Patterns in Nature

Science to Sage I n t e r n a t i o n a l

E - M a g a z i n e

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The great minds of our time are

leading-edge science and ancient

bringing a new renaissance. The

wisdom is bridging the heart and

fusion of ideas, disciplines, and

mind, science and spirituality, and

cultures has always advanced

East and West.

civilization, be it from the renaissance

Ta k e a q u a n t u m l e a p i n y o u r

of the Middle East to Middle Ages of

understanding of the mysteries of our

Europe, again, we stand at this

universe.

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crossroad. The new convergence of

CONTENT

Patterns in Nature

Jon DePew - Three Things Make Everything

Clay Taylor - The Axiom of Nature

Lynnclaire Dennis & Clay Taylor - Mereon Frequency

Anthony Morris - SATOR Square Solved

Special thanks to the contributors. I am grateful for their articles and inspired work. Their contribution and fascination with water enriches and transforms our understanding of our designer universe.

All material is copyrighted

by Science to Sage or is copyright of the authors.

Science to Sage reprints these articles with the consent of authors

Robert & Su.Sane Hake “Clarity” - Squaring the Circle

West Marrin Ph.D - Geometry of Water

Dr. Emoto - Message in Water, presented at the Conference on the Physics, Chemistry and Biology of Water

Laurent Costa - Videos of Water & Music Krishna Madappa- Bio-electrography image of water Nassim Haramein - Connected Universe

Nassim Haramein Interview with Randall Melnyk of O World

Jean Haner - Symmetry in Nature

Karen Elkins - Excerpts from InsideOUT: The Visual Guide to Our Designer Universe

solution to all of the ancient esoteric teachings and also to every aspect of modern day scientific research.

It is fundamentally the most important principle of knowledge to ever be revealed for mankind. http://www.coralcastlecode.com

by Jon DePew

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This Divine Template is the key

Two Magnetic Currents & the Neutral Particles of Matter are all Nature ever needed to create all of it's Divine Majesty.

This message is quickly spreading and blossoming world wide and changing the way we look at science and religion.

My name is Jon De'Pew and in the year 2003 and after a long journey of searching and resisting the urge to give up numerous times, I have discovered a visual symbol or better said A visual "MATHEMATICAL FORMULA" and I have been sharing it with everyone ever since. It is the "MATHEMATICAL FORMULA FOR CREATION " Given as a" VISUAL FORMULA "ALL OF THE MATH of SACRED GEOMETRY and ENERGY IS

.

WITHIN THIS SINGLE VISUAL FORMULA

Thre e thin gs m a ke every thing

dynamic weave

ALL OF THE MATH of SACRED GEOMETRY and ENERGY as a whole are WITHIN THIS SINGLE FORMULA. Not only on this Earth, but throughout the entire UNIVERSE.

Image credit: <a href='http://www.123rf.com/photo_13117221_experiments-with-the-golden-ratio-top-viewof-dandelion-seeds-with-black-background-notice-the-spira.html'>jesterarts / 123RF Stock Photo</a>

Phi

This now revealed blueprint is a perfect match to the clues left behind by so many ancient cultures such as the Golden Section, Golden Ratio, Phi,Pi,Squaring the Circle, Flower of Life, Time measurement among so many other titles.

I have found the same clues of this lost science in all the main cultures around the globe, on every continent. What is this blueprint of ENERGY leaving us with? It is that this ancient science Sacred Geometry is really representing an advanced knowledge of Two Magnetic Currents and the Neutral particles of matter, they orbit as a common core.This force Ed called the Cosmic Force. The ancient's called it the "Flower of life" or the "Golden Section," and again "Squaring the Circle" or Sacred Geometry is really representing 2 individual magnetic currents & the Neutral particles of matter.

dna

c c

linked structure

currents pathways

Look at the polarities,

the 5 directions, the

channels to breath in and express out.

the vein of existence bonds that link us to one creator

Particles of matter that form all of nature!!

They are the Blueprints to all Creation.

Simplicity in these two currents will blossom into glorious complexity that becomes a blueprint of our universe and it's base form of energy, and how it's very "elastic magnetic current tentacles" stretch out in vortex motions, it is the construction and destruction process within the fabric of creation.

"elastic magnetic current tentacles"

Two Individual N & S Magnetic Currents and the Neutral

Patterns, Cycle, Rhythms ...we are connected moons and patterns

Harmonic Distribution happens on a galactic scale

Salmons Seal

we belong, we have a purpose.

Creator gods what did they know, that we didn’t?

In Buddhism, Dorje (Vajra) is a symbol for the nature of reality, indicating endless creativity, potency, and s k i l l f u l a c t i v i t y.

Wikipedia

Trinity the Chalice is the container from which all life unfolds.

It is the true basis for all atomic structures within the UNIVERSE and it's CREATIONS.

SCIENCE TO SAGE RADI Jon DePew - Three things create ALL things!

Discover ancient secret--it’s the true da Vinci Code.

ARCHIVED SHOW...CLICK AND LISTEN

I have been researching energy on my own for many years. I do my own experiments as to con rm or disprove my own thoughts pertaining to energy. This technique of doing experiments of my own conception and not just replicating others experiments, has enabled me to uncover some very important and original discoveries which is now changing science on a daily basis.

There are many self imposed restrictions scientists have placed on themselves, and thus causing science not to progress forward as quickly as it should have.

Doing my own work and absorbing anything I felt was relative to TRUTH in regards to Energy is how I advanced to a level that has been o

verwhelming in rewarding and truthful knowledge.

I've studied through the years a few great researchers of energy from history such as Nikola Tesla , Edward Leedskalnin , Albert Cushing Crehore among others.

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I only absorbed and focused my attention on what I felt were TRUTHS within all my reading, and original experimenting of my own design. Then one night

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Leonardo da Vinci – Codex Atlanticus folio 307v

Free Issue

doing some physical scienti c experiments, I saw something in my magnetic work similar to the ancient Flower of Life design.

This instantly made me realize that all of Sacred Geometry was really the S E G M E N T E D BLUEPRINTS to MAGNETIC ENERGIES .. This conclusion also tied together some work of Ed Leedskalnin, an immigrant from Latvia and the builder of the Coral Castle or also known as Rock Gate. An amazing muti-ton hand carved coral stone complex located in Homestead Florida.

Ed Leedskalnin had left a subtle visual design on the cover of one of his small self published booklets entitled "MAGNETIC CURRENT". This was a design showing two exible curves seen in many ancient designs and architectures.

So on my own, I took those two curves and proved my conclusions of Sacred Geometry being the Blueprints of Magnetic energies. I proved it visually , mathematically, and most importantly in real working PHYSICAL SCIENTIFIC DEMONSTRATIONS.

http://www.coralcastlecode.com

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http://issuu.com/sciencetosage/ docs/jon_depew_divine_template

Does it speak to the nature of the soul and does it speak to the soul of nature?

By Clay Taylor

Axioms of Nature There are axioms that exist that transcend the periodic trends of scien

c ponderings and

the orbits of cultural imagina on; truths that remain true in all contexts and persevere to be revered as law throughout all ages. A good way to tell if you are dealing with an axiom is if you nd it to be a principle u lized by both science and religion, or both nature and man’s art. Does it speak to the nature of the soul and does it speak to the soul of nature?

My favorite axioms within our modern lexicon is “energy can be neither created nor destroyed” and “for every ac on there is an equal and opposite reac on.” The majority of the axioms I have encountered however (that have remained u erly true through centuries of scru ny) are far more ancient. Many years ago I encountered the “Herme c axioms” which I feel handed me infallible keys to nature.

As a quick review, there are widely considered to be 7 Herme c axioms total. The principle of correspondence is the well-known and meless saying “as above, so below; as within, so without.” The remaining, each universal in their own right are the principle of vibra on, the principle of rhythm, the principle of cause and e ect, the principle of gender, the principle of mentalism and the principle of polarity.

Truth it seems is true to these principles, and through all perspec ves and all disciplines they remain universal as characteris cs of the unifying base logic of nature; an underlying and

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pervasive harmony that spring from the base perfec on of cause.

MAGNETISM AS AXIOMS WITHIN SPACE Through a similar life me’s pursuit of truth as many others, I ul mately determined for myself that magne sm was the best t for the transcendental force that would unify these axioms at a base level and e these statements to the reality of nature. Magne sm is an omnipresent force in all things. It represents the uni ca on of opposites and it deals with both push and pull, solving for “ac on at a distance.” Its elds work through the geometric constants of phi and pi to ll out space and de ne the center of s llness. It checked o all the Herme c axioms and seemed to correspond with the law of conserva on and Newton’s 3rd law as well.

Moire pa erns are a classic way to envision magne c eld principles by overlaying geometric principles such as lines, circles or curves. Here I am overlaying a Phi spiral at di erent intervals to reveal some of the

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characteris cs of a magne c eld.

Li le did I know I would soon encounter two more axioms that would unleash the mysteries of magne sm and make its mys fying elds and tangled lines of force as fathomable as my special es of musical law and geometric precision- “Sacred geometry represents the segmented blueprints of magne c currents” and “3 things create everything.” I encountered these sayings from a man named Jon DePew who is an astoundingly gi ed magne c engineer and geometrician who was and is breaking all the rules in the book that need to be broken by building neutral systems of magne c balance that act perpetual and alive. Systems engineered within the guidelines of harmony itself that can do work and maintain mo on on their own without con nuous electric input. A er years of studying his world changing work, I can say that this man has cracked the secrets of what energy really is, and the answer is HARMONY.

The Herme c principle of polarity: "Everything is Dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are iden cal in nature, but di erent in degree; extremes meet: all truths are but halftruths; all paradoxes may be reconciled." This image envisions how even through the di erent geometric numerical quali es may exist, all inevitably reduce to

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posi ve, nega ve and neutral.

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TRINITY AS CAUSE HOW does nature construct itself without crea ng or destroying anything?

The answer is it builds o of what is already there alone.

The next ques on should be, “WHAT is already there?”

Consider the axiom of “Newton’s 3rd Law, “for every ac on there is an equal and opposite reac on.”

That statement in itself perfectly implies the trinity that is base to cause itself- ac on, reac on and neutraliza on of these equal opposites as the inescapable result- as Jon DePew says, “3 things create everything.”

This ac on of cause can be followed in the rst act of geometry. A circle and its center are necessary to de ne “each” “other” and can be thought of as opposing poles. Musically they would represent a fundamental tone and its octave (an octave is the same note played on a higher or lower scale through doubling or halving.) This image shows successive further octaves within the original boundary condi ons of the fundamental tone, demonstra ng how the octave itself can generate many di erent self rela ve harmonic ra os. Also demonstrated is a 3-4-5 triangle to demonstrate inherent phi propor ons within

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these basic divisions.

-Into deeper geometric reasoning, these equal opposites of magne c polarity are shown to be opposite spa al curvatures within which are bound by a la ce of neutral networks and anchoring neutral par cles within the eld. Jon DePew calls them the “two magne c currents and the neutral par cles of ma er.”

But what is the “ac on” part Newton’s 3rd law speaks of?

Knowing that we may only build o of what is already there, ac on is thus the division/ mul plica on of neutrality. (Geometrically speaking, division and mul plica on are essen ally the same thing.) This concept of par

oning neutrality into mul ples that add up to itself with nothing lost or gained brings

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us into the wonderful and crea ve world of music, geometry and number.

THE HARMONY OF NUMBER Another one of Jon DePew’s wonderful insights was that mathema cal principles could be transcribed into a visual formula. Just as mathema c equa ons may be graphed into space, their resul ng forms could be used rst and have corresponding mathema cal meaning that reveal more than the equa on illustrates in and of itself. Understanding the e ciency of these geometric principles literally uni es the world’s disciplines into a single great art. Number and music can be accurately transcribed as visual pa erns akin to mandalas, and mandalas may be in fact engineered into diagrams and templates for func oning machines of dis lled mathema cal principle that are magne cally accurate! This is what DePew means when he says “sacred geometry represents the segmented blueprints of magne c currents.”

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In a world where everything is connected, numbers do not really correspond to “amounts” of truly independent “things.” They are however separate geometric harmonies of magne c propor on which associate with one another as numbers themselves, and their geometries do within rela ve space.

Di erent numerical arrangements of polarity expand in unique ways to ll out and de ne space. Here we see how 5 naturally forms into a magne cally balanced dodecahedron.

Just as Pythagoras once demonstrated that dividing a string into whole number divisions will unveil the harmonic laws that led to the formula on of musical instruments, and just as Kepler demonstrated that the orbits of planets around the sun corresponded with the spa al propor ons of the platonic solids, which in turn corresponded to the musical harmonic ra os, it can likewise be demonstrated that magne c currents do the same to de ne space and dimension itself. The magne c eld may be par

oned into whole

number divisions of polarity that add up to itself, and thus number can be said to

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represent the ordering of polarity around the fulcrum of the balanced center.

- This is the principle of whole division of a fundamental known as the harmonic series of overtones. It is the base of all musical law. Here I am demonstra ng the opposing spectrums of opposite spa al curvature- think of it as ac on and reac on.

Between these polar boundary condi ons lives the opposing spectrum of total harmonic possibility. No ce how the “numbers” of waves mul ply but never exceed or lessen from the original wavelength. This is how energy is neither created nor destroyed.

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The harmonic series is not linear as it is typically shown, it exists within the 3 dimensions and geometric constants of total space. Here we see it expanding on a plane through the triangular based arrangements.

Here I demonstrate the equal opposites of posi ve nega ve and neutral as related to the 3 primary colors. Witness the inhuman perfec on of the geometric correspondences of the harmonic series. I have highlighted various spherical waveforms that can be pulled from this template as well.

Ul mately, these whole number divisions turns into scaling within space. It is a method in which space nests within space. Con nued onto the extreme of in nity, we see how the all may be the one

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and vice versa.

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Just as frequency is inversely related to wavelength, it can be seen how magne c scaling will also rule the behaviors of mo on, vibra on and rhythm, just as it rules the orbits of planets and their alignments and the musical dissonances and harmonies amongst the various overtones.

By using the principles of the harmonic division of the spectrum, I have been able to devise geometric quasi-solu ons to various musical interrela onships. Here I demonstrate how the “circle of

hs” naturally arises through the harmonic interrela onships of 12 “chroma c” circles

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packed within the octave.

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Delving further into the spectrum as applied within the geometry of 12 divisions, I have been able to nd numerous correspondences to musical law, demonstra ng the importance of the circle of

hs and how they

interact with all other intervals, the tritones, the major and minor scales, as well as relate these rela onships

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directly to their corresponding laws of color.

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This is what energy is, and through geometry we may measure energy and demonstrate how it may func on in a way that requires no energy to be created or destroyed. This is true as a con nuum on all scales, both ascending and descending, from before atoms to beyond the stars, bound by the harmonic rule of number that guides the duals of harmony and dissonance within any manifesta on and resolu on of polar extremes. As Above, so below, as within, so without, the one is all and the all is one, everything neutralizes.

Ul mately, this whole number divisions turns into scaling within space. It is a method in which space nests within space. Con nued onto the extreme of in nity, we see how the all may be the one and vice versa. The matrix of space func ons both fractally and holographically, reducing to 3 things which encode phi.

Our future technology will need to embrace these axioms of perfected harmony just as nature does so e ortlessly. Doing so is the only true solu on to our dangerous and destruc ve ine ciencies that plague and harm ourselves and our planet. Few truly recognize that the knowledge of perfected harmony and the keys to its engineering are here before us at this very moment, ready for the coming renaissance and the next era of enlightenment.

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magne c harmonies of the number 7

harmonic series and numbers within the octave.

"Clay Taylor is a multidisciplinary polymath based out of Los Angeles, California. He works to constantly unify his seemingly disparate interests into a cohesive body of work Emerging as a graduate of the University of Nevada, Las Vegas with a degree in Film and Writing, his lifelong devotion to philosophy and the visual, musical and literary arts coalesced into an ultimate study of harmonic proportion and the personal pursuit of understanding and wielding the geometric solution to the magnetic nature of energy itself.

Through both personal experimentation and the help of many accomplished masters, he works to incorporate the lessons he has learned directly into his art, so as to help visually convey the profound beauty of the one great art and science to others. https://www.facebook.com/artofclaytaylor

clay Taylor

Our future technology will need to embrace these axioms of perfected harmony just as nature does so e ortlessly. Doing so is the only true solu on to our dangerous and destruc ve ine ciencies that plague and harm ourselves and our planet. Few truly recognize that the knowledge of perfected harmony and the keys to its engineering are here before us at this very moment, ready for the coming renaissance and the next era of enlightenment.

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"

http://www.coralcastlecode.com

Jon DePew

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harmonics of the spheres

By clay Taylor

There is a

Designer We are created from the same weaver.

See now...in this My body, the whole universe centered in ONE...

The Bhagavad Gita

M e r e on M at r i x

“The day science begins to study non-physical phenomena, it will make more progress in one decade than in all the previous centuries of its existence.”

Nikola Tesla

s o un d , s y m b ol & s ub s ta n c e

Mereon M at r i x Mereon Matrix comes ALIVE

The Mereon may prove to be the creative principle at the heart of Nature.

The Mereon prime frequency , 7.97 Hertz, creates the complex 3, 4, 5 -fold symmetry when the inaudible is made visible in water using the CymaScope. The Golden Ratio of 1:1.618 is defined by the Mereon mathematics and is the prime ratios in this whole matrix.

In analyzing the cymaglyphs associated with this frequency, the nested ve-fold geometries are distinguished in all of their glory. This 5 fold geometry is a harmonic solution of supreme elegance.

Consistent with 5 fold geometry, the image is awash in phi ratios, but beyond this golden ratio of phi, the square root of 2 and the square root of 3 ratios which are important geometric constants in their own right are also found to be harmonically present. To add to what is already a miracle of a harmonic pattern, the image contains many of the primary musical ratios such as the perfect fth, the minor third and major 6th, major 3rd and minor 6th, minor 2nd and major 7th and of course the octave. This may be 100% musician talk, but they correspond to some of the primary musical relationships used to compose the music we listen to daily I like to imagine that if mathematicians were tasked with providing a single solution that demonstrated all of these ratios at once, they would likely fumble about for a few hundred years... Ok, maybe I'll give us humans a little more credit than that, but this is a miracle of a harmonic solution that springs forth from nature effortlessly within a simple wavelength of sound energy.

Studies by Clay Taylor

https://www.facebook.com/artofclaytaylor

Clay Taylor is a multidisciplinary polymath based out of Los Angeles, California.

He works to constantly unify his seemingly disparate interests into a cohesive body of work. Emerging as a graduate of the University of Nevada, Las Vegas with a degree in Film and Writing, his lifelong devotion to philosophy and the visual, musical and literary arts coalesced into an ultimate study of harmonic proportion and the personal pursuit of understanding and wielding the geometric solution to the magnetic nature of energy itself.

Mereon Matrix by Lynnclaire Dennis- http://www.mereon.org

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Co-Founder, Visionary and Director of Educational Projects for The Mereon Legacy CIC, Lynnclaire has invested more than 20years working with leading mathematicians and scientists the world over. Her goal was to identify the points and structures in common with living and life-like systems. With the heart of a visionary and the mind of a scientific pioneer she has worked to understand, translate and apply the knowledge known as the Mereon Matrix. Using what is now understood to be a universal model she has developed the pattern charting Nature's sequential growth to the point where it can be used to organize one's personal life, relationships and a social system. The applications she has designed are helping adults and children discover how to intentionally grow and create flow while riding the never-ending wave of change.

Radio SCIENCE TO SAGE RADIO

ARCHIVED SHOW...CLICK AND LISTEN

Lynnclaire Denni

What is the Matrix of ALL life?

Structure to Education For 27 years, my life work has been about discovering the relationship of every part to the whole, internally and externally, personally and interpersonally. This continues in the investigation of the uni ed whole system known as the Mereon Matrix. My rst task was the Children, thus, “The Belonging Project”. The next job was to

nd a way to

communicate what we’re up to, to the everyday person on the street. It’s a sad reality that the existential questions of my youth, "Who am I?”, “What’s the meaning of life?” and “What’s my life purpose?”, have been replaced by “Why should I care?” and “What’s in it for me?”

Featured http://www.mereon.org http://www.thebelongingprojects.org

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http://issuu.com/sciencetosage/docs/ roots_of_existence_august2014

http://issuu.com/sciencetosage/docs/ www.issuu.com/ july_issue_2013?e=3268223/3842756

sciencetosage/docs/

Abstract This article is an excerpt from my upcoming paper,

Further, I use the Swastika to link the

the Partition Theory.

SATOR Square to the key numbers from my Partition Theory, 27 and 37.

Here I present new information about the 2,000 + year old puzzle, the SATOR Square, which is

55 is cemented as the king of all numbers

revealed as the numerical creation cipher, no less.

representing the central axis of the universe, the Tree of Life, and ultimately the answer to why 10?

In this piece, I link the SATOR Square to the famed

Fine Structure Constant number, 137.

SATOR Square Solved “The SATOR Square or Rotas Square is a word square containing a Latin palindrome featuring the words SATOR AREPO TENET OPERA ROTAS, in this or in the reverse order, written in a square so that they may be read top-to-bottom, bottom-to-top, left-to-right, and right-to-left.

The earliest datable square was found in the ruins of Pompeii which was buried in the ash of Mt. Vesuvius in 79 AD. Examples may be carved on stone tablets, or engraved into clay before

ring as pottery. The exact translations, and its

meaning, have been the subject of speculation with no clear consensus for either.” - Wikipedia

I have been fortunate on my journey to stumble across some mysteries it seems scholars have not been able to get to grips with but, with the bene t of this lens, it all becomes very simple and elegant.

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First, I used the oldest / original version of the Greek cipher which translates numbers to letters and vice versa. I laid this over the SATOR Square.

When we do this, we see the numbers in the table below.

SATOR Square in Numbers

I then looked at the same table of numbers in Mod 9 to see

SATOR Square Numbers Mod 9

Extraordinarily all the numbers I could hope to see to be relevant to my Partition Theory were present.

SATOR Square Numbers - Mod 9 Emphasised

137 –

The rst

numbers at me was Structure Number

to leap out The Fine Constant

associated with the greatest mystery in physics.

It is beautiful also to see how the 137 is ‘encompassed’ by the Numbers 12 and 21 which are the key numbers in the Partition Table where everything ‘happens’.

On the 12th Stage Value for the Number 21, in the Partition Table we see the Number 55, the Central Axis of the Universe and the answer to why 10 as the sum of Numbers 1 to 10 is 55.

It is also the sum of the harmonic series 1 2 4 8 and 1 3 9 27 – Plato’s Lambda.

Note also that 36 + 36 = 72 – the number that is proposed as representing the E ect of Physical Reality.

Note that 36 is the number of components in the Holographic Plane and seeing this 72 formed around a central axis with a value of 21 is, again, very elegantly in line with the Partition Theory.

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It seems clear to me now that the SATOR Square is the creation cipher and of extraordinary importance.

Partition Theory by Anthony Morris Full Paper Release Coming Soon www.newunderstandings.com Fine Structure Constant 137 Central Axis - Tree Life 55 The Holographic Plane is contained by the Hologram Projector Infrastructure

Space Horizontal - Time Vertical

Partition Table 27 CAUSE

37

(55)

73

72 EFFEC

27 represents Cubes of Light Particle 37 represents Spherical Waves of Vibration Vibration conditions Light bringing it into resonance / agreement to form material things.

27 & 37 uniquely produce 3 digit recurring decimals as their e ect on all other numbers.

Recurring decimals are evidence of geometry, in this case, triangles.

The mirrors of 27 and 37 are 72 and 73

72 is the ‘E ect’ or ‘Projected’ and describes Physical Reality.

37 and 73 are ‘Limits’ for the Physical Universe.

These are centred by the 55 Central Axis Number.

55 occurs on the 12th Stage Value for the Number 21.

The 12th Prime Number is 37 and the 21st Prime Number is 73......

E = M C^2 is the same as M = E / C^2

E = 37 and C^2 = 27.

Therefore M = 37 / 27 = 1.370 370 370 Recurring.

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Raise this number to the 11 dimension and we arrive at the age of the universe.

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1.370370370 x 10^11 is the only age the universe could ever be.

This idea was further cemented when I went a little ‘o piste’ in my thinking and decided to apply a swastika to the 5 x 5 SATOR Square.

The result was frankly unbelievable!

The reason I did it was because I knew that a 5 x 5 square was the smallest square that you could draw a swastika on to, and be able to see it fully de ned.

Mod 9

Swas ka

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The total used by the whole Swastika symbol is 59 if we count the central 5 only once - 64 if we count it twice, which in my view we must - 2 1 3 5 5 5 3 1 2 1 7 3 5 5 5 3 7 1 = 64

This number 64, 4^3, the number of Codons in Biological DNA, immediately got my attention, and I knew then that I must take the arms of the swastika apart and pray for a miracle.

Extraordinarily, I was rewarded with each Swastika arm totalling the 2 key numbers for Light and Vibration in my Partition Theory paper, the gnomonically related 27 and 37:.

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1 7 3 5 5 5 3 7 1 = 37

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2 1 3 5 5 5 3 1 2 = 27

http://www.whatabeginning.com/Themes/Part4/BP.htm

Above we see the rather beautiful 64 – 27 – 37 relationship.

Even if we reverse the Swastika to the original Hindu symbol for peace and good fortune, we see the same 27 and 37 totals for each arm.

By Anthony Morris Please visit www.newunderstandings.com for more information.

This work is licensed under a Crea ve Commons A ribu on-NonCommercial-NoDerivs 3.0 Unported License.

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h ps://independent.academia.edu/MorrisAnthony

Air Seed of Earth Squaring the Circle

“Squaring the Circle” is the mental alchemical process of transferring an airy concept from the mental plane to the physical dimension so that objective conception and birth become a demonstrative reality.”

— Dr. John Munford, “Magical Tattwas”.

Air Seed of Earth is a square with a circle inside. The circle being the idea and the square, the womb that nourishes the idea into life.

Inside the work of creativity is the solid alchemy of manifestation and the transformation of obstacles. Our work is about the movement of obstacles to the Dream. This is often deeply felt during the work and the obstacles to be removed, by the work, are felt and have to be traveled through, in order to create a map pattern within the seen work, that will free the viewer from this obstacle to his or her personal dream.

We often become very discouraged ourselves when moving through this and have to stay close to our own connection to the Divine to survive the coarse of resistance.

Our work is about creating a resource of maps and patterns that enable the individual who views the work to utilize and create from this resource permanently.

We finally went out for a late lunch at our favorite place and gathered the play and ease we have so much needed to begin to paint once again. Late in the evening we began to paint and I realize that if we aren’t given space to paint, we have little to share that deeply moves.

Happiness filled us both as we put the magic of the Divine onto paper and saw once again the full tapestry of our work embody space in this world.

This space our work embodies multiplies the power of the Dream. It is illuminated and alive.

Seeding the Square

The secret of the Circle is what rests within its frame and the mental plane of what will rotate onto the surface of the square.

I have come to a needed space of confusion and its boundaries have been completely felt. Robert & I both restless this night, as we go in and out of our sleep. I feel exhausted, but awake, and the very nature of the night congeals no realization, but the effort to write does seem to yield a surface to land upon.

The circle, like a round bed, and the square, my frame spinning in a whirlwind of potentials. I unpour myself and move to dreaming once again for solace.

The center of circle negotiates, the square opens and I begin to realize the solid nature of my life in a new way. Perspective being the vehicle of moving obstacles I bring the airy concept of change into a solid matter of daily awareness.

The requirements of past are seen as unstable and the allowance of future is seen as open to the recognition. I am human and my human ways are the most powerful.

Through my humanness I become angelic.

The Secret of the Circle

This is an evolving part of alchemy that grows stronger, as each level of foundation is made through the repeated process of transformation.

""Air Seed of Earth, is an ideagram for the Classic problem of Greek geometry: to construct a square whose

area is equal to that of a given circle, or Squaring the Circle".

This problem can never be solved with a straight edge and compass, as it is an esoteric statement that can only be approached through mental alchemy." Dr. John Munford, "Magical Tattwas".

Earth

We take each level in our lives and press it, as a felted piece into the next, till the tapestry of our complexity is seen, as the reality of who we are in form. The airy ideas of our mind are given space, in the womb of our earth body, taking the complexity of a being conceived in the mind of the dreamer, and bringing it into the womb of formation.

Air seed of earth is the arch angle of Squaring the Circle, where what is given is heard, made ready, sown, nurtured, born, and made real.

The earth is the womb, and the circle is the idea encircling the womb, so the seed is not forgotten.

Alchemical Squaring the circle is the mental alchemical process of forming the sacred, in a geometrical circumference of time and space.

The cellular memory transfers the fluidity of ideas, into the conceptual allowance of reality.

To mark this place we live in, with the full metric component of vision, the visual confers with the mind of mental alchemy, to conjunct the two into an actual formational format of manifested reality, that can function in space with mass.

We often are thrust into one reality, from the miscalculation of another, and the bridge between the two is not stable.

In this part of the alchemical process, we begin to make square, the foundation of an airy concept, that we realize needs a stable alignment with time and space, so we can change our thin surface to a broader thicker one, and a firm bridge is made between the airy castles and the terra firma of mother earth.

Alchemical We're on Pinterest as Clarity Artists: http://www.pinterest.com/clarityartists/ We're on Ello.co: https://ello.co/clarity_artists Clarity's Website: Primary: www.houseofme.org Secondary: www.clarityandcompany.com Our Art is here: http://clarity.artistwebsites.com/ We are intuitive artists living a creative life. We paint and draw together on each painting, at the same time, which brings a balance to the work. We sign our work by one name, Clarity. For 20 years we have created together, and being married to one another has been

the greatest happiness.

Our books are here: www.blurb.com/user/store/ClarityArt Our Blog: http://clarityposts.blogspot.com/ Clarity's Depth of Creative Practice Blog: http://alchemicalmind.blogspot.com

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WATER’S GEOMETRY

molecular networks Perhaps the late twentieth century’s most startling discovery about liquid water was that it consists of a vast interconnected network, rather than just a random collection of agitated molecules. Individual water molecules serve as the network’s components, which constitute the building blocks for the primary water network. These components of water’s molecular network are connected to one another via magnetictype linkages known as hydrogen bonds. The network is characterized as highly dynamic inasmuch as the linkages between components are constantly exchanged among one another.

Article by West Marrin, Ph.D

Photo’s of Water Courtesy of Georg Schroecker

arrangements creates water clusters.

In solid water, or ice, each water molecule bonds with all four of its nearest neighbors in forming a perfect tetrahedron, which is a threesided pyramid comprising the most basic molecular geometry of water (see Figure 1) and, perhaps, the most basic structure of the universe.

Inventor and philosopher Itzhak Bentov suggested that the t e t r a h e d r o n ’s g e o m e t r y a n d associated mathematics apply to the ne structure constant (de ned as 1/137) that characterizes the interaction among charged particles c o m p r i s i n g t h e s t r u c t u re a n d displaying the patterns of all matter.1

FIGURE 1. The schematic on the left represents the simplest unit of water’s hydrogen bonded network. The large oxygen atom serves as the center vertex of a tetrahedron, while the smaller hydrogen atoms serve as its four outer vertices. Two of the hydrogen atoms are covalently bonded to the oxygen atom, comprising the individual water molecule (H2O). Water molecules are hydrogen-bonded to each other via two pairs of electrons associated with each oxygen atom. These electron pairs attract two hydrogen atoms (each donated by a di erent neighboring water molecule) in forming a tetrahedron composed of one oxygen atom and four hydrogen atoms. Covalent bonds (thick black lines) create a water molecule by linking atoms together, whereas hydrogen bonds (thick gray lines) create a water network by linking molecules together. The schematic is composed of four hydrogen-bonded water molecules. Linking water molecules together via di erent geometric

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arrangements creates water clusters. Figure appears in Universal Water.2

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Linking water molecules together via different geometric

As ice melts into liquid water, 10% to 15% of the bonds connecting neighboring water molecules are broken at any instant (thus distorting the tetrahedron), while the remaining bonds transition to an ultradynamic state whereby they switch as rapidly as a trillion times per second! Hydrogen bonds are broken only for an instant, permitting water molecules the opportunity to alter their orientation to one another. This frantic switching of linkages permits the water network to ow and to behave as a liquid even though it retains most of the molecular geometry of a solid. Nobel laureate and chemist Linus Pauling reportedly referred to this conservation of hydrogen bonds and network geometry when describing water’s transition from a solid to a liquid.3

Scientists have long modeled liquid water as a space- lling network of individual water molecules (see Figure 2) in which all potential hydrogen bonds are characterized as either unbroken or broken.

Unfortunately, the shu ing (i.e., breaking and forming) of hydrogen bonds within water’s network is so rapid and complex that scientists are unable to decipher the rules governing the process. This inability does not imply that switching rules are haphazard—only that science is overwhelmed by water’s dynamism, which has been traced to

water’s dynamism

quantum events known as zero-point vibrations.

These strange vibrations govern the exchange of water’s hydrogen bonds and are impossible to predict as a result of the uncertainty inherent in quantum-scale events. 4

FIGURE 2. This schematic is believed to resemble the network structure of liquid water; however, scientists have been able to observe only a fraction of the network using current technologies. In view A, the large dark spheres representing oxygen atoms are connected to the smaller and lighter-shaded spheres representing hydrogen atoms. Hydrogen atoms are situated along the connecting hydrogen bonds. Water’s hydrogenbonded network is di cult to depict at the scale of view B; nonetheless, note the seemingly in nite matrix that exists among individual water molecules as hydrogen bonds (white lines) intersect oxygen atoms (black spheres). The network’s structural complexity, along with its hydrogen bond dynamics, may prove to be the

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key to water’s magic. Figure appears in Altered Perceptions.5

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Water’s three-dimensional tetrahedral lattice is con gured so that its concentric coordination spheres form the templates for socalled sacred geometries (e.g., Platonic solids, Flower of Life).7 Professor and water scientist Martin Chaplin has proposed that the most stable of water’s large clusters assumes the threedimensional geometry of an icosahedron (see Figure 3). This icosahedral network of molecules is a component of the larger water network and is composed of individual tetrahedral units, representing the most basic molecular geometry of water.

Speci cally, fourteen tetrahedral units are packed into the icosahedral cluster, which is composed of 280 water molecules that form large internal cavities appropriate for storing solutes.8 Additionally, the edges of internal tetrahedral units form a dodecahedron that can alternate positions within the icosahedron based on changes in hydrogen bonding within the cluster.

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While water’s ever-changing molecular network may not sound magical, its dynamics are believed to be responsible for most of its unusual properties. Systems theorists working in many di erent elds have postulated that relatively simple dynamic networks can account for a wide range of complex behaviors. They maintain that interconnected components can exhibit varying responses to di ering stimuli that emerge from a set of rules for switching network connections.6 If true, the complex behaviors of an entire system (i.e., any entity composed of many similar components) may simply relate to the way that connections between individual components are switched among one another. Researchers who work at the fringes of postmodern science maintain that water’s vast and ever-changing network may serve as a kind of massive information system—not unlike the binary systems that characterize today’s computers. While there are no scienti cally accepted data to con rm such hypotheses, the results from mathematical simulations have suggested that liquid water’s molecular network may exhibit at least two kinds of behavior— ordered and chaotic—that are frequently associated with its clustered and bulk components, respectively. Theorists maintain that the complexity of any system arises between the states of order and chaos, which really represent two very di erent types of order.

tetrahedral

FIGURE 3. A two-dimensional representation of an icosahedral water cluster. The dark spheres represent the large oxygen atoms and the lighter shaded spheres represent smaller hydrogen atoms that are bonded to one another in forming the 280-molecule cluster. Figure appears on Martin Chaplin’s website.9

SACRED GEOMETRY During the fth century B.C., the philosopher Empedocles proposed that all matter in the universe was composed of di ering combinations of four original substances and two moving forces.

Empedocles referred to these four substances as the Elements of re, air, water, and earth, and he identi ed love and strife as the moving forces. The moving forces essentially energized the combining or dissociating of Elements, such that matter could neither be created without love nor uncreated (destroyed) without its opposite moving force of strife. So stated, this theory of the four Elements has stood as a fundamental understanding of nature for an astonishing number of ancient cultures around the world (e.g., Greek, Aztec, Hawaiian). Whereas the mix of Elements di ered slightly among some cultures (e.g., the Chinese recognized wood and metal in lieu of air), all recognized water as a fundamental constituent of our world. The four Elements and the mysterious etheric substance from which they were believed to have emerged were later associated with a special set of three-dimensional geometries known as the Platonic solids, which appear in Plato’s Timaeus and are shown in Figure 4.

FIGURE 4. The ve regular Platonic solids are the only angular three-dimensional geometries that are composed entirely of regular polygons and, when spun about their center vertex, create a sphere. The faces constitute the sides or exterior panels of the Platonic solids and are represented by a triangle, square, or pentagon. The edges are the straight lines that outline each of the faces, whereas the vertices are the points where two or more edges converge. The solids include a tetrahedron (1), a cube (2), an octahedron (3), a dodecahedron (4), and an icosahedron (5). Figure appears in Universal Water.2

the four elements

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Elements displayed in water images - fire, air, water, and earth

Fractal The ve regular Platonic solids, along with their number of faces, edges, and vertices, and their corresponding Elements are listed in Table A. These regular solids are correctly understood in an extended sense, whereby spinning them about the center vertex creates a circumscribed sphere. Sacred geometry associates the sphere with the in nite and undi erentiated realm of Spirit and, as such, the Platonic solids are the only angular three-dimensional geometries that form a perfect interface with the primordial chaos. It is through these solids that our material world (as angular geometries) was believed to connect to the primordial chaos (as a sphere). The icosahedron and dodecahedron (related to the socalled golden ratio) share a reciprocal geometry and are considered to represent transcendent principles, whereas the octahedron and cube (related to 2 and its square root) share a reciprocal geometry and operate at the level of the manifested world.10 The tetrahedron is self-reciprocating and, as previously noted, the most basic or fundamental of the solids.

TABLE A. The ve Platonic solids as described by their number of edges, faces, and vertices, as well as by their corresponding Element. Although aether was occasionally considered to be one of the fundamental Elements, it was usually designated as their source.

The reciprocal geometric relationship between the icosahedron and dodecahedron (note the number of their respective edges, faces, and vertices) was believed to symbolize the intimate relationship between water and aether. For example, the ancient Hawaiian word for water (wai) was commonly substituted for that of the etheric or life force (mana) when describing its movements in the manifested world.11 In the material world, water basically symbolized the perceptible counterpart and mediator of the imperceptible aether. Because the material world (represented by the cube) supposedly emerged from the aether via the mediator of water, it follows that the icosahedron and dodecahedron are mathematically related to the cube according to the golden ratio. The golden ratio is a so- called irrational number, which was considered by many ancient cultures as the primary mathematical relationship underlying the observable world. Also referred to as phi, the golden ratio is present in nature and man-made creations (e.g., ora, fauna, architecture, music) and in all geometries possessing vefold symmetry (e.g., the dodecahedron and icosahedron).

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Sacred geometry

THE UNIVERSE’S GEOMETRY In addition to the icosahedron’s place in water’s molecular geometry and sacred traditions, it has been a central component in the evolution of mathematics and in a very recent theory that purports to explain the vast array of particles comprising both matter and forces in our universe. The German mathematician Felix Klein recognized that the icosahedron and dodecahedron were related to both the pentagram and golden ratio and that the icosahedron serves as a mathematical “object” through which the major branches of mathematics (e.g., projective geometry, group theory, di erential equations) can be connected. During the late nineteenth century, Klein revived the so-called icosahedral- dodecahedral doctrine that was originally formulated by scientists and philosophers to describe the structure of the universe and all of its physical forms. The interwoven icosahedron-dodecahedron geometry appears as a kind of an angular sphere (see Figure 5) that was reportedly recognized by numerous ancient cultures and adopted by inventor Buckminster Fuller in his creating domes and other types of geodesic structures.12

FIGURE 5. Overlaying an icosahedron (lower right) on a dodecahedron (lower left) produces a polyhedral sphere composed of 120 triangles that was reportedly considered by some ancient cultures to represent Earth’s so—called grid pattern. This illustration of the controversial planetary grid, which is based on the icosahedral-dodecahedral

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patterning, appears in a paper authored by William Becker and Bethe Hagens.12

Ancient Greeks

Newton-WilliamBlake

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Apparently, the ancient Greeks used the dodecahedron overlain on the icosahedron to create a grid of 120 triangles that was used as a marked stone (or girded sphere) for purposes of mapping and measuring the Earth and also as a celestial basket (or armillary sphere), which served various astronomical tasks such as predicting the equinoxes and solstices. When laid over a globe, the edges and vertices of a regular icosahedron coincide with some of the major features of Earth’s surface (e.g., mountain ranges) and, perhaps, with the boundaries of tectonic plates.13 Tectonic plates are enormous sheets of Earth’s lithosphere or crust upon which the continents and ocean oors migrate and transform over geologic time periods. The plates themselves t together somewhat like pieces of a puzzle in forming the planetary surface. On smaller scales, icosahedral geometry and its renowned ve-fold symmetry have been recognized in the modern elds of microbiology, crystallography, metallurgy, astronomy, and many others.

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Recently, a young physicist and big wave surfer has proposed that the number, relationship, and grouping of elementary particles that comprise both matter and forces in our universe are represented by a mathematical pattern known as the E8 Lie geometry.14 The E8 geometry is based on the regular icosahedron and is a member of the so-called Lie Group, which is a continuous family of symmetries that represent algebraic expressions. There is at least one Lie Group for every regular polygon (tetrahedron, octahedron, etc.), and the term “continuous family” denotes that the geometries build upon one another in a manner that results in a structural relationship progressing from the simplest to the most complex geometry. The most complex geometry of the Lie Group is the E8 ,which is able to incorporate all the simpler geometries of the family (see Figure 6).

FIGURE 6. A two-dimensional projection of the E8 Lie geometry contains a total of 240 vertices (i.e., 120 vertices in each of the two dimensions presented on this page). The mathematics and geometry of the E8 are based on the regular icosahedron. In the full eight dimensions of this geometry (not possible to portray on a at piece of paper), the E8 has 248 vertices and contains within it the simpler Lie geometries.

E8 Lie Geometry

Symmetry exists when a dividing line or an axis of rotation can be inserted through a geometric volume in such a way that each division mirrors all others or that the object appears identical at every point along the path of its rotation. Mathematicians have discovered that, not unlike complex forms of matter, symmetrical objects can be broken down or reduced to indivisible symmetrical objects. This is why the E8 geometry is able to incorporate the simpler members of the Lie Group. So, why is there suddenly so much scienti c and mathematical interest in the symmetrical spins of rather abstract objects like Platonic solids or higher dimensional forms? The answer lies in symmetry’s relevance to everything from the e ciency of data transmission to the discovery of new particles.

The surfer physicist, Garrett Lisi, was looking for a socalled Theory of Everything that could link gravity with the three other fundamental forces of nature (i.e., the strong and weak nuclear forces plus electromagnetism). Such a theory has eluded physics since the time of Einstein and has attracted quantum and string theorists alike. Lisi reportedly noticed that some of his equations looked similar to those describing the E8 geometry; hence, he began to match up the 248 vertices of the E8 to the elementary particles that supposedly comprise all matter and forces.14 He was able to match individual E8 points with all but 20 of the known particles, and those 20 particles are predicted to exist according to the rules of supersymmetry. Further, his arrangement of particles within the E8 geometry accurately re ects both the relationships and symmetries among particles. E8 has been labeled as the most elegant structure in mathematics, and now it seems that space-time itself may be composed of E8’s di erent sectors (corresponding to the other regular polygons of the Lie Group) that t together in a speci c fashion.

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symmetry exists

MIMICKING NATURE’S GEOMETRY Although Bucky Fuller’s geodesic domes are perhaps the most well-known structures to incorporate the geometry and mathematics of the icosahedron and tetrahedron, humans have employed them in building everything from ancient pyramids to water treatment systems. Water ow forms are manmade cascade systems engineered to mimic the ow of water in nature (or at least to create speci c geometries) for purposes of purifying water.15 Flow forms frequently incorporate phi-based mathematics in their cascading basins in order to impart a particular kind of spin to the water.

Although this technology has been applied only to small-scale systems on a limited basis, it has the potential to supplement traditional wastewater designs that incur greater costs, as well as health and environmental impacts. An analogous design for agriculture is re ected in the ancient Hawaiian’s use of terraces, which utilize water for irrigation in a series of stepped plots that follow the natural course of streams and divert only a fraction of the water used for conventional irrigation. The water is returned to the stream before being degraded (e.g., with silt or organic material) to the point that the stream’s natural cleansing mechanisms are overwhelmed. This method of utilizing water for agriculture is preferable to modern methods, which substantially diminish in-stream ows, create highly degraded (and often toxic) return ows, and displace waters from their watershed.

Another application of mimicking water’s natural behavior is inherent in so-called water sensitive urban designs, which often include bio-retention trenches and vegetated swales that both store and treat stormwater along natural drainage patterns.16 In addition, constructed wetlands and natural sands are used as bioreactors and lters, respectively, to treat wastewater before it returns to the natural environment. Perhaps not surprisingly, a geometric relationship exists between these alternative water technologies and phi-based or fractal mathematics inasmuch as water’s natural ow patterns re ect the braiding and spiraling movements of water itself (see Figure 7). The spatial distribution patterns of microorganisms that treat the wastewater within natural soils have also been recognized as fractal and correlated with the anisotropic, or non-uniform, ow of water through sands and other kinds of porous materials.

fractal pattern FIGURE 7. The “water fractal”, on the right, portrayed by artist Germán Ariel Berra illustrates the types of patterns created by water on both macroscopic and microscopic scales. Note the similarity between this fractal and the shells of marine organisms, the satellite images of wetlands, or the networks of blood capillaries. Figure appears as

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a 123RF download.

Both the complex motions of seawater within the oceans and the ow paths of surface or ground water within watersheds can be described by fractal patterns. Water’s patterns are even displayed as basic structural properties of the biosphere, such that common ow forms (e.g., spirals, ripples) are often mimicked in the morphology of animal and plant species.17 Garrett Lisi noted that nature may be pure geometry and that it may have chosen the E8 geometry in structuring itself.14 Whether or not nature chose E8 or just is E8, the geometry of the icosahedron (and the complementary dodecahedron) serves as a template for water and, perhaps, for the planet itself. Could designs that incorporate the natural patterns of water and nature facilitate our living more sustainably on the Earth? Whatever the answer ,geometry serves as a visible and invisible blueprint for the material world⎯an observation that has been made by ancient philosophers and naturalists as well as by modern scientists and mathematicians.

Could designs that incorporate the natural patterns of water and nature facilitate our living more sustainably on the Ear th?

Whatever the answer to the preceding question, geometry serves as a visible an invisible blueprint for the material world⎯an observation that, has been made by ancient philosophers and naturalists as well as by modern scientists and mathematicians.

Georg Schroecker/Water Images

DL ‘West’ Marrin, PhD/Article

Georg is an electrical engineer. His fascination with water started when he started taking images from his high powered microscope. He reveals the hidden world of water

West is an applied scientist and educator, as well as a founder of an NGO, two private rms, a multimedia forum and an consultancy that assists environmental, entrepreneurial and educational groups on d i v e r s e w a t e r- r e l a t e d issues. He has authored three books on the science or mystery of water and journal articles on the topics of water pollution/remediation, biogeochemistry, hydromimicry, art-science projects and the waterenergy-food nexus. He was an Adjunct Professor at San Diego State University and holds degrees in the biological, environmental, and water resource sciences. He has presented classes and workshops at the community and university levels focusing on water quality, perception, and technologies. As a surfer and diver, he spends much of his time in water.

Website:http://www.wasser-lebt.at/index.php?id=2 Book: Water World: The Hidden Magni ed Coming Soon.

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Website: http://www.watersciences.org

Books: Universal Water, Altered Perceptions, Hydromimicry

REFERENCES 1. Bentov, Itzhak, and Mirtala Bentov. A Cosmic Book. New York, NY: E.P. Dutton, 1982.

2. Marrin, West. Universal Water: The Ancient Wisdom and Scientific Theory of Water. Maui, HI: Inner Ocean Publishing, 2002.

3. Green, Bill. Water, Ice & Stone. New York, NY: Harmony Books, 1995.

4. Matthews, Robert. “The Quantum Elixir,” New Scientist (8 April 2006): 32-37.

5. Marrin, West. Altered Perceptions: Addressing the Real Water Crises. Bloomington, IN: Unlimited Publishing, 2006, 2007.

6. Varela, Francisco, Evan Thompson, and Eleanor Rosch. The Embodied Mind. Cambridge, MA: MIT Press, 1991.

7. Smirnov, Igor, Vladimir Vysotskii, and Alla Kornilova. Introduction to the Biophysics of Activated Water. Boca Raton, FL: Universal Publishers, 2005.

8. Chaplin, Martin. “A Proposal for the Structuring of Water,” Biophysical Chemistry 83 (2000): 211-221.

9. Water Structure and Science website [http://www.lsbu.ac.uk/water].

10. Lawlor, Robert. Sacred Geometry: Philosophy and Practice.

London, UK: Thames & Hudson, 1982.

11. Long, Max Freedom. The Secret Science at Work: Unveiling the Huna Tradition of the Ancient Polynesians. Marina del Rey, CA: DeVorss & Co., 1953.

12. Becker, William, and Bethe Hagens. “The Planetary Grid – A New Synthesis,” Quarterly Journal of SITU 17 (1984): 50-72.

13. Stakhov, Alexey. “Mathematical Connections in Nature, Science, and Art” In: Museum of Harmony and the Golden Section [HTML 44 pp.], 2001.

14. Merau, Zeeya. “Is This the Theory of Everything?” New Scientist (17 November 2007): 8-10.

15. Wilkes, John. Flowforms: The Rhythmic Power of Water.

Edinburgh, UK: Floris Books, 2003.

16. Wiese, R.N., L.J. Dallmer Roach, and M.B. Liebman. “Mimicking Environmental Flows is Not a Pipe Dream,” Storm Consulting, NSW, Australia (2005): 7 pp.

17. Krot, Alexander, and Palina Tkachova. “Investigation of

Geometric Shapes of Hydrodynamic Structures for Identification of Dynamical States of Convective Liquid.” In: V. Kumar et al. (Eds.) ICCSA 2003, pp. 398-406. Heidelberg, Germany, Springer-Verlag, 2003.

SCIENCE TO SAGE RADI

Radio Dr. West Marrin

ARCHIVED SHOW...CLICK AND LISTEN

Universal Water: The Ancient Wisdom and Scienti c Theory of Wate

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Websitehwww.watersciences.org

Books: Universal Water, Altered Perceptions, Hydromimicry

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West is a scientist, educator, and founder of corporations and foundations focused on diverse water quality projects. He is the author of three books and journal articles that address a range of topics.

SCIENCE TO SAGE RADIO Why We Understand So Little About Water!

Dr. Gerald Pollack, ARCHIVED SHOW...CLICK AND LISTEN

Dr. Gerald Pollack at the University of Washington laboratory, has discovered that water is NOT always H2O. When touching most surfaces, water transforms itself into so‐called Exclusion Zone (EZ) water, whose formula is H3O2. EZ water differs in all respects from H2O. And, there is a lot of it, everywhere

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The Fourth Phase of Water: Beyond Solid, Liquid, and Vapor documents this fundamental discovery and uses it to explain common everyday phenomena, which you have inevitably seen but not really understood

To summarize, at least four factors bear responsibility for the painfully slow emergence of new principles: (i) the blighted history of the water eld has kept scientists away; (ii) water is so common that everyone presumes that the fundamentals have been resolved; (iii) deviating from mainstream views can be unsettling; and (iv) questioning the prevailing wisdom has always been a risky business, in science as elsewhere.

These obstacles have combined to produce a long-term stall. I am trying my best to crank up that stalled engine.

http://www.ebnerandsons.com/ products/the_fourth_phase_of_water http:// www.ebnerandson s.com/products/ the_fourth_phase _of_water

The 9th Annual Conference

on the Physics, Chemistry and Biology of Wate October 9-12, 2014, Bulgari

www.waterconf.or

Welcome to WATER - a multidisciplinary journal that brings together water-oriented research from diverse disciplines.

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www.waterjournal.org

The 9th Annual Conference on the Physics, Chemistry and Biology of Wate October 9-12, 2014, Bulgari

“Message from Water” and Science

Yasuyuki Nemoto

Director of IHM General Institute

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(On Behalf of Dr. Masaru Emoto)

Usually, 50 water drops are observed for each water sample.

invisible to Visible

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Magnetic Resonance Analyzer (MRA), Invented by Ronald J. Weinstock

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Approximately 1 ml of water sample is put on a Petri dish

Storage

First Water Crystal Photograph of Micro-clustered Water (1994)

the memory in water

Vancouver, Canada

Paris, France

Tap Waters in the World

Berlin, Germany

Tokyo, Japan

London, UK

natural waters in the World

Ice of the Antarctica

Sanbuichi Spring Water,Yamanashi Prefecture in Japan

Lake Maggiore in Switzerland

on Water

effect of imaging

Thank You

Water exposed to the word “You fool” or “Thank you” in Japanese for 24 hrs.

effects of words on Water

“Love & Gratitude”

Fool

offers the rst plausible scienti c explanation for Emoto’s ndings It is possible that the energy of positive and negative emotions affects the structure of the 4th phase of water differently. As a result, the shapes of water crystals could be changed.

effect of emotion on Water

Input

Output

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• Electric Power • Physical Movement • Biochemical Reactions • Self-Healing Power • Immunological Capacity • Connection to Energetic Bodie

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• Light (Infrared • Emotions & Thoughts • Words & Images • Prayers • Healing Energ • Psychic Powe

A new hypothesis (the 4th phase of water) by Dr. Gerald Pollack

show any crystal at all Water can be changed by music, images, words and prayers Water likes LOVE & GRATITUDE.

Dr. Emoto’s Conclusion

•Dr. Emoto’s insight that water can be changed by our thoughts, emotions and prayers ...could that be true •We think that Dr. Pollack’s ndings on the 4th phase of water may explain the phenomena described in “Message from Water”

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• Dr. Emoto’s work has been inspirational around the world.

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It seems that good water shows beautiful water crystals, while bad water does not

In Memory of the Late Dr. Masaru Emoto 2014

His last word was “Arigato”. (“Thank you” in Japanese) We believe his last word was to you, everybody. He was so grateful for you and thanked you all so very much.

He used to say, “Life is LOVE which is a gift from God and parents, and DEATH is gratitude for going to a new dimension”. So now he is in another dimension and continues to look over us warmly with love and gratitude.

We are going to carry on his mission of spreading the power of “love and gratitude”.

We thank you very much for offering prayers for Dr. Emoto, and please send your love, light, and gratitude to him once again.

With much love and gratitude, OME Staff

http://hado.com/ihm/

Light of dancing water Brazilia, The Temple of Peace

Courtesy of Krishna Madappa Bio-electrography image of water

http://krishnamadappa.com/

By Laurent Costa Water dancing to a tune

23 amazing video’s

www.waterphoto.eu

Connected Universe Abstract: Quantum Gravity and the Holographic Mass Nassim Haramein's latest paper .pdf download:http:// resonance.is/wp-content/ uploads/ 2013/05/1367405491Haramein342013PRRI3363.p df

Nassim Haramein's latest paper published in journal:

http:// www.sciencedomain.org/ abstract.php? iid=224&id=4&aid=1298 #.UYpH5oLnyBN

We nd an exact quantized expression of the Schwarzschild solution to Einstein’s eld equations utilizing spherical Planck units in a generalized holographic approach. We consider vacuum uctuations within volumes as well as on horizon surfaces, generating a discrete space-time quantization and a novel quantized approach to gravitation. When applied at the quantum scale, utilizing the charge radius of the proton, we nd values for the rest mass of the proton within 0.069 x 10^-24gm of the CODATA value and when the 2010 muonic proton charge radius measurement is utilized we nd a deviation of 0.001x 10^-24gm from the proton rest mass. We identify a fundamental mass ratio between the vacuum oscillations on the surface horizon and the oscillations within the volume of a proton and nd a solution for the gravitational coupling constant to the strong interaction. We derive the energy, angular frequency, and period for such a system and determine its gravitational potential considering mass dilation. We nd the force range to be closely correlated with the Yukawa potential typically utilized to illustrate the exponential drop-o of the con ning force. Zero free parameters or hidden variables are utilized.

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Nassim Haramein

Excerpts : Quantum Gravity and the Holographic Mass The Connected Universe Video Trailer http://www.youtube.com/ watch?v=bn35qoCjLY

On the cosmological scale, black hole singularities were initially thought to have no physical meaning and probably did not occur in nature. As general relativity developed in the late 20th century it was found that such singularities were a generic feature of the theory and evidence for astrophysical black holes grew such that they are now accepted as having physical existence and are an intrinsic component of modern cosmology.

While the Schwarzschild solution to Einstein’s eld equations results in extreme curvature at the origin and the horizon of a black hole, it is widely utilized to give appropriate results for many typical applications from cosmology to planetary physics This can be generalized to elliptical orbits and of course the Schwarzschild radius is utilized to describe relativistic circular orbits or photon spheres for rapidly rotating objects such as black holes

There are many more examples of the ubiquitous nature of the Schwarzschild solution and its applications to celestial mechanics and

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cosmology

“The vision of quantum gravity is a vision of turbulence – turbulent space, turbulent time, turbulent spacetime...spacetime in small enough regions should not be merely “bumpy,” not merely erratic in its curvature; it should fractionate into ever-changing, multiply-connected geometries. For the very small and the very quick, wormholes should be as much a part of the landscape as those dancing virtual particles that give to the electron its slightly altered energy and magnetism [Observed as the Lamb shift].” - John Wheeler

THE SCHWARZSCHILD SOLUTION FROM PLANCK OSCILLATION SPHERICAL UNITS

In our generalized holographic approach we consider the volume vacuum oscillation energy in terms of Planck spherical units as well as the typical tiling of the surface horizon found in the holographic principle entropy calculations of equations. Our considerations of information within the volume stems from an exploration of the role of vacuum uctuations in surface gravity and spacetime quantization relationships between the interior information network and the external surface tiling. It is important to note that although, in this exercise, we tile the surface horizon with Planck circular areas, these are equatorial areas of spherical oscillators

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We nd that a simple relationship of the internal Plank Spherical Unit (PSUs) within a given volume, to the discrete “pixelation” of the holographic membrane surface horizon of the black hole yields what we term the holographic gravitational mass of the object which is equivalent to its classical Schwarzschild mass. This of course, is valid for any system, is free of any relativistic expressions, and utilizes only discrete Planck quantities, which has implications to quantum gravity

The relationships between the proton mass, the Planck mass and the holographic gravitational mass clearly emerge from this algebraic sequence of equations. One of the most signi cant challenges of modern physics has been to nd a comprehensive framework to explain the signi cant discrepancy between the relatively large Planck mass, the mass of the proton, and the gravitational force or what is known as the hierarchy problem. Frank Wilczek, whose fundamental contribution of asymptotic freedom to the strong interaction theory, states “We see that the question it poses is not, ‘Why is gravity so feeble?’ but rather, ‘Why is the proton’s mass so small?’ For in natural (Planck) units, the strength of gravity simply is what it is, a primary quantity, while the proton’s mass is the tiny number...

Here the hierarchy problem between the Planck mass and the proton rest mass is resolved as we clearly demonstrate that the rest mass of the proton is a function of the Planck vacuum oscillators holographic surface to volume geometric relationship of space-time, the energy levels of which include the gravitational mass-energy derived from the same primary quantity of Planck entities. We express the relationship of the proton surface horizon to its volume Planck oscillators as a fundamental constant we term Phi

Nassim Haramein

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Planck mass to the holographic gravitational mass is Phi

The Connected Universe Video Trailer http://www.youtube.com/ watch?v=bn35qoCjLY

We determine a fundamental constant de ned by the mass ratio of vacuum oscillations on the surface horizon to the ones within the volume of the proton.

As a result, clear relationships emerge between the Planck mass, the rest mass of the proton, and the Schwarzschild mass of the proton or what we term the holographic gravitational mass In this paper, we demonstrate that a quantum gravitational framework of a discrete space-time de ned by spherical Planck vacuum oscillators can be constructed which applies to cosmology and quantum scale. Our generalized holographic method utilizes zero free parameters and is generated from simple geometric relationships and algebra, yielding precise results for signi cant physical properties. In the words of Einstein, “One can give good reasons why reality cannot at all be represented by a continuous eld. From the quantum phenomena it appears to follow with certainty that a nite system of nite energy can be completely described by a nite set of numbers (quantum numbers). This does not seem to be in accordance with a continuum theory and must lead to an attempt to nd a purely algebraic theory for the representation of reality.

Full Paper Here Nassim Haramein's latest paper .pdf download

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http://resonance.is/wpcontent/uploads/ 2013/05/1367405491Haramein342013PRRI3363 .pdf

Listen in More Interview Here

Randall Melnyk Randall is the Founder and President of RPM In nity Productions Ltd., a media production company whose mission is to create audio and visual projects intended to inspire, expand and enlighten.

Randall is dedicated to the pursuit and dissemination of knowledge and has combined this passion with his love of

lm-making to create

socially conscious, and consciousness-provoking documentaries,

lms and multi-

media projects.

In his capacity as producer and creator of the O WORLD Project, Randall has interviewed and featured luminaries representing a myriad of human archetypes, including Nobel Prize winning Scientists, Religious/Spiritual leaders, Social Activists, Billionaire Capitalists and Politicians.

www.oworldproject.com www.rpminfinityproductions.com

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More Interview Here

Your Hidden Symmetry . . .e ve r y t h i n g o n t h i s p l a n e t wo r k s i n p e r fe c t sy m m e t r y.

The Energy of Numbers

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sometimes imagine the ancient scientists thousands of years

ago, striding across the Chinese landscape, observing how the shadows moved across the hills; the ways each plant sprouted, bloomed, and faded; how animals were born, thrived, and declined. In my mind, I see them note all the intricate ways each season was different, and how night moved into day, even how hour to hour of each day held a different quality.

Through the centuries of deep observation, researchers developed a profound understanding of the patterns of nature, so subtly and intricately balanced, which are the foundation for all life on Earth, including human beings. And from this they created a sophisticated map of how everything on this planet works in perfect symmetry The word symmetry has different connotations.

The rst thing you may think of when you read that word is something that’s exactly the same on one side as on the other, like a grade-school Valentine heart cut from folded paper. Yet in physics, symmetry is de ned as “immunity to change”—in other words, that an experiment should give the same results no matter where or when it’s performed. In fact, the concept of symmetry is considered so integral to the way life works that Albert Einstein used it as a fundamental principle when he developed his general theory of relativity, and it’s believed to be the core of the “theory of everything” that physicists are currently searching for

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By Jean Haner

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And there’s yet another meaning for symmetry that signi es balanced and harmonious beauty of form, but doesn’t necessarily imply that all the parts are perfect mirror images. There’s a coherence to the form because of an inner order, an organizing principle. This is easily seen in the patterns of nature where there’s a congruency, an orderliness in the design and function of any living thing, as well as in the cycles of the seasons, times of day, and phases of life experience.

All three kinds of symmetry actually apply to the meaning of your hidden design. Each of your personal characteristics has two sides to it just like that Valentine heart, one representing a strength and the other its corresponding challenge, and together they form the perfect whole. The de nition of symmetry as immunity to change also ts, as your inner design is one from which we can reliably predict and understand every aspect of your personality; your thoughts, feelings, and behavior; and what you need to be happy in life. Your makeup never changes; although you may express its qualities in different ways as you go through your life, they’re always rooted in the same meaning. And nally, in terms of balance and harmony of form, the patterns of your true nature have a coherent beauty to them, like your own personal mandala design.

The classic Chinese model of the universe, the yin yang symbol, is the essential representation of the symmetry of all life.

Originally, the black half of the circle represented the shady side of the mountain that the sun hasn’t yet warmed, so it is dark, cold, and wet with dew. And the white half of the circle related to the sunny side of the mountain, where it is bright, hot, and dry. But this is a map that reveals the duality of all things in nature. For example, yin is not only dark, cold, and wet; it also encompasses qualities such as stillness, silence, caution, night, winter, the moon, and feminine energy. Yang is not only bright, hot, and dry; it’s also action, noise, con dence, day, summer, the sun, and masculine energy.

But nothing is totally yin or yang. Within each half of the circle, you see a dot that is its opposite. On the white half, there is a dot of black; on the black half, there is a dot of white. This represents the truth that within one is the seed of the other, day always turning into night, summer moving toward winter, and back again. The meaning infused in this simple circle is that all life is interconnected and interdependent, that everything is part of a balanced and dynamic system and interacts to form the greater whole.

Symmetry

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Life Force Channels

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Jon Sullivan

This symbol is a deceptively simple design that the ancient Chinese further developed to uncover the intricacies in the symmetrical patterns of nature.

These scientists became the rst physicians, re ning this into a map of how qi (which means “energy” or “life force”) moves through the human body, and what to do when that ow is out of balance.

Chinese medicine was the very rst holistic medicine, recognizing that human anatomy is a tapestry of interconnected energy meridians and systems, with each part a ecting and a ected by the others in an invisible harmony.

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Diagrams by Richard Merrick Copyright

Harmonic Interference Theor

by Richard Merrick

The Chinese studied and further re ned this map, they also came to understand how energy moves through time. There are discernible patterns here—just as there are in everything—that deeply a ect who you are overall and how you travel through your life. What they discovered over three millennia of “research and development” reveals your own inner makeup and the cycles you’ll experience.

It’s as if on the day you were born, you were imprinted by the patterns of energy that existed at that time, infusing your essence with their unique qualities to inform your inner spirit, what you came here to learn, and what your ultimate purpose will be.

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At the same time, the map for your entire journey was formed. Like your own personal tide table—the ebbs and ows of your life—each phase of the invisible in uence of time was set into motion on the day you were born. Just as with everything in nature, this design of your true self and your life plan have an intentional symmetry that’s beautiful to behold.

If you study the night sky over the years, you’ll notice that the stars appear in di erent patterns according to the seasons.

The Chinese observed that they could anticipate the speci c cycles of each season by watching the movement of the stars, thus knowing when to prepare to plant, how to tend the elds, and to harvest the crops at just the right time. There were nine speci c stars to which they paid

particular attention, tracking them for guidance about the phases of time.

This research led to a system of understanding how time a ects people’s lives that’s still based on the symmetry of yin and yang but is further evolved. It’s called Nine Star Ki. The word ki (pronounced “key”) is the Japanese word for the Chinese qi, which you’ll recall means energy or life force. Ki is used instead of qi because in its journey through Asia to the West, this system most recently came from Japan.

Nine Star Ki is the study of how the patterns of energy move harmoniously through time. Although it has the word star in its name, it isn’t astrology and has nothing to do with the movement of planets or stars a ecting us. It’s based on the study of natural cycles such as years; seasons; times of day; and the lives of plants, animals, and humans—every aspect of life on Earth.

Nine Star Ki is said to be the oldest form of understanding how the phases of time a ect people; some say it originated in India 7,000 years ago, then moved through Tibet to China, where it was further developed over centuries. From there it eventually made its way to Japan, where that culture in uenced it the way it has many other things—by re ning it into a beautifully simple, elegant, and sophisticated system, without the superstition and gender bias of other Asian methods of guidance, such as Chinese astrology.

Nine Star Ki is the study of how the patterns of energy move harmoniously through time.

Patterns

Nine Star Ki

Short Intro Listen In

Your Hidden Symmetry The purpose of this book is to help you discover how this energetic map uncovers the design concealed in your birth date, which is the hidden symmetry of your true spirit, and how to create a life in alignment with that design. Since your birth date not only reveals your inner nature, but the map for your whole life journey as well, and so this book will also guide you through every phase and year of your life in perfect harmony.

Even if you feel you’ve lost your way, you can use this book to navigate back on course. It’s never too late.

by Jean Haner

http://www.wisdomofyourface.com

Nine Star Ki

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Excerpts from “HIdden Symmetr With Permission by Hay House

the exchange It’s all about relationship

There is a formula that forms all creation. It’s pure geometry, which is seen in the structure of chemistry which gives shape and measure to our life.

One creator In crystalline solids, the particles (atoms, molecules, or ions) are packed in a regularly

ordered, repeating patterns.

We are Pat t e r n M a k e r s From our skin to our life story We are part of this tapestry of creation, expressing itself through different and repeating patterns. So we might like to think of ourselves as unique and special, yet we are all part of this same formula which generates all of life. We are all part of the weave.

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Vein_sceleton_hydrangea_ies.jpg by Le

Pers p ec tive There is no ONE of anything, be it types of people, plants, animals, or bugs. We live in a full spectrum, multi-cultural and creative universe We too often get caught up in a single point of view without looking at another’s perspective. Why do we judge, when we could otherwise become an explorer and get to know someone else's world. It is often said that one of the greatest gifts you can give someone is to listen. We all need to be heard, seen and felt

“When one sees all beings in the Self, and the Self in all

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beings, he hates no one”. - The Upanishads

The Cosmic One Sees Through Different Lenses “I AM that which cannot be measured or known, but I reveal Myself as I wish...I am the All, Since I exist in everyone.” — Trimorpic Protennoia

Photo’s by/ Owl: Mochuelo/Ethers: JJ Harrison/Human: Petar Milosevic/Cat: Tim Vickie

Will keep my comments short this week, being heavily preoccupied with details of our midmonth workshop. Looking forward to reconnecting with old friends and meeting a surprising number of newcomers.

Wal Thornhill and David Talbott on Rosetta | Space News

~Dave Talbott

EU WORKSHOP SHERATON DOWNTOWN PHOENIX ARIZONA USA NOVEMBER 14-16, 2014

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If you would like an intensive weekend of the Electric Universe, this is a gathering you will not want to miss. Check out the SCHEDULE

https://www.youtube.com/channel/ UCvHqXK_Hz79tjqRosK4tWYA

https://www.thunderbolts.info/wp/

Seems the Rosetta Mission continues to deliver the predicted “shocks to the system” of comet science. No evidence of a dirty snowball, and an abundance of molecules never expected at the comet's present distance from the Sun. The cause cannot be warming by the Sun.

E-Zine 35 Themed Editions

SCIENCE TO SAGE

CONSCIOUSNESS

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