THE 2024 STAR AWARD
JON SCHMIDT OF THE PIANO GUYS Jon a ride to his car after class. They married in 1991, and decided to try a career in music. The decision was made through a lot of prayer, and one that needed to be made and revisited repeatedly, because it was a long and arduous venture to try and succeed as a solo piano artist. In their most desperate financial times, the couple continued to seek divine direction to see if they should make a career change, but each time they felt like music was where they needed to be. They have 5 children, 2 girls and 3 boys. One of their daughters, Annie, died in a tragic hiking accident two years ago. This experience added to the Schmidt’s lessons of learning to trust in God in their lives.
Pianist and composer Jon Schmidt was born to German Immigrant parents, who gave him the gift of early education in music. Classical training fell on the fertile ground of Jon’s natural talents for music and hard work. Schmidt began composing as early as age 11. He started teaching piano lessons when most people get a driver’s license and he began a successful solo career in his early twenties. Schmidt worried about a career in music. He was offered a music scholarship to the University of Utah, but ended up studying English with plans to get an MBA. People kept pestering him over and over to play piano for them, which led him to risk renting a large concert hall to present himself to the public. The audience loved him. He has never gone back to his English and business plans. Jon and his wife Michelle are both native Utahns. Jon grew up in Highland and Michelle grew up in Sandy. They both went to Norway on their LDS missions, but were not there at the same time. They met at the University of Utah where they both were English majors, but oddly never had a class together. But they did have an LDS Institute class together, and one day Michelle gave
Schmidt’s 20 year solo career included eight albums, seven piano books of original scores, thousands of performances, and numerous awards. He had a flair for the theatrical in his live performances, often performing an entire song upside down on the piano bench, putting on a funky wig, playing with his toes and beat boxing! In 2013, Jon’s solo artistry merged into the formation of a partnership of four guys called The Piano Guys. With it came a contract with Sony Records, 1.7 billion hits on YouTube, sold-out concerts all over the world, and an LDS Church sponsored Face to Face youth event on the top of the Conference Center. Together, The Piano Guys create spectacular piano/cello video content in amazing locations. Their goal is humble—to inspire those that may listen. Schmidt contributes not only as the onscreen piano talent, but he loves to throw out ideas and edit and revise until he has a refined and quality product. Jon finds his fire for the journey through seeing the joy of people who hear great music. Jon loves Dunford chocolate doughnuts, Crown Burger onion rings with Fruit Punch, and a great dish of Beef Sukiyaki. Michelle loves big sycamore trees, reading a really good book, and anything dark chocolate.
“Actually, I had no intention of making this my career...,” Schmidt says. “A girl I was dating gave me a session in a recording studio for my birthday, so I went in and put down everything I’d written. That’s when things began.” Father Schmidt was an operatic tenor who was soon putting together local choruses. Jon’s sister Rose-Anne - his only piano teacher - became a respected concert pianist. By age 11, young Jon was accompanying his father on the piano. “I was always being accused of banging the keys,” he says. “When I was composing in high school I played everything full-on loud, full tilt.” Today, though most of his music has a sensitivity he attributes to his father, Schmidt has kept some of that old Jerry Lee Lewis thump. It makes him unique, and adds a touch of saloon to his salon music. “Contrast,” says Schmidt. “I learned that from the Masters. You have to create interest. People who write pop vocals can get away with repetition because the words always change. But in instrumental music you have to come up with interesting chords, melody lines and orchestrations. You have to keep things fresh.” Excerpts from Deseret News
“I’ve known Jon now for over 20 years. When you share the stage with someone you learn a great deal about his character. He is a model man, friend, husband and father. His faith is like an endlessly rushing river that carves out obstinate shores of despair and flows around imposing rocks of doubt. Jon is no stranger to struggle. It’s how he has earned his empathy. He has also taught me that tragedy shakes off our shackles of petty concern, allowing us to sweat off the small stuff. This softening is one of the enduring purposes of hardship. ” Steven Sharp Nelson Cellist, The Piano Guys
“This upbeat, genuine, loyal, caring, mischievous child at heart…“H” (what I call Jon) is one of the most gifted, kind, hardworking, and incredibly driven people you could ever hope to meet. Calling him talented does not do him justice. The son of German immigrants, he learned the importance of hard work, precision and dedication. He is also the funniest person I know, in stark contrast to the outdated stereotypes of the great people of Germany. He also learned very early how to clean his chaos in a way that brings not just himself peace, but peace to others who are struggling with loss. ” Rob Boyden Friend
“There are a lot of ways I aspire to be like my dad…it’s probably his humility…I think about how he’s got over four billion views on YouTube and 7 million subscribers that watch every video that comes out. Everywhere we go, people are coming up and talking to him, and I just think it’s so unreal how he has this continued humility. He doesn’t feel like he’s anything special…he honestly believes he’s nothing without God. ”
“I think that John has the ability to lift and strengthen people. He’s known as a pianist first probably, but if people really know him on a personal basis they will know how humble he is. ”
Chris Schmidt Son
Michelle Schmidt Wife
LIFETIME ACHIEVEMENT
KAREN BAIRD Karen Baird was born in Bridgeport, Connecticut. After her father passed away when she was 10, her brother, who was involved in the film industry, convinced their mother to move to California. It was in California that Karen had her first exposure to theater and was bitten by the “acting bug.”
“It is an honor and a pleasure to write about someone as lovely as Karen Baird. We have been running Hale Center Theater Orem for 33 years, and she and her husband H.K. have been with us since they moved to Utah in 1995. They were a grand team, a perfect partnership on stage and in real life. If we could give titles like they do in England, they would be Sir H.K. and Dame Karen Baird. Karen has played so many lead parts in our shows! She has innocently poisoned little old men in Arsenic and Old Lace; she has been a crotchety old English lady in Enchanted April; the crazy Mother in Barefoot in the Park; and as Betty in our current show The Foreigner.
She eventually became involved in the Los Angeles community theater scene and discovered how much theater people become family. This took a new turn when, during a production of The Boyfriend, she met her husband, the late H. K. Baird. While opportunities to be on stage became less frequent as Karen raised four kids, being married to a high school drama teacher ensured continued exposure to and involvement in theater. Her children’s well being was a priority and she served as PTA president for multiple years, ultimately receiving the Honorary Service Award. It was also during this time she was able to direct her children in school productions of Great Expectations and The Wizard of Oz. One of the great joys of Karen’s life was spending each summer with her family in Jackson Hole, Wyoming where her husband produced and directed shows at the Pink Garter Theatre. The friendships and connections made from these productions remain a rich part of the Baird family’s lives. Since moving to Utah in the late 1990’s, Karen has been a regular participant in local community theater, taking only a brief hiatus to serve a mission for the Church of Jesus Christ of Latter-day Saints in Stockholm,
She has brought the complete theater to tears in her portrayal of everyone’s favorite Grandmother in Over the River and Through the Woods (My personal favorite). Karen is the absolute professional in every sense of the word, kind and giving, selfless, brilliant timing in line delivery, always giving her all. She is a gift to this community!” Linda Hale Managing Director, Hale Center Theater Orem Fan & Friend
Sweden with her husband. She has performed in over 60 live productions in addition to many voice-overs, movies, commercials, and other video productions. Her ability to master accents and make characters come to life has brought great joy to audiences. As Ethel said in Moon Over Buffalo, “Theater is our lifeline to humanity.” Perhaps it is this belief that has kept Karen so involved. Now in her 80’s, she has often said “I think this will be my last show.” But then a director comes along, knowing just who they need to play that special part, and the offer is too good to refuse. Audiences everywhere are glad Karen remains infected with the “acting bug.”
“Karen is wonderful to have on set because of her professionalism and preparedness, as well as her goodness and ability to make people feel like family... her comic timing is impeccable! She brings life and spark to all the characters she plays. Her love for theatre and her lifelong devotion to it is inspiring! If she is not in a show, she is supporting it by buying a ticket and cheering on her fellow actors.” Hillary Andrus Straga Friend & Colleague
Karen Baird is my hero! I met Karen when I was 21 and was a member of the cast at the Pink Garter Summer Theatre in Jackson Hole, Wyoming... I learned so much from her as a young actor. She never gave less in a performance even though we played 7 nights a week for 106 consecutive performances. I have also directed Karen in shows at Hale Center Theater Orem.. I knew that If I cast Karen in a role it would be an audience pleaser! The only drama involved in Karen’s performance and process happens on the stage – never off. She is one of very few actors that I would cast in a show without an audition, because I know her gifts, and the intelligent, in the moment, performance I am going to get. If Karen is in a show – it is worth seeing! Laurie Harrop-Purser UVU Associate Professor, Theatre Arts Friend
“... we will never forget seeing her performance as Amanda Wingfield in The Glass Menagerie. She carried the weight of that show magnificently. Her performance in that role demonstrated her incredible range and artistic abilities as a fine actress. She was exquisite. And then there’s Karen as a person. Her honesty and directness communicate so clearly that her kindness and support are genuine, heartfelt, and true. She is a treasure.” David & Annadee Morgan Directors, Fellow Actors, Friends
THEATRE
ROBINNE BOOTH
Robinne has been active in theater arts since the age of three when she started dancing and singing. Her directing debut was Jack in the Beanstalk at the age of 13, when she used her mother’s white sheets on the garage floor for Jack to emerge from the clouds. Sensing her daughter’s dramatic flair, Robinne’s mother put her in acting school at a professional theater in Houston, Texas. Her first show here in Utah was Hello Dolly when she played Minnie Faye for PCT, and she’s never stopped sharing and developing her love for the magic of live theatre. Robinne has more than 50 years of theater experience, directing or performing in over 250 productions, on stages including Hale Center Theater Orem, Eccles, Capitol, Egyptian, Utah Lyric Opera, Covey Center for the Arts, Springville Playhouse, Payson Community Theater, Spanish Fork City and SCERA. She directed her first show at SCERA in 2000, when then Artistic Director David Whitlock asked her to direct Forever Plaid, which she directed several times thereafter. Robinne’s acting resume is impressive. Some favorite roles are Mrs. Lovett in Sweeney Todd, Marmee in Little Women, Adelaide in Guys and Dolls, Baker’s Wife in Into the Woods,
Ethel in Barefoot in the Park, Dotty in Noises Off, Dolly in Hello Dolly, Mrs. Bennett in Pride and Prejudice, The Chaperone in The Drowsy Chaperone and Mother Superior in Nunsense. The first time she played Mother Superior was a complete surprise, and it makes for a great story: Robinne received a call from April at SCERA explaining that the actress playing Mother Superior had an accident and was not able to do the show. She asked if Robinne could take her place. Robinne asked “When do you open? April answered, “This Thursday night.” It was Monday, and Robinne responded “If you open Friday, I will do it.” So brave Robinne picked up a script the next day, and for the next three days she would leave her work to go to SCERA and spent hours blocking, memorizing songs, monologues and dances. Friday night as the curtain was about to go up, she thought “eat the elephant one bite at a time.” The curtain went up and she was a hit! Robinne toured with MJ Productions in Evita, which was a wonderful lifetime experience! Some of her favorite shows to direct have been ALL the Rodgers & Hammerstein musicals, and anything Stephen Sondheim! Robinne has done voice-over work and
“Robinne is the reason I am still doing theater today. In my youth, after a discouraging year of auditioning, applying, and trying to find my place in the world, Robinne kindly believed in me and gave me an opportunity that changed my life. I was impressed with her professional, kind, positive, knowledgeable and friendly nature. I loved how she respected all of her colleagues, no matter their age or experiencelevel. She valued each one of them and made them all feel like an important part of her world.” Brittni Smith Friend & Former Colleague Drama Teacher, Mountain Ridge Junior High School
“Robinne works almost non-stop to help our students learn and grow through the arts. Many lives have been changed because of the Merit Theater program. She shows our students, by her example, how to become more than they thought they could be. Those who work with her come to understand her tough work ethic, her desire for excellence and her hope to have everyone succeed. And we always have fun! I remember fondly all the late nights painting sets and gathering last minute props, the long sessions discussing characters and their “motivation,” as well as animated talks about what shows to choose.” Connie Jackson Musical & Technical Director Merit Preparatory Academy Theater movies with BYU Television, training films for Intermountain Health Care, records, television commercials, radio and film. Her latest film was playing Sarah in the movie Abraham and Sarah with Messages of Christ and Scripture Central. She has been an emcee for the World Folkfest in Springville for many years. Robinne loves designing costumes and has costumed many theatre productions, including UVAA Opera Festival for three years. During her career, all five of Robinne’s children and a granddaughter have joined her on stage. For the past 14 years, Robinne has taught Theater Arts at Merit Academy in Springville, but she still finds time to direct and perform. In her rare spare time, she enjoys watching classic movies, gardening, genealogy, tap dancing, and cooking. She has 20 grandchildren, and gives thanks to her children and awesome husband, Alan, for supporting her theater habit.
“...we have fond memories of the time she served as our box office manager. Our patrons were well taken care of while she was at the helm... She has done remarkable work with her students at Merit Academy, and has worked wonders with their theater program. Her students love her and the program is thriving!” Linda & Cody Hale Hale Center Theater Orem
“Once you get to know Robinne you will very quickly learn that she is simple sunshine. The joy that she has in guiding a cast through the production process is infectious. Robinne on stage is a MARVEL! She is pure joy to watch and you can very quickly tell that she enjoys being a character as much as she enjoys being a director. To get Robinne to laugh at rehearsal is one of the best feelings. When I could get her to laugh, I knew that I was doing something right. Robinne, you are a diamond in the crown of theater.” Shawn Herrera Friend & Colleague
“Robinne is joy. Robinne is compassion. Robinne is a natural leader. She is a thinker, a creator, a collaborator. Robinne is driven by creating environments where everyone feels a part, where everyone feels special, where everyone feels important. Robinne has directed everywhere, acted everywhere, worked everywhere in the Utah Valley theater scene. What she has done with theater in Springville and Orem has been tremendous and been a lifelong labor of love.” David Smith Director of Education/Associate Resident Director at Hale Centre Theatre
VISUAL ARTS
BYU CENTER FOR ANIMATION For most of BYU history, there was no animation program. But near the turn of the century, Brent Adams, then a Salt Lake City architectural designer, started commuting to Provo to teach evening classes. Bitten by the teaching bug, Brent ended his career in architecture and, before he knew it, had become the Founder at Animation of BYU.
Since its first film in 2004, the BYU Center for Animation and its student-produced films started turning the heads of entertainment executives. The program has won 18 Student Emmy Awards (Television Academy of Arts and Sciences) and 6 Student Academy Awards (Motion Picture Academy of Arts and Sciences). Their films have played all over the world including Cannes, Annecy Animation Festival in France, Siggraph, Rio De Janeiro, and the Sundance Film Festival. Ed Catmull (Co-creator/former President of Pixar and Walt Disney Animation) stated “BYU has risen to the top. BYU has an extraordinary program here.” Pixar, Sony Animation, and DreamWorks actively mentor the program. Additionally, Disney, Lucas Film, Weta Digital, Epic Games, Riot, Blizzard, Digital Domain and Warner Brothers Games all recruit graduates from BYU’s renowned program.
Through a series of miracles and generous donors, the vision of an animation program was starting to become a reality. Out of the blue, a company in Alabama donated a significant amount of computer hardware to the university. When Adams asked why, the company’s president answered, “I don’t know; it just felt right.” Not long after that, Ira A. Fulton stepped into the picture and purchased a supercomputer. Suddenly, BYU had the computing power to produce quality animation. The BYU Center for Animation is a dynamic, hands-on program structured to provide students with the artistic and technological skill sets necessary for professional success in the animation, live-action, special effects, and game industries. Working collaboratively as a group of Animation, Computer Science Animation, Illustration, Media Arts and Commercial Music, students work together to make their own large group film. This collaborative experience has become a true testing ground for the education the students have acquired, and
“The Center has been honored in numerous publications including a six-page article in the New York Times on its impacts to the industry. The article referred to the Center as the “Dream Academy.” The Center has also been covered by the Hollywood Reporter, Variety, Delta Sky Magazine as well as every local newspaper and television station. The largest computer gaming magazine in China had a 7-page article on the quality of work coming out of the BYU program. The Center was honored by the Utah State Senate for its positive impact on the State of Utah.” R. Brent Adams Co-Creator, BYU Animation Program
an opportunity for real experience before entering the industry. The program’s mission statement is to bring out the best in their students so that they can go forward and make an impact for good and create uplifting media. Brent Adams, the founder of the BYU Animation program said: “...If we can add something to the culture that makes people think about being better human beings — more productive, more kind, more forgiving — that’s what we want to do.” Kelly Loosli, Director of the Center for Animation is the co-creator of the Animation Program at BYU. He teaches traditional animation, storyboarding, and screenwriting. He is a 33-year veteran of the entertainment industry having worked extensively for commercials, television, and feature films for companies including DreamWorks and Disney. In 2010, Variety listed Loosli as one of the top ten professors in film and animation. In February 2024, Mr. Loosli became an Academy Award Nominated Producer for the film 95 Senses, nominated in the Best
“Every artist needs resources, opportunities, and guidance in order to develop and grow. To provide an artist with any one of those is an incalculable gift; the BYU Center for Animation is the rare institution that provides all three... Without the mentorship I got at the Center, I would not have made my student film, would never have gone out and shown my work on the festival circuit, and would not be producing television for Warner Brothers today. Contact with the Center quite literally changed the course of my life...” Jacob Wyatt Showrunner The New Adventures of Superman Warner Brothers
“The associations I made while studying, including both faculty and students, have been some of the most enduring friendships of my life. I treasured the time I spent there as the guidance from my professors and peers helped form me as an artist and as a person.” Anthony Holden Storyboard Artist, DreamWorks Program Graduate Animated Short Film category. He has worked on a variety of projects through the years including Prince of Egypt, El Dorado, Shrek, Spirit, The Sixth Sense, Armageddon, Mighty Joe Young, and Gone in 60 Seconds. Most recently, Loosli produced two seasons of an animated series for BYU Broadcasting called Saving Me. He earned his BYU Bachelor of Arts in screenwriting in 1996.
“It gladdens my heart to know that so many careers have been launched and so many talented young people have been shaped and developed through Kelly’s careful and honest shepherding, along with the other professors like him, who in classrooms and offices and quiet moments... have given students kindness, understanding, a listening ear, a gentle nudge, a dose of direct feedback, an encouraging word... All in an environment that is safe, relentlessly demanding, and a breeding ground for greatness.” Aaron Johnston Creator of BYUtv animated series SAVING ME
MUSIC
KENNETH COPE High School for the Performing and Visual Arts. He later served a mission for the Church of JesusChrist of Latter-day Saints in Switzerland and France. He began his musical career by writing and recording the 1986 Especially For Youth (EFY) theme song and went on to compose more than 25 songs for the EFY Program. Kenneth has produced twelve albums of his own, including Greater Than Us All, My Servant Joseph, and Women at the Well. Some of his most known and beloved songs are His Hands, Never a Better Hero, Face to Face, Eden’s Garden, What Have I Done With His Name?, Broken, and Gethsemane. Kenneth has most recently created a dramatic, two-act musical for the stage about the life of Jesus Christ, titled Son of Man.
Kenneth tells us his purpose. He says: “I was born to point people to God—to give them hope, and a true sense of their immeasurable value in the eyes of their heavenly Parents and their Redeemer. Through song, through words, through every medium available to me, I am to proclaim my Lord’s glorious gospel, and do the greatest good I possibly can to my fellow human beings. And while I have all these artistic tools for my use, I am to accomplish my purpose through love.” Kenneth was born in Salt Lake City, the third of six children. He grew up mostly in Houston, Texas, where he attended the
Kenneth says: “I strongly believe that if we are doing with our lives those things which God has sent us here to do, He will open the way for us to continue in our path and consistently bring about more good in this world.” Recognizing Kenneth’s achievements, the Faith Centered Music Association and the Latter-day Saint Booksellers Association have honored him with numerous awards over the years including Male Vocalist of the Year, Songwriter of the Year, and Album of the Year.
Glen Houghtaling Friend
“As I reflect on the soundtrack of my life, the soul of one composer stands out as having had an incredible amount of influence. He wrote the ballad of my boyhood, His Hands, that I would hear my mother sing time and time again. To this day, I can’t repeat in my mind the lyrics of this song without getting emotional. One day as a young teenager, I went to work to help dad set up for a large string recording session. The session that day was an album called Hear My Praise. Little did I know that those melodies and messages would help mold me and become the chorus of comfort I needed on one of the most challenging days of my young adult life. Not too many years later, I would be privileged to sit side by sidet with this gentle giant of a man, as he crafted one of the greatest musical tributes ever made, Son of Man. To Kenneth, I pay the highest tribute I can give: through your inspired lyrics, melodies, and most of all who you are, you have helped us come to know Jesus and see His face!”
Michael Gibbons Friend & Colleague Music Producer/Recording Engineer
Kenneth lives with his wife, Kathy, in Millcreek, Utah.
“Kenneth wrote all the musical parts as well as the lyrics to Son of Man, having taught himself all the musical instruments in the orchestra. This is such an incredible feat and shows just how enormously talented he is. His voice as Jesus in the Son of Man is so powerful and moving, it transforms me and feeds my spirit in such a beautiful way. The Son of Man is, in my view, the greatest musical ever written about the life of Jesus Christ. I have been dear friends with Kenneth for nearly 40 years now. It is one of the greatest blessings in my life. He has blessed the lives of thousands of Christians with music. What a gift he is to the world.”
Bob Krulish Friend
“Kenneth has as deep a respect for language as he does music. Whether in poetry and compositions or in personal notes, his own journals, and other forms of prose, his writing is clear and elegant. Over literally decades – first by letter, much later by email – thousands of listeners have written Kenneth personal messages of gratitude for the transformative effect of his work on their lives.”
“...the one attribute that describes Kenneth best is PASSIONATE. Kenneth FEELS things and LIVES them to the fullest. You know what he loves and who he loves and what he values and honors simply by being near him. He is always bursting with the desire to share what he knows and how he feels. He is a constant seeker of truth and light, and when he finds those things, he wants to share them. He is a lover of people and of humans, and he loves you just as you are -- with all your weaknesses and flaws. Kenneth loves what is good and right and holy, and above all he loves JESUS.” Tyler Castleton Producer & Friend
“I know many lives have been touched, some even saved, because of the spirit-filled messages in Kenneth’s music. This has made the struggle to make a living and support a family as a full-time artist worth it! Kenneth is a humble servant. As his wife and biggest fan I have dreamed of seeing him land in a private jet, be whisked away to the performance hall, walk on stage and be handed his guitar to begin his music set. In reality, Kenneth is often the first one to arrive and the last to leave. He is happy to greet any and all who want to speak with him after the concert…no backstage pass required. It is not about the glory for him.” Kathryn Cope Wife
“Kenneth has remarkable and God-given artistic gifts. He also has a magnificent obsession, but it is not creating great music and art. Kenneth’s Magnificent Obsession is Jesus. That, combined with his gifts, is what makes his music and everything he creates so powerful and inspiring; that is what forms and informs his artist’s heart; it is also why he, as a person, has had such an impact for good on so many humans along this journey. One of the most powerful experiences I have ever had with music happened at Kenneth’s home during the time he was working on Act One of Son of Man. He wanted to share some of the songs that he and other artists had completed the vocals on... he began to play Out of Darkness, mostly sung by Jessie Funk as the character Mary Magdalene. The song already had me in its beautiful grasp, but at the end and climax of the song, when Mary sings, “Let the wind blow, let the storms grow...” I was literally lifted out of my chair. Where Kenneth took it musically, the way it was sung, the orchestration— all of it together created an absolutely electric sensation in and through me. It was otherworldly.”
Michael Webb Friend
DANCE
JENNIFER HILL BARLOW MFA, she married the love of her life, Blake, and the couple moved to New York City. After living there for only 3 days, Jenny auditioned and was offered a contract with the Radio City Christmas Spectacular where she danced for several years. Blake and Jenny welcomed their first son Dash into the world and moved back to Utah, where Jenny taught for BYU, U of U, and Ballet West Academy.
At the age of 8, Jennifer began her dance journey at the Clytie Adams School of Ballet in Kaysville. Jenny auditioned for Ballet West’s Nutcracker as a child, and was handpicked by Willam Christensen, founder of Ballet West, to perform the role of Clara for two years. Jenny committed herself to becoming a professional ballet dancer. Her early training included scholarships to Ballet West Conservatory, Boston Ballet School, Berlin Ballet School in Germany, among others. At age 15, Jenny was offered a company contract with Ballet West, and after high school received the Willam F. Christensen full ride scholarship to the University of Utah Ballet Department where she was a principal dancer with the Utah Ballet Company and graduated with a BFA in Ballet Performance. Jenny performed professionally with Cincinnati Ballet, Ballet West, Gaungzhou Ballet in China, and spent many summers performing at Tuacahn. She was personally cast by Willam F. Christensen as the lead Swanhilda in his ballet Coppélia, the last ballet he directed before his passing. Jenny began her graduate studies at University of Utah in choreography. While working towards her
In 2006, the Barlows founded Barlow Arts Conservatory, which grew from a basement studio in their home to three locations. As one of the state’s most reputable ballet schools, Barlow Arts was awarded Outstanding School three times, Choreographer Award six times, and its students have won four Grand Prix titles. Students have received scholarships and acceptances to the world’s most prestigious ballet schools and university dance programs including School of American Ballet, Jackie Kennedy Onassis School at ABT, Royal Ballet School of London, Princess Grace Academy in Monaco, Royal Winnipeg Ballet School of Canada, Berlin State Ballet School in Germany, International Ballet School in Italy, and Juilliard. Many of the conservatory’s students continue to perform with professional companies. In 2008, after the birth of her second son Hudson, Jenny began directing and choreographing for Utah’s theater scene. She
“Beyond all the accolades and past her massive resume of exceptional work, the true success of Jenny and her strongest suit is her heart. She genuinely cares for the people around her and treats them with respect and love as they become true partners and collaborators in every production. Kindness is her calling card, and the experience of working with Jenny will have a lasting effect stronger than any curtain call.” Kacey Udy Friend & Colleague
“Jenny Barlow is a real-life unicorn. I don’t know anyone else in my life that has her combination of drive, talent, passion, and creativity. She is a powerhouse and you can’t help but want to be in her orbit. Jenny is a true artist. You can see her stamp on all her work and anyone who gets to be involved can count themselves lucky. I know I do. And for that, she deserves a high-five.” Meagan Downey HCTO Production Manager Friend has created over 60 musicals, and directed and choreographed for Hale Centre Theatre Sandy, Hale Center Theater Orem, and Sundance Summer Theater. Favorite projects include An American in Paris, Daddy Long Legs, and the U.S Premiere of Baz Luhrmann’s Strictly Ballroom The Musical which was named by Broadway World as the #1 Theater Production in Utah. She is a 7-time recipient of the Utah Best of State Choreography Medal. Jenny and her husband Blake are members of the 42nd Club of Broadway and West End producers and investors. Personal involvement includes: Waitress (West End), A Christmas Carol (Broadway), and Hadestown (Broadway). After running Barlow Arts Conservatory for 16 years, Jenny felt a strong pull to direct and choreograph full time in musical theater. She brokered a deal with Ballet West to purchase Barlow Arts in 2022 and retired from teaching. Jenny is currently the Associate Artistic Director, Resident Director/Choreographer for HCTO, which will be moving to Pleasant Grove in 2025 and be renamed The Ruth.
“Her teaching style goes beyond just imparting technical skills. She has a unique ability to instill a deep appreciation for the art form itself, shaping the future of the arts through the individuals she inspires and nurtures.” Allison Rollins Friend
“From the day I met Jenny as a tiny 8 year old in her first ballet class, I knew she had the heart and soul of a ballerina. Her delightful and loving personality and her powerful determination to make wonderful things happen have made me smile so many times as I’ve watched her grow up and give life to everything she touches.” Sarah Robinette Clytie Adams School of Ballet
“Working alongside Jenny Barlow for over a decade has been the joy of a lifetime. Jenny’s storytelling ability goes beyond mere movement; it intricately weaves into the fabric of the narrative, illuminating its essential message” Justin Bills Artistic Collaborator & Friend
“Jenny and I met in college when I was getting my Bachelors in Acting and she was completing her Masters in Ballet. It was love at first sight, truly. I immediately saw how powerful she is at manifesting things in her life. I could go on and on with stories and examples of things she dreamed of and then manifested into reality. But as amazing as Jenny’s past has been, the most exciting thing about her has always been what’s next! I have zero doubt that the future of dance and theater in Utah is much brighter thanks to Jenny.” Blake Barlow Husband
ADVOCATE OF THE ARTS
PBS UTAH engagement. PBS Utah works to provide the people of Utah and surrounding areas with relevant programming and services while upholding core values of independence, inclusion, integrity, education, and innovation.
PBS Utah’s mission is to provide enriching, entertaining, and informative programming that fosters a deeper understanding of the world. PBS Utah is a trusted source of programming that sparks curiosity and inspires audiences of all ages and perspectives to bridge divides and reach their full potential. PBS Utah, licensed to The University of Utah, is the sole PBS station for the state, providing viewers with access to quality educational, arts, and entertainment programs 24 hours a day, on four broadcast channels and online. PBS Utah airs national PBS programming in addition to award-winning, locally produced documentaries and series. Recognized as one of the leading public television stations in the country, PBS Utah is committed to serving the Utah community through diverse local productions, K-12 educational programs, and community
“Over the years, Salt Lake Film Society (SLFS) has partnered with PBS Utah to bring their thoughtful and engaging stories to the big screen. We’ve shared together premiere episodes of Downton Abbey, Poldark, Victoria, and most recently All Creatures Great and Small. Seeing these programs on the big screen with our local community, and knowing we all get to love and cherish later episodes at home, is magical. PBS Utah is integral to the fiber of the arts in Utah, building empathy and enhancing the quality of life in Utah through presenting and creating stories. They are a perfectly complementary partner with SLFS.” Tori A. Baker CEO/President Salt Lake Film Society
“For generations of our Utah artists, PBS Utah (or its former moniker KUED) has been a beacon and source for creative inspiration. Whether it be access to national and international arts organizations through programs like Great Performances, delving into the lives of exemplary individuals that have shaped our world through American Masters, entertaining and exciting us (very stylishly, I might add) through Masterpiece Mystery, or countless other programs and personalities, PBS Utah shows us the beauty of the world around us. The impact of PBS on my life is immeasurable. As many do, I grew up with PBS programming like Mr. Roger’s Neighborhood, Sesame Street, and Where in the World is Carmen San Diego? I bonded with my grandmother over British comedies like Are You Being Served? and Keeping Up Appearances. I discovered the joy that was Great Performances through the 10th Anniversary Les Misérables concert, and like any good Utahn, I’ve watched the Anne of Green Gables films on PBS more times than I can count. As an adult, I’m grateful for PBS for a multitude of reasons. As a viewer, I very much enjoy my PBS Passport app, to experience their offerings on demand. During my time at Salt Lake Acting Company and Pioneer Theatre Company, I have treasured my partnerships with PBS. In a time when spotlighting the performing arts is becoming very rare in our community, it’s PBS that continues to celebrate the vibrant arts scene we have here in Utah. I’m talking about CONTACT with the legendary Mary Dickson. I’m talking about This Is Utah with the wonderful Liz Adeola. I’m talking about the wonderful sponsorship liaisons Kate Jones and Ashley Hebrew. I’m talking about Director of Programming and Public Engagement Laura Durham. These individuals have made interaction with PBS wonderful beyond the programming they present. PBS Utah celebrates and embraces our arts community.” Joshua Black Director of Marketing & Communications Pioneer Theatre Company
“PBS Utah has a long history of supporting the arts in Utah. Their program Art Elevated: The Governor’s Mansion Artist Awards highlights notable Utah artists who are being recognized by the Governor. Their This Is Utah series also features Utah artists, and Contact regularly hosts guests from Utah’s arts and museums world. PBS Utah’s airing of such national programs as Great Performances, Austin City Limits, and Masterpiece offers additional opportunities for viewers to engage with quality arts content. The station holds a vital place in the local media landscape.” Victoria Panella Bourns Director, Utah Division of Arts & Museums
FRIEND OF THE ARTS SANDI SUMNER HENDRY, FOUNDER
MINKY COUTURE
a hard time finding the perfect cozy blanket for her daughter - one that was both fashionable and cozy. And so Sandi created the first adult-size Minky Couture blanket. Everyone in the hospital loved it! Sandi started having more blankets made to give as gifts to friends and family members. The blankets were an instant hit!
Sandi Hendry was born and raised in Orem. She was a former Miss Orem and here’s a fun fact…she had her first kiss here at SCERA! With a warm and loving personality, she has always been one that stood out in a crowd with inner and outer beauty. Sandi graduated from Brigham Young University with a degree in Education and Business and was an elementary school teacher for 30 years. After retiring from teaching, she worked in HR and Personnel for Mountain View Title, a company she owned and operated with her husband, Mike. In 2009, she added a third career - owner and founder of Minky Couture. It all started when Sandi’s daughter became very ill and was hospitalized for several months. Her daughter asked for a “big baby blanket” to snuggle up with during her recovery. Sandi had
She started designing her own blankets, using different combinations of fabrics. Each blanket was unique, created specifically for the recipient. Family and friends started asking if they could purchase the blankets to give to their own loved ones, and Minky Couture was born! The company has grown to be a very popular brand, not only in Utah, but all over the United States and the world. Sandi has opened six beautiful retail stores throughout Utah with over 250 employees. Sandi’s love for the product, her customers, and giving back is top priority, and has led her to receive numerous recognitions and awards, including Ernst and Young Entrepreneur of the Year 2019 and the Women in Business Athena Award in 2020. Minky Couture has also repeatedly achieved the “Best of State” Award. Sandi has a heart of gold, and has kept generosity to the community top of mind as Minky Couture has grown. She donates to Hale Centre Theatre Sandy, Utah Valley Chamber, America’s Freedom Festival, Miss
Orem Scholarship Program, charity events and auctions, families in need, and many more. She donates blankets to each of the concert performers at SCERA Shell Outdoor Theatre, who go back on tour with a Minky! Her “Heart of Minky” program donates thousands of Mini Minky blankets to NICUs all over the country. These little mini blankets bring comfort and love to tiny babies who are born a little earlier than expected, and to their families who have something comforting and beautiful to provide for their baby. She literally loves to “blanket the world with love” one blanket at a time. Sandi’s incredible business mind, her outstanding leadership qualities, and her kind heart have made her a true friend to the arts, and to families, communities and organizations across the state.
“Sandi may not have initially set out to make a business with generosity as THE CORE value, but she did. Sandi wakes up every day, thinking about how to blanket people with comfort and love. Generosity is her business practice. Setting up the Heart of Minky program, a multitude of organizations have benefitted. She genuinely cares about others and is motivated to help them. Philanthropy is woven into every stitch of a Minky Couture blanket.
“Sandi Hendry and Minky Couture have made an exemplary impact on the arts in Utah, particularly through their generous philanthropic initiatives and steadfast support for local charities and theaters. Sandi’s philanthropic endeavors have not only bolstered the financial health of local theaters but have also provided critical resources for aspiring artists and cultural organizations. Minky not only donate to organizations as a whole, but to individual artists and craftsmen who build the arts in Utah.”
I evangelize about Minky Couture and their culture, too. Sandi and her team ooze creativity, style and grace. They surround themselves with beauty and quality. If you are lucky enough to visit their warehouse, or walk into one of their stores, it feels as if you are transformed to a velvet lounge where colors are exploding and plush blankets are draped over every chair.”
Brandon Erickson Assoc. Director of Development at Hale Centre Theatre
Lisa Maxwell Intermountain Foundation – Director of Development North Hospitals and Primary Children’s Hospitals
“Sandi is the champion of the phrase “paying it forward.” Her Orem store was recently recognized as Utah Valley Business of the Month, a testament to the hard work and dedication that she puts into her business every day. She has demonstrated an incaredible generosity and commitment to giving back to her community, using her blankets as a means of spreading love, warmth, and comfort to those in need. Through her many charitable efforts, Sandi has touched the lives of countless people and inspired others to do the same.” Juanita Meske KSL.com Friend & Client
2006 STAR AWARDS The Star Award: Jerry Elison Lifetime Achievement: Syd Riggs Theatre: Jayne Luke Visual Arts: Max Weaver Music: Ray Smith Dance: Rick Robinson Friends of the Arts: The Daily Herald, Dick & JoAnn Losee Advocate of the Arts: Hale Center Theatre Orem Volunteer: Gareth Seastrand Special Recognition: Lesa Pulham 2007 STAR AWARDS The Star Award: The Osmond Brothers Lifetime Achievement: Keith & Jody Renstrom Theatre: Eric Fielding Visual Arts: James Christensen Music: Clayne Robison Dance: Derryl Yeager Friends of the Arts: KBYU Television, Ray & Tye Noorda Advocate of the Arts: Sharon Swindle Volunteer: 8 charter members of Utah Valley Symphony Special Recognition: Timpanogos Storytelling Festival 2008 STAR AWARDS The Star Award: The 5 Browns Lifetime Achievement: Norm Nielsen Theatre: James Arrington Visual Arts: Tom Holdman Music: Mack Wilberg Dance: Kim Delgrosso Friends of the Arts: Rocky Mountain Power, Stephen & Sandra Covey Advocate of the Arts: Marc & Sharon Haddock Volunteer: Laura Folkman Special Recognition: Laurel Barham 2009 STAR AWARDS The Star Award: Kurt Bestor Lifetime Achievement: Arnold Friberg Theatre: Marvin Payne Visual Arts: Gary Price Music: Michael Ballam Dance: Lee & Linda Wakefield Friends of the Arts: Alan & Karen Ashton, Bassett Furniture Advocate of the Arts: Thomas S. Monson Volunteer: Verdalee Barron 2010 STAR AWARDS The Star Award: Michael McLean Lifetime Achievement: Utah Symphony Theatre: Nathan Criman Visual Arts: Liz Lemon Swindle Music: Choir of the Madelaine Dance: Louis Van Amstel Friends of the Arts: Ron & Terri Lindorf, XanGo Advocate of the Arts: Robert & Cumorah Holdaway Volunteer: George Stokes Special Recognition: American Fork High School Marching Band 2011 STAR AWARDS The Star Award: Mormon Tabernacle
Choir Lifetime Achievement: Lex de Azevedo Theatre: Rodger Sorensen Visual Arts: Springville Museum of Art Music: Sam Cardon Dance: Bonnie Story Friend of the Arts: Zions Bank Advocate of the Arts: Ivan Lincoln Volunteer: Bob & Darlene Nave Special Recognition: Col. Jack Tueller 2012 STAR AWARDS The Star Award: BYU’s Vocal Point Lifetime Achievement: Janie Thompson Theatre: David Tinney Visual Arts: Greg Olsen Music: Peter Breinholt Dance: Jacqueline Colledge Friend of the Arts: Diamond Rental Advocate of the Arts: Newell Dayley Volunteer: Sandy McDade Special Recognition: Barbara Elison 2013 STAR AWARDS The Star Award: Jenny Oaks Baker Lifetime Achievement: Dean Hughes Theatre: Neal Barth Visual Arts: Frank Magleby Music: Janice Kapp Perry Dance: Mary B. Jensen Friend of the Arts: Daynes Music Advocate of the Arts: Thanksgiving Point Volunteer: Debi Richan Special Recognition: Janet Swenson 2014 STAR AWARDS The Star Award: Utah Shakespeare Festival Lifetime Achievement: Gerald Lund Theatre: Randy Boothe Visual Arts: Rick Nye Music: Caleb Chapman Dance: Paul Winkelman Friend of the Arts: Gaylen Rust Advocate of the Arts: Buddy Youngreen Volunteer: Hahne Family Special Recognition: America’s Freedom Festival 2015 STAR AWARDS The Star Award: Neon Trees Lifetime Achievement: Ballet West Theatre: Kathryn Laycock Little Visual Arts: Christian Vuissa Music: Darrell Babidge Dance: Pat & Kathie Debenham Friend of the Arts: Lynnette Loveland Advocate of the Arts: John Curtis Volunteer: Pat Schow Special Recognition: Sterling Poulson 2016 STAR AWARDS The Star Award: Jason Hewlett Lifetime Achievement: Sundance Resort Theatre: Barta Heiner Visual Arts: Eric Dowdle Music: Velour / Corey Fox Dance: Alan Salazar Friend of the Arts: Barbara Barrington Jones Advocate of the Arts: Utah COPA
Volunteer: Utah Valley Handbell Ringers 2017 STAR AWARDS The Star Award: Alex Boyé Lifetime Achievement: Sara Lee Gibb Theatre: Chris Clark Visual Arts: Mark Philbrick Music: Marden Pond Dance: BYU Cougarettes Friend of the Arts: Nu Skin Advocate of the Arts: Heritage School Volunteer: Shari Woodward
THANKS FOR MAKING TONIGHT’S EVENT POSSIBLE:
2018 STAR AWARDS The Star Award: Lindsey Stirling Lifetime Achievement: Bill & Marilyn Brown Theatre: Grassroots Shakespeare Visual Arts: Angela Johnson Music: Ryan Shupe Dance: Utah Hispanic Dance Alliance Friend of the Arts: James & Andrea Clarke Advocate of the Arts: Heber Valley Western Music & Cowboy Poetry Volunteer: Bonnie Busco 2019 STAR AWARDS The Star Award: Chelsie Hightower Lifetime Achievement: Clay Christiansen Theatre: Agnes Broberg Visual Arts: Joseph Brickey Music: Dallyn Vail Bayles Dance: Shelley School Of Irish Dance Friend of the Arts: Douglas & Marian Smoot Advocate of the Arts: Miss Utah Organization 2020 STAR AWARDS The Star Award: Governor Gary Herbert Lifetime Achievement: T.C. Christensen Theatre: Andrew & Jan Hunsaker Visual Arts: Willie Holdman Music: One Voice Children’s Choir Dance: Jason Celaya Friend of the Arts: doTERRA Advocate of the Arts: Utah Cultural Alliance 2022 STAR AWARDS The Star Award: Gentri Lifetime Achievement: David Glen Hatch Theatre: Chris Brower Visual Arts: Glen Ricks Music: Dr. J. Arden Hopkin Dance: Sheryl Dowling Friend of the Arts: Utah Valley Magazine Advocate of the Arts: World Folkfest 2023 STAR AWARDS The Star Award: David Archuleta Lifetime Achievement: Bonner Family Theatre: Hale Centre Theatre Visual Arts: UVU Museum of Art Music: Timpanogos Symphony Orchestra Dance: Jean’s Golden Girls Friend of the Arts: Karen Spencer Advocate of the Arts: Covey Center for the Arts
SPECIAL THANKS Nicea DeGering Star Awards Committee SCERA Staff, Board & Volunteers All of you…for your attendance and support
REGISTER TO BID IN TONIGHT’S AUCTIONS! To participate in this year’s silent and live auctions, register as a bidder by scanning this QR code and adding your information and credit card. All the silent auctions displayed in the lobby are available for online bidding only. For the live auction, If you wish to bid on any item(s), the cover of the live auction booklet you received at check-in is your bidding number. Just hold it up for the auctioneer to see when you want to bid. If you win the bid, a staff member will finalize the transaction and the card you registered will be charged for the item(s) you won. You can pick up your items at the end of the evening.