When the world first met Emmy Award-winning multi-platinum artist, singer, songwriter, Rachel Platten, it came in the form of a proclamation of self. An anthem for those who needed it and those who didn’t even know they needed it alike, “Fight Song” became a global sensation in 2015, an inescapable battle cry that’s now been streamed more than a billion times and is as inextricable to modern culture as any one song could be. Other big hits from her Wildflower album include the inspiring “Stand By You” and “Better Place.”
“Fight Song” is one of only 215 songs in history to have reached RIAA Diamond status. Of those, only 37 songs are by solo female artists, representing just 25 individual women, placing Platten in exceptionally rare company alongside icons like Rihanna, Taylor Swift and Beyonce.
Her story and "Fight Song" has served as an inspiration for people around the world, who have used it as a motivation not to lose hope, when experiencing difficulties in life. In 2017, Platten was presented with the Gracies Impact Award, which is given to an artist who has made a positive impact on society through their music. She wrote "Fight Song" at a low point, saying: “It was about my own journey and my own fire that would not die, that was regardless of how much rejections I was getting, and how impossible it seemed for me to keep trying to make this dream happen, that I just wouldn't give up. The song was written at a moment of really needing to decide, "Dude, I'm
This project is supported by the Utah Division of Arts & Museums, with funding from the State of Utah and the National Endowment for the Arts, which believes that a great nation deserves great art.
32 or 31, this is a little pathetic. I need to figure this out and get on with my life." Then I wrote ‘Fight Song’ in this moment of sheer desperation. I will not give up on myself. That's where it came from.”
But “Fight Song” was just one song, oneself, and Rachel Platten, who grew up in Newton Centre, Massachusetts, had so much more to say, and so many more selves to show. These days, if you dive headfirst into Rachel’s rich and growing catalogue, your odds are as strong to land on a thundering anthem like her biggest hit as they are to hit a soul-searching, scar-bearing, lyrically textured stunner about motherhood, guilt, mourning, expectations, rebirth, mental health, and the support systems we all need to guide us through life’s most earth-shaking curveballs.
You’ll find all that and so much more on Rachel Platten’s latest studio album I Am Rachel Platten, a body of work over five years in the making. I Am Rachel Platten is an artistic journey through life’s peaks and valleys. It’s a record about grief as much as it is using darkness to help better shape and contextualize the light. “For so long, I wasn’t dealing with what was underneath the surface,” Rachel says. “I wasn’t in touch with the darkness. I hadn’t gone to therapy. I’d achieved my dreams but inside, I was dealing with anxiety and depression that I didn't know or acknowledge was there.”
With songs written during sharply defined periods of her life –including the pregnancy and ensuing postpartum depression following the birth of her first daughter, Violet; as ways of searching for answers, relief, and hope throughout a prolonged mental health struggle during the pandemic; in response to her partner’s own fight to stay afloat while she was pregnant with their second daughter, Sophie; and, finally, on the other side of all that turmoil, with some clarity and hindsight to help her pick up all her pieces – Rachel felt ready to follow up 2017’s
Waves with an unflinching and honest album that told her story truthfully and transparently, no matter how frightening that felt in the process of making it. “I started therapy and I started looking at myself and realizing how much I was spiritually bypassing,” she says. “The world has only seen this one side of me, this strength – empowering, positive, loving, warm, everything's okay,– and it wasn't fake by any means, but it was just only one part of me.”
Emotions like rage and exhaustion bubbled to the surface; old wounds and new alike rose up, catching Rachel’s breath in her throat, surprising her in their intensity and insistence on being heard and turned into lyrics. “For a while I’d gotten so used to dimming my light for other people, but on this album, I got to heal by using music as my outlet,” she says. Some nights – her hardest nights – lyrics would hit her like a ton of bricks; she’d run to the piano in her home studio and seek relief in songwriting. The process yielded “Mercy,” one of the album’s rawest and emotion-baring moments, a song that “proved there’s a purpose for your pain,” Rachel says. “There is always a purpose for what you're going through. It showed me I can make meaning out of it.”
“When I first moved into this house,” she adds, twirling her camera around the room, “I was laying out in the backyard looking up at these massive sycamore trees, and I was like, ‘I wonder what I'm going to write next.’ And I heard this voice, which I took to be my higher self, say, ‘Oh, you're going to write the most powerful music of your life.’”
You’ll find special spiritual meaning made throughout I Am Rachel Platten. “A lot of this music was me developing my relationship with my creator and with God,” she says. Tracks like “I Know” and “Mercy” and “Surrender” make up an “unintentional” holy trilogy of faith-seeking and healing songs, “a hero's journey of someone wrestling with their demons,” as she puts it. Her voice and pen became a conduit, Rachel says, a vessel for the lyrics and messages handed down to her from a higher place.
Early songs like “I Know” (written during the pandemic’s earliest and most uncertain moments as a message of peace to herself) and “I’ll Be Her” (a premonition of a stronger Rachel yet to come) broke the dam. With the songs beginning to flow through her –– she knew she needed producing partners who could help her holistically complete the project from start to finish. One-off pairings wouldn’t work for this record, she says; it needed to be one vision, aligned with hers, who she could walk down the road with hand-inhand. Thus, it was fate, she says, that after an impromptu set at the famed Los Angeles venue The Hotel Café in 2022, Rachel’s longtime friend and producer Jason Evigan joined her backstage with fellow producer Gian Stone; they asked her to produce “Mercy,” a song from I Am Rachel Platten which she’d debuted live as part of her set.
“I countered with, “No, but you can produce the whole album,’” she remembers with a grin. Though the pair turned down the offer, a month later, they called her with a pitch. “I remember they sounded so excited, and they told me they had the whole thing mapped out: a studio in Nashville, all these musicians they’d hand-selected – and a timeframe. They said they believed in me, they believed in the album, and they wanted to plunge into it headfirst with me.”
Over the course of two separate marathon sessions in Nashville, Rachel and her producers and session players crafted a body of material as sonically rich, enveloping, and impactful as it is lyrically tender, personal, and intimate. I Am Rachel Platten could only exist in its mastery because “I know myself now,” she says, a fire glowing in her eyes. “I am a mother. I am 42. I am fully in touch with myself. I've integrated the dark and the light in me. Now I can hold space for all of what I’m feeling now. It was too much for me before – I was just a kid. But now I have the maturity and the wisdom and my own connection to now invite my listeners in to feel their own connection, whatever that looks like, not what I think it should look like. I call it God. You can call it whatever you want, whatever is you getting back
to your identity. I feel why I'm on this earth is reconnecting people to their identity, their truth, to their purpose, to their power.”
In January 2026, Rachel received the final Dreaming Out Loud Award at the 14th She Rocks Awards during NAMM (National Association of Music Merchants) Show. During her speech, she said: “No one else gets to decide what is possible for us. I didn't let someone else decide what is possible for me.” The several awards celebrate women who move music forward with courage, creativity and unstoppable spirit.
She is a longtime volunteer and dedicated supporter of Musicians On Call (MOC), a non-profit that brings live music to hospital patients. She spent over a decade as a regularly scheduled MOC Volunteer Musician in New York hospitals, performing one-on-one at patient bedsides, and virtually during the pandemic. The organization honored her volunteer work with the Music Heals Award.
In March 2026, Platten was revealed to be “Pangolin” on FOX Network’s The Masked Singer. After the unmasking, Rachel told host Nick Cannon that she — like the panelists — didn’t know what a pangolin was at first. Fun fact: They’re a kind of scaly anteater found in Asia and Africa. When Nick asked Rachel if performing incognito changed her connection to music, Rachel said, “You know, for 13 years I toured around the country and sold CDs out of my suitcase. And all those years I would just have to prove who I was. No one knew my name and it was just about how I could make them feel. And it really brought me back to that.” During her time on the show, Rachel sang songs including “It Must’ve Been Love” by Roxette, “What a Feeling (Flashdance)” by Irene Cara, “Ironic” by Alanis Morissette and “Mama, I’m Coming Home” by Ozzy Osbourne.
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