mf





 

Tpt. 2

  

 

Tpt. 1

 

Hn. 4

B. Tbn.

   

 

Hn. 3

 

 

Hn. 2

 

            

B. Cl.

mf

Cl. 1 A

77

                            

78

145 79   ���                 

76

mf

Cl. 2 A

 75                            

  

f

Ob. 2

Cbsn.

74             

197

fp

f

 

f


II-02 The Mad Hatter’s Tea-Party

198

Fl. 1

82                  

     

               

     

mf

Fl. 2

mf

Picc. 3

C. A.

Cl. 1 A

Cl. 2 A

B. Cl.

Bsn. 1

Hn. 1

        

mf

Tbn. 2

Timp.

Perc.1

Perc. 4

Perc. 5



Hp. 2

Cel.

3

 

3

3

                  

               

3

                

                 mf emphatic

      

mf

        

Bassoon

con sord.



pp con sord.

con sord.





poco



               

(K.Glock.)

pp plunger mute

  

pp fltr. plunger mute

  

pp

poco





 

  

 

 pp

sf

 

 

 

  

 

pp

sf

 pp

sf

 

   

pp

pp

 

 

 

  

 

   

pp

sf

   

pp

sf

   

 

  

 

  

 

sf

sf

con sord.

sf

pp

  



p

mf



p

mf



p

mf

         

 

f



To Cbsn.

f

       mf anarchic



 

f

 

   

 











cup mute

sf

p cup mute



 

Small Susp. Cym.

Tambourine

p

cup mute

 p



f

 

p

 

l.v. mf

p

to Xylo.

 

f



 p.d.l.t.



 

 

p



 





 

 

 



               

 

 

Vla.

 

 

tutte nat., div. a 2



























 

 

 

 

 



 

p dolce div. a 2

 

p dolce





 

 

 

  





mf



 



 

 

  

  





 

 

 

  

  

                     p

















 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

p

  

p g.a. col legno





 

p

2º solo

  



 



1º solo





pp brittle



 

146

p dolce

Vc.

  



sf

mp brittle

sf

tutti, div. a3 Vln. II

 F# p.d.l.t. 

 

pp brittle

(loco)

sf

p

 

         

p

 

 

Vln. I

D.B.

 f

sf

f

        



mf



 

sf

   

p

sf

   

pp

sf

sf

  



sf

   

 



  

 pp

sf

pp

sf

   

  

pp

sf

  

 

poco

     

  

  



poco

 

fltr.



mf (Handbells)

 

(Harmon mute) fltr.

 

 



  

f

Pno.



f

Hp. 1

        

Marimba

Perc.2

f

               3

3

 

mf

 

poco

      

        

              

 

 Perc.

poco B. Tbn.

                  mf emphatic 3

Tbn. 1

f

89

3

88

                mf emphatic

146

3                  3 3                     3



3

87        

3

Tpt. 3

3

mf

                mf emphatic

pp

Tpt. 2



mf

pp

Tpt. 1

3

         

solo

3

Hn. 4

86

         

solo  

Hn. 3

85

mf

 

Hn. 2

84

         

                                                                                                                                             

Ob. 1

Cbsn.

83          































p marc. unis.

  

f div. a 3 sul tasto

 

fp

  

pizz.

mp brittle

  

  

  

  

  

 

  


II-02 The Mad Hatter’s Tea-Party

Fl. 1

 

Fl. 2

Picc. 3

Ob. 1

91

        mf anarchic

        mf anarchic

 

     

 

  

mf anarchic

Cl. 1 A

Cl. 2 A

     

mf anarchic

 

  

mf anarchic

B. Cl.

Bsn. 1

Bsn. 2

Hn. 1

 senza sord.









senza sord.

p senza sord.

 

Tbn. 1

Tbn. 2

B. Tbn.

Perc.

Timp.

   

 

mfp

   

  

mf



  

mf

Perc. 5

Hp. 1





 

Hp. 2

Cel.

Pno.

 

 

 



mf



 

    

Vln. I

 





 

 

 

 

  

  

 

 

               



 



    

   

       





 

 

 





          

    

       

 



 





 

 

  

  

       

   

   

    

mf



 

 

 

   



Vla.

 

  

 

 

        

 

  

 

 

  



        

 

       

      

  

                             

 

 

  

 

 

  

  

   

 

 

fltr.

ord.

fp

            

  

                           

            

  

                          

                  

 

mf

 

mf



 

 



 







    

 



mfp

espress.

mfp

  

non trem.

  



espress.

 

  

  

  

 

 

 

 

 

   

  

  

     

    

      

    



 

 

 

  

  

      

 

    

div. a 3  

mp espress.

  

div. a 3

pp

 

 

mp

  

 

  





leggiero

mp espress.

     

          

mfp

mf



 

mf

  

     

  

       

  

    

  

  

    

  

f

  

f

   

 

  f

  

f

  

f

  

f



                                                                          

p

  

   



mf

mfp

espress.

 

   





 

 

  

straight mute

mfp

mf



mf



espress.

  



 

mf

  

f

mf

 

mfp

mfp

  



               

 

mf

espress.

 

  







mf



  

 



mf



espress.

  







  

mf



 

                    



p marc.

   

mf

 

 

 





   

mf

  



p marc. senza sord.

   

95                      

                    

 

       

   

mf

       

p marc.

mfp

  

           

  

 ���

 

 

 

 

mf

          pp



pp



 

 

 

 

  

  

   

   

       

       

     

mf

 

   

 

p



  

D.B.

 

 

p

 

Vc.

 

                                         

Vln. II

        

                

  

mf

   

  

  

mf

  

(K.Glock.)



      

 

94             

  

p con ped.

   



      

mfp

 

(Handbells)

Perc. 4

 

   

 

 

       

 

 

  

            

mf

 (Vibr.) Perc.3 

   

 

 

poco

  

mfp

mf

93             

poco

mfp

  

 

(F. Cyms.)

    

 

       

  

mf

  



  

 



Harmon mute, stem in

(plunger mute)

Tpt. 3

  

  

      

Tpt. 2

 

Tpt. 1

Contrabassoon



 

       

poco

p

  

mf anarchic



 p

 

Hn. 4

 

f

 

Hn. 3

mf anarchic

  

Hn. 2

    

92        

mf anarchic

C. A.

90

199

          

  

mp espress.

   mp espress.

     

       

  

  

 

   

 

 

 

 

  

  

 

 

  

  





 

                p

            pp



pp

    

   

     

          

mf

    

       

       



 

 





  

 

 



pp

mp espress.

   mp espress.

 

 

  

  

 

 

  

  

 

 

 

 

 

  

                  

 

 

  pp

    

      

     

       

          

mf

 mf

       

  

    

 






II-02 The Mad Hatter’s Tea-Party

200

Fl. 1

147 

97

98

99

100

101

102

103

   

To Fl.

     f

     f

     f 

96

    f 

Fl. 2

Picc. 3

f

Ob. 1

C. A.

mp leggiero

    

Cl. 1 A

Cl. 2 A

B. Cl.

To Bsn.

Bsn. 1

    





      

         mp leggiero

f

f

f



    

f

mp leggiero

     

          

f

    

f

mp leggiero

    



         

f

    

         

f

sf

                mp 



                mp 



                  mp  





 

f

sf

f

sf

f

sf

sf

       

mp

sf

sf

sf

       f

   

104

148

f

sf

     sf

f Cbsn.

Hn. 1

        

Hn. 2

Hn. 3

         mp

               mp

        mp leggiero

       

f

      

Tbn. 2

B. Tbn.

f

con sord. (till end of scene)

    

  Timp.       

 p

         

    



         

Perc. 5



(Handbells)

(1)

pp senza ped. dry ord.



p

 

  

    

ord.

 

Hp. 2



 

Cel.

Pno.

 

  

p

         





(2)

  



   



  



      f        









 

         





                  

  



   



  





  

arco       div.





p

   

arco

   

  

             p 

f





 







  





 

  

   









 

   

   

   

  

                

   

   

  

                

   

   







                   

   



  











 





sf

sf

sf

sf

   

  

   

   

  



               

               

  

  



   

 

sf

p



  



sf

                       

col legno

f

f

sf

   



  











 

   

   







p

                 p

    

   

   

   

  

                

sf

  p

  

  



   



   



  







  







 





  





   

   

 

sf

p











               

f

sf

148

sf

  

sf

(9)

    

      p      

                             (no accents)    

p

    

sf

         f

  



               

   

  



                            



f

         

tutti col legno



(no accents)

  

         

                

sf

l.v.

    

         p 

                     f

               



          f

mp leggiero

              mp  f sf                sf

                            

mp

f

p

 

   

   

p

p

    

 

   

    

                

sf

 

 

sf

    



     



unis.

Vc.

sf

wrong end of sticks (light wooden thin sticks)



  



mp leggiero

Vla.



f

(pp)

147  Vln. I 

Vln. II

f

sf

  

mp

                  



               

 

Hp. 1

(K.Glock.)



f

Perc. 4

sf

f

sf

f

Xylophone

(Vibr.)

Perc.3

      

       f

 

      

      

straight mute

 

  

 

    

f



       

f

sf

 

straight mute

sf

sf

 

    

    

f

Perc.1





f

Tba.

  

  

      

f

        

straight mute

    

 

sf

f

Tbn. 1



f

mp leggiero

Hn. 4

f

D.B.

f


II-02 The Mad Hatter’s Tea-Party

  

105

Fl. 2

 

Picc. 3

Ob. 1

Fl. 1

106

107

108

109

110

111





 



 



 

C. A.





Cl. 2 A

 



B. Cl.

 

 

Bsn. 2

Hn. 1

Hn. 2



 

  



 

 

  

 

  

fp Hn. 3

Hn. 4

Tpt. 1

 



   





          

mf



mf

  

fp

    fp

           mf      mf

fp

           

mf Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

 

     



Timp.

   

  Perc.1  

 

Perc.2

Perc.3

 

Hp. 2

Pno.

 

 

(K.Glock.)

f

(2)

                     

  

   

  

 

  







      













 





 

    

 

     

  



 



    fp

   

   

   

  

           (col legno)

mp

div.

Vla.

 

 

con ped.

(col legno)             mp

col legno             mp

   D.B.  ���



 

            mp 



 

pp

 

     

f



sfz

  

  



mp leggiero

  

   



 

 

mp leggiero

 

 



 

 

 

 





 

   

mp leggiero

  

 

 

mp leggiero

 

  

 

 



















Tambourine



med sticks

 

  p

                 

f

     

           

           

 

 

(6)

(7)

   



   



   





 



mf

   

   

   

   

fp

  

               











      











 





  



 





 f

   

   







 



 

               

   

   

  



 

               

            

            

          

          

          

            

         

          

1,2 sole, arco ord.

   f





      



 



 



  

 

 





tutti col legno

   



 

sfz

  

  

  

   

               

               

   

   

   

   

tutte unis.

 

 

 

 

  

   

   

   

col legno mp

   

 

   



    



    



sfz

sfz

sfz

sfz

sf

 

 

 

 

f

 

 

 

 

 

 

 

arco ord.

f

 





(9)

                        

   

   







f

sf

f

p

    

   

   

  

sf

p

   

    

                  sf p        sf

 

f

 



      p      

3,4 sole, arco ord.

arco ord.

 

sf

  

  



f

 

  

               

  

   

    



  

   



       

  

mf:p

f

f

    

sfz

(8)

  

mp

   

   

 

sub.f

  

 

149

              

            







  

1,2 soli only

         

  





f

  

sim.(wrong end sticks)

f

mf (5)

  

   



f

    

   







f

f

                f

  

 

f

   



sfz

   f

 

 

   

straight mute

 

sfz







sub. f

sfz

       

          



 

(4)



    

  

                     



sfz

 

sub. f

   

f



    

                     



sfz

 

f

f

    

sfz

(3)



  

sfz

f

f

                     



f

 



sfz

  

mf





  

mp leggiero

  

  

   

mp leggiero

                     

f

  

 

                     

Vc. col legno

div. arco ord.

                         

   

 

l.v.

   

  Vln. I  

Vln. II

 



  

med. stick, (right end)

               sub. f

            



sub. f

f

                 

f

           

           

            sub. f

                     



           

mf

(Xylo.)

  

          

   

mf

                    

Hp. 1



mf





         

     

 Perc. 5   

           

mp

fp





                       







f

             

mf

f

113





112

149

mf

mf

mf





         

mf



f

            

(Handbells)

Perc. 4

Bassoon

mp



f

(Vibr.)



           

   

                

  

f



mp

Tba.

  

(st. mute)

mp

 

              

 

 

              

f

f

  

f

 

Bsn. 1

             

 

Cl. 1 A

201





 


II-02 The Mad Hatter’s Tea-Party

202 Fl. 1

  

114

 

Fl. 2

 

C. A.

 

Cl. 1 A

 

 

Ob. 1

Cl. 2 A

 

Bsn. 1

Bsn. 2

Hn. 1





 

  



 

          

 

mp leggiero



Hn. 4

 

 

Tpt. 2

 

Tpt. 3

 

 

 

Pno.

f

straight mute

 

 





 



