Saumil_Sanghavi_Architecture_Portfolio_B.Arch

Portfolio Saumil Sanghavi KRVIA, B.Arch 2016-2021

Cirriculum Vitae

Competetions

FOAID “Wood is Good” 2018-2019 Second place | Furniture Design

INTACH Heritage Awards 2018

Second place in city stage | Documentation Competetion

Name

Saumil Sanghavi

Contact Info

Ph. No. : +91-9820265863 Email ID : sanghavisaumil@gmail.com LinkedIN : https://www.linkedin.com/in/ saumil-sanghavi-206635214

Based in Mumbai

Education

Kamla Raheja Vidyanidhi Institute for Architecture (KRVIA) Mumbai University | Bachlor of Architecture | 2016- 2021

Ecole d’architecture Strasbourg

Exchange Program | Design Studio | Nov, 2019

Exibitions

Braj: Architecture of the Parikrama Exibitied at KRVIA | CEPT Library | Kalakriti Art Gallery

Positions and Responsibilities

Film Secretary | Student Council - 2018 Study Trip Incharge | 2016 - 2018 Head of Graphics | Annual Exibition 2018 Student Incharge | Student Work Exibition Class Representative | 2020

Skills

AutoCAD | SketchUp | Rhino | Grasshopper | V-Ray | Adobe Suite | ArchiCAD | Microsoft suite | Sketching | Model Making

Interests

Reading | Photography | Music | Cinema | Travelling

Professional Experience Research Fellow

Research Fellow for Community Based Participation Research and Advocacy PUKAR | July, 2021 - Ongoing

Andres Jaque / Office for Political Innovation Internship | Jan - May, 2020

I am an curious, ambitious, hard working, passionate and collaborative individual who has a keen eye to understanding the underlying systems that govern design.

The Portfolio is a compilation of selected works which looks at the attempts at understanding space, the systems that allow for its creation and form across the 5 years of architecture school and attempts to show the rigorous processes followed for each project and how each project has moulded my thought process.

I aspire to be a contributing member of society through informed design solutions.

Table of Contents

1

Mumbai Skywalk Project: An extension of everyday life

2

De(Coding) / Re(Coding) Architecture

3

Revitalising the Importance of Golconda Fort

4

Reviving Bodli Gate

5

Reclaiming the Water’s Edge

6

Study Trip Documentation: Braj

7

Internship at Andres Jaque / Office for Political Innovation

8

Smart City and Heritage

9

Between the Lines

10

Sports Centre in Benhram Baug

11

Youth Hostel in Patiala

12

Allied Design - 2

13

Allied Design - 4

14

Material Exploration

15

Study Trip: Patiala, Badami

Mumbai Skywalk Project An Extension of Everyday Life Undergraduate Thesis Guide: Pinkish Shah

The role of infrastructure in nation building is essential and these projects have a very large and long-term effect on not only the economics and mobility of the city, but also on its socio-cultural and environmental fabric. But in practice, these projects are highly insular to their neighbourhoods. The thesis argues that this singular imagination of such projects within the context of a large urban city should be critically revaluated.

The thesis attempts to look past this singular imagination of Infrastructure through the lens of the Mumbai Skywalk Project.

The Mumbai Skywalk Project was initiated by the MMRDA in 2007 and a total of 36 skywalks have been constructed by various organisations till date. These ‘skywalks’ connect railway stations to nearby important transportation nodes.

The thesis acknowledges the existence of these projects within their respective neighbourhoods and consciously attempts to carefully analyse these existing artefacts within their respective neighbourhoods and provide alternative imaginations of these projects.

Rather than proposing a new system for the project, the thesis works with the existing Skywalks and works towards their re-integration within their neighbourhoods such that these projects work towards the generation of multi-level urban public space within the neighbourhood and provide alternatives to this singular imagination in the role of Infrastructure and the city.

Right: Exploded Axonometric of the Proposed Design at the Borivali (W) skywalk

“The skywalk’s columns create a nuisance for vehicular movement and impedes it.” says the traffic police stationed at the booth.

The skywalk’s several columns on the wide sidewalk provide liveable spaces for the Naik family.

The project attempts to understad the typology of the skywalk and looks at the relatioship within and underneath these elevated transportation infrastructure systems with everyday life.

This is documented through a matrix and several axonometrics talking about the relationship of the skywalk to the built environment and its interaction with everyday life.

There is an acute shortage of direct sunlight into the house due to the proximity of the skywalk. Tubelights need to be switched on even in at noon.

Pramod Bhai uses the skywalk for jogging during off peak hours in the morning.

Top: Axonometric views of several skywalks across the city looking at how everyday life interacts with skywalks Left: Matrix of typologies of all skywalks in MMR region Bottom: Masterplan for Borivali (W) skywalk

The skywalk at Borivali (W) is chosen as the urban intervention. This skywalk due to its rich context , use and relationship to the railway station.

The project attempts to create a multilevel urban realm to allow for not only increased interaction of the skywalk with the ground plane but also create a socio-cultural realm along its lenght as a means to diversify the singular imagination of the skywalk.

To do this, a part of the road is pedestrianised and mezanine level are created to allow for interactions at multiple levels across the skywalk.

A part of the redestrain road is pervious and acts as a bio-swale to allow for water to percolate into the ground.

The skywalk opens into an amphitheatre which acts as a focal point of the skywalk at the commercial core of the site. On the other side, the existing pedestrain subway is expanded to create an amphitheatre which responds to the extended plinth of the railway station to create social spaces at the railway station edge.

A steel parasol is used as a visual edge to the project which allows for landscape to hang onto.

At the skywalk level, the skywalk extends into nearby commercial buildings to create a multi level urban plaza.

Top: Diagrams to understand the Nature of urban roads Right: (Top to Bottom) Ground Floor plan Mezzanine Level plan Skywalk Level plan

Area B

Area A

Area D

Area C

Cross section of Area A

Cross section of Area C

Cross section of Area D

Module Design

Module when Closed

Module when Open

Fixed part of Module

Structural and Services Core of Module

Module furniture layout for food kiosk

Module furniture layout for clothing / accessories kiosk

Multiple staircases are placed across the project and each staircase due to its individual identity through form and color create a local identity which along with the vertical landscape mesh creates a unique space at each instance.

The project at the upper levels is occupied by retail modules.

These modules are designed to be interactive.

The modules allow for several different sorts of retail activities within them and can be also occupied by multiple retail vendors at the same time. It allows for movement through and across it and activates all of its sides. The module when not in use can be closed to reduce its footprint

Top: Seating with an incorporated planter bed; Visually light seating made of wire mesh

and allow for more space at the upper levels.

The modules are accompanied by seating spaces designed as well. Multiple different types of seating are designed based on their position of the skywalk.

(De)Coding / (Re)Coding Architecture

A Precast fabricated module construction system is used where all residential modules are bolted onto the structural system of the building.

Semester 9 Bridge Design Studio

Collaborators: Krishna Parmar, Sakshi Kajave, Rutuja Vartak, Vedvrat Kelkar Guide: Sameep Padora, Vami Koticha, Sakshi Ghulati

The studio looked at understanding the form of housing developments in Mumbai through the lens of the Devevlopment Control Regulations.

This was studied through the lens of BDD Chawl Worli.

Understanding the current DCR and the reulstant formal nature of built space was studied and then multiple stakeholders were identified (BMC, MHADA, Private Developer, Citizens, Activists) and the project was imagined throug hthe lens of these stakeholder priorities. Negotiations were simulated between stakeholders for each stakeholer proposal to understand how each stakeholder responds to each others demands.

4 seperate modules are designed which can be attached onto the existing structure.

These modules can be attached anywhere along the building based on the preferences of the residents.

The offsets between all units should not be considered in FSI calculation as they are not habitable spaces.

TYPE 1 - Rehab Unit - 46.5 sqm TYPE 2 - EWS Unit - 24 sqm TYPE 3 - MIG Unit - 66 sqm TYPE 4 - HIG Unit - 93.5 sqm Recreational Open space

Up: Plan of proposal for the Private Developer

A central green corridor is provided for public is flanked by a commercial retail space on one green corridor is also directly connected to the proposed underground metro station.

use. This e side. This e

The building is designed such that it can accomodate additional units after consuming all FSI on site such that if MHADA needs to increase the number of tenants on site, it can be easily done.

Housing modules are lifted into place by a moving crane on the top.

A large open space is provided which during construction will function as a prefabricated module manufacturing shed and later be public space with amenities as given in the DCR

A seperate Commercial office space block is provided on site to maximise its capital value. This block also has a direct connection to the proposed underground metro station.

The proposed metro station of Worli of Metro line 3 has been realigned

Up: Axonometric view of proposal for the Private Developer

Demand The design of the project should be done in such a way that it can be constructed using prefabrication construction methods to reduce costs through economies of scale.

It will increase the pace of the project and allow for faster project completion.

Key Plan

BMC shall not allow the buildings to go highrise as this technique is unfamiliar in mumbai, and in case of fire the prefab construction dont work as an integrated structural unit

A

A 45m high central greenway is proposed o which cuts through all buildings which acts as a spine which also has retail spaces abutting i greenway is also directly connected to the pro metro station

The feasibility of this construction depends on the transportation costs and challenges as the size and nature of the prefabricated units will be limited by the kind of transportation. Also, tenants will only be able to occupy units after the completion of the project as opposed to in-situ construction. The design of the unit and aesthetics should not be compromised because of limitations and reductions in costs as the scale of the project is large and it will serve as an image for the city as a whole.

Up: Stakeholder discussions were simulated to understand the perspectives of all stakeholers on site.

A

on site a green it. This oposed

Down: Master Section

B

C

A large paved surface is provided besides the ground floor which not only acts as a open public space, but also as a staging ground for lifting housing units into place.

The building allosw for future expansion through the addition of modules in the upper voids. This will also ensure a future source of income from the project post construction.

C

B

Master Section

Understanding the formal priorities of each stakeholer eventually led to a concensus proposal after several negotiations between all stakeholders.

The concensus proposal is a compromise between all stakeholders for the creation of a built space.

Through the concensus proposal, changes to the DCR were also proposed which would make the built form more ideal for all stakeholders on site based on their negotiations.

The project did not attempt to create strong architectural design but rather attempted to understand the larger stakeholder negotiations that dictate the formation of our built environment.

12 m

Along 18m road a setback of 12m green open space is provided.

Informal market place or regulated vending zone provided within the setback along pedestrian streets.

Rehab Unit - 46.5 sqm MIG Unit - 50 sqm conserved buildings HIG Unit - 75 sqm Recreational Open space Amenities Commercial

Up: Concensus Masterplan proposal

Podium linked through bridg the internal pesestrain street green spaces.

ges along t providing

Down: Axonometric view of proposal for the Private Developer

Angle between two buildings should not be more than 70 degrees to ensure light and ventilation.

Saleable area for the redevelopment will consist of 10% HIG, 35% MIG and 55% Commercial of total saleable BUA.

55 % Comercial and Retail

35 % MIG

10 % HIG

Common balcony space between two units.

Amenities of school and balwadis provided within the cluster.

Mhada will set up a museum to conserve its century-old chawls. In worli, 2 structures will be conserved and will house pictures and archives of BDD and will be used for tourism. The museum will be situated in a large public open space, which during festivals will be used to host large gatherings.

Public parking provided adjacent to the metro station to act as a feeder system to the Metro line.

The proposed Metro 3 line is realigned such that the Worli metro station opens into the BDD Worli Plot.

Revitalising the Importance of Golconda Fort Urban Design - 7

Collaborators: Kashish Singh, Mishti Shah, Jinal Shah,

Savlee Tikle, Shrusti Shah, Vedvrat Kelkar Guides: Sonal Sundarajan, George Jacob, Samarth Das

The studio looked at the city of Hyderabad and the precinct of the Golconda fort was chosen as a site for a master plan as a means to allow the precinct to be an important foci for the city again.

The master plan while studying the precint also looked at the the fort wall surrounding the precinct which is a 6.5km long path that surrounds the precinct which was largely unused and to re-appropriate the fort wall as an important piece of infrastructure of the modern day.

This region was developed further for the studio

Reviving Bodli Gate Architectural Design - 7

Collaborators: Kashish Singh Guides: Sonal Sundarajan

The project looks at creating a relationship between the fort wall and the ground.

A new road is proposed is proposed to pass through the now defunct Bodli Gate.

Programtically, the cultural functions of the site as proposed here as the community edge of the fortwall.

The project is imagined as a connection of the ground with the Fortwall and allows people to have a varied relationship with the Fortwall and the Moat.

The project is wrapped around a large central plaza which forms an amphitheatre to interact with the Moat and Bastion of the Fortwall.

The roof of the project gradually rises up from the Central Plaza and reaches the Fortwall. This roof is punctured at several instances to let in natural light into the spaces within the project.

Top: Mapping relationship of all programs and stakeholders Bottom: Masterplan for Bodli Gate

Top: Axonometric view of the Project

N Top: Site plan showing part of project detailed individually

Top: Formal operations on the wall Movement diagram from ground level onto the Fort wall through the project Bottom: Sectional Elevation showing the entire project on either sides of the wall

Top: Basement plan

Top: Section through the Central Public Plaza from the road

Top: Section showing Relationship of the Central Public Plaza and Amphitheatre

Top: Ground Floor plan shoiwng the Central Public Plaza

Top: First Floor plan showing multiple Terraces leading to the Wall

Reclaiming the Water’s Edge Architectural Design - 6 Guide: Mayuri Sisodia

The studio looked at the Institutions of Faith in the Landscapes of Braj. The site is located beside Vishram Ghat on the banks of Yamuna in Mathura.

The project looks at re-igniting the relation between the Yamuna river and the River edge. The project looks at the unmediated interface between people and the river where interactions that might not happen at religious ghats can easily happen.

The river edge is modified to allow for increased interaction with the river.

Stormwater upwards from the site is taken in and treated to remove large debris from the water and introduce it in the river.

The project occupies a minimal footprint on site to ensure maximum space is opened up for the public with the central void used for stormwater treatment.

A stepped ghat is created on the river edge on one side and a sunken amphitheatre is created on the other side. This alongside the balconies at multiple levels on the project allows for interaction with the river in multiple ways.

Through its architectural languange, the project tries to reclaim space for personal interactions with the river.

Right: The matrix shows the relation of physical space with its mythological story and its relations to our personal self.

Top: Figure ground showing density of built form while approaching Vishram Ghat and how the site offers a relief in terms open spaces and vistas of the river.

Right: The imagination of space on site.

Right: A drawing showing how various kinds of spaces are formed at the rivers edge and around the building.

Top: The Ground floor plan mediates the relation between the land and the river edge while working around contours of 5m. It is setback from the front and back and occupies a very small footprint to maximise the ground cover for interactions between people and the water’s edge.

Top to Bottom: Longitudinal section thorugh the building showing the relationship of the Ground, Water’s edge and the building.

River elevation showing the facade of the building

Study Trip: Braj

3rd year class documentation Collaborators: Shalaka Joshi, Charvi Parakh Guides: Rohan Shivkumar Shirish Joshi

The Third Year Study Trip looked at the documentation of the landscape of Braj in and around the cities of Mathura,Vrindavan,Gokul and Govardhan.

This documentation deviated from the cartesian method of documentation through plans, sections and elevations as those drawings tend to only focus on the architectural form and does not look at it’s cultural aspects. Thus inspirations were taken from Mughal miniature paintings and how they flattened and unfolded spaces around each other.

The Exibition has been featured at CEPT in Summer 2019 and Kalakriti Comtemporary Art Gallery in Hyderabad.

A hand-drawn panel of Krishna Janma Bhoomi Pencil on Tracing Sheet 5x 594x841mm

Shiv Taal

It is a 300-year-old ‘kund’ constructed exclusively with sandstone is situated in a relatively isolated locality of Mathura. It as an Akhada on one side and is flanked by railway lines on opposite sides.This isolation creates an atmosphere of solitude.Just like the water of the Kund, the space seems to be frozen in time.Legend states that Shiva was intruiged by Krishna and descended down into this Kund and transformed into a woman by taking a dip in it, enabling him to participate in Krishna’s ‘Rasleela’

A narrow lane on the side leads to a bustling ‘akhada’ where men practice ‘kushti’ and consume ‘bhang’ post practice.

As per legends, when Mughals raided the land, a ‘shivlinga’ in the ground was broken by Aurangzeb.

The water is stagnant and covered with green algae which depicts the lack of ecology and rising levels of pollution. The water level has receded over time.

One of the temples located just outside Shiv Taal is a Krishna mandir. It started as a stone idol which was developed into a tiny temple.

Andres Jaque / Office for Political Innovation Architectural Internship

Mentor: Roberto Gonzales Garcia

A 1:100 model of the Collegio Reggio School was built for an exibition at the Telefonica Foundation hosted by the Foster Foundation in Madrid.

Collaborators: Rajvi Anandpara, Shubhankar Bhajekar, Meerati Rana and Mishti Shah Supervisor: Jesus Cortes

A research project was undertaken titled ‘Transscalar Architecture of COVID-19’ The film interrogates territorial divides, the condition of migration and the making of refugeeness, old and new geometries of colonialism, tax justice, access to healthcare, racism and xenophobia, warfare rhetoric, surveillance, urban infrastructures, public spaces, and borders. But also; entanglement, cooperation, inventiveness, engagement, and emerging forms of togetherness Collaborators: Rajvi Anandpara, Shubhankar Bhajekar, Meerati Rana, Mishti Shah, Dristhi Gandhi and Maria Karagianni Supervisor: Andres Jaque, Ivan Munera and Roberto Gonzales Garcia

Source Top to Bottom and Left to Right: Eduardo Anizelli, TPG, KFC, Remo Casilli, Danyalle Khamra, AFP, STR/AFP, TPG, Paul Sancy

A research project was undertaken to study ‘wetness’ in and around the Yangtze river for the 2020 Shanghai Bienalle titled ‘Bodies of Water’ Collaborators: Mishti Shah and Maria Karagianni Supervisor: Andres Jaque, Ivan Munera and Roberto Gonzales Garcia

Source Top to Bottom and Left to Right: Harry Grover Seeley, Dejiang Huang, Laya Skriver, Shuying Goshen, Steven Benson, Voith-seimens, Ekrem Canli, Shu Gao, Du Bin

Smart Cities and Heritage

Student Exchange KRVIA, ENSAS Strausbourg, KIIT Karlsruhe Exchange 2019 Guide: Sebastian Perraul, Shraddha Sejpal Collaborators: Leonie Goertz

The student exchange worked at the idea of a ‘Smart City’ in the context of the heritage of Chandigarh.

Sector 56 is a new development aimed at housing the city’s poor. The sector was planned by the Chandigarh Housing Development Board and is planned in a careful manner to allow for the presence of social spaces of several scales in the neighbourhood.

The study aimed at analysing the existing fabric of this neighbourhood and to give recommendations that can be implimented under the ‘Smart City Mission’ in Chandigarh.

Since there are large families living in each apartment or house, recommendations to expand the space of the home into these open public spaces were given.

Figure Ground

Right; Top to Bottom: Site Analysis Bottom: Morphology of the Housing fabric

Housing Typology

Housing Morphology in the Sector

Social Spaces

Bottom: A exisitng floor plan showing the layout of an individual unit

Top: A view of a temporary pavillion in the open spaces

Since there is lack of space in each apartment with ever expanding families, the space of the corridor has become the extended living spaces for each house. A proposal for expanding this living space into the open space in front of each apartment block as a temporary pavillion was given. These spaces are not used efficiently and creating temporary pavillions can extend the boundaries of the home and allow these spaces to be used well.

Balcony Kitchen Toilet

Room

Social space

1m

2m

4m

Betweel the Lines FOAID Wood is Good ‘18-’19 Competetion entry (2nd prize)

Guide: Ali Baldiwala, Hussain Indorewala, Apurva Parikh Collaborators:Naitik Gala, Yashvi Gala,Asmita

Patniak, Rashi Dave, Saivi Shah,

Savlee Tikle

The project was about building a multi-functional funrniture out of a given quantity of wood that was provided.

The design looked at a compact piece which could expand volumetrically to reveal spaces within.

The design also looked at the sectional nature of a wooden log and how to optimise the utilisation of wood. It evolved to be a furniture piece that catered to all age groups of people.

The furniture looked at creating seating and standing spaces along with some storage spaces and a small desk for kids.

Plan at 550mm

Front Elevation

Top to Bottom: Drawings made for construction Left: The furniture is imagined as a plane which can open to reveal spaces and be compacted when not in use to save space.

Right: Various iterations of elevations were produced where different parts of it open to serve different functions.

Right: Constructed Furniture at display during FOAID 2018-2019.

Bottom: Snippets showing how the furniture transforms.

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Right: Ground floor plan with centre lines.

Bottom: Front elevation showing the verandah.

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C111 CHANGING ROOM 4950X3000

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WALL HEIGHT: 2400

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W2

D1 1200X900

W2 +150

W1

W3

C107

C98

C96

W3

DUCT 2550X1000

+450

C106

T58

23

+750

D1

W2

W3

C90

C84 D3

T55

24

W3

SWIMMING POOL 10000X22000

+750

+750

CAFE

W3

+150

D2

C85

C81

R 150 T 300

25

+0

D1

W2

D2

C69

C46

C104

S1 F1 C1 Wa1

+750

C75

S1 F1 C1 Wa1

KITCHEN 3550X9000

PLANTER BED

W4

C74 C64

C86

W1

C101

C108

300MM OVERFLOW DRAIN

C73

W4

S2 F4 C1 Wa3

C78

W4

T52

26

+750

C57

S1 F5 C1 Wa1

+150

W4

C91

-2250 C68

C63

W3

+750

C67

D3

W4

T53

T50

T49

27

D2

+750

PLANTER BED

C83

D1 W2

C94

-250

TOILET 1200x2500

36

D2

D1

D1 W2

D1 C79

C76 1 2 3

+750

W2

S3

37

C71 +750

STORE ROOM 2100X4250

D2

C70

R 150 T 300

W5

C58

DOCTOR'S OFFICE 2 4550X3300

+750

D2

DOCTOR'S OFFICE 1 4550X3750

C56

RECEPTION 6750X6000 D1

C72

C62

T46

28

STORAGE ROOM 4550X2300

+750

S1 F1 1200X900 C1 Wa2 D1 W2

1 2

2 1 UP

R 150 T 300

29

C43

D1

+0

T43

30

C54

+0

W4

C35

PLANTER BED C55

T40

1 2 R 150 T 300

+750 2 1

UP

T41

T38

T37

31

4 3 2 1

R 150 T 300

C50

PLANTER BED

C36

D3

C53

D2

FIRST AID ROOM 4550X4750

+150

W4

C52 C48

+750

S2 F3 C1 Wa1

W4

W4

1 2 R 150 T 300

+750

2 1 UP R 150 T 300

T34

32

+0

C44

DUCT 1200x2000

C46

PLANTER BED

C45

C37

C33

C49 C42

PLANTER BED +0

W7

D5

C41

DN

C51

D3

C47

T31

33

W6

C34

+150

C66 1 2 3 R 150 T 300

+450 F3

C65 +600

+0

DUCT 4950X750

C31

S1 F3 C1 Wa1

+750

C30

C28

W2

TABLE TENNIS 7300X6450

PLANTER BED +0

C27

34

C26

W2

D1

C25

W1

S1 F5 C1 Wa1

D1

T28

T25

35

D1

W2

W2

D1 1200X900

-750 10 9 8 7 6 5 4 3 2 1

W1

D2

-1050

D1

1200X900

1 2

T29

T26

36

D1

D2

C21

D1

C40

W6

D3

+750

2 1 UP T22

37

W2

C22

-1050

S1 F2 C1 Wa2 1200X900

W2

+0 C32

C29

W6

R 150 T 300

+750

+0

2 1 UP

T19

38

DUCT 7200X1500

C20

+150

+0

W4

D1

WALL HEIGHT: 2400

F1 S1 Wa2 C1

CHANGING ROOM 4950X3000

C18

PLANTER BED

CARROM S1 F3 9550X4050 C1 Wa1

C24

4 3 2 1 UP

PLANTER BED

+750

+0 C23

T16

T13

39

ADMIN 3750X4250

D2

W1

C17 UP

T17

T14

+0

C80

C77

W6

C12 W4

MANAGER 2 ROOM 4000X4250

D1

C11

D2

D1

D1 1500X900

C10

C7

10 9 8 7 6 5 4 3 2 1 DN

F1 S1 Wa1 C1

PLANTER BED

+450

3 2 1

C9

T10

40

C61

+0

PLANTER BED

D1

+0

+0

C4

W2

C6

D2

D1

F2 S1 Wa2 C1 D1

W2

W2

C19 D2

D2

D2

D1

C8

D2

STAGE

C38 +150

PLANTER BED PLANTER BED

C5

C3

+0

W2 D1

MANAGER 1 ROOM 5750X3900 W4

C2

HANDICAP TOILET 2550X2550

D6 RECEPTION 8000X3000

DUCT 2550X1000

S1 F1 C1 Wa1

T7

41

C80,C83

C71,C86

C60

C5

C3,C6,C11,C42,C49 ,C53,C57,C64,C69,C74

C27,C35

C96,C98

+300 C1

T4

+450

T2

C16 W8

C13

W8

42

C77,C89

C66,C76,C88

C39 +150

PLANTER BED +0

C38,C45

C59

C4,C12

C91,C101

C62,C72,C84

C67,C78,C81

C8

C29,C32,C40,C47,C51,C55

T1

+150 +150

BL

S1 F8 C1 Wa1

44 43

6150 W4

C92,C102

C41,C48,C52,C56

GUIDES AND COACHES ROOM 5750X3650

W4

850

1000

BO

SECURITY CABIN 3000X3000 +300

BQ

C13

BS

T3,T6,T9,T12,T15,T18,T21,T24, T27,T30,T33,T36,T39,T42,T45, T48,T51,T54,T57,T60,T63,T66,T69

BT

+150

950

BE 4750

C37,C44

CHESS 9550X4050

C20,C26,C109,C115

C28,C30,C33,C36,C43, C50,C54,C58,S2,S4

C2,C7,C10,C63,C68,C73,C85

400

SHOWER AREA 6700

400 300

C19,C22,C25,C108,C111,C114

C90,C100

C18,C21,C24,S1, C107,C110,C113

400

2000

850

D5

1050

400

100 400

400

4400

PUBLIC TOILET 300 400

100 1550

2150

600 850

W4

1750

2100 750

1700

1950

1400

1300 2200

950

C1,C9,C17,C23,C106,C112

2000

1150 2600

750

2500

S1 F5 C1 Wa1

600 450 1150 450 600

1750

3850 1100 2600

750 950

2750

2900

850

C31,C34

450 200 600

9450

3500

7550

2900

2050

1700

1700

2250

650 1750

C79,C82

2250

C93,C103

200 600

5400

600 450 1150 450 600

W7

D3

1800

C65,C70,C75,C87

200 600 450 600 200 1900

S1 F3 C1 Wa1

250

400 400 650

2700

BV

C15

BY

C14

2550 650 1550

CC

C97,C99

BH

4750

C46

BI

6450

C39,S3

BL

2200

C94,C104

BO

BQ 5400

1750

9950

2700 800

1050

BS 2200 2000 1900 1400

1900

1350

900

2250

8900

1000

1750

8500

2800 800

1150

2MM THK ACP SHEET

4400

400

PUBLIC TOILET

300

100 1550

2150 600

1700

850 2000

2750

3200

400 400

400 6700

400 400

SHOWER AREA

1000

BT 4150 W2

W2

1300

C16

BV 6800

1150

350

1000

1300

2100 200

1200

F1 S1 Wa2 C1 W2

10550

750

2250

850

750 2250

850 2250

1050

300

3450 550 1100 500 550 1550 50 2150 50 50 100 100 2400 200 100 2500

D2

600 450 1150 450 600

1750

400

2150 150

S1 F1 C1 Wa1

D2

1650

7400

350 700100 1950

750 950

T1,T4,T7,T10,T13,T16,T19,T22, T25,T28,T31,T34,T37,T40,T43, T46,T49,T52,T55,T58,T61,T64,T67

900X1100

1000X1100

3400

1000

1350 DUCT 1500X3400 1300

900X1100

900X1100 3400

3500 50

400

350

1750

2500 650 50 1350 750 750 200 1200 1850 850 100 100 1100

600 450 1150 450 600

3850 1100

1300

2600

2100

950

T2,T5,T8,T11,T14,T17,T20,T23, T26,T29,T32,T35,T38,T41,T44, T47,T50,T53,T56,T59,T62,T65,T68

BY 2750

1000X1100

CC

1000X1100

CE

9050

1000X1100

650 150 150

CF

2250

6000

F1 S1 Wa2 C1 W2

W4

1400 1750

W4

2200

CE

650 2 1

S1 F1 C1 Wa1

+150

100

5900

2200

C1,C2,C3,C4 CF

C13 CD

C16 CA

C14 CB

550

C5,C6,C7,C8 CE

2450

650 C15 BZ

C21,C22 BX

T4,T5,T6 BW

+150

BT C27,C28

5400

5050

C9,C10, CC C11,C12

2400

C17,C18,C19, BY C20,T1,T2,T3

2600

1500 T7,T8,T9 BU

2400

C23,C24,C25,C26 BV

1100

3850 T10,T11,T12 BR

C35,C36 BO

T13,T14,T15 BP

1150

C29,C30,C31 BS

1300

2800

C32,C33,C34 BQ

SHEET 3

T16,T17,T18 BM

BL

BI

BJ T19,T20,T21

900 C37,C38,C39 BN

2700

100

C47,C48, C49,C50

C51,C52,C53,C54 BH

T22,T23,T24 BG

BF

2200

2400

SHEET 2

2450

150

C42

2550

C40,C41,C43, BK C44,C45,C46

1850

600

C59,C60,C61

T28,T29,T30 BC

C62,C63,C64, BB C65,C66

BA T28,T29,T30

C67,C68,C69, C70,C71

5000

650

C55,C56,C57,C58 BE

4350

2900 AZ

2100 AY

C72,C73,C74, AV C75,C76,C77

AT

1550 C67,C68,C69, AX C70,C71

AS

3050 T34,T35,T36,S2 AW

S1,S3

1400 AU

T37,T38,T39

3600 C78,C79,C80

AP T43,T44,T45

3000

T25,T26,T27 BD

400 1900

S4 AQ

3100

C81,C82,C83 AR

AN T46,T47,T48

SHEET 2

1900 C84,C85,C86, AO C87,C88,C89

AL

3700 SHEET 1

T49,T50,T51

AJ

AK

1300 C90,C91,C92, AM C93,C94,C95

C96,C97

C98,C99

T52,T53,54

5000

T31,T32,T33

100

2750 AI

2200 AH

4150 T55,T56,T57

T58,T59,T60

T61,T62,T63

C106,C107, C108,C109

AF

AE

AD

850 C100,C101, C102,C103, AG C104,C105

2600

100

C110,C111 AC

C112,C113, AB C114,C115

50

2250

4950

100 T67,T68,T69 AA

R PARAPET LEVEL +5600 GYM SILL LEVEL +5600 TERRACE LEVEL +5250 TERRACE LEVEL +4950 M BOTTOM LEVEL +4500 ET CHAJJA LEVEL +4450 ER LINTEL LEVEL GYM SLAB LEVEL +4450 BOTTOM LEVEL 2 +3300 BOTTOM LEVEL 1 +3300 ER CHAJJA LEVEL +3300 RE LINTEL LEVEL +3150 MIN LINTEL LEVEL +2050 OOR SLAB LEVEL +2050 NTRE SILL LEVEL +1900 NTER SILL LEVEL +1650 ADMIN SILL LEVEL +1200 ET CHAJJA LEVEL +1200 NTRE SILL LEVEL +850 WALKWAY LEVEL +150 +0 GROUND LEVEL SPORTS CENTRE -800 BASEMENT LEVEL BASEMENT LEVEL -1100

YM LINTEL LEVEL +6450 T PARAPET LEVEL +6450

TERRACE LEVEL +6450 BOTTOM LEVEL 2 +6450 BOTTOM LEVEL 1 +6450

M PARAPET LEVEL +6450

CF 5000

The studio looked at resolving the Architectural Design project that was done the previous semester in an effort to further the design of the building through innovating details and looking at aspects of the building that are not possible to look at in an Architectural Design studio.

Guides: Dhyanesh

Working Drawing - 2

Sports Centre in Behram Baug

+9300 BUND WALL LEVEL +8750 SLAB LEVEL

450 MM ACP DUCT

+7880 BEAM BOTTOM LEVEL

RCC COPING DRIP MOULD

NOTES :

4300

550MM BUND WALL BRICK BAT KOBA

7150

200X200 M.S CHANNEL SECTION

+1250 SILL LEVEL +750 PLINTH LEVEL +150 PATH LEVEL +0 GROUND LEVEL

450X750 MM M.S BOX SECTION 40 MM TUBULAR SECTION WELDED TO BOX SECTION 40 MM M.S HOLLOW CIRCULAR SECTION WELDED TO BOX SECTION 24 MM M.S PLATE

TUBULAR M.S TRUSS

300

2400

3150 CHAJJA LEVEL

D

700

7850

WATERPROOFING LAYER 51MM HIGH STRUCTURAL STEEL DECKING

5MM M.S PLATE ANGLE CLEATS 5MM M.S PLATE

E

5 MM M.S PLATE

1950

ANCHOR BOLTS`

BEAM CONNECTION 1 AT A SCALE 1:10

300

SECTION A-A' SCALE: 1:100

300

200X200 M.S CHANNEL SECTION WELDED TO BOX SECTION TRUSS WELDED TO BOX SECTION 16 MM HOLLOW CIRCULAR SECTION 450X750 MMM.S BOX SECTION

BEAM CONNECTION 2 AT B SCALE 1:10

1950

6250

F

1000 MM RCC CHAJJA

250

550 MM THK BUND WALL BULL NOSE

150

5350

DRIP MOULD

300

10 MM DIA REBARS@300C/C

B

BRICK BAT COBA

8 MM DIA REBARS@200C/C

300

VATTA

DRIP MOULD

WATERPROOFING LAYER

5350

AX

2550

2800

AM

51 MM HIGH STRUCTURAL STEEL DECKING

AJ

AI

AG

AB BUND WALL DETAIL AT C SCALE: 1:10

AE

3000

300

2800

AO

A'

A

AZ

1950

1700

A

BB

1. ALL DIMENSIONS ARE 2. DO NOT SCALE THE D 3. FOLLOW WRITTEN DI 4. THIS DRAWING IS TH ARCHITECT AND SHOUL WITHOUT HIS PERMISSIO THIS DRAWING IS THE C PROPERTY OF THE ARCH 5. ALL STRUCTURAL DIM TO BE REFERRED FROM STRUCTURAL ENGINEER 6. ALL SERVICES TO BE SERVICES CONSULTANT 7. FOR ALL OTHER DETA OTHER RELEVANT DRAW 8 ALL EXISTING GROUND TO BE VERIFIED BY THE BEFORE COMMENCEMEN 9. IN CASE OF ANY DISC IMMEDIATELY BROUGHT NOTICE OF ARCHITECT/

5MM M.S PLATE

12 MM DIA REBARS@200C/C

3000

5MM M.S PLATE

16 MM DIA MB

W3

W3

1050

W4

5350

450MM THK BRICK WALL

D3

25MM EXTERNAL PLASTER BULL NOSE VATTA 600X450 EXTERNAL PLINTH BEAM

W4 D2

D2

S1 F5 C1 Wa1

W3

D2

S2 F4 C1 Wa3

F1 S1 Wa2 C1

W3

50MM HIGH M.S BENT PLATE

STRIP ELEVATION AT 1:25

6200

W2 F1 S1 LOUVRE EDGE DETAIL AT D Wa2 C1 SCALE: 1:5

F7

3750

BB

16600

C PLAN AX SCALE: 1:100

AZ

6350

5550

AJ

AM

AO

6350

2750

3200

AI

SITE: BEHRAM BAU

KAMLA RAHEJ INSTITUTE FOR AND ENVIRONM

90 MM M.S. BALL BEARING

7400

10MM AEM.S HOLLOW CIRCULAR SECTION

AG

SECTION H-H'

SPORTS AND HEALT 75MM M.S HOLLOW CIRCULAR SECTION

75MM M.S HOLLOW CIRCULAR SECTION

WALL SECTION AT 1:25 7100

200 MM M.S. HOLLOW CIRCULAR SECTION

W2

S2 F3 C1 Wa1

250MM RUBBLE SOLING

AB

200 MM M.S. HOLLOW CIRCULAR SECTION

2MM WELD 75MM M.S HOLLOW CIRCULAR SECTION 5MM M.S BENT PLATE

TEAK WOOD PANELS

550X25MM TEAK WOOD PANELS

G

20MM M.S HOLLOW CIRCULAR SECTION

AY

AV

AS

PLAN OF LOUVERS WHEN OPEN AT C SCALE :1:25

AP

AN

AJ

AL

LOUVRE DETAIL AT G SCALE: 1:5

AH

AF

AB

YEAR B.ARC

DATE :

24/04/2019

SHEET:

WALL SECTION

SIGN :

LOUVRE JOINERY DETAIL AT E SCALE: 1:10

AD

SAUMIL S

YEAR : 3RD

460X25MM TEAK WOOD PANELS

PLAN OF LOUVERS WHEN CLOSED AT C SCALE :1:25

ALL DIMENSIONS ARE NAME :

AA

BRICK PARAPET 51MM STRUCTURAL M.S DECKING 200MM M.S CHANNEL SECTION

W4

W4

W8

W3

W9

W3 25MM SAND FACED EXTERNAL PLASTER 25MM THK STONE SLATE ROOFING

5000

5000

W4

D3 AY

5000

5000

5000

5000

5000

5000

5000

D3

W4 AV

AS

AP

AN

5000

5050

700MM DEEP BTC FACIA BOARD

5000

D3 AL

AJ

W3

AH

230X300MM BTC POST AF

W3

AD

AB

AA

Youth Hostel in Patiala Architectural Design - 4 Guide: Ekta Idnany

The studio looked at housing typologies by means of documentaing several houses and a fort in the City of Patiala.

This then led to a selection of site based on ht edocumentation and thus looking at a housing typology.

The site looked at a Youth Hostel in a very densly packed site which is surrounded by a market and a bustling road on all isdes.

The project started by documenting our undersanding of patiala by the means of narrative strips which helped us look into some aspets of the city.

Left: Axonometric showing the delayering of current site conditions.

The market and roads wrap around the site while the site is on a plinth which distances itself from the public life of the street.

Top to Bottom: Various iterations were made to understand how to make the site more accessible to the public and create an important thoroughfare which connects all 3 junctions around the site.

Left: Various volumetric iterations were made where the built form responds to the 3 juntions and the tank and dargah on site.

Right: Final model shwoing how the built form seemlessly merges the site and allows easy access within. And Parks are also introduced on site to increase public throughfare through site.

Allied Design - 2 1st year

Guides: Dipti Talpade, Apurva Iyengar, Nibedita Mishra

Some tiny black bugs were scratching at the underside of the lampshade.

-Haruki Murakami The Project looks at studying the sentence in isolation and making a costume through its understanding as an extension of the body

Top: Black and White photograph showing the costume. Built using Metal wire,thread,Black electrical tape.

Bottom: A drawing looking at the ordered chaos of insects around a light source

Allied Design - 4 2nd year

Collaborators: Kashish Shah Guides: George Jacob, Mansi Bhatt

The studio was divided into 2 parts. First it looked at self replicating modules and the different configurations that they could form. And the second part looked at using those modules to create spaces by interpreting a painting.

Left: An individual module which is selfrepeating in nature.

Right: Development of module into a 5x5x5cm.

Bottom: Arranging the modules in different configurations.

Section showing spaces within L’Incertitude du poète -Giorgio De Chirico, 1913 AD

Top: Front view of Model Made using 5x5x5 cm white modules and 10x5x1.5 cm mud bricks.

Top: View of Model Made using 5x5x5 cm white modules and 10x5x1.5 cm mud bricks.

Material and Structural Exploration

Various kinds of different materials were explored during the course in Concrete, Bamboo, rammed Earth and also looks at understanding structural prinnciples through model making.

Left to Right: Formwork for the model with braces put wherever necessary.

After pouring, the comcrete is left to set for 2 days.

The final model after removing the formwork.

Semester 4 Patiala Fort Wall Model Part of the Patiala Measure Drawing Exibition.

Making the brick

Left to Right: Fine sieved soil, Rice husk and sand were mixed in a ratio of 6:3:1 and kneaded toghether with water.

The mixture was sized and placed in a mold of a 10x10x10 cm brick.

About 4000 bricks were made in the studio over the course of 2 weeks. The bricks are left in the open for 1-2 weeks to be sun-dried.

Semester 3 Architectural Design Model

Semester 4 Building Construction Material Exploration Workshop

Collaborators: Mishti Shah, Aayushi Sirsikar, Aman Savla, Annuja Shah, Karina Sanghvi, Tanvi Sankhe, Rashmi Varma, Devna Desai, Aparajita Sanyal

Top: Strengthning of corner using jute threads.

Bottom: Horizontal weaves are tied to strenghten the structure.

Semester 4 Patiala Fort Wall Model Part of the Patiala Measure Drawing Exibition.

Making the Fort Wall

Left to Right: Wall under construction FinalModel,Dome detail Tank Model

Final installation made using Bamboo and Jute rope. Size: 3m x 3m

Study Trip: Patiala 2nd year

Collaborators: Aparajita Sanyal,Devna Desai, Pranal Mahadik, Manasi Gaikwad

The studio looked at documenting housing typologies in Patiala through the means of measure drawings.

The Qila Mubarak and the houses around it were documented which spanned a time period of 300 years and through the documentation, different methods of construction were studied.

This documentation was accompanied by a scaled model of a section of the fort wall

Left: Front Elevation Right: Section through the house showing the courtyard

Top: Ground floor plan Bottom: First floor plan

Study Trip: Badami 1st year

Collaborators: Annuja Shah

The studio looked at documenting spaces through sketched plans,sections and elevations as a means to understand how a building can be drawn in the cartesian method.

Right: Plan of Cluster of Houses Bottom: Sections through Cluster of Houses.

55mm f/13 1/4000

Thank You Saumil Sanghavi Mumbai, India +91-9820265863 | sanghavisaumil@gmail.com