17thSFF Journal

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Sadržaj / Content 5 Sarajevo Film Festival 2011.

7 Žiri/ Jury / Nagrade/ Awards 9 Film otvaranja / Opening film / Film zatvaranja / Closing film 10 Takmičarski program – igrani film / Competition Programme – Features 13 U fokusu / In Focus 16 Takmičarski program – kratki film / Competition Programme – Shorts 18 Takmičarski program – dokumentarni film / Competition Programme – Documentaries 22 CineLink 23 Regionalni forum / Regional Forum 24 5. Sarajevo Talent Campus 25 Sarajevo grad filma / Sarajevo City of Film 26 Panorama 34 Posvećeno / Tribute To Lucrecia Martel 36 Fondacija Katrin Cartlidge / Katrin Cartlidge Foundation 37 Dan ljudskih prava / Human Rights Day 38 Novi tokovi / New Currents 40 Novi tokovi - kratki / New Currents Shorts 42 Open Air 45 Raspored projekcija / Screening Schedule 48 Box Office 49 BiH Film 50 Dječiji program / Children's Programme 51 Orbico Porodični dan / Orbico Family Day 52 TeenArena 54 Laško Summer Nights 56 All Shorts 60 Specijalne projekcije / Special Screenings 62 Festivalski trg / Festival Square 64 Sarajevo Film Festival & Gloria 66 Uspomene s crveno gtepiha / Red Carpet Memories 69 Interview: Charlote Rampling 70 Gloria & Talent Campus 72 Morgan Freeman: Počasni gost / Guest of Honor

IMPRESSUM: Izdavač/Publisher: Gloria / Sarajevo Film Festival Za izdavača / For Publisher: Dubravka Tomeković Aralica Mirsad Purivatra Izvršna urednica / Executive Editor: Altijana Marić Dokumentacija/Documentation: Segor Hadžagić, Emir Pekmez, Bojana Vidosavljević, Alma Hadžić, Lejla Begić Vuletić, Moamer Kasumović Prevod/Translation: Amira Sadiković, Lejla Efendić, Adi Fejzić Lektura/Proofreading: Azra Rizvanbegović, Amira Sadiković Grafičko oblikovanje i DTP/ Graphic Design and DTP: BOOM! Produkcija GLORIA Priprema priloga/Publication Team Josip Jurčić, Feđa Kalebić, Mario Kučera, Petar Jurica Grafičko oblikovanje/Graphic Design: Goran Žunić, Branko Kauzlarić Tisak/Printed by Vjesnik d.d., Slavonska avenija 2, 10000 Zagreb, Hrvatska Naklada/Print run: 20.000

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Sarajevo Film Festival 2011.

Pripremajući ovogodišnji Sarajevo Film Festival, bili smo svjesni, više nego ikada, nužnosti ispravnog strateškog djelovanja. Danas, kada svako može snimiti svoj film, kada ga lako može prikazati na mnogobrojnim društvenim mrežama i platformama, i kada je nemoguće vidjeti sve nastale radove, postavlja se pitanje o ulozi festivala u cjelokupnoj filmskoj industriji i kulturi uopšte. Svjesni velikih promjena koje donose nove tehnologije u svim segmentima filmske industrije, koje skoro nepredvidivom brzinom mijenjaju uslove rada u produkciji i distribuciji filma, postavili smo sebi pitanje: Koja je uloga i značaj našeg festivala na regionalnoj i svjetskoj sceni danas, i kakva bi ona mogla postati u budućnosti? Pronaći talente, pomoći im da se razvijaju i dati im šansu da rade u profesionalnim uslovima i promovirati ih na regionalnoj i svjetskoj sceni, po nama je jedan od primarnih zadataka našeg festivala. Ovogodišnje izdanje Sarajevo Film Festivala u znaku je mladih autora. U kategoriji Takmičarski program - dugometražni film, čak je sedam debitanata. S uzbuđenjem čekamo njihovo predstavljanje publici. Naš koprodukcijski market CineLink spremno dočekuje svoje goste. Izbor od četrnaest izuzetno zanimljivih filmskih projekata u nastanku predstavit će se brojnim evropskim i svjetskim producentima i fondovima. Vjerujemo da će kao i prethodnih godina mladi autori iz regije unijeti živost i novu energiju na filmsku scenu globalno. Našim najmlađim talentima, koje svake godine u saradnji sa Berlinaleom dočekujemo u Sarajevo Talent Campus programu, spremili smo susrete sa izuzetnim autorima i filmskim profesionalcima koji su ispisali stranice historije svjetske kinematografije. Kreativna atmosfera ovogodišnjeg, petog po redu STC-a, bit će obogaćena prisustvom grupe studenata Akademije za primijenjene umjetnosti iz Hamburga, na čelu sa njihovim profesorom Wimom Wendersom, grupom studenata filma i autora iz Gruzije, i već tradicionalnalnim učešćem deset mladih njemačkih producenata u organizaciji Fondacije Robert Bosch. Vjerujemo da će filmovi Lucrecije Martel, koja gostuje u okviru programa ”Posvećeno...”, kao i razgovori sa njom, mladim filmskim autorima iz regije pružiti dodatnu inspiraciju. I to nije sve, kad je riječ o mladim talentima, projekat Sarajevo grad filma, ove godine predstavlja četiri izuzetno kreativna autora koji su, radeći u okviru produkcijskih timova, uvezali stvaralačku energiju filmske regije. Kao i svake godine, za našu vjernu filmsku publiku pripremili smo presjek kroz recentnu filmsku produkciju, u okviru poznatih programskih sekcija, i brojne zanimljive goste iz regije i svijeta.

Festival može početi!

While preparing for this year’s Sarajevo Film Festival, we were aware more than ever of the necessity to act strategically and appropriately. Today, when anyone can make their own film and show it easily at numerous social networks and platforms and when it is impossible to see all that’s new, there is a question about the role of festivals in the film industry and in culture in general.

Aware of the major changes brought by new technologies in all the segments of film industry, which change with near-unpredictable speed the conditions of work in film production and distribution, we ask ourselves: What is the role and what is the significance of our Festival at the current regional and international scene and what may it become in the future? To find talents, to help them develop and give them an opportunity to work in a professional environment, to promote them regionally and internationally – in our opinion, that is one of the primary tasks of our Festival. This year’s edition of the Sarajevo Film Festival is marked by new authors. In the Competition Programme - documentary film, there are as many as seven debutants. We are excited to introduce them to the audience. Our CineLink coproduction market is ready to receive its guests. The selection of fourteen very interesting film projects in progress will be presented to numerous European and international producers and funds. We believe that, just like in the years past, young authors from the region will bring liveliness and new energy to the film scene in general. As four youngest talents, just like every year, in collaboration with Berlinale we welcome them to the Sarajevo Talent Campus programme, where they will meet extraordinary authors and film professionals, who have written many a page of the history of world filmmaking.

The creative atmosphere of this year’s – 5th – STC will be richer for the presence of a group of students of the Applied Arts Academy from Hamburg led by their professor Wim Wenders, a group of film students and authors from Georgia, and the traditional participation of ten young German producers brought by the Robert Bosch Foundation. We believe that Lucrecia Martel, our guest in the Tribute To programme, her films and meetings with her will be the source of additional inspiration for filmmakers from the region.

And this is not all in relation to young talents. This year, the Sarajevo City of Film project presents four superb authors who, while working within production teams, interlinked the creative energies of a region of film.

Just like every year, through the well-known programmes we prepared for our faithful audiences an overview of the recent film production, as well as numerous interesting guests from the region and from across the world.

The Festival may begin!

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Film otvaranja Film zatvaranja Opening Film

Closing Film

Le Havre

Čuvar / The Guard

Finland, France, Germany, 2011, 35 mm, Colour, 93 min.

Režija / Director: Aki Kaurismäki Scenarij / Screenplay: Aki Kaurismäki Uloge / Cast: André Wilms, Kati Outinen, Jean-Pierre Darroussin, Blondin Miguel, Elina Salo, Evelyne Didi Marcel Marx, bivši pisac i poznati boem, dobrovoljno se povukao u mali lučki grad, Le Havre, gdje osjeća da je uspostavio bliži odnos sa ljudima koji se bave časnim, ali ne pretjerano unosnim poslom čistača cipela. Pokopavši svoje snove da će jednom napraviti veliko književnog djelo, živi sretno u trokutu između svoje omiljene kafane, svog posla i supruge Arletty, dok mu jednog dana sudbina na put ne donese malodobnog imigranta iz Afrike.

Marcel Marx, a former author and a well-known Bohemian, has retreated into a voluntary exile in the port city of Le Havre, where he feels he has reached a closer rapport with the people serving them in the occupation of the honourable, but not too profitable, of a shoe-shiner. He has buried his dreams of a literary breakthrough and lives happily within the triangle of his favourite bar, his work, and his wife Arletty, when fate suddenly throws in his path an underage immigrant refugee from the darkest Africa.

Ireland, 2011, 35 mm, Colour, 96 min.

Režija / Director: John Michael McDonagh Scenarij / Screenplay: John Michael McDonagh Uloge / Cast: Brendan Gleeson, Don Cheadle, Liam Cunningham, David Wilmot, Rory Keenan, Mark Strong Gerry Boyle je policajac koji radi u gradiću na zapadnoj obali Irske. Ima subverzivan smisao za humor, sklon je prostitutkama i brine se o svojoj majci koja umire.

Ukratko, ima dosta na grbači, previše, čak toliko da se ne stigne brinuti za tajanstvenog mrtvaca kojeg su pronašli u jednoj vikendici. Dani mira su gotovi kad agent FBI-a Wendell Everett dolazi u Irsku i obavještava ih o pošiljci narkotika vrijednoj 500 miliona dolara koja treba da stigne na njihovu obalu u sljedećih nekoliko dana...

Gerry Boyle is a policeman working in a little town on the west coast of Ireland. He has a subversive sense of humour, a penchant for prostitutes, and a dying mother. In short, he has a lot on his plate; too much, in fact to worry about the mysterious dead body that has been found in one of the holiday flats. Quiet days are over when FBI agent Wendell Everett arrives on the scene and tells them about a narcotics shipment worth 500 million dollars that is due to arrive on their coast within the next few days...

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Takmičarski program igrani film Competition Programme – Features Selektorica / Programmer: Elma Tataragić

Izlet / A Trip

SVJETSKA PREMIJERA/ WORLD PREMIERE

Izlet / A Trip Slovenia, 2011, 35 mm, Colour, 85 min.

Režija / Director: Nejc Gazvoda Uloge / Cast: Nina Rakovec, Jure Henigman, Luka Cimprič Živa, Andrej i Gregor su najbolji prijatelji još od srednje škole. Gregor je vojnik koji uskoro kreće u misiju u Avganistan, a Živa ide da studira u inostranstvu. Andrej je njihov prijatelj homoseksualac koji mrzi sve živo, uključujući i samog sebe. Svi oni se odlučuju da odu na izlet na primorje kao što su radili dok su bili srednjoškolci. Kada stignu tamo, napiju se i Živa i Gregor se počnu ljubiti, što unosi napetost u njihov odnos, dok Andrej ne zna šta se stvarno dešava i ismijava sve, najviše Gregora i njegove ideale o vojsci. Sukob eksplodira kad Živa u napadu bijesa uništi njihov šator i otkrije tajnu koja razbjesni Andreja. Tek onda nastaje pravi problem – Živa ne ide na studije u inostranstvo, lagala im je jer nije željela da je sažalijevaju. Živa, Andrej and Gregor have been best friends since high school. Gregor is a soldier who is about to embark on a mission to Afghanistan and Živa is going to study abroad. Andrej is their gay friend who hates everything, himself included. They decide to go to a road trip to the seaside like they did when they were in high school. When they arrive, they get drunk and Živa and Gregor kiss each other, what brings tension to their relationship, while Andrej doesn`t know anything and just

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Polomljene školjke / Broken Mussels

makes fun of everything, mostly of Gregor and his army ideals. The conflict erupts when Živa, in a fit of rage, destroys their tent and tells a secret that enrages Andrej. Only then the true problem is revealed - Živa is not going to study abroad, she was lying because she didn`t want to pity her.

MEĐUNARODNE PREMIJERE / INTERNATIONAL PREMIERES

Fleke / Spots Croatia, 2011, HD CAM (HDTV), Colour, 93 min.

Režija / Director: Aldo Tardozzi Scenarij / Screenplay: Aldo Tardozzi Uloge / Cast: Iskra Jirsak, Nika Mišković, Živko Anočić, Goran Grgić, Sanja Vejnović, Filip Križan, Franjo Kuhar, Alen Liverić, Jan Kerekeš, Alan Katić, Amar Bukvić, Siniša Labrović, Nikša Butijer, Draško Zidar, Ozren Grabarić, Vedran Mlikota, Marija Škaričić Lana (17) je djevojka iz prosječne zagrebačke porodice. Sprema se provesti noć sa svojim dečkom Igorom (25). Na putu do koncerta odluče voditi ljubav u taksiju Igorovog prijatelja. Lani je to prvi seks u životu. Stvari krenu po zlu kad se usred njihovog intimnog susreta začuju zvukovi iz drugog taksija. Radi se o pljački i pokušaju ubistva. Lana želi prekinuti ljubavnu igru, ali je Igor prisili na nastavak odnosa. Lana bježi od njega i u noćnom klubu susreće Irenu (17), problematičnu djevojku koja noć provodi u potrazi za drogom.

Lana (17) is a girl from an ordinary Zagreb family.

She is getting ready to spend a night with her boyfriend Igor (25). On their way to a concert they decide to make love in an Igor’s friend taxi. It’s

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Lana’s first time. Things go wrong when, in the middle of their intimate encounter, they suddenly hear sounds coming from another taxi. It is an attempt of robbery and homicide. Lana wants to stop the lovemaking, but Igor forces her to go on.

Lana flees from him and goes to a nightclub where she meets Irena (17), a troublemaker who spends her nights looking for drugs

Polomljene školjke / Broken Mussels Turkey, 2011, HD CAM (HDTV), Colour, 93 min.

Režija / Director: Seyfettin Tokmak Scenarij / Screenplay: Kenan Kavut Uloge / Cast: Ugur Baris Mehmetoglu, Seydo Celik, Engin Benli, Selma Alispahić Hakim (15) i Faysal (14) dolaze iz Mardina u Istanbul u potrazi za poslom i prilikom da prebjegnu u Njemačku, gdje živi njihov rođak.

Ubrzo po dolasku u Istanbul sprijatelje se sa Medinom (40) i njenom kćerkom Elmom (13), izbjeglicama iz Bosne. Tražeći lijek za svoju kćerku Elmu, koja ima srčanih problema, Medina jednog dana nestaje. Usamljena i očajna djevojčica prepuštena je na milost i nemilost Hakimu i Faysalu, čiji su planovi sada krenuli sasvim drugim smjerom. Troje djece, tragajući za Medinom, bore se za opstanak u jednoj od najvećih svjetskih metropola.

Hakim (15) and Faysal (14) have come from Mardin to Istanbul to find work and escape to Germany where their cousin lives. After a short time they make close friends with Medina (40) and her

Protraćena mladost / Wasted Youth

Dišemo / Breathing

Amnestija / Amnesty

Loverboy

daughter Elma (13), refugees from Bosnia. With the aim of finding a cure for Elma who has a heart problem, Medina disappears from sight one day suddenly. The now lonely and desperate girl is at the mercy of Hakim and Faysal whose plans are now rent askew. The three children now in pursuit of Medina find themselves in struggle to survive in one of the worlds greatest metropoles.

REGIONALNE PREMIJERE / REGIONAL PREMIERES

Amnestija / Amnesty Albania, Greece, France, 2011, 35 mm, Colour, 83 min.

Režija / Director: Bujar Alimani Scenarij / Screenplay: Bujar Alimani Uloge / Cast: Luli Bitri, Karafil Shena, Todi Llupi, Mirela Naska, Alaksander Rrapi Po prvi put su u Albaniji novim zakonom dozvoljeni spolni odnosi bračnim parovima u zatvoru u Tirani. Jednom mjesečno, Elsa započinje dugo putovanje autobusom da posjeti muža koji je iza rešetaka. Spetim ima istu priču: njegova žena je također u zatvoru. Van zatvorskih zidina, rađa se ljubavna priča između dvoje posjetilaca, dok vlasti ne izglasaju amnestiju i tako oslobode njihove partnere.

For the first time in Albania, a new law allows sexual intercourse for married couples inside a prison in Tirana. Once a month, Elsa takes on a long bus trip to visit her husband behind bars. Spetim shares this monthly event: his wife has been locked up as well. Out of the prison walls, a love story between the two visitors is born, until the

government votes on an Amnesty setting both of their partners free.

Disati / Breathing Austria, 2011, 35 mm, Colour, 93 min, German Režija / Director: Karl Markovics Scenarij / Screenplay: Karl Markovics Uloge / Cast: Thomas Schubert, Karin Lischka, Gerhard Liebmann, Georg Friedrich, Stefan Matousch, Georg Veitl, Klaus Rott, Luna Mijovic, Reinhold G. Moritz Roman Kogler, star 19 godina, služi kaznu u vaspitno-popravnom domu. Već je odslužio pola kazne i mogao bi izaći uslovno, ali su mu šanse slabe: nema porodicu i čini se da nije sposoban da se uklopi u društvo. Nakon mnogo neuspješnih pokušaja, Roman dobija probni posao u općinskoj mrtvačnici u Beču. Jednog dana, Roman se suočava sa mrtvom ženom koja se preziva kao on. Iako se brzo pokaže da mu ona nije majka, Roman se po prvi put u životu počinje pitati o svojoj prošlosti i počinje je tražiti.

Roman Kogler, 19 years old, is serving time in a juvenile detention center. He has already served half of his sentence, and could be released on probation, but his chances are poor: he doesn’t have any family and seems incapable of coping with society. After many failed attempts, Roman finds a probation job at the municipal morgue in Vienna. One day, Roman is faced with a dead woman who bears his family name. Even though it soon turns out that she is not his mother, Roman wonders about his past for the first time and starts looking for her.

Protraćena mladost / Wasted Youth Greece, 2010, HD CAM (HDTV), Colour, 100 min.

Režija / Director: Argyris Papadimitropoulos, Jan Vogel Scenarij / Screenplay: Argyris Papadimitropoulos, Jan Vogel Uloge / Cast: Harris Markou, Ieronimos Kaletsanos, Artour Kiviliov, Jason Wastor, Maria Skoula, Syllas Tzoumerkas, Maria Kirozi, George Kakanakis, Marisha Triantafillidou, Yiannis Tsortekis, Yiannis Ekonomides Ljeto u Atini. Toplinski val prži grad. Jedan tinejdžer se sprema izaći van na svom skejtbordu i provesti sasvim običan dan sa svojim prijateljima.

Na drugoj strani, jedan sredovječni čovjek muku muči da prehrani porodicu i zadrži posao koji uopće ne voli, odupirući se nervnom slomu koji mu visi nad glavom. Ovo je portret Atine. Film o gradu i društvu u krizi. Inspiriran stvarnim događajima.

Summer in Athens. A heat wave blasts the city. A teenage skateboarder sets out for a normal day with his friends. A middle-aged man struggles with raising his family, a job he dislikes and an impending nervous breakdown. This is a portrait of Athens. A film about a city and a society in crisis. Inspired by true events.

Loverboy Romania, Sweden, 2011, 35 mm, Colour, 93 min.

Režija / Director: Catalin Mitulescu Scenarij / Screenplay: Catalin Mitulescu, Bianca Oana, Bogdan Mustata Uloge / Cast: George Piștereanu, Ada Condeescu, Ion Besoiu, Clara Vodă, Bogdan Dumitrache, Coca Bloos

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Fleke / Spots

Luca (20) zavodi djevojke, a zatim ih ostavlja u rukama svojih prijatelja u luci Constanta na Crnom moru. Luca se zaljubljuje u Veli, jednu od svojih potencijalnih ‘žrtava’. Ljeto je u Harsovi, na Dunavu. Muzika je glasna, auta skupa, djevojke preplanule, a Veli bježi od kuće Luci u krevet.

Prva ljubav nije nikad bila opasnija.

Luca (20) seduces girls then leaves them in the hands of his friends at the Black Sea port of Constanta. Luca falls in love with Veli, one of his potential victims. It’s summer down the Danube river, in Harsova. The music is loud, the cars are fancy, the girls are tanned and Veli runs away from home in Luca’s bed. First love has never felt more dangerous.

Avé Bulgaria, 2011, 35 mm, Colour, 86 min.

Režija / Director: Konstantin Bojanov Scenarij / Screenplay: Konstantin Bojanov, Arnold Barkus Uloge / Cast: Anjela Nedyalkova, Ovanes Torosyan, Martin Brambach, Svetlana Yancheva, Nikolay Urumov, Elena Rainova, Krasimir Dokov, Iossif Sarchadzhiev Dok je stopirala iz Sofije u Ruse, Kamen sreće Avé, 17-godišnju djevojku koja je pobjegla od kuće.

Sa svakim autom koje im stane, Avé za njih dvoje izmišlja nove identitete i njene kompulsivne laži uvlače Kamen sve dublje i dublje u nevolje.

Nevoljno uvučen u ovu avanturu, Kamen se počinje zaljubljivati u Avé.

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her

Avé

compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

IZVAN KONKURENCIJE / OUT OF COMPETITION

Posljednje poglavlje / The Ascent Montenegro, 2011, 35 mm, Colour, 91 min.

Režija / Director: Nemanja Bečanović Scenarij / Screenplay: Aleksandar Bečanović, Nemanja Bečanović Uloge / Cast: Amar Selimović, Vlado Jovanovski, Inti Šraj, Dejan Ivanić, Varja Đukić, Ana Vučković Jovan je upravo diplomirao književnost i trudi se da završi svoj prvi roman. Odlučuje da ode na prijateljevo imanje kako bi se u miru mogao posvetiti pisanju. Na imanju, koje se nalazi u zabačenim planinama, žive seljaci, jedna vrlo čudna porodica koja nema kontakta sa civilizacijom. Oni su nepismeni, žive u nedefiniranim seksualnim odnosima i posvećeni su prirodi. Zeko, glava porodice, je sadistički autoritet čija se riječ i jedinstveni pogled na svijet sluša bez pogovora. Jovan se polako navikava na život s njima i odlučuje da ostane malo duže. Ali, sad je na njemu da odluči koliko duže.

Jovan has just graduated from literature and struggles to finish his firstnovel. He decides to go to his friend's country estate in order to dedicate himself to writing in peace. At the estate, which is situated inobscured mountain's landscape, live farmers - one very strange family which doesn't have contact with civilization. They are illiterate,

Posljednje poglavlje / The Ascent

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Torinski konj / The Turin Horse

they live in unclearly defined sexual relations and they are devoted to nature. Zeko, head of the family, is sadist authority whose word, will and unique world-view can't be challenged by family members. Jovan slowly gets used to life with them, and decides to stay with them a little longer. But, it's not on him to decide how much longer.

GALA PROJEKCIJA / GALA SCREENING

Torinski konj / The Turin Horse Hungary, France, Switzerland, Germany, 2011, 35 mm, Black & White, 146 min.

Režija / Director: Béla Tarr Scenarij / Screenplay: Béla Tarr, László Krasznahorkai Uloge / Cast: Erika Bok, Janos Derzsi, Mihaly Kormos, Ricsi U Torinu 1889. godine Nietzsche grli iscrpljenog zaprežnog konja, zatim gubi svijest i razum.

Negdje na selu: farmer, njegova kćerka, kola i stari konj. Vani, oluja jača.

In Turin in 1889, Nietzsche flings his arms around an exhausted carriage horse, then looses consciousness and his mind. Somewhere in the countryside: a farmer, his daughter, a cart and the old horse. Outside, a windstorm rises.

CEREMONIJA ZATVARANJA I DODJELA NAGRADA / CLOSING AWARDS CEREMONY NARODNO POZORIŠTE / NATIONAL THEATRE 30.07.2011, 20.00

U fokusu In Focus Majke / Mothers

Selektorica / Programmer: Elma Tataragić

Majke / Mothers

Michael

Macedonia, 2010, 35 mm, Colour, 123 min.

Režija / Director: Milcho Manchevski Scenarij / Screenplay: Milcho Manchevski Uloge / Cast: Ana Stojanovska, Vladimir Jacev, Dimitar Gjorgjievski, Ratka Radmanovic, Salaetin Bilal Dvije devetogodišnje djevojke prijavljuju policiji seksualnog manijaka, iako ga nikada nisu vidjele.

Optužuju nevinog čovjeka. Trojica filmaša upoznaju se sa jedinim stanovnicima napuštenog sela, starijim bratom i sestrom, koji su prije mnogo godina prestali komunicirati jedno s drugim. U malom gradu pronađena su tijela penzionisanih čistačica koje su bile silovane, a potom zadavljene. Rezultati DNK analize vode do novinara, koji je izvještavao o ovim ubistvima. Da li on to ubija noću, a po danu piše? Tri dana nakon njegovog hapšenja, pronađen je u svojoj ćeliji, sa glavom u kanti vode. Radi li se o samoubistvu ili ubistvu? Svaka priča je istinita.

Ali samo jedna je stvarna.

Two nine-year-old girls report a flasher to the police even though they never saw him. They condemn an innocent man. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who have stopped talking to each other many years ago. Retired cleaning women are found raped and strangled in a small town. The DNA leads to a journalist who was reporting on the murders. Did he kill by night and write by day? Three days after his arrest, he is found in his cell, his head in a bucket of water. Was it suicide or murder? Every story is true. But only one is real.

Austria, 2011, 35 mm, Colour, 96 min.

Režija / Director: Markus Schleinzer Scenarij / Screenplay: Markus Schleinzer Uloge / Cast: Michael Fuith, Christine Kain, Ursula Strauss, Viktor Tremmel, Gisela Salcher Film opisuje zadnjih pet mjeseci prisilnog zajedničkog života 10-godišnjeg Wolfganga i 35-godišnjeg Michaela.

MICHAEL describes the last five months of 10-yearold Wolfgang and 35-year-old Michael’s involuntary life together.

Morgen

Morgen Romania, France, Hungary, 2010, 35 mm, Colour, 100 min.

Režija / Director: Marian Crișan Scenarij / Screenplay: Marian Crișan Uloge / Cast: András Hatházi, Yilmaz Yalcin, Elvira Rîmbu Nelu, muškarac u četrdesetim, radi kao obezbjeđenje u lokalnom supermarketu u Salonti, gradiću na rumunjsko-mađarskoj granici. To je mjesto gdje mnogi ilegalni emigranti na bilo koji način pokušavaju da pređu u Mađarsku i onda dalje u zapadnu Evropu. Za Nelua, svaki je dan isti. Peca ribu u zoru, zatim odlazi na posao i onda kući ženi Florici. Oni žive na izoliranom gazdinstvu, na poljima izvan Salonte. Njihov trenutni problem je kako popraviti stari krov na kući. Jedno jutro, Nelu će „upecati“ nešto drugačije iz rijeke: Turčina koji pokušava da pređe granicu. Kako se ne mogu sporazumjeti riječima, dvojica muškaraca će ipak nekako pokušati da se razumiju. Nelu odvodi stranca kući, daje mu suhu odjeću, hranu i smještaj. On ne zna kako da pomogne ovom strancu. Turčin daje

Neluu sav novac koji ima kod sebe da mu on pomogne preći granicu. Konačno, Nelu uzima novac i obećava da će mu pomoći preći granicu sutra, "Morgen"...

Nelu, a man in his forties, works as a security guard in the local supermarket in Salonta, a small town on the Romanian-Hungarian border. This is the place where many illegal emigrants try to cross, by any means posible, to Hungary and then further to Western Europe. For Nelu, days go by the same. Fishing at dawn, then work, and finally home with his wifeFlorica. They live alone at an isolated farmhouse on the fields outside Salonta. Their problem these days is repairing the old roof of the farmhouse. One morning, Nelu will “fish” something different out of the river: a Turkish man trying to cross the border. Not able to communicate verballly, the two men will somehow understand each other. Nelu takes the stranger to the farmhouse, gives him some dry clothes, food and shelter. He doesn't really know how to help this stranger. The Turkish man gives Nelu all the money he has on him so he will help him cross the border.

Eventually, Nelu takes the money and promises he will help him cross the border tomorrow, "Morgen"…

Naš duboki očaj / Our Grand Despair Turkey, Germany, Netherlands, 2011, 35 mm, Colour, 102 min.

Režija / Director: Seyfi Teoman Scenarij / Screenplay: Baris Bicakci, Seyfi Teoman Uloge / Cast: Ilker Aksum, Fatih Al, Güneș Sayin Mirni suživot neženja Endera i Cetina prestaje nakon što se u njihov stan doseli sestra jednog njihovog prijatelja. Dugogodišnje prijatelje u

Michael

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Otac / Dad

Otok / The Island

svojim tridesetim obuzima prisustvo šutljive Nihal. Što ih je to nagnalo da prihvate odgovornost za studenticu u svojoj kući? Posebno što se radi o djevojci koja se bori sa nedavno doživljenom traumom gubitka roditelja u saobraćajnoj nesreći.

No, jednostavni, svakodnevni rituali kao što je dijeljenje obroka na kraju zbližava troje cimera u ugodnijim trenucima. Nihal ubrzo izlazi iz svoje depresivne ljuske, a dva muškarca u njoj otkrivaju živahnu, prekrasnu mladu ženu.

The peaceful cohabitation of bachelors Ender and Çetin is disrupted when they allow a friend’s sister to move in with them. The 30-something longtime friends are overwhelmed by the presence of the uncommunicative Nihal. What possessed them to accept the responsibility of a university student in their home? Especially a girl struggling with the trauma of recently losing her parents in a car accident. But simple daily rituals like sharing meals eventually bring the three roommates together for more pleasant moments. Nihal soon comes out of her depressed shell and the two men discover a vibrant beautiful young woman.

Nemoj me zaboraviti, Istanbule / Do Not Forget Me Istanbul

Sklonište / Shelter

Turkey, 2011, 35 mm, Colour, 117 min, English, Arabic, Bosnian, Serbian, Greek, Turkish Režija / Director: Aida Begić (Bosnia-Herzegovina), Stefan Arsenijević (Serbia), Stergios Niziris (Greece), Eric Nazarian (USA), Omar Shakrawi (Palestine), Hany Abu-Assad (Palestine), Josefina Markarian (Greece) NEMOJ ME ZABORAVITI, ISTANBULE je omnibus sačinjen od šest kratkih filmova koji su režirali šest međunarodno priznatih reditelja sa ciljem da nas podsjete da prošlost Istanbula ne pripada samo sadašnjim stanovnicima Turske. Ovi kratki filmovi, od kojih svaki traje po 15 minuta, inspirirani su životima samih reditelja ili životima ljudi iz njihovih života.

DO NOT FORGET ME ISTANBUL comprises six short films made by six internationally acclaimed directors aiming to remind that Istanbul's past does not only belong to the current peoples of Turkey. These short films, each 15 minutes long, are inspired from the stories of either the directors' own lives or someone else's life which they witnessed.

Otok / The Island Naš duboki očaj / Our Grand Despair

Nemoj me zaboraviti, Istanbule / Do Not Forget Me Istanbul

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Bulgaria, Sweden, 2011, 35 mm, Colour, 95 min.

Režija / Director: Kamen Kalev Scenarij / Screenplay: Kamen Kalev, Stefan Piryov Uloge / Cast: Thure Lindhardt, Laetitia Casta Sophie i Daneel, oboje u svojim ranim tridesetim, blizak su i strastven par koji živi u Parizu. Sophie priređuje iznenađenje za Daneela i predlaže da otputuju u Bugarsku. Daneel odlučno odbija da krene na to putovanje, ali Sophie je toliko uporna da ga na koncu ubijedi da ipak krene. Po dolasku u Bugarsku, Sophie otkriva da je Daneel zapravo tamo rođen… Nakon nekoliko sati provedenih na pretrpanim plažama, Daneel vodi Sophie do gotovo napuštenog otoka izgubljenog na Crnom moru. Kada stignu do tog otoka, Daneel u Sophienom prtljagu pronalazi testove za trudnoću. Vrućina i nekolicina čudnih stanovnika

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

ubrzo počinju utjecati na njihove ponašanje, a otok polako otkriva skrivene strahove koji njihovu ljubav stavljaju na test. Da bi sve to prebrodili, moraju napraviti skok u nepoznato.

Sophie and Daneel, both in their early thirties, are a close and passionate couple living in Paris.

Sophie initiates a surprise journey to Bulgaria.

Daneel explicitly refuses to go, but Sophie insists and finally convinces him to leave. When they arrive, Sophie discovers that Daneel was born there... After a few hours spent on the crowded beaches, Daneel leads Sophie to an almost abandoned island lost in the Black Sea. Once there, Daneel discovers pregnancy tests in Sophie’s luggage. The heat and the strange few inhabitants soon alter their own behaviors, and the island slowly reveals hidden fears that question their love. To get through it all, they have to take a leap into the unknown.

Otac / Dad Slovenia, 2010, 35 mm, Colour, 71 min.

Režija / Director: Vlado Škafar Scenarij / Screenplay: Vlado Škafar Uloge / Cast: Miki Roš, Sandi Šalamon, workers of the Mura factory Film ljubavi. Nakon dugo vremena, otac i sin provode dan zajedno. (Jedan dan je poput kristala u kojem se odražava cijeli jedan život). Jedne prekrasne, jesenje nedjelje, usred veličanstvene prirode, dva ljudska bića izgledaju kao da su sama na svijetu. Moraju krenuti od početka. Lagano prilaze jedan drugom riječima, oživljavaju glasove prošlosti, bude osjećaje, zaboravljene, nepoznate.

A film of love. After a long time father and son spend a day together. (One day is like a crystal, one’s whole life reflects in it.) On a beautiful autumn Sunday, in the middle of majestic nature, the two human beings look like they are alone in the world. They have to start from the beginning.

Slowly, they start touching each other with their words, voices from the past come to life, feelings are awaking, forgotten, unknown.

Sklonište / Shelter Bulgaria, 2010, 35 mm, Colour, 88 min.

Režija / Director: Dragomir Sholev Scenarij / Screenplay: Razvan Radulescu, Melissa de Raaf, Dragomir Sholev Uloge / Cast: Cvetan Daskalov, Yanina Kasheva, Kaloyan Siriiski, Silvia Gerina, Irena Hristoskova Dok su mijenjali TV kanale, kiselili krastavce ili raspravljali o politici, roditelji dvanaestogodišnjeg Rada nisu uopće primijetili da im je sin u međuvremenu odrastao. Nakon što već dva dana nije dolazio kući, oni ne mogu shvatiti kako mu nije žao što im je život pretvorio u košmar i kako je mogao pobjeći od kuće sa prvim narkomanima na koje je naletio na ulici.

While they have been changing TV channels, making pickles or discussing politics, the parents of 12-yearold Rado have missed their son’s growing up. Now they cannot understand why, after disappearing for two days, he isn’t sorry for the nightmare he has caused them and why is he ready to run away from home with the first junkies he has met on the street.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

15

Zvijer / Beast

Nešto plavo / Something Blue

Takmičarski program kratki film Competition Programme – Shorts Selektorica / Programmer: Elma Tataragić SVJETSKE PREMIJERE/ WORLD PREMIERES

Kiyamet Bosnia and Herzegovina, 2011, 35 mm, Colour, 9 min.

Režija / Director: Ivan Ramadan Scenarij / Screenplay: Ivan Ramadan Uloge / Cast: Ivan Ramadan Um je mjesto za sebe. Um od pakla može stvoriti raj, a od raja pakao. Um stvara svemire. Mračne i svijetle svemire, šarene i blijede svemire... ali i svemir ima svoju volju.

The mind is a place on its own. The mind can turn hell into heaven, and heaven into hell. The mind creates universes. Dark and bright universes, multicolored and pale universes... but the universe has a will of their own.

Manuelni brojač / The Counting Device Romania, 2011, HD CAM (HDTV), Colour, 20 min.

Režija / Director: Daniel Sandu Scenarij / Screenplay: Daniel Sandu Uloge / Cast: Alexandru Georgescu, Catalin Stelian Mircea, stari zaposlenik u Državnoj kompaniji za autoputeve i državne ceste želi da u istoj firmi „sredi“ posao Georgeu, svom nećaku. Taj posao se sastoji od ručnog brojanja svih auta koja prođu državnim putevima za potrebe nekih EU statistika, ali obojica imaju drugačija mišljenja o svom poslu i njihovo prijateljstvo se na kraju pretvara u sukob.

Mircea, an old employee at the National Company of Motorways and National Roads wants to get George - his nephew - hired at the same company. The job consists of manually counting all the cars passing on the national roads for some EU statistics, but they both have different opinions about their work and eventually their friendship turns into a conflict.

Mezanin / Mezzanine

Stvari koje nikad nismo radili zajedno / The Things We've Never Done Together Slovenia, 2011, HD CAM (HDTV), B&W, 10 min.

Režija / Director: Martin Turk Scenarij / Screenplay: Martin Turk Uloge / Cast: Maja Gal Stromar, Barbara Zefran Klara posjećuje ženu koja ne želi da je vidi. Ta žena dozvoljava Klari da uđe u njen stan, ali pokušava ignorirati njeno prisustvo.

Klara visits a woman who doesn’t want to see her.

The woman allows Klara to enter the apartment, but she tries to ignore Klara’s presence.

Toplo za ovo doba godine / Warm For This Time Of Year Slovenia, 2011, 16 mm, Colour, 10 min.

Režija / Director: Blaž Kutin Scenarij / Screenplay: Blaž Kutin, Rolanda Rebrek Uloge / Cast: Niko Novak Tibor sjedi sam izvan kafane. Nakon nekog vremena mu ponestane cigareta, a obližnja trafika je zatvorena. Ustane, počne hodati i ne zaustavlja se.

Tibor is sitting alone outside a bar. After a while he runs out of cigarettes, but the nearby tobacco stand is closed. He heads on and does not stop walking.

MEĐUNARODNE PREMIJERE / INTERNATIONAL PREMIERES

Dove sei, amor mio Croatia, 2011, HD CAM (HDTV), Colour, 10 min.

Režija / Director: Veljko Popović Scenarij / Screenplay: Veljko Popović Da li je ugoda rutine i sreća što nam je pruža dovoljna da zauvijek ostanemo njezini robovi? Mali kolaž svakodnevne rutine jedne starice pomalo otkriva

Drugi dubl / Take Two

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Fotografija / The Photograph

čudne detalje u njezinom životu – od bizarnog odnosa s mužem, do potpune neusklađenosti s ostatkom svijeta. Snaga poricanja i strah od promjene drže staricu u začaranom krugu najgorih noćnih mora koji se prekida kada se otkrije njezina tajna...

Is the comfort of routine and the happiness it provides enough to keep us its slaves forever?

Following the daily routine in an old lady’s life, we soon discover that there is something strange about her. The power of denial and fear of change keep the old lady trapped in her worst nightmares until her secret is finally revealed.

Drugi dubl / Take Two Bulgaria, Germany, 2011, 35 mm, Colour, 27 min.

Režija / Director: Nadejda Koseva Scenarij / Screenplay: Georgi Gospodinov Uloge / Cast: Svetla Tsotsorkova, Stephan A. Shtereff U jednom bugarskom gradiću, u nedovršenoj kući, Maria čeka svog supruga. Ovo je dan kad se on vraća kući nakon nekoliko mjeseci napornog rada u inostranstvu. Ali on kasni. Kasni puno.

Možda neće ni doći...

In a small Bulgarian town, in the unfinished house, Maria is waiting for her husband. This is the day he returns home after several months of hard work abroad. But he is late. Very late. May be too late...

Mezanin / Mezzanine Croatia, 2011, 35 mm, Colour, 14 min.

Režija / Director: Dalibor Matanić Scenarij / Screenplay: Dalibor Matanić Uloge / Cast: Leona Paraminski, Jagoda Kralj-Novak MEZANIN je smješten u otuđeni velegrad u kojem vladaju nemilosrdna pravila korporacijskog

Kiyamet

Nikakva nas tama ne može natjerati da zaboravimo! / No Darkness Can Make Us Forget!

Dove sei, amor mio / Where Are You, My Love

Manuelni brojač / The Counting Device

društva, gdje djevojka pristaje biti svedena na ljudsko meso jer je to jedini mogući ulaz u igru preživljavanja. Majka ohrabruje kćer za ulazak u nemilosrdni svijet, postajući pritom svjesna da joj je vlastito dijete nepovratno uništeno. Njih dvije igraju prešutnu igru u kojoj je glavni cilj – rješenje egzistencijalnih pitanja – obavljen, no svjesne su da su posljedice itekako prisutne.

MEZZANINE is set in an alienated city ruled by merciless principles of corporate society, in which a young woman consents to be reduced to mere human flesh, as it is the only way into the game of survival. Her mother encourages the daughter to embark into this merciless world, becoming aware that her own child is irreversibly damaged. The two of them play a silent game with its main goal - solving the existence problems – has been achieved, yet they are aware that the aftermath is more than present.

Nešto plavo / Something Blue Hungary, 2011, 35 mm, Colour, 15 min.

Režija / Director: Virag Zomboracz Scenarij / Screenplay: Virag Zomboracz Uloge / Cast: Zita Teby, Adrienn Reti, Domokos Szabo Alice i Mary su bile u istom razredu u okružnoj srednjoj školi. Nakon mature su se rastale. Mary je otišla na koledž, dok se Alice zaljubila i ostala kod kuće. Susreću se na Alicinoj svadbi, ali se Alice postavlja prema prijateljici s rezervom: sebe doživljava kao žrtvu, a Mary kao simbol života koji joj je bio uskraćen.

Alice and Mary were classmates in the county town high school. After graduation, they separated: Mary went to college, while Alice felt in love and stayed in

Stvari koje nikad nismo radili zajedno / The Things We've Never Done Together

the grange. They meet at Alice’s wedding, but Alice receives her friend reservedly: she reckons herself as a victim, and Mary as the symbol of the life she has been deprived of.

Nikakva nas tama ne može natjerati da zaboravimo! / No Darkness Can Make Us Forget!

On his way to a business meeting, Claudiu drops by his old man’s house to snap a photograph his father kept bugging him for. What initially seemed like an easy job proves quite difficult, as the picture is of particular significance to the old man.

Zvijer / Beast

Fotografija / The Photograph

Hungary, 2011, 35 mm, Colour, 20 min.

Režija / Director: Attila Till Scenarij / Screenplay: Attila Till Uloge / Cast: Szabolcs Thuróczy, Balázs Szitás István Balogh, ne baš bogat mađarski farmer, gospodari svojom ženom, djecom i „unajmljenim“ robom. Odsječen od ostatka svijeta na udaljenoj farmi na Velikim Proplancima, on pokušava da provodi porodični ideal koji je izgrađen na krutim tradicijama. Usko isprepleteni, premda ekstremni ljudski odnosi guraju ove likove ka tragediji.

István Balogh, a not very affluent Hungarian farmer, lords over his wife, children and his “hired” slave. Cut off from the rest of the world on a distant farm in the Great Plains, he tries to uphold a family ideal he formulated from rigid traditions. The close-knit, albeit extreme, human relations sweep these characters towards tragedy.

Romania, 2010, 35 mm, Colour, 17 min.

Režija / Director: Victor Dragomir Scenarij / Screenplay: Victor Dragomir Uloge / Cast: Serban Pavlu, Victor Rebengiuc, Razvan Oprea Dok je išao na poslovni sastanak, Claudiu je svratio do očeve kuće da napravi fotografiju zbog koje mu otac dosađuje. Ono što je izgledalo kao jednostavan posao pokazalo se kao vrlo komplikovano, pošto je ta slika od posebne važnosti ocu.

TAKMIČARSKI KRATKI 1 / COMPETITION SHORTS 1 KIYAMET, DOVE SEI, AMOR MIO, NO DARKNESS CAN MAKE US FORGET!, THE COUNTING DEVICE, TAKE TWO TAKMIČARSKI KRATKI 2 / COMPETITION SHORTS 2 WARM FOR THIS TIME OF YEAR, THE THINGS WE'VE NEVER DONE TOGETHER, MEZZANINE, SOMETHING BLUE, THE PHOTOGRAPH, BEAST

Turkey, 2011, HD CAM (HDTV), Colour and B&W, 10 min Režija / Director: Hüseyin Karabey Scenarij / Screenplay: Hüseyin Karabey Film je realiziran kao animacija o Hrantu Dinku, armenskom novinaru kojeg su ubili muslimanski nacionalisti u Istambulu 2007. godine. Govor njegove supruge (Rakel Dink) na njegoj sahrani postao je manifest mira i tolerancije među muslimanima i kršćanima.

A film - realised as an animation - about Hrant Dink, the Armenian journalist killed by a Muslim nationalist in Istanbul in 2007. His wife's (Rakel Dink) speech at the funeral becomes a manifesto of peace and tolerance between Muslims and Christians.

REGIONALNE PREMIJERE / REGIONAL PREMIERES

Toplo za ovo doba godine / Warm For This Time Of Year SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Bosanska rapsodija na rubu znanosti / Bosnian Rhapsody At The Margins Of Science

Jedan dan na Drini / A Day On The Drina

Heroj našeg doba / A Hero For Our Time

Takmičarski program - dokumentarni film Competition Programme – Documentaries SVJETSKE PREMIJERE / WORLD PREMIERES

Bosanska rapsodija na rubu znanosti / Bosnian Rhapsody At The Margins Of Science Bosnia and Herzegovina, 2011, Beta Sp, Colour, 50 min.

Režija / Director: Vesna Ljubić Scenarij / Screenplay: Vesna Ljubić Ljekaruše, drevne knjige recepata narodne medicine, prisutne kod sva četiri naroda BiH, oduvijek su sadržavale i elemente religije, magije, mistike i demonizma, a bolesti od kojih su se ljudi stoljećima liječili uvijek su bile i refleksija društva u kojem su živjeli. Kroz priču o ljekarušama, film nam približava današnju postratnu Bosnu i Herzegovinu i bolesti od kojih narod danas kolektivno pati.

Ljekaruše [Herbalists], the ancient folk-healing reference books found in all four ethnic groups living in BIH, have always contained elements of religion, magic, mysticism, and demonism. The illnesses for which people have been treated for centuries have always been a reflection of conditions in the society in which they lived. Through their story, the film takes a closer look at present-day postwar Bosnia and Herzegovina and the illnesses currently afflicting the entire community.

Heroj našeg doba / A Hero For Our Time Bosnia and Herzegovina, 2011, HD CAM (HDTV), Colour, 43 min.

Režija / Director: Šeki Radončić Scenarij / Screenplay: Šeki Radončić Penzionisani policijski inspektor postaje nacionalni heroj u Crnoj Gori jer uporno tvrdi da je tokom rata, rizikujući život, spasio trojicu Bosanaca. Zbog tog hrabrog čina dobija domaće i međunarodne nagrade. No istina polako počinje da izlazi na vidjelo... Tokom snimanja ovog filma, autor je

Her Cinema Love

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Selektorica / Programmer: Rada Šešić

uhapšen i isljeđivan u crnogorskoj policiji.

A retired police inspector becomes a national hero in Montenegro for stubbornly claiming that he saved the lives of three Bosnians during the war and risked his own life while doing it. For that courageous act he receives local and foreign prizes.

But the truth slowly comes up... During the filming of this movie the author was arrested and interrogated by the Montenegrin police.

Colour, 17 min.

Režija / Director: Ines Tanović Scenarij / Screenplay: Ines Tanović Jedan dug ljetni dan na rijeci Drini... Ovo zvuči kao spokojan piknik... I bio bi takav, da se rijeka nije povukla u korito. / A long summer day on the river Drina... This may sound like a serene picnic... And it would be, hadn’t the river retreated to its riverbed...

Her Cinema Love

Bosnia and Herzegovina, 2011, 35 mm, Colour, 62 min.

Režija / Director: Nedžad Begović Scenarij / Screenplay: Nedžad Begović Uvažavajući činjenicu da na planeti egzistira pet milijardi aktivnih mobitela, autor filma se upustio u tehnološki limitirane slobode i mogućnosti ovog medija, te realizirao film u savremenoj „Youtube”, odnosno „mobitel” estetici. On traga za prostorima umjetničke slobode. Autor, ustvari, koristi opciju „voice record” i arhivira svakodnevne telefonske razgovore. / Taking into account the fact that there are over 5 billion active cell phones on the planet, the author ventured into the technologically limited freedom and possibilities of this media, and he realized a film in contemporary “Youtube” or “cell phone” esthetics. The author is searching for the spaces of artistic freedom. In fact, he uses “voice record» option and archives everday phonecalls.

Bosnia and Herzegovina, Netherlands, 2011, HD CAM (HDTV), Colour, 23 min.

Režija / Director: Nejra Latić - Hulušić, David Jan Bronsgeest Scenarij / Screenplay: Nejra Latić - Hulušić, David Jan Bronsgeest Sena ima samo jedan cilj – da ne misli o svoje dvoje djece koje je izgubila u ratu. Ona je vlasnica kafića u kinu gdje je svako dobrodošao, uključujući i bivšeg snajperistu Slavišu koji je proveo rat pucajući na Seninu ulicu. Znajući da je Senin šesnaestogodišnji sin ubijen snajperskim metkom, nezaposleni Slaviša radi povremene poslove za Senu i tvrdi da nikada ne bi povukao obarač da je znao da neko poput Sene živi u toj ulici.

Sena has only one aim - not to think about her two children she had lost during the war. She owns a bar in the cinema that welcomes everybody, including the former sniper Slaviša, who spent his days during the war shooting at Sena´s street. Knowing that Sena´s 16-year-ols son was killed by a sniper bullet, unemployed Slaviša works part-time jobs for Sena and claims that if he ever had known that someone like Sena lived in that street, he would never pull the trigger.

Jedan dan na Drini / A Day On The Drina Bosnia and Herzegovina, 2011, HD CAM (HDTV),

Mobitel / A Cell Phone Movie

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Mobitel / A Cell Phone Movie

Pun(a) / Loaded Bosnia and Herzegovina, 2011, Beta Sp, Colour, 23 min.

Režija / Director: Alen Drljević Scenarij / Screenplay: Alen Drljević Trinaestogodišnji dječak živi sa majkom, ocem i dvogodišnjom sestrom. Dječak bezgranično voli svoju malu sestru. Djevojčica obožava svoga starijeg brata. Njihov otac radi u lokalnom streljačkom klubu i strastveni je lovac. Igrajući se očevom puškom, dječak slučajno ispali hitac i

Pun(a) / Loaded

Nevidljive žice – Talentirane sestre Pusker / Invisible Strings - The Talented Pusker Sisters

Zemlja znanja / Land of Knowledge

Bio i prošao / I 've Come and I'm Gone

teško rani svoju malu sestru...

A thirteen-year old boy lives with his mother, father and a two-year old sister. The boy loves his baby sister unconditionally. The little girl adores her big brother. Their father works at a local shooting club and is a passionate hunter. While playing with his father’s rifle, the boy accidentally fires a shot and wounds his sister badly...

glasovima. Jedan prodaje kolače, drugi ušiva pokrivače, treći najavljuje popuste na tržištu.

This documentary is about street sellers who sell different kind of things but use same way, their voices. One of them sells cakes on the street, one of them repairs quilts on the street, one of them announces the discounts in the market.

Zemlja znanja / Land of Knowledge Croatia, 2011, DigiBeta, Colour, 65 min.

Režija / Director: Saša Ban Scenarij / Screenplay: Saša Ban Studenti Filozofskog fakultetu u Zagrebu 20.4.2009. godine preuzimaju kontrolu nad fakultetom. Od vlade zahtijevaju ukidanje svih oblika plaćanja visokog obrazovanja. Tokom blokade fakulteta, studenti sve odluke donose metodom direktne demokratije. Tako Plenum, tijelo sastavljeno od tristotinjak studenata, figurira kao glavni lik dokumentarca. Paralelno pratimo i drugu, medijsku stvarnost u kojoj ”žive” osobe od političke važnosti i odlučuju o našoj današnjici i budućnosti.

On 20.4.2009, students of the Zagreb Faculty of Philosophy took control over school. They insisted that the Government should revoke all forms of payment of higher education. During the blockade, the students made all decisions by applying a direct democracy principle. Plenum, a body composed of some three hundred students, imposed itself as the main protagonist of the documentary. In parallel, we follow another reality, the media reality, “inhabited” by politicians who decide on our present and the future.

INTERNACIONALNE PREMIJERE / INTERNATIONAL PREMIERES

Bio i prošao / I 've Come and I'm Gone Turkey, 2011, HD CAM (HDTV), Colour, 14 min.

Režija / Director: Metin Akdemir Scenarij / Screenplay: Metin Akdemir Ovaj dokumentarac priča o uličnim prodavačima, koji prodaju različite stvari na isti način - svojim

Gdje je nestala radnička klasa? / Where Has The Working Class Gone?

Gdje je nestala radnička klasa? / Where Has The Working Class Gone?

Slovenia, 2010, DigiBeta, Colour, 55 min.

Režija / Director: Maja Weiss Scenarij / Screenplay: Maja Weiss Film je bio u produkciji od maja 2009. do maja 2010. godine. Do kraja maja 2010. na tržištu rada registrirano je 98 401 ljudi, što je za 16,4% više nego u maju 2009. Ovo su priče o nekoliko nezaposlenih ljudi koji su tokom snimanja dokumentarnih audicija održanih u različitim biroima za zapošljavanje pristali stati pred kamere i ispričati svoje priče.

The film was in production from May 2009 till May 2010. By the end of May 2010 there were 98,401 people registered on the Labour Exchange list, which is 16.4 % more than in May 2009. These are stories of few unemployed people who volunteered, through documentary auditions held at various Employment Offices, to appear in front of the camera and tell their stories.

her shadows? HBO Hungary’s documentary tells about the bond between two sisters, a family secret and the power of music.

Prolaz za van / The Way Out Croatia, 2010, DigiBeta, Colour, 10 min.

Režija / Director: Vedran Šamanović, Sanja Šamanović Scenarij / Screenplay: Sanja Šamanović, Vedran Šamanović Eksperimentalni film utemeljen na dokumentarnom iskustvu. Riječ je o dugom razgovoru s gđom Gabrijelom koja je nedavno izgubila nekog bliskog, pa su njene emocije eksponirane i dostupne. Autorska intervencija je, pak, evidentna i nezaobilazna. Film je vjerojatno jedino mjesto gdje protagonistica i autor(i) mogu proživjeti nametnute im emocije: provociranje podsvijesti, smjenjivanje osjećaja tjeskobe i ugodnog sjećanja na neki prošli život...

An experimental film based on documentary experience. It is about a lengthy conversation with Mrs Gabriela, who has recently lost someone close and due to this experience her emotions are completely exposed and accessible. An intervention of the author, however, is evident and unavoidable.

The film is probably the only place where the protagonist and the author(s) may live through the emotions imposed onto them: provoked subconscious, alternating feelings of anxiety and pleasant memories of the past life...

Nevidljive žice – talentirane sestre Pusker / Invisible StringsThe Talented Pusker Sisters

Ratni reporter / War Reporter

Hungary, 2010, HD CAM (HDTV), Colour, 70 min.

Režija / Director: Ágnes Sós Scenarij / Screenplay: Ágnes Sós Ako ti je najveći rival osoba koju voliš najviše na svijetu, kako ćeš se osloboditi okova njene prošlosti? Mađarski dokumentarac u produkciji TV kuće HBO govori o odnosu između dvije sestre, porodičnoj tajni i moći muzike.

If your greatest rival is the person who you love the most in the world, how would you break free from

Croatia, 2011, Beta Sp, Colour, 60 min.

Režija / Director: Silvestar Kolbas Scenarij / Screenplay: Silvestar Kolbas Ovaj film prati zbivanja tokom agresije na Hrvatsku 1991. godine, koja je promijenila život svim njenim građanima. Film nije istraživanje historijskih istina, već autorovih ličnih istina. Koristeći snimke koje je načinio za vrijeme Domovinskog rata kao snimatelj Hrvatske televizije, autor iz prvog lica priča posve ličnu priču.

Prolaz za van / The Way Out

Razorubičenje SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Abendlend

Schwarzkopf

This film follows events during the aggression against Croatia in 1991 that changed the lives of all its citizens. The film is not an investigation into historical truths, but rather the author’s personal truths. Using footages he had made during the Homeland War as a cameraman of the Croatian television, the author tells a totally personal story from the first person.

Razorubičenje Croatia, 2011, DigiBeta, Colour, 20 min, Croatian Režija / Director: Igor Zelić, Domagoj Matizović Scenarij / Screenplay: Igor Zelić, Domagoj Matizović Film prikazuje problematiku bijele kuge (depopulacije) na primjeru jednog slavonskog sela, koje postaje indikativ za stanje u zemlji.

The film depicts the problems of the white plague (depopulation) on the case of a Slavonian village, which becomes an indicator for the general state of being of the country.

Schwarzkopf Austria, 2011, 35 mm, Colour, 90 min.

Režija / Director: Arman T. Riahi Scenarij / Screenplay: Arman T. Riahi Ovo je priča o dvije generacije „Neoaustrijanaca“ – Schwarzköpfima, tj. tamnoglavih, kako oni sebe zovu – rođeni su i odrasli u Europi, ali ne pripadaju nigdje. Nazar, naš 25-godišnji lik, osumnjičen za oružanu pljačku, pušten iz zatvora, bez posla, traži utočište u svijetu gdje ga poštuju – u svijetu rap muzike. Prošlost ga povezuje sa sadašnjim životom nove generacije potomaka imigranata...

This is the story of two generations of NeoAustrians - Schwarzköpfe, or darkheads, as they call themselves - born and raised in Europe, but misfits nonetheless. Nazar, our 25-year old protagonist, suspect of armed robbery, is released of prison, jobless and seeking sanctuary in a world where he is respected - in the world of rap music. The past connecting him with the present life of a new generation of immigrant descendants...

Ratni reporter / War Reporter

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REGIONALNE PREMIJERE / REGIONAL PREMIERES

Abendland Austria, 2011, 35 mm, Colour, 88 min Režija / Director: Nikolaus Geyrhalter Scenarij / Screenplay: Wolfgang Widerhofer, Nikolaus Geyrhalter, Maria Arlamovsky Filmska poema o kontinentu noću, kulturi na kojoj sunce zalazi, iako je istovremeno jako uzbuđen, „Zapad“ se često samoopsesivno vidi kao krov ljudske civilizacije, a njena uslužna ekonomija doživljava ubrzani rast na potpuno pragmatičan način. Što više misliš o njoj, obris te riječi je sve dalji i dalji: ABENDLAND. A film poem about a continent at night, a culture on which the sun's going down, though it's hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. The longer you consider the word, the more distant is its return gaze: ABENDLAND.

Ekumenopolis: grad bez granica / Ecumenopolis: City Without Limits Turkey, Germany, 2011, HD CAM (HDTV), Colour, 93 min.

Režija / Director: Imre Azem Scenarij / Screenplay: Imre Azem Istanbul je prošle godine je proglašen evropskim gradom kulture, želi kandidaturu za Olimpijske igre 2020... S 15 miliona stanovnika, 2 puta je veći od Londona, a izgleda da će je udvostručiti do 2030. Neplanska gradnja znači da je ovo širenje došlo bez adekvatnih okolišnih ili zaštitnih mjera.

Neki misle da je 70 % od 3.8 miliona objekata u gradu nesigurno – i da leži na tektonskom rasjedu.

Kao što jedan od intervjuiranih kaže, budućnost za Istanbul znači – haos.

Last year Istanbul was the European City of Culture; it has its heart set on winning the 2020 Olympic bid.

At fifteen million, its population is twice the size of London’s, and looks set to double by 2030. The lack of planning regulations means that expansion has

Moj glas / My Vote

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Ekumenopolis: grad bez granica / Ecumenopolis: City Without Limits

come without adequate environmental or safety precautions. An estimated 70% of the city’s 3.8 million buildings are thought to be unsafe – and lying on a fault line. As one interviewee warns, for Istanbul the future means chaos.

Moj glas / My Vote Romania, 2011, DigiBeta, Colour, 42 min.

Režija / Director: Monica Lazurean-Gorgan, Andrei Gorgan Scenarij / Screenplay: Monica Lazurean-Gorgan, Andrei Gorgan MOJ GLAS je zabavan i intrigantan dokumentarac o lokalnim izborima u jednom rumunjskom selu.

Gradonačelnik na vlasti najavljuje svoju ko zna koju po redu kandidaturu i pokušava da ubijedi seljane da glasaju za njega. Fascinantan uvid u mladu demokratiju u kojoj se koriste manipulacija i prevara.

MY VOTE is an amusing and intriguing documentary about local elections in a Romanian village. The incumbent Mayor announces his umpteenth candidancy and tries to convince the villagers to vote for him. A fascinating insight into a young democracy, in which manipulation and deception are employed.”

Moj prijatelj Manchester United / My Mate Manchester United Bulgaria, 2011, DigiBeta, Colour, 57 min Režija / Director: Stefan Valdobrev Scenarij / Screenplay: Stefan Valdobrev Prateći put jednog čovjeka za njegovim čudnim snom da se nazove po svom omiljenom fudbalskom timu, režiser nam približava jednog bugarskog graditelja i njegove nezaboravne prijatelje, te pravi dirljiv portret moderne Bugarske i njenih smetenih i zbunjenih ljudi koji su tako razočarani životom u svojoj zemlji da emigriraju u svoju ličnu rezervnu realnost.

Following the quest of a man’s awkward dream to be named after his favorite football club, the film director brings us close to a Bulgarian builder and his memorable mates, and creates a moving portrait of contemporary Bulgaria with its bewildered and confused people, so disappointed by the life in the country that they migrate to their own substitute reality.

Polazak / Old Mountain

Pravila samačkog života /Rules of Single Life

Polazak / Old Mountain Serbia, 2010, Mini DV, Colour, 18 min.

Režija / Director: Goran Stanković Scenarij / Screenplay: Goran Stanković U srbijanskom selu na obroncima Stare planine živi 15 domaćinstava. Najmlađi čovjek u tom selu je star 70 godina. U ovom filmu su sakupljene intimne misli seljana tog sela, čije iščekivanje smrti nije samo obilježeno samoćom, već i svime što ih povezuje. Posmatrajući njihov život, kroz kretnje i nijeme geste, mi vidimo ljude koji žive u harmoniji sa prirodnim ciklusima.

In a Serbian village on the slopes of Stara Planina there are 15 households. The youngest man in the village is 70 years old. The film gathers the intimate thoughts of the inhabitants of this village, whose wait for death is marked not by loneliness but by a common bond. By observing their life, through deliberate movement and silent gestures, we discover people in harmony with the cycles of nature.

Pravila samačkog života / Rules of Single Life Bulgaria, Finland, 2011, DCP, Colour, 79 min.

Režija / Director: Tonislav Hristov Scenarij / Screenplay: Tonislav Hristov, Kaarle Aho Kad se u Finskoj snima film u stilu serije „Seks i grad“, u kojem su glavni glumci Bugari iz Helsinkija, onda je rezultat dobronamjerna komedija o pokušaju mladog čovjeka da razumije šta znači biti samac nakon raspada braka. Režiser filma, Tonislav i njegova tri odana prijatelja idu na kurseve bontona, plesa, uljepšavanja – ali bezuspješno, a približava se trideseti rođendan od kojeg strepe.

Ovo je film o muškarcima koji vole žene i koji se ne boje pokazati svoja osjećanja.

When a film in the style of Sex & the City is filmed in Finland, the main actors are Bulgarian men in Helsinki, and the result is a good-natured comedy about a young man´s attempt at understanding what it is to be single after the break-down of his marriage. The director of the film, Tonislav, and his three loyal friends go through etiquette training, dance lessons, grooming as well as fitness training,

Cinema Komunisto

Magnet

Moj prijatelj Manchester United / My Mate Manchester United

yet without success as the dreaded 30-year birthday arrives. A film about men who like women and are not afraid to show their feelings.

BH. PREMIJERE / B&H PREMIERES

Cinema Komunisto Serbia, 2010, HD CAM (HDTV), Colour and B&W, 101 min Režija / Director: Mila Turajlić Scenarij / Screenplay: Mila Turajlić Može li film oblikovati zemlju? CINEMA KOMUNISTO je putovanje kroz fikciju i stvarnost zemlje koja više ne postoji i koja možda nikad i nije postojala, osim u filmovima. Ovaj otkačeni dokumentarac otvara trezore filmskih studija Avala, napuštene državne ustanove koja je nekad ugošćavala zvijezde poput Orsona Wellesa i Sophie Loren, i „štancala“ propagandu, podstičući mitove koji su stvorili – i konačno uništili – Jugoslaviju.

Can cinema forge a country? CINEMA KOMUNISTO is a trip through the fiction and reality of a country that no longer exists, and may never have existed, except in movies. This quirky doc cracks open the vaults at Avala Film Studios, the deserted stateowned facility that once hosted stars like Orson Welles and Sophia Loren, and churned out propaganda fostering the myths behind the rise – and eventual collapse – of Yugoslavia.

Trči za život / Run For Life Serbia, Japan, 2010, HD CAM (HDTV), Colour, 72 min.

Režija / Director: Mladen Matičević Scenarij / Screenplay: Mladen Matičević TRČI ZA ŽIVOT je film o tri maratonca iz Etiopije koji su, u potrazi za boljim životom, sportskom karijerom i srpskim državljanstvom, svoju zemlju zamijenili za Srbiju. Film prati godinu i po dana provedenih u Srbiji, od trenutka kada su stigli pa sve dok nisu bili prisiljeni da je napuste. To je i priča o prijateljstvu sa rediteljem Mladenom Matičevićem, čija su perspektiva i naracija iz ličnog ugla i okosnica filma.

RUN FOR LIFE is a film about three marathon runners from Ethiopia who replaced their country with Serbia, in a quest for a better life, sport career and Serbian citizenship. The film follows their year and half spent in Serbia, from the moment they arrived, up until they were forced to leave. That is also a story about a friendship with the director Mladen Matičević, whose perspective and narration from a personal viewpoint as well as the key idea behind the film.

Magnet

Život, priključenija i održivi razvoj jednog kokota / Trials, Tribulations & Sustainable Growth of a Cock

Bosnia and Herzegovina, 2011, Beta Sp, Colour, 42 min.

Režija / Director: Namik Kabil Scenarij / Screenplay: Namik Kabil Svaki zadnji vikend u julu hiljade ljudi se okupi u selu Čevljanovići, trideset kilometara od Sarajeva.

Gledaju borbe bikova, plešu i jedu dok ne popadaju. Šta je misteriozna energija koja privlači sve ove ljude, svake godine, svaki put na isto mjesto?

Every last weekend in July, thousands of people gather in the village of Čevljanovići, thirty kilometers from Sarajevo. They watch bulls fight each other, they dance and eat until they collapse.

What is that mysterious energy that draws all those people, every year, every time, at the same place?

Montenegro, 2011, DigiBeta, Colour, 20 min.

Režija / Director: Vladimir Perović Scenarij / Screenplay: Vladimir Perović Jednom godišnje u primorskom gradiću Perastu jedan od mnogih pijetlova (kokota) iz kraja učestvuje u osobenom događaju. Budući da je odabran, on će se suočiti sa neočekivanim iskustvima. Ovo je priča o njegovom životu u okruženju ljudskih pravila i rituala…

Once a year in the small coastal town of Perast, Montenegro, one out of many cocks in the region participates in a very particular event. Being the chosen one, he will face unexpected experiences.

This is the story of his life in the environment of human rules and rites...

Život, priključenija i održivi razvoj jednog kokota / Trials, Tribulations & Sustainable Growth of a Cock

Trči za život / Run For Life

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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CineLink 2011 Već u pripremama za ovogodišnji konkurs za projekte razgovarali smo o tome kako usmjeriti naš market prema novim trendovima tržišta, prema sve jasnijoj razlici između low budget projekata i problematičnih mid range budžeta, kako ponuditi projekte u čiju realizaciju vjerujemo, a koje opet naši gosti žele, ali i mogu koproducirati ili financirati.

Gotovo svaka zemlja u regiji je u zadnje 3 godine pretpila jednu ozbiljnu institucionalnu krizu, bar što se finaciranja filma tiče, realnost su česte stanke i nedostatak produkcijskog kontinuiteta, posvuda se pišu nova pravila i traže rješenja za opstanak. Sve to su pitanja na koja smo željeli dati odgovore, a prijavljeni projekti su ih nam, na neki način, sami ponudili. Od hrabrog i ironičnog TIDEWAY Huga Vieire Da Silve i Heidi Wilm, do neobičnog turskog mjuzikla YOZGAT BLUES Tarika Tufana i snažne energije prvih filmova Paula Negoescua, Davora Kanjira, Nikole Ljuce, Andre Martinovića, Nesimia Yetika, Yorgosa Zoisa, Lili Horváth - svaki nam je projekat ponudio jedan dio odgovora na naša pitanja.

Pomalo se osjećamo kao da je pred nama i vama novi početak, debitantskih glasova je mnogo, a predstavlja ih i nova generacija producenata. Budžeti projekata su često gotovo radikalni, barem polovica računa na neku vrstu low budget pristupa, a finacijski planovi oslikavaju i nove odnose unutar same regije.

While preparing for this year’s call for projects, we discussed ways of directing our market towards new market trends, towards an ever more clear distinction between low budget projects and the problematic mid-range budgets, how to offer projects we believe in and our guests can and want to co-produce or finance.

Over the past three years, almost all the countries in the region suffered a serious institutional crisis, at least in terms of film financing. The reality includes frequent interruptions or discontinuity in productions, new rules are written and solutions for survival sought. All these are questions we wanted to provide answers to – and in a way, the incoming projects presented them to us.

From the brave and ironic TIDEWAY by Hugo Vieira da Silva and Heidi Wilm, to the unusual Turkish musical YOZGAT BLUES by Tarik Tufan and the powerful energy of debutant works by Paul Negoescu, Davor Kanjir, Nikola Ljuca, Andro Martinović, Nesimi Yetik, Yorgos Zois, Lili Horváth – each project offered part of the answers. We feel a bit as if we are faced with a new beginning: voices are many and represented by a whole new generation of producers. Project budgets are often almost radical, at least half of them are counting on some kind of a low budget approach, and financial plans reflect new relationships within the region itself.

Dobrodošli u veziju 2.0 filmske Jugoistočne Evrope. S ponosom vam predstavljamo naših 14 favorita.

Welcome to version 2.0 of film in Southeast Europe. We are proud to present our 14 favourites.

Amra Bakšić Čamo, Head of CineLink

22

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

CineLink Selection 2011 365 NEW YEAR'S EVES Writers: Paul Negoescu and Vlad Trandafir; Director: Paul Negoescu; Romania

A HAPPY MAN Writer/Director: Davor Kanjir; Croatia

HUMIDITY Writers: Nikola Ljuca and Staša Bajac; Director: Nikola Ljuca; Serbia

MIRKO WILL FUCK YOU ALL Writer/Director: Saša Hajduković; Bosnia and Herzegovina

ODYSSEUS Writers: Andro Martinović and Andrej Nikolaidis; Director: Andro Martinović; Montenegro

SPIRIT OF DUST Writer: Betul Esener; Director: Betul Esener and Nesimi Yetik; Turkey

STAGE FRIGHT Writers: Yorgos Zois and Vasilios Kyriakopoulos; Director: Yorgos Zois; Greece

TIDEWAY Writers/Directors: Hugo Vieira Da Silva and Heidi Wilm Austria

THE WEDNESDAY CHILD Writer/Director: Lili Horváth; Hungary

YOZGAT BLUES Writer: Tarik Tufan; Director: Mahmut Fazil Coskun; Turkey

CineLink+ Selection 2011 MOTHER Writer/Director: Vlado Škafar; Slovenia

TOUCH ME NOT Writer/Director: Adina Pintilie; Romania

VIRUS Writers: Angelos Frantzis and Spyros Kribalis; Director: Angelos Frantzis; Greece

ZERO Writers: Gyula Nemes and Tamas Beregi; Director: Gyula Nemes; Hungary

17th Sarajevo Film Festival and Screen International present

3rd 5HJLRQDO IRUXP RQ WKH VWDWH RI ÀOP LQGXVWU\ LQ 6RXWKHDVW (XURSH

the annual conference for the ÀOP LQGXVWU\ LQ 6RXWKHDVW (XURSH July 28th, 9:30am - 6pm, Hotel Europe, Sarajevo - over 100 professionals

from 15 different countrie s in the region expected; - both public and private se ctor represented; EXUQLQJ LVVXHV VXFK DV SUR production and digitizationGXFWLRQ ÀQDQFLQJ ULVN PLWLJDWLRQ LQ of distribution and exhibitio n to be discussed; - public policies to be shap ed up and advocated for; - a lot of networking to be done!

Speakers include:

Festival Mirsad Purivatra, Director, Sarajevo Film jevo Film Festival -RYDQ 0DUMDQRYLĂ˝ Head of Industry, Sara Ilan Girard, CEO, Arsam International ovisual Observatory Martin Kanzler, Analyst, European Audi on and BBC eting Consultant for Microwave, Film Lond Mia Bays, Production Executive and Mark Digital Cinema Forum Antoine Virenque, President, European Eurimages Isabel Castro, Deputy Executive Director, XDC tor, Till Cussmann, International Sales Direc

To register contact us on regionalforum@sff.ba

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Semih Kaplanoğlu

Talenti -‘Speed Matching’/ Talents “Speed Matching”

Gaspar Noé

Morgan Freeman

5. Sarajevo Talent Campus "Naše vrijeme, moje gledište" / "Our Time, My Point of View" U fokusu ovogodišnjeg programa Sarajevo Talent Campusa su odabiri tačaka gledišta raznih filmskih stvaralaca. Program će se baviti problemom i nužnošću odluka koje je potrebno donijeti u toku kreativnog procesa nastanka filma. Bez obzira da li se radi o fikciji, dokumentarcu, eksperimentalnom filmu, hibridnom ili transmedijskom filmskom stvaralaštvu: proces odabira najsnažnijeg načina izražavanja vizije bit će obrađen kroz raznovrstan program predavanja, panel diskusija, te aktivnih kritičkih debata, koji je dopunjen radionicama, praktičnim vježbama, filmskim projekcijama i festivalskim izletima. Budući da Campus u 2011. godini nosi naziv “Naše vrijeme, moje gledište”, logična je veza koju gradimo sa Rough Cut Boutique. Ovaj novonastali projekat Dokumentarnog takmičarskog programa Sarajevo Film Festivala i Balkanskog dokumentarnog centra ima za cilj unaprijediti razvoj, distribuciju i promociju regionalnog dokumentarnog filma. U okviru svojih predavanja, dokumentarista John Appel će istaknuti odlike kreativnog dokumentarca, dok će nam Stefano Strocchi približiti osnove transmedijskog filmskog stvaralaštva. Imajuću u vidu autorski film, kreativne odabire i odgovore autora na vrijeme u kojem živimo, reditelj Wim Wenders će govoriti o izazovima 3D tehnologije u “osvajanju” prostora plesača njegovog filma PINA. Béla Tarr će, iz perspektive promišljanja odnosa prošlosti i sadašnjosti, govoriti o svom posljednjem filmu TORINSKI KONJ. U ovom filmu mađarski reditelj koristi se fikcijom kako bi rekonstruirao historijske fragmente. Dotaknuvši se podijeljenih uloga prošlosti i sadašnjosti i pisanih izvora iz kojih nastaje filmska priča, postupak adaptacije književnog u filmsko djelo ušao je u fokus našeg interesovanja. Tim povodom, scenaristica Olivia Hetreed i script konsultantica Kate Leys govorit će o adaptaciji književnog djela u filmski scenarij. Između ostalog, one će odgovoriti na pitanja na koji način adaptirati književno djelo te kome je namijenjen film, nastao na osnovu adaptiranog scenarija. Pisac i scenarista Abdulah Sidran će podijeliti iskustvo rada u jednom i drugom mediju, počevši od jednog autobiografskog romana do nastanka dvaju filmskih scenarija, SJEĆAŠ LI SE DOLLY BELL i OTAC NA SLUŽBENOM PUTU. O radu na adaptaciji i razvojnom procesu nastanka filma govorit će i Katriel Schory, ali sa stanovišta kreativnog producenta.

U svojstvu stručnjaka i predavača na 5. Sarajevo Talent Campusu će, između ostalih, učestvovati i Philippe Bober, Gabriele Brunnenmeyer, Licia Eminenti, Lucile Hadžihalilović, Alby James, Leon Lučev, Pierre-Alain Meier, Zeynep Özbatur, Vladimir Perišić, Erwin M. Schmidt, Frank Stehling, te mnogi drugi.

Kao i prethodnih godina, nastavljamo sa uspješnom praksom intenzivnih ‘speed matchinga’ i sastanaka ‘jedan na jedan’, koje već tradicionalno implementiramo sa našim partnerom, Fondacijom Robert Bosch. Realiziramo i drugo izdanje “Pack&Pitch”, programskog segmenta osmišljenog u cilju pružanja prilike odabranim učesnicima da pod stručnim mentorstvom nauče analizirati i pripremati projekte za prezentaciju. Ovaj projekat im omogućava da stečeno znanje primijene predstavivši projekte iskusnim filmskim profesionalcima, gostima Sarajevo Film Festivala i učesnicima CineLink koprodukcijskog marketa. Kroz niz predavanja, prezentacija i projekcija nastavljamo saradnju sa Minimarketom i odgovaramo na pitanja šta je kratki film danas, koji su primjeri uspješnog, savremenog regionalnog i evropskog kratkog filma, te šta sve podrazumijeva industrija kratkog filma. I ove godine prisustvujemo projekcijama festivalskih programa koji su u direktnoj vezi sa pažljivo kreiranim sesijama.

Nadamo se da ćemo zajedno uživati u programu Sarajevo Talent Campusa, realiziranog u saradnji sa Međunarodnim filmskim festivalom u Berlinu i Berlinale Talent Campusom, te jedni u drugima prepoznati buduće saradnike.

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

The focus of this year’s Sarajevo Talent Campus will be on various viewpoints as offered by numerous filmmakers. The programme will address the difficulty but necessity of decisions that need to be taken throughout the creative process of filmmaking. Whether fiction, documentary, experimental, hybrid or transmedia filmmaking: choosing the strongest way to express one's vision will be conveyed through a diverse programme of lectures, panel discussions and active critical debates, complemented by workshops, practical tutorials, film screenings and festival excursions. Since the 2011 Campus is entitled: ”Our Time, My Point of View”, the link we are making with Rough Cut Boutique is logical. This newly created project of the Documentary Competition Program of the Sarajevo Film Festival and the Balkan Documentary Center aims to upgrade the development, distribution and promotion of regional documentary films. Within the framework of their respective lectures, documentary filmmaker John Appel will stress features of a creative documentary, while Stefano Strocchi will elaborate the basics of transmedia based documentary filmmaking. Having in mind auteur film, creative choices and authors’ responses to the times we live in, director Wim Wenders will talk about the challenges of 3D technology he faced while “capturing” the space between the dancers in his film PINA. From a perspective of past-present consideration, Béla Tarr will talk about his latest feature THE TURIN HORSE. In this feature, the Hungarian director uses fiction to reconstruct historical fragments. Having considered split roles of the past and the present, as well as written sources the film is based upon, the adaptation process from literature to film has become a focus of our interest.

On that occasion, screenwriter Olivia Hetreed and script consultant Kate Leys will talk about adapting a literary work into a film script. Among others, they will answer the questions: How to adapt a literary work and who is a target group of an adapted script. Writer and screenwriter Abdulah Sidran will share his experience from working in both media, starting from one autobiographical novel to making two film scripts DO YOU REMEMBER DOLLY BELL? and WHEN FATHER WAS AWAY ON BUSINESS. Katriel Schory will discuss about the process of adaptation in the context of film development, but from the perspective of a creative producer.

Among many others, 5th Sarajevo Talent Campus will include such experts and lecturers as Philippe Bober, Gabriele Brunnenmeyer, Licia Eminenti, Lucile Hadžihalilović, Alby James, Leon Lučev, Pierre-Alain Meier, Zeynep Özbatur, Vladimir Perišić, Erwin M. Schmidt and Frank Stehling. As in previous years, we will continue the successful practice of intensive “speed matching” and “one on one” meetings that are traditionally implemented with our partner, Robert Bosch Foundation. We are organizing the second edition of “Pack&Pitch”, a program segment designed to offer selected participants a chance to learn how to analyze and prepare presentation projects, all under expert guidance. Consequently, they can apply their gained knowledge by pitching their projects to experienced film professionals, Sarajevo Film Festival guests and participants of the CineLink Co-Production market. Through a line of lectures, presentations and screenings we will continue to cooperate with “Minimarket” and answer questions what is short film today, what are examples of successful, contemporary regional and European short films, and what the short film industry stands for. This year too, we will attend various screenings directly related to the carefully designed Talent Campus sessions.

We hope that we will together enjoy the program of the 5th Sarajevo Talent Campus, commenced in cooperation with the Berlin International Film Festival and Berlinale Talent Campus, and recognize future partners in each other.

Asja Makarević, koordinatorica Sarajevo Talent Campusa / Sarajevo Talent Campus Coordinator

Edina

Tjelesna funkcija / Bodily Function

Sarajevo grad filma Sarajevo City of Film Edina BiH / Hungary, 2011, 18 min.

Režija / Director: Nóra Lakos Scenarij / Screenplay: Nóra Lakos Uloge/ Cast: Eszter Tompa, Boris Ler, Amina Begović, Nicolas Moll Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić EDINA je vesela priča o ljubavi za jednu noć između pisca i njegove kreacije. Zbog svojih avantura pisac gubi sposobnost da promijeni lik i priču, te više ne može pobjeći od ovog savršenog ženskog lika.

EDINA is a playful story about a one night stand of a writer and his own creaturion. Due to their adventures the writer losses his superpower for being able to change the character and the story and can’t get away from his perfect women character any more.

Posthumno / Posthumous BiH, Turkey, 2011, 17 min.

Režija / Director: Cenk Erturk Scenarij / Screenplay: Cenk Erturk Uloge / Cast: Senad Alihodžić, Adnan Hasković, Šerif Aljić, Muhamed Bahonjić Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić

Posthumno / Posthumous

Selo Mirsadovog oca se evakuira zbog izgradnje brane. Ono će uskoro biti potopljeno.

Mirsad dolazi iz grada da prenese očeve ostatke iz starog seoskog groblja u groblje u novom selu.

Mirsad’s father’s village is evacuated due to dam construction. The village will soon be under water. Mirsad arrives from the city intending to move his father’s remains from the old village cemetery to a grave in the new village’s graveyard.

Scene sa ženama / Scenes with Women BiH, Serbia, 2011, 16 min.

Režija / Director: Nikola Ljuca Scenarij / Screenplay: Nikola Ljuca Uloge / Cast: Marko Cindrić, Borka Tomović, Sadžida Šetić, Jasna Beri, Jelena Kordić Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić Svaki dan Mirza provodi sa ženama. Svaki dan on nanovo mora da ih obiđe i učini sve da ih usreći. Danas se on oprašta sa svima.

Every day Mirza spends with women. Every day he has to re-visit them and make them all happy. Today, he says goodbye to everybody.

Tjelesna funkcija / Bodily Function BiH, 2011, 41 min.

Režija / Director: Dane Komljen Scenarij / Screenplay: Dane Komljen Uloge / Cast: Anel Hasanbašić, Rijad Gvozden Producenti / Producers: Alex Traila, Davorka Begović, Vladislav Bulajić Adnan vozi kombi ka gradu u kome prodaje povrće na pijaci. Dok čeka poziv prijatelja, on sumnja u njegovu odanost.

Adnan is driving a grocery van on his way to sell produce at the market. While he is waiting for a friend’s phone call, he suspects his loyalty.

Sarajevo grad filma - najbolji film / Sarajevo City of Film Best Film NAGRADA / AWARD

Dodjela nagrade / Award Ceremony: 26.07.2011., 21.00 / Ljetno kino !hej / !hej Open Air Cinema

Scene sa ženama / Scenes with Women SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Akacije / Las Acacias

Alicia, idi daleko / Alicia, Go Yonder

Panorama Akacije / Las Acacias Argentina, Spain, 2011, 35 mm, Colour, 85 min.

Režija / Director: Pablo Giorgelli Scenarij / Screenplay: Pablo Giorgelli, Salvador Roselli Uloge / Cast: Germán de Silva, Hebe Duarte Film o dvojcu, snimljen gotovo u cijelosti u kabini velikog kamiona, s „malim imenima“ i još manjim budžetom. Razvoj priče Giorgellijevog filma ovisi o sitnim gestama i letimičnim pogledima argentinskog vozača i paragvajske žene i njene kćerkice, koje je povezao od Asunciona do Buenos Airesa.

Film AKACIJE se odbija nametnuti kao neka vrsta kinematografskog dostignuća. Kadrovi obmanjujuće pojednostavljuju putovanje od samoće do vezanosti. Putovanje snažno odjekuje i pogađa čak i najpribranije gledatelje. Film je osvojio nagradu Camera d’Or u Cannesu kao najbolji prvi igrani film u svim festivalskim sekcijama.

A two-hander shot almost entirely in the cab of a large truck, with small names and an even smaller budget, Giorgelli’s road movie depends on tiny gestures and the slightest of glances to advance the story of an Argentine driver and the indigenous Paraguayan woman and her baby daughter to whom he provides a lift from Asuncion to Buenos Aires. LAS ACACIAS refuses to announce itself as some sort of cinematic achievement. The makes deceptively simple the journey from loneliness to attachment; the trip resonates powerfully in even the most hardened viewer. The film won the Camera d’or in Cannes, the best first feature in all of the festival’s sections.

Alicia, idi daleko / Alicia, Go Yonder Mexico, 2010, 35 mm, Colour, 67 min Režija / Director: Elisa Miller Scenarij / Screenplay: Elisa Miller Uloge / Cast: Sofia Espinosa, Martin Piroyansky, Sofia Palomino Sniman preko tri sedmice, uglavnom na krajnjem jugu Argentine, film ALICIA, IDI DALEKO je jedna vrsta igranog dnevnika o dvojici likova koji se sastaju samo na trenutak, svaki od njih na geografskom putovanju kako bi uspješnije rasvijetlili svoja psihološka i emocionalna previranja. Rediteljka Miller i glumica Sofia Espinoza su blisko surađivale kako bi njen lik prešao dionice od Mexico Cityja do Buenos Airesa, do Calafate i glečera Petite Morena, nedaleko od

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Selektor / Programmer: Howard Feinstein

Antarktika. Po njenim instrukcijama, Espinoza i glumac Martin Piroyansky su improvizirali, nikad ne ponavljajući kadrove, ali je uvijek s njima vježbala unaprijed.

Filmed over three weeks mostly in the far south of Argentina, ALICIA, GO YONDER is something of a diary film about two characters who come together only briefly, each on a geographical journey to help in mapping out their psychological and emotional turmoil. Miller and actress Sofia Espinosa worked closely together to track her character from Mexico City to Buenos Aires to Calafate and the glacier at Petite Morena, not far from Antarctica. She had Espinosa and actor Martin Piroyansky improvise, never shooting more than one take, but still rehearsing with them individually in advance.

Bijeli, bijeli svijet / White White World Serbia, Germany, Sweden, 2010, 35 mm, Colour, 121 min.

Režija / Director: Oleg Novković Scenarij / Screenplay: Milena Marković Uloge / Cast: Uliks Fehmiu, Hana Selimović, Jasna Đurčić, Nebojša Glogovac, Boris Isaković U svom trećem filmu, smještenom u ekonomski depresivni, zagađeni jug Srbije, u rudarski grad Bor, Novković kombinira žanrove na vrlo odvažan, ali u konačnici i uspješan način. Zaplet se razvija oko čitave plejade uzajamno povezanih likova, ali reditelj ne dozvoljava publici da se previše opusti: gledatelj mora sam povezati likove ili barem biti strpljiv da sačeka rasplet. Centralni lik, kojeg tumači sjajni glumac Uliks Fehmiu, u svom već drugom filmu sa Novkovićem je gradska ‘faca’, samotnjak koji misli da će odbaciti društvo tako što će otvoriti kafanu koja će ljude dovesti njemu i tako što će vježbati u samoći. Ovaj osamljenik je, baš kao i sam grad, sklon samouništenju. Čini se da je ova tema ustvari proročanstvo o budućnosti čovječanstva. U manje sposobnim rukama, ovaj film bi bio potpuno konfuzan. Ali ovakav kakav jeste, on predstavlja pravo remek-djelo.

In his third film set in the economically depressed, polluted southern Serbian mining town of Bor, Novkovic blends genres in a daring but ultimately successful way. The plotline involves an ensemble of characters who are interrelated, but the director doesn’t let the audience off easily: The viewer must figure out the connections, or at least be patient

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

with their revelation. The central character, played by the great actor Uliks Fehmiu in his second film with Novkovic, is the town stud, a loner who thinks he can bow out of society by running a bar that brings people to him, and by working out in solitude. The loner, like the town itself, self-destructs, and it seems that this thread is a prophecy of mankind’s future. In lesser hands, it would have been a complete mess. As it is, it’s a masterpiece.

The Black Power Mixtape 1967-1975 Sweden, 2011, HD CAM (HDTV), Colour and B&W, 100 min. (dokumentarni / documentary) Režija / Director: Göran Hugo Olsson Švedski režiser Olsson montira snimke ljudi i događaja iz bitne epohe američke crne historije, od materijala koje su snimili švedski TV režiseri i snimatelji prije četiri decenije. Možda zato što intervjue nisu radili Amerikanci i zato što su neki intervjui rađeni u Stockholmu, a ne Chicagu ili New Yorku, ovaj ritmički posložen dokumentarac ima snagu. Kao da ove snimke nije niko nikad prije vidio. Pozadinski glasovi modernih ličnosti (npr. Angela Davis) opisuju stare slike. Važni intervjui sa Davisovom, Stokelyjem Carmichaelom i mnogim drugim se smjenjuju sa crnom djecom na ulicama i protestima, muzikom u pozadini, često u izvedbi grupe The Roots, daju ovom dokumentarcu moderan osjećaj prosvijetljenog videospota.

Swedish director Olsson edits together footage of people and events from an important era of American black history, all of it filmed four decades ago by Swedish TV directors and cinematographers.

Maybe it’s because the interviewers were not American, and maybe because some of the interviews were done in Stockholm and not Chicago or New York, but this rhythmically assembled documentary is strong. It’s as if no one had ever seen these sequences before.

Contemporary voiceovers (Angela Davis, for example) describe old visuals. Great interviews with Davis, Stokely Carmichael, and many others alternate with scenes of black kids in the streets and protests; overlaid music, much of it by The Roots, gives this doc the hip feel of an enlightened music video.

Bijeli, bijeli svijet / White White World

Bolji svijet / In a Better World Denmark, Sweden, 2010, 35 mm, Colour, 113 min.

Režija / Director: Susanne Bier Scenarij / Screenplay: Anders Thomas Jensen Uloge / Cast: Mikael Persbrandt, Trine Dyrholm, Ulrich Thomsen, Markus Rygaard, William Jøhnk Nielsen Ovo je film o porodičnim problemima sagledanim iz šireg društvenog konteksta, pa naslov BOLJI SVIJET pokazuje koliko Bier i njen stalni scenarista Anders Thomas Jensen žude za jednim takvim svijetom. Dvojica predadolescentskih dječaka u Danskoj postaju prijatelji u školi. Jednog redovno tuče školski siledžija; njegov otac (brilijantna uloga Mikaela Persbrandta) je miroljubivi doktor koji liječi afričke zbjeglice u logoru u regiji niže Sahare. Drugi dječak je razmaženo derište koji je ostalo bez majke. On svoj bijes iskaljuje na društveni sistem, kojeg doživljava kao nasilnog, i usvaja filozofiju preventivne agresije.

A film about family issues placed in a broader social context, the title IN A BETTER WORLD reflects how much Bier and regular screenwriter Anders Thomas Jensen long for one. Two preteen boys in Denmark become friends at school. One is the regular punching bag for the school bully; his father (brilliant performance by Mikael Persbrandt) is a non-violent doctor who treats the displaced in a sub-Saharan Africa refugee camp. The other boy is a brat who has lost his mother. His anger is displaced onto a social order he perceives as abusive, and he adopts the philosophy of preventive aggression.

Čuvar / The Guard Ireland, 2011, 35 mm, Colour, 96 min.

Režija / Director: John Michael McDonagh Scenarij / Screenplay: John Michael McDonagh Uloge / Cast: Brendan Gleeson, Don Cheadle, Liam Cunningham, David Wilmot, Rory Keenan, Mark Strong U svom prvom igranom filmu, McDonagh, irski redatelj sa sjedištem u Londonu i istaknuti scenarista (NED KELLY), udružuje vulgarnog, bezobzirnog i sasvim jedinstvenog irskog policajca Boyla, kojeg tumači izvanredni Brendan Gleeson, i crnog, američkog policajca Everetta (Don Cheadle), koji dolazi u zapadnu Irsku, u područje u kojem se govori irski jezik, Gaellic, kako bi pomogao da se prekine jedan lanac trgovine narkoticima. Everett je tu kao komičarev sekundant. Sve se vrti oko Boyla, sile prirode i njegovog identiteta, koji je jedva prikriven dok se obraća svom nesigurnom partneru, koristeći se svim poznatim knjiškim, crnačkim klišejima. McDonagh miješa žanrove u ovom zapanjujuće svježem i ritmički usklađenom filmu: Ovo je solo improvizacija o ubojitom policijskom tandemu, crna komedija, akcioni film,

Bolji svijet / In a Better World

sentimentalna drama i na koncu klasični western koji svo vrijeme podgrijava pomamna španska muzička tema benda Calexico.

In his first feature, London-based Irish director McDonagh, already a terrific screenwriter (NED KELLY), tosses together a vulgar, irreverent, one-ofa-kind Irish country cop, Boyle (the great Brendan Gleeson), and a black American policeman, Everett (Don Cheadle), who comes over to the Gaellicspeaking West of Ireland to help stop a drug smuggling ring. Everett is there as a comic foil; this is all about Boyle, a force of nature, his id barely hidden as he addresses his unlikely partner with every African-American cliché in the book.

McDonagh blends genres in this astoundingly gorgeous and rhythmically paced film: this is a riff on the Lethal Weapon-model cop partner movie, a black comedy, an action film, a sentimental drama, and, at the end of the day, a classic western, for which the frenetic, Spanish-style music by Calexico has been warming up all along.

Dječak s biciklom / The Kid With A Bike Belgium, France, Italy, 2011, 35 mm, Colour, 87 min.

Režija / Director: Jean-Pierre Dardenne, Luc Dardenne Scenarij / Screenplay: Jean-Pierre Dardenne, Luc Dardenne Uloge / Cast: Cécile De France, Thomas Doret, Jérémie Renier, Fabrizio Rongione, Egon Di Mateo Još jednom braća Dardenne koriste naturalistički pristup da prikažu duboko ukorijenjeno čovjekoljublje koje isijava iz onih koji su na najnižoj društvenoj ljestvici. Nepoželjni jedanaestogodišnjak živi u domu. On se vraća u svoj stari stan da nađe oca koji ga je napustio i svoj bicikl.

Tamo uspjeva naći bicikl, a kada oca sreće na drugom mjestu, on ga opet odbacuje, uprkos dječakovom očajanju za očinskom ljubavi. Dječak u potpunosti negira istinu i agresivan je prema onima koji je spomenu. Srećom po njega, on sreće ženu, frizerku koja mu pruža nešto od ljubavi i zaštite koja mu treba. Kao i obično, naracija je svedena na minimum, što vodi izvanzemaljskoj ljepoti ovog nepretencioznog, prizemljenog filma.

Once again, the Dardenne brothers use naturalistic means to display a deep-rooted humanity that emanates from those low on society’s totem pole.

An unwanted 11-year-old boy lives in a care home.

He returns to his old apartment to find the father who disappeared and his bicycle. He is successful with the latter, but his dad, once he encounters him somewhere else, wants nothing to do with him, despite his desperation for parental affection. The

kid is in complete denial about the truth and is aggressive toward those who mention it. Fortunately for him, he meets a woman, a hairdresser who provides him with some of the love and protection he needs. As usual, the narrative is pared down to the essentials, which lend an ethereal beauty to an otherwise unpretentious, earthy film.

Elena Russia, 2011, 35 mm, Colour, 109 min.

Režija / Director: Andrei Zvyagintsev Scenarij / Screenplay: Oleg Negin Uloge / Cast: Yelena Lyadova, Nadezhda Markina, Aleksey Rozin, Andrey Smirnov Kad financijska situacija postane teška, junakinja iz naslova filma bira svoju biološku porodicu, uključujući i svog nesposobnog sina, a ne bogatog drugog supruga. Mirna bivša medicinska sestra iz radničke klase postaje ubica kako bi osigurala sigurnost svog djeteta i unučeta, koji treba novac za mito da bi se upisao na fakultet i tako izbjegao užase ruske vojske. Nadezhda Markina je fenomenalna u ulozi Elene, žene na raskršću života. Mnogo je toga na njenim plećima. Ona je utjelovljenje šizoidne Rusije poslije 1989. godine, razapeta između tradicionalne uljudnosti i privremene ludosti za novcem. Napeti ton filma je još naglašeniji naglim, nabrijanim melodijama Philipa Glassa. Nema sumnje da reditelj čvrsto vjeruje da je u budućnosti bilo kakav osjećaj moralnosti u Rusiji u ozbiljnoj opasnosti.

The title character chooses her biological family, including her ne’er-do-well son, over her wealthy second husband when the financial stakes become high. The docile ex-nurse from the working class becomes a murderer in order to insure the security of her child and grandchild, who need bribery money to get him into college in order to avoid the horrors of the Russian military. Nadezhda Markina delivers a tour-de-force in the role of the conflicted Elena. A lot rests on her shoulders: She is the embodiment of the schizoid post-1989 Russia, torn between traditional civility and contemporary money madness. The chilling tone is heightened by hyper, excited bursts from Philip Glass’s score. There is no doubt that the director strongly believes that any sense of morality in the Russia of the future is in serious jeopardy.

El Varal Mexico, 2009, DV CAM, Colour, 75 min. (dokumentarni / documentary) Režija / Director: Marta Ferrer Scenarij / Screenplay: Marta Ferrer Ferrer je otišla na ranč u maloj ruralnoj zajednici, na

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Elena

Dječak s biciklom / The Kid With A Bike

El Varal

I bi volja Božija / And God Willed

uzvisinama centralnog Meksika. Neki od mještana i dalje obrađuju zemlju, neki rade u tri nova maquiladores (postrojenja za montažu) gdje su uvjeti za rad grozni, ali postoji nekoliko opcija da se zaradi za život. Veliki postotak mještana je emigrirao u SAD i njihove zarade izdržavaju porodice kod kuće, ali njihovo odsustvo stvara prazninu u duši grada. Ona snima proslave dana sveca zaštitnika zajednice, zatim prati učesnike kako se vraćaju crnčenju na zemlji, znojenju u maquiladoresima, ili besposličarenju na ulici. Ovdje se vidi kakvu je užasnu štetu nanijela NAFTA (Sjevernoamerički savez slobodne trgovine) na male poljoprivredne proizvođače, dok velike međunarodne kompanije beru profite. Opet, ovaj film je na svoj način i prekrasan i težak, pun poštovanja za mještane i njihove pokušaje da održe neko dostojanstvo.

Ferrer went to a rancho, a small rural community, in the plains of central Mexico. Some of the residents still work the land, some work in the three new maquiladores (assembly plants), where labor conditions are horrid but there are few options to make any kind of living. A high proportion of the inhabitants have migrated to the U.S., and their earnings sustain their families back home, yet their absence creates a void in the town’s spirit. She films the celebrations during the community’s patron saint’s day, then follows the participants afterward as they return to the drudgery on working the land, sweating in the maquiladores, or just hanging out on the street. Here one sees the terrible damage perpetrated by NAFTA (North American Free Trade Alliance) on small agricultural producers while large transnationals reap the profits. Yet the film is in its way beautiful and poignant, respectful of the locals and their attempts to maintain some dignity.

Gandu India, 2010, 35 mm, Black & White, 85 min.

Režija / Director: Kaushik Mukherjee Scenarij / Screenplay: Kaushik Mukherjee, Surojit Sen Uloge / Cast: Anubrata Basu, Joyraj Bhattacharya Fascinantni spoj danas marginalizirane, ali ipak moderne omladine i tradicionalnog utjecaja

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filmske škole Satyajit Raya iz Kalkute, film GANDU je priča o jednom amoralnom mladiću iz sirotinjskog kvarta, kojeg vršnjaci ismijavaju i koji odušak od napornog posla pronalazi u rap muzici koju izvodi direktno pred kamerom. Međutim, u ovom filmu nema Rayove ispravnosti i uzdržanosti.

Dječak gleda svoju majku, koja u zamjenu za stanarinu daje svoje tijelo, on masturbira na hardcore pornografiju, sprijatelji se i dijeli krek sa narkomanom. Negdje na pola filma, protagonista potpada pod utjecaj droga, a linija između stvarnosti i halucinacije postaje sve zamagljenija, proizvodeći izvanredan vizualni efekat.

A fascinating hybrid of today’s marginalized but hip youth and the traditional Kolkota of Satyajit Ray, Gandu is the story of an amoral slum youth whose peers make fun of him, and who escapes drudgery through rap music, which he chants directly into Q’s camera. But this is not the Ray of propriety and withheld energy: The boy watches his mother having sex in exchange for free rent, he masturbates to hardcore pornography, and he befriends and shares crack with a drug addict. Halfway through the film, a druggy feel takes over, and the line between reality and hallucination is blurs to great visual effect.

Himne rudara / The Miners' Hymns USA, 2011, HD CAM (HDTV), Colour and B&W, 52 min. (dokumentarni / documentary) Režija / Director: Bill Morrison Scenarij / Screenplay: Bill Morrison, Jóhann Jóhannsson, David Metcalfe Osim nekoliko savremenih inserata u boji, Morrison monitra arhivske snimke kako bi se poigrao originalnom muzikom Johanna Johannssona, manipulirajući slikama, podižući raspoloženje i ostvarujući progresivne političke elemente preko njegove suprotnosti. Fokus ovog filma su rudari u Durhamu, u sjeveroistočnoj Engleskoj, gdje je radnička klasa nekada imala snagu i gdje su zamaskirani rudnici uglja, koji su nekad bili tek radno mjesto koje je prehranjivalo porodice rudara,

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postali simbolom njihovog kulturnog i moralnog identiteta. Godišnja proslava njihovih organizacija prava je raskoš. Ali, da se ne bi izgubili u tako ljupkom prizoru, Morrison se redovno vraća u mrak, u mokre unutrašnjosti rudnika i njihove “metropolske“ radne uvjete.

Except for a few contemporary color inserts, Morrison edits archival footage to play with or against Johann Johannsson’s original score, manipulating images, enhancing mood, and scoring progressive political points through his juxtapositions. The subject here is the coal miners of northeast England, in Durham, where the working-class had clout, and the now camouflaged coal mines that provided sustenance for the men’s families provided a cultural and moral identity that extended far beyond the workplace. The recurring annual celebration of their organizations is pure pageantry. But lest one get lost in such charming spectacle, Morrison regularly cuts to the dark, dank interiors of the mines and their Metropolis-like labor conditions.

I bi volja Božija / And God Willed Mexico, 2010, HD CAM (HDTV), Colour, 15 min.

Režija / Director: Flavio Florencio Scenarij / Screenplay: Flavio Florencio Uloge / Cast: Guadalupe Rodríguez, Martín Rodríguez Barrón, Antonio Rosas Rodríguez Ova naizgled jednostavna priča govori o vrlo staroj ženi (glumi je stogodišnjakinja koju je režiser upoznao u kafiću), čiji sinovi su prezauzeti poslom da bi je posjetili u Meksiku. Florencio pravi digresije između ljudi u kamionu i starice koja se bori sa telefonom u govornici. Film je protkan mirnoćom, vjerovatno pod uticajem dugog perioda kojeg je režiser proveo u Africi.

This deceptively simple tale is about a very old woman (played by a centenarian the director met in a café) whose sons are too preoccupied working in the States to visit her in Mexico. Florencio cuts between men in a truck and the old woman

Kad ubice zavladaju / Reign of Assassins

Melanholija / Melancholia

Kairo 678 / Cairo 678

Koristan život / A Useful Life

struggling with a pay phone. The film has a textured placidity, possibly influenced by the many years the director has spent in Africa.

Kad ubice zavladaju / Reign of Assassins China, Hong Kong, Taiwan, 2010, 35 mm, Colour, 117 min.

Režija / Director: Su Chao-Pin Scenarij / Screenplay: Su Chao-Pin Uloge / Cast: Michelle Yeoh, Jung Woo Sung, Wang Xueqi, Barbie Hsu, Shawn Yue, Kelly Lin Ovaj film nije samo niz akcionih scena koje se brzo smjenjuju, već je mnogo složeniji i liričniji od brojnih filmova žanra wuxia– filmova o borilačkim vještinama. Radnja se vrti oko bandi koje se pokušavaju domoći ostataka monaha Bodhija, koji je dosegao toliko visok stepen u molitvi i borilačkim vještinama da će vlasnik njegovih ostataka imati neograničenu moć. Kišica je mlada žena koju obučava vođa podmukle bande Tamni kamen, ali ona odlučuje da napusti takav život i promijeni svoj identitet plastičnom hirurgijom kako bi postala... Michelle Yeoh. Ali sama selidba i brak nisu dovoljni da sakriju njen identitet: nju prepoznaju po načinu baratanja mačem kada se bori protiv pljačkaša banke. I njen mirni suprug razotkriva svoj identitet kao majstor borilačkih vještina kada je njen život ugrožen.

Not just a series of rapid action scenes, this is more complex and lyrical than most films of the wuxia genre: martial arts films. The plot involves the competition between gangs for the remains of the monk Bodhi, so accomplished in both prayer and martial arts that possessing them will make the owner all-powerful. Drizzle is a young woman trained by the leader of the nefarious Dark Stone gang, but she decides to leave this life behind and disguise herself through plastic surgery to become…Michelle Yeoh. But relocation and marriage are not enough to hide her identity: she is recognized when she wields a sword to fend off bank robbers. And her docile husband reveals himself as a martial arts master when her life is threatened.

Kairo 678 / Cairo 678 Egypt, 2010, 35 mm, Colour, 100 min.

Režija / Director: Mohamed Diab Scenarij / Screenplay: Mohamed Diab Uloge / Cast: Maged El Kedwany, Ahmmed El Feshawy, Basem El Samra, Omar El Saeed, Nelly Karim U svom odvažnom režiserskom prvijencu, iskusni scenarista Diab se hrabro uhvatio u koštac sa tabu temom seksualnog uznemiravanja žena u Egiptu.

Priroda likova u ovom filmu nije ni crna ni bijela, već nekako siva, jer se protagonisti nalaze u zatvorenom, represivnom društvenom sistemu. U centru filma su tri zlostavljene žene, različitih dobi i društvenih klasa i one među sobom raspravljaju o osvetama: npr. da li da samo bocnu ruku prenapadnog muškarca ili da ga ubodu među noge. Muškarci u njihovim životima su također pažljivo zasjenjeni. Fayza (popularna egipatska pjevačica Bushra) je majka iz radničke klase, pod velom, koju je katastrofalna finansijska situacija u porodici natjerala da se svaki dan vozi autobusom.

Ona pohađa seminar kojeg vodi Seba (Nelly Karim), zlatarka iz srednje klase koja želi da pomogne ostalim žrtvama. Kad je riječ o društvenim promjenama i podršci partnerima, najviše obećava stand-up komičarka Nelly (Nahed El Seba’i), čije je iskustvo bazirano na istinitoj priči žene koja je uz podršku svog supruga, a protiv želja njegove porodice, podigla prvu tužbu za seksualno zlostavljanje u Egiptu 2008. godine.

In his assured directorial debut, veteran screenwriter Diab courageously exposes the taboo subject of sexual harassment of women in Egypt. No black or white characters are to be found here: They are more gray, participants in a closed, repressive social order. The three harassed women at the film’s center are of different ages and social classes, and they argue among themselves about vendettas: whether to prick an overly forward man’s hand or stab him in the groin, for example. The men in their lives are also carefully shaded. Fayza (popular singer Bushra) is a veiled working-class mother who is forced by the family’s dire financial situation to take

the bus daily. She attends a seminar conducted by Seba (Nelly Karim), an upper-class jewelry maker who wants to help other victims. The most promising in terms of social change and partner support is middle-class, aspiring stand-up comic Nelly (Nahed El Seba’i), whose experience is based on the true story of a woman who, with the support of her fiancé and against his family’s wishes, filed the first sexual harassment lawsuit in Egypt in 2008.

Koristan život / A Useful Life Uruguay, Spain, 2010, 35 mm, Black&White, 67 min.

Režija / Director: Federico Veiroj Scenarij / Screenplay: Federico Veiroj Uloge / Cast: Jorge Jellinek, Manuel Martínez Carril, Paola Venditto Poput nekoliko ostalih skorijih urugvajskih filmova koji odišu antiglamurom i antiholivudskim raspoloženjem, KORISTAN ŽIVOT je priča o nespretnim, ali simpatičnim likovima, koji liče na samog režisera, sa elementima stvarnih lokacija, kao i preciznom kamerom, relativno dugim kadrovima asimetrične prirode, ali bez zalaženja u ekspresionizam. I bez kompjuterskih efekata. Veiroj je radio godinama u filmskom arhivu u Montevideu, baš kao i u slučaju glavnog lika u KORISNOM ŽIVOTU. Arhiva je u dugovima, a nagomilavajući računi se ne mogu platiti. Po zatvaranju arhive, arhivar zakoračuje iz sigurnosti svog posla u stvarni svijet, gdje po prvi put kuša život i ljubav. Kako glavni glumac putuje prema samootkriću, režiser, pomoću muzike i vizuelnih efekata, odaje počast određenim žanrovima. Komercijalne prirode? Pa, dovoljno je reći da je film rađen crno-bijelom tehnikom i jedva da traje 70 minuta.

Like several other recent Uruguayan films, antiglamour, and anti-Hollywood, A USEFUL LIFE features schlumpy but likable protagonists, a storyline close to his personal life, real locations, and a precise shooting style, relatively long takes frequently set up a bit obliquely—not symmetrical, but not expressionistic either. And no CGI. Veiroj

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Krštenje / The Christening

Krojač / The Tailor

Ljeto Golijata / Summer of Goliath

worked for years in the film archive of Montevideo, as does the main character in A USEFUL LIFE. The place is in debt, and ultimately the hovering bills can not be paid. Once the archive closes, the archivist emerges from its safe confines into the real world, tasting life, and love, for the first time. With music and visuals, the director pays homage to several genres during the man’s journey toward selfdiscovery. Commercial? Suffice it to say, the film is in black and white and runs barely 70 minutes.

criminal gangs and grew while stationed together in the army. When Janek finally gets discharged, he heads to Michal’s lush apartment, where he already has a wife and baby and, he says, owns a lucrative window company and has gone legit. In fact, it is a ruse: most of the money he earns is blackmail money to the gang he had snitched on, and they are after him. This three-hander of a film is tense and intensely violent, but beautiful in a rough way.

Wrona achieves a delicate balance.

Krojač / The Tailor

Ložač / The Stoker

USA, 2011, DigiBeta, B&W, 6 min.

Režija / Director: Gordon Grinberg Scenarij / Screenplay: Gordon Grinberg Uloge / Cast: Adam Lerman, James Larosa, Mary Francina Golden, Stephanie Gehrke, Ann Kadwani Grinberg je uradio ovaj presmiješni kratki film dijelom kao omaž nijemom filmu, ali i zato što nijema radnja ima funkciju da dramatizira kraj filma, kada se dijalog iz titlova ozvuči. Tada je to i poenta šale na kojoj je film zasnovan. On snima New York, posebno Brooklyn, na vrlo originalan način, najviše snimajući ljude u crkvi i religiozne Jevreje kako šetaju ulicom ili se cjenkaju sa krojačem iz naslova.

Grinberg makes this hilarious short in part as homage to the silent film but also because the silence performs a function to dramatize the end of the film, when the dialogue switches from being delivered through intertitles to actual sound. But then that is the punchline of the joke upon which the movie is based. He captures New York, especially Brooklyn, in a highly original manner, filming principally servants of the church and religious Jews as they walk down the street or haggle with the tailor of the title.

Russia, 2010, 35 mm, Colour, 80 min.

Režija / Director: Aleksey Balabanov Scenarij / Screenplay: Aleksey Balabanov Uloge / Cast: Mikhail Skryabin, Yuriy Matveev Balabanova sklonost ka satiri i nasilju su itekako prisutni u filmu LOŽAČ, spoju crne komedije i promišljanja o državi Rusiji iz sredine devedesetih, kad su atentati i gloženje za finansijskom dobrobiti bili svakodnevnica. Izuzetak je glavni lik, poznat kao Major iz plemena Kanut, veteran rata u Avganistanu sa PTSP-om i odlikovani narodni heroj. On je ložač uglja u kotlovnici u velikom podrumu, a čak i stanuje u zagušljivom vrućem stanu; u slobodnu vrijeme on kuca na pisaćoj mašini priču o ruskom kriminalu koji se dešava u Yakutiji u 19. stoljeću. Major okreće glavu na drugu stranu kada gangsteri, uključujući i njegovog bivšeg suborca po imenu Narednik, ubacuju leševe svojih protivnika u vatru koju on loži – dok se jedno ubistvo ne desi toliko blizu njegovog doma da ga natjera da se izvuče iz kolotečine kako bi učinio još jedno, završno herojsko djelo.

Balabanov’s penchant for satire and violence are much in evidence in THE STOKER, a fusion of black comedy and musings about the state of Russia in the mid-1990s, when assassinations and climbing for financial gain were rampant. The exception here is the central character, known as the Major, an ethnic Kanut, a shell-shocked veteran of Afghanistan, and a decorated military hero. He shovels coal into a large basement boiler and even resides in the stiflingly hot space; during his off-time he slowly types a short story about a Russian criminal who goes to Yakutia in the 19th century. The Major turns a blind eye when gangsters, including his ex-comrade in arms known as the Sergeant, toss corpses of their foes into the fire - until one acts hits so close to home that it pulls him out of his shell in order to perform one final heroic deed.

Krštenje / The Christening

Ložač / The Stoker

Mjesto među zvijezdama / Position Among the Stars

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Poland, 2010, 35 mm, Colour, 86 min.

Režija / Director: Marcin Wrona Scenarij / Screenplay: Marcin Wrona Uloge / Cast: Tomasz Schuchardt, Wojciech Zieliński Panoramski snimci moderne Varšave, sterilne nove zgrade raštrkane među starim, nagovještavaju nešto zlokobno. U pitanju je kolateralna šteta bliskog prijateljstva između Janeka i Michala, koje je počelo druženjem u maloj kriminalnoj bandi, a potom osnaženo tokom zajedničkog služenja vojnog roka. Nakon konačno odsluženog vojnog roka, Janek odlazi u Michalov raskošni stan, u kojem žive Michalova žena i dijete, vjerujući, kako mu je Michal kazao, da ima veoma unosnu kompaniju za postavljanje prozora i da se sada bavi zakonitim poslom.

Ustvari, to je bila varka: većinu novca Michal je zaradio ucjenjujući bandu, koju je kasnije cinkario i koja ga sada progoni. Ovaj film o trojcu intenzivan je i nasilan, ali i veoma lijep, na grub način. Wrona postiže jedan fini balans.

The overhead shots of modern Warsaw, sterile new buildings interspersed among the old, hint at something ominous. What that turns out to be is the collateral damage around the tight friendship between Janek and Michal, which began in small

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Ljeto Golijata / Summer of Goliath Mexico, Canada, Netherlands, 2010, HD CAM (HDTV), Colour, 76 min.

Režija / Director: Nicolás Pereda Scenarij / Screenplay: Nicolás Pereda Uloge / Cast: Teresa Sánchez, Gabino Rodríguez, Juana Rodríguez Jedna pravolinijska priča ne može prenijeti neodgonetljivu složenost kakvu predstavlja moderni Meksiko; niti to može uobičajena razlika između fikcije i dokumentarnog filma. U ovom hibridnom ostvarenju, Pereda spaja dva zapleta

koja se odvijaju jednog vrućeg ljeta u plodnoj, ali siromašnoj seoskoj zajednici Huilotepeca – mikrokosmosu meksičkog društvenog poretka. Detaljne digresije zaokupljaju specifične kulturološke detalje i pomažu da se naglasi nekoliko likova. Ova mješavina u sebi ima i poluimprovizovane intervjue u stilu dokumentarca, kao i slične scene koje pružaju dodatne informacije o trenutnom stanju tog lokaliteta i njegovih stanovnika.

One straight storyline cannot convey the indecipherable complexity that is contemporary Mexico; neither can the usual distinction between fiction and documentary. In this hybrid, Pereda interweaves two plot strands that take place during a hot summer in the verdant but poor rural community of Huilotepec - a microcosm of the Mexican social order. Rich digressions capture culturally-specific textures and help flesh out several characters. In the mix are semi-improvised documentary-style interviews and scenes providing additional information on the current state of the locality and its inhabitants.

Melanholija / Melancholia Denmark, Sweden, France, Germany, Italy, 2011, 35 mm, Colour, 136 min.

Režija / Director: Lars von Trier Scenarij / Screenplay: Lars von Trier Uloge / Cast: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, John Hurt Justine (Kirsten Dunst) iz von Trierovog remekdjela MELANHOLIJA je depresivna, kao što je to bio i sam von Trier dok je snimao ovaj film, kako sam kaže. Von Trier dijeli film na dva dijela, gdje je svaki od dijelova nazvan po jednoj od sestara. U prvom dijelu mi posmatramo kako Justine ubrzano propada od blistajuće mladenke na prekrasnoj svadbenoj večeri do manijakalne noćne more za jedno veče (ona je zasluženo osvojila nagradu za najbolju žensku ulogu), dok Claire pokušava da održi kakav takav red u tom ludilu. U drugom dijelu, potpuno depresivna, skoro katatonična Justine dolazi kod Claire kako bi je ova njegovala, na Clairin posjed, mjesto otkazane svadbene proslave.

Kirsten Dunst’s Justine in von Trier’s masterful MELANCHOLIA is a depressive, as von Trier says he was when he made the film. Von Trier divides the film in two, each entitled with one of the sibling’s names.

In the first part, we observe Justine’s rapid decline from radiant bride at a beautiful wedding dinner to a maniacal nightmare in one evening (she deservedly won Best Actress), with Claire attempting to maintain some order amidst the madness. In Part Two, a completely depressed, nearly catatonic Justine returns for nurture to Claire’s estate, scene of the aborted marriage celebration.

Na dobačaj kamena / A Stone's Throw Away Mexico, 2010, 35 mm, Colour, 97 min.

Režija / Director: Sebastián Hiriart Scenarij / Screenplay: Gabino Rodríguez, Sebastián Hiriart Uloge / Cast: Jacinto Medina, Gabino Rodríguez

Glumački majstor Gabino Rodriguez glumi pastira po imenu Jacinto, koji čuva stado u regiji San Luis Potosi na jugu Meksika. Jednog dana, nakon burnog sna u kojem je sanjao kako otkriva blago, on pronalazi privjesak za ključeve sa adresom u Oregonu. Shvativši to kao božanski znak skore finansijske dobiti, ilegalno ulazi u SAD, gdje ga opljačkaju i pretuku njegovi sunarodnjaci Meksikanci, kao i mladi Amerikanci, ali ipak nastavlja sa svojim planom dok ne stigne do odredišta - udaljenog planinskog prijelaza prekrivenog snijegom. Hiriartova fotografija (sve je snimao sam) je nevjerovatna. Njegov osjećaj za prirodno, urbano, kao i pejzaže malih gradova (radnja se uglavnom odvija izvan SAD-a) je bez premca, poput nebeskog mirnog oka koje posmatra svijet.

The fine actor Gabino Rodriguez stars as a shepherd named Jacinto who tends his flock in the San Luis Potosi region in the north of Mexico. One day, after a powerful dream about discovering treasure, he finds a key chain with an address in Oregon. Thinking it a divine sign of impending financial gain, he slips into the U.S., where he is robbed and beaten by both fellow Latinos and young gringos, but nevertheless follows through on his plan until he reaches a remote snowy mountain pass where the address is located. Hiriart’s cinematography — he shot everything himself — is outstanding. His feeling for natural, urban, and small-town landscapes (most of the film takes place in the U.S.) is unique, as if the steady eye of a divinity were observing the world.

Neočekivana dobit / Windfall

Himne rudara / The Miners' Hymns

Mjesto među zvijezdama / Position Among the Stars Netherlands, 2011, DigiBeta, Colour, 111 min. (dokumentarni / documentary) Režija / Director: Leonard Retel Helmrich Scenarij / Screenplay: Leonard Retel Helmrich Helmrich je posmatrao porodicu Shamshuddin u Jakarti skoro 12 godina. Iz njegovog iskustva je proizašla trilogija, iz koje je MJESTO MEĐU ZVIJEZDAMA treći i najbolji film. (Osvojio je prvu nagradu na IDFA, međunarodnom festivalu dokumentarnog filma). Otac porodice ima problema sa kćerkom tinejdžerkom Tari, koja ima potencijal da se izvuče iz života u sirotinjskoj četvrti i ode na studij. Ali ona se koleba, tako da njen otac odlazi u selo odakle im potječu preci i dovodi svoju staru mati da uputi Tari na pravi put.

Djevojka je „okaljana“ vrijednostima Zapada, i njen otac želi da je izloži strožijim tradicionalnim vrijednostima.

Helmrich observed the Shamshuddin family in Jakarta for almost a dozen years. From his experience came a trilogy, and POSITION AMONG THE STARS is the third and finest of the films. (It won first prize at IDFA, the international documentary festival.) The father of the family has problems with his teen daughter Tari, who has the potential to escape slum life and go to college. But she is subverting herself, so her dad goes back to his ancestral village and brings home his elderly peasant mother to set Tari straight. The girl has been “tainted” by the values of the West, and Dad wants to expose her to more rigid traditional values.

Gandu

The Black Power Mixtape 1967-1975

Quattro Hong Kong 2 - HOTEL M

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U suprotnom pravcu / Reverse Motion

Na dobačaj kamena / A Stone's Throw Away

Neočekivana dobit / Windfall USA, 2010, HD CAM (HDTV), Colour, 83 min. (dokumentarni / documentary) Režija / Director: Laura Israel Scenarij / Screenplay: Laura Israel Film NEOČEKIVANA DOBIT Njujorčanke Israel je priča o raskolu u maloj zajednici Meredith na sjeveru države NewYork, kao i ekspoze o masivnim vjetroturbinama koje su podijelile stanovnike. Trgovci električnom energijom iz energetskog koncerna iz Irske ponudili su novac stanovnicima ako mu dopuste da gradi objekte na njihovoj zemlji. U gradu bez podjele zemljišta u zone građevinskih namjena trgovci su očekivali veliku dobit. Stanovnici su podijeljeni, najčešće po osnovu da su mještani “za”, a vikendaši i mještani koji su odselili u NewYork “protiv”, što je kulminiralo novom listom kandidata za općinske izbore koje su predložili oni koji se protive alternativnim izvorima energije – i Israel stvara momenat napetosti tako što prati kandidate na izbore.

New Yorker Israel’s WINDFALL is as much the story of a small upstate New York community, Meredith, torn asunder as it is an expose of the massive wind turbines that split the residents. Energy salesmen from an energy outfit in Ireland offered locals money if they would agree to allow them to build the structures on their land. In a town with no zoning, the reps anticipated huge profits. The residents were split, mostly along lines of lifetimers (for) and weekenders and expatriates from New York City (against), culminating in a new slate of candidates for the municipal elections proposed by those opposed to the alternative power source – and Israel generates suspense by following the run-up to the vote.

Odlazi Renée / Walk Away Renée France, 2011, 35 mm, Colour, 90 min. (dokumentarni / documentary) Režija / Director: Jonathan Caouette Scenarij / Screenplay: Jonathan Caouette Caouette je ovim impresivnim filmom možda napravio eksperimentalni dokumentarac, ali nevolja njegove mentalno bolesne majke je u srži filma. Kao i u ranijem filmu TARNATION, on impresivno montira stare porodične snimke i apstraktne prizore, ali su scene kada on vozi svoju majku iz institucije za ljude sa posebnim potrebama iz Houstona u takvu instituciju u NewYorku relativno naturalistične. One također služe balansiranju onoga što se smatra kao avangardističku tendencija ka samopopuštanju.

Caouette je vjerovatno najpredaniji sin na svijetu

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i njegova spremnost da podijeli život svoje bolesne majke sa svijetom je potvrda njegove ljubavi.

Caouette may have made an experimental documentary with this impressive film, but the plight of his mentally ill mother is at its core. As in his earlier TARNATION, he admirably edits together old family footage and abstract imagery, but the scenes of his driving his mother from an assistedliving facility in Houston to one in New York are relatively naturalistic. They also serve to balance out what might be considered the tendency among avant-gardists to self-indulge. Caouette is probably the most devoted son around, and his willingness to share the life of his damaged mom with the world is a testament to his love for her.

Quattro Hong Kong 2 Hong Kong, 2011, HD CAM (HDTV), Colour and B&W, 65 min.

Filmovi/Films: 13 MINUTES IN THE LIFE OF... - Stanley Kwan PURPLE - Brillante Mendoza OPEN VERDICT - Ho Yuhang HOTEL M - Apichatpong Weerasethakul Četiri azijska reditelja snimaju kratke 15-minutne filmove o nekim aspektima života u Hong Kongu. Činjenica da ove filmove rade baš ovi filmski autori, Brillante Mendoza, Apichatpong We erasethakul, Stanley Kwan i Ho Yuhang, čini ovu mješavinu uradaka iznimkom u ovom inače veoma teškom žanru. Radi se o vrlo uzbudljivom omnibusu, gdje je svaki uradak drugačiji po stilu i viđenju Hong Konga. Sva četiri filma krasi izvanredna fotografija. Radnja Kwanovog filma 13 MINUTA U ŽIVOTU... odvija se u autobusu koji ide od aerodroma ka gradu i prati odabrane razgovore. Mendoza je snimio PURPLE (BOJA PURPURA), priču koja prati jednog posjetitelja u malom ribarskom selu, obuhvatajući slike raskoši svakodnevnog života tog sela. U Hoovoj OTVORENOJ PRESUDI, koja je ujedno i najdinamičnija priča u ovom kvartetu, policijski tim iz Odjela za narkotike kreće u akciju po dojavi svojih malezijskih kolega, kako bi provjerili jednog turistu koji sa sobom nosi izuzetno težak kofer. Weerasethakulijev M HOTEL je kratki film koji je gotovo izvan fokusa, snimljen sa parom reditelja sa 17. sprata jednog hotela.

Four Asian directors film 15 minute shorts about some aspect of Hong Kong life. Having filmmakers like Brillante Mendoza, Apichatpong Weerasethakul, Stanley Kwan, and Ho Yuhang makes this particular portmanteau an exception to the plodding quality of the genre: It is exciting, each of the sections a different style and take on Hong Kong. And all are beautifully photographed. Kwan’s13 MINUTES IN THE

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Tihe duše / Silent Souls

LIFE OF… takes place on a bus from the airport, following assorted conversations. Mendoza shot PURPLE, which follows a visitor to one of the city’s fishing villages and captures the rich textures of dayto-day life there. In Ho’s OPEN VERDICT, the most dynamic of the four, a team of narcotics police act on tips from their Malaysian counterparts to check on the activities of a tourist with an exceptionally heavy suitcase. Weerasethakul shoots HOTEL M almost out of focus, with a pair of filmmakers making a short from the 17th floor of a hotel.

Tihe duše / Silent Souls Russia, 2010, 35 mm, Unknown, 75 min.

Režija / Director: Aleksei Fedorchenko Scenarij / Screenplay: Denis Osokin Uloge / Cast: Igor Sergeyev, Yuriy Tsurilo, Yuliya Aug Prizori u ovom deprimirajućem filmu prizivaju djela Tarkovskog, Sokurova i Paradžanova, ali ovo je ipak potpuno originalno prizivanje ruske “duše”.

Ona vas progoni i ostaje s vama. Šef i zaposlenik koji skriva preljubničke tajne od svog šefa, kreću na putovanje autom da kremiraju mrtvu ženu pored jezera u drugom gradu. Fotograf nam kaže kako je porijeklom od Merja, ugrofinskog plemena koje (prema njegovom tumačenju) prakticira tradicionalne rituale i ima čvrstu povezanost s vodom, koja također ima ulogu u filmu. Osjećaj melanholije i nostalgije za tradicijom sjenči film.

The imagery in this chilling film calls to mind Tarkovski, Sokurov, and Paradjanov, but it is a highly original evocation of the Russian “soul.” It haunts you and stays with you. The boss and employee, who hides adulterous secrets from his chief, embark on a car journey to cremate the dead woman by a lake in another town.

The photographer tells us he is descended from the Merja, a Finnish-Ugric tribe with (according to him) set rituals and a strong attachment to water, which itself plays a part here. A sense of melancholy, of nostalgia for tradition, shadows the film.

Tiranosaur / Tyrannosaur United Kingdom, 2010, 35 mm, Colour, 91 min.

Režija / Director: Paddy Considine Scenarij / Screenplay: Paddy Considine Uloge / Cast: Peter Mullan, Eddie Marsan, Olivia Colman Škotlanđanin Peter Mullan je jedan od nekoliko kvalitetnih glumaca koji znaju režirati veliki film; ovdje on igra glavnu ulogu, pored Olivije Colman.

Britanski izvođač Paddy Considine, režiser debitant, napravio je zapanjujući film sa radnjom vezanom za radničku klasu u provincijalnom britanskom gradu. Većina radnje je beskompromisno mračna, ali dosljedna i tačna temi.

Mullan igra samodestruktivnog, agresivnog

Odlazi Renée / Walk Away Renée

Tiranosaur / Tyrannosaur

pijanicu (koji ubije svog psa udarcima nogom u sceni prije odjavne špice) naspram Colmanine dobre kršćanke, koja prikriva zlostavljanje kod kuće i s kojom se upoznaje u radnji dobrotvorne organizacije. Postepeno i suptilno, njihove ličnosti prelaze iz jednog tijela u drugo. Colman, komičarka iz Britanije, ovdje briljira, kao i sam Mullan, ali ipak – on je uvijek takav.

Scotsman Peter Mullan is one of the few fine actors who can direct a great film; here he plays the main role, opposite Olivia Colman. Enter British performer Paddy Considine, a first-time moviemaker who has made a striking film set in a working-class milieu in a provincial British town. Most of it is uncompromisingly grim, but true to its subject. Mullan plays a self-destructive, aggressive drunk (he kicks his own dog to death in the pre-credit sequence) to Colman’s Christian do-gooder, who masks her abuse at home, and whom he meets in a charity shop. Gradually and subtly, they exchange personas.

Colman, a comic in Britain, is brilliant here, as is Mullan, but then, he always is.

U suprotnom pravcu / Reverse Motion

Čuvar / The Guard

Russia, 2010, 35 mm, Colour, 93 min.

Režija / Director: Andrey Stempkovsky Scenarij / Screenplay: Andrey Stempkovsky, Anush Vardanyan, Givi Shavgulidze Uloge / Cast: Vladiskav Abashin, Olga Demidova Bez popratne muzike, ovaj film je smješten u bezličnu industrijsku zonu ugaslog ruskog grada u kojem zlovoljni ljudi govore malo i provode vrijeme neprekidno pušeći cigarete. Stempkovsky je napravio uznemirujući film upečatljive fotografije o materinskoj vezi i bratskom rivalstvu, film suspregnute energije ušuškane u sekundarnu radnju, samosvjesno kadriranje, skoro prazne prostore koji otkrivaju mnogo informacija, kao i tišinu između riječi. U provinciji, rasijana majka briše pod metlom, zabrinuta jer je njen sin nestao navodno u Čečeniji prije mjesec dana. Ona skriva vjerovatno nijemog dječaka Uzbeka, ilegalnog imigranta kojeg je prokrijumčarila kriminalna banda, a on je bio svjedok ubistava koje su oni počinili. Žena prema njemu pokazuje majčinske osjećaje. Njen sin se

vraća, ali nema cilja u životu dok se ne osveti bandi za ono što su učinili njegovoj porodici.

Without music, this film is set in the bleak industrial zone of an enervated Russian city in which glum adults say little and pass the time chain smoking.

Stempkovsky has made an unnerving, strikingly photographed movie about the maternal bond and sibling rivalry, withholding energy and tucking it into off-camera actions, self-conscious framing, nearly empty spaces that reveal plenty of information, and the silences between utterances. In a provincial town, a distraught mother mopes, her soldier son having been reported missing in what seems to be Chechnya one month prior. She hides an illegal preadolescent Uzbek boy, possibly mute, who has been smuggled in by a criminal gang and has witnessed one of their murder sprees, and to whom she displaces her maternal affection. The son returns, but is goalless until he seeks revenge for what the gang has done to his “family.”

Tekstove napisao / Texts by: Howard Feinstein

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Posvećeno / Tribute to Lucrecia Martel Lucrecia Martel

Žena bez glave / The Headless Woman Argentina, France, Spain, 2008, 35 mm, Colour, 87min.

Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel Uloge / Cast: María Onetto, Claudia Cantero, César Bordón, Daniel Genoud, Guillermo Arengo, Inés Efron, Alicia Muxo, Pía Uribelarrea, María Vaner Žena iz buržujske klase (Maria Onetto) vozi sama i zamišljena makadamskom cestom i odjednom točkovima automobila prelazi preko nečega.

Danima nakon ovog potresnog događaja osjeća se ošamućeno, emocionalno odsutno u komunikaciji sa ljudima i isključeno iz događanja u njenom životu. Opsjeda je ideja da je možda nekoga ubila. Policija potvrđuje da u tom području nisu prijavljene nikakve nesreće i sve se vraća u normalu do momenta užasnog otkrića.

Treći igrani film Lucrecije Martel istražuje komplikacije koje za sobom nosi društveni status, te ulogu žene u dominantno muškom društvu.

A bourgeois woman (Maria Onetto) is driving alone on a dirt road, becomes distracted and runs over something. In the days following this jarring incident, she is dazed and emotionally disconnected from the people and events in her life. She becomes

obsessed with the possibility that she may have killed someone. The police confirm that there were no accidents reported in the area and everything returns to normal until a gruesome discovery is made. Lucrecia Martel’s third feature examines the intricacies of class status and the role of women in a male-dominated society.

Synopsis courtesy of Strand Releasing.

Močvara / The Swamp Argentina, France, Spain, 2001, 35 mm, Colour, 103 min.

Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel Uloge / Cast: Mercedes Morán, Graciela Borges, Martín Adjemián, Leonora Balcarce, Silvia Baylé, Sofia Bertolotto, Juan Cruz Bordeu, Noelia Bravo Herrera, Maria Micol Ellero, Andrea López, Sebastián Montagna, Daniel Valenzuela, Franco Veneranda, Fabio Villafane Film pripovijeda priču o Mechi (Graciela Borges), sredovječnoj ženi u svojim pedesetim, koja ima nekoliko tinejdžera. Njezin suprug Gregorio (Martin Adjemián) želi ostati mladolik, a oboje se moraju nositi sa svojim namrgođenim amerindijanskim slugama, koje Mecha smatra lijenštinama i optužuje ih za krađu. U nastojanju da se izbore sa svakodnevnim životnim brigama, i Mecha i

Žena bez glave / The Headless Woman

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Gregorio, odaju se piću. Kako bi izbjegli vrućine i vlažno vrijeme u gradu, porodica ljeta provodi u dotrajaloj seoskoj kući koju su nazvali “La Mandragora”. Mechina rodica Tali (Mercedes Moran) živi u obližnjem gradu La Cienaga (u prijevodu: Močvara) sa svojom malom, bučnom dječurlijom i mužem Rafaelom (Daniel Valenzuela), koji jako voli svoju porodicu i koji se bavi lovom. Vrlo brzo, gužva u domovima ovih dviju porodica dovodi do takve napetosti njenih članova, usljed koje dolazi do otkrivanja potisnutih porodičnih tajni i tenzija koje samo što ne prerastu u nasilje.

The film tells the story of Mecha (Graciela Borges ), a middle-aged woman in her 50s who has several teenagers. Her husband Gregorio (Martín Adjemián) wants to remain looking young, and both of them have to deal with their gloomy Amerindian servants, whom Mecha accuses of theft and laziness. Both Mecha and Gregorio take to drinking to cope with day-to-day living. In order to avoid the hot and humid weather of the city, the family spends their summers in their rural shabby country home that they have named “La Mandragora”. Mecha’s cousin, Tali (Mercedes Morán), lives in the nearby city of La Ciénaga (The Swamp, in English) and has a brood of

Močvara / The Swamp

small, noisy children and a husband, Rafael (Daniel Valenzuela), who loves his family and also hunts.

Before long, the crowded domestic situation in both homes strains the families’ nerves, exposing repressed family mysteries, and tensions that threaten to erupt into violence.

Svetica / The Holy Girl Argentina, Italy, Netherlands, Spain, 2004, 35 mm, Colour, 106 min.

Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel, Juan Pablo Domenech Uloge / Cast: Mercedes Morán, Carlos Belloso, Alejandro Urdapilleta, María Alche, Julieta Zylberberg, Mía Maestro Amalia (María Alche) je djevojka rane pubertetske dobi koja je tek počela sazrijevati. Živi u jednom velikom hotelu e u vlasništvu njene majke, Helene (Mercedes Moran), inače razvedene žene, i njenog strica Freddyja (Alejandro Urdapilleta).

Amalia i njena najbolja prijateljica Josefina (Julija Zylberberg) postaju sve svjesnije vlastitih želja i seksualne znatiželje, ali između katoličkog obrazovanja i Helenine nespremnosti da o takvim stvarima razgovara sa svojom kćerkom, njihova

Mrtvi kralj / Dead King

nagađanja uveliko prevazilaze njihovo znanje.

Kongres medicinskih radnika u njihov hotel dovodi doktora Janoa (Carlos Belloso) i njegove brojne kolege. Ponesen svečanom atmosferom, bojažljivi liječnik pripija svoje tijelo uz Amalijino, nesvjesan njene dobi. Oženjeni Jano osjeća se veoma posramljenim zbog svog ponašanja, ali muči ga i strašna privlačnost koju osjeća prema Heleni. U međuvremenu, Amalia je uvjerena da je doktora obuzela bezbožnička požuda, te ona i Josefina odlučuju da ga izbave iz tog stanja prije nego bude prekasno.

Amalia (María Alche) is a girl edging into her early teens who has begun to ripen into adulthood.

Amalia lives in a big hotel owned and operated by her divorced mother, Helena (Mercedes Morán), and her uncle Freddy (Alejandro Urdapilleta).

Amalia and her best friend, Josefina (Julieta Zylberberg), are becoming increasingly aware of their own desires and are curious about sex, but between their Catholic education and Helena’s unwillingness to discuss such matters with her daughter, their speculation outstrips their actual knowledge. A convention for medical workers brings Dr. Jano (Carlos Belloso) and a number of his

colleagues to the hotel. Emboldened by the festive atmosphere, the timid doctor presses his body up against Amalia’s, unaware of her age. The married Dr. Jano is embarrassed by his actions and troubled by his strong attraction to Helena; Amalia, meanwhile, is convinced the doctor has become overcome with unholy lust, and she and Josefina take it upon themselves to save him from himself before it is too late.

Tekstove napisao / Texts by: Howard Feinstein

Mrtvi kralj / Dead King Argentina, 1995, HD CAM (HDTV), Colour, 12 min.

Režija / Director: Lucrecia Martel Scenarij / Screenplay: Lucrecia Martel Uloge / Cast: Rolly Serrano, Sandra Ceballos, Carlos Aldana, Marcelo Machuca Žena pokušava da napusti selo i pobjegne od svog nasilnog supruga.

A wife tries to leave her village to get away from her abusive husband.

Svetica / The Holy Girl

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Fondacija Katrin Cartlidge Katrin Cartlidge Foundation Glumica Charlotte Rampling kustosica je Fondacije Katrin Cartlidge za 2011. godinu, te odlučuje o ovogodišnjem dobitniku nagrade Fondacije. Charlotte Rampling je ranije nagovijestila da će nagradu dodijeliti mladom reditelju iz arapskog svijeta.

Godine 2011., nakon razornog zemljotresa koji je pretrpio Haiti, Fondacija je odučila svoju godišnju nagradu uručiti mladoj, ali jedinoj filmskoj školi na Haitiju, Cine institutu Jacmel. Mlada haićanska rediteljka Kesiah Jean došla je stoga na Sarajevo Film Festival da u ime škole primi nagradu.

Prošlog mjeseca, osnivač ove filmske škole, David Belle, rekao je: "Potpora iz Fondacije Katrin Cartlidge je omogućila da nova generacija filmskih stvaralaca sa Haitija počne ostvarivati svoje snove. Koristimo ova dragocjena sredstva da finansiramo dva filma, i na taj način oživljavamo naporan rad naših studenata, i sa svijetom dijelimo njihove priče".

Motivirana Katrininim prekratkim, ali inspirativnim likom i djelom, namjera Fondacije je da novim glasovima, perspektivama i stavovima da priliku da se vide i čuju. Posljednjih osam godina, Fondacija je iz kruga Katrininih eklektičnih i brojnih prijatelja i kolega birala kustosa, koji je onda birao dobitnika godišnje stipendije. Dobitnik je uvijek novi filmski glas čiji rad, na neki način, utjelovljuje Katrinin integritet duha i predanost nezavisnom filmu. Zahvalni smo na velikodušnosti i vizijama kustosa koji su nama pomogli do sada: glumcima Emily Watson i Stellanu Skarsgårdu, rediteljima Mikeu Leighu, Simonu McBurneyu i Danisu Tanoviću, kao i Johnu Lyonsu, Annie Nocenti i fotografu Juergenu Telleru. Dobitniku se nagrada, finansijska stipendija, uručuje na posebnom gala događaju na Sarajevo Film Festivalu.

Putem svojih povjerenika i pokrovitelja, Fondacija također predano radi na pomoći mladim filmskim stvaraocima, pružajući praktičnu i kreativnu podršku.

Actress Charlotte Rampling is curating the Katrin Cartlidge Foundation Award for 2011. Charlotte has intimated that she will award a young filmmaker from the Arab world.

In 2010, Haiti suffered a devastating earthquake, and the Foundation chose to give the Annual Award to the young and the only Haitian film school, Ciné Institute Jacmel. Young Haitian filmmaker Kesiah Jean came to the Sarajevo Film Festival to collect the award for her school.

Last month David Belle, the film school’s founder said: “The grant from the Katrin Cartlidge Foundation has enabled Haiti’s new generation of filmmakers to begin realizing their dreams. We are using this cherished funding to finance two films and, in doing so, we are bringing the hard work of our students to life and sharing their stories with the world.”

Motivated by Katrin’s all too brief but inspiring presence, the Foundation’s work is to give new voices, new perspectives and visions a chance to be seen and heard. For the last eight years the Foundation has appointed a curator, selected from Katrin’s eclectic and extensive friends and colleagues, who in turn chooses a recipient for the annual bursary. The recipient is a new cinematic voice whose work, in some way, embodies Katrin’s integrity of spirit and commitment to independent film. We are grateful for the generosity and vision of our curators to date; The actors Emily Watson and Stellan Skarsgard, directors Mike Leigh, Simon McBurney and Danis Tanovic, as well as John Lyons, Annie Nocenti and photographer Juergen Teller.

The recipient is presented with the Award, a cash bursary, at a special red carpet gala at the Sarajevo Film Festival in July. This unique and important Film Festival has proved an integral partner for the Foundation, providing a strong and supportive platform for the Annual Award.

The Foundation, through it’s trustees and patrons, also commits to helping the young filmmakers however they can, with practical and creative support.

Ovogodišnji dobitnik godišnje nagrade i stipendije je izabran iz regije Mena. Fondacija Katrin Carlidge bi željela da se zahvali Art Eastu i Rashi Salti za njihovu pomoć i podršku.

This years recipient of the Annual Award and Bursary is chosen from the Mena Region. The Katrin Cartlidge Foundation would like to thank Art East and Rasha Salti for their help and support.

Charlotte Rampling, kustosica Fondacije / curator of Foundation 2011

DOBITNICI NAGRADA I KUSTOSI / AWARD WINNERS AND CURATORS 2010 Dobitnik nagrade / Award winner: Ciné Institute Jacmel Kustosica / Curator - Annie Nocenti 2009 Dobitnik nagrade / Award winner: Juanita Wilson Kustos / Curator - Stellan Skarsgard 2008 Dobitnik nagrade / Award winner: Faruk Šabanović Kustos / Curator - Danis Tanović 2007 Dobitnik nagrade / Award winner: Cary Fukunaga Kustos / Curator - John Lyons 2006 Dobitnik nagrade / Award winner: Eyas Salman Kustosi / Curators - Simon McBurney i Juergen Teller 2005 Dobitnik nagrade / Award winner: Amy Neil Kustosica / Curator - Emily Watson 2004 Dobitnik nagrade / Award winner: Greg Hall Kustos / Curator - Mike Leigh

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Dan ljudskih prava 2011: DOKUMENTARAC PULS DRUŠTVA

Human Rights Day 2011: DOCUMENTARY- A HEARTBEAT OF SOCIETY

Sarajevo Film Festival će treću godinu zaredom biti domaćin Dana ljudskih prava, koji se organizira u saradnji s ambasadom Švicarske. Dan ljudskih prava bit će organiziran 27. jula.

For the third year in a row, the Sarajevo Film Festival will host the Human Rights Day, to be organized on 27 July 2011, in cooperation with the Embassy of Switzerland.

Tim povodom, u Cinema Cityju će, u saradnji sa Internacionalnim filmskim festivalom i Forumom za ljudska prava u Ženevi (FIFDH), biti upriličena projekcija filma Ballons Aiguilles režisera Juliena Duboisa.

To mark the occasion, in a joint effort with the International Film Festival and the Geneva Forum for Human Rights (FIFDH) the film Ballons Aiguilles by Julien Dubois s will be screened at Cinema City.

U sklopu Dana ljudskih prava bit će organiziran i okrugli sto na temu „Dokumentarni film - Otkucaj srca društva” u kom će učestvovati André Schaller - ambasador Švaicarske u BiH, Mary-Ann Hennessey - specijalna predstavnica generalnog sekretara Vijeća Evrope u BiH, Jasmine Basic selektorka za igrane filmove i filmove koji se bave ljudskim pravima na Internacionalnom filmskom festivalu i Forumu za ljudska prava u Ženevi, Biljana Garvanlieva - režiserka, članica žirija za Takmičarski program dokumentarni film 17. SFF-a i dobitnica nagrade Srce Sarajeva za najbolji dokumentarni film na 16. SFF, Jasminka Džumhur - ombudsman BIH i Rada Šešić - selektorka Takmičarskog programa dokumentarnog filma na SFF-u.

As part of this event, SFF will also be organising a round table on the topic “Documentary - Heartbeat of Society”with André Schaller – Swiss Ambassador to BiH, Mary-Ann Hennessey - SRSG, Council of Europe Mission to BiH, Jasmine Basic- Programmer for Fiction films and Human Rights Programme of the International Film Festival and Forum on Human Rights Geneva, Biljana Garvanlieva - director, member of Documentary Competition Jury of the 17th SFF and Heart of Sarajevo Award recipient for the best documentary film of the 16th SFF, Jasminka Džumhur - BiH Ombudsperson and Rada Šešić - Programmer for Competition Programme - Documentary Film for SFF.

Na svečanoj ceremoniji dodjele nagrada Sarajevo Film Festivala bit će dodijeljena i Nagrada za ljudska prava. Ova nagrada dodjeljuje se za najbolji film iz Takmičarskog programa - dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € osigurava Savezno ministarstvo vanjskih poslova Švicarske.

We will also be awarding a Human Rights Award at this year’s Sarajevo Film Festival official Awards Ceremony. The award will be presented to a film in the Competition Programme – Documentary Film that best discusses human rights topics. The Award will be accompanied by a prize in the amount of € 3.000, provided by the Swiss Federal Ministry of Foreign Affairs.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Attenberg

Igra / Play

Novi tokovi New Currents Selektor / Programmer: Philippe Bober

Attenberg Greece, 2010, 35 mm, Colour, 95 min.

Režija / Director: Athina Rachel Tsangari Scenarij / Screenplay: Athina Rachel Tsangari Uloge / Cast: Ariane Labed, Vangelis Mourikis, Evangelia Randou, Yorgos Lanthimos, Kostas Berikopoulos, Michel Demopoulos Marina, 23-godišnjakinja, odrasta sa svojim ocem arhitektom u primorskom gradu u kojem je centralno mjesto fabrika za izradu prototipa.

Pošto su joj ljudska bića čudna i odbojna, drži distancu prema svima. Ona radije bira da ih posmatra kroz pjesme benda Suicide, dokumentarce o sisarima Sir Davida Attenborougha, kao i kroz lekcije o seksualnom obrazovanju koje joj drži njena jedina prijateljica, Bella. Stranac dolazi u grad i izaziva je na dvoboj u stolnom fudbalu, na njenom stolu. Za to vrijeme njen otac se ritualno priprema na iskorak iz 20. stoljeća, koje smatra „precijenjenim“.

Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance. Instead she chooses to observe it through the songs of Suicide, the mammal documentaries of Sir David Attenborough, and the sexual-education lessons she receives from her only friend, Bella. A stranger comes to town and challenges her to a foosball duel, on her own table. Her father meanwhile ritualistically prepares for his exit from the 20th century, which he considers to be “overrated.”

Drolja / The Slut Israel, 2011, 35 mm, Colour, 88 min.

Režija / Director: Hagar Ben-Asher

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Finisterrae

Scenarij / Screenplay: Hagar Ben-Asher Uloge / Cast: Hagar Ben Asher, Ishai Golan, Icho Avital, Yoav Levi, Tzahi Hanan, Stav Yanai, Daria Forman Tamar, stara 35 godina, je prelijepa, mlada žena koja živi sama sa svoje dvije kćeri. Ona ne može zatomiti svoje seksualne apetite i podaje se nekolicini muškaraca iz sela. Shai, mladić, upravo se vratio u rodni kraj da se pobrine za imovinu mrtve majke, ali kada sretne Tamar, odlučuje da ostane. Uskoro se zaljubljuju jedno u drugo, ali hoće li Tamar biti zadovoljna samo jednim partnerom?

Tamar, 35 years old, a beautiful young woman, lives alone with her two daughters. She can’t restrain her sexual appetite and gives herself to several men of the village. Shai, a young man, just came back in the region to handle his dead mother’s assets, but as he meets Tamar, he decides to stay. They soon fall in love, but will Tamar be satisfied with only one partner?

Finisterrae Spain, 2010, HD CAM (HDTV), Colour, 80 min, Russian Režija / Director: Sergio Caballero Scenarij / Screenplay: Sergio Caballero Uloge / Cast: Pau Nubiola, Pavel Lukiyanov, Santí Serra, Yuri Mykhaylychenko, Claudia Schneider, Rosanna Walls, Catherine Allard, Jordi Picazos FINISTERRAE govori o dva duha kojima je dosta života na ostrvu sjenki, te odlučuju da idu na hodočašće Sv. Jakova do kraja svijeta, i onda da poslije svega počnu sa zemljaskim životom u svijetu živih. To je introspektivno putovanje kroz negostoljubive predjele, tokom kojih sreću čudna bića, divlje životinje i nadrealne likove. Moraju se

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

uhvatiti u koštac sa neočekivanim situacijama, proživjeti svoje tenzije i suočiti se sa svojim sumnjama koje počinju od činjenice da su duhovi.

FINISTERRAE tells the story of two ghosts who are tired of living in the land of shadows, and decide to walk the Santiago Pilgrim Way until the end of the world, and once there, to begin a mortal earthly life in the land of the living. It is an introspective journey through inhospitable landscapes, during which they meet strange beings, wild animals and surreal characters. They must deal with unexpected situations, face their own tensions and consider the doubts arising from the fact that they are ghosts.

Lovac / The Hunter Russia, 2011, 35 mm, Colour, 124 min.

Režija / Director: Bakur Bakuradze Scenarij / Screenplay: Bakur Bakuradze, Ilya Malakhova Uloge / Cast: Mikahil Barskovich, Tatiana Shapovalova, Oksana Semenova, Gera Avdochenok, Yulia Melikhova Ivan Dunaev je vlasnik životinjske farme na sjeveru Rusije. Kako je „duboko ukorijenjen“, vezan za zemlju, porodicu i sina, počinje osjećati opčinjenost ženom iz obližnjeg zatvora, zemljoradnicom.

Njihov osjećaj im daje šansu da nakratko pobjegnu iz stvarnosti. Pošto je razapet između odgovornosti za porodicu i ljubavi, Ivan mora donijeti odluku.

LOVAC je priča o potrebi za ljubavlju i intimnošću kao načinom da se dođe do najdubljeg kontakta sa drugim ljudskim bićem.

Ivan Dunaev is the owner of an animal farm in the

Lovac / The Hunter

U budućnosti / In the Future

North of Russia. Being “deeply rooted” - attached to his land and his family, his son, he finds fimseld falling for a woman from a nearby prison, a farmworker. Their feeling gives them a chance to excape from reality for a short while. Ivan, being confronted with a choice between responsibility for his family and love, has to take a decision. THE HUNTER is the story about the necessity of love and intimacy as a way to come in deepest contact with another human being.

Svi tvoji mrtvi / All Your Dead Ones Columbia, 2011, 35 mm, Colour, 90 min.

Režija / Director: Carlos Moreno Scenarij / Screenplay: Alonso Torres, Carlos Moreno Uloge / Cast: Alvaro Rodríguez, Jorge Herrera, Martha Márquez, Harold De Vasten, John Alex Castillo Priprosti kolumbijski farmer jednog jutra u polju kukuruza pronalazi hrpu leševa. On vlastima prijavljuje taj misteriozni masakr, ali na dan izbora vlasti nisu ono što bi trebale biti. To se zove tragikomična alegorija. Ili, pak, drama prepuna brige. Carlos Moreno, koji je prije nekoliko godina glumio kolumbijskog urbanog macho muškarca, otjelotvorenje ludila i nasilnog apsurda u filmu DOG EAT DOG, smjestio je svoj drugi film na kolumbijsko selo. Ova priča je grozno jednostavna: priprosti farmer pronalazi hrpu leševa jednog nedjeljnog jutra u svom polju kukuruza. Šokiran i bijesan, on to prijavljuje lokalnim vlastima, ali oni imaju dobar razlog da ne prihvate to što se desilo.

Ordinary Colombian farmer finds a pile of corpses in a field of maize one morning. He reports the

Svi tvoji mrtvi / All Your Dead Ones

Drolja / The Slut

mysterious bloodbath to the authorities, but on electionday the authorities are not what they should be. A tragicomic allegory, is what they call that. Or a worrying drama. Carlos Moreno, who portrayed the overheated and violent absurdity of Colombian urban machismo a couple of years ago in DOG EAT DOG, situated his second film in the Colombian countryside. The story is gruesomely simple: a simple farmer finds an enormous pile of corpses early one Sunday morning in his cornfield.

Shocked and furious, he reports it to the local authorities, but they have good reasons not to want to acknowledge the affair.

U budućnosti / In the Future Argentina, 2010, HD CAM (HDTV), Colour and B&W, 60 min.

Režija / Director: Mauro Andrizzi Scenarij / Screenplay: Mauro Andrizzi Uloge / Cast: Luis Machin, Sergio Boris, Lorena Damonte, Carlos Defeo, Debora Dejtiar, Andres Irusta, Felix Quadros, Jazmin Antar, Gabriel Lima, Cecilia Czornogas, Casandra Da Cunha, Cristina Blanco Budućnost je puko nagađanje. A i ljubav je takva.

Svaka ljubavna priča u ovom filmu nas vodi iz različite sadašnjosti u različitu prošlost. Nada za boljom budućnošću je iluzija koja nas drži u iščekivanju, dok nas puni bijesom zbog čekanja za nečim posebnim što treba da se desi. U ovo čudno vrijeme, koje oblikuju komadići pamćenja i onoga što se moglo desiti, ali nije, gdje obitavaju likovi iz filma dok čekaju dolazak budućnosti.

Narator u filmu U BUDUĆNOSTI je duh. Moj duh.

TThe future is pure speculation. So is love. Each love story in the film takes us to a different past,

from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “IN THE FUTURE is a ghost. My ghost.

NOVI TOKOVI SPECIJAL / NEW CURRENTS SPECIAL

Igra / Play Sweden, France, Denmark, 2011, 35 mm, Colour, 118 min.

Režija / Director: Ruben Östlund Scenarij / Screenplay: Ruben Östlund Uloge / Cast: Anas Abdirahman, Sebastian Blyckert, Yannick Diakité, Sebastian Hegmar, Abdiaziz Hilowle IGRA je pronicljiva opservacija bazirana na stvarnim slučajevima siledžijstva. U centralnom Geteborgu (Švedska), grupa dječaka od 12 do 14 godina pljačka ostalu djecu u nekih 40 slučajeva u periodu od 2006. do 2008. godine.

Lopovi su koristili razrađenu shemu koju su nazvali „mali brat“ ili „trik brat“, koja uključuje kompleksno uživljavanje u ulogu i kriminalnu retoriku radije nego fizičko nasilje.

PLAY is an astute observation based on real cases of bullying. In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008.

The thieves used an elaborate scheme called the ‘little brother number’ or ‘brother trick’, involving advanced role-play and gang rhetoric rather than physical violence.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

39

Kros / Cross-Country

Beyond-ism

Šef / The Chief

Vanjski svijet / The External World

Novi tokovi kratki New Currents Shorts Beyond-ism China , 2010, HD CAM (HDTV), Colour, 8 min.

Režija / Director: Sun Xun Scenarij / Screenplay: Sun Xun Ovaj uradak kombinuje tri dijela; realizirao sam prvi dio koji se sastoji od 10 velikih crteža u tinti u Yokohami. U Pekingu sam realizirao drugi dio, koji se sastoji od videoanimacije scenarija koji su urađeni u Japanu. Treći dio je lokalizirani crtež kojeg sam nedavno dovršio u Nagoyi. Ovaj rad je povezan sa Japanom, ali priča potječe iz Kine.

Sun Xun This artwork combines three parts; I realized the first part that comprises 10 huge ink drawings in Yokohama. In Beijing I realized the second part, which consisted in the video animation the scenarios of which are taken from Japan. The third part is a sitespecific drawing I completed now in Nagoya. This work is related to Japan, however the story comes from China. Sun Xun

Crvena zemlja / Red Earth Hong Kong, 2010, 35 mm, Colour, 21 min.

Režija / Director: Clara Law Scenarij / Screenplay: Eddie Ling-Ching Fong, Clara Law Uloge / Cast: Grace Huang, Daniel Wu Konsultant koji nudi usluge po cijelom svijetu stiže u Hong Kong da vidi djevojku koju je nakratko sreo prije mjesec dana. Prati njena uputstva, uzima posebnu sobu u hotelu posebnog dana, čekajući da mu ona pokaže najnezaboravniji zalazak sunca koji mu je obećala.

A globetrotting consultant comes to Hong Kong to see a girl he met briefly a month ago. He follows her instructions, checking into a particular hotel and a particular room on a particular day, waiting for her to show him the most memorable sunset as she had promised.

Doktor Rao / Doctor Rao

40

Selektorica / Programmer: Vanja Kaluđerčić

Dama s psom / The Lady With The Dog France, 2010, 35 mm, Colour, 13 min, French Režija / Director: Damien Manivel Scenarij / Screenplay: Rémi Esterie, Damien Manivel Uloge / Cast: Rémi Taffanel, Elsa Wolliaston Vraćajući se sa bazena jednog vrućeg ljetnog popodneva, mladić pronalazi psa u parku i vraća ga njegovom vlasniku. Tenzije rastu u ovom čudnom susretu između tri stvorenja sa naizgled različitih planeta.

Returning from the pool on a hot summer's afternoon, a young man finds a dog in the park and returns it to its owner. Tension rises in this unusual meeting between three creatures from seemingly different planets.

Doktor Rao / Doctor Rao Germany, 2001, HD CAM (HDTV), Colour, 7 min.

Režija / Director: Alexej Tschernyi, Zhi Wu Scenarij / Screenplay: Alexej Tschernyi, Zhi Wu Alexej Tchernyi i Wu Zhi su umjetnički par koji živi i radi u Berlinu. Jedne noći ih budi strašna vijest (poruka). Wuov otac je imao moždani udar i leži u komi. Zajedno sa svojim sinom Kostikom, starim godinu dana i pet mjeseci, lete u Kinu, u nadi da će zateći dr. Raoa živog.

Alexej Tchernyi & Wu Zhi are artists couple, living and working in Berlin. Once at night they are awaken by terrible news (message). The father of Wu has been stoke though (by) a braincollaps and lays in coma. Together with their 1,5 years old son Kostik they take a flight to China hoping to reach dr.

Rao alive.

Igrači / Players Netherlands, Finland, 2010, HDV, Colour, 8 min.

Režija / Director: Pilvi Takala Scenarij / Screenplay: Pilvi Takala Uloge / Cast: Pilvi Takala

Šta to svinja vidi / In A Pig's Eye

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Crvena zemlja / Red Earth

Zasnovan na stvarnom životu, ovaj eksperimentalni videouradak govori o životu šestorice međunarodnih profesionalnih igrača pokera koji žive u pokerskoj zajednici u Bangkoku. Igrač koji pripovijeda priču objašnjava kako je poker više način zarade nego strast, ali, ipak, pravila zajednice prate logiku ove igre.

Based on real-life, the experimental video work tells about the life of six international poker professionals living within Bangkok's poker community. A player, who narrates the story, explains that playing poker is more a means to make money than a passion, yet the rules of the community follow the game's logic.

Kros / Cross-Country France, 2011, 35 mm, Colour, 15 min.

Režija / Director: Maryna Vroda Scenarij / Screenplay: Maryna Vroda Uloge / Cast: Egor Agarkov Prvo je dječak prisiljen da trči. Zatim trči samovoljno.

Zatim gleda druge kako trče.

First a boy is forced to run. Then he runs on his own.

Then he watches another one run.

Moj mitraljez / Bring Me My Machine Gun USA, 2011, HD CAM (HDTV), Colour, 15 min.

Režija / Director: Harmony Korine Scenarij / Screenplay: Harmony Korine Uloge / Cast: Clayton Bezuidenhout, Hector Bezuidenhout, Yo Landi, Ninja Korineov šestanestominutni kratki film vodi nas na rubove društva gdje raperi/raveri Ninja i Yo Landi iz grupe „Die Antwoord“ glume gangstere u invalidskim kolicima. Ovo je priča o ljubavi i borbi za opstanak.

Korine's sixteen-minute short brings the audience to the fringes of society where Ninja and Yo Landi of Die Antwoord star as wheelchair-bound gangsters.

It is a tale of love and the struggle for survival.

Nevidljivi penjač / Stick Climbing

Dama s psom / The Lady With The Dog

Umrijeti uz tebe / To Die By Your Side

Nasumični stranci / Random Strangers United Kingdom, Netherlands, Argentina, 2011, HD CAM (HDTV), Colour, 25 min.

Režija / Director: Alexis Dos Santos Scenarij / Screenplay: Laurence Coriat, Alexis Dos Santos Uloge / Cast: Johnny Challah, Inés Efron The maker of the refreshing debut GLUE and follow up UNMADE BEDS delves yet deeper in modern youth culture with RANDOM STRANGERS. In this short film two protagonists from different corners of the world will meet in the virtual one.

Autor originalnog prvjenca GLUE i drugog filma UNMADE BEDS proniče još dublje u modernu kulturu mladih filmom RANDOM STRANGERS. U ovom kratkom filmu dva lika iz različitih dijelova svijeta se sreću u virtualnom svijetu.

Nevidljivi penjač / Stick Climbing Austria, Switzerland, 2010, 35 mm, Colour, 14 min Režija / Director: Daniel Zimmerman Scenarij / Screenplay: Daniel Zimmermann Lagana opuštajuća šetnja je prerasla u bizarnu penjačku ekspediciju. Kamera koja je upravo snimala horizontalnu panoramu prosječnog sela sad je posađena na drvene skije i prati vratolomnu stazu uz vertikalnu liticu.

A contemplative walk leads to a bizarre climbing tour. The camera that has just panned over everyday village life now homes in on a construction of wooden slats to then follow a breakneck route up a vertical rock face.

Neživi / The Unliving Sweden, 2010, 35 mm, Colour, 28 min, Swedish Režija / Director: Hugo Lilja Scenarij / Screenplay: Hugo Lilja Uloge / Cast: Emilie Jonsson, Jonatan Rodriguez Trideset godina nakon što su se zombiji pojavili, ljudi su naučili da žive uz njih. Zombiji su jeftina radna snaga; zbog njih je moguće da svi uživaju u udobnom životu. Ipak, „normalni“ ljudi prvo moraju da uhvate zombije i podvrgnu ih krva-

Igrači / Players

Nasumični stranci / Random Strangers

vim lobotomijskim eksperimentima kako bi ih pripitomili.

Thirty years after a zombie outbreak, people have become used to living alongside them. Zombies are a cheap source of labour; they also make it possible for everyone else to enjoy a comfortable standard of living. However, the ‘normal’ people first have to tame the zombies by catching them and subjecting them to bloody lobotomy experiments.

Šef / The Chief Italy, 2010, 35 mm, Colour, 15 min.

Režija / Director: Yuri Ancarani Scenarij / Screenplay: Yuri Ancarani Uloge / Cast: Franco Barattini Monte Bettogli, Carrara: u nadzemnom kopu rudnika mramora ljudi i mašine kopaju u planini. „Il Capo“ (Šef ) upravlja, koordinira i vodi radnike i mašine koristeći jezik koji se sastoji isključivo od pokreta i znakova.

Monte Bettogli, Carrara: in the marble quarries men and machines dig the mountain. “Il Capo” (The Chief) manages, coordinates and guides quarrymen and heavy-duty machines using a language consisting solely of gestures and signs.

Šta to svinja vidi / In A Pig's Eye Japan, 2010, HD CAM (HDTV), Colour, 10 min.

Režija / Director: Atsushi Wada Scenarij / Screenplay: Atsushi Wadaa Uloge / Cast: Atsushi Wada Kuća. Sasvim obična kuća. Čovjek i njegova porodica žive u toj kući. To je sasvim obična porodica, osim velike svinje koja leži ispred kuće. Velika svinja i obična kuća, velika svinja i čovječanstvo, otac i majka. Šta je prosječna porodica? Kako izgledaju odnosi u običnoj porodici?

A house. A very ordinary house. A man and his family live in the house. It is a very ordinary family except for a huge pig is lying in front of the house. The giant pig and the ordinary house, the huge pig and mankind, the father and the mother. What is an ordinary family? What do relationships in an ordinary family look like?

Van / Out

Moj mitraljez / Bring Me My Machine Gun

Umrijeti uz tebe / To Die By Your Side France , 2010, HD CAM (HDTV), Colour, 6 min.

Režija / Director: Spike Jonze, Simon Cahn Scenarij / Screenplay: Olympia Le-Tan, Spike Jonze Uloge / Cast: Soko, Spike Jonze, Pierre Le-Tan Nakon zalaska sunca, stari pariški knjižar zatvara svoju malu prodavnicu. Likovi iz knjiga koje su na policama, odjednom oživljavaju.

After sunset, an old Parisian bookseller closes his little shop. The characters from the books displayed on the shelves suddenly come to life.

Van / Out Israel, 2010, HD CAM (HDTV), Colour, 35 min.

Režija / Director: Roee Rosen Scenarij / Screenplay: Roee Rosen Uloge / Cast: Ela Shapira, Yoana Gonen, Igor Krutogolov, Boris Martzinovsky Destruktivna scena dominantnosti i pokoravanja.

Ali u ovoj sesiji bolni udarac prisiljava pokorenog da izrekne rečenice – koje su stvarni citati izraelskog ministra vanjskih poslova, Avigdora Libermana.

A dominance & submission trashing scene. But in this session, the painful blows cause the sub to spew out sentences - all of which are quotes from Israel's minister of foreign affairs, Avigdor Lieberman.

Vanjski svijet / The External World Germany, Ireland, 2010, DigiBeta, Colour, 15 min.

Režija / Director: David O'Reilly Scenarij / Screenplay: David OReilly, Vernon Chatman Uloge / Cast: Julian Barratt, Pearl Brilmyer, Adam Buxton, Christopher Kline Dječak uči svirati klavir.

A boy learns to play the piano.

NOVI TOKOVI KRATKI 1 / NEW CURRENTS SHORTS 1 THE CHIEF, BEYOND-ISM, CROSS, RANDOM STRANGERS, THE LADY WITH THE DOG, TO DIE BY YOUR SIDE, DOCTOR RAO NOVI TOKOVI KRATKI 2 / NEW CURRENTS SHORTS 2 BRING ME MY MACHINE GUN, RED EARTH, STICK CLIMBING, IN A PIG'S EYE, PLAYERS, THE EXTERNAL WORLD NOVI TOKOVI KRATKI 3 / NEW CURRENTS SHORTS 3 THE UNLIVING, OUT

Neživi / The Unliving SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

41

Bilo jednom u Anadoliji / Once Upon a Time in Anatolia

Orkestar / Orchestra

Open Air Bilo jednom u Anadoliji / Once Upon a Time in Anatolia Turkey, Bosnia and Herzegovina, 2011, 35 mm, Colour, 157 min.

Režija / Director: Nuri Bilge Ceylan Scenarij / Screenplay: Ercan Kesal, Ebru Ceylan, Nuri Bilge Ceylan Uloge / Cast: Muhammet Uzuner, Yilmaz Erdogan, Taner Birsel, Ahmet Mümtaz Taylan, Firat Tanis Život u malom gradu je poput života u stepi: osjećaj da će se nešto novo i različito pojaviti iza svakog brda, ali jedino su prisutni uvijek slični, monotoni putevi koji se sužavaju, nestaju i lelujaju...

Life in a small town is akin to journeying in the middle of the steppes: the sense that “something new and different” will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...

Imamo Papu / We Have A Pope Italy, France, 2011, 35 mm, Colour, 102 min.

Režija / Director: Nanni Moretti Scenarij / Screenplay: Nanni Moretti, Francesco Piccolo, Federica Pontremoli Uloge / Cast: Michel Piccoli, Nanni Moretti, Jerzy Stuhr Nakon smrti Pape, Vijeće kardinala sastalo se da izabere njegovog nasljednika. Odabrali su kardinala za kojeg je to, izgleda, prevelik teret. Je li u pitanju anksioznost? Je li depresija? Da li on sebe smatra nekompetentnim? Vjernici čekaju da se novi Papa pojavi na balkonu iznad Trga svetog Petra. Cijeli svijet je na iglama, dok u Vatikanu pokušavaju izaći iz krize.

Following the death of the Pope, the Conclave meets to elect his successor. A cardinal is chosen

who seems unable to bear the weight of such a responsibility. Is it anxiety? Is it depression? Does he feel inadequate? The faithful are waiting for the new Pope to appear on the balcony in St. Peter’s Square. The world is on tenterhooks, while in the Vatican they seek ways to come through the crisis.

Rivers and his family. As she recuperates in the Rivers’ Moor House and looks back upon the tumultuous events that led to her escape, Jane wonders if the past is ever truly past…

Jane Eyre

USA, Albania, Denmark, Italy, 2011, 35 mm, Colour, 108 min.

Režija / Director: Joshua Marston Scenarij / Screenplay: Joshua Marston, Andamion Murataj Uloge / Cast: Tristan Halilaj, Sindi Laçej, Refet Abazi Nik je energični sedamnaestogodišnjak koji završava posljednji razred srednje škole u sjevernoj Albaniji. U prvoj je ljubavnoj vezi sa djevojkom iz svog razreda i planira da kad maturira otvori svoj internet kafić. Njegova sestra Rudina je bistra, zrela petnaestogodišnjakinja koja sanja o odlasku na fakultet. Kada spor oko zemlje završi u optužbi njihovog oca Marka za ubistvo, njihova porodica biva uvučena u krvavi rat. Kanun, stoljećima star balkanski kodeks časti, prisiljava Nika, njegovog sedmogodišnjeg brata i ostale muške članove porodice doslovno u kućni pritvor.

Nik is an energetic 17-year-old in his last year of high school in Northern Albania. He is embarking on his first romance with a girl in his class and plans to open his own internet café after graduation. His sister, Rudina, is a bright, mature fifteen-year-old who aspires to go to college. When a local land dispute results in their father Mark being accused of murder, the family is drawn into a deadly blood feud. The rules of the Kanun, a centuries-old Balkan code of law, force Nik, his 7 year old brother and the other male members of his family into virtual house arrest.

United Kingdom, USA, 2011, 35 mm, Colour, 120 min Režija / Director: Cary Joji Fukunaga Scenarij / Screenplay: Moira Buffini Uloge / Cast: Mia Wasikowska, Michael Fassbender, Jamie Bell, Sally Hawkins, Holliday Grainger Radnja filma se odvija u 19. stoljeću, gdje Jane Eyre odjednom bježi iz Thronfield Halla, ogromnog, izoliranog mjesta gdje radi kao guvernanta za Adèle Varens, djevojčicu nad kojom skrbi namrgođeni gazda Thornfielda, Edward Rochester.

Položaj koji joj je nametnut, kao i sama Rochesterova nametljiva priroda, doveli su njenu toleranciju do same granice. Pošto nema gdje da ide, pomoć joj pruža svećenik St. John Rivers i njegova porodica. Dok se oporavlja u St. Johnovoj kući u maurskom stilu i sumira burne događaje koji su doveli do njenog bijega, Jane se pita da li je prošlost stvarno prošlost...

In the 19th Century-set story, Jane Eyre suddenly flees Thornfield Hall, the vast and isolated estate where she works as a governess for Adèle Varens, a child under the custody of Thornfield’s brooding master, Edward Rochester. The imposing residence - and Rochester’s own imposing nature - have sorely tested her resilience. With nowhere else to go, she is extended a helping hand by clergyman St. John

Krv prašta / The Forgiveness of Blood

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Imamo Papu / We Have A Pope

Krv prašta / The Forgiveness of Blood

Ulaz za poslugu / Service Entrance

Orkestar / Orchestra Bosnia and Herzegovina, 2011, 35 mm, Colour, 105 min.

Režija / Director: Pjer Žalica Scenarij / Screenplay: Pjer Žalica, Saša Lošić Film se bavi bogatom i dinamičnom karijerom sarajevske grupe “Plavi orkestar”. To je priča o jednoj generaciji koja je na veoma specifičan način obilježila naš prostor i vrijeme; pozitivna priča o snazi i neuništivosti talenta koji će, nošen strašću i potencijalom, pronaći put i u najkompliciranijim okolnostima. Frontmen grupe Saša i “Plavci” susreću se s brojnim poznatim i proslavljenim ličnostima koje su obilježile vrijeme i prostor u kojem se grupa razvijala, padala i ponovo uzdizala. U filmu će se pojaviti i potpuno anonimne ličnosti, koje su na drugačiji, intimniji način utjecale na razvoj priče o “Plavom orkestru”.

The film deals with the rich and dynamic career of the Sarajevo band Plavi orkestar (The Blue Orchestra). This is the story of one generation that marked our time

Jane Eyre

and space in a very specific way - a positive story of the power and perseverance of talent which, led by passion and potential, finds its way in even the most complicated of circumstances. The band frontman Saša and the band meet numerous celebrities of the times when the band developed, fell down and rose again. The film also includes a number of publicly unknown individuals who impacted the band in a more private, intimate way.

Ulaz za poslugu / Service Entrance France, 2010, 35 mm, Colour, 104 min.

Režija / Director: Philippe Le Guay Scenarij / Screenplay: Jean-Philippe Le Guay Uloge / Cast: Fabrice Luchini, Sandrine Kiberlain, Carmen Maura Pariz 1960. godine. Jean-Louis Joubert živi miran, ali dosadan buržujski život sa svojom ženom, savršenom pripadnicom visokih krugova, djecom u inter-

natima i svojim finansijskim uredom. Svijet im se preokrene kada se energične španske služavke dosele u odaje za poslugu na šestom spratu njihove zgrade - Teresa, Carmen, Dolores, Concepcion i njena nećaka Maria, koja je upravo stigla iz Burgosa. JeanLouis će se neočekivano zbližiti s njima, posebno s Marijom. Ona je mlada, lijepa i puna života. Ukratko, Jean-Louisov život će se promijeniti... itekako.

Paris, 1960. Jean-Louis Joubert lives a peaceful yet boring bourgeois existence with his wife, a perfect socialite, his children in a boarding school and his finance office. The family has their world turned upside down when exuberant Spanish maids move into their building’s sixth floor, the servant’s quarters.

Teresa, Carmen, Dolores, Concepcion and her niece Maria who just arrived from Burgos. Jean-Louis will unexpectedly bond with them, especially with Maria.

She is young, pretty and full of joy. In a word, JeanLouis’s life is about to change… a lot.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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44

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

RASPORED PROJEKCIJA/ SCREENING SCHEDULE ,

Petak / Friday 22.07.2011.

Narodno pozorište / National Theatre 20.30 Open Air 025

,

,

Subota / Saturday 23.07.2011.

Nedjelja / Sunday 24.07.2011.

Narodno pozorište/ National Theatre 16.00 U fokusu / In Focus 123

Narodno pozorište/ National Theatre 11.30 Takmičarski igrani/ Competition Features 221

LE HAVRE

MICHAEL

AMNESTIJA / AMNESTY

Režija / Director: Aki Kaurismäki, 93 min, Finnish, French

Režija / Director: Markus Schleinzer, 96 min, German 20.00 Takmičarski igrani - Gala projekcija/ Competition Features Gala Screening 124

Režija / Director: Bujar Alimani, 83 min, Albanian 16.00 U fokusu / In Focus 223

KONJ IZ TORINA / THE TURIN HORSE Režija / Director: Béla Tarr, 146 min, Hungarian

Režija / Director: Kamen Kalev, 95 min, Bulgarian, English, French 20.00 Takmičarski igrani/ Competition Features 224

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 130

Režija / Director: Bujar Alimani, 83 min, Albanian

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 010 LE HAVRE Režija / Director: Aki Kaurismäki, 93 min, Finnish, French

OTOK / THE ISLAND AMNESTIJA / AMNESTY

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 230

NEOČEKIVANA DOBIT / WINDFALL Režija / Director: Laura Israel, 83 min, English 15.00 Posvećeno/ Tribute To Lucrecia Martel 131

MELANHOLIJA / MELANCHOLIA

MOČVARA / THE SWAMP

Režija / Director: Lars von Trier, 136 min, English 15.00 Posvećeno/ Tribute To Lucrecia Martel 231

Režija / Director: Lucrecia Martel, 103 min, Spanish

18.00 Panorama 132

SVETICA / THE HOLY GIRL

AKACIJE / LAS ACACIAS

Režija / Director: Lucrecia Martel, 106 min, Spanish 18.00 Panorama 232

Režija / Director: Pablo Giorgelli, 85 min, Spanish 23.30 All Shorts 133

KAD UBICE ZAVLADAJU / REIGN OF ASSASSINS NAGRADA EVROPSKE FILMSKE AKADEMIJE- NOMINIRANI KRATKI Režija / Director: Su Chao-Pin, 117 min, Mandarin FILMOVI 2011 - IZBOR / EUROPEAN FILM ACADEMY AWARDMultipleks Cinema City / Multiplex Cinema City SHORTS NOMINEES 2011 - SELECTION 11.00 BiH Film 270 Multipleks Cinema City / Multiplex Cinema City DOKUMENTARNI 1 / DOCUMENTARIES 1 14.00 Dodjela nagrade Ivica Matić / Ivica Matić Award Presentation 171 14.00 BiH Film 271 SPECIJALNA PROJEKCIJA KRATKIH FILMOVA IVICE MATIĆ / DOKUMENTARNI 2 / DOCUMENTARIES 2 SPECIAL SCREENING OF SHORT FILMS BY IVICA MATIĆ 14.30 Panorama 261 17.00 Specijalne projekcije/ Special screenings 172 KAIRO 678 / CAIRO 678 NEKI DRUGI DAN / SOME OTHER DAY Režija / Director: Mohamed Diab, 100 min, Arabic Autor / Author: Emir Čengić, 38 min, Bosnian 19.15 Novi tokovi / New Currents 173

15.00 Takmičarski dokumentarni / Competition Documentaries 251

ATTENBERG

Režija / Director: Namik Kabil, 42 min, Bosnian

MAGNET

Režija / Director: Athina Rachel Tsangari, 95 min, Greek 20.30 Takmičarski dokumentarni / Competition Documentaries 153

SCHWARZKOPF

MOBITEL / CELL PHONE MOVIE Režija / Director: Nedžad Begović, 62 min, Bosnian 19.15 Novi tokovi / New Currents 273

Režija / Director: Arman T. Riahi, 90 min, German, Farsi, Turkish, Serbian, Bosnian, FINISTERRAE Albanian, Polish Režija / Director: Sergio Caballero, 80 min, Russian 21.15 Novi tokovi / New Currents 164 20.30 Takmičarski dokumentarni / Competition Documentaries 253

U BUDUĆNOSTI / IN THE FUTURE

HER CINEMA LOVE

Režija / Director: Mauro Andrizzi, 60 min, Spanish 21.45 BiH Film 174

Režija / Director: Nejra Latić - Hulušić, David Jan Bronsgeest, 23 min, Bosnian

SELO BEZ ŽENA / WILLAGE WITHOUT WOMEN

Režija / Director: Saša Ban, 65 min, Croatian 21.15 Novi tokovi/ New Currents 264

ZEMLJA ZNANJA / LAND OF KNOWLEDGE

Režija / Director: Srđan Šarenac, 83 min, Bosnian

KSC Skenderija / KSC Skenderija Cinema 17.00 Dječiji program/ Children's Programme 1B0

ATTENBERG Režija / Director: Athina Rachel Tsangari, 95 min, Greek 21.45 BiH Film 274

KRALJ LAVOVA / LION KING (3D) Režija / Director: Roger Allers, Rob Minkoff, 89 min, English

OSTAVLJENI / THE ABANDONED

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 110

Režija / Director: Adis Bakrač, 85 min, Bosnian

KSC Skenderija / KSC Skenderija Cinema 17.00 Dječiji program/ Children's Programme 2B0

ORKESTAR / ORCHESTRA Režija / Director: Pjer Žalica, 105 min, Bosnian

AUTI 2 / CARS 2 (3D)

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 140

Režija / Director: John Lasseter, Brad Lewis, 112 min, English

KROJAČ / THE TAILOR Režija / Director: Gordon Grinberg, 6 min, English

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 210

KAIRO 678 / CAIRO 678

ULAZ ZA POSLUGU / SERVICE ENTRANCE

Režija / Director: Mohamed Diab, 100 min, Arabic

Režija / Director: Philippe Le Guay, 104 min, French, Spanish

Laško Summer Nights 21.30 Laško Summer Nights

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 240

WHEN YOU'RE STRANGE

THE BLACK POWER MIXTAPE 1967 - 1975

Režija / Director: Tom DiCillo, 86 min, English

Režija / Director: Göran Hugo Olsson, 100 min, English, Swedish

SCENE IZ PREDGRAĐA / SCENES FROM THE SUBURBS

Laško Summer Nights 21.30 Laško Summer Nights

Režija / Director: Spike Jonze, 28 min, English

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 190 LE HAVRE Režija / Director: Aki Kaurismäki, 93 min, Finnish, French

SOUNDTRACK ZA REVOLUCIJU / SOUNDTRACK FOR REVOLUTION Režija / Director: Bill Guttentag, Dan Sturman, 82 min. English

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 290 ORKESTAR / ORCHESTRA Režija / Director: Pjer Žalica, 105 min, Bosnian

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

45

RASPORED PROJEKCIJA/ SCREENING SCHEDULE ,

Ponedjeljak / Monday 25.07.2011.

Narodno pozorište/ National Theatre 11.30 Takmičarski igrani/ Competition Features 321

,

Utorak / Tuesday 26.07.2011.

Narodno pozorište/ National Theatre 9.30 Takmičarski igrani/ Competition Features 420

,

Srijeda / Wednesday 27.07.2011.

Narodno pozorište/ National Theatre 9.30 Takmičarski igrani/ Competition Features 520

FLEKE / SPOTS

DISATI / BREATHING

PROTRAĆENA MLADOST / WASTED YOUTH

Režija / Director: Aldo Tardozzi, 93 min, Croatian 16.00 U fokusu / In Focus 323

Režija / Director: Karl Markovics, 93 min, German 11.30 Takmičarski igrani/ Competition Features 421

Režija / Director: Argyris Papadimitropoulos, Jan Vogel, 100 min, Greek 11.30 Takmičarski igrani/ Competition Features 521 LOVERBOY, Režija / Director: Catalin Mitulescu, 93 min, Romanian 14.00 Takmičarski kratki / Competition Shorts 522

SKLONIŠTE / SHELTER

POLOMLJENE ŠKOLJKE / BROKEN MUSSELS

Režija / Director: Dragomir Sholev, 88 min, Bulgarian 20.00 Takmičarski igrani/ Competition Features 324

Režija / Director: Seyfettin Tokmak, 93 min, Turkish, Kurdish, Bosnian 14.00 Takmičarski kratki / Competition Shorts 422

FLEKE / SPOTS Režija / Director: Aldo Tardozzi, 93 min, Croatian

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 330 TIRANOSAUR / TYRANNOSAUR Režija / Director: Paddy Considine, 91 min, English 15.00 Posvećeno/ Tribute To Lucrecia Martel 331

ŽENA BEZ GLAVE / THE HEADLESS WOMAN

TAKMIČARSKI KRATKI 1 / COMPETITION SHORTS 1 16.00 U fokusu / In Focus 423 MAJKE / MOTHERS Režija / Director: Milcho Manchevski, 123 min, Macedonian 20.00 Takmičarski igrani/ Competition Features 424

DISATI / BREATHING Režija / Director: Karl Markovics, 93 min, German 22.30 Takmičarski igrani/ Competition Features 426

Režija / Director: Lucrecia Martel, 87 min, Spanish

POLOMLJENE ŠKOLJKE / BROKEN MUSSELS

18.00 Panorama 332

Režija / Director: Seyfettin Tokmak, 93 min, Turkish, Kurdish, Bosnian

ELENA

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 430

Režija / Director: Andrei Zvyagintsev, 109 min, Russian 23.30 All Shorts 333

CARTE BLANCHE: KURZFILMTAGE WINTERTHUR

Multipleks Cinema City / Multiplex Cinema City 11.00 BiH Film 370 DOKUMENTARNI 3/ DOCUMENTARIES 3

14.00 BiH Film 371

GANDU

DOKUMENTARNI 4/ DOCUMENTARIES 4

LJETO GOLIJATA / SUMMER OF GOLIATH Režija / Director: Nicolás Pereda, 76 min, Spanish 23.30 All Shorts 433

KAD UBICE ZAVLADAJU / REIGN OF ASSASSINS CINEMA KOMUNISTO Režija / Director: Mila Turajlić, 101 min, Serbian 17.00 Dječiji program/ Children's Programme 372

TWIGSON Režija / Director: Åsleik Engmark, 74 min, Norwegian 18.00 TeenArena 352

GRIFF NEVIDLJIVI / GRIFF THE INVISIBLE Režija / Director: Leon Ford, 90 min, English 19.15 Novi tokovi / New Currents 373

SVI TVOJI MRTVI / ALL YOUR DEAD ONES Režija / Director: Carlos Moreno, 90 min, Spanish 20.30 Takmičarski dokumentarni / Competition Documentaries 353

HEROJ NAŠEG DOBA / A HERO FOR OUR TIME Režija / Director: Šeki Radončić, 43 min, Bosnian

MOJ PRIJATELJ MANCHESTER UNITED / MY MATE MANCHESTER UNITED Režija / Director: Stefan Valdobrev, 57 min, Bulgarian 21.15 Novi tokovi / New Currents 364

FINISTERRAE Režija / Director: Sergio Caballero, 80 min, Russian

21.45 BiH Film 374 ORKESTAR / ORCHESTRA Režija / Director: Pjer Žalica, 105 min, Bosnian

KSC Skenderija / KSC Skenderija Cinema 18.00 Specijalne projekcije/ Special screenings 3B1 PINA (3D) Režija / Director: Wim Wenders, 106 min, German, French, English, Spanish, Croatian, Italian, Portugese, Russian, Korean

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 310

LIFE IN A DAY

EL VARAL

LOŽAČ / STOKER

Režija / Director: Aleksey Balabanov, 80 min, Russian 23.30 Novi tokovi kratki / New Currents Shorts 533

NOVI TOKOVI KRATKI 1 / NEW CURRENTS SHORTS 1

STUDENTSKI FILMOVI 1 / STUDENT FILMS 1

14.00 BiH Film 471

STUDENTSKI FILMOVI 2 / STUDENT FILMS 2

14.00 BiH Film 571

BILO JEDNOM U ANADOLIJI / ONCE UPON A TIME IN ANATOLIA STUDENTSKI FILMOVI 3 / STUDENT FILMS 3 14.30 Panorama 561 BIJELI, BIJELI SVIJET / WHITE, WHITE WORLD Režija / Director: Oleg Novković, 121 min, Serbian NA DOBAČAJ KAMENA / A STONE’S THROW AWAY

Režija / Director: Nuri Bilge Ceylan, 157 min,Turkish 14.30 Panorama 461

Režija / Director: Sebastián Hiriart, 97 min, Spanish 15.00 Takmičarski dokumentarni / Competition Documentaries 451

ABENDLAND Režija / Director: Nikolaus Geyrhalter, 88 min, various languages 16.45 All shorts 462

OPERACIJA KINO / OPERATION KINO

17.00 Dječiji program/ Children's Programme 472 MAČAK U PARIZU / A CAT IN PARIS Režija / Director: Jean-Loup Felicioli, Alain Gagnol, 70 min, French 18.00 TeenArena 452

A MI PO SVOM / GOING OUR WAY Režija / Director: Miha Hočevar, 95 min, Slovenian 19.15 Novi tokovi / New Currents 473

LOVAC / THE HUNTER Režija / Director: Bakur Bakuradze,124 min, Russian 20.30 Takmičarski dokumentarni / Competition Documentaries 453

JEDAN DAN NA DRINI / A DAY ON THE DRINA Režija / Director: Ines Tanović, 17 min, Bosnian

PRAVILA SAMAČKOG ŽIVOTA / RULES OF SINGLE LIFE Režija / Director: Tonislav Hristov, 79 min, Bulgarian, Finnish, English 21.15 Novi tokovi / New Currents 464

SVI TVOJI MRTVI / ALL YOUR DEAD ONES

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 410

Laško Summer Nights 21.30 Laško Summer Nights

I BI VOLJA BOŽIJA / AND GOD WILLED Režija / Director: Flavio Florencio, 15 min, Spanish

Multipleks Cinema City / Multiplex Cinema City 11.00 BiH Film 570

Režija / Director: Nuri Bilge Ceylan, 157 min,Turkish

Režija / Director: Sebastián Hiriart, 97 min, Spanish

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 530

CARTE BLANCHE: CLERMONT-FERRAND

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 340 NA DOBAČAJ KAMENA / A STONE’S THROW AWAY

PROTRAĆENA MLADOST / WASTED YOUTH Režija / Director: Argyris Papadimitropoulos, Jan Vogel, 100 min, Greek 22.30 Takmičarski igrani/ Competition Features 526 LOVERBOY, Režija / Director: Catalin Mitulescu, 93 min, Romanian

Multipleks Cinema City / Multiplex Cinema City 11.00 BiH Film 470

Režija / Director: Carlos Moreno, 90 min, Spanish 21.45 BiH Film 474 BELVEDERE, Režija / Director: Ahmed Imamović, 90 min, Bosnian

BILO JEDNOM U ANADOLIJI / ONCE UPON A TIME IN ANATOLIA

NAŠ DUBOKI OČAJ / OUR GRAND DESPAIR Režija / Director: Seyfi Teoman, 102 min, Turkish 20.00 Takmičarski igrani/ Competition Features 524

Režija / Director: Marta Ferrer, 75 min, Spanish Režija / Director: Kaushik Mukherjee, 85 min, Bengali 15.00 Panorama 531 15.00 Posvećeno/ Tribute To Lucrecia Martel 431 MRTVI KRALJ / DEAD KING, Režija / Director: Lucrecia Martel, 12 min, Spanish DJEČAK SA BICIKLOM / THE KID WITH A BIKE Režija / Director: Jean-Pierre Dardenne, Luc Dardenne, 87 min, French CAREER INTERVIEW 18.00 Panorama 532 18.00 Panorama 432

14.30 Panorama 361 Režija / Director: Su Chao-Pin, 117 min, Mandarin 15.00 Takmičarski dokumentarni / Competition Documentaries 351

TAKMIČARSKI KRATKI 2/ COMPETITION SHORTS 2

16.00 U fokusu / In Focus 523

15.00 Takmičarski dokumentarni / Competition Documentaries 551 PROLAZ ZA VAN / THE WAY OUT Režija / Director: Vedran Šamanović , Sanju Šamanović, 10 min, Croatian

TRČI ZA ŽIVOT / RUN FOR LIFE Režija / Director: Mladen Matičević, 72 min, Serbian, English, Amharic 17.00 Dječiji program/ Children's Programme 572

KROKODILI UZVRAĆAJU UDARAC / THE CROCODILES STRIKE BACK, Režija / Director: Christian Ditter, 90 min, German 18.00 TeenArena 552 IZGUBLJEN U AFRICI / LOST IN AFRICA Režija / Director: Vibeke Muasya, 92 min, Danish, English, Swahili 19.00 Specijalne projekcije/ Special screenings 563

GREEN GROUND GIRLS Režija / Director: Julien Dubois, Fodil Chabbi, 52 min, Arabic 19.15 Novi tokovi kratki / New Currents Shorts 573

NOVI TOKOVI KRATKI 3 / NEW CURRENTS SHORTS 3

20.30 Takmičarski dokumentarni / Competition Documentaries 553 PUN(A) / LOADED, Režija / Director: Alen Drljević, 23 min, Bosnian NEVIDLJIVE ŽICE - TALENTIRANE SESTRE PUSKER / INVISIBLE STRINGS - THE TALENTED PUSKER SISTERS Režija / Director: Ágnes Sós, 70 min, Hungarian 21.15 Novi tokovi / New Currents 564

LOVAC / THE HUNTER Režija / Director: Bakur Bakuradze,124 min, Russian 21.45 BiH Film 574 MOTEL NANA, Režija / Director: Predrag Velinović, 90 min, Serbian

IMAMO PAPU / WE HAVE A POPE

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 510

Režija / Director: Nanni Moretti, 102 min, Italian, German, Latin, English, Spanish, Polish, French

Režija / Director: Cary Joji Fukunaga, 120 min, English, French

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 440

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 540

JANE EYRE

Režija / Director: Kevin Macdonald, 95 min, English

BIJELI, BIJELI SVIJET / WHITE, WHITE WORLD

U SUPROTNOM PRAVCU / REVERSE MOTION

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 390

Režija / Director: Oleg Novković, 121 min, Serbian

Režija / Director: Andrey Stempkovsky, 93 min, Russian

Laško Summer Nights 21.30 Laško Summer Nights

Laško Summer Nights 21.30 Takmičarski dokumentarni / Competition Documentaries

ULAZ ZA POSLUGU / SERVICE ENTRANCE Režija / Director: Philippe Le Guay, 104 min, French, Spanish

MAMA AFRICA

CINEMA KOMUNISTO, Režija / Director: Mila Turajlić, 101 min, Serbian

Režija / Director: Mika Kaurismäki, 90 min. English, French

Dvorana Općine Novi Grad/ Novi Grad Municipal Hall 12.00 Dječiji program/ Children's Programme 580

Dvorana Općine Novi Grad/ Novi Grad Municipal Hall 12.00 Dječiji program/ Children's Programme 480

MAČAK U PARIZU / A CAT IN PARIS

TWIGSON, Režija / Director: Åsleik Engmark, 74 min, Norwegian

Režija / Director: Jean-Loup Felicioli, Alain Gagnol, 70 min, French

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 490

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 590

BILO JEDNOM U ANADOLIJI / ONCE UPON A TIME IN ANATOLIA IMAMO PAPU / WE HAVE A POPE, Režija / Director: Nanni Moretti, 102 Režija / Director: Nuri Bilge Ceylan, 157 min,Turkish

46

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

min, Italian, German, Latin, English, Spanish, Polish, French

RASPORED PROJEKCIJA/ SCREENING SCHEDULE ,

Četvrtak / Thursday 28.07.2011.

,

,

Petak / Friday 29.07.2011.

Subota / Saturday 30.07.2011.

Narodno pozorište/ National Theatre 9.30 Takmičarski igrani/ Competition Features 620

Narodno pozorište/ National Theatre 11.30 Takmičarski igrani/ Competition Features 721

Narodno pozorište/ National Theatre 20.00

IZLET / A TRIP, Režija / Director: Nejc Gazvoda, 85 min, Slovenian

AVÉ, Režija / Director: Konstantin Bojanov, 86 min, Bulgarian, English

DODJELA NAGRADA/ AWARD CEREMONY

11.30 Takmičarski igrani-izvan konkurencije/ Competition Features - out of competition 16.00 U fokusu / In Focus 723 621 POSLJEDNJE POGLAVLJE / ASCENT

Režija / Director: Nemanja Bečanović, 91 min, Montenegrin 14.00 U fokusu / In Focus 622

NEMOJ ME ZABORAVITI, ISTANBULE / DO NOT FORGET ME ISTANBUL, Režija / Director: Aida Begić, Stefan Arsenijević, Stergios Niziris, Eric Nazarian, Omar

OTAC / DAD, Režija / Director: Vlado Škafar, 71 min, Slovenian

Multipleks Cinema City / Multiplex Cinema City 11.00 BiH Film 870

20.00 Takmičarski igrani/ Competition Features 724 AVÉ, Režija / Director: Konstantin Bojanov, 86 min, Bulgarian, English

DOKUMENTARNI 7 / DOCUMENTARIES 7

22.30 Specijalne projekcije/ Special screenings 726

14.00 BiH Film 871

1395 DANA BEZ CRVENE / 1395 DAYS WITHOUT RED

DOKUMENTARNI 8 / DOCUMENTARIES 8

Shakrawi, Hany Abu-Assad, Josefina Markarian, 117 min, English, Arabic, Bosnian, Serbian, Greek, Turkish Režija / Director: Šejla Kamerić, 63 min, No Dialogue

16.00 U fokusu / In Focus 623 MORGEN, Režija / Director: Marian Crişan, 100 min, Romanian

14.30 Panorama 861

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 730

KRŠTENJE / THE CHRISTENING Režija / Director: Marcin Wrona, 86 min, Polish 16.45 All Shorts 862

20.00 Dodjela nagrade Katrin Cartlidge fondacije / Katrin Cartlidge Foundation ČUVAR / THE GUARD Award Presentation / Takmičarski igrani/ Competition Features 624 Režija / Director: John Michael McDonagh, 96 min, English, Gaelic IZLET / A TRIP, Režija / Director: Nejc Gazvoda, 85 min, Slovenian 15.00 Panorama 731 22.30 Takmičarski igrani-izvan konkurencije/ Competition Features - out of competition KRŠTENJE / THE CHRISTENING 626 POSLJEDNJE POGLAVLJE / ASCENT

Režija / Director: Nemanja Bečanović, 91 min, Montenegrin

Kino Meeting Point / Meeting Point Cinema 12.00 Panorama 630 MJESTO MEĐU ZVIJEZDAMA / POSITION AMONG THE STARS

SARAJEVO GRAD FILMA / SARAJEVO CITY OF FILM

19.15 Novi tokovi / New Currents 873 U BUDUĆNOSTI / IN THE FUTURE

Režija / Director: Marcin Wrona, 86 min, Polish 18.00 Panorama 732

Režija / Director: Mauro Andrizzi, 60 min, Spanish 21.15 Novi tokovi specijal / New Currents Special 864 IGRA / PLAY, Režija / Director: Ruben Östlund, 118 min, Swedish

ODLAZI RENÉE / WALK AWAY RENÉE Režija / Director: Jonathan Caouette, 90 min, English 23.30 Specijalne projekcije/ Special screenings 733 OBALA / THE SHORE, Režija / Director: Terry George, 29 min, English

Ljetno kino !hej / !hej Open Air Cinema 21.00 Specijalne projekcije/ Special screenings 810

Režija / Director: Leonard Retel Helmrich, 111 min, Indonesian POGREŠNI ZAČINI / IRREGULAR SEASONING 15.00 Specijalne projekcije/ Special screenings 631 Režija / Director: Adrian Beau, 30 min, No Dialogue POGLED / THE LOOK , Režija / Director: Angelina Maccarone, 94 min, French, English, German Multipleks Cinema City / Multiplex Cinema City 18.00 Panorama 632 QUATTRO HONG KONG 2, Režija / Directors: Stanley Kwan, Brillante Mendoza, 11.00 BiH Film DOKUMENTARNI 6 / DOCUMENTARIES 6 770 14.00 BiH Film 771 Ho Yuhang, Apichatpong Weerasethakul, 65 min, Cantonese, English, Putonghua

ALICIA, IDI DALEKO / ALICIA, GO YONDER Režija / Director: Elisa Miller, 67, Spanish 23.30 Novi tokovi kratki / New Currents Shorts 633

NOVI TOKOVI KRATKI 2 / NEW CURRENTS SHORTS 2

Multipleks Cinema City / Multiplex Cinema City 11.00 BiH Film DOKUMENTARNI 5 / DOCUMENTARIES 5 670 12.00 Specijalne projekcije/ Special screenings 660 LJUBAV PREMA KNJIGAMA - PRIČA O SARAJEVU / THE LOVE OF BOOKS - A SARAJEVO STORY, Režija / Director: Sam Hobkinson, 75 min., Bosnian 14.00 BiH Film KRATKI / SHORTS 671 14.30 Panorama 661 DJEČAK SA BICIKLOM / THE KID WITH A BIKE Režija / Director: Jean-Pierre Dardenne, Luc Dardenne, 87 min, French 15.00 Takmičarski dokumentarni / Competition Documentaries 651

EKUMENOPOLIS: GRAD BEZ GRANICA / ECUMENOPOLIS: CITY WITHOUT LIMITS, Režija / Director: Imre Azem, 93 min, Turkish, English, German 16.45 Novi tokovi kratki / New Currents Shorts 662 NOVI TOKOVI KRATKI 1 / NEW CURRENTS SHORTS 1 17.00 Dječiji program/ Children's Programme 672 VELIKI MEDVJED / THE GREAT BEAR Režija / Director: Esben Toft Jacobsen, 73 min, Danish 18.00 TeenArena 652 AMORE 14, Režija / Director: Federico Moccia, 95 min, Italian 19.15 Novi tokovi / New Currents 673 DROLJA / THE SLUT, Režija / Director: Hagar Ben-Asher, 88 min, Hebrew 20.30 Takmičarski dokumentarni / Competition Documentaries 653

MOJ GLAS / MY VOTE

Režija / Director: Monica Lazurean-Gorgan, Andrei Gorgan, 42 min, Romanian

BOSANSKA RAPSODIJA...NA RUBU ZNANOSTI / BOSNIAN RHAPSODY... AT THE MARGINS OF SCIENCE Režija / Director: Vesna Ljubić, 50 min, Bosnian 21.15 Novi tokovi kratki / New Currents Shorts 664

MOBITEL / CELL PHONE MOVIE Režija / Director: Nedžad Begović, 62 min, Bosnian 14.30 Panorama 761

HIMNE RUDARA / THE MINERS’ HYMNS Režija / Director: Bill Morrison, 52 min, No Dialogue

KORISTAN ŽIVOT / A USEFUL LIFE Režija / Director: Federico Veiroj, 67 min, Spanish 15.00 Takmičarski dokumentarni / Competition Documentaries 751 POLAZAK / OLD MOUNTAIN, Režija / Director: Goran Stanković, 18 min, Serbian

ŽIVOT, PRIKLJUČENIJA I ODRŽIVI RAZVOJ JEDNOG KOKOTA / TRIALS, TRIBULATIONS AND SUSTAINABLE GROWTH OF A COCK Režija / Director: Vladimir Perović, 20 min, No Dialogue

GDJE JE NESTALA RADNIČKA KLASA? / WHERE HAS THE WORKING CLASS GONE? Režija / Director: Maja Weiss, 55 min, Slovenian 16.45 Novi tokovi kratki / New Currents Shorts 762

NOVI TOKOVI KRATKI 2 / NEW CURRENTS SHORTS 2

18.00 TeenArena 752 KAPETAN AMERIKA: PRVI OSVETNIK / CAPTAIN AMERICA: THE FIRST AVENGER, Režija / Director: Joe Johnston, 127 min, English 19.15 Novi tokovi specijal / New Currents Special 773 IGRA / PLAY, Režija / Director: Ruben Östlund, 118 min, Swedish 20.30 Takmičarski dokumentarni / Competition Documentaries 753 RAZORUBIČENJE Režija / Director: Domagoj Matizović, 20 min, Croatian

BIO I PROŠAO / I ‘VE COME AND I’M GONE Režija / Director: Metin Akdemir, 14 min, Turkish

RATNI REPORTER / WAR REPORTER Režija / Director: Silvestar Kolbas, 60 min, Croatian 21.15 Novi tokovi / New Currents 764 DROLJA / THE SLUT, Režija / Director: Hagar Ben-Asher, 88 min, Hebrew 21.45 BiH Film 774

NEMOJ ME ZABORAVITI, ISTANBULE / DO NOT FORGET ME ISTANBUL, Režija / Director: Aida Begić, Stefan Arsenijević, Stergios Niziris,

Ljetno kino !hej / !hej Open Air Cinema 21.00 Open Air 610

Ljetno kino !hej / !hej Open Air Cinema 21.00 Panorama 710 MELANHOLIJA / MELANCHOLIA

Režija / Director: Joshua Marston, 108 min, Albanian

Režija / Director: Lars von Trier, 136 min, English

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 640

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 740 TIHE DUŠE / SILENT SOULS

Režija / Director: Bill Morrison, 52 min, No Dialogue

Režija / Director: Aleksei Fedorchenko, 75 min, Russian

KORISTAN ŽIVOT / A USEFUL LIFE

Laško Summer Nights 21.30 Laško Summer Nights

Režija / Director: Federico Veiroj, 67 min, Spanish

Laško Summer Nights 21.30 Laško Summer Nights

CHICO & RITA, Režija / Director: Tono Errando, Javier Mariscal, Fernando Trueba, 94 min, Spanish, English

THE UPSETTER, Režija / Director: Ethan Higbee, Adam Bhala Lough, 95

Dvorana Općine Novi Grad/ Novi Grad Municipal Hall 12.00 Dječiji program/ Children's Programme 780

min, English

Dvorana Općine Novi Grad/ Novi Grad Municipal Hall 12.00 Dječiji program/ Children's Programme 680 KROKODILI UZVRAĆAJU UDARAC / THE CROCODILES STRIKE BACK, Režija / Director: Christian Ditter, 90 min, German

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 690

Ljetno kino Vatrogasac / Open Air Cinema Vatrogasac 21.00 Panorama 840 BOLJI SVIJET / IN A BETTER WORLD

Eric Nazarian, Omar Shakrawi, Hany Abu-Assad, Josefina Markarian, 117 min, English, Arabic, Bosnian, Serbian, Greek, Turkish

HIMNE RUDARA / THE MINERS’ HYMNS

ČUVAR / THE GUARD Režija / Director: John Michael McDonagh, 96 min, English, Gaelic

Režija / Director: Susanne Bier, 113 min, Danish, Swedish, English

NOVI TOKOVI KRATKI 3 / NEW CURRENTS SHORTS 3 21.45 BiH Film 674 NEPRIJATELJ / ENEMY, Režija / Director: Dejan Zečević, 108 min, Serbian

KRV PRAŠTA / THE FORGIVENESS OF BLOOD

PRTLJAG / BAGGAGE Režija / Director: Danis Tanović,25 min, Bosnian Panorama

VELIKI MEDVJED / THE GREAT BEAR Režija / Director: Esben Toft Jacobsen, 73 min, Danish

Ljetno kino Novi Grad / Novi Grad Open Air Cinema 21.00 Open Air 790 KRV PRAŠTA / THE FORGIVENESS OF BLOOD Režija / Director: Joshua Marston, 108 min, Albanian

JANE EYRE, Režija / Director: Cary Joji Fukunaga, 120 min, English, French SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

47

Glavni Box Office Main Box Office SMS REZERVACIJA ULAZNICA

• SMS rezervacija ulaznica moguća je samo za korisnike ERONET-a; • SMS rezervacija ulaznica za filmove počinje u utorak, 12. jula u 14:00 sati i traje do petka, 29. jula 2011. do 11:00 sati; • Rezervacija ulaznica se obavlja slanjem SMS poruke koja sadrži KOD projekcije i broj ulaznica (npr: 010#2) na broj 063 888 05; • Jednom SMS porukom možete rezervirati najviše dvije ulaznice za projekcije otvaranja i zatvaranja Festivala, te najviše četiri ulaznice za sve ostale projekcije; • Cijena jedne SMS poruke iznosi 1.00KM+PDV; • Rezervirane ulaznice možete preuzeti u Glavnom Box Office-u, Bosanski kulturni centar, Branilaca Sarajeva 24, od subote 16. jula 2011. od 11:00 sati.

NAPOMENA: Rezervirane ulaznice možete preuzeti najkasnije jedan dan prije projekcije za koju ste rezervirali ulaznice do 12:00 sati.

RASPORED FILMOVA IZ LJETNOG KINA !hej NA DOHVAT RUKE - Usluga "SMS info"

• Korisnici ERONETA će biti u mogućnosti koristiti uslugu "SMS info" od 20.srpnja do 30.srpnja 2011.godine.

• Slanjem SMS poruke sadržaja „hej kino“ na broj 063 88860 korisnik dobija povratnu poruku sa sadržajem o narednom filmu koji će biti prikazan u Ljetnom kinu !hej za vrijeme trajanja Festivala.

• Cijena SMS poruke 0,20KM+PDV. PRODAJA ULAZNICA POČINJE 17. JULA 2011. GODINE

Prodaja pojedinačnih ulaznica za sve programe 17. Sarajevo Film Festivala počinje u nedjelju, 17. jula 2011. u 11:00 sati u Glavnom Box Office-u. Cijene ulaznica*: • Ljetno kino !hej: otvaranje i zatvaranje - 15.00 KM, ostale projekcije - 8.00 KM • Ljetno kino Vatrogasac: 6.00 KM • Kino Meeting Point: 5.00 KM i 6.00 KM

• Narodno pozorište: otvaranje - 15.00 KM, ostale projekcije - 5.00 KM i 8.00 KM • Dvorana Općine Novi Grad: 2.00 KM • Ljetno kino Novi Grad: 5.00 KM • Multipleks Cinema City: 4.00 KM, 5.00 KM i 6.00 KM • KSC Skenderija: 5,00 KM i 6,00 KM *PDV je uračunat u cijenu ulaznice Tokom Festivala (22.-30. jula 2011.),

ulaznice će se prodavati na slijedećim prodajnim mjestima: • Glavni Box Office, Bosanski kulturni centar, Branilaca Sarajeva 24 svaki dan od 9:00 do 22:15 sati (prije Festivala od 11:00 do 20:00 sati), • Meeting Point, Hamdije Kreševljakovića 13 svaki dan od 11:00 do 23:30 sati • Dvorana Općine Novi Grad, Bulevar Meše Selimovića 97 svaki dan od 11:00 do 12:00 sati • Multipleks Cinema City, Trg djece Sarajeva svaki dan od 11:00 do 21:45 sat • KSC Skenderija, dva sata prije početka projekcije.

SMS TICKET RESERVATIONS

• SMS ticket reservations are possible only for the users of ERONET; • SMS ticket reservations for the films start on Tuesday, July 12, at 2.00 p.m. and lasts until Friday July 29, 2011, at 11.00 a.m.; • The reservation is done through sending SMS containing the CODE of the screening and the number of tickets you want to reserve (ex:010#2) to the number 063 888 05; • With one SMS you can make reservation for two tickets at most for the screenings from the opening and closing of the Festival, and four tickets at most for the rest of the screenings; • Price of one SMS is 1.00KM +VAT; • You can pick up your reserved tickets in the Main Box Office, Bosnian Cultural Center, Branilaca Sarajeva 24, starting from Saturday July 16, 2011 at 11.00 a.m.

NOTE: You can pick up your reserved tickets latest a day before the screening you made the reservation for, until noon.

SCHEDULE OF THE FILMS FROM THE !hej OPEN AIR CINEMA AT YOUR FINGERTIPS – ‘’SMS info’’ Service

• Users of the ERONET will have the opportunity to use the ‘’SMS info’’ service from July 20, to July 30, 2011.

• Through sending the SMS containing ‘’hej kino’’ to the number 063 888 60 the user gets the return message containing the information about the film to be screened in the !hej Open Air Cinema next during the Festival.

• Price of the SMS is 0.20KM+VAT. TICKET SALE STARTS ON JULY 17, 2011

Selling of the single tickets for all the programmes of the 17th Sarajevo Film Festival starts on Sunday, July 17, 2001, at 11.00 a.m. in the Main Box Office. Ticket prices*: • !hej Open Air Cinema: opening and closing – 15,00 KM, the rest of screenings – 8,00 KM • Open Air Cinema Vatrogasac: 6,00 KM • Meeting Point Cinema: 5,00 KM and 6,00 KM • National Theatre: opening – 15,00 KM, the rest of screenings – 5,00 KM and 8,00 KM • Auditorium of the Municipality Novi Grad: 2,00 KM • Open Air Cinema Novi Grad: 5,00 KM • Multiplex Cinema City: 4,00 KM, 5,00 KM, and 6,00 KM • CSC Skenderija: 5,00 KM and 6,00 KM *VAT is included in the price of the ticket During the Festival (July 22-30, 2011), tickets will be sold at the following ticket services: • Main Box Office, Bosnian Cultural Center, Branilaca Sarajeva 24 every day from 9.00 a.m. to 10.15 p.m. (before the Festival from 11.00 a.m. to 10.00 p.m.), • Meeting Point, Hamdije Kreševljakovića 13 every day from 11.00 a.m. to 11.30 p.m., • Auditorium of the Municipality Novi Grad, Bulevar Meše Selimovića 97 every day from 11.00 a.m. to noon, • Multiplex Cinema City, Trg djece Sarajeva every day from 11.00 a.m. to 9.45 p.m.

• KSC Skenderija, two hours before the screening.

Bosanski kulturni centar, Branilaca Sarajeva 24, Informacije / For more information: boxoffice@sff.ba, www.sff.ba

48

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

BiH FILM SPECIJALNA PROJEKCIJA KRATKIH FILMOVA IVICE MATIĆ. / SPECIAL SCREENING OF SHORT FILMS BY IVICA MATIĆ: INTERVJU S LJUBAVNICOM, 1969, 7 min.

THEME 1, 1971, 7 min.

THEME 2, 1971, 7 min. ČISTILIŠTE, 1974, 9 min. ŽUTO-ZELENO, 1973, 7 min.

IGRANI FILMOVI / FEATURE FICTION FILMS 1395 Dana bez crvene / 1395 Day Without Red Šejla Kamerić, Anri Sala, 2011, 70 min..

Belvedere Ahmed Imamović, 2010, 90 min.

Ostavljeni / The Abandoned Adis Bakrač, 2010, 85 min.

KOPRODUKCIJSKI FILMOVI / CO-PRODUCTION FICTION FILMS

DOKUMENTARNI FILMOVI 2 / DOCUMENTARY FILMS 2

KRATKI I ANIMIRANI FILMOVI / SHORT AND ANIMATED FILMS

Edo Murtić u sarajevskoj Vijećnici 2008 / Edo Murtić in Sarajevo City Hall 2008 Miroslav Benković, 2010, 20 min.

Dobre duše / Good Souls Nedim Hrbat, 2010, 8 min.

Akumulator, Aleš Kurt, 2011, 26 min.

Anđeo Srebrenice / The Angel of Srebrenica Ado Avdulah Hasanović, 2010, 6 min.

Usud / Fate Marko Šipka, 2011, 19 min.

Bosanski Čaplin prelazi granicu / Bosnian Chaplin Crosses the Border Vanja Čelebić, 2011, 13 min.

Bila sam mala / I Was Just a Child Branko Lazić, 2010, 24 min.

Djeca Centra / Children of the Center Mirza Pašić, 2011, 29 min.

DOKUMENTARNI FILMOVI 3 / DOCUMENTARY FILMS 3 Let iznad minskog polja / One Flew Over the Mine Field Zdenko Jurij, 2010, 43min.

Bilo jednom u Anadoliji / Once Upon a Time in Anatolia Nuri Bilge Ceylan, Turkey / BiH, 2011, 157 min.

Stariji od vremena / Older Than the Time Dragan Komadina, 2011, 30 min.

Motel Nana Predrag Velinović, Serbia / BiH, 2010, 90 min.

Bez naslova / Untitled Boro Kontić, 2011, 54 min.

Neprijatelj / Enemy Dejan Zečević, Serbia / BiH / Macedonia, 2011, 108 min.

Koliko visoko je nebo / Beneath the Sky Ismet Lisica, 2010, 39 min.

DOKUMENTARNI FILMOVI 4 / DOCUMENTARY FILMS 4

OMNIBUS

DOKUMENTARNI FILMOVI 5/ DOCUMENTARY FILMS 5

Nemoj me zaboraviti, Istambule / Do Not Forget Me Istanbul Aida Begić (Bosnia-Herzegovina), Stefan Arsenijević (Serbia), Stergios Niziris (Greece), Eric Nazarian (USA), Omar Shakrawi (Palestine), Hany Abu-Assad (Palestine), Josefina Markarian (Greece), Turkey, 2011, 117 min.

Brzina života / Speed of Life Peter Ranalli, 2010, 53 min.

La meglio gioventuu di Mostar / Mostars Best of Youth Giusepe Valente, Amra Prutina, 2011, 61min.

DOKUMENTARNI FILMOVI / DOCUMENTARY FILMS

DOKUMENTARNI FILMOVI 6/ DOCUMENTARY FILMS 6

Mobitel / A Cellphone Movie Nedžad Begović, 2011, 62 min.

Moja izgubljena generacija / My Lost Generation Vladimir Tomić, 2010, 32 min.

Orkestar Pjer Žalica, 2011, 105 min.

Selo bez žena / Village Without Women Srđan Šarenac, 2010, 83 min.

DOKUMENTARNI FILMOVI 1 / DOCUMENTARY FILMS 1 Da li namjeravate da me lažete? / Do You Intend to Lie to Me? Mladen Miljanović, 2011, 14 min.

Autograf Šemsudin Gegić, 2011, 20 min. Šantićeva 88 Šemsudin Gegić, 2011, 26 min.

Tradicija ohridskih bisera / Tradition of Ohrid Pearls Ratko Orozović, 2010, 8 min.

Klošar ne može voziti motor / A Punk Can Not Ride a Bike Nusreta Džinić, 2010, 14 min.

Heroj našeg doba / A Hero for Our Time Šeki Radončić, 2011, 43 min.

DOKUMENTARNI FILMOVI 7/ DOCUMENTARY FILMS 7 Magnet Namik Kabil, 2011, 44 min.

Her Cinema Love Nejra Latić Hulusić, David-Jan Bronsgeest, 2011, 23 min.

DOKUMENTARNI FILMOVI 8/ DOCUMENTARY FILMS

Balkanski vitezovi / The Balkan Knights Nemanja Savanović, 2011, 29 min.

Die rollen der Vernesa B. Jons Vukorep, 2011, 12 min.

Jorgovan / Lilac, Aleta Rajič, 2011, 4 min.

Kako sam... / How I Did..., Vesko Kadić, 2011, 3 min.

Kiyamet, Ivan Ramadan, 2010, 9 min.

Mali borci / Little Fighters Ivana Lalović, 2010, 16 min.

STUDENTSKI FILMOVI 1 / STUDENT FILMS 1 Čovek za tebe / A Man for You Ivana Tomić, 2010, 11 min.

Treće poluvrijeme / The Third Half Time Igor Tešić, 2010, 21 min.

Ulična uspavanka / A Street Lullybye Denis Smajić, 2010, 11 min.

Nijansa sive / The Shade of Gray Danijel Pavlović, 2010, 9 min.

Fejs jedne porodice / One Family's Face Nemanja Ivanović, 2011, 28 min.

Porodični album / Family Photo-album Rijad Gvozden, 2011, 12 min.

STUDENTSKI FILMOVI 2 / STUDENT FILMS 2 11 KM, Saša Peševski, 2010, 7 min.

To je naše dijete / That’s our Child Elma Islamović, 2010, 15 min.

Ricochet, Emir Kapetanović, 2010, 24 min.

Liga Izuzetnih Džentlmena / Exceptional Gentlemen League Tarik Hodžić, 2010, 45 min.

STUDENTSKI FILMOVI 3 / STUDENT FILMS 3 Afrodizijak / Afordisiac, Luna Mijović, 2011, 6 min.

Da vam nacrtam, Emin Hajrić, 2011, 10 min.

Bosanska rapsodija / Bosnian Rapsody

Skarabeg / Escarabajo, Guillermo Vejar, 2011, 30 min.

Ljepotica i zvijer / Beauty and the Beast Ado Hasanović, 2011, 5 min.

Prijatelj / Friend, Amela Ćuhara, 2011, 8 min.

Stani, neću ti ništa, Nedim Karalić, 2011, 6 min.

Jedanaest / Eleven studenti SAE Film Instituta, 2010, 10 min.

Vesna Ljubić, 2011, 52 min.

Scenarij / Screenplay, Amila Terzimehić, 2011, 8 min.

Kako sam zapalio Simona Bolivara / The Fuse: Or How I Burned Simon Bolivar Igor Drljača, 2011, 9 min.

Jedan dan na Drini / Day on Drina Ines Tanović, 2011, 17 min.

Pun(a) / Loaded, Alen Drljević, 2011, 23 min.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

49

Auti 2 / Cars 2

Kralj lavova / Lion King

Krokodili uzvraćaju udarac / The Crocodiles Strike Back

Veliki medvjed / The Great Bear

Dječiji program Auti 2 / Cars 2 USA, 2011, DCP, Colour, 112 min, English Režija / Director: John Lasseter, Brad Lewis Scenarij / Screenplay: Ben Queen Uloge / Cast: Larry the Cable Guy, Owen Wilson, Michael Cane, Emiliy Mortimer, Eddie Izzard Glavna zvijezda utrke Lightning McQueen i njegov prijatelj Mater krenuli su preko mora da se natječu na vjetskoj Grand-Prix utrci. Ali putovanje postaje trnovito kada Mater biva umiješan u fantastičnu avanturu internacionalne špijunaže.

Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage.

Kralj lavova / Lion King USA, 2011, DCP, Colour, 89 min, English Režija / Director: Roger Allers, Rob Minkoff Scenarij / Screenplay: Irene Mecchi, Jonathan Roberts, Linda Woolverton Uloge / Cast: Matthew Broderick, Niketa Calame, Jim Cummings, James Earl Jones, Nathan Lane Nakon rođenja mladog princa lavova, njegov ujak Scar postaje drugi u redu za prijestolje. Scar se urotio sa hijenama da ubiju kralja Mufasu i princa Simbu, čime bi on postao kralj. Kralj je ubijen, a Simba je obmanut da je to njegova krivica, tako da napušta kraljevstvo u sramoti. Nakon godina progonstva, ubijeđen je da se treba vratiti kući, zbaciti Scara sa vlasti i preuzeti kraljevstvo dovršavajući ''Ciklus života''.

A young lion prince is born in Africa, thus making his uncle Scar the second in line to the throne. Scar plots with the hyenas to kill King Mufasa and Prince Simba, thus making himself King. The King is killed and Simba is led to believe by Scar that it

50

Children's Programme

was his fault, and so flees the kingdom in shame.

After years of exile he is persuaded to return home to overthrow the Scar and claim the kingdom as his own thus completing the "Circle of Life".

Krokodili uzvraćaju udarac / The Crocodiles Strike Back Germany, 2010, 35 mm, Colour, 90 min.

Režija / Director: Christian Ditter Scenarij / Screenplay: Neil Ennever, Christian Ditter Uloge / Cast: Nick Romeo Reimann, Fabian Halbig Ljetni raspust, prvi nježni momenti romanse i zabavni novi logor ekipe – život bi mogao biti savršen za Krokodile, da nije čudnih događaja u fabrici gdje Ollijevi i Marijini roditelji rade. U fabrici planiraju otkaze, što znači da bi im roditelji mogli izgubiti posao, čak i kuću. To bi značio kraj Krokodila: ako Ollie i Maria moraju seliti, ne bi više bilo mjesta u ekipi ni za Hannesa, Kaija, Jorga, Franka i Petera. Zato će, naravno, Krokodili učiniti sve što mogu da razriješe misteriozni niz nesreća u fabrici...

Summer vacation, the first tender stirrings of romance and cool new gang headquarters - life could be perfect for The Crocodiles, were there not strange goings-on in the plant where Ollie and Maria’s parents work. The factory is facing lay-offs and maybe even closure, meaning their parents may lose their jobs, even their home. That would spell the end of the Crocodiles: if Ollie and Maria have to move, there would be no gang left for Hannes, Kai, Jorgo, Frank and Peter, either! So of course the Crocodiles would do anything to get to the bottom of the mysterious series of accidents at the plant...

Mačak u Parizu / A Cat In Paris France, Netherlands, Switzerland, Belgium, 2010, 35 mm, Colour, 70 min.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Režija / Director: Jean-Loup Felicioli, Alain Gagnol Scenarij / Screenplay: Alain Gagnol, Jacques-Rémy Girerd Uloge / Cast: Dominique Blanc, Bruno Salomone, Jean Benguigui, Bernadette Lafont, Oriane Zani Dino je mačak koji vodi dupli život. Danju živi sa Zoe, malom djevojčicom čija je majka Jeannine policajka. Noću, Dino radi sa Nicom - provalnikom velikog srca. Zoe se zatvorila u sebe nakon smrti svog oca, ali ju je istraga dovela do gangstera Coste. Jednog dana Dino donosi Zoe veoma vrijednu narukvicu. Lucas je primijetio da je narukvica dio ukradenog plijena. Jedne noći, Zoe odluči da prati Dinu. Na putu čuje daje njen mačak član gangsterskog tima.

Dino is a cat that leads a double life. By day, he lives with Zoe, a little girl whose mother, Jeanne, is a police officer. By night, he works with Nico, a burglar with a big heart. Zoe has plunged herself into silence following her father's murder at the hands of gangster Costa. One day, Dino the cat brings Zoe a very valuable bracelet. Lucas, Jeannin's second-in command notices this bracelet is part of a jewelery collection that has been stolen. One night, Zoe decides to follow Dino. On the way, she discovers that her nanny is part of the gangsters' team.

Twigson Norway, 2009, 35 mm, Colour, 74 min.

Režija / Director: Åsleik Engmark Scenarij / Screenplay: Birgitte Bratseth Uloge / Cast: Adrian Gronnevik Smith, Petrus A. Christensen Porodica Lillebror se seli na selo i sa sobom nosi kauč, nekoliko pari najlonki i krojačku lutku. U novoj kući pod škripi i nema nikoga za igru.

Lillebroru pred noge pada grančica: Twigson.

Savršen je saputnik za šetnje kroz šumu, ali

Mačak u Parizu / A Cat In Paris

opasnost vreba u mahovini. Mravnjaci i vatra su stvari koje Twigson ne podnosi. I ako čuje riječ „djevojčice“, sav se„pogužva“. Kad princeza Malecka dojaše na konju Pegazu, Lillebror poželi da je upozna. Ali, kada tatine svijetle najlonske čarape postanu sablasne maske, sve stvarno ode kvragu.

Lillebror's family are moving, and they're taking the sofa, some pantyhose and the tailor's dummy. The floor gives off in the new house and there are no playmates in sight. But then a twig falls at Lillebror's feet: Twigson. He's the perfect companion for hikes through the forest, but there's danger in the moss.

Anthills and fire are things that Twigson can't stand.

And if he hears the word "girls" his lined countenance becomes deeply furrowed. When Princess Tiny rides

Twigson

over on her horse, Pegasus, Lillebror is ready to meet her. But when Papa's bright nylon stockings are made into ghostly masks, the fat is well and truly in the fire.

Veliki medvjed / The Great Bear Denmark, 2011, 35 mm, Colour, 73 min.

Režija / Director: Esben Toft Jacobsen Scenarij / Screenplay: Jannik Tai Mosholt, Esben Toft Jacobsen Uloge / Cast: Markus Rygaard, Alberte Blichfeldt Jonathan, jedanaestogodišnjak, obično provodi raspust sam sa djedom u kući na rubu šume u kojoj žive tajanstvene životinje. Ove godine sa njim je i njegova mlađa sestra Sophie. Ali nije cool čuvati mlađu sestru, pa on radi šta može da je

izbjegne. To mu polazi za rukom i više nego dobro: Sophie otima ogromni medvjed star hiljadu godina. Sada Jonathan mora duboko u šumu, da se suoči sa čudnim bićima koja tamo žive i da spasi sestru.

Jonathan, 11, usually spends his vacations alone with his grandfather who lives on the edge of a vast forest populated by mythical animals. This year his kid sister Sophie joins him. But it’s not cool to be stuck with a little sister, so he does what he can to avoid her. He succeeds entirely too well: Sophie is kidnapped by a giant, 1000-year-old bear. Now, Jonathan has to venture into the heart of the forest to confront the strange beings that dwell there and rescue his sister.

PORODIČNI DAN / FAMILY DAY Subota, 30.07.2011. Vilsonovo šetalište / Saturday, 30.07.2011, The Vilsonovo Promenade Orbico Porodični dan, tradicionalna cjelodnevna zabava namjenjena cijeloj porodici, koji se organizuje posljednjeg dana Sarajevo Film Festivala, ove godine će se održati u subotu 30. jula. Na radost naših brojnih sugrađana, i ove godine u saradnji sa Općinom Novo Sarajevo i partnerom kompanijom Orbico, u jedinstvenom ambijentu Vilsonovog šetališta smjenjivat će se različiti zabavni programi namijenjeni svim generacijama. Svi programi predviđaju i učešće posjetilaca. U omiljenom okupljalištu Sarajlija, Vilsonovom šetalištu, koje će za taj dan biti u potpunosti rezervirano za druženje, smjenjivat će se ulični performansi, interaktivne radionice za djecu, kreativno-edukativne radionice, različit muzički nastupi, brojna sportska takmičenja i performansi mladih umjetnika. Osim zabave, ovaj program pruža mogućnost cijeloj zajednici, sa posebnim naglaskom na organizacije koje se bave djecom i mladima, za vlastitu promociju i uključenje u razvoj mladih, te revitalizaciju kulutre.

Uz moto „Volim sport!“ Orbico Porodični dan našim najmlađim sugrađanima nastoji pružiti mogućnost upoznavanja, širenja ideja i druženje, te ih na

zabavan način uputiti u kulturu, sport i filmsku umjetnost. Cijeli dan posvećen je porodici, usmjeren na promoviranje njene vrijednosti, ali i vrijednosti sporta kao značajnog dijela savremenog života. Orbico Porodični dan animira sve posjetitelje i pruža priliku građanima da provedu cijeli dan van domova i uživaju u brojnim, pažljivo osmišljenim sadržajima. Orbico Porodični dan predstavlja najljepši način da ispratimo još jedan festival i da zajedno, uz igru, pjesmu i ples, poželimo dobrodošlicu narednom Sarajevo Film Festivalu.

Orbico Family Day, the all-day entertainment event for the whole family, organized now traditionally on the last day of the Sarajevo Film Festival, will be held on Saturday, 30 July 2011. To the joy of our fellow citizens, this event will include a very diverse array of entertaining activities aimed at all generations, and will be co-organized by the Novo Sarajevo Municipality and SFF’s partner, the Orbico Company, in the unique setting of the Vilsonovo Promenade.

The programme invites participation of all our visitors. A favourite gathering place of many Sarajevans, for this event the Vilsonovo promenade

will be reserved solely for entertainment, provided by an array of street artist, interactive children’s workshops, creative and educational workshops, different performances by young artist, musical performances, as well as many sporting competitions.

Along with entertainment, the day’s program will offer the entire community, and especially youth and children’s organizations, an opportunity to promote their own activities and thus join the efforts to include youth in social affairs and revitalize our cilture. Under the motto of “I love sport!”, Orbico Family Day will offer our youngest visitors the chance to meet, exchange ideas and spend time together, all the whille introducing them to the culture, sport and film art. The entire day will be dedicated to the family, to promoting its values, as well as the value of sport as one of the important components of life today. Orbico Family Day aims to entertain all its visitors and offer citizens the opportunity to spend an entire day outside their homes, enjoying numerous carefully planned activities. Orbico Family Day is the best way to say goodbye to another festival together and welcome the next Sarajevo Film Festival.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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TeenArena A mi po svom / Going Our Way

A mi po svom / Going Our Way

Kapetan Amerika: prvi osvetnik / Captain America: The First Avenger

Slovenia, 2010, 35 mm, Colour, 95 min.

Režija / Director: Miha Hočevar Scenarij / Screenplay: Miha Hočevar Uloge / Cast: Jurij Zrnec, Tadej Koren Šmid, Jure Kreft Tinejdžer Alex i njegovi prijatelji odlaze u ljetnji kamp pored rijeke. Vođa kampa je poprilično naporan – za njega je biti izviđač nešto previše ozbiljno, što uzrokuje sukob i dječaci bi se radije zabavljali, flertovali sa djevojkama iz susjednog kampa i plivali, nego učili izviđačke vještine i stalno se takmičili. Vođa kampa lukavo organizira takmičenje o kampovanju u divljini, gdje manje grupe izviđača provode noć u improviziranim šatorima. Naravno, Alex se javlja kao dobrovoljac.

Teenager Alex and his friends go to a summer camp by the river. The camp leader is quite annoying - he takes scouting much too seriously, which causes conflict, as the boys would rather have fun, try their luck with the girls from the neighboring camp, and swim, than learn scouting skills and constantly take part in all kinds of competitions. The camp leader makes a cunning move, organizing a camping in the wild competition, where small groups of scouts spend a night in improvised shelters. Naturally, Alex volunteers.

Amore 14

Amore 14

Griff Nevidljivi / Griff The Invisible

Italy , 2009, 35 mm, Colour, 95 min.

Režija / Director: Federico Moccia Scenarij / Screenplay: Federico Moccia, Chiara Barzini, Luca Infanscelli Uloge / Cast: Veronica Olivier, Beatrice Flammini Carolini je skoro 14 godina i jedinstvena je kao i sve djevojke njenih godina. To je period magičnih momenata, tu su i prijateljice sa kojima se dijele dani i snovi, a prvi poljupci se kradu u sjeni ulaznih vrata. AMORE 14 je putovanje kroz osjećanja, uzbuđenja prve ljubavi, boli iznenadne prevare, putovanje kroz ono što vas ostavlja ''bez teksta''. To je gubljenje onoga do koga vam je stalo i neočekivana gesta privlačnosti.

Carolina is almost 14 years old, she is unique like all the girls of her age. 14 is a magical moment, there are girlfriends to share days and dreams. There are first kisses stolen in the shadow of front doorway.

AMORE 14 is a journey through feelings, the excitement of first love, the pain of a sudden betrayal, the first, that leaves you speechless. It is losing someone you care for, it is an unexpected gesture of affection.

Griff Nevidljivi / Griff The Invisible

Izgubljen u Africi / Lost in Africa

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Australia, 2010, 35 mm, Colour, 90 min Režija / Director: Leon Ford Scenarij / Screenplay: Leon Ford Uloge / Cast: Ryan Kwanten, Maeve Dermody Griffu – koji danju radi u kancelariji, a po noći je superjunak – svijet se okrenuo naglavačke kad je upoznao Melody, prelijepu mladu naučnicu koja razumije njegovu strast za nemogućim. Po danu je Griff svakodnevni kancelarijski radnik u običnom gradu. Noću on mijenja identitet, luta

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

mračnim ulicama i štiti nejake i ranjive od opasnosti koja vreba iz sjene – pravi junak.

Griff - office worker by day, superhero by night - has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible. By day Griff is an everyday office worker, in an everyday town. By night Griff assumes his other identity, roaming the dark streets protecting the innocent and the vulnerable from the dangers that lurk in the shadows - a hero.

Izgubljen u Africi / Lost in Africa Denmark, 2010, 35 mm, Colour, 92 min Režija / Director: Vibeke Muasya Scenarij / Screenplay: Vibeke Muasya Uloge / Cast: Connie Nielsen, Lars Mikkelsen 12-godišnji Simon, usvojen u Danskoj putuje u Keniju, gdje je rođen. Nije previše zainteresiran za svoju matičnu zemlju i volio bi ostati u Danskoj da igra fudbal. Ali prvog dana, Simon se izgubi i završi u Kiberi, najvećem sirotinjskom kvartu u istočnoj Africi! Isprva nije u opasnosti, ali onda Simonova majka odlučuje obavijestiti medije i ponuditi nagradu onome ko ga pronađe.

Odjednom postaje priželjkivani trofej u jednoj od najsiromašnijih zemalja na svijetu, ali i uči da su mu novi prijatelji spremni pomoći i kad on najmanje očekuje...

12 year old adoptee Simon travels with his Danish mother to Kenya, where he was born. Simon isn't very interested in his native country and would have preferred to stay in Denmark to play soccer. But on the very first day,he gets lost and ends up in Kibera, the largest slum city in East Africa! At first, he's not in any real danger, but then Simon's mother decides to go to the media and offer a reward to whomever finds him… Suddenly, he is a coveted trophy in one of the poorest countries in the world, but Simon learns that his new friends are ready to help him where and when he least expects it…

Kapetan Amerika: prvi osvetnik / Captain America: The First Avenger USA, 2011, 35 mm, Colour, min, English Režija / Director: Joe Johnston Scenarij / Screenplay: Christopher Markus, Stephen McFeely Uloge / Cast: Chris Evans, Hugo Weaving, Natalie Dormer Steve Rogers dobrovoljno se prijavljuje da učestvuje u eksperimentalnom projektu koji ga pretvara u „super vojnika“ poznatog kao Kapetan Amerika.

Kao Kapetan Amerika, Rogers ujedinjuje snage sa Bucky Barnesom i Peggy Carter da se bore protiv zle organizacije HYDRA, koju vodi zlikovac Crvena Lobanja.

Steve Rogers volunteers to participate in an experimental program that turns him into the Super Soldier known as Captain America. As Captain America, Rogers joins forces with Bucky Barnes and Peggy Carter to wage war on the evil HYDRA organization, led by the villainous Red Skull.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Chico & Rita

Life In A Day

Laško Summer Nights Mama Africa

Chico & Rita

Mama Africa

Spain, United Kingdom, 2010, 35 mm, Colour, 94 min.

Režija / Director: Tono Errando, Javier Mariscal, Fernando Trueba Scenarij / Screenplay: Ignacio Martínez de Pisón, Fernando Trueba Uloge / Cast: Bebo Valdés, Idania Valdés, Estrella Morente, Freddy Cole, Jimmy Heath, Pedrito Martínez Kuba, 1948. Chico je mladi pijanista sa velikim snovima. Rita je prelijepa pevačica sa nevjerovatnim glasom. Ujedinjuju ih muzika i romantična želja, ali njihovo putovanje – u tradiciji latinske balade, bolera, donosi slomljena srca i bol.

Cuba, 1948. Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey – in the tradition of the Latin ballad, the bolero – brings heartache and torment.

Germany, South Africa, Finland, 2011, HD CAM (HDTV), Colour and B&W, 90 min.

Režija / Director: Mika Kaurismäki Scenarij / Screenplay: Mika Kaurismäki, Don Edkins Dokumentarni film o nevjerovatno talentiranoj i karizmatičnoj južnoafričkoj muzičkoj ikoni, pokojnoj Miriam Makeba, čija je snažna poruka protiv rasizma i siromaštva, odnosno poruka za jednakost i mir obišla svijet. MAMA AFRICA je omaž posvećen ovoj izvanrednoj i impresivnoj umjetnici koja predstavlja utjelovljenje glasa i nade Afrike.

A documentary about the late, incredibly talented and charismatic South African musical icon, Miriam Makeba, who traveled the world with her powerful voice speaking a message against racism and poverty and for equality and peace. MAMA AFRICA is homage to this extraordinary and impressive artist who incarnates the voice and the hope of Africa.

Life In A Day United Kingdom, 2010, HD CAM (HDTV), Colour, 95 min.

Režija / Director: Kevin Macdonald Koncept / Concept: Kevin Macdonald 31. juli 2010. godine je bio krajnji rok za projekat kojeg je engleska producentska kompanija Ridleyja Scotta inicirala zajedno sa YouTube.com.

Od aplikanata je traženo da snime dan u svom životu i da postave rezultat na internet – korisnici iz 197 zemalja su odgovorili, postavivši oko 80 000 kratkih filmova. Na ovaj način, LIFE IN A DAY je postao ogroman globalni projekat koji je spajao isječke iz života iz svih krajeva svijeta na ovaj poseban dan, 24. juli 2010.

The 31 July, 2010 was the deadline for a project which Ridley Scott's English production company had jointly initiated with YouTube.com. Applicants were asked to document a day in their lives and to post their results on the web - users from 197 countries responded, posting a total of around 80,000 short films. In this way LIFE IN A DAY became a gigantic global project bringing together excerpts from life around the globe on this particular day - 24 July, 2010.

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Scene iz predgrađa / Scenes From The Suburbs USA, 2011, Beta Sp, Colour, 28 min.

Režija / Director: Spike Jonze Scenarij / Screenplay: Will Butler, Win Butler, Spike Jonze Uloge / Cast: Justin Arnold, Sienna Blau, Sam Dillon, Zoe Graham, Shannon Honeybloom, Zeke Jarmon, Paul Pluymen, Ashlin Williamson „Kad bih se mogao sjetiti svakog sitnog momenta. Ali ne mogu. Zašto se sjećam samo onih momenata kojih se sjećam. Pitam se šta se dešava sa ostalima“. Grupa omladine iz predgrađa. Nekad davno, u ljeto. Nisu mogli napustiti grad jer je zemlja bila u ratu i vojska je kontrolirala život i sve prilaze. Ovi tinejdžeri lutaju besciljno gradom.

Zima još nije ni blizu. I ljubav i čežnja i prijateljstvo – i dalje znače sve.

“I wish I could remember every little moment. But I can’t. Why do I only remember the moments that I do. I wonder what happens to the others.” A group of suburban youths. Back then, in the summer, so long ago. They couldn’t leave town because outside the country was at war and the military controlled life

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

and all gateways. The teenagers wander aimlessly about town. Winter is a long way off. And love and longing and friendship still mean – everything.

Soundtrack za revoluciju / Soundtrack for a Revolution USA, 2009, DVD, Colour and B&W, 82 min.

Režija / Director: Bill Guttentag, Dan Sturman Scenarij / Screenplay: Bill Guttentag, Dan Sturman SOUNDTRACK ZA REVOLUCIJU je priča o američkom pokretu za građanska prava kroz njegovu moćnu muziku – pjesme o slobodi koje su demonstranti pjevali dok su mahali transparentima, na masovnim okupljanjima, u policijskim „maricama“, i u zatvorskim ćelijama dok su se borili za pravdu i jednakost.

SOUNDTRACK FOR A REVOLUTION tells the story of the American civil rights movement through its powerful music -the freedom songs protesters sang on picket lines, in mass meetings, in paddy wagons, and in jail cells as they fought for justice and equality.

The Upsetter: the Life and Music of Lee Scratch Perry USA, 2008, HD CAM (HDTV), Colour, 95 min.

Režija / Director: Ethan Higbee, Adam Bhala Lough Scenarij / Screenplay: Ethan Higbee, Adam Bhala Lough Legendarni jamajčanski muzičar Lee „Scratch“ Perry je odavno prevazišao granice svog originalnog žanra – reggaea i postao utjecajna figura koja inspiriše modernu kulturu na mnogim nivoima. Ovaj film prati Perryja od njegovih početaka kroz retrospektivu njegove karijere: bio je mentor mladom Bobu Marleyju, definirao je zvuk modernog reggaea, i utemeljio je sporiju i mračniju verziju tog žanra poznatog kao „dub“.

Legendary Jamaican musician Lee “Scratch” Perry long since stepped over the boundaries of his original genre (reggae) and became an influential figure inspiring contemporary culture on many levels. The film traces Perry from his young days through to the peak of his career: he was a mentor to young Bob Marley, he defined the sound of modern reggae, and he pioneered a slow and darker version of the genre known as dub.

When You're Strange

The Upsetter: the Life and Music of Lee Scratch Perry

Soundtrack za revoluciju / Soundtrack for a Revolution

Scene iz predgrađa / Scenes From The Suburbs

When You're Strange USA, 2009, 35 mm, Colour and B&W, 86 min.

Režija / Director: Tom DiCillo Scenarij / Screenplay: Tom DiCillo Uloge / Cast: Johnny Depp (narrator) Ovaj film otkriva intimnu perspektivu kreativne hemije između bubnjara Johna Densmora, gitariste Robbya Kriegera, klavijaturiste Raya Manzareka i pjevača Jima Morrisona – četvorice brilijantnih umjetnika koji su učinili da „The

Doors“ postanu jedan od najlegendarnijih i utjecajnih rock bendova. Koristeći materijal snimljen između 1965. godine, kad je bend formiran, i 1971. godine, kad je Morrison umro, WHEN YOU'RE STRANGE prati bend od hodnika filmske škole na UCLA, gdje su se Manzarek i Morrison upoznali, do bina rasprodatih koncerata.

The film reveals an intimate perspective on the creative chemistry between drummer John

Densmore, guitarist Robby Krieger, keyboardist Ray Manzarek and singer Jim Morrison - four brilliant artists who made The Doors one of America's most iconic and influential rock bands.

Using footage shot between the band's 1965 formation and Morrison's 1971 death, WHEN YOU'RE STRANGE follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Leptir ljubavi / Papillon d'amour

San / Schlaf

Lauberhorn utrke ljeti / Lauberhornrennen Im Sommer

Vikend / Weekend

All shorts CARTE BLANCHE: CLERMONT-FERRAND Diane Wellington France, 2010, DigiBeta, Colour, 16 min Režija / Director: Arnaud des Pallieres Scenarij / Screenplay: Arnaud des Pallieres Diane Wellington je nestala u Južnoj Dakoti 1938. Godine, kad joj je bilo 15 godina. Upravo su je pronašli.

Diane Wellington disappeared in South Dakota in 1938 at the age of 15. She has just been found.

Dječija igra / Child Play France, Columbia, 2010, DigiBeta, Colour, 18 min Režija / Director: Jacques Toulemonde Vidal Scenarij / Screenplay: Franco Lolli, Jacques Toulemonde Vidal Uloge / Cast: Sergio Carvajal, Amel Restrepo, Henry Moises Gonzales Pablo je tinejdžer iz bogate familije iz Bogote.

Njega maltretira malo stariji dječak Leo, koji živi u radničkom naselju u komšiluku. Da bi spasio život, Pablo dovodi Lea u kuću svog najboljeg prijatelja Federica, gdje njih trojica otkrivaju da imaju iste ukuse, želje i probleme.

Pablo is a teenager from a wealthy Bogota family.

He is harassed by a slightly older boy, Leo, from a lower-class neighborhood. To save his life, Pablo brings Leo to his best friend Federico's house, where the three discover that they share the same tastes, desires and problems.

Loša noć za blues / Bad Night For The Blues United Kingdom, 2010, DigiBeta, Colour, 15 min, Režija / Director: Chris Shepherd

Vjeruj / Believe

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Scenarij / Screenplay: Chris Shepherd Uloge / Cast: Kieran Lynn, Jean Boht Na tebe je red da izvedeš svoju tetkicu u grad – hoćeš li zbrisati ili stisnuti petlju?

It's your turn to take your Aunty out - should you do a runner or bite the bullet?

Šećer / Sugar Netherlands , 2010, DigiBeta, Colour, 7 min Režija / Director: Jeroen Annokkeé Scenarij / Screenplay: Dennis van de Ven, Jeroen Annokkeé Uloge / Cast: Marije Uittenhout, Bert Hana Bertova oskudno obučena komšinica Klaasje dolazi do njega da posudi šolju šećera. Kada ispusti šolju iz ruke, oboje je pokušavaju uhvatiti.

Glave im se sudaraju i Klaasje pada niz stepenice.

Bert's scantily dressed neighbour, Klaasje, comes by to borrow a cup of sugar. When she lets the cup slip from her hands, they both try to catch it. Their heads bang together and Klaasje falls downstairs.

Štimer klavira / The Piano Tuner France, 2010, DigiBeta, Colour, 13 min Režija / Director: Olivier Treiner Scenarij / Screenplay: Olivier Treiner Uloge / Cast: Daniele Lebrun, Gregory Gadebois Adrien je dječak virtuoz na klaviru. Sada radi kao klavirštimer. Pretvara se da je slijep kako bi ušao u intimnost svojih klijenata. Pošto vidi stvari koje ne bi trebao, Adrien na kraju postaje svjedok ubistva.

Adrien is a young piano prodigy. He now works as a piano tuner. He pretends to be blind in order to

Moja majka uči film / My Mother Learns Cinema

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Glineni golub / Clay Pigeon

infiltrate his clients' intimacy. Since he sees things he should not, Adrien ends up witnessing a murder.

To sam ja, Helmut / It's Me, Helmut Germany, Switzerland, 2009, Beta Sp, Colour, 11 min Režija / Director: Nicolas Steiner Scenarij / Screenplay: Nicolas Steiner, Stefanie Ren Uloge / Cast: Suly Roethlisberger, Mathias Zelic U švicarskim Alpama Helmut slavi svoj 60. rođendan na dan kad ustvari puni 57. godinu života (supruga je pogrešno sračunala). Kako se ljušti fasada malograđanštine, stari prijatelji navraćaju da ga pozdrave.

In the Swiss Alps, Helmut celebrates his 60th birthday on the day he is actually turning 57 (his wife miscalculated). As a facade of petit-bourgeois domesticity peels away, old friends drop by to say hello.

Veliki prasak – velika eksplozija / Big Bang Big Boom Italy, 2010, Beta Sp, Colour, 9 min, no dialogue Režija / Director: Blu Scenarij / Screenplay: Blu Kratka nenaučna priča o evoluciji i njenim mogućim posljedicama.

A short unscientific story about evolution and its possible consequences.

Yuri Lennon slijeće na Alpha 46 / Yuri Lennon's Landing On Alpha 46

Veliki prasak – velika eksplozija / Big Bang Big Boom

To sam ja, Helmut / It's Me, Helmut

Dječija igra / Child Play

Štimer klavira / The Piano Tuner

CARTE BLANCHE: KURZFILMTAGE WINTERTHUR Glineni golub / Clay Pigeon Czech Republic, 2005, Betacam SP, Colour, 7 min.

Režija / Director: Miloš Tomić Scenarij / Screenplay: Miloš Tomić Uloge / Cast: Marija Đorđević, Miloš Tomić Ljubavna igra postaje ozbiljna priča, koja nažalost okončava romansu.

A lovers’ game turns into a serious story, which sadly brings the romance to an end.

Lauberhorn utrke ljeti / Lauberhornrennen Im Sommer Switzerland, 2006, DigiBeta, Colour, 6 min.

Režija / Director: Daniel Zimmermann Scenarij / Screenplay: Daniel Zimmermann Snježna staza Lauberhorn, najduža staza za spust na svijetu, zatvorena je do ljeta. 10.000 drvenih dasaka su zaslužne za savršenu liniju, koju svi žarko žele ostvariti, ali nikada ne uspijevaju zimi.

The Lauberhorn ski race, the world’s longest downhill ski race, has been postponed until summer. The 10,000 wooden slats give their account of the perfect line, which is highly sought after but never achieved in winter.

Leptir ljubavi / Papillon d'amour Belgium, 2003, Beta Sp, Colour, 4 min Režija / Director: Nicolas Provost Scenarij / Screenplay: Nicolas Provost Dijelovi Kurosawinog RASHOMONA su podvrgnuti efektu ogledala i na taj način postaju bestjelesne figure, stalno se stapajući jedna u drugu i razdvajajući se jedna od druge. Metafora za nemogućnost ljubavi.

Fragments from Kurosawa's RASHOMON are subjected to a mirror effect, thus creating ethereal figures, constantly remelting into each other and slipping away again. A metaphor for the impossibility of love.

Šećer / Sugar

Moja majka uči film / My Mother Learns Cinema Turkey, 2007, Beta Sp, Colour, 4 min.

Režija / Director: Nesimi Yetik Scenarij / Screenplay: Dudu Yetik, Nesimi Yetik Uloge / Cast: Dudu Yetik, Nesimi Yetik Kako će mladi turski reditelj objasniti svojoj majci važnost velikih imena u filmskoj historiji? Nije loša ideja da se u prvim časovima uči izgovaranje njihovih imena. Ne zadugo, ispostavlja se da je majka ta koja je pravi filmofil, u ovom filmu iz tri čina.

How can a young Turkish director bring home to his mother the significance of the great names in cinema history? It is not a bad idea to start by teaching her how to pronounce their names. Before long, however, it is his mother who turns out to be the real film buff in this three-act film.

San / Schlaf Switzerland, 2010, 35 mm, Colour, 4 min.

Režija / Director: Claudius Gentinetta, Frank Braun Scenarij / Screenplay: Claudius Gentinetta Kino nije nikad vidjelo takvo prekrasno hrkanje.

Gentinetta i Braum nas izbliza dovode do konačnog sna i pjevaju gromoglasnu uspavanku za nagluhe partnere u krevetu.

Cinema has never witnessed such a beautiful snore.

Gentinetta and Braun take us full breath ahead into the final sleep and sing a thundering lullaby for noise-afflicted bed-partners.

Vikend / Weekend Switzerland, 2008, DV CAM, Colour, 17 min.

Režija / Director: Thomas Galler Scenarij / Screenplay: Thomas Galler Front izgleda kao ljetni kamp: Thomas Galler je sastavio uznemirujuću videoinstalaciju od snimaka opuštanja američkih vojnika u Iraku i Afganistanu.

The front as a summer camp: Thomas Galler has

Loša noć za blues / Bad Night For The Blues

Diane Wellington

put together an unsettling video installation from the leisure time footage of American soldiers in Iraq and Afghanistan.

Vjeruj / Believe United Kingdom, 2009, HD CAM (HDTV), Colour, 20 min.

Režija / Director: Paul Wright Scenarij / Screenplay: Paul Wright Uloge / Cast: Michael Smiley, Paul Thomas Hickey VJERUJ je priča o Lewisu, čovjeku koji je odnedavno postao udovac nakon smrti svoje žene Janice.

Kako nije u stanju da prihvati njenu smrt i stvarnost bez nje, njegovo ponašanje postaje naglo utučeno i ekscentrično. BELIEVE obuhvata očajno putovanje besmrtne ljubavi, suprostavljeno ljepoti izoliranih planinskih predjela.

BELIEVE is the story of Lewis, a man recently widowed following the death of his wife Janice.

Unable to accept her death and the reality of life without her, his behaviour becomes increasingly distressed and eccentric. BELIEVE captures a desperate journey of undying love, played out against beautifully isolated highland landscapes.

Yuri Lennon slijeće na Alpha 46 / Yuri Lennon's Landing On Alpha 46 Switzerland, Germany , 2009, 35 mm, Colour, 15 min.

Režija / Director: Anthony Vouardoux Scenarij / Screenplay: Anthony Vouardoux, Daniel Young Uloge / Cast: Marc Hosemann Nakon slijetanja na Jupiterov mjesec Alpha 46, Yuri Lennon se suočava sa neobičnim problemom, paradoksom koji preispituje njegovo cijelo postojanje.

After landing on the Jupiter moon Alpha 46, Yuri Lennon is confronted with an extraordinary problem, a paradox that questions his entire existence.

Vukovi / The Wolves SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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All shorts

Jessi

Tiha rijeka / Silent River

Mala djeca, velike riječi / Little Children, Big Words

Nagrada evropske filmske akademije - kratki film - nominacije 2011-izbor European Film Academy Award - short - nominees 2011 - selection Jessi Germany, 2010, DigiBeta, Colour, 30 min, German Režija / Director: Mariejosephin Schneider Scenarij / Screenplay: Mariejosephin Schneider Uloge / Cast: Luzie Ahrens, Sophie Rogall, Jasmin Rischar, Michaela Hinnenthal, Anja Stöhr, Pit Bukowski Jednaestogodišnja Jessi živi kod porodice koja ju je usvojila, a njena majka je u zatvoru. Njena žudnja za identitetom je vraća u selo gdje je odrasla, gdje otkriva da bi se njena potraga trebala nastaviti izvan okvira njenog starog života.

11-year-old Jessi lives with a foster family, her mother is in prison. Her longing for identity takes her back to the village she grew up in, where she discovers that her search will have to continue beyond the confines of her old life

Mala djeca, velike riječi / Little Children, Big Words Sweden, 2010, DigiBeta, Colour, 12 min.

Režija / Director: Lisa James-Larsson Scenarij / Screenplay: Lisa James-Larsson Uloge / Cast: Axel Andersson, Polly Kisch

Kad je došao red na Alexa da kaže svojim sedmogodišnjim drugovima iz razreda šta želi postati kada odraste, počinje neugodna diskusija o značenju nepoznate, ali intenzivne riječi.

When it's Alex's turn to tell his seven year old class mates what he wants to be when he grows up an uncomfortable discussion begins about the meaning of an unknown but loaded word.

Tiha rijeka / Silent River Romania, Germany, 2011, DigiBeta, Colour, 30 min.

Režija / Director: Anca Miruna Lazarescu Scenarij / Screenplay: Anca Miruna Lăzărescu Uloge / Cast: Cuzin Toma, Andi Vasluianu Rumunija, 1986. godine. Gregor i Vali žele da pobjegnu. Oboje trebaju jedno drugo, ali nijedno ne vjeruje drugom. Jedne noći Gregor potvrđuje svoje sumnje. Na kraju samo nada preostaje.

Romania, 1986: Gregor and Vali want to get away.

Both need each other, yet there is mutual distrust.

One night Gregor finds his doubts confirmed. In the end only hope is left.

Vukovi / The Wolves Italy, Netherlands, 2011, HDV, Colour, 17 min Režija / Director: Alberto De Michele Scenarij / Screenplay: Alberto De Michele Vukovi je grupa lopova starosti od 40 do 70 godina sa sjevera Italije. Jedino vrijeme kada kradu je kada naiđe gusta magla od koje se ništa ne vidi, uključujući i njih same. Pljačkaju kuće, banke, draguljarnice, kamione – sve od čega mogu zaraditi. Ovaj videouradak je urađen u saradnji sa samim Vukovima i umjetnikovim ocem.

The Wolves, are a group of 40- to 70-year old thieves from the north of Italy. The only time they steal is when there's a dense fog that makes everything invisible, including them. They rob houses, banks, jewelers, trucks - anything they can profit from. The video I Lupi was made in collaboration with the Wolves themselves and the artist's father.

OPERACIJA KINO / OPERATION KINO Bicikl / Bicycle

Hromoni / Chromones

Turkey, 2010, 17 min.

Režija / Director: I. Serhat Karaslan Scenarij / Screenplay: Chaz Fatu, I. Serhat Karaslan Uloge / Cast: Musa Karagöz, Baran Saglam, Alaattin Taskiran, Mehmet Ünal Dječak, njegov otac, pronađeno blago (bicikl) i putovanje Dobra i Zla. Pratite ih kroz Tursku Trećeg svijeta: svaki njihov dan je dan preživljavanja.

A child, his Father, a treasure found (bicycle) and the journey of right and wrong. Follow them through the 3rd World Turkey, as everyday is another day of survival for them.

Bulgaria, 2011, 3 min.

Režija / Directors: Ina Nikolova, Rayna Atanasova Scenarij / Screenplay: Ina Nikolova, Rayna Atanasova Uloge / Cast: Vladislav Iliev, Kalina Filkova Svako ima svoja pravila i granice. Nekad su oni posebne vrste. Oni ograničavaju lični svijet. Oni ga čine udobnim i sigurnim za život. Zato što fiksiramo svoja očekivanja prema njima. Ali, neočekivano je to što stvarno mijenja naše živote.

Prema tome?

Everyone has his own rules and borders. Sometimes peculiar ones. They bind the edges of a personal world. They make it comfortable and safe for living.

Hromoni / Chromones

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Bicikl / Bicycle

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Because we fix our expectations upon them. But unexpected is what actually changes our lives. So?

Misli / Thoughts Romania, 2011, B&W, DVD, 2 min.

Režija / Director: Iulia Colban, Felicia Simion, Radu Stidea Scenarij / Screenplay: Iulia Colban, Felicia Simon, Radu Stidea Uloge / Cast: Andreea Stidea Zatočen u košmaru ljuskih misli, Pierrot skida svoju masku.

Trapped in the nightmare of human thought, Pierrot removes his mask.

Misli / Thoughts

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1395 dana bez crvene / 1395 Days Without Red

Pogled / The Look

Specijalne projekcije Special screenings 1395 dana bez crvene / 1395 Days Without Red United Kingdom, Bosnia and Herzegovina, 2011, DCP, Colour, 63 min.

Režija / Director: Šejla Kamerić Scenarij / Screenplay: Šejla Kamerić Uloge / Cast: Maribel Verdu and citizens of Sarajevo and Sarajevo Philharmonic Orchestra Jedna žena korača praznim gradom. Na svakom raskršću zastaje. Hoće li čekati ili trčati? Grad je Sarajevo, i put kojim ide je poznat kao Aleja snajpera, kojom su stanovnici Sarajeva prolazili 1395 dana, od 1992. do 1995. godine, za vrijeme njegove opsade. Ta žena, koju igra španska glumica Maribet Verdu, ponovo proživljava iskustvo opsadne traume. To je njeno samostalno putovanje kroz kolektivno pamćenje grada. 1395 DANA BEZ CRVENE je zajednički projekat kojeg su zamislili, razvili i snimili Šejla Kamerić i Anri Sala. Plod tog projekta su dva filma. Sarajevo Film Festival će prikazati Šejlin film.

A woman makes her way through an empty city. At every crossing she stops. Should she wait or should she run? Should she wait or take the risk on her own?

The city is Sarajevo, and the route the woman takes became known as Sniper Alley during the siege of the city endured by its citizens for 1395 days between 1992 and 1996. The woman, played by Spanish actress Maribel Verdu, is reliving the experience of the trauma of the siege. It is her individual journey through the collective memory of the city. 1395 DAYS WITHOUT RED was conceived, developed and filmed as a collaborative film project by Šejla Kamerić and Anri Sala. The project has given life to two different films.

Sarajevo Film Film Festival will screen Sejla's film.

Green Ground Girls France, 2010, DigiBeta, Colour, 52 min, Arabic Režija / Director: Julien Dubois, Fodil Chabbi Scenarij / Screenplay: Fodil Chabbi Klub Emir Abdel Kader u Alžiru je izuzetak među ultamuževnim klubovima u svijetu fudbala. To je ženski klub koji se protivi tabuima i ograničenjima patrijarhalnog alžirskog društva.

To je jedinstveno mjesto gdje se žene iz svih sfera života sastaju, igraju i napinju da pobijede u onome što Alžir uskraćuje ženama: autonomiji, profesionalnom napretku i prihvatanju ženskog tijela. One su prve koje iskoračuju iz tamne i nasilne historije modernog Alžira, ulijevajući nadu u srca budućih generacija.

The Emir Abdel Kader club in Algiers is an exception in the ultra masculine world of soccer. It is a women's soccer club that defies the taboos and the constraints of the patriarchal Algerian society. It is a unique place where women from all walks of life meet, play and fight together to conquer what Algeria refuses to women: autonomy, professional achievement, and the acceptance of the woman's body. They are pioneers stepping out of the dark recent and violent history of Algeria, shedding light to the heart of the future generations.

Ljubav prema knjigama – priča o Sarajevu / The Love Of Books - A Sarajevo Story United Kingdom, 2011, HD CAM (HDTV), Colour, 75 min.

Režija / Director: Sam Hobkinson Scenarij / Screenplay: Sam Hobkinson Uloge / Cast: Sead Pandur, Ravijojla Jovančić-Lešić

Ljubav prema knjigama – priča o Sarajevu / The Love Of Books - A Sarajevo Story

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Neki drugi dan / Some Other Day

U ratu ljudska bića nisu jedine žrtve. Kad su snage srpskih nacionalista opkolile Sarajevo u Bosni, uništili su bitne institucije kulture u pokušaju da izbrišu prošlost te zemlje. Pogođen je muzej, zatim Orijentalni institut, a zatim Vijećnica. Samo je jedna biblioteka preostala.

Ovo je priča o kulturi i historiji pod vatrom.

In times of war, human beings are not the only casualties. When Serbian nationalist forces laid siege to Sarajevo in Bosnia, they destroyed great institutions of culture in an attempt to wipe out a country’s past. The museum was hit, then the Oriental Institute and then the National Library.

Only one library remained. This is a story of culture and history under fire.

Neki drugi dan / Some Other Day Bosnia and Herzegovina, 2011, Beta Sp, Colour, 38 min.

Autor / Author: Emir Čengić Film NEKI DRUGI DAN prati dvije nesigurne godine života Emira Čizmića na relaciji između Sarajeva i Njemačke, dok posjećuje kliniku koja koristi najmodernije metode za liječenje njegove neizlječive bolesti. U ovom filmu nema sretnog svršetka, jer na kraju glavni junak umire od raka debelog crijeva. Počivao u miru!

The film SOME OTHER DAY follows two uncertain years of Emir Čizmić's life, on the road of hope from Sarajevo to Germany and visiting the clinic, which applies contemporary methods in treating his incurable disease. This film does not have a happy ending because the hero dies in the end from colon cancer. May he rest in peace!

Pina

Obala / The Shore Northern Ireland, 2011, HD CAM (HDTV), Colour, 29 min.

Režija / Director: Terry George Scenarij / Screenplay: Terry George Uloge / Cast: Ciarán Hinds, Conleth Hill, Kerry Condon OBALA je nadahnjujuća priča o dvojici najboljih prijatelja iz djetinjstva – Joeu (Ciarán Hinds) i Paddyju (Conleth Hill) – koje je rastavio nesporazum dug 25 godina. Njihov svijet i njihovo prijateljstvo je uništio narastajući sukob u Sjevernoj Irskoj, pa dječaci idu u veoma različitim pravcima, dok se Joe, po prvi put nakon 25 godina, ne vrati u domovinu, sa 24-godišnjom kćerkom, Patricijom. Paddy se u međuvremenu oženio Joeovom bivšom vjerenicom Mary. Šta se dešavalo svih tih godina? Mogu li se stare rane zacijeliti? Odgovor je jednako presmiješan i dirljiv.

THE SHORE is the inspiring story of two boyhood best friends - Joe (Ciarán Hinds) and Paddy (Conleth Hill) - divided by 25 years of misunderstanding.

Their world and their friendship is shattered by the conflict escalating in Northern Ireland, the two boys’ lives take very different paths until, 25 years later, Joe returns for the first time to his homeland with his 24-year-old daughter, Patricia. In his absence Paddy, his best friend, has married Joe’s former fiancée Mary. What happened all those years ago? Can old wounds be healed? The answer is in equal parts hilarious and moving.

Pina Germany, France, 2011, DCP, Colour and B&W, 106 min.

Režija / Director: Wim Wenders Scenarij / Screenplay: Wim Wenders PINA je film za Pinu Bausch. Sniman u 3D produkciji sa plesnim ansamblom Wuppertal Pina Bausch, ovaj dugometražni film o plesu oslikava

Pogrešni začini / Irregular seasoning

Obala / The Shore

uzbudljivu i neponovljivu umjetnost ove velike njemačke koreografkinje, koja je umrla u ljeto 2009. godine. Pozivajući gledatelje na senzualno, vizualno zapanjujuće putovanje u jednu novu dimenziju, ravno na pozornicu legendarnog ansambla, film prati plesače izvan pozorišta, u grad i okolinu industrijskog Wuppertala, mjesta koje je preko 35 godina bilo dom i središte kreativnog života Pine Bauscha.

PINA is a film for Pina Bausch. Shot in 3D with the ensemble of the Tanz - theater Wuppertal Pina Bausch, this feature-length dance film portrays the exhilarating and inimitable art of this great German choreographer who died in the summer of 2009.

Inviting the viewer on a sensual, visually stunning journey of discovery into a new dimension right onto the stage of the legendary ensemble, the film also accompanies the dancers beyond the theatre, into the city and the surrounding industrial landscape of Wuppertal - the place that was the home and centre of Pina Bausch’s creative life for more than 35 years.

Pogrešni začini / Irregular seasoning France, 2011, 16 mm, Colour, 30 min.

Režija / Director: Adrian Beau Scenarij / Screenplay: Adrien Beau Uloge / Cast: Mélodie Richard, Coline Veith, Erwan Ribard POGREŠNI ZAČINI je slobodna adaptacija života francuske markize od Brinvilliera (1630-1676).

Dok se pripremala da počini samoubistvo mišomorom, markiza se odlučila da ga isproba na svojim slugama. Nakon što je otkrila strast za trovanjem, koju ona smatra umjetnošću, ona ubija supruga, kćerku i ljude iz njenog kružoka, i tako pravi životno remek-djelo, nakon čega je spaljuju na lomači.

IRREGULAR SEASONING is a free adaptation of the French Marquise de Brinvilliers' life (1630-1676).

About to commit suicide by using rat poison, the Marquise decides to test the poison on her servants.

Discovering a passion for poisoning, which she considers as an art, she terminates her husband, her daughter and people of her circle, thus achieving the masterpiece of a lifetime before being burned at the stake.

Pogled / The Look Germany, France, 2011, 35 mm, Colour, 94 min.

Režija / Director: Angelina Maccarone Scenarij / Screenplay: Angelina Maccarone Uloge / Cast: Charlotte Rampling, Peter Lindbergh, Paul Auster, Juergen Teller Rušiteljka tabua, i ikona avangarde - obuhvatiti personu Rampling je filmska avantura koja se može ostvariti ako je reditelj hrabar kao što je ona bila u svojoj karijeri. Glumila je u bezbroj filmova i pozirala na fotografijama kao „objekat požude“, POGLED je osvrt na njenu perspektivu, vidimo svijet njenim očima. Daleko izvan anegdotske trivijalnosti i linearne biografije, Rampling neustrašivo proniče u glavna životna pitanja uz svoje kolege, srodne duše, Petera Lindbergha i Paula Austera.

Breaker of taboos, icon avant-gardist - to capture the persona Rampling is a cinematic adventure that can only succeed by being as brave as she has been throughout her career. Staged in countless films and photographs as the classic "object of desire", THE LOOK takes on her perspective, we see the world through her eyes.

Far beyond anecdotic trivia or linear biography Rampling fearlessly fathoms the major questions of life with companions, soul mates such as Peter Lindbergh and Paul Auster.

Green Ground Girls SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Festivalska terasa Festival Terrace Najdinamičnije mjesto festivalskih dešavanja pruža zanimljiv program, svakog dana od 22. do 30. jula.

11.00-12.00; 15.00-16.00 Kafa sa...

Sarajevo Film Festival predstavlja program Kafa sa... u okviru kojeg se svakog dana publici i medijima u otvorenom intervjuu predstavljaju najeminentniji gosti Festivala. Riječ je o jednom od najposjećenijih programa, na Terasi u samom srcu festivalskih dešavanja.

13.00 Konferencije za novinare Takmičarskog programa – igrani film Više informacija o dnevnim dešavanjima na Festivalskoj terasi možete pronaći na www.sff.ba i u Festivalskom biltenu.

The most vibrant place of the Festival's activities offering a dynamic programmes every day from 22 to 30 July.

11.00-12.00; 15.00-16.00 Coffee With...

Sarajevo Film Festival presents its Coffee With... programme as the highlight of our vibrant Festival Square, where each day our guests and the public can attend open interviews with some of the Festival's prominent guests, right in the heart of the Festival activities.

13.00 Press Conferences of Competition Programme – Feature Film For more information on daily Terrace events check www.sff.ba and our Daily.

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SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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SARAJEVO FILM FESTIVAL & GLORIA

Svi žele Srce Sarajeva Everybody wan 1

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Snimili: Petar Jurica (3), i Mario Kučera (1)

Ovo je moj prvi govor za moju prvu nagradu za moj prvi film - nije silazio osmijeh s lica srpskog redatelja Nikole Ležaića, čije je debitantsko djelo "Tilva Roš" osvojilo prošle godine Srce Sarajeva za najbolji film, dok je glavni glumac Marko Todorović osvojio nagradu za najboljeg glumca. Najboljom glumicom proglašena je, pak, Rumunjka Mirela Oprisor za film "Utorak, nakon Božića". Iz Sarajeva se s nagradom vratio i hrvatski redatelj Zvonimir Jurić, dobitnik Srca Sarajeva za kratki film "Žuti mjesec", kao i Robert Zuber, dobitnik Nagrade za ljudska prava za svoj dokumentarac"Mila traži Senidu" 64

SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

Engleski This is my first speech for my first award for my first film - said Serbian director Nikola Ležaić with a wide smile. Last year his debut, "Tilva Roš", won the award Heart of Sarajevo for the best film, while the star of his film Marko Todorović won the award for the best actor. The award for the best actress was given to Roumanian Mirela Oprisor for her role in film "Tuesday, After Christmas".

Croatian director Zvonimir Jurić won the Heart of Sarajevo for a short film "Yellow Moon", and Robert Zuber won the Human Rights Award for his documentary "Mila traži Senidu".

ants Heart of Sarajevo Iz Sarajeva se svi vraćaju s dobrim uspomenama, ali samo odabrani kući odnose prestižnu festivalsku nagradu

Everybody is returning from Sarajevo with good memories, but only a select few will bring home the prestigious festival prize

Slavljenici: Nikola Ležaić i Marko Todorović (1), Jasmila Žbanić i Dieter Kosslick, koji je dobio Srce Sarajeva za doprinos razvoju Festivala (2), te Robert Zuber, dobitnik Nagrade za ljudska prava za dokumentarac 'Mila traži Senidu' (3) Winners: Nikola Ležaić and Marko Todorović (1), Jasmila Žbanić and Dieter Kosslick, who got Heart Of Sarajevo for his contribution to the development of the Festival (2) and Robert Zuber, winner of the Human Rights Award, for his documentary 'Mila Is Looking For Senida' (3) SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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SARAJEVSKI FILMSKI SUSRETI 2010.

| SARAJEVO FILM FESTIVAL 2010

Uspomene s festivala Memories from Festival Sarajevo se ne propušta: dobri filmovi, svjetske zvijezde, neočekivani koncerti, lude zabave i neodoljiva hrana, dovoljan su razlog za dolazak 1

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Sarajevo is not to be missed: good films, biggest stars, unannounced concerts, wild parties and irresistible food are more than good reasons to attend it

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Francuski redatelj Bruno Dumont (4). Pjevački nastup novinara i redatelja Roberta Zubera uz grupu Methodus (5). Autogram na portret: redatelj Jasmin Duraković (6).

Poslovna žena i humanitarka: Sanela Diana Jenkins (7).

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Snimili: Petar Jurica (6) i Mario Kučera (1)

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World premiere of the film Cirkus Columbia: director Danis Tanović and stars Miki Manojlović, Mira Furlan, Jelena Stupljanin and others (1). Concert: star singer Severina (2).

Fashion designer Agnes B (3). French director Bruno Dumont (4). Journalist and director Robert Zuber singing with the band Methodus (5). Autographing his portrait: director Jasmin Duraković (6). Business woman and humanitarian: Sanela Diana Jenkins (7). Musician Saša Lošić without his band Plavi orkestar (8) SARAJEVO FILM FESTIVAL / 22-30/07/2011 / www.sff.ba

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Nevolje s haljinom: glumica Mira Furlan (1).

Obiteljski izlet u Sarajevo: redatelj Juan Jose Campanella i supruga Cecilia Monti s djecom (2). Gosti iz Engleske: Ewen Bremner i Gemma Jones (3). Sevdah za goste: redateljica Jasmila Žbanić i pjevačica Amira Medunjanin (4).

Festivalski žiri natjecateljskog programa na crvenom tepihu: turska glumica Saadet Isil Aksoy, hrvatski glumac Leon Lučev, rumunjski redatelj Cristi Puiu, američka producentica Christine Vachon i američka redateljica Rachel Rosen (5). Televizijski urednik Goran Milić i supruga Ana (6). Glumačka zvijezda Enis Bešlagić i supruga Sabina (7). Na festivalskom trgu: glumci Zijah Sokolović i Nada Durevska, zvijezde filma 'Jasmina' (8) 68

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8 Trouble with the dress: actress Mira Furlan (1). Family trip to Sarajevo: director Juan Jose Campanella and his wife Cecilia Monti with children (2). Guests from England: Ewen Bremner and Gemma Jones (3). Sevdah for the guests: director Jasmila Žbanić and singer Amira Medunjanin (4). Festival jury of the competition program on red carpet: Turkish actress Saadet Isil Aksoy, Croatian actor Leon Lučev, Roumanian director Cristi Puiu, American producer Christine Vachon and American director Rachel Rosen (5). TV editor Goran Milić and his wife Ana (6). Star actor Enis Bešlagić and his wife Sabina (7). In festival square: actors Zijah Sokolović and Nada Durevska, stars of the film 'Jasmina' (8)

Snimili: Petar Jurica (4) i Mario Kučera (4)

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Foto Sipa/JLP

INTERVIEW: CHARLOTTE RAMPLING

Među ovogodišnjim festivalskim gostima bit će i 65-godišnja glumica Charlotte Rampling, koja će u Sarajevu predstaviti svoj novi film „Melankolija“ u režiji Larsa Von Triera, ali i proglasiti dobitnika nagrade Zaklade Katrin Cartlidge, čija je ovogodišnja kustosica. Što vam je gluma donijela u životu?

- Gluma me učinila hrabrijom. Nisam baš odvažna, čak bih rekla da sam dosta bojažljiva, pa mi je uvijek trebao dodatni poticaj da pobijedim svoj strah. Taj poticaj sam pronašla u glumi i zbog toga sam uvijek birala zahtjevne uloge. Što me je lik više plašio, to mi je bio privlačniji.

Jeste li racionalna osoba ili se prepuštate osjećajima?

- Vrlo sam kontradiktorna, i u sekundi mijenjam raspoloženja. U privatnom životu to mi je problem jer katkad se ne mogu kontrolirati, ali za moju glumačku vještinu to je veliki plus. Ne moram se pred kamerom pretvarati da sam

netko drugi, već osjećam tu osobu, postajem ona... Što biste savjetovali mladim glumcima?

- Prvo bih ih pitala zašto uopće žele biti glumci. Najvažnije je da sami znaju što žele i da u ovaj posao ulaze zbog ljubavi prema glumi. Nikakav savjet im ne mogu dati jer sve ovisi o njihovoj osobnosti, strasti i odlučnosti da žrtvuju gotovo sve u životu ako žele uspjeti.

Mogu im jedino govoriti o svojim iskustvima, ako ih to uopće zanima.

Zašto su glumački počeci tako teški?

- Zato što mladi glumci moraju biti spremni na godine torture i omalovažavanja. Pod torturom ne mislim na fizičko iživljavanje, već stres i nesigurnost koji dolaze kad vam na desetak audicija zaredom kažu da niste dovoljno dobri.

Katkad godinama morate prihvaćati male uloge, s možda jednom ili dvjema rečenicama u filmu, sve dok ne dobijete pravu priliku. A mnogi odustanu i prije nego što dočekaju tu šansu.

U dvostrukoj ulozi In a dual role Britanska glumica u Sarajevu promovira film 'Melankolija' Larsa Von Triera i proglašava dobitnika nagrade koju daje zaklada Katrin Cartlidge

British actress will promote a film 'Melancholia', directed by Lars Von Trier, and announce the winner of the award given by Foundation Katrin Cartlidge

Razgovarao Josip Jurčić / Interviewed by Josip Jurčić Among this year’s festival guests is the actress Charlotte Rampling (65). She will promote her new film “Melancholia”, directed by Lars Von Trier, as well as announce the winner of the award given by Foundation Katrin Cartlidge, of which she is a curator this year.

What did acting bring into your life?

- Acting made me braver. I am not particularly brave, I would even say I am rather timid, so I needed an extra boost to defeat that fear. I have found that incentive in acting and that is why I have always chosen difficult roles. The more I have been frightened by some character, the more it would be attractive to me.

Are you a rational person or do you tend to behave more emotionally?

- I am very contradictory person and I can change my behavior in a second. It could be a problem in private life, as it is difficult to control my behavior, but it is a big plus to my acting skill. I do not have to pretend to be someone else in front of the camera, because I can feel it and become that person.

What is your advice to young actors?

- I would first ask them why do they want to be actors. The most important is to know what they want and to go into this because they love it. I can not give them any other advice, because it all depends on their personality, passion and determination to sacri-

fice almost everything in life if they want to succeed. I can only tell them about my experiences if they are interested in them.

Why is it so difficult for an actor at the beginning of his or her career?

- Young actors must be prepared to suffer years of torture and undervaluing. By torture, I do not mean physical suffering, but the stress and uncertainty that they will feel after being told that they are not good enough on ten consecutive auditions. Sometimes you must accept small roles, with only one or two lines, which can go on for several years, until you get your big chance.

And many give up acting before they got that chance.

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GLORIA & TALENT CAMPUS 2010

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Mladi i perspektivni Young and perspective 2 Mladi filmaši iz regije na tjednom programu radionica i seminara Sarajevo Talent Campusa, od starijih i iskusnijih kolega uče se razvijanju timskog rada u razvoju, financiranju, produkciji i distribuciji filmskih projekata. Program je pokrenut 2007. u suradnji s Talent Campusom Berlinalea, a prijaviti se mogu redatelji, glumci, scenaristi i producenti mlađi od 35 godina.

Izložba portreta prošlogodišnjih polaznika Talent Campusa, fotografa Marija Kučere, postavljena je u Glorijinom paviljonu na festivalskom trgu.

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Izložba u Glorijinom paviljonu: glumac Leon Lučev na SFF-u bio je i predavač na radionicama Talent Campusa (1). Jelena Stupljanin pozirala je fotografima 'Glorije' (2). Programski menedžeri Talent Campusa Sarajeva i Berlinalea: Asja Makarević i Matthijs Wouter Knol (3).

Polaznici Talent Campusa Petra Kurtela i Marko Cindrić (4). Dieter Kosslick, direktor Berlinalea, Mirsad Purivatra i Dubravka Tomeković Aralica, urednica izdanja Gloria grupe (5). Glumac Zoran Pribičević (6). Dieter Kosslick pred objektivom Marija Kučere (7) Exhibition in Gloria pavilion: actor Leon Lučev was a lecturer on Talent Campus (1). Jelena Stupljanin posed for Gloria photographers (2). Program managers of Talent Campus Sarajevo and Berlinale: Asja Makarević i Matthijs Wouter Knol (3).

Participants of Talent Campus Petra Kurtela and Marko Cindrić (4). Dieter Kosslick, director of Berlinale, Mirsad Purivatra and Dubravka Tomeković Aralica, editor in chief of the Gloria group publications (5). Actor Zoran Pribičević (6). Mario Kučera photographing Dieter Kosslick (7)

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Young filmmakers from the region will learn from their older and more experienced collegues during the weekly program of workshops and seminars of Sarajevo Talent Campus. They will be taught to develop team skills in preparing, financing, producing and distributing their film projects. Program was founded in 2007. in cooperation with Berlinale Talent Campus. It is open to directors, script writers and producers under the age of 35. Portraits of the last years participants, photographed by Mario KuÄ?era, are exhibited in Gloria pavilion in the festival square.

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Snimili: Petar Jurica (5) i Mario KuÄ?era (2)

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MORGAN FREEMAN: SARAJEVO & DUBROVNIK

Počasni gost Guest of Honor Američki oskarovac i zvijezda filma 'Invictus' osvojio je publiku maestralnom glumom, jednostavnošću i srdačnošću na svakom koraku

Oscar winning American actor, star of the film 'Invictus', charmed the public with magnificent acting, simplicity and by being cordial all the time 2

Izlazak na filmsku projekciju na dubrovačkom Stradunu u pratnji redateljice Michele Ohayon (1). Ispijanje vode na česmi Sebilj na Baščaršiji (2). Mirsad Purivatra, Michele Ohayon, Morgan Freeman i Elma Tataragić (3). Šetnja gradom u pratnji domaćina (4)

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On the red carpet in Stradun with director Michele Ohayon (1). Drinking water from the Sebilj fountain in Baščaršija (2). Mirsad Purivatra, Michele Ohayon, Morgan Freeman and Elma Tataragić (3). Strolling through the city accompanied by the host (4)

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Snimili: Petar Jurica (3), Mario Kučera (1) i Zoran Marinović (1)

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MORGAN FREEMAN: SARAJEVO & DUBROVNIK

1 Nakon završetka Sarajevo Film Festivala Morgan Freeman, zvijezda filma 'Invictus' dobio je ovacije i dubrovačke publike na projekcijama pod zvjezdanim nebom na terasi hotela 'Palace' te na glavnoj gradskoj ulici Stradun.

Glumac je bio gost Dubrovačkih filmskih susreta u organizaciji hotelske grupacije Adriatic Luxury, te uživao u ekskluzivnom smještaju u vili Agava, izletu jahtom na obližnji otok Šipan, te u specijalitetima dalmatinske kuhinje.

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3 After Sarajevo Film Festival, Morgan Freeman, star of the film 'Invictus', was greeted by ovations by the public in Dubrovnik, during the projection under starry sky on the terrace of the hotel Palace and in Stradun, the main street in Dubrovnik. The actor has been a guest of Dubrovnik Film Meetings, organized by hotel group Adriatic Luxury, and he enjoyed his stay in the luxury villa Agava, as well as a yacht cruise to near by island Šipan and the specialties of the Dalmatian cuisine.

Snimili: Petar Jurica (2), Zoran Marinović (1) i Dubravka Tomeković Aralica (1)

Voditeljica Barbara Kolar i Morgan Freeman na terasi hotela 'Palace' (1) Ukrcavanje na jahtu Adriatic Luxury Hotela (2) Domaćin Goran Štrok darovao mu je kip Svetog Vlaha, zaštitnika grada (3) Ručak na Šipanu: Michele Ohayon, Morgan Freeman, Leon Lučev i Elma Tataragić (4) Presenter Barbara Kolar and Morgan Freeman on the terrace of the hotel Palace (1). Getting aboard the yacht of the Adriatic Luxury Hotels (2). Host Goran Štrok gave the actor a statue of Saint Vlaho, patron saint of the city (3).

Lunch on Šipan: Michele Ohayon, Morgan Freeman, Leon Lučev and Elma Tataragić (4)

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