Mark Adamo
ALCOTT MUSIC from the opera Little Women for percussion, harp and string orchestra
From the G. Schirmer Rental library Date of Printing:______________
G. Schirmer, Inc. New York, NY
Mark Adamo
ALCOTT MUSIC from the opera Little Women for percussion, harp and string orchestra
Commissioned by Eclipse Chamber Orchestra Sylvia Alimena, Music Director
Instrumentation Percussion (1 player) Chimes in F#, G, G#, A, B Glockenspiel Small Ratchet Snare Drum Small Suspended Cymbal Small Tam-Tam Timpani Vibraphone Harp Piano/Celesta Strings
estimated duration ca. 20 minutes
to Sylvia Alimena
Alcott Music from the opera Little Women
Full Score
I. Jo In reverie: q = 60
Piano/ Celesta
pp
pp
3
Violin II
Viola
pp
6
con sord., div., flaut., legatissimo
con sord.
Contrabass
Perc.
pp
3
solo
6
let ring
Hp.
Vln. I
Vla.
Vc.
Cb.
sim. sim.
Revised 5/2008 materials supplied by composer
p
p
pizz., l. v.
p 3
Copyright © 2007 by G. Schirmer, Inc. (ASCAP) New York, NY. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to prosecution.
sim.
damp Eb's
3 3 let ring 3 3
3 3
ord. (flaut.)
3
3
unis., ord. (flaut.)
3
let ring A§ let ring
3
6
let ring
sim.
pp
sim.
Vln. II
(VIB, bowed)
7
Violoncello
solo
pp
con sord., div., flaut., legatissimo
Tremolando pitch(es) freely and very smoothly, varying note values; poco cresc.--dim. ad lib. Do not synchronize within sections.
con sord., div., flaut., legatissimo
3
6
let ring
con sord., div., flaut., legatissimo
Mark Adamo
pp glissando across designated strings with soft heavy brush
Eb F§ G§ Ab D§ C§ Bb
PIANO
.
In reverie: q = 60
Violin I
p
Harp
glis s
Percussion
VIB., motor off: bowed
3
ord. (flaut.)
ord., unis. (flaut.)
as before
as before
as before 3
2
Full Score
Pno./Csta
damp G's
3
Hp.
3
3
div. Vln. I Vln. II
Vla.
Vc.
Cb.
E§
let ring
Eb
ord.
ord., unis.
unis.
E§
div.
slowing
F#
ord.,
More motion: q = 80
3
More motion: q = 80
Perc. 14
Not quite back in time: q = 66 soft mallets, motor on: a faint, distant tattoo
B§
3
(PIANO) mp solo, expressively
3
3
3
3
6
mf
actual pitch
actual pitch
mp
D#
Not quite back in time: q = 66
slowing
3 6
(non flaut.)
gliss.
gliss.
gliss.
mp
3
(non flaut.)
mp (non flaut.)
6
mp (non flaut.)
mp
Full Score
3
3 3 5 3 3 3 3 3 3 3 3 3 5 Perc. 3 3 3 3 3 21
Pno./Csta
Hp.
C#
Vln. I
Vla.
as before as before
as before Vc. Cb.
as before
Vln. II
3
3
G#
3
arco: actual pitch
mf
4
Full Score
Pno./Csta
Hp.
Vln. I Vln. II
Vla.
Vc. Cb.
p
A#
C§
surging forward..
3
mf
3
3 3
3
3
3
3
Perc.
3
q = 80
surging forward..
3 3 3 3 3 3 3 3 3
24
3
pp
ord.
3
3
3
3
3
q = 80
remove mutes
3
3
3
3
3
ord.
remove mutes
remove mutes
ord.
remove mutes
remove mutes
ord.
C#
3
sub. pp
3
3
Full Score
5
Urgent: q = 100
3 3 3 3 3 Perc. 3 3 3
27
Pno./Csta
Vln. II
Vla.
Vc.
Cb.
senza sord.
h=h
f
Urgent: q = 100
3
f
3 3
unis.
f
f
div., ord.
sord. senza
f
h=h
f sumptuous
pp
pp
pp
pp
pp
f, sumptuous
A# C§
mp
mf
Ab Bb
n
pp
slowing...
F§ G§ Ab D§
CELESTA
Cb.
Vc.
f
3
6 6
3
3
3
senza sord.
senza sord.
div.
Vla.
3
div.
Vln. I Vln. II
3
Hp.
3
senza sord.
33
Pno./Csta
Vln. I
3
3
Hp.
f
F# Gb
p
n
slowing...
n
n
6
Full Score
Vln. I
Vln. II
Vla.
43
q = 63
moving forward
Cb.
unis.
pp
solo, espr.
Vc.
Urgent: q = 84
p
pp
n
sola
3
pp
pp
3
pp
vib.
div.
51 Vln. I p Vln. II p tutte
Vla.
p
Vc.
Cb.
tutti
p
Surging forward: q = 96
short
singing
short
mp
singing div.
pp
short
div. short
singing
mp
singing
mp
singing
p
(p)
pp
mp
short
(p)
mp
58
Vln. I
Vln. II
mp
Vla.
Vc.
Cb.
mf unis.
mf
mf div.
mf
mf
IV. solo
p
unis.
pp
pp
pp
pp
Full Score 65
Perc.
Pno./Csta
Hp.
tutti Vln. I div.
Vln. II
Vla.
Vc.
Cb.
7
pp
mp
mp
pp
mp div.
pp
mp
pp
mp
pp
div.
div. mp
unis.
p
6
f
6
p
p f div.
6
6
f
6
6
p
6
f
6
p
8
Full Score
Pno./Csta
Hp.
p f
Vln. II
6
Vla.
6
pp
f
6
pp
6
Cb.
f
pp
f
6
pp
pp
6
Vc.
6
f
solo, freely Vln. I 6
.
Perc.
SNARE DRUM
f
gli ss
71
Suddenly manic, in time: q. = 144
E# F§ G§ B#
f
f pizz.
tutti
col legno
arco
pizz. unis., non div.
col legno
f pizz. unis., non div.
col legno
f
Suddenly manic, in time: q. = 144
Full Score
75
Perc.
f
Pno./Csta
Hp.
PIANO
f
L. H. cluster f
L. H. cluster
f
Vln. I arco; div. unis. . s Vln. II glis f pp arco s. glis Vla. Vc.
Cb.
9
f
pp
arco . liss
g
arco
s. glis
f
pp
pp
even 16ths
div.; even 16ths
even 16ths
soli
f
soli
solo: snickering
10
Full Score 79
Perc.
Hp.
tutti Vln. I
Vc. Cb.
Perc. f
VIB.
f
p
p
f
p
non div., pizz., l.v. p non div., pizz., l.v.
p pizz., l.v.
p
div.
f
f
f
Eb Fb Gb A§ Bb
p
p
p mellower
CELESTA
f
f
p
Cb.
Vc.
p
f
sub. p
Vla.
Vln. I Vln. II
Hp.
82
Pno./Csta
s. glis
brittle: w/ guitar pick f
p
Vla.
p brittle
sfz
Vln. II
Pno./Csta
VIB., motor off
sub. p
arco, non div. p f sub. p arco, non div. p sub. p f arco, unis. f
sub. p
Vc.
f p
Cb. p
90
Perc.
Vln. II
arco, ord., non div.
fp arco, ord., non div.
fp
Vc.
Cb.
arco, ord., non div.
fp ord. arco,
fp
Vla.
fp
fp
fp
fp
pizz.
f
f
pp solo
f
mf
pp mf tutti, pizz., non div.
pp
E§ F§
Suddenly much slower: q = 72 on beat 3 q = q.
arco
pizz., non div.
mf
pp tutti, pizz.
mf
non div. arco mf
pizz. pp
Gb A§
C§
arco
solo
mf tutti, pizz., non div. arco pp
pp f
VIB.
Suddenly much slower: q = 72 on beat 3 q = q.
solo
unis., non div., pizz., quasi gitarra
Vln. I
unis., non div., pizz., quasi gitarra
D§ Cb Bb
f
rim shot
f
Hp.
Ab
f
Pno./Csta
f
p
f
f
f
unis., non div., pizz., quasi gitarra
unis.
pp
p
div.
non div.
p
p
SNARE DRUM
Eb
f
f f
s.
p
glis
Vla.
f
Vln. II
unis.
div.
unis.
div. Vln. I
E§ Fb G§ Db B#
Hp.
Perc.
mf
SMALL RATCHET
11
86
Full Score
arco
mf
12
Full Score
94
Perc.
pp
Pno./Csta
Hp.
mf
pp
mf
pp
n
mf
pp
n gli altre
Vc.
pp
n
Cb.
mf
ord.
unis. pp
n
pp
unis.
n
pp
mf
pizz.
p
arco
mf
pizz.
arco
mf 3
p
pp
arco
3
p
unis.
tutte, div.
Urgent again: q = 88: beat 4
soli mf
p
mp D# solo
n
actual pitch
sola
Vla.
pp
n
div. Vln. I Vln. II
(CELESTA)
Urgent again: q = 88: beat 4
p
mf
mf
Vln. I 100
Vln. II
short
pp n short
pp short
Vla.
pp short
Vc.
pp short
Cb. pp
Surging forward: q = 96
pp
div. singing
mf
mf
p
p
singing mf singing
mf
singing
mf
pp
p
p
p
mp
mf unis.
mf
div.
unis.
mf
mf
mf
107 Vln. I
Vln. II
Vla.
Vln. I
Vla.
Vc.
115
Vln. II
Cb.
Perc.
Vc.
mp
13
IV. p pp div.
pp
pp
p
pp
pp
mp
pp
pp
div.
pp
6
senza vib. soli
f
div.
6
mp
unis.
pp
mp div.
mp
6
p
f
6
p
div.
6
6
p
f
6
f
6
p
6
p
6
p
6
f
f
f
6
f
6
p
6
6
6
Cb.
Full Score
p
senz vib. soli: ossia 8va
p
14
Full Score
119
Perc.
Mysterious, shuddering: q. = 69
SMALL TAM-TAM
pp
Pno./Csta
Hp.
mp
pp
mp
molto sul pont.
molto sul pont.
Cb.
mp
mp
pp
pp
mp
pp
f
f
f
p
mf
gliss.
sub. p
mf
gliss.
gliss.
p
f
sub. p
gliss.
sub. p
molto sul pont.
Vc.
Vln. I
Vla.
pp
Mysterious, shuddering: q. = 69
Vln. II
TIMPANI
f
gliss.
gliss.
gliss.
gliss.
pizz.. non div.
pizz., div.
p
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
arco, ord.
gliss.
p
Full Score
Perc. 123
Pno./Csta
Hp.
Vln. I
Vla.
Vc.
tuning-key glissando
non div.
Cb.
arco, unis., sul pont
unis., molto sul pont.
unis., molto sul pont.
f non div.
unis., molto sul pont.
f
p
f non div.
f
f
f sul pont.
unis., molto sul pont.
unis., molto sul pont.
mp
mp
mp
mp
mp
pizz.
p
ord.
p
pizz.
p
pp
f
sul pont.
SNARE DRUM
solo
sul pont.
Vln. II
Suddenly manic: q. = 144
mp
CELESTA
15
pedal crash
pizz.
F# D§
Suddenly manic: q. = 144
arco, ord.: sul A gliss.
arco, ord.: sul D gliss.
pizz.
arco, ord.: sul G . gliss
pizz.
arco, ord. sub. f
arco, ord.: sul G gliss.
16
Full Score
Perc. f 127
Pno./Csta
Hp.
rim shot
f
f
Cb. 131
f
Hp.
Vln. I
Vln. II
Vla.
Vc.
gliss.
gliss. gliss.
(f)
f
p
f
sub. p
sub. p sub. p
sub. p
f
p
f
gliss.
gliss.
p arco, non div.
gliss.
f
gliss.
VIB.
glis s.
div.
(f) arco, non div.
gliss.
p
G§ Db B§
(f)
pp f pp f pp f
PIANO
f
glis s.
f
SNARE DRUM
Cb.
p f (f) p f
p f
p
f
f
Pno./Csta
f
(CELESTA)
p
s. glis
Perc.
f
Vc.
mp brittle
Vla.
Vln. I Vln. II
VIB., motor off
p
unis.
f
f f
div.
p
p div.
p
f
p
f
p
139
Hp.
Vln. I
Vc.
Cb.
Only a bit easier: q = 126 (beat 4)
4
f
4 f arco 4 f arco
Vla.
Only a bit easier: q = 126 (beat 4)
Vln. II
p
p
p
f
pizz.
p
f
Cb.
Vc.
unis., non div., pizz., quasi gitarra
f
p
sim.
Vla.
unis., non div., pizz., quasi gitarra
unis.
f
F§ D§
pizz., quasi gitarra
non div. unis., non div., unis.
f
Vln. II
f
Vln. I
f
p
Hp.
s. glis
Pno./Csta
17
135
Perc.
Full Score
col legno
col legno
p arco
col legno
arco, div., soli p
sub. p
p
unis.
div., ord., soli
arco (f)
sub. p
div.
sub. p
arco
p
18
Full Score
In reverie: q = 84 143
Pno./Csta
Vln. I Vln. II
Vla.
Vc.
Cb.
f
mp
mp
mp
mp
f
mp
f
p distant
3 3 fp 3 3
mp
PIANO
In reverie: q = 84
f
singing
div.
mp
f
mp
fp
fp
div.
fp
fp
Urgent again: q = 126, beat 4 149
Perc.
Pno./Csta
Hp.
Vln. I Vln. II
Vla.
Vc.
Cb.
f
f
Urgent again: q = 126, beat 4
col legno
f
mp
col legno
col legno
arco, ord.
mf f arco, ord., div. mp
sub. p p arco, ord., div.
sub. p
sub. p
mp
mp
div.
mp
arco
p
mp
f
f
f
f
Full Score
Perc. 155
Holding back: q = 80
pp
Holding back: q = 80
Vln. I div. sub. p
Vln. II
sub. p
Vla.
sub. p
Vc.
Cb. fp
pp
3
f
arco
unis. pp
f
pp div., pizz.
unis.
sub. pp
f
div.
sub. pp
sub. pp
mf
l. v.
Surging forward: q = 96
3
pp
Hp.
pp
CELESTA
Pno./Csta
Surging forward: q = 96 TIMP.
19
f
f
p
p
pp
p
p
p
(p)
(p)
20
Full Score 162
Perc.
Vla.
Vc.
pp
f
f
div.
pp
sub pp
Perc.
Pno./Csta
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p, delicate
p, delicate
A#
F§ Ab Bb
f
sub p
sub p
f
sub p
PIANO short
short
rich mp
Calmer: q = 96
Eb A§
pp
Slowing
Calmer: q = 96
171
More motion: q = 112
f
Cb.
sub pp
Ab
sub pp
f
Vln. II
Vln. I
(CELESTA)
Hp.
Slowing
Pno./Csta
More motion: q = 112
p
3
p
p
p
short
rich
short
mp
3
short
div. short
short
rich div.
pp rich
rich
rich
Full Score 177
Perc.
Pno./Csta
Vc.
Cb.
(p)
mp
184
Perc.
Pno./Csta
Hp.
Vc.
f div.
CELESTA mf
mf
div.
mf
mf unis.
Cb.
mf
p
Easier
p
unis.
pp
pp
pp
pp
sub. pp
sub. pp
div.
sub. pp
Flowing: q = 96
TIMP.
pp
sub. pp
q = 72 VIB. beat 4
unis.
sub. pp
pp
pp non arp. Eb D§ G§ q = 72 Flowing: q = 96 beat 4 solo tutti
pp
pp
pp sola
p
f
mp
Easier
pp
f
mf Vla.
Vln. I Vln. II
(p)
mp
f
mp
p
mp
f unis.
Vla.
Gb Ab Db Bb
mp
pp
mp
pp
mp Hp. B§ E§ Vln. I Vln. II
TIMP.
21
tutte
pp
pp
22
Full Score 192
l. v. Perc.
solo
VIB.
p
mf
Pno./Csta
Hp.
Vln. I
mf
div.
Vln. II
mf singing
Vla.
mf singing
Vc.
Cb.
pp
fpp
fpp
mf singing mf
Pno./Csta
Vc.
Cb.
fpp
fpp
3
3
surging forward
mp
mp
f
sub. pp
mf
sub. pp
f
sub pp
sul tasto
n
mf sul tasto
n
mf sul tasto
n
mf
n
mf sul tasto
sub. pp
f
mp
sub. pp div.
f
mp
div.
mp
pp
3
pp
p
3
Vln. I
Vla.
Vln. II
rubato
Hp.
198
Perc.
(CELESTA)
23
Urgent: q = 84
Percussion
PIANO
f
Eb F§ Gb Ab f D§ Cb Bb
p
p
f
Violin II
Viola
pp
f
Contrabass
Violoncello
p
3
3
pp
p
div.
p
n
3
p
Db
Violin I
Urgent: q = 84
Piano/Celesta
Harp
f
VIB., motor off
II. Meg
p
n
Vln. I
Vln. II
Vc.
div.
Cb.
Ab--------------A§
3
p
mp
mp
3
mp
mp
pp
div.
pp pp
div. pp pp
p
G§ D§ C§ B§
VIB.
mp
(p)
p
Vla.
CHIME
Hp.
Perc.
6
surging: q = 96
unis. IV. pp mp
pp3
surging: q = 96
unis.
24
div.
13
Vln. I
Vln. II
Vla.
mp
mp
Vc.
mp
Cb.
mp
pp
f
mp
pp mp
pp
mp
div.
unis.
pp
3
f
mp
3
3
3
f
mp
3
3
unis.
f
pizz.
f
CELESTA
20
Pno/Csta.
Hp.
Vln. I
Vla.
p unis.
p
p
p
Cb.
p
Surging: q = 96
Pausing: q = 80
div.
Vc.
p
Vln. II
Pausing: q = 80
p
unis.
sub. p
pizz.
p
Ab Cb Bb
3
div.
Surging: q = 96
pizz. 3
sub. p
arco
sub. p
div.
mp
3
mp
mp
arco, div.
sub. p
arco
sub. p
mp
mp
25
26
Perc.
Hp.
Vln. I
div. pp mp pp
Vln. II
Vla.
pp
unis.
Vc.
Cb.
pp
mp
mp div.
mp
f
3
f
mp
3
(VIB.)
q = 120
p
p F§------------
unis., non div.
n
unis., non div.
pp
3
p
unis.
pizz.
q = 120
3
div.
3
f
f
3
accel.
accel.
p
f
32
Perc.
(CELESTA)
Pno/Csta.
mp
p
mp
f
n
unis.
mp
C§ Db
p
mf
n
mf
sim.
pp
mp
mf
f
p mp mf f mp mf
Vln. II
Vla.
Vc.
mp
Cb.
mp
p
-------Fb
Hp.
Vln. I
f
mf
arco
mf
f
26
38
Perc.
p
Vla.
p
p
Perc.
44
Pno/Csta.
Hp.
slowing greatly, to q = 76
f
Vln. I f div. a2 unis. Vln. II f arco Vla.
Cb.
sub. p
sub. p unis., non div.
slowing greatly, to q = 76
f
f div. a2
arco
f
f
pp
pizz.
p pizz.
p
PIANO
f
f
f
p pizz.
CHIMES
G# A§
f
mp
div.
Vc.
F§
f
mp f mp f
arco
mp
f
mp
Vc.
mf Cb
p
Vln. II
Cb.
mp
Vln. I
Hp.
SNARE DRUM
unis., pizz.
arco unis., pizz. pp f pp pp f pp div. unis. unis. pp f pp mp
27
Surging: q = 96
Perc. 51
Pno/Csta.
Surging: q = 96
Hp.
ppp
Vln. II
Vla.
Vc.
Cb.
arco 3 3 3
Easier: q = 84
E§ F# G§ D§ C§ B§
mf
ff
ff
div.
ff
ff
slowing
slowing
solo unis.
ff
p
Easier: q = 84
f
div.
Vln. I
TIMPANI
mp
mp
unis. mp
mp
3
div.
div.
28
CELESTA solo
Vln. II
Vla.
pp long
unis.
Vc.
Cb.
long
pp long
pp
long
pp long
Bb
tutti pp
n
pp
n
pp
n
pp
n div.
F§
pp
pp
n
n
n
Eb Ab
p
slow arp.
Vln. I
q = 72
p
Hp.
p
Pno/Csta.
VIB.
Perc.
q = 72
58
sola
pp
3
mp
pp
n
29
pp
65
Perc.
Pno/Csta.
actual pitch
Hp.
Vln. I
Vla.
Vc.
Cb.
Vln. II
PIANO
3
pp
GLOCKENSPIEL
p
Flowing forward: q = 88
F# A§ C#
Flowing forward: q = 88
div.
E§ C§
tutte
pp
div.
Perc.
Hp.
Vln. I
in time
Freely
mp
Cb.
in time
mp
Vc.
Freely
mp
Vla.
mp
Vln. II
pp
VIB.
69
mp
sub. pp unis.
sub. pp
sub. pp unis.
sub. pp
ppp
ppp
unis.
ppp
30
III. Alma and Gideon Ebullient: q = 104
Harp
p
Eb Fb G§ Ab D§ Cb Bb p
CELESTA
solo
p
Violin II
Viola
Solo Cello
Violoncello
Contrabass
9
Perc.
Vln. I
Cb.
p
p
VIB.
f non arp.
(solo)
f
f
sub. p
fp
fp
div.
mp
f
sub. p
fp
f
Db
fp
mp
p
mp
mp
p
Vc.
Solo Vc.
solo
Vla.
p
Vln. II
Hp.
Gb mp
Ebullient: q = 104
Violin I
Piano/Celesta
Percussion
CHIME
fp div.
fp
f
31
13
Perc.
Pno/Csta.
Hp.
Vln. I
Vln. II
Vla.
E§ F§ G§ D§ C§
sub. p
Vc.
tutti, ord.
mf
mf
f
f
f
mf
mf
mf
f
sub. p
f ord.
f ord.,unis., non div.
p
pp
Solo Vc.
Cb.
SMALL SUS. CYMBAL
p
p
div.
end solo: rejoin tutti
p
p
p
unis.
32
Perc. 16
Vln. I
f
Solo Vc.
Vc.
f
f
Cb.
f
Vla.
F# A§ D# C# B§
f unis.
Vln. II
f robust
f PIANO
Hp.
f
pizz.
pizz.
pizz.
div.
Easier: q = 92
arco, div.
unis.
unis., pizz.
Easier: q = 92
unis., pizz.
Pno/Csta.
choke
3
3
arco
arco
sub. p
sub. p
sub. p
arco
sub. p
33
Perc.
Pno/Csta.
Hp.
Vln. I
Vln. II
Vla.
Vc.
CELESTA
accel.
f
div.
f
f
Cb.
VIB.
q = 104
accel.
22
div.
arco, div.
(f)
q = 104
sub. p
6 mp
sub. p unis. sub. p
p
5
p
mf
div.
unis.
3 mf 3
mf
f p pizz.
3
mf
mf
34
27
Perc.
Pno/Csta.
Hp.
Vln. I
Vln. II
sub. p
Cb.
f p (pizz.)
f
f
f
mf
f
f
f
3
f
3 f mf 3 mf f
mf
Just a bit easier: q = 96
unis.
mf
Just a bit easier: q = 96
sub. p
Vc.
sub. p
Vla.
5 6
(VIB.)
D§
unis, non div.
div.
arco
35
Perc. 32
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
5
mf
Pno/Csta.
5
F§
f
C§
p f
fp
p f
p f fp unis.
p f
fp
fp
5
f
6
f
p
fp
6
Eb Gb
f
f
f
p
f
f
p
f
p
f
p
f
f
fp
fp
f
f
fp
fp
fp
36
Perc.
36
(VIB.)
(CELESTA) mf
Pno/Csta.
5
mf
f
6
Hp.
Vln. I
Vla.
p p
Vc.
p
Cb.
p
f
E§ Bb
p
Vln. II
f
f
mf
f
f
div.
div.
non arp.
f
mf
unis.
mf
mf
mf
mf
sub. p
p
sub. p
sub. p
sub. p div.
sub. p
37
(CELESTA)
Pno/Csta.
A------Ab
Hp.
Vln. I
Vln. II
Vla.
Solo Vc.
Vc.
Cb.
p
pp
pp
pp
pp
3
Eb G§
p
solo
unis., non div.
n
f
n
p
f
unis., non div.
p
sub. p
f
sub. p f
sub. p
solo
sub. p
sub. p
pp
p
6
pp
Perc.
(VIB.)
40
p
38
45
(CELESTA)
p
Pno/Csta.
Vln. II
Vla.
Vc.
Solo Vc.
Cb.
Hp.
Vln. I
mp
f
non arp.
E§
div.
mp
A§
mp
mp
VIB.
mp
Perc.
CHIMES
f
f
sub. p
fp
fp
f
39
Perc.
Pno/Csta.
Hp.
Vln. I
Vln. II
Vla.
Solo Vc.
Vc.
52
f
sub. p
fp
fp
fp div.
fp
p sub. fp
Cb.
Gb C#
f
sub. p
p
tutti, ord.
f ord.
f ord.,unis., non div.
sub. p
f
f
f
sub. p
sub. p
f
sub. p
sub. p
sub. p
end solo
div.
40
Perc.
pp
mf
TAM-TAM
56
TIMPANI
long
6
f
mp
f
6
long
p
f
ff
Pno/Csta.
Hp.
Vln. I
Vln. II
Vla.
Vc.
f
Bb
ff
f
ff
sub. pp
long div.
unis.
f
f
sub. pp
ff
long
ff
sub. pp
6
unis.
unis.. non div.
6
unis.. non div.
6
unis.
6
unis.. non div.
6
unis.
long div.
6
unis. 6 sub. ff f pp
Cb.
fast arp.
long
long div.
f
long
ff
6
41
60
Perc.
mp
Pno/Csta.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
f
sim. sim. 6 sim. 6 sim. 6
Ab
actual pitch
Eb G§ C§
p
arco (ff)
3
arco sub. p
(ff) arco
div.
f
f arco, div.
div.
div.
f
f
3
sub. p
(ff) sub. p unis.. non div. arco (ff) sub. p 6
f
42
CELESTA p
Pno/Csta.
Vln. I
Vln. II
Vc.
sub. p
long
pp
ff
pp unis., non div. long
Cb. arco
pp
ff
long
mf
3 mf 3 mf
pp
ff
long
pp
long
long
long
ff
pp
long
long
ff
ff
ff
pp long
ff
mf
mf
pp
div. a2
pp
long
pp
mf
mf
mf
3
mf
mf
mf pp mf Db
(VIB.)
unis.
f
div.
sim.
long
sim.
ff
unis., non div. long
ff
pp
long
ff
sub. p
mf
ff unis., non div.
div.
mf
ff
Vc.
5 6
3 sub. p mf 3 sub. p mf 3 f p
f
long
Vla.
mf
pizz.
Perc.
Vln. II
f p
70
Vln. I
unis.
sub. p
p
Cb.
Hp.
sub. p
Vla.
mp
6
Hp.
5
VIB. Perc. 66
f
p f
p f
fp
fp
p f
fp
unis.
p f
fp
fp
43
75
Perc.
Pno/Csta.
Vln. II
Vla.
Vc.
Cb.
mf
6
f
f
f
f 6
E§
mp
p
f
p
f
f
p
p
f
fp
f
div.
fp
div.
fp
fp
fp
f
f
f
mf
f
5
6
f
f
p
5
mf
Hp.
Vln. I
5
mp
5
fp
fp
fp
fp
44
78 slowing
pp
Hp.
slowing
Vln. I
Pno/Csta.
Brisk: q = 120
Vln. II
Vla.
Vc.
Cb.
sola
pp div.
pp
pp
pp
tutte
pp
n
pp
mp
mp
sfz
div.
pp
TIMPANI
3
f
f
ff
div.
f
div.
n
mp
pp
n
actual pitch
A§
mp
PIANO
q = 72
Perc.
5
q = 72
f
f
f
div.
f
sfz
sfz
div.
sfz
sfz
sfz