26thSFF Journal

JOURNAL

programme guide / vodiÄ? kroz program / 26. Sarajevo Film Festival

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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Sadržaj Content 7 Žiri / Jury / Nagrade / Award 8 Počasno Srce Sarajeva: / Honorary Heart of Sarajevo: Michel Franco 9 Počasno Srce Sarajeva: / Honorary Heart of Sarajevo: Mads Mikkelsen 10 Takmičarski program – igrani film / Competition Programme – Feature Film 14 Takmičarski program – dokumentarni film / Competition Programme – Documentary Film

18 Takmičarski program – kratki film / Competition Programme – Short Film 20 Takmičarski program – studentski film / Competition Programme – Student Film 22 U fokusu / In Focus 24 Pretpremijere Serije / Avantpremiere Series 26 Open Air 28 Kinoscope 32 Shorts 36 Summer Screen 38 Posvećeno / Tribute To Michel Franco 40 Sučavanje s prošlošću / Dealing with the Past 43 Dan ljudskih prava / Human Rights Day 45 Dječiji program / Children's Programme 47 TeenArena 49 Sarajevo Film Festival Partner Presents 50 BiH Film 56 Story Hall of Fame 2019. 58 Story presenting Talents Sarajevo 2019 60 Izložba Talents - otvorenje 2019.

IMPRESSUM: Izdavač / Publisher: Adria Media Zagreb d.o.o., Zagreb, Oreškovićeva 6H/I; Za izdavača / For Publisher: Nebojša Rosić, Predsjednik Uprave/Chairman of the Board, Ivana Krajinović, Članica Uprave/ Member of the Board, Blanka Šimundža Anušić, Voditeljica custom publishing odjela/ Head of custom publishing department; Za / For Sarajevo Film Festival: Mirsad Purivatra; Izvršna urednica / Executive editor: Andrijana Copf; Dokumentacija / Documentation: Bakir Milić, Lana Krstić, Asja Krsmanović, Adisa Smajić; Prevod / Translation: Sabina Nikšić; Lektura / Proofreading: Jasna Kovo; Grafičko oblikovanje i DTP / Graphic design and DTP: BOOM! Produkcija Osnivač i organizator ovog kulturnog projekta je / The project was founded and is being implemented by Udruženje OBALA ART CENTAR SARAJEVO, Hamdije Kreševljakovića 13, Sarajevo, BiH, ID 4200212410008.

STORY Glavna urednica /Editor in chief: Zrinka Ferina; Urednice / Editors: Danijela Petrov, Martina Rafaeli; Strateška suradnica/ Strategic Associate: Dubravka Tomeković Aralica; Art Director: Mario Celinščak; Grafički urednici / Graphic Designers: Mario Celinščak, Tomislav Vranić, Žarko Ostojić; Štampa/ Prints: Radin Print d.o.o., Gospodarska 9, 10431, Sveta Nedelja; Tiraž / Print run: 10.000; Uvoznik za BiH / Importer for BiH: Ipress d.o.o., BiH, Široki Brijeg, Fra D. Mandića bb.

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ondemand.sff.ba #SFFonline 2020

Prati SFF online od 14. do 21. augusta Preko 180 filmova iz svih festivalskih programa

Tune in to SFF online from the 14th to the 21st of August Over 180 films from all Festival programmes

5 ekskluzivnih intervjua 5 exclusive career interviews sa zvijezdama festivala with festivals star guests 10 panel diskusija na temu savremene kinematografije

10 panel discussions on the state of contemporary cinema

Informacije o ulaznicama pronađi na web stranici Sarajevo Film Festivala!

Find the ticket information on Sarajevo Film Festival’s website! #26thSFF / www.sff.ba SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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Pošalji nam svoj inspirativni

Argeta movie snack.

SVI SMO MI IZ ISTOG FILMA

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Žiri Jury

Nagrade Awards

ŽIRI TAKMIČARSKOG PROGRAMA – IGRANI FILM / COMPETITION PROGRAMME JURY – FEATURE FILM

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Predsjednik žirija / President of the Jury:

POČASNO SRCE SARAJEVA

HONORARY HEART OF SARAJEVO AWARD

Michel Hazanavicius

Reditelj, scenarist, Francuska / Director, Writer, France

Nagrada se dodjeljuje u znak priznanja za izuzetan doprinos filmskoj umjetnosti

Given in recognition of an exceptional contribution to the art of film.

Carlo Chatrian

Takmičarski program – igrani film

Competition Programme – Feature Film

Umjetnički direktor Međunarodnog filmskog festivala u Berlinu, Njemačka / Artistic Director of the Berlin International Film Festival, Germany

Jadranka Đokić

Glumica, Hrvatska / Actress, Croatia

Srdan Golubović

Redatelj, Srbija / Director, Serbia

Andrea Stavenhagen

Rukovoditeljica Industry odjela i edukacije Morelia Film Festivala, Meksiko / Head of industry and training projects of the of the Morelia Film Festival, Mexico

ŽIRI TAKMIČARSKOG PROGRAMA – DOKUMENTARNI FILM / COMPETITION PROGRAMME JURY – DOCUMENTARY FILM Lejla Dedić Producentica, Programski odjel, Al Jazeera Balkans, BiH / Producer, Programme Department, Al Jazeera Balkans, BiH

Goran Dević

Reditelj, Hrvatska / Director, Croatia

Tue Steen Müller

Konsultant i kritičar za dokumentarne filmove, Danska / Documentary Consultant and Critic, Denmark

SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM

HEART OF SARAJEVO FOR THE BEST FEATURE FILM

SRCE SARAJEVA ZA NAJBOLJEG REDITELJA / REDITELJICU

HEART OF SARAJEVO FOR THE BEST DIRECTOR

Novčanu nagradu, u iznosu od 16.000 €, sufinansira Turistička zajednica Kantona Sarajevo

Novčanu nagradu, u iznosu od 10.000 €, obezbjeđuje Agnes B.

SRCE SARAJEVA ZA NAJBOLJU GLUMICU Novčana nagrada, u iznosu od 2.500 €

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA Novčana nagrada, u iznosu od 2.500 €

Award in the amount of €16,000, co-sponsored by the Tourism Association of Canton Sarajevo.

Award in the amount of 10,000 €, sponsored by Agnes B.

HEART OF SARAJEVO FOR THE BEST ACTRESS Award in the amount of 2,500 €

HEART OF SARAJEVO FOR THE BEST ACTOR Award in the amount of 2,500 €

Competition Programme – Documentary Film

Takmičarski program – dokumentarni film

SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM

Novčanu nagradu, u iznosu od 3.000 €, obezbjeđuje Vlada Švicarske

NAGRADA ZA LJUDSKA PRAVA

HEART OF SARAJEVO FOR THE BEST DOCUMENTARY FILM

Award in the amount of 3,000 €, sponsored by Government of Switzerland

HUMAN RIGHTS AWARD

Best film of the Competition Programme Documentary Film dealing with the subject of human rights. Award in the amount of €3,000, sponsored by the Kingdom of the Netherlands.

ŽIRI TAKMIČARSKOG PROGRAMA – KRATKI FILM / COMPETITION PROGRAMME JURY – SHORT FILM Stefan Đorđević

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa – dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € obezbjeđuje Kraljevina Nizozemske.

Reditelj, Srbija / Director, Serbia

SPECIJALNA NAGRADA ŽIRIJA

Award in the amount of 2,500 €

Thanasis Neofotistos

Novčana nagrada u iznosu od 2.500 €

Competition Programme – Short Film

Reditelj, Grčka / Director, Greece

Ines Tanović

Rediteljica, scenaristica, producentica, BiH / Director, Screenwriter, Producer, BiH

ŽIRI TAKMIČARSKOG PROGRAMA – STUDENTSKI FILM / COMPETITION PROGRAMME JURY – STUDENT FILM Anđelija Andrić Koordinatorica za međunarodne odnose u Filmskom centru Srbija, Srbija / International Relations Coordinator at Film Center Serbia, Serbia

Georges Goldenstern

Generalni direktor, Cinéfondation, Francuska / General Manager, Cinéfondation, France

Lana Matić

Producentica, Hrvatska / Producer, Croatia

AUDENTIA AWARD ŽIRI / JURY Aida Begić Rediteljica, BiH / Director, BiH

Iris Zappe-Heller

Zamjenica direktora, Voditeljica odjela za rodnu jednakost i raznolikost, Austrija / Deputy Director, Head of the Gender- and Diversity Department, Austria

Marco Müller

Umjetnički direktor Međunarodnog filmskog festivala „Pingyao Crouching Tiger Hidden Dragon”, Italija/Kina / Artistic Director, Pingyao Crouching Tiger Hidden Dragon International Film Festival, Italy/China

ŽIRI ZA EVROPSKI KRATKI FILM / EUROPEAN SHORT FILM JURY Aleta Rajič, Animatorica, BiH / Animator, BiH Amila Ramović, Kustosica, BiH / Curator, BiH Andrei Tănăsescu, Programer, Rumunija / Progammer, Romania CICAE ŽIRI / CICAE JURY Éva Demeter, Koordinatorica za međunarodne odnose, kino TISZApART

Mozi, Mađarska / International relations coordinator at TISZApART, Mozi, Hungary Piotr Szczyszyk, Programer i stručnjak za filmsku edukaciju, PAŁACOWE CINEMA, ZAMEK CULTURE CENTRE, Poljska / Programmer and film education specialist of the PAŁACOWE CINEMA in ZAMEK CULTURE CENTRE, Poland

Anika Danielle Wagner, Programerka i kreativna direktorica kina Traumstern, Njemačka / Programmer and creative head of Traumstern Kino, Germany

CINEUROPA ŽIRI / CINEUROPA JURY Marta Bałaga

Filmska kiritičarka, Poljska/Finska / Film critic, Poland/Finland

Boban Jevtić

Kreativni direktor, Firefly, Srbija / Creative director, Firefly, Serbia

Takmičarski program – kratki film

SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM

kvalifikacioni film za prijavu za nagradu Oscar® Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Podravka

Takmičarski program – studentski film

SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM Novčana nagrada u iznosu od 1.000 € obezbjeđuje Vijeće za regionalnu saradnju.

SPECIAL JURY AWARD

HEART OF SARAJEVO FOR THE BEST SHORT FILM

Academy Award® qualifying Award in the amount of 2,500 €, sponsored by Podravka.

Competition Programme – Student Film

HEART OF SARAJEVO FOR THE BEST STUDENT FILM Award in the amount of 1,000 € sponsored by Regional Cooperation Council.

NAGRADA PUBLIKE BH TELECOM

AUDIENCE AWARD BH TELECOM

PARTNERSKE NAGRADE NAGRADA AUDENTIA 2020

PARTNERS' AWARDS

SARAJEVSKA NOMINACIJA KRATKOG FILMA ZA KANDIDATURU ZA EVROPSKU FILMSKU NAGRADU 2020.

SARAJEVO SHORT FILM NOMINEE FOR CANDIDACY FOR THE EUROPEAN FILM AWARDS 2020

Nagrada se dodjeljuje redateljici dugometražnog filma iz jednog od programa ovogodišnjeg Sarajevo Film Festivala, kao podrška za njezin sljedeći film.

Novčanu nagradu, u iznosu od 30.000 €, obezbjeđuje EURIMAGES

Pobjednik ulazi u konkurenciju za kandidaturu za nominaciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

EDN TALENT GRANT

EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumentarističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

CICAE NAGRADA

Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa igrani film. Nagrađeni film će dobiti posebnu podršku CICAE kada je u pitanju pomoć kod distribucije, prikazivanja filma i dopiranja do publike, putem mreže od 3.000 kina.

CINEUROPA NAGRADA

Nagradu dodjeljuje Cineuropa portal posvećen europskoj kinematografiji i njenim stvaraocima i to filmu koji, osim što nesporno posjeduje umjetničke kvalitete, također promovira ideje europskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.

AUDENTIA AWARD 2020

The award will be given to the female director of a feature film from one of this year’s Sarajevo Film Festival programmes, as a support for her future film.

Award in the amount of 30,000 €, sponsored by EURIMAGES

The winner receives a nomination candidacy for the European Film Academy (EFA) Best Film Award.

EDN TALENT GRANT

EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE AWARD

The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme - Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

CINEUROPA PRIZE

The prize is awarded by the Cineuropa portal, the site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €.

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Počasno Srce Sarajeva Michelu Francu Honorary Heart of Sarajevo: Michel Franco Meksički režiser, scenarista i producent Michel Franco dobitnik je nagrade Počasno Srce Sarajeva 26.

Sarajevo Film Festivala. Nagrada se dodjeljuje jednom od najznačajnijih nezavisnih filmskih stvaralaca, autoru upečatljivog i prepoznatljivog filmskog jezika za njegov izvanredan doprinos filmskoj umjetnosti, kao i za podršku Sarajevo Film Festivalu. Francu će se također odati priznanje retrospektivom njegovih djela u festivalskom programu Posvećeno. Tokom festivala Franco će održati Masterclass koji će festivalska publika biti u prilici pogledati online, na platformi ondemand.sff.ba The Mexican director, writer and producer Michel Franco is the recipient of the Honorary Heart of Sarajevo Award of the 26th Sarajevo Film Festival. In recognition of his outstanding contribution to cinematic art as well as for his support of the Sarajevo Film Festival, the Honorary Heart of Sarajevo Award is given to one of highest-profile independent filmmakers, author with impressive and recognizable artistic language.

Franco will also be honoured with a retrospective of his works in the Festival’s Tribute to Programme. At this edition of the festival Franco will hold a Masterclass that the festival public will be able to watch online, via ondemand.sff.ba.

Michel Franco rođen je u Mexico Cityju 1979. Kratke filmove počeo je snimati po završetku medijskih studija, a njegov kratki film CUANDO SEA GRANDE, snimljen za potrebe antikorupcijske kampanje, prikazivao se u 500 kinodvorana širom Meksika 2001. S filmom ENTRE DOS osvojio je Grand Prix Filmskog festivala u Huesci 2003, kao i nagradu za najbolji kratki film na Filmskom festivalu u Dresdenu.

Njegov prvi dugometražni film DANIEL I ANA uvršten je u program Quinzaine des Réalisateurs Filmskog festivala u Cannesu 2009, da bi potom bio prikazan na festivalima i u kinodvoranama širom svijeta.

Značajan uspjeh postigao je s filmovima na kojima je radio kao scenarist, reditelj i producent, među kojima se izdvajaju NAKON LUCIJE, proglašen najboljim filmom programa Un Certain Regard festivala u Cannesu 2012, i HRONIČNI, koji mu je tri godine kasnije u Cannesu priskrbio nagradu za najbolji scenarij. Franco je producirao film 600 MILJA reditelja Gabriela Ripsteina, koji je 2015. na Međunarodnom filmskom festivalu u Berlinu osvojio nagradu za najbolji debitantski igrani film, te film IZDALEKA reditelja Lorenza Vigasa, dobitnika Zlatnog lava na Filmskom festivalu u Veneciji 2015. Njegov posljednji film ABRILINE KĆERKE prikazan je u programu Un Certain Regard festivala u Cannesu i osvojio nagradu žirija. U sklopu vlastite kompanije Lucia Films, Michel Franco trenutno priprema nekoliko igranih i televizijskih projekata.

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Michel Franco was born in Mexico City in 1979. He began making short films after completing his media studies. In 2001, his short film CUANDO SEA GRANDE, produced for an anti-corruption campaign, was screened in 50 cinemas throughout Mexico. Two years later, with ENTRE DOS, he won the Grand Prize of the Huesca Film Festival and the Best Short Film Award of the Dresden Film Festival. His debut feature, DANIEL AND ANA, was selected for the Un Certain Regard section of the Festival de Cannes and was later screened in numerous other festivals and released in cinemas around the world. He has won critical acclaim for the films he has written, directed and produced, among them AFTER LUCIA, which won the award for Best Film in Un Certain Regard in 2012, and CHRONIC, which took the Best Screenplay award at Cannes in 2015.

Franco produced Gabriel Ripstein’s 600 MILES, winner of the Best First Feature award at the Berlin International Film Festival in 2015, and Lorenzo Vigas’s FROM AFAR, which took the Golden Lion at the Venice Film Festival in 2015.

His latest film, APRIL’S DAUGHTER, was selected for Un Certain Regard in 2017, where it won the Jury Prize. Through his company Lucia Films, Franco is currently developing several feature-length films and television projects.

Počasno Srce Sarajeva Madsu Mikkelsenu Honorary Heart of Sarajevo: Mads Mikkelsen Danski glumac Mads Mikkelsen dobitnik je nagrade Počasno Srce Sarajeva 26. Sarajevo Film Festivala.

Nagrada se dodjeljuje za izuzetan doprinos filmskoj umjetnosti. Tokom festivala Mikkelsen će održati Masterclass koji će festivalska publika biti u prilici pogledati online, na platformi ondemand.sff.ba Danish actor Mads Mikkelsen is the recipient of the Honorary Heart of Sarajevo Award of the 26th Sarajevo Film Festival. The Award is given for outstanding contribution to the art of film. At this edition of the festival Mikkelsen will hold a Masterclass that the festival public will be able to watch online, via ondemand.sff.ba.

Mads Mikkelsen je rođen 1965. godine u Danskoj, gdje je stekao obrazovanje u Školi dramskog teatra u Aarhusu. Glumac porijeklom iz Kopenhagena je svoju profesionalnu karijeru započeo kao gimnastičar i plesač, postojano radeći na pozorišnim, televizijskim i filmskim projektima da bi konačno postao najveća muška zvijezda u Danskoj i Skandinaviji. Mikkelsenov filmski debi je bila glavna uloga u uspješnoj internacionalnoj krimi drami "Diler" iz 1996. godine, prvom dijelu trilogije koju je režirao Nicolas Winding Refn. Istu ulogu opakog dilera i narkomana je reprizirao u željno iščekivanom nastavku "Krv na mojim rukama: Diler 2”. Za ovu ulogu je primio nagradu Robert za najboljeg glumca od Danske filmske akademije i nagradu Bodil za najboljeg glumca od Danskog udruženja filmskih kritičara. 2006. godine Mikkelsen je odigrao ulogu glavnog negativca pod imenom Le Chiffre u filmu o Jamesu Bondu "Casino Royale". Film je dobio pozitivne kritike i ostvario globalnu zaradu preko 594 miliona dolara, čime je preuzeo titulu James Bond filma sa najvećom zaradom. Iste godine Mikkelsen je odigrao glavnu ulogu u za Oscara nominovanom filmu "Poslije vjenčanja" u režiji dobitnice Oskara za režiju Susanne Bier. 2009. godine je ponovo udružio snage s danskim rediteljem Nicolasom Windingom Refnom u filmu "Uspon Valhalle".

Premijera filma je održana na 66. Međunarodnom filmskom festivalu u Veneciji.

2010. godine je nastupio kao Draco u fantastičnoj 3D avanturi "Sudar titana". Film je režirao Louis Leterrier, dok je za distribuciju bio zadužen Warner Brothers. 2011.

Mikkelsen je odigrao ulogu Rocheforta u 3D adaptaciji "Tri mušketara" u režiji Paula W.S. Andersona. U filmu "Kraljevska afera" Mikkelsen je igrao ulogu Johanna Friedricha Struenseea, njemačkog ljekara koji je stekao povjerenje duševno oboljelog Kralja Christiana VII, da bi zatim imao ljubavnu aferu sa njegovom suprugom, Kraljicom Caroline Mathilde. Ovaj historijski film koji je napisao i režirao Nikolaj Arcel je premijerno prikazan u takmičarskom programu 62. Međunarodnog filmskog festivala u Berlinu 2012. i na Međunarodnom filmskom festivalu u Torontu 2012. godine. Na Filmskom festivalu u Cannesu 2012. Mads Mikkelsen je primio nagradu za najboljeg glumca za ulogu u filmu "Lov" Thomasa Vinterberga. U njemu, Mikkelsen igra odgajatelja u vrtiću u malom danskom selu, kojeg pogrešno optuže za zlostavljanje djece. Nakon premijere u Cannesu film je iste godine prikazan na Filmskom festivalu u Tellurideu i Međunarodnom filmskom festivalu u Torontu, a od proljeća 2013. distribuira ga kompanija Magnolia Pictures. Mikkelsen je nastupio i u filmu "Neizbježna smrt Charlieja Countrymana" u ulozi Nigela, nasilnog kriminalnog bossa. U režiji Fredrika Bonda, film je premijerno prikazan u januaru 2013. na Sundance Film Festivalu, a prikazan je i u sklopu takmičarskog programa na 63. Međunarodnom filmskom festivalu u Berlinu u februaru 2013. godine. Mads Mikkelsen je posebno poznat po ulozi u seriji "Hannibal" (2013-2015) koju je za NBC kreirao Bryan Fuller. U seriji Mikkelsen igra uspješnog psihologa i sociopatskog serijskog ubicu dr. Hannibala Lectera, zasnovanog na liku iz romana Thomasa Harrisa. Mikkelsen je za svoj rad dobio posebno priznanje kada je imenovan za člana prestižnog žirija na Filmskom festivalu u Cannesu 2016. godine. Iste godine se pojavljuje i u "Rogue One: Priča iz Ratova zvijezda" i u Marvelovom filmu "Dr. Strange". 2017. je snimio triler pod nazivom "Arktik", u kojem igra glavnu ulogu. Film je premijerno prikazan na Filmskom festivalu u Cannesu u maju 2018. Mikkelsen je igrao vodeću ulogu u adaptaciji stripa "Polar" u režiji Jonasa Åkerlunda, objavljenoj na Netflixu 2019. godine. Mads Mikkelsen se pojavljuje u glavnoj ulozi u filmu “Još jedna runda” Thomasa Vinterberga, koji se našao u ovogodišnjoj selekciji Filmskog festivala u Cannesu. Premijera američkog naučnofantastičnog filma "Haos hoda" sa Mikkelsenom u jednoj od glavnih uloga se očekuje 2021. godine.

Mads Mikkelsen was born in 1965 in Denmark, where he got his education at Aarhus Theatre Drama School. The Copenhagen-born actor began his professional career as a gymnast and dancer, and has worked steadily in theatre, television and film to become the top male star in Denmark and Scandinavia.

Mikkelsen made his film debut in 1996, with a lead performance in director Nicolas Winding Refn’s international crime drama success “Pusher”, part one of a trilogy. He reprised his role as a low-life pusher/junkie in the much-anticipated sequel, “With Blood On My Hands: Pusher 2”. This performance garnered him a “Best Actor” Robert statue from the Film Academy of Denmark and a “Best Actor” Bodil Award from Denmark’s National Association of Film Critics.

In 2006, Mikkelsen starred as the villain, Le Chiffre, in the 2006 James Bond film, “Casino Royale”. The film was received positively by critics and earned over $594 million worldwide, claiming the title of the highest-grossing James Bond film.

Also that year, Mikkelsen played the lead role in the Academy Award-nominated film “After the Wedding”, directed by Academy Award-winning director Susanne Bier. In 2009, he reunited with Danish director Nicolas Winding Refn for “Valhalla Rising”. The film premiered at the 66th Venice International Film Festival. In 2010, he starred as Draco in the 3D fantasy adventure film, “Clash of the Titans”. The film was directed by Louis Leterrier and distributed by Warner Brothers. In 2011, Mikkelsen starred as Rochefort in the 3D adaptation of “The Three Musketeers”, directed by Paul W.S. Anderson. Mikkelsen also starred in the Academy Awardnominated film, “A Royal Affair”, in the role of Johann Friedrich Struensee, the German physician who became a confidant to the mentally ill King Christian VII and had an affair with his wife, Queen Caroline Mathilde. The historical film, written and directed by Nikolaj Arcel, premiered in competition at the 62nd Berlin International Film Festival in February 2012 and at the 2012 Toronto International Film Festival. At the 2012 Cannes Film Festival, Mads Mikkelsen received the Best Actor Award for his role in “The Hunt” by Thomas Vinterberg. Mikkelsen plays a kindergarten teacher in a small Danish village that is falsely accused of child abuse. Following a premiere at Cannes, the film screened at the 2012 Telluride Film Festival, the 2012 Toronto International Film Festival, and was released by Magnolia Pictures in Spring 2013. Mikkelsen also co-starred in “The Necessary Death of Charlie Countryman” in the role of Nigel, a violent crime boss. Directed

by Fredrik Bond, the film premiered in January 2013 at Sundance Film Festival and was screened in competition at the 63rd Berlin International Film Festival in February 2013.

Mads Mikkelsen is especially known from series “Hannibal” (2013-2015), that was developed by Bryan Fuller for NBC. In the series Mikkelsen play the accomplished psychologist and sociopathic serial killer, Dr. Hannibal Lecter, who is based on the character from Thomas Harris’ classic novels. Mikkelsen’s work was especially acknowledged when he was pointed out as member of the prestigious Jury at the Cannes Film Festival 2016. In 2016 he starred in “Rogue One: A Star Wars Story” and in the Marvel film “Dr. Strange”. In 2017 he shot the thriller “Arctic” where he plays the lead role. The film premiered at Cannes Film Festival in May 2018. Mikkelsen starred in the graphic novel adaptation “Polar”, directed by Jonas Åkerlund, that was released in 2019 by Netflix. Recently Mads Mikkelsen starred in “Another Round” by Thomas Vinterberg, which is among this year’s Cannes Film Festival selection. The American science fiction film “Chaos Walking” with Mikkelsen in one of the leading roles is set to premiere in 2021.

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Galaksija Andromeda / Andromeda Galaxy

Mauzer / Mavzer

Takmičarski program–igrani film Competition Programme – Feature Film Selektorica / Selector: Elma Tataragić SVJETSKE PREMIJERE / WORLD PREMIERES

Galaksija Andromeda /

Türkmen, Burçak Dilekli, İbrahim Kalkan AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Andromeda Galaxy

Kosovo, Spain, Italy, North Macedonia, 2020, Colour, 80 min.

Režija / Director: More Raça Uloge / Cast: Sunaj Raça, Elda Jashari, Juli Emiri, Avni Dalipi, Don Raça, Fisnik Istrefi

Kosovo 2019. Zbog raširene korupcije i visoke stope nezaposlenosti Shpëtim ne može naći posao. Situaciju dodatno komplikuje činjenica da mora preuzeti brigu o svojoj kćerci, a nema čak ni odgovarajuće mjesto za život. Nakon što bezbroj puta pokuša popraviti svoju situaciju i biva prevaren, Shpëtim odluči ilegalno ući u Njemačku i tamo potražiti bolji život.

Kosovo, 2019. Corruption and unemployment have made it impossible for Shpëtim to find a job. Things get more complicated when he has to take care of his daughter as well, and does not have a proper place to live. After many attempts to solve his situation, and experiencing repeated deceptions, Shpëtim decides to migrate to Germany illegally in his search for a better life.

Mauzer / Mavzer

Turkey, 2020, Colour, 86 min.

Režija / Director: Fatih Özcan Uloge / Cast: Serhat Kılıç, Ozan Çelik, Seda

Veysi živi u planinskom selu u centralnoj Anadoliji. Početkom zime zatvara svoje stado ovaca u tor. Jednog jutra, nakon što Veysi sa sinom Mustafom ode do tora, otkriva da je čopor vukova napao ovce i gotovo sve ih pobio.

Ne ljuti se na vukove jer zna da su djelovali tačno u skladu sa svojom prirodom. Sve što Veysi želi jeste bolje oružje kako bi zaštitio sebe i svoju porodicu – Mauzer, “kraljicu pušaka”, kako je zovu u Anadoliji. Pokušava je nabaviti od lokalnog prodavača oružja, inače bliskog očevog prijatelja, koji mu obećava pokloniti Mauzer ukoliko dokaže da je dobar lovac. Sretan zbog tog obećanja, Veysi kreće u potjeru za vukom koji je napao njegovo stado, te u konačnici uspijeva ubiti vučicu i njenog vučića. Ponosan na svoj uspjeh, kreće nazad u selo, ali na povratku, dok prolazi kraj seoskog groblja, nailazi na sahranu svog oca. Potom se sukobljava s bratom oko nasljedstva. Vuk, čiju porodicu je ubio, uključuje se u spor kao treća zainteresovana strana.

Veysi lives in a mountain village in central Anatolia. With the early onset of winter, he brings his flock of sheep down to his barn. One morning, when he goes to the barn with his son Mustafa, a pack of wolves attacks the sheep and Veysi loses most of them. He is not angry with the wolves, because he knows they

Otto Barbarin / Otto the Barbarian

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have behaved exactly as their nature directs.

But he wants a better gun to protect himself and his herd: a Mauser, the 'king of the rifles,’ as they say in Anatolia. He approaches a local gun vendor, who is also a close friend of his father, who promises he will give Veysi a Mauser as a gift if he proves he is a good hunter. Happy with the promise, Veysi goes after the wolf that attacked his herd, and he eventually manages to kill its cub and a shewolf. He returns to the village proud of his success, but on the way back, he comes across his father’s funeral when he passes the village cemetery. Afterwards, he finds himself in a fight with his brother about their inheritance. The wolf who lost his mate and pup also becomes involves in this war as a third party.

Otto Barbarin /

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Otto the Barbarian

Romania, Belgium, 2020, Colour, 110 min.

Režija / Director: Ruxandra Ghițescu Uloge / Cast: Marc Titieni, Ioana Bugarin, Adrian Titieni, Mihaela Sîrbu, Ioana Flora

Sedamnaestogodišnji buntovnik Otto upliće se u istragu smrti svoje djevojke Laure koju sprovodi socijalna služba. Uhvaćen je u mrežu koju su ispleli njegovi roditelji, njegov nemušti deda i Laurina majka. Laura je i dalje dio njegovog života zahvaljujući videosnimcima

Unutrašnje ostrvo / The Island Within

Egzil / Exile

koje Otto stalno iznova montira pokušavajući shvatiti situaciju u kojoj se našao. Tokom tog procesa Otto mora prihvatiti djelimičnu odgovornost za ono što se dogodilo.

Otto, a seventeen-year-old punk, becomes involved in the social services investigation of his girlfriend Laura's death. He is caught up in a vicious circle created by his parents, his mute grandpa and Laura's mother. Laura is still part of his life through video recordings that he edits constantly, trying to make sense of the events. Through this process, Otto must take his portion of the responsibility for what happened.

Unutrašnje ostrvo / The Island Within

Azerbaijan, France, 2020, Colour and B&W, 79 min.

Režija / Director: Ru Hasanov Uloge / Cast: Orkhan Ata, Vidadi Hasanov, Gurban Ismayilov, Elvin Adigozel

Azerbejdžanac Seymour Tahirbekov međunarodni je šahovski majstor. Nakon pobjede na kvalifikacionom turniru, Seymour osvaja pravo da izazove aktuelnog svjetskog šampiona u šahu Skrotena Gudmunsona.

Nekoliko sedmica uoči meča za titulu svjetskog prvaka, Seymour, usljed velikog pritiska da na bilo koji način izvojuje pobjedu, upada u teško psihičko i emotivno stanje.

Vijest o smrti njegovog djeda kap je koja prelijeva čašu, i Seymour se daje u bijeg.

Predviđajući da bi njegovo odsustvo moglo izazvati međunarodni skandal, njegov otac Khanlar se obraća Državnoj službi bezbjednosti za pomoć u njegovom pronalasku. U međuvremenu, Seymour odlazi na ostrvo Kür Dili o kojem mu je nekoć pričao

Svi ti lijepi mali konji / All the Pretty Little Horses

Mare

djed. Na ostrvu, koje prvenstveno nastanjuju divlji konji i krave, susreće jedinog ljudskog stanovnika – jednog starca. Seymour i starac na početku su sumnjičavi i hladni jedan prema drugom, ali s vremenom se odnos dvojice usamljenika otopljava i oni se neočekivano zbližavaju. Seymour preuzima kontrolu nad svojim životom, vrijeme nastavlja teći.

Seymour Tahirbekov is an international chess grandmaster from Azerbaijan. Having won the Candidates Tournament, Seymour earns the right to challenge the defending world champion Skroten Gudmonson in the World Chess Championship match. With a few weeks left before the championship match, Seymour's psychological and emotional state deteriorates under escalating abuse and pressure to succeed by any means. News of his grandfather's death is the straw that breaks the camel’s back, and Seymour runs away.

Anticipating an international scandal, his father Khanlar turns to the National Security Department for help in finding his son. In the meantime, Seymour arrives on an island of Kür Dili that his grandfather had once told him about. On the island, inhabited mostly by feral horses and cows, he encounters its only human resident – an old man. Distant and skeptical of each other at first, the two loners gradually warm up to each other forming an unlikely bonding. Seymour takes control of his freedom, however time keeps running out.

Europska premijera / EUROPEAN PREMIERE

Svi ti lijepi mali konji /

All the Pretty Little Horses

Greece, Belgium, Germany, 2020, Colour, 105 min.

Režija / Director: Michalis Konstantatos Uloge / Cast: Yota Argyropoulou, Dimitris Lalos, Katerina Didaskalou, Alexandros Karamouzis

Nakon što prežive katastrofu, Alice i njen suprug Petros vode svoga sina Panagiotisa u primorski gradić u proviniciji kako bi tamo potražili utočište. Alice i Petros pronalaze povremene poslove i pokušavaju ponovo srediti svoj život kako bi se mogli vratiti kući u Atinu. Kada Alice počne shvatati da njihov plan ne funkcioniše ili, što je još gore, da ga možda uopšte ni nemaju, jaz između nje i Petrosa se produbljuje.

In the wake of a disaster, Alice and her husband Petros take their young son Panagiotis to a provincial seaside town, seeking refuge. Working temporary jobs, Alice and Petros try to put their lives back together so they can return home to Athens. When Alice begins to realise the plan is not working – or worse, that it may not even exist – the distance between her and Petros begins to grow.

REGIONALNE PREMIJERE / REGIONAL PREMIERES

Egzil / Exile

Germany, Belgium, Kosovo, 2020, Colour, 121 min.

Režija / Director: Visar Morina Uloge / Cast: Mišel Matičević, Sandra Hüller, Rainer Bock, Thomas Mraz, Flonja Kodheli

Xhafer, četrdesetpetogodišnji inžinjer farmacije s Kosova koji živi i radi u Njemačkoj, iznenada počinje osjećati da ga na poslu diskriminiraju i ponižavaju zbog njegovog etničkog porijekla.

Kada na kapiji kuće pronađe obješenog mrtvog pacova odmah posumnja da iza toga stoje njegove radne kolege rasisti. Svaki događaj, svaku izgovorenu riječ i svaku gestu tumači kao potvrdu svoje sumnje, te se iz dana u dan

Kopač / Digger SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

11

osjeća sve nesigurnije. Njegova supruga, Njemica Nora, umorna je od njegovog stalnog pozivanja na vlastito etničko porijeklo. Da li je moguće da je Xhafer svojim radnim kolegama naprosto nesimpatičan? Ili se iza njihovog neprijateljstva kriju i neki drugi razlozi? Da li Xhafer samo umišlja ili je zaista u pravu? Xhafer s vremenom ostaje bez posla, žene i porodice i hoda po ivici između života dobro prilagođenog, porodičnog pripadnika srednje klase i stranca u državi u kojoj je izabrao da živi.

Xhafer, a 45-year-old, Kosovo-born pharmaceutical engineer living in Germany, suddenly feels discriminated against and bullied at work because of his ethnic background. When he finds a dead rat hanging on the gate in front of his home, it is immediately clear to him that his racist colleagues could be behind it. Every occurrence, every word, every gesture is taken as evidence. Xhafer’s uneasiness grows every day. His German wife Nora is tired of him playing the race card all the time. Do his colleagues simply dislike him? Or is there more to their hostility? Is this all in his mind or is it the actual reality? As Xhafer loses his job, his wife and his family, he walks a delicate tightrope between his life as an integrated, middle-class family man, and foreigner in his adopted country.

Kopač / Digger

Greece, France, 2020, Colour, 101 min.

Režija / Director: Georgis Grigorakis Uloge / Cast: Vangelis Mourikis, Argyris Pandazaras, Sofia Kokkali, Theo Alexander

KOPAČ je savremeni vestern o životu jednog farmera koji radi i živi sam u seoskoj kući usred šume na planini u sjevernoj Grčkoj.

Farmer se godinama bori protiv rastućeg industrijskog čudovišta koje siječe šumu, u opasnost dovodi raskoš prirode i ugrožava njegovo imanje. Međutim, najveću prijetnju mu predstavlja povratak njegovog sina nakon dvadeset godina otuđenosti. Njih dvojica postaju neprijatelji koji žive pod istim krovom i stalno se sukobljavaju, a priroda im je jedini svjedok. Kako bi spriječili da im se zbog zarade blatno tlo izmakne pod nogama, otac i sin moraju još dublje utonuti u njega.

DIGGER is a contemporary Western about a native farmer who lives and works alone in a farmhouse in the heart of a mountainous forest in northern Greece. For years, he has been fighting with an expanding industrial monster, which has been digging up the forest, disturbing the lush flora and threatening his property. Yet, the greatest threat comes with the sudden arrival of his young son, after a twenty-year estrangement. The two become enemies under one roof and confront each other head on, with nature as their only

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observer. To keep the muddy ground from being pulled out from under their feet for profit, father and son must dig deep into it.

AUDENTIA AWARD NOMINEE

Mare

NOMINATION AU PRIX AUDENTIA

Switzerland, Croatia, 2020, Colour, 84 min.

Režija / Director: Andrea Štaka Uloge / Cast: Marija Škaričić, Goran Navojec, Mateusz Kościukiewicz, Mirjana Karanović

Mare nikada nije letjela avionom, iako sa svojim mužem i troje djece tinejdžerskog uzrasta živi kraj aerodroma. Voli svoju porodicu i brine o njima, ali ponekad se osjeća kao stranac u vlastitoj kući. Ko su ti ljudi s kojima živi? Ponekad zuri u avione koji joj prolijeću iznad glave i sanja da promijeni svoj život i otkrije nepoznata mjesta. Mare će svoj život staviti na kušnju kada se u kuću kraj njene useli jedan mladić.

Mare has never flown, although she lives right next to the airport with her husband and their three teenage kids. She loves her family and cares for them, but sometimes almost feels like a stranger in her own home. Who are these people she lives with? Mare finds herself gazing at the planes overhead, longing for change and the unknown. When a young man moves into the house next door, she puts her life to the test.

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

13

Zacijeli me / Hold Me Right

Mir naše Gospe / Our Lady's Peace

Jedna od nas / One of Us

Nek je što šarenije / Let There Be Colour

Takmičarski program - dokumentarni film Competition Programme – Documentary Film Selektorica / Selector: Rada Šešić

SVJETSKE PREMIJERE / WORLD PREMIERES

Holy Father

Romania, 2020, Colour, 85 min.

Režija / Director: Andrei Dăscălescu

Filmski autor i njegova djevojka saznaju da će postati roditelji. Dok buduća majka s mukom pokušava izaći na kraj s pogrešnim uzorima koje pronalazi u okrilju vlastite razorene porodice, budući otac se mora pomiriti s davno izgubljenim ocem koji se zamonašio na planini Atos. I dok devet mjeseci trudnoće prolazi, potraga za odgovorima i pomirenjem – ponekad iznimno napeta i puna gorčine – kao da otvara put za nešto puno značajnije.

The filmmaker and his girlfriend are faced with the news of becoming parents. While the future mother is struggling with no worthy role models in her broken home, the soon-to-befather must come to terms with his long-lost father, now a monk on Mount Athos. But as the nine months go by, the quest for answers and reconciliation – sometimes full of anxiety and resentment – seem to be making way for something much more meaningful.

Jedna od nas / One of Us Croatia, 2020, Colour, 51 min.

Režija / Director: Đuro Gavran

Na proslavi petnaestogodišnjice mature kolege iz razreda prisjećaju se srednjoškolskih dogodovština. Kako večer odmiče, sljedovi hrane i pića se nižu, razgovori su sve otvoreniji, ali jednu temu s nelagodom izbjegavaju, sve dok ih alkohol ne ohrabri da započnu razgovor

o šokantnom pismu koje su svi primili. Pismu u kojem njihova kolegica iznosi svoju mučnu ispovijed o brutalnom zlostavljanju koje je proživljavala kao dijete i srednjoškolka.

How do we speak about the horror with which we are faced but cannot come to terms with?

The classmates have gathered for their fifteenth high-school reunion, reminiscing about their adolescent adventures. As the evening progresses, different dinner courses and drinks are brought out and the conversations become more open, yet there is one topic that everyone avoids, until alcohol encourages them to mention the shocking letter they have all received. The letter is a torturous confession from one of their former classmates, in which she reveals the brutal abuse she endured as a child and during high school.

Mir naše Gospe / Our Lady's Peace

Montenegro, 2020, Colour, 18 min.

Režija / Director: Vladimir Perović

Junak, protagonista ili trpilac ove priče jeste mjesto mira, čistoće i spokoja: skoro pet stoljeća staro svetilište na usamljenom ostrvcetu – Gospa od Škripjela, ispred Perasta u Boki Kotorskoj. Danas na njega nasrće čudan antagonista, s više lica: brzina, buka, površnost i taština modernog doba. Nebesko naspram zemaljskog, prolazno naspram vječnog, materijalno naspram duhovnog…

The hero, main protagonist, or sufferer of this story is a place of peace, purity and comfort: Our

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Lady of the Rocks, a five-century-old church on a lonely islet off the coast of Perast in the Bay of Kotor in Montenegro. Today, it is under assault by an unusual, multi-faced antagonist: the speed, noise, shallowness and vanity of modern times. Divine against worldly, transient against timeless, the material against the spiritual…

Nek je što šarenije / Let There Be Colour

Bosnia and Herzegovina, Italy, 2020, Colour, 16 min.

Režija / Director: Ado Hasanović

U Sarajevu je 8. septembra 2019. prvi put organizovana Povorka ponosa. Povorke ponosa danas su nezaobilazan događaj u svim evropskim glavnim gradovima iako su pripadnici LGBTQI+ zajednica u mnogim od njih daleko od toga da se u potpunosti izbore za svoja prava. U Bosni i Hercegovini, kompleksnoj zemlji koja i dalje traži inkluzivan pristup pripadnicima te zajednice, a istovremeno se nosi s ratnim traumama, Povorka ponosa bila je preloman događaj u smislu javne percepcije LGBTQI+ osoba i njihovog prava na vidljivost.

On 8 September 2019, Sarajevo hosted its first Pride March. Today, Pride marches are an unmissable event in all the major European cities, even though in many countries official recognition of equal rights for the LGBTQI+ community is still far from being secure. In Bosnia and Herzegovina, a complex country still torn by the aftermath of war and that is striving for an inclusive approach towards this community, this march marked a turning point in

Nenad

Zavjera / Conspiracy

U slavu ljubavi / In Praise of Love

Holy Father

the general perception of the LGBTQI+ community in the country and of its right to exist.

Nenad

Belgium, Bosnia and Herzegovina, 2020, Colour, 22 min.

Režija / Director: Mladen Bundalo

Nenad radi u fabrici za opravku vozova u Prijedoru, u Bosni i Hercegovini, i kao i mnogi drugi mladi ljudi planira otići da živi i radi u Sloveniju. U rascjepu između nostalgije za domovinom i snova o boljem životu, NENAD propituje dileme s kojima se osoba suočava kada odluči napustiti vlastitu zemlju.

Nenad is a worker at a train repair factory in Prijedor in Bosnia and Herzegovina and, like many young people around him, he plans to go to work and possibly to live in Slovenia.

Between nostalgia for the homeland and dreams of a better life, NENAD explores the dilemmas that arise when you decide to leave your country.

U slavu ljubavi / In Praise of Love Serbia, 2020, Colour, 80 min.

Režija / Director: Tamara Drakulić

Otvarajući nam vrata svog polako odumirućeg svijeta punog mitova, odvažnih susreta, poduhvata i dubokih sagledavanja manje očiglednih tokova društvene stvarnosti, Beto nas također vodi i tamo gdje najviše i sam voli da ide – u nepoznato. Sintetički svijet, nastao radi ovog filma, spaja maleno pustinjsko selo sa Shakespeareom, lokalne legende s romantičnom tragedijom dalekog kontinenta, aktuelnu svakodnevicu s tragovima minulih vremena. Vodeći nas u “središte ove zemlje”, Beto nas dovodi do ostvarenja namjere iskazane u naslovu filma i tačke iz koje se briga o sebi razotkriva kao neraskidivo povezana s brigom o bićima oko sebe.

By opening the door into his slowly dying world,

which is rich in myths, brave encounters, adventures and deep insights into social processes, Beto takes us where he likes going the most: into the unknown. The synthetic world created for this film brings together a small desert village and Shakespeare, local legends and a distant continent’s romantic tragedy, present reality and traces of the old world. By taking us into the “centre of this world,” Beto helps us do what the title of the film calls for: bringing us to a point where caring for oneself is inseparable from caring for others.

Zacijeli me /

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Hold Me Right

Serbia, United States, 2020, Colour, 75 min.

Režija / Director: Danijela Stajnfeld

Dokumentarni film o posljedicama koje trpe žrtve i počinioci seksualnog nasilja, zasnovan na intimnim svjedočenjima osoba koje su preživjele seksualni napad. Film kombinuje svjedočanstva osoba koje su preživjele seksualni napad i sekvence iz njihovog kasnijeg života, postavljajući pitanje šta se može smatrati oporavkom. Autorica filma Danijela Štajnfeld snagu crpi iz empatije jer je i sama, kao mlada glumica u Srbiji, bila žrtva seksualnog nasilja. Nakon što je izgubila mogućnost da sigurno priča o napadu koji je doživjela, skupila je hrabrost da kroz proces susreta i intervjua svoju priču podijeli s drugima koji su prošli kroz slična iskustva.

HOLD ME RIGHT is a documentary that explores the aftermath of sexual assault through intimate first-hand testimonies that unveil the culture of sexual violence as it affects both survivors and perpetrators alike.

The film interweaves individual portraits and verité sequences that take us into the arc of a survivor's journey, interrogating what it means to heal. Filmmaker Danijela Stajnfeld finds

power in empathy as she wrestles with her own experience of surviving an assault as a young actress in Serbia. After losing the ability to speak up about her assault safely, she finds the courage to share her own story through the process of meeting and interviewing survivors like herself.

Zavjera / Conspiracy

Montenegro, 2020, Colour, 90 min.

Režija / Director: Šemsudin Radončić

Na putu ulaska male Crne Gore u NATO ispriječila se velika Rusija. Moskovski agenti planiraju da organizuju državni udar u toj državi na dan parlamentarnih izbora. Cilj je ukloniti prozapadnog premijera i instalirati prorusku vlast. A onda jedan od zavjerenika, uplašen da će zavjera odnijeti mnoge živote, odlučuje promijeniti tok historije.

On its way to joining NATO, the small nation of Montenegro got in the way of the great state of Russia. Moscow agents plan to stage a coup in Mediterranean country on the day of the parliamentary elections. The goal is to remove the pro-Western prime minister and install pro-Russian rule. But an insider, a “small man” with an awakened conscience, afraid the conspiracy will cost many lives, decides to change the course of history.

MEĐUNARODNE PREMIJERE / INTERNATIONAL PREMIERES

The Fourth Character Greece, 2019, Colour, 85 min.

Režija / Director: Katerina Patroni

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Film o gubitku, vjeri, krivici i iskupljenju koji prati tri osobe unutar gradskog prjzaža i razotkriva vezu između vremena, ljudskog iskustva i grada. Film dokumentuje svakodnevne rituale tri osobe koje prati, preplićući njihove životne priče sa zvucima Atine.

A documentary about loss, faith, guilt and

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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Priča mojih majki / Her Mothers

Wood

Kuća lutaka / House of Dolls

The Fourth Character

redemption, that follows three characters within a cityscape and reveals the connections between time, the human experience and the city. The movie observes the everyday rituals of these three people while their stories are intertwined with the sounds of Athens.

Kuća lutaka / House of Dolls Romania, 2020, Colour, 68 min.

Režija / Director: Tudor Platon

Istraživanje posebnog svemira: godišnjeg odmora grupe sedamdesetogodišnjakinja.

Cica, Nana, Pupi i Elena dobrovoljno se izoluju u seoskoj vili, daleko od muškaraca i zahtjevne svakodnevnice. Dijele uspomene i nostalgiju, melanholiju i sreću, tračeve i zamjerke. Sve kako bi zadržale iluziju da vrijeme nije prošlo, da je sve što im se dogodilo bio jedan dug i iscrpljujući san i da su još uvijek jednako lijepe i mlade kao što su bile prije pedeset godina.

An exploration of a special universe: the annual vacation of a group of 70-year-old women. Far from men and the madness of daily life, Cica, Nana, Pupi and Elena isolate themselves voluntarily in a villa in the countryside. Together, they blend memories and nostalgia, melancholia and joy, gossip and reproaches. All this to keep up the illusion that time has not passed, that everything has been a long and exhausting dream. That they are still the same beautiful and attractive girls they were 50 years ago. Now, Cica, Nana, Pupi and Elena are captive in bodies they do not recognise and do not know how to deal with.

EUROPSKA PREMIJERA/ EUROPEAN PREMIERE

Priča mojih majki / Her Mothers Hungary, 2020, Colour, 75 min.

Režija / Director: Asia Dér, Sári Haragonics

Zahvaljujući sve većoj radikalizaciji na mađarskoj političkoj sceni, Virág – nekadašnja članica Stranke zelenih – gubi vjeru u demokratičnost mađarskog parlamenta i

povlači se iz politike. Ona i njena partnerica Nóra, inače muzičarka, odlučuju usvojiti dijete i posvetiti se osnivanju porodice. Asia Dér i Sári Haragonics prate te dvije žene tokom njihove duge i u konačnici uspješne borbe da usvoje djevojčicu romskog porijekla i dovedu je kući. Međutim, nakon ostvarenog cilja, napetost između protagonistica raste jer dok Virág uživa u ulozi majke, Nora se muči da pronađe svoje mjesto u njihovoj porodici. Dok se mržnja i homofobija šire Mađarskom i počinju uticati na njihovu porodicu, dvije žene stižu do prelomne tačke u životu, i prisiljene su odlučiti žele li napustiti svoju domovinu ili ne.

As Hungary’s political climate becomes increasingly radicalized, Virág, a former green politician, loses faith in the pretending-to-be democratic parliament of Hungary and retires from politics. She and her musician partner Nóra decide to adopt a child and focus on building a family together. Asia Dér and Sári Haragonics follow the two women through their lengthy and ultimately successful adoption process to bring home their young daughter of Roma origin. But tensions begin to rise between the two as Virág thrives in her role as a mother and Nóra struggles to find her place within the family. As the rising tides of hate and homophobia in Hungary begin to overflow into their family, their lives hit a boiling point and they must face the difficult decision of whether to leave their country behind.

REGIONALNE PREMIJERE/ REGIONAL PREMIERES

Izbor za Miss / The Pageant

Turkey, France, Israel, Germany, 2020, Colour, 85 min.

Režija / Director: Eytan Ipeker

Od 2011. u Haifi se svake godine održava jedinstven izbor ljepote. Sve učesnice preživjele su holokaust. Usred tog raskošnog spektakla, koji sponzorira evangelistička crkvena organizacija, učesnice se i dalje bore

16 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

sa svojim dubokim traumama. Ovaj dokumentarni film istražuje veze između sjećanja, politike i spektakla.

Every year since 2011, a unique beauty contest takes place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle sponsored by an Evangelical Christian organization, the personal traumas of the survivors remain as deep as ever. A documentary about how memory, politics and spectacle are interconnected.

Merry Christmas, Yiwu

Sweden, Serbia, Germany, France, Belgium, Qatar, 2020, Colour, 94 min.

Režija / Director: Mladen Kovačević

Komunistički ideali odavno su izgubili vrijednost u Yiwuu, gradu sa preko 600 božićnih fabrika u kojima se proizvodi sve što je potrebno za Božić širom svijeta. Zahvaljujući porastu plata, radnici u fabrikama mogu priuštiti da kupe najnovije telefone iPhone, ali još uvijek žive nagurani u radničkim barakama. Svi redom su migranti u vlastitoj zemlji, čeznu za dalekim destinacijama, nekima nedostaje porodica koju su ostavili u rodnom mjestu, a drugima, pak, kada se za praznike vrate kući, nedostaju prijatelji i ljubavnici iz fabrika u kojima rade.

Mladim radnicima već su dosadili dugi radni sati, hemijska isparenja i šljokice, i ne zanima ih što njihovi roditelji žele da se oni obrazuju.

Zaglavljeni između kineske tradicije i novootkrivenog kineskog sna, žele imati vlastite biznise, biti bogati, nezavisni, zaljubljeni.

Communist ideals have long lost their value in Yiwu, China, a city that features 600 Christmas factories, in which Christmas as we know it is produced for the entire world. With rising wages, workers in these factories can now afford the newest iPhones, but they still live in crowded dormitories. All of them are migrants in their own country, nostalgic for some

Izbor za Miss / The Pageant

Povratak u Epipo / Return to Epipo

Merry Christmas, Yiwu

Acasă, moj dom / Acasă, My Home

faraway place; some miss their families left in hometowns, other miss their friends and lovers from the factories when they go home for holidays. The younger generation is already tired of long factory hours, chemical fumes and glitter particles, and they do not care for their parents' wishes that they become educated. Trapped between Chinese tradition and the newly discovered Chinese dream, they want their own businesses, to be rich, to be independent, to be in love.

Povratak u Epipo / Return to Epipo

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Hungary, 2020, Colour, 84 min.

Režija / Director: Judit Oláh

Osamdesetih godina prošlog vijeka mnogi mladi ljudi u Mađarskoj sanjali su o odmoru u jedinstvenom ljetnom kampu, magičnom mjestu gdje su se mogli pretvarati da su neko drugi. Harizmatični vođa Epipoa očaravao je djecu, ali nad njihovim nevinim igrama nadvijale su se sjene poniženja i prikrivenog zlostavljanja.

Back in the late 1980s, many Hungarian youngsters dreamed of a holiday at a unique summer camp, of visiting a realm of roleplaying and magic. The charismatic leader of Epipo cast a spell over these children, yet behind their innocent games lurked the shadow of humiliation and concealed abuse.

Wood

Romania, China, Russia, Austria, United States, Peru, Germany, 2020, Colour, 97 min.

Režija / Director: Monica Lăzurean-Gorgan, Michaela Kirst, Ebba Sinzinger

Od sibirskih tajgi preko nedirnutih šuma u Rumuniji i prašuma u Peruu: širom svijeta ilegalna sječa šume pojedincima donosi ogroman profit. Potrošači u razvijenim zapadnim zemljama sretni su zbog niskih cijena u prodavnicama drvnih proizvoda i namještaja, ali bez sumnje bi bili šokirani kada

bi znali odakle to što kupuju vuče porijeklo.

Alexander von Bismarck, pra-pra-pranećak Željeznog kancelara, godinama progoni pripadnike drvne mafije. Kao predsjednik Agencije za istraživanje zločina protiv prirode sa sjedištem u Washingtonu, stalno je na terenu. Svjestan je da se kriminalna mreža ne može rastočiti sve dok korumpirani političari i nezainteresovane državne agencije ignorišu ilegalne aktivnosti. Zbog toga, uz svoje istražne aktivnosti, težište u svome radu stavlja i na podizanje javne i političke svijesti o katastrofalnim posljedicama ilegalne sječe šume, s obzirom na to da su “zelena pluća” svijeta odavno dramatično ugrožena.

From the taiga in Siberia to the primary forests of Romania to the primeval Peruvian jungle: around the world, billions of dollars are made from illegal logging. First-world consumers are happy about low prices at the hardware and furniture stores, but would doubtless be shocked if they knew the origins of these goods. Alexander von Bismarck, great-greatgreat-nephew of the Iron Chancellor, has been on the timber mafia's trail for years. As the head of the Environmental Investigation Agency in Washington, DC, he takes to the road tirelessly. He knows the swamp of crime can't be drained while corrupt politicians and idle authorities remain indifferent to these illegal activities. So for Von Bismarck, an essential part of his work, over and above his detective activities, is raising political and public awareness of the disastrous consequences of forest depletion – as the state of the planet's "green lung" has long since assumed dramatic proportions.

BOSANSKOHERCEGOVAČKA PREMIJERA / B&H PREMIERE

Acasă, moj dom / Acasă, My Home

Režija / Director: Radu Ciorniciuc

Porodica Enache – devetero djece i njihovi roditelji – dvije decenije živjeli su u kolibi u divljini bukureštanske delte, jednog od najvećih urbanih prirodnih rezervata na svijetu s jezerima i stotinama životinjskih i rijetkih biljnih vrsta. Kada vlasti odluče preuzeti taj jedinstveni urbani ekosistem, porodicu Enache deložiraju i sele u grad koji za njih predstavlja nepoznat svijet. Djeca koja su život provela u divljini moraju se navići na gradski život. Umjesto da plivaju u jezeru, moraju ići u školu, a svoje ribarske štapove mijenjaju za mobilne telefone. Njihov identitet je doveden u pitanje i preobražen ujedno s njihovim osjećajem slobode i porodičnim vezama. Dirljivi debitantski film Radua Ciorniciuca duboko je promišljena studija modernizacije, posmatrana kroz oči porodice koja se pokušava navići na novi život kojem nikada nisu težili.

For two decades, the Enache family – nine children and their parents – lived in a shack in the wilderness of the Bucharest Delta: an abandoned water reservoir, one of the biggest urban natural reservations in the world, containing lakes and hundreds of species of animals and rare plants. When the authorities decide to reclaim this rare urban ecosystem, the Enaches are evicted and told to resettle in the city – a reality they know nothing about.

Kids who used to spend their days in nature have to learn about city life, go to school instead of swimming in the lake, and swap their fishing rods for mobile phones. Their identity has been questioned and transformed, along with their sense of freedom and family ties. Radu Ciorniciuc’s heartbreaking debut is a thoughtful study of gentrification, seen through the eyes of a family trying to adapt to the new life they never asked for.

Romania, Germany, Finland, 2020, Colour, 86 min.

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

17

Antiotpad

Ljuske od jaja / Eggshells

Takmičarski program – kratki film Competition Programme – Short Film Selektorica / Selector: Elma Tataragić SVJETSKE PREMIJERE / WORLD PREMIERES

Antiotpad

Nevena dyes two red Easter eggs and sets off on a journey to meet her estranged father.

Croatia, 2020, Colour, 18 min.

Režija / Director: Tin Žanić Uloge / Cast: Bernard Tomić, Roman Sem-Tuskar

Nevidljivi / Invisibles

Nečiji auto je u plamenu. Nečija glava razbijena. Nečiji mobitel ukraden. Dok se nasilje u koncentričnim krugovima širi oko problematičnog zagrebačkog adolescenta, njegova tačka pucanja sve je bliža.

Somebody's car is on fire. Somebody's head got kicked in. Somebody got their mobile stolen. Will the troublesome adolescent break the vicious cycle of violence he may or may not have started himself?

Dok boravi sama u svome stanu, mlada žena ne htijući pokreće određene događaje i misli.

Prošla i trenutna iskustva remete osjetljivi balans njenog života, dok joj svemir otkriva svoje misterije i neriješene zagonetke. Kada se neko sam sa sobom osjeća kao kod kuće?

At home in her apartment, a young woman is caught up in events and thoughts put unwillingly into motion. Experiences of past and present reshape the tender balance of her life, as the space reveals its mysteries and unsolved riddles. When does one feel at home with oneself?

Ljuske od jaja / Eggshells

Bulgaria, 2020, Colour, 15 min.

Režija / Director: Slava Doytcheva Uloge / Cast: Stella Stoynova, Ivan Doytchev

Uoči Velike subote Nevena i njena prijateljica Maria vraćaju se kući ispunjene ljubavlju, dobrim raspoloženjem i sa školjkom jaja koja planiraju ofarbati za Uskrs. Iznenadni telefonski poziv remeti sve njihove planove.

Maria odluči prisustvovati porodičnom okupljanju na koje Nevena nije pozvana.

Narednog jutra, sama u svome stanu, Nevena crvenom bojom farba dva uskršnja jaja i kreće na put kako bi se susrela sa svojim otuđenim ocem.

On the eve of Holy Saturday, Nevena and her girlfriend Maria are on their way home, armed with love, good humour and a carton of eggs to be dyed for Easter. A sudden phone call upsets all plans. Maria chooses to attend a family gathering and Nevena is not invited.

The next morning, left alone in their flat,

Romania, 2020, Colour, 10 min.

Režija / Director: 4inaroom

Njenim stopama / In Her Steps

Greece, 2020, Colour, 25 min.

Režija / Director: Anastasia Kratidi Uloge / Cast: Mado Yiannikou, Michael Tabakakis

Dok pohađa program za društvenu reintegraciju, Lena pronalazi posao koji joj omogućava pristup seoskom zatvoru za maloljetnike u kojem njen sin služi zatvorsku kaznu. Posljednji put kad ga je vidjela, imao je pet godina.

While attending a reintegration programme, Lena finds a job that gives her access to the rural jail for minors, where her son is serving his sentence. Last time she saw him, he was five years old.

Preokret / Twist

Armenia, 2020, Colour, 16 min.

Režija / Director: Ovsanna Shekoyan Uloge / Cast: Mika Vatinyan, Nanor Petrosyan

Stan, koji je ujedno i zatvor i ogledalo osoba

Nevidljivi / Invisibles

18 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

koje borave u njemu, postaje poprište tekućeg okoštalog života. Kamera koja se neprekidno rotira posmatraču daje uvid u čitav opseg stana i prati odnose koji su dio modernog porodičnog života u konzervativnom društvu. PREOKRET je film o ljudima koji godinama žive zajedno u laži, krijući vlastitu seksualnu orijentaciju, i o tome kako ta laž u trenu uništava sve.

An apartment, acting as both prison and mirror for a person, becomes the subject of an ongoing moving still life. A permanently rotating camera gives the viewer a 360-degree view of an apartment and observes the relationships that are a part of modern families in a conservative society. TWIST is a film about people who live together for years in a lie, hiding their sexual orientation, and how this lie destroys everything in a single instant.

Vjenčanje / Gukhuroba

Azerbaijan, 2020, Colour, 21 min.

Režija / Director: Teymur Gambarov Uloge / Cast: Elxan Samedov, Roza Ibadova Kochamaz

Taksista Rasim od svoga šefa dobija važan zadatak koji mora obaviti bez obzira na sve.

Zadatak je da do zabačenog sela, na drugom kraju zemlje, dostavi vjenčanicu. Usput, Rasim poveze mladu ženu. Njih dvoje nemaju o čemu razgovarati, ali ipak postoji nešto što jedno drugom mogu reći. Dvije sudbine ukrštaju se na jednoj cesti.

An ordinary taxi driver, Rasim is assigned an important task by his boss, which must be completed at all costs – deliver a wedding dress to a remote village across the country.

Along the way, Rasim picks up a young woman; they have almost nothing to talk about, but still there is something they can say to each other.

Thus two different fates intersect on one road.

Njenim stopama / In Her Steps

Preokret / Twist

Zbogom, Vesna / Vesna Goodbye

Vjenčanje / Gukhuroba

Bojno polje / Battlefield

Zbogom, Vesna / Vesna Goodbye Slovenia, Australia, 2020, Colour, 14 min.

Režija / Director: Sara Kern Uloge / Cast: Pauline Aleynik, Emily Milledge

Desetogodišnja Emi i njena starija i trudna sestra Vesna odluče se provozati duž morske obale ne bi li se ponovo povezale nakon nedavne majčine smrti. Emi posmatra sestru i u tišini pokušava dokučiti kako se nosi sa situacijom. Baš kao nekada na plaži, Emi iz zabave zakopava sestru u pijesak, no ovaj put to je samo rastužuje nakon što shvati da je izgubila majčinu naušnicu. Na povratku, Vesna se zaustavlja na zabavi kod jednog prijatelja. Čekajući je i posmatrajući iz auta, Emi shvata da će, ukoliko ih obje želi zaštititi, put do kuće morati pronaći sama.

Ten-year-old Emi and her pregnant older sister Vesna go for a drive down the coast to try to reconnect following the recent death of their mother. Emi observes her sister and quietly tries to make sense of how Vesna is coping, while words remain unsaid. At the beach, Emi buries her sister in the sand for fun, like in the old days. But this time it only evokes sadness as Emi realizes that she has lost her mum’s earring. On the way back, Vesna stops at a friend's party. Watching from the car, waiting, Emi realises that to protect her sister and herself, she will have to find her way back home on her own.

MEĐUNARODNA PREMIJERA/ INTERNATIONAL PREMIERE

Mikrokazeta – najmanja kazeta koju sam ikad vidio / Microcassette – The Smallest Cassette I've Ever Seen

Croatia, Serbia, 2020, Colour, 19 min.

Režija / Director: Igor Bezinović, Ivana Pipal Uloge / Cast: Đorđe Branković, Petra Zlonoga

Zoki slučajno pronalazi mikrokasetu na hrpama smeća velikog odlagališta otpada na otoku Lošinju. Detaljnim istraživanjem odbačenog predmeta odajemo počast slučajnosti i mašti.

Among the garbage heaps of a big landfill on a Croatian island, Zoki uncovers a microcassette.

A close study of the discarded object serves as a tribute to chance and imagination.

REGIONALNE PREMIJERE / REGIONAL PREMIERES

Bojno polje / Battlefield

Austria, Germany, 2020, Colour, 8 min.

Režija / Director: Jannis Lenz

Priča o životu unutar vojne baze, kao mikrokosmosa koji kao da pripada nekom drugom vremenu. Vojnici se posvećeno koncentrišu na baštovanstvo umjesto da se pripremaju za rat. Pogled na zamišljenu budućnost, kao iz snova, u kojoj vojne kasarne izgledaju poput dobro održavanih muzeja na otvorenom. Tenkovi su i dalje tu, kao eksponati iz prošlosti, tihi, ali upozoravajući. Neki od njih

Mikrokazeta – najmanja kazeta koju sam ikad vidio / Microcassette – The Smallest Cassette I've Ever Seen

još uvijek rade.

A story of the inner life of a military base as a microcosm that seems to have been plucked out of another time. Soldiers focus meticulously on gardening instead of preparing themselves for war. A dreamlike look into an imaginary future, where barracks appear as well maintained open-air museums. The tanks remain as relics, silent but admonishing. Some of them still work.

Mamaville

Turkey, 2020, Colour, 20 min.

Režija / Director: Irmak Karasu Uloge / Cast: Ece Yüksel, Gönül Ürer

Petnaestogodišnja Ferah provodi ljeto u kući svoje bake na plaži u jednom malom lučkom gradu. Dok njena baka, bez zadrške, uživa u dnevnim televizijskim emisijama čiji učesnici pred kamerama pokušavaju pronaći partnera, Ferah žudi za seksualnim oslobođenjem.

Osjeća gotovo opipljiv pritisak i konstantnu žudnju, a ljetni vjetar puše kroz sve otvore.

In a small port town, fifteen year-old Ferah is spending the summer at her grandmother’s beach house. Her grandmother indulges in watching dating reality shows, while Ferah craves her own sexual release. The pressure is palpable, desire doesn't abate, and the summer wind blows strong through every opening.

Mamaville SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

19

Bez lica / Faceless

Anja

Takmičarski program – studentski film Competition Programme – Student Film Selektorica / Selector: Asja Krsmanović SVJETSKE PREMIJERE / WORLD PREMIERES

Angina Pectoris Angina Pectoris

Croatia, 2020, Colour, 18 min.

Režija / Director: Filip Mojzeš Uloge / Cast: Jerko Marčić, Lorena Čižmek

Zoran živi ugodnim malograđanskim životom.

Jedne ljetne večeri po povratku s posla neplanirano zastane u trgovini. Njegova nesmotrena reakcija na iznenadan smrtni slučaj natjerat će ga da se suoči s posljedicama vlastitog (ne)djelovanja.

Zoran is an average man with a comfortable, petty-bourgeois lifestyle. One summer night, on the way back from work, he makes an unplanned stop at a store. His reckless reaction to a sudden death will force him to confront the consequences of his own (in)action.

B4

Anja

Hungary, 2020, Colour, 19 min.

Režija / Director: Benő Baranyi Uloge / Cast: Erik Major, Klaudia Jakab

Korijeni / The Roots

Mladi doktor Levente stažira u seoskoj bolnici u Mađarskoj. Zbog slučaja tek porođene Romkinje, Levente počinje gubiti povjerenje u svoga profesora Kovacsa. Film je zasnovan na istinitim događajima.

Levente, a young medic, spends his internship at a rural hospital in Hungary. He starts to question his trust in his teacher, Professor Kovacs, after a case involving a Roma woman who has just given birth. Based on a true story.

Dok dolazi kod bake da joj pomogne da obere lješnjake, sjećanja iz djetinjstva preplavljuju glavnog junaka. Posao nije težak, ali misli dok radi jesu. Mora se suočiti sa traumama koje ga proganjaju i imati jedan posljednji, iskren razgovor, sa dragom osobom koju je izgubio.

While on his way to his grandma's to help her harvest hazel nuts, memories of childhood overwhelm him. The work isn't hard, but the thoughts while he works are. He must confront the traumas he has and have a last, sincere talk, with a dear one he tragically lost.

Lotova žena / Lot's Wife

Greece, 2020, Colour, 23 min.

Režija / Director: Panagiotis Stergianos Uloge / Cast: Lampros Apostolou, Gabriela Vasdeki

Muškarac i žena zarobljeni u podrumu. Neobičan pogled na 19. poglavlje Knjige Postanka.

A man and a woman trapped in a basement. An oblique look at Genesis 19.

Moj tata, klovn /

My Dad, the Clown

Bosnia and Herzegovina, 2020, Colour, 24 min.

Režija / Director: Sara Ristić

Na otkrivanju spomen-ploče poginulim roditeljima mladi reditelj upoznaje čovjeka koji mu je spasio život prije 26 godina.

At the unveiling of a memorial plaque where his parents were killed, a director meets the man who saved his life that very night twenty-six years ago.

Bez lica / Faceless

Porodični odmor / Family Vacation

Bosnia and Herzegovina, 2020, Colour, 13 min.

Režija / Director: Alen Šimić

Croatia, 2020, Colour, 14 min.

Režija / Director: David Lušičić

Moj tata, klovn / My Dad, the Clown

Bosnia and Herzegovina, 2019, Colour, 16 min.

Režija / Director: Stefan Tomić

Kao mnogi roditelji i Sarini su rastavljeni. Za razliku od nekih očeva, Sarin tata je profesionalni klovn. Nakon većeg životnog događaja, Sara dobije priliku da napokon provede vrijeme s tatom i upozna osobu iza klovna.

Like many parents, Sara’s are divorced. As few parents are, Sara’s dad is a professional clown.

After a major life event, Sara finally has the opportunity to spend some quality time with her dad – and meet the person behind the clown.

B4

Lotova žena / Lot's Wife

Korijeni / The Roots

Kratkometražni dokumentarac o postavljanju spomenika prvom hrvatskom predsjedniku dr.

Franji Tuđmanu u Zagrebu. Izloženost različitim klimatskim uslovima, mijenja zvučni, taktilni i vizuelni doživljaj spomenika.

A short documentary about the installation of a monument of the first Croatian president, Dr. Franjo Tudjman, in Zagreb. Exposure to different weather conditions brings out changes in sonic, visual and tactile experiences.

20 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Serbia, 2020, Colour, 19 min.

Režija / Director: Katarina Koljević Uloge / Cast: Maja Šuša, Dado Ćosić, Boris Isaković

Milena i Marko nisu zajedno, ali su zajedno otputovali na odmor koji nije odmor, na kojem će Milena shvatiti da možda ne želi ono što misli da želi u životu.

Milena and Marko are not together but together they went on a vacation that is not really a vacation where Milena will realise she may not want what she thinks she wants in life.

Sužanj / Thrall

Velika dostignuća / Development

Ribe poput nas / Fish Like Us

Sužanj / Thrall

Nepoznati objekat pojavljuje se na osamljenom ostrvu. Pronalazaču taj objekat ispunjava sve želje. Ali, po skupoj cijeni.

An unknown object appears on a secluded island. Its owner receives the power to have his wishes granted – at great cost.

As part of an unusual farewell ritual, two siblings end up at a Chinese restaurant. Both feel guilty after the recent death of their mother and find it difficult to broach the subject. At another table, a father improves his daughter's homework, at the next a date goes wrong, and somewhere in between, the server's collar bursts. Though the tables are close together, the siblings hardly notice the little dramas taking place.

Velika dostignuća /

Velika istanbulska depresija /

Bosnia and Herzegovina, 2020, Colour, 9 min.

Režija / Director: Igor Đurić

Development

Montenegro, 2020, Colour, 21 min.

Režija / Director: Nikola Vučinić Uloge / Cast: Pavle Ilić, Marija Backović

Grupa pacijenata jedne psihijatrijske bolnice ostaje zaglavljena u gradiću Bigrenica čiji su stanovnici mahom starije osobe. Jedan od pacijenata, koji izrazito liči na lokalnog gradonačelnika, uspijeva pobjeći zdravstvenim radnicima i otići na svečano otvaranje zabavnog parka, koji bi trebao biti gradski projekt stoljeća i privući brojne turiste.

A group of psychiatric patients find themselves stranded in a small town that is mostly inhabited by old people. One of the patients, who bears a remarkable resemblance to the local mayor, manages to escape and introduces himself as an actual mayor at the grand opening of an amusement park, which is meant to be the project of the century, intended to attract tourists and liven up the small town of Bigrenica.

MEĐUNARODNE PREMIJERE/ INTERNATIONAL PREMIERES

Crvena nit / The Red String Romania, 2019, Colour, 5 min.

Režija / Director: Alexandra Fuscaș

Dan radi u turističkoj agenciji i vodi monoton život. Jednoga dana pred očima mu se pojavljuje crvena nit. Praćenje te niti iskustvo je koje će mu otvoriti oči.

Dan is stuck in a routine working in a travel agency. One day, before his eyes appears a red string. Following it will lead to an eye-opening discovery.

Ribe poput nas / Fish Like Us Austria, 2020, Colour, 17 min.

Režija / Director: Raphaela Schmid Uloge / Cast: Roman Binder, Julia Richter

U sklopu neobičnog oproštajnog rituala brat i sestra se zatiču u jednom kineskom restoranu.

Oboje se osjećaju krivim zbog nedavne majčine smrti i teško im je govoriti o tome. Za jednim od susjednih stolova otac popravlja domaću zadaću svoje kćerke, za drugim ljubavni sastanak kreće krivim tokom, a negdje između kragna konobara puca. Uprkos malom razmaku između stolova u restoranu, dvoje djece jedva da primjećuju dramatične situacije u njihovom okruženju.

Crvena nit / The Red String

The Great Istanbul Depression Turkey, Japan, 2020, Colour, 20 min.

Režija / Director: Zeynep Dilan Süren Uloge / Cast: Nazlı Bulum, Kübra Balcan

Iako je prošlo dosta vremena otkako su diplomirale, Didem i Ayşe nikako ne uspijevaju pronaći posao. Nikako ne uspijevaju pronaći novac; niti se Didem može koncentrisati na pisanje niti Ayşe na crtanje. Na rubu metropole, njih dvije su zaglavile među neboderima koji zaklanjaju pogled s njihove terase i oronulih stambenih zgrada.

Didem and Ayşe aren’t able to find jobs, even though it has been a while since they graduated from university. They cannot find a way to earn money; neither can Didem concentrate on writing nor Ayşe on drawing. At the edge of the metropolis, they are stuck between the skyscrapers rising amid the terrace of their home and the ruined apartment buildings.

Velika istanbulska depresija / The Great Istanbul Depression

REGIONALNE PREMIJERE/ REGIONAL PREMIERES

Presuda u slučaju K. /

Presuda u slučaju K. / The Verdict in the Case of K.

The Verdict in the Case of K.

Austria, 2020, Colour, 30 min.

Režija / Director: Özgür Anil Uloge / Cast: Nazmi Kirik, Cem Deniz Tato

Nakon presude na sudu, porodica se pokušava vratiti normalnom životu. Moral samohranog oca i njegovo dvoje djece pod znakom su pitanja usljed suprotstavljenih očekivanja društva.

After the verdict in a trial, a family tries to find their way back to normality. The morals of the single father and his two children are questioned by the conflicting expectations of society.

Zbogom, mala ulice! /

Zbogom, mala ulice! / Bye Little Block!

Bye Little Block!

Hungary, 2020, Colour, 9 min.

Režija / Director: Éva Darabos

Glavna junakinja filma saznaje da će uskoro zauvijek morati napustiti svoj dom u jednoj stambenoj zgradi. Nakon što dobije tu uznemiravajuću vijest savladaju je snažne emocije.

The protagonist learns that she will soon have to leave her flat for good. After receiving the upsetting news, she is overwhelmed with emotions.

Family

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

21

Glas / The Voice

Malmkrog

U fokusu In Focus Glas / The Voice

Selektorica / Selector: Elma Tataragić

Tinejdžer Goran završi u katoličkom internatu nakon što njegova majka ode raditi na kruzeru.

Goran je tu silom prilika i odbija se moliti. U početku to previše ne smeta ni njegovim vršnjacima ni odgajateljima u domu, međutim, kako vrijeme odmiče, oni pokušavaju od njega da naprave vjernika na šta on ne pristaje.

Suprostavlja im se pasivnim otporom, koliko god okolina vrši pritisak toliko svjedočimo koliko je jaka njegova volja da ne posustane, te se između njega i okoline stvara permanentna napetost koja na kraju rezultira čak i nasiljem.

Goran, a teenager, ends up in a Catholic boarding school because his mother has gone to work on a cruise ship. He has been forced to go to the school and refuses to pray. At first, this does not bother his peers or teachers too much, but as time goes by, despite his opposition, they start putting him under increased pressure to embrace religion. Goran resists passively, but, as the pressure grows, his determination becomes increasingly apparent and the tension between him and the others grows, before it finally erupts in violence.

kulturne vrijednosti i stavovi gostiju očigledniji.

S razlogom ili bez njega, gosti jedni druge čine sve napetijim, a razgovor sve težim. Konačno, zarobljeni u zamci vlastitih stavova i uvjereni da se historija nikada ne ponavlja, svi gosti propuštaju da shvate značaj događaja u kojem su nesvjesno zarobljeni.

Nikolai, a large landowner and a man of the world, puts his country estate at the disposal of some friends, by organising a sojourn at the spacious manor house. For the guests, among whom we find a politician, a young countess, a Russian general and his wife, time passes at the manor with rich meals, society games and by engaging in a long discussion of death and the Antichrist, progress and morality. The hours pass, the discussion becomes more heated, the topics become more and more serious, and differences in culture and viewpoint grow increasingly apparent.

Whether for good reason or not, the guests end up exacerbating each other’s anxieties to the point that their conversation becomes sorely strained. Finally, falling into the snare of their own discourse and believing that history never repeats itself, none of them is able to realise the extent of the event in which they have unwittingly come to be trapped.

Malmkrog

Moj jutarnji smeh /

Croatia, North Macedonia, Serbia, 2019, Colour, 80 min.

Režija / Director: Ognjen Sviličić Uloge / Cast: Franko Jakovčević, Belma Salkunić, Karla Brbić, Barbara Vicković, Igor Kovač

by living under the same roof with his drunken father and overprotective mother, to see if he can actually go beyond mere friendship with Kaća, a nice woman he works with. After the local psychic humiliates him during a séance, Dejan realises he has nothing to lose.

Nevolja s rođenjem /

The Trouble with Being Born

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Austria, Germany, 2020, Colour, 94 min.

Režija / Director: Sandra Wollner Uloge / Cast: Lena Watson, Dominik Warta

Elli je android i živi s muškarcem kojeg naziva svojim ocem. Zajedno uživaju u ljetu. Tokom dana se kupaju u bazenu, a noću je on odvodi u krevet. Elli sa njim dijeli njegove uspomene i sve drugo što je on programira da upamti.

Uspomene koje njemu znače sve, a njoj ništa.

Ipak, ona će se jedne noći uputiti u šumu prateći eho koji blijedi. Ovo je priča o jednoj mašini i duhovima koje svi nosimo u sebi.

Elli is an android who lives with a man she calls her father. Together, they drift through the summer. During the day they swim in the pool and at night he takes her to bed. She shares his memories and anything else he programs her to recall – memories that mean everything to him but nothing to her. Yet, one night she sets off into the woods following a fading echo. The story of a machine and the ghosts we all carry within us.

Romania, Serbia, Switzerland, Sweden, Bosnia and Herzegovina, North Macedonia, 2020, Colour, 200 min.

Režija / Director: Cristi Puiu Uloge / Cast: Agathe Bosch, Frédéric Schulz-Richard

My Morning Laughter

Pun mjesec / Full Moon

Nikolai, veliki zemljoposjednik i svjetski čovjek, svoje seosko imanje stavlja na raspolaganje prijateljima tako što organizuje druženja u prostranoj vlastelinskoj kući. Gosti, među kojima se nalaze političar, mlada grofica, te ruski general i njegova supruga, vrijeme provode uživajući u raskošnoj trpezi, društvenim igrama i dugim razgovorima o smrti i Antikristu, te progresu i moralu. S prolaskom vremena, razgovor postaje žustriji, teme sve brojnije i ozbiljnije, a različite

Dejan će uskoro napuniti 30 godina, ali još uvijek je djevac. Pokušava potisnuti nemir koji osjeća jer živi pod istim krovom s ocem alkoholičarom i pretjerano zaštitnički raspoloženom majkom i otkriti da li s Kaćom, ugodnom ženom s kojom radi, može ostvariti nešto više od prijateljstva. Nakon što ga lokalni vidovnjak ponizi tokom jedne od svojih seansi, Dejan shvata da nema šta izgubiti.

At almost thirty, Dejan is still a virgin. He tries to suppress the turmoil he feels, which is caused

Hamza, policijski inspektor, u noći punog mjeseca odvodi suprugu u porodilište.

Vodenjak je pukao i ona mora što prije da se porodi. Iako zabrinut, junak se vraća na posao.

U hodniku policijske stanice Hamza upoznaje dječaka Tarika, ujedno anđela i demona, koji će ga dovesti u iskušenja. Narodna vjerovanja o moći punog mjeseca se obistinjuju…

A full moon night. Police inspector Hamza takes his wife to the maternity ward. Her water has broken and her doctor orders an urgent delivery.

Moj jutarnji smeh / My Morning Laughter

Serbia, 2019, Colour, 94 min.

Režija / Director: Marko Đorđević Uloge / Cast: Filip Đurić, Jasna Đuričić, Ivana Vuković, Nebojša Glogovac, Bratislav Slavković

Nevolja s rođenjem / The Trouble with Being Born

22 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Bosnia and Herzegovina, 2019, Colour, 85 min.

Režija / Director: Nermin Hamzagić Uloge / Cast: Alban Ukaj, Ermin Sijamija, Mediha Musliović, Izudin Bajrović, Jasna Diklić

Pun mjesec / Full Moon

Rajski vrt / Eden

Zana

Hamza is worried but he has to leave her in hospital – he could not have taken the night off at such a short notice. At the police station it seems the folk tales about the full moon's power are coming true. In the hallway Hamza meets a boy who is both herald of doom and guardian angel, and who will put him on trial.

Rajski vrt / Eden

Hungary, Romania, Belgium, 2020, Colour, 153 min.

Režija / Director: Ágnes Kocsis Uloge / Cast: Lana Barić, Daan Stuyven

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Éva je alergična na brojne hemijske supstance, zagađen zrak, radiotalase i električna zračenja.

Mora živjeti u potpunoj izolaciji bez ikakvog dodira s okolinom. Najmanja greška može je ubiti. U kontaktu je samo sa svojim bratom i doktorima koji neprekidno izvode eksperimente na njoj. Jednog dana Évu posjećuje psihijatar kako bi utvrdio da li je zaista bolesna ili samo umišlja. Može li ljubav spasiti Évu? Éva is allergic to all kinds of chemical substances, air pollution, radio waves and electronic fields. She needs to live in total isolation and can have no contact with her environment. The slightest mistake may cause her death. Her only relations are with her brother and the doctors who continuously experiment on her. One day a psychiatrist comes to investigate if her illness is real or exists only in Éva’s mind. Will love be able to save her?

U neobičnoj potrazi za Laurom Durand / In the Strange Pursuit of Laura Durand

Greece, 2019, Colour and B&W, 98 min.

Režija / Director: Dimitris Bavellas Uloge / Cast: Makis Papadimitriou, Michalis Sarantis

Prijatelji Antonis Titsanis i Christos Fertakis zajedno žive u malom stanu u Atini. U nevolji i izolovani od društva, uglavnom preživljavaju zahvaljujući Fertakisovoj naknadi za nezaposlene. Dvojicu prijatelja povezuje platonska ljubav prema Lauri Durand, slavnoj pornoglumici devedesetih godina 20. stoljeća, misteriozno nestaloj prije nekoliko godina.

Kada njihov život od lošeg postane još gori, dvojica prijatelja odluče suprotstaviti se sudbini i krenuti u potragu za njom.

Antonis Titsanis and Christos Fertakis are

U neobičnoj potrazi za Laurom Durand / In the Strange Pursuit of Laura Durand

friends who live together in a small apartment in Athens. In distress and secluded from society, they survive mostly with Christos’s unemployment benefits. The friends are united by their common, platonic love interest for Laura Durand, a pornstar of the 1990s who disappeared mysteriously several years ago.

When things go from bad to worse, the two friends decide to go up against their fate and start trying to track Laura down.

Velika štampana slova / Uppercase Print

Romania, 2020, Colour and B&W, 128 min.

Uloge / Cast: Bogdan Zamfir, Șerban Lazarovici

Rumunija 1981. Komunističkom Rumunijom upravlja Ceausescu. Uz pomoć državne televizije, on piše službenu historiju. Svojim porukama protiv vladajućeg režima, koje kredom i velikim slovima piše po zidovima, šesnaestogodišnji Mugur Călinescu ispisuje drugačiju priču. Istina o njegovim aktivnostima sačuvana je u obimnom izvještaju tajne policije (Securitate) koja ga je pratila, uhapsila, ispitivala i uništila. Spajanje dvaju priča – tajne i javne, lične i kolektivne – trideset godina nakon pada komunističkog režima iz zaborava izvlači nepoznatog heroja.

Romania, 1981. Nicolae Ceauşescu is in office, leading a communist Romania. He writes the official story with the help of the National Television service. Sixteen-year-old Mugur Călinescu writes another story in chalk on walls, with messages of protest against the regime. His actions are compiled in a voluminous file kept by the Securitate (secret police), which observed, apprehended, interrogated and destroyed him. Linking both stories – the secret and the public, the personal and collective – brings to light an unknown hero thirty years after the fall of communism.

Vrba / Willow

North Macedonia, Hungary, Belgium, Albania, 2019, Colour, 101 min.

Režija / Director: Milčo Mančevski Uloge / Cast: Sara Klimoska, Natalija Teodosieva

U srednjovjekovnoj Makedoniji bračni par bezuspješno pokušava dobiti dijete. Jedna starica im nudi pomoć, ali samo pod uslovom da joj daju svoje prvorođenče. Muškarca na

Velika štampana slova / Uppercase Print

ulici autom udara taksista. Dok kiši, taksista sjedi sam na pločniku i čeka dolazak policije.

Zapanjena njegovim poštenjem, Rodna mu donosi kišobran. Tri godine kasnije njih dvoje se vjenčaju, ali ne uspijevaju dobiti dijete sve dok se ne odluče za vantjelesnu oplodnju.

Njena sestra je usvojila petogodišnjeg dječaka. Dječak je iznimno inteligentan, ali ne govori. Tri priče, tri neočekivane heroine.

A medieval couple in Macedonia cannot conceive. An old woman offers help – but only if they give her their firstborn. A taxi driver hits a man in the street. Seated alone on the curb in the rain, he waits for the police. Taken with his honesty, Rodna brings him an umbrella. Three years later they are married, but can’t conceive – until they try in-vitro. Rodna’s sister has adopted a five-year-old boy. He is very intelligent, but does not say a word. Three stories, three unlikely heroines.

Zana

Kosovo, Albania, 2019, Colour, 97 min.

Režija / Director: Antoneta Kastrati Uloge / Cast: Adriana Matoshi, Astrit Kabashi

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Albanka Lume sa suprugom Ilirom i svekrvom Remzijom živi u malom selu na Kosovu.

Progonjena noćnim morama, u nemogućnosti da začne i rodi djecu, Lume je pod strašnim pritiskom svekrve Remzije da ispuni svoju bračnu dužnost. Svekrva joj prijeti da će, ukoliko ne zanese, morati pronaći i njenom sinu dovesti mlađu zamjenu. U strahu da će biti ostavljena, Lume odbacuje modernu medicinu i lijek za neplodnost odlučuje potražiti kod nadriljekara i vračeva.

Lume, an Albanian woman, lives with her husband Ilir, and her mother-in-law, Remzije, in a small Kosovar village. Haunted by night terrors, childless and unable to conceive, Lume is relentlessly pressured by Remzije to fulfil her wifely duties – if Lume cannot give birth , her mother-in-law threatens, it will be Remzije’s responsibility to bring in a younger and more eager prospective wife for her son to consider.

Bowing under the pressure of being replaced, Lume concedes and abandons modern medicine, seeking instead the help of witch doctors and mystic healers to treat her infertility.

Vrba / Willow SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

23

Kosti / Bones

Mama i tata se igraju rata / Mum and Dad are Playing War

Pretpremijere serije Avantpremiere Series Kosti / Bones

Bosnia and Herzegovina, 2020, Colour, 89 min., S1E1-E2 Režija / Director: Saša Hajduković Uloge / Cast: Jovo Maksić, Ljubiša Savanović, Dragan Mićanović, Nikola Pejaković, Boris Isaković, Milica Janevski, Aleksandar Đurica

Banja Luka, 2019. Dok Kosta Govoruša, izbjeglica iz Krajine, pokušava sa sestrom Kristinom nekako preživjeti baveći se krečenjem, Kosta Gajić mirno gradi političku karijeru u lijepom društvu svoje žene Zorice, inače direktorice marketinške agencije. Jedan razgovor za posao na koji dolazi Kristina, jedna marketinška ponuda Zorice Gajić i jedan čin nasilja u osiguravajućoj kući Astorija kod poznatog privatnika Mirka Kovača, nepovratno će spojiti sudbinu ta dva junaka.

Priča o dvojici otuđenika koji, pogođeni traumom iz rata, ne mogu da se uklope u razoreno i korumpirano društvo. Svako na svoj način i svaki u svoje vrijeme, imat će svoju ličnu osvetu…

Banja Luka, 2019. Kosta Govoruša, a war refugee from the Krajina region left with no one but his baby sister Kristina, does his best to make ends meet by painting houses.

Meanwhile, Kosta Gajić patiently builds his political career accompanied by his beautiful wife Zorica, the CEO of a marketing agency.

Three events – Kirstina's job interview, Zorica's marketing pitch and an act of violence at the

headquarters of an insurance company run by well-known businessman Mirko Kovach – irreversibly intertwine the fates of the two Kostas. BONES is a story of two alienated men, both burdened with war trauma, who fail to fit in a devastated and corrupt society. Each in his own way, each in his own time, they will have their own revenge...

Mama i tata se igraju rata /

Mum and Dad are Playing War

Serbia, 2019, Colour, 100 min., S1E1-E2 Režija / Director: Gordan Kičić, Vladimir Tagić Uloge / Cast: Gordan Kičić, Nina Janković Dičić, Lena Lazović, Nebojša Ilić, Milica Mihajlović

Ova serija je putovanje – priča o odrastanju, razumijevanju i nerazumijevanju života. Veljko uči šta znači biti glumac, šta znači biti otac i partner, ali njegova najvažnija potraga je potraga za vlastitom srećom. Na koncu shvata da sreća dolazi iznutra i da ne postoji bez ljubavi.

This television show is a journey; a story about growing up, about understanding life and still not figuring it out. Veljko is trying to figure out what it means to be an actor, a father and a partner, but his most important drive is the pursuit of personal happiness. At the end, he becomes aware of the fact that happiness is something that comes from inside and that doesn’t exist without love.

Močvara / Underneath

24 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Močvara / Underneath

Serbia, 2020, Colour, 97 min., S1E1-E2 Režija / Director: Oleg Novković Uloge / Cast: Goran Bogdan, Stefan Trifunović, Jana Bjelica, Boris Isaković, Dejan Dedić

U uzavrelom Beogradu manijak na izuzetno surov, ritualan način ubija tri žene. Žrtve spaja slobodouman stil života i to što su majke sinova. Sinova koji nemaju očeve. Djece koja odbijaju da govore. Serija prati inspektora Nikolu, bivšeg huligana, koji se mora suočiti sa svojom mračnom prošlošću i svim njenim tajnama kako bi otkrio manijakalnog ubicu. Što mu je bliži u istrazi, to je sigurniji da njega i ubicu nešto suštinski povezuje. Ovo je priča o grijehu i žudnji, o ljubavi i mržnji, i o prijateljstvu, koja počiva na zločinu i tajnama.

In the hot city of Belgrade, a maniac kills three women in a very cruel and ritualistic manner.

The victims are connected by their liberal lifestyle and the fact that they each leave behind sons – sons who do not have fathers and who refuse to speak. UNDERNEATH follows Inspector Nikola, a former hooligan, who is forced to face his dark past and all of its secrets in order to find the killer. The more he finds out about his target, the more certain he is that they are somehow connected. This is a story about sin and longing, love and hate, and about friendship that is forged in crime and secrets.

MASTERCLASSES:

IN CONVERSATION WITH The MASTERCLASS series features intimate hour-long conversations with award-winning international filmmakers and actors that the festival public will be able to watch online, via ondemand.sff.ba.

Michel Hazanavicius August 17

Bérénice Bejo August 18

Rithy Panh August 20

PHOTO BY MICHEL HAZANAVICIUS

Michel Franco August 19

Mads Mikkelsen

© KENNETH WILLARDT

August 21

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

25

Koncentriši se, baba / Focus, Grandma

Open Air Koncentriši se, baba / Focus, Grandma

Bosnia and Herzegovina, Turkey, 2020, Colour, 92 min.

Režija / Director: Pjer Žalica Uloge / Cast: Jasna Žalica, Emir Hadžihafizbegović, Alma Prica, Jadranka Đokić, Vedrana Božinović, Admir Glamočak, Dženita Imamović, Bane Popović, Izudin Bajrović, Dino Sarija, Mira Banjac

U aprilu 1992. godine, brojna se porodica, razbacana po cijeloj Jugoslaviji, okuplja u Sarajevu oko odra stare majke. Baba nije dobro, ali se prognoza porodičnog ljekara da je njena smrt pitanje minuta, pretvara u sate, pa onda dane. Počinju spletke, prevare i trvenja oko nasljedstva koje će ostati iza starice, a naročito oko velike porodične kuće u Sarajevu.

Baba i posljednim uzdasima svojski učestvuje u tome, a možda je upravo to i održava u životu. Intrige i spletkarenje na štetu jedne od sestara ovoj porodici su važnije od jasnih, zastrašujućih znakova nadolazeće kataklizme.

Kada je, na koncu, prevara otkrivena, već je kasno.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues

directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late.

Lov / The Hunt

Denmark, Sweden, 2012, Colour, 115 min.

Režija / Director: Thomas Vinterberg Uloge / Cast: Mads Mikkelsen, Alexandra Rapaport, Thomas Bo Larsen

Nakon bolnog razvoda, četrdesetogodišnji Lucas pronašao je novu djevojku, novi posao i pokušava popraviti odnos sa svojim sinom, tinejdžerom Marcusom. Ali stvari krenu krivim tokom. Ništa ozbiljno. Samo usputni komentar.

Pokoja laž. A kako pada snijeg i božićne lampice se pale, laž se širi poput nevidljivog virusa. Šok i nepovjerenje više se ne mogu kontrolisati i mala zajednica iznenada upada u stanje kolektivne histerije dok Lucas vodi usamljeničku bitku za vlastiti život i dostojanstvo.

Following a tough divorce, forty-year-old Lucas has a new girlfriend and a new job, and is in the process of re-establishing his relationship with his teenage son Marcus. But things go awry.

Not a lot. Just a passing remark. A random lie.

And as the snow falls and the Christmas lights are lit, the lie spreads like an invisible virus. The shock and mistrust get out of hand, and the small community suddenly finds itself in a collective state of hysteria, while Lucas fights a lonely fight for his life and dignity.

Noćna smjena / Night Shift France, 2019, Colour, 98 min, French Režija / Director: Anne Fontaine

Otac / Father

26 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Uloge / Cast: Omar Sy, Virginie Efira, Grégory Gadebois, Payman Maadi

Virginie, Erik i Aristide su policajci. Sve troje pokušavaju držati svoje lične i emotivne živote na okupu dok se svakodnevno susreću sa nasiljem na ulicama i u tuđim domovima.

Jedne noći dodjeljuju im neobičan zadatak: da jednog migranta, zbog nepoznatih razloga, odvezu na aerodrom. Tokom vožnje Virginie saznaje da će muškarac, u slučaja povratka u domovinu, biti osuđen na smrt. Suočena s nepodnošljivom dilemom, ona počinje preispitivati dodijeljeni zadatak. Trojka ima samo jednu noć da odluče o muškarčevoj sudbini.

Virginie, Erik and Aristide are police officers.

All three try to keep their personal and emotional lives together while dealing with daily incidents of violence in homes and on the streets. One night, they are assigned an unusual mission: to drive a migrant to the airport for unspecified reasons. On the way, Virginie discovers that the man will be sentenced to death if he returns to his home country. Faced with an unbearable dilemma, she begins to question the mission. The trio has one night to decide a man’s fate.

Otac / Father

Serbia, Germany, France, Croatia, Bosnia and Herzegovina, Slovenia, 2020, Colour, 120 min.

Režija / Director: Srdan Golubović Uloge / Cast: Goran Bogdan, Boris Isaković, Nada Šargin, Milica Janevski, Muharem Hamzić

OTAC je priča o čovjeku kojem oduzimaju djecu zbog njegovog siromaštva. To je priča o

Provincijalni Wisconsin / Small Town Wisconsin

Noćna smjena / Night Shift

Pinocchio

gubitniku, otpadniku i poniženom čovjeku koji – kroz svoje putovanje pješke od sela na jugu Srbije do prijestolnice, s jednog kraja zemlje na drugi, iz protesta, dostojanstva i želje da se dokaže sebi i drugima, iz očaja – postaje heroj.

FATHER is a story of a man who has his children taken away from him because of his poverty. It’s a story about a loser, a cast-out and humiliated man who – through his journey, walking from his village in the south of Serbia to the capital, from one end of the country to the other, out of protest, dignity and his wish to make a point to himself and others, out of desperation – becomes a hero.

learns by trial and error. Matteo Garrone bestows Pinocchio’s world with a visionary dimension that, like the book, has a broad sweep. His Pinocchio moves in a realm that is simultaneously real and fantastic; this is a rural, timeless and yet unmistakable Italy that is redolent of the earth, the sea and the farmyard. Viewers will certainly find their favourite among the characters Pinocchio encounters on his journey, who bring him faceto-face with nature, the animal kingdom and the world of the imagination.

Pinocchio

Small Town Wisconsin

Italy, France, United Kingdom, 2019, Colour, 124 min.

Režija / Director: Matteo Garrone Uloge / Cast: Roberto Benigni, Federico Ielapi, Rocco Papaleo, Massimo Ceccherini

Dosljedna filmska adaptacija čuvene bajke o drvenom lutku koji oživi zahvaljujući želji siromašnog, usamljenog drvodjelje. Kao i svako dijete, Pinocchio je radoznao i uči o životu na osnovu vlastitih grešaka. Matteo Garrone u Pinocchijev svijet unosi vizionarski duh koji je, kao i u knjizi, prilično sveobuhvatan.

Njegov Pinocchio kreće se u svijetu koji je istovremeno stvaran i nestvaran, seoski, bezvremen, pa ipak očigledno smješten u Italiji bogatoj zemljom, morem i farmama.

Gledaoci će, bez sumnje, pronaći vlastite miljenike među likovima koje Pinocchio upoznaje na svome putu, a koji ga upoznaju sa prirodom, svijetom životinja i mašte.

A faithful adaptation of the famous story of the wooden puppet that is brought to life at the behest of a poor, lonely woodcarver. Like any child, Pinocchio is curious about the world and

Sjetit ćeš me se / You Will Remember Me

Provincijalni Wisconsin / United States, 2020, Colour, 106 min.

Režija / Director: Niels Mueller Uloge / Cast: David Sullivan, Kristen Johnston, Bill Heck, Tanya Fischer, Cooper J. Friedman

Wayne Stobierski, uvijek spreman za dobar provod i šalu, najzabavniji je stanovnik Rhinelandera u Wisconsinu (7798 stanovnika).

Ako sumnjate, slobodno pitajte njegovog najdražeg partnera u provodu Tylera koji sa njim prolazi kroz sve i uživa u svakom trenutku.

Međutim, postoji jedan problem. Naime, Tyler je Waynov devetogodišnji sin. Kada Wayne dobije bolnu vijest da je izgubio zajedničko starateljstvo nad dječakom, kao i da će njegov voljeni prijatelj uskoro odseliti daleko od njega, planira poseban vikend za svoga sina po kojem će ga dječak upamtiti. Plan je da otputuju u veliki grad o kojem su oduvijek sanjali – Milwaukee, Wisconsin (592 025 stanovnika).

Wayne Stobierski is the most fun-loving, hardest-living party animal in Rhinelander, Wisconsin (population 7,798). Just ask his favourite wingman, Tyler, who’s seen it all,

lived it all, loved it all. Only problem? Tyler is Wayne’s nine-year-old son. When Wayne learns the devastating news that he is losing shared custody and that his beloved wingman will be moving far away, he plans a special weekend for his son to remember him by – a trip to the big city of their dreams: Milwaukee, Wisconsin (population 592,025).

Sjetit ćeš me se /

You Will Remember Me

Canada, 2020, Colour, 108 min.

Režija / Director: Eric Tessier Uloge / Cast: Rémy Girard, Karelle Tremblay, Julie Le Breton, David Boutin, France Castel

Edouard, javna ličnost i penzionisani nastavnik historije, polako gubi pamćenje.

Naviknut da javno govori, iznenada je prisiljen da priča što manje, iako smatra da još uvijek ima puno toga za reći. Osim toga, budući da nema nikoga ko bi se mogao brinuti o njemu, predaju ga na staranje mladoj, ali pomalo buntovnoj i izgubljenoj Bérénice. Njihov susret natjerat će Edouarda da se prisjeti poglavlja iz svog života koje je svjesno potisnuo u zaborav, a Bérénice da pronađe smisao u svome životu. Édouard, a public figure and retired history teacher, is slowly starting to lose his memory.

Accustomed to speaking out and taking a stand on all topics, he must make himself more discreet, even if he believes he still has a lot to say. Further, since no one can watch over him, he is placed in the care of Bérénice, a young girl who is a little rebellious and lost.

Their meeting will lead Édouard to revisit a chapter from his personal history that he had chosen to forget, and Bérénice to find meaning in her life.

Lov / The Hunt SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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A l'abordage!

Asistentkinja / The Assistant

KINOSCOPE A l'abordage!

Selektori / Selectors: Alessandro Raja, Mathilde Henrot

Jedne tople ljetne večeri u Parizu Félix slučajno upoznaje Almu. Smiju se, plešu i zajedno provode noć u parku. Ali ubrzo se moraju rastati jer ona odlazi na odmor sa svojom porodicom.

Félix impulsivno odluči da je iznenadi na odmoru, a u avanturu uključuje i svog prijatelja.

Dijele prevoz s jednim mladićem kojeg također upliću u svoj poduhvat. Međutim, ništa ne ide onako kako su planirali.

A warm summer evening in Paris; Félix meets Alma by chance. They laugh, dance and spend the night in a park. But their time together is cut short because Alma is about to go on holiday with her family. On an impulse, Félix decides to surprise her where she is holidaying and enrols a friend in the adventure. They carpool with a young man who gets tangled up in the undertaking. Nothing seems to go quite as planned.

poruke, uvodi nove kolege u posao. Dok slijedi svoju svakodnevnu rutinu, Jane, kao i mi, postaje sve svjesnija zlostavljanja i rastućeg poniženja koje podmuklo boje svaki aspekt njenog radnog dana. Odlučuje zauzeti stav protiv toga, samo da bi otkrila istinsku dubinu sistema u koji je ušla.

THE ASSISTANT follows one day in the life of Jane, a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful enertainment mogul. Her day is much like that of any other assistant – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colours every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered.

Asistentkinja / The Assistant

Krvne Veze / Wildland

France, 2020, Colour, 95 min.

Režija / Director: Guillaume Brac Uloge / Cast: Éric Nantchouang, Salif Cissé, Édouard Sulpice, Asma Messaoudene

United States, 2019, Colour, 87 min.

Režija / Director: Kitty Green Uloge / Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini

Film prati jedan dan u životu Jane, tek diplomirane ambiciozne filmske producentice, koja je upravo pronašla posao iz snova kao asistentica moćnog biznismena u industriji zabave. Njen radni dan je sličan bilo kom danu nekog drugog asistenta – kuha kafu, mijenja papir u kopir-mašini, naručuje ručak, organizuje putovanja, preuzima telefonske

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Denmark, 2020, Colour, 89 min, Danish Režija / Director: Jeanette Nordahl Uloge / Cast: Sandra Guldberg Kampp, Sidse Babett Knudsen, Joachim Fjelstrup

Ida se uselila kod tetke i rođaka nakon što joj je majka tragično stradala u saobraćajnoj nesreći. Kuća je puna ljubavi, ali van doma porodica vodi nasilan i kriminalan život.

Ida moves in with her aunt and cousins after the tragic death of her mother in a car accident.

The home is filled with love, but outside the home, the family leads a violent criminal life.

Atlantida / Atlantis

28 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Los Conductos

Gagarin

France, 2020, Colour, 95 min.

Režija / Director: Fanny Liatard, Jérémy Trouilh Uloge / Cast: Lyna Khoudri, Alseni Bathily

Šesnaestogodišnji Yuri živi u Gagarinovim tornjevima, velikim crvenim zgradama od cigle na periferiji Pariza. Sanja da postane astronaut. Kada se pročuje za planove rušenja Gagarinovih tornjeva, Yuri se pridružuje otporu i zajedno sa svojim prijateljima upušta se u misiju spašavanja sopstvenog doma, koji za njega postaje „zvjezdani brod” – prije nego što zauvijek nestane u svemiru.

Sixteen-year-old Yuri has lived his whole life in Gagarin Towers, a vast red-brick housing project on the outskirts of Paris. He dreams of becoming an astronaut. When plans to demolish Gagarin Towers are leaked, Yuri joins the resistance. With his friends Diana and Houssam, he embarks on a mission to save their home – which has become his "starship” – before it disappears into space forever.

KINOSCOPE REAL

Atlantida / Atlantis

Ukraine, 2019, Colour, 108 min.

Režija / Director: Valentyn Vasyanovych Uloge / Cast: Andriy Rymaruk, Liudmyla Bileka

U bliskoj budućnosti u Ukrajini bivši vojnik Sergey pokušava se oporaviti od ratnih trauma. Kada se željezara u kojoj radi zatvori, on se prijavljuje za volontera organizacije Crni tulipan koja traga za tijelima poginulih vojnika, gdje upoznaje i Katyu, arheologinju koja i doslovno i metafizički iskopava posljedice vlastite historije.

Krvne Veze / Wildland

Gagarin

In the near future in Ukraine, former soldier Sergey tries to recover from the trauma of war.

When the foundry where he works closes down, he volunteers for Black Tulip, an organisation that recovers the bodies of fallen soldiers. This brings him into contact with archaeologist Katya, who is literally and metaphorically digging up the consequences of her own history.

Garažni ljudi / Garage People

AUDENTIA AWARD NOMINEE NOMINATION AU PRIX AUDENTIA

Germany, 2020, Colour, 95 min.

Režija / Director: Natalija Yefimkina

Daleki sjever Rusije negostoljubiv je predio gdje zima nikada ne završava, a svježi snijeg brzo prekriva industrijska prljavština. Tu, na rubu grada u kojem je rudarska kompanija jedini poslodavac, nizovi garaža protežu se unedogled. Iza njihovih zahrđalih vrata moguće je pronaći bilo šta, izuzev auta. Te garaže utočište su ruskih muškaraca koji svoju inventivnost i vještine koriste da njihovih par metara kvadratnih prostora pretvore u alternativno mjesto za život. Svaka garaža mjesto je samoostvarenja, prostor koji čuva velike snove i nudi odmor od teškog života u Arktičkom krugu. Ilja, sakupljač metalnog otpada, svoju garažu je pretvorio u radionicu, Roman u svojoj uzgaja golubove, a Pavel rezbari figurice svetaca. Članovi rok-benda u svojoj garaži održavaju probe, a Viktor je nakon decenija rada svoju proširio, iskopavši četiri podzemna nivoa. Svaka garaža odražava žudnje, strahove i strasti svoga vlasnika.

Zajedno tvore mikrokosmos u kojem obitava skriveni dio društva i u kojem ima prostora i za smijeh.

Russia’s Far North is an inhospitable region where winter never seems to end and fresh

Garažni ljudi / Garage People

snow is soon covered by the black soot of industry. Here, on the edge of a city where a mining company is the sole employer, garages seem to stretch out into infinity. Behind their rusty doors you can find just about anything – except a car. These boltholes are the refuge of the Russian man. Within a few square metres, he can devote his inventive talent and tenacity to creating an alternative living space. Each garage is a place for self-fulfillment, containing big dreams and a respite from the dreariness of everyday life inside the Arctic Circle. Scrap collector Ilja uses his garage as a workshop; Roman breeds quail in his; Pavel carves figures of saints. Two soldiers on manoeuvres nearby use theirs to store equipment. The garage belonging to a rock band serves as a rehearsal room whereas, in a decades-long effort, Viktor has extended his by adding four underground levels. Each of these spaces provides an insight into the longings, anxieties and passions of their owners. Together, they form a microcosm that reveals a hidden part of society in which there is also room for humour.

Los Conductos

France, Colombia, Brazil, 2020, Colour, 70 min.

Režija / Director: Camilo Restrepo Uloge / Cast: Luis Felipe Lozano, Fernando Úsaga Higuíta

Medellín, Kolumbija. Pinky je u bijegu. Nedavno se izvukao iz stiska jedne vjerske sekte, pronašao mjesto na kojem može skvotirati i zaposlio se u fabrici majica. Razočaran u vlastitu religiju, preispituje sve u što je ikada vjerovao. Međutim, dok pokušava srediti svoj razoreni život, vraćaju mu se nasilne uspomene i u njemu bude želju za osvetom. Film je inspirisan istinitim događajima.

Medellin, Columbia. Pinky is on the run. He has just freed himself from the grips of a religious

sect. He finds a place to squat and a job in a t-shirt factory. Misled by his own faith, he questions everything. But as he tries to put the pieces of his broken life back together, violent memories return to haunt him and ask for revenge. Freely inspired by a true story.

Ovo nije sahrana, ovo je uskrsnuće / This Is Not a Burial, It's a Resurrection

Lesotho, South Africa, Italy, 2019, Colour, 120 min.

Režija / Director: Lemohang Jeremiah Mosese Uloge / Cast: Mary Twala Mhlongo, Jerry Mofokeng Wa Makheta, Makhaola Ndebele, Tseko Monaheng, Siphiwe Nzima

U planinama Lesota osamdesetogodišnja udovica Mantoa željno iščekuje povratak sina s rada u južnoafričkim rudnicima, samo da bi saznala za njegovu smrt. Nakon gubitka posljednjeg preostalog člana porodice, Mantoa željno iščekuje vlastitu smrt te sređuje svoje poslove i dogovara da je sahrane na lokalnom groblju. Mantoin pažljivo pripremljen plan remeti vijest da lokalni zvaničnici planiraju raseliti njeno selo, potopiti ga i tu izgraditi branu i napraviti jezero.

Mantoa odluči odbraniti duhovno nasljeđe svoje zajednice.

In the mountains of Lesotho, an eighty-yearold widow named Mantoa eagerly awaits her son’s return from working in the South African mines, only to learn of his demise. Yearning for her own death after the loss of her last remaining family member, she puts her affairs in order and makes arrangements to be buried in the local cemetery. Her careful plans are abruptly upset by the news that provincial officials intend to resettle the village, flood the entire area, and build a dam for a reservoir.

Mantoa resolves to defend the spiritual heritage of her community.

Ovo nije sahrana, ovo je uskrsnuće / This Is Not a Burial, It's a Resurrection SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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Zemlja je plava poput narandže / The Earth Is Blue as an Orange

Zvijeri koje se hvataju za slamke / Beasts Clawing at Straws

Lapsis

Zemlja je plava poput narandže / The Earth Is Blue as an Orange Ukraine, Lithuania, 2020, Colour, 74 min.

Režija / Director: Iryna Tsilyk

Samohrana majka Anna i njeno četvero djece žive u ukrajinskoj ratnoj zoni u Donbasu, nedaleko od linija fronta. Dok je vanjski svijet u haosu i odjekuje eksplozijama bombi, porodica u svome domu uspijeva održati atmosferu sigurnog utočišta punog života i svjetlosti. Svi članovi porodice strastveno vole film, što ih motiviše da snime film o vlastitom životu u ratu. Taj kreativni proces suočava ih s pitanjem kakvu ulogu magični svijet filma može igrati u kriznim vremenima. Kako prikazati rat kroz umjetnost? Pretvaranje vlastitih trauma u umjetničko djelo savršen je način za Annu i njenu djecu za očuvanje vlastite ljudskosti.

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine.

While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light.

Every member of the family has a passion for cinema, which motivates them to shoot a film inspired by their own lives during a time of war.

The creative process raises questions about the kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

KINOSCOPE SURREAL

Lapsis

United States, 2020, Colour, 108 min.

Režija / Director: Noah Hutton Uloge / Cast: Dean Imperial, Madeline Wise, Babe Howard, Dora Madison, Ivory Aquino

U paralelnoj stvarnosti dostavljač Ray Tincelli muči se da izdržava sebe i svoga bolešljivog mlađeg brata. Nakon niza sitnih prevara i neuspješnih obmana Ray prihvata posao u

Relikt / Relic

čudnom novom svijetu honorarne ekonomije.

Odlazi duboko u šumu kako bi razvlačio kilometarske kablove za spajanje velikih, metalnih kocki koje povezuju novo tržište kvantova. Kako zalazi dublje u zonu rada, nailazi na sve veće neprijateljstvo i rastuću prijetnju robotiziranih polagača kablova, te mora odlučiti da li želi pomoći svojim radnim kolegama ili se obogatiti i izvući se odatle.

In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.

Relikt / Relic

Australia, United States, 2020, Colour, 89 min.

Režija / Director: Natalie Erika James Uloge / Cast: Emily Mortimer, Robyn Nevin, Bella Heathcote

Kada Edna, žena u osmoj deceniji života, neobjašnjivo iščezne, njena kćerka Kay i unuka Sam pohitaju u oronulu porodičnu kuću na selu. Svud po kući pronalaze dokaze da se Ednina demencija pogoršala. Nakon što se Edna vrati, jednako neobjašnjivo kao što je i nestala, Kay je zabrinuta jer njena majka ne želi ili nije u stanju reći gdje je bila, dok se Sam samo raduje što je baka ponovo s njima.

Međutim, kad se Edna počne ponašati sve nepredvidljivije, obje počinju sumnjati da neka zloćudna sila u kući počinje preuzimati kontrolu nad njom.

When octogenarian Edna inexplicably vanishes, her daughter Kay and granddaughter Sam rush to their family’s decaying country home and find clues of Edna's increasing dementia scattered

30 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

around the house in her absence. After Edna returns just as mysteriously as she disappeared, Kay’s concern that her mother seems unwilling or unable to say where she’s been clashes with Sam’s unabashed enthusiasm to have her grandma back. However, as Edna’s behaviour becomes increasingly volatile, both younger women begin to sense that an insidious presence in the house might be taking control of her.

Zvijeri koje se hvataju za slamke / Beasts Clawing at Straws South Korea, 2020, Colour, 115 min.

Režija / Director: Kim Yong-hoon Uloge / Cast: Jeon Do-yeon, Jung Woo-sung, Bae Sung-woo, Yun Yuh-jung, Jung Man-sik

Sudbine zlosretnih bijednika polako se prepliću prije strmoglavog sunovrata: Joongman jedva preživljava i njeguje bolesnu majku od plate koju zarađuje u sauni, sve dok u svlačionici ne pronađe torbu punu novca; Taeyoung je u nevolji nakon što je njegova djevojka pobjegla i odnijela novac koji je pozajmio od zelenaša. Nedugo potom misteriozno se pojavljuje nečiji leš. Mi-ran, rastrzana između nasilnog muža i neperspektivnog posla konobarice u jednom baru, pronalazi mladog ljubavnika Jin-taea koji joj predloži da ubije njenog muža… Uskoro se svi uključuju u bespoštednu borbu na sve ili ništa.

The destinies of hard-luck lowlifes slowly converge and come crashing down: Joongman barely gets by working at a sauna and taking care of his sick mother, until he finds a bag full of cash in the locker room; Tae-young is in trouble after his girlfriend runs away with the money he borrowed from a loan shark.

Soon, a dead body mysteriously turns up; Mi-ran, caught between her husband’s violence and a dead-end job as a bar hostess, finds a young lover, Jin-tae, who offers to kill her husband… And now their dog-eat-dog game begins.

NOVI DOŽIVLJAJI UZ OMILJENE FILMOVE.

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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SHORTS 3 logična izlaza / 3 Logical Exits

Selektorica / Selector: Bianca Lucas

EUROPEAN SHORTS 3 logična izlaza / 3 Logical Exits

Denmark, United Kingdom, Lebanon, 2020, Colour and B&W, 14 min.

Režija / Director: Mahdi Fleifel

Diši / Breathe

Sociološka meditacija o različitim “izlazima” koje biraju mladi Palestinci kako bi izašli na kraj sa životom u izbjegličkim kampovima.

A sociological meditation on the different “exits” that young Palestinians choose in order to cope with life in the refugee camps.

Diši / Breathe

Poland, 2019, Colour, 25 min, Polish Režija / Director: Daria Kasperek

Erpe-Mere

U jednoj četvrti u Łódźu, gdje živi gotovo 71 000 ljudi, okružena betonskim zgradama stoji mala i oronula kuća. Drvena straćara mjesto je na kojem je moguće posmatrati čudesne svakodnevne interakcije među ljudima. Okus sunca, soli i betona ispunjava razgovore. To je mjesto na kojem je moguće disati.

In one of the districts of Łódź, where almost seventy-one thousand people live, a small thorn house was built among the concrete buildings. This small, wooden structure becomes a place to observe the wonders of everyday interactions. The taste of the sun, salt and concrete fills the conversations.

There is space to breathe.

Erpe-Mere Helfer

Belgium, 2019, Colour, 21 min.

Režija / Director: Noemi Osselaer Uloge / Cast: Yoki Osselaer

I dalje radi / Still Working

Dok oko nje odjekuje glasanje noćnih životinja, djevojka pada u dubok san.

Postepeno bivamo uvučeni u njen san, koji se pretvara u kosmičko putovanje po livadama Erpe-Merea, ruralne zajednice u Belgiji.

Surrounded by the sounds of nocturnal animals, a girl falls into a deep sleep.

Gradually, we are drawn into her dream, which unfolds as a cosmic journey through the meadows of Erpe-Mere, a rural community in Belgium.

Helfer

Hungary, 2020, Colour, 10 min.

Režija / Director: Anna Szöllösi

Mladu ženu muče nervoza i noćne more koje se iznova ponavljaju, a kojih se želi riješiti.

Traži pomoć od osobe koja joj ponudi neuobičajeno rješenje, ali u procesu se mora suočiti sa svojim najvećim strahovima.

A young woman is struggling with anxiety and recurring nightmares that she wants to Jesenja bolest / Autumn Ill

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end. She seeks out a helper who offers an alternative solution, but in the process she must confront her greatest fears.

I dalje radi / Still Working

Switzerland, 2019, Colour, 17 min.

Režija / Director: Julietta Korbel Uloge / Cast: Beat Wittwer, Jean-Baptiste Le Vaillant

U napuštenoj fabrici predodređenoj za rušenje rutinu čuvara Pavela remeti dolazak mladog inžinjera koji otkriva da jedna od fabričkih turbina i dalje radi. Pavel se mora suočiti sa skorim nestankom fabrike, koji će označiti i kraj njegovog životnog univerzuma.

In an abandoned factory destined for demolition, the guardian Pavel’s routine is disturbed by the arrival of a young engineer who discovers unusual electric activity: a running turbine. Pavel is faced with the imminent disappearance of the factory and with the end of his universe…

Jesenja bolest / Autumn Ill France, 2019, Colour, 30 min.

Režija / Director: Lola Cambourieu, Yann Berlier Uloge / Cast: Milène Tournier, Michel Maciazek

Potresena bolešću svoje majke koja se iz dana u dan pogoršava, Milene odlazi iz Pariza kako bi se pripremila za prijemni ispit za Državnu školu za javnu upravu. Međutim, ni na mirnoj farmi na kojoj je potražila utočište ne uspijeva se skoncentrisati.

Priroda koja je okružuje i susret s Momom pomažu joj da zaboravi na svoje probleme, ali bliži se jesen i ponestaje joj vremena.

Distressed by her mother's illness, which is getting worse day by day, Milene leaves Paris to prepare for entry exam for the National School of Administration. Seeking calm on a farm, she still struggles to concentrate. The surrounding countryside and her meeting with Momo help her forget her troubles. But autumn is coming and time is short.

Jeste li vidjeli tog čovjeka? / Have You Seen That Man?

Romania, France, 2020, Colour, 15 min.

Režija / Director: Yotam Ben-David Uloge / Cast: Adrian Drāgoi, Daniel Manta, Vlādut Manta, Ionut Manta, Florea Stoica

Osmogodišnji dječak na vrhu planine pronalazi leš muškarca. Dok kuca na vrata seoskih kuća, pokušavajući riješiti misteriju, portret sela se razotkriva u procjepu između tradicionalnih običaja i nasiljem ispunjene moderne svakodnevice.

Jeste li vidjeli tog čovjeka? / Have You Seen That Man?

An eight-year-old boy finds a dead man's body at the top of a mountain. As he knocks on the doors of the village, trying to solve the mystery, a portrait of a village is revealed – a place in transition between the traditions of the past and the violence of contemporary reality.

Lažno Sunce / Sun Dog

Belgium, Russia, 2020, Colour, 21 min.

Režija / Director: Dorian Jespers Uloge / Cast: Alexander Pronkin, Tatiana Smirnova, Andrey Sychyov, Katarzyna Wiesiołek

Fedor je mladi kovač koji živi u ledenom gradu Murmansku na ruskom Arktiku.

Obilazeći klijente, Fedor luta stvarnim gradskim ulicama oživljenim njegovim maštarijama koje ga razdvajaju od grada i njegovih sugrađana. Fedorovi snovi remete njegov odnos sa stvarnošću i otvaraju mu put u zamišljeni svijet u kojem iznad ruskog Arktika izlazi drugo sunce.

Fedor is a young locksmith in Murmansk, a frozen city in the obscurity of the Russian Arctic. Assisting client after client, he roams through the alleys of concrete animated by a fantasy that isolates him from the city and its population. His dreams corrode his relationship to reality and open the door to a phantasmagoric universe; a second sun is rising above the Russian Arctic.

Lutka / Dummy

Lithuania, 2020, Colour, 13 min.

Režija / Director: Laurynas Bareisa Uloge / Cast: Paulius Markevičius, Indrė Patkauskaitė, Kęstutis Jakštas, Dmitrij Denisiuk

Uz pomoć lutke bez lica jedan kriminalac rekreira jedan brutalni zločin. Iznenađujuće, on ne biva osuđen. Čini se da se u timu istražitelja nalazi neko kome tu nije mjesto.

Using a faceless doll, a criminal re-enacts a brutal crime. Surprisingly, he is not the one being judged. There seems to be an odd one out in the group of investigators.

U mraku su sve mačke sive / All Cats Are Grey in the Dark Switzerland, 2019, Colour, 18 min.

Režija / Director: Lasse Linder

Sam sebe zove mačkoljubac. Christian živi s dvije mačke Marmeladom i Katjuschom.

Nerazdvojni su. Budući da sanja da postane otac, odluči da svoju voljenu mačku Marmeladu ukrsti s prekrasnim mačkom iz inostranstva.

He calls himself Catman. Christian lives

Lažno Sunce / Sun Dog

with his two cats, Marmelade and Katjuscha.

They are inseparable. As he is yearning to become a father, he decides to have his beloved Marmelade fertilised by an exquisite tomcat from abroad.

Zgrabi ih / Grab Them

Sweden, 2020, Colour, 12 min.

Režija / Director: Morgane Dziurla-Petit Uloge / Cast: Evalena Ljung-Kjellberg

Šezdesetogodišnja Sally čezne za ljubavlju i srećom. U posljednje vrijeme njena potraga se usložnila zbog činjenice da izgledom podsjeća na novoizabranog američkog predsjednika. Luda turneja oko svijeta jednog muškarca težak je teret za jednu usamljenu ženu.

Sixty-year-old Sally is longing for happiness and love. Lately, her search has been complicated by the fact that she resembles the newly elected American president. One man’s crazy tour around the world is a lonely woman's heavy burden to bear.

Lutka / Dummy

U mraku su sve mačke sive / All Cats Are Grey in the Dark

Živa voda / Eau Vive

Switzerland, 2019, Colour, 16 min.

Režija / Director: Lucia Martinez Uloge / Cast: Lou Cohen, Ismaël Taha, Éléonore Chalié, Hugo Baud, Hugo Radi

Lou uživa u ljetu ispunjenom zabavama i kupanju u rijeci, i pronalazi put kroz svoju nanovo izgrađenu društvenu zajednicu.

Međutim, u svim ugodnim trenucima osjeća i nelagodu zbog previše poznatog okruženja.

Obuzeta melanholijom, sanja o nepoznatim mjestima koja bi voljela istražiti.

Between parties and dips in the river, Lou abandons herself over the summer and navigates through her reconstituted community. Overlapping the slightest moments of comfort is the weariness of a territory that has become too familiar.

Melancholic, Lou dreams of an elsewhere she would like to seize.

Zgrabi ih / Grab Them

Živopisno selo /

The Vibrant Village

Živa voda / Eau Vive

Poland, Hungary, 2019, Colour, 7 min.

Režija / Director: Weronika Jurkiewicz

U jednom mirnom mađarskom selu muškarci se okupljaju u kafani da ispijaju pivo. U međuvremenu, seoske žene vrijedno rade, posvećujući svoje vrijeme masovnoj proizvodnji seksualnog zadovoljstva.

In a quiet Hungarian village, men gather to swill beer at the bar. Meanwhile, the women are busy at work, contributing their time to the mass production of sexual satisfaction. Živopisno selo / The Vibrant Village SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

33

(Stalni) posao / (Fool Time) Job

Hard on

Recon...

Crno Sunce / Black Sun

Dizač tegova / Weightlifter

Jaje / Egg

EFA SHORT MATTERS! Candidates 2020 / Kandidati 2020 Božićni poklon /

The Christmas Gift

Romania, Spain, 2018, Colour, 23 min.

Režija / Director: Bogdan Mureşanu Uloge / Cast: Adrian Văncică, Ioana Flora

Dvadesetog decembra 1989, nekoliko dana nakon što je rumunski diktator Nicolae Ceauşescu u krvi ugušio proteste u Temišvaru, mirno veče jednog oca pretvara se u mučan poduhvat nakon što sazna da je njegov mali sin poštom poslao božićno pismo Deda Mrazu. Koliko je dječak uspio shvatiti, želja njegovog oca bila je da vidi Ceauşescua mrtvog.

On 20 December 1989, a few days after Romanian dictator Nicolae Ceauşescu's bloody repression of protests in Timişoara, a father’s quiet evening turns into an ordeal as he finds out that his little boy has mailed his Christmas list letter to Santa. As far as the child understood, his father’s desire was to see Ceauşescu dead.

Crno Sunce / Black Sun

eaten while mourning looms. The funeral is eclipsed by a final wish.

Dizač tegova / Weightlifter

Poland, Ukraine, 2018, Colour, 30 min.

Režija / Director: Dmytro Sukholytkyy-Sobchuk Uloge / Cast: Aleksandr Loy, Yuriy Shcherbyna, Maxim Bereznuk, Valeria Khilko

Na prvi pogled, ovo je priča o istinskoj pobjedi.

At first sight, this is a story of a true piece of victory.

Hard On

Sweden, 2019, Colour, 19 min.

Režija / Director: Joanna Rytel Uloge / Cast: Rosie Alm, Joanna Rytel, Karin Drake, Adrian Popescu, Elektra Hedin, Seamus O’Donnell

Tajno, ona sve snima. U nadrealnom stanu, kugarka, gost, dijete i obećanje djetetu da će dobiti psa ako bude radilo što se od njega traži.

Secretly, she is filming everything. In a surreal apartment a cougar, a guest, a child and promises of a dog if the child plays along.

Turkey, Germany, 2019, Colour, 20 min.

Režija / Director: Arda Çiltepe Uloge / Cast: Enes Yurdaün, Seren Şirince, Ariya Toprak, Sencar Sağdıç, Nur Sürer, Ercan Kesal

Jaje / Egg

Nakon paklenih ljetnih vrućina, tokom iznenadnog putovanja na sahranu na jednom udaljenom otoku, nastupa oluja. Mrtvac je sahranjen nabrzinu, skretanje s puta u dio Turske kraj obala Egejskog mora: skok u more, san u gradskom hotelu, drijemež u hamamu, posjeta izrađivaču mrtvačkih sanduka. Po povratku kući, on jede ostatke hrane, a period žalovanja se približava.

Sahranu zasjenjuje posljednja želja.

After the dog days, a coming storm approaches during a sudden road trip to a distant island for a funeral. While the deceased is buried in haste, a detour through Aegean Turkey: a dip in the sea, a dream at a town hotel, a light sleep at a hammam, a visit to the coffinmaker. After arrival at home, leftovers are

Žena je zaključana u svome domu s jednim jajetom koje je ujedno privlači i plaši. Žena pojede jaje pa se pokaje. Ubija ga. Pušta jaje da umre od gladi.

A woman is locked in her home with an egg, which she is both attracted to and scared of.

She eats the egg, she repents. She kills it. She lets the egg die of hunger.

France, Denmark, 2018, Black and white, 13 min.

Režija / Director: Martina Scarpelli

Oslo

Israel, Germany, 2019, Colour, 16 min.

Režija / Director: Shady Srour Uloge / Cast: Alber Mir'eb, Sallie Srour, Eyad Shiti, Hala Daw

Ziad, palestinski najamni radnik, ne uspijeva osigurati dnevnu radnu vizu za ulazak u Izrael.

Kćerki je obećao za večeru donijeti meso i ne želi se vratiti kući praznih ruku. Ziad mora biti

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kreativan.

Ziad, a Palestinian day labourer, is denied entry into Israel for work today. Not wanting to return home empty-handed after promising his daughter meat for dinner, he needs to get creative.

Pretjerivanje će nas spasiti / Excess Will Save Us

Sweden, 2018, Colour, 14 min.

Režija / Director: Morgane Dziurla-Petit

U Villereau, selu koje zauzima pet kvadratnih kilometara prostora na sjeveru Francuske, zbog psihoze seljana proglašeno je stanje opasnosti zbog terorističkog napada. Nakon istrage, policija i vojska otkrivaju da je incident koji je proglašen terorističkim napadom zapravo bio kombinacija dva događaja: početka sezone lova i svađe pijanih poljskih radnika.

In Villereau, a village of five square kilometres of the north of France, a terror attack alert was set off due to the collective psychosis of the inhabitants. Upon researching the incident, the police and the army discover that what they thought was an attack was in reality the combination of two events: the beginning of the hunting season and an argument between drunken Polish workers

Rekonstrukcija / Reconstruction Czech Republic, 2018, Colour, 15 min.

Režija / Director: Jiří Havlíček, Ondřej Novák Uloge / Cast: Jaroslav Kveton, Simon Balaz, Jan Turner, Tomas Sebek, Marek Svoboda, Roman Bílý, Leon Miko, Roman Horváth

Sedamnaestogodišnji Olda optužen je za zločin i čeka suđenje u maloljetničkom zatvoru. Prizori iz njegovog monotonog zatvorskog života prepliću se s prizorima tokom policijske rekonstrukcije počinjenog djela. Jedna ljetna noć bila je dovoljna da dosadni odmor pretvori u okrutnu šalu koja je rezultirala smrću.

Seventeen-year-old Olda has been accused of a crime, and awaits his trial in a detention

Pretjerivanje će nas spasiti / Excess Will Save Us

Sloboda kretanja / Freedom of Movement

Oslo

Božićni poklon / The Christmas Gift

Druker / Snitch

Groblje slonova / Elephant's Graveyard

Sedra

Južno voće / Summer Fruits

centre for juveniles. The monotony of prison life is gradually intertwined with memories of a police reconstruction. It took one summer night for holiday boredom to turn into cruel fun that resulted in death.

Sloboda kretanja /

Freedom of Movement

Germany, 2018, Colour, 29 min, Režija / Director: Maroan el Sani, Nina Fischer Uloge / Cast: Soumaila Makadji

SLOBODA KRETANJA podsjetnik je na maratonsku trku na Olimpijskim igrama u Rimu 1960. u kojoj je, iako je trčao bosonog, pobijedio Etiopljanin Abebe Bikila. Bikila je bio prvi Afrikanac u historiji koji je osvojio zlatnu medalju, te je postao sportska legenda i simbol oslobođenja afričkog kontinenta od kolonijalne vlasti. Umjetnici Nina Fischer i Maroan el-Sani smještaju taj događaj u drugačiji kontekst, u okruženje kontroverzne rimske racionalističke arhitekture, kako bi definisali novu rasu izbjeglica i migranata koji se bore za “slobodu kretanja”.

FREEDOM OF MOVEMENT evokes the marathon of the Rome Olympic Games of 1960, in which Ethiopian Abebe Bikila won Africa’s first gold medal, running barefoot and becoming a sporting legend and symbol of an Africa freeing itself from colonialism in the process. Artists Nina Fischer and Maroan el-Sani re-contextualise this event amid Rome’s controversial rationalist architecture to define a new race involving refugees and immigrants staking a claim to "freedom of movement."

Zagreb Film Festival – Najbolje od kockica / Best of Checkers Druker / Snitch

Južno voće / Summer Fruits

Tinejdžer Deni želio bi živjeti poput svojih rap idola, ali još je mamina maza. U želji da se dokaže razrednom kolegi i školskom nasilniku Kelamu, on počini manje kriminalno djelo.

Kada policija dođe u njegov dom, Deni je spreman priznati svoju krivnju, međutim njegova majka ima drugačije planove.

Deni is a teenager who wants to live the life of his rap music idols, but he is still a mama’s boy. Wanting to prove himself to a classroom colleague and the school bully, Kelam, Deni commits a minor crime. When the police arrive to his home, Deni is ready to confess, but his mother has other plans.

Južno voće je osvježavajuće, ali na velikim vrućinama brzo se kvari.

Summer fruits are refreshing but high temperatures can make them go bad.

Croatia, 2019, Colour, 19 min.

Režija / Director: Rino Barbir Uloge / Cast: Franko Jakovčević, Lana Barić, Goran Marković, Teo Vukičević, Roko Grubšić

Groblje slonova /

(Stalni) posao / (Fool Time) Job

Elephant's Graveyard

Pedro ima novi posao. Pomalo čudan, ali ovih dana sebi ne može priuštiti da bude izbirljiv.

Dobio je pravu priliku! Uostalom, nikad nije bio osoba sklona povlačenju…

Pedro has a new job. A kind of strange one, but these days, he can't afford to be fussy. It's a real chance! Anyway, he's never been the kind to get cold feet...

Majka i sin provode dan zajedno. Niz događaja zauvijek će promijeniti njihov odnos.

Mother and son spend a day together. A series of events will change their relationship forever.

France, 2017, Black and white, 17 min.

Režija / Director: Gilles Cuvelier

Croatia, 2019, Colour, 12 min.

Režija / Director: Filip Mojzeš Uloge / Cast: Krešimir Mikić, Slavica Jukić, Neven Aljinović Tot, Lucija Šerbedžija, Paško Vukasović

Croatia, 2019, Colour, 20 min.

Režija / Director: Josip Lukić Uloge / Cast: Lana Barić, Paško Vukasović, Tihana Lazović, Snježana Šiškov

Sedra

Croatia, 2019, Colour, 15 min.

Režija / Director: Judita Gamulin Uloge / Cast: Ivana Roščić, Gordan Kičić, Leona Perok, Grga Podobnik

Sedra sa svojom obitelji provodi dan na malenom otoku. Na putu do plaže nezdrav odnos između nje i supruga prenosi se i na njihovo dvoje djece, koji kao da su se već promijenili. Sedra polako počinje shvaćati da je u svojoj obitelji potpuno sama. Šta ih drži zajedno? I ko najviše pati?

Sedra is spending the day with her family on a small island. On the way to the beach, the toxic relationship between her and her husband is affecting their two kids who seem to have been changed already. Sedra slowly begins to realize that she is all alone in her family. What keeps them together? And who suffers the most?

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

35

Kanjon Laurel - prvi dio / Laurel Canyon Part 1

Summer Screen Istina o Liamu Gallagheru / Liam Gallagher: As It Was

United Kingdom, 2019, Colour, 85 min.

Režija / Director: Gavin Fitzgerald, Charlie Lightening

Dokumentarac ISTINA O LIAMU GALLAGHERU iskrena je i emotivna priča o tome kako je jedan od najžešćih rock'n'roll pjevača iz omamljujućih visina dok je pjevao u muzičkoj grupi Oasis došao do života na rubu, izopćen i izgubljen u muzičkim pustopoljinama alkohola, ozloglašenosti i gorkih pravnih bitaka. Krećući ponovo potpuno sam, ogoljen i bez mogućnosti da se sakrije, Liam će riskirati sve kako bi napravio najveći muzički povratak svih vremena.

LIAM GALLAGHER: AS IT WAS tells the honest and emotional story of how one of rock music’s most electrifying frontmen fell from the dizzying heights of his champagne

supernova years as part of the band Oasis into a musical wilderness of ostracism, booze and bitter legal battles. In his own words, hear how Gallagher fought his way back, turning his fall from superstardom into the launch of a visionary solo career.

Kanjon Laurel - prvi dio / Laurel Canyon Part 1

United States, 2020, Colour and B&W, 79 min.

Režija / Director: Alison Ellwood

Kanjon Laurel bio je ruralna oaza u kojoj su cvjetali talenti mladih muzičara koji su tu osnivali muzičke grupe, raspuštali ih i formirali nove. Usavršavali su svoju muziku u lokalnim klubovima i ubrzo privukli pažnju svijeta. Frank Zappa, Jim Morrison, Carole King, Neil Young, Brian Wilson, Jackson Browne, Linda Ronstadt, Joni Mitchell, John Phillips i Mama Cass samo su neki od

Istina o Liamu Gallagheru / Liam Gallagher: As It Was

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protagonista ove priče.

Laurel Canyon was a rural oasis in Los Angeles that brought out the talent of young musicians.

They formed bands together, broke up those bands, and formed new ones. They perfected their music at local clubs and pretty soon the world took notice. Frank Zappa, Jim Morrison, Carole King, Neil Young, Brian Wilson, Jackson Browne, Linda Ronstadt, Joni Mitchell John Phillips and Mama Cass are just some of the protagonists of this story.

Kanjon Laurel - drugi dio / Laurel Canyon Part 2

United States, 2020, Colour and B&W, 78 min.

Režija / Director: Alison Ellwood

Prilivom teških droga i više novca, uz ubistveni pohod Charlesa Mansona, nekada prijateljski ugodna muzička scena u Kanjonu Laurel počela se mijenjati. Uprkos svemu,

Povratak kući – Marina Abramović i njena deca / Homecoming - Marina Abramović and Her Children

Martin Margiela: vlastitim riječima / Martin Margiela: In His Own Words

nova generacija trubadura stupila je na scenu i nastavila očaravati ljude van zidova njihovog rustikalnog doma.

With harder drugs, bigger paychecks and the Manson murders, the once-neighbourly music scene in Laurel Canyon began to shift. In spite of everything, a new wave of troubadours came in and continued to captivate those beyond their rustic home.

Martin Margiela: vlastitim riječima / Martin Margiela: In His Own Words

Germany, Belgium, 2019, Colour, 90 min.

Režija / Director: Reiner Holzemer

Intimni portret Martina Margiela, jednog od najrevolucionarnijih i najuticajnijih modnih dizajnera svoje generacije. Prije nego što je pokrenuo vlastitu modnu marku, Margiela je radio kao asistent Jean-Paula Gaultiera i kao kreativni direktor Hermesa. Svoje lice krio je od javnosti, ali je sa četrdeset i jednom radikalnom kolekcijom, koje je predstavio u periodu od dvadeset godina, promijenio svijet

mode. Prvi put, u ovom filmu, „Banksy svijeta mode“ otkriva svoje crteže, bilješke i lične predmete, i gledaocima pruža uvid u vlastitu viziju mode i karijeru.

An intimate profile of Martin Margiela, one of the most revolutionary and influential fashion designers of his time. From assistant to JeanPaul Gaultier to Creative Director at Hermes to leading his own brand, Margiela never showed his face publicly but reinvented fashion with his radical style for over twenty years, through forty-one provocative collections. For the first time, the "Banksy of fashion" reveals his drawings, notes and personal items, giving us an exclusive peek into his vision and career.

Povratak kući – Marina Abramović i njena deca /

Povod je “Čistač”, putujuća retrospektivna izložba čije je krajnje odredište Beograd, umjetnicin rodni grad. Izložba je kontemplacija o njenom cjelokupnom životu, uključujući sumnje koje su je zaokupljale tokom mladosti koju je provela u Beogradu, pogrešne ljubavne veze i posebnu vrstu usamljenosti. Izložba se fokusira na fenomen ponovljenih performansa. Ali ko su učesnici u njima?

The occasion is “The Cleaner,” a travelling retrospective exhibition of work by Marina Abramović, whose final destination is Belgrade, the artist’s hometown. It contemplates her whole life, including dilemmas from her youth in Belgrade, misguided love affairs and a special kind of loneliness. It centres around re-performance as a phenomenon. Who are re-performers?

Homecoming - Marina Abramović and Her Children Serbia, 2020, Colour, 83 min.

Režija / Director: Boris Miljković

Kanjon Laurel - drugi dio / Laurel Canyon Part 2 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

37

Abriline kćerke/ April's Daughter

Daniel i Ana / Daniel and Ana

Posvećeno / Tribute to Michel Franco Abriline kćerke / April's Daughter Mexico, 2017, Colour, 103 min.

Režija / Director: Michel Franco Uloge / Cast: Emma Suarez, Ana Valeria Becerril, Enrique Arrizon, Joanna Larequi

Valeria ima sedamnaest godina i trudna je. Živi u Puerto Vallarti sa svojom polusestrom Clarom i ne želi da njihova otuđena i odavno odsutna majka Abril sazna za njenu trudnoću.

Međutim, zabrinuta zbog njihove finansijske situacije i odgovornosti koju sa sobom nosi odgoj djeteta, Clara ipak odluči nazvati Abril.

Abril dolazi kod svojih kćerki, spremna da im pomogne, ali ubrzo postaje jasno zašto se Valeria željela držati podalje od nje.

Seventeen and pregnant, Valeria lives in Puerto Vallarta with Clara, her half-sister.

Valeria does not want her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to help her daughters, but soon it becomes clear why Valeria has kept her away.

Daniel i Ana / Daniel and Ana Mexico, Spain, 2009, Colour, 90 min.

Režija / Director: Michel Franco Uloge / Cast: Dario Yazbek Bernal, Marimar Vega, Josemaría Torre-Hütt, Luis Miguel Lombana, Montserrat Ontiveros

Daniel i Ana su brat i sestra i dobri prijatelji.

Oboje prolaze kroz ključan period života i međusobno se podržavaju. Ana bi se uskoro

trebala udati, dok je Daniel u pubertetu, fizički se razvija i formira se kao ličnost. Jedan dramatičan događaj natjerat će ih da se suoče s vlastitim željama i strahovima. Nakon toga, za brata i sestru ništa više neće biti isto.

Danielova i Anina tajna prijeti da ugrozi njihovu bliskost, planove za vjenčanje i način funkcionisanja njihove porodice.

Daniel and Ana are siblings and good friends.

They are both going through pivotal moments in their lives and lend one another mutual support. She is about to get married while he is smack bang in the middle of adolescence, growing up and shaping his identity. A dramatic event forces them to confront their desires and fears. Nothing will ever be the same again for brother and sister. Their fraternal relationship, the wedding preparations and the way the family functions will all be threatened by Daniel and Ana’s secret.

Hronični / Chronic

Mexico, France, 2015, Colour, 92 min.

Režija / Director: Michel Franco Uloge / Cast: Tim Roth, Sarah Sutherland, Robin Bartlett, Rachel Pickup, Michael Cristofer, David Dastmalchian, Bitsie Tulloch, Nailea Norvind

David je medicinski brat i njeguje smrtno oboljele pacijente. Efikasan i potpuno posvećen svojoj profesiji, David sa svakom osobom koju njeguje razvija snažan, pa čak i intiman odnos. Međutim, u privatnom životu, on je povučen i nedruštven, što je posljedica

Kroz oči / Through the Eyes

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Izlaz / A Way Out

njegove hronične depresije. Njegovi pacijenti očigledno su mu potrebni jednako koliko je on potreban njima.

David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside his work David is ineffectual, awkward and reserved. It is clear he needs each patient as much as they need him.

Izlaz / A Way Out

Mexico, 2003, Colour, 11 min.

Režija / Director: Michel Franco Uloge / Cast: Lumi Cavazos, Luciano Corigliano, Fabián Corres, Sharon Kleinberg, María E. Sandoval, Jaime Tiktin, David Yvker

Desetogodišnji dječak leži u bolnici u Mexicu i umrijet će ukoliko uskoro ne bude podvrgnut transplantaciji organa, ali nikako mu ne uspijevaju pronaći odgovarajućeg donatora…

Sve dok njegovi roditelji ne odluče preuzeti stvar u svoje ruke i pribjeći najmanje prihvatljivom rješenju kako bi spasili život svoga sina.

A ten-year-old boy is lying in a hospital in Mexico, and will die soon if he does not receive an organ transplant. There is no suitable donor to be found, however... until his parents take things into their own hands and choose the least acceptable solution to save the life of their son.

Hronični / Chronic

Kroz oči / Through the Eyes

Mexico, 2014, Colour, 71 min.

Režija / Director: Michel Franco, Victoria Franco Uloge / Cast: Mónica del Carmen, Omar Moreno, Benjamín Espinoza, Jacobo Najman

Samohrana majka Monica radi kao socijalna radnica u Mexico Cityju. Njen posao je da pomogne tinejdžerima beskućnicima, od kojih su mnogi i narkomani, da se sklone s ulice.

Monicin jedanaestogodišnji sin Omar pati od degenerativnog očnog oboljenja. Zbog finansijske situacije u kojoj se nalazi, kao i prepreka koje pred nju postavlja zdravstveni sistem, operacija koju njen sin treba da ne bi izgubio vid za Monicu je nedostižan san.

Jedne noći, Benjamin, jedan od narkomana i beskućnika s kojima Monica radi, završava prebijen pred njenim kućnim vratima. Monica se odlučuje za radikalno rješenje.

Single mother Mónica works as a social social

Nakon Lucije / After Lucia

worker in Mexico City. Her job is to help homeless and often drug-addicted teenagers to get off the street. Her son Omar is suffering from a degenerative eye disease. The operation that the eleven-year-old really needs to save his sight is an impossible dream for Mónica due to the health system's red tape and her financial situation. One night, Benjamín, a homeless junkie Mónica has worked with, is beaten up and ends up outside her door.

Mónica decides to go for an extreme solution.

Nakon Lucije / After Lucia

Mexico, France, 2012, Colour, 102 min, Spanish Režija / Director: Michel Franco Uloge / Cast: Tessa Ia, Hernán Mendoza, Gonzálo Vega Sisto, Tamara Yazbek Bernal, Francisco Rueda, Paloma Cervantes, Juan Carlos Berruecos, Diego Canales, Carmen Beato, Humberto Busto, Marco Treviño

Šest mjeseci nakon pogibije njegove supruge

u saobraćajnoj nesreći, Robert sa svojom kćerkom, tinejdžerkom Alejandrom, napušta Vallartu i odlazi u Mexico City kako bi započeli novi život. Alejandra se novoj sredini prilagođava puno brže nego Robert, ali uskoro kod vršnjaka u školi pobuđuje životinjske instinkte. Stid ju je ispričati ocu o sve gorem zlostavljanju koje trpi u školi, a njena će šutnja imati užasne posljedice.

Six months after the death of his wife in a car accident, Roberto and his teenage daughter Alejandra set off from Vallarta for a fresh start in Mexico City. Alejandra finds her feet more easily than Roberto but very soon she has aroused the baser instincts in her classmates.

Ashamed and unable to tell her father about the escalating bullying at school, Alejandra maintains a silence that ultimately takes a dreadful toll.

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Suočavanje s prošlošću Dealing with the Past Suočavanje s prošlošću – da li je moguće u strašnim vremenima naći dobre ljude? / Dealing with the Past – Are There Good People in Terrible Times?

U ovim nesvakidašnjim okolnostima, gdje svijet koji smo poznavali neće postojati u budućnosti, traganje za istinom i utvrđivanje činjenica važniji su nego ikada prije. Anksioznosti svijeta kojeg ostavljamo iza nas provući će se i u novi poredak svijeta i ponovo dobiti na snazi. Usuđujem se reći, ako smo šta naučili proteklih mjeseci, da se naši lični životi mogu okrenuti naglavačke u jednom trenu.

Program Suočavanje s prošlošću od svojih početaka ima jasan cilj: pokrenuti iskren dijalog o bliskoj prošlosti našeg regiona. To je preduslov za prevazilaženje problema proisteklih iz nedavnih ratova u bivšoj Jugoslaviji koji su bespovratno obilježila naša društva. U proteklih pet godina podijelili smo mnoge iznimno bolne, ali inspirativne priče iz svih krajeva svijeta. Životi njihovih protagonista najčešće su radikalno promijenjeni, te su našu publiku često ostavljali bez riječi, a još češće željnu više informacija.

Posmatrane kroz prizmu trenutne pandemije, otkrivanje ličnih i nacionalnih trauma, kao i preispitivanje procesa pomirenja mogu se činiti manje bitnim temama, ali dugoročno posmatrane one su od ključnog značaja za uspostavu zdravih i prosperitetnih demokratskih društava.

U fokusu ovogodišnjeg programa su snažni pojedinici i njihove borbe, epizode u kojima se životne okolnosti naprasno promijene, život koji je postojao do tada, nestaje bespovratno. Budući da sada, više nego ikada ranije, preispitujemo međuljudsku solidarnost, svaki film u programu postavlja isto pitanje: da li je moguće u strašnim vremenima naći dobre ljude? Osim toga, filmovi u programu su povezani i stilski, tako što su skoro svi snimljeni u crno-bijeloj tehnici. Kako tako snažne i teške priče mogu biti svedene na beskonačnost nijanse sive boje? Da li ovako vizuelno ograničenje umanjuje dirljive i teške aspekte ovih filmskih priča? Ili naprotiv, ima funkciju da dodatno naglašava aspekte priče?

Ovogodišnja selekcija obuhvata mnoštvo različitih autorskih glasova, tema i estetskih pristupa. Rediteljski prvijenac hrvatske filmske autorice Dane Budisavljević DNEVNIK DIANE BUDISAVLJEVIĆ je dokumentarno-igrana priča o ženi koja je spasila živote više od 10 000 djece zatočene u nacističkim koncentracionim logorima tokom Drugog svjetskog rata.

OBOJENA PTICA češkog reditelja Václava Marhoula zasnovana je na istoimenom, čuvenom romanu Jerzyja Kosińskog. Ovaj prekrasno snimljeni film opisuje Drugi svjetski rat iz perspektive jednog dječaka. Atmosferični noir film – SLUGE REŽIMA – slovačkog reditelja Ivana Ostrochovskog predstavlja epizodu iz života mladih vjerskih službenika u jednom sjemeništu, rastrzanih između katoličke crkve i vladajućeg komunističkog režima u Čehoslovačkoj osamdesetih godina prošloga vijeka. ŠTA ĆEŠ URADITI KADA SVIJET POČNE DA GORI? dokumentarni je film italijanskog reditelja Roberta Minervinija o jednoj afroameričkoj zajednici na jugu Sjedinjenih Američkih Država u ljeto 2017., kada je serija brutalnih, rasno motivisanih ubistava šokirala čitavu Ameriku.

Veliko je zadovoljstvo predstaviti posljednji film kambodžanskog majstora Rithy Phana OZRAČENI. Ovaj film je o ljudima koji su usljed rata bili izloženi opasnom fizičkom i psihološkom zračenju, uprkos tome, preživjeli, a preporučujemo ga svima koji smatraju da su imuni na tu vrstu opasnosti.

Našoj publici obrati će se i Rithy Pahn, koji će predstaviti svoj inspirativan rad u moderiranom razgovoru.

Pored filmskog programa Suočavanja s prošlošću, putem Sajma istinitih priča predstavili smo brojne priče velikog potencijala da budu pretočene u filmove koji navode na razmišljanje, te su inspirisale brojne filmske autore.

Nažalost, zbog obaveze držanja fizičke distance, sajam nećemo moći organizovati onako kako smo to činili prethodnih godina, ali ipak želimo održati ovaj važni razgovor i nastaviti da otkrivamo priče koje moraju biti ispričane. U sklopu ovogodišnjeg Sajma istinitih priča predstavit ćemo inspirativne razgovore sa bosanskohercegovačkim umjetnicima i autorima koji su se u svome radu bavili kulturom sjećanja.

Sluge režima / Servants In these unprecedented times, when it seems that the world we used to know will not exist in the future, truth-seeking and fact-checking are more important than ever. But the anxieties of the world we have left behind will trickle into the new order and be triggered again. If we have learnt anything over the past months, I daresay it is that our personal lives can be turned upside-down in a matter of moments.

The Dealing with the Past programme has had a clear mission since its start: to conduct honest dialogue about our region’s recent past as a prerequisite to resolving the problems that stem from the Yugoslav Wars, which still strain our societies. Over the last five years, we have shared many gut-wrenching but inspiring stories from around the world. The lives of the protagonists of these stories have been radically altered, while our audiences have at times been rendered speechless or, perhaps more often, hungry for more information. Viewed through the lens of the current pandemic, these topics – the uncovering of personal and national traumas and the examination of reconciliation processes – might seem of secondary importance but in the long run they are essential for healthy and prosperous democratic societies.

This year’s programme centres on powerful individuals and their struggles, and on episodes in their lives that abruptly and drastically change their living conditions. As we are now questioning human solidarity more than ever, each film poses the same question: Are there good people in terrible times?

Moreover, the selection is stylistically unified in that all films are shot in black and white. How can such compelling and troublesome stories be reduced to shades of grey? Does an austere visual aesthetic undermine the difficult and dreadful side of a story? Perhaps it can highlight such aspects all the more?

The line-up features a polyphony of authorial voices, of the subjects they explore, and of aesthetic approaches. Croatian filmmaker Dana Budisavljević makes her directorial debut with THE DIARY OF DIANA B., a docu-fiction work about a woman who saved the lives of more than 10,000 children who had been sent to Nazi concentration camps during World War II. THE PAINTED BIRD by Václav Marhoul of the Czech Republic is an adaptation of Jerzy Kosiński’s novel of the same name. Magnificently shot, the film describes World War II from the perspective of a young boy. An atmospheric film noir by Slovakia’s Ivan Ostrochovský, SERVANTS gives us a glimpse into the lives of young seminarians who are torn between the Catholic Church and the ruling Communist Party in 1980s Czechoslovakia.

WHAT YOU GONNA DO WHEN THE WORLD’S ON FIRE? is a documentary

by Italian director Roberto Minervini about a community of African Americans in the American South during the summer of 2017, when a string of brutal, racially motivated killings sent shockwaves throughout the United States. To our great pleasure, Dealing with the Past presents IRRADIATED, the most recent film by Cambodian master Rithy Panh, who will also conduct a career master class. The film focusses on people who have survived physical and psychological irradiation as a result of war – and is recommended to those who believe they are immune to it.

Alongside the film programme of Dealing with the Past, the True Stories Market has allowed us to present many stories that have great potential to be realised as thought-provoking films. and that have served as inspiration to many filmmakers. Current social-distancing regulations unfortunately interrupt our ability to conduct the market as we have in the past; nevertheless, we wish to continue this important conversation and keep working to expose stories that urgently need to be told. This year’s True Stories Market programme features inspiring talks by Bosnian and Herzegovinian artists and authors who have been exploring the culture of memory in their work.

Maša Marković program menadžerica i kuratorica programa Suočavanje s prošlošću / Dealing with the Past Programme Manager and Curator

Suočavanje s prošlošću je program Sarajevo Film Festivala koji se realizuje uz podršku Fondacije Robert Bosch Stiftung / Dealing with the Past is a project of the Sarajevo Film Festival supported by the Robert Bosch Foundation

40 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Dnevnik Diane Budisavljević / The Diary of Diana B.

Dnevnik Diane Budisavljević / The Diary of Diana B.

AUDENTIA AWARD NOMINEE

Croatia, Slovenia, Serbia, 2019, Black and white, 88 min.

Režija / Director: Dana Budisavljevic Uloge / Cast: Alma Prica, Živko Zelenbrz, Nada Vlaisavljević, Zorka Janjanin, Milorad Jandrić

NOMINATION AU PRIX AUDENTIA

Diana Budisavljević sa suprugom ljekarom, kćerima i tek rođenom unukom živi životom zagrebačke visoke građanske klase. U jesen 1941. saznaje da se Židovke i Srpkinje s djecom odvode u logore gdje umiru od gladi i bolesti. S nekolicinom prijatelja u svom stanu prikuplja pomoć i organizira akciju kojom će do kraja rata od sigurne smrti biti spašeno više od 10 000 djece.

Austrian-born Diana Budisavljević and her doctor husband, her daughters and her newborn granddaughter lived comfortably as members of the Zagreb upper class when, in the fall of 1941, she learned that Jewish and Serb women and children were being taken to concentration camps and left there to die of hunger and sickness. Budisavljević and a few of her friends took matters into their own hands, organising a campaign that ultimately saved the lives of more than 10,000 children.

Ozračeni / Irradiated

France, Cambodia, 2020, Colour, 88 min.

Režija / Director: Rithy Panh Uloge / Cast: Bion, André Wilms, Rebecca Marder

Film OZRAČENI napravili su ljudi koji su usljed rata preživjeli opasno fizičko i psihičko zračenje. Svima koji smatraju da su imuni na tu opasnost preporučuju da ga pogledaju.

“Riječima je nemoguće opisati šta znači kada kažete da ste preživjeli. Nastaviti živjeti, u kontaktu s tim zračenjem, zračenjem čiji uzrok može biti nepoznat, o kojem ne znamo ništa, ali od kojeg se ne možemo zaštititi. Zlo zrači. Ono povređuje – povređuje čak i buduće generacije, ali iza tog bola krije se nevinost.” (Phan) IRRADIATED is made by people who have

Obojena ptica / The Painted Bird

Ozračeni / Irradiated

survived physical and psychological irradiation as a result of war, and is recommended to those who believe they are immune to it: “What it means to be a survivor cannot be put into words. To live on, to make contact with this irradiation, for which there may be no cause, no knowledge, but from which there is no protection. Evil radiates. It hurts – even later generations. But beyond this pain lies innocence.” (Phan)

Obojena ptica / The Painted Bird Czech Republic, Slovakia, Ukraine, 2019, Black and white, 169 min.

Režija / Director: Václav Marhoul Uloge / Cast: Stellan Skarsgård, Barry Pepper, Harvey Keitel, Julian Sands, Udo Kier

Film prati život Dječaka kojeg su njegovi progonjeni roditelji predali na staranje jednoj starici. Starica uskoro umire, a Dječak ostaje sam i luta od sela do sela u potrazi za utočištem. Dok se bori da preživi, Dječak je izložen iznimnoj brutalnosti praznovjernih seljaka i svjedoči stravičnim zločinima, kako ruskih tako i njemačkih vojnika.

The film follows the journey of the Boy, who has been entrusted by his persecuted parents to an elderly foster mother. The old woman soon dies and the Boy is on his own, wandering through the countryside, from village to farmhouse. As he struggles to survive, the Boy suffers the extraordinary brutality meted out by the superstitious peasants and he witnesses the terrifying violence of efficient, ruthless soldiers, both Russian and German.

Sluge režima / Servants

Slovakia, Romania, Czech Republic, Ireland, 2020, Black and white, 80 min.

Režija / Director: Ivan Ostrochovský Uloge / Cast: Samuel Skyva, Samuel Polakovič, Vlad Ivanov, Vladimír Strnisko, Milan Mikulčík

Godina je 1980. Michal i Juraj žive u sjemeništu i pohađaju teološku školu u totali-

tarnoj Čehoslovačkoj. Strahujući da će škola biti zatvorena, njihovi tutori odgajaju učenike na način koji će biti prihvatljiv vladajućoj Komunističkoj partiji. Svi mladi učenici moraju odlučiti da li žele izabrati lakši put i početi sarađivati sa režimom ili će radije živjeti pod drakonskim nadzorom tajne policije.

The year is 1980. Michal and Juraj are students at a theological seminary in totalitarian Czechoslovakia. Fearing the dissolution of the school, its tutors are molding the seminarians into a shape satisfactory to the ruling Communist Party. Each of the young students must decide if he will give in to temptation and choose the easier path of collaboration with the regime, or if he will subject himself to draconian surveillance by the secret police.

Šta ćeš uraditi kada svijet počne da gori? / What You Gonna Do When the World's on Fire?

Italy, United States, France, 2018, Black and white, 123 min.

Režija / Director: Roberto Minervini

Ljeto 2017. Serija ubistava mladih Afroamerikanaca šokira zemlju. Članovi afroameričke zajednice na jugu Amerike pokušavaju se nositi s dugoročnim posljedicama prošlosti i pronaći svoje mjesto u zemlji koja ne štiti njihove interese. U međuvremenu, Crni panteri pripremaju velike proteste protiv policijske brutalnosti.

Summer 2017. A string of brutal police killings of young African American men has sent shockwaves throughout the country. A Black community in the American South tries to cope with the lingering effects of the past and navigate their place in a country that is not on their side. Meanwhile, the Black Panthers prepare a large-scale protest against police brutality.

Šta ćeš uraditi kada svijet počne da gori? / What You Gonna Do When the World's on Fire?

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41

Doha Film Institute congratulates its funding recipients and Qatar-based talents selected for the 26th Sarajevo Film Festival Official Selection

CineLink Industry Days

Short Cuts to Qatar

‘1982’

by Oualid Mouaness

‘Nezouh’

by Soudade Kaadan

‘The Black Veil’

by A.J. Al-Thani

‘Maha’mel’

by Dhabya Al-Muhannadi

‘A Son’

by Mehdi M. Barsaoui

‘The Pearl’

by Noor Al-Nasr

‘The Unlucky Hamster’

by Abdulaziz Khashabi

‘Paper Kite’

by Nada Bedair

‘Merry Christmas, Yiwu’

by Mladen Kovacevic

‘The Maiden’s Pond’

by Bassem Breche

‘End of the Road’

by Ahmad Adnan Al-Sharif

‘Reviving the Lira’s Glory’

by Alessandra El Chanti

‘Fragile’

by Kholoud Al-Ali

‘Socotra’

by Ching Siew Hua

Supporting Voices in Cinema Worldwide Doha Film Institute Grants Programme Film, TV and Web Series Doha Film Institute continues its commitment to nurturing emerging filmmakers through its Grants programme.

First and second-time filmmakers from around the world, as well as established directors from the MENA region, are invited to apply for funding, subject to eligibility criteria.

Consideration for funding is open to short and feature-length films in development, production and post-production, subject to eligibility criteria. TV and web series are also eligible for development and production support, subject to eligibility criteria.

For more information on eligibility criteria and submission guidelines, please visit: www.dohafilminstitute.com/financing/grants/guidelines

Dan ljudskih prava Human Rights Day Programme Ambasada Kraljevine Nizozemske u Bosni i Hercegovini i Sarajevo Film Festival, uz njegovo 26. izdanje, ulaze u drugu godinu saradnje na programu posvećenom ljudskim pravima. Iako je pandemija COVID-19 ove godine drastično uticala na naše živote, to ne znači da su ljudska prava prestala biti ugrožena ili da možemo odustati od našeg cilja da osiguramo njihovo veće poštivanje. Zahvalan sam na odlučnosti i hrabrosti koju su organizatori Sarajevo Film Festivala pokazali kada su odlučili realizirati ovogodišnje izdanje uprkos globalnoj krizi, nesigurnosti i brojnim ograničenjima.

Pandemija COVID-19 ozbiljno je zaprijetila zdravlju, pa čak i samoj egzistenciji filmske industrije, utičući na filmske festivale, filmsku produkciju, pripremna putovanja i brojne druge aspekte proizvodnje i distribucije filma. Sada je – više nego ikada – značajno da u našem radu budemo inovativni, izdržljivi i prilagodljivi. Raduje me što su naši partneri na zadatku unapređenja stanja ljudskih prava postigli upravo to, kao i da ćemo ponovo biti u prilici pogledati film posvećen ljudskim pravima i održati panel-diskusiju s mladim aktivistkinjama i aktivistima. Više nego bilo kada ranije naši životi se odvijaju u internetskom prostoru – od rada i sastanaka, do školovanja djece, proslava rođendana i godišnjica. Zbog toga, mladi ljudi i naša djeca na Internetu provode i više vremena nego prije. Iako virtuelni svijet otvara bezbroj mogućnosti i omogućava neograničen pristup znanju i informacijama, on ima i svoju mračnu stranu.

On može biti mjesto gdje su najmlađi korisnici izloženi brojnim opasnostima, negativnim uticajima i izrazito lošim ljudima. Moramo biti svjesni ogromne odgovornosti koju imamo u zaštiti sigurnosti naše omladine i djece i sprečavanju zlonamjernih ljudi u pronalasku puta do njih. U saradnji s uglednim nizozemskim festivalom posvećenom ljudskim pravima Movies That Matter, na Dan ljudskih prava 2020. bavit ćemo se pitanjem sigurnosti djece i mladih u online prostoru.

Zbog prethodno navedenih razloga, ovogodišnji festivalski program posvećen ljudskim pravima, u saradnji s ekspertima iz relevantnih oblasti života i institucija, bavit će se temom internetske sigurnosti, s ciljem da ona bude pokrenuta i u Bosni i Hercegovini i da se preduzmu koraci koji će virtuelni svijet učiniti sigurnijim za najmlađe. Moja zemlja je uložila mnogo i još uvijek ulaže dosta toga u postizanje tog cilja. Siguran sam da će, zahvaljujući našim zajedničkim naporima, nizozemska ekspertiza i iskustva biti iskorišteni da Internet učine sigurnijim i za mlade iz Bosne i Hercegovine. Želim vam da organizujete izvrstan SFF, kao i dobro zdravlje i sigurno surfanje.

With the 2020 edition of the Sarajevo Film Festival, the Embassy of the Kingdom of the Netherlands in Bosnia and Herzegovina and the festival enter the second year of our partnership in the Human Rights programme.

Although COVID-19 has drastically impacted all of our lives this year, this does not mean that human rights violations have disappeared, nor that our commitment to improve human rights conditions can or may be halted. I am grateful to the organisers of the Sarajevo Film Festival for their determination and courage, to present this year’s edition in a time of crisis, uncertainty and all kinds of limitations.

The COVID pandemic has created a very serious threat to the health and existence of the film industry, impacting festivals, film productions, research trips and many other aspects of the creation and distribution of films.

Showing innovation, resilience and adaptability in our work is now more important than ever. I am very happy to see that our human rights partner has done exactly that, and that we will have the opportunity to watch a film about human rights and have a panel discussion with young activists. More than ever before, our lives take place online – from our work and meetings, to our children’s schooling, to celebrations of birthdays and anniversaries.

Part of this means that our youth and children spend even more time online.

The online world, while it provides endless possibilities and access to knowledge and information, also has a dark side. It can be a place where the youngest of users can be exposed to many dangers, bad influences and very bad people. We must be aware that we carry a huge responsibility to protect them and to prevent those with evil intentions from finding a way to reach our youth and our children. In cooperation with the prominent Dutch human rights film festival Movies That Matter, on Human Rights Day 2020 we will deal with the subject of Internet safety for youth and children. For the reasons noted above, this year’s human rights programme will focus on this theme, involving experts from relevant fields and institutions and with the aim to raise this topic in Bosnia and Herzegovina and to make steps towards improving the protection of the youngest while they explore the online world. My country has invested a lot in this issue, and continues to do so, and I am certain that through this joint effort, Dutch expertise and experience will be shared and used to make the Internet a safer place for Bosnian youngsters.

I wish you an excellent SFF, good health and safe surfing!

Reinout Vos Ambasador Kraljevine Nizozemske u Bosni i Hercegovini / Ambassador of the Kingdom of the Netherlands to Bosnia and Herzegovina

U mreži / Caught in the Net

U mreži / Caught in the Net

Czech Republic, Slovakia, 2020, Colour, 100 min.

Režija / Director: Barbora Chalupová, Vít Klusák Uloge / Cast: Tereza Těžká, Anežka Pithartová, Sabina Dlouhá

Dokumentarni film prati reakcije glumica koje se pretvaraju da su dvanaestogodišnje djevojčice, od trenutka kada dođu na audiciju za film do trenutka kada se s predatorima susretnu licem u licem (pod budnim

okom zaštitara i pred objektivima šest skrivenih kamera). Predatorske taktike postepeno se okreću protiv predatora, a lovci postaju lovina.

This documentary delivers the gripping drama of the protagonists playing young girls, from casting to face-to-face meetings with predators (watched by security and six hidden cameras). Predatory tactics are gradually turned against perpetrators and hunters become hunted.

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Sune – Dječak za sve / Sune – Best Man

Anđeoska truba / Angel's Trumpet

Boxi i izgubljeno blago / Boxi and the Lost Treasure

Mishou

Ptičica i pčele / The Little Bird and the Bees

Smrt Nintenda / Death of Nintendo

Dječiji program Children's Programme Anđeoska truba /

friend. He always helps the mischievous boy out of trouble.

Estonia, Germany, 2019, Colour, 3 min.

Režija / Director: Martinus Klemet

Ja, čudovište? / Me, a Monster?

Angel's Trumpet

Milioni godina evolucije bili su potrebni prije nego što su dugokljuni kolibri postali jedina životinjska vrsta koja može dosegnuti središte cvijeta anđeoska truba i piti njegov cvjetni nektar.

It took millions of years of evolution before the long-billed hummingbird would be the only animal to be able to reach the core of the angel’s trumpet plant and drink its flowers' nectar.

Arturo i galeb /

Arthur and the Seagull Italy, 2019, , 5 min.

Režija / Director: Luca Di Cecca

Arturo ima gotovo 90 godina. Davno je ostao udovac i navikao je svoje penzionerske dane provoditi sam i bez obaveza: odlazi u šetnje, sjedi uz more, pretvara se da sluša radio. A onda jednog dana u novinama ugleda reklamu za fotografski aparat.

Arturo is almost ninety years old. Widowed for a long time, the pensioner is used to spending his days alone without doing anything special: walking, sitting by the sea, pretending to listen to the radio.

Boxi i izgubljeno blago /

Boxi and the Lost Treasure Hungary, 2019, Colour, 61 min.

Režija / Director: Béla Klingl

Čudne priče o psu Boxiju i dječaku Cartommyju, napravljenim od kartonskog kućnog otpada, koji oživljavaju u mašti djeteta. Kartonski pas Boxi je Cartommyjev najbolji prijatelj. On nestašnog dječaka uvijek drži podalje od nevolje.

The strange stories of Boxi the cardboard dog, and Cartommy the cardboard boy come to life in the imaginary world of a child, built from household waste. Boxi is Cartommy’s best

Veliki Vuk i Mali Vuk / Big Wolf & Little Wolf

Spain, 2020, Colour, 6 min.

Režija / Director: Belinda Bonan

Nakon što je u miru živio na svojoj maloj planeti, usamljeni Nono mora se pomiriti s dolaskom novog stvorenja, što će mu pomoći da shvati da njih dvoje nisu toliko različiti koliko se na prvi pogled čini.

After living a peaceful life on his small planet, the lonely Nono must deal with the visit of a new being, one who will make him realise they are not as different as they seem.

Mishou

Germany, Bulgaria, 2020, Colour, 8 min.

Režija / Director: Milen Vitanov

Život četiri živahna arktička zeca se mijenja nakon što otkriju čudno novo stvorenje.

The lives of four lively Arctic hares take a turn after they discove a strange new creature.

Ptičica i pčele /

The Little Bird and the Bees

Switzerland, 2020, Colour, 5 min, No Dialogue Režija / Director: Lena von Döhren

Visoko iznad tla ptičica uživa u cvijeću javorova drveta. Naravno, žarkocrvena lisica ubrzo kreće za ptičicom.

High above, the small bird enjoys the blossoms of its maple tree. Of course, the fiery red fox is soon on the little bird’s tail.

Smrt Nintenda /

Death of Nintendo

Philippines, United States, 2020, Colour, 98 min.

Režija / Director: Raya Martin Uloge / Cast: Noel Comia Jr., Kim Chloie Oquendo

Smješten u Manili devedesetih godina prošlog stoljeća, film SMRT NINTENDA uvodi nas u živopisni svijet pop-kulture četvero tinejdžera u vrijeme kada su videoigre još uvijek bile novina.

Set in Manila in the 1990s, DEATH OF

Arturo i galeb / Arthur and the Seagull

44 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

NINTENDO takes us into the colorful pop culture world of four teenage friends, back in the days when video games were still a novelty.

Sune – Dječak za sve /

Sune – Best Man

Sweden, 2019, Colour, 90 min.

Režija / Director: Jon Holmberg

Suneov razred planira ići na tajno školsko putovanje. Sune i Sophie veoma se raduju što će provesti vrijeme zajedno sve dok se Sune ne sjeti da se istog vikenda kada bi trebali ići na put njegov djed Helmer ženi.

Sune’s class is going on a secret school trip.

Sune and Sophie are really looking forward to spending time together when Sune suddenly realises that Grandpa Helmer’s wedding is the same weekend.

Veliki Vuk i Mali Vuk / Big Wolf & Little Wolf

France, Belgium, 2018, Colour, 14 min.

Režija / Director: Rémi Durin Uloge / Cast: Philippe Allard, Laurence Deydier

Veliki vuk živi zadovoljno pod svojim stablom.

Jednog dana u posjetu mu dolazi Mali vuk koji se želi družiti.

Big Wolf lives contentedly under his tree. One day, Little Wolf approaches him, determined to keep him company.

o28

France, 2019, Colour, 5 min.

Režija / Director: Antoine Marchand, Fabien Meyran, Geoffroy Collin, Louise Grardel, Otalia Caussé, Robin Merle

Njemački bračni par sprema se ući u legendarni tramvaj br. 28 u Lisabonu, ali kako će reagovati kada otkažu kočnice i počne vratolomna vožnja – s bebom u vozilu.

In Lisbon, a married German couple are about to board the legendary No.28 tramway, but how should one react when the brakes are released and the tram embarks on a vertiginous race... with a baby onboard.

Ja, čudovište? / Me, a Monster?

o28

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Armadilla

Nazvat ću tvog oca / I'm Calling Your Father

U tišini / On the quiet

TeenArena Armadilla

Serbia, 2020, Colour, 11 min.

Režija / Director: Gorana Jovanović Uloge / Cast: Iva Pernjaković, Nikola Zečević

Trinaestogodišnja Sanja nema običaj pokazivati osjećaje ikome, ponajmanje svojoj simpatiji Darku. Ali kad počne sumnjati da se njenom problematičnom, ali voljenom psu Krletu nešto dogodilo, postat će joj sve teže da drži osjećaje pod kontrolom.

Sanja is a tough thirteen-year-old girl who doesn't like to show her emotions to anyone, least of all to her crush, Darko. But when she starts to suspect something has happened to her troublesome but beloved dog Krle, it will become ever so hard to keep her feelings under control.

Dok ne smrkne /

Until It Turns Black

Ukraine, 2019, Colour, 6 min.

Režija / Director: Anastasiia Falileieva Uloge / Cast: Marina Don, Oleh Khaliavka

Kada sve boli i ništa se ne može promijeniti, bijeg u svijet snova čini se kao jedini izlaz.

When the truth hurts and nothing can be changed, it seems as though an escape to the world of dreams is the only way out.

Jesi gladan? / Are You Hungry?

Finland, 2019, Colour, 12 min.

Režija / Director: Teemu Niukkanen Uloge / Cast: Pirjo Lonka, Matvei German

U ovoj presmiješnoj, nepristojnoj, ali ipak apsolutno simpatičnoj komediji, pretpostavke

Priča / Story

jedne pretjerano zaštitnički raspoložene majke o željama i potrebama njenog sina uzrokuju neprekidni niz nevolja.

An overprotective mother’s assumptions about her son’s needs and desires lead to a cascading series of calamities in this hilarious, raunchy, yet wholly endearing comedy.

Nazvat ću tvog oca / I'm Calling Your Father

North Macedonia, United States, 2020, Colour, 12 min.

Režija / Director: Leon Ristov Uloge / Cast: Aleksandar Andonoski, Nikolina Kujača

Kada šesnaestogodišnjeg Damjana napadnu huligani iz komšiluka, njegova tvrdoglava majka smišlja plan kako da ga zaštiti.

When sixteen-year-old Damjan gets jumped by neighbourhood hooligans, his hard-headed mother comes up with a plan to protect him.

Ne zaboravi da dišeš / Don't Forget to Breathe

Slovenia, Italy, Croatia, 2019, Colour, 98 min.

Režija / Director: Martin Turk Uloge / Cast: Matija Valant, Tine Ugrin, Klara Kuk

Petnaestogodišnji Klemen živi s majkom i starijim bratom Peterom u zabačenom ruralnom gradiću. Klemenovu ustaljenu svakodnevnicu, koja uključuje vrijeme provedeno s voljenim bratom na teniskom terenu i na obližnjoj rijeci, prekida Peterova iznenadna i strastvena ljubavna veza s prelijepom vršnjakinjom Sonjom, što će u

Dok ne smrkne / Until It Turns Blacka

46 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Klemenu pokrenuti bujicu suprotstavljenih emocija.

Fifteen-year-old Klemen lives with his elder brother Peter and his single mother in a small and remote rural town. Klemen’s wellestablished routine of spending time with his beloved brother on the tennis court and by the nearby river gets interrupted by Peter’s sudden and passionate love affair with his gorgeous peer Sonja, which triggers a torrent of conflicting emotions.

Opekotine od sunca / Sunburned

Germany, Netherlands, Poland, 2019, Colour, 94 min.

Režija / Director: Carolina Hellsgård Uloge / Cast: Zita Gaier, Gedion Oduor

Claire sa svojom sestrom Zoe i njihovom majkom Sophie odlazi na odmor u hotelski kompleks na jug Španije. Sophie dane provodi kraj bazena i ne pokazuje pretjeran interes za svoje kćerke. Claire se u početku ne razdvaja od svoje starije sestre koja joj dobrohotno dopušta da je svuda prati. Ali kada Zoe upozna dječaka svojih godina, Claire ostaje sama.

Claire upoznaje Amrama, dječaka iz Senegala koji na plaži radi kao prodavač. Kako se njihovo prijateljstvo produbljuje, Claire pokušava pomoći Amramu, ali mu zapravo samo dodatno komplikuje život.

Claire is vacationing with her sister Zoe and their mother Sophie at a resort hotel in southern Spain. Sophie spends her days by the pool and shows a minimum of interest in

Psi laju na ptice / Dogs Barking at Birds

Ne zaboravi da dišeš / Don't Forget to Breathe

Psiho kuja / Psychobitch

her daughters. In the beginning Claire clings to her older sister Zoe, who mercifully lets her tag along. But when Zoe meets a boy her own age, Claire is left alone. At the beach Claire befriends Amram, a young Senegalese beach vendor. As their relationship deepens, Claire tries to help him, but unintentionally ends up making his life even more complicated.

and decadent quarters now highlight the city’s gentrification. Vicente cycles around town on his bike, watching the urban landscape modify day by day. The town is no longer the same; the world is changing and so is he. Among his family and friends, Vicente lives in anticipation of the first days of summer and the beginning of a new life.

study sessions become the catalyst for a turbulent relationship. Yet in his fights with Frida, Marius also experiences something exciting, challenging and completely new...

Priča / Story

Psiho kuja / Psychobitch

Osamnaestogodišnji Dávid svira prvu violinu u orkestru muzičkog konzervatorija. Njegov mentor i dirigent Frigyes nešto mu je poput očinske figure. Učenica prve godine Nóri pridružuje se orkestru na kraju školske godine.

Frigyes joj posvećuje punu pažnju, što je čini nepopularnom među vršnjacima, ali Dávid uskoro otkriva da je čudni odnos četrnaestogodišnje djevojčice i šezdesetogodišnjeg dirigenta više od onoga što se čini na prvi pogled… Dok traga za istinom, suočen s teškom odlukom i nemarom društva, Dávid gubi kontrolu nad vlastitim životom.

Nowadays in the Hungarian countryside.

Eighteen-year-old Dávid is the first violinist in his conservatory orchestra. His mentor and the conductor is Frigyes – who is a sort of father figure for Dávid. Nóri, a freshman student, joins the orchestra at the end of the school year. She enjoys Frigyes’s unlimited attention, which makes her unpopular among her peers, but Dávid soon finds out that the fourteenyear-old’s suspiciously close relationship with their sixt-year-old conductor is more than what it seems… While looking for the truth, Dávid's life soon starts to spiral out of control as he faces tough decisions and the negligence of adult society.

Poland, 2019, Colour, 5 min.

Režija / Director: Jolanta Bankowska

U vremenu obilježenom sveprisutnošću tehnologije i brisanjem granice između virtuelnog i realnog života, mlada djevojka svijet posmatra putem društvenih mreža.

In the age of omnipresent technology, where the virtual sinks into reality, a young girl observes the world via social media platforms.

Psi laju na ptice /

Dogs Barking at Birds

Portugal, 2019, Colour, 20 min.

Režija / Director: Leonor Teles Uloge / Cast: Vicente Gil, Salvador Gil, María Gil, Mariana Gil, António Gil

Školska godina je završila i uzbuđenje visi u zraku. Ulice i kafići u Portu krcati su turistima.

Stare i dekadentne gradske četvrti sada su okosnica obnove grada. Vicente vozi bicikl kroz grad i posmatra svakodnevne promjene urbanog krajolika. Grad više nije isti, svijet se mijenja, a mijenja se i Vicente. Provodi dane u društvu rodbine i prijatelja, nestrpljivo očekujući prve dane ljeta i početak novog života.

School is over and there’s a bustle in the air. In Porto, tourists fill the streets and cafes. The old

Opekotine od sunca / Sunburned

Norway, 2019, Colour, 111 min.

Režija / Director: Martin Lund Uloge / Cast: Jonas Tidemann, Elli Rhiannon Müller Osborne, Henrik Rafaelsen, Jannike Kruse Jåtog

Petnaestogodišnja Frida čvrsto vjeruje da je razredna autsajderka. Druga djeca u školi, pripadnici “savršene generacije”, u potpunosti se slažu s njom: Frida je baš čudna. Marius radi sve što može da bi bio savršen. Kada njih dvoje upare da uče zajedno, Marius to doživljava kao priliku da svima još jednom pokaže kako je sjajan. Ali Frida nema namjeru da dopusti zlatnom dječaku da je “popravlja”.

Sati koje provode učeći zajedno postaju katalizator za turbulentan međusobni odnos.

Ipak, svađe sa Fridom za Mariusa su potpuno novo, uzbudljivo i izazovno iskustvo...

Fifteen-year-old Frida totally believes herself to be the class outsider. In this world of Generation Perfect, the other kids at school agree: Frida is so weird. Marius on the other hand, does pretty much everything he can to be an exemplary pupil. When these two are paired up as study buddies, Marius sees another opportunity to show everyone what a great guy he is. But Frida has no intention of being “fixed” by the class golden boy. Their

U tišini / On the quiet

Hungary, 2019, Colour, 80 min.

Režija / Director: Zoltán Nagy Uloge / Cast: Erik Major, Gábor Máté, Lulu Bognár, Dorottya Antóci, Benjámin Lengyel

Jesi gladan? / Are You Hungry?

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47

1982. / 1982

Sin / A Son

Sarajevo Film Festival Partner Presents DOHA FILM INSTITUTE Doha institut za film je nezavisna, neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoj lokalne filmske zajednice kroz unapređenje stručnog znanja, njegovanje ljubavi prema filmu i doprinos razvoju samoodržive kreativne filmske industrije u Kataru. Aktivnosti instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa i filmskih projekcija, kao i organizovanje Filmskog festivala mladih Ajyal i Qumra Film Festivala. Institut se u svome radu fokusira na kulturu, razvoj lokalnih zajednica i obrazovanje, a trajno je posvećen ostvarenju vizije Katara da se do 2030. godine nametne kao ekonomija utemeljena na znanju.

Doha Film Institute is an independent, not-for-profit cultural organisation established in 2010. It supports the growth of the local film community through cultivating film appreciation, enhancing industry knowledge and contributing to the development of sustainable creative industries in Qatar.

The Institute’s platforms include funding and production of local, regional and international films; skills-sharing and mentorship programmes; film screenings; the Ajyal Youth Film Festival; and Qumra. With culture, community, learning and entertainment at its foundation, the Institute is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy.

1982. / 1982

Lebanon, United States, Norway, Qatar, 2019, Colour, 100 min, Arabic, English Režija / Director: Oualid Mouaness Uloge / Cast: Nadine Labaki, Mohamad Dalli, Ghassan Maalouf, Aliya Khalidi, Rodrigue Sleiman, Gia Madi, Lelya Harkous, Saeed Serhan

Dok njegovi nastavnici – koji pripadaju suprotstavljenim političkim strujama – pokušavaju prikriti svoje strahove, jedanaestogodišnji Wisssam posljednjeg dana škole u planinama, tokom izraelske invazije na Liban 1982, odlučuje priznati svojoj drugarici iz razreda Joanni da je zaljubljen u nju.

On the last day of school in the mountains, during the 1982 invasion of Lebanon, elevenyear-old Wissam is determined to tell his classmate Joanna that he loves her, while his teachers –on different sides of the political divide – try to mask their fears.

Sin / A Son

Tunisia, France, Lebanon, Qatar, 2019, Colour, 96 min.

Režija / Director: Mehdi M. Barsaoui Uloge / Cast: Sami Bouajila, Najla Ben Abdallah, Youssef Khemiri, Noomen Hamda, Qasim Rawane

Brodovi / Ships

Tunis, ljeto 2011. Fares, Meriem i njihov desetogodišnji sin Aziz odlaze na odmor na jug zemlje koji završava tragično kada dječak slučajno bude ustrijeljen iz zasjede. Njegove povrede zauvijek će im promijeniti život: Azizu je potrebna transplantacija jetre, što će razotkriti jednu davno sakrivenu tajnu. Da li će Aziz i veza njegovih roditelja preživjeti?

Tunisia, summer 2011. A holiday to the south of the country ends in disaster for Fares, Meriem and their ten-year-old son Aziz when he is accidentally shot in an ambush. His injury will change their lives: Aziz needs a liver transplant, which leads to the discovery of a long-buried secret. Will Aziz and his parents' relationship survive?

bespoštedno se kuju od metala izvučenih direktno iz kovačkih peći, ovaj meditativni film bez dijaloga gledaoce uvodi u svijet preciznog inžinjerstva i zanatskih vještina potrebnih za izgradnju najslavnijeg katarskog plovila.

Deep in the shipyards of Doha, amid the whirring of table saws and heavy machinery, we enter the world of dhow construction.

Primarily still crafted by hand, with the metalwork relentlessly hammered and worked straight from the furnace, this silent meditative film gives us a glimpse into the precision engineering and expert craftsmanship that is involved in the creation of Qatar's most iconic seagoing vessel.

SHORTCUTS TO QATAR

Qatar, 2018, Colour, 17 min.

Režija / Director: A.J. Al Thani Uloge / Cast: Sana Al Habib, Osama Hamza

Brodovi / Ships

Qatar, 2018, Colour, 7 min.

Režija / Director: Dhabya Al-Muhannadi

U brodogradilištima u Dohi, uz buku cirkularnih pila i teške mašinerije, ulazimo u svijet izgradnje dhow brodova. Prateći nastanak ovih brodova, koji se većinom i dalje prave ručno, a njihovi metalni dijelovi

Crni veo / The Black Veil

48 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

Crni veo / The Black Veil

Širom svijeta mnoge žene su potlačene i sanjaju o bijegu. CRNI VEO priča je o jednoj ženi koja rizikuje život da bi pronašla slobodu.

Many women around the world suffer oppression and dream of escaping it. THE BLACK VEIL is the story of one woman who puts her life at risk in order to find her freedom.

Jadni hrčak / The Unlucky Hamster

Lomljiva / Fragile

Jadni hrčak /

The Unlucky Hamster

Qatar, Indonesia, 2019, Colour, 6 min.

Režija / Director: Abdulaziz Khashabi

Priča o hrčku koji u prodavnici kućnih ljubimaca nestrpljivo čeka da ga neko usvoji.

Mnogi ljudi prolaze kraj njegovog kaveza prije nego što mu neko konačno priđe i odluči ga kupiti. Hrčak je veoma radostan, ali njegova sreća neće dugo trajati!

A story about a hamster who was once in a pet shop, waiting eagerly for someone to buy him.

Many people passed by his small tank without noticing him, before someone decides to buy him. The hamster is very excited that he has finally been bought – but he won’t be happy for long!

Kraj puta / End of the Road

Qatar, 2019, Colour, 15 min.

Režija / Director: Ahmad Al-Sharif Uloge / Cast: Abbas Riaz, Saad Khalid Awan

Munir je pošteni taksista poznat po tome da drži do vlastitih principa i obećanja i da je uvijek spreman pomoći prijateljima u nevolji.

Nakon dugog radnog dana Munir – koji je iznimno posvećen supruzi i djeci – žuri kući kako bi stigao na rođendansku proslavu svoje kćerke. Kada pored mračne ceste ugleda misterioznog muškarca, Munir je prisiljen na izbor između uloge dobrog Samarićanina i uloge dobrog oca, a odluka koju će donijeti zauvijek će mu promijeniti život.

Munir is an honest taxi driver, known by the local community as being principled and trustworthy, always willing to lend a hand to friends in need. A loving father and husband, after a long day of work Munir is eager to make it home in time to celebrate his daughter’s birthday. But after a mysterious man appears on the side of a dark road, Munir is torn between being a good Samaritan or a good father – a choice that will change his life forever.

Kraj puta / End of the Road

Socotra – nevidljivo ostrvo / Socotra - The Invisible Island

Lomljiva / Fragile

trouble with the nuns after they break into the art room for supplies.

Priča o djevojci od keramike koja živi u malom neuglednom selu smještenom u dolini okruženoj visokim planinama. Jednog dana djevojka skuplja hrabrost za uspon na planinu, ali pada i lomi se u hiljadu komada. Izdiže se iz vlastitih krhotina i pretvara u vilu. Prelijeće planine i otkriva da je iza čeka jedan magični, živopisni svijet.

A ceramic girl lives in a small drab village that sits in a valley surrounded by huge mountains.

One day, she wrangles the courage to scale the mountain but falls, shattering herself into a thousand pieces. From the ashes she arises – transformed into a fairy. She flies over the mountain to discover that a magically colourful world awaits.

Socotra – nevidljivo ostrvo /

Qatar, 2019, Colour, 11 min.

Režija / Director: Kholoud Al Ali

Papirni zmaj / Paper Kite

Qatar, 2019, Black and white, 10 min.

Režija / Director: Ching Siew Hua

Sumoran osvrt na ostrvo Socotra, smješteno na nekih 400 kilometara udaljenosti od obale Jemena. Indirektno pogođeno posljedicama rata u Jemenu, ostrvo je suočeno i sa razornom ekološkom krizom. Lokalnom stanovništvu uskraćene su brojne životne mogućnosti i žive u stanju stalne nesigurnosti.

A sombre look at the island of Socotra, situated 400km off the coast of Yemen. Suffering the indirect consequences of the ongoing conflict, the island faces a devastating environmental crisis. Its native population is struggling with a lack of opportunities and uncertainty.

Vraćanje slave Liri /

Qatar, 2019, Colour, 7 min.

Režija / Director: Nada Bedair Uloge / Cast: Sister Caroline, Sister Louisa, Noor Noor, Emara Zayn, Dana Alrefai

Revive the Lira's Glory

U svojoj strogoj katoličkoj školi Noor budna sanja o tome da napravi zmaja. Zbog manjka koncentracije na nastavi, sestra Caroline nakon škole šalje je u pritvor gdje Noor upoznaje novog učenika Zayna. Nakon što vidi njene nacrte za zmaja, Zayn nagovara Noor da ga zajedno naprave. Kada u sklopu svoje misije pravljenja zmaja provale u kabinet za likovno, da bi uzeli neophodne materijale, na sebe navlače bijes časnih sestara zaposlenih u školi.

In a strict Catholic school, Noor daydreams of making a kite. Not amused by Noor's lack of concentration in class, Sister Caroline punishes her with detention. There, Noor meets Zayn, a new student who sees Noor’s sketches of kites and encourages her to make one with her. The two embark on a kite-making mission, but they soon find themselves in

Papirni zmaj / Paper Kite

Socotra - The Invisible Island

Lebanon, Qatar, 2019, Colour, 4 min.

Režija / Director: Alessandra El Chanti

Ibrahim Sultani ima dvadeset dvije godine, na završnoj je godini studija arhitekture i iz hobija na novčanicama slika portrete omiljenih libanskih muzičara, filmskih, medijskih, sportskih i modnih zvijezda, i mnogih drugih.

U trenutku kada se zemlja suočava s ekonomskom krizom, Sultani se nada da će njegovi portreti domaćoj valuti bar metaforički vratiti dio nekadašnje vrijednosti.

Ibrahim Sultani is a 22-year-old architecture major who has a hobby of painting portraits on banknotes. On them, he portrays Lebanese icons from the fields of music, cinema, sports, media, fashion and many more. Due to the current economic crisis in the country, Sultani hopes his work will give the currency back some of its lost value, at least metaphorically.

Vraćanje slave Liri / Revive the Lira's Glory SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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BH. FILMSKI PROGRAM B&H Film Programme IGRANI FILMOVI / FEATURE FILMS KONCENTRIŠI SE, BABA / FOCUS, GRANDMA

Pjer Žalica, Bosnia and Herzegovina, Turkey, 2020.

OTAC / FATHER

JUGOSLAVENKA / YUGOSLAVIAN

Aida Hoffman, Drew Hoffman, Bosnia and Herzegovina, USA, 2019, 22 min.

KAPANJE NA KRUŠEVOM BRDU / GAME OF RINGS IN KRUŠEVO BRDO Goran Dujaković, Bosnia and Herzegovina, 2020, 11 min.

AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA

IZMEĐU ISTOKA I ZAPADA / BETWEEN EAST AND WEST

Boško Krljaš, Bosnia and Herzegovina, Serbia, 2019, 7 min.

KORIJENI / THE ROOTS

Srdan Golubović, Serbia, France, Germany, Croatia, Slovenia, Bosnia and Herzegovina, 2020, 120 min.

MISLI O DOMU / THOUGHTS OF HOME

PUN MJESEC / FULL MOON

NA PRODAJU / FOR SALE

Nermin Hamzagić, Bosnia and Herzegovina, 2019, 85 min.

Zoran Pilipović, Bosnia and Herzegovina, 2020, 15 min.

SYMPATHY FOR THE DEVIL

NEK JE ŠTO ŠARENIJE / LET THERE BE COLOUR

SUŽANJ / THRALL

NENAD

ZAŠTO MAMA VAZDA PLAČE? / WHY IS MOM ALWAYS CRYING?

Guillaume de Fontenay, France, Canada, 2019, 109 min.

DUGOMETRAŽNI DOKUMENTARNI FILMOVI / FEATURE-LENGHT DOCUMENTARY FILMS GRUDVA SNIJEGA I ŠITAKE GLJIVA / SNOWBALL AND SHIITAKE MUSHROOM Šemsudin Gegić, Bosnia and Herzegovina, Italy, 2019, 72 min.

IZOLACIJA / ISOLATION

Nedžad Begović, Bosnia and Herzegovina, 2020, 56 min.

LOOKING FOR DAYTON

Valery Perry, Bosnia and Herzegovina, 2020, 55 min.

PLANET SARAJEVO

Tyler Tesolin, Canada, Bosnia and Herzegovina, 2020, 93 min.

RADIO GANGA

Zdenko Jurilj, Bosnia and Herzegovina, 2019, 68 min.

POVRATAK U VIŠEGRAD / BACK TO VISEGRAD

Aida Kauković, Bosnia and Herzegovina, 2020, 4 min.

Ado Hasanović, Bosnia and Herzegovina, 2020, 16 min.

Mladen Bundalo, Bosnia and Herzegovina, Belgium, 2020, 22 min.

AMBIS / THE ABYSS

Sandin Puce, Bosnia and Herzegovina, 2020, 32 min.

Dženan Esko, Bosnia and Herzegovina, 2020, 19 min.

POD ZEMLJOM / UNDERGROUND Džana Brkanić, Bosnia and Herzegovina, 2020, 39 min.

SARAJEVSKA HAGADA, SEFARDSKO BLAGO / THE SARAJEVO HAGGADAH, A SEPHARDIC TREASSURE Boris Perišić, Lea Kosovac, Bosnia and Herzegovina, 2020, 27 min.

SLOBODA / FREEDOM

Boris Balta, Bosnia and Herzegovina, 2020, 45 min.

B4

Alen Šimić, Bosnia and Herzegovina, 2020, 13 min.

DOLAZAK / ARRIVAL

Amina Huseinčehajić, Bosnia and Herzegovina, 2019, 9 min.

GRAD KOJI MRZIM / THE CITY THAT I HATE

Gabrijel Lazić, Bosnia and Herzegovina, 2019, 20 min.

MOJ TATA, KLOVN / MY DAD, THE CLOWN Sara Ristić, Bosnia and Herzegovina, 2020, 24 min

DIJADEM / DIADEM

Milana Majar, Bosnia and Herzegovina, Portugal, 2020, 30 min.

EVERMORE

Lada Imamović, Bosnia and Herzegovina, 2019, 7 min.

GDJE SMO? / WHERE ARE WE? Hanna Beširević, Poland, Mexico, 2019, 13 min.

Katarina Krstić, Bosnia and Herzegovina, 2019, 7 min.

PARADA / PARADE

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS

Luka Majkić, Dunja-Helena von der Masse, Bosnia and Herzegovina, 2020, 12 min.

Karmen Obrdalj, Bosnia and Herzegovina, 2019, 16 min.

OTVORENO PISMO / OPEN LETTER

WAS BLEIBT I ŠTA OSTAJE I WHAT REMAINS / RE-VISITED

CIRKUS IZA LEĐA / CIRCUS BEHIND MY BACK

Igor Đurić, Bosnia and Herzegovina, 2020, 9 min.

FAKULTET DRAMSKIH I FILMSKIH UMJETNOSTI BIJELJINA / FACULTY OF DRAMA AND FILM ARTS BIJELJINA

STUDENTSKI FILMOVI / STUDENT FILMS

KRATKI IGRANI I DOKUMENTARNI / SHORT FICTION AND DOCUMENTARY FILMS

Nemanja Vučenović, Bosnia and Herzegovina, 2020, 7 min.

Thomas Crauk, Ornan Gojević, Bosnia and Herzegovina, France, 2020, 24 min.

Zoran Ćatić, Mirza Ajnadžić, Bosnia and Herzegovina, 2020, 50 min

Clarissa Theime, Germany, Austria, Bosnia and Herzegovina, 2020, 70 min.

OBLIKOM / WITH THE SHAPE

NIKAD DOMA

Antoine Jaccoud, Julie Biro, Bosnia and Herzegovina, 2020, 95 min.

TESTAMENT JEDNOM VREMENU / TESTEMONY TO AN ERA

Stefan Tomić, Bosnia and Herzegovina, 2020, 16 min.

OŽILJCI / SCARS

Almir Zoletić, Bosnia and Herzegovina, 2019, 8 min.

PLEHAN

Luka Vlaho, Bosnia and Herzegovina, 2019, 23 min.

SARAJEVO FILM ACADEMY

DVIJE FIGURE NA RIJECI / TWO FIGURES AT A RIVER

Lukas Grevis, Bosnia and Herzegovina, Luxembourg, Serbia, 2020, 21 min

VENO

Rea Memić, Bosnia and Herzegovina, 2019, 17 min.

H O U S E O F M A G A Z I N E S

A D R I A M E D I A Z A G R E B

P R I N T ∙ D I G I T A L ∙ E V E N T ∙ B 2 B 03.2019.

03.2019.

NISMO SAMI P OTRAGA ZA ŽIVOTOM U SVEMIRU

R AT OV I B A N D I I S IROMAŠTVO DESETKUJU S A LVA D O R

DIDI S KAMEŠNICE

HRVATSKA

DIDI S KAMEŠNICE

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www.adriamedia.hr SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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THE BIGGEST SCRIPT DEVELOPMENT PLATFORM AND FILM FUND OF TURKEY Open for submissions from January 2021!

N E W International Awards Film fund to support international co-productions with a minority Turkish co-producer .......................................................................................................................................

National Awards Co-production Award for 4 feature projects Pre-buy Award for 4 feature projects Production Award for 12 short projects ........................................................................................................................................

N E W Special Award Co-production Award for a master of Turkish cinema each year 2020 Special Award to Nuri Bilge Ceylan’s new film project

www.trt12punto.com 52 SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

trt12punto

NOVA APLIKACIJA RAIFFEISEN MOBILNO BANKARSTVO OLAKŠAVA POSLOVANJE S BANKOM Danas sve više klijenata želi da obavi svoje transakcije brzo i sigurno, bez dolaska u poslovnicu banke. U nastojanju da poboljša korisničko iskustvo, Banka je razvila novu aplikaciju Raiffeisen Mobilno Bankarstvo (RMB) koja štedi vrijeme i novac, ali donosi i druge pogodnosti koje klijentima olakšavaju svakodnevno obavljanje finansijskih transakcija.

Sa novom RMB aplikacijom pregled obavljenih naloga je

jednostavniji, a korisnici mogu potvrdu plaćanja poslati direktno putem e-maila ili Vibera. Također, RMB korisnici odnedavno mogu vršiti uplate javnih prihoda, aktivirati ili ugasiti trajni nalog, te pronaći odgovarajuću poslovnicu ili bankomat.

RMB aplikacija je maksimalno sigurna, a prijava je moguća putem PIN broja ili biometrijskih podataka.

DOŽIVI FESTIVAL KAO NIKAD PRIJE Ovogodišnje partnerstvo donosi doživljaj Festivala kao nikad prije, kao i limitiranu staklenu bocu sa etiketom inspirisanom Sarajevom. Jedinstvena etiketa prikazuje znamenitosti grada, elemente muzike, filma i zabave kao neizostavnih dijelova festivalske atmosfere. Primjerak razigranog izgleda bočice će obožavatelji Sarajeva, Festivala i Coca-Cole sigurno sačuvati među dragim suvenirima. U godini u kojoj je iz temelja promijenjen svakodnevni način života, Coca-Cola je diljem

svijeta stala uz zajednicu, a u Bosni i Hercegovini je kroz značajne novčane i robne donacije Crvenom križu pomogla u borbi protiv koronavirusa. Iako se nalazimo u novom normalnom, kao jedan od prvih i pouzdanih partnera Sarajevo Film Festivala, Coca-Cola i ove godine daje svoj jedinstven doprinos promociji filmske umjetnosti i Sarajeva kao značajnog odredišta na svjetskoj kulturnoj i filmskoj mapi.

BH Telecom je vodeći telekom operator u Bosni i Hercegovini, koji pruža visokokvalitetne i najsavremenije usluge iz oblasti telekomunikacija.

Ponosni smo što smo ponovno partner renomiranog festivala čijem smo začetku i osnivanju svjedočili davne ratne 1995. godine kao generalni sponzor, imajući već onda vjeru i viziju kao i veliku želju da Sarajevo Film Festival izraste i razvije se u ono što on danas predstavlja: stjecište regionalne i svjetske kinematografije i kulturološkog dijaloga te razmjene ideja sedme svjetske sile.

26. SFF je ove godine online i on demand. Odgovorili smo izazovu i pripremili sve da isti u punom sjaju bude vrhunsko korisničko iskustvo jer nam je zdravlje sviju nas na prvom mjestu.

Na specijalnom TV servisu MOJ FILM na MOJA TV platformi donosimo vam premium festivalski sadržaj, odlične filmove, te live kamere, ali i na stranici www.bhtelecom.ba/sff, te na društvenim mrežama BH Telecoma. Spremili smo iznenađenja i nagrade za sve koji prate naš servis. Ove godine BH Telecom je partner i podrška filmu Pjera Žalice „Koncentriši se baba“ i s tim partnerstvom ponosno najavljuje ulazak u produkcijsku industriju i content providing kao prvi TK operator u BiH. Film „Koncentriši se baba“ će za korisnike MOJA TV biti dostupan besplatno putem VOD videoteke na MOJA TV svih 8 dana 26. SFF-a.

Moj Sarajevo. Moja priča. BH Telecom

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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Redakcija časopisa Story s prošlogodišnjim laureatima

Glumica Jasna Diklić dobitnica je nagrade za životno djelo, a dobila je i najveće ovacije te večeri

Hanka Paldum proglašena je najboljom pjevačicom

Glumac Mario Drmač izvrsno se snašao u voditeljskoj ulozi

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GLAMUROZNA NOĆ SLAVLJA

Story Hall of Fame

U Zemaljskom muzeju Bosne i Hercegovine u Sarajevu u kolovozu prošle godine održan je drugi Schweppes Story Hall of Fame.

Raskošnim crvenim tepihom prošetale su najveće zvijezde regije, a njih 11 ponijelo je kući Storyjeve nagrade. Ususret ovogodišnjem Sarajevo Film Festivalu prisjećamo se najljepših trenutaka Glavni grad BiH već je godinama u kolovozu u znaku Sarajevo Film Festivala – filmskog glamura i crvenog tepiha kojim kroče mnogobrojne domaće i regionalne zvijezde, a od posljednje dvije godine Sarajevo je domaćin i veličanstvenog događanja časopisa Story na kojem se dodjeljuju prestižne nagrade Story Hall of Fame najboljim ostvarenjima na bosanskohercegovačkoj javnoj sceni. Tako je prošle godine u Zemaljskom muzeju Bosne i Hercegovine u Sarajevu održan drugi Schweppes Story Hall of Fame čiji je crveni tepih dao naslutiti da će ovaj svečani party s uručenjem prestižnih nagrada biti jedan od glamuroznijih događaja godine, a ujedno i savršena uvertira u kolovoz, filmski festivalski mjesec glavnoga grada BiH. Krema bosanske estrade, ali i regionalne, celebrityji iz svijeta filma, prošetali su u najboljim izdanjima te se dobro zabavili uz zanimljive DJ performanse i nastup Aida trio benda, koji su uslijedili nakon proglašenja pobjednika u 11 kategorija. Svečani program vodio je poznati bosanski glumac Mario Drmać, koji je najboljima u

Glumac Tarik Filipović sa suprugom Lejlom koja je blistala u kreaciji Ivana Alduka

njihovu području djelovanja uručio nagrade. Prva na redu bila je Dalida Karić-Hadžiahmetović koja je pobijedila u kategoriji Najboljeg dizajnera.

U kategoriji Najboljeg TV lica najbolja je bila Lana Stanišić, a u kategoriji Najboljeg redatelja Aida Begić. Najboljim glumcem proglašen je Krešimir Mikić, a njegova glumačka kolegica Gordana Boban slavila je u ženskoj kategoriji iste nagrade. Najboljim sportašem proglašen je Amel Tuka. Prestižnu nagradu u kategoriji Najbolji bend osvojio je Zoster, a pobjedu u kategoriji Najboljeg pjevača odnio je Božo Vrećo.

Božina kolegica Hanka Paldum slavila je u kategoriji Najbolje pjevačice. Nagradu za životno djelo osvojila je Jasna Diklić, koja je dobila i najveće ovacije, a u novoj kategoriji #samechances nagradu je preuzela Amra Silajdžić Džeko. Nakon svečane dodjele nagrada, koje su itekako razveselile dobitnike, razrezana je slavljenička torta i uslijedio je odličan party, kakav zna prirediti samo časopis Story u kombinaciji sa Sarajevom.

Amina Pivić, zaručnica sportaša Amela Tuke, preuzela je nagradu u njegovo ime

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TALENTS SARAJEVO 2019 presenting

Talents Sarajevo osmišljen je kao mjesto upoznavanja, razmjene iskustava i edukacije mladih talenata iz jugoistočne Europe za vrijeme SFF-a. Magazin Story ekskluzivno vam predstavlja prošlogodišnjih dvanaest sudionika Talents Sarajevo.

Talents Sarajevo was concived as a place for young talents from South-East Europe to meet, exchange experiences and educate during SFF. Story magazine exclusively presents last year’s twelve participants of Talents Sarajevo FOTO Robert Gašpert Dražen Kokorić Story press

TARA THALLER, glumica, Hrvatska Gledatelji su je prvi puta mogli vidjeti u ulozi zagonetne djevojke u nastavku filma “Ljubav ili smrt”. Tada je imala samo 15 godina.

Zapaženije uloge ostvarila je u dramskoj seriji “Pogrešan čovjek” te u HBO-ovoj seriji “Uspjeh” redatelja Danisa Tanovića. Vrlo je talentirana za pjevanje, a trenutačno studira glumu u Sarajevu.

Viewers could noticed her for the first time in the role of a mysterious girl in the sequel of the film “Love or Death”.

She was only 15 then.

She had more notable roles in the drama series “The Wrong Man” and in HBO’s series “Success” directed by Danis Tanović. She is very talented in singing, and is currently studying acting in Sarajevo.

HARIS SALIHOVIĆ, glumac, BiH

TUGCE ALTUG, glumica, Turska Premijerno se predstavila predstavom Punk Rock, za koju je odmah osvojila nagradu ‘Ensemble Award’. 2019. glumila je i u TV seriji „A woman“ (originalni naziv Kadin).

Her premier was through the play Punk Rock, and won the ‘Ensemble Award’. In 2019, she also starred in the TV series “A woman” (original: Kadin)

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Podrijetlom iz BiH, no rođen je 1994. u Velikoj Britaniji, gdje i danas živi.

Poznat po ulogama u filmovima Our Communist Life (2020), Pink Umbrella (2015) i mini-seriji This Is England ‘90 (2015).

Originally from BiH, Haris was born in 1994 in Great Britain, where he still lives today. Known for roles in the films Our Communist Life (2020), Pink Umbrella (2015) and the mini-series This Is England ’90 (2015).

EFTHALIA PAPACOSTA, glumica, Grčka

SARA LUNA ZORIĆ, glumica, BiH Sa 17 godina glumila je filmu „Take Me Somewhere Nice“, gdje je po prvi je puta morala sjesti na upravljač automobila, iako nije imala vozačku dozvolu. Za ulogu u tom filmu dobila je brojne pohvale, baš kao i za ulogu Alme u kratkom filmu „Yulia & Juliet“, koju je dobila na castingu preko Facebooka.

At the age of 17, she starred in the film “Take Me Somewhere Nice”, where she had to get behind the wheel of a car for the first time, even though she did not have a driver’s license. She received numerous praises for her role in that film, as well as for the role of Alma in the short film “Yulia & Juliet”, which she received at a casting via Facebook.

MARKO BRAICH,

ILIJA VOLCHESKI,

29-godišnji hrvatski glumac, rođen je u Puli, a studirao je na ASU u Sarajevu.

2017. glumio je u filmu „Egzorcist“ Dalibora Matanića, te u hrvatskoj seriji „Na granici“.

The 29-year-old Croatian actor was born in Pula and studied at the ASU in Sarajevo. In 2017, he starred in the film “Exorcist” by Dalibor Matanić, and Croatian series “On the Border”.

Najpoznatiji je po ulogama u filmu „Vrba“ iz 2019. te u filmu „Njezino ime je Petrunya“, koji je bio u konkurenciji za Zlatnog medvjeda na 69. Međunarodnom filmskom festivalu u Berlinu He is best known for his roles in the 2019 film “Willow” and in the film “Her Name is Petrunya”, which competed for the Golden Bear at the 69th BIFF.

glumac, Hrvatska

AKBARI TOURIALAY, glumac, Rumunjska

Rođen je 1988. godine u Bukureštu.

Glumio je u u drami „Vlad“ o mladiću koji mijenja identitet radi osvete. Glumom se, počeo baviti zbog strasti prema kinu.

He was born in 1988 in Bucharest. He starred in the drama “Vlad” about a young man who changes his identity for revenge. He points out that he started acting because of his great passion for cinema.

2020. ostvarila je ulogu u drami „All The Pretty Little Horses“, kao i u filmu „Pari“ o iranskoj majci u potrazi za nestalim sinom.

In 2020, this actress had a role in the drama “All The Pretty Little Horses”, as well as in the film “Paris” about an Iranian mother in search of her missing son.

glumac, Sjeverna Makedonija

BARAN CAN ERASLAN, glumac, Turska

Ovaj kazališni i dramski umjetnik diplomirao je na Sveučilištu Bilkent.

Karijeru je započeo 2014. godine ulogom Ahmeta u filmu Yılanların Öcü, a glumio je i u brojnim turskim serijama. .

This theater and drama artist graduated at the University of Bilkent.

He started his career in 2014 with the role of Ahmet in the film Yılanların Öcü, and he also starred in numerous series.

MARINA POPOVIĆ, glumica, BiH Rođena je u Sarajevu, a trenutačno živi u Oslu. Glumila je u nekoliko predstava, a stalno je zaposlena u kazalištu Ibsen u Skienu. Glumila je u Netflix-ovoj seriji Borderliner.

She was born in Sarajevo and currently lives in Oslo.

She has acted in several plays and is permanently employed at the Ibsen Theater in Skien. She starred in the Netflix series Borderliner.

STEFAN VUJIŠIĆ,

glumac, Sjeverna Makedonija Glumio je oficira Darka u filmu „Njezino ime je Petrunya“, s kojim je sudjelovao i na Međunarodnom filmskom festivalu u Berlinu He played officer Darko in the film “Her Name is Petrunya”, with which he also participated in the Berlin International Film Festival.

MIA SKRBINAC, glumica, Slovenija Kao članica slovenskog dramskog ansambla odigrala je nekoliko ključnih predstava, među kojima i Sašu u „Ivanovu“, Helenu i „iliadi“, a trenutačno je zaposlena u Gradskom kazalištu Ljubljana.

Glumila je i u filmu talijanskoslovensko-švicarske produkcije „Zatvorene oči“, a široj javnosti najpoznatija je po ulogama u serijama Ena žlahtna štorija (Jedna plemenita priča) i Ekipa Bled.

As a member of the Slovenian drama ensemble, she played several key plays, including Saša in “Ivanovo”, Helen and “Iliad”, and is currently employed at the City Theater of Ljubljana. She also starred in the Italian-Slovenian-Swiss film “Closed Eyes”, and is best known for her roles in the series Ena žlahtna štorija (One Noble Story) and Ekipa Bled.

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Ivana Roščić, Jelena Veljača

Robert Zuber

NEZAOBILAZNA IZLOŽBA

u srcu Sarajeva Story paviljon na Festivalskom trgu u Sarajevu prošle godine bio je nezaobilazna destinacija.

Naime, ondje je u sklopu 25. Sarajevo Film Festivala otvorena izložba Talents Sarajevo u sklopu koje su izložene fotografije najboljih glumačkih talenata od 2007.

Storyjev party privukao je pozornost glumačke i redateljske kreme popularnog festivala, a u ugodnom društvu uživale su Daria Lorenci Flatz, Jelena Veljača, Judita Franković Brdar, Lana Barić, Ivana Roščić, Tara Thaller, Goran Bogdan, Marko Braić, Leyla Hajrović i brojni drugi.

Uz izložbu fotografija dosadašnjih talenata, među kojima su Ana Vilenica, Katarina Strahinić, Jelena Jovanova Perić, Stjepan Perić i mnogi drugi, predstavljen je i novi broj Storyja, čije je izdanje već 17 godina prisutno na tržištu Bosne i Hercegovine.

Talents Sarajevo tjedni je program radionica i seminara na kojem mladi glumci, redatelji, producenti iz regije od iskusnijih kolega uče o razvijanju timskog rada, financiranju, produkciji i distribuciji filmskih projekata.

Program je pokrenut 2007. u suradnji s Berlinale Talentsom, a mogu se prijaviti redatelji, glumci, scenaristi i producenti.

Tijekom SFF-a mladi glumci iskusili su i profesionalni photo session s jednim od najboljih fotografa časopisa Story Draženom Kokorićem i Robertom Gašpertom. Te portrete ste upravo otkrili na prethodnim stranicama ovogodišnjeg Journal Storyja.

The Story Pavilion on Festival Square in Sarajevo was an unavoidable destination last year. The Talents Sarajevo exhibition was opened as part of SFF where best acting talents photos from 2007 were exhibited.

Tara Thaller

Ivana Krajinović, Mirsad Purivatra, Nebojša Rosić

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Danijela Trbović, Goran Bogdan

Talents Sarajevo is a weekly program of workshops and seminars where young actors, directors, producers from the region learn from more experienced colleagues about developing teamwork, financing, production and distribution of film projects. The program was launched in 2007 in collaboration with Berlinale Talents, where directors, actors, screenwriters and producers can apply.Story’s opening party attracted the attention of the directors and actors of this popular festival - Daria Lorenci Flatz, Jelena Veljača, Judita Franković Brdar, Lana Barić, Ivana Roščić, Tara Thaller, Goran Bogdan, Marko Braić, Leyla Hajrović and many others who enjoyed this opening. Along with the exhibition of photographs of previous talents, including Ana Vilenica, Katarina Strahinić, Jelena Jovanova Perić, Stjepan Perić and many others, a new issue of Story was presented, which weekly edition has been present on the market of Bosnia and Herzegovina for 17 years. During the SFF, the young actors also experienced a professional photo session with one of the best photographers of Story magazine Dražen Kokorić and Robert Gašpert. You just discovered those portraits on the previous pages of this year’s Journal Story.

SARAJEVO FILM FESTIVAL / 14-21/08/2020 / www.sff.ba

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