25thSFF Journal

JOURNAL

programme guide / vodiÄ? kroz program / 25. Sarajevo Film Festival

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Sadržaj Content 7

Žiri / Jury / Nagrade / Award

Alejandro González Iñárritu

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Počasno Srce Sarajeva: / Honorary Heart of Sarajevo:

Počasno Srce Sarajeva: / Honorary Heart of Sarajevo: Pawel

10 Takmičarski program – igrani film / Competition Programme – Feature Film 14 U fokusu / In Focus 16 Takmičarski program – kratki film / Competition Programme – Short Film 20 Takmičarski program – studentski film / Competition Programme – Student Film 24 Tamičarski program – dokumentarni film / Competition Programme – Documentary Film 28 Pretpremijere / Avant Premiere 30 Open Air 32 Kinoscope 36 Shorts 44 Summer Screen 46 Posvećeno / Tribute To Pawel Pawlikowski 48 Dječiji program / Children's Programme 52 TeenArena 55 Dan ljudskih prava / Human Rights Day 56 Sučavanje s prošlošću / Dealing with the Past 58 Sarajevo Film Festival Partner Presents 60 Specijalne projekcije / Special Screenings 61 Cinema | Portraits Brigitte Lacombe 62 CineLink dani filmske industrije / CineLink Industry Days 63 Talents Sarajevo 64 BiH Film 65 Raspored projekcija / Screening Schedule 69 Box Office 73 Uvodnik glavne urednice Storyja - Story Loves Sarajevo 74 Najava Story Hall of Fame 2019. 76 Interview - Emir Hadžihafizbegović 78 Talents Sarajevo 80 Story Hall of Fame 2018 - Sarajevo, noć emocija i glamura Pawlikowski

IMPRESSUM: Izdavač / Publisher: Adria Media Zagreb d.o.o., Zagreb, Oreškovićeva 6H/I; Za izdavača / For Publisher: Nebojša Rosić, Predsjednik Uprave / Chairman of the Board, Ivana Krajinović, Članica Uprave / Member of the Board, Blanka Šimundža Anušić, Voditeljica custom publishing odjela / Head of custom publishing department; Glavna urednica časopisa Story / Editor in chief: Zrinka Ferina; Urednice custom publishing odjela / Editors of custom publishing department: Danijela Petrov, Martina Rafaeli, Jasmina Rodić; Koordinatorica projekta / Project coordinator: Dubravka Tomeković Aralica; Grafičke urednice custom publishing odjela / Graphic Designers of custom publishing department: Željka Bašić, Maja Vacek; Štampa / Prints: Radin Print d.o.o., Gospodarska 9, 10431, Sveta Nedelja; Tiraž / Print run: 20.000; Uvoznik za BiH / Importer for BiH: Ipress d.o.o., BiH, Široki Brijeg, Fra D. Mandića bb.

Za / For Sarajevo Film Festival: Mirsad Purivatra; Izvršna urednica / Executive editor: Andrijana Copf; Dokumentacija / Documentation: Bakir Milić, Lana Krstić, Asja Krsmanović, Adisa Smajić; Prevod / Translation: Sabina Nikšić; Lektura / Proofreading: Jasna Kovo; Grafičko oblikovanje i DTP / Graphic design and DTP: BOOM! Produkcija

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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DOBRO DOÅ LI WELCOME

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Žiri Jury

Nagrade Awards

ŽIRI TAKMIČARSKOG PROGRAMA – IGRANI FILM / COMPETITION PROGRAMME JURY – FEATURE FILM

ZVANIČNE NAGRADE

OFFICIAL AWARDS

Predsjednik žirija / President of the Jury:

POČASNO SRCE SARAJEVA

HONORARY HEART OF SARAJEVO AWARD

Ruben Östlund

Nagrada se dodjeljuje u znak priznanja za izuzetan doprinos filmskoj umjetnosti

Given in recognition of an exceptional contribution to the art of film.

Bero Beyer

Takmičarski program – igrani film

Competition Programme – Feature Film

Funa Maduka

Novčanu nagradu, u iznosu od 16.000 €, sufinansira Turistička zajednica Kantona Sarajevo

Jovana Stojiljković

Novčanu nagradu, u iznosu od 10.000 €, obezbjeđuje Agnes B.

reditelj, Švedska / Director, Sweden Direktor Međunarodnog filmskog festivala u Rotterdamu, Nizozemska / Festival Director, International Film Festival Rotterdam, the Netherlands Direktorica za razvoj originalnih filmskih sadržaja i akvizicije, Netflix, Nigerija / Director, International Original Films & Acquisitions, Netflix, Nigeria Glumica, Srbija / Actor, Serbia

Teona Strugar Mitevska

Rediteljica, Sjeverna Makedonija / Director, North Macedonia

ŽIRI TAKMIČARSKOG PROGRAMA – DOKUMENTARNI FILM / COMPETITION PROGRAMME JURY – DOCUMENTARY FILM Emilie Bujès

Umjetnička direktorica međunarodnog filmskog festivala Visions du Réel u Nyonu, Švicarska / Artistic Director, Visions du Réel International Film Festival Nyon, Switzerland

Orwa Nyrabia

Umjetnički direktor Međunarodnog festivala dokumentarnog filma u Amsterdamu, Sirija / Artistic Director, International Documentary Film Festival Amsterdam, Syria

Nenad Puhovski

Ravnatelj Factuma i direktor ZagrebDoxa, Hrvatska / Director, Factum and ZagrebDox, Croatia

ŽIRI TAKMIČARSKOG PROGRAMA – KRATKI FILM / COMPETITION PROGRAMME JURY – SHORT FILM Ognjen Glavonić Reditelj i scenarista, Srbija / Director and screenwriter, Serbia

Eva Röse

Glumica, Švedska / Actor, Sweden

Dominique Welinski

Osnivačica produkcijske kompanije DW, Francuska / Founder of the production company DW,

SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM

HEART OF SARAJEVO FOR THE BEST FEATURE FILM

Award in the amount of €16,000, co-sponsored by the Tourism Association of Canton Sarajevo.

SRCE SARAJEVA ZA NAJBOLJEG REDITELJA / REDITELJICU

HEART OF SARAJEVO FOR THE BEST DIRECTOR

SRCE SARAJEVA ZA NAJBOLJU GLUMICU

Award in the amount of 2,500 €, sponsored by Tondach

Award in the amount of 10,000 €, sponsored by Agnes B.

HEART OF SARAJEVO FOR THE BEST ACTRESS

Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Tondach

HEART OF SARAJEVO FOR THE BEST ACTOR

SRCE SARAJEVA ZA NAJBOLJEG GLUMCA

Award in the amount of 2,500 €, sponsored by Tondach

Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Tondach

Competition Programme – Documentary Film

Takmičarski program – dokumentarni film

SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM

HEART OF SARAJEVO FOR THE BEST DOCUMENTARY FILM

Novčanu nagradu, u iznosu od 3.000 €, obezbjeđuje Vlada Švicarske

Award in the amount of 3,000 €, sponsored by Government of Switzerland

NAGRADA ZA LJUDSKA PRAVA

HUMAN RIGHTS AWARD

Nagrada za ljudska prava dodjeljuje se za najbolji film iz Takmičarskog programa – dokumentarni film koji obrađuje tematiku ljudskih prava. Nagradu u iznosu od 3.000 € obezbjeđuje Kraljevina Nizozemske.

Best film of the Competition Programme Documentary Film dealing with the subject of human rights. Award in the amount of €3,000, sponsored by the Kingdom of the Netherlands.

SPECIJALNA NAGRADA ŽIRIJA

SPECIAL JURY AWARD

Novčana nagrada u iznosu od 2.500 €

Award in the amount of 2,500 €

Takmičarski program – kratki film

Competition Programme – Short Film

SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM

HEART OF SARAJEVO FOR THE BEST SHORT FILM

kvalifikacioni film za prijavu za nagradu Oscar® Novčanu nagradu, u iznosu od 2.500 €, obezbjeđuje Podravka

Academy Award® qualifying Award in the amount of 2,500 €, sponsored by Podravka.

Takmičarski program – studentski film

Competition Programme – Student Film

SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM

HEART OF SARAJEVO FOR THE BEST STUDENT FILM

Novčana nagrada u iznosu od 1.000 € obezbjeđuje Vijeće za regionalnu saradnju.

Award in the amount of 1,000 € sponsored by Regional Cooperation Council.

NAGRADA PUBLIKE BH TELECOM

AUDIENCE AWARD BH TELECOM

Osnivač kompanije Coproduction Office, producent i poduzetnik, Francuska / Founder, Coproduction Office; producer and entrepreneur, France

PARTNERSKE NAGRADE

PARTNERS' AWARDS

Nadav Lapid

NOMINACIJA SARAJEVSKOG KANDIDATA ZA NOMINACIJU ZA EVROPSKU FILMSKU NAGRADU 2019.

SARAJEVO SHORT FILM NOMINEE FOR CANDIDACY FOR THE EUROPEAN FILM AWARDS 2019

ŽIRI TAKMIČARSKOG PROGRAMA – STUDENTSKI FILM / COMPETITION PROGRAMME JURY – STUDENT FILM Arild Andresen Reditelj i scenarista, Norveška / Director and screenwriter, Norway

Philippe Bober

Reditelj, Izrael / Director, Israel

ŽIRI ZA EVROPSKI KRATKI FILM / EUROPEAN SHORT FILM JURY Mahdi Fleifel Reditelj, Danska / Director, Denmark

Maike Mia Höhne

Umjetnička direktorica Festivala kratkog filma u Hamburgu, Njemačka / Artistic Director, Shortfilm Festival Hamburg, Germany

Pobjednik ulazi u konkurenciju za nominaciju za nagradu Evropske filmske akademije (EFA) za najbolji kratki film.

EDN TALENT GRANT

Srđan Vuletić

Reditelj i scenarista, Bosna i Hercegovina / Director and screenwriter, Bosnia and Herzegovina

EDN Talent Grant je ustanovljen kroz saradnju Sarajevo Film Festivala i Evropske dokumenta-rističke mreže, u svrhu podrške talentovanim autorima dokumentarnog filma iz regije.

CICAE ŽIRI / CICAE JURY Joan Parson

CICAE NAGRADA

Queen's Theatre, Velika Britanija / Queen's Theatre, UK

Butheina Kazim

Cinema Akil, Ujedinjeni Arapski Emirati / Cinema Akil, United Arab Emirrates

Fanny Garet

Plaza Art Cinema, Belgija / Plaza Art Cinema, Belgium

CINEUROPA ŽIRI / CINEUROPA JURY Valerio Caruso

Direktor Cineuropa.org, Belgija / Director, Cineuropa.org, Belgium

Hrvoje Pukšec

Voditelj filmskog programa zagrebačkog Festivala tolerancije i predsjednik Hrvatskog društva filmskih kritičara, Hrvatska /Film Programmer, Festival of Tolerance, Zagreb and President of Film Critics Society, Croatia

The winner receives a nomination candidacy for the European Film Academy (EFA) Best Film Award.

EDN TALENT GRANT

EDN Talent Grant has been created as co-operation between the Sarajevo Film Festival and the European Documentary Network with the purpose of supporting promising new documentary filmmakers from the region.

CICAE AWARD Međunarodna konfederacija umjetničkih kina (CICAE) nagrađuje film u selekciji Takmičarskog programa igrani film. Nagrađeni film će dobiti posebnu podršku CICAE kada je u pitanju pomoć kod distribucije, prikazivanja filma i dopiranja do publike, putem mreže od 3.000 kina.

CINEUROPA NAGRADA

Nagradu dodjeljuje Cineuropa portal posvećen europskoj kinematografiji i njenim stvaraocima i to filmu koji, osim što nesporno posjeduje umjetničke kvalitete, također promovira ideje europskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 €.

The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme Features. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas.

CINEUROPA PRIZE

The prize is awarded by the Cineuropa portal, the site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award is 5,000 €.

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Počasno Srce Sarajeva Alejandru Gonzálezu Iñárrituu Alejandro González Iñárritu to receive Honorary Heart of Sarajevo Award Nagrada Počasno Srce Sarajeva 25. Sarajevo Film Festivala bit će uručena reditelju, producentu i scenaristu Alejandru Gonzálezu Iñárrituu. Meksičkom filmskom autoru, dobitniku dvaju Oscara za filmove POVRATNIK i BIRDMAN ILI NEOČEKIVANA VRLINA NEZNANJA Počasno Srce Sarajeva dodjeljuje se u znak priznanja za izuzetan doprinos filmskoj umjetnosti.

Mexican director, producer and screenwriter Alejandro González Iñárritu – the winner of two consecutive Best Director Oscar awards for his films THE REVENANT and BIRDMAN - will receive the Honorary Heart of Sarajevo Award at the 25th annual Sarajevo Film Festival. The Honorary Heart of Sarajevo Award is given in recognition of an exceptional contribution to the art of film.

Višestruki dobitnik nagrade Oscar, reditelj, scenarista i producent Alejandro G. Iñárritu, prvi je latinoamerički filmski autor u istoriji koji je predsjedavao žirijem Filmskog festivala u Cannesu (2019) i jedan je od najcjenjenijih filmskih umjetnika današnjice. Njegov debitantski dugometražni igrani film PASJA LJUBAV premijerno je prikazan u programu Semaine de la Critique Filmskog festivala u Cannesu 2000. godine i nominovan je za nagradu Oscar Američke filmske akademije za najbolji film na stranom jeziku. Nakon toga snima filmove 21 GRAM, te film BABEL koji je nominovan za nagradu Oscar u čak sedam kategorija i osvojio je nagradu za najbolju režiju u Cannesu 2006. godine. Slijedi film BIUTIFUL koji je prikazan u takmičarskoj konkurenciji filmskog festivala u Cannesu 2010. Sa filmom BIRDMAN ILI NEOČEKIVANA VRLINA NEZNANJA osvaja nagrade za najboljeg reditelja, najbolji film i najbolji originalni scenarij na 87. dodjeli nagrada Oscar američke Akademije filmskih umjetnosti i znanosti. Naredne godine, Iñárritu osvaja drugog uzastopnog Oscara za najboljeg reditelja sa filmom POVRATNIK. Iñárritu je prvi meksički filmski autor u istoriji koji je nominovan za nagradu Oscar Američke filmske akademije u kategorijama najbolji reditelj i najbolji producent i prvi koji je osvojio nagradu za najbolji film na Filmskom festivalu u Cannesu. U skorije vrijeme Iñárritu je proizveo VR instalaciju CARNE Y ARENA (VIRTUELNO PRISUTNI, FIZIČKI NEVIDLJIVI) koja je predstavljena na Filmskom festivalu u Cannesu 2017. kao prvi VR projekt uključen u zvaničnu festivalsku selekciju. Odbor guvernera amričke Akademije filmskih umjetnosti i znanosti Iñárrituu je za taj projekt dodijelio specijalnog Oscara, inače petu nagradu Oscar u njegovoj karijeri.

Na 25. Sarajevo Film Festivalu Iñárritu će imati Masterclass, a bit će

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održana i specijalna projekcija njegovog filma filmom BIRDMAN ILI NEOČEKIVANA VRLINA NEZNANJA. Academy Award-winning director, writer, and producer Alejandro G. Iñárritu, the first Latin-American filmmaker to head the Jury of the Festival de Cannes (2019), is one of the most acclaimed filmmakers working today.

He made his feature directorial debut at the Cannes Semaine de la Critique in 2000 and was nominated for a Foreign Film Academy Award with AMORES PERROS. His following credits include 21 Grams; BABEL, which garnered seven Oscar nominations and won the Best Director Award at the 2006 Festival de Cannes; and BIUTIFUL, presented in Competition in 2010 at Cannes.

Iñárritu took home the prize for Best Director, Best Picture and Best Original Screenplay at the 87th Academy Awards for BIRDMAN. The following year, Iñárritu won his second consecutive Academy Award for Best Director for THE REVENANT. He is the first Mexican filmmaker to be nominated for either director or producer in the history of the Academy Awards and the first Mexican filmmaker to receive a Best Picture award at Cannes.

Most recently, Iñárritu created the VR installation CARNE Y ARENA (Virtually Present, Physically Invisible), which previewed at the 2017 Festival de Cannes as the first VR project ever included in the Official Selection, and garnered Iñárritu his fifth Academy Award, a special Oscar presented to him by the Board of Governors.

During the 25th Sarajevo Film Festival, Iñárritu will hold a Masterclass, and the Festival will organize a special screening of his film BIRDMAN.

Počasno Srce Sarajeva Pawelu Pawlikowskom Honorary Heart of Sarajevo: Pawel Pawlikowski Dobitnik nagrade Počasno Srce Sarajeva 25. Sarajevo Film Festivala je reditelj Pawel Pawlikowski, kome će Festival odati priznanje za izuzetan doprinos filmskoj umjetnosti i prijateljstvo koje ga povezuje sa Sarajevom i Bosnom i Hercegovinom. U programu Posvećeno bit će prikazana bogata retrospektiva radova ovog velikog filmskog autora.

The 25th Sarajevo Film Festival will pay tribute to director Pawel Pawlikowski and honour him with the Honorary Heart of Sarajevo Award for his outstanding contribution to the art of film and his lasting friendship with the city of Sarajevo and Bosnia and Herzegovina. A retrospective of his works will be presented in the Festival’s Tribute to programme.

Rođen 1957. godine u Varšavi, Pawlikowski je kao 14-godišnjak iz Poljske prvo otišao u Veliku Britaniju, zatim u Njemačku i Italiju, prije nego što se 1977. skrasio u Velikoj Britaniji. Studirao je književnost u Londonu i Oxfordu. Kasnih 1980-ih počeo je raditi dokumentarne filmove za BBC. Njegovi dokumentarci, među kojima su OD MOSKVE DO PIETUSHKOG: PUTOVANJE SA BENEDICTOM YEROFEYEVIM (1990), DOSTOJEVSKI NA PUTU (1991), SRPSKA EPIKA (1992), NA ODMORU SA ZHIRINOVSKIM (1995), osvojili su brojne međunarodne nagrade, uključujući Emmy i Prix Italia. Godine 1998. okrenuo se fikciji niskobudžetnim TV filmom KRADLJIVCI AUTA, nakon kojeg su uslijedili igrani filmovi POSLJEDNJE UTOČIŠTE (2000) i MOJE LJETO LJUBAVI (2004), za koje je potpisao scenarij i režiju. Oba filma osvojila su nagrade Britanske akademije filmske i televizijske umjetnosti (BAFTA) i mnoge druga priznanja na festivalima širom svijeta. Nakon filma ŽENA IZ PETOG OKRUGA (2011), uslijedio je izvanredan uspjeh s filmom IDA, koji je pored Oscara za film izvan engleskog govornog područja osvojio i pet Evropskih filmskih nagrada, nagrade Bafta, Goya i brojna druga priznanja. U Poljsku se vratio 2013., dok je završavao film IDA. Živi u Varšavi i predaje filmsku režiju i scenarij na školi filmske režije Wajda School.

U svom najnovijem filmu HLADNI RAT, Pawlikowski je kroz historijsku ljubavnu priču (nadahnutu stvarnim životom njegovih roditelja), kreirao bezvremenu stvarnost. Film je osvojio brojna priznanja, počev od nagrade za najbolju režiju na Festivalu u Cannesu 2018., a trijumfirao je i na 31. dodjeli Evropskih filmskih nagrada, osvojivši nagrade za najbolji film, režiju, scenarij i glumicu (Joanna Kulig). HLADNI RAT je bio nominiran za Oscara 2019. godine u tri kategorije: za film izvan engleskog govornog područja, režiju i fotografiju (Lukasz Zal).

Pawlikowski was born in Warsaw in 1957 and left Poland at the age of fourteen first for the United Kingdom, Germany and Italy, before finally settling in the UK in 1977. He studied literature and philosophy in London and Oxford. He started making documentary films for the BBC in the late 1980s. His documentaries, which include FROM MOSCOW TO PIETUSHKI: A JOURNEY WITH BENEDICT YEROFEYEV (1990), DOSTOEVSKY’S TRAVELS (1991), SERBIAN EPICS (1992) and TRIPPING WITH ZHIRINOVSKY (1995), won numerous international awards including an Emmy and the Prix Italia. In 1998, Pawlikowski moved into fiction with a low budget TV film, TWOCKERS, which was followed by two full-length features, LAST RESORT (2000) and MY SUMMER OF LOVE (2004), both of which he wrote and directed. Both films won British Academy of Film and Television Arts (BAFTA) awards, as well as many others at festivals around the world. After the 2011 film THE WOMAN IN THE FIFTH, Pawlikowski made highly acclaimed IDA which won the 2015 Foreign Language Academy Award, five European Film Academy Awards, a Bafta and a Goya, among many other prizes.

Pawlikowski returned to Poland in 2013 while completing IDA. He currently lives in Warsaw and teaches film direction and writing at the Wajda School.

Pawlikowski je već bio gost Sarajevo Film Festivala 2014. godine, kada je predstavio film IDA, te prošle godine, kada je HLADNI RAT otvorio Festival.

Pawlikowski will be returning to the Sarajevo Film Festival for the third time: in 2010 he presented IDA to the Festival audience and in 2018 COLD WAR opened the 24th edition of the Festival.

His latest film, COLD WAR, is a timeless historic romance (inspired by his own parents’ story). It won the Best Director award at the 2018 Cannes Film Festival and was the big winner at the 2018 European Film Awards where it picked up the prizes for Best European Film, Director, Screenwriter and Actress (Joanna Kulig). COLD WAR was recently honored with three Academy Award nominations: in the best foreignlanguage film, best director and cinematography (Lukasz Zal) categories.

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Heidi

Otvorena vrata / Open Door

Takmičarski program–igrani film Competition Programme – Feature Film Selektorica / Programmer: Elma Tataragić SVJETSKE PREMIJERE / WORLD PREMIERES

Heidi

Romania, 2019, Colour, 96 min.

Režija / Director: Cătălin Mitulescu Uloge / Cast: Gheorghe Visu, Catalina Mihai, Octav Costin, Gabriel Zaharia

Policajac Visoiu, koji će uskoro napuniti šezdeset godina, dobija zadatak da u predgrađima Bukurešta – koja poznaje otkako zna za sebe – pronađe dvije prostitutke koje bi bile voljne svjedočiti u predmetu protiv organizovanog kriminala.

In the outskirts of Bucharest, in an area he has known all his life, police officer Visoiu, who is nearly 60 years old, is given the mission to find two prostitutes willing to testify in an organised crime case.

Otvorena vrata / Open Door

Albania, Italy, Kosovo, North Macedonia, 2019, Colour, 78 min.

Režija / Director: Florenc Papas Uloge / Cast: Luli Bitri, Jonida Vokshi, Maxwell Guzja, Sotiraq Bratko, Guljelm Radoja

Rudina i njena neudata, trudna sestra Elma kreću na dugo putovanje u rodno selo u Albaniji, u posjetu svom strogom i konzervativnom ocu. Dok se autom probijaju

planinskim putevima, Elma smišlja plan kako da bivšeg školskog druga nagovori da se pretvara da joj je suprug.

Rudina sets off on a long journey with her unmarried pregnant sister, Elma, to meet their strict and traditional father in the Albanian village where they were born. As Rudina's car makes its way over the mountains, Elma comes up with a plan to enlist a former classmate to play the part of her husband.

to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child.

Full of explosive energy, he constantly gets in trouble together with his schoolmates.

Sin / The Son

Jedna naizgled obična noć. Dva policajca u blizini željezničkih tračnica u Sofiji nalaze tijelo poznatog narkomana Lazara. Tako počinje noć 9. novembra 2019. godine – trideset godina nakon pada Berlinskog zida i svrgavanja vladajućeg režima u Bugarskoj. Tri policijska tima patroliraju ulicama Sofije i rade svoj posao na način koji smatraju ispravnim, istovremeno se suočavajući sa izazovima koje pred njih postavlja savremeno bugarsko društvo.

One night – seemingly just like any other. Two police officers find the body of the wellknown drug addict Lazar near the railroad tracks in Sofia. This is how the night of 9 November, 2019 begins – 30 years after the

Bosnia and Herzegovina, Croatia, Romania, Slovenia, Montenegro, 2019, Colour, 106 min.

Režija / Director: Ines Tanović Uloge / Cast: Dino Bajrović, Snežana Bogdanović, Uliks Fehmiu, Emir Hadžihafizbegović, Jasna Ornela Bery, Lidija Kordić, Hamza Ajdinović

Arman će uskoro napuniti 18 godina. Kada je bio beba, usvojili su ga Jasna i Senad koji nisu mogli imati vlastitu djecu. Međutim, četiri godine kasnije, Jasna rađa Dadu. Arman se čitav život teško nosi s činjenicom da je usvojen. Pun eksplozivne energije, sa svojim školskim drugovima neprestano upada u nevolje.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable

Sin / The Son

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Ukrug / Rounds

Bulgaria, Serbia, 2019, Colour, 106 min.

Režija / Director: Stephan Komandarev Uloge / Cast: Ivan Barnev, Assen Blatechki, Stoyan Doychev, Vassil Vassilev-Zouek

Ukrug / Rounds

fall of the Berlin Wall and the regime change in Bulgaria. Three teams of police officers are patrolling the streets of Sofia, doing their job as they believe is right, while facing the challenges posed by contemporary Bulgarian reality.

Međunarodna premijera / International premiere

Mo

Romania, 2019, Colour, 77 min.

Režija / Director: Radu Dragomir Uloge / Cast: Razvan Vasilescu, Dana Rogoz, Madalina Craiu

Studentice Mo i Vera prijateljice su od djetinjstva. Mo je kao tinejdžerka izgubila oca i još uvijek nije preboljela njegovu smrt. Ursu, jedan od najstrožih profesora, hvata Mo u prepisivanju tokom polaganja ispita. Nakon što mu se Mo suprotstavi, Ursu joj oduzima mobilni telefon i izbacuje nju i Veru s ispita.

Dvije studentice moraju položiti neočekivan ispit. Sve je zabava i igra dok Mo ne izgubi kontrolu.

Friends since childhood, Mo and Vera are now college students. Mo’s father died when she was a teenager, but she is still affected by the loss. During an exam, Mo is caught cheating by Ursu, one of her toughest professors. Mo defies him and Ursu seizes her mobile phone and throws the girls out.

The students will have to pass an unexpected examination. It's all fun and games, until Mo loses control.

Priča o tri sestre / A Tale of Three Sisters

A onda smo plesali / And Then We Danced

REGIONALNE PREMIJERE / REGIONAL PREMIERES

A onda smo plesali / And Then We Danced

Georgia, Sweden, France, 2019, Colour, 105 min.

Režija / Director: Levan Akin Uloge / Cast: Levan Gelbakhiani, Bachi Valishvili, Ana Javakhishvili, Kakha Gogidze

Merab sa svojom plesnom partnericom Mary od ranog djetinjstva trenira ples u Gruzijskom državnom plesnom ansamblu. Njegov svijet se okreće naglavačke s dolaskom karizmatičnog i bezbrižnog Iraklija koji postaje njegov najveći konkurent, ali i njegova najveća čežnja. U konzervativnom okruženju, Merab se mora osloboditi i sve staviti na kocku.

Merab has been training since he was very young at the national Georgian ensemble with his dance partner Mary. His world is suddenly turned upside down when the charismatic and carefree Irakli arrives and becomes both his strongest rival and greatest desire. In a conservative setting, Merab finds himself having to break free and risk everything.

Mačka u zidu / Cat in the Wall

Bulgaria, United Kingdom, France, 2019, Colour, 92 min.

Režija / Director: Vesela Kazakova, Mina Mileva Uloge / Cast: Irina Atanasova, Angel Genov, Orlin Asenov, Gilda Waugh, Chinwe A Nwokolo

Život u londonskoj stambenoj četvrti za socijalno ugrožene članove društva u vrijeme Brexita – planovi za modernizaciju napreduju, a komunalni računi dostižu astronomske

iznose izazvajući ljutnju stanara. U srcu oluje, samohrana majka iz Bugarske, Irina, pokušava se probiti kao arhitektica i odbija da, poput većine svojih komšija, živi od socijalne pomoći.

Life on a council estate in Brexit London – gentrification plans advance accompanied by an astronomic bill for homeowners, aggravating the community. In the eye of the storm, Irina, a Bulgarian single mother, tries to break through as an architect, and refuses to live on benefits like most of her neighbours.

Priča o tri sestre / A Tale of Three Sisters

Turkey, Germany, Netherlands, Greece, 2019, Colour, 108 min.

Režija / Director: Emin Alper Uloge / Cast: Cemre Ebuzziya, Ece Yuksel, Helin Kandemir, Kayhan Açıkgöz, Müfit Kayacan, Kubilay Tunçer

Sestre Reyhan, Nurhan, i Havvu šalju u grad kao “besleme” – udomiteljsku djecu i služavke.

Nakon što iz različitih razloga razočaraju svoje udomiteljske porodice, primorane su vratiti se u siromašno selo, svome ocu. Lišene snova o boljem životu, sestre se nastoje držati zajedno.

Sisters Reyhan, Nurhan, and Havva were sent to town as "besleme" (foster children and maids). As they fail their foster parents for different reasons, they are sent back to their father's house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.

Mačka u zidu / Cat in the Wall SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

11

Take Me Somewhere Nice

Take Me Somewhere Nice

Bosnia and Herzegovina, Netherlands, 2018, Colour, 91 min.

Režija / Director: Ena Sendijarević Uloge / Cast: Sara Luna Zorić, Lazar Dragojević, Ernad Prnjavorac, Sanja Burić, Jasna Đuričić, Mario Knezović, Emir Hadžihafizbegović

Na pragu zrelosti, Alma napušta dom svoje majke u Nizozemskoj i putuje u rodnu Bosnu kako bi posjetila oca kojeg nikada nije upoznala.

Stvari od početka ne idu po planu. Njen rođak Emir priređuje joj hladan doček i ismijava njen lagodan život na Zapadu. Istovremeno, neporeciva seksualna privlačnost gura Almu u strastvenu vezu s Emirovim najboljim prijateljem, problematičnim Denisom. Iako se prepreke na koje nailazi gomilaju, Alma se neustrašivo drži svoga plana da pronađe oca.

On the verge of adulthood, Alma leaves her mother’s home in the Netherlands and travels to her native Bosnia to visit the father she has never met. But from the very start, nothing goes as planned. Her cousin Emir gives her a frosty reception and mocks her easy life in the West. At the same time, undeniable sexual chemistry leads Alma into a passionate relationship with Emir’s best friend, the troublemaker Denis. As the obstacles mount, Alma remains fearlessly determined to follow her plan and find her father.

Mutavac / The Mute

Gala projekcija - izvan konkurencije / Gala Screening - Out of Competition

Mutavac / The Mute

Turkey, 2019, Colour, 94 min, Turkish Režija / Director: Murat Pay Uloge / Cast: Mim Kemal Öke, Vildan Atasever, Emin Gürsoy, Ozan Çelik

Sami u svom skromnom domu živi sam, a za život zarađuje slikajući jednostavne murale.

Jednoga dana saznaje da je njegova voljena nena umrla i ostavila mu škrinju punu kaligrafskih radova. Samija na početku ne zanima sadržaj škrinje, pa čak razmišlja i da ga se riješi. Ali onda u biblioteci, koja ga je angažovala da na jednom od njenih zidova naslika mural, upoznaje Selmu. To poznanstvo biti će prekretnica u njegovom životu.

Privlačna i dostojanstvena žena savršenih manira, karakterističnih za članove starih istanbulskih porodica, Selma je svojevremeno studirala kaligrafiju. Uz njenu podršku i vođstvo, Sami počinje učiti kaligrafiju. U tome mu pomaže Eşref Efendi, nadaren, ali staromodan kaligraf, koji zbog prezira za stanje moderne kaligrafije neko vrijeme nije primao učenike. Maestro brzo osvaja Samijevu ljubav. Za Samija, koji se osjeća rastrzano između Selme i Eşrefa, kaligrafija postaje izazovno putovanje tokom kojeg će biti

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prisiljen da se suoči sa svojim uspomenama, ali i da odgovori na ključno pitanje: da li se kaligrafijom moguće baviti bez ljubavi?

Living on his own in a modest home, Sami makes a living as a mural painter. One day, he learns that his doting grandmother has passed away, and has bequeathed him a small chest full of calligraphy materials. At first, Sami dismisses the contents of the chest, so much so that he even considers getting rid of them.

But then he meets Selma at the library where he has been commissioned to do a mural, and this introduction marks a turning point for him.

Selma, an attractive and dignified woman with the impeccable manners of an old Istanbul family, once took up calligraphy herself. With her guidance and encouragement, Sami embarks on learning the practice. He is helped in his endeavours by Eşref Efendi, a gifted but demanding old-generation calligrapher, whose distaste for the present state of calligraphy has deterred him from taking on students for some time. And the master is quick to steer Sami towards love. For Sami, who finds himself caught between Selma and Eşref, the calligraphy becomes a challenging journey in which he is forced to confront his memory, but also to address a fundamental question: Is practice impossible without love?

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

13

Bog postoji i zove se Petrunija / God Exists and Her Name is Petrunya

Polusestra / Half - Sister

U fokusu In Focus

Selektorica / Programmer: Elma Tataragić

Bog postoji i zove se Petrunija /

woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She has won her cross, and she will not give it up.

North Macedonia, Belgium, Slovenia, France, Croatia, 2019, Colour, 100 min.

Režija / Director: Teona Strugar Mitevska Uloge / Cast: Zorica Nusheva, Labina Mitevska, Simeon Damevski, Suad Begovski, Stefan Vujisić, Violeta Shapkovska, Xhevdet Jashar

Ivana Grozna / Ivana the Terrible

God Exists and Her Name is Petrunya

Svakog januara, u malom gradu Štipu u Makedoniji, svećenik tradicionalno baca drveni krst u rijeku, a stotine mladića daju se u potjeru za njim. Vjeruje se da će osobu koja prva dođe do krsta čitave godine pratiti dobro zdravlje i sreća. Ove godine, Petrunija naprasno odlučuje skočiti u rijeku i prva dolazi do krsta. To izaziva bijes njenih suparnika koji se pitaju kako je moguće da se jedna žena usudila učestvovati u tradicionalnom ritualu.

Nastaje opšti haos, ali Petrunija se ne predaje.

Prva je došla do krsta i ne želi ga se odreći.

Every January in Stip, a small town in Macedonia, the local priest throws a wooden cross into the river, and hundreds of men dive in after it. Good fortune and prosperity are guaranteed to he who retrieves it. This year, Petrunya dives into the water on a whim and manages to grab the cross before the others.

Her competitors are furious – how dare a

Romania, Serbia, 2019, Colour, 86 min.

Režija / Director: Ivana Mladenović Uloge / Cast: Ivana Mladenović, Luka Gramić, Gordana Mladenović, Miodrag Mladenović, Kosta Mladenović, Živka Sorejević, Andrei Dinescu, Anca Pop

Ivana radi kao glumica u Rumuniji, ali zbog određenih zdravstvenih problema odluči provesti ljeto u svome malom rodnom gradu u Srbiji, na obali Dunava, okružena porodicom.

Gradonačelnik joj predlaže da bude zaštitno lice lokalnog muzičkog festivala i ona nevoljko pristaje. Kada u grad doputuju i njeni ekscentrični prijatelji, muzičari iz Bukurešta, a njena ljubavna veza sa znatno mlađim lokalnim momkom postane predmet gradskih tračeva, Ivana je na rubu nervnog sloma. Izvorni protagonisti, Ivanini prijatelji i rodbina, pozvani su da odigraju sami sebe i prenesu svoje emocije u igranom filmu o ženi koja ne može naći svoje mjesto ni na jednoj ni na drugoj obali Dunava.

Ivana works as an actor in Romania, but after she is confronted with some health issues, she decides to spend the summer in her small

Ivana Grozna / Ivana the Terrible

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Serbian hometown by the Danube, surrounded by family. She is asked by the mayor to be the face of the local music festival, and she reluctantly accepts. But after her eccentric musician friends arrive from Bucharest, and her love life involving a much younger local boy becomes town gossip, Ivana is on the verge of a nervous breakdown. Original protagonists, friends and family were invited to re-live the emotions and play themselves as fictional characters in a story about a woman who cannot find her place on either side of the Danube.

Mali Joe / Little Joe

Austria, United Kingdom, Germany, 2019, Colour, 105 min.

Režija / Director: Jessica Hausner Uloge / Cast: Emily Beecham, Ben Whishaw, Kerry Fox, Kit Connor, David Wilmot, Phénix Brossard, Sebastian Hülk, Lindsay Duncan

Samohrana majka Alice predana je starija inžinjerka agronomije u korporaciji koja se bavi uzgojem novih biljnih vrsta. Alice je uzgojila poseban grimizni cvijet koji se ne odlikuje samo svojom ljepotom već i terapeutskim dejstvom.

Naime, ako se drži na idealnoj temperaturi, adekvatno prehranjuje i ako se s njim redovno razgovara, cvijet osobu koja ga posjeduje čini sretnom. Protivno pravilima korporacije, Alice

Ti imaš noć / You Have the Night

odnosi jedan cvijet kući i poklanja ga svome sinu, tinejdžeru Joeu, te mu zajedno daju ime Mali Joe. Ali kako cvijet raste, tako raste i Alicina sumnja da on i nije tako bezopasan kao što to njegov nadimak sugeriše.

Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in the development of new species. She has engineered a very special crimson flower, one that is remarkable not only for its beauty but also for its therapeutic value: kept at the ideal temperature, fed properly, and spoken to regularly, this plant makes its owner happy.

Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it “Little Joe”, but as it grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests.

Polusestra / Half - Sister

Slovenia, North Macedonia, Serbia, 2019, Colour, 105 min.

Režija / Director: Damjan Kozole Uloge / Cast: Urša Menart, Liza Marijina, Jurij Drevenšek, Peter Musevski, Anja Novak, Damjana Černe, Labina Mitevska, Urška Hlebec

Nakon što su se dugi niz godina samo povremeno viđale, dvije međusobno otuđene polusestre iz primorskog grada Izole prisiljene su živjeti zajedno u malom stanu u Ljubljani.

After many years of rarely encountering one another, two estranged half-sisters from the coastal town of Izola are forced by

Mali Joe / Little Joe

Zviždači / The Whistlers

circumstances to share a small apartment in Ljubljana.

Pripadanje / Belonging

Turkey, France, Canada, 2019, Colour, 72 min.

Režija / Director: Burak Çevik Uloge / Cast: Çağlar Yalçınkaya, Eylül Su Sapan

Muškarac rekonstruira ubistvo svoje buduće punice. Na zahtjev svoje ljubavnice, unajmio je plaćenog ubicu da ubije njenu majku jer se protivi njihovoj vezi.

A man reconstructs the death of his future mother-in-law. Acting on the wishes of the woman's daughter – his lover – he hired a contract killer to murder her because she opposed their relationship.

Ti imaš noć / You Have the Night

Montenegro, Serbia, Qatar, 2018, Colour and B&W, 82 min.

Režija / Director: Ivan Salatić Uloge / Cast: Ivana Vuković, Momčilo Pićurić, Luka Petrone, Nikola Stojanović, Nikola Manojlović, Jasna Đuričić, Boris Isaković, Marko Štibohar

Nakon iskrcavanja s broda na kojem radi, Sanja nema izbora nego da ode kući. Lokalno brodogradilište proglasilo je bankrot i mnogi radnici ostali su bez posla. Brodovi prekriveni ceradom leže uokolo čekajući bolje dane.

Dolazi oluja. Izgubljen je jedan život. Luka u šumi čeka da padne noć. Noć u kojoj se sve može promijeniti.

After leaving the ship she works on, Sanja finds herself stranded, with nowhere to go but

home. The shipyard has filed for bankruptcy, leaving many workers out of work. Boats covered with tarpaulins are scattered around the landscape, set aside for better days. A storm comes. A life is lost. Luka is waiting for night in the woods. A night when everything might change.

Zviždači / The Whistlers

Romania, France, Germany, 2019, Colour, 98 min.

Režija / Director: Corneliu Porumboiu Uloge / Cast: Vlad Ivanov, Catrinel Marlon, Rodica Lazar, Antonio Buil, Agustí Villaronga, Sabin Tambrea

U životu bukureštanskog policijskog inspektora Cristija, koji operiše i unutar i izvan granica zakona, nije sve onakvo kakvim se čini na prvi pogled. Zajedno s lijepom Gildom, koja ga upliće u visokorizičnu pljačku, Cristi će morati otkriti kako da se nosi s prevratima koji su rezultat prevare i izdaje. Tajni jezik zvižduka, koji koriste stanovnici španskog otoka La Gomera, možda je upravo ono što Cristi i Gilda trebaju kako bi spasili situaciju.

Not everything is as it seems for Cristi, a police inspector in Bucharest who plays both sides of the law. Along with the beautiful Gilda, who as dispatched him on a high-stakes heist, Cristi will have to navigate the twists and turns of treachery and deception. A secret whistling language spoken on the Spanish island of La Gomera might just be what the pair need to pull the caper off.

Pripadanje / Belonging SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

15

Prirodni odabir / Natural Selection

Razglednice s kraja svijeta / Postcards from the End of the Worlda

Simbioza / Symbiosis

Takmičarski program – kratki film Competition Programme – Short Film Selektorica / Programmer: Elma Tataragić

SVJETSKE PREMIJERE / WORLD PREMIERES

Jama / The Pit

Bosnia and Herzegovina, 2019, Colour, 11 min.

Režija / Director: Alban Ukaj Uloge / Cast: Dina Mušanović, Igor Skvarica, Zlatan Školjić, Izudin Bajrović

Tokom problematičnog snimanja kratkog filma o jednom ratnom zločinu na mjestu na kojem se on dogodio, troje mladih, nezavisnih filmskih umjetnika otkrivaju da ih posmatra jedan neznanac.

During a troublesome shooting of a short art film about a war crime at the location where it took place, three young independent filmmakers discover they are being watched by a stranger.

Prirodni odabir / Natural Selection Bosnia and Herzegovina, Croatia, 2018, Colour, 10 min.

Režija / Director: Aleta Rajič

Žena-srna, živuća je skulptura, zarobljena u urbanim prostorima dosade i melanholije, i u utopijskim muzejima u kojima radi i zabavlja se pretvarajući se da je ljudsko biće, ali samo u pozama (čisti, ispija kafu, puši, spava). U stvarnosti, ona je usamljena, beživotna životinja.

Woman-Doe is a living sculpture trapped in urban spaces of boredom and melancholia, and in the utopian museums where she works.

She entertains herself by acting as a human only in poses (cleaning, drinking coffee, smoking, sleeping), whereas in reality she is a lonely, lifeless animal.

Crno sunce / Black Sun

Razglednice s kraja svijeta / Postcards from the End of the World

Greece, 2019, Colour, 23 min.

Režija / Director: Konstantinos Antonopoulos Uloge / Cast: Giorgos Gallos, Aggeliki Dimitrakopoulou, Isavella Anagnostopoulou

Zarobljeni na naizgled dosadnom porodičnom odmoru, Dimitra, Dimitris i njihove dvije kćeri moraju pronaći način da pobjegnu s izolovanog otoka u Mediteranu nakon što neočekivano nastupi kraj svijeta.

Trapped on a seemingly dull family vacation, Dimitra, Dimitris and their two daughters will have to find a way off a secluded island in the Mediterranean when they are confronted with the unexpected end of the world.

Simbioza / Symbiosis

Hungary, France, 2019, Colour, 13 min.

Režija / Director: Nadja Andrasev

Prevarena supruga počinje istraživati život ljubavnice svoga muža. Njena ljubomora postepeno prerasta u radoznalost.

A betrayed wife begins to investigate her husband’s mistresses. Her jealousy is gradually replaced by curiosity.

Ulica Karla Marxa 12 /

12 K Marx Street

Georgia, 2019, Colour, 15 min.

Režija / Director: Irine Jordania Uloge / Cast: Tina Lagidze, David Ujmajuridze

Svakog dana, na istom mjestu, u isto vrijeme, jedna žena sebi sipa šoljicu kafe i bira isti broj.

Jednog dana, neko odgovara na njen poziv.

Ulica Karla Marxa 12 / 12 K Marx Street

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Jama / The Pit

Ispostavlja se da neznanac koji joj se javio na telefon živi u kući u kojoj je ona provela djetinjstvo. Kući koju je njena porodica morala napustiti kako bi pobjegli od rata. Njih dvoje se počinju zbližavati.

Every day, the woman pours herself a cup of coffee and sits in the same place, at the same time, calling the same number on her phone.

One day, her call is unexpectedly answered. It is revealed that the stranger who answers the phone lives in the woman’s childhood home – the home the woman’s family were forced to leave to escape war. The two start to form a bond.

REGIONALNE PREMIJERE / REGIONAL PREMIERES

Crno sunce / Black Sun

Turkey, Germany, 2019, Colour, 20 min.

Režija / Director: Arda Çiltepe Uloge / Cast: Enes Yurdaün, Ercan Kesal, Seren Şirince, Sencar Sağdıç, Nur Sürer

Nakon paklenih ljetnih vrućina, tokom iznenadnog putovanja na sahranu na jednom udaljenom otoku, nastupa oluja. Mrtvac je sahranjen nabrzinu, zaobilazak kroz dio Turske kraj obala Egejskog mora: skok u more, san u gradskom hotelu, drijemež u hamamu, posjeta graditelju mrtvačkih sanduka. Po povratku kući, on jede ostatke hrane, a period žalovanja se približava. Sahranu zasjenjuje posljednja želja.

After the dog days, a coming storm approaches during a sudden road trip to a distant island for a funeral. While the deceased is buried in

Gospodin Košmar / Mr. Mare

Jedna od mnogih / One of Many

haste, a detour through Aegean Turkey: a dip in the sea, a dream at a town hotel, a light sleep at a hammam, a visit to the coffin-maker. After arrival at home, leftovers are eaten while mourning looms. The funeral is eclipsed by a final wish.

Gospodin Košmar / Mr. Mare Hungary, France, 2019, Colour, 19 min.

Režija / Director: Luca Tóth

Na svom rentgenskom snimku zgodni mladi muškarac s užasom otkriva da je čudna tumorolika izraslina zapravo okrugla glava sićušnog muškarca. Ugniježđen u mladićevom tijelu, sićušni muškarac čeka da bude rođen.

Looking at an x-ray image, a handsome young man is horrified to learn that the weird, tumourlike lump on his chest is the top of a tiny plump man’s head. Nested in the young man’s body, the tiny man is waiting to be born.

Jedna od mnogih / One of Many North Macedonia, Belgium, 2019, Colour, 11 min.

Režija / Director: Vuk Mitevski Uloge / Cast: Teona Strugar Mitevska

Ispričana na izrazito apstraktan i poetičan način, ova ljubavna priča – smještena u iznimno neobične okolnosti – inspirisana je izbjegličkom krizom u kojoj je Makedonija odigrala žalosnu ulogu tranzitne zemlje.

Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.

Posljednja slika o ocu / The Last Image of Father

Udaljenost između nas i neba / The Distance Between Us and the Sky

Kombi / The Van

Kombi / The Van

Albania, France, 2019, Colour, 15 min.

Režija / Director: Erenik Beqiri Uloge / Cast: Phénix Brossard, Arben Bajraktaraj, Afrim Muçaj, Luzlim Zeqja

Kombi se konačno zaustavlja, vrata se otvaraju i Sin izlazi napolje, živ. Još samo nekoliko borbi i moći će platiti svoj odlazak iz Albanije, u nadi da će sa sobom povesti i svoga Oca. The van finally stops, the doors open and the Son comes out alive. A few more fights and he will be able to pay his way out of Albania, and hopefully, take his Father with him.

Posljednja slika o ocu / The Last Image of Father

Serbia, Croatia, Greece, 2019, Colour, 20 min.

Režija / Director: Stefan Đorđević Uloge / Cast: Igor Benčina, Marko Matić, Marina Redžepović, Silvija Stojanovska

Dušan i Laza putuju preko Istočne Srbije za Beograd. Terminalno bolestan, Dušan mora da pronađe novi dom za svog sina Lazu, kome je Dušan sve što ima.

Dušan and Laza travel through eastern Serbia on their way to Belgrade. Terminally ill, Dušan must find a new home for his son Laza, who has no one in the world but his father.

Posljednje putovanje na more / The Last Trip to the Seaside

Romania, 2019, Colour, 12 min.

Režija / Director: Adi Voicu Uloge / Cast: Angela Marcovici, Ana Ciontea, Cristina Juncu, Silviu Debu, Salih Yildirim

U kupeu voza šest putnika putuje na more.

Posljednje putovanje na more / The Last Trip to the Seaside

Posoliti, pobiberiti po ukusu / Salt, Pepper to Taste

Nakon nekog vremena, neki od njih – zbog sumnje koju osjećaju – gube pribranost, a ostatak putovanja dobija potpuno pogrešan smjer.

Six passengers are travelling to the seaside in a train compartment. After a while, suspicion makes some of them lose their composure, and the remainder of the trip goes terribly wrong.

Posoliti, pobiberiti po ukusu /

Salt, Pepper to Taste

Azerbaijan, 2019, Colour, 22 min.

Režija / Director: Teymur Hajiyev Uloge / Cast: Leyla Madatkhanova, Turan Abbasov, Zulfiyye Nazar Mammadova

Usamljena žena živi s dvoje djece – kćerkom i sinom. Žive pod istim krovom, ali su im duše raštrkane. Iako moraju donijeti odluku da srede svoje živote, niko od njih ne želi podijeliti svoju bol.

A lonely woman lives with her daughter and son. They live under one roof, but their souls are scattered. A decision has to be made to put their lives in order, but none of them is willing to share their pain.

Tina

Croatia, 2019, Colour, 14 min.

Režija / Director: Dubravka Turić Uloge / Cast: Lana Barić

Zagreb, posljednji dani u godini. U starom stanu gdje svaki predmet pripada prošlosti, Tina pokušava obnoviti porodične rituale.

Nova godina sve je bliže, praznično veselje i vatromet nemilosrdno prodiru u njezinu intimu.

Tina SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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SEE Factory Sarajevo mon amour

Zagreb, last days of the year. In an old apartment where every object belongs to the past, Tina is trying to revive the holiday rituals.

As New Year's Eve is approaching, festivities and fireworks keep intruding into her private space.

Udaljenost između nas i neba /

The Distance Between Us and the Sky

Greece, France, 2019, Colour, 9 min.

Režija / Director: Vasilis Kekatos Uloge / Cast: Nikolakis Zegkinoglou, Ioko Ioannis Kotidis

Noć je na državnoj cesti. Dva stranca se susreću na staroj benzinskoj pumpi. Jedan je stao da naspe u motor gorivo, drugi je zaglavio na tom mjestu. Budući da mu manjka 22,5 eura kako bi se vratio kući, drugi će prvom

pokušati da proda udaljenost koja ih razdvaja od neba.

Nighttime on a national road. Two strangers meet at an old gas station. One has stopped to gas up his bike, while the other is merely stranded. Lacking the €22.50 he needs to get home, the second man will try to sell the first the distance that separates them from the sky.

Vahida Ljubunčić, Boris Ler, Marija Pikić, Mirjana Karanović, Muhamed Hadžović, Doroteja Nadrah, Jelena Kordić, Adela Petrović, Mero Beganović, Sanela Krsmanovic Bistrivoda, Lejla Pajić, Jelisaveta Seka Sablić, Andrea Aković, Igor Skvarica

13 država, 10 reditelja, 5 kratkih filmova, 1 igrani.

13 countries, 10 directors, 5 short films, 1 feature.

IZVAN KONKURENCIJE / OUT OF COMPETITION

SEE Factory Sarajevo mon amour

Bosnia and Herzegovina, Montenegro, Serbia, Slovenia, North Macedonia, France, 2019, Colour and B&W, 60 min, Bosnian Režija / Director: Maša Šarović, Sharon Angelhart, Teodora Mihai, Dušan Kasalica, Urška Djukić, Gavriil Tzafka, Neven Samardžić, Carolina Marcowicz, Eleonora Veninova, Yona Rozenkier Uloge / Cast: Mediha Musliović, Lidija Kordić,

18 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

TAKMIČARSKI KRATKI / COMPETITION SHORTS SYMBIOSIS/ 12 K MARX STREET/ ONE OF MANY/ TINA/ SALT, PEPPER TO TASTE/ THE PIT/ MR. MARE

TAKMIČARSKI KRATKI / COMPETITION SHORTS THE DISTANCE BETWEEN US AND THE SKY/THE LAST TRIP TO THE SEASIDE/ BLACK SUN/ NATURAL SELECTION/ THE LAST IMAGE OF FATHER/ THE VAN/ POSTCARDS FROM THE END OF THE WORLD

Groblje slonova / Elephant's Graveyard

Svijet, na čekanju / Earth, on hold

Šerbet / Sherbet

Šihta / The Shift

Tužni ženski vikend / Sad Girl Weekend

Božica majka / God the Mother

Takmičarski program - studentski film Competition Programme – Student Film Selektorica / Programmer: Asja Krsmanović

SVJETSKE PREMIJERE / WORLD PREMIERES

Groblje slonova /

Elephant's Graveyard

Croatia, 2019, Colour, 13 min.

Režija / Director: Filip Mojzeš Uloge / Cast: Krešimir Mikić, Slavica Jukić, Neven Aljinović Tot, Lucija Šerbedžija

Zvonimiru se žuri, ali Branki se ne žuri. Ona bi radije ostala kod kuće. No Zvonimir je uporan, iako se na momente čini kako niti njemu nije svejedno. Jer oboje znaju da jednom kad krenu povratka više nema.

Zvonimir is in a hurry; Branka, however, is not – she would prefer to stay home. Zvonimir is persistent – although at times it seems that he too is unsure of what to do. They both know that they will have no way to return once they depart.

Svijet, na čekanju /

Earth, on hold

Turkey, 2019, Colour, 21 min.

Režija / Director: Ömer Deniz Uloge / Cast: Hikmet Eren, Yaz Yuceil, Aysegul Demirhan, Zeynep Ercan

Can je u ranim dvadesetim godinama života i zrelost mu naizgled ne ide od ruke. Teško se nosi sa svakodnevnom bukom i zbrkom.

Njegova porodica je razdvojena, razgovor za posao ne ide po planu, a prijatelj mu u makarone ubacuje drogu. Izgubljen, usamljen i zbunjen, pokušava ostvariti kontakt s imaginarnom djevojkom.

Can is in his early twenties, and adulthood doesn’t seem to agree with him. He is having a hard time keeping up with all the rumbling and mumbling. His family is disconnected, a job interview goes badly, and a friend serves him drugged macaroni. Lost, lonely and confused, he seeks contact from an imaginary girlfriend.

Šerbet / Sherbet

Serbia, 2019, Colour, 19 min.

Režija / Director: Nikola Stojanović Uloge / Cast: Jelena Tjapkin, Branko Perišić, Stela Ćetković, Branislav Platiša

Destruktivni i gladni za životom, Ena i Sale se susreću. Teret prošlosti i strahovi ih proganjaju, dok pokušavaju da otkriju šta osjećaju. Kroz agresiju, na periferiji prljavog grada, testiraju granice svoje ljubavi.

Ena and Sale – both destructive and hungry for life – meet. As they are trying to interpret their feelings, the two are pressured by the burden of their past and hunted by their fears. Through acts of aggression on the outskirts of a dirty city, they are testing the limits of their love.

odbačeno. Među prijateljicama vlada velika napetost i prije ili kasnije shvatit će da su rastanci teški.

Best friends from college, Elli, Natasha, and Joe are spending their last weekend together on a getaway at Elli’s summerhouse. Natasha and Jo are leaving to study abroad, something that makes Elli emotional, since she feels that she is being left behind. The tension between the friends is high, and sooner or later, they will realise that goodbyes are hard.

Šihta / The Shift

MEĐUNARODNE PREMIJERE/ INTERNATIONAL PREMIERES

Croatia, 2019, Colour, 16 min.

Režija / Director: Damir Markovina

Kratki dokumentarni film o jednom radnom danu glumice Ane Begić Tahiri u predbožićnom gradu Zagrebu. Film prati Anu kroz njene različite dnevne obaveze, uloge i nastupe, bilježeći širok spektar njenih interakcija i rituala, omogućujući neometan pogled u stvarni sadržaj života jedne glumice, lišenom tranzicijske celebrity kulture.

A short documentary film about one working day in the life of actress Ana Begić, shot in Zagreb shortly before Christmas. The film follows Ana as she conducts her daily activities, prepares for her roles and stage performances and experiences numerous interactions and rituals. It provides an unobstructed view into the real life of an actress removed from the spectacle of a transitional celebrity culture.

Tužni ženski vikend / Sad Girl Weekend

Greece, 2019, Colour, 15 min.

Režija / Director: Dimitris Tsakaleas, Lida Vartzioti Uloge / Cast: Elsa Lekakou, Georgina Liossi

Elli, Natasha i Joe, najbolje drugarice s fakulteta, posljednji zajednički vikend provode u Ellinoj kući na moru. Natasha i Jo će nastaviti školovanje u inostranstvu, što Elli čini emotivnom i zbog čega se osjeća

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Božica majka / God the Mother Romania, 2019, Colour and B&W, 19 min.

Režija / Director: Mihai Ghiță Uloge / Cast: Mihai Ghiță, Kana Hashimoto, Victoria Cociaș

Nakon susreta s misionarom iz Azije koji propovijeda o Božici majci, Mihai počinje preispitivati prirodu poodmakle trudnoće svoje majke.

After an encounter with an Asian missionary who preaches about God the Mother, Mihai reconsiders the nature of his mother’s late pregnancy.

Slučajnost i nužnost / Life Between the Exit Signs

Austria, 2019, Colour, 18 min.

Režija / Director: Nicolas Pindeus Uloge / Cast: Laurin Saied, Maya Unger, Marisa Growaldt, Isabel Silva

Mladić stoji u bolničkoj sobi u kojoj leži njegova mentalno oboljela majka. Majka spava, a on, umjesto da je probudi, izlazi iz sobe. U potrazi za nečim što će mu skrenuti misli, provodi dan i noć lutajući uokolo. Upada u niz situacija koje rasvjetljavaju njegove strahove, identitetske krize i želju za osjećajem pripadanja svijetu u kojem živi.

A young man is standing in a hospital room inhabited by his mentally ill mother. She is asleep; instead of waking her, he leaves the

Slučajnost i nužnost / Life Between the Exit Signs

Dopust / Day Release

room. In search of distraction, he drifts through day and night. He embarks on a series of events that bring light into his fears, his identity conflicts, and his desire for a sense of belonging in this world.

REGIONALNE PREMIJERE/ REGIONAL PREMIERES

Dopust / Day Release

Austria, Germany, 2019, Colour, 35 min.

Režija / Director: Martin Winter Uloge / Cast: Anna Suk, Birgit Linauer, Patrick Schmidl, Daniela Zacherl

Na rođendan svoga sina, dvadesetpetogodišnja samohrana majka Kathi dobija jednodnevni dopust iz zatvora. Trogodišnjaka koji živi sa njenom nestabilnom majkom zatiče u lošem stanju. Prisiljena je da pronađe način da mu osigura bolju budućnost dok se istovremeno suočava sa vlastitom prošlošću, a vrijeme radi protiv nje jer se mora vratiti u zatvor do šest sati poslijepodne.

On her son's birthday, 25-year-old single mother Kathi receives day release from prison and finds her three-year-old, who is living with Kathi’s unstable mother, in terrible circumstances. Kathi is forced to find a way to enable a better future for her toddler, while she is confronted with her past – and time is against her, as she has to be back in prison by 6pm.

Kako upravljati zmajem? / How to Fly a Kite?

Noćna sesija / Night Session

Kao i do sada / As up to now Uloge / Cast: Vera Venczel, Ildikó Tóth, Rozi Lovas, Andrea Söptei

Nada nam omogućava da idemo dalje. Svi likovi u ovom filmu – uključujući glavnu protagonisticu Margit i njenu kćerku Judith – učestvuju u laži čiji je cilj da probudi nadu.

Margit boluje od opasnog raka kože, a kćerka joj organizuje odlazak na terapije. Margit na medicinske tretmane odlazi sama i njen život postaje aktivniji, a odnos s kćerkom se naizgled popravlja.

Hope is what moves us forward. All the characters in this film – the main character Margit, and her daughter Judit – become entangled in a hope-giving lie. Margit suffers from a serious skin cancer, but Judit arranges treatment for her. Margit goes to her treatments alone, her life become more active, and her relationship to her daughter seems to improve.

Miljenici / Favourites

Austria, Germany, 2019, Colour, 18 min.

Režija / Director: Martin Monk Uloge / Cast: Lia Wilfing, Christian Dolezal, Renate Baier, Günther Lainer

U šumi nedaleko od Cătine, u rumunskoj provinciji, situacija se nekontrolisano komplikuje nakon što Aurel i Nicușor ne ispoštuju stroga pravila saradnje oficira Câmpana. Prije nego zora svane, Aurel će postati muškarac.

In a forest near Cătina in the Romanian countryside, things get out of hand as Aurel and Nicușor fail to comply with officer Sergiu Câmpan's standards of co-operation. Before the break of dawn, Aurel will become a man

Nakon svađe s majkom, jogunasta Sofia odlučuje autostopirati do Italije u potrazi za svojim biološkim ocem. Nakon što upozna sredovječnog Michaela, koji nevoljko pristaje da je poveze, između njih dvoje, tokom zajedničkog putovanja jugom Austrije, razvija se neočekivano prijateljstvo. Čini se da i Michael bježi od nečega, ali nemoguće je reći od čega. Sofia to osjeća dok u vožnji provode dan. Kratki susret zamrznut u vremenu. Ali šta je njihova krajnja destinacija?

After falling out with her mother, rebellious Sofia wants to hitchhike to Italy in search of her biological father. When she meets middleaged Michael, who reluctantly agrees to give her a lift, the strangers develop an unlikely friendship on their shared journey through the south of Austria. Michael, too, seems to be on the run from something intangible. Sofia senses this, and together they drift through a day of driving. A brief encounter suspended in time. But what is their destination?

Kao i do sada / As up to now

Noćna sesija / Night Session

Kako upravljati zmajem? / How to Fly a Kite?

Romania, 2018, Colour, 27 min.

Režija / Director: Loránd Gábor Uloge / Cast: Ionuţ Mihai, Alexandru Gârjoabă, Virgil Aioanei, Dorina Măcelaru

Hungary, 2018, Colour, 24 min.

Režija / Director: Katalin Moldovai

Georgia, 2019, Colour, 4 min.

Režija / Director: Petre Tomadze

Miljenici / Favourites

Film istražuje na koje sve načine porodično nasilje istovremeno oblikuje i ostavlja ravnodušnim komšije koji dijele zajedničko dvorište.

This film explores how neighbours sharing a courtyard are both shaped by, and indifferent to, domestic violence.

Polomljene stvari /

Broken Things

Hungary, 2019, Colour, 10 min.

Režija / Director: Panni Gyulai

Usamljena djevojčica odrasta u porodici izolovanoj od svega tražeći spas u svijetu mašte. Odrasli oko nje ne poduzimaju ništa da poboljšaju svoj nepodnošljivo težak život.

Majka se skriva u oblaku dima cigareta, baka je opsjednuta cvijećem i biljkama, a djevojčica u mašti pronalazi bijeg od tog depresivnog okruženja. Međutim, što dublje ponire u sebe, sve više shvata da je ono što je okružuje dio njenog života od kojeg ne može pobjeći niti se sakriti.

A lonely young child grows up in an isolated family, delving into her inner fantasy world.

The adults around her do nothing to resolve the unbearable life they are living; everybody is resigned to their fate. The mother hides behind her cigarette smoke, the grandmother is covered with her plants, and the little girl tries to alleviate her depressing circumstances with her imagination. But as she dives deeper and deeper into herself, she realises that everything that surrounds her is part of her life, and that she cannot escape or hide.

Uzdah / Sigh

Moldova, 2019, Colour and B&W, 15 min.

Režija / Director: Vlad Bolgarin

Priča o sjedokosom muškarcu koji uzdiše. Dok živi u gradu prekrivenom smogom, on nastavlja uzdisati sve dok se ne isuši i ne postane sama kost i koža. Ali čak i u najmračnijim skrovištima duše kriju se svjetlost i boja.

A story of a grey man who is always sighing.

Living in a smog-covered grey city, he keeps on sighing until he dries out and becomes nothing but skin and bones. But even in the darkest corners of the soul, there is light and colour.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Polomljene stvari / Broken Things

Uzdah / Sigh

Živio Løten! / Viva Løten!

Sarine intimne ispovijesti / Sara´s Intimate Confessions

Ženski čopor / She-pack

Ammunition Hill

unveils a different aspect of the Norwegian countryside through the everyday lives of two young men. A story of sorrow, anger, faith, and comfort.

GUEST ACADEMY - NORWEGIAN FILM SCHOOL

Sarine intimne ispovijesti / Sara´s Intimate Confessions

Norway, 2018, Colour, 22 min.

Režija / Director: Emilie Blichfeldt Uloge / Cast: Anne Sofie Wanstrup, Dagny Backer Johnsen, Mattis H. Nyquist

NADAV LAPID SPECIAL SCREENING (30 YEARS OF JSFS)

Nakon što se suoči s ličnim strahom da je prekrupna, Sara, visoka 181. centimetar i prilično korpulentna, počinje propitivati vlastito shvatanje ljubavi, seksa i ženstvenosti sa svojom pričajućom vaginom.

After being confronted with her fear of being too big, Sara, who is 181cm tall and heavily built, begins to explore her perception of love, sex, and femininity, with her talking vulva.

Ženski čopor / She-pack

Norway, 2018, Colour, 18 min.

Režija / Director: Fanny Ovesen Uloge / Cast: Elen Kippersund Frogner, Martine Norstrøm Hammerstad

Na rođendanskoj zabavi na javnom bazenu s disko-klubom, neugledna Ronja izaziva alfaženku na dvoboj za prevlast. Napetost brzo eskalira, a kako žeđ za moć raste, Ronja i ostale djevojke gube kontrolu nad situacijom.

It’s a birthday party at a public pool disco, and underdog Ronja challenges the girls’ alpha female to a battle for dominance. The game escalates quickly, and as the thirst for power grows, Ronja and the other girls lose control.

Živio Løten! / Viva Løten!

Norway, 2018, Colour, 27 min.

Režija / Director: Teresia Fant Uloge / Cast: Daniel. K. Ergelstad, Håkon N. Martinsen

Portret šarolikog univerzuma ispunjenog motorima, alkoholom, glasnom muzikom i pizzom. Ovaj film kroz svakodnevni život dva mladića razotkriva drugo lice norveške provincije. Priča o tuzi, ljutnji, vjeri i utjehi.

A portrait of a colourful universe of engines, alcohol, loud music, and pizza. VIVA LØTEN!

Cesta / Road

Ammunition Hill

Israel, 2013, Colour, 8 min.

Režija / Director: Nadav Lapid

Lapidov segment u omnibusu KORACI U JERUSALEMU prati grupu dvanaestogodišnjih učenika tokom uznemirujuće posjete nacionalnom memorijalnom muzeju gdje dobijaju uniforme i automatske puške kako bi uprizorili krvavu bitku između izraelskih i jordanskih vojnika vođenu tokom Šestodnevnog rata.

Lapid's contribution to FOOTSTEPS IN JERUSALEM follows a group of 12-year-old students on a disconcerting field trip to a national memorial site, where they are given uniforms and machine guns to re-enact a bloody battle between Israelis and Jordanians during the Six-Day War.

Cesta / Road

Israel, 2004, Colour, 17 min.

Režija / Director: Nadav Lapid Uloge / Cast: Mussa Zhalka, Nathan Nathansohn,

U Judejskoj pustinji, na uskoj, krivudavoj cesti, mladi par vodi ljubav pokraj memorijalnog stuba. Samo godinu dana ranije, na istoj toj cesti, četiri palestinska radnika zarobili su svog izraelskog poslodavca i sudila mu po optužbi za zlodjela cionizma i zločin okupacije.

In the Judean desert, on a narrow winding road, a young couple makie love beside a memorial pillar. Only a year before, on that very same road, four Palestinian workers kidnapped their Israeli employer and put him on trial, charging him with the injustices of Zionism and the crimes of occupation.

Emilova djevojka / Emile's Girlfriend

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Emilova djevojka /

Emile's Girlfriend

Israel, 2006, Colour, 49 min.

Režija / Director: Nadav Lapid Uloge / Cast: Iptah Klein, Caroline Frank

Yoav je očajan jer njegovo prijateljstvo s Emilom, drugom iz Francuske, blijedi. Kada Emilova djevojka Delphine posjeti Izrael, dobit će uvid u agresivnost modernog izraelskog društva, dok će Yoav uporno pokušavati da dobije Emila na telefon.

Yoav is beside himself over the weakening of his relationship with Émile, his friend from France. When Delphine, Émile’s girlfriend, comes to Israel for a visit, she will get a glimpse of the belligerence of contemporary Israeli society, while Yoav will keep trying to speak to Émile over the phone.

Zašto? / Why?

Israel, 2014, Colour, 5 min.

Režija / Director: Nadav Lapid

Četrdesetogišnji reditelj Yoav na molbu urednika filmskog magazina “Cahiers du cinéma” piše o moći određenih filmskih scena.

Yoav se prisjeća svog prvog susreta s Pasolinijevim filmom TEOREMA, u vrijeme dok je još bio vojnik u izraelskoj vojsci.

Forty-year-old director Yoav was asked by the editor of Cahiers du cinéma to write about the potency of a specific cinematographic image.

Yoav recalls his first encounter with Pasolini’s TEOREMA, back when he was still a soldier in the Israeli army.

TAKMIČARSKI STUDENTSKI / COMPETITION STUDENT God the Mother/As up to now/ Sad Girl Weekend/ Broken Things/ The Shift

TAKMIČARSKI STUDENTSKI / COMPETITION STUDENT

Earth, on hold/ Favourites/ Elephant's Graveyard/ Day Release

TAKMIČARSKI STUDENTSKI 3 / COMPETITION STUDENT 3

Life Between the Exit Signs/ How to Fly a Kite?/ Night Session/ Sherbet/ Sigh

Zašto? / Why?

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

23

Da je meni ono što mi nije / If Only Dreams Came True

Koliko daleko su zvijezde / How far the Stars

Gomila materijala / Stack of material

Kći Camorre / Daughter of Camorra

Takmičarski program - dokumentarni film Competition Programme – Documentary Film Selektorica / Programmer: Rada Šešić

SVJETSKE PREMIJERE / WORLD PREMIERES

Da je meni ono što mi nije /

If Only Dreams Came True Croatia, 2019, Colour, 55 min.

Režija / Director: Višnja Skorin

Sandra Jurak je radila u sportskoj redakciji i bila lična asistentica poznatoj osobi s estrade.

Spletom okolnosti ostaje bez oba posla i mora se "vratiti kući", mami u mali stan, u kvart iz kojeg je otišla prije trideset godina. Sandrina najveća želja je zarađivati muzikom. Prijavljuje se na televizijski show nadajući se uspjehu.

Sandra Jurak worked for a sport news desk and as a personal assistant to a showbiz celebrity. By chance, she loses both jobs and must “return home” to her mother’s small flat in the neighborhood which she had left 30 years ago. Sandra’s biggest dream is to earn money as a musician. She applies to participate in a television show in hope that it will be her lucky break.

Gomila materijala / Stack of material

Bosnia and Herzegovina, 2018, Colour, 7 min.

Režija / Director: Sajra Subašić

U pokušaju da odgovori na pitanje da li je dom jedno mjesto ili ono što nosimo sa sobom, autorica odlazi u potragu za kadrom kuće svojih roditelja, kuće u kojoj ona nikad nije živjela. Pritom sakuplja cijelu gomilu kadrova i kreira uspomenu na grad u kojem se ta kuća

nalazi, grad koji je bio dom njenim roditeljima i hiljadama drugih ljudi.

In an attempt to answer the question if home is a specific place or everything we carry in ourselves; the filmmaker goes on a search for a single shot of her parents' home in which she never lived. In the process, she collects a wealth of shots and creates a memory of the city where her parents' house is located, the city that was home to her parents and thousands of other people.

her partner Rafaele, 20 years older than she, is diagnosed with lung cancer. Pinto seeks refuge with her 28-year-old daughter Ellena, and tries to bridge a 24-year-old void in their relationship. At the age of 46, Pinto tries to re-establish herself as a lover, mother, and grandmother. Is she able to overcome her violent history and live in a loving relationship with her closest ones? Is she able to love?

Kći Camorre /

Hungary, United States, 2019, Colour, 68 min.

Režija / Director: Katalin Barsony

Daughter of Camorra

Slovenia, Italy, 2019, Colour, 80 min.

Režija / Director: Siniša Gačić

Cristina Pinto, ubica iz zloglasne mafijaške organizacije Camorra, suočava se s izazovima svakodnevnog života nakon odsluženja zatvorske kazne. Nedugo nakon izlaska, njenom dvadeset godina starijem partneru Rafaelu dijagnosticiran je rak pluća. Pinto utjehu traži u druženju s dvadesetosmogodišnjom kćerkom Ellenom pokušavajući premostiti dvadeset i četiri godine prekinute veze. U četrdeset i šestoj godini života, pokušava se ostvariti kao ljubavnica, majka i baka. Može li iza sebe ostaviti nasilnu prošlost i voditi život ispunjen ljubavlju s najbližim osobama? Da li je u stanju voljeti?

Former Camorra killer Cristina Pinto is facing the challenges of everyday life after her discharge from prison. Soon after her release,

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Koliko daleko su zvijezde / How far the Stars

Skromni i povučeni mađarski pijanista József ima jedinstven talenat da uspješno kombinuje moderni jazz s tradicionalnom romskom muzikom. Taj novi zvuk privlači pažnju proslavljenog saksofoniste Tima Riesa te njih dvojica počinju nastupati zajedno. József sanja da napusti svoj monotoni život i ostvari uspjeh u domovini jazza – Americi. Na putu do ostvarenja tog cilja, suočava se s vlastitim demonima i shvata da u borbi za slavu cilj nije uspjeh već put kojim se do njega stiže.

Self-effacing Hungarian pianist József has a unique talent for fusing contemporary jazz with traditional Roma music. This new sound catches the attention of the acclaimed saxophonist Tim Ries, and the two begin performing together. József dreams of escaping his humdrum life and making it big in the home of jazz: America. Along the way,

Kraljica Lear / Queen Lear

Sovjetski vrt / The Soviet Garden

Mali dokumentarni film o 3 pisma / A Small Documentary Film about 3 Letters

Zlatna djevojka / The Golden Girl

he conquers his demons and learns that when shooting for the stars, success is not the destination, but the journey.

Kraljica Lear / Queen Lear Turkey, 2019, Colour, 84 min.

Režija / Director: Pelin Esmer

Prije šesnaest godina, grupa seljanki sa planine u južnoj Turskoj osnovala je pozorišnu trupu o kojoj je kasnije snimljen dokumentarni film PREDSTAVA. Žene su na sceni izvodile prizore iz svog života na selu i to iskustvo im je promijenilo život. Sada kreću na turneju sa adaptacijom Sheakspearovog „Kralja Leara“ i putuju do najudaljenijih, zaboravljenih planinskih sela u Turskoj gdje se čak i voda za piće ponekad smatra luksuzom.

Sixteen years ago, a handful of peasant women from the mountains of southern Turkey formed a theatre group, which later became the subject of the documentary THE PLAY. The women acted out their own life stories in the village, and the play changed their lives. Now, they take to the road with an adaptation of Shakespeare’s King Lear, travelling to remote, forgotten villages in the mountains of Turkey that are hardly reached by drinking water.

Mali dokumentarni film o 3 pisma / A Small Documentary Film about 3 Letters

Bosnia and Herzegovina, Serbia, France, 2019, Colour, 30 min.

Režija / Director: Goran Bregović

Sarajevo je glavna uloga u ovom dokumentarcu. Sarajevo – ne kao ime grada, nego kao metafora za ovo vrijeme u kojem učimo kako da živimo jedni pored drugih sa

svim našim različitostima. Dokumentarni film 3 PISMA IZ SARAJAVA prati iz vizure kompozitora nastanak i prva izvođenja koncerta za tri violine i simfonijski orkestar.

Umjetnici koji se pojavljuju u filmu su s raznih strana svijeta i dolaze iz tri tradicije: kršćanske, jevrejske i muslimanske. Tri tradicije koje čine bogatstvo Sarajeva i njegovu tragičnu sudbinu.

The main role in this documentary film belongs to Sarajevo, not just as a city but as a metaphor for our times, when we are learning to live together, side by side, respectful of all our differences. The documentary THREE LETTERS FROM SARAJEVO presents, from the point of view of the composer, the birth and a few initial performances of a concert for three violins and a symphony orchestra.

Artists appearing in the film come from all parts of the world and from the three Abrahamic religions: Christianity, Judaism, and Islam. The three religions that are the wealth of Sarajevo and part of its tragic destiny.

Sovjetski vrt / The Soviet Garden

Moldova, Romania, 2019, Colour and B&W, 76 min.

Režija / Director: Dragoș Turea

Dok istražuje misterioznu smrt svoje bake, Dragos, filmski autor iz Moldavije – koja je u prošlosti bila dijelom Sovjetskog Saveza – nailazi na informacije o tajnom naučnom eksperimentu. Dragos otkriva tajni plan Nikite Khruscheva da primjenom atomske energije u poljoprivredi Moldaviju pretvori u Sovjetski vrt.

While investigating his grandmother’s mysterious death, Dragos, a filmmaker from

the small, former Soviet country of Moldova, discovers a secret scientific experiment.

Dragos unveils the secret plan of Nikita Khruschev to transform Moldova into the Soviet Garden through the application of atomic energy in local agriculture.

Zlatna djevojka / The Golden Girl

Romania, 2019, Colour, 95 min, Režija / Director: Denisa Morariu-Tamas, Adrian Robe

Andreea Răducan uspješna je tridesetdvogodišnjakinja i jedna od najboljih rumunskih gimnastičarki. Odrekla se djetinjstva kako bi postala olimpijska šampionka, a kada je 2000. konačno osvojila zlatnu medalju u višeboju na Olimpijadi u Sydneyu, ista joj je oduzeta tri dana kasnije nakon što je utvrđeno da je pozitivna na doping zbog supstance koja se nalazi u lijekovima za gripu koje je popila neposredno prije nastupa. Petnaest godina kasnije, Andreea vodi najtežu bitku u životu protiv ljudi koji su je prevarili, da bi joj medalja, a uz nju i dignitet, bili vraćeni.

Andreea Răducan, a successful 32-year-old woman and one of Romania’s greatest gymnasts, sacrificed her childhood to become an Olympic champion. She finally won the allround Olympic gold medal in Sydney in 2000, but was stripped of it three days later after testing positive for a doping substance contained in a flu tablet her doctor had administered to her minutes before she entered the competition. Fifteen years later, Andreea is fighting the toughest fight against the people who deceived her, as she tries to recover her medal and, along with it, her dignity.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Još jedan odlazak / Yet Another Departure

Euforija postojanja / The Euphoria of Being

A sad se spušta veče / Then Comes the Evening

Kad su rasle japanske jabuke / When the Persimmons Grew

MEĐUNARODNA PREMIJERA / INTERNATIONAL PREMIERE

Još jedan odlazak /

Yet Another Departure

Croatia, 2019, Colour, 11 min, English, Croatian Režija / Director: Renata Poljak

Godine 2016. admiralski brod “Vis” Jugoslavenske mornarice potopljen je kako bi postao turistička atrakcija za ronioce. Danas se brod nalazi u podmorju blizu Brijuna, gdje su 1956. godine Nasser, Nehru i Tito započeli razgovore o Pokretu nesvrstanih.

In 2016, the ex-Yugoslav Navy flagship Vis was deliberately sunk in order to turn it into a scuba-diving attraction in Croatia. The ship lies on the sea floor close to the Brijuni Islands, where, in 1956, Nasser, Nehru and Tito met to discuss their opposition to the Cold War and the formation of the Non-Aligned Movement.

REGIONALNE PREMIJERE/ REGIONAL PREMIERES

A sad se spušta veče /

Then Comes the Evening

Serbia, Bosnia and Herzegovina, 2019, Colour, 28 min.

Režija / Director: Maja Novaković

Ovaj dokumentarni film prikazuje gorkopoetični život dvaju starica u izolovanim brdima Istočne Bosne. Film naglašava značaj kulturnog nasljeđa tako što predstavlja bajalice i rituale protiv vremenskih nepogoda, grada i oluje. Priroda je entitet koji ove dvije žene slušaju, poštuju i s kojom “razgovaraju”.

Film oslikava jednostavnost i čistoću njihovog načina života, ali i napornog rada. U svakodnevnim poslovima, koje ove dvije starice obavljaju, razotkrivaju se i oživljavaju uzvišenost i tegoba njihovog rada. Radnja filma vrti se oko svakodnevnog života na selu, u kojem se otkrivaju brižnost i bliskost žena, kako u njihovim međusobnim odnosima tako i u njihovom odnosu s prirodom.

This documentary depicts the bitter poetry of life of two grannies living isolated lives in the hills of Eastern Bosnia. The film emphasises the intangibility of cultural heritage, through the presentation of chants and rituals for taming adverse weather, hail, and storms.

Nature is the entity these women "speak", listen to and respect. It reflects the simplicity and purity of their way of life, as well as their painstaking work. In the daily activities they perform, the excellence and distress of these displays is revealed and revived. The action of the film is made up of everyday life in the countryside, which shows the caring and intimacy of the women, both in their mutual relations, and in their relationship to nature.

Euforija postojanja / The Euphoria of Being Hungary, 2019, Colour, 83 min.

Režija / Director: Réka Szabó

Éva Fahidi imala je 20 godina kada se iz logora Auschwitz-Birkenau vratila u Mađarsku.

Ostala je sama jer je 49 članova njene porodice, uključujući njenu majku, oca i mlađu sestru, ubijeno. Sedamdeset godina kasnije, devedesetogodišnja Éva dobija poziv da učestvuje u plesnoj teatarskoj predstavi o svom životu. Éva Fahidi was 20 years old when she returned to Hungary from the AuschwitzBirkenau concentration camp. She was all alone: 49 members of her family were murdered, including her mother, her father, and her little sister. Seventy years later, aged 90, Éva is asked to participate in a dancetheatre performance about her life.

Kad su rasle japanske jabuke / When the Persimmons Grew

Azerbaijan, Austria, 2019, Colour and B&W, 118 min.

Režija / Director: Hilal Baydarov

Nepokretna, u kući u kojoj vrijeme protiče u

26 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

ritmu zvukova seoskog života u Azerbejdžanu, majka čeka svoga sina. Kada dođe, razgovaraju o egzistencijalnim pitanjima i zabrinjavajućim, zbunjujućim vijestima izdaleka. Vanjskim svijetom širi se nemir. Bliskost majke i sina raste, tišina se pretapa u riječi, a među njima niče život. Sin odlazi, a na vječno zastarjelu kuću spušta se zima tokom koje se ono što je privremeno zamućuje, a prošlost i sadašnjost prate otkucaje istog sata.

Immobile in a home in which the sands of time fall to the rhythm of rural Azerbaijani sounds, a mother waits for her son. When he arrives, their conversations circle around existential questions and news from afar, troubling and cryptic. Unrest cloaks the world outside. Mother and son grow closer, silence melts into words, and life springs up between them. The son leaves, and winter settles upon the forever-outdated house, in which temporalities blur and past and present beat to the rhythm of the same clock.

Palača za narod /

Palace for the People

Bulgaria, Germany, Romania, 2018, Colour, 76 min.

Režija / Director: Boris Missirkov, Georgi Bogdanov

PALAČA ZA NAROD priča je o pet najpoznatijih socijalističkih građevina koje su najreprezentativnija zaostavština jedne epohe i svjedoci historijskih prevrata u Istočnoj Evropi u drugoj polovini dvadesetog stoljeća.

Nacionalna palača kulture u Sofiji, Državni univerzitet u Moskvi, Palača parlamenta u Bukureštu, Palata Srbije u Beogradu i Palača republike u Berlinu jedinstvena su arhitektonska djela čija je izgradnja zahtijevala puno hrabrosti i malo ludila, a zadatak im je bio da podsjećaju narod na vrhovnu moć i svijetlu budućnost. Svaka od njih je najviša, najveća, ima najveći sat na

Palača za narod / Palace for the People

Medena zemlja / Honeyland

Paradajz upoznaje Wagnera / When Tomatoes met Wagner

Negdje između / In Between

svijetu ili najnapredniju tehnologiju svoga doba. Te građevine su bile najgrandiozniji poduhvati u vrijeme kada je borba za opšte dobro bila centralna državna politika. Sada, kada je socijalizam propao, potrebno se ponovo osvrnuti na njih i otkriti njihove tajne.

Film bilježi njihovo današnje stanje kroz svjedočanstva ljudi koji su s njima povezani – njihovih arhitekata, bivših i sadašnjih direktora, običnih ljudi koji su tu radili.

PALACE FOR THE PEOPLE tells the stories of the most emblematic five buildings of socialist times, which are highly representative of the period and which witnessed the historical turbulence of Eastern Europe in the second half of the 20th century. The National Palace of Culture in Sofia; Moscow State University; the Palace of Parliament in Bucharest; the Palace of Serbia in Belgrade; and the Palace of the Republic in Berlin are unique architectural creatures, conceived of wiht a lot of courage and a little bit of lunacy to remind the people of both an ultimate power and a brighter future. Each is the tallest, the biggest, has the largest clock on Earth, or the most advanced technology of its time. They were the most grandiose enterprises in a time when collective good was the primary state policy. Now that socialism is over, it is time to go back and reveal the hidden secrets of these edifices. The film takes a snapshot of the palaces today, as seen through the eyes of people related to them – their architects, their former and current directors, and the ordinary people who worked in them.

Paradajz upoznaje Wagnera / When Tomatoes met Wagner

Greece, 2019, Colour, 72 min.

Režija / Director: Marinna Economou

Elias, malo stočarsko selo u centralnoj Grčkoj, odumire. Međutim, dva rođaka ujedinjuju snage sa seoskim staricama kako bi počeli

uzgajati paradajz. Uz malu pomoć Wagnerove muzike, seljani počinju izvoziti teglice proizvoda od organskog paradajza širom svijeta. Film PARADAJZ UPOZNAJE WAGNERA prati protagoniste ove neobične priče tokom njihove borbe da ostvare svoje snove. Duhovita i gorko-slatka, ova nadrealna priča govori o značaju lične transformacije u kriznim vremenima i moći međuljudskih odnosa.

Elias, a small farming village in central Greece, is dying out. But two cousins team up with the village grannies to cultivate tomatoes. With a little help from Wagner’s music, the villagers export their little jars with organic tomato recipes across the world. WHEN TOMATOES MET WAGNER follows the protagonists of this unlikely story as they struggle to make their dream come true. Humorous and bittersweet, this surreal story speaks to us about the importance of reinventing oneself in times of crisis, and of the power of human relationships.

BOSANSKOHERCEGOVAČKE PREMIJERE / B&H PREMIERES

Medena zemlja / Honeyland

motora njihovih vozila, dreka njihovo sedmero djece i 150 goveda remeti spokoj Hatidžinog kraljevstva. Međutim, Hatidža ih prijateljski dočekuje i bez zadrške s njima dijeli svoje pčelarske savjete, naklonost i svoju specijalnu rakiju. Hussein, glava nomadske porodice, ipak donosi niz odluka koje bi zauvijek mogle uništiti Hatidžin način života.

In a deserted Macedonian village, 50-something Hatidze trudges up a hillside to check her bee colonies nestled in the rocks.

Serenading them with a secret chant, she gently manœuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to sell her wares. One day, an itinerant family installs itself next door, and Hatidze’s peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 head of cattle. Yet Hatidze welcomes the camaraderie, and holds nothing back – not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family’s patriarch, makes a series of decisions that could destroy Hatidze’s way of life forever.

Negdje između / In Between

North Macedonia, 2019, Colour, 85 min.

Režija / Director: Ljubomir Stefanov, Tamara Kotevska

Kosovo, 2019, Colour, 13 min.

Režija / Director: Samir Karahoda

U napuštenom makedonskom selu, Hatidža – koja ima oko pedeset godina – penje se uz brdo kako bi obišla svoje kolonije pčela ugniježđene u stijenama. Umiruje pčele tajnim napjevom prije nego što bez rukavica i zaštitnog šešira nježno pomjeri njihova medena saća. Po povratku na svoje imanje, Hatidža se brine o košnicama koje je sama napravila i o svojoj nepokretnoj majci, a povremeno odlazi u grad kako bi prodala svoje proizvode. Jednoga dana, jedna nomadska porodica naseli se uz Hatidžin dom, a buka

Braća i sinovi, koji žive u inostranstvu, grade identične kuće kao izraz porodičnog jedinstva i jednakosti. Empatičan portret porodica koje, zbog ekonomskih razloga, veći dio života provode razdvojeni, i u kulturama koje se razlikuju od njihove.

Brothers and sons who live abroad build identical houses to express the equality and unity of family. An empathetic portrait of the families who, by economic necessity, need to live much of their lives separated, and in cultures not their own.

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Besa

Jezero / The Lake

PRETPREMIJERE Avant Premiere Besa

Serbia, United Kingdom, 2018, Colour, 90 min, Serbian, Albanian, Croatian, English Režija / Director: Dušan Lazarević Uloge / Cast: Radivoje Bukvić, Arben Bajraktaraj, Miloš Timotijević, Lana Barić, Gresa Pallaska

Dok autom službeno putuje u Crnu Goru, Uroš Perić izaziva saobraćajnu nesreću u kojoj tragično gine mlada djevojka po imenu Besiana. Nakon što u bolnici povrati svijest, Uroš saznaje da je Besiana bila kćerka glavnog balkanskog narkodilera Dardana Berishe. Kako bi izbjegao Dardanovu osvetu, Uroš je prisiljen da za njega počne raditi kao ubica. Dardan daje besu – svečanu i svetu zakletvu – da će Urošu vratiti slobodu nakon što ovaj za njega izvrši pet ubistava (što je ujedno broj članova Uroševe porodice, uključujući i samog Uroša).

While Uroš Perić is driving on a business trip to Montenegro, he is caught up in a traffic accident, which results in the tragic death of Besiana, a young girl. When Uroš wakes up in the hospital, he finds out that Besiana was the daughter of the Balkan region’s biggest narcobos, Dardan Berisha. In order to escape the vendetta against his family, Uroš is forced to become a killer for Dardan. Dardan swears a besa – a solemn and sacred oath – that after Uroš has committed five murders (the number of members of Uroš’s family, himself included) he will be free again.

Grupa / The Group

Serbia, 2019, Colour, 131 min, Serbian Režija / Director: Uroš Tomić, Jelena Gavrilović, Ivan Stefanović, Nemanja Ćeranić, Slobodanka Radun, Miloš Radunović, Gvozden Đurić Uloge / Cast: Igor Benčina, Filip Đurić, Denis Murić, Ivana Zečević, Marko Milivojev-Mili, Milica Trifunović, Tijana Marković, Pavle Mensur, Jasna Đuričić, Nela Mihajlović, Vojin Ćetković, Branka Katić

Kako je Grupa tinejdžera sa Dorćola povezana sa ubistvom poznatog beogradskog kriminalca postaje opsesija inspektora trećeg odjeljenja policije – Dragana Gage Miletića.

Kroz njegov pokušaj da rasvijetli ovaj zločin oslikava se život njegovih kolega u stanici, biznismena osumnjičenih za ilegalne poslove, ali i maloljetnika koje su sitni dilerski poslovi uvukli u mnogo opasniju igru. Naizgled nepovezane grupe ljudi slažu uzbudljivu sliku savremenog društva.

Belgrade police inspector Dragan Gaga Miletić becomes obsessed with uncovering a link between a group of teenagers from the neighbourhood of Dorcol and the murder of a well-known local criminal. As we follow his attempts to shine some light on the murder, we learn about the life of Dragan's fellow police officers, businessmen suspected of shady deals, and underage small-time drug dealers who have been drawn into a much more dangerous game. Apparently unrelated

Senke nad Balkanom 2 / Black Sun 2

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groups of people are fragments of an exciting portrait of the modern society.

Jezero / The Lake

Slovenia, 2019, Colour, 98 min, Slovenian Režija / Director: Klemen Dvornik, Matevž Luzar Uloge / Cast: Sebastian Cavazza, Nika Rozman, Gregor Čušin, Matej Puc, Vlado Novak

Na povratku kući s proslave Nove godine, glavni policijski inspektor Taras Birsa slučajno se upliće u istragu ubistva. Nakon što na nalog nadređenih u svoj sastav prime novog kolegu, Taras i njegov tim iskusnih istražitelja počinju istragu veoma komplikovanog zločina – iznimno brutalnog ubistva jedne mlade žene.

Osim što se nalazi pod pritiskom javnosti, Taras se suočava i s ličnim problemima.

Nakon što njegova kćerka ode na studij u inostranstvo, na površinu počinju izlaziti njegovi bračni problemi. Da li će novi slučaj otvoriti i novo poglavlje u Tarasovom privatnom životu?

Driving home from a New Year's Eve party, Chief Inspector Taras Birsa inadvertently gets involved in a murder investigation. Ordered by their superiors to take on a new co-worker, Taras and his seasoned team start investigating a difficult case: an extraordinarily brutal murder of a young woman. Besides the public pressure, Taras also has personal problems to deal with: after his daughter

Porodica Markovski / The Family Markovski

leaves to study abroad, the resulting void in his family life reveals cracks in his marriage.

Will the new case also open a new chapter in Taras’s personal life?

Porodica Markovski / The Family Markovski

North Macedonia, 2019, Colour, 78 min, Macedonian Režija / Director: Darijan Pejovski Uloge / Cast: Aleksandar Mikić, Silvija Stojanovska, Tamara Ristoska, Vladimir Petrović, Petar Petkovski

PORODICA MARKOVSKI emotivna je priča o borbi jedne porodice da ostane na okupu uprkos brojnim izazovima života u disfunkcionalnom, korumpiranom društvu koje ne poštuje zakone.

THE FAMILY MARKOVSKI is the emotional

Grupa / The Group

story of the struggle to keep a family together amid the many challenges of everyday life in a dysfunctional society plagued by corruption and the lack of the rule of law.

Senke nad Balkanom 2 / Black Sun 2

Serbia, 2019, Colour and B&W, 90 min, Serbian, German, French, Bulgarian Režija / Director: Dragan Bjelogrlić Uloge / Cast: Dragan Bjelogrlić, Andrija Kuzmanović, Marija Bergam, Nenad Jezdić, Goran Bogdan, Jovana Stojiljković, Miloš Samolov, Srđan Žika Todorović, Gordan Kičić, Nikola Đuričko, Nebojša Dugalić

Beograd, 31. decembar 1933. godine. Jezivo ubistvo pokreće niz uzbudljivih i misterioznih događaja u kojima će se sukobiti lokalni moćnici, državna elita, tajna udruženja i strane obavještajne službe. Od blata Jatagan

male pa do sjaja Belog dvora zapliće se zavjera koja će dovesti u pitanje budućnost čitave zemlje i njenog vladara. Vrijeme je da istraga počne.

Belgrade, 31 December 1933. A brutal murder triggers a series of thrilling and mysterious events that will provoke a confrontation between local strongmen, members of high society, secret associations, and foreign intelligence agents. From the muddy streets of the Jatagan neighbourhood to the luxurious White Palace, a conspiracy is being hatched that will call into question the future of the entire country and its ruler. The time has come to launch an investigation.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

29

Lijepo doba / La Belle Époque

Jadnici / Les miserables

Open Air Jadnici / Les Misérables

France, 2019, Colour, 102 min, French Režija / Director: Ladj Ly Uloge / Cast: Damien Bonnard, Alexis Manenti, Djibril Zonga, Issa Perica, Al-Hassan Ly, Steve Tientcheu, Almamy Kanoute, Nizar Ben Fatma, Raymond Lopez, Luciano Lopez, Jaihson Lopez

Stéphane se nedavno pridružio policijskoj jedinici za borbu protiv kriminala u pariskom predgrađu Montfermeil u koje je Victor Hugo smjestio radnju svog slavnog romana “Jadnici”. Zajedno s novim kolegama i iskusnim članovima jedinice – Chrisom i Gwadom – Stéphane ubrzo otkriva da među lokalnim bandama vlada velika napetost. Kada njih trojica bivaju prevladana tokom pokušaja hapšenja osumnjičenika, čitavu situaciju snima kamera drona, prijeteći da javno razotkrije realnu sliku svakodnevnog života.

Stéphane has recently joined the Anti-Crime Squad in Montfermeil, in the suburbs of Paris, where Victor Hugo set his famed novel “Les Misérables”. Alongside his new colleagues Chris and Gwada – both experienced members of the team – he quickly discovers tensions are running high among local gangs.

When the trio find themselves overrun during the course of an arrest, a drone camera captures the encounter, threatening to expose the reality of everyday life.

Lijepo doba / La Belle Époque

France, 2019, Colour, 115 min, French Režija / Director: Nicolas Bedos Uloge / Cast: Daniel Auteuil, Guillaume Canet, Doria Tillier, Fanny Ardant, Pierre Arditi

Victoru, muškarcu u šezdesetim godinama

života, svijet se okrene naopačke kada mu Antoine, poduzetnik u usponu, ponudi da isproba jedinstven i novi vid zabave. Koristeći mješavinu pozorišnih trikova i uprizorenja prošlih događaja, Antoineova kompanija omogućava klijentima povratak u prošlost po sopstvenom izboru. Victor odlučuje ponovo proživjeti najljepšu sedmicu svog postojanja – od prije četrdeset godina – kada je upoznao ljubav svog života.

Sixty-something Victor has his life turned upside down the day that Antoine, a flourishing entrepreneur, offers him a unique new brand of entertainment. Using a combination of theatrical artifice and historical re-enactment, Antoine's company provides its clients with the opportunity to delve back into the period of their choice. Victor decides to relive the most memorable week of his existence, forty years earlier, when he met the love of his life.

Cliffu Boothu. I jedan i drugi se muče da postignu uspjeh u Hollywoodu, promijenjenom do neprepoznatljivosti. Ali Rick ima veoma slavnu prvu komšinicu... Sharon Tate.

A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles, at the height of hippy Hollywood. The lead characters are Rick Dalton, former star of a Western TV series, and his long-time stunt double Cliff Booth. Both are struggling to make it in a Hollywood they no longer recognise. But Rick has a very famous next-door neighbour...

Sharon Tate.

Bilo jednom ... u Hollywoodu /

Četiri člana porodice Ki-taek izrazito su bliski, ali je pred njima mračna budućnost budući da su svi redom nezaposleni. Nakon što ga za dobro plaćen posao tutora preporuči prijatelj, student na prestižnom univerzitetu, Ki-wooa, sina, obuzima nada da će početi ostvarivati redovne prihode. Svjestan očekivanja vlastite porodice, Ki-woo odlazi na intervju u porodični dom Parkovih. Po dolasku u kuću gospodina Parka, vlasnika međunarodne IT kompanije, Ki-woo upoznaje njegovu lijepu i mladu suprugu Yeon-kyo. Ali nakon prvog susreta ove dvije porodice, uslijedit će nezaustavljivi niz nesreća.

Once Upon a Time ... in Hollywood

United States, United Kingdom, 2019, Colour and B&W, 159 min, English Režija / Director: Quentin Tarantino Uloge / Cast: Brad Pitt, Leonardo DiCaprio, Margot Robbie, Al Pacino, Kurt Russell, Luke Perry, Dakota Fanning

Televizijski glumac na zalasku karijere i njegov dvojnik kaskader bore se da ostvare filmsku slavu i uspjeh u Los Angelesu 1969 – pred kraj zlatnog doba Hollywooda, a na vrhuncu tamošnjeg hipi pokreta. Radi se o Ricku Daltonu, nekadašnjoj zvijezdi televizijskih vestern serija, i njegovom dugogodišnjem dvojniku, kaskaderu

Tuga i slava / Pain and Glory

30 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

Parazit / Parasite

South Korea, 2019, Colour, 131 min, Korean Režija / Director: Joon Ho Bong Uloge / Cast: Kang Ho Song, Sun Kyun Lee, Yeo Jeong Cho, Woo Shik Choi, So Dam Park, Jung Eun Lee, Hyae Jin Chang

To mora biti raj / It Must be Heaven

Bilo jednom ... u Hollywoodu / Once Upon a Time ... in Hollywood

Ki-taek's family of four is close, but fully unemployed, with a bleak future ahead of them. The son, Ki-woo, is recommended by his friend, a student at a prestigious university, for a well-paid tutoring job, spawning hopes of a regular income. Shouldering the expectations of his entire family, Ki-woo heads to the Park family home for an interview. Arriving at the house of Mr. Park, the owner of a global IT firm, Ki-woo meets Yeon-kyo, the beautiful young woman of the house. But following this first meeting between the two families, an unstoppable string of mishaps lies in wait.

To mora biti raj / It Must be Heaven

France, Qatar, Germany, Canada, Turkey, Palestine, 2019, Colour, 97 min, English, French, Arabic Režija / Director: Elia Suleiman Uloge / Cast: Elia Suleiman, Tarik Kopti, Kareem Ghneim, George Khleifi, Ali Suliman, Fares Muqabaa, Yasmine Haj, Nael Kanj, Asmaa Azaizy

Elia Suleiman pobjegao je iz Palestine kako bi pronašao novi dom, ali otkrio je da ga Palestina prati gdje god da krene. Obećanje novog života pretvorilo se u komični niz grešaka: koliko god daleko da otputuje – od Pariza do New Yorka – nešto ga uvijek podsjeća na domovinu.

Elia Suleiman escapes from Palestine seeking an alternative homeland, only to find that Palestine is trailing behind him. The promise of a new life turns into a comedy of errors: however far he travels, from Paris to New York City, something always reminds him of home.

Tuga i slava / Pain and Glory Spain, 2019, Colour, 113 min, Spanish Režija / Director: Pedro Almodóvar

Šavovi / Stitches

Uloge / Cast: Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, César Vicente, Asier Flores, Penélope Cruz

TUGA I SLAVA donosi priču o uspomenama Salvadora Malla, filmskog reditelja koji fizički sve više slabi. Neka sjećanja obnavlja u fizičkim susretima, a neka u mislima. Prisjeća se djetinjstva u šezdesetim godinama prošlog stoljeća, kada je u potrazi za boljim životom s roditeljima emigrirao u jedno selo u Valensiji, prvog puta kada je osjetio strast, svoje prve ozbiljne ljubavne veze u Madridu osamdesetih godina, bola koji mu je prekid te veze uzrokovao jer je nastupio u vrijeme dok je on još uvijek bio duboko zaljubljen, kako mu je pisanje bilo terapija i pomagalo mu da zaboravi nezaboravno, otkrivanja filmske umjetnosti i praznine, beskrajne praznine koju osjeća jer više ne može snimati filmove. BOL I SLAVA govori o kreativnom radu, o nemogućnosti da ga se posmatra odvojeno od vlastitog života i o strastima koje bude nadu i život čine smislenim. Prisjećajući se svoje prošlosti, Salvador osjeća hitnu potrebu da to ispriča i da u toj potrebi pronađe spasenje.

PAIN AND GLORY tells of a series of re-encounters experienced by Salvador Mallo, a film director in physical decline. Some of these are in the flesh, others remembered: his childhood in the 1960s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire; his first adult love in the Madrid of the 1980s; the pain of the break-up of that love while it was still alive and intense; writing as the only therapy to forget the unforgettable; the early discovery of cinema; and the void, the infinite void that creates the incapacity to continue making

films. PAIN AND GLORY talks about creation, about the difficulty of separating it from one’s own life, and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it – and in that need, he also finds his salvation.

Šavovi / Stitches

Serbia, Slovenia, Croatia, Bosnia and Herzegovina, 2019, Colour, 97 min, Serbian Režija / Director: Miroslav Terzić Uloge / Cast: Snežana Bogdanović, Marko Baćović, Jovana Stojiljković, Vesna Trivalić

Kada krojačica Ana na kuhinjski sto spusti tortu, njena kćerka, adolescentica Ivana, samo odmahne glavom i okrene joj leđa. Anin muž Jovan također traži od nje da prestane s tim. Naime, Ana pravljenjem torte obilježava rođendan svoga sina koji je, prema tvrdnjama bolničkog osoblja, umro odmah po rođenju. Da je živ, napunio bi dvadeset godina. Anina sudbina slična je sudbini mnogih žena u Srbiji koje vjeruju da su im novorođenčad ukradena kako bi bila prodana željnim usvojiteljima na ilegalnom tržištu djece. Ana nailazi na novi trag koji joj budi nadu.

When seamstress Ana places a cake on the kitchen table, her adolescent daughter Ivana merely shakes her head and turns away. Her husband Jovan also wants her to drop the subject. With this gesture, Ana celebrates the birthday of her son who, according to the hospital, died immediately after he was born.

He would be twenty years old now. Ana shares the fate of many other Serbian women who believe they had their newborns stolen from them so the infants could be given up for illegal adoption for money. A new clue gives Ana reason to hope again.

Kafa sa… / Coffee with…

Upoznajte goste Open Air programa. Uživajte u Kafi sa...

Vrijeme i mjesto: 11:00 - 12:00*, Festivalski trg!

Meet the guests of the Open Air Programme.

Enjoy the "Coffee with..." programme.

Time and venue: 11:00 - 12:00* at the Festival Square! *Tačan raspored "Kafa sa..." programa provjerite u festivalskoj publikaciji "Program" / *See the Festival Programme booklet for the accurate "Coffee with..." schedule

ULAZ SLOBODAN / FREE ADMISSION uz festivalsku akreditaciju ili ulaznicu od prethodne noći / with the Festival accreditation or the film screening ticket Broj mjesta ograničen / Limited number of seats.

Parazit / Parasite SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

31

Dvanaest hiljada / Twelve Thousand

Sinonimi / Synonyms

KINOSCOPE Dvanaest hiljada / Twelve Thousand

France, 2019, Colour, 111 min, French, Filipino Režija / Director: Nadège Trébal Uloge / Cast: Arieh Worthalter, Nadège Trébal, Liv Henneguier, Florence Thomassin, Juliette Augier Crespin, Françoise Lebrun, Théo Cholbi

Kada izgubi svoj neprijavljeni posao, i zato što vjeruje da ga Maroussia više neće moći voljeti, Frank odlazi na put kako bi zaradio 12.000 – tačno onoliko novca koliko im je potrebno za narednu godinu. Ni manje ni više. Tokom svoje proleterske odiseje, Frank postaje heroj kakav je uvijek želio biti. Ali sve ima svoju cijenu.

When he loses his clandestine work, and because he believes Maroussia will no longer be able to love him, Frank departs to win 12,000 – just enough for the year before them.

No more no less. Over the course of his proletarian odyssey, Fran becomes the hero he has dreamed of being. But there is a price to pay.

Eho / Echo

Iceland, France, Switzerland, 2019, Colour, 79 min, Icelandic, English Režija / Director: Rúnar Rúnarsson Uloge / Cast: Nadía Sif Líndal, Telma Huld Jóhannesdóttir, Patrik Nökkvi Pétursson, Ágúst Örn B. Wigum, Hera Matt, Hansel Eagle

Dok se Island priprema za proslavu Božića, na zemlju se spušta čudna atmosfera. Napuštena farma je u plamenu, dječiji hor pjeva božićne pjesme, mlada djevojka nagovara svoju majku da proba njenu novu opremu za virtuelnu stvarnost... Kroz pedeset i šest diskretnih scena, EHO slika istovremeno ogorčen i nježan portret modernog društva.

As Iceland gets ready for Christmas, a peculiar

Selektori / Programmers: Alessandro Raja, Mathilde Henrot

atmosphere settles over the country. An abandoned farm is burning, a children’s choir sings Christmas carols, chicken carcasses parade through a slaughterhouse, a museum employee argues on the phone, a young girl makes her mother try on her new virtual-reality headset… In fifty-six discrete scenes, ECHO draws a portrait, both bitter and tender, of modern society.

Obožavanje / Adoration

France, Belgium, 2019, Colour, 98 min, French Režija / Director: Fabrice Du Welz Uloge / Cast: Thomas Giora, Fantine Harduin, Benoît Poelvoorde, Laurent Lucas

Nakon što ga je prije nekoliko godina napustio otac, usamljeni dvanaestogodišnjak Paul i njegova majka žive u domu za mentalno oboljele osobe, u kojem ona ujedno i radi.

Kada u dom stigne problematična, ali fascinantna tinejdžerka Gloria, Paul se istog trena zaljubljuje u nju. Toliko je zaljubljen da, uprkos tome što je Gloria opasna, odlučuje pobjeći s njom kako bi joj pomogao u potrazi za mjestom koje ona naziva „mirnim rajem“.

Paul, a lonely twelve-year-old boy, lives with his mother at the mental institution where she works since his father abandoned them years ago. When Gloria, a troubled and fascinating teenage girl, arrives at the institution, Paul immediately falls in love with her. So madly in love that, despite her dangerousness, he will run away with her to help her reach a place she calls the "haven of peace".

Pritka / Beanpole

Russia, 2019, Colour, 137 min, Russian Režija / Director: Kantemir Balagov

Eho / Echo

32 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

Obožavanje / Adoration

Uloge / Cast: Viktoria Miroshnichenko, Vasilisa Perelygina, Andrey Bykov, Igor Shirokov, Konstantin Balakirev, Ksenia Kutepova, Olga Dragunova, Timofey Glazkov

Lenjingrad, godine 1945. Drugi svjetski rat ostavio je grad u ruševinama, fizički i mentalno razarajući njegove građane i građevine. Iako je opsada grada – jedna od najgorih u ljudskoj historiji – konačno okončana, život i smrt i dalje vode bitku u razrušenom gradu. Dvije mlade žene – Iya i Masha – pokušavaju pronaći nadu i smisao dok se bore da ponovo izgrade svoje živote među ruševinama.

Leningrad, 1945. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, both physically and mentally. Although the siege – one of the worst in history – is finally over, life and death continue their battle in the wreckage that remains. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives among the ruins.

Sinonimi / Synonyms

France, Israel, Germany, 2019, Colour, 123 min, French, Hebrew, English Režija / Director: Nadav Lapid Uloge / Cast: Tom Mercier, Quentin Dolmaire, Louise Chevillotte

Yoavov život u Parizu ne počinje baš najbolje.

Nakon što pokuca na vrata stana, otkriva da u njemu nema nikoga, a nakon što se odluči tu okupati, neko mu ukrade stvari. Ipak, mladi Izraelac ima velika očekivanja. Odlučan je da se, što je prije moguće, riješi svog državljanstva.

Izraelsko državljanstvo za njega je poput tumora koji se mora hirurški odstraniti.

Međutim, kada bi postao Francuz, za njega bi

Pritka / Beanpole

to bio spas. Kako bi izbrisao svoje porijeklo, Yoav prvo pokušava prigrliti novi jezik.

Odlučan je da više nikada ne izgovori ni jednu jedinu riječ na hebrejskom. Rječnik stranih riječi postaje njegov stalni pratilac. Neophodne posjete izraelskoj ambasadi ga nerviraju, a svoje sunarodnike doživljava kao veliki teret.

Ali i test za prijem u državljanstvo ima dosta nedostataka. A i mladi francuski par s kojima se sprijateljio ima čudne ideje o tome kako da mu pomognu.

In Paris, things do not exactly get off to a good start for Yoav. He knocks on the door of a flat, only to discover the place is empty and, while he is taking a bath there, his things are stolen.

Yet this young Israeli had arrived with such great expectations. He is determined to rid himself of his nationality as quickly as possible.

For him, being Israeli is like a tumour that has to be surgically removed. Becoming French, on the other hand, would mean his salvation. In order to erase his origins, Yoav first tries to replace his language. From now on, he will not utter a single word of Hebrew. A dictionary becomes his constant companion. Necessary visits to the Israeli embassy annoy him; he finds his compatriots to be a great burden. But the naturalisation test also has its pitfalls. And the young French couple he befriends have some rather strange ideas about how to help him.

Sirotište / The Orphanage

Denmark, Germany, France, Luxembourg, Afghanistan, Qatar, 2019, Colour, 90 min, Dari, Russian, Hindi, Urdu Režija / Director: Shahrbanoo Sadat Uloge / Cast: Qodratollah Qadiri, Sediqa Rasuli, Masihullah Feraji, Hasibullah Rasooli, Ahmad Fayaz Osmani, Anwar Hashimi

Krajem osamdesetih godina prošlog stoljeća, petnaestogodišnji Qodrat živi na ulicama

Doći će vatra / Fire Will Come

Sirotište / The Orphanage

Kabula i prodaje kino ulaznice na crnom tržištu. Veliki je ljubitelj bolivudskih filmova i redovno sanjari kako učestvuje u nekoj od njemu omiljenih filmskih scena. Jednog dana policajci ga odvode u sovjetsko sirotište.

Međutim, politička situacija u Kabulu se mijenja, a Qodrat i ostala djeca žele braniti svoj dom.

In the late 1980s, fifteen-year-old Qodrat lives in the streets of Kabul and sells cinema tickets on the black market. He is a big Bollywood fan and in his daydreams he inserts himself into some of his favourite movie scenes. One day the police take him to a Soviet orphanage, but in Kabul, the political situation is changing.

Qodrat and all the children want to defend their home.

Set in a north-western industrial town in Russia, IMMORTAL reveals the mechanism that entices human beings to volunteer to become resources for the state. Can a person ever be free in an imperialist society, where intricate and obscure structures take control of their mindset from an early age? This film looks at the making of a Russian citizen from a fresh angle. The director’s subtle but demanding look reveals “the system” at work in the most benign-looking situations, in all aspects of the everyday. What happens to people’s free will and self-determination in such conditions? The film is a Nietzschean treat, asking a core existential question: Is a human being ever born free?

Dajte mi slobodu /

KINOSCOPE REAL

Give me Liberty

Besmrtnost / Immortal

Estonia, Latvia, 2019, Colour, 61 min, Russian Režija / Director: Ksenia Okhapkina

Film, čija se radnja odvija u jednom industrijskom gradu na sjeverozapadu Rusije, razotkriva mehanizam koji navodi ljudska bića da dobrovoljno postanu državni resurs. Može li osoba biti zaista slobodna u imperijalističkom društvu u kojem kompleksne i skrivene strukture od najranijih godina života oblikuju njeno mišljenje? BESMRTNOST iz svježeg ugla razotkriva proces oblikovanja ruskih državljana i državljanki. Rediteljicin suptilni ali pronicljivi pogled razotkriva rad “sistema” u naizgled najbezazlenijim situacijama i u svim aspektima života. Šta se dešava s ljudskom slobodnom voljom i samoodređenjem u takvim životnim uslovima? Film je zapravo ničeanska prijetnja jer postavlja ključno egzistencijalno pitanje: da li se ijedno ljudsko biće rađa zaista slobodno?

United States, 2019, Colour, 111 min, English, Russian Režija / Director: Kirill Mikhanovsky Uloge / Cast: Chris Galust, Lauren "Lolo" Spencer, Maksim Stoyanov, Steve Wolski

Vic, nesretni mladi Amerikanac ruskog porijekla, prevozi osobe s invaliditetom u Milwaukeeju, gdje dijeli mali stan sa svojim djedom. Na dan kada se u gradu održavaju ulični protesti, Vic kasni na posao i nerado pristaje da odveze djeda i još desetak starijih Rusa na jednu sahranu. Njegovi putnici se uznemire kada Vic nakratko zastaje u naselju u kojem pretežno žive Afroamerikanci kako bi pokupio Tracy, mladu crnkinju koja boluje od amiotrofične lateralne skleroze. Situacija za Vica, kojem svakako prijeti otkaz, iz loše prerasta u još goru.

Vic, a hapless young Russian American, drives a transport for the handicapped in Milwaukee, where he shares an apartment with his grandfather. Running late on a day when street

Dajte mi slobodu / Give me Liberty SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

33

U potrazi za Evom / Searching Eva

Bacurau

Normalno / Normal

Besmrtnost / Immortal

protests break out, Vic reluctantly agrees to ferry his grandfather and a dozen elderly Russians to a funeral, but they are distressed when he stops in a predominantly AfricanAmerican neighbourhood to pick up Tracy, a black woman with ALS. On the verge of being fired, Vic’s day goes from bad to worse.

Doći će vatra / Fire Will Come

Spain, France, Luxembourg, 2019, Colour, 85 min, Spanish Režija / Director: Oliver Laxe Uloge / Cast: Amador Arias, Benedicta Sanchez, Inazio Abrao, Elena Fernandez, David de Poso

Amador Coro osuđen je za podmetanje požara.

Po odsluženju kazne, niko ga ne dočekuje pred zatvorom. Coro se vraća u rodno selo u planinskim predjelima Galicije kada živi sa svojom majkom i njene tri krave. Život u selu teče sporo, u ritmu prirode, sve do noći kada izbija veliki požar i počne gutati sve pred sobom.

Amador Coro has been condemned for having started a fire. When he gets out of prison, nobody is waiting for him. He returns to his hometown, a small village hidden in the mountains of rural Galicia, to live with his mother and their three cows. Life goes by slowly, following the rhythm of nature – until one night when a fire starts to devastate the region.

Normalno / Normal

Italy, Sweden, 2019, Colour, 67 min, Italian Režija / Director: Adele Tulli

U teretanama i na plažama, u disku ili u crkvi, na vašarima, u javnim parkovima, salonima ljepote: NORMALNO istražuje kolektivne koreografije rodno uslovljenog ponašanja u uobičajenim i poznatim situacijama, stvarajući balet pokretnih slika koje prikazuju različite

događaje i istovremeno meditiraju o njihovom značaju. Da li živimo u svijetu koji je neprekidna predstava? Sa svojom slobodnom formom i kontemplativnim ritmom, NORMALNO predstavlja neodoljivo iskustvo spektakla rodne uslovljenosti u svakodnevnom životu koje poziva gledaoce da preispitaju i raspletu samu ideju normalnosti.

At the gym or at the beach; in a disco or in a church; at funfairs, public parks and beauty centres: NORMAL explores the collective choreographies of gender in ordinary and familiar situations, resulting in a ballet of moving images that depict events while simultaneously meditating on their significance. Do we live in a world of constant performance? With its open form and contemplative pace, NORMAL offers a riveting experience of the spectacle of gender in everyday life, inviting the audience to question and unravel the very idea of normality.

Transnistra

Sweden, Denmark, Belgium, 2019, Colour, 95 min, Russian, Romanian, Ukrainian Režija / Director: Anna Eborn

Film TRANSNISTRA snimljen je u samoproglašenoj državi Transnjestriji (Pridnjestrovlje), uskom pojasu uz granicu s Ukrajinom, gdje grupa šesnaestogodišnjaka u nepomirljivom okruženju pokušava pronaći sigurnost, slobodu i smisao. Ekološki osviještena i humana, TRANSNISTRA donosi priču o događajima u periodu od vrelog i bezbrižnog ljeta do oštre zime, dok raznoliki učesnici filma uče kako da prepoznaju i uvaže nade i potrebe drugih članova svoje grupe.

TRANSNISTRA is set in the self-proclaimed nation of Transnistria (Priednestrovia), a narrow strip of land adjacent to Ukraine,

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where, against an unforgiving landscape of Soviet heritage, a group of sixteen-year-olds search for safety, freedom, and meaning.

Naturalistic and humane, TRANSNISTRA charts a narrative from a sweltering, carefree summer through an unforgiving winter, as each of the documentary's disparate subjects learn to understand each other’s hopes and needs.

U potrazi za Evom / Searching Eva

Germany, 2019, Colour, 84 min, German, English, Italian Režija / Director: Pia Hellenthal

Kada je imala 14 godina, Eva je zaključila da je zaštita vlastite privatnosti staromodan koncept.

S nevjerovatnom konzistentnošću, čitav svoj život izlaže pogledu javnosti na društvenim mrežama, uz konstantne komentare svojih obožavatelja. Sa sedamnaest godina Eva je napustila dom u malom italijanskom gradu i probleme svojih konzervativnih roditelja te krenula u potragu za slobodom. Kao i mnogi drugi prije nje, završila je u Berlinu, gdje sada živi kao vječita podstanarka i posjeduje samo ono što stane u dva velika kofera. Pratioci Evinog Tumblr i Instagram profila doživljavaju iskrene fotografije i poruke koje ona objavljuje o svom nekonvencionalnom životu kao inspirativan film koji ima više zapleta i vrhunaca nego bilo koja TV sapunica. Eva nikada nije zaokružena osoba, u njenom životu se uvijek dešava nešto novo jer se neprekidno ponovo otkriva u ulozi fotomodela, feministice, queer spisateljice ili samodeklarisane seksualne radnice. Za Evu identitet je poput mode i smatra da ga može promijeniti kad god poželi. Pogled na život u kojem se sve, čak i seks, odvija pred okom kamere.

U tkanini / In Fabric

Koko-di Koko-da

Zelenija trava / Greener Grass

Transnistra

Since she was 14, Eva has thought of privacy as old-fashioned. With incredible consistency, she lives her entire life in public and online, with constant commentary from her fans. At 17, she left behind her parent’s problems and conservative home in a small Italian town, and set off in search of freedom. Like so many searchers before her, she wound up in Berlin, where she is now living out of two large suitcases as an eternal sub-letter. To her Tumblr and Instagram followers, her unconventional life and the frank pictures and texts she posts about it are like an inspiring film – one that has more plot strands and climaxes than any daily soap opera. Eva is never the finished article, and her life never stands still, because she is always reinventing herself – as a model, a feminist, a queer writer, or a self-determined sex worker. For Eva, identity is like fashion; she can change it as she pleases. A look at a world where a camera never poses a problem – even during sex.

KINOSCOPE SURREAL

Bacurau

Brazil, France, 2018, Colour, 130 min, Portuguese, English Režija / Director: Kleber Mendonça Filho, Juliano Dornelles Uloge / Cast: Sonia Braga, Udo Kier, Bárbara Colen, Thomas Aquino, Silvero Pereira, Thardelly Lima, Rubens Santos, Wilson Rabelo

U bliskoj budućnosti, u malom selu Bacurau, ljudi oplakuju smrt svoje predvodnice Carmelite koja je poživjela 94 godine. Nekoliko dana kasnije, seljani primjećuju da je njihova zajednica izbrisana s većine mapa.

In the near future, in the small village of Bacurau, the people are mourning the loss of the matriarch Carmelita, who lived to be 94.

Days later, the villagers notice that their community has vanished from most maps.

Koko-di Koko-da

Sweden, 2019, Colour, 85 min, Swedish, English Režija / Director: Johannes Nyholm Uloge / Cast: Leif Edlund, Ylva Gallon, Peter Belli

Par kreće na put kako bi popravili svoj odnos.

Ne pretjerano uspješan umjetnik koji nastupa u pratećim predstavama i njegovi sumnjivi pratioci iskaču iz šume i počnu ih terorizirati, uvlačeći ih sve dublje i dublje u bezdan psihološke torture i ponižavajućih šala.

Okrutna bajka o tamnoj šumi, starcu sa slamnatim šeširom i rasturenoj zečijoj porodici.

A couple take a trip to find their way back to each other. A sideshow artist and his shady entourage emerge from the woods, terrorising the pair and luring them deeper and deeper into a maelstrom of psychological terror and humiliating slapstick. A vicious tall tale of dark woods, an old man in a straw hat, and a bunny family shattered to pieces.

U tkanini / In Fabric

United Kingdom, 2018, Colour, 118 min, English Režija / Director: Peter Strickland Uloge / Cast: Marianne Jean-Baptiste, Hayley Squires, Leo Bill, Steve Oram, Gwendoline Christie, Julian Barratt

Tokom januarske rasprodaje, u pomalo jezivoj robnoj kući na jugu Engleske, nedavno razvedena Sheila u potrazi je za odjećom za romantični sastanak. Za oko joj zapada haljina boje krvi. Haljina nije u veličini koju obično nosi, a ipak joj savršeno odgovara. Iznenada joj se počnu dešavati loše stvari, i Sheila neće biti jedina žrtva crvene haljine.

During a January sale in a spooky department store in southern England, recently divorced

Sheila is shopping in preparation for a date, and is attracted to a blood-red dress. It’s not her size, yet it fits her perfectly. Suddenly, bad things start happening to her – and Sheila will not be the dress’s only victim.

Zelenija trava / Greener Grass

United States, 2019, Colour, 95 min, English Režija / Director: Jocelyn DeBoer, Dawn Luebbe Uloge / Cast: Jocelyn DeBoer, Dawn Luebbe, Beck Bennett, Neil Casey, Mary Holland

Jill i Lisa sa svojim sretnim porodicama žive u svojim savršenim kućama u svom idiličnom predgrađu. Dane provode u istoj rutini – u lokalnoj prodavnici razmjenjujući modne savjete, a na rođendanskim zabavama komplimentirajući jela svojih komšija. Žene iz komšiluka očajnički žele ostaviti dobar utisak.

Bore se da ostanu ljubazne i pretvaraju se da je sve u savršenom redu, čak i nakon što se počnu dešavati čudne stvari. A čudne stvari se zaista dešavaju. Nakon što u činu krajnjeg altruizma Lisi pokloni svoje novorođeno dijete, Jill obuzima paranoja, a njeni strahovi i nervoze postaju sve ozbiljniji.

Jill and Lisa live with their happy families in their perfect homes in their idyllic suburban community. Their days are spent in the grocery store exchanging fashion tips, and at birthday parties complimenting their neighbours’ potluck dips. As the women desperately vie for validation, they struggle to maintain pleasantry and normalcy, even when things get weird.

And they do get weird. When Jill gifts Lisa her newborn baby in an altruistic gesture, paranoia overwhelms Jill, while her fears and anxieties quickly unravel.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Kisela kiša / Acid Rain

SHORTS

Selektorica / Programmer: Bianca Lucas

EUROPEAN SHORTS Danas je 11. juni 1993. /

Today Is 11th June 1993

Germany, Bosnia and Herzegovina, 2018, Colour, 13 min.

Režija / Director: Clarissa Thieme

Danas je 11. juni 1993. / Today Is 11th June 1993

Dizač tegova / Weightlifter

“Danas je 11. juni 1993. Rat već jako dugo traje. Uradio sam sve što sam mogao da izađem odavde, da se spasim, ali ništa nije upalilo. Jedino što mi preostaje jeste da snimim ovu videoporuku koju ću dati svome sinu, on će je dati svome sinu i tako ćemo nastaviti da je prenosimo kroz generacije, sve dok ne bude izmišljen vremeplov pa neko, ko je tada vidi, dođe i izbavi me odavde.”

“Today is the 11th of June, 1993. The war has been going on for a very long time. I've tried everything to get out, to save myself; nothing has worked. The only thing left is to make this videotape, which I will give to my son, he to his, and so on, until a time machine is invented and someone watching this will come and get me out of this”.

Dizač tegova / Weightlifter

Ukraine, Poland, 2018, Colour, 30 min.

Režija / Director: Dmytro Sukholytkyy-Sobchuk Uloge / Cast: Aleksandr Loy, Maxim Bereznuk, Yuriy Shcherbyna, Valeria Khilko

Na prvi pogled, ovo je priča o istinskoj pobjedi.

At first sight, this is a story of a true piece of victory.

Društveni vrtovi / Community Gardens

Društveni vrtovi / Community Gardens

Lithuania, , Colour, 15 min.

Režija / Director: Vytautas Katkus Uloge / Cast: Vygantas Bachmackij, Arvydas Dapsys, Aiste Zabotkaite, Jelena Juscenko

Patrijarhalna muškost naizgled živi svoje posljednje trenutke pod suncem. Priča o hladnom odnosu jednog oca i sina.

Patriarchal masculinity seems to catch its last breath in the sun. A story about a cold relationship between a father and his son.

Eve

Eve

France, 2018, Colour, 7 min.

Režija / Director: Agathe Riedigner Uloge / Cast: Marielle Floriduz, Joelle Hélary

Eve i Lili, dvije žene zarobljene u vlastitom rajskom vrtu, čekaju ljubav i priznanje.

Eve and Lili, two women locked away in their Eden, await love and recognition.

Igraonica / Playhouse

United Kingdom, 2019, Colour, 26 min, English Režija / Director: Adda Elling

Je Te Tiens

36 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

Priča o apsurdnom svijetu dvije ljubavnice koje eksperimentišu s konceptima moći i uticaja tako što se smjenjuju na položaju one koja je glavna, kreirajući vlastiti film unutar filma.

A dive into the absurd world of two female lovers, as they experiment with notions of power and representation, playfully alternating between who is in charge, and creating their own film-within-a-film.

Je Te Tiens

Spain, 2019, Colour, 21 min.

Režija / Director: Sergio Caballero Uloge / Cast: Ángela Molina, Virginia Rousse, Sosaku Miyazaki

Putovanje majke i kćeri kroz čudne svjetove.

Kćerka se želi ubiti, a majka je pokušava odgovoriti od toga.

A mother and her daughter take a road trip through strange worlds. The daughter wants to kill herself and her mother tries to talk her out of it.

Kisela kiša / Acid Rain

Poland, 2019, Colour, 26 min.

Režija / Director: Tomek Popakul Uloge / Cast: Daria Bułka, Piotr Bułka, Maciej Miszczak

Negdje u istočnoj Evropi, tinejdžerka koja je pobjegla od kuće upoznaje Skinnija, nestabilnog čudaka koji živi u prikolici i obavlja ne baš pretjerano legalne poslove.

Njihovo zajedničko putovanje postepeno ih vodi do sve jezivijeg okruženja.

Somewhere in Eastern Europe, a runaway teenage girl meets Skinny – a kind of unstable weirdo who lives in a camper and runs not-solegal errands. Their journey gradually leads them towards increasingly eerie settings.

Mitsu

Czech Republic, 2018, Colour, 15 min.

Režija / Director: Mark Ther Uloge / Cast: Naoko Igusa, Petr Holý, Yoshimi Yokoyama

Grofica Mitsuko Maria Thekla CoudenhoveKalergi prva je Japanka koja je došla živjeti u Evropu potkraj devetnaestog stoljeća.

Boravila je uglavnom u području uz bavarsku granicu, gdje je upravljala dvorcem Poběžovice na imanju koje je naslijedila od svog pokojnog supruga grofa Heinricha Coudenhove-Kalergija. Mitsuko je bila snažna, obrazovana žena, koju nikada nije napustila nostalgija za svojom domovinom.

Countess Mitsuko Maria Thekla Coudenhove-

Pretjerivanje će nas spasiti / Excess Will Save Us

Mitsu

Kalergi was the first Japanese female to come to Europe at the turn of the 19th century. She lived primarily near the Bavarian border, and administered Poběžovice Castle, an estate of her deceased husband, Count Heinrich Coudenhove-Kalergi. She was a strong, welleducated woman, who never lost her nostalgia for her home.

Pretjerivanje će nas spasiti / Excess Will Save Us

Sweden, 2018, Colour, 14 min.

Režija / Director: Morgane Dziurla-Petit

U Villereau, selu koje zauzima pet kvadratnih kilometara prostora na sjeveru Francuske, zbog psihoze seljana proglašeno je stanje opasnosti zbog terorističkog napada. Nakon istrage, policija i vojska otkrivaju da je incident koji je proglašen terorističkim napadom zapravo bio kombinacija dva događaja: početka sezone lova i svađe pijanih poljskih radnika.

In Villereau, a village of five square kilometres of the north of France, a terror attack alert was set off due to the collective psychosis of the inhabitants. Upon researching the incident, the police and the army discover that what they thought was an attack was in reality the combination of two events: the beginning of the hunting season and an argument between drunken Polish workers

Rutina / Routine

Kosovo, 2018, Colour, 14 min.

Režija / Director: Bekim Guri

Nakon smrti Albanovog brata u požaru koji im je uništio kuću, čitava Albanova porodica je u šoku i pate od mentalnih poremećaja i ekstremnog siromaštva. Od svih članova porodice, Alban je najdublje pogođen tragedijom.

After the death of Alban’s brothers in the fire that burned down their home, the entire family suffers from a shock, mental disorders, and extreme poverty. Of all the family members, Alban has been affected the most by this tragedy.

unimposing characters live. Nothing unusual happens to them in this world. They walk, sit, stand, and get bored.

Slobodno vrijeme / Free Time Germany, 2019, Colour and B&W, 16 min.

Režija / Director: Ulu Braun

Banje za njegu i opuštanje, avanturističke destinacije i odmarališta. Zapadno društvo ima velika očekivanja od “slobodnog” vremena. Slobodno vrijeme je obećano spasenje koje zavisi od učinka na radu. Filmski esej SLOBODNO VRIJEME propituje načine na koji se ta ideja predstavlja u javnom, privatnom i medijskom prostoru i potencijal za konfikt u trenucima kada se se snovi suoče sa realnošću. Metaforički, postavlja se pitanje: kako želimo živjeti?

Wellness oases, adventure worlds, and resting places. In Western society, great expectations are attached to the benefits of "free" time. It is a promise of salvation that feeds on the work performance. The film essay FREI ZEIT examines how this construct presents itself in public, private, and media spaces, and what potential for conflict arises when dreams collide with reality. Metaphorically, the question arises: How do we want to live?

Protocorba

Tourneur

Germany, 2018, Colour, 14 min.

Režija / Director: Yalda Afsah

Slobodno vrijeme / Free Time

TOURNEUR je dokumentarni film o borbama bikova na jugu Francuske i suptilan komentar nejednakosti između mladih učesnika punih adrenalina i fizički superiornijeg bika kojeg uspijevaju satjerati u ćošak.

TOURNEUR documents a bull fight in the south of France, and comments in a subtle manner on the disparity between the young, adrenaline-pumped participants and the physically superior bull, which is cornered by the participants.

Igraonica / Playhouse

European Shorts 1 Community Gardens/ Weightlifter/ Acid Rain/ Routine

Protocorba

European Shorts 2 Mitsu/ Eve/ Playhouse/ Je te tiens

Protocorba je izmišljeni svijet u kojem žive obični, neupadljivi likovi. U tom svijetu ne dešava se ništa neobično. Njegovi žitelji šetaju, sjede, stoje i dosađuju se.

Protocorba is a fantasy world in which ordinary,

European Shorts 3 Free Time/ Today Is 11th June 1993/ Tourneur/ Protocorba/ Excess Will Save Us

Russia, 2019, Colour, 7 min.

Režija / Director: Kirill Khachaturov

Rutina / Routine

Tourneur SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Vodeni park / Aquaparque

Bijeg / The Escape

Kapitalisti / Kapitalistis

Godine / The Years

Generacija '97 / Graduation '97

Kompleks Burkina Brandenburg / Burkina Brandenburg Komplex

EFA Short Matters! Nominees 2018 Bijeg / The Escape

France, 2018, Colour, 10 min.

Režija / Director: Laëtitia Martinoni Uloge / Cast: Vanessa Guedj, Alexis Michalik, Nadia Roz, Bruno Salomone

Alice je sretna iako je tek operisana zbog ozbiljne bolesti. Zaljubljena je u svog hirurga i to joj pomaže da zaboravi nepodnošljivu situaciju u kojoj se nalazi. Svaka od njegovih posjeta omogućava joj da pobjegne u svoj izmaštani svijet.

Alice is happy. Yet she has just come out of surgery due to a serious illness. She is in love with her surgeon, which helps her forget the unbearable situation. Each of his visits takes her to her own imaginary world.

Godine / The Years

Italy, France, 2018, Colour, 20 min.

Režija / Director: Sara Fgaier

Žena posuđuje glas tekstu „Godine“ Annie Ernaux – nekolicini fragmenata prikupljenih na obalama bezvremene Sardinije.

A woman gives voice to Annie Ernaux's “The Years” text, a few fragments collected on the shores of a timeless Sardinia.

Generacija '97 / Graduation '97

Ukraine, 2017, Colour, 19 min.

Režija / Director: Pavlo Ostrikov Uloge / Cast: Oleksandr Pozharsky, Lesya Ostrovska

Roman vodi usamljenički život i radi kao tehničar u jednom ruralnom gradiću. Prvi put nakon što su diplomirali, njegova školska drugarica Liuda

Oni koji čeznu / Those who Desire

vraća se u gradić. Niko nije bio u kontaktu s njom punih dvadeset godina, ali Roman je čvrsto odlučio da je neće ponovo izgubiti.

Roman lives a lonely life in a provincial city and works as a technician. For the first time since they graduated, Liuda, his ex-classmate, comes back to town. Nobody has heard anything from her for 20 years, but Roman is set on not losing her again.

Kapitalisti / Kapitalistis

Belgium, France, 2017, Colour, 15 min.

Režija / Director: Pablo Munoz Gomez Uloge / Cast: Georges Siatidis

Petogodišnji Nikos misli da je Djed Mraz kapitalista. Bogatoj djeci donosi igračke, a siromašnoj majice.

Five-year old Nikos thinks Santa is a capitalist.

He brings toys to rich kids, and sweatshirts to poor ones.

Kompleks Burkina Brandenburg / Burkina Brandenburg Komplex

Germany, 2018, Colour, 19 min.

Režija / Director: Ulu Braun Uloge / Cast: Joachim Stargard, Evyone Muhuri

Po svoj prilici afričko selo, naseljeno Nijemcima.

KOMPLEKS BURKINA BRANDENBURG opisuje geografsku konstrukciju koja se služi nizom netačnosti kako bi “našu” medijsku i društvenu sliku Afrike stavila na kušnju.

A presumably African village, inhabited by

Potpisao sam peticiju / I Signed The Petition

38 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

Germans. BURKINA BRANDENBURG KOMPLEX describes a geographical construction that makes use of ‘our’ medial and collective image of Africa, and puts it to the test through inaccuracies.

Kontejner / Kontener

Germany, 2017, Colour, 30 min.

Režija / Director: Sebastian Lang Uloge / Cast: Joanna Drozda, Anka Graczyk

Maryna i Tava rade u smjenama na farmi za proizvodnju mlijeka u istočnoj Njemačkoj. U selu ih znaju kao “dvije Poljakinje”, ali njih dvije se međusobno ignorišu. Kada upravnik farme ode na službeno putovanje, Tava se ne pojavljuje na poslu i čini se kao da je nestala.

Naredne noći dešava se jedan uznemirujući susret.

Maryna and Tava do shift work on a milk farm in eastern Germany. In the village, they are known as “the two Poles”. They themselves ignore each other’s existence. When the farm manager goes on a business trip, Tava does not show up at work and seems to have disappeared. The next night a disturbing encounter takes place.

Meryem

Netherlands, 2017, Colour, 16 min.

Režija / Director: Reber Dosky

Sniman tokom bitke za Kobani, film donosi priču o ženama koje su bile na čelu borbe protiv Islamske države. Uz stoičko držanje i uz

Pusti pse / Release the Dogs

Kontejner / Kontener

Sram / Shame

Wildebeest

Meryem

U čemu je šteta / What's the Damage

Zarobljenica društva / Prisoner of Society

pomoć američkih zračnih udara, ove žene su vodile bitku za slobodu.

Filmed during the battle of Kobani, MERYEM reveals the women at the heart of the fight against Daesh. With stoic perseverance and the aid of US airstrikes, these women are leading the fight for freedom.

Oni koji čeznu /

Those who Desire

Switzerland, Spain, 2018, Colour, 24 min.

Režija / Director: Elena Lopez Riera

U trci golubova živopisnih boja na jugu Španije nagradu ne osvaja samo onaj golub koji najbrže leti već i onaj koji zna kako zavesti ženku i najduže letjeti uz nju.

In the south of Spain, a race of colourfully painted pigeons will reward not the one who flies the fastest, but the one who knows how to seduce a female pigeon, and to fly the longest time at her side.

Potpisao sam peticiju /

I Signed The Petition

United Kingdom, Germany, Swaziland, 2018, Colour, 11 min.

Režija / Director: Mahdi Fleifel

Odmah nakon što je potpisao online peticiju koja poziva na kulturni bojkot Izraela, jedan Palestinac uz rastući osjećaj panike počinje da preispituje vlastitu odluku. U razgovoru s prijateljem koji pokazuje razumijevanje za njegov problem, Palestinac analizira, dekonstruira i interpretira značenje svoje odluke.

Immediately after a Palestinian man signs an online petition, he is thrown into a panicinducing spiral of self-doubt. Over the course of a conversation with an understanding friend, he analyses, deconstructs, and interprets the meaning of his choice to publicly support the cultural boycott of Israel.

Pusti pse / Release the Dogs France, Belgium, 2017, Colour, 21 min.

Režija / Director: Manue Fleytoux Uloge / Cast: Alice De Lencquesaing, Yoann Zimmer, Simon Boyle

Anouck je rezignirana djevojka, rastrzana

između dvije ljubavi, dva nasilnika: svog muškarca – zgodnog psa čuvara – i brata, ludog mladog psića. Na mladićev osamnaesti rođendan, ovaj krhki trougao eksplodira, a Anouckin revolt je na pomolu…

Anouck is a resigned girl, torn between two loves, two violences: her man, an attractive watchdog, and her little brother, a young mad pup. The night of the boy’s 18th birthday, this fragile triangle explodes, Anouk's revolt is on its way…

Sram / Shame

Bulgaria, 2017, Colour, 24 min.

Režija / Director: Petar Krumov Uloge / Cast: Zdravko Moskov, Monika Asparuhova, Emilia Panova

Vodeni park / Aquaparque

Portugal, 2018, Colour, 17 min, Portuguese Režija / Director: Ana Moreira Uloge / Cast: Margarida Antunes, Rodolfo Marques

Dječak i djevojčica kriju se od ostatka svijeta u napuštenom vodenom parku. Između ruševnih, grafitima prekrivenih starih bazena i glatkih tobogana, pronašli su sklonište u kojem mogu oplakivati svoje izgubljene nade i snove.

In an abandoned water park, a girl and a boy are hidden from the outside world. Amid the graffitied ruins of the old swimming pools and their smooth slides, they find a shelter where they grieve the loss of their hopes and dreams.

Wildebeest

Macho je siromašan momak koji bježi iz škole kako bi radio na gradilištima. Njegova djevojka Donna je jedini zračak svjetlosti u njegovom životu. Međutim, ona se stidi njegove majke koja radi kao domarka u njihovoj školi. Macho je prisiljen da bira između svoje majke i žene koju voli te pronalazi vlastiti način da se nosi s emocijama.

Macho is a poor boy who skips school to work on a construction site. The only ray of light for him is his girlfriend, Donna, who is ashamed of his mother, who works as a janitor in their school. Macho has to choose between his mother and his love, and he finds his own way to deal with his emotions.

U čemu je šteta /

What's the Damage

United Kingdom, 2017, Colour, 7 min.

Režija / Director: Heather Phillipson Uloge / Cast: Heather Phillipson

Provokacija usmjerena protiv dominantnih struktura moći koja pojačava osjećaje hronične nelagode, pobune i neslaganja preplitanjem živog govora, pretjerano ulickanih tupea, nadirućih supermjeseca, pizza i dronova.

A provocation against dominant power structures, augmenting feelings of chronic unease, protest, and dissent by intertwining spoken word, over-groomed toupees, and advancing super-moons, pizzas and drones.

Belgium, 2017, Colour, 7 min.

Režija / Director: Nicolas Keppens, Matthias Phlips Uloge / Cast: Chris Boni, Sam Louwyck

Mnogi sanjaju o odlasku na safari. Za sredovječni par – Lindu i Troyera – taj san se pretvara u užasavajuće realnu avanturu nakon što slučajno budu ostavljeni u divljini.

Going on a safari is a dream for many. For middle-aged couple Linda and Troyer, it turns into a horribly real adventure when they are left behind in the wilderness.

Zarobljenica društva / Prisoner of Society

Georgia, Latvia, 2018, Colour, 15 min.

Režija / Director: Rati Tsiteladze

Intimno putovanje u svijet i misli mlade transrodne žene rastrzane između vlastite želje za slobodom i očekivanja njenih tradicionalnih roditelja koja prijete da naruše njihovu slogu.

An intimate journey into the world and mind of a young transgender woman, trapped between her personal desire for freedom and the traditional expectations of her parents that threaten their unity.

EFA Short Matters! 1 Aquaparque/ Those who Desire/ Kontener/ I Signed The Petition/ The Escape EFA Short Matters! 2 Release the Dogs/ The Years/ Shame/ What's the Damage/ Prisoner of Society EFA Short Matters! 3 Kapitalistis/ Burkina Brandenburg Komplex/ Graduation '97/ Meryem/ Wildebeest

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

39

Ambijent / Ambience

Hieu

CINEFONDATION CANNES: Winners 2019 Ambijent / Ambience

Palestine, 2019, Black and white, 15 min.

Režija / Director: Wisam Al Jafari Uloge / Cast: Salah Abu Nima, Mohammad Al Khmour

Uprkos buci i haosu koji vladaju u izbjegličkom kampu u kojem žive, dva mlada Palestinca pronalaze kreativan način da snime muziku do roka koji moraju ispoštovati kako bi učestvovali u jednom takmičenju.

Despite the noise and chaos in their refugee camp, two young Palestinians discover a creative way to record music in order to meet a competition deadline.

Hieu

USA, 2018, Colour, 24 min.

Režija / Director: Richard Van Uloge / Cast: Roy Tran, Jaimie Tran, Murphy Pham

Vijetnamsko-američku porodicu iznenada posjećuje jedan od porodičnih starješina kojeg je napustila sreća.

A Vietnamese American household receives a surprise visit from a down-on-his-luck patriarch.

Mala duša / The Little Soul Poland, 2019, Colour, 9 min.

Režija / Director: Barbara Rupik

Rijeka na obalu izbacuje ljudsko tijelo. U njegovoj raspadajućoj unutrašnjosti još uvijek obitava ljudska duša – minijaturna verzija preminule osobe. Unutrašnji organi koji su počeli trunuti se razmiču da propuste sićušno stvorenje. Stojeći na obali rijeke, ono pozdravlja beživotno tijelo i kreće na putovanje zagrobnim svijetom.

A dead body has become lodged against a riverbank. Its decaying insides still hide a human soul – a miniature version of the deceased. Rotting organs part and a tiny creature emerges. Standing by the river, it bids farewell to the corpse and sets off on a journey through postmortem land.

Mano a Mano

France, 2018, Colour, 22 min.

Režija / Director: Louise Courvoisier Uloge / Cast: Abby Neuberger, Luca Bernini

Akrobate Abby i Luca putuju s nastupa na nastup, a njihov međusobni odnos konstantno se pogoršava. Kada kamperom krenu na put, prisiljeni su suočiti se sa svojim problemima i pokušati obnoviti međusobno povjerenje.

Acrobatic artists Abby and Luca travel from stage to stage to perform. Their relationship is worsening. When they take a trip in a camper van, they must face their problems and try to regain confidence in one another.

Bila soba / White Room

Mala duša / The Little Soul

House of Shorts Special Screening Happiness Machine

Serbia, Bulgaria, Slovakia, Poland, Denmark, Austria, Germany, Switzerland, United Kingdom, 2019, Colour, 74 min, English Režija / Director: Ana Nedeljković, Andrea Schneider, Elizabeth Hobbs, Eni Brandner, Joanna Kozuch, Michelle Kranot, Rebecca Blöcher, Samantha Moore, Susanne Jirkuff, Vessela Dantcheva

Dvadeset evropskih umjetnika preispituje trenutni ekonomski sistem.

20 European artists question the current economic system.

Zagreb Film Festival – Najbolje od kockica / Best of Checkers Bila soba / White Room

Croatia, 2018, Colour, 20 min.

Režija / Director: Mladen Stanić Uloge / Cast: Paško Vukasović, Marin Klišmanić

Dva brata renoviraju zajednički stan u Splitu koji planiraju iznajmljivati za vrijeme ljetne turističke sezone. Na prvom zajedničkom druženju nakon smrti majke braća će biti prisiljena suočiti se s traumama iz porodične prošlosti i preispitati temelje vlastitog odnosa.

Two brothers are renovating the apartment they inherited from their recently deceased mother. They plan to rent it during the upcoming tourist season. By working together, they will finally face the traumatic past that has been troubling their relationship throughout the years.

Malo se sjećam tog dana / I Can Barely Remember the Day Croatia, 2018, Colour, 20 min.

Režija / Director: Leon Lučev Uloge / Cast: Goran Bogdan, Nina Violić, Daria Lorenci Flatz, Sandro Miljuš

Uoči desetog rođendana njegove kćeri Goranova sestra javlja mu teške vijesti.

Istinu će pokušati sakriti od svih znajući da bi pokvarila planiranu proslavu.

On the eve of his daughter’s tenth birthday, Goran’s sister calls him with unwelcome news. He hides the truth from everyone, knowing that it would ruin the planned celebration.

Sovjetski psi /

Soviet Space Dogs

Croatia, 2018, Colour, 17 min.

Režija / Director: Nikica Zdunić Uloge / Cast: Tvrtko Jurić, Roberta Milevoj, Branko Belan, Jadranka Đokić

Malo se sjećam tog dana / I Can Barely Remember the Day

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Mano a Mano

Sovjetski psi / Soviet Space Dogs

Nešto se dogodi, vrijeme se uspori. Dvoje ljudi ostaje zarobljeno u prostoru tragedije, gdje im glasovi ne dopiru jedno do drugoga. No i kad se sve spali do temelja, nada ostaje.

Something happens. Time slows down.

Two people are trapped in a space of tragedy, where their voices do not reach one another. But, even when everything is burnt to the ground, hope remains.

Stepska lisica / Steppe Fox

Croatia, 2018, Colour, 23 min.

Režija / Director: Andrija Mardešić Uloge / Cast: Kaja Šišmanović, Jasna Bilušić

Nenad i Viktorija upoznali su se na speed dateu. Viktorija je tinejdžerica, stara duša, djevojka neobičnog ukusa za cvijeće i kolekcionarka vaza. Nenad je u kasnim tridesetima, obožava sudoku i nikad nije imao djevojku. Nenad poziva u svoju kuću Viktoriju na spoj.

Nenad and Viktorija met on a speed date.

Still in her teens, Viktorija is an old soul. She is a girl with an unusual taste for flowers and a collector of vases. Nenad is in his late thirties, loves Sudoku and has never had a girlfriend. He asks her out on a date at his house.

Tina & Sendy

Croatia, 2018, Colour, 17 min.

Režija / Director: Hani Domazet Uloge / Cast: Sanja Milardović, Tihana Lazović, Jerko Marčić

Jedan dan. Jedna noć. Audicija. Dvije djevojke i velika sila koja će testirati njihovu povezanost.

One day. One night. An audition. Two girls and a great force that will test their connection.

Stepska lisica / Steppe Fox

Happiness Machine

Tina & Sendy

KısaKes Short Film Festival Presents / predstavlja App

Turkey, 2019, Colour, 15 min.

Režija / Director: Hatice Askin Uloge / Cast: Janset Paçal, Tilbe Saran, Ekin Koç

Softverska kompanija razvija aplikaciju za žene koje žive same kako bi im pomogla da se osjećaju sigurnije. Projicirana sjena muškarca na zidovima i prozorima kuća stvara osjećaj prisutnosti stvarnog muškarca od krvi i mesa.

A software company develops a security app for women who live alone to make them feel more secure. A shadow man who is reflected on the walls and windows of a home makes it seem as though there is a real man wandering around the house, talking and running errands.

App

Gozba / The Banquet

Otis tarda

Prethodna noć / The Night Before

preko puta njegovog, u kojem živi upravitelj zgrade Ibrahim, poremetit će Ahmetov mirni život, a novopostavljene sigurnosne kamere uplest će ga u mrežu odnosa u kojima ne želi biti.

At the beginning of his twenties, Ahmet is rather timid and tries to avoid communicating with people unnecessarily. One night, all Ahmet’s normality will be destroyed when a scream comes from the building manager’s house, which is connected to Ahmet's apartment. Newly installed security cameras place Ahmet into a relationship network in which he has no desire to be involved.

Otis tarda

Gozba / The Banquet

Turkey, 2019, Colour, 15 min.

Režija / Director: Emre Öksüz Uloge / Cast: Yiğit Ege Yazar, Denizhan Akbaba

Ahmet – u ranim dvadesetim godinama života – prilično je povučen i izbjegava nepotrebne razgovore s ljudima. Jedne noći, krik iz stana

Tokom sezone lova dječak pronalazi ranjenu veliku droplju. Uskoro shvata da ima suparnika.

A young boy finds a wounded bustard during a hunting session. But he comes to realise he has a rival.

Turkey, 2019, Colour, 20 min.

Režija / Director: Fırat Özeler Uloge / Cast: Aziz Aslan, Utku Savari, Emircan Melek

Prethodna noć / The Night Before Turkey, Czech Republic, France, 2019, Colour, 17 min.

Režija / Director: Demet Derelioglu Aran Uloge / Cast: Yigit Sertdemir, Gulhan Kadim

Sredovječni Ilker radi kao forenzički patolog u mrtvozorničkoj službi. Svakog dana nakon posla odlazi u isti bar i uhodi djevojku koja tamo radi kao šankerica, što je ujedno i najuzbudljiviji dio njegovog monotonog života.

Očajnički se zaljubljuje u šankericu, ali nema hrabrosti da započne razgovor sa njom dok za to ne nastupi pravi trenutak.

Ilker is middle-aged man who works as a forensic pathologist for an autopsy service.

The most exciting thing in his sedentary life is going to the same bar every day after work and stalking a young woman who works there as a barmaid. He desperately falls in love with her, but does not have the courage to talk to her until one particular day arrives.

Sabanci Film Platform Presents / predstavlja Bez grijeha / Sinless

Turkey, 2018, Colour, 5 min, Turkish Režija / Director: Ercan Akan

Svi se trudimo zaboraviti na smrt. Ali osoba koja kupa mrtvace sa smrću se suočava svakog dana.

We all try to forget about death. But someone who bathes dead bodies faces death every day.

Gülizar

Turkey, 2018, Colour and B&W, 5 min, Turkish Režija / Director: Yahya Ozan Çalışkan

Rođena patuljastog rasta, Gülizar se suočava

Gülizar

Recka / Notch

s reakcijama svoje porodice i društva.

Born with dwarfism, Gülizar faces the reactions of her family and society.

Turkey, 2018, Colour, 5 min, Turkish Režija / Director: Ahmet Kızıl Uloge / Cast: Mennan Hamdoş, Ronas Dourdi, Roni Hamdoş

Neizlječivo / Incurable

Turkey, 2018, Colour and B&W, 3 min, No Dialogue Režija / Director: Furkan Han Mert

Diskriminacija je bolest koju uzrokuju ljudi, ali novorođenče dolazi na ovaj svijet čisto i nevino.

Discrimination is a disease produced by humans. But a newborn baby comes into the world pure and innocent.

Neizlječivo / Incurable

Recka / Notch

Diskirminacija može ubiti različite snove, čak i na fudbalskoj utakmici.

Discrimination can kill dreams of all kinds, even at a football game.

Bez grijeha / Sinless

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Boli mora / The Pains of the Sea

Kucanje po krovu / Roof Knocking

Mare Nostrum

Lastavicin let / The Flight of the Swallow

Zamršeno / Tangle

TRT World Citizen Short Film Competition Boli mora / The Pains of the Sea Iran, 2019, Colour, 8 min, English Režija / Director: Mohammed Reza Masoudi Uloge / Cast: Sepidar Tarl

Imigranti iz Sirije i Iraka preko mora pokušavaju stići do Turske. Tokom prelaska mora, jedna žena prisiljena je da bira između vlastitog života i života svoga djeteta.

Syrian and Iraqi immigrants are trying to cross the sea to reach Turkey. A mother must choose between the life of her child and her own life in the sea.

Kucanje po krovu / Roof Knocking

Mexico, Palestine, 2018, Colour, 12 min, Arabic Režija / Director: Sina Salimi Uloge / Cast: Sameera Elasir, Ahmed Abdelrazek, Alaa Zubaydi, Leila Ziyad

Gaza, mid-Ramadan. A mother struggles to abandon her home when she receives a phone threat giving her 10 minutes to leave before a

bomb strike.

Gaza usred ramazana. Nakon telefonskog poziva kojim je upozorena da ima deset minuta da ode iz kuće jer će ona zatim biti bombardovana, jedna majka bori se sa odlukom da napusti svoj dom.

Lastavicin let /

The Flight of the Swallow

Mexico, 2019, , 5 min, Spanish Režija / Director: Yannick Nolin Uloge / Cast: Sandra Camarena Salcedo, Celia Garza Vera

Zbog nesigurne situacije u domovini, jedna žena odlučuje pješke preći preko granice i potražiti bolji život. Taj put će imati razorne posljedice i zauvijek će promijeniti njen život.

Due to the extreme situation in her country, a woman decides to cross the border on foot in search of a better life. The journey has devastating consequences that will change her life forever.

Mare Nostrum

Italy, 2019, Colour, 8 min, Italian Režija / Director: Maryam Rahimi Uloge / Cast: Youma Diakite

Lucana priča dramatičnu priču o ženi koja je pobjegla od vlastite sudbine. Iako se činilo da su joj u životu predodređene samo nesreća i tuga, ta žena pronašla je mir i spokojstvo u zemlji koja joj je ponudila gostoprimstvo.

Lucana tells the dramatic story of a woman who escaped from a fate where it seemed that only drama and unhappiness were reserved for her, but has finally found peace and serenity in her host country.

Zamršeno / Tangle

Iran, 2019, Black and white, 8 min, No Dialogue Režija / Director: Malihe Ghloamzadeh

A glimpse into the life of a girl during wartime.

Kratak pogled na život jedne djevojke u ratu.

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23.07.2019 13:55

A Dog Called Money

Summer Screen A Dog Called Money

recorded in an unprecedented art experiment at Somerset House in London.

Autorica i muzičarka PJ Harvey i nagrađivani fotograf Seamus Murphy odlučili su se na saradnju. Kako bi iz prve ruke upoznala zemlje o kojima je željela pisati, Harvey je pratila Murpheya na putovanjima u zemlje iz kojih je on izvještavao, pridruživši mu se na Kosovu, u Afganistanu i Washingtonu.

Harvey je skupljala riječi, Murphey slike.

Nakon što su se vratili kući, riječi je pretočila u pjesme, koje je snimila tokom jedinstvenog umjetničkog eksperimenta u Somerset Houseu u Londonu.

Writer and musician PJ Harvey and awardwinning photographer Seamus Murphy hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington, DC. Harvey collected words, Murphy collected images. Back home, the words become poems, songs, and then an album, which is

Amazing Grace

Ireland, United Kingdom, 2019, Colour, 90 min.

Režija / Director: Seamus Murphy

United States, 2018, Colour, 87 min.

Režija / Director: Alan Elliott

Legendarna pjevačica i kćerka baptističkog pastora iz Detroita odrasla je uz gospel muziku. Nakon što je snimila niz hitova, u dvadeset i devetoj godini života vraća se vlastitim korijenima. Tokom dva dana, u Misionarskoj baptističkoj crkvi New Temple u Los Angelesu, u pratnji Društvenog hora Južne Kalifornije, Aretha je pjevala iz srca, dok je Sydney Pollack snimao njen nastup.

Rezultirajuća ploča “Amazing Grace“ postala je njen najprodavaniji album, ali filmski zapis tog nastupa, iz mnoštva razloga, nikada nije objavljen... Sve do sada.

The legendary singer and daughter of a Detroit preacher was raised on gospel music. After a string of hits, at age 29 she returned briefly to her roots. Over two days at LA's New Temple Missionary Baptist Church, accompanied by the Southern Californian Community Choir,

Nebeska tema – Priča o Vladi Divljanu / Celestial Theme - The story of Vlada Divljan

44 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

Aretha Franklin sang from the heart and her astounding performance was captured by filmmaker Sydney Pollack. The resulting recording, Amazing Grace, became her most successful album, but the film of her performance – for a variety of reasons – was never released... until now.

Diego Maradona

United Kingdom, 2019, Colour, 130 min.

Režija / Director: Asif Kapadia

Diego Maradona stigao je u Napulj 5. jula 1984. kako bi – za tada rekordan honorar – zaigrao za fudbalski klub Napoli. Ikona svjetskog fudbala i najstrastveniji, ali i najopasniji evropski grad, bili su savršena kombinacija. Na terenu, Diego Maradona bio je genijalan, a van njega tretirali su ga kao božanstvo. Karizmatični Argentinac volio je izazove i predvodio je Napoli do prve šampionske titule u historiji kluba. Bila je to priča iz snova. Ali za nju je valjalo platiti cijenu... Maradona je mogao raditi što je htio dok god je na terenu izvodio čuda, ali kako je vrijeme prolazilo nad njim su se počeli

Mystify: Michael Hutchence

Amazing Grace

nadvijati tamni oblaci.

On 5 July, 1984, Diego Maradona arrived in Naples for a world-record fee. For seven years, all hell broke loose. The world’s most celebrated football icon and the most passionate but dangerous city in Europe were a perfect match. On the pitch, Diego Maradona was a genius. Off the pitch, he was treated like a god. The charismatic Argentine loved a fight against the odds and led Napoli to their firstever title. It was the stuff of dreams. But there was a price… Diego could do as he pleased while performing miracles on the pitch but, as time passed, darker days closed in.

Mystify: Michael Hutchence United Kingdom, Australia, 2019, Colour, 102 min.

Režija / Director: Richard Lowenstein

Tokom osamdesetih i devedesetih godina prošlog stoljeća, Michael Hutchence bio je svjetski poznat muzičar i izvođač zavodljivog magnetizma i karizme. Njegov bend INXS bio je među rijetkim australskim grupama koje su postigle međunarodnu slavu. Ali Hutchence se na vrhuncu uspjeha odao haotičnom životu, što je rezultiralo njegovom preranom smrću u trideset i sedmoj godini života.

Diego Maradona

Michael Hutchence was a world -famous performer and singer in the 1980s and ‘90s who had a magnetism and charisma that both beguiled and dazzled. INXS, the band he fronted, was one of very few Australian stadium bands that have enjoyed international stardom. But at the height of his powers, Hutchence’s life faltered, and he died prematurely at the age of 37.

Nebeska tema – Priča o Vladi Divljanu / Celestial Theme - The story of Vlada Divljan

Serbia, Croatia, 2019, Colour, 108 min.

Režija / Director: Mladen Matičević

NEBESKA TEMA, scenariste i reditelja Mladena Matičevića, dugometražni je dokumentarac s elementima igranog filma o velikanu naše muzike Vladi Divljanu. U njemu učestvuju najznačajniji autori s prostora bivše Jugoslavije, koji su specijalno za ovu priliku snimili, i u filmu izvode, nove verzije Divljanovih pjesama.

CELESTIAL THEME, written and directed by Mladen Matičević, is a feature-length documentary with elements of fiction about the legendary Serbian musician Vlada Divljan.

It features some of the most famous musicians

from the former Yugoslavia, who recorded and performed their versions of Divljan’s songs specially for this film.

Otkucaji / Beats

United Kingdom, 2019, Colour and B&W, 101 min.

Režija / Director: Brian Welsh Uloge / Cast: Cristian Ortega, Lorn Macdonald, Laura Fraser

U jednom gradiću u centralnoj Škotskoj, najbolji prijatelji Johnno i Spanner osjećaju duboku međusobnu povezanost. Međutim, na pragu zrelosti, svjesni su da će ih život odvesti na različite strane. Johnnova porodica sprema se za selidbu u novi grad i bolji život, a Spanner ostaje kod kuće i očekuje ga nesigurna budućnost. Ali posljednje zajedničko ljeto promijenit će dvojicu mladića i čitavu zemlju.

In 1994, in a small town in central Scotland, best mates Johnno and Spanner share a deep bond. Now that they are on the cusp of adulthood, life is destined to take them in different directions – Johnno’s family are moving to a new town and a better life, leaving Spanner behind to face a precarious future.

But this summer is going to be different for them, and for the country.

Otkucaji / Beats

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Hladni rat / Cold War

Ida

Posvećeno / Tribute to Pawel Pawlikowski Dostojevski na putu /

Dostoevsky's Travels

United Kingdom, 1991, Colour, 52 min.

Režija / Director: Pawel Pawlikowski

Fjodor Dostojevski 1862. godine napušta Rusiju kako bi putovao zapadnom Evropom.

Stotinu dvadeset devet godina kasnije, njegov praunuk Dimitrij odlučuje rekonstruisati putovanje svog slavnog pretka i putuje od Sankt-Peterburga do Berlina i Londona, gdje drži predavanja o slavnom čukundjedu. Kada je Pawel Pawlikovski saznao za Dimitrijeve planove, odlučio je pridružiti mu se i kamerom zabilježiti putovanje posljednjeg preostalog potomka slavnog književnika.

In 1862, Fyodor Dostoevsky left Russia to travel through western Europe. One hundred twenty-nine years later, his great-grandson, a tram driver named Dimitri, decides to reconstruct the journey and travels from St. Petersburg to Berlin and London, where he lectures on his great-grandfather. When Paweł Pawlikowski became aware of Dimitri’s plans, he decided to accompany the eminent author’s last descendant with his camera.

Hladni rat / Cold War

Poland, France, United Kingdom, 2018, Black and white, 84 min, Polish, French, German, Croatian, Italian Režija / Director: Pawel Pawlikowski Uloge / Cast: Joanna Kulig, Tomasz Kot, Borys Szyc

Film HLADNI RAT govori o strastvenoj ljubavnoj priči između dvoje ljudi koji se zbog različitog porijekla i temperamenta na prvi pogled čine nespojivim, ali ipak sudbinski predodređeni jedno za drugo. Smješten u vrijeme Hladnog rata pedesetih godina prošlog stoljeća u Poljskoj, Berlinu, Jugoslaviji i Parizu, film opisuje nemoguću ljubav u nemoguća vremena.

Dostojevski na putu / Dostoevsky's Travels

COLD WAR is a passionate love story between two people of different backgrounds and temperaments, who are fatally mismatched and yet fatefully condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Germany, Yugoslavia, and France, the film depicts an impossible love story in impossible times.

Ida

Poland, Denmark, 2013, Black and white, 82 min, Polish, Latin, French Režija / Director: Pawel Pawlikowski Uloge / Cast: Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik, Joanna Kulig

U Poljskoj 1962, mlada iskušenica Anna, koja je odrasla u samostanskom sirotištu i nedovoljno poznaje vanjski svijet, od glavne redovnice saznaje da ima tetku, majčinu sestru, i da bi je trebala posjetiti prije nego što se zaredi. Tetka Wanda obavještava Annu da je zapravo Jevrejka i iznenađena je što joj redovnice nikad nisu rekle za njeno porijeklo.

Tetka i nećaka zajedno kreću na putovanje kako bi otkrile šta se zapravo desilo Anninim roditeljima tokom rata, i gdje bi mogli biti pokopani.

In 1962 in Poland, Anna is a young postulate who grew up in a convent orphanage and knows little of the outside world. Mother Superior informs her that she has an aunt – her mother's sister – whom she should visit before taking her final vows. Her aunt, Wanda, informs Anna that she is Jewish, and is surprised the nuns never told her of her origins.

Together, aunt and niece set off to learn what happened to Anna's parents during the war, and where they might be buried.

Kradljivci automobila / Twockers

United Kingdom, 1998, Colour, 41 min.

Režija / Director: Pawel Pawlikowski, Ian Duncan

Od Moskve do Petuškija: Putovanje sa Venediktom Jerofejevim / From Moscow to Pietushki: A Journey with Benedict Yerofeyev

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Uloge / Cast: Trevor Wademan, Amie Oie, Craig Wademan, Stephen Mason, Peter Gradon

Film KRADLJIVCI AUTOMOBILA, sumorna i lirična doku-drama snimljena za britansku televiziju, vrti se oko besperspektivnih života i nadahnjujućih ljubavi maloljetnih kradljivaca automobila. Ispričana uz pomoć prekrasnih statičnih kadrova, snimljenih u sumornom jorkširskom krajoliku, u interpretaciji glumaca amatera koji zapravo glume sami sebe, KRADLJIVCI AUTOMOBILA empatična je insajderska priča o teškom preživljavanju na socijalnoj pomoći.

A gritty and lyrical docu-drama made for British television, TWOCKERS revolves around the dead-end lives and hope-inspiring loves of teenage car thieves. Told in beautifully composed static shots, against the backdrop of bleak Yorkshire landscapes, with the nonprofessional cast essentially playing versions of themselves, TWOCKERS offers an empathetic, insider’s view of rough-and-ready life on the dole.

Moje ljeto ljubavi / My Summer of Love

United Kingdom, 2004, Colour, 84 min.

Režija / Director: Pawel Pawlikowski Uloge / Cast: Natalie Press, Emily Blunt, Paddy Considine, Dean Andrews, Michelle Byrne

Ovaj živopisni film prati emotivni i fizički uticaj strasti koje se tokom jednog ljeta rađaju između dvije mlade žene. Mona iza svoje grube spoljašnosti krije neiskorišteni intelektualni potencijal i žudnju za nečim većim od njenog ispraznog svakodnevnog života. Tamsin je iznimno obrazovana, razmažena i cinična. Budući da su sušta suprotnost jedna drugoj, kada se tek upoznaju među njima vlada oprez, ali početna rezervisanost ubrzo prerasta u obostranu fascinaciju, privlačnost i radoznalost.

Kradljivci automobile / Twockers

Moje ljeto ljubavi / My Summer of Love

MY SUMMER OF LOVE vibrantly charts the emotional and physical hothouse effects that bloom one summer for two young women.

Behind a spiky exterior, Mona hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life. Tamsin is well-educated, spoiled, and cynical. As these two are complete opposites, each is wary of the other when they first meet, but this coolness soon melts into mutual fascination, amusement, and attraction.

Od Moskve do Petuškija: Putovanje sa Venediktom Jerofejevim / From Moscow to Pietushki: A Journey with Benedict Yerofeyev

United Kingdom, 1990, Colour and B&W, 50 min, Russian Režija / Director: Pawel Pawlikowski

Film je nastao kao dio dokumentarnog serijala o istaknutim istočnoevropskim piscima koji je za BBC režirao Pawel Pawlikowski. Pawlikowski se u filmu fokusira na proslavljenog pisca Venedikta Jerofejeva, misterioznu i centralnu ličnost samizdatskog pokreta – tajnog sovjetskog pokreta za štampanje i izdavanje disidentske literature zabranjenje od režima.

This film is part of a documentary series directed

by Paweł Pawlikowski for the BBC about prominent literary figures in Eastern Europe.

Pawlikowski chooses to focus on esteemed writer Benedict Yerofeyev, one of the mysterious key figures in the Samizdat movement (a clandestine Soviet printing and distribution method for prohibited dissident literature).

Na odmoru sa Žirinovskim / Tripping with Zhirinovski

United Kingdom, 1995, Colour, 41 min, English, Russian Režija / Director: Pawel Pawlikowski

Dvije godine nakon što je portretirao Radovana Karadžića u filmu SRPSKA EPIKA, Pawel

Na odmoru sa Žirinovskim / Tripping with Zhirinovski

Žena iz susjedstva / The Woman in the Fifth

Pawlikowski profilirao je još jednog iznimno kontroverznog političara, ruskog ultranacionalistu Vladimira Žirinovskog. Pratio ga je na krstarenju Volgom, u društvu dvije stotine pristalica, kao i tokom posjete New Yorku, gdje je kontroverzni političar privukao značajnu medijsku pažnju.

Two years after his portrait of Radovan Karadžić in SERBIAN EPICS, Paweł Pawlikowski portrays another highly controversial politician, the Russian ultra-nationalist Vladimir Zhirinovsky. He is followed during a boat trip on the Volga with two hundred adherents, and during a visit to New York City, where he attracts a great deal of media attention. ‘

Posljednje utočište / Last Resort United Kingdom, 2000, Colour, 75 min.

Režija / Director: Pawel Pawlikowski Uloge / Cast: Paddy Considine, Artyom Strelnikov, Dina Korzun, Lindsey Honey

Tanya s desetogodišnjim sinom napušta Moskvu i putuje kod svog zaručnika u Britaniju, ali on ih po dolasku ne dočekuje na aerodromu. Tanya i njen sin prisiljeni su živjeti u primorskom centru za azilante pod nadzorom britanskih vlasti. Tanya ne posjeduje pasoš, nema novca niti bilo kakvih prava. U očajničkoj želji da pobjegne iz noćne more u koju se njen život pretvorio, Tanya upoznaje Alfija, vlasnika lokalne videoigraonice.

Tanya leaves Moscow with her 10-year-old son to be reunited with her British fiancé, but he fails to show up at the airport. Tanya and her son now live at a seaside resort for immigrants seeking asylum, and are held by British immigration authorities. She has neither passport, money, nor rights. Desperate to escape the nightmare, she meets Alfi, the owner of a seaside arcade.

Srpska epika / Serbian Epics

United Kingdom, 1992, Colour and B&W, 42 min.

Režija / Director: Pawel Pawlikowski

Posljednje utočište / Last Resort

„Žene ne pokreću ratove“, izjavljuje majka Radovana Karadžića, kada joj sin dođe u posjetu i priča joj o vojnoj situaciji u Bosni.

Isprva, ovaj filmski profil Radovana Karadžića – psihijatra, pjesnika, poslovnog čovjeka i vođe bosanskih Srba – razigran je i zabavan, ali onda postepeno razotkriva skriveni svijet moći i zabluda.

‘Women don’t wage wars’, says Radovan Karadžić’s mother says when her son comes to visit her and tells her about the military situation in Bosnia. Initially, the tone of this portrait of Karadžić – psychiatrist, poet, businessman, and leader of the Bosnian Serbs – is light-hearted, but gradually a shady world of power and delusion emerges.

Žena iz susjedstva / The Woman in the Fifth

France, Poland, United Kingdom, 2011, Colour, 85 min, English, French, Polish Režija / Director: Pawel Pawlikowski Uloge / Cast: Ethan Hawke, Kristin Scott Thomas, Joanna Kulig

Američki pisac Tom Ricks dolazi očajan u Pariz kako bi sredio svoj život i ponovo osvojio ljubav otuđene supruge i kćerke. Kako stvari ne idu baš po planu, on završava u sumnjivom hotelu u predgrađu, radeći kao noćni čuvar.

Kada lijepa i misteriozna Margit ušeta u njegov život, čini se da se njegova situacija popravlja.

Njihova intenzivna, strastvena veza pokreće niz neobjašnjivih događaja...

American writer Tom Ricks comes to Paris, desperate to put his life together again, and win back the love of his estranged wife and daughter. When things don't go according to plan, he winds up in a shady hotel in the suburbs, having to work as a night guard to make ends meet. Then Margit, a beautiful, mysterious stranger walks into his life and things start looking up. Their passionate and intense relationship triggers a string of inexplicable events...

Srpska epika / Serbian Epics SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Daniel

Nevidljiva Sue / Invisible Sue

Fudbaleri / The Footballest

Moje nevjerovatno ljeto sa Tess / My Extraordinary Summer With Tess

Prvi rastanak / A First Farewell

Sune protiv Sunea / Sune Vs. Sune

Dječiji program Children's Programme Daniel

France, 2018, Colour, 60 min.

Režija / Director: Marine Atlan Uloge / Cast: Théo Polgár, Madeleine Follacci, Tristan Bernard, Aurélien Gabrielli

Škola u Francuskoj. Učenici održavaju probu za pozorišnu predstavu, na tabli su ispisane riječi i nacrtane geometrijske figure; Marthe recituje pjesmu, ostala djeca razmjenjuju poruke, a Danielu počinje teći krv iz nosa.

Svakodnevni događaji izgledaju poput prizora iz snova – nejasni i nerealni. Nevidljive sile kontrolišu situaciju.

A school in France. The class is rehearsing a theatre performance: there are words and geometric shapes on the blackboard; Marthe recites a poem; notes are passed around; and Daniel’s nose starts to bleed. Everyday events that appear as though in a dream, vague and unreal. Invisible lines dictate the way.

Fudbaleri / The Footballest

Spain, 2018, Colour, 98 min.

Režija / Director: Miguel Ángel Lamata Uloge / Cast: Julio Bohigas, Milene Mayer, Marcos Milara, Iker Castiñeira, Jorge Usón

Pakete, Helena i njihovi školski drugari upadaju u razne avanture koje stavljaju na kušnju njihovu snalažljivost i prijateljstvo – sve kako bi riješili misteriju koja može dovesti do propasti njihovog fudbalskog tima i jedinstva družine. Da li su oni žrtve zavjere ili slučajnog spleta okolnosti?

Pakete, Helena and their schoolmates get into all kinds of adventures in which their ingenuity and their friendship are put to the test – all to uncover the mystery that could put an end to their football team and the unity of their gang.

Are they victims of a conspiracy, or is it all the result of chance?

Nevidljiva Sue / Invisible Sue

Germany, Luxembourg, 2018, Colour, 93 min.

Režija / Director: Markus Dietrich Uloge / Cast: Ruby M. Lichtenberg, Lui Eckardt, Anna Shirin Habedank, Victoria Mayer

Neupadljiva dvanaestogodišnja Sue dolazi u kontakt s tajnim serumom koji je njena majka razvila za dobrobit čovječanstva, iznenada dobivši sposobnost da postane nevidljiva.

Oslanjajući se na svoje novostečene vještine, Sue se zajedno sa svojim međusobno različitim prijateljima App i Tobijem, kao i izvanrednim Alfredom, koji je zapravo vještačka inteligencija, upušta u niz opasnih avantura kako bi oslobodila svoju majku iz kandži mračnih sila i dokazala vlastite superherojske sposobnosti.

Unassuming 12-year-old Sue comes into contact with a secret serum her mother has developed for the good of humankind – and suddenly she is able to make herself invisible.

Teaming up with her two dissimilar sidekicks App and Tobi, as well as the precocious A.I. (artificial intelligence) Alfred, Sue has to undergo a series of dangerous adventures with her new superhero powers in order to free her mother from the clutches of dark forces – and ultimately prove herself on her own abilities as a superhero.

Moje nevjerovatno ljeto sa Tess / My Extraordinary Summer With Tess

Netherlands, Germany, 2019, Colour, 82 min.

Režija / Director: Steven Wouterlood Uloge / Cast: Sonny van Utteren, Josephine Arendsen, Julian Ras, Tjebbo Gerritsma

Budući da je najmlađi, Sam se plaši da će ga ostali članovi porodice napustiti te, za vrijeme odmora na holandskom otoku Terschelling, osmišljava vlastiti „trening za samoću“.

Nakon što upozna Tess, svojeglavu djevojčicu koja krije veliku tajnu, biva uvučen u avanturu iz koje će naučiti da vlastitu porodicu treba cijeniti, a ne bježati od nje.

Afraid of being left alone as the youngest of the family, Sam begins his own made up “aloneness” training during his holiday on the Dutch island of Terschelling. But when he meets the elusive Tess, who harbours a big secret, he is drawn into an adventure that makes him realise that you should cherish your family instead of running away.

Prvi rastanak / A First Farewell

China, 2018, Colour, 86 min.

Režija / Director: Lina Wang Uloge / Cast: Isa Yasan, Kalbinur Rahmati, Alinaz Rahmati, Musa Yasan, Yasan Kamisu

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Duboko na sjeverozapadu Kine, okruženo poljima pamuka i pustinjom, smjestilo se ujgursko selo koje Isa naziva domom. Kada ne ide u školu i ne radi na farmi svojih roditelja, Isa se bezbrižno igra sa svojim prijateljima, sve dok oni jedan po jedan ne počnu odlaziti iz sela. Bolest Isine majke sve je veći teret za porodicu i njegov otac razmišlja o tome da je smjesti u dom za nemoćne, daleko od njihovog sela. Isin najbolji prijatelj Kalbinur u školi dobija sve lošije ocjene i roditelji ga uskoro namjeravaju poslati u jednu udaljenu školu u Kini. A onda maleno janje, o kojem se dvoje djece staralo otkako je rođeno, iznenada nestaje.

Deep in northwestern China, surrounded by cotton fields and desert, lies the Uyghur village that Isa calls home. When he is not at school or working on his parents’ farm, he spends carefree days with his friends – until the outside world starts forcing him to say one goodbye after another. With Isa’s mother’s illness placing an increasing burden on the family, his father considers putting her in a care home, far away from the village. Isa’s best friend Kalbinur is getting bad grades, and is about to be sent to a faraway Chinese school.

And then the little lamb, which the two children had been looking after with devotion ever since it was born, disappears.

Sune protiv Sunea / Sune Vs. Sune

Sweden, 2018, Colour, 89 min.

Režija / Director: Jon Holmberg Uloge / Cast: Elis Gerdt, Baxter Renman, Tea Stjärne, Sissela Benn, Fredrik Hallgren

Prvog dana škole u četvrtom razredu, Sunea dočekuje neugodno iznenađenje. Novopridošli dječak sjedi na njegovom mjestu i upravo je onakav kakav bi Sune volio da bude. Kao da to nije dovoljno, novi učenik zove se isto kao i on.

Za Sunea je to najgori mogući početak nove školske godine.

On his first day as a fourth-grader, Sune is welcomed by an unwanted surprise. A new boy is in his seat, and he’s everything Sune wants to be. Not only that, but his name is also Sune – it’s the worst possible start to a new year.

Gnijezdo / Nest

Goveđe brdo / Cattle Hill

Lotte i izgubljeni zmajevi / Lotte and the Lost Dragons

Muha / Fly

Jacob, Mimmi i psi koji govore / Jacob, Mimmi and the Talking Dogs

Ovca / Sheep

Mini Arena prikladan uzrast / suitable for ages 5+ Gnijezdo / Nest

Germany, 2019, Colour, 4 min.

Režija / Director: Sonja Rohleder

Pomalo naivna rajska ptica poduzima sve što može ne bi li privukao družicu.

A slightly naive paradise bird goes out of his way to attract a mate.

Goveđe brdo / Cattle Hill

Norway, 2018, Colour, 65 min.

Režija / Director: Lise I. Osvoll Uloge / Cast: Henriette Faye-Schøll, Fritjof Såheim

Kravica Klara živi u gradu sa svojom mamom i sanja da postane muzička zvijezda. Jednog dana prima pismo od svoga oca kojeg godinama nije vidjela i putuje na selo kako bi se susrela sa njim. Tamo pomaže spasiti farmu od pohlepnog biznismena, stiče svog prvog prijatelja i otkriva da postoji puno načina na koje neko može postati zvijezda.

Klara is a little cow who lives in the city with her mum and dreams of becoming a music star. One day, she receives a letter from her father, whom she has not seen for many years, and she travels to the countryside to meet him.

There, she helps save his farm from a greedy businessman, makes her first friend, and comes to understand that one can be a star in many more ways than she had ever imagined.

Jacob, Mimmi i psi koji govore /

Jacob, Mimmi and the Talking Dogs Latvia, Poland, 2019, Colour, 70 min.

Režija / Director: Edmunds Jansons Uloge / Cast: Eduards Olekts, Nora Džumā

Jacob živi u gradu i sanja da postane arhitekt poput njegovog prezaposlenog oca. Dok čeka oca da se vrati s posla, vrijeme provodi crtajući zgrade i maštajući. Jednog dana, otac mu saopštava da mora otići na jedan duži službeni put, a Jacob mora provesti čitavu sedmicu sa svojom zapovjednički nastrojenom rodicom Mimmi i njenim ocem, bivšim gusarom Eaglom, u historijskom predgrađu Rige zvanom Maskachka.

Jacob lives in the city and dreams of becoming an architect like his busy dad. He spends a lot of time drawing buildings and daydreaming while his father is at work. One day dad needs to go away on business for longer than usual

and Jacob has to spend the a whole week with his bossy cousin Mimmi and her ex-pirate father Eagle in Riga’s historical suburb called Maskachka.

Lotte i izgubljeni zmajevi / Lotte and the Lost Dragons

Estonia, Latvia, 2019, Colour, 78 min.

Režija / Director: Janno Põldma, Heiki Ernits Uloge / Cast: Evelin Võigemast, Helmi Tulev

Energični psić Lotte dobija mlađu sestru po imenu Roosi. Rakun Karl i riba Viktor su naučnici koji dolaze u posjetu Gadgetvilleu kako bi učestvovali na velikom takmičenju u prikupljanju narodnih pjesama. Pobjednik takmičenja i osvajač glavne nagrade bit će onaj koji uspije snimiti narodnu pjesmu najstarije životinjske vrste na svijetu – mitskih zmajeva koji rigaju vatru.

The spirited dog Lotte gets a little sister named Roosi. Karl the raccoon and Viktor the fish are scientists who come to Gadgetville, where they are taking part in a big folk-song collecting competition. Whoever succeeds in recording the folk song of the world’s oldest animal species, the mythical fire-breathing dragon, will win the competition’s grand prize.

Muha / Fly

Dvojica komšija, poznata po nespretnosti, moraju izaći na kraj s neuobičajeno velikom količinom svježeg snijega koji je zatrpao njihove vrtove. Dolaze na ideju da izgrade saunu, zatim pokušavaju ukrasiti svoje kuće za Božić i, naravno, smišljaju originalne božićne poklone. Kao i obično, Patu i Matu ni jedan problem ne predstavlja prepreku, a ni jedan izazov ne smatraju nepremostivim.

The upcoming winter brings many new challenges and adventures for Pat and Mat. The two famous clumsy neighbours have to deal with the surprisingly large amount of new snow in their gardens; they also come up with the idea of building a sauna, try to decorate their houses for Christmas and, of course, create original Christmas presents. As always, for Pat and Mat no problem is an obstacle, and no challenge is big enough.

Paun / Peacock

Germany, 2018, Colour, 4 min, No Dialogue Režija / Director: Julia Ocker

Paun je velika scenska zvijezda, ali njegovo perje želi dio njegove slave.

The peacock is a big star onstage. His feathers however want a fair share of the fame.

Posljednji dan jeseni /

Germany, 2018, Colour, 4 min.

Režija / Director: Julia Ocker

The Last Day of Autumn

Tri žabe se svađaju oko ukusne muhe, ali muha ih nečemu može naučiti.

Three frogs are fighting over a tasty fly. But there is something the fly can teach them.

Ovca / Sheep

Germany, 2018, Colour, 4 min.

Režija / Director: Julia Ocke

Janje upada iz jedne opasne avanture u drugu.

Stado nikada ne bi preuzelo takav rizik!

The lamb hops from one risky adventure into the next. The flock would never take that risk!

Switzerland, France, 2019, Colour, 7 min.

Režija / Director: Marjolaine Perreten

Neke šumske životinje u tajnosti prikupljaju odbačene dijelove bicikala, s namjerom da naprave vozila po vlastitoj mjeri. Za posljednji dan jeseni priprema se velika autotrka.

Some forest animals collect abandoned bike parts in secret, with the intention of building vehicles that suit their size. A great competition is being prepared: Autumn’s Last Day’s Race.

Slon / Elephant

Germany, 2018, , 4 min.

Režija / Director: Julia Ocker

Pat i Mat: Zimska radost / Pat and Mat – Winter Fun

Czech Republic, 2018, Colour, 60 min.

Režija / Director: Marek Beneš

S dolaskom zime, Pat i Mat suočavaju se s brojnim novim izazovima i avanturama.

Slon je tužan, a njegova ga surla nastoji oraspoložiti. Međutim, to je prilično težak zadatak.

The elephant is sad and his trunk tries to cheer him up. That‘s a pretty tough task.

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Pat i Mat: Zimska radost / Pat and Mat – Winter Fun

Paun / Peacock

Posljednji dan jeseni / The Last Day of Autumn

Slon / Elephant

Solan i Ludvig: Misija na Mjesec / Louis & Luca - Mission to the Moon

Zibilla

Solan i Ludvig: Misija na Mjesec / Louis & Luca -

Zibilla

Zmaj / The Kite

Mission to the Moon

Norway, 2018, Colour, 81 min.

Režija / Director: Rasmus A. Sivertsen Uloge / Cast: Kari-Ann Grønsund, Trond Høvik

Switzerland, Belgium, 2019, Colour, 26 min.

Režija / Director: Isabelle Favez Uloge / Cast: Lily Demuynck-Deydier, Arthur Ponsot

Norvešku misiju, koja učestvuje u međunarodnoj svemirskoj utrci odlaska na Mjesec, predvodi briljantni izumitelj Reodor iz sela Flaklypa. Uz hrabrog astronauta, vranu Ludviga, zar nešto može poći po zlu? Pa zapravo i može, čak dosta toga.

In the international race to the Moon, the Norwegian mission is led by brilliant inventor Reodor from the village of Flaklypa. With Louis the Magpie as the brave astronaut, what could possibly go wrong?

Mala žirafa Zibilla razlikuje se od mladih konja s kojima ide u školu i koji je odbacuju zbog njenih crnih pruga. Čak ni najbolje želje njenih udomitelja joj ne pomažu. Nakon što se uplete u uzbudljivu avanturu i upozna divljeg lava, Zibilla stiče samopouzdanje koje joj je potrebno da glasno zariče.

Zibilla the little zebra is different, and the young horses at school don’t accept her because of her black stripes. Even her adoptive parents’ good wishes don’t help. When she tumbles into an exciting adventure and meets a wild lion, she develops the self-confidence to roar back – loudly.

Bliži se kraj ljeta i voće na granama zri. Deda svome unuku poklanja igračku zmaja. Kada zmaj dječaka povuče uvis, deda ga hvata. A onda stiže jesen, lišće opada, a deda postaje sve slabiji. Snažni jesenji vjetar odnosi dedu u oblačno nebo.

Summer is coming to an end, the fruit is growing ripe on the trees. Grandpa gives his grandson a kite. As the boy is tossed around in the air, Grandpa catches him. Then the leaves fall, and Grandpa has grown weak. A strong autumn wind carries him off into the cloudy sky.

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Czech Republic, Slovakia, Poland, 2019, Colour, 13 min.

Režija / Director: Martin Smatana

THE NEW FACE OF SECURITY

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Zmaj / The Kite

Oprosti / Sorry

Dobra igra: Početak / Good Game: The Beginning

Planinska rijeka / A River Through the Mountains

Linija preloma / Fault Line

Porodični sat / Family Hour

TeenArena Dobra igra: Početak /

Good Game: The Beginning

Turkey, 2018, Colour, 114 min.

Režija / Director: Umut Aral Uloge / Cast: Mert Yazıcıoğlu, Afra Saraçoğlu

Cenk je nedavno završio srednju školu i izuzetno je vješt videogejmer. Zaposlen je na pola radnog vremena u jednoj videoigraonici, a od plate izdržava svoju majku i sestru. Osim toga, a kako bi ostvario dodatnu zaradu, za druge igrače igra popularnu videoigricu League of Legends. Jednog dana otkriva ga Ada, menadžer tek osnovanog profesionalnog tima videogejmera "Čudna petorka", i nudi mu da se pridruži timu koji predvodi bivši profesionalni videogejmer Ruzgar.

Cenk is a recent high-school graduate and a highly skilled video-gamer. He works part-time at a gaming house to support his single mother and his sister. He also plays the famous video game League of Legends as a booster (playing for other people) to make some extra money.

One day, Ada, the manager of the newly formed pro e-sport team The Odd Five, discovers him and proposes him a place on the team.

evidence of her involvement in the accident, she denies it by asserting that CCTV footage proves she hurt her arm at school.

Krokodil / Crocodile

Spain, 2019, Colour, 5 min.

Režija / Director: Jorge Yúdice Uloge / Cast: Marta Bayarri, Alejandro Bordanove, Javier Casamayor

Alicia se logira na svoj omiljeni videokanal.

Njen muž ne mora znati za to. Ona budno prati napredak jutjubera Víctora – njihovog sina.

Ovoga puta pratioci mu postavljaju pitanja koja postepeno postaju sve ličnija. Kada se povede priča o njegovim međusobno otuđenim roditeljima, raspoloženje se mijenja.

Alicia logs in to her favourite video channel.

Her husband doesn’t need to know. She avidly follows the gaming progress of Youtuber Víctor, their son. This time, viewers are asking him questions that become increasingly personal. When the subject turns to his estranged parents, the mood changes.

Ludo mlado srce / Stupid Young Heart

Linija preloma / Fault Line

Iran, 2018, Colour, 15 min.

Režija / Director: Soheil Amirsharifi Uloge / Cast: Baran Ehsaei, Khorshid Cheraghipour

Finland, Netherlands, Sweden, 2018, Colour, 102 min.

Režija / Director: Selma Vilhunen Uloge / Cast: Jere Ristseppä, Rosa Honkonen, Abshir Sheikh Nur, Ville Haapasalo, Pihla Viitala

Nahal u školskoj tuči lomi ruku. Kasnije, muškarac koji se predstavlja kao direktor škole tvrdi da je Nahal vozila motor kojim je udarila pješaka i pobjegla s mjesta nesreće.

Iako njena slomljena ruka može poslužiti kao dokaz da je učestvovala u saobraćajnoj nesreći, ona to negira i tvrdi da snimak školskih nadzornih kamera dokazuje da je povrijeđena tokom tuče u školi.

Nahal breaks her arm in a fight at school. Later, a man insists to the school principal that Nahal hit someone while riding a motorcycle and fled the scene. While her injured arm appears to be

LUDO MLADO SRCE priča je o prvoj ljubavi između žgoljavog, bezbrižnog Lennija i prelijepe, popularne Kiire. Iako još uvijek pohađaju srednju školu i nisu formalno u vezi, njih dvoje otkrivaju da očekuju dijete. Lenni ima devet mjeseci da postane muškarac.

Budući da je odrastao bez očinske figure, Lenni pronalazi uzor i podršku kod neočekivanog prijatelja – Jannea, člana desničarske skupine, koji se nedavno doselio u njegov vjerski i etnički izmiješan komšiluk.

Nakon što učestvuje u neuspjelom napadu na lokalnu džamiju, u trenutku kada Kiiru odvoze

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u bolnicu da se porodi, Lenni shvata da kroz lični primjer mora naučiti kako biti pravi muškarac, iako nikada nije dobio priliku da zaista bude dijete.

STUPID YOUNG HEART is about the first love between skinny, carefree Lenni and gorgeous and popular Kiira. Not yet in a relationship, and still in high school, they discover they are expecting a baby. Lenni has nine months to become a man. Having grown up without a father figure, Lenni finds longed-for adult attention and guidance in an unlikely friend: Janne, a member of a right-wing group that has recently moved into Lenni’s diverse neighbourhood. After taking part in a scrambled attack on a local mosque while Kiira is rushed to the hospital to give birth, Lenni realises that he must learn to be a man in his own way, despite never having had the chance to be a child himself.

Naoružana uspavanka /

Armed Lullaby

Germany, 2019, Colour, 9 min.

Režija / Director: Yana Ugrekhelidze

Kako bi izbjegli etnički masakr, četvoro djece bježe iz svog rodnog grada, svako od njih na drugi način. Jedno dijete bježi zadnjim vozom, drugo zadnjim brodom, treće zadnjim avionom, a četvrto pješke prelazi preko snijegom prekrivenih planina. Film je inspirisan stvarnim događajima iz 1993, kada se dogodilo etničko čišćenje gruzijskih civila u gradu Sukhumiju.

In order to escape the ethnical massacre four different children are leaving their home town each in different ways – with last train, last ship, last plane and walking over the snowcovered mountains. The film is based on a real story happened in 1993 during Sukhumi ethnical cleansing that underwent Georgian civilians.

Krokodil / Crocodile

Ludo mlado srce / Stupid Young Heart

Oprosti / Sorry

Romania, 2016, Colour, 12 min.

Režija / Director: Siniša Dragin Uloge / Cast: Richard Hladik, Ioana Bugarin

Bukurešt. Ljubavna priča s tužnim krajem između dvije tramvajske stanice.

Bucharest. A love story with a sad ending between two tram stops.

Planinska rijeka /

A River Through the Mountains

Portugal, 2018, Colour, 9 min.

Režija / Director: José Magro Uloge / Cast: Kong Wei Si, Wu Yi Fan, Niu Jin

Kao i mlad čovjek koji uči da voli, tako i rijeka mora pronaći svoj put kroz planine.

Just like a young man starting to love, a river has to find its way through the mountains.

Porodični sat / Family Hour

Ukraine, Netherlands, 2018, Colour, 12 min.

Režija / Director: Mariia Ponomarova

Uloge / Cast: Daniil Zubkov, Oleksii Skliarenko Sunčan augustovski dan. Gotovo je nastupilo vrijeme za roditeljske posjete ljetnom kampu u blizini Kijeva. Sedamnaestogodišnja Danya očekuje dolazak oca koji već godinama nije dio njene porodice. Danya očekuje da će susret s ocem biti specijalan događaj. Otac stiže ranije nego što ga je očekivala. Dok stoji kraj kapije kampa i trpi neduhovite šale svoga oca, Danya mora utvrditi šta riječ „porodica“ znači za nju, ali i za njega.

A sunny August day. It's almost the time of family visits at a summer camp near Kyiv.

Seventeen-year-old Danya is awaiting his father, who has not been part of his family for years. Danya prepares something special. His father arrives earlier than expected. Staying next to the camp's entrance and suffering through Dad's not-funny-anymore jokes, Danya has to grasp what 'family' means for both of them.

Odsutni / The Absents

Mexico, 2017, Black and white, 17 min.

Režija / Director: José Lomas Hervert

Naoružana uspavanka / Armed Lullaby

Vukodlak / Werewolf

Zvijezda od 100 kila / Stars by the Pound

Odsutni / The Absents

Uloge / Cast: Luis Mario Salazar Zavala, Jaime Alfonso Meráz Sánchez, Víctor Hugo Garrocho Hernández, Rafael Arcángel, Aldo Verástegui

Sa gitarama na leđima i repertoarom od ukupno tri pjesme, Rafaelito i njegova dva prijatelja putuju u starosjedilačku zajednicu u meksičkoj regiji Huasteca kako bi nastupali na jednoj sahrani. Okupljeno društvo i mlade muzičare brzo savladava magična moć muzike. Melanholične pjesme pružaju utjehu i rastanak od pokojnika čine lakšim. Ali onda udovica traži od muzičara da odsviraju i četvrtu pjesmu.

With a guitar on his back and a repertoire of exactly three tunes, Rafaelito and his two friends make their way to an indigenous community in Mexico’s Huasteca region, where they are supposed to perform at a funeral. The magical power of the music takes hold quickly and is echoed in the faces of the guests and young musicians. The soulful songs offer solace and make it easier to say goodbye. Then the widow requests a fourth song.

Vukodlak / Werewolf

Poland, Netherlands, Germany, 2018, Colour, 88 min.

Režija / Director: Adrian Panek Uloge / Cast: Nicolas Przygoda, Kamil Polnisiak, Sonia Mietielica, Jakub Syska

Ljeto 1945. Osmero djece iz koncentracionog logora Gross Rosen pronalaze privremeno skrovište u obližnjem sirotištu okruženom šumom. Djeluje kao da se, nakon što su iskusili užase rata, djeca mogu vratiti normalnom životu. Ali nešto iznenada narušava njihov mir i tišinu. Noćne more se vraćaju. Obližnjom šumom kruže vučjaci. Prije oslobađanja logora, nacistički oficiri su oslobodili pse. Vučjaci obučeni da ubijaju zatvorenike okružuju male heroje u sirotištu.

Svi pokušaji bijega su uzaludni. Bez hrane i vode, djeca ponovo gube razum i podivljaju.

Ali prava opasnost vreba unutar zidova.

Summer 1945. Eight children from the Gross Rosen concentration camp find a provisional

hiding place in an abandoned orphanage nearby, lost amid the forest. It seems that after the horrors of the war feral children may come return to normal life. All of a sudden, the idyllic atmosphere of peace and quiet is interrupted.

The nightmare returns. In the surrounding forests, wolfhounds are circling. The dogs were released by SS officers before the liberation of the camp. Wolfhounds – trained to kill prisoners – surround the young heroes in the orphanage. All attempts to escape are futile. Children without food or water turn toward madness and the wilderness once again. But the real danger lurks inside the palace.

Zvijezda od 100 kila / Stars by the Pound

France, 2018, Colour, 88 min.

Režija / Director: Marie-Sophie Chambon Uloge / Cast: Laure Duchene, Angele Metzger, Pauline Serieys, Zoe De Tarle, Philippe Rebbot, Isabelle De Hertogh

Šesnaestogodišnja Lois ima samo jedan san: da postane astronautica. Međutim, iako je nadarena za fiziku, Lois ima jedan veliki problem – teži preko 90 kilograma, što je nasljedna karakteristika od koje ne može pobjeći. U trenutku kada misli da je sve izgubljeno, Lois upoznaje Amélie, Stannah i Justine, tri tinejdžerke koje su suočene sa problemom poput njenog, ali spremne su učiniti sve što je potrebno kako bi skupa sa njom otputovale u svemir.

Sixteen-year-old Lois has only one dream: to become an astronaut. While she is gifted in physics, however, she has a major problem: she weighs over 200 pounds – a family trait she is inescapably stuck with. Then, just when everything seems lost, Lois meets Amélie, Stannah, and Justine: three teenagers shattered, like her, by life’s tough breaks, yet ready to face anything in order to leave with her for outer space…

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Qumra Save-The-Date 20–25 March, 2020 Doha, Qatar Qumra – ‘camera’ in Arabic – is an established industry event presented by Doha Film Institute that supports the future of storytelling with a focus on first and second-time filmmakers from the MENA region and beyond.

The event is now recognized globally as a unique and essential platform and project incubator for important voices and compelling stories in world cinema, with increasing participation from leading experts from the global film industry. To date, over 100 projects have participated at Qumra, guided by 21 Qumra Masters whose vision is synonymous with the best of contemporary cinema.

Qumra expands on the Doha Film Institute’s existing support mechanisms for filmmakers beyond financial contribution into a more complex and meaningful level of support for a passion and ambition to create truly remarkable films.

Connect with us: DohaFilmInstitute

@DohaFilm

54 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

DohaFilm

11. Dan ljudskih prava 11th Human Rights Day Pod pokroviteljstvom Kraljevine Nizozemske, ove će se godine održati 11. izdanje Dana ljudskih prava u sklopu 25.

Sarajevo Film Festivala. U okviru programa, u ponedjeljak, 19.08.2019. u Multiplexu Cinema City bit će održana projekcija filma SVE MORA PASTI u režiji Rehada Desaija, koja će poslužiti kao osnova za panel-diskusiju nakon projekcije filma. Panel-diskusija će staviti fokus na temu ''Na mladima svijet ostaje? Mit koji to ne želi biti’’. Moderator panela je Robert Zuber, novinar i reditelj. / Under the auspices of the Kingdom of the Netherlands, the 2019 Sarajevo Film Festival will organize its 11th consecutive Human Rights Day programme. The programme will include a screening on 19 August 2019 of Rehad Desai’s EVERYTHING MUST FALL. The screening at Multiplex Cinema City in Sarajevo will be followed by a panel discussion centered on the topic “The young shall inherit the world - an idea that does not want to be just a myth”. The discussion will be moderated by journalist and director Robert Zuber.

Na mladima svijet ostaje? Mit koji to ne želi biti The young shall inherit the world - an idea that does not want to be just a myth Na području Balkana, regije, bivše Jugoslavije, jedna od zajedničkih poslovica koja se utkala u sve nacije i čini se generacije, jest ona: na mladima svijet ostaje; rečenica koja se olako generacijama izgovara u nekim prigodnim prilikama, gotovo kao neka poštapalica. S druge pak strane, "mlade" oni "odrasli" koji odlučuju o životu mladih, vrlo rijetko tu istu generaciju pitaju za mišljenje.

Kao kontrapunkt, učiteljica života, povijest, kaže da većinu društvenih promjena pokreću upravo mladi. Nepravda na koju kolektiviteti nerijetko pristaju šutke, mlade generacije mogu trpiti neko vrijeme. No do određenog limita. Bilo da se radi o školskim, studentskim ili društvenim pravima. U filmu kojeg predstavljamo u programu Human Rights Day povod je školarina - u Hrvatskoj je to bilo kurikulum obrazovnog sustava, u Srbiji želja za demokratskim promjenama, u BiH prava za koja se još uvijek valja boriti. I kada god pomislimo da je te "mlade" zadovoljilo par floskula ili parola za kamere, iznenade vas. Podsjete na idealizam koji je bio i dio vas. Poput 16-godišnje švedske aktivistice Grete Thunberg, koja je pokrenula tisuće mladih diljem svijeta na prosvjed za klimu. Dakle, na mladima doista svijet ostaje, nije to mit, već možda i prirodni evolucijski proces. Ostaje pitanje hoćemo li, kao ostatak društva koje sa njima dijelimo, to prihvatiti i prigrliti energiju koja je uvijek mijenjala svijet nabolje.

Robert Zuber

“The young shall inherit the world” is a proverb equally shared by and used as a catch phrase by the people across generations in the Balkans, that is in the territory of former Yugoslavia. On the other hand, “the old” who decide about the lives of the young seldom ask “the young” for their opinion on anything. In contrast, the life’s teacher – history – shows us that young people are the driving force behind most social changes.

Young generations can suffer injustice for only a very short time and only up to a limit, regardless of whether it manifests itself in school rules or the overall social norms. The film which we will screen in our Human Rights Day program, presents the revolt of the youth sparked by tuition – in Croatia, it was provoked by curricular reform; in Serbia it was an expression of desire for a democratic change; in Bosnia-Herzegovina by the thirst for the rights that are yet to be won. Every time we think that “young people” had been placated by a few platitudes or empty on-camera statements, they surprise us. Like 16-year-old Swedish climate activist Greta Thunberg – they remind us of our own past idealism. It is not a myth. The young shall actually inherit the world, and this is likely the only possible outcome of evolution.

The question remains: as people who share the society with our young, are we going to support and embrace the energy of youth which has historically made the world a better place?

Robert Zuber

Sve mora pasti / Everything Must Fall

Sve mora pasti / Everything Must Fall

South Africa, Netherlands, Belgium, 2018, Colour, 85 min.

Režija / Director: Rehad Desai

Nepomirljiv osvrt na studentski pokret #ŠkolarineMorajuPasti koji se pojavio na političkoj sceni Južne Afrike 2015. kao izraz protesta protiv visokih troškova obrazovanja. O pokretu pričaju četiri studentska lidera i vicekancelar njihovog univerziteta Adam Habib, ljevičar i nekadašnji aktivista studentskog pokreta protiv aparthejda. Nakon što su njegovi pokušaji da smiri proteste propali, Habib je dopustio upad 1.000 policajaca u univerzitetski kampus. To je ostavilo teške posljedice na vođe pokreta. Kombinujući dramatične akcijske scene sa svjedočanstvima više protagonista, filmska radnja je fokusirana na

unutrašnju borbu aktivista zbog teškog bremena vodstva.

An unflinching look at the #FeesMustFall student movement that burst onto the South African political landscape in 2015 to protest the high cost of education. The story is told by four student leaders at Wits University and their vice-chancellor, Adam Habib, a left-wing, former anti-apartheid student activist. When Habib’s efforts to contain the protest fail, he brings 1,000 police officers onto the university campus.

There are dire consequences for the young leaders. Blending dramatic unfolding action with a multi-protagonist narrative, much of the film's drama lies in the internal struggles the activists experience around the weight of leadership.

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Suočavanje s prošlošću Dealing with the Past Od svog prvog izdanja, program SUOČAVANJE SA PROŠLOŠĆU ima jasno definisanu misiju: da omogući otvoren razgovor o našoj bolnoj skorijoj prošlosti, što je preduslov za rješavanje problema proizašlih iz posljednjih ratova koji nastavljaju da opterećuju naša društva. Tokom protekle dvije decenije u našoj regiji pokrenute su brojne inicijative čiji je deklarativni cilj bila „izgradnja mira“. Međutim, slogani ne mogu zaliječiti ožiljke rata na dušama ovdašnjih ljudi, koji su ostavljeni da se sami nose sa svojom tugom ili bijesom.

Since its inception, the DEALING WITH THE PAST programme has had a clear mission: to open honest discussion about our painful recent past as a prerequisite to resolving the current problems that stem from the wars that continue to burden our societies. Over the past two decades, numerous initiatives have been launched in the former Yugoslav states with the stated goal of “peace-building”.

However, slogans cannot heal the scars of war that have been left on the souls of the people here, who are left alone in their grief or anger.

Cilj ovogodišnjeg izdanja programa SUOČAVANJE SA PROŠLOŠĆU jeste da izađe iz okvira kompleksne realnosti naše regije i bude odraz univerzalne ljudske potrebe za utvrđivanjem istine i mirenja sa ličnom i političkom prošlošću. Imajući na umu jedinistvene i kompleksne okolnosti svakog pojedinačnog konflikta i dugotrajnost i zahtijevnost procesa stvaranja nove situacije, predstavljamo filmove iz svih dijelova svijeta koji postavljaju pitanje ko ima pravo da se proglasi vlasnikom istorije. Da li su vlasnici istorije pripadnici starijih generacija koji su proživjeli određene događaje ili su to mlade generacije čije živote su ti događaji oblikovali bez njihovog znanja ili pristanka? Mladi moraju nositi i preispitivati teret prethodnih generacija kako bi oblikovali vlastite političke i lične narative. Odabrani filmovi rasvjetljavaju ova pitanja iz perspektive pojedinačnih porodica, osoba koje su preživjele lične traume, bivših zatočenika i sa stanovišta zvaničnih interpretacija istorije. Osim toga, bez obzira kojom zemljom se bave, filmovi ukazuju na negativne posljedice propusta da se institucionalno preispitaju nacionalne traume.

This year’s DEALING WITH THE PAST programme aims to look beyond the particular complexities of realm of our region, and to elevate the universal human needs to seek out the truth and to reconcile with the past, both the personal and the political. In the context of the unique and complex circumstances of each conflict, and the lengthy and difficult transition to new states of affairs, we present films from around the world that question the right of owning history. Are older generations who lived through given events the owners of history, or does history belong to the younger generations, whose lives have been shaped by events that occurred without their consent or knowledge? A burden of the generations that came before that these new young owners must carry and question, in order to shape their own political and personal narratives? In this year’s programme, these issues are addressed from the family perspective, via personal trauma, through official historical narratives, and from the place of the legacy of prisoners. Furthermore, the films in the programme present the failure that results from a lack of institutional reappraisal of collective trauma, no matter which nation is concerned.

Ohrabrujemo polifoniju glasova autora koji se bave različitim temama i imaju različite estetike. Istraživački dokumentarci, filmske rekonstrukcije prošlih događaja i igrani filmovi zasnovani na stvarnim događajima gledaoce suočavaju sa neriješenim ličnim i nacionalnim traumama i brojnim ranama koje tek treba da zacijele. U program su uvršteni rani dokumentarni filmovi Pawela Pawlikowskog, posljednji kontroverzni film Warnera Herzoga i Andrea Singera „Susret sa Gorbačovom“, kao i filmovi koji zaranjaju u porodične istorije kako bi razjasnili kontekst komunističke Bugarske ili Islamske revolucije u Iranu. Osvrt na recentnu prošlost donosi film u kojem su rekonstruisana zatvorska iskustva sirijskih političkih zatvorenika.

Uz filmski program, Sarajevo Film Festival treći put zaredom organizovat će Sajam istinitih priča, jedinstveni događaj koji spaja filmske autore sa organizacijama koje dokumentuju i istražuju događaje iz nedavnih ratova u bivšoj Jugoslaviji. Tokom CineLink dana industrije biće predstavljeno šest priča iz tog perioda kako bi se pomoglo njihovo prenošenje na filmsko platno, a nakon Festivala ćemo objaviti otvoreni poziv za filmske autore zainteresovane da na osnovu jedne od njih snime film.

We encourage a polyphony of authorial voices, the subjects they explore are different, as are their aesthetic approaches. Investigative documentary, re-enactment, and reality-based fiction are used to confront viewers with unsolved personal and national traumas, and with many wounds that have yet to heal. The programme features Paweł Pawlikowski’s early documentary works; the latest controversial film by Warner Herzog and Andre Singer; and delves into family history to understand the context that surrounds Bulgarian communism and the Iranian Revolution. Recent history is addressed in the re-creation of the prison experiences of political detainees in Syria.

Alongside this film programme, for the fourth time the Sarajevo Film Festival presents the True Stories Market, a unique event that connects filmmakers with organisations that are researching and documenting the Yugoslav Wars. Six stories from the period will be presented during CineLink Industry Days, after which, in order to facilitate their transition from market to screen, an open call will invite filmmakers to apply to execute a project inspired by one of the selected stories.

SUOČAVANJE SA PROŠLOŠĆU je projekt Sarajevo Film Festivala podržan od strane Fondacije Robert Bosch

DEALING WITH THE PAST is a project of the Sarajevo Film Festival supported by the Robert Bosch Foundation.

Maša Marković, direktorica programa Suočavanje sa prošlošću/ Programme Manager, Dealing with the Past

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Rođena u Evinu / Born in Evin

Lične rane / Privacy of Wounds Norway, France, 2018, Colour, 70 min.

Režija / Director: Dalia Kury

Hasan, Mazen i Khaldoon, bivši politički zatvorenici koji su preživjeli mučenja u zloglasnim sirijskim zatvorima, zatvoreni su u simuliranu ćeliju na tri dana. Ćelija je izgrađena usred Osla, a Kury, ključna četvrta protagonistica filma, iz susjedne prostorije posmatra kako se trojica muškaraca ponašaju tokom zatočeništva, razgovara sa "zatvorenicima" putem interfona i donosi im hranu.

Hasan, Mazen, and Khaldoon, political prisoners who were tortured in Syria’s infamous prisons, are put together in a simulated cell for three days. The cell has been constructed in the middle of Oslo, and Kury, an instrumental fourth character in the film, watches what happens from an observation room, communicating with the men over a PA system and bringing the “prisoners” their food.

Rođena u Evinu / Born in Evin Germany, Austria, 2019, Colour, 98 min.

Režija / Director: Maryam Zaree

Film ROĐENA U EVINU prati filmsku autoricu i glumicu Maryam Zaree u pokušaju da otkrije istinu o vlastitom rođenju u jednom od najozloglašenijih svjetskih zatvora za političke zatvorenike. Prošlo je tačno četrdeset godina od svrgavanja posljednjeg iranskog šaha i proglašenja Islamske Republike u Iranu.

Osamdesetih godina prošlog stoljeća, samozvani vjerski vođa ajatolah Homeini naredio je hapšenje, mučenje i ubistvo desetina hiljada političkih protivnika. Među njima su bili i autoricini roditelji koji su nakon dugogodišnjeg zatočeništva u domovini dobili azil u Njemačkoj.

BORN IN EVIN follows filmmaker and actor

Lične rane / Privacy of Wounds

Susret sa Gorbačovom / Meeting Gorbachev

Maryam Zaree on her quest to uncover the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world. Exactly forty years have passed since the monarchy of the Shah of Iran was toppled and the Islamic Republic of Iran declared. In the 1980’s, Ayatollah Khomeini, the so-called religious leader, had tens of thousands of political opponents arrested, persecuted, and murdered. Among them were the filmmaker’s parents who, after years in prison, managed to seek asylum in Germany.

Susret sa Gorbačovom /

arguably, the world’s greatest living politician.

Now 87 and battling illness, the visionary Mikhail Gorbachev, the former General Secretary of the USSR, has mellowed and slowed down. Still, gently but resolutely, he is pushing towards his goals. Herzog, as on-screen interviewer, does not disguise his affection, celebrating Gorbachev’s three remarkable accomplishments: negotiations with the United States to reduce nuclear weapons; the cessation of Soviet control of Eastern Europe and the reunification of Germany; and the dissolution of the Soviet Union and Eastern Bloc. All of this in six years!

Vidim crvene ljude /

Meeting Gorbachev

United Kingdom, United States, Germany, 2018, Colour and B&W, 90 min.

Režija / Director: Werner Herzog, André Singer

I See Red People

Uzbudljivi dokumentarac Wernera Herzoga i Andréa Singera uključuje obilje nezaboravnih arhivskih snimaka, a zasnovan je na tri duga i iznimno otvorena intervjua s najznačajnijim živućim svjetskim političarem. U osamdeset sedmoj godini života, Mihail Gorbačov, politički vizionar i posljednji predsjednik Sovjetskog Saveza, boluje od raka koji ga je oslabio i usporio. Nježnim pristupom, ali ipak odlučno, i dalje se zalaže za svoje ciljeve.

Herzog, koji ga intervjuiše pred kamerom, ne prikriva naklonost prema Gorbačovu i otvoreno hvali njegova tri najveća postignuća: dogovor sa SAD-om o smanjenju nuklearnog arsenala, prestanak sovjetske kontrole nad Istočnom Evropom i ujedinjenje Njemačke, kao i rasformiranje Sovjetskog Saveza i raspad Istočnog bloka.

Werner Herzog and André Singer’s riveting documentary, filled with unforgettable archival materials and based on three long interviews, provides incredible access to,

"Nakon 25 godina provedenih u Francuskoj, vraćam se u Bugarsku s kamerom u ruci, uz vrtoglavu sumnju: šta ako je moja porodica sarađivala s tajnom policijom komunističkog režima? I šta ako su bili dio ‘crvenog smeća’, čiji nestanak traže demonstranti na ulicama?

Odlučujem to istražiti i snimati, stalno, spremna na sve. Moja avantura prerasta u tragikomičnu odiseju, mješavinu špijunskog i porodičnog filma."

"After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: What if my family had collaborated with the political police of the communist regime? And what if they were part of the 'red trash' that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey, a mix of espionage and family film."

France, 2018, Colour, 83 min.

Režija / Director: Bojina Panayotova

Vidim crvene ljude / I See Red People SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Abou Leila

Neznani svetac / The Unknown Saint

Sarajevo Film Festival Partner Presents DOHA FILM INSTITUTE Doha institut za film je nezavisna, neprofitna kulturna institucija osnovana 2010. Institut pomaže razvoj lokalne filmske zajednice kroz unapređenje stručnog znanja, njegovanje ljubavi prema filmu i doprinos razvoju samoodržive kreativne filmske industrije u Kataru. Aktivnosti instituta uključuju finansiranje i produkciju lokalnih, regionalnih i međunarodnih filmova, obrazovnih programa i filmskih projekcija, kao i organizovanje Filmskog festivala mladih Ajyal i Qumra Film Festivala. Institut se u svome radu fokusira na kulturu, razvoj lokalnih zajednica i obrazovanje, a trajno je posvećen ostvarenju vizije Katara da se do 2030. godine nametne kao ekonomija utemeljena na znanju.

Doha Film Institute is an independent, not-for-profit cultural organisation established in 2010. It supports the growth of the local film community through cultivating film appreciation, enhancing industry knowledge and contributing to the development of sustainable creative industries in Qatar.

The Institute’s platforms include funding and production of local, regional and international films; skills-sharing and mentorship programmes; film screenings; the Ajyal Youth Film Festival; and Qumra. With culture, community, learning and entertainment at its foundation, the Institute is committed to supporting Qatar’s 2030 vision for the development of a knowledge-based economy.

Abou Leila

Algeria, France, Qatar, 2019, Colour, 140 min.

Režija / Director: Amin Sidi-Boumédiène Uloge / Cast: Slimane Benouari, Lyes Salem, Azouz Abdelkader, Fouad Megiraga

Alžir 1994. Prijatelji od djetinjstva S. i Lotfi putuju Saharom u potrazi za opasnim teroristom Abou Leilom. U prostranstvu pustinje, njihova misija čini se besmislenom, ali S., čije mentalno zdravlje oscilira, čvrsto vjeruje da će uspjeti pronaći Abou Leilu. Lotfi na umu ima samo jedno: da odvede S. iz grada. Tek nakon što utonu u pustinju, uspjet će se suočiti s vlastitom nasilnošću.

Algeria, 1994. Childhood friends S. and Lotfi cross the Sahara in search of Abou Leila, a dangerous terrorist. The quest seems absurd in the immensity of the desert. But S., whose mental health is vacillating, is convinced they will find Abou Leila there. Lotfi has only one idea in mind: to move S. away from the capital.

It is by sinking into the desert that they will confront their own violence.

Neznani svetac /

The Unknown Saint

Morocco, France, Qatar, 2019, Colour, 100 min.

Režija / Director: Alaa Eddine Aljem Uloge / Cast: Younes Bouab, Salah Bensalah, Bouchaib Essamak, Mohamed Naimane

Amin krade veliku vreću punu novaca i bježi u brda kako bi se sakrio od policije. Prije nego što ga uhapse, kopa rupu u zemlji u koju krije novac, a maskira je u skroman grob. Godinama kasnije, Amin biva pušten iz zatvora i kreće u potragu za svojim blagom. U međuvremenu, tačno na mjestu gdje je zakopao novac, izgrađen je mauzolej u čast neznanog lokalnog sveca čiji je grob tek nedavno otkriven. Amin se naseli u selu i počinje kovati plan. Ali sada, kada je njegovo ukradeno bogatstvo skriveno na svetom mjestu, biće mu puno teže da ga se dočepa.

Amine steals a big bag of money and escapes into the hills with the police hot on his trail.

Before he is arrested, he digs a grave to bury the cash and disguises it as a modest tomb.

Years later, Amine is released from prison and sets off to find his money. In the meantime, a religious shrine has been built directly over the place he buried his cash. The mausoleum honors an unknown saint from the region whose tomb was recently discovered. Amine settles into the village and begins plotting a way in. But with the loot now hidden in a holy

Akustika privatnog prostora / Domestic Acoustics

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place, retrieving it suddenly becomes much more complicated.

SHORTCUTS TO QATAR

Akustika privatnog prostora / Domestic Acoustics

Qatar, 2017, Colour, 13 min.

Režija / Director: Majid Al-Remaihi

Eksperimentalni rad koji propituje tačke preklapanja između privatnog i kreativnog prostora i njihov odnos s umjetnicama. Portreti katarske slikarice Fatme Al-Remaihi vade se iz skladišta, transportuju i izlažu, umjetnica se indirektno pominje u razgovorima s članovima njenog domaćinstva – tihi ekspoze o slojevitom odnosu između umjetničke prakse i porodičnog života.

An experimental endeavour that explores the overlap of domestic and creative spaces, and their relationship to the female artist. Portraits

by Qatari artist Fatma Al-Remaihi are removed from storage; their movement and display, and oblique references to the artist through conversations with members of the household, quietly expose the layered relationship between artistic practice and life in the home.

Gdje si sada mjau? / Where Are You Right Meow?

Ja nisam kao moj otac / I Am Not My Father

Gdje si sada mjau? / Where Are You Right Meow?

Qatar, 2018, Colour, 6 min.

Režija / Director: Maysam Al-Ani Uloge / Cast: Noeru Saeki

Mlada umjetnica Ayako pati od kreativne blokade. Iznenada, njen voljeni mačak Beru nestaje i ona kreće u potragu za njim po komšiluku. Međutim, tokom potrage, ispostavit će se da Beru nije jedini koji je izgubljen. Da li će Ayako uspjeti naći Berua i put do svoga doma? Šarmantna priča o razlici imeđu kuće i doma i o tome kako se naše shvatanje doma obnavlja i mijenja dok odrastamo.

A young artist, Ayako, struggles with creative block. Suddenly, her beloved cat Beru goes missing, and she goes to look for him around her neighborhood. During her search, however, Beru is not the only one to get lost. Will Ayako be able to find Beru and her way home? A charming tale about the difference between a house and a home, and how the latter can be renewed and redefined as we grow.

Ja nisam kao moj otac / I Am Not My Father

Qatar, 2018, Colour, 13 min.

Režija / Director: Naif Al-Malki Uloge / Cast: Faisal Efaifa, Abdulrahman Al Ahwal, Reem Al Sharshani, Bandar Al Yafei

Mansoor je odrastao uz strogog oca koji je gušio njegove ambicije, vjerujući da se snovi nikada ne ostvaruju. Zbog strogog odgoja, ne zna kako komunicirati s vlastitim sinom Jassimom koji sanja da postane stvarni superheroj. Mansoor pokušava navesti sina da se fokusira na vlastito obrazovanje kako bi ostvario uspješniju karijeru od njega. Ali Jassim se ne da omesti i ostaje vjeran svome cilju da postane heroj, te svome ocu dokazuje da ništa nije nemoguće.

Mansoor grew up believing that dreams can never come true – his aspirations destroyed by an overly strict father. Due to this stern

Sindrom izbjeljivanja / The Bleaching Syndrome

Nasser ide u svemir / Nasser Goes to Space

upbringing, he now lacks the skills to communicate with his own son Jassim, who dreams of being a real-life superhero. Mansoor tries to influence his son to focus on his studies so that he might have a better future and career than his own. Undeterred, Jassim pursues his heroic dream and shows his father that anything is possible.

Nasser ide u svemir /

Nasser Goes to Space

Qatar, 2018, Colour, 10 min.

Režija / Director: Mohamed Al Mahmeed Uloge / Cast: Nasser Al Emadi, Fadhel Rashid, Hamad Al Salama, Ali Abdulkareem, Eman Ismail

Nasser, iznimno kreativan dječak, u svijetu mašte pronalazi utočište od sve izvjesnijeg razvoda svojih roditelja. U utješnom svijetu, izmaštanom u njegovoj glavi, dječak upoznaje vlastiti alter ego – „Kapetana Nassera“. Kada slučajno čuje razgovor roditelja o tome kako su izgubili ljubav jedno za drugo, Nasser naivno kreće u potragu za izgubljenim.

Nasser is a highly creative young boy who uses an imaginary world as a coping mechanism to deal with his parents' impending divorce.

Escaping to this comforting world he has created in his mind, he meets Captain Nasser, his alter ego. After overhearing his parents talking about losing their love for one another, Nasser naively sets out to recover what they have lost.

Sindrom izbjeljivanja / The Bleaching Syndrome Qatar, 2018, Colour, 20 min.

Režija / Director: Eiman Mirghani

Eiman Mirghani, afro-arapska filmska autorica koja živi u Kataru, odluči snimati dokumentarni film o sudanskoj kozmetičarki koja, poput mnogih sudanskih žena današnjice, redovno izbjeljuje svoju kožu.

Nakon što tokom snimanja filma nailazi na

prepreke jer se brojne žene koje pokušava intervjuisati ustručavaju da otvoreno razgovaraju o toj temi, Mirghani počinje analizirati vlastite stavove o tom rastućem trendu. Mirghani pokušava pronaći odgovor na pitanje zašto se čitav život osjeća manje vrijednom i neadekvatno predstavljenom u svijetu koji je prikriveno, ali duboko netolerantan.

Eiman Mirghani, an Afro-Arab filmmaker living in Qatar, sets out to make a documentary about a Sudanese beautician who, like many other Sudanese women today, bleaches her skin as part of her beauty routine. After coming across challenges in making the film, particularly because her women subjects become hesitant to speaking openly about the subject, Mirghani begins to look inwards regarding this increasing trend. She looks to find answers to her lifelong feelings of unworthiness and under-representation in a world that is discreetly but deeply intolerant.

Voyager

Qatar, 2018, Colour, 19 min.

Režija / Director: Khalifa AlMarri

Neodoljiva ljudska priča o emocijama i psihologiji i iskren prikaz načina na koji se pojedinci nose s izazovima. Film prati svjetskog putnika Khalida AlJabera koji motorom kreće na put po Evropi. Intiman prikaz života usamljenog avanturiste koji u potrazi za samim sobom upoznaje nove kulture.

A captivating human story about emotions and psychology, and a frank look at how a person deals with challenges. The documentary follows Khalid AlJaber, a world traveller, who embarks on a motorcycle journey across Europe. An intimate exploration into the life of a solo adventurer as he experiences new cultures in a search to find himself.

Voyager SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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Birdman ili Neočekivana vrlina neznanja / Birdman (The Unexpected Virtue of Ignorance)

Chicuarotes

Specijalne projekcije Special Screenings Birdman ili Neočekivana vrlina neznanja / Birdman (The Unex-

pected Virtue of Ignorance)

United States, 2014, Colour, 119 min, English Režija / Director: Alejandro González Inárritu Uloge / Cast: Michael Keaton, Edward Norton, Emma Stone, Zach Galifianakis

Bivši filmski superheroj Riggan Thomson priprema ambicioznu predstavu na Broadwayu za koju se nada da će oživjeti njegovu stagnirajuću karijeru. Radi se o rizičnom poduhvatu, ali on vjeruje da će zahvaljujući njemu dokazati da je pravi umjetnik, a ne samo potrošena filmska zvijezda. Pred samu premijeru, član glumačke postave biva povrijeđen te je Riggan prisiljen angažovati glumca koji će zasigurno protresti situaciju. U međuvremenu, mora se nositi i sa svojom djevojkom, kćerkom i bivšom suprugom.

Former cinema superhero Riggan Thomson is mounting an ambitious Broadway production that he hopes will breathe new life into his stagnant career. It's risky, but he hopes his creative gamble will prove he's a real artist, not just a washed-up movie star. As opening night approaches, a castmate is injured, forcing Riggan to hire an actor who is guaranteed to

shake things up. Meanwhile, Riggan must deal with his girlfriend, his daughter, and his ex-wife.

Sátántangó

Chicuarotes

Hungary, Germany, Switzerland, 1994, Black and white, 438 min, Hungarian Režija / Director: Béla Tarr Uloge / Cast: Mihály Vig, Putyi Horváth, János Derzsi

Cagalera i Moloteco, dvojica tinejdžera iz San Gregorio Atlapulca, očajnički žele pobjeći od bijede u kojoj su odrasli i napredovati u životu.

Kada im se ukaže prilika da kupe mjesto u sindikatu električara – što bi značajno moglo promijeniti njihov život – ubrzo uranjaju u meksičko kriminalno podzemlje kojim vladaju odrasli, ne bi li zaradili dovoljno novca da plate cijenu vlastite slobode.

Cagalera and Moloteco, two teenagers from San Gregorio Atlapulco, are desperate to get out and move up and away from their oppressive circumstances. When they hear of an opportunity to buy a spot in the electricians’ union, a move that could transform their lives, they quickly devolve into the criminal adult underworld of Mexico City in a bid to buy their freedom.

Zasnovan na knjizi Lászla Krasznahorkaija, film SÁTÁNTANGÓ prati članove male, ugašene poljoprivredne zadruge. Budući da žive u postapokaliptičnom svijetu nakon pada komunizma, odlučuju napustiti svoje selo nakon što dobiju značajniji iznos novca.

Nekolicina seljana kuju tajni plan da za sebe uzmu sav novac i pobjegnu, ali misteriozni muškarac za kojeg se vjerovalo da je davno umro, vraća se u selo i zauvijek mijenja tok njihovih života.

Based on the book by László Krasznahorkai, SÁTÁNTANGÓ follows members of a small, defunct agricultural collective. Living in a postapocalyptic landscape after the fall of Communism, on the heels of a large financial windfall, they set out to leave their village. A few of the villagers secretly conspire to take off with all of the earnings for themselves, but a mysterious character, long thought dead, returns to the village, altering the course of everyone’s lives forever.

Režija / Director: Gael García Bernal Uloge / Cast: Benny Emmanuel, Gabriel Carbajal, Leidi Gutiérrez, Daniel Giménez Cacho, Dolores Heredia, Enoc Leaño, Ricardo Abarca, Pedro Joaquín, Esmeralda Ortiz, Luis Enrique Basurto

Sátántangó

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Robert De Niro and Martin Scorsese, New York, 2002

Cinema | Portraits Brigitte Lacombe Fotografije / Photographs 1975-2017

Izložba fotografkinje Brigitte Lacombe, Umjetnička galerija Bosne i Hercegovine, Sarajevo, od 17.8. do 7.9.2019. / An exhibition by photographer Brigitte Lacombe, National Gallery of Bosnia and Herzegovina, Sarajevo, from 17 August to 7 September 2019.

Povodom 25. godišnjice Sarajevo Film Festivala, ugledna fotografkinja Brigitte Lacombe izlaže 40 fotografija velikog formata, rijetkih i intimnih trenutaka iz njezine dugogodišnje saradnje s uticajnim filmskim autorima, otkrivajući pogled iznutra na kinematografiju.

Lacombe je počela raditi na filmovima 1975. godine kada je pozvana na set filma "Svi predsjednički ljudi" Alan J. Pakule, a ubrzo nakon toga i na filmski set "Bliski susreti treće vrste" Stevena Spielberga. Cijenjena je zbog svoje bliske suradnje s redateljima (Martin Scorsese, Alejandro González Iñárritu, Mike Nichols, Anthony Minghella, Quentin Tarantino, Bernard Bertolucci, Lynne Ramsey, Wes Anderson, Spike Jonze i mnogi drugi), te zbog portretiranja glumaca tokom snimanja u njihovim ulogama i izvan njih (Meryl Streep, Leonardo DiCaprio, Robert De Niro, Tilda Swinton, Cate Blanchett, Isabelle Huppert, Joaquin Phoenix i drugi). Posljednjih 25 godina surađuje s Martinom Scorseseom u svim njegovim produkcijama, najrecentnije na filmu “The Irishman” (Irac), čija je premijera na jesen 2019. godine.

Crno bijele i fotografije u boji uramljene su u ramove od orahovog drveta koje je posebno za ovu izložbu izradila bosanskohercegovačka firma ARTISAN, po želji umjetnice kojoj se prošle godine, dok je kao članica žirija 24. Sarajevo Film Festivala boravila u Sarajevu, jako svidio namještaj koji ARTISAN proizvodi i ljepota drveta od kojeg je napravljen, te je izrazila želju da ramovi za njene fotografije budu izrađeni upravo od tog drveta.

Izložba fotografija, snimiljenih u periodu od 1975. do 2017. godine, prezentira dio umjetničkog rada fotografkinje Brigitte Lacombe i nudi rijedak osobni pogled na suvremenu kinematografiju.

For the 25th Anniversary of the Sarajevo Film Festival, renowned photographer Brigitte Lacombe exhibits 40 large prints, rare and intimate moments from her long time collaborations with influential filmmakers, and a revelatory insider look at cinema.

Lacombe first began working on films in 1975 when she was invited to the sets of Alan J. Pakula’s “All The President’s Men” and soon after on Steven Spielberg’s “Close Encounters of the Third Kind”. Lacombe is acclaimed for her ability to work closely on set with the directors: Martin Scorsese, Alejandro González Iñárritu, Mike Nichols, Anthony Minghella, Quentin Tarantino, Bernardo Bertolucci, Lynne Ramsey, Wes Anderson, Spike Jonze, and many others, as well as for making formal portraits of the actors in and out of character during the process: Meryl Streep, Leonardo DiCaprio, Robert De Niro, Tilda Swinton, Cate Blanchett, Isabelle Huppert, Joaquin Phoenix, and others. For the last 25 years she has worked with Martin Scorsese in all of his productions, most recently on “The Irishman”, coming out in Fall 2019. Black-and-white and colour photographs are framed in walnut wood frames, specially created for this exhibition by the Bosnian company ARTISAN, according to the wishes of the artist.

While a jury member at the 24th Sarajevo Film Festival last year, Lacombe loved the furniture ARTISAN produces and the beauty of the wood from which it is made, and expressed the wish that the frames for her photographs be made using such wood.

The exhibition of photographs, taken between 1975 and 2017, presents a selection of Lacombe’s artwork, and offers a personal and rare glimpse into contemporary cinema.

Otvorenje: subota, 17. august u 12 sati.

Razgovor s umjetnicom: nedjelja, 18. august u 17.30 sati. Razgovor će moderirati Damir Šagolj.

Opening on Saturday, 17 August, at 12 noon.

Gallery talk with the artist on Sunday, 18 August, at 5.30 pm. The talk will be moderated by Damir Šagolj.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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CineLink Co-Production Market (20 – 22 August) …presents 18 hand-picked feature-length fiction projects currently in development and financing to around 70 select international professionals in a series of prearranged one-on-one meetings.

Projects originate from Southeast Europe and several guest regions.

Professionals are mainly producers, funders and sales agents coming from more than 25 countries, primarily from Southeast Europe and the major European territories.

CineLink Work-in-Progress (19 – 21 August) …consists of closed screenings of 11 “super-fresh” featurelength fiction and documentary films in production or postproduction. Selected from Southeast Europe, the Middle East and North Africa region and the Commonwealth of Independent States, the films are presented to about 70 carefully selected industry decision-makers who are active on the supply end of the chain: funders, sales agents, distributors, broadcasters and festival programmers.

…is a regional platform dedicated to documentary projects in the advanced phase of the editing process. It has been organized by Sarajevo Film Festival and Balkan Documentary Center. A great opportunity to our participants to explore their creative possibilities and to have longer, more in-depth mentoring process.

CineLink Drama (17 – 22 August)

True Stories Market (17 – 20 August)

…the platform for development of high quality TV drama series. Devised as a co-financing forum, CineLink Drama presents up to five brand-new drama series projects developed by producers from Southeast Europe to assembled regional and key European broadcasters, VoD and SVoD operators, and distributors in open pitch presentations followed by a Q&As and one-to-one meetings on request.

…is the platform of the Sarajevo Film Festival's Dealing with the Past programme, the True Stories Market is a unique event that connects filmmakers with organisations that are documenting and researching the Yugoslav wars of the 90's, with the aim of bringing these stories to wider audiences.

Docu Rough Cut Boutique (17 – 21 August)

Avant Premiere (18 – 22 August) Talents Sarajevo Pack&Pitch (20 – 21 August) …presents seven film projects from the selected Sarajevo Talents programme participants to 100 international professionals from different spheres of the business who are scouting for the freshest up-and-coming talent.

…presents sneak previews of upcoming local language films and TV series for Sarajevo Film Festival audience. It also offers a meeting place for regional distribution and exhibition sectors with trailer presentations, seminars and workshops.

CineLink Talks (17 – 22 August) …offers a rich programme of masterclasses, debates and seminars, open for all festival and industry guests. Come, meet the industry and join the discussions in Hotel Europe!

Hotel Europe, Vladislava Skarica 5, Sarajevo

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Talents Sarajevo #13 (17 – 22 August) Innocence Un/Protected

The notion of innocence permeates the sphere of arts and culture, intertwined with a variety of images, meanings, and values. Usually, it is conceived of as a state that should be cherished, and that needs to be rescued from some kind of corruption. And yet, there is nothing innocent about “innocence”. Rather than being merely a state that precedes corruption, the idea of innocence is often a socially imposed notion that masks the fact that this blissful harmony never actually existed. Cinema has often tackled this profound ambiguity. Borrowing its title from Dušan Makavejev’s 1968 classic Innocence Unprotected, the 13th edition of Talents Sarajevo will explore the relationship between innocence and cinema today.

64 Talents from 15 Countries Albania – Azerbaijan – Bosnia and Herzegovina – Bulgaria – Croatia – Cyprus – Georgia – Greece – Hungary – Moldova – Northern Macedonia – Romania – Serbia – Slovenia – Turkey 10 Programs Acting Studio – Camera Studio – Directors Summit – Editing Studio – Film Stage Studio – Pack&Pitch – Producers Summit – Script Station – Talent Press 7 Fields of Work Acting – Cinematography – Directing – Editing – Film Criticism/Journalism – Producing – Screenwriting Screenings – Networking – Master Classes – Panels – Workshops – Seminars – Case Studies – Presentations – Events A proud member of the Talents International family.

Berlinale Talents – Talents Beirut – Talents Buenos Aires – Talents Durban – Talents Guadalajara – Talent Press Rio – Talents Sarajevo – Talents Tokyo

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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BH. FILMSKI PROGRAM B&H Film Programme IN MEMORIAM: VLATKO FILIPOVIĆ (1936.-2019.) HOP JAN,

Vlatko Filipović, Bosnia and Herzegovina, 1967, 11 min.

IGRANI FILMOVI / FEATURE FILMS

DURAN

Faruk Sokolović, Bosnia and Herzegovina, 2019, 93 min.

GLUMIM, JESAM / I ACT, I AM

Miroslav Mandić, Slovenia, Bosnia and Herzegovina, 2018, 105 min.

HEROJI NE UMIRU / HEROES DON'T DIE Aude Léa Rapin, France, Belgium, Bosnia and Herzegovina, 2019, 85 min.

MOJ DIDA JE PAO S MARSA / MY GRANDPA IS AN ALIEN

Marina Andree Škop, Dražen Žarković, Croatia, Luxembourg, Norway, Czech Republic, Slovenia, Slovakia, Bosnia and Herzegovina, 2019, 79 min.

OMNIBUS: SEE FACTORY SARAJEVO MON AMOUR

Maša Šarović, Sharon Engelhart, Dušan Kasalica, Teodora Ana Mihai, Urška Đukić, Gabriel Tzafka, Neven Samardžić, Carolina Markowicz, Eleonora Veninova, Yona Rozenkier, Bosnia and Herzegovina, Montenegro, Serbia, Slovenia, North Macedonia, France, 2019, 60 min.

SIN / THE SON

Ines Tanović, Bosnia and Herzegovina, Croatia, Romania, Slovenia, Montenegro, 2019, 106 min.

ŠAVOVI / STITCHES

KAD' NAS JE MANJE / WHEN WE ARE FEWER

SELO NAKON MRAKA / A VILLAGE AFTER DARK

KAMENI GOVORNICI / THE STONE SPEAKERS

SREĆA / LUCK

Neven Samardžić, Bosnia and Herzegovina, 2019, 42 min.

Igor Drljača, Bosnia and Herzegovina, Canada, 2018, 92 min.

KELI

Muhamed Bikić, Bosnia and Herzegovina, 2018, 40 min.

KUĆA MALE ZVIJEZDE / LITTLE STAR RISING

Slađana-Marija Lučić, Croatia, Bosnia and Herzegovina, 2019, 72 min.

KUDA IDU MRAVI / WHERE DO ANTS GO Nisvet Hrustić, Bosnia and Herzegovina, 2018, 9 min.

LJUDI KOJI SU SADILI DRVEĆE / PEOPLE THAT PLANTED TREES Zdenko Jurilj, Bosnia and Herzegovina, 2019, 46 min.

MAGLAJ - RAT I MIR / MAGLAJ - WAR AND PEACE

Alen Ćosić, Will Richard, Asmir Muratović, Bosnia and Herzegovina, 2018, 27 min.

MALI DOKUMENTARNI FILM O 3 PISMA / A SMALL DOCUMENTARY FILM ABOUT THREE LETTERS

Goran Bregović, Bosnia and Herzegovina, Serbia, France, 2019, 30 min.

MUZEJ ZABORAVLJENIH PODVIGA / THE MUSEUM OF FORGOTTEN TRIUMPHS Bojan Bodruzić, Bosnia and Herzegovina, Canada, 2018, 87 min.

Benjamin Dizdarević, Sweden, Bosnia and Herzegovina, 2019, 15 min.

Nedim Karalić, Bosnia and Herzegovina, 2018, 26 min.

THE WASHING

Aid Bešić, Elvir Kopić, Bosnia and Herzegovina, 2019, 5 min

TICA / BIRDY

Alen Šimić, Bosnia and Herzegovina, 2019, 20 min.

ULIKS: PRVA EPIZODA / ULYSSES: EPISODE ONE / ULIKS: PRVA EPIZODA Dino Topolnjak, Croatia, Bosnia and Herzegovina, 2018, 34 min.

UNDONE

Justine Stevens, Bosnia and Herzegovina, Canada, USA, 2018, 9 min.

VARIJACIJE

Sabina Vajrača, Bosnia and Herzegovina, 2019, 24 min.

STUDENTSKI FILMOVI / STUDENT FILM

AKADEMIJA SCENSKIH UMJETNOSTI SARAJEVO / SARAJEVO ACADEMY OF PERFORMING ARTS AUTOREFLEKSIJA / SELF-REFLECTION Amar Komić, Bosnia and Herzegovina, 2018, 13 min.

KOSTI / BONES

Miroslav Terzić, Serbia, Croatia, Slovenia, Bosnia and Herzegovina, 2019, 105 min.

NEVIDLJIVO DIJETE / INVISIBLE CHILD

Adi Selimović, Bosnia and Herzegovina, 2018, 9 min.

TAKE ME SOMEWHERE NICE

REGENERACIJA / REGENERATION

Augustin Koprić, Bosnia and Herzegovina, 2018, 20 min.

TATA / DAD

SARAJEVO: STATE IN TIME

Alen Šimić, Bosnia and Herzegovina, 2018, 14 min.

SREDNJEMETRAŽNI FILMOVI / MEDIUM LENGTH FILMS

SRNA

Luka Vlaho, Bosna i Hercegovina, 2018, 12 min.

DELTA VAL / DELTA WAVE

TO TELL A GHOST

AKADEMIJA UMJETNOSTI BANJA LUKA / ACADEMY OF ARTS BANJA LUKA KOSTAKURTA (BAJKA O SATANKRAJINI) / COSTACURTA (A TALE OF SATANKRAJINA)

Ena Sendijarević, Netherlands, Bosnia and Herzegovina, 2019, 91 min.

Vladimir Bilenjki, Canada, 2019, 91 min.

Damir Bašić, Bosnia and Herzegovina, Germany, 2019, 40 min.

LOREM IPSUM

Filip Lončarić, Bosnia and Herzegovina, Croatia, 2019, 60 min.

STABLA / TREES

Duško Stanivuk, Serbia, Bosnia and Herzegovina, Albania, 2019, 51 min.

Muhammed İbrahim Şişman, Turkey, 2018, 47 min.

Emir Kapetanović, Bosnia and Herzegovina, 2018, 75 min.

Benjamin Jung, Théo Meurisse, Bosnia and Herzegovina, France, 2019, 48 min.

23 GRAMA / 23 GRAMS

Robert Bubalo, Bosnia and Herzegovina, Germany, 2019, 40 min.

A SAD SE SPUŠTA VEČE / THEN COMES THE EVENING

Chris Piotrowicz, Stefan Ehrhardt, Bosnia and Herzegovina, Germany, 2018, 12 min.

U NAŠEM RAJU / IN OUR PARADISE Claudia Marschal, France, 2019, 76 min.

VELIKA BIJELA KUĆA / THE BIG WHITE HOUSE

IZBOR / CHOICE

Zoran Ćatić, Bosnia and Herzegovina, 2019, 10 min.

Nemanja Vučenović, Bosnia and Herzegovina, 2019, 1 min.

DJEČIJA SVITA / CHILDREN’S SUITE

JAMA / THE PIT

GLASOVI FOČE / VOICES OF FOČA

KONTRAPUNKT / COUNTERPOINT

GOMILA MATERIJALA / STACK OF MATERIAL

MOTEL 219

Sajra Subašić, Bosnia and Herzegovina, 2019, 7 min.

IN MANUS TUAS / IN YOUR HANDS Milana Majar, Bosnia and Herzegovina, 2019, 25 min.

JA SAM IZ MAOČE – MAOČE / COMING FROM MAOČA

Mirza Ajnadžić, Zoran Ćatić, Bosnia and Herzegovina, 2019, 21 min.

JEDNOSTAVNO ČOVJEK / SIMPLY HUMAN Arijana Vereget, Bosnia and Herzegovina, 2019, 17 min.

MLADOSTI / YOUTH

Žana Forca, Bosnia and Herzegovina, 2019, 4 min.

NISAM OVDJE / I’M NOT HERE SLAP / A FALL

Aleksandar Jurić, Bosnia and Herzegovina, 2018, 9 min.

Clarissa Thieme, Germany, Bosnia and Herzegovina, 2019, 9 min.

FUGA / FUGUE

Mirza Ajnadžić, Bosnia and Herzegovina, 2019, 42 min.

Saša Karanović, Bosnia and Herzegovina, Serbia, 2018, 28 min.

CAN'T YOU SEE THEM? - REPEAT.

YOU WILL BE MY WITNESSES / BIT ĆETE MI SVJEDOCI

Jusuf Jaganjac, Bosnia and Herzegovina, 2019, 45 min.

U SJEĆANJE NA LJETO ŠTO JE PROŠLO / IN MEMORY OF A SUMMER GONE BY

Sara Radusinović, Bosnia and Herzegovina, 2019, 21 min.

KRATKI I ANIMIRANI / SHORT AND ANIMATED

Maja Novaković, Serbia, Bosnia and Herzegovina, 2019, 28 min.

Anela Križanac, Bosnia and Herzegovina, 2019, 60 min.

ŠMRK / SNORTY

Goran Dujaković, Bosnia and Herzegovina, 2019, 12 min.

Zoran Ćatić, Bosnia and Herzegovina, 2018, 15 min.

DOKUMENTARNI FILMOVI/ DOCUMENTARY FILMS

PASTRMKE / TROUTS

FAKULTET DRAMSKIH I FILMSKIH UMJETNOSTI BIJELJINA / FACULTY OF DRAMA AND FILM ARTS BIJELJINA NISAN DOMA / I’M NOT HOME Vera Kulić, Bosnia and Herzegovina, 2018, 8 min.

Alban Ukaj, Bosnia and Herzegovina, 2019, 10 min.

Ivan Koroman, Bosnia and Herzegovina, 2019, 24 min.

Ida Keškić, Austria, Bosnia and Herzegovina, 2018, 14 min.

NOMOFOBIA / NOMOPHOBIA

Ado Hasanović, Italy, Bosnia and Herzegovina, 2018, 15 min.

NOVI POČECI / THE NEW BEGINNINGS Eldin Smajlović, Sweden, 2019, 30 min.

OMARSKA

Varun Sasindran, France, 2018, 19 min.

PRIRODNI ODABIR / NATURAL SELECTION Aleta Rajič, Bosnia and Herzegovina, Croatia, 2019, 10 min.

64 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

SARAJEVO FILM ACADEMY DREAM DANCER

Lukas Grevis, Bosnia and Herzegovina, 2019, 25 min.

NIT’ JE VEDRO NIT’ OBLAČNO / NEITHER SUNNY NOR CLOUDY

Anvar Nijemčević, Bosnia and Herzegovina, 2019, 11 min.

NOĆNE ŠETNJE / NIGHT WALKS

Julie Rodrigue, Bosnia and Herzegovina, France, 2018, 25 min.

VEOMA DOBAR DAN / A VERY GOOD DAY Farah Hasanbegović, Bosnia and Herzegovina, 2019, 15 min.

RASPORED PROJEKCIJA Screening Schedule

Petak/ Friday, 16.08.2019.

Subota/ Saturday, 17.08.2019.

Narodno pozorište / National Theatre 9:00 Takmičarski igrani / Competition Features

Narodno pozorište/ National Theatre 09:00 Takmičarski igrani / Competition Features

Ines Tanović, 106 min, Bosnian 20:15 Takmičarski igrani / Competition Features

13:45 U fokusu / In Focus

SIN / THE SON SIN / THE SON

Ines Tanović, 106 min, Bosnian

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 21:00 Takmičarski igrani / Competition Features SIN / THE SON

Ines Tanović, 106 min, Bosnian

A ONDA SMO PLESALI / AND THEN WE DANCED, Levan Akin, 105 min, Georgian PRIPADANJE / BELONGING, Burak Çevik, 72 min, Turkish

16:00 U fokusu / In Focus

MALI JOE / LITTLE JOE, Jessica Hausner, 105 min, English

19:40 Takmičarski igrani / Competition Features

A ONDA SMO PLESALI / AND THEN WE DANCED, Levan Akin, 105 min, Georgian

22:00 Takmičarski igrani / Competition Features: Gala screening - Out of Competition MUTAVAC / THE MUTE, Murat Pay, 94 min, Turkish

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real

DAJTE MI SLOBODU / GIVE ME LIBERTY, Kirill Mikhanovsky, 111 min, English, Russian

15:00 Posvećeno / Tribute To Pawel Pawlikowski / Suočavanje s prošlošću / Dealing with the Past

OD MOSKVE DO PETUŠKIJA: PUTOVANJE SA VENEDIKTOM JEROFEJEVIM / FROM MOSCOW TO PIETUSHKI: A JOURNEY WITH BENEDICT YEROFEYEV, Pawel Pawlikowski, 50 min, Russian DOSTOJEVSKI NA PUTU / DOSTOEVSKY'S TRAVELS, Pawel Pawlikowski, 52 min, English, Russian, German SRPSKA EPIKA / SERBIAN EPICS, Pawel Pawlikowski, 42 min, Croatian, English, Serbian NA ODMORU SA ŽIRINOVSKIM / TRIPPING WITH ZHIRINOVSKI, Pawel Pawlikowski, 41 min, English, Russian

20:30 Kinoscope

PRITKA / BEANPOLE, Kantemir Balagov, 137 min, Russian

23:00 Specijalne projekcije / Special Screenings

BIRDMAN ILI (NEOČEKIVANA VRLINA NEUKOSTI) / BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE), Alejandro G. Iñárritu, 119 min, English

Art Kino / Art Cinema Kriterion - House of Shorts 11:30 Takmičarski studentski film / Competition Student Film

TAKMIČARSKI STUDENTSKI 1 / TAKMIČARSKI STUDENTSKI 1, 84 min 14:30 BH Film KRATKI 1 / SHORTS 1, 94 min 18:00 Shorts ZAGREB FILM FESTIVAL – NAJBOLJE OD KOCKICA / BEST OF CHECKERS, 97 min 20:00 Shorts EFA SHORT MATTERS! 1, 92 min

Multipleks Cinema City / Multiplex Cinema City 12:30 BH Film DOKUMENTARNI 1 / DOCUMENTARIES 1, 71 min 14:30 Kinoscope OBOŽAVANJE / ADORATION, Fabrice Du Welz, 98 min, French

14:45 BH Film

MOJ DIDA JE PAO S MARSA / MY GRANDPA IS AN ALIEN, Marina Andree Škop, Dražen Žarković, 79 min, Croatian

15:00 Takmičarski dokumentarni / Competition Documentaries

MEDENA ZEMLJA / HONEYLAND, Ljubomir Stefanov, Tamara Kotevska, 85 min, Turkish 16:45 BH Film EKSPERIMENTALNI / EXPERIMENTAL, 70 min

17:00 Kinoscope Real

DOĆI ĆE VATRA / FIRE WILL COME, Oliver Laxe, 85 min, Spanish

19:00 Takmičarski dokumentarni / Competition Documentaries

KĆI CAMORRE / DAUGHTER OF CAMORRA, Siniša Gačić, 79 min, Italian 19:30 Kinoscope Surreal BACURAU, Kleber Mendonça Filho, Juliano Dornelles, 130 min, Portuguese, English 20:00 BH Film HEROJI NE UMIRU / HEROES DON'T DIE, Aude Léa Rapin, 85 min

21:00 Takmičarski dokumentarni / Competition Documentaries

PALAČA ZA NAROD / PALACE FOR THE PEOPLE, Boris Missirkov, Georgi Bogdanov, 76 min, German, Russian, Bulgarian, Romanian, Serbian 22:00 BH Film TATA / DAD, Vladimir Bilenjki, 91 min

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air

TUGA I SLAVA / PAIN AND GLORY, Pedro Almodóvar, 113 min, Spanish

Summer Screen 21:00 Summer Screen

NEBESKA TEMA - PRIČA O VLADI DIVLJANU / CELESTIAL THEME - THE STORY OF VLADA DIVLJAN, Mladen Matičević, 108 min, Serbian, Croatian

Pozorište mladih / Youth Theatre - House of Youth 12:00 Dječiji program / Children’s Programme - Mini Arena

KRATKI/SHORTS, 66 min

17:00 Dječiji program / Children’s Programme

PRVI RASTANAK / A FIRST FAREWELL, Lina Wang, 86 min, Mandarin Chinese

19:00 TeenArena

VUKODLAK / WEREWOLF, Adrian Panek, 88 min, Polish, German, Russian

Ljetno kino Centar “Safet Zajko” / Open Air Cinema at “Safet Zajko” Center 21:00 Takmičarski igrani / Competition Features SIN / THE SON, Ines Tanović, 106 min, Bosnian

Kino Novi Grad / Novi Grad Cinema 18:00 Dječiji program / Children’s Programme

MOJE NEVJEROVATNO LJETO SA TESS / MY EXTRAORDINARY SUMMER WITH TESS,

Steven Wouterlood, 82 min, Dutch

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 Dječiji program / Children’s Programme

FUDBALERI / THE FOOTBALLEST, Miguel Ángel Lamata, 98 min, Spanish

21:00 Summer Screen

DIEGO MARADONA, Asif Kapadia, 130 min, English, Spanish

Međunarodni centar za djecu i omladinu Novo Sarajevo / International center for Children and Youth Novo Sarajevo Novo Sarajevo 18:00 TeenArena DOBRA IGRA: POČETAK / GOOD GAME: THE BEGINNING, Umut Aral, 114 min, Turkish

Dječija kuća Novo Sarajevo / Children’s home Novo Sarajevo 21:00 Takmičarski igrani / Competition Features SIN / THE SON, Ines Tanović, 106 min, Bosnian

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

65

RASPORED PROJEKCIJA Screening Schedule

Nedjelja/ Sunday, 18.08.2019.

Ponedjeljak/ Monday, 19.08.2019.

Narodno pozorište/ National Theatre 09:00 Takmičarski igrani / Competition Features

Narodno pozorište/ National Theatre 09:00 Takmičarski igrani / Competition Features

16:00 U fokusu / In Focus

11:30 Takmičarski igrani / Competition Features

UKRUG / ROUNDS, Stephan Komandarev, 106 min, Bulgarian BOG POSTOJI I ZOVE SE PETRUNIJA / GOD EXISTS AND HER NAME IS PETRUNYA, Teona Strugar Mitevska, 100

min, Macedonian 19:40 Takmičarski igrani / Competition Features UKRUG / ROUNDS, Stephan Komandarev, 106 min, Bulgarian 22:00 Takmičarski kratki, izvan konkurencije / Competition Shorts, Out of Competition SEE FACTORY SARAJEVO MON AMOUR, Maša Šarović, Sharon Angelhart, Teodora Mihai, Dušan Kasalica, Urška Djukić, Gavriil Tzafka, Neven Samardžić, Carolina Marcowicz, Eleonora Veninova, Yona Rozenkier, 60 min, Bosnian

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real

BESMRTNOST / IMMORTAL, Ksenia Okhapkina, 61 min, Russian

15:00 Posvećeno / Tribute To Pawel Pawlikowski

KRADLJIVCI AUTOMOBILA / TWOCKERS, Pawel Pawlikowski, Ian Duncan, 41 min, English POSLJEDNJE UTOČIŠTE / LAST RESORT, Pawel Pawlikowski, 75 min, English, Russian

20:30 Kinoscope

EHO / ECHO, Rúnar Rúnarsson, 79 min, Icelandic, English

23:00 Kinoscope Surreal

U TKANINI / IN FABRIC, Peter Strickland, 118 min, English

Art Kino / Art Cinema Kriterion - House of Shorts 11:30 Takmičarski studentski film / Competition Student Film

TAKMIČARSKI STUDENTSKI 2 / COMPETITION STUDENT 2, 87 min 14:30 BH Film KRATKI 2 / SHORTS 2, 67 min

18:00 House of Shorts Special Screening

HAPPINESS MACHINE, Nedeljković, Andrea Schneider, Elizabeth Hobbs, Eni Brandner, Joanna Kozuch, Michelle Kranot, Rebecca Blöcher, Samantha Moore, Susanne Jirkuff, Vessela Dantcheva, 74 min, English

20:00 Shorts EFA SHORT MATTERS! 2, 87 min Multipleks Cinema City / Multiplex Cinema City 10:00 Suočavanje s prošlošću / Dealing with the Past

SUSRET S GORBAČOVOM / MEETING GORBACHEV, Werner Herzog, André Singer, 90 min, English, Russian, German, Polish 12:30 BH Film DOKUMENTARNI 2 / DOCUMENTARIES 2, 63 min 14:30 Kinoscope PRITKA / BEANPOLE, Kantemir Balagov, 137 min, Russian 14:45 BH Film REGENERACIJA / REGENERATION, Emir Kapetanović, 75 min,

15:00 Takmičarski dokumentarni / Competition Documentaries

NEGDJE IZMEĐU / IN BETWEEN, Samir Karahoda, 13 min, Albanian SOVJETSKI VRT / THE SOVIET GARDEN, Dragoș Turea, 76 min, Moldavian, Russian 16:45 BH Film DOKUMENTARNI 3 / DOCUMENTARIES 3, 79 min

OTVORENA VRATA / OPEN DOOR, Florenc Papas, 78 min, Albanian TAKE ME SOMEWHERE NICE, Ena Sendijarević, 91 min, Bosnian, Dutch

16:00 U fokusu / In Focus

POLUSESTRA / HALF - SISTER, Damjan Kozole, 105 min, Slovenian

19:40 Takmičarski igrani / Competition Features

OTVORENA VRATA / OPEN DOOR, Florenc Papas, 78 min, Albanian

22:00 Takmičarski igrani / Competition Features

TAKE ME SOMEWHERE NICE, Ena Sendijarević, 91 min, Bosnian, Dutch

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real

U POTRAZI ZA EVOM / SEARCHING EVA, Pia Hellenthal, 84 min, German, English, Italian

15:00 Posvećeno / Tribute To Pawel Pawlikowski

MOJE LJETO LJUBAVI / MY SUMMER OF LOVE, Pawel Pawlikowski, 84 min, English

20:30 Kinoscope

SIROTIŠTE / THE ORPHANAGE, Shahrbanoo Sadat, 90 min, Dari, Russian, Hindi, Urdu

23:00 Kinoscope Surreal

KOKO-DI KOKO-DA, Johannes Nyholm, 85 min, Swedish, English

Art Kino / Art Cinema Kriterion - House of Shorts 11:30 Takmičarski studentski film / Competition Student Film

TAKMIČARSKI STUDENTSKI 3 / TAKMIČARSKI STUDENTSKI 3, 83 min 14:30 BH Film STUDENTSKI FILMOVI 1 / STUDENT FILMS 1, 67 min 18:00 Shorts EUROPEAN SHORTS, EUROPEAN SHORTS 1, 85 min 20:00 Shorts EFA SHORT MATTERS! 3, 88 min

Multipleks Cinema City / Multiplex Cinema City 10:00 Suočavanje s prošlošću / Dealing with the Past LIČNE RANE / PRIVACY OF WOUNDS, Dalia Kury, 70 min, Arabic

11:30 Human Rights Day

SVE MORA PASTI / EVERYTHING MUST FALL, Rehad Desai, 85 min, English

12:00 Takmičarski igrani / Competition Features

SIN / THE SON, Ines Tanović, 106 min, Bosnian 12:30 BH Film DOKUMENTARNI 4 / DOCUMENTARIES 4, 64 min 14:30 Kinoscope EHO / ECHO, Rúnar Rúnarsson, 79 min, Icelandic, English 14:45 BH Film BIT ĆETE MI SVJEDOCI / YOU WILL BE MY WITNESSES, Anela Križanac, 60 min, Bosnian

15:00 Takmičarski dokumentarni / Competition Documentaries

17:00 Kinoscope Real

PARADAJZ UPOZNAJE WAGNERA / WHEN TOMATOES MET WAGNER, Marinna Economou, 72 min, Greek, English, French 16:45 BH Film DOKUMENTARNI 5 / DOCUMENTARIES 5, 60 min

17:00 Suočavanje s prošlošću / Dealing with the Past

BESMRTNOST / IMMORTAL, Ksenia Okhapkina, 61 min, Russian

19:00 Takmičarski dokumentarni / Competition Documentaries

ZLATNA DJEVOJKA / THE GOLDEN GIRL, Denisa Morariu-Tamas, Adrian Robe, 95 min,

DAJTE MI SLOBODU / GIVE ME LIBERTY, Kirill Mikhanovsky, 111 min, English, Russian

17:00 Kinoscope Real

ROĐENA U EVINU / BORN IN EVIN, Maryam Zaree, 98 min, German, English, French, Persian

19:00 Takmičarski dokumentarni / Competition Documentaries

A SAD SE SPUŠTA VEČE / THEN COMES THE EVENING, Maja Novaković, 28 min, Serbia DA JE MENI ONO ŠTO MI NIJE / IF ONLY DREAMS CAME TRUE, Višnja Skorin, 55 min, Croatian 20:00 BH Film GLUMIM, JESAM / I ACT, I AM, Miroslav Mandić, 105 min

19:30 Kinoscope Surreal

GRUPA / THE GROUP, Uroš Tomić, Jelena Gavrilović, Ivan Stefanović, Nemanja Ćeranić, Slobodanka Radun, Miloš Radunović,

SENKE NAD BALKANOM 2 / BLACK SUN 2, Dragan Bjelogrlić, 90 min, Serbian, German, French, Bulgarian 22:00 BH Film DURAN, Faruk Sokolović, 96 min

21:45 Avant Premiere

Gvozden Đurić, 131 min, Serbian 22:00 BH Film IN OUR PARADISE / U NAŠEM RAJU, Claudia Marschal, 76 min

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air JADNICI / LES MISÉRABLES, Ladj Ly, 102 min, French

Summer Screen 21:00 Summer Screen

DIEGO MARADONA, Asif Kapadia, 130 min, English, Spanish

Pozorište mladih / Youth Theatre - House of Youth 12:00 Dječiji program / Children’s Programme - Mini Arena

SOLAN I LUDVIG: MISIJA NA MJESEC / LOUIS & LUCA - MISSION TO THE MOON, Rasmus A. Sivertsen, 81 min, English, Norwegian 17:00 Dječiji program / Children’s Programme

MOJE NEVJEROVATNO LJETO SA TESS / MY EXTRAORDINARY SUMMER WITH TESS,

Steven Wouterlood, 82 min, Dutch 19:00 TeenArena

DOBRA IGRA: POČETAK / GOOD GAME: THE BEGINNING, Umut Aral, 114 min, Turkish

Ljetno kino Centar “Safet Zajko” / Open Air Cinema at “Safet Zajko” Center 21:00 Summer Screen DIEGO MARADONA, Asif Kapadia, 130 min, English, Spanish

Kino Novi Grad / Novi Grad Cinema 18:00 TeenArena

DOBRA IGRA: POČETAK / GOOD GAME: THE BEGINNING, Umut Aral, 114 min, Turkish

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 Dječiji program / Children’s Programme

MOJE NEVJEROVATNO LJETO SA TESS / MY EXTRAORDINARY SUMMER WITH TESS,

Steven Wouterlood, 82 min, Dutch 21:00 Takmičarski igrani / Competition Features SIN / THE SON, Ines Tanović, 106 min, Bosnian

Međunarodni centar za djecu i omladinu Novo Sarajevo / International center for Children and Youth Novo Sarajevo Novo Sarajevo 18:00 Dječiji program / Children’s Programme - Mini Arena GOVEĐE BRDO / CATTLE HILL, Lise I. Osvoll, 65 min, Norwegian

Dječija kuća Novo Sarajevo / Children’s home Novo Sarajevo 21:00 Summer Screen

NEBESKA TEMA - PRIČA O VLADI DIVLJANU / CELESTIAL THEME - THE STORY OF VLADA DIVLJAN, Mladen Matičević, 108 min, Serbian, Croatian

66 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

U TKANINI / IN FABRIC, Peter Strickland, 118 min, English 20:00 BH Film KAMENI GOVORNICI / THE STONE SPEAKERS, Igor Drljača, 92 min

21:45 Avant Premiere

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air PARAZIT / PARASITE, Joon Ho Bong, 131 min, Korean

Summer Screen 21:00 Summer Screen

MYSTIFY: MICHAEL HUTCHENCE / MYSTIFY: MICHAEL HUTCHENCE, Richard Lowenstein, 102 min, English

Pozorište mladih / Youth Theatre - House of Youth 12:00 Dječiji program / Children’s Programme - Mini Arena GOVEĐE BRDO / CATTLE HILL, Lise I. Osvoll, 65 min, Norwegian

17:00 Dječiji program / Children’s Programme DANIEL, Marine Atlan, 60 min, French

19:00 TeenArena

LUDO MLADO SRCE / STUPID YOUNG HEART, Selma Vilhunen, 102 min, Finnish, Somali

Ljetno kino Centar “Safet Zajko” / Open Air Cinema at “Safet Zajko” Center 21:00 Takmičarski kratki, izvan konkurencije / Competition Shorts, Out of Competition

SEE FACTORY SARAJEVO MON AMOUR, Maša Šarović, Sharon Angelhart, Teodora Mihai, Dušan Kasalica, Urška Djukić, Gavriil Tzafka, Neven Samardžić, Carolina Marcowicz, Eleonora Veninova, Yona Rozenkier, 60 min, Bosnian

Kino Novi Grad / Novi Grad Cinema 18:00 Dječiji program / Children’s Programme - Mini Arena

GOVEĐE BRDO / CATTLE HILL, Lise I. Osvoll, 65 min, Norwegian

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 TeenArena

DOBRA IGRA: POČETAK / GOOD GAME: THE BEGINNING, Umut Aral, 114 min, Turkish

21:00 Takmičarski kratki, izvan konkurencije / Competition Shorts, Out of Competition

SEE FACTORY SARAJEVO MON AMOUR, Maša Šarović, Sharon Angelhart, Teodora Mihai, Dušan Kasalica, Urška Djukić, Gavriil Tzafka, Neven Samardžić, Carolina Marcowicz, Eleonora Veninova, Yona Rozenkier, 60 min, Bosnian

Međunarodni centar za djecu i omladinu Novo Sarajevo / International center for Children and Youth Novo Sarajevo Novo Sarajevo 18:00 Dječiji program / Children’s Programme SUNE PROTIV SUNEA / SUNE VS. SUNE, Jon Holmberg, 89 min, Swedish

Dječija kuća Novo Sarajevo / Children’s home Novo Sarajevo 21:00 Summer Screen DIEGO MARADONA, Asif Kapadia, 130 min, English, Spanish

Srijeda/ Wednesday, 21.08.2019.

Narodno pozorište/ National Theatre 09:00 Takmičarski igrani / Competition Features

Narodno pozorište/ National Theatre 09:00 Takmičarski igrani / Competition Features

11:30 Takmičarski igrani / Competition Features

11:30 Takmičarski igrani / Competition Features

HEIDI, Cătălin Mitulescu, 96 min, Romanian MO, Radu Dragomir, 77 min, Romanian

13:45 Competition Programme - Short Film

TAKMIČARSKI KRATKI 1 / COMPETITION SHORTS 1, 105 min

16:00 U fokusu / In Focus

ZVIŽDAČI / THE WHISTLERS, Corneliu Porumboiu, 98 min, Romanian, English, Spanish

19:40 Takmičarski igrani / Competition Features HEIDI, Cătălin Mitulescu, 96 min, Romanian

22:00 Takmičarski igrani / Competition Features MO, Radu Dragomir, 77 min, Romanian

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real NORMALNO / NORMAL, Adele Tulli, 67 min, Italian 15:00 Posvećeno / Tribute To Pawel Pawlikowski

ŽENA IZ SUSJEDSTVA / THE WOMAN IN THE FIFTH, Pawel Pawlikowski, 85 min, English, French, Polish

20:30 Kinoscope

MAČKA U ZIDU / CAT IN THE WALL, Mina Mileva, Vesela Kazakova, 92 min, English, Bulgarian PRIČA O TRI SESTRE / A TALE OF THREE SISTERS, Emin Alper, 108 min, Turkish

13:45 Takmičarski kratki / Competition Shorts

TAKMIČARSKI KRATKI 2 / COMPETITION SHORTS 2, 109 min

16:00 U fokusu / In Focus

TI IMAŠ NOĆ / YOU HAVE THE NIGHT, Ivan Salatić, 82 min, Serbian, Croatian, Italian, English

19:40 Takmičarski igrani / Competition Features

MAČKA U ZIDU / CAT IN THE WALL, Mina Mileva, Vesela Kazakova, 92 min, English, Bulgarian

22:00 Takmičarski igrani / Competition Features

PRIČA O TRI SESTRE / A TALE OF THREE SISTERS, Emin Alper, 108 min, Turkish

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real

TRANSNISTRA, Anna Eborn, 95 min, Russian, Romanian, Ukrainian

15:00 Posvećeno / Tribute To Pawel Pawlikowski

IDA, Pawel Pawlikowski, 82 min, Polish, Latin, French

SINONIMI / SYNONYMS, Nadav Lapid, 123 min, French, Hebrew, English

17:30 Specijalne projekcije / Special Screenings

SÁTÁNTANGÓ, Béla Tarr, 438 min, Hungarian

20:30 Kinoscope

23:00 Specijalne projekcije / Special Screenings

CHICUAROTES / CHICUAROTES, Gael García Bernal, 95 min, Spanish

Art Kino / Art Cinema Kriterion - House of Shorts 09:30 Takmičarski studentski film / Competition Student Film

DVANAEST HILJADA / TWELVE THOUSAND, Nadège Trébal, 111 min, French, Filipino

11:30 Takmičarski studentski film – izvan konkurencije / Competition Student Film – out of competition

Art Kino / Art Cinema Kriterion - House of Shorts 09:30 Takmičarski studentski film / Competition Student Film

TAKMIČARSKI STUDENTSKI 1 / COMPETITION STUDENT 1, 84 min

GUEST SCHOOL - NORWEGIAN FILM SCHOOL 14:30 BH Film STUDENTSKI FILMOVI 2 / STUDENT FILMS 2, 73 min 18:00 Shorts EUROPEAN SHORTS 2, 69 min 20:00 Shorts CINÉFONDATION CANNES: WINNERS 2019, 70 min

Multipleks Cinema City / Multiplex Cinema City 10:00 Suočavanje s prošlošću / Dealing with the Past

VIDIM CRVENE LJUDE / I SEE RED PEOPLE, Bojina Panayotova, 83 min, Bulgarian, French

12:00 Takmičarski igrani / Competition Features

A ONDA SMO PLESALI / AND THEN WE DANCED, Levan Akin, 105 min, Georgian 12:00 Sarajevo Film Festival Partner Presents – Doha Film Institute SHORT CUTS TO QATAR, 81 min 12:30 BH Film DOKUMENTARNI 6 / DOCUMENTARIES 6, 65 min 14:15 Takmičarski igrani / Competition Features UKRUG / ROUNDS, Stephan Komandarev, 106 min, Bulgarian 14:30 Kinoscope SIROTIŠTE / THE ORPHANAGE, Shahrbanoo Sadat, 90 min, Dari, Russian, Hindi, Urdu 14:45 BH Film MUZEJ ZABORAVLJENIH PODVIGA / THE MUSEUM OF FORGOTTEN TRIUMPHS, Bojan Bodruzic, 84 min

15:00 Takmičarski dokumentarni / Competition Documentaries

JOŠ JEDAN ODLAZAK / YET ANOTHER DEPARTURE, Renata Poljak, 11 min, Croatian, English EUFORIJA POSTOJANJA / THE EUPHORIA OF BEING, Réka Szabó, 83 min, Hungarian 16:45 BH Film STABLA / TREES, Duško Stanivuk, 51 min 17:00 Kinoscope Real U POTRAZI ZA EVOM / SEARCHING EVA, Pia Hellenthal, 84 min, German, English, Italian

19:00 Takmičarski dokumentarni / Competition Documentaries

GOMILA MATERIJALA / STACK OF MATERIAL, Sajra Subašić, 7 min, Bosnian QUEEN LEAR / KRALJICA LEAR, Pelin Esmer, 84 min, Turkish 19:30 Kinoscope Surreal KOKO-DI KOKO-DA, Johannes Nyholm, 85 min, Swedish, English 20:00 BH Film TAKE ME SOMEWHERE NICE, Ena Sendijarević, 91 min 21:45 Avant Premiere BESA, Dušan Lazarević, 90 min, Serbian, Albanian, Croatian, English 22:00 BH Film SEE FACTORY SARAJEVO MON AMOUR, Maša Šarović, Sharon Angelhart, Teodora Mihai, Dušan Kasalica, Urška

Djukić, Gavriil Tzafka, Neven Samardžić, Carolina Marcowicz, Eleonora Veninova, Yona Rozenkier, 60 min, Bosnian

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air ŠAVOVI / STITCHES, Miroslav Terzić, 97 min

Summer Screen 21:00 Summer Screen AMAZING GRACE, Alan Elliott, 87 min, English Pozorište mladih / Youth Theatre - House of Youth 12:00 Dječiji program / Children’s Programme - Mini Arena

PAT I MAT: ZIMSKA RADOST / PAT AND MAT – WINTER FUN, Marek Beneš, 60 min, No Dialogue

17:00 Dječiji program / Children’s Programme

SUNE PROTIV SUNEA / SUNE VS. SUNE, Jon Holmberg, 89 min, Swedish

19:00 TeenArena

ZVIJEZDA OD 100 KILA / STARS BY THE POUND, Marie-Sophie Chambon, 88 min, French

Ljetno kino Centar “Safet Zajko” / Open Air Cinema at “Safet Zajko” Center 21:00 Summer Screen

NEBESKA TEMA – PRIČA O VLADI DIVLJANU / CELESTIAL THEME - THE STORY OF VLADA DIVLJAN, Mladen

Matičević, 108 min, Serbian, Croatian

Kino Novi Grad / Novi Grad Cinema 18:00 Dječiji program / Children’s Programme

FUDBALERI / THE FOOTBALLEST, Miguel Ángel Lamata, 98 min, Spanish

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 Dječiji program / Children’s Programme - Mini Arena GOVEĐE BRDO / CATTLE HILL, Lise I. Osvoll, 65 min, Norwegian 21:00 Summer Screen NEBESKA TEMA – PRIČA O VLADI DIVLJANU / CELESTIAL THEME - THE STORY OF VLADA DIVLJAN, Mladen

Matičević, 108 min, Serbian, Croatian

Međunarodni centar za djecu i omladinu Novo Sarajevo / International center for Children and Youth Novo Sarajevo Novo Sarajevo 18:00 Dječiji program / Children’s Programme

MOJE NEVJEROVATNO LJETO SA TESS / MY EXTRAORDINARY SUMMER WITH TESS, Steven Wouterlood, 82 min, Dutch

Dječija kuća Novo Sarajevo / Children’s home Novo Sarajevo 21:00 Takmičarski kratki, izvan konkurencije / Competition Shorts, Out of Competition

SEE FACTORY SARAJEVO MON AMOUR, Maša Šarović, Sharon Angelhart, Teodora Mihai, Dušan Kasalica, Urška Djukić, Gavriil Tzafka, Neven Samardžić, Carolina Marcowicz, Eleonora Veninova, Yona Rozenkier, 60 min, Bosnian

RASPORED PROJEKCIJA Screening Schedule

Utorak/ Tuesday, 20.08.2019.

23:00 Kinoscope Surreal

ZELENIJA TRAVA / GREENER GRASS, Jocelyn DeBoer, Dawn Luebbe, 95 min, English Takmičarski studentski 2 / Competition Student 2, 87 min 11:30 Takmičarski studentski film / Competition Student Film Nadav Lapid specijalna projekcija (30 godina JSFS) / Nadav Lapid Special Screening (30 Years of JSFS), 79 min 14:30 BH Film STUDENTSKI FILMOVI 3 /STUDENT FILMS, 73 min 18:00 Shorts EUROPEAN SHORTS 3, 64 min 20:00 Shorts SABANCI AND KISAKES PRESENTS, 85 min

Multipleks Cinema City / Multiplex Cinema City 12:00 Takmičarski igrani / Competition Features OTVORENA VRATA / OPEN DOOR, Florenc Papas, 78 min, Albanian

12:00 Sarajevo Film Festival Partner Presents – Doha Film Institute

NEZNANI SVETAC / THE UNKNOWN SAINT, Alaa Eddine Aljem, 100 min, Arabic

12:30 BH Film

DOKUMENTARNI 7 / DOCUMENTARY 7, 84 min

14:15 Takmičarski igrani / Competition Features

TAKE ME SOMEWHERE NICE, Ena Sendijarević, 91 min, Bosnian, Dutch

14:30 Kinoscope

SINONIMI / SYNONYMS, Nadav Lapid, 123 min, French, Hebrew, English

14:45 BH Film

KUĆA MALE ZVIJEZDE / LITTLE STAR RISING, Slađana-Marija Lučić, 72 min, Bosnian

15:00 Takmičarski dokumentarni / Competition Documentaries

KAD SU RASLE JAPANSKE JABUKE / WHEN THE PERSIMMONS GREW, Hilal Baydarov, 119 min, Azerbaijani 16:45 BH Film LOREM IPSUM, Filip Lončarić, 60 min, Croatian, Serbian 17:00 Takmičarski igrani / Competition Features HEIDI, Cătălin Mitulescu, 96 min, Romanian 17:00 Kinoscope Real NORMALNO / NORMAL, Adele Tulli, 67 min, Italian

19:00 Takmičarski dokumentarni / Competition Documentaries

MALI DOKUMENTARNI FILM O 3 PISMA / A SMALL DOCUMENTARY FILM ABOUT 3 LETTERS, Goran Bregović, 33 min, English

KOLIKO DALEKO SU ZVIJEZDE / HOW HIGH IS THE MOON, Katalin Barsony, 68 min, Hungarian, English, Romany 20:00 BH Film ŠAVOVI / STITCHES, Miroslav Terzić, 97 min, Serbian 21:45 Avant Premiere JEZERO / THE LAKE, Klemen Dvornik, Matevž Luzar, 98 min, Slovenian 22:00 BH Film SIN / THE SON, Ines Tanović, 106 min, Bosnian

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air

TO MORA BITI RAJ / IT MUST BE HEAVEN, Elia Suleiman, 97 min, English, French, Arabic

Summer Screen 21:00 Summer Screen

A DOG CALLED MONEY / A DOG CALLED MONEY, Seamus Murphy, 90 min, English

Pozorište mladih / Youth Theatre - House of Youth 12:00 Dječiji program / Children’s Programme - Mini Arena

LOTTE I IZGUBLJENI ZMAJEVI / LOTTE AND THE LOST DRAGONS, Janno Põldma, Heiki Ernits, 78 min, Estonian

17:00 Dječiji program / Children’s Programme

FUDBALERI / THE FOOTBALLEST, Miguel Ángel Lamata, 98 min, Spanish

19:00 Kinoscope

SIROTIŠTE / THE ORPHANAGE, Shahrbanoo Sadat, 90 min, Dari, Russian, Hindi, Urdu

Ljetno kino Centar “Safet Zajko” / Open Air Cinema at “Safet Zajko” Center 21:00 Open Air JADNICI / LES MISÉRABLES, Ladj Ly, 102 min, French Kino Novi Grad / Novi Grad Cinema 18:00 Dječiji program / Children’s Programme SUNE PROTIV SUNEA / SUNE VS. SUNE, Jon Holmberg, 89 min, Swedish

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 Dječiji program / Children’s Programme - Mini Arena

PAT I MAT: ZIMSKA RADOST / PAT AND MAT – WINTER FUN, Marek Beneš, 60 min, No Dialogue 21:00 Open Air ŠAVOVI / STITCHES, Miroslav Terzić, 97 min, Serbian

Međunarodni centar za djecu i omladinu Novo Sarajevo / International center for Children and Youth Novo Sarajevo Novo Sarajevo 18:00 Dječiji program / Children’s Programme FUDBALERI / THE FOOTBALLEST, Miguel Ángel Lamata, 98 min, Spanish Dječija kuća Novo Sarajevo / Children’s home Novo Sarajevo 21:00 Open Air ŠAVOVI / STITCHES, Miroslav Terzić, 97 min, Serbian SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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RASPORED PROJEKCIJA Screening Schedule

Četvrtak/ Thursday, 22.08.2019.

Petak/ Friday, 23.08.2019.

Narodno pozorište/ National Theatre 16:00 U fokusu / In Focus

Narodno pozorište/ National Theatre 11:30 Takmičarski igrani/ Competition Features

Kino Meeting Point / Meeting Point Cinema 12:00 Kinoscope Real

13:45 Takmičarski igrani/ Competition Features

IVANA GROZNA / IVANA THE TERRIBLE, Ivana Mladenović, 86 min, Romanian, Serbian 20:00 DODJELA NAGRADA / AWARD CEREMONY DOĆI ĆE VATRA / FIRE WILL COME, Oliver Laxe, 85 min, Spanish

15:00 Posvećeno / Tribute To Pawel Pawlikowski

HLADNI RAT / COLD WAR, Pawel Pawlikowski, 84 min, Polish, French, German, Croatian, Italian

20:30 Kinoscope

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJEG GLUMCA / WINNER, HEART OF SARAJEVO FOR BEST ACTOR POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJU GLUMICU / WINNER, HEART OF SARAJEVO FOR BEST ACTRESS

16:00 Takmičarski studentski film / Competition Student Film

OBOŽAVANJE / ADORATION, Fabrice Du Welz, 98 min, French

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM / WINNER, HEART OF SARAJEVO FOR BEST STUDENT FILM

BACURAU, Kleber Mendonça Filho, Juliano Dornelles, 130 min, Portuguese, English

Takmičarski kratki/ Competition Shorts

23:00 Kinoscope Surreal

Art Kino / Art Cinema Kriterion - House of Shorts 09:30 Takmičarski studentski film / Competition Student Film

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM / WINNER, HEART OF SARAJEVO FOR BEST SHORT FILM

TAKMIČARSKI STUDENTSKI 3 / TAKMIČARSKI STUDENTSKI 3, 83 min 11:30 Shorts TRT WORLD CITIZEN SHORT FILM COMPETITION 14:30 BH Film KRATKI 3 / SHORTS 3, 80 min

KRATKI FILM NOMINIRAN NA SARAJEVO FILM FESTIVALU ZA EVROPSKU FILMSKU NAGRADU 2019. / SARAJEVO FILM FESTIVAL SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARD 2019

TAKMIČARSKI KRATKI / COMPETITION SHORTS, 214 min

17:45 Takmičarski igrani/ Competition Features

18:00 Takmičarski kratki / Competition Shorts

Multipleks Cinema City / Multiplex Cinema City 12:00 Takmičarski igrani / Competition Features MO, Radu Dragomir, 77 min, Romanian

12:00 Sarajevo Film Festival Partner Presents – Doha Film Institute

ABOU LEILA, Amin Sidi-Boumédiène, 140 min, Arabic, Tamashek

12:30 BH Film

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJEG REDITELJA / WINNER, HEART OF SARAJEVO FOR BEST DIRECTOR

20:00 Takmičarski igrani/ Competition Features

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM / WINNER, HEART OF SARAJEVO FOR BEST FEATURE FILM

DOKUMENTARNI 8 / DOCUMENTARIES 8, 65 min

14:15 Takmičarski igrani / Competition Features

MAČKA U ZIDU / CAT IN THE WALL, Mina Mileva, Vesela Kazakova, 92 min, English, Bulgarian

14:30 Kinoscope

Kino Meeting Point / Meeting Point Cinema 12:00 Takmičarski dokumentarni / Competition Documentaries

DVANAEST HILJADA / TWELVE THOUSAND, Nadège Trébal, 111 min, French, Filipino

POBJEDNIK, NAGRADA ZA LJUDSKA PRAVA / WINNER, HUMAN RIGHTS AWARD

PRIČA O TRI SESTRE / A TALE OF THREE SISTERS, Emin Alper, 108 min, Turkish

15:00

17:00 Takmičarski igrani / Competition Features 17:00 Kinoscope Real

Takmičarski dokumentarni / Competition Documentaries

TRANSNISTRA, Anna Eborn, 95 min, Russian, Romanian, Ukrainian

POBJEDNIK, SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM / WINNER, HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM

ZELENIJA TRAVA / GREENER GRASS, Jocelyn DeBoer, Dawn Luebbe, 95 min, English

21:45 Avant Premiere

18:00

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air

20:00

19:30 Kinoscope Surreal

PORODICA MARKOVSKI / THE FAMILY MARKOVSKI, Darijan Pejovski, 78 min, Macedonian LIJEPO DOBA / LA BELLE ÉPOQUE, Nicolas Bedos, 115 min, French

Summer Screen 21:00 Summer Screen

OTKUCAJI / BEATS, Brian Welsh, 101 min, English

Pozorište mladih / Youth Theatre - House of Youth 12:00 Dječiji program / Children’s Programme - Mini Arena

JACOB, MIMMI I PSI KOJI GOVORE / JACOB, MIMMI AND THE TALKING DOGS, Edmunds Jansons, 70 min, Latvian

17:00 Dječiji program / Children’s Programme

NEVIDLJIVA SUE / INVISIBLE SUE, Markus Dietrich, 93 min, German 19:00 TeenArena KRATKI / SHORTS, 80 min

Ljetno kino Centar “Safet Zajko” / Open Air Cinema at “Safet Zajko” Center 21:00 Open Air ŠAVOVI / STITCHES, Miroslav Terzić, 97 min, Serbian

Kino Novi Grad / Novi Grad Cinema 18:00 Dječiji program / Children’s Programme - Mini Arena

PAT I MAT: ZIMSKA RADOST / PAT AND MAT – WINTER FUN, Marek Beneš, 60 min, No Dialogue

MMC - Kino Ilidža / MMC - Ilidža Cinema 18:00 Dječiji program / Children’s Programme

SUNE PROTIV SUNEA / SUNE VS. SUNE, Jon Holmberg, 89 min, Swedish

21:00 Open Air

TO MORA BITI RAJ / IT MUST BE HEAVEN, Elia Suleiman, 97 min, English, French, Arabic

Međunarodni centar za djecu i omladinu Novo Sarajevo / International center for Children and Youth Novo Sarajevo Novo Sarajevo 18:00 Dječiji program / Children’s Programme - Mini Arena PAT I MAT: ZIMSKA RADOST / PAT AND MAT – WINTER FUN, Marek Beneš, 60 min, No Dialogue

Dječija kuća Novo Sarajevo / Children’s home Novo Sarajevo 21:00 Open Air JADNICI / LES MISÉRABLES, Ladj Ly, 102 min, French

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POBJEDNIK, NAGRADA PUBLIKE ZA NAJBOLJI DOKUMENTARNI FILM / WINNER, AUDIENCE AWARD FOR BEST DOCUMENTARY FILM POBJEDNIK, NAGRADA PUBLIKE ZA NAJBOLJI IGRANI FILM / WINNER, AUDIENCE AWARD FOR BEST FEATURE FILM

Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema 20:30 Open Air

BILO JEDNOM ... U HOLLYWOODU / ONCE UPON A TIME ... IN HOLLYWOOD, Quentin Tarantino, 159 min, English

Sarajevsko Summer Screen 21:00

SARAJEVO FILM FESTIVAL IZBOR: FILMOVI IZ PROGRAMA KINOSCOPE I SUMMER SCREEN/ SARAJEVO FILM FESTIVAL CHOICE: FILMS FROM THE KINOSCOPE AND SUMMER SCREEN PROGRAMMES

Box Office Informacije / For more information: boxoffice@sff.ba, www.sff.ba BOX OFFICE LOKACIJE / BOX OFFICE LOCATIONS Glavni Box Office / Main Box Office (Bosanski kulturni centar), Branilaca Sarajeva 24 Kino Meeting Point / Meeting Point Cinema, Hamdije Kreševljakovića 13 Multipleks Cinema City / Multiplex Cinema City, Trg djece Sarajeva Art kino / Art Cinema Kriterion / House of Shorts, Obala Kulina bana 2 RADNO VRIJEME / OPENING HOURS 9-10 AUGUST Glavni Box Office / Main Box Office: 10:00 - 19:00 11-12 AUGUST Glavni Box Office / Main Box Office: 12:00 - 16:00 13-15 AUGUST Glavni Box Office / Main Box Office: 10:00 - 19:00 RADNO VRIJEME / OPENING HOURS / 16-23 AUGUST Glavni Box Office / Main Box Office: 08:30 - 22:00 Kino Meeting Point / Meeting Point Cinema: 11:00 - 23:00 RADNO VRIJEME / OPENING HOURS / 17-23 AUGUST Multipleks Cinema City / Multiplex Cinema City : 11:00 - 22:00 Art kino / Art Cinema Kriterion: sat vremena prije početka projekcije / one hour ahead of the screening Međunarodni centar za djecu i omladinu Novo Sarajevo / International Center for Children and Youth: sat vremena prije početka projekcije / one hour ahead of the screening Dječija kuća Novo Sarajevo / Children House Novo Sarajevo: sat vremena prije početka projekcije / one hour ahead of the screening Kino Novi Grad / Novi Grad Cinema: sat vremena prije početka projekcije / one hour ahead of the screening

Ljetno kino Centar "Safet Zajko" / Open Air Cinema at "Safet Zajko" Center: sat vremena prije početka projekcije / one hour ahead of the screening MMC - Kino Ilidža / MMC - Ilidža Cinema - svaki dan / every day: sat vremena prije početka projekcije / one hour ahead of the screening CIJENE ULAZNICA / TICKET PRICES Ljetno kino Raiffeisen / Raiffeisen Open Air Cinema: otvaranje/ opening night 15.00 KM, ostale projekcije / other screenings - 10.00 KM Kino Meeting Point / Meeting Point Cinema: 5.00 KM, 6.00 KM, 7.00 KM Narodno pozorište / National Theatre: Otvaranje / opening night - 15.00 KM, Ceremonija dodjele nagrada / Award ceremony - 20.00 KM, ostale projekcije / other screenings - 5.00 KM, 6.00 KM, 8.00 KM Multipleks Cinema City / Multiplex Cinema City: 4.00 KM, 5.00 KM, 7.00 KM Summer Screen: sve projekcije / all screenings - 7.00 KM Art kino Kriterion / Art Cinema Kriterion / House of Shorts: 5.00 KM Pozorište mladih Sarajevo / Sarajevo Youth Theatre / House of Youth: 4.00 KM Dječija kuća Novo Sarajevo / Children House Novo Sarajevo: 5.00 KM Međunarodni centar za djecu i omladinu Novo Sarajevo / International Center for Children and Youth: 3.00 KM Kino Novi Grad / Novi Grad Cinema: 3.00 KM Ljetno kino Centar "Safet Zajko" / Open Air Cinema at "Safet Zajko" Center: 5.00 KM MMC - Kino Ilidža / MMC - Ilidža Cinema: 3.00 KM, 5.00 KM PDV je uračunat u cijenu ulaznice / VAT included in all the prices

ON-LINE (e-ulaznica)

ON-LINE TICKET SALES (e-ticket)

• On-line prodaja je moguća putem zvanične web stranice Sarajevo Film Festivala - www.sff.ba; • On-line prodaja ulaznica počinje 3. augusta 2019. godine u 12:00; • Maksimalan broj ulaznica koje je moguće kupiti za jednu projekciju je četiri (4); • Plaćanje se može izvršiti MasterCard i VISA putem e-pay sistema Raiffeisen Bank BH; • Prilikom plaćanja karticama Raiffeisen banke dobijate 25% cash back

• Tickets will be available on-line only via the official SFF web site www.sff.ba • On-line ticket sales open on August 3, 2019 at 12:00 • The maximum number of tickets to be purchased per screening is four (4) • MasterCard and VISA payment is available via the Raiffeisen Bank BH e-pay system • If you pay with Raiffeisen card you get 25% cash back

Ukoliko kupite vaše ulaznice on-line, e-ulaznice će biti poslate putem e-maila u roku od nekoliko minuta od kupovine. Svaka e-ulaznica sadrži jedinstveni kod koji će omogućiti pristup projekcijama. Dovoljno je pokazati dobiveni prilog mail-a ili odštampanu e-ulaznicu prilikom ulaska na projekciju.

If you buy your tickets online, tickets will be sent via e-mail within a few minutes of your purchase. Each e-ticket contains a unique code that will allow access to the screening. Just show your e-mail attachment or printed e-tickets at the venue entrance.

Napomena: Ukoliko je napravljena kopija ili duplikat ulaznice, samo prvi primjerak koji se predoči na ulazu bit će važeći. Svi ostali biće odbijeni.

Kako bi se osiguralo da dobijete e-mail koji sadrži Vaše ulaznice, pobrinite se da imate e-mail adresu boxoffice@sff.ba dodanu na svoj popis odobrenih e-mail adresa u spam filteru.

PRODAJA ULAZNICA

Be aware, if copies or duplicates of tickets are made, only the first reaching the entry point will be valid while others will be rejected.

To ensure that you receive the e-mail containing your tickets, please be sure that you have boxoffice@sff.ba added to your approved spam filter list.

TICKET SALES

• Prodaja ulaznica u Glavnom Box Officeu počinje 9. augusta 2019. godine u 10:00 sati; • Maksimalan broj ulaznica koje je moguće kupiti za jednu projekciju je četiri (4); • Plaćanje ulaznica se može izvršiti gotovinom, te putem MasterCard ili VISA kartice; • Plaćanje ulaznica moguće je samo u domaćoj valuti Konvertibilnim Markama (KM);

• Individual tickets will be available at the Main Box Office starting from August 9, 2019 at 10:00 • The maximum number of tickets to be purchased per screening is four (4) • Tickets may be paid in cash, MasterCard or VISA card • Tickets may be paid in the national currency only (Convertible Mark – KM/BAM)

POMJERANJE PROJEKCIJA U SLUČAJU KIŠE U slučaju kiše, kada organizator Festivala zvanično objavi (putem zvanične web stranice, društvenih mreža) projekcije iz otvorenih kina se premještaju u zatvorena kina. Ukoliko je objavljeno da se projekcije premještaju u zatvorena kina prije početka projekcija, termin projekcije ostaje isti, a ukoliko kiša padne u toku projekcije, projekcija se nastavlja u zatvorenom kinu 30 minuta nakon objave o premještanju projekcije.

• Ljetno kino Raiffeisen se premješta u KSC Skenderija; • Summer Screen se premješta u Pozorište mladih Sarajevo • Ljetno kino Centar "Safet Zajko"se premješta u Kino Novi Grad

In case of rain, the Festival organiser will make an official announcement (via the official web page and social networks) on relocation of screenings from outdoor to indoor cinemas. If such an announcement is made prior to the screening, the scheduled screening time remains the same. In case of rain during the screening, the screening will then continue in a designated indoor cinema 30 minutes following the relocation announcement.

• Raiffeisen Open Air Cinema moves to KSC Skenderija; • Summer Screen moves to Sarajevo Youth Theatre • Open Air Cinema at "Safet Zajko" Center moves to Novi Grad Cinema

SCREENING SCHEDULE CHANGES IN CASE OF RAIN

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BOX OFFICE PRAVILNIK / BOX OFFICE RULES • Ulazak na projekciju moguć je samo sa ulaznicom (uključujući i djecu bez obzira na starosnu dob) • Svi posjetioci moraju zauzeti svoja mjesta najkasnije 5 minuta prije početka zvaničnog programa • Ulazak u kino nije moguć nakon početka zvaničnog programa • U slučaju kašnjenja na projekciju ne možemo vam garantovati slobodno sjedeće mjesto (povrat novca i/ili zamjena ulaznica nije moguća) • Za sve projekcije, sjedišta nisu numerisana • Za vrijeme projekcije zabranjeno je korištenje uređaja za snimanje slike i zvuka (kamera, fotoaparat i mobilni uređaji) • U slučaju korištenja video opreme festivalsko osoblje ima pravo odstraniti osobu koja koristi prethodno spomenutu opremu • Ulaz kućnim ljubimcima nije dozvoljen • Kupovinom ulaznica, saglasni ste da možete biti fotografisani i snimljeni bez novčane naknade • Pregled posjetioca i njihovih stvari biće obavljen zbog njihove lične sigurnosti • Na zvanične festivalske lokacije zabranjeno je unošenje boca, limenki i predmeta koji mogu ugroziti sigurnost posjetioca

• Filmovi prikazani na Festivalu mogu sadržavati eksplicitne scene seksa ili nasilja, te se prije kupovine ulaznice preporučuje pregled sadržaja filma na našem web sajtu, programu ili linkovima postavljenim na društvenim mrežama • Organizator Festivala ne odgovara za izgubljene ili ukradene stvari • Falsifikovanje i krivotvorenje ulaznica je strogo zabranjeno • Sve ulaznice su izdate prema pravilima i propisima zvaničnih festivalskih lokacija i organizatora Festivala POVRAT NOVCA Povrat novca za kupljenu ulaznicu ili zamjena za ulaznicu neke druge projekcije u istom novčanom iznosu mogući su u roku od 24 sata od predviđenog termina projekcije i to: • U slučaju kada organizator javno objavi otkazivanje predviđene projekcije • Kada početak projekcije kasni duže od 30 minuta bez prethodne najave o pomjeranju početka projekcije i u tom slučaju potrebno je obratiti se osoblju Festivala • Admission is possible only by presenting a ticket for the given screening (this includes children irrespective of age);

• All the visitors must take their seats at least 5 minutes before the opening of the official programme; • No members of the audience will be admitted after the official opening of the programme; • In case of late arrival, no seat can be guaranteed (refund and/or replacement tickets are not available); • Seats are not numbered for any screening; • No audio or video recording devices (cameras or mobile devices) can be used during any screening); • In case of any attempt to use such devices, the Festival staff shall be entitled to remove the user from the screening; • Pets are not allowed: • By purchasing the ticket you accept that you may be photographed or recorded by a camera with no financial compensation; • All the tickets are issued pursuant to rules and regulations of official Festival venues and Festival organisers; • In the interest of personal safety of our visitors, there will be security checks at entry points; • No bottles, cans or other items that may in any way harm or affect

personal safety of the audience may be brought into any official Festival location; • Films screened at the Festival may include scenes of sex or violence; it is therefore recommended to examine the content of the film at our web site, official programme and links available via social networks prior to any ticket purchase; • The Festival organisers shall not be liable for lost or stolen property; • Any attempt to forge or otherwise alter tickets is against the law.

REFUND Refunds for tickets purchased or replacement tickets for other screenings to the same amount already paid are available no later than 24 hours prior to the original screening schedule, as follows: • If the Festival organisers have made an official announcement about a screening cancellation • If the screening is delayed by more than 30 minutes with no prior announcement of a delay or a relocation of the screening; in such cases, the audience is kindly requested to contact Festival staff

Lokacije / Venues 1. Festival Square, Branilaca Sarajeva 2. National Theater, Obala Kulina bana 9 3. BKC Festival Center / Box Office, Branilaca Sarajeva 24 4. Raiffeisen Open Air Cinema, Obala Kulina Bana 5. Army Hall, Zelenih beretki 6. CineLink Industry Days / Hotel Europe, Vladislava Skarića 5 7. Academy of Performing Arts, Obala Kulina bana 10 8. Meeting Point Cinema / Caffé, Hamdije Kreševljakovića 13 9. Summer Screen, Hamdije Kreševljakovića 10. Multiplex Cinema City, Maršala Tita br. 26 11. KSC Skenderija Cinema, Terezije BB 12. House of Shorts / Art Cinema Kriterion, Obala Kulina bana 2

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13. House of Youth / Sarajevo Youth Theatre, Kulovića 8 14. Festival Eating Point by Coca-Cola, Zelenih beretki 15. Festival Caffé Grand kafa, Pozorišni trg - Susan Sontag 16. Brew Imperial Society, Maršala Tita 56 17. Goethe-Institut centar za kurseve/Biblioteka, Maršala Tita 28 18. Museum of Literature & Performing Arts, Sime Milutinovića Sarajlije 7 19. Novi Grad Cinema, Bulevar Meše Selimovića 97 20. Open Air Cinema at "Safet Zajko" Center 21. MMC - Ilidža Cinema, Hrasnička cesta, Ilidža 22. International Center for Children and Youth, Kemala Kapetanovića 17 23. Children's House Novo Sarajevo, Grbavička

RAIFFEISEN BANKA PRVA NA BH TRŽIŠTU IMPLEMENTIRALA CONTACTLESS NARUKVICE Kao i svake godine, Raiffeisen banka, kao Glavni sponzor ovog renomiranog Festivala, priprema posebna iznenađenja za ljubitelje filma, kako u Raiffeisen Open Air-u, tako i na drugim lokacijama.

Ove godine posjetitelji Raiffeisen paviljona na Pozorišnom trgu će imati priliku da dobiju detaljnije informacije o Raiffeisen digitalnim servisima, te o novom načinu plaćanja – Contactless ili beskontaktnim narukvicama. Riječ je o silikonskoj narukvici

modernog dizajna u koju je umetnuta mini kartica koja je vezana za isti račun kao i osnovna kartica. Klijenti mogu biti bezbrižni jer su Contactless narukvice praktične, a plaćanje na beskontaktnim POS uređajima se vrši za svega nekoliko trenutaka.

Mlađi posjetioci Teen Arene će imati priliku upoznati se sa dodatnim bankovnim karticama za djecu. Vezane su za račun roditelja te oni određuju dnevni limit koji će dijete imati na raspolaganju.

Sarajevo Film Festival danas važi za jedan od najvažnijih festivala u jugoistočnoj Evropi i iz godine u godinu povezuje sve veći broj mladih umjetnika iz naše zemlje sa svjetskom filmskom scenom.

Ove godine, Coca-Cola i Sarajevo Film Festival, rame uz rame, obilježavaju posebne jubileje, i to 50 godina ljubavi i vjernosti

Coca-Colinim brendovima u BiH te 25 godina filmske magije.

Posebno za ovu priliku, Coca-Cola je kreirala limitiranu ediciju staklenke inspirisanu magičnim sarajevskim večerima pod otvorenim nebom. Ona će zasigurno brojnim turistima biti i najpoželjniji suvenir Sarajevo Film Festivala koji će pričati filmske priče i van granica Bosne i Hercegovine.

BH Telecom je vodeći telekom operator u BiH, koji pruža najsavremenije usluge iz oblasti telekomunikacija. U počecima, kada je SFF bio ideja entuzijasta koji su vjerovali da mogu donijeti promjene na kinematografskoj sceni BiH, među prvima koji su ga podržali je i današnji BH Telecom da bi SFF izrastao u ono što predstavlja danas: stjecište kulturološkog dijaloga i razmjene ideja sedme svjetske sile. Na jubilarnu 25. godišnjicu, ponosni smo na činjenicu da će BH Telecom u naredne tri godine biti glavni sponzor Sarajevo Film Festivala pod sloganom „Moje Sarajevo. Moja priča.“ Tokom Festivala ćemo

svim posjetiocima omogućiti demonstraciju usluga i iskustava koje pruža 5G mreža i nove tehnologije, a na specijalnom TV kanalu na MOJA TV platformi BH Telecoma filmove sa proteklih festivala i sva dešavanja uživo sa festivalskog trga i festivalske ulice, te na www.bhtelecom.ba/sff i na društvenim mrežama BH Telecoma. Naša centralna prodajna mjesta će biti otvorena 24h, kao i mnogi drugi sadržaji i aktivnosti kreirani specijalno za ovu priliku.

Moje Sarajevo. Moja priča. BH Telecom

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Story Loves Sarajevo Ljubav između Storyja i Sarajeva tinjala je godinama, a razbuktala se lani, na prvom Sarajevo Story Hall of Fame partyju u Zemaljskome muzeju Bosne i Hercegovine.

Od samog osnutka prije 17 godina Story je prisutan u Sarajevu, baš kao što su zvijezde BiH scene rado viđene u Storyju. No prošle smo godine učinili korak dalje. Naš party Story Hall of Fame, koji s pravom ima epitet najglamuroznijeg događaja u Zagrebu, prošle smo godine doveli u Sarajevo i prvi put od osnutka danas najutjecajnijeg lifestyle časopisa u Hrvatskoj i regiji dodijelili nagrade najistaknutijim bosansko-hercegovačkim glumcima, pjevačima, televizijskim licima, dizajnerima, redateljima i sportašima.

Sarajevski je crveni tepih te večeri pohodila bosanskohercegovačka društvena krema, a do dugo u noć slavili smo s nagrađenima: Emirom Hadžihafizbegovićem, Jasnom Žalicom, Dinom Šaranom i grupom Letu štuke, Harijem Varešanovićem, Mayom Sar, ekipom Face TV-a Senada Hadžifejzovića, Razijom Mujanović, Bojanom Hadžihalilovićem, Ademirom Kenovićem i Elmirom Jukićem.

Nastao kao nadogradnja Storyjeva Celebrities Only partyja, nakon četverogodišnje stanke Story Hall of Fame prvo je izdanje doživio 2014. godine u zagrebačkoj Laubi, kući za umjetnost i ljude. Tada smo kao najveći celebrity časopis prvi put dodijelili i nagrade Hall of Fame, primivši u Storyjevu kuću prva 22 slavna stanovnika. Statua Story HOF umjetničko je djelo, rad suvremenog kipara Ivana Fijolića, a dosad krasi domove najvećih zvijezda u Hrvatskoj i regiji.

Spektakularna dodjela, popraćena najinovativnijim kreativnim rješenjima uređenja prostora i interakcije s uzvanicima, kao i nastupi glazbenih imena poput Massima, Severine, Psihomodo popa, Jelene Rozge i brojnih drugih zvijezda, svake se godine prepričavaju još tjednima.

Iz godine u godinu sve je veći interes slavnih i javnosti za Storyjev party. Mjesecima unaprijed pokušava se doznati tema partyja, kakav će biti zabavni program, a na dan partyja svi žele vidjeti što su zvijezde odjenule za najveći crveni tepih u državi, tko je kući ponio priželjkivane Storyjeve nagrade te kako su se najveće zvijezde zabavile.

Još je veće uzbuđenje javnosti i veselje slavnih izazvao prvi Sarajevo Story HOF, a zanimanje za idući počelo je već dan nakon prošlogodišnjeg. Story je u Sarajevo, grad s najvećim srcem na ovim prostorima, došao u želji da ljudima kojima se divimo već godinama uruči priznanja za njihov rad te da se svi zajedno nezaboravno zabavimo. Sarajevo je nadmašilo sva naša očekivanja - dogodila se ljubav koja će trajati još dugo godina. Sarajevo Story Hall of Fame i ove se godine, baš kao i prošle, održava na istoj lokaciji, i to dan uoči svečanog otvaranja Sarajevo Film Festivala, kao savršen početak tjedna u kojem se slave umjetnost, elegancija, kreativnost, ljepota i glamur. Tjedna koji zahvaljujući SFF-u već 25 godina briše granice i slavi ono najbolje u svima nama.

Od ove godine veza Storyja i Sarajeva još je ozbiljnija i čvršća jer smo osim Story HOF-a u Sarajevu prisutni kao medijski partner SFF-a te kao domaćin programa Talents Sarajevo. Sigurna sam da će naša ovogodišnja druženja, suradnje, zabave, nova poznanstva, kao i ponovni susreti, Sarajevu i Storyju donijeti pregršt novih uspomena, tema i emocija. Vidimo se!

Zrinka Ferina, glavna urednica lifestyle tjednika Story

The love between Story and Sarajevo has smouldered for years but really ignited last year at the first Sarajevo Story Hall of Fame event at the National Museum of Bosnia and Herzegovina.

Right from its foundation 17 years ago, Story has been present in Sarajevo and the public are delighted to read about the stars of Bosnia and Herzegovina in its pages. However, last year we went a step further. We brought our most glamorous event, Story Hall of Fame, which has rightly been called the most glamorous occasion in Zagreb, to Sarajevo, and for the first time since the foundation of what is today the most influential lifestyle magazine in Croatia and the region as a whole, we presented awards to the most prominent actors, singers, TV personalities, designers, directors, and sporting figures in Bosnia and Herzegovina. The red carpet in Sarajevo was graced by leading figures from the social scene in the country, and we celebrated long into the night with award winners Emir Hadžihafizbegović, Jasna Žalica, Dino Šaran and the group Letu štuke, Hari Varešanović, Maya Sar, Senad Hadžifejzović and the Face TV team, Razija Mujanović, Bojan Hadžihalilović, Ademir Kenović, and Elmir Jukić.

The original idea was to update the Story Celebrities Only party, and after a break of four years Story Hall of Fame was launched in 2014 at the Lauba modern art gallery in Zagreb. It was on this occasion that, as the biggest celebrity magazine, we presented the Hall of Fame awards for the first time, inducting the first 22 members into the Story Hall of Fame. Story Hall of Fame statues are the work of contemporary sculptor Ivan Fijolić, and adorn the homes of some of the biggest stars in Croatia and the region. The spectacular awards ceremony, accompanied by the most innovative creative solutions in terms of spatial organisation and interaction with guests, together with big names in music like Massimo, Severina, Psihomodo pop, Jelena Rozga and numerous other stars, are talked about for weeks afterwards. Year after year, both celebrities and the public displayed an increasing interest in the Story party, trying to discover months in advance what the theme of the party would be and what kind of entertainment programme there was, while on the day of the event everyone wanted to see what the stars were wearing on the biggest red carpet in the country, who would be taking home the coveted Story awards, and how the biggest stars enjoyed themselves.

Even greater excitement among the public and stars was created by the first Sarajevo Story Hall of Fame, and interest in this year’s event began the day after last year’s was finished. Story came to Sarajevo, the city with the biggest heart in the region, with the aim of recognising the work of people who we’ve admired for years, and for everyone to have fun together. Sarajevo exceeded all of our expectations, and a love was born that will last for many years to come. This year, Sarajevo Story Hall of Fame will be held in the same venue as last year’s event, the day before the official opening of the Sarajevo Film Festival, as the perfect start to a week in which artistry, elegance, creativity, beauty and glamour are celebrated, a week which, thanks to the SFF, has been removing borders and celebrating the best in all of us for 25 years. Starting from this year, the connection between Story and Sarajevo is even closer and stronger, as besides Story HoF, we’ll be in Sarajevo as the media partner of the SFF, and as the host of the local Talents Sarajevo programme. I’m sure that this year’s gathering, collaboration, fun, new acquaintances, and meeting old friends will create many new memories, subjects for discussion, and emotions. See you there!

Zrinka Ferina, editor-in-chief of Story lifestyle magazine SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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SPONZOR

SPONZOR

Prošlogdišnja nagrada Story Hall of Fame za najboljega glumca opravdano je otišla u ruke Emira Hadžihafizbegovića, koji je nedavno završio snimanje novog filma redateljice Jasmile Žbanić 'Quo vadis, Aida' Last year's Story Hall of Fame award for best actor deservedly went to Emir Hadžihafizbegović, who has recently finished filming for Jasmila Žbanić›s new film 'Quo Vadis, Aida'

Glumac Emir Hadžihafizbegović u društvu Zrinke Ferine, glavne urednice časopisa Story Actor Emir Hadžihafizbegović with the editor-in-chief of Story magazine, Zrinka Ferina

EMIR HADŽIHAFIZBEGOVIĆ

“Sarajevo Film Festival šarmira svoje goste zauvijek” Sarajevo Film Festival charms its visitors forever Najnagrađivaniji europski glumac kada je riječ o filmu, vlasnik Zlatnog lava i dobitnik nagrade za najboljega glumca na Story Hall of Fameu prošle godine, otkriva čime SFF nadmašuje ostale filmske festivale, koji ga je slavni gost oduševio, ali i kako izgledaju festivalski tulumi u njegovoj režiji

The European actor with the most awards for films, the owner of a Golden Lion, and the winner of last year’s Story Hall of Fame award for best actor reveals what raises the SFF above other film festivals, which famous guest impressed him, and what his festival parties are like.

Ovog ljeta održava se jubilarno, 25. izdanje Sarajevo Film Festivala. Što ta manifestacija znači vama osobno, a što gradu?

Odrastao sam uz taj festival. Mnogi filmovi u kojima sam glumio bili su u natjecateljskom programu, kako bosanskohercegovački, tako i hrvatski, slovenski, makedonski, srpski... I moja su djeca odrastala uz njega: kći Amra bila je beba kad je održan prvi Sarajevo Film Festival, a danas je mlada žena koja je nedavno diplomirala produkciju na Akademiji scenskih umjetnosti. Lijepe me uspomene vežu za SFF: na njemu su se dogodila ne-

This summer will see the jubilee 25th edition of the Sarajevo Film Festival.

What does this event mean to you personally and what does it mean to the city?

I grew up with this festival. Many of the films in which I’ve acted have been in the competition programme, including films from Bosnia and Herzegovina, but also Croatia, Slovenia, Macedonia and Serbia. My children have also grown up with it.

My daughter Amra was a baby when the Sarajevo Film Festival started, and today she’s a young woman who recently graduated in production from the Academy of

76 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

ka sjajna druženja, sklopila prijateljstva i, naravno, gledali fantastični filmovi. Ali dogodilo se još nešto - promijenila se percepcija ljudi o ovom dijelu svijeta. Festival je uspio srušiti predrasude o Bosni kao opasnom mjestu življenja, o Sarajevu kao traumatičnom postratnom gradu... Na posljednjem SFF-u bilo je 800 akreditiranih novinara iz 54 zemlje, ljudi godišnji odmor usklađuju s datumima SFF-a jer ga ne žele propustiti. Mislim da to dovoljno govori o njegovoj važnosti.

Koje su to najljepše uspomene koje vas vežu uz festival?

Ne događa se često jednom glumcu da ima priliku družiti se s Robertom De Nirom, Angelinom Jolie, Bradom Pittom, Morganom Freemanom, Kevinom Spaceyjem... S Robertom De Nirom razgovarao sam više od pola sata u jednom sarajevskom restoranu i oduševio me svojoj jednostavnošću.

Ivo Andrić ima zanimljivu misao u knjizi ‘Znakovi pored puta’ koja kaže da je “umjetnost izdići se do jednostavnosti”. De Niro je definitivno uspio u tome. Kad je čuo da sam osvojio Zlatnog lava u Veneciji, zagrlio me, rekao da je to velika nagrada i našalio se kako mi neće vjerovati dok ga ne vidi. Pa je moja kći otišla i donijela ga. Što SFF ima, a drugi festivali nemaju?

Kad bi s jedne strane stajale riječi Sarajevo Film Festival, a s druge bi trebalo staviti neku jednakost, napisao bih riječ atmosfera. Često se događalo da neki poznati glumac ili redatelj planira doći na jedan dan pa ostane pet,

Bio sam na najpoznatijim filmskim festivalima diljem svijeta, ali doista ni jedan nema tako sjajnu atmosferu kao sarajevski šest jer ga ponese atmosfera, odnosno ljudi. Bio sam gost na brojnim filmskim festivalima diljem svijeta, ali nigdje nije kao kod nas. Rekao je to i Pedro Almodóvar. To je prije svega zasluga Mirsada Purivatre i njegove ekipe, ali onda se ta filmska priča disperzira na sjajnu atmosferu u gradu.

Feedback koji gosti i turisti dobiju od bosanskohercegovačkoga malog čovjeka pamte zauvijek.

Prošle godine održan je i prvi Story Hall of Fame u Sarajevu na kojem ste dobili nagradu za najboljega glumca. To je nagrada kap u moru dobivenih. Koliko vam one znače... i gdje ‘spava’ vaš lav?

Spava u mom uredu u Kamernom teatru čiji sam direktor. Naravno, nagrade mi znače, bila bi demagogija reći da nisu važne, ali demistificirao sam si te stvari. Nagrada je važna u smislu satisfakcije za obavljeni posao, za trud, ali uvijek ponavljam - čim je dobiješ, uzmi je i stavi iza leđa. Nije se dobro baviti umjetnošću i razmišljati o nagradama. Tad se obični ne dogodi ništa, ni umjetničko djelo ni priznanje. Osvojio sam neke od najvećih nagrada a da nisam ni znao za nominaciju, poput nagrade ‘Andrej Tarkovski’ koja se smatra neslužbenim europskim Oscarom, a dobio sam je za ulogu u filmu ‘Armin’.

Tijekom festivala, 20. kolovoza, proslavit ćete 58 rođendan. Kako ćete ga obilježiti?

Proslavit ću ga u Sarajevu, u društvu prijatelja koji će biti moji gosti na festivalu, vjerojatno uz neku dobru romsku glazbu. Već je postala svojevrsna tradicija da tijekom SFF-a organiziram večeru za prijatelje koji dođu odasvuda - Zagreba, Rijeke, Beograda..., a ja se pobrinem za atmosferu i glazbu. Jedne godine svirali su nam Mostar Sevdah Reunion, a jednom kultni orkestar Crne Mambe iz Niša, koji su trideset godina pratili mog prijatelja, pjevača Šabana Bajramovića.

Dosad ste snimili 66 igranih filmova, iza vas je 2500 odigranih predstava i stotinjak raznih uloga. Na što ste u životu najponosniji?

Na svoju djecu. I na to što sam posvećeno radio svoj posao, a ocijenjen je kao nešto što je ostavilo pozitivan trag u europskoj kinematografiji.

Performing Arts. I have happy memories connected with the SFF. There have been some great gatherings, friendships have been formed, and of course there have been some fantastic films. However, something else has also taken place: people’s perception of this part of the world has changed. The festival has succeeded in getting rid of prejudices about Bosnia as a dangerous place to live, and about Sarajevo as a traumatic post-war city. At the last SFF, there were 800 accredited journalists from 54 countries, and people also arrange their holidays around the dates of the festival because they don’t want to miss it. I think that says everything about its importance.

What are your favourite memories connected to the festival?

An actor doesn’t often have the chance to hang out with Robert De Niro, Angelina Jolie, Brad Pitt, Morgan Freeman, and Kevin Spacey. I had a conversation with Robert De Niro for more than half an hour in a Sarajevo restaurant and was really impressed by how modest he was. Ivo Andrić has an interesting idea in his book Signs by the Roadside in which he says “art raises itself to the level of simplicity”.

De Niro has definitely succeeded in doing this. When he found out that I’d won the Golden Lion at Venice, he hugged me, told me it was big award and then joked that he wouldn’t believe me until he saw it. So my daughter went home and fetched it.

What does the SFF have that other festivals don’t?

If you put the words Sarajevo Film Festival on one side of an equation, on the other I would write the word ‘atmosphere’. Quite often a well-known actor or director

I've been to the most well-known film festivals in the world, but none of them have such a great atmosphere as Sarajevo plans to come for one day but ends up staying five or six because of the atmosphere, in other words the people. I’ve been to numerous festivals all over the world, but there’s nowhere like here. Pedro Almodóvar said the same thing. This is mainly down to Mr Purivatra and his team, but the event itself spreads a great atmosphere across the city. The feedback that guests and tourists get from ordinary people from Bosnia and Herzegovina is something that stays with them forever.

Last year, the first Story Hall of Fame was held in Sarajevo and you received the award for best actor. This prize was a drop in the ocean compared to those you have received. How much do they mean to you, and where does your Golden Lion “sleep”?

It sleeps in my office at the Kamerni Theatre, where I’m director. Of course, awards mean to me. It would be demagogy to say they’re not important, but I’ve demystified them to myself. An award is important in that it provides satisfaction for a job well done and the hard work put into it. However, I always say that as soon as you win it, take it and put it behind you. It’s not a good thing to work in the arts and think about prizes. In that case, nothing usually happens. I’ve won some of the biggest awards without even knowing that I’d been nominated, like the Andrei Tarkovsky Award, which is unofficially considered to be like a European Oscar, and which I won for my role in Armin.

You’ll be celebrating your 58th birthday on 20 August, which is during the festival. How are you going to celebrate it?

I’ll celebrate it in Sarajevo in the company of friends who’ll be my guests at the festival, probably with some good Romany music. It’s become something of a tradition that during the SFF I organise a dinner for friends from all over the place – Zagreb, Rijeka, Belgrade, and take care of the atmosphere and music. One year, Mostar Sevdah Reunion played for us, and another time the cult Crne Mambe orchestra from Niš, who accompanied the singer Šaban Bajramović, performed.

You›ve been in 66 films, and taken part in 2,500 performances in a hundred different roles. What are you most proud of in your life?

My children, and also that I have done my work with dedication and that people value it as having left a positive mark on European cinematography.

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Prošlogdišnja nagrada Story Hall of Fame za najboljega glumca opravdano je otišla u ruke Emira Hadžihafizbegovića, koji je nedavno završio snimanje novog filma redateljice Jasmile Žbanić 'Quo vadis, Aida' Last year's Story Hall of Fame award for best actor deservedly went to Emir Hadžihafizbegović, who has recently finished filming for Jasmila Žbanić›s new film 'Quo Vadis, Aida'

Glumac Emir Hadžihafizbegović u društvu Zrinke Ferine, glavne urednice časopisa Story Actor Emir Hadžihafizbegović with the editor-in-chief of Story magazine, Zrinka Ferina

EMIR HADŽIHAFIZBEGOVIĆ

“Sarajevo Film Festival šarmira svoje goste zauvijek” Sarajevo Film Festival charms its visitors forever Najnagrađivaniji europski glumac kada je riječ o filmu, vlasnik Zlatnog lava i dobitnik nagrade za najboljega glumca na Story Hall of Fameu prošle godine, otkriva čime SFF nadmašuje ostale filmske festivale, koji ga je slavni gost oduševio, ali i kako izgledaju festivalski tulumi u njegovoj režiji

The European actor with the most awards for films, the owner of a Golden Lion, and the winner of last year’s Story Hall of Fame award for best actor reveals what raises the SFF above other film festivals, which famous guest impressed him, and what his festival parties are like.

Ovog ljeta održava se jubilarno, 25. izdanje Sarajevo Film Festivala. Što ta manifestacija znači vama osobno, a što gradu?

Odrastao sam uz taj festival. Mnogi filmovi u kojima sam glumio bili su u natjecateljskom programu, kako bosanskohercegovački, tako i hrvatski, slovenski, makedonski, srpski... I moja su djeca odrastala uz njega: kći Amra bila je beba kad je održan prvi Sarajevo Film Festival, a danas je mlada žena koja je nedavno diplomirala produkciju na Akademiji scenskih umjetnosti. Lijepe me uspomene vežu za SFF: na njemu su se dogodila ne-

This summer will see the jubilee 25th edition of the Sarajevo Film Festival.

What does this event mean to you personally and what does it mean to the city?

I grew up with this festival. Many of the films in which I’ve acted have been in the competition programme, including films from Bosnia and Herzegovina, but also Croatia, Slovenia, Macedonia and Serbia. My children have also grown up with it.

My daughter Amra was a baby when the Sarajevo Film Festival started, and today she’s a young woman who recently graduated in production from the Academy of

76 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

ka sjajna druženja, sklopila prijateljstva i, naravno, gledali fantastični filmovi. Ali dogodilo se još nešto - promijenila se percepcija ljudi o ovom dijelu svijeta. Festival je uspio srušiti predrasude o Bosni kao opasnom mjestu življenja, o Sarajevu kao traumatičnom postratnom gradu... Na posljednjem SFF-u bilo je 800 akreditiranih novinara iz 54 zemlje, ljudi godišnji odmor usklađuju s datumima SFF-a jer ga ne žele propustiti. Mislim da to dovoljno govori o njegovoj važnosti.

Koje su to najljepše uspomene koje vas vežu uz festival?

Ne događa se često jednom glumcu da ima priliku družiti se s Robertom De Nirom, Angelinom Jolie, Bradom Pittom, Morganom Freemanom, Kevinom Spaceyjem... S Robertom De Nirom razgovarao sam više od pola sata u jednom sarajevskom restoranu i oduševio me svojoj jednostavnošću.

Ivo Andrić ima zanimljivu misao u knjizi ‘Znakovi pored puta’ koja kaže da je “umjetnost izdići se do jednostavnosti”. De Niro je definitivno uspio u tome. Kad je čuo da sam osvojio Zlatnog lava u Veneciji, zagrlio me, rekao da je to velika nagrada i našalio se kako mi neće vjerovati dok ga ne vidi. Pa je moja kći otišla i donijela ga. Što SFF ima, a drugi festivali nemaju?

Kad bi s jedne strane stajale riječi Sarajevo Film Festival, a s druge bi trebalo staviti neku jednakost, napisao bih riječ atmosfera. Često se događalo da neki poznati glumac ili redatelj planira doći na jedan dan pa ostane pet,

Bio sam na najpoznatijim filmskim festivalima diljem svijeta, ali doista ni jedan nema tako sjajnu atmosferu kao sarajevski šest jer ga ponese atmosfera, odnosno ljudi. Bio sam gost na brojnim filmskim festivalima diljem svijeta, ali nigdje nije kao kod nas. Rekao je to i Pedro Almodóvar. To je prije svega zasluga Mirsada Purivatre i njegove ekipe, ali onda se ta filmska priča disperzira na sjajnu atmosferu u gradu.

Feedback koji gosti i turisti dobiju od bosanskohercegovačkoga malog čovjeka pamte zauvijek.

Prošle godine održan je i prvi Story Hall of Fame u Sarajevu na kojem ste dobili nagradu za najboljega glumca. To je nagrada kap u moru dobivenih. Koliko vam one znače... i gdje ‘spava’ vaš lav?

Spava u mom uredu u Kamernom teatru čiji sam direktor. Naravno, nagrade mi znače, bila bi demagogija reći da nisu važne, ali demistificirao sam si te stvari. Nagrada je važna u smislu satisfakcije za obavljeni posao, za trud, ali uvijek ponavljam - čim je dobiješ, uzmi je i stavi iza leđa. Nije se dobro baviti umjetnošću i razmišljati o nagradama. Tad se obični ne dogodi ništa, ni umjetničko djelo ni priznanje. Osvojio sam neke od najvećih nagrada a da nisam ni znao za nominaciju, poput nagrade ‘Andrej Tarkovski’ koja se smatra neslužbenim europskim Oscarom, a dobio sam je za ulogu u filmu ‘Armin’.

Tijekom festivala, 20. kolovoza, proslavit ćete 58 rođendan. Kako ćete ga obilježiti?

Proslavit ću ga u Sarajevu, u društvu prijatelja koji će biti moji gosti na festivalu, vjerojatno uz neku dobru romsku glazbu. Već je postala svojevrsna tradicija da tijekom SFF-a organiziram večeru za prijatelje koji dođu odasvuda - Zagreba, Rijeke, Beograda..., a ja se pobrinem za atmosferu i glazbu. Jedne godine svirali su nam Mostar Sevdah Reunion, a jednom kultni orkestar Crne Mambe iz Niša, koji su trideset godina pratili mog prijatelja, pjevača Šabana Bajramovića.

Dosad ste snimili 66 igranih filmova, iza vas je 2500 odigranih predstava i stotinjak raznih uloga. Na što ste u životu najponosniji?

Na svoju djecu. I na to što sam posvećeno radio svoj posao, a ocijenjen je kao nešto što je ostavilo pozitivan trag u europskoj kinematografiji.

Performing Arts. I have happy memories connected with the SFF. There have been some great gatherings, friendships have been formed, and of course there have been some fantastic films. However, something else has also taken place: people’s perception of this part of the world has changed. The festival has succeeded in getting rid of prejudices about Bosnia as a dangerous place to live, and about Sarajevo as a traumatic post-war city. At the last SFF, there were 800 accredited journalists from 54 countries, and people also arrange their holidays around the dates of the festival because they don’t want to miss it. I think that says everything about its importance.

What are your favourite memories connected to the festival?

An actor doesn’t often have the chance to hang out with Robert De Niro, Angelina Jolie, Brad Pitt, Morgan Freeman, and Kevin Spacey. I had a conversation with Robert De Niro for more than half an hour in a Sarajevo restaurant and was really impressed by how modest he was. Ivo Andrić has an interesting idea in his book Signs by the Roadside in which he says “art raises itself to the level of simplicity”.

De Niro has definitely succeeded in doing this. When he found out that I’d won the Golden Lion at Venice, he hugged me, told me it was big award and then joked that he wouldn’t believe me until he saw it. So my daughter went home and fetched it.

What does the SFF have that other festivals don’t?

If you put the words Sarajevo Film Festival on one side of an equation, on the other I would write the word ‘atmosphere’. Quite often a well-known actor or director

I've been to the most well-known film festivals in the world, but none of them have such a great atmosphere as Sarajevo plans to come for one day but ends up staying five or six because of the atmosphere, in other words the people. I’ve been to numerous festivals all over the world, but there’s nowhere like here. Pedro Almodóvar said the same thing. This is mainly down to Mr Purivatra and his team, but the event itself spreads a great atmosphere across the city. The feedback that guests and tourists get from ordinary people from Bosnia and Herzegovina is something that stays with them forever.

Last year, the first Story Hall of Fame was held in Sarajevo and you received the award for best actor. This prize was a drop in the ocean compared to those you have received. How much do they mean to you, and where does your Golden Lion “sleep”?

It sleeps in my office at the Kamerni Theatre, where I’m director. Of course, awards mean to me. It would be demagogy to say they’re not important, but I’ve demystified them to myself. An award is important in that it provides satisfaction for a job well done and the hard work put into it. However, I always say that as soon as you win it, take it and put it behind you. It’s not a good thing to work in the arts and think about prizes. In that case, nothing usually happens. I’ve won some of the biggest awards without even knowing that I’d been nominated, like the Andrei Tarkovsky Award, which is unofficially considered to be like a European Oscar, and which I won for my role in Armin.

You’ll be celebrating your 58th birthday on 20 August, which is during the festival. How are you going to celebrate it?

I’ll celebrate it in Sarajevo in the company of friends who’ll be my guests at the festival, probably with some good Romany music. It’s become something of a tradition that during the SFF I organise a dinner for friends from all over the place – Zagreb, Rijeka, Belgrade, and take care of the atmosphere and music. One year, Mostar Sevdah Reunion played for us, and another time the cult Crne Mambe orchestra from Niš, who accompanied the singer Šaban Bajramović, performed.

You›ve been in 66 films, and taken part in 2,500 performances in a hundred different roles. What are you most proud of in your life?

My children, and also that I have done my work with dedication and that people value it as having left a positive mark on European cinematography.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

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PRESENTING

TALENTS SARAJEVO

ANA VILENICA Kao sudionici prvog Talentsa Sarajevo u sjećanju joj je posebno ostala Juliette Binoche.

As a participant in the first ever Talents Sarajevo, she particularly remembers Juliette Binoche.

Talents Sarajevo osmišljen je kao mjesto upoznavanja i razmjene iskustava talenta iz jugoistočne Europe. Ovo je 13. Talents Sarajevo, a tim će se povodom u Storyjevu paviljonu održati istoimena izložba Talents Sarajevo was conceived as a place for talent from South-East Europe to meet and exchange experiences. This will be the 13th annual Talents Sarajevo, and the occasion will also see an exhibition of the same name in the Story pavilion

AMILA TERZIMEHIĆ Otkad je bila u kampusu, karijera joj je, kaže, krenula uzlaznom putanjom.

Since being on the campus, she says that her career has really taken off.

RIJAD GVOZDEN “Svim mladim glumcima savjetovao bih da se prijave na Talents Sarajevo.”

Recommends that all young actors sign up for Talents Sarajevo.

78

Talents Sarajevo pokrenut je u suradnji s Berlinale Talentsom.

Talents Sarajevo has been launched in cooperation with Berlinale Talents.

JOVANA STOJILJKOVIĆ U kampusu Talents Sarajevo bila je prije četiri godine.

On the Talents Sarajevo campus four years ago.

Foto: Robert Gašpert, Dražen Kokorić, Filip Hofer, Marina Lopičić, Albert Michael Ramirez

JUDITA FRANKOVIĆ BRDAR U kampusu je bila 2016., a sljedeće godine sudjelovala je kao članica žirija.

On the campus in 2016, but the following year was a member of the jury.

ERMIN BRAVO U kampusu je bio 2007., a njegov kratki film ‘Breath’ lani je nagrađen Srcem Sarajeva.

On the campus in 2007, his short film Breath last year won the Heart of Sarajevo award.

ANTONETA ALAMAT KUSIJANOVIĆ Nedavno je dobila poziv Američke akademije filmskih umjetnosti i znanosti za članstvo.

Recently received an invitation to become a member of the American Academy of Motion Picture Arts and Sciences.

STJEPAN PERIĆ I danas se sjeti savjeta s Talents Sarajeva 2008.

Still remembers the advice at Talents Sarajevo 2008.

KATARINA STRAHINIĆ Bila je presretna kad su je odabrali za Talents Sarajevo, gdje joj je mentorica bila glumica Mellisa Leo. Delighted when she was chosen for Talents Sarajevo, her mentor was the actress Mellisa Leo.

CSILLA BARATHBASTAIĆ Novi ljudi i novo znanje - to je Talents Sarajevo.

New people and new knowledge – that’s Talents Sarajevo.

JELENA JOVANOVA PERIĆ U Sarajevu ju je vidjela agentica Angeline Jolie i ponudila joj ulogu u filmu ‘U zemlji krvi i meda’.

Spotted in Sarajevo by Angelina Jolie’s agent, she was offered a role in the film In the Land of Blood and Honey.

EDIN AVDAGIĆ S ekipom s kojom je bio na radionici Talents Sarajeva poslije je snimio film.

Later made a film with the team he was in at the Talents Sarajevo workshop.

DŽANA PINJO Nakon Sarajeva glumila je u filmu ‘U zemlji krvi i meda’ Angeline Jolie.

After Sarajevo, she acted in Angelina Jolie’s film In the Land of Blood and Honey.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

79

PRESENTING

TALENTS SARAJEVO

ANA VILENICA Kao sudionici prvog Talentsa Sarajevo u sjećanju joj je posebno ostala Juliette Binoche.

As a participant in the first ever Talents Sarajevo, she particularly remembers Juliette Binoche.

Talents Sarajevo osmišljen je kao mjesto upoznavanja i razmjene iskustava talenta iz jugoistočne Europe. Ovo je 13. Talents Sarajevo, a tim će se povodom u Storyjevu paviljonu održati istoimena izložba Talents Sarajevo was conceived as a place for talent from South-East Europe to meet and exchange experiences. This will be the 13th annual Talents Sarajevo, and the occasion will also see an exhibition of the same name in the Story pavilion

AMILA TERZIMEHIĆ Otkad je bila u kampusu, karijera joj je, kaže, krenula uzlaznom putanjom.

Since being on the campus, she says that her career has really taken off.

RIJAD GVOZDEN “Svim mladim glumcima savjetovao bih da se prijave na Talents Sarajevo.”

Recommends that all young actors sign up for Talents Sarajevo.

78

Talents Sarajevo pokrenut je u suradnji s Berlinale Talentsom.

Talents Sarajevo has been launched in cooperation with Berlinale Talents.

JOVANA STOJILJKOVIĆ U kampusu Talents Sarajevo bila je prije četiri godine.

On the Talents Sarajevo campus four years ago.

Foto: Robert Gašpert, Dražen Kokorić, Filip Hofer, Marina Lopičić, Albert Michael Ramirez

JUDITA FRANKOVIĆ BRDAR U kampusu je bila 2016., a sljedeće godine sudjelovala je kao članica žirija.

On the campus in 2016, but the following year was a member of the jury.

ERMIN BRAVO U kampusu je bio 2007., a njegov kratki film ‘Breath’ lani je nagrađen Srcem Sarajeva.

On the campus in 2007, his short film Breath last year won the Heart of Sarajevo award.

ANTONETA ALAMAT KUSIJANOVIĆ Nedavno je dobila poziv Američke akademije filmskih umjetnosti i znanosti za članstvo.

Recently received an invitation to become a member of the American Academy of Motion Picture Arts and Sciences.

STJEPAN PERIĆ I danas se sjeti savjeta s Talents Sarajeva 2008.

Still remembers the advice at Talents Sarajevo 2008.

KATARINA STRAHINIĆ Bila je presretna kad su je odabrali za Talents Sarajevo, gdje joj je mentorica bila glumica Mellisa Leo. Delighted when she was chosen for Talents Sarajevo, her mentor was the actress Mellisa Leo.

CSILLA BARATHBASTAIĆ Novi ljudi i novo znanje - to je Talents Sarajevo.

New people and new knowledge – that’s Talents Sarajevo.

JELENA JOVANOVA PERIĆ U Sarajevu ju je vidjela agentica Angeline Jolie i ponudila joj ulogu u filmu ‘U zemlji krvi i meda’.

Spotted in Sarajevo by Angelina Jolie’s agent, she was offered a role in the film In the Land of Blood and Honey.

EDIN AVDAGIĆ S ekipom s kojom je bio na radionici Talents Sarajeva poslije je snimio film.

Later made a film with the team he was in at the Talents Sarajevo workshop.

DŽANA PINJO Nakon Sarajeva glumila je u filmu ‘U zemlji krvi i meda’ Angeline Jolie.

After Sarajevo, she acted in Angelina Jolie’s film In the Land of Blood and Honey.

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

79

Hari Varešanović, Jasna Žalica

Story Hall Of Fame Sarajevo, Emir Hadžihafizbegović, Razija Mujanović

NOĆ EMOCIJA I GLAMURA

U kolovozu prošle godine, u Zemaljskome muzeju Bosne i Hercegovine, održan je prvi Story Hall of Fame Sarajevo.

Ususret ovogodišnjem druženju prisjećamo se nezaboravnih trenutaka

The first Sarajevo Story Hall of Fame was held last year in August at the National Museum of Bosnia and Herzegovina. This year’s event will give us even more unforgettable moments.

Bila je to noć za pamćenje, noć susreta, druženja i dobre energije, događaj koji su pohodile najveće zvijezde Bosne i Hercegovine. Dirljivim je riječima Zrinka Ferina, glavna urednica časopisa Story, otvorila veličanstvenu večer u vrtu Zemaljskog muzeja u Sarajevu, gdje su prvi put u deset kategorija dodijeljene nagrade Story Hall of Fame, odnosno originalne statue, rad suvremenog umjetnika Ivana Fijolića, najistaknutijim bosansko-hercegovačkim javnim osobama. Program su vodili glumci Nives Ivanković i Enis Bešlagić, koji su briljirali kao voditeljski par i osvojili su simpatije uzvanika. Emir Hadžihafizbegović slavio je u kategoriji najboljega glumca. To je samo jedna u nizu nagrada talentiranog Emira koji ne prestaje oduševljavati publiku u BiH, ali i cijeloj regiji.

Njegova kolegica Jasna Žalica ponijela je titulu najbolje glumice. O njezinim zapaženim ulogama u filmovima ‘Takva su pravila’, ‘Žena sa slomljenim nosom’ i brojnim drugima publi-

It was a night to remember, a night to get together and a night of positive energy at an event attended by the biggest stars of Bosnia and Herzegovina.

The editor-in-chief of Story magazine, Zrinka Ferina, opened a magnificent evening in the garden of the National Museum in Sarajevo, where for the first time Story Hall of Fame awards were presented in ten different categories. The awards were original statues made by the contemporary artist Ivan Fijolić and presented to the most prominent public figures in Bosnia and Herzegovina.

The programme was hosted by the actors Nives Ivanković and Enis Bešlagić, who did their job brilliantly and earned plenty of plaudits. Emir Hadžihafizbegović won the award for best actor. This was one in a series of awards for the talented Emir, who never ceases to impress audiences not only in Bosnia and Herzegovina but the region as a whole. His colleague Jasna Žalica received the award for best actress. Her great performances in films such as Takva su pravila

80 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

NIGHT OF EMOTIONS AND GLAMOUR

ka ne prestaje ni danas govoriti. - Prije svega želim zahvaliti svim kolegama s kojima sam surađivala. Jer ako glumac nema dobre partnere, ne može biti dobar. Imala sam sjajne partnere i zato sam ovoliko dobra, kao što su večeras rekli izjavila je oduševljena Jasna. Za najboljeg pjevača izabran je Hari Varešanović, poznatiji kao Hari Mata Hari, čije pjesme godinama oduševljavaju tisuće poklonika, a njegova glazba svaki dan pronalazi put do srca novih obožavatelja. Talentirana kantautorica zabavne i pop glazbe Maya Sar, koja je na Eurosongu 2012. predstavljala Bosnu i Hercegovinu, nije skidala osmijeh s lica nakon što je proglašena najboljom pjevačicom. - Privilegij je dobiti ovu nagradu, kao i baviti se poslom koji istinski voliš - rekla je Maya. Najboljim bendom proglašena je pop-rock glazbena skupina Letu štuke. - Iznenađen sam nagradom jer je nisam očekivao. Moram priznati da nisam obožavatelj priznanja i ne patim za njima, ali uvijek je lijepo kada netko uoči vaš trud i ljubav prema onome što radite - rekao je vođa i pjevač benda Dino Šaran. Za najbolje TV lice izabran je Senad Hadžifejzović, koji se novinarstvom bavi od svoje 12. godine. Senad je dosad osvojio brojne nagrade, a svojim oštrim novinarskim perom korektor je društva i komentator javnih događanja. Najboljim filmom proglašen je ‘Žaba’ redatelja Elmira Jukića, a riječ je o ekranizacija kultne kazališne drame pisca i dramaturga Dubravka Mihanovića. Bivša košar-

(‘These are the Rules’), Žena sa slomljenim nosom (‘Woman with a Broken Nose’), and others are still talked about today. “First of all, I would like to thank all the colleagues I’ve worked with. If an actor doesn’t have good colleagues, he or she can’t be a good actor. I’ve had great colleagues and that’s why I’ve won this award,” said Jasna. Hari Varešanović, better known as Hari Mata Hari, won the award for best singer. His songs have delighted his thousands of fans for many years now and every day find their way into the hearts of new admirers. The talented pop singer-songwriter, Maya Sar, who represented Bosnia and Herzegovina at the 2012 Eurovision Song Contest, had a big smile on her face after being named best female singer. “It’s a great privilege to win this award, and to have a job you really like,” said Maya. The award for best band was won by pop-rock group Letu Štuke. “I’m surprised by the award because I didn’t expect it. I have to admit that I am not a fan of awards and I don’t strive to win them, but it’s always nice when someone recognises your efforts and love for what you are doing,” explained band leader and singer Dino Šaran. Senad Hadžifejzović, who has been a journalist since he was 12, was voted best TV personality. Senad has won numerous awards, and his sharp journalistic style acts as a corrective and commentary when it comes to society and public events. The best film was Žaba (‘The Frog’) by Elmir Jukić, the screenplay of which was based on the play by Dubravko

Ademir Kenović, Maya Sar

SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

81

Hari Varešanović, Jasna Žalica

Story Hall Of Fame Sarajevo, Emir Hadžihafizbegović, Razija Mujanović

NOĆ EMOCIJA I GLAMURA

U kolovozu prošle godine, u Zemaljskome muzeju Bosne i Hercegovine, održan je prvi Story Hall of Fame Sarajevo.

Ususret ovogodišnjem druženju prisjećamo se nezaboravnih trenutaka

The first Sarajevo Story Hall of Fame was held last year in August at the National Museum of Bosnia and Herzegovina. This year’s event will give us even more unforgettable moments.

Bila je to noć za pamćenje, noć susreta, druženja i dobre energije, događaj koji su pohodile najveće zvijezde Bosne i Hercegovine. Dirljivim je riječima Zrinka Ferina, glavna urednica časopisa Story, otvorila veličanstvenu večer u vrtu Zemaljskog muzeja u Sarajevu, gdje su prvi put u deset kategorija dodijeljene nagrade Story Hall of Fame, odnosno originalne statue, rad suvremenog umjetnika Ivana Fijolića, najistaknutijim bosansko-hercegovačkim javnim osobama. Program su vodili glumci Nives Ivanković i Enis Bešlagić, koji su briljirali kao voditeljski par i osvojili su simpatije uzvanika. Emir Hadžihafizbegović slavio je u kategoriji najboljega glumca. To je samo jedna u nizu nagrada talentiranog Emira koji ne prestaje oduševljavati publiku u BiH, ali i cijeloj regiji.

Njegova kolegica Jasna Žalica ponijela je titulu najbolje glumice. O njezinim zapaženim ulogama u filmovima ‘Takva su pravila’, ‘Žena sa slomljenim nosom’ i brojnim drugima publi-

It was a night to remember, a night to get together and a night of positive energy at an event attended by the biggest stars of Bosnia and Herzegovina.

The editor-in-chief of Story magazine, Zrinka Ferina, opened a magnificent evening in the garden of the National Museum in Sarajevo, where for the first time Story Hall of Fame awards were presented in ten different categories. The awards were original statues made by the contemporary artist Ivan Fijolić and presented to the most prominent public figures in Bosnia and Herzegovina.

The programme was hosted by the actors Nives Ivanković and Enis Bešlagić, who did their job brilliantly and earned plenty of plaudits. Emir Hadžihafizbegović won the award for best actor. This was one in a series of awards for the talented Emir, who never ceases to impress audiences not only in Bosnia and Herzegovina but the region as a whole. His colleague Jasna Žalica received the award for best actress. Her great performances in films such as Takva su pravila

80 SARAJEVO FILM FESTIVAL / 16-23/08/2019 / www.sff.ba

NIGHT OF EMOTIONS AND GLAMOUR

ka ne prestaje ni danas govoriti. - Prije svega želim zahvaliti svim kolegama s kojima sam surađivala. Jer ako glumac nema dobre partnere, ne može biti dobar. Imala sam sjajne partnere i zato sam ovoliko dobra, kao što su večeras rekli izjavila je oduševljena Jasna. Za najboljeg pjevača izabran je Hari Varešanović, poznatiji kao Hari Mata Hari, čije pjesme godinama oduševljavaju tisuće poklonika, a njegova glazba svaki dan pronalazi put do srca novih obožavatelja. Talentirana kantautorica zabavne i pop glazbe Maya Sar, koja je na Eurosongu 2012. predstavljala Bosnu i Hercegovinu, nije skidala osmijeh s lica nakon što je proglašena najboljom pjevačicom. - Privilegij je dobiti ovu nagradu, kao i baviti se poslom koji istinski voliš - rekla je Maya. Najboljim bendom proglašena je pop-rock glazbena skupina Letu štuke. - Iznenađen sam nagradom jer je nisam očekivao. Moram priznati da nisam obožavatelj priznanja i ne patim za njima, ali uvijek je lijepo kada netko uoči vaš trud i ljubav prema onome što radite - rekao je vođa i pjevač benda Dino Šaran. Za najbolje TV lice izabran je Senad Hadžifejzović, koji se novinarstvom bavi od svoje 12. godine. Senad je dosad osvojio brojne nagrade, a svojim oštrim novinarskim perom korektor je društva i komentator javnih događanja. Najboljim filmom proglašen je ‘Žaba’ redatelja Elmira Jukića, a riječ je o ekranizacija kultne kazališne drame pisca i dramaturga Dubravka Mihanovića. Bivša košar-

(‘These are the Rules’), Žena sa slomljenim nosom (‘Woman with a Broken Nose’), and others are still talked about today. “First of all, I would like to thank all the colleagues I’ve worked with. If an actor doesn’t have good colleagues, he or she can’t be a good actor. I’ve had great colleagues and that’s why I’ve won this award,” said Jasna. Hari Varešanović, better known as Hari Mata Hari, won the award for best singer. His songs have delighted his thousands of fans for many years now and every day find their way into the hearts of new admirers. The talented pop singer-songwriter, Maya Sar, who represented Bosnia and Herzegovina at the 2012 Eurovision Song Contest, had a big smile on her face after being named best female singer. “It’s a great privilege to win this award, and to have a job you really like,” said Maya. The award for best band was won by pop-rock group Letu Štuke. “I’m surprised by the award because I didn’t expect it. I have to admit that I am not a fan of awards and I don’t strive to win them, but it’s always nice when someone recognises your efforts and love for what you are doing,” explained band leader and singer Dino Šaran. Senad Hadžifejzović, who has been a journalist since he was 12, was voted best TV personality. Senad has won numerous awards, and his sharp journalistic style acts as a corrective and commentary when it comes to society and public events. The best film was Žaba (‘The Frog’) by Elmir Jukić, the screenplay of which was based on the play by Dubravko

Ademir Kenović, Maya Sar

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Za odličnu atmosferu pobrinuli su se članovi Film Music Orkestra Members of Film Music Orkestar create great atmosphere

Dolazak Mirsada Purivatre, direktora Sarajevo Film Festivala, i glazbene legende Saše Lošića posebno je razveselio Zrinku Ferinu, glavnu urednicu Storyja Arrival of Mirsad Purivatra, director of Sarajevo Film Festival, and music legend Saša Lošić, delighted Zrinka Ferina, editor-in-chief of Story magazine Nebojša Rosić i Ivana Krajinović, članovi Uprave Adria Medije Zagreb, bili su iznimno zadovoljni uspjehom događaja Nebojša Rosić and Ivana Krajinović, members of the Board Adria Media Zagreb, were very satisfied with event

Glumac Enis Bešlagić u dobrom društvu sa Zerinom Patković i Minjom Šurković, novinarkama TV1 Actor Enis Bešlagić in a good company with Zerina Patković and Minja Šurković, TV1 journalists

kašica Razija Mujanović, čiji je nevjerojatan životni put inspiracija mnogim generacijama, proglašena je najboljom sportašicom.

Ona je 2017., uz velikane kao što su Shaquille O’Neal, Toni Kukoč, Mickey Berkowitz, Valdis Valters i Dušan Ivković, primljena u FIBA-u, odnosno košarkašku Kuću slavnih. Bojan Hadžihalilović izabran je za najboljeg dizajnera. Bojan je sa suprugom Dadom osnivač agencije Fabrika, koja je već godinama jedna od najuspješnijih u regiji. Nagrada za životno djelo pripala je Ademiru Kenoviću, uglednom bosanskohercegovačkom redatelju, producentu i scenaristu. - Najprije bih pozdravio sve koji stvaraju Story, jer se vaš časopis bavi pozitivnim stvarima, uvijek prepoznajete i nagrađujete rad.

Drago mi je što se tu smjestio i moj rad. Jako smo polaskani kada mediji dođu u Sarajevo, nama je to velika čast i privilegij - istaknuo je Kenović. Prije dodjele prethodio je glamurozan crveni tepih kojim su uzvanici hodali praćeni zvucima violine koju je svirala Lejla Piljević.

Nakon dodjele nastupila je plesna skupina Fresh Generation, a potom Film Music Orkestar, čiji se nastup savršeno uklopio u prekrasan ambijent. Uzvanici su uistinu uživali u zabavi s pedigreom, a sigurni smo da će i ovogodišnji Story Hall of Fame Sarajevo, koji će se održati 15. kolovoza, biti događaj za pamćenje.

Mihanović. Former basketball player Razija Mujanović, whose incredible life has been an inspiration to so many, was selected as best athlete. She was elected to the FIBA Basketball Hall of Fame in 2017 together with great players such as Shaquille O’Neal, Toni Kukoč, Mickey Berkowitz, Valdis Valters and Dušan Ivković.

Bojan Hadžihalilović was chosen as the best designer. Together with his wife Dada, he founded Fabrika, one of the most successful marketing agencies in the region. The Lifetime Achievement Award was presented to Ademir Kenović, the respected Bosnian director, producer and screenwriter. “First of all, greetings to all those who produce Story, because your magazine deals with positive things, always recognising and rewarding hard work. I’m glad that you’ve recognised my work too. We are very excited when the media arrives in Sarajevo. It’s a great honour and privilege for us,” said Kenović. The award ceremony was preceded by glamour on the red carpet accompanied by violinist Lejla Piljević. The energy at the after party was provided by dance group Fresh Generation, followed by Film Music Orchestra, who perfectly captured the great atmosphere. The guests really enjoyed the party, and we are sure that this year’s Sarajevo Story Hall of Fame, which be held on August 15, will be another event to remember.

Tekst/ Text Nikolina Guja, Martina Rafaeli Fotografije/Photos Robert Gašpert, Dražen Kokorić, Jasmin Alibegović, Samir Caca i Armin Graca

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Pjevačica Neda Ukraden uživala je u ambijentu Singer Neda Ukraden enjoyed the ambiance

Glumac Emir Hadžihafizbegović u društvu Zrinke Ferine, glavne urednice časopisa Story Actor Emir Hadžihafizbegović with the editorin-chief of Story magazine, Zrinka Ferina

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