Scarlette Magazine Fall/Winter 2016

Issue X, Fall/Winter 2016

Editor-In-Chief Marcos Olivarez

Bonnie Babb-Cheshul

Fashion Director

Marketing Director

Design Director

Photography Director

Design Jessica Tye Vladislav Kotov Samantha Hanna

Photography Michael Milke Cora Lange Ana Medina Annalisa Hartlaub Laura Wiesenfarth Jordan Reynolds Emily Bender

Terra Williams

Bianca Adams

Style Patrick Pastore Alex Satchell Zach Cooke

Ethan Hessler

Joanne Newman Jones

Faculty Advisor Erin McGraw Writing Taylor Metheny

CONTENTS 006

042

Linen & Gold Photographed by: Jordan Reynolds

Fall Forward Photographed by: Patrick Pastore

014

051

Nightshade Photographed by: Joanne Jones & Ana Medina Fetterman

A Trip Back in Time Photographed by: Annalisa Hartlaub

025

058

Chokers Photographed by: Joanne Jones & Annalisa Hartlaub

Etheral Photographed by: Annalisa Hartlaub

034 Business Casual Photographed by: Joshua Orack

Email Scarlettemagazineosu@gmail.com Instagram @Scarlette_Magazine Facebook @Scarlettemagazine Tumblr Scarlettemagazine.tumblr.com

Linen &

Gold Photography by Jordan Reynolds

Photographed by: Joanne Jones & Ana Medina Fetterman Styled by :Terra Williams

Nightshade A Narrative

el Fin

C H O K E R S

Fashion has always been an unpredictable, cyclical creature.

One can only know what will come and go as the seasons change. The choker is back again and though it is often attributed to the ‘90s, its place in fashion history has been long and winding. Chokers can be found in a variety of material from plastic to leather, velvet to metal and everything in between. Their first appearance in fashion was during the French Revolution. They were not only a fashion statement,

but also a political one. Women were often seen with red ribbons encircling their necks as a tribute to those whose lives had been cut short by the guillotine. By the time the mid-19th century rolled around, chokers had expanded their scope as a fashion accessory. They became a symbol of wealth and status, popularized by ballerinas and royalty. The next choker revival came about around the time America began establishing itself as an epicenter for fashion, the ‘40s.

Fashion has always been an unpredictable, cyclical creature. One can only know what will come and go as the seasons change. The choker is back again and though it is often attributed to the ‘90s, its place in fashion history has been long and winding. Chokers can be found in a variety of material from plastic to leather, velvet to metal and everything in between. Their first appearance in fashion was during the French Revolution. They were not only a fashion statement, but also a political one. Women were often seen with red ribbons encircling their necks as a tribute to those whose lives had been cut short by the guillotine. By the time the mid-19th century rolled around, chokers had expanded their scope as a fashion accessory.

They became a symbol of wealth and status, popularized by ballerinas and royalty. The next choker revival came about around the time America began establishing itself as an epicenter for fashion, the ‘40s. Though the dog collar-style chokers seen today seem

to be a fresh new iteration of the trend, in the ‘40s the dog collar was all the rage. Yet, like many trends, it came and went as time passed.

Flash forward 30 years, with punk thriving in the U.K. and New York City the choker returned for a brief heyday within the ‘70s subculture.

Following the trends of the punk era, the ‘90s brought us the classic tattoo choker and the mass produc-

tion of sparkly styles. Which brings us finally to today, where you can barely walk down the street without passing someone who’s neck is adorned with a choker. Whether it’s long or short, glam or bland, spiked or soft, the choker is here to stay, at least for another season.

By: Annalise Hartlaub

Busin ess Casu al

10.04.1 Fall Fo

16 orward

A Trip Back in Time

Ethere

eal

Issue X, Fall/Winter 2016