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Adamo ALCOTT MUSIC

Page 1

Mark Adamo

ALCOTT MUSIC from the opera Little Women for percussion, harp and string orchestra

From the G. Schirmer Rental library Date of Printing:______________

G. Schirmer, Inc. New York, NY


Mark Adamo

ALCOTT MUSIC from the opera Little Women for percussion, harp and string orchestra

Commissioned by Eclipse Chamber Orchestra Sylvia Alimena, Music Director


Instrumentation Percussion (1 player) Chimes in F#, G, G#, A, B Glockenspiel Small Ratchet Snare Drum Small Suspended Cymbal Small Tam-Tam Timpani Vibraphone Harp Piano/Celesta Strings

estimated duration ca. 20 minutes


to Sylvia Alimena

Alcott Music from the opera Little Women

Full Score

I. Jo In reverie: q = 60

   

Piano/ Celesta

pp

     

pp

3

Violin II

Viola

pp

6

   

con sord., div., flaut., legatissimo

con sord.

Contrabass

   

Perc.

    

pp

    

 

3                    

solo

6

let ring

Hp.

   

    Vln. I      

Vla.

Vc.

            

 Cb.     

    sim.   sim.

Revised 5/2008 materials supplied by composer

    

 

 

 

 

 

 

p

   

 

p

            

  

      





         

     

pizz., l. v.

  p    3

Copyright © 2007 by G. Schirmer, Inc. (ASCAP) New York, NY. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to prosecution.

 

   

   

 

sim.

 

damp Eb's

3            3  let ring         3  3

 

3 3

ord. (flaut.)

   3

    3

 

  

 

 

unis., ord. (flaut.)

  

3

 

    

 

 

  

   

 

     

 

             let ring A§ let ring

     

 

      

   

   

3

6

let ring

    

  

       

sim.

   

 

pp

  

    

sim.

Vln. II

 

(VIB, bowed)

7

 

              



Violoncello

    

solo

   

 

       

pp

   

   

   

con sord., div., flaut., legatissimo

     

 

Tremolando pitch(es) freely and very smoothly, varying note values; poco cresc.--dim. ad lib. Do not synchronize within sections.

con sord., div., flaut., legatissimo

     

 

   

3

6

let ring

              

con sord., div., flaut., legatissimo

Mark Adamo

pp glissando across designated strings with soft heavy brush

Eb F§ G§ Ab D§ C§ Bb

 

PIANO

.

In reverie: q = 60

Violin I

p

   

 Harp     

 



 

glis s

 Percussion     

VIB., motor off: bowed

3

ord. (flaut.)

ord., unis. (flaut.)

   

as before

 

as before

as before    3


2

Full Score

   Pno./Csta

  

damp G's

           3

Hp.

          3

3

 div.    Vln. I    Vln. II

Vla.

Vc.

Cb.

E§

let ring

   

        

   Eb

      

      

ord.

ord., unis.

   

unis.        

 





 

 

 

 

 



 

E§

            

  

       div.

  

   

 

 





  

slowing

     

                   F#

ord.,

 

     

 

More motion: q = 80

  

   

     

  

3

More motion: q = 80



 



  Perc.      14

Not quite back in time: q = 66 soft mallets, motor on: a faint, distant tattoo

B§

    

3

      

(PIANO) mp solo, expressively

3

3

3

              3

6

mf



 

  

actual pitch

  

actual pitch

mp

D#



   

Not quite back in time: q = 66

  

slowing

3 6                     

(non flaut.)

gliss.

     

 gliss.    

  

gliss.

 

 

     

  

mp

3

 

(non flaut.)

    mp (non flaut.)

6

     

mp (non flaut.)

 

   

mp

 

 


Full Score

3



    3 3 5 3 3 3 3   3 3      3   3   3   5     Perc.            3 3 3 3     3 21

  

    

Pno./Csta

    

      Hp.

C#

     

   Vln. I  

Vla.

   

 

 as before      as before      

 as before Vc.         Cb.   

      

as before

Vln. II

 



3



    

   

       

 

 

3

 

  G#

  

  

 

      

   

 

 

   

 

      

 

 

   

 

      

 

3

      

      

arco: actual pitch

mf

 


4

Full Score

Pno./Csta

              

Hp.

     

   Vln. I   Vln. II

Vla.

        

         

   Vc.          Cb.   



     

 

p

A#

 

C§

       

 

surging forward..

    

3

  mf

  3

 

3     3       

3

 

   

 

 

3



        

3



     

3



Perc.



3

q = 80

surging forward..

3  3 3 3                               3 3 3 3 3

24

   

3



pp

 

   

     ord.   



3

3

3

3

3

q = 80

remove mutes

3

3

 

3

3

      

3

ord.

remove mutes

remove mutes

ord.

    

remove mutes

remove mutes

ord.

C#

 3

sub. pp



3



3


Full Score

5

Urgent: q = 100

3 3 3 3 3             Perc.              3 3  3

27

     

Pno./Csta



     

Vln. II

Vla.

Vc.

Cb.

 

           

senza sord.

 

 h=h

  

   

f

    

Urgent: q = 100

 

3

f

                3 3

          

unis.

f

f

 

  

   

   

div., ord.

   

sord. senza  

f

  



h=h

                                         

     

f sumptuous

              

  

     

 

 

 

  



 

 

pp

 

 

pp

pp

pp

 

pp

  

f, sumptuous

A# C§

 

   

mp

 

mf

Ab Bb

  

   

n

    

   pp    





    

    

slowing...



 



F§ G§ Ab D§



  

CELESTA



 

  

       

       Cb.     

    

  



Vc.

  



 

f

 

    

3

      

   

6                     6

  

 

 

  

3

 

    

3

  

    

3

  

       

senza sord.

    

     

senza sord.

  

   

div.

Vla.

3

 

 

 div.

  

 

             Vln. I    Vln. II

3

 

      

Hp.

3

senza sord.

33

Pno./Csta

        





     

   Vln. I   

3

3

      Hp.

         

f

    



      

    

   

 F# Gb

p

  

 

 

   

n

 

 

 

 

 









slowing...



 

   

n



n



 


6

Full Score

  Vln. I  

Vln. II

 

Vla.

 

43

q = 63

moving forward

Cb.



      

 

unis.

pp



solo, espr.

Vc.

Urgent: q = 84

          p

pp

  

  



  

  

n

sola

   

3

 

pp

pp

  

3

pp

vib.

div.

   

 

  51             Vln. I    p       Vln. II          p tutte

Vla.

        

 

p

Vc.

Cb.

 

   

tutti

 

 

   p



Surging forward: q = 96

short

    

singing



    

short

mp

 

singing div.

   

  

pp

       short

  

div. short

singing

mp

  

   

singing

  

  

mp

    

singing

     

p

 

(p)

 

 

 

pp

  mp

short

 

(p)

mp

    58

Vln. I

Vln. II



 

     mp

Vla.

Vc.

Cb.

 

 

 

        

mf unis.

   

mf

 mf div.

        mf

 

mf

 

  

  

     

         

    

 IV.    solo

p



     

unis.



   

       

   

       







 





pp

pp

pp

pp


Full Score 65

Perc.

Pno./Csta

Hp.



 



 

 



 



 

 tutti         Vln. I       div.

Vln. II

Vla.

Vc.

Cb.

7

pp

mp

   



 

mp

pp



      

mp div.



 

    

pp

 

mp

pp

mp

pp

  

div.

  

div.                          mp

unis.

 

  

   

     

p

 

6

f

6

p

                               p f                  div.

6

6

f

6

6

p

                  6

f

6

 

p


8

Full Score

Pno./Csta

Hp.

 

 



 

 



 



 

             p f

Vln. II

6

Vla.

6

pp

f

6

pp

                   6

Cb.

f

pp

 

f

6

 

pp



     

pp

 

 

  

   

                  6

Vc.

6



  

 

                                f



              solo, freely          Vln. I  6



 

     

.

Perc.

SNARE DRUM

f

gli ss

71

Suddenly manic, in time: q. = 144

     

E# F§ G§ B#

  

   

 

                f

         f pizz.

    

tutti

     

col legno

     



arco

         

      

            

      

pizz. unis., non div.

col legno

f pizz. unis., non div.

col legno

f

 



Suddenly manic, in time: q. = 144



 


Full Score

        



 

 

 

     

 

 

 

 

 

 

 

 

 

 

 

 

75

Perc.

       f

Pno./Csta

Hp.

PIANO

f

   

     

 

 





L. H. cluster f



   

 



   

L. H. cluster

           f

        Vln. I     arco; div.  unis.     .  s      Vln. II          glis   f pp  arco s.    glis    Vla.     Vc.

   

   Cb.  

9

f

pp

arco . liss

g

arco

s. glis

f

pp

pp

   

   

even 16ths

 

  

           

div.; even 16ths

    

even 16ths

                

  soli                    

f

     

 

      

 

  



 

 

  



 

 

      

soli

solo:  snickering                   


10

Full Score 79

 Perc.   

   

Hp.

 

 

             

 

tutti     Vln. I  

Vc.                    Cb.    

 

  Perc.          f  



VIB.



f

p

p

f

p





   



 

 

 

    

 

   

non div., pizz., l.v. p non div., pizz., l.v.

p pizz., l.v.



p

 

   



    

 

div.

          

                     f       

 

  

                       f

 

f

 

 

       

 

          







Eb Fb Gb A§ Bb

  

   

          

 

   

p



  

   

p

p mellower

CELESTA  

 

     f

   f

 

 

  

          

  



p

 





Cb.

  

      

Vc.

p

f

   

sub. p

Vla.

 

 

  Vln. I  Vln. II

  



Hp.

             

               

82

Pno./Csta



s. glis

              

 

 

brittle: w/ guitar pick f

p



               

     

   

Vla.

  

  





p brittle

   

     

sfz

    

     

Vln. II

        



Pno./Csta



   

 

  

VIB., motor off

 



   sub. p

arco, non div.                                                p f sub. p arco, non div.                                                   p sub. p f arco, unis.                         f

 

sub. p


  

Vc.

        f p     

   Cb.  p

90

Perc.



 

    

Vln. II

 

arco, ord., non div.

fp arco, ord., non div.

fp

Vc.

Cb.



arco, ord., non div.

fp ord. arco,



fp



         

  

Vla.



     

    fp

fp

   fp



fp

   

     

   

pizz.



   

   

       

   

   













     

 

 







       f

    

f

pp solo

f

mf

         pp   mf         tutti, pizz., non div.

pp

     E§ F§







   

Suddenly much slower: q = 72 on beat 3 q = q.

 arco             

pizz., non div.

mf

pp tutti, pizz.

mf

non div. arco               mf



    

pizz. pp

Gb A§

C§

arco                

solo

    



mf tutti,   pizz., non div.              arco          pp

               pp f



VIB.           



     



Suddenly much slower: q = 72 on beat 3 q = q.

solo



   

   

unis., non div., pizz., quasi gitarra

              

   



   



    



 Vln. I 



     

unis., non div., pizz., quasi gitarra

D§ Cb Bb

f

   

rim shot





   

f

      

Hp.



      Ab





f

 

Pno./Csta

      f     

p

f



f



        



f



unis., non div., pizz., quasi gitarra



unis.

pp

                                    



     

             p

div.

  

non div.



p



p

SNARE DRUM

   Eb       



f

       f f

s.



p



glis

  



  

Vla.

f

    

         

  

Vln. II

unis.

 



              div.

unis.





div.       Vln. I 







E§ Fb G§ Db B#



Hp.













Perc.

          

           mf

SMALL RATCHET

11



86

Full Score

arco

  

mf


12

Full Score

94

Perc.





  

   

pp

Pno./Csta

Hp.

 

  



 

mf

  



pp

  

mf



pp

n

mf

                      

pp

n gli altre

  

Vc.



pp

n

Cb.

mf

 

ord.

         

unis.   pp

 

n

pp

 

   



   

unis.



n

             pp

mf

     pizz.

p

 

arco

  

mf

     pizz.

   

arco

 mf                 3

p

pp

    arco

3

p

unis.

tutte, div.

 

Urgent again: q = 88: beat 4

soli mf

p

    

          mp  D#  solo       

n

actual pitch

 

sola

Vla.

 

pp

n

  

 div.  Vln. I   Vln. II



   

(CELESTA)



    

Urgent again: q = 88: beat 4

p

mf

   

mf

 Vln. I     100

Vln. II



 

short

pp n short

  

pp short

Vla.

    

pp short

Vc.

    

pp short

     Cb.   pp

Surging forward: q = 96



                   

pp

div. singing

mf

mf

    

p

    p

singing       mf singing

  

 

  

 

mf

singing

mf

  

  

 

pp

  

 

 p

 p

  

  

p

 



mp

  

     

  

mf unis.

   

mf



div.

unis.

mf

        mf

 

mf


107        Vln. I 

   

Vln. II

     

Vla.

 

  Vln. I     

Vla.

Vc.

     

115

Vln. II



      

  Cb.    

Perc.

          

Vc.

   

    

     

 

  mp

13

 IV.                      p pp div.                

     

pp

pp



   



   

p

 

pp

 



 

 

 

 

pp



mp





pp

pp

div.

 

pp

6

senza vib. soli

                  

                     f

 

div.

6

 

 

mp

 

unis.

pp

mp div.

mp

6

p

f

6

p

                                                          div.

6

6

p

f

6

f

6

p

                6

 

p

6

p

              

       6

f

f

f

6



f

6





p

                 6





6

6

           

   Cb.  

Full Score

p

 senz vib. soli: ossia 8va

    p

 


14

Full Score

119

Perc.

Mysterious, shuddering: q. = 69

    

SMALL TAM-TAM

pp

    Pno./Csta

Hp.







   

  

mp

pp

mp

  



molto sul pont.

  



molto sul pont.

   

  Cb.  



mp

  mp







 

pp

 

pp

mp

pp





f

f

f

p

mf

gliss.

sub. p



                        mf

gliss.

          

gliss.

p

f

sub. p

 

gliss.

sub. p

molto sul pont.

Vc.

 

                               Vln. I  

Vla.

 





pp

Mysterious, shuddering: q. = 69

Vln. II



TIMPANI

f

gliss.

gliss.

gliss.

gliss.



pizz.. non div.

 

pizz., div.



                   

p

gliss.



gliss.

gliss.

gliss.

 

gliss.

gliss.

gliss.

arco, ord.

 

gliss.

 

      

     

p



  


Full Score

  Perc.  123

  

Pno./Csta

   

  Hp.



 Vln. I 

Vla.

Vc.

   

tuning-key glissando

non div.

   Cb. 

arco, unis., sul pont

unis., molto sul pont.

 

 

  

 

unis., molto sul pont.

f non div.

unis., molto sul pont.

   

f

p

      

f non div.

f

     

f

         f          sul pont.

 

unis., molto sul pont.

 

unis., molto sul pont.

  

     

     

mp

    

mp

    

mp

     mp    

mp



pizz.

p

 

ord.

  p



 

pizz.

p



pp



    

                     f                          

         

sul pont.

SNARE DRUM         

solo

          

sul pont.

Vln. II

 

  

Suddenly manic: q. = 144

      mp

CELESTA

15

    



                                    pedal   crash

 

       pizz.





F# D§

Suddenly manic: q. = 144

arco, ord.: sul A gliss.



 

     

arco, ord.: sul D gliss.

pizz.









    

arco, ord.: sul G . gliss



pizz.



          

 

arco, ord.    sub. f

 

arco, ord.: sul G gliss.


16

Full Score

   Perc.        f    127

Pno./Csta

Hp.



rim shot



 

 

  

 

 

       









f

        f

  

    Cb.   131



f

 

Hp.

   Vln. I 

      

Vln. II

Vla.

   

Vc.

gliss.

gliss. gliss.

 

(f)

f

   





 





p

f

   

           

  

   





sub. p

     sub. p       sub. p

sub. p

    

f

                                          



    



 p

f

    

    

gliss.

   

   

gliss.

p arco, non div.

     

gliss.

f

 

   

gliss.

VIB.

        







glis s.

div.       

   (f) arco, non div.         

     

gliss.



p

G§ Db B§

 

(f)

 

               pp f                 pp f                  pp f                       

PIANO

 

 



f

                 

glis s.







f

SNARE DRUM

Cb.

      

             p f                           (f) p f                

         p f           

p

f

f



Pno./Csta



f



(CELESTA)

 

p

      

s. glis

Perc.

      

 

f



Vc.

 

mp brittle

   



Vla.

   

     Vln. I       Vln. II

 

             VIB., motor off

  p

        

unis.

f

   f    f    

div.

   p

p div.

    p

  

     f

p

f

p


 

 

 



 





   

 

 

139

Hp.

     Vln. I      



Vc.

       

 Cb.  











 



 

 

Only a bit easier: q = 126 (beat 4)

   4

      f

             4 f arco               4 f arco

        

 

   



Vla.

Only a bit easier: q = 126 (beat 4)

 

    



Vln. II

    

     

   

p

     

       

p

 



     



p

f

   





   

     



   

pizz.

   

p



         



      

     

      



     

   



   





   







f



       Cb.  

Vc.



   

unis., non div., pizz., quasi gitarra







f

        

     

p





          

      





 sim.

    



Vla.

unis., non div., pizz., quasi gitarra



           unis.

              



f

      









        

F§ D§

       

pizz., quasi gitarra



non div.                            unis., non div., unis.

f

Vln. II

             





       f    

      



   Vln. I 

f



p







Hp.



s. glis

Pno./Csta

    

17

135

Perc.



Full Score

col legno

col legno

  

p arco

col legno

  

arco,  div.,   soli                                p

 

sub. p

      

  

p

                   unis.

                                  

div., ord., soli

   arco   (f)  

  

sub. p

div.

sub. p

 

arco

p


18

Full Score

In reverie: q = 84 143



Pno./Csta



  Vln. I         Vln. II

Vla.

Vc.

Cb.

 

       

f

 mp

       

    

    

   

   

mp

mp

  

  



mp

 f



mp

f



p distant

            

3                             3 fp 3 3         

    

  

mp

   

PIANO

In reverie: q = 84

f

  

     

  

 

singing

div.

        



mp

 f

mp

fp

fp

 



 

div.

   fp

fp

 Urgent again: q = 126, beat 4 149

Perc.



       

Pno./Csta

Hp.



     



  Vln. I    Vln. II

Vla.

Vc.

Cb.



 



     

     



 

f

    

 

f



   





   

      

  

  

 Urgent again: q = 126, beat 4

col legno

f

      mp

  

col legno

       

col legno

         

arco, ord.

             mf f arco, ord., div. mp                    

sub. p p arco, ord., div.

            

      

sub. p

  

sub. p

mp

      mp

div.

 

mp

   

    

arco

p

mp

  

 f

 f

  

f

f


Full Score

 Perc.     155

Holding back: q = 80

   

pp

    



   

Holding back: q = 80

   

                          Vln. I   div.                   sub. p

Vln. II

sub. p

Vla.

sub. p

Vc.

       

   Cb.   fp

 

pp

  

 

                    3

       

f

    

     

 

arco

 

   unis.                   pp

   f

 

    

      

pp div., pizz.

unis.

 

   

sub. pp

 

f

 div.             



sub. pp

sub. pp

mf

l. v.

Surging forward: q = 96

3

 

   



  

 

pp



Hp.

 

pp

  

 CELESTA   

    



Pno./Csta

Surging forward: q = 96 TIMP.

19

f

 

          f

p

  

p

pp

p



p

p

 (p)

(p)


20

Full Score 162

Perc.





Vla.



Vc.

pp

 

 

     

 

f

 

f

 



div.

pp

sub pp

Perc.

Pno./Csta



       

Hp.

 

  Vln. I   

Vln. II



  

Vla.



Vc.

Cb.



p, delicate



 

p, delicate

  

A#

   

  

 

 



F§ Ab Bb

 

   

   

f

sub p

sub p

 

 

f

 

sub p

  

PIANO short

 

short

 

rich mp



 

 

Calmer: q = 96

 

Eb A§



pp



  





 



    

 

Slowing

 

 

    

Calmer: q = 96

171

 

 

 

 

More motion: q = 112

 

f

  Cb.  



  sub pp

  

Ab

 

 

    

sub pp

f

 



Vln. II

  Vln. I   

(CELESTA)







Hp.





Slowing



 

Pno./Csta



 

More motion: q = 112

       p

  

3

p

  

p

  

 

   

 

 

 

 

 

 

   

p



short

             

      

 

   

rich



short

mp

3

 

       short

  

div. short

   

      short

rich div.

 

 

pp rich

    

rich

 

rich

 


Full Score 177

Perc.

Pno./Csta



  

    

 

 

   

Vc.

  

  Cb.  

(p)

mp

184

Perc.

 

 

Pno./Csta

Hp.

Vc.

f div.

         

CELESTA mf

 

 









mf

       div.

  

            

mf



mf unis.

 Cb.  

mf

  

       p

Easier

p

 

 unis.

 

 

    



 



pp

   

    

  

           

      

 

pp

 

        

pp

     pp

 

sub. pp

 

sub. pp

 

  

div.

sub. pp

 

Flowing: q = 96

TIMP.

pp

  

sub. pp

    

q = 72 VIB. beat 4  

 

unis.

sub. pp





     



pp 

   

       pp  non arp. Eb  D§   G§       q = 72 Flowing: q = 96 beat 4     solo tutti           

pp

pp

pp sola

p

      

 

           

 

    

 

f

mp

Easier

pp

f

mf Vla.



 Vln. I   Vln. II

  

  

    

(p)

mp

f

 

  

   

mp

    

p

mp

f unis.

 

   



Vla.

Gb Ab Db Bb

   

   

   

mp

pp

mp

pp

 

  

                mp Hp. B§ E§                          Vln. I     Vln. II

TIMP.

21

tutte



pp

 

 

         

pp

 


22

Full Score 192

l. v.  Perc.  



solo

VIB.

p

mf

 

Pno./Csta

Hp.





  Vln. I  

   

mf

div.

 

Vln. II

mf singing

  

Vla.

mf singing

Vc.

Cb.

pp

 

fpp

  

fpp

  

 

  

mf singing mf

Pno./Csta

Vc.

Cb.

 

 

fpp

        

fpp

  

    

 

  3

3



surging forward

 

    

      

 



  

mp

     

mp

  



 

f

sub. pp

  

     

 

 

             mf

sub. pp

f

sub pp

 

  

          

 sul tasto

   

n

mf sul tasto

n

mf sul tasto

n

mf

n

     

     

mf sul tasto

   

 



 

sub. pp

 

f

mp

 



 

sub. pp div.

 

f

 

mp

   

 

 

 

div.

 

mp

pp

 

 

3

pp

  

    

 

 

p

3

  

    Vln. I  

Vla.

 

Vln. II

 

rubato

Hp.

 

198

Perc.

 

 

  

 

  

(CELESTA)





  

 

               


23

Urgent: q = 84

 Percussion   

PIANO   

f

 

   

Eb F§ Gb Ab f D§ Cb Bb

  

 

     

    p    

p

 

 

                                    

 

f

Violin II

Viola

  

pp

 

           f

  

 Contrabass  

Violoncello

 

p

3

3

     pp

 

p

  

div.

         

    



  



 

p

n

 

  

3

 

 

       

 

p    

Db

 



Violin I

   

        Urgent: q = 84      

Piano/Celesta

Harp

      f     

VIB., motor off

II. Meg

p

n



Vln. I

Vln. II

  

    

        

Vc.

         

  div.

  Cb.  

 

Ab--------------A§

   3

   

 p

   



mp





mp

  

3

   





 

 

  

 

 

mp

mp



pp



   

div.

         pp            pp

  

div.   pp    pp

 

 

 p 



G§ D§ C§ B§

VIB.

mp

    

     

(p)

p

Vla.

  



CHIME



 Hp.



Perc.



6

surging: q = 96

  unis. IV.        pp mp      

pp3

    

surging: q = 96

 

          unis.

  


24

                      

div.         

13

Vln. I

 

Vln. II

   

Vla.

 

mp

 

mp

   

Vc.



 

mp

    Cb. 

 

 



mp

pp

f

mp

        pp mp       



           

   

pp

mp

 

div.                



      

unis.

pp



 3    

f

mp

3

3

 



     3

f

 

mp

3

 

 



3

unis.

f

 pizz.

f

   CELESTA    

20

  

Pno/Csta.

  Hp.

Vln. I

   

Vla.

p unis.

     p

     p

   p

Cb.

     p

  

    

Surging: q = 96

Pausing: q = 80 

   

   

div.

  

Vc.

p

    

Vln. II

 

 

Pausing: q = 80

   

 p





  

            unis.

sub. p

 

 pizz.

 p

 

Ab Cb Bb

   

3

div.

 

Surging: q = 96

  

   

pizz. 3



 

      sub. p

arco

   

 

sub. p

       div.

               mp

      3

mp



 mp

      

 

 

 

 

   

 



arco, div.

sub. p

arco

sub. p



mp

mp






25

 

 

 

 

 

 



  



26

Perc.

Hp.

Vln. I

    

   div.   pp mp          pp    

  

Vln. II

  

Vla.

pp

        unis.

Vc.

Cb.

  



pp

   

 

           

mp

   mp div.

   mp

  

f



 

3



f

mp

3

(VIB.)

q = 120

 p

 

p F§------------

unis., non div.

        n

unis., non div.

                pp

 3                

p

unis.

pizz.

q = 120

3

 





div.

          3

f

f

 

3

 





 accel.

           



accel.

p

     

f

 32

Perc.





 

 (CELESTA)        

Pno/Csta.

 mp  

p

mp

     



 

       f

      

n

       

 

 

unis.              

mp

C§ Db

              p

mf

n

mf

sim.

pp

mp

mf

f

  

                                                                           p mp mf f                                             mp mf                                                   

Vln. II

Vla.

Vc.

mp

Cb.

mp

 

               p



-------Fb

Hp.

  

 

  

Vln. I

f

mf

      arco

mf

f

  


26

38

Perc.



p

  

      

    

  

Vla.

         

p

           

p

  Perc.   

   

44

Pno/Csta.

Hp.

   

   

slowing greatly, to q = 76

    

     f

              Vln. I            f       div. a2 unis.               Vln. II                      f   arco           Vla.       

Cb.

  

      

 

  

 

 

                 sub. p

                       sub. p unis., non div.

slowing greatly, to q = 76

   

    

f

f div. a2

 

 

arco

    f

 f

 

 

         

          

  

pp

 

 

 

pizz.

p pizz.

  

p

 

      

 

PIANO

 

f

    f

    



      f     

  

      p pizz.      

 

  CHIMES      

G# A§

        

 

 

f

mp

div.

Vc.

F§

f

 

  

                                        mp f                                      mp f                      

arco



mp

   

         f

               

mp



Vc.

 







mf Cb

     

 

 

       

p

Vln. II

Cb.

 

       

mp

 





Vln. I

 

 

  Hp.

SNARE DRUM

     

unis., pizz.

     

 arco unis., pizz.                                      pp f  pp                     pp f pp div.  unis. unis.                                 pp f pp                 mp


27

Surging: q = 96

  Perc.     51

       

Pno/Csta.

Surging: q = 96

Hp.

ppp

  

           

    

  

    

    

Vln. II

Vla.

Vc.

Cb.

        

      



arco    3 3  3               

    

   

      

Easier: q = 84

E§ F# G§ D§ C§ B§

mf





        

      



         

 

    



         

 

    

ff

ff

div.

ff

      ff

slowing

  slowing

solo                  unis.         

     ff

p

Easier: q = 84

f

      

div.

Vln. I

 

TIMPANI



mp

mp

unis. mp



mp

             3

div.



div.

 

 

 



 




28

   

CELESTA solo

 

  

 

Vln. II

Vla.



    

         

  

pp long

     unis.

Vc.

Cb.

long  

  

       

pp long

  pp

long

pp long

  

   

 

  

Bb

tutti pp

n

 

pp

n

   

pp

n

pp

n div.

     

   

 

F§

 

  

 

 

 

 

 

 

 

  

 

  

   

 



 





 

 

pp

pp

n

  

 

  

 

n

n

Eb Ab



 

 





    



    

p

slow arp.



Vln. I

  

  

 

      

q = 72

  

 

p

    Hp.

p





   



    



Pno/Csta.

VIB.



Perc.

q = 72

   

58

sola

pp

3

  

mp



pp

n

        

  




29

   

 

   

 

   

   

 

pp

65

Perc.

Pno/Csta.

      

         

     

 

    

actual pitch

Hp.

Vln. I

      

Vla.

     

Vc.

Cb.

  

     

Vln. II

PIANO

3

 

  pp

 GLOCKENSPIEL   

 p

  

Flowing forward: q = 88

F# A§ C#

 

 

   

   

Flowing forward: q = 88

 



 

 div.

 





E§ C§

    

    

tutte

 

  

pp

   

 

div.

 

    Perc.  

Hp.

Vln. I

   

 

 

in time

 

 

Freely

 

 

   

         

 

   

   

mp

Cb.

in time

   

mp

Vc.

Freely

 

mp

Vla.

    

        

mp

Vln. II

pp



  

  

VIB.

69

     

mp

sub. pp unis.

sub. pp

sub. pp unis.

 

sub. pp

      

  

  

ppp

 



ppp

   

 

     

unis.

 

ppp

   

     

 

   

   

 


30

III. Alma and Gideon Ebullient: q = 104

 

 

    



Harp

 

    

                p

    Eb Fb G§ Ab   D§ Cb Bb p       

    

CELESTA

        

             solo     

  

p

Violin II

Viola

Solo Cello

Violoncello

Contrabass

9

Perc.



Vln. I

Cb.



 

  

  

   

p

p





VIB.

 

f non arp.

    (solo)

f

  

 

 

   

 

                    f

sub. p



  



  

fp

fp

  



  



 

   

 

  

           

div.

 

mp



 



 



 

 

 



   



    







 

  

 

  

                        f

sub. p



 



fp

               f    

Db

 

 

fp

       



  

mp

   

            

p

  mp

mp

p

    



 

Vc.

 

Solo Vc.

solo

  

  

Vla.

p

Vln. II

  Hp.

  



       Gb mp      

Ebullient: q = 104

Violin I



 

Piano/Celesta

 



  



Percussion

CHIME

fp div.

 

fp



  f

  


31

13

Perc.

Pno/Csta.

 

      

Hp.

Vln. I

    

Vln. II

 

Vla.

E§ F§ G§ D§ C§

 

 

     

 

sub. p

 

Vc.

  

 

 

tutti, ord.

       

 

   

 mf



mf

f

f

 f







mf

   mf





      

mf

f

 

 

sub. p

f ord.

f ord.,unis., non div.

p

 

 



     

       

pp



               

Solo Vc.

Cb.

 

SMALL SUS. CYMBAL



   



    

   

       



      



    



    

p

p



div.

 



end solo: rejoin tutti



 

p

    p

p

  unis.




32

 Perc.   16

 

Vln. I

     f      

    

Solo Vc.

     

Vc.

 

f

      

       f

Cb.

         

 

f

Vla.

F# A§ D# C# B§

f unis.

Vln. II

 

                                       f robust                            

f PIANO

   Hp.

 

f

 

   

pizz.        

    

pizz.

   

 

     

 

 

     

                    

 

 

 



               

         pizz.         

  

 



 

div.

 

       

 

  

 

 

 

 

 

Easier: q = 92

arco, div.

   

unis.

  

unis., pizz.

 

             

 

Easier: q = 92

 

             unis., pizz.



Pno/Csta.

  

 



 

choke

3

3

     

arco

arco

sub. p



      

  

sub. p

sub. p

 

        

                         

 

      

 

arco

sub. p


33

 Perc.  

   

Pno/Csta.

     

Hp.

Vln. I

Vln. II

Vla.

Vc.

 CELESTA 

 

 

               

accel.

    

f

div.

f

  

 

f

  

  Cb. 

 

    

VIB.   

 

 

q = 104

accel.

22

  

div.

 

arco, div.

(f)

      

 

 

q = 104

sub. p

       

 

     6     mp

   

                sub. p unis.          sub. p       

        

p

5

           

p

   

   

 

 

 

 

 

    

mf

        div.

unis.

           3 mf          3

 

mf

   f p pizz.

  

         

3

mf

  

mf


34

      

27

Perc.

Pno/Csta.

Hp.

Vln. I

Vln. II

          

  

 

 

    

 

                   

sub. p

        

   Cb.    

   

     

    f p (pizz.)

   f

  

  

f

f

 

   mf

 

f

 f



 

 

f

3

f   



            3 f mf            3  mf f         

   

 

  

    

mf

   

Just a bit easier: q = 96

    

 

unis.

 

 

mf

Just a bit easier: q = 96

       

sub. p

Vc.

 

    

sub. p

Vla.

5          6     

(VIB.)



     

    

 

  

    

  

     

D§

 

   

  

    

  

 

unis, non div.

         

        

      

div.

 

       

arco

 

 




35

       Perc.       32

   

     Hp.

Vln. I

            

Vln. II

    

Vla.

      

Vc.

Cb.

 



mp



5

mf

   

Pno/Csta.

                 5

 

      F§

  f

C§

   

     

             p f

fp

        p f



           p f fp unis.           



p f

 

fp

      

   

fp

5

      f

     

6

f

      

        

p

fp

 



6



Eb Gb

f

   

f

     

f

p

f

     

f

p

f

p

f

p

f

     

f

      

fp

  fp



       

f

 f



fp

fp

  fp


36

           Perc.   





              



   

 

36

(VIB.)

   (CELESTA)          mf

Pno/Csta.

5

mf

f

6

Hp.

Vln. I

Vla.

          p      p

Vc.

    p

Cb.

   

     p

f

  E§ Bb

  

p

Vln. II

f

 

      

   

f

mf



     



      



 

f

f

div.

 

    

div.

non arp.

f

 

   mf

 

 

     

unis.

mf

mf

mf

mf

   

     





 







 

   



 

   



sub. p

  

p

  

     

sub. p



sub. p

sub. p div.



sub. p

 



      


37



 (CELESTA)     

Pno/Csta.

  A------Ab

Hp.

Vln. I

   

 

 

Vln. II

Vla.



Solo Vc.

Vc.

Cb.

 

 

p



   

  

pp

    

pp

 

pp

  

pp

3

 

Eb G§

    

 

 

 



   p

  

 

solo

 

unis., non div.

   n

 

     

    

     

f

n

   

p

f

 

unis., non div.

p

         sub. p



f

 

       sub. p  f



sub. p

  

  

solo

              

sub. p



 

 

  

     sub. p                

  

  pp      

 



p

  

6

pp

 



Perc.

(VIB.)



40

  

 

p




38

45

    (CELESTA)           

 p               

Pno/Csta.

 

Vln. II

Vla.

    

 

 

Vc.

 

    

Solo Vc.

Cb.

   

   

Hp.

Vln. I

    

 

mp

      f

 

 

   

non arp.          

              

    E§

      div.

 

mp

   

A§

  

 

 

 





mp

mp

        

 



    

 

VIB.

mp

  



Perc.

CHIMES

  

 

f

 

             

f

sub. p

   



fp

   

fp

                     

 

 

f


39

Perc.

Pno/Csta.

Hp.

Vln. I

Vln. II

Vla.

Solo Vc.

Vc.

  



       

      



 

 

  



52

    

     

f

sub. p



fp

fp



fp div.

 

fp

 

   

 

             p sub. fp    

  Cb.  

  

  

     Gb    C#    

     f

sub. p

  

 

 

 

 

p

   

tutti, ord.

f ord.

        

f ord.,unis., non div.

sub. p

   



        f



f



f

sub. p

sub. p

f

 

 

sub. p

 

    



sub. p

 

sub. p





end solo

div.

 

   


40

Perc.

  pp

  mf

TAM-TAM

56

 

  

TIMPANI

  

long

  



         6

f

mp

 

     

     

 

   

    

 f

6

long

     

 

p

 



f

ff

Pno/Csta.

 

 

 

 

Hp.

Vln. I

Vln. II

Vla.

Vc.

  





   

 

      

 

      f

Bb

    

ff

           

  





   

           

         

f

ff

sub. pp

long div.

unis.

 

 

 

              f

               

f

        sub. pp

ff

 

        long

ff

sub. pp



 

  

6                  

unis.

unis.. non div.

6

unis.. non div.

 6        

unis.

6

unis.. non div.

6             

unis.

long div.

6

  unis. 6                                  sub. ff f pp

  Cb.  

  

             fast arp.

               long

long div.

   

 



 



 

 

  

  



 

   f

  

 

long



ff





       

    

6


41

60

Perc.

          mp

Pno/Csta.

  

 Hp.

Vln. I

   

Vln. II



Vla.

Vc.

Cb.



6

    

f

 

                  sim.      sim. 6               sim.  6             sim. 6               



        

 

  

Ab

   

 

 

 

 

 

  

actual pitch





Eb G§ C§

p

         arco                        (ff)

3

  arco              sub. p



(ff) arco

 div. 

  

     

 

    

 

f

f arco, div.

        div.

 

div.

f

                      

f

    

      

3

sub. p

                 (ff) sub. p unis.. non div.           arco                       (ff) sub. p 6        

 

f

 


42

 

 CELESTA     p

Pno/Csta.

Vln. I

   

Vln. II

            

Vc.

  

sub. p

  

 

 

 

 

 

 

  

 

  long

      

pp

ff

             pp unis., non div. long

                 

     Cb.    arco

    pp

ff

   

long

  

 

 

 

 

  

          

 

 

  

 

 

                  

   

   

mf

             3 mf            3 mf             

pp

ff

long

  

pp

     

long

long

   

   long

  

   

ff

pp

    

long

      

long

ff

ff

ff

pp long

ff

    

mf

     mf

  

pp

     

div. a2

pp

long

  

   

 

pp

mf

       mf

    mf

3

mf

  

  

mf



    mf                      pp mf    Db                     

    

    

  

(VIB.)

  

 unis.

   f

  div.           

  

sim.

  

long

    

sim.

 

 

ff

unis., non div. long

ff

        pp

long

ff

 

sub. p

mf

  

ff unis., non div.

div.

    

      

 

mf

 

ff

Vc.

5             6    

                3 sub. p mf                3 sub. p mf                    3 f p

   f

long

Vla.

 

mf

pizz.

 Perc.    

Vln. II

  

    

     f p

70

Vln. I

 

unis.

 

sub. p

  

     

p

 

   Cb.  

Hp.

   

sub. p

Vla.

mp

  

6

          

  

   

 

    Hp.

     5



VIB.   Perc.     66

 

 

 

 f

                  p f

          p f

fp



fp

           p f

fp

              unis.

p f

 

fp

   

fp


43

75

Perc.







   

Pno/Csta.

Vln. II

Vla.

Vc.

Cb.

     

 

      

      

mf

6

        

     

       f

f

f

f       6

 E§

mp

      p

f

     p

f

      f

p

p

f

    

 fp

   f

 

div.

 

   

   

  

fp

  

div.

   



 



 

fp

 

        

fp

 

fp

        

f

f

f

            

mf

   

f

5

6

       

f

  f         

p

 

5

mf

    

Hp.

Vln. I

5

mp

   

             5

fp



fp

         fp

fp

 


44

78 slowing



pp

 



 

 

 Hp.

 

slowing

Vln. I

 

 

 Pno/Csta.



  



   

Brisk: q = 120





Vln. II

 

Vla.

  

Vc.

Cb.



sola       

pp div.

  

pp

 

 

pp



   pp

tutte                

   

pp

n

pp

mp

   mp





    

        sfz             

 

div.

pp

 

 

 

   

 

TIMPANI

3

      

    

 

 

 

 

    

f

f

ff

     

div.

f

div.

n

mp

  

pp

     n

 

 

  

 

actual pitch

A§

     

 

mp

 

 

PIANO

    

q = 72

 



Perc.

5

q = 72

 f



f

 



f



div.

f

   

sfz

    

sfz

  

div.

    

   

sfz

    

sfz

 

    

sfz


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