26thSFF Festival Daily #1

Fest ival Daily Petak / Friday / 14. August 2020.

Dobr odo?li n a 26. Sar ajevo Film Fest ival Welcome to the 26th Sarajevo Film Festival

on dem an d.sf f .ba

Prat it e 26. Sarajevo Film Fest ival na ondem and.sff.ba On dem an d.sf f .ba bit ?e centralno mjesto za sve filmove, programe i sadr?aje 26. Sarajevo Film Festivala, ne samo za publiku u Bosni i Hercegovini, ve? i za ljubitelje filma u regionu i svijetu.

Sarajevo Film Festival ovom platformom filmskim autorima pru?a mjesto gdje mogu prikazati svoja ostvarenja, a festivalskoj publici omogu?ava uvid u najbolje od regionalne i svjetske produkcije.

Prijavom na ondemand.sff.ba imate priliku gledati najnovije filmove iz doma?e, regionalne i svjetske produkcije na svom ure?aju. Zahvaljuju?i festivalskoj online platformi, publika ima priliku do?ivjeti posebno filmsko iskustvo u dru?tvu i na lokaciji koju sami izaberu.

Pr ogr am i i pr at e?i sadr ?aji Na ondemand.sff.ba dostupni su svi programi Sarajevo Film Festivala. Takmi?arski program ? igrani film, Takmi?arski program ? dokumentarni film, Takmi?arski program - kratki film, Takmi?arski program ? studentski film, Open Air program i Pretpremijere serije ponudi?e publici niz svjetskih i internacionalnih premijera. Presjek najboljih regionalnih filmova iz protekle godine mo?i ?ete pratiti u okviru programa U fokusu. Program Posve?eno donosi filmove ovogodi?njeg dobitnika Po?asnog Srca Sarajeva, meksi?kog reditelja

Michela Franca. Predstavi?emo i brojna recentna ostvarenja svjetske kinematografije u okviru festivalskih sekcija Kinoscope, Summer Screen, Dan ljudskih prava, SFF Partner Presents, Suo?avanje s pro?lo??u, Dje?iji program, TeenArena, a pregled bh. filmskih ostvarenja iz protekle godine donosi program BH film.

Publika festivala mo?i ?e pogledati i brojne prate?e sadr?aje, me?u kojima su i Masterclass razgovori s pet renomiranih filmskih stvaralaca: ovogodi?njim dobitnicima Po?asnog Srca Sarajeva Madsom Mikkelsenom i Michelom Francom, Michelom Hazanaviciusom, BĂŠrĂŠnice Bejo i Rithyjem Panhom. Program Masterclass razgovora realizuje se u saradnji sa uglednim filmskim magazinom Variety iz Los Angelesa i bit ?e dostupan ?irom svijeta preko Variety Streaming Rooma. Razgovore o trendovima u savremenoj filmskoj industriji, u kojima ?e u?estvovati i najzna?ajniji filmski profesionalci iz ?itavog svijeta, tako?er ?ete mo?i pratiti na ondemand.sff.ba, kao dio programa CineLink Talks, koji je realiziran u saradnji s Documentary Campusom i renomiranim filmskim magazinom Screen International.

On dem an d.sf f .ba razvijen je u saradnji sa stream servisom Shift72, vode?om kompanijom na polju on demand festivala i Festival Scope, online platformom za filmske profesionalce.

Vi?e o plat f or m i Ondemand.sff.ba je VOD (video on demand) platforma koja vam omogu?ava pretplatu na kompletan program dostupan 7 dana, ali i mogu?nost izbora pojedina?nih naslova, paketa filmova i prate?ih sadr?aja. Sa ondemand.sff.ba Sarajevo Film Festival je u mogu?nosti da svoj program ponudi publici gdje god se ona nalazila u svijetu. Sadr?aj VOD platforme ondemand.sff.ba ?e biti dostupan za gledanje na datumima nazna?enim na svakom pojedina?nom filmu.

Sadr ?aj plat f or m e dost u pan je n a r azli?it im t er it or ijim a: 1. Filmovi dostupni za gledanje u Bosni i Hercegovini; 2. Filmovi dostupni za gledanje u Hrvatskoj, Srbiji, Sloveniji, Crnoj Gori, Kosovu i Sjevernoj Makedoniji; 3. Filmovi dostupni za gledanje u cijelom svijetu.

Paketi, odnosno dostupnost sadr?aja, isklju?ivo su uslovljeni prikaziva?kim VOD pravima za teritorije za koje je Sarajevo Film Festival bio u mogu?nosti da obezbjedi prava za prikazivanje.

Filmovi dostupni za gledanje na navedenim teritorijima su raspore?eni u pakete, tako da mo?ete provjeriti prije kupovine koji su sve filmovi dostupni na va?oj teritoriji. Mogu?e je kupiti, odnosno iznajmiti sve filmove koji su dostupni na va?oj teritoriji kupovinom paketa, a tako?e je mogu?e iznajmiti pojedina?ne filmove za gledanje.

Nakon kupovine, odnosno na datum koji je nazna?en na svakom filmu, film ?e biti dostupan za gledanje. Nakon ?to zapo?nete gledanje prvi put, imate 48 sati da odgledate film. Film je mogu?e stopirati, gledati od po?etka, ili nastaviti gledanje od trenutka na kojem ste zaustavili.

U?ivajt e u pr ogr am u 26. Sar ajevo Film Fest ivala n a n a?in k ao n ik ada pr ije!

Fest ival po?in je svjet skom pr em ijer om f ilm a ?Kon cen t r i?i se, baba? Pjer a ?alice 14. au gu st a. Vidim o se n a on dem an d.sf f .ba!

Join 26t h Sarajevo Film Fest ival on ondem and.sff.ba Ondemand.sff.ba will be the central site for all the films, programmes, and contents of the 26th Sarajevo Film Festival, not only for the viewers in Bosnia and Herzegovina, but also for regional and global film lovers.

With this platform, Sarajevo Film Festival provides the site for film authors to present their work, and for the festival audience to watch the best regional and global productions. By registering on ondemand.sff.ba you have the opportunity to watch the latest films from domestic, regional and global production on your devices. With the festival?s online platform, the audience can have a special film experience with the company and at the location of their own choosing.

Pr ogr am m es an d accom pan yin g con t en t s On ondemand.sff.ba, all the Sarajevo Film Festival programmes are available.

Competition Programme ? Feature Film, Competition Programme ? Documentary Film, Competition Programme - Shorts, Competition Programme ? Student Film, Open Air programme, and Avant Premieres will offer a series of global and international premieres.

You will be able to watch a selection of the best regional films from the last year within the In Focus programme.

The Tribute To programme brings films of this

year ?s recipient of the Honorary Heart of Sarajevo, Mexican director Michel Franco. We will also present many recent global cinematic works within the festival?s sections of Kinoscope, Summer Screen, Human Rights Day, SFF Partner Presents, Dealing with the Past, Children?s Programme, TeenArena, and BiH films from the last year will be included in the BH Film programme.

The festival audience will also be able to watch accompanying contents, including Masterclass discussions with five renowned film authors: this year ?s recepients of the Honorary Heart of Sarajevo award Mads Mikkelsen and Michel Franco, Michel Hazanavicius, BĂŠrĂŠnice Bejo and Rithy Panh. The Masterclass discussion programme is delivered in cooperation with the reputable film magazine Variety from Los Angeles, and it will be available across the world through the Variety Streaming Room. You will also be able to watch discussions on trends in the contemporary film industry with the most significant film professionals from all over the world on ondemand.sff.ba, as a part of the CineLink Talks programme, delivered in cooperation with the Documentary Campus and renowned film magazine Screen International.

Ondemand.sff.ba is developed in cooperation with the Shift72 stream service, a leading company for demand festivals, and Festival Scope, online platform for film professionals.

M or e abou t t h e plat f or m Ondemand.sff.ba is a VOD (video on demand) platform offering a subscription for the entire programme available for 7 days, and a possibility to select individual titles, film packages, and accompanying contents. With ondemand.sff.ba, Sarajevo Film Festival is able to offer its programme to the audience across the world. The contents of ondemand.sff.ba VOD platform will be available for watching on the dates specified for each film.

Th e plat f or m con t en t s ar e available in dif f er en t t er r it or ies:

Packages and contents availability are conditioned only by VOD broadcast rights for the territories for which Sarajevo Film Festival was able to provide the broadcasting rights.

Films available for watching in the specified territories are classified in packages, and, before purchasing, you can check which films are available in your territory.

It is possible to purchase or rent all the films available in your territory by purchasing the package, and it is also possible to rent individual films to watch.

1. Films available for watching in Bosnia and Herzegovina;

After the purchase, and on the date specified for each film, the film will be available for watching.

After you first start watching, you have 48 hours to finish watching the film.

2. Films available for watching in Croatia, Serbia, Slovenia, Montenegro, Kosovo, and North Macedonia;

The film can be paused, watched from the beginning or continued from where you paused it.

3. Films available for watching across the world.

En joy t h e pr ogr am m e of 26t h Sar ajevo Film Fest ival lik e n ever bef or e!

Th e f est ival w ill begin w it h t h e w or ld pr em ier e of ?Focu s, Gr an dm a?, a f ilm dir ect ed by Pjer ?alica on 14 Au gu st . See you on on dem an d.sf f .ba!

Belm a Salkuni? vodit eljica ot varanja 26. Sarajevo Film Fest ivala Belma Salkuni? hosts the opening ceremony of the 26th Sarajevo Film Festival Voditeljica ceremonije otvaranja ovogodi?njeg izdanja Sarajevo Film Festivala, koji se odr?ava online, je bosanskohercegova?ka glumica Belma Salkuni?, koja je ostvarila glavnu ulogu u novom filmu Ognjena Svili?i?a, ?Glas?.

Publika ga ima priliku pogledati u ovogodi?njem programu U fokusu.

U prethodnim izdanjima Sarajevo Film Festivala uloga doma?ina sve?ane ceremonije otvaranja bila je povjerena glumicama Amili Terzimehi?, Zani Marjanovi?, Vanesi Glo?o, Aleni D?ebo i Mariji Piki?, te glumcima Albanu Ukaju, Erminu Bravi, Borisu Leru, Adnanu Haskovi?u, Fe?i ?tukan i Igoru Skvarici.

Belma Salkuni?, an actress from Bosnia and Herzegovina, will be hosting the opening of this year?s edition of the festival, which will be held online. Salkuni? plays a lead role in the new film by Ognjen Svili?i?, ?The Voice?, in the festival In Focus programme.

Previous hosts of Sarajevo Film Festival opening ceremonies included actresses Amila Terzimehi?, Zana Marjanovi?, Vanesa Glo?o, Alena D?ebo, and Marija Piki?, and actors Alban Ukaj, Ermin Bravo, Boris Ler, Adnan Haskovi?, Fe?a ?tukan, and Igor Skvarica.

Oslu?kivanje ?ivot a Intervju sa rediteljem filma "Koncentri?i se, baba" Pjerom ?alicom Nije pr vi pu t da im at e f ilm n a Sar ajevo Film Fest ivalu . Pu blik a je do sada n a Va?e f ilm ove zn ala r eagir at i glasn im pjevan jem , gr len im sm ijeh om , k ikot an jem , u zdasim a, su zam a... jer st e ?est o pr on alazili izr avan pu t do sr ca pu blike. Ovaj pu t gledat elji ?e bit i k od k u ?e, pr ed r a?u n aln im ek r an im a. Kak av je Va? osje?aj pr ed vir t u aln u pr em ijer u ? ?t a za Vas zn a?i n em at i m ogu ?n ost n eposr edn e povr at n e in f or m acije gledat elja i opipat i bilo pu blike?

Frustracija. Naprosto je frustriraju?e. Generacija sam koju je tehnologija ozra?ila, ali nisam se rodio u digitalnom dobu, tako da ga razumijem, ali ga ne di?em. Fascinira me ?to je tehnologija omogu?ila da i u ovako komplikovanom vremenu film mo?e ipak do?i do publike, ali izostanak ?ivog kontakta me ipak frustira. Ali, kada sve stavite na vagu najva?nije je da se o?uva zdravlje i, ipak, odr?e projekcije. Bez moderne tehnologije to, naprosto, ne bi bilo mogu?e, tako da sve frustracije ostavljam po strani i sa rado??u i uzbu?enjem i??ekujem premijeru.

Pozn at i st e m ajst or ot k r ivan ja i f in og n ijan sir an ja m alih -velik ih lju dsk ih pr i?a, da n e k a?em m ah alsk ih i izbjegn em svak u m ogu ?n ost st avljan ja ovog pr idjeva u n egat ivan k on t ek st . Im at e li poseban n ju h za ove pr i?e, ili pr i?e pr on alaze Vas? Sje?am se jednog od prvih predavanja profesora D?evada Karahasana, kada je rekao: ne morate se truditi da budete originalni zato ?to ste ve? nu?no originalni i neponovljivi. Borhesovska jednostavnost te misli me je fascinirala, postala neka vrsta autorskog kreda: ne truditi se da radi? kako bi to neko drugi, koliko god on genijalan bio, nego oslu?kivati ?ivot, prepoznavati i rezonovati u skladu sa svojim damarom, iskustvom i znanjem.

Doima se jednostavno, ali zna biti jako te?ko, jer osim vje?tine uklju?uje i golem emocionalni anga?man.

Por ed Va?ih st an dar dn ih glu m aca ? Va?e su pr u ge Jasn e, Em ir a Had?ih af izbegovi?a, Izu din a Bajr ovi?a, Adm ir a Glam o?ak a ? t u su i glu m ci sa k ojim a n ist e pr ije r adili. Jest e li

im ali n a u m u pojedin e glu m ce dok st e pisali scen ar io? ?esto pi?em imaju?i na umu konkretne glumice ili glumce, u ovom slu?aju za to, prakti?no, nije bilo vremena, jer je proces od inicijalne pri?e do snimanja filma bio stra?no kratak, sve se de?avalo u?asno brzo, bio je to proces sli?an ronjenju na dah. Ne zna?i to da je bilo te?ko raditi podjelu, naprotiv, ali pisanje scenarija za odre?ene glumice ili glumce se dijelom de?avalo kada sam radio kasnije verzije scenarija, bli?e snimanju, poslije ?ita?ih proba i analize. Kada smo radili probe, mjesec, dva, prije snimanja, jo? nisam imao napisan definitivan kraj filma.

U tom procesu mi je jako pomogao rad sa gluma?kom ekipom. Rad sa tim ljudima je nezaobravno iskustvo. Bili smo vrlo kompaktan, veseo i vrijedan tim, spreman i sposoban da roni na dah koliko treba.

M ir a Ban jac iza sebe im a im pozan t n u glu m a?k u k ar ijer u vr ijedn u st r ah opo?t ovan ja. Kako st e pr ivoljeli ovu sjajn u ?en u , koja je u ozbiljn im godin am a i za obi?n og sm r t n ik a i za vr h u n sk u glu m icu , za r ad n a f ilm u ?

Na moju radost nije je trebalo privoljevati. Mira je pristala gotovo na nevi?eno da radi sa nama na ovom filmu. To mi je jedan od najve?ih komplimenata u ?ivotu. Njena vitalnost, dinamika, znanje i iskustvo su nadahnjuju?e.

Stvarno je monumentalna osoba i divan umjetnik.

Va? f ilm im a vi?e pr odu cen at a i pat n er a k oji su pom ogli n jegovu r ealizaciju . Tu su Obala Ar t Cen t ar , Sar ajevo Film Fest ival, Tu r sk a dr ?avn a r adio-t elevizija, pr ojek at Sar ajevo gr ad f ilm a za globaln e ek r an e i BH Telecom . ?in i se da dan as f ilm sk i pr ojek t i n e bi bili m ogu ?i bez kopr odu kcije. Kolik o je t e?ko (ili lak o) bilo zaok r u ?it i pr odu k cijsk u k on st r u kciju f ilm a i jest e li zat o n apr avili deset ak godin a pau ze n akon f ilm a ?Or k est ar ??

Mislim da moja pauza ima dublju i kompleksniju pozadinu od bud?etske konstrukcije, jer su projekti na kojima sam bio anga?ovan kao

reditelj ili scenarista, u principu, dobijali podr?ku.

Ja ih nisam producirao, tako da ne znam ?ta je razlog za?to nisu realizovani do kraja. Jedan od njih je, sigurno, komplikovana koprodukcijska konstrukcija. 'Baba', u stvari i nije tako komplicirana i glomazna koprodukcija, naprotiv, primjer je efikasne, male koprodukcije. Projekat na kom trenutno radim ima koproducente iz sedam zemalja, to je stra?na komplikacija. I, ako je to budu?nost na?e kinematografije, crna nam je kapa, mislim da se moramo vi?e fokusirati na unutarnje snage, manje bud?ete, efikasniju produkciju i postprodukciju i najmodernije platforme za ditribuciju. 'Baba' je dobar primjer za to.

Obzir om n a Va? m u zi?k i pedigr e, a i t o da st e n as n avik li n a t o da Va?i f ilm ovi im aju pam t ljivu m u zik u , h o?em o li n ek u glazben u t em u pam t it i po f ilm u ?Kon cen t r i?i se, baba??

Dino ?ukalo je kompozitor muzike. To nije na?a prva saradnja, radili smo dosta u teatru, na televiziji, radili smo zajedno dokumentrani film Rob, imamo, kako bi se reko, istoriju, i to vrlo pozitivnu, zajedni?kog rada. Dino je napravio odli?nu, vrlo inspirativnu muziku, a nose?i song je pjesma sarajevskog benda Kongres 'Zarjavele trobente'. Tu pjesmu je olimpijskih osamdamdesetih godina komponovao Adam Suba?i? Cupi, a tekst napisao Aljo?a Buha. Bio je veliki hit iz sjene, kultna pjesma, kakav je bio i bend Kongres. Poslije je pjesmu snimio band La?ni Franz, kako je pjesma na slovena?kom i danas mnogi misle da je pjesma La?nog Franza i Zorana Predina, ?to nije ta?no. Jedna od najljep?ih slovena?kih pjesama je, u stvari, bosanska. To je bio muzi?ki lajtmotiv sa kojim sam razmi?ljao, pisao i radio na ovom filmu.

Imali smo i mali ad-hoc band, Izudin Kole?i?, bubanj, ja sam svirao bas, Dino ?ukalo gitaru, a pjevala je Lidija Kordi?. Mjesecima prije snimanja smo svirali ovu pjesmu, probavali, na koncu je snimili i zavr?ila je u filmu. Nadam se da ?e je ljudi voljeti i u ovoj na?oj verziji. Ono ?to je zanimljivo sa muzi?kog aspekta je bila odluka da nemamo folk zvuka u ovom filmu. Ostali smo dosljedni u tome.

Razgovar ala M ar in ela Dom an ?i?

List ening t o life

Interview with Pjer ?allica, director of the film "Focus, Grandma"

Th is is n ot t h e f ir st t im e t h at you r f ilm is at t h e Sar ajevo Film Fest ival. So f ar , t h e au dien ce h as r eact ed t o you r f ilm s w it h lou d sin gin g, lau gh t er , giggles, sigh s, t ear s ... becau se you h ave of t en f ou n d a dir ect pat h t o it s h ear t . Th is t im e view er s w ill be at h om e, in f r on t of com pu t er scr een s. How do you f eel in t h e eve of t h e vir t u al pr em ier e? Wh at does it m ean n ot t o be able t o get im m ediat e f eedback f r om view er s an d f eel t h e pu lse of t h e au dien ce?

You ar e w ell-k n ow n m ast er of discover in g an d f in e-t u n in g of lit t le-big h u m an st or ies. I do n ot w an t t o u se t er m ?st or ies f r om m ah ala? (n eigh bou r h ood st or ies) t o avoid an y possibilit y of pu t t in g t h is adject ive in n egat ive con t ext . Do you h ave a special f lair f or t h ese st or ies, or do t h e st or ies f in d you ?

Frustration. It's just frustrating. I belong to a generation influenced by technology but I wasn?t born in the digital age so I understand it but I don?t breathe with it. I am fascinated by the fact that technology has made it possible that a film reaches an audience even in such a complicated time, but the lack of live contact still frustrates me.

But when you put everything on the scales the most important thing is to preserve your health and still maintain the projections. Without modern technology that would simply not be possible so I leave all my frustrations aside and look forward to the opening night with joy and excitement.

I remember one of the first lectures by professor D?evad Karahasan when he said: you don't have to try to be original because you are already vitally original and unique. Borgesian simplicity of that thought fascinated me; it became a kind of author 's credo: do not try to work like someone else no matter how ingenious he was but listen to life, recognize and reason in accordance with your pulse, experience and knowledge. It seems simple but it can be very difficult because, in addition to skill, it also includes a huge emotional engagement.

In addit ion t o you r st an dar d act or s - you r w if e Jasn a, Em ir Had?ih af izbegovi?, Izu din Bajr ovi?, Adm ir Glam o?ak - t h er e ar e also act or s you

h ave n ot w or ked w it h bef or e. Did you k eep specif ic act or s in m in d w h ile w r it in g t h e scr een play?

I often write with specific actresses or actors in mind. In this case there was no time for that because the process from the initial story to the shooting of the film was very short; everything happened very fast, it was a process similar to scuba diving. This does not mean that it was difficult to do the cast, on the contrary, but writing screenplays for certain actresses or actors partly happened when I was working on later versions of the screenplay, closer to filming, after reading rehearsals and analysis. When we had rehearsals, a month or, two before shooting, I still had no final ending of the film. Working with the actors helped me a lot in that process. Work with these people is an unforgettable experience. We were a very compact, cheerful and hardworking team, ready and able to scuba diving if needed.

M ir a Ban jac h as an im pr essive aw e-in spir in g act in g car eer . How did you at t r act t h is gr eat w om an , w h o is in h er lat e year s f or bot h an or din ar y m or t al an d a top actress, to work on a film?

To my great delight, she didn't need to be persuaded. Mira agreed to work with us on this film almost without prior knowledge about it. That is one of the biggest compliments in my life. Her vitality, dynamism, knowledge and experience are inspiring. She is a monumental person and a wonderful artist indeed.

You r f ilm h as sever al pr odu cer s an d par t n er s w h o h elped m ake it h appen ? Obala Ar t Cen t er , Sar ajevo Film Fest ival, Tu r k ish St at e Radio an d Television , t h e Sar ajevo Cit y of Film pr oject f or global scr een s an d BH Telecom . It seem s t h at t oday f ilm pr oject s w ou ld n ot be possible w it h ou t co-pr odu ct ion . How dif f icu lt (or easy) w as it t o com plet e t h e pr odu ct ion con st r u ct ion of t h e f ilm , an d is t h at w h y you t ook alm ost a t en -year br eak af t er t h e f ilm " Or ch est r a" ?

I think that my break has deeper and more complex background than the budget construction because the projects on which I was engaged as a director or screenwriter were in

general supported. I didn't produce them, so I don't know the reason why they weren't fully realized. One of the reasons is, of course, complicated co-production construction. ?Grandma? was not such a complicated and bulky co-production, on the contrary, it is an example of an efficient, small co-production. The project I currently work on has co-producers from seven countries, which is a terrible complication. It is awful if that?s the future of cinema. We need to focus more on internal strengths, smaller budgets, more efficient production and post-production, and the most modern distribution platforms. ?Grandma? is a good example of this.

Keepin g in m in d you r m u sical back gr ou n d an d t h e f act t h at you r f ilm s u su ally h ave r ecogn izable m u sic, w ill w e r em em ber an y m u sical t h em e f r om t h e f ilm " Focu s, Gr an dm a" ?

Dino ?ukalo is the composer. This is not the first time we collaborate; we worked a lot for the theatre, TV, the documentary ?Slave? (?Rob?) so we have a sort of a history, and a very positive one, of working together. Dino made great, very inspiring music, and the main theme is the song of the band Kongres from Sarajevo 'Zarjavele trobente' (?Rusty trumpets?). This song was composed by Adam Suba?i? Cupi in the 1980s, and the lyrics were written by Aljo?a Buha. It was a big hit from the second plan, a cult song ? as well as the band Kongres was. The song was later recorded by the band La?ni Franz and, as the song is in Slovenian, many people wrongly think that it is a song by La?ni Franz and Zoran Predin, which is not true.

One of the most beautiful Slovenian songs is, in fact, Bosnian. That was the musical leitmotif on my mind whilst I wrote and worked on this film.

We also had a small ad-hoc band, Izudin Kole?i? on drums, I played bass, Dino ?ukalo guitar and Lidija Kordi? sang. We played this song for months before shooting, rehearsed, eventually recorded it and it ended up in a movie. I hope people will love it in our version. From the musical aspect, it is interesting that our decision was not to have any folk sound in this film and we remained consistent.

M ar in ela Dom an ?i?

ONDEMAND.SFF.BA

Nagradnaigra "SarajevoFilm Fest ival u va?em dom u" Sar ajevo Film Fest ival i Raif f eisen ban k a, glavn i spon zor Fest ivala, pozivaju sve lju bit elje f ilm ova da u ?est vu ju u n agr adn oj igr i ?Sar ajevo Film Fest ival u va?em dom u !? za n ajbolju f ot ogr af iju on lin e Fest ivala.

OPEN AIR

KONCENTRI?I SE, BABA / FOCUS, GRANDMA BosniaandHerzegovina,Turkey,Colour,92min,Bosnian/ Re?ija/ Director:Pjer?alica/ Uloge/ Cast:Jasna?alica,Emir Had?ihafizbegovi?, AlmaPrica,Jadranka?oki?,Vedrana Bo?inovi?,AdmirGlamo?ak,D?enitaImamovi?,Branimir Popovi?,IzudinBajrovi?,DinoSarija,MiraBanjac Zabilje?ite svoj ugo?aj ku?nog kina ili ovjekovje?ite trenutke specifi?ne festivalske atmosfere i osvojite nagradu ? Amazon Echo dot - Alexa, koji Vam poklanja Raiffeisen banka!

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Naj fotka i ime dobitnika nagrade, kao i na?in preuzimanja nagrade, bit ?e objavljeni u subotu, 22. avgusta 2020. na oficijelnoj web stranici Sarajevo Film Festivala www.sff.ba, na Facebook stranici Raiffeisen banke, kao i u medijima, te na dru?tvenim mre?ama Sarajevo Film Festivala.

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RENT U aprilu 1992. godine, brojna se porodica, razbacana po cijeloj Jugoslaviji, okuplja u Sarajevu oko odra stare majke. Baba nije dobro, ali se prognoza porodi?nog ljekara da je njena smrt pitanje minuta, pretvara u sate, pa onda dane. Po?inju spletke, prevare i trvenja oko nasljedstva koje ?e ostati iza starice, a naro?ito oko velike porodi?ne ku?e u Sarajevu. Baba i posljednim uzdasima svojski u?estvuje u tome, a mo?da je upravo to i odr?ava u ?ivotu. Intrige i spletkarenje na ?tetu jedne od sestara ovoj porodici su va?nije od jasnih, zastra?uju?ih znakova nadolaze?e kataklizme. Kada je, na koncu, prevara otkrivena, ve? je kasno. U Sarajevu po?inje rat.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days.

Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo.

Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

Nagrade26. SarajevoFilm Fest ivala PO?ASNO SRCE SARA JEVA Nagrada se dodjeljuje u znak priznanja za izuzetan dobrinos filmskoj umjetnosti M ads M ik k elsen (glumac) M ich el Fr an co (reditelj) Tak m i?ar sk i pr ogr am ? igr an i f ilm SRCE SARA JEVA ZA NA JBOLJI IGRANI FILM Nov?anu nagradu, u iznosu od 16.000 ?, sufinansira Turisti?ka zajednica Kantona Sarajevo SRCE SARA JEVA ZA NA JBOLJEG REDITELJA / REDITELJICU Nov?anu nagradu, u iznosu od 10.000 ?, obezbje?uje Agnes B.

PARTNERSKE NAGRADE NAGRADA AUDENTIA 2020 Nagrada se dodjeljuje redateljici dugometra?nog filma iz jednog od programa ovogodi?njeg Sarajevo Film Festivala, kao podr?ka za njezin sljede?i film.

Nov?anu nagradu, u iznosu od 30.000 ?, obezbje?uje EURIMAGES

SARA JEVSKA NOM INACIJA KRATKOG FILM A ZA KANDIDATURU ZA EVROPSKU FILM SKU NAGRADU 2020.

Pobjednik ulazi u konkurenciju za kandidaturu za nominaciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

SRCE SARA JEVA ZA NA JBOLJU GLUM ICU Nov?ana nagrada u iznosu od 2.500 ?

SRCE SARA JEVA ZA NA JBOLJEG GLUM CA Nov?ana nagrada u iznosu od 2.500 ?

Tak m i?ar sk i pr ogr am ? dok u m en t ar n i f ilm SRCE SARA JEVA ZA NA JBOLJI DOKUM ENTARNI FILM Nov?anu nagradu, u iznosu od 3.000 ?, obezbje?uje Vlada ?vicarske NAGRADA ZA LJUDSKA PRAVA Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmi?arskog programa ? dokumentarni film koji obra?uje tematiku ljudskih prava. Nagradu u iznosu od 3.000 ? obezbje?uje Kraljevina Nizozemske.

EDN TALENT GRANT EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentaristi?ke mre?e, u svrhu podr?ke talentovanim autorima dokumentarnog filma iz regije.

CICAE NAGRADA Me?unarodna konfederacija umjetni?kih kina (CICAE) nagra?uje film u selekciji Takmi?arskog programa - igrani film. Nagra?eni film ?e dobiti posebnu podr?ku CICAE kada je u pitanju pomo? kod distribucije, prikazivanja filma i dopiranja do publike, putem mre?e od 3.000 kina.

SPECIJALNA NAGRADA ?IRIJA Nov?ana nagrada u iznosu od 2.500 ?

Tak m i?ar sk i pr ogr am ? k r at k i f ilm SRCESARA JEVAZA NA JBOLJIKRATKIFILM k valif ik acionfi ilm za pr ijavuza n agr aduOscar ® Nov?anu nagradu, u iznosu od 2.500 ?, obezbje?uje Podravka Tak m i?ar sk i pr ogr am ? st u den t sk i f ilm SRCESARA JEVAZA NA JBOLJISTUDENTSKIFILM Nov?anu nagradu, u iznosu od 1.000 ?, obezbje?uje Vije?e za regionalnu saradnju.

CINEUROPA NAGRADA Nagradu dodjeljuje Cineuropa portal posve?en europskoj kinematografiji i njenim stvaraocima i to filmu koji, osim ?to nesporno posjeduje umjetni?ke kvalitete, tako?er promovira ideje europskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 ?.

26t h Sarajevo Film Fest ival Awards HONORARY HEART OF SARA JEVO AWARD Given in recognition of an exceptional contribution to the art of film.

M ads M ik kelsen (Actor) M ich el Fr an co (Director)

Com pet it ion Pr ogr am m e ? Feat u r e Film HEART OF SARA JEVO FOR BEST FEATURE FILM Award in the amount of ?16,000, co-sponsored by the Tourism Association of Canton Sarajevo.

HEART OF SARA JEVO FOR BEST DIRECTOR Award in the amount of ?10,000, sponsored by Agnes B.

PARTNERS?AWARDS AUDENTIA AWARD 2020 The award will be given to the female director of a feature film from one of this year ?s Sarajevo Film Festival programmes, as a support for her future film.

Award in the amount of 30,000 ?, sponsored by EURIMAGES

SARA JEVO SHORT FILM NOM INEE FOR CANDIDACY FOR THE EUROPEAN FILM AWARDS 2020 The winner qualifies for EFA Short Film Candidacy at the European Film Awards.

HEART OF SARA JEVO FOR BEST ACTRESS Award in the amount of ?2,500 HEART OF SARA JEVO FOR BEST ACTOR Award in the amount of ?2,500 Com pet it ion Pr ogr am m e ? Docu m en t ar y Film HEART OF SARA JEVO FOR BEST DOCUM ENTARY FILM Award in the amount of ?3,000, sponsored by the Government of Switzerland.

HUM AN RIGHTS AWARD Best film of the Competition Programme Documentary Film dealing with the subject of human rights. Award in the amount of ?3,000, sponsored by the Kingdom of the Netherlands.

SPECIAL JURY PRIZE AWARD Award in the amount of ?2,500.

Com pet it ion Pr ogr am m e ? Sh or t Film HEART OF SARA JEVO FOR BEST SHORT FILM ?

Academ y Aw ar d® qu alif yin g Award in the amount of ?2,500, sponsored by Podravka.

Com pet it ion Pr ogr am m e ? St u den t Film HEART OF SARA JEVO FOR BEST STUDENT FILM Award in the amount of ?1,000, sponsored by the Regional Cooperation Council.

EDN TALENT GRANT The EDN Talent Grant has been created as a co-operation between the Sarajevo Film Festival and the European Documentary Network, with the purpose of supporting promising new documentary filmmakers from the region.

CICAE AWARD The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme ? Feature Film. The winning film receives CICAE support in terms of distribution, exhibition, and audience outreach, throughout a network of 3,000 cinemas.

CINEUROPA PRIZE Awarded by the Cineuropa portal, the site dedicated to European cinema and film professionals, the Cineuropa Prize is awarded to a film that, besides having indisputable artistic qualities, promotes the idea of European dialogue and integration. The value of this award is ?5,000.

Po?asno Srce Sarajeva i program ?Tribut e t o? posve?en Michelu Francu Kao priznanjeza njegovizvanredan doprinosfilmskojumjetnosti,kao i za podr?kuSarajevoFilm Festivalu,nagrada Po?asnoSrce Sarajevabit ?e dodijeljena jednomod najzna?ajnijihnezavisnih filmskihstvaralaca,autoruupe?atljivogi prepoznatljivogfilmskogjezikaMichelu Francu.Francu?e se tako?erodati priznanjeretrospektivomnjegovihdjelau festivalskomprogramu?Tributeto?

(Posve?eno).TokomfestivalaFranco?e odr?atiMasterclasskoji ?e festivalska publikabiti u prilicipogledationline,na platformiondemand.sff.ba.

"Odavanje priznanja Francu ovom nagradom za mene je jo? posebnije jer ona odlazi u ruke prijatelju. ?elim izraziti koliko njegova podr?ka Sarajevo Film Festivalu tokom godina i na?a saradnja zna?i za mene i za Festival. Odu?evljeni smo ?to ?e 26. izdanje Sarajevo Film Festivala istaknuti djelo ovog izuzetnog filmskog stvaraoca kroz festivalski program ?Tribute to??, rekao je direktor Sarajevo Film Festivala Mirsad Purivatra.

Michel Franco, ro?en 1979. godine u Mexico Cityju, stavio je meksi?ku kinematografiju u sredi?te svjetske pa?nje. Filmovi za koje je pisao scenarij, koje je re?irao i producirao uklju?uju "Chronic" (nagrada za najbolji scenarij na filmskom festivalu u Cannesu 2015.), "Las hijas de abril / Aprilova ?erka" (nagrada ?irija sekcije ?Un Certain Regard? na filmskom festivalu u Cannesu

2017.) i "Después de lucía / Nakon Lucije" (glavna nagrada sekcije ?Un Certain Regard? na filmskom festivalu u Cannesu 2012.). Navedeni filmovi, uklju?uju?i i filmove "Daniel i Ana" (2009.) i "A Los Ojos" (2014.), bit ?e predstavljeni u programu ?Tribute to? Sarajevo Film Festivala.

Me?u filmovima koje je producirao su "600 millas" (re?ija Gabriel Ripstein, dobitnik nagrade za najbolji prvijenac na Berlinaleu 2015.) i "From afar " (redatelj Lorenzo Vigas, dobitnik Zlatnog lava na Filmskom Festivalu u Veneciji 2015.). Njegov novi film "Nuevo orden", ?ija je radnja smje?tena u distopijskom Mexico Cityju, trenutno je u postprodukciji. Ovaj Francov film, za koji su svi presti?ni A festivali pokazali interes, jedan je od naji??ekivanijih ove jeseni.

Francova prva posjeta Sarajevu bila je 2009. godine s njegovim prvim dugometra?nim filmom "Daniel i Ana", koji je premijerno prikazan u sekciji Directors' Fortnight na filmskom festivalu u Cannesu. Na 23. Sarajevo Film Festivalu (2017.) Franco je bio predsjednik ?irija Takmi?arskog programa - Igrani film.

Njegov film "Las hijas de abril / Aprilova ?erka" osvojio je nagradu ?irija sekcije ?Un Certain Regard? na filmskom festivalu u Cannesu te godine i prikazan u sklopu Open Air programa 23. Sarajevo Film Festivala.

Dosada?n ji dobit n ici Po?asn og Sr ca Sar ajeva: Tim Roth (2019), Isabelle Huppert (2019), Alejandro González Iñárritu (2019), Pawe?Pawlikowski (2019), Nijaz Hastor (2018), Nuri Bilge Ceylan (2018), Oliver Stone (2017), John Cleese (2017), Wolfgang Amadeus Brülhart (2016), Stephen Frears (2016), Robert De Niro (Lifetime Achievement Award, 2016), Benicio Del Toro (2015), Atom Egoyan (2015), Agnès B. (2015), Danis Tanovi? (2014), Gael García Bernal (2014), Béla Tarr (2013), Roberto Olla (2013), Branko Lustig (2012), Emil Tedeschi (2011), Jafar Panahi (2011), Angelina Jolie (2011), Dieter Kosslick (2010), Manfred Schmidt (2009), Cat Villiers (2008), Steve Buscemi (2007), Mike Leigh (2006), Gavrilo Grahovac (2006), Marco Müller (2005).

Dosada?n ji po?asn i gost i pr ogr am a Tr ibu t e t o (Posve?en o) Sar ajevo Film Fest ivala: Pawel Pawlikowski (2019), Nuri Bilge Ceylan (2018), Joshua Oppenheimer, Oliver Stone (2017), Amat Escalante (2016), Brillante Mendoza, Atom Egoyan (2015), Michael Winterbottom (2014), Cristi Puiu (2013), Todd Solondz (2012), Lucrecia Martel (2011), Bruno Dumont (2010), Jia Zhang-ke (2009), Todd Haynes (2008), Tsai Ming-Liang, Ulrich Seidl (2007), Abel Ferrara, Béla Tarr (2006), Alexander Payne (2005), Du?an Makavejev, Gaspar Noé (2004), Peter Mullan (2003), Stephen Frears (2002), Mike Leigh (2001), and Steve Buscemi (2000).

Honorary Heart of Sarajevo Award and Tribut e t o program m e dedicat ed t o Michel Franco In recognitionof his outstanding contributionto cinematicart as well as for his supportof the Sarajevo Film Festival,the HonoraryHeart of SarajevoAwardwill be givento one of highest-profileindependent filmmakers,authorwith impressive and recognizableartisticlanguage MichelFranco.Francowill also be honouredwith a retrospectiveof his worksin the Festival?sTributeto Programme.At this editionof the festivalFrancowill hold a Masterclass that the festivalpublicwill be able to watchonline,via ondemand.sff.ba.

?Honoring Franco with this Award is even more special to me as it will be given to a friend, expressing also how much his support of the Sarajevo Film Festival throughout the years and our collaboration means to me and the Festival.

We are delighted that the 26th Sarajevo Film Festival edition will highlight work of such exceptional filmmaker through the Festival?s Tribute to Programme?, said Festival Director Mirsad Purivatra.

Michel Franco was born in Mexico City in 1979 and has put Mexican cinema in the global spotlight. The films he has written, directed and produced include CHRONIC (Best Screenplay Award at the 2015 Cannes Film Festival), "Las hijas de abril / April´ s daughter " (Jury Prize, in the Certain Regard section at the 2017 Cannes Film Festival), and "Después de lucía / Nakon Lucije" (Top Prize, in Certain Regard at the 2012

Cannes Film Festival). All of these films, including "Daniel and Ana" (2009) and "A los ojos" (2014), will be presented in the Sarajevo Film Festival?s Tribute to Programme.

Among the films he has produced are "600 millas" (directed by Gabriel Ripstein, winner of the Best First Feature Award at the 2015 Berlinale), and "From afar " (directed by Lorenzo Vigas, winner of the Golden Lion at the 2015 Venice Film Festival). Michel has currently one film in postproduction, "Nuevo orden", set in a dystopian Mexico City. This Franco film, for which all prestigious A Festivals have expressed interest, is one of the most anticipated this autumn.

Franco?s first visit to Sarajevo was in 2009, with his first feature "Daniel and Ana", premiered in the Directors' Fortnight section of the Cannes Film Festival. At the 23rd Sarajevo Film Festival (2017), Franco was the President of the Jury of the Competition Programme - Feature Film. His film "Las hijas de abril / April´ s daughter ", awarded with the Un Certain Regard Jury Prize at the Cannes Film Festival that year, was screened as part of the Sarajevo Film Festival?s Open Air Programme.

Pr eviou s Recipien t s of t h e Hon or ar y Hear t of Sar ajevo Aw ar d in clu de: Tim Roth (2019), Isabelle Huppert (2019), Alejandro González Iñárritu (2019), Pawe?Pawlikowski (2019), Nijaz Hastor (2018), Nuri Bilge Ceylan (2018), Oliver Stone (2017), John Cleese (2017), Wolfgang Amadeus Brülhart (2016), Stephen Frears (2016), Robert De Niro (Lifetime Achievement Award, 2016), Benicio Del Toro (2015), Atom Egoyan (2015), Agnès B. (2015), Danis Tanovi? (2014), Gael García Bernal (2014), Béla Tarr (2013), Roberto Olla (2013), Branko Lustig (2012), Emil Tedeschi (2011), Jafar Panahi (2011), Angelina Jolie (2011), Dieter Kosslick (2010), Manfred Schmidt (2009), Cat Villiers (2008), Steve Buscemi (2007), Mike Leigh (2006), Gavrilo Grahovac (2006), Marco Müller (2005).

Pr eviou s h on ou r ees of t h e Sar ajevo Film Fest ival?s Tr ibu t e t o Pr ogr am m e in clu de: Pawel Pawlikowski (2019), Nuri Bilge Ceylan (2018), Joshua Oppenheimer, Oliver Stone (2017), Amat Escalante (2016), Brillante Mendoza, Atom Egoyan (2015), Michael Winterbottom (2014), Cristi Puiu (2013), Todd Solondz (2012), Lucrecia Martel (2011), Bruno Dumont (2010), Jia Zhang-ke (2009), Todd Haynes (2008), Tsai Ming-Liang, Ulrich Seidl (2007), Abel Ferrara, Béla Tarr (2006), Alexander Payne (2005), Du?an Makavejev, Gaspar Noé (2004), Peter Mullan (2003), Stephen Frears (2002), Mike Leigh (2001), and Steve Buscemi (2000).

Po?asno Srce Sarajeva Madsu Mikkelsenu Danski glumac Mads Mikkelsen dobitnik je nagrade Po?asno Srce Sarajeva 26. Sarajevo Film Festivala.

Nagrada se dodjeljuje za izuzetan doprinos filmskoj umjetnosti. Tokom festivala Mikkelsen ?e odr?ati Masterclass koji ?e festivalska publika biti u prilici pogledati online, na platformi ondemand.sff.ba.

Program Masterclass razgovora Sarajevo Film Festivala realizuje se u saradnji sa uglednim filmskim magazinom Variety i bit ?e dostupan ?irom svijeta preko Variety Streaming Rooma.

Mads Mikkelsen je ro?en 1965. godine u Danskoj, gdje je stekao obrazovanje u ?koli dramskog teatra u Aarhusu. Glumac porijeklom iz Kopenhagena je svoju profesionalnu karijeru zapo?eo kao gimnasti?ar i plesa?, postojano rade?i na pozori?nim, televizijskim i filmskim projektima da bi kona?no postao najve?a mu?ka zvijezda u Danskoj i Skandinaviji.

Mikkelsenov filmski debi je bila glavna uloga u uspje?noj internacionalnoj krimi drami "Diler " iz 1996. godine, prvom dijelu trilogije koju je re?irao Nicolas Winding Refn. Istu ulogu opakog dilera i narkomana je reprizirao u ?eljno i??ekivanom nastavku "Krv na mojim rukama: Diler 2?. Za ovu ulogu je primio nagradu Robert za najboljeg glumca od Danske filmske akademije i nagradu Bodil za najboljeg glumca od Danskog udru?enja filmskih kriti?ara.

2006. godine Mikkelsen je odigrao ulogu glavnog

negativca pod imenom Le Chiffre u filmu o Jamesu Bondu "Casino Royale". Film je dobio pozitivne kritike i ostvario globalnu zaradu preko 594 miliona dolara, ?ime je preuzeo titulu James Bond filma sa najve?om zaradom. Iste godine Mikkelsen je odigrao glavnu ulogu u za Oscara nominovanom filmu "Poslije vjen?anja" u re?iji dobitnice Oskara za re?iju Susanne Bier.

2009. godine je ponovo udru?io snage s danskim rediteljem Nicolasom Windingom Refnom u filmu "Uspon Valhalle". Premijera filma je odr?ana na 66. Me?unarodnom filmskom festivalu u Veneciji. 2010. godine je nastupio kao Draco u fantasti?noj 3D avanturi "Sudar titana". Film je re?irao Louis Leterrier, dok je za distribuciju bio zadu?en Warner Brothers. 2011. Mikkelsen je odigrao ulogu Rocheforta u 3D adaptaciji "Tri mu?ketara" u re?iji Paula W.S. Andersona. U filmu "Kraljevska afera" Mikkelsen je igrao ulogu Johanna Friedricha Struenseea, njema?kog ljekara koji je stekao povjerenje du?evno oboljelog Kralja Christiana VII, da bi zatim imao ljubavnu aferu sa njegovom suprugom, Kraljicom Caroline Mathilde. Ovaj historijski film koji je napisao i re?irao Nikolaj Arcel je premijerno prikazan u takmi?arskom programu 62. Me?unarodnog filmskog festivala u Berlinu 2012. i na Me?unarodnom filmskom festivalu u Torontu 2012. godine. Na Filmskom festivalu u Cannesu 2012.

Mads Mikkelsen je primio nagradu za najboljeg glumca za ulogu u filmu "Lov" Thomasa Vinterberga. U njemu, Mikkelsen igra odgajatelja u vrti?u u malom danskom selu, kojeg pogre?no optu?e za zlostavljanje djece.

Nakon premijere u Cannesu film je iste godine prikazan na Filmskom festivalu u Tellurideu i

Me?unarodnom filmskom festivalu u Torontu, a od prolje?a 2013. distribuira ga kompanija Magnolia Pictures.

Mikkelsen je nastupio i u filmu "Neizbje?na smrt Charlieja Countrymana" u ulozi Nigela, nasilnog kriminalnog bossa. U re?iji Fredrika Bonda, film je premijerno prikazan u januaru 2013. na Sundance Film Festivalu, a prikazan je i u sklopu takmi?arskog programa na 63. Me?unarodnom filmskom festivalu u Berlinu u februaru 2013. godine.

Mads Mikkelsen je posebno poznat po ulozi u seriji "Hannibal" (2013-2015) koju je za NBC kreirao Bryan Fuller. U seriji Mikkelsen igra uspje?nog psihologa i sociopatskog serijskog ubicu dr. Hannibala Lectera, zasnovanog na liku iz romana Thomasa Harrisa. Mikkelsen je za svoj rad dobio posebno priznanje kada je imenovan za ?lana presti?nog ?irija na Filmskom festivalu u Cannesu 2016. godine. Iste godine se pojavljuje i u "Rogue One: Pri?a iz Ratova zvijezda" i u Marvelovom filmu "Dr. Strange".

2017. je snimio triler pod nazivom "Arktik", u kojem igra glavnu ulogu. Film je premijerno prikazan na Filmskom festivalu u Cannesu u maju 2018.

Mikkelsen je igrao vode?u ulogu u adaptaciji stripa "Polar " u re?iji Jonasa Ă…kerlunda, objavljenoj na Netflixu 2019. godine. Mads Mikkelsen se pojavljuje u glavnoj ulozi u filmu ?Jo? jedna runda? Thomasa Vinterberga, koji se na?ao u ovogodi?njoj selekciji Filmskog festivala u Cannesu.

Premijera ameri?kog nau?nofantasti?nog filma "Haos hoda" sa Mikkelsenom u jednoj od glavnih uloga se o?ekuje 2021. godine.

Mads Mikkelsen t o receive Honorary Heart of Sarajevo Danish actor Mads Mikkelsen is the recipient of the Honorary Heart of

Mads Mikkelsen was born in 1965 in Denmark, where he got his education at Aarhus Theatre Drama School. The Copenhagen-born actor

Sarajevo Award of the 26th Sarajevo

began his professional career as a gymnast and

Film Festival. The Award is given for

dancer, and has worked steadily in theatre, television and film to become the top male star in

outstanding contribution to the art of

Denmark and Scandinavia.

film. At this edition of the festival

Mikkelsen made his film debut in 1996, with a

Mikkelsen will hold a Masterclass that

lead performance in director Nicolas Winding

the festival public will be able to

Refn?s international crime drama success ?Pusher ?, part one of a trilogy. He reprised his

watch online, via ondemand.sff.ba.

role as a low-life pusher/junkie in the

Sarajevo Film Festival Masterclass

much-anticipated sequel, ?With Blood On My

Programme is organized in

Hands: Pusher 2?. This performance garnered him a ?Best Actor ? Robert statue from the Film

cooperation with Variety and will be

Academy of Denmark and a ?Best Actor ? Bodil

available worldwide via the Variety

Award from Denmark?s National Association of Film Critics.

Streaming Room.

In 2006, Mikkelsen starred as the villain, Le

the 2012 Toronto International Film Festival, and

Chiffre, in the 2006 James Bond film, ?Casino

was released by Magnolia Pictures in Spring

Royale?. The film was received positively by

2013.

critics and earned over $594 million worldwide, claiming the title of the highest-grossing James Bond film. Also that year, Mikkelsen played the lead role in the Academy Award-nominated film ?After the Wedding?, directed by Academy Award-winning director Susanne Bier.

In 2009, he reunited with Danish director Nicolas Winding Refn for ?Valhalla Rising?. The film premiered at the 66th Venice International Film Festival. In 2010, he starred as Draco in the 3D fantasy adventure film, ?Clash of the Titans?.

The film was directed by Louis Leterrier and distributed by Warner Brothers. In 2011, Mikkelsen starred as Rochefort in the 3D adaptation of ?The Three Musketeers?, directed

by Paul W.S. Anderson. Mikkelsen also starred in the Academy Award-nominated film, ?A Royal Affair ?, in the role of Johann Friedrich Struensee, the German physician who became a confidant to the mentally ill King Christian VII and had an

Mikkelsen also co-starred in ?The Necessary Death of Charlie Countryman? in the role of Nigel, a violent crime boss. Directed by Fredrik Bond, the film premiered in January 2013 at Sundance Film Festival and was screened in competition at the 63rd Berlin International Film Festival in February 2013.

Mads Mikkelsen is especially known from series ?Hannibal? (2013-2015), that was developed by Bryan Fuller for NBC. In the series Mikkelsen play the accomplished psychologist and sociopathic serial killer, Dr. Hannibal Lecter, who is based on the character from Thomas Harris?classic novels. Mikkelsen?s work was especially acknowledged when he was pointed out as member of the prestigious Jury at the Cannes Film Festival 2016. In 2016 he starred in ?Rogue One: A Star Wars Story? and in the Marvel film ?Dr. Strange?.

affair with his wife, Queen Caroline Mathilde.

n 2017 he shot the thriller ?Arctic? where he

The historical film, written and directed by

plays the lead role. The film premiered at

Nikolaj Arcel, premiered in competition at the

Cannes Film Festival in May 2018. Mikkelsen

62nd Berlin International Film Festival in

starred in the graphic novel adaptation ?Polar ?,

February 2012 and at the 2012 Toronto

directed by Jonas Ă…kerlund, that was released in

International Film Festival.

2019 by Netflix.

At the 2012 Cannes Film Festival, Mads

Recently Mads Mikkelsen starred in ?Another

Mikkelsen received the Best Actor Award for his

Round? by Thomas Vinterberg, which is among

role in ?The Hunt? by Thomas Vinterberg.

this year ?s Cannes Film Festival selection. The

Mikkelsen plays a kindergarten teacher in a

American science fiction film ?Chaos Walking?

small Danish village that is falsely accused of

with Mikkelsen in one of the leading roles is set

child abuse. Following a premiere at Cannes, the

to premiere in 2021.

film screened at the 2012 Telluride Film Festival,