April 18, 2018 Santa Fe Reporter

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CHRISTUS ST. VINCENT NEUROSURGICAL ASSOCIATES

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APRIL 18-24, 2018 | Volume 45, Issue 16

WE ARE

NEWS OPINION 5

comfortable .

We found a home where we could be one big happy family. Century Bank’s Mortgage team made buying our home quick and easy. Century is OUR BANK.

NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 BADGE RACE 9 Who’s all running for sheriff and what do they want to do?

WELL WELL 11 Anticipating dry rivers, the city of Santa Fe will draw its summer water from wells that have been waiting for their moment to shine COVER STORY 12

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PUT A BEAD ON IT The Museum of International Folk Art is on a mission to make everybody look at beads and say something like, “Oh, damn.” And so you will when Beadwork Adorns the World opens on Sunday April 22.

MIND BODY SPIRIT Essays ponder thought, health and religion THE ENTHUSIAST 19 HUMANS IN A FLAMMABLE FOREST It’s no surprise that this fire season could be wicked. Start fire convos now to stay safe

Cover design by Anson Stevens-Bollen artdirector@sfreporter.com

CULTURE

MyCenturyBank.com 505.995.1200

EDITOR AND PUBLISHER JULIE ANN GRIMM

SFR PICKS 23 Snail Mail, expanding bands, comas and goats

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE

THE CALENDAR 25

ART DIRECTOR ANSON STEVENS-BOLLEN

MUSIC 27

CULTURE EDITOR ALEX DE VORE STAFF WRITERS AARON CANTÚ MATT GRUBS

EAST MEETS WEST Bollywood Club Invasion turns 10

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CONTRIBUTING EDITOR JEFF PROCTOR

A&C 31 PUT A BEAD ON IT How’d them beads get over there, anyhow?

SAVAGE LOVE 32 Burning questions, hopefully no burning loins

CONTRIBUTING WRITERS MARY FRANCIS CHEESEMAN TIFFANY M CURTIS ALICIA INEZ GUZMÁN IRIS MCLISTER ELIZABETH MILLER LAURA PASKUS DIGITAL SERVICES MANAGER BRIANNA KIRKLAND PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER

FOOD 37 A TASTE OF VINTAGE ITALIA Bruno’s does pizza like grandpa used to

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MOVIES 39 RAMPAGE REVIEW Dwayne “The Pain” Johnson (nobody calls him that) and the gigantification of apes ’n’ such

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APRIL 18-24, 2018

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MARCH 7-13, 2018

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ANSON STEVENS-BOLLEN

LETTERS

Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

COVER, APRIL 11: “NERVOUS ABOUT DATING? #METOO”

YOU CAN’T SIT WITH US As a young, white, college-educated, masculine-centered, lesbian female, who regularly has hostile encounters with mostly middle-aged, mostly white men that have led to violent attacks, this article disheartened me. #MeToo is about those who have encountered abuse/rape/harassment not dating anxiety. Being that the article was about theoretical scenarios of violence and hostility, and moreover about dating anxiety, which occurs for all kinds of well founded reasons, I think it was an inappropriate time to include a conversation about #MeToo which is about something that has in fact happened. How about ‘nervous about dating’ #anxietyattackahh and start your own movement.

STERLING FENDER SANTA FE

COVER, MARCH 28:

me home. Antoinette—your poem is beautiful! Congratulations!

VICTORIA YEARY SFREPORTER.COM

LETTERS, MARCH 7: “JUDGING BY THE COVER”

A DIFFERENT TAKE I am a former SFUAD student, now graduate, who read the letter published concerning the cover story “Stairway to Nowhere.”

First and foremost, the title (which seemed to be the cause for the letter) accurately captures my SFUAD experience from day one. Though I made friendships and had a valuable education due to the efforts of incredible professors, defending even the campus seems like a desperate cling to yet another for profit institution. Let me rephrase that: I’m sure if you weren’t financially on the hook for the terribly unsafe housing, lack of security and spontaneous fees, it must seem harsh. It isn’t. I’m writing in as the largest part of former SFUAD students who are finding it difficult to defend any aspect of what happened. It is time now to separate the romance of the college experience from the destruction SFUAD ultimately caused on the lives of those speaking out as well as those staying quiet.

I wish us all luck moving forward to brighter, more permanent things.

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Consider the Possibilities

SALEM FARRELL SANTA FE

“SPRING POETRY SEARCH”

WELL DONE I love all three poems! Having lived in Santa Fe and the Southwest, the landscape and environment in each of these poems calls

SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

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3/20/18 3:50 PM5 APRIL 18-24, 2018

7 DAYS CITY COUNCILORS PROPOSE DRINKING STRAW BAN Handful of sea turtles to be murdered with straws to really drive the point home.

SANTA FE WOMAN WINS PULITZER FOR LAURA INGALLS WILDER BIOGRAPHY

Probably prancing through a flower-filled meadow as we speak.

KENDRICK LAMAR WINS ONE, TOO Damn!

SNL‘S LOBSTER LES MIZ EASILY BECOMES BEST THING OF ALL TIME And we’ve read that Wilder biography.

NEWSPRINT TARIFFS PUT MORE STRAIN ON PRINT PRODUCTS SFR staffers to toss a bunch of newspapers in the harbor in protest.

VALERIE PLAME DISSES TRUMP OVER LIBBY PARDON Grrrrl, tell us about it.

SESSIONS PLEDGES ZERO TOLERANCE POLICY FOR UNDOCUMENTED IMMIGRANTS While playing this new Pokemon game he found.

Gotta catch ‘em all.

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APRIL 21 Don’t We Never Learn?

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APRIL 27

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APRIL 18-24, 2018

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S FR E P O RTE R .CO M / N E WS

yourself,” Anaya says of his approach.

“I did it for so many years. And that’s probably why a lot of people know me.”

On opioids, Anaya says he would model a new program off the Safe Passage program in Lee County, Illinois, which encourages people seeking treatment to bring drugs and drug paraphernalia to the sheriff’s office for disposal.

Leonard Romero says if he’s elected to the job, he would also want the county to hire several dozen new sheriff’s deputies so there would be more of them “interact[ing] with the public as much as possible and hopefully portray a very positive image to the youth.”

Romero, a former sheriff’s deputy whose career also includes a decades-long stint as an SFPD officer and a year and a half with Pojoaque Tribal Police, sees young people as both an educational frontline against opioids and a recruiting pool for future deputies. He recorded $1,400 in contributions.

Concerning education on drug use, Romero says, “I think we need to emphasize [it] a little more, perhaps branch into the schools. Because a lot of school kids now are getting involved in opioids, cocaine, stuff like that.”

As for how he envisions his deputies interacting with the community, he suggests that for “one day a week, [deputies] interact with public and businesses and find out what’s going on in that particular area of the county.”

Linda Ortiz, who ran for sheriff in 2006, also believes deputies should have more of a presence throughout the county. The retired sheriff’s deputy has raised $4,195.12 for the race.

“If the community can help us out by being our eyes and ears out there, we’d be able to handle calls a lot quicker, our officers need to get out in rural areas and associate with our community,” Ortiz says.

In addition to asking the county for more deputies, Ortiz says she wants to create a mental health division that would provide “across-the-board training for the entire department to manage [a] person with mental health issues” and designate two deputies per shift to respond to service calls involving mental crises.

With no Republican seeking the office in the November general election, the winner of the June 8 primary is the presumptive sheriff-elect.

Badge Race Four candidates for Santa Fe County Sheriff are running on the same platform of more deputies and more face time

BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m

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andidates running to be Santa Fe County’s next sheriff will carry out duties that have remained mostly consistent since 1846, when provisional governor Charles Bent installed a sheriff for the newly created Santa Fe County as part of the United States’ colonization of this region.

Like sheriffs in Medieval England and, later, the American colonies, the Santa Fe County Sheriff’s Office enforces law and court orders in non-urban areas. The county encompasses 1,911 square miles, from Española city limits in the north to the town of Edgewood in the south.

Deputies enforce civil actions by the state District Court, including orders to enforce the legal outcomes of civil disputes and writs allowing deputies to seize property and remove people from homes.

Several deputies also patrol the district and magistrate courts.

The four Democratic sheriff candidates running in the June primary to succeed incumbent Robert Garcia tell SFR deputies should take more action in non-punitive areas like mental health and opioid abuse, and should build intelligence relationships with people in remote areas of the county.

Three out of four also want more deputies, but offered no empirical evidence why they’re needed.

Campaign finance records show that Adan Mendoza, who retired with the rank of major from the sheriff’s office in 2016, is far ahead of the other three candidates in electoral contributions, reaching $15,636 as of an April 9 report. Mendoza

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has received small donations from former City Councilor Ron Trujillo and his wife Amber, as well as current Sheriff Robert Garcia and wife Christina, and current Undersheriff Ron Madrid.

In February, Mendoza also posted a $5,000 combined contribution from his parents, Gloria and Samuel Mendoza. Last year, Gloria Mendoza became the face of a politically conservative group in Santa Fe whose public reputation was ruined after she and others posted racist and abrasive things online.

In an interview, Mendoza says he wants the sheriff’s department to take a greaterer role in stemming opioid abuse, and wants to start a version of the city’s Law Enforcement Assisted Diversion program in the county. Deputies began to carry the anti-overdose medication naloxone in 2014 at his urging.

“I’m proud of that accomplishment because the sheriff’s office did something that was not enforcement-based,” Mendoza tells SFR. He also wants to ask the county for an additional 20-30 deputies to saturate rural areas, but acknowledges no objective study has been done to determine whether more are actually needed.

FBI statistics show there were 111 violent crimes in 2016, higher than 57 in 2014 but nearer to 94 and 95 in 2012 and 2010, respectively. Data from the sheriff’s office shows burglary crimes fell by almost 40 percent over the last nine years.

Manuel Anaya says he has taken a leave of absence from his job as investigator for the Public Regulation Commission to run for sheriff. A former Santa Fe city police officer as well as a former sheriff’s deputy, Anaya says he’s a proponent of officers introducing themselves to residents in their downtime. He’s recorded $2,712.42 in contributions so far.

“If there’s no calls for service, then stop by at a residence and introduce

NEWS

DEMOCRATIC PARTY OF SANTA FE COUNTY SHERIFF CANDIDATE FORUM Top to Bottom: Linda Ortiz, Adan Mendoza, Leonard Romero and Manuel Anaya.

6 pm Wednesday April 18. Free.

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OCTOBER 25-31, 2017

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In Pursuit of Cultural Freedom

READINGS & CONVERSATIONS

is a lecture series on political, economic, environmental, and human rights issues featuring social justice activists, writers, journalists, and scholars.

brings to Santa Fe a wide range of writers from the literary world of fiction, nonfiction, and poetry to read from and discuss their work.

CLIVE HAMILTON

COLSON WHITEHEAD

with

LISA SIDERIS

with

KEVIN YOUNG

WEDNESDAY 2 MAY AT 7PM LENSIC PERFORMING ARTS CENTER

WEDNESDAY 9 MAY AT 7PM LENSIC PERFORMING ARTS CENTER

This is not a book of warning; it is a book groping toward an understanding of what it means after 200,000 years of modern humans on a 4.5 billion-yearold Earth to have arrived at this point in history, the Anthropocene. I say “groping toward” because the change has come upon us with disorienting speed. . . . Most citizens ignore or downplay the warnings; many of our intellectuals indulge in wishful thinking; and some influential voices declare that nothing at all is happening, that the scientists are deceiving us. Yet the evidence tells us that so powerful have humans become that we have entered a new and dangerous geological epoch, defined by the fact that the “human imprint on the global environment has now become so large and active that it rivals some of the great forces of Nature in its impact on the functioning of the Earth system.”

Colson Whitehead is the author of The Underground Railroad,

— from Defiant Earth: The Fate of Humans in the Anthropocene © 2017

Clive Hamilton is an Australian author, public intellectual, and professor of public ethics at Charles Sturt University in Australia. He is the founder and former executive director of the Australia Institute, a progressive think tank. Hamilton has published on a wide range of subjects. His most recent books include The Freedom Paradox: Towards a Post-Secular Ethics, Requiem for a Species: Why We Resist the Truth about Climate Change, and Defiant Earth: The Fate of Humans in the Anthropocene.

winner of the 2017 Pulitzer Prize, the National Book Award, and the Carnegie Medal for Fiction. The book chronicles the life of Cora, a slave on a cotton plantation in Georgia, and her quest for freedom through the Underground Railroad, no longer a metaphor but reimagined as an actual set of tracks, tunnels, and conductors lying just beneath the southern soil. His other novels include The Intuitionist, a finalist for the PEN/Hemingway Award; John Henry Days; Apex Hides the Hurt; and Zone One. His 2009 book Sag Harbor, described by the Washington Post as “a kind of black Brighton Beach Memoirs,” is a coming-of-age story of an African American teen who summers in the Hamptons. Whitehead has also written a book of essays about his hometown, The Colossus of New York. His book The Noble Hustle: Poker, Beef Jerky & Death, is a nonfiction account of the 2011 World Series of Poker. His reviews, essays, and fiction have appeared in publications such as the New York Times, The New Yorker, Harper’s, and Granta. A recipient of a Whiting Writers Award, a MacArthur Fellowship, and a Guggenheim Fellowship, he has taught at several universities, including Wesleyan, Princeton, and Columbia.

Kevin Young’s books include The Grey Album: On the Blackness T I C K E T S O N S A L E N OW ticketssantafe.org or call 505.988.1234 $8 general/$5 students and seniors with ID Ticket prices include a $3 Lensic Preservation Fund fee.

Video and audio recordings of Lannan events are available at:

lannan.org 10

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of Blackness and Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News.

LAURA PASKUS

S FR E P O RTE R .CO M / N E WS

B Y L A U R A PA S K U S

The Rio Grande is likely to dry in Albuquerque this summer.

Well, Well With rivers low and expected to keep dropping, Santa Fe depends on groundwater this summer

BY JULIE ANN GRIMM e d i t o r @ s f r e p o r t e r. c o m

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roundwater wells that have mostly been resting on the city’s west side since the construction of a Rio Grande diversion are likely to get put back into action this summer.

Dismal snowpack and low rainfall so far this spring mean water in the river is scarce.

These have long been the plans in Santa Fe, where officials decided in the early 2000s to build a massive infrastructure project to draw water off the river. The Buckman Direct Diversion went online in 2011, becoming a fourth source in the water supply portfolio for Santa Fe’s homes and businesses, along with two well fields and the Rio Grande. Since the reservoirs on the smaller Santa Fe River are also low due to the drought conditions, that leaves the wells.

The city’s policy is to “minimize groundwater use in years when surface water availability is limited—like this year,” reads a memo from water utility staff to diversion board managers late last month explaining the plan.

City Water Division Director Rick Carpenter tells SFR he doesn’t anticipate a supply problem this season.

“Those wells have all been resting and the water levels are coming up. Two examples that I can give are two Buckman wells that have recovered so much that they have gone artesian, which means that the water is coming out of them, we don’t even have to pump them,” he says. “So the aquifer is recovered. That is always what we had hoped for. If we do have to pump the wells all summer, we should be fine.”

Most of the water drawn each year at the Buckman is technically water piped into the Rio Grande over the continental divide from the San Juan River in Colorado to the Chama River in New Mexico.

And that—coupled with availability of other water to carry it, and additional water from local reservoirs—has been

able to meet the majority of demand in recent years. Not so for this summer.

The memo contemplates two operational scenarios: one in which the diversion is shut down for three months, and one in which it draws just enough water to stay open.

Conservation education and restrictions in the city have led to water use generally declining over the past two decades. Officials say the city would likely need about 10,000 acre-feet this year, and given the surface water shortage, just over half that is expected to now come from the wells. During July and August, more water would be produced from wells than any other source.

If the rivers stay dry past one or two summers, however, all that could rapidly change, as Carpenter notes.

“A long drought that goes for years and years is completely a different challenge than one that goes on for one or two,” he says.

The city’s normal dry-season water restrictions are set to kick in from May 1 to Oct. 31, and Carpenter says he’s not aware of any plans to make use rules tougher.

SEASONAL RULES FOR WATER USE Outdoor watering is prohibited from 10 am-6 pm, and is recommended no more than three days a week. No use of power washers or hoses to clean driveways, sidewalks, parking lots, outdoor eating areas and other hard surfaces; Shut-off nozzles on hoses used for hand watering are required.

Last year at this time, snowmelt was pouring down the Rio Grande, flooding riparian restoration projects, filling out farm fields and even pressing against levees. This year, the lack of snowpack throughout the watershed’s mountain ranges has left the Rio Grande low and slow—and dry for 14 miles south of Socorro. Currently, the river is dry through the Bosque del Apache National Wildlife Refuge.

The US Bureau of Reclamation’s Albuquerque office issued the agency’s 2018 forecast for water operations on the Rio Grande on April 11.

“It’s fortunate we have those dams and reservoirs up there,” Reclamation’s Albuquerque Area Manager Jennifer Faler said at the meeting, referring to reservoirs in Northern New Mexico. “That’s why we have them.”

But later this summer, water stored in upstream reservoirs for the Middle Rio Grande Conservancy District and the Albuquerque-Bernalillo County Water Utility Authority is expected to run out, as is Reclamation’s supplemental water. That refers to water the federal agency leases to boost flows in the river and protect endangered species like the Rio Grande Silvery Minnow.

“We do expect to see drying in the Albuquerque reach this year,” Faler said of the stretch of the Rio Grande that runs through the state’s largest city.

“And misery loves company,” she said. “On the Pecos [River], we’re expecting zero runoff from snowmelt into the reservoirs this year.”

In difficult times, people work together better, she said, adding, “We expect a ton of cooperation this year.”

During his presentation of the 2018 operating plan for the

NEWS

Rio Grande, which is compiled each year by Reclamation and the US Army Corps of Engineers, hydrologist Ed Kandl offered more details.

In addition to the news about the conservancy district’s stored water and Reclamation’s supplemental water running out, Kandl said New Mexico will likely enter into what’s called Article 7 conditions on the Rio Grande by May. Under the Rio Grande Compact—the agreement under which Colorado, New Mexico and Texas share the river’s water—New Mexico is not allowed to store water in upstream reservoirs if Rio Grande Project storage is less than 400,000 acre-feet in Elephant Butte and Caballo reservoirs. Reclamation’s Rio Grande Project supplies water to Texas, and also farmers in southern New Mexico.

Kandl shared slides forecasting flows along the Rio Grande based on the winter’s snowpack analysis. Of the Embudo gage in Northern New Mexico, he said, “We’ll be flirting with 100 [cubic feet per second] throughout most of the year.” (According to 86 years of USGS data, it should average 936.) Already this year, that stretch of the river has been running at less than half what it normally does.

The “scariest” one, Kandl said, is the 2018 flows for the Rio Grande at the Central Avenue Bridge in Albuquerque, where the river will likely dry this spring and summer.

Kandl and Faler both said area residents should be prepared to see the dry riverbed.

“The worst part is still coming,” Kandl said. “Though, maybe we’ll have a good monsoon.”

A version of this story was first published by New Mexico Political Report.

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APRIL 18-24, 2018

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Have you spent many moments you what isn’t supposed to be there (cigarette smoke). Finally, with your mind lately?

Tiffany Curtis explores how the Is your body a temple or an C-word (as in, Christiantity) indestructible dumpster? A can still carry spirituality today. place to make a political stand The publication coincides or the way to manifest selfwith SFR’s fifth annual Mind love—or both?

Body Spirit Expo, and we corCan you feel a spirit moving dially invite you take some time or are you stiff inside?

Stretch it all out. with whatever you are pondering, feeling or seeking and The four essays that make visit more than 30 participants up our Mind Body Spirit issue are windows into personal tales from the community. Like these writers, they’re thinking about about these interconnected healing, exercise, nutrition, concepts. We’re not about to counseling, meditation and lecture you on better living, but more. rather crack open a bit of ourselves to see what’s in there.

First, a mental meld with music and a glimpse into knowing what you don’t know as Charlotte Jusinski takes on mind. Then, in a wrestling SFR’S MIND BODY SPIRIT EXPO match of sorts, Alex De Vore 10 am-3 pm Saturday April 21. Free. writes about what he wants to Genoveva Chavez Community put into his body (vegetables) Center, 3221 W Rodeo Road; while Jeff Proctor needs to tell Call SFR for info: 988-5541

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APRIL 18-24, 2018

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PATRICK JORDAN; COURTESY PHISH.COM

Actual image of the Phish show at Dick’s on Sept. 4, 2015, at which the writer was slightly out of frame, to the right, stoned out of her gourd.

We’re All in the Bathtub Now CANNABIS, PHISH, THE BRAIN AND INSIDE-OUT FROGS

BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m

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here are certain bands that draw audiences that just magically all become best friends; it’s probably unsurprising that Phish is one of those bands. And old habits die hard, so despite 2014’s breakup with the boyfriend who took me to my first 15-ish shows, I still do my best to make the pilgrimage to Dick’s Sporting Goods Arena near Denver every Labor Day Weekend for a three-night run and tent camping in a soccer field with a few thousand other debauchers.

A little background: I’m probably the only kid on the planet on whom DARE (“Just Say No!”) actually worked. I made it through high school and an arts college without ever touching a drug harder than caffeine. In September of 2015, I had just turned 30, and years of singing lessons and the “never smoke anything ever” rule had made me demure every time marijuana came my way at parties.

Expectedly, Phish shows are straight-up bacchanalias. There are always families with kids and there are usually AA meetings onsite, but

it’s generally much easier to get high than it is to not. Super-relaxed after having spent a day lounging in the sun, that Friday of the 2015 Labor Day run I headed into the stadium and parked on a cold bleacher. I struck up a conversation with three dudes behind me, and they asked if I was there alone. I said yes.

“Oh, man! Congrats!” one said. He rummaged in his pocket. “You smoke?”

“Sometimes.” Liar.

He pulled out a partially smoked pre-roll. “We killed half of it but there’s plenty left.”

I took it and said thanks. I tucked it in my pocket as we waited for the show to start. The night was getting cooler. I had no one to answer to. I was 30 fucking years old and I had earned the right to smoke some weed, dammit. It was legal where I was. I wasn’t singing any time soon. I was with 27,000 of my best friends.

So I took a hit. I coughed like an idiot. It didn’t feel like anything. I took another. Okay. I’d wait, now, I guess.

Tracking back through obsessively kept set lists from the savants over at Phish.net, I was able to confirm my memory that it really kicked in during “Bathtub Gin.” An easy YouTube search brings me to the recording of that exact performance. And yep, there he goes— pianist Page McConnell starts going off on tangents, there’s a cluster of guitar noodling, and falsetto voices came from what felt like nowhere.

Whereas the music had always been fun to listen to and the light shows had

This night, music became a language that I spoke fluently.

I could get inside the song; understand its nuts and bolts. always been fun to watch, suddenly, it all made sense. I could hear the main melody buried deep in the noodling.

I got it. Further: Music theory made sense. Something about steps and tonal systems, endless variations on a theme? I don’t know.

As a teen I dreamed of being a musician, but eventually quit because I wasn’t very good at the intellectual understanding of the art. But this night, music became a language that I spoke fluently. I could get inside the song; understand its nuts and bolts. The lights became a language, and I knew what parts of the music meant what color light. The notes turned inside-out (black and white for piano notes and blue frogs for the guitars). Music made so much sense.

According to the 1972 Canadian Le Dain Commission document Inquiry

into the Non-Medical Use of Drugs, “many profound changes in thought and perception are reported by [cannabis] users;” the document—which puts the word “high” in quotation marks, by the way—goes on to reference “the rather amorphous psychological effects of cannabis,” but eventually references a “lack of statistical analyses of the data.” (Not surprisingly, more recent peer-reviewed studies about the cognitive effects of THC only discuss impairment, and the continued puritanical views of its recreational use— not to mention the injustice of millions of “criminals” jailed for selling a substance that I can now use freely—add infuriating layers to the equation.)

Of course, at that second, if someone had sat me down in a practice room at Oberlin and quizzed me on music theory, I would have flunked it.

But I really felt like I understood. The things I do not understand are beyond me simply because I don’t speak that language. The way in which color functions in someone else’s head is the way in which grammar functions in mine; I speak word-language, and maybe dancers can’t understand that just as I can’t understand dance-language.

So I sat and stared. The drum set become a stegosaurus. My sunburned cheeks radiated heat. And I was fine knowing that soon, I’d lose all this knowledge—because, in the end, it wasn’t mine to know.

Jusinski is SFR’s copy editor and theater writer.

SFREPORTER.COM

• APRIL 18-24, 2018

13

JUST CAN’T LEAVE THAT PIZZA BEHIND

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

I

n my entire life I’ve never been skinny. Not that I much care, because, believe me, I’m getting by just fine. Still, for the better part of nine years, I walked almost everywhere. This kept me in more or less OK shape. But then I entered a phase in life that came with more responsibility and significantly more hours at work.

It made sense to buy a car and stop the extra hour or two of walking a day. And it all went to hell.

Right off the bat, I didn’t feel as well without the daily miles on foot.

My sleep began to suffer and the quick meals I was scarfing down between appointments came from drive-thru windows, food trucks or out of the microwave to be eaten over the sink. I drank at least a pot of coffee a day, often more.

I was also beginning to take notice of how meat made me feel; I was more lethargic and regularly exhausted. I Pavlov’ed myself with early-evening naps to the point I’d automatically feel sleepy by 5:30 pm, even when I shouldn’t have been. I gained weight.

And I ignored it all, because work comes first and I am but a vessel for the obligations therein.

It was also around this time that the avalanche of animal rights vid-

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eos on Facebook became harder to ignore. Sobbing pigs trapped in cages and overseas fur farms invaded my feed alongside emotionally devastated mother cows careening after trailers transporting their kidnapped babies to the slaughter. Cows are smarter than they look; pigs are smarter than dogs and, all the while, the vegans I know proffered warnings about the insane cost of water per steak, per chop, per breast, per egg.

Meat had to go, and it was maybe even time to go vegan.

Week 1 Having been vegetarian for a time some years before, meat was the easiest to leave behind. In many cases, veggie burgers, meatless hot dogs or faux chicken are a fine substitute (though anyone who says they taste just like the real thing is lying to themselves). Items like mushrooms, nuts, fruits and grains round out a diet nicely. Cheese and eggs stayed on the menu, but this was tenuous; my sugar intake rose dramatically.

Week 3 Veganism was attempted, and I reached out to a longtime vegan friend who said it was a good idea to not push myself or make strict decisions that were bound to fail. I obsessively read ingredient lists to stay vegan and composed dramatic love ballads to long-lost pizzas.

Feeling generally lightheaded resulted in adding supplements to the diet and focusing more on proteins. My general morale and energy levels improved.

Last Day of Week 3 Made pizza. No regrets. Fielded emails from vegan “support” groups that labeled me a monster for not getting it together quicker. Still no meat, but cheese was back; soy cheese is disgusting and we should all just admit it. Exhausted again, but this time by Facebook activists who relentlessly post about veganism without taking the knee jerk “screw you” reflex inherent in humans into account. The plantbased coffee “creamer” I’d been using in the mornings tasted fucking terrible and I went back to regular.

Week 6 Still no meat. Clearly needed to label this switch an “experiment” to delude myself, but it worked. Pizza back in the regular rotation (I’m not made of stone), sometimes eggs for breakfast which, frankly, made me feel much more energetic and strong than any vegan or vegetarian item I found.

Week 12 Stumbled upon so-called “Impossible Burgers,” plant-based meat substitutes available at certain local restaurants and Whole Foods.

Still not the same, but delicious. Add green chile and … cheese? Solid. Sweet potato waffle fries? Glorious. Grilled

cheese sandwiches. Cashew snacks and baby carrots enter regular rotation. Ability to write normal sentences waned like moon.

Week I Don’t Even Know Anymore I still haven’t touched meat; regularly eat eggs and cheese. I feel much better on the whole, even if I do still drive most places. Not even sure if I’ve lost weight—I don’t ask questions I don’t want the answers to. I’m not sure if I’ll ever eat meat again, but it doesn’t seem like I will as of this moment.

I still take supplements (iron, B-12 and a probiotic), which help; less coffee, more decaf tea. Cheese isn’t a daily occurrence, nor are eggs. My skin seems to be clearing up. My vegan friends say at least I’m doing something.

It was never entirely political, though. Maybe that’s selfish, or maybe it’s a matter of self-care.

Maybe I just don’t want to look and feel awful for the sake of a burgburg er here and there.

Haven’t decided yet.

Maybe never will.

De Vore is SFR’s culture editor, film critic and music writer.

AGAIN IS THE ONLY WORD THAT MATTERS

BY J E F F P RO CTO R j e f f p r o c t o r @ s f r e p o r t e r. c o m

I

leashed my dachshund/demon this morning, Nikes laced up tight and proper, and prepared for our long-running ritual: A 12-minute walk around the neighborhood. We walk regardless of the elements—and it’s as much for me as it is to keep Blaze, an aging and occasionally ill-tempered hound, somewhat less deranged.

The jaunt’s final third finds us ascending a somewhat steeply pitched sidewalk, then ’round a corner and home. Today, I paused briefly at my driveway’s edge, ignoring Blaze’s confusion, admiring the view of the mountains and overtaken with a sudden realization: The relatively normal function of my lungs.

I wasn’t panting, wheezing or doubled over.

Fifteen days ago, this was not so.

That’s when I quit smoking. Again.

SFR savants will recall a cover story I wrote in 2013 for this newspaper about my foray into vaping—and what was at the time the burgeoning phenomenon of hobbyist-level e-cigs.

I vaped for a few years and, for a time, believed my health improved.

Slowly, though, the sound of my bedtime breathing came once again to re-

semble a ‘73 VW bug struggling to start on a cold morning.

So I quit.

Then I started smoking. Again.

Sometime in late 2016, I ran completely out of gas during exercise that would leave a moderately healthy human unfazed. I flashed on the possibility of a heart attack.

Off, then, to the doctor, who furnished me with the diagnosis that has long been my destiny: mild COPD and emphysema.

I hail from Kentucky, see, so it’s safe to say I’ve been smoking a very, very long time. Back home, in the first grade, young tots were not given a box of No. 2 pencils, a primer on healthy living and a pat on the head. Instead, we were handed a hard pack of Marlboros and a bottle of Maker’s Mark and told, “Here, kid, support local industry!”

I’ve been burying family members from emphysema since before then—half a dozen so far, at current count. Among my earliest memories, when I was 3 or 4, is when my paternal grandfather came to my parents’ home to die, dull hospital-green oxygen tanks in tow. Precocious, inappropriate journalist-to-be that I was, I asked him one day what it was like.

“You know how when you dive into a pool and start swimming across, staying under water for as long as you can?” he rasped. I nodded as if I did.

“It’s like that, only, that moment when you finally come up for air—that perfect, full moment—never comes.”

He was 62.

I was 42 and light change when the pulmonologist gave me the news about my lungs, which cannot recover because of the disease. It can be arrested, however, and I can maximize what capacity remains.

A few days later, I started smoking.

Again.

My self-destructive streak is quite well-known among the many souls who’ve encountered me through the years. I struggle in myriad facets of living as an adult, often happily dropping the match on things I care about.

But in the physical well-being department, I’ve been a conscience-free, ninth-century warlord. Far from the body-as-temple adherent, I’ve treated my corpus as rusted-out dumpster that could never be destroyed.

My history of self-improvement is also dotted with somewhat staggering feats of accomplishment. I’ve belly-crawled out of far nastier pits

I was 42 and light change when the pulmonologist gave me the news about my lungs, which cannot recover because of the disease.

than nicotine addiction to become a competent—if not respected—reporter and editor, a homeowner and, most recently, trimmed my golf handicap all the way back down to five after several years of not touching a club at all. But by the latter part of last spring, I was laboring to breach that pool water my grandfather had warned me of so many years hence, even with the help of an inhaler.

So, I quit smoking. Again.

This time with the aid of a medi-

cation that, while admirably blunting cravings for a smoke, induces end-ofthe-world-type anxiety and dreams that place the unlucky user in the middle of nightly medieval battles that would make a Game of Thrones screenwriter blanche.

I consumed these cursed pills for 90 days and didn’t smoke. For 63 more, I continued the streak.

Then, I started smoking. Again.

(Yes, Dear Reader, you may ask: “Why?” Here’s my answer: Because I’m a Kentucky boy, and we smoke, dammit.)

This time, it got ugly fast. I visited family in Florida for Christmas and could barely walk across the living room to deliver my niece a present.

But I went out back every 90 minutes or so to painfully choke down another American Spirit.

I returned home and slogged through the neighborhood streets with Blaze every day for a few months.

By late March, I was stopping halfway up the hill every morning and hoping to not pass out.

Blaze is 15 or so, naps far more than he used to, and was embarrassed that his walker couldn’t make it 30 more steps. So, a month ago, I got back on the crazy-making meds. A dozen days later, I quit smoking. Again.

I’m officially out of the prognostication business after watching Tiger Woods fly a golf ball 340 yards after spinal fusion surgery.

So I’m not interested in saying whether it’s gonna stick this time.

But I’m a New Mexican now, having lived here 16 years. With that, I believe, comes the singular phenomenon associated with this place, which I have described thusly: We wake up every day with an entirely unwarranted sense of optimism.

So, I will say that by the time you encounter this essay, I will not have smoked for 16 days. Beyond that, if you see me out back of the SFR offices on Marcy Street puffing away, feel free to shout a word of encouragement, throw a pipe wrench at me, call me “Fake News” or some combination thereof.

Know this, though: I’ll quit smoking. Again.

Proctor is contributing editor at SFR and leads The Justice Project at New Mexico In Depth.

SFREPORTER.COM

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ANSON STEVENS-BOLLEN

There and Back Again

FINDING THE SPIRIT IN RELIGION, OR SOMETHING LIKE IT

by colonial powers, but that has long attracted spiritual seekers of all kinds.

I grew up reading the Bible, praying, speaking in tongues (glossolalia), singing Spanish praise songs, grilling carne asada in the park after Bible study.

Other core activities of my childhood included looking things up in our big encyclopedia set, reading Dickens, analyzing Scorsese’s Last Temptation of Christ.

My family was religious, of the evangelical Christian variety. And also intellectual.

I never really felt coerced by religiosity. I found it interesting; I liked discussing big questions. I felt something real in prayer. I loved my church family.

In high school, in the first years of the 2000s, I started connecting some

This way looks very different from the collusion with Empire that many of us have observed in ... mainstream Christianity.

B Y T I F FA N Y M C U R T I S a u t h o r @ s f r e p o r t e r. c o m

I

remember sitting on this large rock, its solidity cool underneath my body, while the sun beamed down on me with its unparalleled energy. I felt rooted, held. And also free. Warm. Connected. I laughed quietly, a sensation of bubbling joy moving from my core out through my warm limbs.

It is moments of transcendence that come immediately to mind as I reflect on what spirit means to me. This particular spiritual “mountaintop experience” happened at a church camp, many years ago—a personal peak experience facilitated by “organized religion.” (Or as some like to joke, “disorganized religion.”)

In this time in our nation, when politics enacted by folks claiming Christian faith are causing harm and heartache and division, I feel the need to reflect not only on how the world is full of magic and divine imagination and transcendence, but also on how we show up together, in community, and how we situate ourselves spiritually in history.

This one small moment of spiritual wonder, embedded in the container of organized religion as I attended a weekend retreat, embodies my own complex relationship to spirituality and religion. The distinction between the two is sometimes blurry, but the choice to identify with the religion I was born into feels like an unexpected act of resistance—especially from my home in Santa Fe, a city that was literally named after the Christian religion

dots about immigration. And NAFTA. And the environment. And race. And gender. I participated in Amnesty International events to raise awareness about young women being raped and murdered in Juárez. I co-founded the Gay Straight Alliance at my school. I wore a black armband to school every day after the US invaded Iraq.

My family’s religiosity was nominally apolitical and actually conservative, yet I was becoming politically engaged in movements for liberation.

I wanted to find that spiritual juice wherever it might be found, but I wanted analysis of power structures too. I couldn’t just pray fervently anymore without naming justice. I wanted to act in the world with the power of Spirit.

The religious cultures of others were intriguing and seemed profound in their insights. I learned so much

from worshipping in Gurdwaras, Hindu temples and mosques, from meditating at Tibetan shrines. But these beautiful traditions are not my own, the way my uneasy alliance with Christianity is distinctly my own path. I realized that if I was willing, I could go deeper within my own tradition than I could in any other.

And through it all, I came to the somewhat disappointing conclusion that despite my misgivings, I had been raised deeply embedded within a Christian worldview, and that worldview was mine to challenge and explore and plumb the depths of.

As a spiritual seeker with deep questions and commitments, I have come to honor my own religious roots and institutional affiliations. I appreciate the universal questions, the feeling of quest for meaning over millennia, the belonging and community—even, and perhaps especially, with people I would never choose as friends.

As an activist, being in spiritual community with others keeps me grounded, reminds me of the cycles of history, points me to profound truths, and challenges me again and again to love my neighbor with a love so big I can hardly stand it.

So, I am religious.

Sometimes I have to swallow hard to say it; to admit that I actually try to follow the way of Jesus.

And to claim with love and courage that this way looks very different from the collusion with Empire that many of us have observed in the development of mainstream Christianity. Very different from evangelist Franklin Graham’s endorsement of the supposed faith of our current president.

I am also spiritual. I seek sacred connection in many places.

Like those few moments on that rock many years ago, where time seemed to stop and I knew in my bones that I was part of the universe, I seek God in religious structure and outside of it. I have a personal spirituality, which is often facilitated by showing up to the communal and the traditional.

I am both spiritual and religious, and I don’t think I could have one without the other.

Curtis is the co-founder and organizer of the Santa Fe Faith Network for Immigration Justice and the minister of First Christian Church of Santa Fe.

SFREPORTER.COM

•

APRIL 18-24, 2018

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M-F 9 - 5 pm Sat 12 - 4 pm

BY ELIZABETH MILLER e l i z a b e t h @ s f r e p o r t e r. c o m

H

umans have sparked half of the wildfires in the Southwest, and those fires have consumed about half of the acreage burned in recent years.

Just in 2016, that amounted to 200,000 acres. Abandoned campfires started roughly 44 percent of these fires, though vehicle exhaust pipes, cigarette butts, fireworks, power lines and arson were also to blame. The Forest Stewards Guild and the Forest Trust released a report detailing these problems within days of the first blaze in the Santa Fe National Forest this spring, and aim to ignite a conversation around how to reduce such fires.

An abandoned campfire started the Osha Fire, which quickly earned 44 personnel and a helicopter tasked with quashing the 36-acre blaze. It was reported Saturday, April 7, and was fully contained by 8 am on Monday, April 9. The Forest Service had the resources ready to go after calling in fire crews weeks ahead of schedule, says Bruce Hill, spokesman for the Santa Fe National Forest.

In these dry conditions, fire season is taking off about two months earlier than usual. For those who love to hike, bike and camp in the national forest, there’s already worry about smoke and forest closures, not to mention the other woes that accompany fires.

Zander Evans, executive director of the Forest Stewards Guild and author of the recent report, says it’s time to take a look at what more could be done to prevent human-caused fires.

“We know that many fires are natural and we need some low-severity fires in our forest as part of their ecology,” Evans says. “But then we see these other fires

ANSON STEVENS-BOLLEN

Humans in a Flammable Forest

Only you can keep these guys home and bored.

like Las Conchas or Tres Lagunas or the Wallow Fire that didn’t have to happen and had really horrible effects for humans and natural communities.”

Smokey Bear and his “Remember, only you can prevent forest fires” slogan has been cited among the most successful public awareness campaigns. But it apppears to have been 40 years since anyone studied the effectiveness of current wildfire prevention education efforts.

Campfire bans—like the one for the Santa Fe National Forest that started Friday, April 13—seem ineffective, Evans’ report says. The Forest Service issued 51 citations last summer for violations of level one restrictions. Hill agrees there’s a certain level of ignorance, willful or otherwise, about these bans, and they rely on some whistleblowing to track down people breaking the rules.

News about restrictions and fire danger often spreads though posted road

signs, some of which are more clear than others. The urban myth among wildfire researchers is that, as Evans writes, “the sign with a shovel and bucket bearing the message ‘required for camping’ has been confused with a message about wilderness hygiene” rather than a checklist for thoroughly extinguishing a fire.

Perhaps, in an era of ubiquitous GPS-enabled devices, an upgrade is due?

“Given all the new technology and new understanding of selling people things and selling people messages, there have to be new, good ideas out there,” Evans says. “Why can’t we move in the direction of using some of that technology to reach folks?”

New approaches for reducing human-started fires could be as advanced as enabling phones to alert people as they enter areas with fire restrictions in place, or as basic as an idea from California to plant flags in fire pits reminding

How not to get shut out of the woods this summer: Talk about fire that a wet fire is a dead fire.

While the Forest Service automatically cross-posts the latest news to Facebook and Twitter, nothing more advanced is in the works, Hill says.

The Santa Fe National Forest has already restricted fires to developed sites this season, the first in a series of three bans. The next prohibits fires of any kind, stove fires, smoking, operating chainsaws, internal combustion engines and using vehicles off the road. The third stage is a total forest closure—gates close and lock and the presence of law enforcement increases to ticket people who go into the woods anyway. The last closure was in 2013. Making that move hinges on overall fire danger, as well as high-risk occasions like July 4 and its inevitable fireworks, and resource shortages. Stage two is likely to come soon, Hill says. Closures aim to protect the forest from human ignitions, as well as to protect people from being in the backcountry when a fire starts.

“Just as the public relies on us to fight wildfires,” Hill says, “the Forest Service counts on the public to help prevent them.”

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SFREPORTER.COM

•

APRIL 18-24, 2018

19

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APRIL 18-24, 2018

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WAKE UP Progressive music can feel noodley, self-indulgent—boring, even. But in the case of Albuquerque-based quartet The Coma Recovery, a foundation of atmospheric and bonkers-heavy instrumentation makes the sound feel more akin to mathy post-punk than jazzy nonsense.

Eagle-eyed (eared?) New Mexicans will surely know the band by now, but those who’ve yet to become converts, especially in Santa Fe, should know they’ve got new tunes out from Deep Elm Records, the addition of former Future Scars drummer Ben Durfee and an upcoming show at Second Street Brewery’s Rufina Taproom. Will this blow your mind? Probably. (ADV)

MICHAEL LAVINE

COURTESY COMA RECOVERY

MUSIC SAT/21

The Coma Recovery with Americans, ANTIPHONY and distances: 8:30 pm Saturday April 21. $7. Second Street Brewery (Rufina Taproom), 2920 Rufina St., 954-1068

COURTESY JAKE SNIDER

MUSIC FRI/20 SO PRETTY Though local duo Atalaya describes itself as “tilted like an old man’s hat slung lazily across the head of a grinning toddler,” which means literally nothing, the music crafted by Jake Snider and Amelia Stickney is stripped-down and gorgeous, a semi-dark and minimal stab at acoustic-driven indie-folk not entirely unlike early Cat Stevens melded with Radiohead-esque vocal feats. Yup, they good. Throw in expanded live backup from Paul Groetzinger (of D Numbers) and Dylan Blanchard, and it’s bound to be something special. Did we mention SFR fave Flamingo Pink! is opening? So solid. (ADV) Atalaya and Flamingo Pink!: 7 pm Friday April 20. $10. San Miguel Mission, 401 Old Santa Fe Trail, 983-3974.

COURTESY CAMINO DE PAZ SCHOOL AND FARM

EVENT SUN/22 ALL KIDDING ASIDE If you spend any time at all on the internet, you have seen videos of baby goats bleating and wearing pajamas and ricocheting off each other like particles in an accelerator. They are the actual cutest creatures in history. When we learned that the Montessori school and farm in Santa Cruz (up near Española) holds its annual Earth Day party this weekend to celebrate the new generation of baby goats, we basically couldn’t breathe from sheer excitement. Feed the kids, chill with goats, buy ice cream and Frito pie, learn about the school, take a wagon ride, listen to marimba tunes—and watch out for SFR staffers freaking out, ’cause you bet it’s time to pet some livestock. (Charlotte Jusinski) KidFest: 11 am-3 pm Sunday April 22. Free.

Camino de Paz School and Farm, 03A Camino de Paz, Santa Cruz, 231-2819, caminodepaz.net

MUSIC TUE/24

You’ve Got Mail Baltimore’s Snail Mail’s glorious return to Santa Fe Previously, when Lindsey Jordan and her band Snail Mail came through Santa Fe, it was to open for indie act Waxahatchee at Meow Wolf last August. Jordan and crew practically stole the show, however, with the selfsame dreamy indie-pop that had skyrocketed the young songwriter out of her bedroom writing and recording sessions to playing alongside bands like Priests, national and international tours, appearances at festivals and, as of that night at Meow Wolf, the love of a brand new super-fan (namely, me).

It’s been a whirl of wind since then for Snail Mail who, hot off their second appearance at Austin’s South by Southwest, are set to release their first full-length album Lush with indie label Matador this June. “It was weird for, like, a second,” Jordan tells SFR of the resources inherent with label representation and the switch from DIY roots to a world of pro studios and deadlines. “Now it’s just the deal [and] I’m just psyched we have the resources to make the record.”

On Lush, Jordan has really spread her wings; label or no, she’s still firmly

in control of the band and its songwriting, but she also says she’s matured as a songwriter, citing how she now knows “a lot faster when to abandon a song that isn’t working and how much stress to give something.” And it’s quite apparent. On Snail Mail’s debut EP, 2016’s Habit, Jordan’s skill for melodies and guitar (she’s classically trained, y’all) were obvious, but they’ve evolved into more layered and nuanced pieces still rife with her knack for catchy pop and relatable lyrics and still planted in rock.

Not half bad for a musician who used to think she’d never want to sing for and lead a band. “I’m such a control freak,” she explains with a laugh. “It makes sense I’d grow into that aspect of myself.”

(Alex De Vore)

SNAIL MAIL WITH JAPANESE BREAKFAST AND AND AND AND 7 pm Tuesday April 24. $15-$18.

Meow Wolf, 1352 Rufina Circle, 395-6369

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JANUARY 24-30, 2018

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SFREPORTER.COM

THE CALENDAR Email all the relevant information to calendar@sfreporter.com.

You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion).

Need help?

Contact Charlotte: 395-2906

WED/18 ART OPENINGS CHARLIE HUNTER McLarry Fine Art 225 Canyon Road, 988-1161 Hunter's alternately photorealistic and impressionist, visceral and haunting works depict scenes of rail crossings and crumbling adobes. If you can’t make it tonight, there’s another reception Friday.

5 pm, free

BOOKS/LECTURES PEOPLE TO PEOPLE GALLERY CONVERSATIONS: DWIGHT HACKETT New Mexico Museum of Art 107 W Palace Ave., 476-5072 Hackett, of Dwight Hackett Projects and The Foundry, speaks about his collaboration with artists like James Drake, Harmony Hammond and Terry Allen.

12:30 pm, $7-$12 PRESCHOOL STORY TIME Santa Fe Public Library Southside 6599 Jaguar Drive, 955-2820 You can also borrow museum passes from the library. Dude!

10:45 am, free RACHEL KUSHNER WITH MICHAEL SILVERBLATT Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Kushner’s fiction and essays appear regularly in the New York Times and the Paris Review; she is joined in conversation by Silverblatt.

7 pm, $5-$8

RAMON BERMUDEZ JR. TerraCotta Wine Bistro 304 Johnson St., 989-1166 Latin and smooth jazz guitar.

6 pm, free SANTA FE CROONERS Palace Saloon 142 W Palace Ave., 428-0690 Golden Age standards.

6:30-9:30 pm, free SANTA FE MEGABAND REHEARSAL Odd Fellows Hall 1125 Cerrillos Road, 470-7077 Join a community string band.

7 pm, free SYDNEY WESTAN Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Folk ‘n’ Western.

5:30-7:30 pm, free TINY'S ELECTRIC JAM Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Plug in and drop out.

8 pm, free ZIG ZAGS La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock 'n' roll.

7:30 pm, free

COURTESY VICTORIA WILLIS

Want to see your event here?

SMOKE IMPACTS: WILDFIRE VS. CONTROLLED FIRE & HOW TO REDUCE SMOKE IMPACTS IN YOUR HOME REI Community Room 500 Market St., 982-3557 The Greater Santa Fe Fireshed Coalition presents a seminar about a subject we'll be talking about a lot this summer (see The Enthusiast, page 19).

6 pm, free THE MYCORRHIZAL SYMBIOSIS: CRITICAL TO MOST PLANTS ON EARTH Udall Building 725 Camino Lejo, 983-6155 Learn all about a 400 millionyear-old interaction between soil fungi and 85 percent of all plants, plus its application locally and worldwide.

10 am-noon, $10 TREE PHYSIOLOGY IN ARID CLIMATES: ADAPTATIONS TO STORMWATER SURGES AND PERSISTENT DROUGHT Christ Lutheran Church 1701 Arroyo Chamiso, 467-9025 The Santa Fe Chapter of the Native Plant Society of New Mexico presents lecturer William Pockman of UNM's biology department.

6:30 pm, free

THU/19

EVENTS GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Good quiz results can win you drink tickets for next time.

8 pm, free POTP OPEN MIC Zephyr Community Art Studio 1520 Center Drive, Ste. 2 Listen to and/or share poetry and art and collaborations at this monthly open mic.

6:30 pm, free MINE SHAFT BINGO Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Boards are only $1, prizes are dope, it benefits the Madrid playground fund, Andrew Wice is your host. Winning.

7 pm, free YOUTHQUAKE: ART OPENING AND STUDENT FILMS Violet Crown Cinema 1606 Alcaldesa St., 216-5678 Celebrate the kickoff of a new four-day festival of student work with a student art gallery opening at 5:30 pm (free), plus screenings of films at 6:30 and 8:30 pm ($8 each).

More events are happening all weekend, so check out the website: youthquakesf.com.

5:30 pm, $8

BOOKS/LECTURES

We sure do love our sandhill cranes, and artist Judy Boyd has depicted one—along with other avian friends—for World Migratory Birds, opening Saturday at the Vista Grande Public Library.

MUSIC BOB FINNIE Vanessie 427 W Water St., 982-9966 Standards, Broadway tunes and contemporary music on piano with vocals too. And real good cocktails, too, folks.

6:30 pm, free DJ SAGGALIFFIK Boxcar 530 S Guadalupe St., 988-7222 House, acid lounge, half-time and dance tunes.

10 pm, free

DANIELE SPADAVECCHIA El Mesón 213 Washington Ave., 983-6756 Gypsy jazz guitar and singing in Italian, Spanish and English.

7 pm, free JULIAN DOSSETT Cowgirl 319 S Guadalupe St., 982-2565 Delta tunes.

8 pm, free THE LUCKY LOSERS The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 A soulful ‘60s retro sound.

5:30 pm, free

PHYLLIS LOVE Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free PORTUGAL. THE MAN Santa Fe Community Convention Center 201 W Marcy St., 955-6590 Welcome sorta superstars to Santa Fe with their impossibly catchy pop-but-not-too-pop, indie-but-not-too-indie newera-in-radio-jams tunes. This one will sell out, so get on it.

6:30 pm, $42-$49

OTHER STORIES/ HISTORIAS BRAVAS: PANEL DISCUSSION Foto Forum Santa Fe 1716 Paseo de Peralta, 470-2582 The works of EcuadorianAmerican photographer Karen Miranda Rivadeneira focus on her relationships with the women in her extended family.

Check out a panel discussion about the important issues raised by her work.

5 pm, free PRESCHOOL STORY TIME Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Books! Books! Books! Books!

11 am, free SARAH BOISVERT: NEW COLLAR WORKFORCE Santa Fe Community College 6401 Richards Ave., 428-1000 Head to the bookstore to join author Sarah Boisvert, founder of Fab Lab Hub, for discussion of The New Collar Workforce, her new book that aims to change the way people think about the future of work and American manufacturing.

4:30 pm, free

CONTINUED ON NEXT PAGE

See the

2018 SFR PHOTO CONTEST

WINNERS

at the Annual Manual

Photo Show

APRIL 25 AT THE

VIOLET CROWN CINEMA 1606 ALCALDESA ST.

FROM 6 TO 8 PM SFREPORTER.COM

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APRIL 18-24, 2018

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THE CALENDAR TESSA ARLEN: DEATH OF AN UNSUNG HERO Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 The latest installment from mystery author Arlen features more secrets from the Lady Montfort and Mrs. Jackson series.

6:30 pm, free

THE Cardmember + Veterans discounts

CBD Tincutures•Salves • Edibles Pet Health & More

No Medical Card Required 3022 CIELO CT. SUITE C • SANTA FE, NM • (505) 557-6100 THEPHYTOFRONTIER

April

FREE LIVE MUSIC

JO 20 KITTY CREEK 21 Saturday

Friday

AT THE ORIGINAL

Bluegrass, 6 - 9 PM

20

RED

Saturday

Friday

AT THE RAILYARD

NINJA

22

Sunday

Dub & Reggae, 6 - 9 PM

26

APRIL 18-24, 2018

EVENTS COMEDY NIGHT: JIM HOLDER AND BRAD CHAD PORTER Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Holder is a seasoned veteran of stand-up comedy; he's joined by Porter, whose deranged perspective on the world serves his comedy well.

6:30 pm, $10 GEEKS WHO DRINK Santa Fe Brewing Company 35 Fire Place, 424-3333 Stellar quiz results can win you drink tickets for next time.

7 pm, free LIVE BODY PAINTING Meow Wolf 1352 Rufina Circle, 395-6369 In advance of a workshop this evening, artist Robin Slonina presents live body painting.

Free with admission.

11 am, $17-$25 YOUTHQUAKE: THEATER AND IMPROV Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 A new multi-day festival features student work from schools around the city. Night two’s event is an evening of theater and improvisation.

More events are happening all weekend, so check out the website at youthquakesf.com.

6:30 pm, $8

BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Original dharma songs.

10 am, free BOB FINNIE Vanessie 427 W Water St., 982-9966 Piano standards.

6:30 pm, free BOOMROOTS COLLECTIVE Boxcar 530 S Guadalupe St., 988-7222 Reggae meets hip-hop.

10 pm, free CACTUS SLIM & THE GOATHEADS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful bluesy stuff.

7 pm, free DJ INKY The Matador 116 W San Francisco St., 984-5050 Punk, funk, soul, rock 'n' roll, old-school country and modern alternative.

9 pm, free ESCAPE ON A HORSE Palace Saloon 142 W Palace Ave., 428-0690 Alt-country with soul and rock.

10 pm, free

MUSIC

GOT SOUL El Farol 808 Canyon Road, 983-9912 Catch jazzy tunes with singer Hillary Smith.

7 pm, $10 THE HOLLYHOCKS Tiny’s Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Alt.country and desert rock.

7 pm, free JIM ALMAND Cowgirl 319 S Guadalupe St., 982-2565 Soulful blues and rock.

8 pm, free JOHN RANGEL'S DUET SERIES El Mesón 213 Washington Ave., 983-6756 Versatile jazz pianist Rangel plays with a special guest.

7 pm, free LA SANTA CECILIA Meow Wolf 1352 Rufina Circle, 395-6369 A creative hybrid of Latin culture, rock and world music.

With support from Alto Estilo.

7 pm, $20-$25 MARC SANDERS Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar.

6 pm, free TAO: DRUM HEART Lensic Performing Arts Center 211 W San Francisco St., 988-1234 A high-energy showcase of the ancient art of Japanese drumming; highly physical, large-scale drumming with contemporary costumes and precise choreography.

7:30 pm, $25-$55 CONTINUED ON PAGE 28

BUSY

MCCARROLL Pop & Jazz, 6 - 9 PM

21

PIGMENT

GREG BUTERA

Country, 6 - 9 PM

EARTH DAY JAM 4-6 PM •

FILM A/V CLUB: FILMS BY BY PATRICK BERNATCHEZ SITE Santa Fe 1606 Paseo de Peralta, 989-1199 A screening of 120 minutes of film by Bernatchez, who draws from different traditions and aesthetics such as mannerism, baroque, pop culture, horror movies, science fiction or fantasy.

6 pm, free

COURTESY CAMINO DE PAZ SCHOOL AND FARM

CBD Supply Co.

Create Balance Daily Santa Fe’s CBD SpecialtyShop Hemp & Botanical Goods

ENTER EVENTS AT SFREPORTER.COM/CAL

SFREPORTER.COM

HAPPY HOUR 4 - 6:30 PM Daily www.secondstreetbrewery.com

These goats are just waiting to be petted by you at the Camino de Paz School and Farm’s Kidfest on Sunday. The calendar editor will soooooooo be there. OMG, we love goats so much.

COURTESY BOLLYWOOD CLUB INVASION

MUSIC

East Meets West Annual Bollywood Club Invasion hits them double-digits

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

I

f I ever had to explain our fair city’s musical landscape to an outsider in one sentence, I’d probably say something like, “Blah-blahblah, Americana and—oh! Santa Fe sure loves its dance parties!” Whomever I was explaining this to would probably nod politely with a “whatever, dude” smirk and go about their business, completely unaware of the madness spurred by Meow Wolf (both now and back then), Mesa Recordings, the legendary Diablo Canyon parties that go all night and then some and, as of this year, the 10th iteration of the annual Bollywood Club Invasion.

From humble beginnings inside the Sanbusco Center (which is now a school or, like, maybe a rendering plant or something?) to its massive new version in the Santa Fe Community Convention Center, the Bollywood Club Invasion is this weirdly brilliant mix of hot-ass club banger hits and traditional Bollywood jams mashed up and served out alongside improvisational multi-media video creations from artist Agramzu. Mosaic Dance Company is scheduled to appear as well, with special choreography from an honest-to-goodness Bollywood choreographer. The party also boasts a bazaar, food from Jambo, henna, astrology and a special dance lesson at 7 pm just before things kick into high gear.

“I cannot believe it’s been 10 years,” co-founder and multiple SFR Best of Santa Fe DJ winner Sol Bentley says.

“The formula, the recipe we’ve found for the party—and it’s a true collective party—really seems to work.”

Bentley, you may also know as Dynamite Sol, provides the Western Hemisphere-based music of the equation. His partner Sanjay Schmidt, aka Shobanon, brings in the Bollywood style. This mix sounds almost like it wouldn’t work, and yet it does. “It’s a little difficult with Shobanon living in San Francisco, but we coordinate about how we’d like the energy to flow for weeks leading up to the event,” Bentley explains. “He does his thing, I do mine, and we match up the old Bhangra music and Bollywood classics with new club-stomping soundtracks—

Like Bollywood? And dancing? And henna? And food?

And Amma? Then you’ll probably like this.

in Santa Fe. “It’s put me on to a lot of great music I might never have heard about—and the interesting thing about Bollywood music is, we’re talking this big umbrella where we say ‘Bollywood,’ but Indian people think of it like Hindi music and Punjabi music. It’s broken up—and I’m still going to try to provide the dance floor burners we DJs call heaters.”

Both Bentley and Schmidt donate their sets and proceeds from the Bollywood Club Invasion go the Amma Center of New Mexico. Mata Amritanandamayi, also known as Amma, for those who don’t know, is an internationally touring human-Sanjay Schmidt, aka DJ Shobanon itarian from India who is perhaps best-known for embracing the people of the plus, we’re both drummers by trade, so planet. It’s estimated she’s hugged over we always try to incorporate some of that 30 million people (not a typo) in her lifelive drumming, also scratching, into each time, and though she’s quite spiritual, her other’s music.” teachings are less about any specific reli“The event has definitely just evolved gion, more about the tenets of love found and grown,” says Schmidt, who grew up within most of them. (Author’s note: I

It’s a really organic combination of creative energy and atmosphere that is amazing. I always do what I need to do to make it happen.

am not religious in any sense of the term, but hugging this woman was one of the most significant moments of my lifetime).

Amma won’t be on hand for the event, though she does come to Santa Fe somewhat regularly.

“For me, working and living in our community, knowing we’re having a really positive impact—and helping people not just through music and community events, but also monetarily—is incredible,” Bentley says. “It’s so great to see it all, even after 10 years of doing this; I get people who tell me that it’s, like, their one big party night a year.”

Schmidt feels good about it, too. “I wouldn’t miss this event for anything,” he tells SFR. “It’s a really organic combination of creative energy and atmosphere that is amazing. I always do what I need to do to make it happen.”

BOLLYWOOD CLUB INVASION 6:30 pm Saturday April 21. $7-$15.

Santa Fe Community Convention Center, 201 W Marcy St., 955-6200

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THE CALENDAR ZIG ZAGS La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock 'n' roll.

7:30 pm, free

THEATER DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 In a tucked-away corner of north Philadelphia, six regulars gather at a quiet neighborhood watering hole.

Over 20 years, they turn their collective memories into a vivacious mythology.

7:30 pm, $12-$20

WORKSHOP REALISTIC CLOTHING WORKSHOP Meow Wolf 1352 Rufina Circle, 395-6369 Body painting artist Robin Slonina presents a realistic clothing demo workshop.

6 pm, $40

FRI/20 ART OPENINGS

10th Annual

Bollywood

DANCE PARTY

Club Invasion and Fundraiser April 21, 2018 6:30 pm to Midnight

Santa Fe Community Convention Center

•

201 West Marcy Street

HEY SANTA FE...Come party Bollywood-style with DJ

Dynamite Sol and DJ Shobanon

This is a smoke and alcohol-free event for the entire family

AUTHENTIC BOLLYWOOD DANCE CLASS AT 7:00 PM CHECK OUT MYRA KRIEN AND THE MOSAIC DANCERS 28

SHOP THE INDIAN BAZAAR ENJOY FOOD FROM JAMBO CAFE

APRIL 18-24, 2018

•

ONSITE ASTROLOGY, TAROT, HAND HENNA TATTOO, FACE PAINTING AND CHAIR MASSAGE

TICKETS SOLD AT THE DOOR Adults $15

Kids 12 and under $7 www.bollywoodsantafe.com

SFREPORTER.COM

ART SAVES LIVES Cheri O'Brien Fine Art 618 Canyon Road, 425-308-2061 Assemblage artist Lisa J Spreacker grew up in New Mexico awed by its mystery and beauty. Check out a small collection of collages created after art therapy study. Through April 30.

5 pm, free CHARLIE HUNTER McLarry Fine Art 225 Canyon Road, 988-1161 Hunter presents visceral and haunting paintings and encaustics. After a career designing tour posters for the likes of the Clash, REM and The Jerry Garcia Band, he now aims "to paint beautifully that which is not traditionally considered beautiful." We think he's nailed it.

5 pm, free COLLECTIVE VISION Capitol Rotunda Gallery 490 Old Santa Fe Trail, 986-4614 Faculty members from Santa Fe Community College’s School of Arts, Design, and Media Arts present works in many media. This reception is catered by students of SFCC’s Culinary Arts program, and SFCC guitar faculty members perform—so it sounds like you should get there. Through Aug. 10.

4 pm, free GIVING VOICE TO IMAGE: POETRY READING ViVO Contemporary 725 Canyon Road, 982-1320 ViVO Contemporary artists collaborate with poets; tonight marks a poetry reading among the works to meld spoken poetry, too. The show runs through May 15.

5 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

THE RYDER STUDIO EXHIBIT Argos Studio & Santa Fe Etching Club 1211 Luisa St., 988-1814 The yearly Ryder Studio here in town works with students on the fundamentals of realist painting. Catch an exhibit of works by students and instructors Tony Ryder and John Reger. Through May 4.

6 pm, free WHO ARE THESE INVISIBLE CLOUDS Santa Fe Art Institute 1600 St. Michael's Drive, 424-5050 Work created in response to ongoing oil and gas extraction in the Greater Chaco Region and site-specific experiences of participating artists.

5 pm, free

BOOKS/LECTURES PERSONS AND PARABLES: STANLEY ELKIN’S MENAGERIE St. John's College 1160 Camino Cruz Blanca, 984-6000 Joshua Kates of Indiana University lectures as part of the Carol J Worrell Series on Literature. Great Hall, Peterson Student Center.

7:30 pm, free RADICAL COMPASSION Thubten Norbu Ling Tibetan Buddhist Center 1807 Second St., Ste. 35, 660-7056 Within the practices of a Bodhisattva, cherishing others is paramount. Presented by Jimi Neal.

7 pm, free RICK QUINN: ROADTRIP AMERICA: ARIZONA AND NEW MEXICO Garcia Street Books 376 Garcia St., 986-0151 Quinn discusses his new book, which includes all the fun, history and natural wonders you need for the quintessential Southwestern road trip, each one drivable within a day.

5:30 pm, free

EVENTS NEW MEXICO 420 FEST The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 A weekend celebration of the devil’s lettuce with nearly 30 cannabis-friendly vendors.

Organizers also consider it a political rally seeking to change New Mexico's pot laws by building an inclusive engaged community.

2-10 pm, $10 CELEBRATION FOR EARTH DAY Hahn Center Hwy. 22, Cochiti Pueblo The Hahn Center at Cochiti is newly outfitted to be powered by the sun, so celebrate that and learn more about sustainable practices. For more info, call New Energy Economy at 989-7262 or check out A&C in this very paper (page 29).

10 am-2 pm, free

RENEWABLE ENERGY FESTIVAL Northern New Mexico College 921 N Paseo De Onate, Española, 929-0746 Music and dance performances celebrate Northern New Mexico’s rich heritage of respect for the environment and sustainable practices.

Tomorrow has more programming, too, so check it out.

6 pm, free ST. MIKE'S FOUNDATION BLUE STAMPEDE REVERSE RAFFLE EVENT Santa Fe Community Convention Center 201 W Marcy St., 988-2264 Dinner, drinks and auctions provide tuition assistance programming for students at St. Michael’s High School. One ticket admits two people.

5:30 pm, $125 YOUTHQUAKE: SPEAK FOR OUR LIVES Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 The multi-day celebration of student art continues with an event, hosted by Desert Academy junior Sophia Lussiez, that explores how through the power of poetry, spoken word, slam poetry, monologue and essay. More events are happening all weekend, so check out the website at youthquakesf.com.

6:30 pm, free

FILM CINEFESTA ITALIA Various locations A carefully-chosen set of Italian feature and short films makes up this three-day festival. In addition to films, enjoy food and drink events too; check CineFestaItalia.org for a full schedule.

11:30 am-10 pm, $12-$99 SOUND & SPECTACLE: PATRICK BERNATCHEZ SITE Santa Fe 1606 Paseo de Peralta, 989-1199 Goldberg Experienced.03/77K, an installation composed of eight record players producing a melody through the irregular movement of the needles, is recognizable at first, but eventually generates a new soundscape from a classical piece.

6:30 pm, $10-$15

MUSIC ATALAYA AND FLAMINGO PINK! San Miguel Chapel 401 Old Santa Fe Trail, 983-3974 Indie-adjacent jams (see SFR Picks, page 23).

7 pm, $10 BANDWIDTH NO NAME Palace Saloon 142 W Palace Ave., 428-0690 Rap group with funk and soul.

10 pm, $5 CS ROCKSHOW El Farol 808 Canyon Road, 983-9912 Classic rock 'n' roll.

8:30 pm, $5 CONTINUED ON PAGE 30

A&C

Shine H On

BY ALICIA INEZ GUZMÁN a u t h o r @ s f r e p o r t e r. c o m

COURTESY NEW ENERGY ECONOMY

ere in New Mexico, our sun is hard to miss, with mesas and mountains in every direction basking in the characteristic light we all know so well. But as far as an energy source, “we need a lot more outreach to talk about the benefits of solar power,” Cochiti Pueblo solarizes Gene Ka-hee tells SFR. Ka-hee, enviHahn Center with the ronmental technician and general ashelp of New Energy sistance program manager at Cochiti Economy Pueblo, heard about New Energy Economy’s Sol Not Coal Program about two years ago, and began taking the early steps toward solarizing one building in the Pueblo.

New Energy Economy, a nonprofit B Corporation, uses a two-pronged strategy: chipping away at what they call the root cause of climate change (extractive energy) through legislation, plus community solarization projects like the one Cochiti Pueblo embarked upon.

The organization raised the funds through grants, crowdfunding campaigns and private donors, while Ka-hee spent a significant amount of time researching which building was the best candidate based on age and an electrical study conducted with records from PNM. Ka-hee finally settled on the Hahn Center, the Pueblo’s multipurpose community hub, bringing his findings to the Tribal Council accompanied by Cochiti Pueblo environmental technician Gene Ka-hee (right) New Energy Economy Excelebrates bringing solar to his town with the assist from New ecutive Director Mariel Energy Economy alongside buildings and maintanence Nanasi. personnel Anthony Trujillo.

Nanasi, a civil rights and criminal defense attorney, is a hardliner who leads the organization’s legal interventions (challenging PNM on a number of grounds, for instance) and defines New Energy Economy’s role in Northern New Mexico as bringing solarization “to people of color communities who’ve been left out of the solar revolution.” The money saved on utility bills, she continues, “can be repurposed for that community in a way that aligns with their values.”

Ka-hee describes the Tribal Council at Cochiti as “really impressed,” and though a resolution was passed, it wasn’t until January of this year that things really got rolling. The panels are now up and the Pueblo celebrates the installation on April 20 as part of an Earth Day event also geared toward garnering awareness about another environmental burr in the community: solid waste and illegal dumping.

The solarization at Cochiti Pueblo, a Keresan-speaking tribe of about 500 residents roughly 25 miles south of Santa Fe, is the biggest project New Energy Economy has funded to date, with 144 roof mount panels recently installed.

That’s more than triple that of other projects. Other organizations that have been solarized include the Crownpoint Chapter House in the Navajo Nation, Pueblo of Tesuque’s Taytsugeh Oweengeh Intergenerational Center and Community Garden, Zona del Sol on Santa Fe’s Southside, Monte Vista Organic Farm in the Española Valley, and Tewa Women United, also in Española.

New Energy Economy has also helped solarize a number of fire departments in Tesuque and Chimayó and Fire Station #3 in Santa Fe. During the Nixon administration, the Four Corners Area, where a large amount of coal mining and other extractive industries take place, was designated a national sacrifice zone—an area

that is considered to be lost to the damages of industry and extraction. The consequences have indeed been manifold, even as plants begin to shut down.

“Since 2008, average residential [utility] rates have gone up 62 percent,” Nanasi says, with rate payers footing the bill for infrastructural costs, maintenance, decommissioning and declamation of coal plants, contamination, and of course electricity. But with solar, once the panels are installed and paid off, there are no long-term costs and thus, she says, no “perverse incentive to continue to invest in archaic modes of energy production.”

There are some downsides to solar, however, namely that precious metals must be mined as materials for the panels.

Meanwhile, at the Celebration for Earth Day in Cochiti, Ka-hee says he plans to display enlarged versions of past and recent utility bills, which should reflect the new energy savings, to compare them in front of the community. Pueblo officials and Nanasi are scheduled to give speeches, and there are planned dances and presentations about recycling. Kahee also plans to lead an ongoing “Recycle-Bowl” program, part of the initiative Keep America Beautiful, through nearby Keres Elementary School.

Ka-hee doesn’t know how much the power bill might drop, but it’s clear that solarizing is part of a long game. And if there’s a cloudy day, he says he expects to connect back to the grid. Otherwise, when the sun shines generously, as it often does, energy can be sold back to PNM. “When we make our prayers,” Ka-hee says, “we make them for the universe, world and waters, and to keep all in balance, healthy and clean even before we pray for people.”

CELEBRATION FOR EARTH DAY 10 am-2 pm Friday April 20. Free.

Hahn Center, Highway 22, Cochiti Pueblo.

For info, call New Energy Economy: 989-7262.

Now offering Online ordering scan to find out how.

Come Check Out Our New Edibles!

710 MG Sacred Syrup “Sour Grape” 420 MG Chocolate Bar

Are you ready for 420?

Search for: Sacred Garden

Green Jeans 3600 Cutler Ave Ne 505-348-5599

Santa Fe 1300 Luisa St Suite 1 505-216-9686

Las Cruces 642 South Alameda Suite A 575-300-0154

www.SacredGardenNM.com SFREPORTER.COM

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THE CALENDAR

CELEBRATE GRADUATION 2018 A magical evening with talented canines, youth who share their love, and clients whose lives are changed forever. Join us and our gracious host Ali MacGraw.

Wednesday, May 2 • 6 PM

The James A. Little Theater At The New Mexico School for the Deaf* 1060 Cerrillos Rd • Santa Fe, NM 87505

$13 in advance $15 at the door

assistancedogsofthewest.org/graduation

*The views presented at this event are not necessarily those of NMSD.

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APRIL 18-24, 2018

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SFREPORTER.COM

CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 A Parisian-style cabaret.

6 pm, free CHRIS NEWMAN AND MÁIRE NÍ CHATHASAIGH GiG Performance Space 1808 Second St. A blend of traditional Irish music, jazz, bluegrass and baroque. Zing!

7:30 pm, $20 DANIELE SPADAVECCHIA Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Gypsy jazz guitar.

7 pm, free DOUG MONTGOMERY AND BOB FINNIE Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Bob takes over at 8 pm.

6 pm, free JEFFREYG Tiny’s Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 The open mic star now has his own slot to play some guitar tunes.

5:30-8 pm, free JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish and flamenco guitar.

7 pm, free KITTY JO CREEK BAND Second Street Brewery (Original) 1814 Second St., 982-3030 Bluegrass.

6 pm, free LOCAL AND LAZY Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Folky Americana on the deck.

5 pm, free MARK'S MIDNIGHT CARNIVAL SHOW Cowgirl 319 S Guadalupe St., 982-2565 Alt.rock, pop and beards.

8:30 pm, free MIKE MONTIEL TRIO Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Classic rock.

8:30 pm, free LOS NEW MEXICO PLAYBOYS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Swingin’ honky-tonk.

7 pm, free NOCHE EXTREMA Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Latin, cumbia and salsa tunes.

8:30 pm, free PIAZZOLLA DA CAMERA TRIO First Presbyterian Church 208 Grant Ave., 982-8544 The trio (composed of Carla Kountoupes, Andrew Nickles and Oscar Macchioni) celebrates 10 years dedicated to the works of modern tango master Astor Piazzolla.

5:30 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

RANDOM RAB Meow Wolf 1352 Rufina Circle, 395-6369 Nuanced tunes from the West Coast electronic music scene are the epitome of sonic exploration.

8 pm, $20-$25 RED NINJA Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Dub and reggae.

6 pm, free ROBIN HOLLOWAY Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano standards.

6 pm, $2 RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar.

7 pm, free SAVOR La Fiesta Lounge 100 E San Francisco St., 982-5511 Cuban street music.

8 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swingin’ you-know-what.

7:30 pm, free TONIC JAZZ SHOWCASE Tonic 103 E Water St., 982-1189 Get some late-night stylings.

9:30 pm, free VINCENT COPIA Osteria D'Assisi 58 S Federal Place, 986-5858 Original and traditional Americana.

6 pm, free

OPERA LONG AGO AND FAR AWAY Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Join conductor and educator Oliver Prezant as he explores the "exotic" locales and characters in opera, particularly in Puccini's Madame Butterfly.

6 pm, free

THEATER CREATIVEMORNINGS: THEATER GAMES FOR HUMANS New Mexico History Museum 113 Lincoln Ave., 476-5100 Join local actress and performer Danielle Louise Reddick as she demonstrates how the games that actors play can save us from the human disconnect of our digital age. It’s free, but reserve a spot at creativemornings.com.

9 am, free DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 In a tucked-away corner of north Philadelphia, six regulars gather at a quiet neighborhood watering hole.

Over 20 years, they turn their collective memories into a vivacious mythology.

7:30 pm, $12-$20

WILD Santa Fe Performing Arts 1050 Old Pecos Trail, 982-7992 Inspired by Where the Wild Things Are and author Maurice Sendak's life, SFPA's student performers present an original story about the wonders and risks of being different. Get in for $5 if you dress up like a Wild Thing.

7 pm, $8

WORKSHOP INTRO TO FACE AND BODYPAINT Meow Wolf 1352 Rufina Circle, 395-6369 Bodypaint Week continues with a workshop from local artist Ariana Throne. All materials included.

6:30 pm, $30

SAT/21 ART OPENINGS JUDY BOYD: WORLD MIGRATORY BIRDS Vista Grande Public Library 14 Avenida Torreon, Eldorado, 466-7323 Priginal watercolors, as well as museum-quality reproductions. Unique borders tell stories about the birds’ habitats.

Noon-3 pm, free

BOOKS/LECTURES JOAN LOGGHE AND MIRIAM SAGAN op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 Two New Mexico poetry icons share the afternoon.

2 pm, free MARY ANN HALE: MOUNTAINS AND MONASTERIES OF NORTH INDIA Travel Bug Coffee Shop 839 Paseo de Peralta, 992-0418 In the summer of 2017, Hale visited the region of Ladakh, sometimes called “little Tibet.” Her journey—and the resulting slide show— explores a land of contrasts.

5 pm, free PASHA HOGAN: THE JOY OF CREATIVE DISCOVERY The Ark 133 Romero St., 988-3709 Hogan’s book asks, "Who am I?" and "Why am I here?" with an enthusiastic attitude of childlike curiosity and wonder, instead of fear and overwhelmedness. The practices draw on ancient and contemporary wisdom from around the world.

2 pm, free PLANTS FOR THE SANTA FE AREA Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Climate change will affect your garden’s ability to thrive.

Tracy Neal discusses how our changing climate will affect plant choices and makes garden recommendations.

9 am-12:30 pm, $15-$25 CONTINUED ON PAGE 32

A&C

Put a

On It Been to Sarawak? Me neither. It’s a region in Borneo, home to a tribe called the Iban, who live along the water in communal longhouses. Along with fantastically ornate ikat textiles, beadwork is a specialty of the Iban. A particularly jaw-dropping display features a 20th-century wedding costume comprised of hundreds of strands of draped beads, threaded to form colorful patterns; at its center is a strip of semi-opaque, tube-shaped carnelian beads, most likely from India. The item’s “train” is a long panel which runs vertically down the bride’s back, its bottom bor-

Long-term exhibition at the Museum of International Folk Art proves that around the globe, we all just wanna be adorned

BY IRIS MCLISTER irisbro

COURTESY MUSEUM OF INTERNATIONAL FOLK ART

H

awaii, the most remote archipelago on the planet, is only home to a few hundred species, all of which reached the isolated paradise thanks to chance. A whopping 75 percent of the island chain’s now-native flowering plants actually got there in seed form, thanks to birds. In other cases, cyclones ripped through South Pacific islands with such force that they actually uprooted seeds and eggs from their natural, bornhere-all-my-life habitats, flinging them thousands of miles across the sea.

Though tiny—sometimes infuriatingly tiny, as anyone who’s ever strung a necklace will tell you—beads are not, of course, transported as organically as, say, fruit flies, but they too have unlikely origin stories. Like seeds and larvae, beads have crisscrossed the earth for millennia, destined to be embedded, literally and figuratively, into the fabric of where they land.

So how do Murano glass beads from Venice, for example, end up on a headdress in Wyoming? In the vast majority of cases, we’ll never know specifics, but we can still learn a lot about a culture by studying how its artisans decorated their sacred items.

The Museum of International Folk Art’s show Beadwork Adorns the World, which opens this Sunday, was curated by Marsha Bol, who also authored the exhibit’s accompanying book. During a recent visit to the museum, Director Khristaan Villela and Curator of Textiles and Dress Carrie Hertz led me into a storage room where nearly 250 items were carefully tagged and arranged, ready for installation.

The excitement surrounding a show of this scale, which has been three years in the making and will be up through early 2019, is contagious. “We pretty much covered the entire globe,” Hertz says, “but wanted to group things according to theme, not region.” This means a stone-encrusted silver necklace from Iran might be displayed next to a hammered silver necklace of Mexican origin.

der sewn with bells which clang noisily, announcing her arrival. It’s impressively ornate, and also must be super heavy and somewhat unwieldy to wear. “There are actually stories,” Hertz remarks, “of brides sinking boats because they were so weighted down with beads.”

African artwork—which, incidentally, is woefully undershown in Santa Fe—is marvelously represented here. A mid20th century Nigerian fly whisk, covered in mind-boggling arrangements of rainbow-hued beads, is topped with a tuft of horse hair, and though the object is nominally functional, it’s also symbolic. Yoruba leaders would use it as a sort of wand-like instrument, urging followers to speak up, or simply to indicate authority. A Zulu outfit from Durban, South Africa, on loan from the Fowler Museum at UCLA, includes a 7-foot-long headdress.

Look at this stunning wedding costume from the Iban, a tribe from a remote area of Borneo.

Look at it!

“It was designed and worn by Zulu rickshaw pullers after the city government required them to wear uniforms,” Hertz explains. “I love that the workers transformed this edict into an opportunity for creative grandiosity, inventing something flamboyant, but nevertheless inspired by traditional Zulu design.”

Those of us familiar with Southwestern Pueblo jewelry have seen the delicate, whisper-thin heishe beads typical of regional tribes, but we may not be as aware of Plains Indians beadwork traditions.

A pair of baby moccasins, thought to be from the Cheyenne or Lakota nations, is meticulously patterned with seed beads, which cover even the soles of the shoes.

According to Bol’s text, moccasins this extravagant were indicators of an especially beloved child, whose status was announced during a Hunka ceremony.

“This lifetime designation committed the favored child to take personal responsibility throughout its life for the welfare of others,” she writes.

The material most synonymous with beads is surely glass, and that’s plentiful here, but there are also sequins, drilled bones and cowry shells. There are beads made of coins, coral and even whole cloves. Accouterments of course include thread and rope, but also tanned hide, leopard fangs, orangutan teeth and elephant tail hair. Something that seems to be consistent across multiple traditions is the use of brilliant, bold color. “In many cultures, white is worn during mourning—but color,” Hertz says, “is life.”

What makes this show so genuinely compelling is that it encourages us not only to learn more about other people, but also to question what we know—or, more probably, what we think we know about cultures other than our own. Before process or even style, Beadwork Adorns the World is concerned with people, each of whom, after all, contain their own mysterious, colorful universes.

The show will be up for almost a year, so take a quiet Sunday (or the first Sunday of the month, when all four of Museum Hill’s organizations are free to New Mexico residents) to stroll through. The museum, which is the largest of its kind in the world, hosts rotating exhibits as well as the truly extraordinary permanent installation of globe-spanning objects collected by artist and designer Alexander Girard.

BEADWORK ADORNS THE WORLD OPENING DAY 10 am-5 pm Sunday April 22. $6-$12.

Museum of International Folk Art, 706 Camino Lejo, 476-1204.

Through Feb. 3, 2019.

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APRIL 18-24, 2018

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Get savager at: SFReporter.com/savage

Background: I, a 21-year-old male, enjoy receptive fisting. I’ve also had constipation problems all my life. Question: I saw my doctor recently, and he tried to link my enjoyment of anal sex to my constipation. (Granted, I didn’t tell him EVERYTHING I do down there.)

My understanding was that there was no causal relationship, assuming no serious injuries occur. Is there something I don’t know?

Was my doctor just trying to be helpful?

-Fearing Inner Sanctum Tarnished “There are many myths about anal sex, but this is the first time I’ve heard this one,” said Dr. Peter Shalit, a physician in Seattle and a member of the Gay and Lesbian Medical Association.

It’s also the first time I’ve heard anyone associate fisting with constipation—typically when fisting is mentioned in the same sentence as constipation, FIST, it’s as a cure. But it’s a myth that fisting cures constipation, of course, along with anal sex being inherently dangerous.

“Fisting is a safe activity, provided that both the top and bottom are sober at the time,” said Dr. Shalit. “It does not cause damage or constipation or any other type of bowel problem.

The same applies to other anal sexual activities including anal receptive intercourse (getting fucked) and use of toys (dildos, vibrators, etc.) for anal stimulation—again assuming this is voluntary on the part of the bottom and that both partners are not under the influence of mind-altering drugs during sexual activity.” (For safety’s sake, of course, buttfuckers should use condoms and gay and bi men get should get on PrEP.) While many people engage in anal play while under the influence of drugs or alcohol, and most emerge unscathed, uninfected, and un-constipated, FIST, getting fucked up before fisting is not a butt sex best practice. A fuckedup top can quickly become an out-of-control top, and a fucked-up bottom can be numb to feelings of discomfort that mean “slow down,” “stop and add more lube,” or “stop altogether.”

Despite the fact that millions of people safely engage in anal play, many people believe that anal play does irreparable harm to the anus—or the soul—and that sadly includes many doctors.

“There is a misconception that these activities can cause damage by stretching or tearing the tissue, when actually the anus is very elastic and much of the ‘permission to enter’ actually involves intentional relaxation of the muscles by the bottom” and not force applied by the top, Dr. Shalit affirmed. (The top applies gentle pressure, the bottom breathes, relaxes, and opens up.)

“If a person suffers from constipation, that should be addressed as its own problem and not blamed on any type of anal sexual activity,” said Dr. Shalit. “In addition: For obvious reasons, it’s not fun to bottom if you’re constipated, so it would be good to have this problem evaluated and treated by a nonjudgmental health-care provider who understands that anal penetration—by fist, penis, or dildo—does not cause constipation.”

Finally, FIST, your doctor was misinformed, which is not helpful. If you don’t feel comfortable telling your doctor EVERYTHING you’re doing “down there,” you can find a new doctor—one you can breathe, relax, and open up to (in a different way)—under “find a provider” at GLMA.org.

I’m a 35-year old straight male, engaged to my girlfriend of eight years. While we have a good sex life, she often won’t let me finger or lick her. When she does, she enjoys it and easily climaxes while receiving oral sex. But her higher brain functions get in the way, as

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she has internalized our culture’s body shaming. She has likened me “sticking my nose down there” to “sticking my head in the toilet.” Whenever I sexy-talk about licking her, she reacts with a mood killing “eww.” But she says she would enjoy it if she could let me. I can’t make heads or tails of it! When we have sex, she cuts foreplay short and gets straight to penetration. Since her pussy is not yet fully aroused and wet, we use lube and I climax long before she does. She feels pleasure and moans, but she really does not value her own orgasm. But I do, and I miss seeing her climax! I wish I could help her overcome her body issues—but when I “use my words,” she feels pressured and can’t relax. I am at a loss.

Please help!

-Loves Inhibited Carnal Killjoy You could go with a grand, romantic, and slightly demented gesture, LICK: clean the toilet and then stick your head in it to make a point about cleanliness making all the difference—and since the vagina is a self-cleaning organ and your girlfriend showers (so her labia, clit, taint, and butt are clean), you should be able to stick your nose down there.

Or you could use your words—but don’t use them when you’re about to have sex, LICK. Do it at a neutral time (a time when you can’t have sex), so she doesn’t feel like you’re attempting to initiate by raising the subject. First, ask her if she enjoyed oral when she allowed you to go down on her. (Remember, the fact that she climaxed isn’t proof that she enjoyed it. Her orgasm is a physiological response; her pleasure is a combo of psychological responses and physiological responses.) If oral is pleasurable for her when she can allow you to go down on her, figure out what was different about those times. Had she just stepped out of the shower?

Was she a little tipsy or high? Did you go down there without asking, which didn’t give her higher brain functions/inhibitions a chance to kick in? (Please note: Not asking isn’t an option for new partners or new moves.)

If you can figure out what worked and why—freshly showered, mildly buzzed, no questions asked—you won’t have to stick your head in the toilet to prove a point.

My boyfriend and I just got back from Berlin, and we had a great time—until the last night.

There was a dark room in the basement of this gay bar, and my boyfriend wanted to check it out and I did not. We are monogamous for now—I’m open to opening things up down the road—and I didn’t see the point of going down there. I told him that drunk in a gay bar at 3 a.m. wasn’t the right time to open up our relationship, and he angrily insisted he wasn’t trying to do that. But if we’re monogamous and want to stay monogamous, why go into a dark room at all?

-Dude Into Monogamy If it was your boyfriend’s intent to reopen negotiations about monogamy while horny men circled you in a dark room, DIM, that wouldn’t be okay. But it is possible for monogamous couples to enter sexually charged environments like dark rooms, sex parties, or swingers clubs and emerge with their monogamous commitments intact. It’s advisable even—or at least I’ve advised monogamous couples who want to keep things hot to visit those kinds of spaces.

Go in for the erotic charge, soak it up, and plow that energy into each other. So next time, go down there. You might have to bat a few hands away, but once the other guys realize you two aren’t there for anyone else, they’ll turn their attentions to others who are.

On the Lovecast, poly expert Cunning Minx: savagelovecast.com mail@savagelove.net @fakedansavage on Twitter ITMFA.org

TRAIN YOUR BRAIN TO HEAR BETTER Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 This meeting of the Santa Fe chapter of the Hearing Loss Association of America featcovers listening skills.

10 am, free

EVENTS 100 KIDS WHO CARE IN SANTA FE Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 Learn more at this informational meeting for students in grades 7-12.

2-3 pm, free BIRD WALK Randall Davey Audubon Center 1800 Upper Canyon Road, 983-4609 Head to the hills for a guided birding hike with experienced bird nerds.

8:30-10 am, free BOLLYWOOD CLUB INVASION Santa Fe Community Convention Center 201 W Marcy St., 955-6590 The 10th annual fundraiser dance party features Bollywood-inspired live DJ mixes, dancing and more.

Get a dance class at 7 pm, an India-inspired shopping bazaar, hand henna tattoos and face painting (see Music, page 27).

6:30 pm, $7-$15 CLEANING OF THE ACEQUIA MADRE Acequia Madre Elementary School 700 Acequia Madre It’s the 408th annual!

8:30 am, free COMCAST CARES DAY The Food Depot 1222 A Siler Road, 471-1633 It’s the nation's largest single-day corporate volunteer event. To register, call Sarah Carter at 471-1633 ext. 115.

8 am-noon, free EARTH DAY CELEBRATION Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 Family-friendly interactive workshops, demonstrations and activities.

10 am-2 pm, free EARTH DAY FESTIVAL Los Alamos Nature Center 2600 Canyon Road, Los Alamos, 662-0460 Get slightly out of dodge and celebrate Earth Day with engaging activities, fun entertainment, food, informational booths and more.

10 am-2 pm, free MIND BODY SPIRIT EXPO Genoveva Chavez Center 3221 W Rodeo Road, 955-4000 Join your friends from SFR as we showcase the best alternative healing practitioners for information, samples, demonstrations and more.

The winners of our annual poetry contest read at 1 pm.

8 am-noon, free

NEW MEXICO 420 FEST The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 A weekend celebration of the devil’s lettuce with nearly 30 cannabis-friendly vendors. Organizers also consider it a political rally seeking to change New Mexico’s pot laws by building an inclusive engaged community.

2-10 pm, $10 RENEWABLE ENERGY FESTIVAL Northern New Mexico College 921 N Paseo De Onate, Española, 929-0746 Learn about green building, passive solar design, adobe construction and renewable technologies. The Rio Arriba County Department of Health hosts free lunch at noon.

9 am-3 pm, free SANTA FE ARTISTS MARKET Santa Fe Railyard Market Street at Alcaldesa Street, 310-8766 Tons of art from a juried group of local artists.

8 am-2 pm, free YOUTHQUAKE: BBQ AND BEATS Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 The student art fest continues into day three. Tonight's event, spearheaded by Desert Academy junior Jasper Lipscomb (aka DJ Tickles), features an evening of live music with Max Krien, DJ xRaucous, Adam Griffo and the psychedelic stylings of Wet Mopp, plus an art gallery and a barbecue spread. More events are happening all weekend, so check out youthquakesf.com.

8 pm, $8

FILM CINEFESTA ITALIA Various locations A carefully chosen set of Italian feature and short films makes up this festival.

In addition to films, enjoy food and drink events too; check CineFestaItalia.org for a full schedule.

11:30 am-10 pm, $12-$99

MUSIC THE ANDERSON TWINS Museum Hill Café 710 Camino Lejo, 984-8900 Multi-woodwind players Peter and Will Anderson only graduated from Julliard a few years ago, but have taken the jazz world by storm. They’re joined by Felix Lemerle on guitar.

6 pm, $20-$25 ANDY KINGSTON TRIO El Mesón 213 Washington Ave., 983-6756 Funky jazz.

7:30 pm, free THE BUS TAPES Cowgirl 319 S Guadalupe St., 982-2565 Alt.rock.

8:30 pm, free

BUSY McCARROLL Second Street Brewery (Original) 1814 Second St., 982-3030 Pop and jazz.

6 pm, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 A musical Parisian-style cabaret evening.

6 pm, free THE COMA RECOVERY, AMERICAS, ANTIPHONY AND DISTANCES Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Join ABQ’s Coma Recovery for the release show for a new EP (see SFR Picks, page 23).

6 pm, free DJ ELVIS KARAOKE Palace Saloon 142 W Palace Ave., 428-0690 Get the mic.

10 pm, $5 DANNY DURAN & SLO BURN Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Country-Western.

8:30 pm, free DOUG MONTGOMERY AND BOB FINNIE Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Bob’s at 8 pm.

6 pm, free ETHAN ECKERT Duel Brewing 1228 Parkway Drive, 474-5301 Kansas City musician Eckert writes songs about dread and redemption.

7 pm, free FEDERICO GARCÍA LORCA AND LEONARD COHEN: METAMORPHIC REFLECTIONS Unitarian Universalist Congregation 107 W Barcelona Road, 982-9674 A melding of the works of Spanish poet García Lorca and singer/songwriter Cohen.

6 pm, $10-$20 GREG BUTERA Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Country-Western and honky-tonk.

6 pm, free HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Americana ‘n’ honky-tonk.

1 pm, free HITO & MOSCOMAN Meow Wolf 1352 Rufina Circle, 395-6369 Hito, a techno DJ who plays 100 percent vinyl, is probably gonna blow your mind.

She’s joined by Moscoman, who melds sounds and ideas from techno, new-wave, house and the music of his native Middle East.

9 pm, $18-$20

THE CALENDAR

ENTER EVENTS AT SFREPORTER.COM/CAL

IAIA MUSICFEST Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 At the Dance Circle on IAIA's campus, catch live music, vendors, food and more. Also catch an Indigenous Solutions Healing Mini-Festival.

10 am-6 pm, free JOHN RANGEL AND BARBARA BENTREE Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Jazzy jazz.

6 pm, $2 KITTY JO CREEK BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Bluegrass on the deck.

3 pm, free KRONOS QUARTET Lensic Performing Arts Center 211 W San Francisco St., 988-1234 A spirit of fearless exploration combines with a commitment to continually re-imagine the string quartet experience.

Students and teachers can call to get half-price tickets.

7:30-9 pm, $29-$110 MARC SANDERS Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free MARK'S MIDNIGHT CARNIVAL SHOW Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Alt.rock, pop and beards.

8 pm, free MIDLIFE CRISIS Boxcar 530 S Guadalupe St., 988-7222 Rock 'n' roll.

10 pm, free ORDINARY ELEPHANT Kitchen Sink Recording Studio 528 Jose St., 699-4323 Insightful writing, effortless harmonies and intertwined clawhammer banjo and guitar from husband-and-wife duo Crystal and Pete Damore.

7:30 pm, $20 PAT MALONE Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Solo jazz guitar.

7 pm, free THE ROBERTS El Farol 808 Canyon Road, 983-9912 Original Americana, funk and R&B. 9 pm, $5 RUMELIA COLLECTIVE San Miguel Chapel 401 Old Santa Fe Trail, 983-3974 Vocal music from the Balkans performed by Nicolle Jensen, Willa Roberts, Sitara Schauer, Alysha Shaw and Hayriye BüÐra Solak (who appears for the last time with the group).

7:30 pm, $15-$20 SAVOR La Fiesta Lounge 100 E San Francisco St., 982-5511 Cuban street music.

8 pm, free CONTINUED ON NEXT PAGE

with Jake Mulliken

COURTESY JAKE MULLIKEN

It’s not every day that students from multiple high schools come together and work together, but for the upcoming first annual Youthquake event (various times ThursdaySunday April 19-April 22. Free or $8, depending on event. youthquakesf.com) at Violet Crown Cinema (1606 Alcaldesa St., 216-5678) and Studio Center of Santa Fe (1614 Paseo de Peralta, 989-4423), that’s exactly what happened. Created at Desert Academy and including students from Santa Fe High, New Mexico School for the Arts, Santa Fe Prep and others, Youthquake highlights the artistic efforts of local teens in a variety of media, and we caught up with organizer and Desert Academy film department head Jake Mulliken to get the lowdown.

(Alex De Vore) Where’d the idea come from?

I, for one, thought the traditional school arts thing was kind of lame. It was almost like showing up to church—you sit there, you see it, you leave. I’ve done something like this before, but I submitted a grant to the Skylark Foundation in Los Angeles, and originally it was supposed to be, like, a day-long art binge with movies and galleries and stuff. But I got in cahoots with Kim Langbecker from the board at Studio Center, and it turned into this five-day arts event. That was the goal for three years down the road. The real goal with this thing was not to just give Desert Academy a chance, but ... schools in general are really bad at working together, so the idea behind this format was to create a social arts curriculum. The goal is to still, in the next three years, have films up from every school in New Mexico and have an annual week-long New Mexico high school film festival.

benefiting the children of Santa Fe Waldorf School

Saturday, May 12 • 5:30pm $50 pp or $85 couple Childcare Available Music by Mathew Andrew Organic Gluten Free Dinner

What kind of films have been created?

505.467.6426 SantaFeWaldorf.org/riddles

The best way to describe it would be ‘eclectic.’ We’ve got some really solid animation and experimental shorts. Students have done everything from focusing on certain techniques; we’ve got a zombie flick, some homages to The Twilight Zone, some ridiculous attempts at comedy. I made the excellent call of showing them David Lynch. We’ve got some really cool abstract, surrealist flicks, too.

Did you learn anything new during the process?

It’s always kind of interesting that the times I’ve stopped teaching and gone to produce my own stuff with adults, it’s always really frustrating. But the kids, some of them have been doing this their entire childhoods, so they have the skills, but they don’t have the bad habits. There’s not a lot of fear there. They’re willing to takes risks and swing for the fences. It was really cool to watch them and think, ‘Y’know, maybe I should be less rigid in my own work.’ The real thing I learned was to just have fun and go for it.

We pay the most for your gold coins, heirloom jewelry and diamonds!

On the Plaza 60 East San Francisco Street, Suite 218 Santa Fe, NM 87501 • 505.983.4562 • SantaFeGoldworks.com SFREPORTER.COM

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APRIL 18-24, 2018

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HISTORIC WALKS OF SANTA FE Featured on “Good Morning America”—is Santa

Fe’s most established tour business since 1992

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We are currently looking for experienced, professional guides to join our team

Contact HISTORIC WALKS OF SANTA FE: 505-986-8388 OR historicwalksofsf@icloud.com

DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 In a tucked-away corner of north Philadelphia, six regulars gather at a quiet neighborhood watering hole.

7:30 pm, $12-$20 WILD Santa Fe Performing Arts 1050 Old Pecos Trail, 982-7992 SFPA's student performers have created an original poignant and comedic story about the wonders and risks of being different. Get in for $5 if you dress up like a Wild Thing.

2 pm, $8 WILL'S 454TH BIRTHDAY BASH: SHAKESPEARE'S WHIRLED St. Francis Auditorium 107 W Palace Ave., 476-5072 See what happens when Shakespeare’s family has to perform some of the scenes from his greatest works. The one-act performance is followed by cake, visiting with the actors and a silent auction. Reserve your spot at 490-6271.

7 pm, $10

WORKSHOP COMMUNITY DROUGHT SOLUTIONS: CONNECTING THE DROPS FROM ROOFTOP TO RIVERBED Railyard Park Community Room 701 Callejon St., 316-3596 Presenter Jeremiah Kidd of San Isidro Permaculture explores the ways water moves through landscapes.

Bring a notepad and dress for the weather.

10 am-2 pm, free MEOW WOLF-INSPIRED FACEPAINT Meow Wolf 1352 Rufina Circle, 395-6369 Join local artist Ariana Throne for a workshop in looks inspired by the House of Eternal Return. All materials included.

6 pm, $35

SUN/22 ART OPENINGS BEADWORK ADORNS THE WORLD Museum of International Folk Art 706 Camino Lejo, 476-1200 Explore the ways in which beads are used in cultures across the globe. Opening day! Wahoo! Through Feb. 3, 2019 (see A&C, page 31).

10 am-5 pm, $6-$12

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ENTER EVENTS AT SFREPORTER.COM/CAL

FOR YEARS I. CLOSING RECEPTION Zephyr Community Art Studio 1520 Center Drive, Ste. 2 Get a last look at a collection of work by local artist Charlotte Thurman featuring mixed-media process drawings, paintings and notes, and the"Dream Screen," a chronicle of two years of dream journaling that has turned the artist's dream journals. Plus tunes from Hedonism Bot. 4 pm, free

BOOKS/LECTURES JOURNEYSANTAFE: ANDY OTTO Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Otto, executive director of the Santa Fe Watershed, discusses the health of watersheds.

11 am, free LARRY GOODELL: NOTHING TO LAUGH ABOUT Teatro Paraguas 3205 Calle Marie, 424-1601 “Performance poet” Goodell presents his new collection of poems from 2015-2016.

2 pm, free NEW MEXICANS FOR MONEY OUT OF POLITICS: JEFF CLEMENTS Aldea Community Center 58-A Avenida Aldea, 473-2877 Catch a presentation by Clements, president of American Promise, an organization that champions citizens' control of government rather than big money, unions or corporations.

3 pm, free ROUNDTABLE WITH LEON BOTSTEIN form & concept 435 S Guadalupe St., 982-8111 Join Bard College President Leon Botstein and leaders of the Santa Fe creative community for a roundtable discussion about innovative educational models.

2 pm, free

EVENTS BENJI LOVITT AND LISTEN UP! Temple Beth Shalom 205 E Barcelona Road, 982-1376 Lovitt, American Israeli standup comedian, is joined by Listen Up!, a cappella vocalists.

4-6 pm, free DHARMA DISCUSSION GROUP Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 Share thoughts, feelings and experiences related to Buddhist practice.

7 pm, free EARTH DAY CELEBRATION Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 Join in with hands-on activities for all ages; there's seed planting in cowpots, Native gardening and planting methods, light refreshments and more.

1-4 pm, free

EARTH DAY CELEBRATION Santa Fe Children's Museum 1050 Old Pecos Trail, 989-8359 Join in with hands-on activities for all ages; learn about worms and the importance of composting, and how to bake in solar ovens or in the horno.

Noon-4 pm, free EARTH DAY LABYRINTH WALK Museum of International Folk Art 706 Camino Lejo, 476-1200 Join a walk with the Labyrinth Resource Group, with music

by Glee Briggs.

1 pm, free EARTH DAY SANTA FE HOLISTIC EXPOCONFERENCE Hilton Santa Fe Historic Plaza 100 Sandoval St., 988-2811 This inaugural event is a globally focused showcase of local, national and international eco-brands, wellness advocates and change-catalysts to further educate our community on how to reduce our footprint impact.

10 am-6 pm, free THE GATE OF SWEET NECTAR LITURGY Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 In this ceremony, offer those who need it the bodhi mind of love, wisdom, and transformation.

5:30 pm, free KIDFEST Camino de Paz School & Farm 03A Camino de Paz, Santa Cruz, 231-2819 Feed the four-legged kids, feed yourself farm-raised food and homemade ice cream, and enjoy games, tours and marimba music (see SFR Picks, page 23).

11 am-3 pm, free MODERN BUDDHISM: THE ART OF HAPPY RELATIONSHIPS Zoetic 230 St. Francis Drive, 292-5293 This class asserts that by meditating on pure love, compassion, patience and giving, we can transform ourselves.

10:30 am-noon, $10 NATIVE PLANT WALK Railyard Park Community Room 701 Callejon St., 316-3596 Gail Haggard of Plants of the Southwest leads a tour of the Railyard Park and its native plants, offers horticultural tips and answers questions.

10 am-2 pm, free YOUTHQUAKE: SANTA FE INSTITUTE Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 The student art fest’s closing event is a collaboration with the Santa Fe Institute and features a panel, hosted by SFI professor Chris Kempes, a short film, and a brainstorming session on an interactive timeline highlighting the pivotal moments of mankind’s exploration into space.

2 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

THE CALENDAR

FILM

THEATER

CINEFESTA ITALIA Various locations A carefully chosen set of Italian feature and short films makes up this three-day festival. In addition to films, enjoy food and drink events too; check CineFestaItalia.org for a full schedule.

11:30 am-10 pm, $12-$99

DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 In a tucked-away corner of north Philadelphia, six regulars gather at a quiet neighborhood watering hole.

4 pm, $12-$20 NATURAL SHOCKS Adobe Rose Theatre 1213 Parkway Drive, 629-8688 The one-woman show (which, for this reading, will be presented by multiple actresses) is part confessional, part stand-up, and eventually presents the reality of gun violence in America.

The Adobe Rose donates all proceeds from ticket sales to the Parkland Teens Stoneman Douglas' GoFundMe account, and Casa Familia.

3 pm, $10-$20 WILD Santa Fe Performing Arts 1050 Old Pecos Trail, 982-7992 SFPA's student performers present an original poignant and comedic story about the wonders and risks of being different. Get in for $5 if you dress up like a Wild Thing.

2 pm, $8

MUSIC BORIS AND FRIENDS Cowgirl 319 S Guadalupe St., 982-2565 Americana.

Noon, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Piano standards.

6:30 pm, free MARIO REYNOLDS La Fiesta Lounge 100 E San Francisco St., 982-5511 Latin American tunes on guitar, charango and flute.

6 pm, free MICHAEL UMPHREY Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free MOSE McCORMACK Cowgirl 319 S Guadalupe St., 982-2565 Aggressive country and industrial honky-tonk.

8 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Creative but rooted takes on Latin music from around the world.

7 pm, free OPEN MIC Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Practice your new tunes.

3-7 pm, free PAT MALONE AND JON GAGAN El Farol 808 Canyon Road, 983-9912 A jazz duet on Civilized Sunday.

7 pm, free PIGMENT Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Jammy noodling.

4 pm, free SANTA FE CONCERT BAND SPRING CONCERT St. Francis Auditorium 107 W Palace Ave., 476-5072 Check out the band's spring concert, featuring selections from The Sound of Music and ET, and works by Ravel, Sousa, Grundman, Andrews and more.

2 pm, free SEAN HEALEN BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Rock 'n' folk 'n' roll on the deck.

3 pm, free

WORKSHOP KOKEDAMA WORKSHOP Meow Wolf 1352 Rufina Circle, 395-6369 Jeanna Gienke, co-owner of Opuntia Café, instructs on how to make your own kokedama—a form of traditional Japanese garden art.

10 am, $25

MON/23 BOOKS/LECTURES THE MAGIC OF NATIVE PLANTS Montezuma Lodge 431 Paseo de Peralta, 670-3068 Women 50+ are welcome at a talk presented by The Transition Network about how to add native plants to the home landscape to mitigate diminishing biodiversity.

5:45 pm, $5 PAQUIME & MIMBRES: A VIEW FROM BOTH SIDES OF THE BORDER Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Paul Minnis, professor emeritus of anthropology at the University of Oklahoma, speaks as part of Southwest Seminars' Ancient Sites and Ancient Stories lecture series.

6 pm, $15

EVENTS GEEKS WHO DRINK Draft Station Santa Fe Arcade, 60 E San Francisco St., 983-6443 Stellar quiz results can win you drink tickets for next time. Isabel is your host, and she's wicked smaht.

7 pm, free

&

…

THE SANTA FE HARMONIZERS REHEARSAL Zia United Methodist Church 3368 Governor Miles Road, 699-6922 Have you been itching to start singing again? The local choral group invites anyone who can carry a tune to its weekly rehearsals.

6:30-8 pm, free

MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana.

7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Sing “Tennessee Whiskey.”

9 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Piano standards.

6:30 pm, free MELLOW MONDAYS Boxcar 530 S Guadalupe St., 988-7222 DJ Sato spins some jams to calm you down.

10 pm, free METAL MONDAY The Matador 116 W San Francisco St., 984-5050 DJ Lady Strange spins hard rock and heavy metal on vinyl.

9 pm, free PLEASURES, WEEDRAT AND SCISSOR LIFT Ghost 2899 Trades West Road Pleasures, out of South Florida, plays dark psych/ cybernetic tunes from the place between human and machine. They're joined by Albuquerque's Weedrat (angry pop punk) and scissor lift (experimental pop loops).

8 pm, $5-$10

TUE/24

MAY 12TH

Help put a

STOP to homelessness

today!

Want to volunteer to help with this event?

Email Katherine at volunteer@steshelter.org!

Saddle Up! CHALLENGE NEW MEXICO needs

VOLUNTEERS

The CNM Ranch is looking for volunteers to work with our very special horses and clients.

Each client has been diagnosed with a special need or disability. As a volunteer, YOU can empower each client by helping them experience the joy of horseback riding.

• NO HORSE EXPERIENCE REQUIRED • AGES 15+ ACCEPTED

BOOKS/LECTURES

Not interested in horses? We have other volunteer opportunities!

COLLEEN OLINGER: THE VALLES CALDERA NATIONAL PRESERVE DENDROGLYPH PROJECT Northern Rio Grande National Heritage Area Heritage Center Hwy. 68, Bldg. 854, Alcalde, 852-4639 Learn how, since 2008, small volunteer crews have located and documented historic tree carvings in the Valles Caldera National Preserve. Wildfire has burned seven of 10 surveyed areas, making rightthis-second the best time to survey and learn about them.

6:30 pm, $5 PRESCHOOL STORY TIME Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Get yourself and your kid out of the house and see other real live humans.

10:30 am, free

More information at challengenewmexico.com Contact Elissa by email at cnewmexico@gmail.com

CONTINUED ON NEXT PAGE

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APRIL 18-24, 2018

35

THE CALENDAR MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana.

7:30 pm, free CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar.

7 pm, free DOUG MONTGOMERY AND AL ROGERS Vanessie 427 W Water St., 982-9966 Piano standards.

6 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

GARY GORENCE Cowgirl 319 S Guadalupe St., 982-2565 Country and Southern rock.

8 pm, free JAPANESE BREAKFAST Meow Wolf 1352 Rufina Circle, 395-6369 We're really in it for the opener, indie rockers Snail Mail (see SFR Picks, page 23).

7 pm, $15-$18 MICHAEL UMPHREY Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free

OPEN MIC Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Git it grrl.

7 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar.

6 pm, free VINTAGE VINYL NIGHT The Matador 116 W San Francisco St., 984-5050 DJs spin garage, surf, country and rockabilly.

8:30 pm, free

COURTESY HARWOOD MUSEUM OF ART

MUSEUMS

KUNM 89.9 FM kunm.org

Much more than RADIO educational

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Jolene Nenibah Yazzie’s “Sisters of War,” along with tons of work by many other awesome New Mexico women, hangs at the Harwood Museum in Taos through May 13.

GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Journey to Center: New Mexico Watercolors by Sam Scott. Through Nov. 1.

HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Work By Women. Erin Currier: La Frontera. Jolene Nenibah Yazzie: Sisters of War. All through May 13.

MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 IAIA 2018 BFA Exhibition: Breaking Ground. Through May 12. Art & Activism: Selections from The Harjo Family Collection. Through May 13. The Abundant North: Alaska Native Films of Influence. Through June 3. Action Abstraction Redefined. Through July 27.

Without Boundaries: Visual Conversations. Through July 29. Rolande Souliere: Form and Content. Through Jan. 27, 2019.

MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 Encaustic/Wax Art: From Ancient Beeswax to the Modern Crayon.

MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Frank Buffalo Hyde: I-Witness Culture. Through April 30.

Stepping Out: 10,000 Years of Walking the West. Through Sept. 3. Lifeways of the Southern Athabaskans.

Through Dec. 31. Maria Samora: Master of Elegance.

Through Feb. 2019.

MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200 Negotiate, Navigate, Innovate: Strategies Folk Artists Use in Today’s Global Marketplace. Through July 16. Crafting Memory: The Art of Community in Peru.

Through March 10, 2019.

Artistic Heritage: Syrian Folk Art. Through July 29.

No Idle Hands: The Myths & Meanings of Tramp Art. Through Sept. 16. Beadwork Adorns the World. Through Feb. 3, 2019.

MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Time Travelers: and the Saints Go Marching On. Through April 20.

NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 The Land That Enchants Me So: Picturing Popular Songs

of New Mexico. Through Feb. 24, 2019.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Contact: Local to Global.

Through April 29. Shifting Light: Photographic Perspectives. Through Oct. 8. Horizons: People & Place in New Mexican Art. Through Nov. 25.

PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Tesoros de Devoción.

POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we.

SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Namingha: Conception, Abstraction, Reduction.

Through May 18.

SITE SANTA FE 1606 Paseo De Peralta, 989-1199 Future Shock. Through May 1.

WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Center for the Study of Southwestern Jewelry.

@THEFORKSFR

A Taste of Vintage Italia MARY FRANCIS CHEESEMAN

New food truck offers classically styled pizza at Santa Fe Brewing Company

BY MARY FRANCIS CHEESEMAN a u t h o r @ s f r e p o r t e r. c o m

T

he Santa Fe Brewing Company continues to expand its offerings by playing host to a new food truck called Bruno’s, an independently owned satellite operation separate from the brewery itself. Painted jet-black with a highlighted portrait of a young man from the 1920s—a tribute to the grandfather of the family who owns it—the truck aims to offer an Italian street food experience that seems almost anachronistic against the backdrop of highway and endless skies that is the Brewing Company’s purview.

Siblings Angelo and Angelica opreate Bruno’s with a concept inspired by the late family patriarch, Giordano Bruno. He emigrated to America from Milan in the ’20s, but his parents hailed from Tuscany and Naples, respectively. Equipped with an arsenal of recipes local to his family’s origin points, including that most famous culinary offering from Naples, the Neapolitan pizza, he found work as a chef first in Chicago and then New York. Inspired by the vibrant Italian-American food culture of both cities, Giordano made it his mission to bring a similar ethos to the Southwest.

Eventually, he settled in Salida, Colorado, and opened a small pool hall with a speakeasy in a secret back room. There he’d continue his love for authentic Italian food, both for the sake of the public and in his home and hearth.

The Brunos of today recall Sunday dinners with their grandfather where he taught them how to make everything from

Margherita with sun-dried tomatoes and basil?

Audible gasp!

scratch. This included various kinds of sauces, pasta, gelato, sorbetto, cannoli and biscotti. “We learned everything growing up,” says Angelo. “Our sauces, sandwiches and pizza are all versions of our grandfather’s recipes. We took the best parts of what he taught us and turned it into a menu.”

The recipes used by the Brunos have been tweaked slightly since then, and you’ll find the truck at the Santa Fe Brewing Company most often, although it do sometimes parks outside the Shift New Mexico dispensary (24 Bisbee Court, 438-1090). The family operates two main trucks, one equipped with a wood-fired oven and another with an espresso machine imported from Italy, a keg for nitro-style coffee and a machine that makes granitas, a dessert with Sicilian origins.

The oven was also imported from Italy and is attached to a small trailer, around which a mobile outdoor kitchen

has been constructed where the pizzas are prepared. It weighs over 10,000 pounds and temperatures inside reach 800 degrees, cooking a pizza in 90 seconds. The Brunos plan to expand their operation to include a third truck called Bruno’s Speakeasy Oxygen Bar, at which they hope to offer espresso and oxygen.

The main truck, called Bruno’s Wood Fired Pizza Bar, serves Neapolitan-style pizza, stromboli, calzones, bread sticks and, occasionally, a selection of sandwiches that changes every so often.

The pizzas are certified by the American branch of the Associazione Verace Pizza Napoletana (or AVPN), which was founded in 1984 in Naples to certify pizzerias that use the proper artisan techniques and traditions of making authentic Neapolitan pizza: kneading the dough by hand and using a highly refined Italian type of flour and fresh brewer’s

FOOD

yeast. All the ingredients, from the flour to the cheese, must be fresh, natural and from specific Italian origin points. In the case of Bruno’s, the pizza crust is made with traditional Caputo 00 flour, infused with Santa Fe Brewing Company’s Happy Camper IPA and topped off with Sicilian olive oil. The red sauce is made from San Marzano tomatoes imported from Italy (another requirement for Neapolitan certification), fresh organic tomatoes, olive oil and basil the Brunos grow themselves.

“You don’t know what authentic Italian is until you taste it,” Angelo cautions.

“We’ve never really thought about it too much, but that’s what we’ve always eaten and always made.”

The final product is a pizza unlike anything else in Santa Fe, more in keeping with something you’d find in a deli in New York (the Brunos also do a New York-style thin-crust pizza for private events and catering, but they stick to the Neapolitan style for the Brewing Company’s public).

The crust is fresh, light and airy, but the middle is satisfyingly soggy with sauce.

Traditionally, Neapolitan pizzas are so wet in the middle they can’t be served by the slice or made larger than 12 inches wide, but the Brunos make their version at 14 inches and a little bit more accessible in terms of the sauce-to-cheese ratio.

I tried the margherita ($13.50), topped with sun-dried tomatoes, green chile and pepperoni. It was truly a pleasurable fusion of influences to experience such a classic Italian style of pizza topped with New Mexican green chile. I also sampled the handmade cannoli ($3 each), a tube of flaky dough stuffed with a creamy and sugary ricotta-based filling. These were delicious, although I personally could have done without the neon-red maraschino cherries. But who am I to argue with a family tradition?

BRUNO’S 4-8 pm Tuesday and Friday; Noon-8 pm Saturday. Santa Fe Brewing Company, 35 Fire Place, 690-0966

SFREPORTER.COM

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APRIL 18-24, 2018

37

Over 35 interactive r o o d t u o d n a r o indo exhibits, including , our . m u i r a t e n a l p e l b a t r po

COME PLAY WITH US! 1050 Old Pecos Trail

www.santafechildrensmuseum.org

505.989.8359

Partially funded by the County of Santa Fe Lodgers’ Tax 38

APRIL 11-17, 2018

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SFREPORTER.COM

MOVIES

RATINGS

Review

BEST MOVIE EVER

Dwayne Johnson goes apeshit 10 9 8 7 6 5 4 3 2 1 WORST MOVIE EVER

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

OK, hear me out: Rampage, based on the ’80s arcade game of the same name, ain’t that bad. Oh, it’s dumb alright, no question, from beginning to end. But at its core you’ll basically find an overthe-top Godzilla-like movie—and there’s nothing wrong with that, at least not in the summertime blockbuster sense.

Dwayne Johnson is Davis Okoye, a soldier-turned-primatologist for the San Diego Zoo. Davis doesn’t much care for people because of something-or-other about poachers he used to hunt for the Army in his previous life (morality!), but he totally gets along with his albino gorilla pal George (friendship!), possibly because George knows ASL and has a weird sense of humor (complexity!), possibly because Johnson is not entirely unlike a gorilla himself (muscles!). Either way, it’s bad news when a black ops science project carried out in space (not kidding) crash lands to Earth, transforming George into a towering behemoth of an ape with rage issues who—get this—goes on a total rampage across heartland America and Chicago.

Elsewhere, other fallout from the space-based experiments winds up mutating a wolf and a croc-

5 + KILLER CGI; FAB FOR FANS OF GODZILLA AND THE ILK - OH. EM. GEE. IT’S SO DUMB.

odile. They also rampage, with their particular mutations providing them with super powers, like flight or spikes they can shoot out of their bodies or super speed; George, meanwhile, just gets huge.

What a ripoff.

Turns out the culprit is some mega-corp run by an evil sister-brother team (Watchmen’s Malin Akerman and Jake Lacy of The Office), who both suck so hard in this movie it’s particularly notable.

Lucky, though, a beautiful geneticist named Kate (Naomie Harris) who was tricked into developing the rampage-inducing experiment (which was in space, remember) teams up with Johnson to stop the, um, rampaging. Jeffrey Dean Morgan (The Walking Dead) also appears as some shadowy government operative, but his role is literally just him saying stuff like “whirlybird” and “grandpappy” and “this old cowboy” while The Rock is busy asking monsters if they can smell what he’s cooking.

You bet your ass they can.

Explosions ensue. Everyone runs places. Helicopters are flown, guns are fired and, like the game itself, buildings are punched into piles of rubble. And then, in a way that isn’t so much subtext as it is a tacked-on, barely-there sentiment, we get the idea that humans don’t always treat animals very nicely. We probably should, lest we become victims of a rampage.

Still, there’s no denying Dwayne Johnson’s immutable charm, and not every movie can be Citizen Kane. In fact, sometimes we just gotta see gigantic beasts tear shit up. Rampage, if you will.

Note: Rampage also comes in 3-D, though SFR saw the standard version.

RAMPAGE Directed by Brad Payton With Johnson, Harris, Morgan, Akerman and Lacy Regal, Violet Crown, PG-13, 107 min.

QUICKY REVIEWS

7

A QUIET PLACE

10

ISLE OF DOGS

7

READY PLAYER ONE

9

THE DEATH OF STALIN

A QUIET PLACE

7

John Krasinski and these damn kids shut their damn mouths in A Quiet Place.

+ CLEVER IDEA; BLUNT AND

KRASINSKI SURPRISINGLY RIVETING

- “OH, C’MON!” MOMENTS

John Krasinski dons his writer, director and actor caps for A Quiet Place, a sort of hybrid horror/sci-fi flick set in post-apocalyptia that finds a man and his family forced into constant silence to stay alive. Mysterious creatures have appeared in Farmland, USA, and seeing as they’re blind, they navigate and hunt by sound—kind of like bats, only not adorable. Krasinski’s clan thus adopts a million neat survival tricks to stay ahead of the game.

It’s a simple but smart idea, from the clever pathways laid with sand to the series of color-changing lightbulbs strung up around the farm to soundlessly warn of imminent danger.

Krasinski plumbs surprisingly moving emotional depths as a father facing loss who must also prepare his kids for the new world order. Ditto for Emily Blunt, also his real-world wife, who conveys terror sans dialogue in very meaningful and downright stressful ways. The children (Noah Jupe, Suburbicon, and Millicent Simmonds, Wonderstruck) are another story

8

BLACK PANTHER

altogether, both in terms of the hammy expressions they lean into and the annoying plot lines with which they’re saddled.

Jupe is fine as the token “I’m a-scared!” kid, but Simmonds is particularly bothersome as a melodramatic pre-teen who is deaf (handy, though, since the entire family knows sign language because of it) and definitely blames herself for the film’s harrowing opening sequence. While believable that a young girl would be defiant and moody and self-absorbed, it feels false that she would prioritize these feelings over, say, continuing to breathe.

Regardless, both Krasinski and Blunt nail the family dynamic, demonstrating just how far a parent would go to protect their brood.

The creature, meanwhile, is the true star of A Quiet Place—a spookily designed monstrosity that harks back to creature-feature horror while asserting its own identity, even if it does owe a debt of gratitude to movie monsters from classics like Alien and Predator. Krasinski and company must be commended for keeping the monster under wraps in the trailers, and trust us—it’s definitely scary.

Still, the ultimate resolution isn’t quite as satisfying as it could be, and the no-sound shtick

CONTINUED ON PAGE 41

SFREPORTER.COM

• APRIL 18-24, 2018

39

CALLING ALL FOOD TRUCKS!

SHOWTIMES APRIL 18 – 24, 2018

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MOVIES

FOR SHOWTIMES AND MORE REVIEWS, VISIT SFREPORTER.COM

comes perilously close to outstaying its welcome, even if it is relatively inventive. As far as simple, atmospheric horror goes, though, you could do a hell of a lot worse than A Quiet Place. Just be prepared for them jump-scares. (ADV) Regal, Violet Crown, PG-13, 90 min.

ISLE OF DOGS

10

+ IMPRESSIVE IN SCOPE - ANDERSON’S MOVIES TEND TO FEEL SAME-Y

Wes Anderson’s shtick can come across as cutesy or far too awash in pastel precociousness. However, his stop-motion features—such as 2009’s Fantastic Mr. Fox—don’t succumb to this problem, at least not in the same ways. Cue Isle of Dogs, Anderson’s newest animated effort and one of the most clever and entertaining films of the year.

In the not-too-distant future, the Japanese city of Megasaki is overrun with dog flu, an affliction that has made its way to the vast majority of canines, which results in the mayor decreeing every last one be sent to Trash Island, an offshore trash dumping ground otherwise lost to natural disasters. Most of the city’s denizens have been brainwashed by propaganda, save the idealistic students of a local high school’s newspaper and the mayor’s young nephew Atari (Koyu Rankin), who sets off in search of his own dog Spots who was marooned on the island some months ago.

There, formerly domesticated dogs, show dogs, stray dogs and mutts eke out a bleak existence, fighting over trash scraps and contaminated water, all while pining for their former lives and loves.

Favorite meals are remembered, cushy living situations are recounted and the desperately formed packs observe primitive democracies, unable to choose a singular alpha.

Perhaps the greatest moment of Isle of Dogs comes with the realization that the dogs are far more human than those who’ve placed them on Trash Island. Stellar voice work from Ed Norton, Jeff Goldblum, Bill Murray and Bob Balaban truly sells the concept, but Bryan Cranston as Chief is untouchable. Cranston’s ability to sell proud-yetbroken with just his voice speaks volumes about his acting skills, though the design of the dogs is also brilliant, right down to the way their fur blows in the wind. Trash Island itself is smartly designed, conveying utter loneliness despite a population that consistently reveals itself across varying locales such as an abandoned amusement park, an overgrown golf course and the barren coast.

Only the dogs speak English and, other than a few scenes with interpreters, the Japanese dialogue is not subtitled. This is a genius move, as we can use context to derive meaning without being led by the hand and it preserves the dogs as the story’s true heroes.

We fall in love with Cranston’s Chief and root

tirelessly for Atari, all while culturally impactful and tactfully represented moments highlight Japan’s art, food and daily life with subtlety and grace.

It might be too soon to say this is the best film of the year, but Isle of Dogs is a strong contender and should not be missed under any circumstances. (ADV) Violet Crown, PG-13, 111 min.

READY PLAYER ONE

7

+ LOOKS SOOOO COOL; EXCITING - WHY THEY GOTTA PIGEON-HOLE NERDS LIKE THAT?!

For nerds, it’s going to be hard to not feel personally attacked, capitalized upon or made fun of by the next-level pandering at play in Spielberg’s Ready Player One, adapted from the Ernest Cline novel of the same name. Somehow, though, among the literally countless Easter eggs and cutesy reminders of the nerd properties loved by children and (as the film beats us over the head with) supposedly stunted adults, lies one of the finest uses of CGI in modern film bogged down by a simplistic paint-by-numbers story about how love was the real treasure the whole time.

In futuristic Ohio—which is somehow the most advanced place on the planet— young Wade Watts (Tye Sheridan, X-Men Apocalypse) lives out his Charlie Bucket-esque existence by escaping into the OASIS, a bonkers virtual reality world created by a couple of nerds who are, respectively, dead and missing. One such nerd (the dead one) announced there was a secret game within the game upon his

We had a similar “oh, wow” expression while screening Isle of Dogs.

death, the winner of which would take over the OASIS and be so totally super-rich it’s nuts.

Thus, Wade—who goes by Parzival online—and the other Gunters (a term that sounds filthy as fuck, but simply applies to Easter egg hunters and players of said secret game) spend their days searching for clues. Of course, over the years since the creator’s death, no one has found anything—until now, when everybody starts finding everything all the damn time, thrusting Wade into a shadow war with the IOI, a shady company that wants control of the OASIS for itself.

The rest plays out like a combination of Willy Wonka and a fashion nerd’s wet dream as licensing from dozens of gaming, film, music and toy properties pops up everywhere. At all times.

Relentlessly.

Sheridan is A-OK as the young Wade though, since we mostly spend time with his anime-like avatar, we never really get a feel for him. Same goes for the clan (a gaming term; Google it) he reluctantly joins, which includes flat performances from no-name kids and Master of None star/scribe Lena Waithe. No matter, though, since their dialogue is generally a bunch of pap about how hard their lives have been and/or references to nerd stuff. Wade’s love interest, Art3mis (Olivia Cooke, Bates Motel), is just fine as well, though we’ll hand it to her for being a mostly strong character with clear-cut motivations of her own … y’know, outside of Wade.

Yes, Ready Player One looks incredible, and yes, those of a certain age will feel that pang of nostalgia when they see characters from Gundam, Godzilla, Halo, Overwatch or The Iron Giant doing crazy crap to hit songs of the 1980s while toys like Madballs or things like Monty Python’s Holy Hand Grenade pop up.

But when certain nerds are diluted into clumsy-with-women, gaming-obsessed and antisocial weirdos who shit on their friends for having dared to miss out on any pop culture reference whatsoever, one can’t help but feel Cline, and by extension, Spielberg, have a fairly narrow, mainstream view of the culture.

Methinks Cline wanted to convey Wade (or himself) heroically, when he’s really just onedimensional at best.

Ah well, at least they gave one character a gun from Gears of War without making a big-ass deal out of it. And it’s pretty. The end. (ADV) Jean Cocteau Cinema, Regal, Violet Crown, PG-13, 140 min.

THE DEATH OF STALIN

9

+ IANNUCCI IS A GENIUS - SOME BITS CAN LAG

Veep creator Armando Iannucci has certainly proven his affinity for dark and savvy political humor, but whereas his HBO program does occasionally provide redemptive moments for its seemingly heartless characters, his new feature CONTINUED ON PAGE 43

Healing Hearts, Building Hope A MULTI-FAITH SERVICE FOR IMMIGRATION JUSTICE

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He was in very bad shape physically and emotionally for a while, but has now been treated, and is well on the road to recovery! As a result of this experience, he’s been a bit timid, but he comes out of his shell more and more every day and will make a sweet companion in a home with other small dog (he loves small dog company!) or as a solo dog to folks looking for a sweet snuggler!

He gets very protective over his handler so caution must be taken.

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film, The Death of Stalin—which may just be one of the darkest comedies ever made—doesn’t even bother.

We join the top brass of Russia circa 1953, a time when comrade Stalin’s lust for power made him paranoid and kill lists were the nightly norm. Here, his top men work hard at assuaging the man, staying up too late watching cowboy movies and enlisting their wives as sounding boards for what drunken banter plays well with their fearful leader. But when Stalin takes ill and the likes of Kruschev (Steve Buscemi), Malenkov (Jeffrey Tambor) and Beria (Simon Russell Beale) enter a power vacuum, hilarity and all hell break loose, making for some of the most cringe-worthy and excellently funny writing we’ve ever seen.

Stalin ultimately proves a wild and capable farce, with powerful and self-absorbed yet pitiful and ridiculous men each attempting to grasp power before their colleagues. An early sequence that finds various Russian ministers forced to admit they’ve either imprisoned or killed their country’s best doctors, thereby making suitable aid for Stalin impossible, is particularly hysterical as each flounders to justify the absurd shape of things. Buscemi shines particularly in these moments, a bit of a toad whose story we all (of course) know, but a terrified boob grasping for self-preservation. Tambor wows as well, taking a more idiotic yet soft tack as Stalin’s deputy who maybe just wanted to fly under the radar but obviously can’t anymore.

And the madness grows and twists until we hate pretty much everyone even as we might understand how they created such dire straits for themselves. All the while, Iannucci’s keen sensibilities throttle the movie forward, rarely taking a beat and relentlessly bringing the laughs. Will you feel guilty for some of the things you find funny? Absolutely. But so enjoyably you won’t much care. Do not miss this movie. (ADV) Center for Contemporary Arts, Violet Crown, R, 107 min.

BLACK PANTHER

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+ CULTURALLY IMPACTFUL; BADASS WOMEN

- HEAVIER STUFF LOST IN THE NOISE

Someplace between the joyous celebration of all things African culture and the tremendous principal cast of all black actors in Black Panther lies a fairly run-of-the-mill comic book movie narrative, but it almost seems at this point that if we’re hitting any Marvel Studios movie in search of the non-formulaic, we’re going to be sorely disappointed.

We enter the fictional African nation of Wakanda as its prince, the mighty T’Challa (Chadwick Boseman, 42), is set to take the throne following his father’s murder (which you may have seen in Captain America: Civil War).

For hundreds of years Wakanda has thrived thanks to the also-fictional vibranium, a metal so precious and powerful that it can make any far-fetched sci-fi dreams come true; a metal that just so happens to exist only there. Up until now, pretty much no outsiders have entered Wakanda, but when a mysterious former US soldier (Michael B Jordan, Creed) starts poking around and trying to find his way in for nefarious reasons, T’Challa must confront heavy truths about his country, his people and the heartbreaking past of African Americans. Fill things out with utterly badass women like Nakia (Lupita Nyong’o) and Okoye (Danai Gurira), and we’re really getting somewhere.

From a purely aesthetic standpoint, Black Panther is a complete triumph. The costuming and hair, the production design and, frankly, the hot-as-fire score and soundtrack (thanks for the hit jams, Kendrick Lamar!) are all glorious.

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White nerd in your 30s? Ready Player One wants to impress you so badly.

Where it falters, however, is in its attempts at a deep story. At the very edges of the action lies surface information about colonization and racism, but we never dive deep enough into these concepts in any meaningful way. Rather, they’re mentioned briefly between kickass fight scenes which, yes, are kickass, but how refreshing and potentially valuable it might be to see a comic book film dissect something real.

Still, the requisite explosions and shaky morality plays are there, along with the always-fantastic character actor Andy Serkis.

Perhaps director-writer Ryan Coogler (Fruitvale Station) is simply dipping his toes into the concept of a heavier (or more grounded) direction, and we really hope he gets there with a sequel.

For now, though, Black Panther is still a gorgeous film and the most culturally significant Marvel outing to date—that’s something all on its own. (ADV) Regal, Violet Crown, PG-13, 134 min.

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JONESIN’ CROSSWORD

BE MY FUR-EVER FRIEND!

“Duty: Free”—here comes the freestyle puzzle.

by Matt Jones

CALL FELINES & FRIENDS

City of Santa Fe Permit #18-004

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47 Cave ___ (“Beware of dog,” to Caesar) 1 Cart food served in a soft 49 Fur trader John Jacob corn tortilla 50 Customary to the present 11 Former U.N. Secretary 53 Pivot on an axis General Hammarskjöld 54 Make further corrections 14 Phone-based games where 55 “Oh yeah? ___ who?” quizzers often play for cash 57 “And many more” prizes 58 “Caprica” actor Morales 15 Oscar ___ Hoya 59 Popular request at a bar 16 Like some geometric mitzvah curves 63 “Okay” 17 Nasty 64 Complete opposites 18 St. Tropez summer 65 Rolls over a house?

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1 Island where Napoleon died 27 “Dallas” family name 2 Be active in a game, e.g.

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11 Lacking, with “of”

was the loyal companion to a man who suddenly passed away in early April leaving her with nowhere to go. Friends contacted Felines & Friends to take EDDIE and find her a new loving home.

TEMPERAMENT: EDDIE is a very sweet and gentle cat who surprisingly doesn’t mind well-behaved children. At one time, she lived with another female cat but we do not know how she is with dogs.

EDDIE is a beautiful Maine Coon mix with a tortoiseshell coat and tuxedo markings. She was declawed in 2006. AGE: born approx. 5/9/05.

12 Novelist Lurie 13 Lead ore 15 Branch of govt.

21 Makeup with an applicator 23 “Hope you like it!”

25 Truck compartment 26 Feel unwell 28 Actor Johnny of “The Big Bang Theory” and “Roseanne” 32 TV host Bee and blues singer Fish, for two 34 Traverse 37 Golf club brand 38 Connection to a power supply 39 Uncommon example 41 Brian once of Roxy Music 42 Not quite improved?

44 Minimalist to the max 45 Depletes 46 Takes an oath 48 Be way off the mark 51 New Bohemians lead singer Brickell 52 Almost on the hour 56 Investigation Discovery host Paula 60 Hydrocarbon suffix 61 Open-reel tape precursor to VCRs (and similar, except for the letter for “tape”) 62 “I hadn’t thought of that”

PETCO: 1-4 pm Thursday, Friday, Saturday & Sunday TECA TU at DeVargas Center: 12 noon-3 pm, First Saturday of each month Please visit our cats at PETCO and TECA TU during regular store hours.

FOSTER HOMES URGENTLY NEEDED FOR ADULT CATS OF VARIOUS AGES SANTA FE CATS not only supports the mission of FELINES & FRIENDS from revenue generated by providing premium boarding for cats, pocket pets and birds, but also serves as a mini-shelter for cats awaiting adoption. For more information, please visit www.santafecats.com

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HISTORY: SAKE appeared very frightened when she first came to Felines & Friends but she very quickly became comfortable and learned to enjoy gentle human attention. TEMPERAMENT: SAKE is now outgoing, curious and energetic.

However, she can play a little roughly so would probably not be a good match for a family with young children or small dogs. SAKE is a beautiful brown tabby tuxedo kitty. AGE: born approx. 10/1/17.

ADOPTION HOURS:

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Each class will include instruction, practice and discussion.

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Suggested donation is $20/ class. At Thubten Norbu Ling 1807 2nd Street #35. For more information go to info@tnlsf.org.

FRIDAY, APRIL 20, 7:00 - 9:00 PM TIERRA NUEVA COUNSELING Radical Compassion Jimi Neal CENTER—We offer low cost, Radical compassion describes sliding scale ($25 per session) the practice of Tong-len. It counseling and art therapy serhelps to eliminate the Selfvices for adults and children ages cherishing mind which is 3 and up. These services are the obstacle to generating provided by student therapists Bodhicitta. It is the from Southwestern College. They culmination of the 7-Point are supervised by licensed counMind Training originally selors. We do not take insurance brought to Tibet by Jowo at this time. Please call 471-8575 Atisha in the 10th century. for more information or to sign Jimi/Jigme Neal has been up for services. We also see student of LamaYeshe and couples and families.

Lama Zopa Rinpoche since TEACH YOUR WAY AROUND 1974. He has studied and THE WORLD. Get TESOL completed retreats under Certified & Teach English lamas from all four schools Anywhere. Earn an accredited of Tibetan Buddhism; and taking teachings from Holiness TESOL Certificate and start teaching English in USA & the Dalai Lama, Kyabje Ling abroad. Over 20,000 new jobs Rinpoche, Tsong Rinpoche, every month. Take this highly Serkong Rinpoche, Dilgo engaging & empowering course.

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SERVICE DIRECTORY JOHREI CENTER OF SANTA FE. JOHREI IS BASED ON THE FOCUS AND FLOW OF THE UNIVERSAL LIFE ENERGY. When clouds in the spiritual body and in consciousness are dissolved, there is a return to true health. This is according to the Divine Law of Order; after spiritual clearing, physical and mental- emotional healing follow.

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MIND BODY SPIRIT ACUPUNCTURE Rob Brezsny

Week of April 18th

ARIES (March 21-April 19): In the early history of the automobile, electric engines were more popular and common than gasoline-powered engines. They were less noisy, dirty, smelly, and difficult to operate. It’s too bad that thereafter the technology for gasoline cars developed at a faster rate than the technology for electric cars. By the end of the first decade of the twentieth century, the petroleum-suckers were in ascendance. They have remained so ever since, playing a significant role in our world’s ongoing environmental degradation. Moral of the story: Sometimes the original idea or the early model or the first try is better. According to my analysis of the astrological omens, you should consider applying this hypothesis to your current state of affairs.

Lynch incorporated the tune anyway. Surprise! Blue Velvet was nominated for an Academy Award and played a big role in reviving Orbison’s fame. Later the singer came to appreciate not only the career boost, but also Lynch’s unusual aesthetic, testifying that the film gave his song an “otherworldly quality that added a whole new dimension.” Now let’s meditate on how this story might serve as a parable for your life. Was there an opportunity that you once turned down but will benefit from anyway? Or is there a current opportunity that maybe you shouldn’t turn down, even if it seems odd?

SCORPIO (Oct. 23-Nov. 21): You’ve been to the Land of No Return and back more than anyone. But soon you’ll be visiting a remote enclave in this realm that TAURUS (April 20-May 20): The Chesapeake Bay is a you’re not very familiar with. I call it the Mother Lode fertile estuary that teems with life. It’s 200 miles long of Sexy Truth. It’s where tender explorers go when they and holds 18 trillion gallons of water. More than 150 must transform outworn aspects of their approach to streams and rivers course into its drainage basin. And partnership and togetherness. On the eve of your yet it’s relatively shallow. If you’re six feet tall, you could quest, shall we conduct an inventory of your capacity wade through over a thousand square miles of its mix to outgrow your habitual assumptions about relationof fresh and salt water without getting your hat wet. I ships? No, let’s not. That sounds too stiff and formal. see this place as an apt metaphor for your life in the Instead, I’ll simply ask you to strip away any falseness coming weeks: an expanse of flowing fecundity that is that interferes with vivacious and catalytic intimacy. vast but not so deep that you’ll get overwhelmed.

SAGITTARIUS (Nov. 22-Dec. 21): In 1824, two British GEMINI (May 21-June 20): You’ll soon arrive at a explorers climbed a mountain in southwestern Australia. pressure-packed turning point. You’ll stand poised at a They were hoping to get a sweeping view of Port Phillip pivotal twist of fate where you must trust your intuBay, on which the present-day city of Melbourne is ition to reveal the differences between smart risks and located. But when they reached the top, their view was careless gambles. Are you willing to let your halflargely obstructed by trees. Out of perverse spite, they naked emotions show? Will you have the courage to decided to call the peak Mount Disappointment, a name be brazenly loyal to your deepest values? I won’t wish it retains to this day. I suspect you may soon have your you luck, because how the story evolves will be fueled own personal version of an adventure that falls short of solely by your determination, not by accident or hapyour expectations. I hope—and also predict—that your penstance. You will know you’re in a good position to experience won’t demoralize you, but will rather mobisolve the Big Riddles if they feel both scary and fun. lize you to attempt a new experiment that ultimately CANCER (June 21-July 22): Strong softness is one of surpasses your original expectations. your specialties. So are empathetic rigor, creative CAPRICORN (Dec. 22-Jan. 19): Capricorn rock musiresponsiveness, and daring acts of nurturing. Now is a cian Lemmy Kilmister bragged that he swigged a botperfect time to summon and express all of these qualtle of Jack Daniel’s whiskey every day from 1975 to ities with extra flair. If you do, your influence will 2013. While I admire his dedication to inducing exceed its normal quotas. Your ability to heal and altered states of consciousness, I can’t recommend inspire your favorite people will be at a peak. So I such a strategy for you. But I will love it if you underhereby invite you to explore the frontiers of aggressive receptivity. Wield your courage and power with a take a more disciplined crusade to escape numbing routines and irrelevant habits in the next four weeks. fierce vulnerability. Be tenderly sensitive as an antiAccording to my reading of the astrological omens, dote to any headstrong lovelessness you encounter. you will have a special knack for this practical art.

LEO (July 23-Aug. 22): In 1973, Pink Floyd released the AQUARIUS (Jan. 20-Feb. 18): Germany was one of the album The Dark Side of the Moon. Since then, it has been on various Billboard charts for over 1,700 weeks, big losers of World War I, which ended in 1919. By and has sold more than 45 million copies. Judging from accepting the terms of the Versailles Treaty, it agreed to pay reparations equivalent to 96,000 tons of gold. Not the astrological aspects coming to bear on you, Leo, I until 2010, decades after the war, did Germany finally setsuspect you could create or produce a beautiful thing tle its bill and fulfill its obligation. I’m sure your own big, with a similar staying power in the next five months.

What vitalizing influence would you like to have in your long-running debt is nowhere near as big or as long-running as that one, Aquarius. But you will nonetheless have life for at least the next 30 years? reason to be ecstatic when you finally discharge it. And VIRGO (Aug. 23-Sept. 22): I beg you to take a break according to my reading of the astrological omens, that sometime soon. Give yourself permission to indulge in could and should happen sometime soon. (P.S. The “debt” a vacation or recess or sabbatical. Wander away on a could be emotional or spiritual rather than financial.) leave of absence. Explore the mysteries of a siesta PISCES (Feb. 19-March 20): “I would rather have a drop blended with a fiesta. If you don’t grant yourself this of luck than a barrel of brains,” said the ancient Greek favor, I may be forced to bark “Chill out, dammit!” at you until you do. Please don’t misunderstand my inten- philosopher Diogenes. Fortunately, that’s not a choice you will have to face in the coming weeks, Pisces. According tion here. The rest of us appreciate the way you’ve been attending to the complicated details that are too to my reading of the cosmic signs, your brain will be working with even greater efficiency and ingenuity than it exacting for us. But we can also see that if you don’t usually does. Meanwhile, a stronger-than-expected flow ease up, there will soon be diminishing returns. It’s of luck will be swirling around in your vicinity. One of your time to return to your studies of relaxing freedom. main tasks will be to harness your enhanced intelligence LIBRA (Sept. 23-Oct. 22): Singer-songwriter Roy to take shrewd advantage of the good fortune.

Orbison achieved great success in the 1960s, charting 22 songs on the Billboard Top 40. But his career declined Homework: It’s easy to see fanaticism, rigidity, and after that. Years later, in 1986, filmmaker David Lynch intolerance in other people, but harder to acknowlasked him for the right to use his tune “In Dreams” for edge them in yourself. Do you dare? Testify at the movie Blue Velvet. Orbison denied the request, but Freewillastrology.com.

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 8 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700.

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LEGALS LEGAL NOTICE TO CREDITORS/NAME CHANGE

STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY No. 2018-0018 IN THE MATTER OF THE STATE OF NEW MEXICO ESTATE OF Victor Lopez IN THE PROBATE COURT Herrera, DECEASED. COUNTY OF SANTA FE NOTICE TO CREDITORS No. 2017-0110 NOTICE IS HEREBY GIVEN IN THE MATTER OF THE that the undersigned has been ESTATE OF WALTER ROYBAL, appointed personal repreDECEASED. NOTICE TO sentative of this estate. All CREDITORS persons having claims against NOTICE IS HEREBY GIVEN this estate are required to that RICHARD ROYBAL has present their claims within been appointed personal repfour (4) months after the date resentative of this estate. All of the first publication of this persons having claims against notice, or the claims will be this estate are required to forever barred. Claims must be present their claims within presented either to the underfour months after the date of signed personal representative the first publication of this at the address listed below, or Notice, or the claims will be filed with the Probate Court of forever barred. Claims must be Santa Fe, County, New Mexico, presented either to the underlocated at the following signed personal representative address: 102 Grant Ave., at the offices of his counsel, Santa Fe, NM 87501.

Kegel Law Office, 1925 Aspen Dated: March 1, 2018.

Drive, Suite 501-A, Santa Yalithza Lopez Fe, NM 87505, or filed with 52 Camino Bajo the Santa Fe County Probate Santa Fe, NM 87508 Court, PO Box 1985, Santa Fe, 505-603-3236 NM 87504-1985.

Dated: January 24, 2018 STATE OF NEW MEXICO KEGEL LAW OFFICE COUNTY OF RIO ARRIBA Margaret Kegel FIRST JUDICIAL DISTRICT Attorney for Personal COURTIN THE MATTER OF Representative PETITION FOR CHANGE OF 1925 Aspen Drive, Suite 501A NAME OF MARIA CELESTINA Santa Fe, NM 87505 CONSUELO MARQUEZ, (505) 438-1810 A.K.A. CONNIE M. MARQUEZ, A.K.A CONNIE M. FIRST JUDICIAL DISTRICT VALENCIA, A.K.A. CONNIE COURT M. MARQUEZ VALENCIA COUNTY OF SANTA FE Case No.: D-117-CV-2018-00088 STATE OF NEW MEXICO NOTICE OF CHANGE OF NAME No. D-101-PB-2018-00049 TAKE NOTICE that in accorIn the Matter of the Estate of dance with the provisions Kathleen Mondello, Deceased. of Sec. 40-8-1 through Sec. NOTICE TO CREDITORS 40-8-3 NMSA 1978, et NOTICE IS HEREBY GIVEN seq. the Petitioner Maria that the undersigned has Celestina Consuelo Marquez been appointed Personal will apply to the Honorable Representative of this Estate.

Division V Judge of the First All persons having claims Judicial District at the Santa against this Estate are required Fe Judicial Complex, 225 to present their claims within Montezuma Ave., in Santa Fe, two (2) months after the New Mexico, at 9:00 a.m. on date of the first publication the 4th day of May, 2018 for of this Notice, or the claims an ORDER FOR CHANGE OF will be forever barred. Claims NAME from Maria Celestina must be presented either to Consuelo Marquez, a.k.a. the undersigned Personal Connie M. Marquez, a.k.a., Representative at Amy Connie M. Marquez Valencia, Lashway, c/o Barry Green, Law a.k.a. Connie M. Valencia to Office of Barry Green, Suite 7, Consuelo Maria Marquez.

200 West DeVargas Street, Stephen T. Pacheco, Santa Fe, New Mexico 87501, District Court Clerk or filed with the First Judicial By: Victoria Martinez District Court Clerk, PO Box Deputy Court 2268, Santa Fe, New Mexico ClerkRespectfully submitted, 87504-2268.

SANCHEZ LAW GROUP, LLC Dated: April 3, 2018.

By: Reynold E. Romero Amy Lashway, Personal Attorney for Petitioner Representative Daniel A. Sanchez c/o Barry Green Daniel J. Sanchez Law Office of Barry Green Reynold E. Romero Suite 7 620 Roma Ave. N.W. 200 West DeVargas Street Albuquerque, New Mexico 87102 Santa Fe, New Mexico 87501 505-553-0466 505/989-1834 fax: 505-246-2668

STATE OF NEW MEXICO COUNTY OF RIO ARRIBA FIRST JUDICIAL DISTRICT COURTIN THE MATTER OF A PETITION FOR CHANGE OF NAME OF MARY BERNADETTE NORMA MARQUEZ, A.K.A. NORMA B. MARQUEZ, A.K.A. NORMA BERNADETTE MARQUEZ Case No.: D-117-CV-2018-00087 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the petitioner Mary Bernadette Norma Marquez will apply to the Honorable Division V Judge, District Jude of of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 9:00 a.m. on the 4th day of May, 2018 for an ORDER FOR CHANGE OF NAME from Mary Bernadette Norma Marquez, a.k.a.

Norma B. Marquez, a.k.a.

Norma Bernadette Marquez to Bernadette Maria Norma Marquez. Stephen T. Pacheco, District Court Clerk By: Marina Sisneros Deputy Court Clerk Respectfully sumbitted, SANCHEZ LAW GROUP, LLC By: Reynold E. Romenro Attornys for Petitioner Daniel A. Sanchez Daniel J. Sanchez Reynold E. Romero 620 Roma Ave. N.W. Albuquerque, New Mexico 87102 505-553-0466 fax: 505-246-2668 STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF AMARA ASHA ROSE GAUR Case No.: D101CV201801127 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Amara Asha Rose Gaur will apply to the Honorable Gregory S. Shaffer, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 11:00 a.m. on the 30th day of April, 2018 for ORDER FOR CHANGE OF NAME from Amara Asha Rose Gaur to Amara Rose.

Stephen T. Pacheco, District Court Clerk By: Jasmin Lopez, Deputy Court Clerk Submitted by: Amara Asha Rose Gaur Petitioner, Pro Se

STATE OF NEW MEXICO COUNTY OF RIO ARRIBA FIRST JUDICIAL DISTRICT COURTIN THE MATTER OF A PETITION FOR CHANGE OF NAME OF MARIA CHRISTINA ISABEL MARQUEZ. Case No.: D-117-CV-2018-00112 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Maria Christina Isabel Marquez will apply to Honorable Division V Judge, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New MExico at 9:00 a.m. on the 4th day of May, 2018 for ORDER FOR CHANGE OF NAME from Maria Christina Isabel Marquez to Christina Maria Marquez Trujillo.

Stephen T. Pacheco, District Court Clerk By: Marina Sisneros Deputy Court ClerkRespectfully submitted, SANCHEZ LAW GROUP, LLC By: Reynold E. Romero Attorney for Petitioner Daniel A. Sanchez Daniel J. Sanchez Reynold E. Romero 620 Roma Ave. N.W. Albuquerque, New Mexico 87102 505-553-0466 fax: 505-246-2668

STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF OF RUMALDO FRANCIS GARCIA. Case No.: D-101-CV-2018-996 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Rumaldo Francis Garcia will apply tot he Honorable Gregory S. Shaffer, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 11:00 a.m. on the 30th day of April, 2018 for an ORDER FOR CHANGE OF NAME from Rumaldo Francis Garcia to Francisco Rumaldo Garcia.

Stephen T. Pacheco, District Court Clerk By: Veronica Rivera, Deputy Court Clerk Submitted by: Francisco R. Garcia Petitioner, Pro Se

STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF Marcus Nicholas Garcia Case No.: D-101-CV-2018-01189 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Marcus Nicholas Garcia will apply to the Honorable RAYMOND Z. ORTIZ, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 10:00 a.m. on the 18th day of May, 2018 for an ORDER FOR CHANGE OF NAME from Marcus Nicholas Garcia to Marcus Nicholas Salazar.

STEPHEN T. PACHECO, District Court Clerk By: Victoria Martinez Deputy Court Clerk Submitted by: Marcus Nicholas Garcia Petitioner, Pro Se

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