April 4, 2018 Santa Fe Reporter

In Pursuit of Cultural Freedom

READINGS & CONVERSATIONS

is a lecture series on political, economic, environmental, and human rights issues featuring social justice activists, writers, journalists, and scholars.

brings to Santa Fe a wide range of writers from the literary world of fiction, nonfiction, and poetry to read from and discuss their work.

DIANE RAVITCH

RACHEL KUSHNER

with

JESSE HAGOPIAN

WEDNESDAY 11 APRIL AT 7PM LENSIC PERFORMING ARTS CENTER Anyone who truly cares about children must be repelled by the insistence on ranking them, rating them, and labeling them. Whatever the tests measure is not the sum and substance of any child. The tests do not measure character, spirit, heart, soul, potential. When overused and misused, when attached to high stakes, the tests stifle the very creativity and ingenuity that our society needs most. Creativity and ingenuity stubbornly resist standardization. Tests should be used sparingly to help students and teachers, not to allocate rewards and punishments and not to label children and adults by their scores.

— from Reign of Error: The Hoax of the Privatization Movement and the Danger to America’s Public Schools © 2013

Diane Ravitch is the nation’s leading advocate for public education. She is the founder and president of the Network for Public Education, whose mission is to preserve, promote, improve, and strengthen public schools for both current and future generations of students.

She is a historian of education, an educational policy analyst, and a research professor at New York University’s Steinhardt School of Culture, Education, and Human Development. She is the author of numerous books on American education, including The Death and Life of the Great American School System: How Testing and Choice Are Undermining Education.

Her most recent book is Reign of Error: The Hoax of the Privatization Movement and the Danger to America’s Public Schools.

with

MICHAEL SILVERBLATT

WEDNESDAY 18 APRIL AT 7PM LENSIC PERFORMING ARTS CENTER Rachel Kushner’s first novel, Telex from Cuba, is set in Oriente, Cuba, in an expat community funded by the United Fruit Company and a nickel mine, during the years leading up to Castro’s revolution.

Of the book, the New York Times wrote, “Out of tropical rot, Kushner has fashioned a story that will linger like a whiff of decadent Colony perfume.” Her second novel, The Flamethrowers, is set mostly in the mid-1970s and follows the life of Reno, so named for her place of birth, a young artist who comes to New York intent on marrying her love of motorcycles, speed, and art. The title takes its name from weapons used by the Italian Arditi, a division of elite shock troops that operated during the First World War. Kushner has twice been a finalist for the National Book Award and is a Guggenheim Fellow.

Her fiction and essays appear regularly in the New York Times, the Paris Review, The Believer, Artforum, Bookforum, Fence, Bomb, and Grand Street.

Michael Silverblatt is the host of KCRW’s Bookworm, a nationally syndicated radio program showcasing writers of fiction and poetry.

T I C K E T S O N S A L E N OW ticketssantafe.org or call 505.988.1234 $8 general/$5 students and seniors with ID Ticket prices include a $3 Lensic Preservation Fund fee.

Video and audio recordings of Lannan events are available at:

lannan.org

APRIL 4-10, 2018 | Volume 45, Issue 14

NEWS OPINION 5

I AM

NEWS

Robert Delgado, VP | Branch Manager

.

Gardening is more than dirt and water... it takes patience and effort, much like cultivating relationships with my clients.

I AM Century Bank.

7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 A WIN FOR THE WOLF 7 Federal judge says wolves need better protection than they’ve been offered

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SMOOTHER SKIES 9 Improvements at the Santa Fe Airport may take it from quaint-to-a-fault to not-that-bad MOON SHOT

DEATH BY JAIL 11 Lawyers say three men who died inside the county facility show a pattern of neglect COVER STORY 12 ICE TRAP Immigration and Customs Enforcement agents’ visits to Santa Fe business have a city on edge

Luna joins the ranks of bands we thought were totally done but then weren’t with a show at The Bridge at Santa Fe Brewing Co. on Tuesday.

THE ENTHUSIAST 17 Cover design by Anson Stevens-Bollen artdirector@sfreporter.com

SOLVE PARKS BACKLOG WITH OIL BOOM? Or is that stealing from Peter to pay Paul?

CULTURE

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE

SFR PICKS 19 Talking With ... whom? Plus future-cakes, present-dance and Hunny, honey

ART DIRECTOR ANSON STEVENS-BOLLEN

THE CALENDAR 20

CULTURE EDITOR ALEX DE VORE

MUSIC 22

STAFF WRITERS AARON CANTÚ MATT GRUBS

MOON SHOT The return of Luna

Filename & version:

17-CENT-40666-Ad-RDelgado-SFR(resize)-FIN

Cisneros Design:

505.471.6699

Client:

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Publication:

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Run Dates:

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Contact: nicole@cisnerosdesign.com Ad Size: 4.75" w x 5.625” h Due Date: July 12, 2017 Send To: Anna Maggiore: anna@sfreporter.com

COPY EDITOR AND CALENDAR EDITOR CHARLOTTE JUSINSKI

A&C 25 RARE WARES Clay, clay, clay, clay! Ooh-ooh-ooh; woah-oh!

SAVAGE LOVE 26 No sex toys for Trump

CONTRIBUTING EDITOR JEFF PROCTOR CONTRIBUTING WRITERS MARY FRANCIS CHEESEMAN IRIS MCLISTER ELIZABETH MILLER DIGITAL SERVICES MANAGER BRIANNA KIRKLAND

FOOD 31 ALL HAIL LA REINA New watering hole at the El Rey Inn joins the Midtown bar boom MOVIES 33

PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER SENIOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS CIRCULATION MANAGER ANDY BRAMBLE

ISLE OF DOGS REVIEW Plus just about every single nerdly thing mid30s white people like—and something or other about the power of love—in Spielberg’s Ready Player One

www.SFReporter.com

MyCenturyBank.com 505.995.1200

EDITOR AND PUBLISHER JULIE ANN GRIMM

Phone: (505) 988-5541 Fax: (505) 988-5348 Classifieds: (505) 988-5541 Office: 132 E MARCY ST.

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LETTERS

Sa

MARY FRANCIS CHEESEMAN

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N EW gr A ea ts M ta ff E N

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444 ST. MICHAEL’S DR. STE. B, SANTA FE CITYDIFFERENTDENTISTRY.COM | 505-989-8749

It’s very rare for a wine writer to tell it like it is. Her article pulled no punches. Mary Francis has an impeccable wine palate. She has rendered an invaluable service by suggesting local wine lovers avoid these wines.

It’s OK if Noisy Water wishes to rip off the Santa Fe tourist trade, but us local winos are now well advised.

introduce novice drinkers to the wine, and to combat the pretentiousness generally associated with the industry. There are many consumers who have drastically different preferences than the author and her article highlighted the industry pretentiousness we specifically try to avoid.

I would have loved to pour wine for the author that more prestigious writers and much higher accredited professionals are writing amazing things about, but we were never given a chance. If the author would have made attempt to contact me before slamming us I would have let her know we soft-opened in December and we are beta testing the Santa Fe market to see what works and what doesn’t. We are making changes weekly as we want to give the best impression of our wine and New Mexico wine for the masses that visit our amazing state. This is something I hope the author takes into consideration before slamming an industry in a state that needs industry.

TOM HILL LOS ALAMOS

JASPER RIDDLE OWNER, NOISY WATER WINERY

Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

¡POUR VIDA!, MARCH 28: “THE TOO-LOUD KITSCH OF NOISY WATER”

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WE LOVE A REBUTTAL I was quite disenfranchised by the article your publication ran last week. … We produce a variety of wines, some of which do not appeal to the taste of a dry drinkers just as our dries do not appeal to a sweet drinker. However, discrediting someone, or more accurately, 70 percent of Americans based on their preference seems to lack the inclusiveness and open-mindedness that Santa Fe so deeply embraces. Several of our wines and labels are intended to be fun, to

Dr. Gabriel Roybal, DDS

Cosmetic & General Dentistry

Dr. Daniel Pinkston, DDS

Prosthodontics & Cosmetic Dentistry

Ask about our $99 new patient special!

CORRECTION Poetry contest second-place winner Antoinette Nena Villamil is a program manager at Many Mothers. She stated in her bio that she is a program director.

Consider the Possibilities

SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER Girl to a fragrant flower: “Mmm. If I were a bee, I’d suck you so hard.”

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APRIL 4-10, 2018 3/20/18 3:50 PM5

7 DAYS MEDIA COMPANY SINCLAIR HAS COUNTLESS TV MEDIA AFFILIATES READ THE SAME TERRIFYING SCRIPT ABOUT FAKE NEWS ON AIR They may as well have been chanting, “One of us! One of us! One of us!”

SUPER-NERD WINS MEOW WOLF GALAGA TOURNAMENT We assume he’ll be getting “I <3 Galaga” tattooed on his knuckles.

MAYOR ALAN WEBBER PLANS FIRST OPEN OFFICE HOURS AT PLAZA CAFÉ SOUTHSIDE Nothing pleases constituents like one of them vegan burgers that reportedly tastes just like real meat.

I ca it smelalt!

Yay! ACTING POLICE CHIEF DRIVES A LOWRIDER It’s perfect for cruising the Plaza.

NANCY PELOSI COMING TO SANTA FE Cue canned PR statements about the value of arts and culture.

IDIOT WHO THREW BANANA PEEL AT DAVE CHAPPELLE DURING SANTA FE SHOW NOW SUING CHAPPELLE

MARTIN HEINRICH TO AWARD POSTHUMOUS MEDAL TO NAVAJO CODE TALKER’S FAMILY A higher honor would be to expunge that Nic Cage movie Windtalkers from cinema history.

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*No Nic Cages were harmed in the making of this publication.

Only slightly less stupid than Chappelle’s transphobic “jokes.”

S FREP ORTER.COM/NE WS

Dire Wolf Court rules federal methods ignore warnings from scientists

BY ELIZABETH MILLER e l i z a b e t h @ s f r e p o r t e r. c o m

A

federal judge has ruled that the Fish and Wildlife Service needs to revisit its management strategies for endangered Mexican gray wolves and reassess its application of the science for recovering the species. The experimental population rule the service has been using, the judge decided, allows for shortterm survival but fails to promote long-term recovery of the species.

“This case is unique in that the same scientists that are cited by the agency publicly communicated their concern that the agency misapplied and misinterpreted findings in such a manner that the recovery of the species is compromised,” US District Court Judge Jennifer Zipps wrote in her ruling Monday. “To ignore this dire warning was an egregious oversight by the agency.”

The three practices challenged by the case, whose plaintiffs include Defenders of Wildlife and the Center for Biological Diversity, were those that capped the total population of Mexican wolves, barred the animals from certain habitat and loosened requirements for killing wolves. These practices were codified in a 2015 federal management rule and are mirrored in the recovery plan for Mexican wolves that was finalized in November, which has also been challenged in a separate court case.

“There will be a ripple effect, but what that effect is is unclear,” says Christopher Smith, a southern Rockies wildlife advocate for WildEarth Guardians.

The 2015 management rule limited the reintroduced population to 325 wolves. A scientific panel convened years before suggested a recovered, self-sustaining population would be twice that size. The rule also set I-40 as the northern boundary for Mexican

NEWS

wolf habitat and allowed for killing wolves without concern for genetically important individuals in response to conflicts with ranchers. The service is working with a population of wolves that stem from seven animals and faces a genetic bottleneck that limits the ability to successfully reproduce.

“This decision makes clear that the Fish and Wildlife Service has to do more to protect and recover endangered Mexican wolves,” Andrea Santarsiere, a senior attorney at the Center for Biological Diversity, said in a news release. “With only 114 Mexican wolves left in the wild, the government cannot take a slow and incremental approach to recovery. We need more wolves in more places, including the Grand Canyon in Arizona and southern Rockies in New Mexico.”

Management of Mexican wolves has long worked to balance the interests of ranchers grazing cattle in the area where the endangered species is trying to regain footing. Fish and Wildlife Service staff members discussing the recovery plan have acknowledged that reality, and that some of their decisions, like setting I-40 as the northern boundary for Mexican wolf habitat, has less to do with ecology than it does with social tolerance.

The judge called this boundary “arbitrary” and pointed toward previous acknowledgements from the service that a wild, self-sustaining population would need territories north of I-40.

When the Fish and Wildlife Service was proposing these rule changes in 2014, the scientists whose work was cited extensively in the service’s final environmental impact statement wrote to express their concern that “these citations misstate, misinterpret or provide incorrect context for the results and implications of our studies.” Their concerns chiefly took issue with how the service calculated extinction risk and genetic degradation. They concluded that the proposed plan could have negative effects on the genetic viability of the species in the short term that would translate to a decreased likelihood that they’ll recover in the long run.

The decision comes just days after the 20-year anniversary of the return of Mexican wolves to the wild and the launch of a formal recovery effort. The Fish and Wildlife Service was not immediately available for comment on the ruling. The judge gave government officials 30 days to propose a deadline for publishing a revised rule.

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Assessor’s Valuation Outreach Meetings April 2018 The office of the Santa Fe County Assessor will be at these locations during the month of April to assist property owners with filing for exemptions and benefits as well as filing property valuation appeals.

4:00 p.m. - 6:30 p.m.

“It’s you we value”

inspired by nature soul mates follow us @sfcassessor

Gus Martinez Santa Fe County Assessor

For more information on dates and times of these outreaches, visit our website. w w w.s ant afe count y nm.gov/ass ess or

505 988-7393 ReflectiveJewelry.com 8

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912 Baca St., Santa Fe

M-F 9 - 5 pm Sat 12 - 4 pm

S FR E P O RTE R .CO M / N E WS

RIMA KRISST FOR FLY SANTA FE

Smoother Skies

Santa Fe drops cash to make using the city’s airport more flyer-friendly

B Y M AT T G R U B S m a t t g r u b s @ s f r e p o r t e r. c o m

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he Santa Fe Regional Airport sells itself on a throwback experience. Off the plane, onto the tarmac, into the terminal. The good old days of air travel, reborn.

But there’s a limit to what passengers are willing to endure in the name of authenticity.

Right now, there’s not much space inside the terminal, and none of the technology many passengers take for granted. Every bag is hand-searched. Every person walks through a magnetic detector. It’s not just time-consuming, it’s intrusive. Baggage claim is inefficient.

Then there’s the restaurant situation, where hot food exists only outside the secure waiting area.

With a nod to Johnny Cash, interim airport chief Nick Schiavo is hoping to build a better airport, one piece at a time.

Next week, crews are scheduled to install a body-scanning booth that should speed the boarding process and make flying out of the small airport more convenient. It will also give flyers who’ve paid for the TSA PreCheck program the ability to bypass any lines that have formed.

“Bottom line is to improve the customer experience,” Schiavo tells SFR.

TOM MAGLIERY

Visitors will soon have more room in the baggage claim and passenger waiting areas, but not for the $40-million price tag discussed earlier last year.

He’s been assessing the airport since former director Cameron Humphres left last year, and he sees a number of options for making the air travel to and from Santa Fe less painful.

City Council and the mayor have already approved the $20,000 needed to move a wall and install the body scanner.

In a few months, they’ll spend $100,000 to make more structural changes inside the airport to accommodate a luggage scanner. TSA will foot the bill for the scanners themselves.

As recently as last year, the city was discussing the possibility of building a $36-$40 million airport terminal. The current spending by Schiavo would buy more life from the existing facility in the short term.

“The updates are overdue,” explains Northern New Mexico Air Alliance Executive Director Stuart Kirk. His public-private partnership formed to promote air travel to and from Santa Fe, including more direct flights. United Airlines, he says, plans to start a third daily roundtrip to Denver on Saturday, giving the airport six daily commercial flights.

Kirk says improving the existing facility and increasing passenger traffic will better prove the need for a more expensive terminal replacement later.

As Kirk’s group has asked passengers about their experience in Santa Fe, he says the lack of technology has come up “almost every time, especially the body scanners. People just are used to airports now having that type of modern equipment. In most airports, the scanning experience is pretty quick.”

Schiavo says luggage inspection is currently as rudimentary as it gets: “Right now, the only luggage inspection process is to open a bag and look in. And people are uncomfortable with that.”

He also has two ideas to pitch to the governing body that he thinks will help make the traveling experience a little

NEWS

smoother. The first is to replace the old roller system for delivering luggage to the terminal with a carousel that can be loaded outside in a covered space and delivered to passengers waiting inside.

There’s only room for about 10 pieces of luggage on the baggage claim right now, and access is severely limited if a traveler spots their bag on the rollers. In some areas, they have to duck under a TV monitor.

Then there’s the guy working baggage claim outside. “He can’t see inside the building,” Schiavo says. “So he just gives [the bag] a good, hard shove. But you could have hands on the other side.”

Baggage claim isn’t the only part of the airport that gets cramped during busy times. The departure lounge on the other side of the security checkpoint is just barely big enough to handle a full load on the biggest outbound planes.

“Some of the planes now hold 70 people, and we only have, like, 62 seats for people in the waiting area,” Schiavo explains. That’s usually okay if everything is running on time, he says, but if there’s a delay or if airlines want to schedule flights closer together, there’s trouble.

The restaurant at the airport has given notice that it’s going to go close, however, and Schiavo says he’d like to knock down a wall and expand the secure waiting area by almost 50 percent. His idea is to have prepared sandwiches or burritos ready to sell inside the secure part of the terminal and then, potentially, to have food trucks outside. He doesn’t have any commitments yet, but he says some food truck owners are curious about the 300 people a day who move through the airport.

Elsewhere in the city, Economic Development Director Matt Brown says an improved airport experience is in the city’s best interest.

“The CEO of a Fortune 500 company who has a home here said to me, ‘Ask a CEO what they need and they’ll say first, money or sales, and then they need infrastructure to work,’” Brown explains. “[For the airport], that means more direct flights. Time is money. Every minute that they spend driving to Albuquerque, they’re losing money losing or losing impact on their business.”

“Having that kind of experience here makes Santa Fe a much more vital economic center or hub for any business that’s here or wants to be here,” he tells SFR. And then, of Schiavo: “If Nick’s doing it,” Brown laughs, “I’m on board.”

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Death By Jail

BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m

T

he deaths of at least three shortterm inmates since 2015 at the Santa Fe County Adult Correctional Facility are raising questions about medical treatment at the jail—more than 15 years after the US Department of Justice reprimanded the jail for violating inmates’ constitutional rights in similar ways.

Family members of the three men who died are now either suing the county or preparing to sue with the Rothstein Donatelli firm. Two of the deceased, Thomas Pederson and John DeLaura, were dead within 48 hours after being booked while extremely drunk in March 2015 and December 2016, respectively.

Another man, Ricardo Jose Ortiz, died from symptoms of opioid overdose four days after being booked in January 2016.

Attorney Carolyn Nichols, a partner at the firm who is handling lawsuits on behalf of Ortiz’ and Pederson’s surviving families, says the three deaths represent a possible “emerging pattern” of medical neglect at the jail, adding that she hopes the county will settle the DeLaura matter before her firm files a lawsuit for his widow.

Nichols sent a tort claim notice to the Santa Fe County clerk in May on behalf of Lois DeLaura. City police arrested him at their home following an argument. The attorney says Lois gave the arresting officers a list of four medications her husband regularly took, including prescriptions for hypertension, anxiety and pain.

According to Nichols, the nurse who assessed DeLaura’s health a few hours after police booked him appeared to do an incomplete job of noting his medical needs and condition. For example, the form only listed two of his four prescription medications, and the nurse also left blank a question asking whether DeLaura was intoxicated at the time of the intake, even though the OMI report later said he was likely drunk at the time.

The autopsy lists his chief cause of death the morning of Dec. 18, 2016, as cirrhosis of the liver and alcohol withdrawal, with hypertensive cardiovascular disease as a significant contributing factor. It also says jailers kept him in a

NEWS

Lawyers say trio of deaths point to medical neglect at Santa Fe County Adult Correctional Facility

holding cell for 22 hours until he suffered a fatal seizure.

The tort claims notice the firm sent to the county alleges that DeLaura and others on his behalf “requested but was refused and denied proper medical attention,” and attributed his death to the “deliberate indifference to [his] medical needs” by jail officials.

“Alcoholics are particularly dangerous” to themselves while incarcerated, Nichols tells SFR. “If [the jail] has someone on their hands who they know is at a high risk of fatality, and they don’t do anything they’re equipped to do and make

If [the jail] has someone on their hands who they know is at a high risk of fatality, and they don’t do anything they’re equipped to do and make sure that person doesn’t suffer a potentially fatal complication, [they’re responsible].

-Attorney Carolyn Nichols

sure that person doesn’t suffer a potentially fatal complication,” they’re responsible, she says.

The alleged circumstances surrounding DeLaura’s death recall a Department of Justice assessment from 2002 that criticized the jail for similar oversights.

That year, while the private prison company Management and Training

Corporation (MTC) still managed and operated the jail, Assistant US Attorney General Ralph Boyd sent a letter to the Santa Fe County Commission declaring medical treatment at the facility to be inadequate in five different areas, including inmate intake and medication administration.

After reviewing jail records, the Justice Department found that a majority of inmates never received full health appraisals while incarcerated, and that “even when [health] staff identify inmates with serious medical needs, they fail to refer them for appropriate care.”

The letter cites inmates who regularly take medication for hypertension as being vulnerable to poor intake procedures, and also says the jail’s officers were “insufficiently trained in the detection and handling of intoxicated inmates.”

The county and MTC agreed in 2004 to come under the oversight of the Justice Department in order to address its defects. That agreement ended in 2009, by which time MTC had left and the county was running its jail directly.

County spokeswoman Kristine Mihelcic tells SFR the facility currently employs one psychiatrist, one physician and a nursing staff, and hires nurses on contract “when we need additional nurses.”

She says the county will not comment on pending or threatened litigation.

Nichols says it’s unclear why deaths allegedly due to improper medical treatment continue to occur even after drawing the ire of the federal government over a decade ago.

“It seemed like things were getting better; I’m not sure what’s caused this situation to deteriorate like it has,” she says.

Last month, Nichols’ firm filed an amended complaint in the death of Pederson on behalf of his surviving sister in the First Judicial District Court, alleging that the nurse who performed his intake did not adequately assess his risk of severe alcohol withdrawal.

ANSON STEVENS-BOLLEN

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Police booked Pederson on charges of misdemeanor DWI and careless driving the evening of March 15, 2015, shortly after a doctor at Christus St. Vincent measured his blood alcohol level at six or seven times the legal limit. He collapsed from a seizure at the jail the next night, and died shortly after; the OMI listed his death as alcohol abuse with obesity as a contributing factor.

Although the deaths of both DeLaura and Pederson were alcohol-induced, Nichols says the death of a third Santa Fe man from opioid withdrawal, Ricardo Jose Ortiz, is reflective of a similarly sloppy approach to inmate care.

In that complaint against the Santa Fe County Commission and several jail workers, filed in US District Court for the District of New Mexico in January, lawyers allege that the nurse who filled out his intake form left numerous sections pertaining to his opioid use blank, and inaccurately documented his medical history. Santa Fe city police booked Ortiz for larceny on Jan. 4, 2016.

The morning after a fellow inmate said Ortiz had been “groaning all night,” a corrections officer found Ortiz’ naked body lying half off the bed, with bodily fluids covering the floor and walls of his cell. A medical examiner pronounced him dead the morning of Jan. 7, and listed his cause of death as acute gastrointestinal hemorrhage due to probable heroin withdrawal.

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IMMIGRATION VISITS TO LOCAL BUSINESSES PUT SANTA FE ON EDGE

ICE

TRAP

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BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m

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ederal immigration agents visited Santa Fe restaurants and a tree farm this spring.

Sometimes they concealed their true identities, pretending to be customers; other times they flashed their badges. The businesses appear to have little in common aside from employing people of Mexican descent.

Sanctuary city or not, employers are nervous, workers have vanished, and many are preparing for possible detainment and deportation. So far, neither has been widespread in Santa Fe. But even after weeks of reporting, details of recent actions in the city by the US Immigrations and Customs Enforcement agency aren’t well known.

That’s because ICE isn’t talking—and neither, for the most part, are local businesses or immigrants.

But Albuquerque-based immigration attorney Olsi Vrapi has a theory: Since Santa Fe actively undermines immigration operations by prohibiting police cooperation with the federal agency, ICE may find it more convenient to catch people through employment visits under the authority of a 1986 immigration law than by working with the city.

“The government essentially deputized every employer in the US to enforce immigration law,” Vrapi tells SFR. “Because the employers are supposed to check things” including residency documents and work permits, he says, ICE is essentially asking them to perform immigration checks for the agency under the threat of penalty.

ICE confirms it issued notices of inspection, the start of worksite audits, in Santa Fe and elsewhere in the region from Feb. 26 to March 2. The ICE investigative unit served notices to 63 businesses in New Mexico, and the Albuquerque Regional office says at least 23 people in this state and West Texas were detained during the sweep. Yet, citing its open investigations, the agency refuses to disclose which businesses were hit in Santa Fe. Because the investigations are ongoing, many people approached for this story kept mum. Employers risk hun-

dreds or thousands of dollars in fines and even (though less likely) criminal penalties for employing undocumented workers. Workers who lack permission from the federal government to hold jobs face the difficult choice of staying and risking detainment, or quitting work and losing their livelihoods.

Somos un Pueblo Unido—an immigration advocacy group that held a joint news conference with the public schools and city officials in March—says at least six businesses in Santa Fe are being audited, but will not disclose their names because the inspections are ongoing, and the group believes ICE’s actions to be unjust regardless of federal law. SFR could confirm just three visits by ICE officials in the city.

At the end of 2017, Acting Director of ICE Thomas Homan pledged a 400 to 500 percent increase in worksite visits across the country. Roughly 200 businesses in Los Angeles and Northern California were served subpoenas in February, and in late January, 7-Eleven stores across the country were visited by agents.

“Not only are we going to prosecute employers that hire illegal workers, we’re going to detain and remove the illegal alien workers,” Homan said to a conservative group last October, adding later, “We’re always going to arrest a person who is here illegally. That is our job.”

In other parts of the country, ICE has imprisoned and deported teachers, caregivers, business owners and even sick children. Undocumented people in Santa Fe know that any of them could be next.

There’s a stack of violet fliers next to a ceramic Virgin Mary statue on a shelf when you first walk in to Café Castro.

The publications from Somos un Pueblo Unido advise people of their rights if confronted by ICE at home or at work.

The upshot: Keep your mouth shut.

Nearby, taped to the cash register at the front where owner Julia Castro takes orders, is a clipped-out op-ed from the Santa Fe New Mexican from March 10, with the headline: “Dark days for immigrants.” On a window outside Café Castro, which has served up affordable New Mexican dishes for nearly 30 years, a poster that says “Immigrants Make Us Stronger” clings to a window.

AARON CANTÚ COURTESY UNITED STATES IMMIGRATION AND CUSTOMS ENFORCEMENT

All of these messages say something that Castro can’t. She is unable to talk about when agents from ICE visited her restaurant a few weeks ago with a subpoena asking for documents related to legal authorizations for employees. Her concern is reasonable: The American Civil Liberties Union says about two dozen people across the US who have publicly criticized ICE in the last year were targeted by the agency for detainment or fines.

Castro hasn’t shied away from speaking to reporters in the past. Three years ago, she told SFR her restaurant’s success was due to her Salvadoran-born husband Carlos, who took the recipes he learned while working as a cook at Tomasita’s to inspire his own successful eatery in 1990.

Carlos, who is now an American citizen, moved to the United States from El Salvador with his late cousin Arquimedes “Kimo” Castro.

Remembered for promoting sanctuary for refugees in Santa Fe, Kimo bought The Burrito Company restaurant on Washington Avenue downtown with his wife Eleanor Castro in 2005. Agents from ICE visited Burrito Co. in early March, too, ordering food and then taking pictures of the space, but Eleanor, now a widow, says they did not serve her any papers. She tells SFR the agents identified themselves, but is afraid to say more about the visit.

Managers at the Santa Fe Tree Farm, located in the Agua Fría traditional historic community, were the only ICE targets willing to sit down for an interview with

ICE has delivered at least 63 “notices of inspection” like this one in New Mexico this spring.

SFR. As far as they can tell, two ICE agents first showed up in late February. They pretended to be customers and asked the farm’s secretary, Bianca Herrera, to take them on a tour of the 10-acre property.

She never doubted their story.

“We just walked around and they kinda saw the land, the equipment we used, and asked how many employees we had,” Herrera says. “They said they had just moved from Connecticut or something like that.”

The agents returned a week later, on Feb. 27, carrying sidearms and a subpoena for the farm’s I-9 forms from the past year. The Department of Homeland Security requires that employers examine, but not collect, all employees’ documentation relating to their identity and eligibility to work in the country and record that information on I-9 forms.

Herrera says the agents also apologized for lying during their initial visit.

Days later, they phoned her to ask for copies of the farm’s employees’ residency documents, which employers are not legally required to retain. A copy of the subpoena reviewed by SFR shows that ICE also asked the farm for “all correspondence from the Social Security Administration to the employer regarding mismatched SSNs” and a list of independent contractors and staffing companies “currently providing employees to the business.”

The farm produced the I-9 forms within three days of the initial visit, as demanded by the agents, Herrera said. ICE ICE confirms it conducted enforcement in our region also gave her additional time to from Feb. 26 to March 2, but won’t say much else. gather the other requested ma-

terials. A handful of workers have stopped showing up.

Yet, the owner of the business could also be in the crosshairs. Chevo Serna was an employee before buying the tree farm five years ago from the previous owner. During the 1990s, Serna says, his parents applied to make him a lawful permanent resident, but he was disqualified because he turned 21 before the government approved their application.

Later, after the Obama administration issued a 2011 memo advising ICE to de-prioritize people without criminal records and with strong ties to their communities, Serna, who is from Mexico, applied for a legal permit to work. That process is ongoing, he says. But based on new guidance issued by DHS early in Trump’s presidency, he’s unsure whether he’s now a target for deportation.

The agency said last January that anybody who has “committed an act for which they could face [criminal] charges” is a candidate for deportation, and advocates say this includes illegally entering or remaining in the country. Serna, who says he’s already paid off his business in full and grown its profits, says his conscience is clear—whatever his future holds.

“I’m trying to do everything as straight as possible. I’m in this situation at this point, and I’m tired,” Serna tells SFR. “I’m not a criminal, I’m a hard worker, and I can prove it. … What doesn’t kill you makes you stronger.”

On March 9, a Friday night, several dozen people filled the San Isidro Catholic Church in Agua Fría to learn what to do if ICE shows up to their jobs or homes.

Small children ran through rows of chairs accented by bright-red cushions, and a massive sculpture of Jesus nailed to a cross loomed over the room.

Teenagers and young adults took notes for older relatives as they listened to the presentation in Spanish. Undocumented workers are often able to hold jobs and skirt the law by falsifying paperwork, but once ICE shows up to their workplace, they have few options to avoid deportation.

For example, said presenter and attorney Gabriela Ibañez Guzmán with Somos un Pueblo Unido, if ICE decides to audit an employer and an employee is concerned that the government will discover their undocumented status, that employee might be better off leaving the job and never returning.

“Each one of us has to make this decision when we know la migra has arrived,” Guzmán said. She acknowledged the financial disaster suddenly quitting can cause a family, telling the people in the room they should ask their employers for their final paycheck before leaving.

After the training session, a worker who spoke with SFR and did not want to give her name said she and her co-workers were designing a plan for what to do if agents showed up to their job. As part of that plan, they’ve informed their employer that ICE cannot legally enter private areas of their workplace without a warrant.

“These [I-9] forms they’re asking for, we’re worried what will happen if [ICE] uses the information to come to our homes,” she says. “We want to protect each other as much as we can.”

Over the next month or two, according to immigration advocates, ICE will be verifying employee records from places audited the week of Feb. 26. Vrapi, the immigration attorney who is representing businesses audited by ICE in Santa Fe and elsewhere in New Mexico, says it’s CONTINUED ON NEXT PAGE

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If the secretary of the Department of Homeland Security had her way, Santa Fe’s mayor and city councilors would be prosecuted. DHS Secretary Kirstjen Nielsen said in January her agency was consulting with the Department of Justice to figure out “what avenues might be available” to criminally charge politicians in sanctuary cities.

Javier Gonzales publicly taunted the Trump administration after Nielsen’s announcement when he was still mayor, and current Mayor Alan Webber said in his inaugural speech that Santa Fe would represent a “sanctuary for every member of our community.”

“I’m not going to waste my time wondering what [the Trump administration] is going to do,” Webber tells SFR when asked about the threat of prosecution from DHS. On March 26, city manager Brian Snyder sent an email on behalf of the mayor to all city employees, advising them to direct any inquiries from federal immigration agencies to the city attorney’s office. So far, says spokesman Matt Ross,

ICE has not visited any city department or asked for assistance.

A resolution adopted in February 2017 re-affirmed the city’s sanctuary status and includes a provision prohibiting workers from supplying information about a person’s residency status except when the law demands it. It also states city officials must deny immigration agents access to private areas on city property and city departments will not voluntarily use E-Verify, a federal program that crosschecks potential employee information with Department of Homeland Security databases.

Even so, one employer tells SFR that visiting ICE agents recommended they enroll in the program, which the ACLU calls “a flawed system that is riddled with errors” that creates a national blacklist of unemployables.

The city government can’t prevent anyone else from enrolling. It’s just one example of how limited a city’s sanctuary policies can be in practice. The former mayor acknowledged as much when news of the audits went public on March 5.

AARON CANTÚ

not clear why some have been targeted instead of others. Tip-offs from agencies that do cooperate with ICE, such as the state Corrections Department, can trigger an audit, Vrapi says. So can an anonymous phone call.

According to John Fay, a Phoenixbased attorney and executive at LawLogix, a software company that makes employee-tracking tools for employers, establishments that are audited by ICE can be penalized for a range of technical and substantive violations.

“The current fine range [for each violation] goes from $224 up to $2,236,” Fay says. “The fines can get very high, very quickly.” Smaller businesses, he says, “are disproportionately and perhaps unfairly affected” because they have less staff to handle the requests.

Sometimes ICE will reduce fine amounts, depending on the size of the company and the “good faith” effort with which it complies with requests. The audits can also be ruinous. In one case from last November, a tree-pruning company in Pennsylvania was fined $95 million for recruiting and employing undocumented people over several years. “[Trump] says if these workers leave, it will open up more opportunities for US workers,” says Fay, “but it’s highly debatable.”

A lengthy report released last year by the National Academies of Sciences, Engineering and Medicine, a scientific collective that has advised US policy since the mid-1800s, concluded that there was “little evidence that immigration significantly affects the overall employment levels of native-born workers.” The only reported employment sector that suffers is jobs for teenagers.

Meanwhile, the far-right anti-immigration group Center for Immigration Studies thinks the audits do not go far enough in catching undocumented workers.

ICE agents visited Chevo Serna, owner of the Santa Fe Tree Farm, and secretary Bianca Herrera as part of a statewide enforcement effort. On their first visit, agents lied about who they were.

“[What] we can’t do under our welcoming policies is fully protect you when there are raids that take place,” Gonzales said at the time.

At publication time, Webber tells SFR the city has drafted a letter for New Mexico’s Congressional delegation describing the audits that have taken place. The letter will also ask the delegation to find out how many people and businesses in Santa Fe were targeted for enforcement, and the manner by which they were targeted.

Simon Brackley, president and CEO of the Santa Fe Chamber of Commerce, tells SFR he has not heard about ICE visits from any of the chamber’s 890 members.

The Santa Fe Area Home Builders Association, which represents a local industry that employs many immigrants, also had not received notice from any of its members about ICE visits, according to Executive Director Kim Shanahan. He notes, however, that doesn’t mean ICE has not made visits.

Construction worksites aren’t ideal places for ICE to initiate audits, Shanahan says, because the proliferation of subcontractors in the industry makes it confusing to know who actually keeps workers’ I-9 forms on file. But since so many immigrants work in home building—by his own estimate, more than 50 percent of the workforce in Santa Fe consists of immigrants—ICE’s motivation may be sneakier.

“One of the fears we have is ICE [agents] show up to a job site without a warrant, just flashing badges and being intimidating, and people admit to things they shouldn’t admit to,” Shanahan says.

“That’s our biggest concern instead of whether the boss has I-9s on file.”

Over the phone, a manager at Blue Corn Café and Brewery on Cerrillos Road tells SFR the restaurant was visited by ICE agents the first week of March. When SFR went to the office of the restaurant’s parent company, Santa Fe Dining, company President Randy Ropek and Vice Pres-

ident of Operations Justin Svetnicka declined to confirm or deny they were being audited. The company’s former marketing director says it employs 350 to 500 workers in Santa Fe and Albuquerque.

A city’s sanctuary policy is more of a political statement than a real safeguard, says Fay, the attorney and LawLogix exec. And given how federal agencies have publicly rebuked sanctuary cities and threatened to cut off certain funds for local police, Fay thinks it’s likely that immigration authorities are targeting them.

“To the extent New Mexico and others have expressed sanctuary policy, or shown sympathy, I think there’s a lot of politics here at play,” Fay tells SFR. “If we mapped out some of the locations where we saw the most audits, I wouldn’t be surprised if it turned out to be places where we saw sanctuary city policies in effect.”

In recent weeks, President Trump has used his commitment to include a citizenship question in the US Census as a way to fundraise for re-election, further tying immigration to his political fate. Deportation appears to be part of what he sees as his mandate, no matter an immigrant’s community contributions.

ICE is the main enforcer of Trump’s executive order, issued during his first days in office, that expanded deportation targets to include those without criminal records.

Deportations of non-convicted people rose 171 percent from 2016 to 2017, according to CNN. In politics, the idea of outright abolishing ICE is gaining traction among Democrats running for Congress, including with Antoinette Sedillo Lopez, one of eight candidates running to replace Michelle Lujan Grisham for New Mexico’s 1st Congressional District.

Practices the agency routinely carries out—separating families, denying medical care in detention, overcrowded and dirty facilities, and so on—qualify as “violations of the United Nations Declaration of Human Rights,” Sedillo Lopez tells SFR. As evidence, she points to a Congressional study from last December that found there was “insufficient protection of detainees’ basic rights” at five detention centers.

Anybody apprehended for an immigration violation will end up in ICE’s growing detention complex, which has facilities in New Mexico. But even before that happens, some immigrants and those close to them see the possibility of detainment as so terrifying, they drop off the map.

This chilling effect makes it hard to gauge the ongoing audits’ impact on the city, which might not be known until after much of the damage is done.

Know Your Rights Courtesy of Somos UN PUEBLO UNIDO

IF ICE OR THE POLICE COME TO YOUR HOUSE

SI LA MIGRA 0 LA POLiCIA LLEGA A TU CASA

Remember that your house is your sanctuary. You do not have to initiate conversation with officers at your door or window. You do not have to open the door or give them permission to enter. To enter your home without your consent, they must have a search warrant.

Having only an arrest warrant or deportation order is not enough to knock down the door. If you choose to open the door, you are giving them permission to enter and then they can ask questions to everyone inside. But even so,you have the right not to answer questions or sign documents you don't understand.

Recuerda, tu casa es tu santuario. Tienes el derecho de no entablar una conversación con ellos por la puerta o la ventana. No tienes que abrir la puerta, ni darles permiso a entrar. Para poder entrar sin tu permiso necesitan una orden de cateo. Sí tener una orden de arresto o deportación no es suficiente. Si abres la puerta, estas dando autorización para que entren y hagan preguntas a todos, pero aun así tienes el derecho de no contestar preguntas y no divulgar tu origen nacional o estatus migratorio.

IF ICE COMES TO YOUR WORK

SI LA MIGRA LLEGA A TU TRABAJO

If agents come into your workplace, you have the right keep on working and not answer their questions. You can tell them that you are busy and cannot speak to them. You do not have to divulge your national origin or immigration status. ICE cannot enter private areas in your workplace without a search warrant, permission from the owner or designated supervisor, or probable cause that something illegal is happening (like someone fleeing or hiding).

Si entran a tu lugar de trabajo, tienes el derecho de no responder a sus preguntas y seguir trabajando. Les puedes decir que estas ocupado y que no puedes hablar. No tienes que divulgar tu origen nacional o estatus migratorio, ni mostrar tu identificacón. La Migra no puede entrar en las areas privadas de tu lugar de trabajo sin una orden de cateo o el permiso del patron o algun encargado del negocio.

IF YOU ENCOUNTER ICE OUTSIDE OR ON THE ROAD

SI TE ENCUENTRAS CON LA MIGRA EN LA CALLE

Stay calm. If they stop you, you do not have to engage in a conversation with them. You do not have to answer any questions, nor share your national origin or immigration status. If you decide to run, and they catch you, you will most likely be arrested. ICE cannot conduct checkpoints beyond 100 miles from the border, but if agents pull you over you do not have to answer questions about your national origin or immigration status.

You do not have to give them permission to search your belongings or your car.

Manten la calma. Si te paran, no tienes hablar con ellos, ni contestar sus preguntas o divulgar tu origen nacional o estatus migratorio. Si decides correr y logran capturarte, te pueden arrestar. La Migra no puede hacer un reten despues de 100 millas de la frontera, pero si agentes detienen tu auto en la carretera, no tienes que contestar sus preguntas ni darles permiso a inspeccionar tu auto.

IF YOU ARE ARRESTED AND PUT IN JAIL

SI TE ENCUENTRAS EN LA CARCEL

You do not have to share your national origin or immigration status with anyone including jail employees, police officers or ICE agents. You can refuse to be interviewed by ICE either in person or over the phone and you don't have to sign any documents you don't understand. You can ask to speak with a lawyer and ask for an interpreter during all court proceedings if you don't understand or speak English.

No estas obligado a divulgar tu origen nacional o estatus migratorio con nadie incluyendo a empleados de la carcel, a las autoridades policias y oficial es de inmigración. Puedes negarte a dar una entrevista con la Migra en persona o por telefono. Puedes pedir hablar con tu abogado y solicitar un interprete en todos los procedimientos judiciales si tu no entiendes ni hablas ingles.

TO REPORT ICE ACTIVITY OR A VIOLATION OF YOUR RIGHTS CALL: PARA REPORTAR UNA REDADA 0 UN ABUSO DETUS DERECHOS, LLAMA AL:

5O5-920-6214

SFREPORTER.COM

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Solve Parks Backlog with Oil Boom?

Congress works on a plan to repair infrastructure at national parks, but proposals link energy development to those efforts

BY ELIZABETH MILLER e l i z a b e t h @ s f r e p o r t e r. c o m

T

hree Carlsbad Caverns National Park visitors had some extra excitement on March 26, when their elevator stranded them 740 feet below ground. A rescue team lowered themselves to the stuck car, harnessed up the visitors, and transferred them to an operational car. A press release on the incident reported that after being trapped for three and a half hours, the visitors returned to the surface “in good spirits.”

This was their first elevator rescue operation, according to the National Park Service incident commander, and was caused by worn travel cable. The incident has halted elevator service at the caverns. Visitors have to hike 1.25 miles down and up the equivalent of 75 stories until another set of repairs wraps up in May. The event is just the latest headline on a backlog of infrastructure repairs for national parks. Nationwide, an estimated $11.6 billion in maintenance is past due, leaving roads potholed and visitors centers built more than 50 years ago in dire need of upgrades. New Mexico’s share of that is $123 million, and Carlsbad’s elevators account for a third of those funds.

President Donald Trump’s infrastructure plan, released alongside his proposed budget in February, mapped out a strategy for addressing those repairs. Federal lawmakers are working on bills that mirror his plan, or tweak it slightly. The leading contenders at least take the funding source he suggested: revenue from energy development on federal lands.

“Infrastructure is also about access for all Americans. Not all visitors to our parks have the ability to hike

The Big Room trail has a way of making you feel very small, especially when you walk through the Hall of Giants. With the Giant Dome measuring in at over 60 feet high, this area is home to some of Carlsbad Caverns’ largest formations.

with a 30-pound pack and camp in the wilderness miles away from utilities,” Secretary of the Interior Ryan Zinke said in a press release.

That certainly feels true for anyone who has faced climbing hundreds of feet out of the underground caverns in Carlsbad (where the sexagenarian elevators were out for repairs between November 2015 and May 2016 before the latest failure). But the National Parks Conservation Association cautions that this approach of pairing revenue from energy development on public

lands to urgently needed repairs could be used as an argument for accelerating drilling in sensitive areas and potentially damage park resources. They point to an alternative proposal from Senate Democrats, who suggested repealing some of the tax credits passed late last year to funnel $5 billion to these repairs.

P Daniel Smith, deputy director of the National Park Service, testified before a congressional committee that nothing in the legislation modeled after the president’s blueprint authorizes new energy development, nor is there a proposal to increase energy production in national parks. The question, he said, was just how to reinvest energy revenue into public lands.

“This bill is not an incentive to develop more energy,” he said. “The administration remains very clear that it supports American energy dominance.”

Testifying before the same committee, Matt Lee-Ashley, senior fellow with the Center for American Progress, pointed out that the backlog would be reduced by half if private businesses operating as concessionaires within parks were required to maintain hotels they operate and if road repairs were handed off to transportation departments. He also took issue with the approach of using money from oil, gas and mining to pay for these repairs, calling that source “dubious” and “speculative,” given the whims of the price of oil.

“Our investments in our great outdoors should come from predictable and sustainable funding sources and not undermine the conservation laws that the National Park Service is obligated to protect,” he said. “We are not a country that should have to allow mining in national monuments to pay for the bathrooms in our parks.”

To localize the example, we could perhaps then say the proposal relies on drilling near Chaco Canyon to spare people the climb out of Carlsbad Caverns. So it’s something of a surprise to see Sen. Martin Heinrich, a longtime champion of preservation near Chaco, among the supporters of the bill that follows the president’s blueprint.

Despite repeated inquiries, the senator did not address the question of how he sees balancing these apparently competing interests. The senator’s press secretary repeated Smith’s points and also noted the similarities to the half-century-old Land and Water Conservation Fund, which uses revenue from offshore oil and gas leases. That fund historically has been used to purchase land for public use, including private land inholdings that might otherwise allow for housing or energy development within national park boundaries.

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RAILYARD URGENT CARE We put patients first and deliver excellent care in the heart of Santa Fe. Open 7 days a week, 8am – 7pm

The C. G. Jung Institute of Santa Fe presents

Jung In the World

Lecture & Workshop

Pamela Power, Ph.D.,

Jungian analyst teaching and practicing in Santa Monica, CA The lecture previously announced in our brochure has been changed to the following:

Lecture: Distillation of Feeling in Traumatic Times Friday, April 6th 7-9pm $10 2 CEUs or 2 Cultural CEUs

+ INJURIES & ILLNESS + X-RAYS + PHYSICALS + LAB TESTS + VACCINATIONS + DRUG TESTING + DOT EXAMS

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WHERE TO FIND US 831 South St. Francis Drive, just north of the red caboose.

(505) 501.7791

This presentation explores the relationship between contemporary culture and the turbulent times in which we live. For individuals, trauma can promote psychological development when worked through. Might this be true for the collective? Exploring films, literature and music, this presenter makes a case that collective turbulence can stimulate the emergence of new ‘feeling values.’ It will also promote the view that awareness of this perspective, the intersection of collective unconscious and individual unconscious, can enhance and deepen clinical work and provide useful orientation for the analyst/therapist. The presentation will utilize examples from film and music to demonstrate the creative workings of the collective unconscious. It will also address the conundrum of being optimistic about progress while living within an increasingly destructive and disintegrative world.

Workshop: Greed and Stealing in our Lives Saturday, April 7th 10am-1pm $40 3 CEUs

This workshop will explore personal and collective issues of greed and the related phenomena of stealing and being stolen from. Who steals from whom and why? What are the less obvious ways that stealing occurs? And how do these relate to greed, deprivation and psychological anorexia?

Both events at: Center for Spiritual Living, 505 Camino de los Marquez, Santa Fe

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APRIL 4-10, 2018 SFREPORTER.COM

Friday lecture and Saturday workshop tickets at the door.

For information call Jacqueline West, 505-984-0102 For expanded program details go to www.santafejung.org

DANCE, DANCE EVOLUTION For some, a legitimate emotional response to dance is not easy. But when the company is Parsons Dance and the performers are dedicated and phenomenal practitioners, it becomes accessible to all. Hailing from New York City and founded by theater legends David Parsons and Howell Binkley, Parsons Dance resides on the cutting edge of the art form, a strong reminder of the self-expression inherent to dance since time immemorial and the exciting new places it can still go when placed in the bodies of the talented. Plus, dancers are always in great shape and usually good-looking. Double-score. (Alex De Vore)

LYNN ROYLANCE

LOIS GREENFIELD

DANCE FRI/6

Parsons Dance: 7:30 pm Friday April 6. $29-$110. Lensic Performing Arts Center, 211 W San Francisco St., 988-1234.

COURTESY PUBLIC DOMAIN

EVENT SAT/7 DIMENSIONALLY DELICIOUS We here at SFR are still baffled by the concept of 3-D printing, and that’s already well before we learned they can do food, too. Say what? Yup. Food. At SITE Santa Fe this weekend, munch on 3-D printed pancakes while learning a thing or two about the new era of making and tools from MAKE Santa Fe and Extraordinary Structures’ Zane Fischer. Hang around, too, for Santa Fe Institute fellow Artemy Kolchinsky, who lectures on how unusual thermodynamics characterize living systems. Woah. OK, so it’s heady material, but the pancakes really seal the deal. (ADV) Digest This! 3-D Printed Pancakes and Living Beings, Entropy, and the Second Law of Thermodynamics: 10:30 am Saturday April 7. $5-$10. SITE Santa Fe, 1606 Paseo de Peralta, 989-1199.

COURTESY PUBLIC DOMAIN

MUSIC TUE/10 SWEET With Luna taking over The Bridge at Santa Fe Brewing Co. on Monday, it’s a good week for indie rock fans in Santa Fe. Take California sextet Hunny, for example. A well-balanced combination of late-’80s post-punk with new-wavey undercurrents awash with nouveau rock, Hunny crafts with enduring themes like heartache and self-realization. They’ve risen wildly since the 2015 debut single “Cry For Me,” at the time a solo work from frontman Jason Yarger. But the band filled out and the sound did, too, while everyone everywhere realized how much they dig on sad music wrapped up in a catchy-as-hell package. (ADV) Hunny with Made Violent and Fringe: 7 pm Tuesday April 10. $13-$16. Meow Wolf, 1352 Rufina Circle, 395-6369.

THEATER THU/5- SUN/15

With Whom?

Step right up and get gawkin’

In a small city with a small but talented pool of thespians, it’s easy to keep a close eye on actors whose work you particularly admire. Here at SFR, we’ve become increasingly enamored of Tallis Rose’s onstage skills; and, when we saw that she would make her directorial debut at the Santa Fe Playhouse, we figured it could go one of two ways. Thankfully, it’s gone the better of the two.

Talking With… is a collection of monologues by women, written by mysterious playwright Jane Martin in 1982. (Martin doesn’t seem to exist, and is supposedly the pseudonym of—naturally—an old white dude. But that’s just speculation.)

That aside, Rose has directed a cast of 11 actresses of varying familiarity with the Santa Fe scene in an engrossing production.

As much as we love The Vagina Monologues and as much as it has rightfully earned its place as a jewel in the crown of feminist theater, there’s a certain exhaustion that comes with it, and with the concept of a collection of monologues by women; they’ve been done and done again. Talking With… could easily have been tired, but in Rose’s hands, it elicits

a bemused “huh” rather than a resigned bless-your-heart. She’s styled the production as a circus, with a brilliant set from Technical Director Michael Blake Oldham, and the women become sideshow freaks who are finally here to be listened to rather than just gawked at.

The circus theme is not heavy-handed and sometimes disappears altogether (we maybe even would have liked it to be a little stronger), but the actresses hold their own without a unifying thread necessary.

Sometimes hilarious (looking at you, Baby True, in “Audition”), sometimes spooky (Cassandra Rochelle Fetters shows what would probably come out if William Faulkner wrote about baton-twirling), sometimes heartbreaking (basically all of them at one point or another), Talking With… is a dynamic evening of theater not to be missed.

For a full review, visit SFReporter.com.

(Charlotte Jusinski) TALKING WITH… 7:30 pm Thursday-Saturday April 5-7; 2 pm Sunday April 8. Through April 15. $20-$25. Santa Fe Playhouse, 142 E De Vargas St., 988-4262

SFREPORTER.COM

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APRIL 4-10, 2018

19

COURTESY CITY OF MUD

THE CALENDAR Want to see your event here?

Email all the relevant information to calendar@sfreporter.com.

You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion).

Need help?

Contact Charlotte: 395-2906

WED/4 BOOKS/LECTURES DHARMA TALK BY DAVID HINTON Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This week's talk, presented by author and translator David Hinton, is "Rediscovering Zen's Roots in Ancient China."

5:30 pm, free NEPA DEMYSTIFIED: UNDERSTANDING THE FRAMEWORK FOR ANALYZING FOREST RESTORATION PROJECTS REI Community Room 500 Market St., 982-3557 The Greater Santa Fe Fireshed Coalition presents its spring seminar series reboot; the inaugural lecture this year explores the National Environmental Policy Act (NEPA), its components, local examples of its implementation and how citizens can get involved.

6 pm, free ONE HUNDRED YEARS AGO AND NOW: WHAT IS SANTA FE STYLE? St. Francis Auditorium 107 W Palace Ave., 476-5072 Hear what David Rasch, historic preservation officer at the City of Santa Fe, has to say about Santa Fe Style. He accompanies the lecture with a slide show of architecture spanning centuries of Pueblo, Spanish, and Anglo designs, from ancient ruins to recently constructed buildings.

Noon, free

See the

Touri Strick’s “Cipher,” made up of somewhat-letterform-ish figures of ebonized wood, draw partly from writing, partly from sculpture, and seemingly also from some collective subconscious of the process of communication. Woah. Check out her work, along with that of Nancy Nichols, at City of Mud, opening Saturday.

WHEN YOUR DOG IS GOOD Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Join dog lover Gaia Richards and dog trainer David Crosby for an hour of tips, concepts and tricks that can help you enjoy your relationship with your dog. They are co-authoring a book, The Enjoyable Dog— because anyone who’s hung out with a lot of dogs knows they’re not all enjoyable.

6:30pm, free

2018 SFR PHOTO CONTEST

WINNERS

at the Annual Manual 20

APRIL 4-10, 2018

•

EVENTS ARTIST-IN-RESIDENCE OPEN STUDIOS Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 Join artists-in-residence Marwin Begaye, Ian Kuali'i, Monte Yellow Bird, Sr. and Wayne Nez Gaussoin for tours and chats in their art studios. Learn about their processes, techniques, tools, ideas and cultural influences.

3-5 pm, free

SFREPORTER.COM

Photo Show

LIBRARY OPEN HOUSE: ART OF THE BOOK New Mexico Museum of Art 107 W Palace Ave., 476-5072 Browse a wide collection of over 7,500 books and files.

Bring questions and chat with the librarian where the main focus is the beautifully designed art on the covers.

Bring your WiFi-connected devices to seek a new sense of inspiration!

1-4 pm, free

MUSIC ASH GRAY Cowgirl 319 S Guadalupe St., 982-2565 Alt.country from a rambling troubadour.

8 pm, free BOB FINNIE Vanessie 427 W Water St., 982-9966 Standards, Broadway tunes and contemporary music on piano with vocals too.

6:30 pm, free

APRIL 25 AT THE

VIOLET CROWN CINEMA 1606 ALCALDESA ST.

FROM 6 TO 8 PM

CALVIN HAZEN El Mesón 213 Washington Ave., 983-6756 Flamenco and Spanish guitar.

7 pm, free CHROME MACHINE TOUR: MACHINEDRUM, CHROME SPARKS AND ELA MINUS Meow Wolf 1352 Rufina Circle, 395-6369 Electronica, juke, jungle, drumand-bass y más. Do you know how to dance to this stuff?

Can you teach us?

7 pm, $18-$22

ENTER EVENTS AT SFREPORTER.COM/CAL

DAVID GEIST Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free GERRY & CHRIS La Fiesta Lounge 100 E San Francisco St., 982-5511 Traditional Irish tunes and authentic Latin music.

7:30 pm, free RAMON BERMUDEZ TerraCotta Wine Bistro 304 Johnson St., 989-1166 Latin and smooth jazz guitar.

6 pm, free SANTA FE CROONERS Palace Saloon 142 W Palace Ave., 428-0690 Golden Age standards.

6:30-9:30 pm, free SYDNEY WESTAN Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Folky-Western singer-songwriter tunes.

5:30-7:30 pm, free

THEATER BLACK & WHITE New Mexico School for the Arts 275 E Alameda St., 310-4194 Student-written, directed and acted one-act plays (see SFR Picks, page 19).

7 pm, $5-$10

THU/5 ART OPENINGS WOMEN SPEAK OUT Santa Fe Community College 6401 Richards Ave., 428-1000 An exhibit of art in many media, all by SFCC students.

Check it out in the college's Fine Arts Center. Through April 30.

4 pm, free

BOOKS/LECTURES CAROL MOLDAW AND JENNY GEORGE Collected Works Bookstore 202 Galisteo St., 988-4226 Formidable local poets read from their works.

6:30 pm, free THE VALUE IN OUR STORIES Graphic Sky Printing 3218 Calle Marie, Ste. A, 663-6709 At a meeting of the Association of Publishers for Special Sales' New Mexico chapter, participants figure out what readers want and how to get them to buy it.

Noon, free VICKI HUDDLESTON: OUR WOMAN IN HAVANA La Posada de Santa Fe 330 E Palace Ave., 986-0000 A talk and book signing by Vicki Huddleston, former ambassador to Cuba, of her new book (which SFR excerpted in on March 21). RSVP at 982-4931; Presented by the Council for International Relations.

5:30 pm, $10

THE CALENDAR

WHAT A PRODUCER DOES St. John's United Methodist Church 1200 Old Pecos Trail, 982-5397 Robert Benedetti, an award-winning producer, discusses how the producer shepherds a TV show or film from conception to screen.

1 pm, $10

EVENTS BUSINESS EXPO AND JOB FAIR Santa Fe Community Convention Center 201 W Marcy St., 955-6590 The Santa Fe Chamber of Commerce hosts its 15th annual event, with a special focus on tech-based jobs.

10 am-4 pm, free

FILM ISLE OF DOGS BENEFIT SNEAK PEAK Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 Oscar-nominated filmmaker Wes Anderson’s new stop-motion film; get a sneak preview to benefit the Santa Fe Animal Shelter (see Movies, page 33).

5 and 7:30 pm, $20

MUSIC BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Original dharma songs.

10 am, free BOB FINNIE Vanessie 427 W Water St., 982-9966 Piano standards.

6:30 pm, free BROTHER E CLAYTON El Mesón 213 Washington Ave., 983-6756 Rock and soul.

7 pm, free DJ INKY The Matador 116 W San Francisco St., 984-5050 Punk, funk, soul, rock 'n' roll, old-school country y más.

9 pm, free GERRY & CHRIS La Fiesta Lounge 100 E San Francisco St., 982-5511 Traditional Irish tunes and authentic Latin music.

7:30 pm, free GOT SOUL El Farol 808 Canyon Road, 983-9912 The house jazz band with guest vocalist Hilary Smith.

7 pm, $10 THE GUNSELS Tiny’s Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Americana and honky-tonk.

7 pm, free OPEN MIC Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 We hear they really like Randy Newman over there.

Or at least when we perform Randy Newman, we tell ourselves that they like it.

7 pm, free

PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar.

6 pm, free PHYLLIS LOVE Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free RED SAGE JAZZ NIGHT Buffalo Thunder Resort and Casino 20 Buffalo Thunder Trail, 455-5555 Head to the Red Sage restaurant for the MCJazzTrio.

5 pm, free TONY BROWN Palace Saloon 142 W Palace Ave., 428-0690 Check out award-winning musician Brown's premiere solo performance in Santa Fe. 10 pm, free TROY BROWNE DUO Cowgirl 319 S Guadalupe St., 982-2565 Americana.

8 pm, free

THEATER BLACK & WHITE New Mexico School for the Arts 275 E Alameda St., 310-4194 NMSA’s impossibly talented students have written, directed and acted in these entirely original one-act plays.

7 pm, $5-$10 DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 In a tucked-away corner of north Philadelphia, six barflies turn their collective memories into a vivacious mythology.

This opening night performance is pay-what-you-wish.

7:30 pm, free QUINN FONTAINE: HUNG LIKE A SEAHORSE Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Fontaine presents the "show and tell" version of his memoir, live and in person, directed by Susan Mele. The book is subtitled A Real-Life Transgender Adventure of Tragedy, Comedy, and Recovery, if that gives you an idea of the wild ride you're in for.

7:30 pm, $15-$25 TALKING WITH...

Santa Fe Playhouse 142 E De Vargas St., 988-4262 A play composed of 11 monologues, each from a different female character (see SFR Picks, page 19).

7:30 pm, $20-$25

City of Santa Fe TRANSIT DIVISON – SANTA FE TRAILS

NOTICE OF PUBLIC COMMENT PERIOD (Wednesday April 4th through Tuesday April 24th, 2018) on

PROPOSED SERVICE MODIFICATIONS TO: ROUTE 2 – Schedule Modifications ROUTE 22 – Route Modifications ROUTE 26 – Schedule and Route Modifications For more information on these proposed modifications go to: WWW.TAKETHETRAILS.COM Call: 505-955-2001 Email: kpwilson@santafenm.gov VISIT THE: Transit Administration Offices, 2931 Rufina Street, Mon-Fri 8AM to 5PM AND/OR ATTEND: Public Information Meeting (Open House Format) Thursday April 12th, 2018 - 3:00PM to 6:00PM Santa Fe Place Mall Food Court, 4250 Cerrillos Road, Santa Fe Transit Advisory Board Meeting – Tuesday April 24th, 2018 @ 5:00PM Transit Administration Building, 2931 Rufina Street, Santa Fe

Unique and Unusual Pueblo Pottery Opening Reception Friday April 6th 5 to 7 pm

Exhibiting through July 2018

WORKSHOP MENTAL HEALTH FIRST AID Santa Fe Community College 6401 Richards Ave., 428-1000 In an eight-hour training, learn about the warning signs for a range of mental health problems and learn an action plan to help an individual in crisis. Space is limited; to register, please call 428-1907.

8 am-5 pm, free

Historic Multi-colored Tesuque Rain God Te Tsu Geh Oweenge - Tesuque Pueblo Clay Figurine Size: 6-5/8” Tall

Adobe Gallery 221 Canyon Road Santa Fe www.adobegallery.com 505.955.0550

CONTINUED ON PAGE 24

SFREPORTER.COM

•

APRIL 4-10, 2018

21

LUNA RETURNS 13-ISH YEARS LATER (THANK GOD)

Moon Shot

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

N

ever in my life did I think I’d see a Jawbreaker reunion, but the seminal pop-punk/ emo band re-formed for Chicago’s Riot Fest last year and reportedly have new music on the way. Hell, even a few years ago I was pretty sure I’d never have a chance to see Descendents, and they’ll be in Albuquerque this fall. Pixies got back together some years ago (no more Kim Deal, though), The Bruce Lee Band plays now and again—there’s something in the air forcing bands I loved as a teenager to get back together, and it is glorious.

Enter Luna, one of those enduringly popular indie bands that all your favorite bands love; an alterna-rock outfit that rose to relative prominence throughout the ’90s and early aughts only to call it quits in 2005. They’re back, though, with a covers album (A Sentimental Education) and an instrumental EP (A Place of Greater Safety) and no shortage of touring dates across the US. Holy shit.

So whaddya do when an influen-

Joining the ranks of bands we never thought we’d hear from again is Luna.

22

APRIL 4-10, 2018

•

SFREPORTER.COM

tial band reforms, re-evaluates and releases new music? You call their damn frontman up, that’s what. SFR spoke with Luna’s Dean Wareham ahead of the band’s upcoming show at the Bridge at Santa Fe Brewing Co. A lot of bands—some of which many never thought we’d ever get to see—are getting back together.

What’s up with that?

I wasn’t planning on it, but I guess I didn’t rule it out. When the band broke up the first time, I was like, ‘Well, if I miss it, we can always revisit it.’ But yes, it’s true, a lot of bands get back together—maybe especially now in this era where it’s harder and harder to sell a back catalog, I feel like that used to be enough. We did a deluxe box [set], a lot more touring. Streaming … [is] not nothing, if you own your masters you can make money off of them. But it’s not good enough. Downloads for iTunes was more profitable.

The streaming services are screwing the songwriters.

I keep reading that vinyl is doing great, though. Like, bigger than ever.

I doubt it’s bigger than ever, but it’s bigger than it’s been since the ’90s, and it’s still not huge. We sell the same amount of CDs as we do vinyl. The demand for vinyl has become so hot.

Yes, it’s good, but it’s a niche market.

Even the major labels get into the Record Store Day thing.

MUSIC

Does it feel like a relationship backslide?

Ha! What are your crowds looking like these days?

We sell a lot more XL and double-XL T-shirts. We defintely have people who are younger, not with their parents, but who grew up with Luna in the house and were only 10 when the band broke up. It’s a good chapter. We did an album of covers and an EP of instrumentals, two things we’d never done before, and that was fun and easy in the studio.

Is it harder to write songs without lyrics?

It’s way easier. Lyrics are hard. I think it’s always pretty easy to get a song to a certain point, but then to actually finish it, that’s the hard work. We did have to try and make sure these pieces were melodic, and I think they are.

April 5-22 Thurs-Sat: 7:30pm Sun: 4pm

Does the comeback mean you’re at the ‘do whatever you want’ point, and is that exciting or daunting?

I think we can do what we want. With what happened to the record industry, like in the ’90s, we were, in a way, on a treadmill. We were getting paid, which was good, we had a multi-record deal, we were touring, and it was like, ‘You need to get back in the studio.’ Now it’s kind of sloweddown. We make a record when it

$20 general admission, $12 limited income April 5 is pay-what-you-will April 7 is $25 gala with reception to follow Teatro Paraguas 3205 Calle Marie 505-424-1601 daphnesdive.brownpapertickets.com teatroparaguas.org

I was like,

Performed In English

‘Well, if I miss it, we can always revisit it.’

-Dean Wareham

makes sense. I guess if I look on the schedule this year, we’ve got a little bit of touring. We manage, though.

Somehow we get by.

Is there ever a question you always wish someone would ask you in an interview but you never get asked?

I guess not. I’ve had people get really mad at me. One guy got really mad. He was from Dallas—this was years ago—and I was talking to him about the interview process, and I said sometimes, with interviews, the interviewer can make you look like an idiot if they want; they edit these things later. He thought I was talking about him. He took offense.

April

FREE LIVE MUSIC

AT THE ORIGINAL

6 BUSTAPES 7 BARBWIRES Folk-Rock, 6 - 9 PM

Saturday

Is that, like, a maturity thing? A having-fun-again thing?

I feel like when we got back together, we went back and studied the recordings a little more closely. We change the setlist night to night. There are some songs we always play, but with the size of clubs we’re playing, we can always do that. I can see why bands in stadiums or bands running computers—where it’s really complicated and a lot of people using backing tracks—why they wouldn’t. But we’re allowed to screw up. We don’t—very often. Sometimes I start to feel old-fashioned. I feel old-fashioned, when clubs ask us for our stage plot and it’s like, ours is not that complicated.

by Quiara Alergría Hudes

Friday

OK, so you said ‘if you missed it.’

Did you miss it?

It kind of came up on 10 years, and … there are things I miss about Luna.

What’s nice about a band that’s been playing for a long, long, long time—it’s just kind of effortless. It’s a lot easier for us to play live than make a new record. Some of these songs we’ve been playing for so long. And you can tell when you see a band, you can tell when they’re a real band. Bands get back together, you never thought you’d see them. Everyone [in Luna] is in a better mood about it than we were in 2004.

Everyone appreciates it more and is happy to be onstage. And we’re playing better than ever.

Daphne's Dive

And how do you choose the covers?

I have a list and I think they might be a fun one to try. You hear something you really like and you think, ‘I can rip it off or do a cover!’ And sometimes I do both. If we’re going to do Bowie, there are enough versions of ‘Heroes’ out there. It’s fun to pick songs nobody’s ever heard. If we’re going to do Rolling Stones, we’re doing ‘Waiting on a Friend.’

Blues, 6 - 9 PM

AT THE RAILYARD

LUNA 9 pm Monday April 9. $27-$30.

The Bridge at Santa Fe Brewing Co., 37 Fire Place, 557-6182.

Saturday

Doesn’t that kind of defeat the purpose?

Ha! Yeah. It kind of does.

7 KODAMA TRIO Jazz, 6 - 9 PM

For Rufina location music go to www.secondstreetbreweryrufina.com

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APRIL 4-10, 2018

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THE CALENDAR

FRI/6 ART OPENINGS EMIL BISTTRAM DAY, 2018 Addison Rowe Gallery 229 E Marcy St., 982-1533 Learn more about Bisttram’s contributions to New Mexico's artistic community.

5 pm, free JOHN JASON PHILLIPS: LEGENDS 7 Arts Gallery 125 Lincoln Ave., 437-1107 After a successful career as a scenic artist for Broadway theaters, Phillips has realized a long-held dream and is—ta da!—a real live Santa Fe artist creating dazzling watercolors.

Through April 30.

5 pm, free MAX COLE: THE LONG VIEW Charlotte Jackson Fine Art 554 S Guadalupe St., 989-8688 Cole has long been known for stacking alternating bands of horizontal lines, many of which are made up of tiny, hand-drawn vertical lines, with elegant simplicity.

Through May 6.

5 pm, free NOCTURNAL EMOTIONS Fine Art Framers 1415 W Alameda, 982-4397 For one weekend only, enjoy a show of new etchings and paintings by artists Alexis Palmaffy and Leslie Harris.

5:30 pm, free RANDALL REID: UNFOLDING CONNECTIONS Nüart Gallery 670 Canyon Road, 988-3888 Reid's juxtapositions of steel and wood narrate a dialogue with the viewer about connectivity that predates humanity. Through April 22.

5 pm, free UNIQUE AND UNUSUAL PUEBLO POTTERY Adobe Gallery 221 Canyon Road, 955-0550 Get a look at rare works that are unique in form, design, function or style. This ain't your grandma’s Pueblo pottery. Through July 31 (se AC, page 25).

5 pm, free

BOOKS/LECTURES BILL PRESS: FROM THE LEFT Collected Works Bookstore 202 Galisteo St., 988-4226 Political journalist and commentator Press discusses his very conservative upbringing—and what caused him to grow into a progressive adult.

6:30 pm, free THE CHALLENGE OF PORNOGRAPHY Railyard Performance Center 1611 Paseo de Peralta, 982-8309 Subtitled "Eros and Relationship, and the Salvation of the Erotic Imagination," Zhenzan Dao discusses the relationship of pornography to the imagination of eros.

6 pm, $10

ENTER EVENTS AT SFREPORTER.COM/CAL

DANCE PARSONS DANCE Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Performance Santa Fe presents the New York City-based Parsons Dance, internationally renowned for creating and performing contemporary American dance (see SFR Picks, page 19).

7:30 pm, $29-$110

EVENTS AN EVENING WITH LISA MARIE BODY of Santa Fe 333 W Cordova Road, 986-0362 Fourth-generation psychic and medium Lisa Marie Toal reads the live audience, speaks to loved ones who are now in spirit, makes predictions and more.

7 pm, $35 BASKETBALL TOURNAMENT MEMORIAL FUNDRAISER Santa Fe Community College 6401 Richards Ave., 428-1000 The college hosts its second annual memorial fundraiser basketball tournament in honor of first basketball coach and longtime faculty member Gerald Clay. Go cheer on the teams in the William C Witter Fitness Education Center.

5 pm, $1 FIRST FRIDAY AND FAST ART DAY New Mexico Museum of Art 107 W Palace Ave., 476-5072 The museum is free every first Friday; tonight features bossa nova jazz from Rio. It’s also Fast Art Day; see how much you can learn about various types of art in a bunch of three-minute lectures from experts.

5 pm, free

MUSIC BOB FINNIE Vanessie 427 W Water St., 982-9966 Piano standards.

7 pm, free THE BUS TAPES Second Street Brewery (Original) 1814 Second St., 982-3030 Alt.rock.

6 pm, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 A musical respite from the outside world.

6 pm, free CONTROLLED BURN El Farol 808 Canyon Road, 983-9912 Rock and blues.

8:30 pm, $5 DANIELE SPADAVECCHIA Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Smooth crooning and gypsy jazz guitar.

7 pm, free

DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano standards and Broadway faves—and today Geist is joined by Jamie Russell and Casey Anderson.

6 pm, $2 THE JAKES Tiny’s Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Rock ‘n’ roll.

8:30 pm, free JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish and flamenco guitar.

7 pm, free JOHN KURZWEG Cowgirl 319 S Guadalupe St., 982-2565 If they offered doctorates in rock 'n' roll, this guy would be the teacher.

8:30 pm, free KARINA WILSON TRIO Tonic 103 E Water St., 982-1189 Improvisational jazz-ish music (see 3 Questions, page 27).

9:30 pm, free LITTLE LEROY AND HIS PACK OF LIES La Fiesta Lounge 100 E San Francisco St., 982-5511 Party-time rock 'n' roll.

8 pm, free NELSON DENMAN Chez Mamou French Bakery 217 E Palace Ave., 216-1845 Classical, folk and jazz.

6 pm, free NOCHE EXTREMA Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Latin, cumbia and salsa.

8:30 pm, free PETE WHITE AND KARINA WILSON Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Americana and bluegrass (see 3 Questions, page 27).

5:30-8 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar.

7 pm, free SANTA FE YOUTH SYMPHONY First Presbyterian Church 208 Grant Ave., 982-8544 Student musicians play chamber music to send you into your weekend in style.

5:30 pm, free SEAN HEALEN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Rock 'n' folk 'n' roll.

8 pm, free STEVE HILL Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Singer-songwriter tunes on the deck.

5 pm, free CONTINUED ON PAGE 26

Rare Wares

O

New show of unusual clay items at Adobe Gallery is equal parts quirky and elegant

BY IRIS McLISTER |

a u t h o r @ s f r e p o r t e r. c o m

COURTESY ADOBE GALLERY

n a recent trip to Minnesota, I wandered the grand halls of the Minneapolis Institute of Art where I saw pre-Columbian gold, 17th-century Japanese scrolls, drawings by contemporary artist Kara Walker and a mid-century painting by Gene Davis. Just as mesmerizing as anything else on view was a little piece of pottery by Hopi potter Nampeyo. Encased in glass, the mounted, shallow dish was earth-colored and tenderly painted, typifying her dynamic, unpretentious style. The dish, from the late 1890s, features a Hopi figure wearing a headdress ridged in spikes of varying sizes. A scarf draped over his left shoulder contains geometric elements, but is almost playfully freeform and irregular.

Nampeyo is just one of a handful of worldclass Southwestern potters included in Unique and Unusual Pueblo Pottery, an exhibit at Alexander Anthony’s 40-yearold Adobe Gallery. It has been on Canyon Road, adjacent to the Café Des Artistes, since 2001.

The show’s aim is to share styles, shapes and motifs not often seen on the market— or anywhere, for that matter—with items dating from the 1880s to the 1950s. “We tried to pick out pottery that was obviously different from what was normally made,” Anthony tells SFR. “These items were made either in jest of the white man or aimed at tourists; either way, they’re generally not of the size or shape that you usually see.” Anthony points out a blackand-white striped Koshare clown figure, who’s sitting down, maybe resting. In front of him is a notched ridge, for a cigarette.

“This,” says Anthony, “would never have been used ceremonially.”

The Pueblo of San Ildefonso, just north of Santa Fe, is beloved for its striking black-on-black pottery, perhaps most famously exemplified by early 20th-century master potter Maria Martinez. Anthony has a special fondness for Martinez. When he left small-town North Carolina in 1956 and moved West, he immediately fell in love with New Mexico. “I was wandering

Nobody knows who made this seated Koshare clown from Hopi Pueblo.

downtown in Albuquerque I walked into Wright’s Trading Post and saw a black bowl,” he remembers in his lilting Southern drawl. “I thought it was the prettiest thing I had ever seen.” The price tag, however—$100—was steep, so the shop’s owner offered to let him make payments of $10, spread out over several months. It was a Maria Martinez pot, and after that first purchase, Anthony was hooked on Pueblo art.

This show includes what Anthony calls “an extremely rare and unusual plate,”

which Maria made, but that her husband Julian painted. The beautifully decorated saucer features a pair of deer dancers, and would have been made with tourists in mind. “Most of those kinds of items would have been sold on Route 66,” Anthony explains. “The highway permitted artists to set up little card tables, so people driving past could stop and buy directly from them.”

Another clay vessel from San Ildefonso, unsigned but dated to the last decade of the 1800s, has traditional elements,

Hung Like a Seahorse • by Quinn Alexander Fontaine at Adobe Rose Theatre:  Parkway Drive Thurs. April  and Fri. April , : p.m.

Sat. April ,  p.m. and : p.m.

Daphne’s Dive • by Quiara Alegria Hudes at Teatro Paraguas:  Calle Marie

April – • Thurs. Fri. Sat. : p.m. • Sun.  p.m.

For full details and to buy tickets, please see

A&C

www.TheatreSantaFe.org ★ youth performers

★ Black and White • An evening of One-Act Plays  one-act plays over two evenings at NMSA  East Alameda Street

such as a crimped, pie crust-style rim and dual handles. Its decoration, though, is remarkably strange. Two men in Western clothing adorn the belly of the pot. Their expressions are dour, with mustached frowns and down-turned brows. One of them carries a rifle that’s disproportionately, comically small, which he will presumably use to slay the deer on the back side of the pot. Another man in similar dress sits dejectedly near a little basket.

With their black hats and cranky faces, it’s humorous—and, as Anthony remarks, “the artist is making fun of non-Natives.”

Olla jars or pots were used as grain or water storage for hundreds of years, and sometimes feature embellishments like bear claws or the undulating body of an avanyu, a mystical water serpent. What we much less typically see is a style on view at Adobe Gallery, a hunter’s fetish jar made between 1890 and 1920. According to Anthony, this was a period at Zuni where potters were working with white on red, before largely moving on to different color combinations. Anthony is inclined to think the jar was made strictly for commercial use. “If it is a hunter’s fetish jar, it’s surprising it ever left the Pueblo,” he says, referencing the object’s importance in Pueblo ceremony and culture.

Back to Nampeyo for a moment.

Though she was prolific, it’s still a very special privilege to see her works in person, and a small jar on view at Unique and Unusual Pueblo Pottery is especially beguiling. It depicts a face in partial 3-D with a protruding nose, dark eyes and a delicately painted squash blossom necklace. Covering a range of styles from the beautiful to the tongue-in-cheek, the exhibition behaves as a kind of fascinating history lesson, one that’s as “unique and unusual” as the show’s pottery itself.

UNIQUE AND UNUSUAL PUEBLO POTTERY 5 pm Friday April 6. Free. Adobe Gallery, 221 Canyon Road, 955-0550

Talking With . . . • by Jane Martin Santa Fe Playhouse:  East De Vargas Street

April –: Thurs. Fri. Sat. : p.m. • Sun.  p.m.

Staged Readings • of two Paddy Chayefsky plays Studio Space:  Paseo De Peralta Sat. April , : p.m. • Sun. April ,  p.m.

Songs of Gordon Lightfoot • Robert Marcum at Teatro Paraguas:  Calle Marie

Sunday, April ,  p.m.

Black: April  & ,  p.m. • White: April  & ,  p.m.

SFREPORTER.COM

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APRIL 4-10, 2018

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Get savager at: SFReporter.com/savage and—hey, wait a minute. You aren’t disappointed she’s enjoying anal more than you thought she would, are you?

Donald Trump has been impeached, and you get to decide the punishment. So what sex toy gets used on him and who gets to use it?

I visited Royal Oak, Michigan, for Savage Love Live at the Royal Oak Music Theatre. I didn’t get to all of the questions submitted by the large and tipsy crowd—a crowd that skipped the Stormy Daniels interview on 60 Minutes to spend the evening with me (so honored, you guys!)—so I’m going to race through as many of the unanswered questions as I can in this week’s column. Here we go…

Is there a way of breaking my cycle of being totally sexual and into someone for the first six months and then shutting down to the point that I don’t want to be sexual with them at all? What’s wrong with me?

Breaking a long-established pattern may require the aid of a therapist who can help you unpack your damage—if, indeed, this is about damage. Because it’s possible this could be the way your libido works; you could be wired for a lifetime of loving, shortterm relationships. While our culture reserves its praise for successful long-term relationships (think of those anniversary gifts that increase in value with each passing year), a short-term relationship can be a success. Everyone get out alive? No one traumatized?

Were you able to pivot to friendship? Then you can regard that relationship as a success—or all those relationships as successes.

How common a kink is it to enjoy seeing your significant other having sex with someone else?

Common enough to have numerous different ways of manifesting itself—swinging, hotwifing, cuckolding, stag-and-vixen play—and an entire porn genre dedicated to it.

Cis, female, 33, poly, bi. I bruise easily, am into BDSM, and love to swim in my condo’s shared pool, where there are many seniors. Any advice for hiding bruises or getting over the embarrassment?

Don’t assume the senior citizens in the pool are as naive and/or easily shocked as our ageist assumptions would prompt us to believe. Someone who became a senior citizen today—who just turned 65 years old—was 35 in 1988. I happen to know for a fact that people were doing BDSM way, way back in 1988.

My husband is a sweet guy who is very good to me.

But he is also a gun-toting right-wing conservative, and these days that feels like an insurmountable difference. We have been together for seven years and married for two. No kids yet. I love him—and the thought of leaving him is terrifying—but I honestly don’t know if this is going to work.

If you’re afraid to leave him because of those guns, you need to get out. If you’re afraid to leave him because you love him and couldn’t live without him, you might be able to stay. I wouldn’t be able to stay, personally, but you might. Maybe if you make “no political discussions about anything, ever” a condition of remaining in the marriage.

When you are entering into something new, how do you differentiate between infatuation and real feelings?

Infatuation is a real feeling. Only time will tell if other real but more lasting feelings—like, like like, love, lasting love—will surface when those feelings of infatuation inevitably fade.

I can easily have an orgasm with toys but I can’t have one with my boyfriend. What gives?

Your boyfriend could give you orgasms if you handed him one of those toys, showed him how you use it on yourself, and then guided his hands the first few times he used it on you.

Why does my girlfriend enjoy anal sex more than I thought she would?

Because she does. Because anal is hot. Because the clit is a great big organ and most of it’s inside the body and anal penetration may stimulate the backside of your girlfriend’s great big clitoris in a way that’s new and different and highly pleasurable

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Trump doesn’t deserve a sex toy. Sex toys are for good boys and girls. All Trump deserves is a lump of the coal he loves so much shoved far enough up his ass to serve as a gag.

Is there EVER a healthy way to partake in sensual parties while in a monogamous marriage?

Yup. The Dirty Sanchez—actually a thing?

Nope.

I’m married and finishing my PhD while working fulltime. As a result, I don’t get to spend as much time as I would like with my wonderful husband. I know you’re a workaholic as well. How do you manage to make your husband feel he is getting the attention/ time he deserves?

When I’m totally stressed out and working on several projects, and I don’t have the bandwidth to give my husband the attention/time he deserves, I take a moment now and then to reassure him that things will settle down soon and we’ll have more time together. I’ve found he’s most receptive to this message when it’s delivered immediately after I’ve taken a few minutes to blow him.

Do you recommend specific prostate massage toys?

Besides dick.

Forearm.

How do you approach people about a three-way without ruining friendships?

I think close sexy friends and the-sex-was-greatbut-everything-else-sucked exes make the best “very special guest stars.” But if you’re worried about ruining friendships, well, don’t hit on friends. Hit on strangers. (And remember: A stranger is just a friend you haven’t had a three-way with yet. Or something.)

Do you think it’s unwise to give and/or receive gay oral sex without a condom?

When we speak of gay oral without a condom— which is almost all of the gay oral out there—we speak of ones that sucked not wisely but too well.

Are anxiety-induced orgasms a thing? They must be, because I have them.

I’m glad there’s at least one person out there who’s managing to enjoy the Trump era.

I’m a 21-year-old, queer, poly, cis girl who recently got into this whole thing with a coworker at my shitty fast-food job. Long story short, we were having a rad time fucking around in the freezer… until he bashed International Women’s Day on Facebook. I stopped getting him off by the frozen meat without an explanation, and I quit my job to go bind books instead. Is it too late to reach out and tell this dude that I dumped him because of his misogynistic online life? And how bitchy can I be?

The world would be a better place if (1) women refused to sleep with right-wing assholes (to say nothing of marrying them) and (2) women told rightwing assholes that right-wing assholery is the ultimate cock-block and they have only themselves to blame for it. So it’s not too late, and you should be as bitchy as you can be.

Thanks to everyone who came to Savage Love Live in Royal Oak—and to everyone who attended my shows at the Pantages Theatre in Minneapolis and the Barrymore Theatre in Madison over the same weekend.

Savage Love Live comes to the Oriental Theater in Denver on May 10, find tickets at savagelovecast. com/events.

On the Lovecast, how to pack your dildo… politely: savagelovecast.com

S F R E P O RT E R .CO M

mail@savagelove.net @fakedansavage on Twitter ITMFA.org

THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 A swinging jazz trio.

7:30 pm, free VINCENT COPIA Osteria D'Assisi 58 S Federal Place, 986-5858 Original and traditional Americana.

6 pm, free YACHT ROCK HUSTLE Palace Saloon 142 W Palace Ave., 428-0690 Solid rock 'n' roll not without a sense of humor.

10 pm, $5

THEATER BLACK & WHITE New Mexico School for the Arts 275 E Alameda St., 310-4194 NMSA’s impossibly talented students have written, directed and acted in these entirely original one-act plays.

7 pm, $5-$10 DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 Six corner bar regulars, over 20 years, turn their collective memories into a vivacious mythology.

7:30 pm, $12-$20 QUINN FONTAINE: HUNG LIKE A SEAHORSE Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Fontaine presents the "show and tell" version of his memoir, subtitled A RealLife Transgender Adventure of Tragedy, Comedy, and Recovery, if that gives you an idea of the ride you're in for.

7:30 pm, $15-$25 TALKING WITH...

Santa Fe Playhouse 142 E De Vargas St., 988-4262 A play composed of 11 monologues, each from a different female character (see SFR Picks, page 19).

7:30 pm, $20-$25

WORKSHOP FUN FACE PRINT WORKSHOP Museum of Encaustic Art 632 Agua Fría St., 989-3283 An evening of kids' art for grown-ups. The cost includes all materials and wine and cheese too.

5:30 pm, $75 GARDEN SPROUTS PRE-K ACTIVITIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Each Friday (weather permitting), head to the garden's outdoor classroom for a hands-on program for 3-5 year olds and their caregiver.

10-11 am, $5 HOW TO GRAFT A FRUIT TREE Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 An in-depth look at the functions of fruit trees. Each participant receives a sapling with a graft of a different type of apple than the parent.

1-3 pm, $40

MENTAL HEALTH FIRST AID Santa Fe Community College 6401 Richards Ave., 428-1000 Learn an action plan to help an individual in a mental health crisis. To register, call 428-1907.

8 am-5 pm, free NIZHÓNÍGO ANÍLÉÉH (MAKE IT BEAUTIFUL) IAIA Museum of Contemporary Native Arts 108 Cathedral Place, 983-8900 Floral designer Shawna Shandiin Sunrise hosts a workshop on creating Santa Fe-inspired flower arrangements. Space is super-limited, so get your spot ASAP! 1-3 pm, $20

SAT/7 ART OPENINGS MICHAEL GODEY: SOUNDS, SIGNS, SIGHTS & NON-LINEAR TIME Eye on the Mountain Art Gallery 614 Agua Fria St., 928-308-0319 New art works by Godey explore time, both linear and non-linear.

5 pm, free SHAYLA ANTHONY: TRANQUIL LANDSCRAPES Studio 104 1708 Lena St. Anthony, a 17-year-old Monte Del Sol Charter School student, presents her new artworks.

Noon-5:30 pm, free TOURI STRICK AND NANCY NICHOLS City of Mud 1114A Hickox St., 954-1705 Strick is a Teheran-born printmaker, sculptor and designer whose work draws from a calligraphic aesthetic. Nichols creates sophisticated wall pieces that integrate fabric, paint, plaster, metal and found objects.

3-5 pm, free

BOOKS/LECTURES DANIEL LADINSKY The Ark 133 Romero St., 988-3709 In his translation work with the Persian poet Hafiz, Ladinsky aims to get to the essence of the work of the master Sufi poet.

6 pm, free TJ WALKER op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 The science fiction author discusses alien abductions and holds a book signing.

2 pm, free UNESCO WORLD HERITAGE SITES: WHAT ARE THEY? Travel Bug Coffee Shop 839 Paseo de Peralta, 992-0418 In a slide show by Dillon Wild, take a tour through 10 countries, a few dozen sites, and a brief overview of the cultural history that binds them all together.

5 pm, free

WEAVING THE TERRAIN: 100-WORD SOUTHWESTERN POEMS Teatro Paraguas 3205 Calle Marie, 424-1601 Check out the third collection in a unique series from Dos Gatos Press of Albuquerque. Each poem is exactly one hundred words.

A number of featured poets read at this book launch.

5 pm, free ZINE READING: MIRROR BOX form & concept 435 S Guadalupe St., 982-8111 Strangers Collective‘s Mirror Box exhibition at form & concept features zines by emerging artists and writers; here, a number of the zine creators read from and discuss their work.

3 pm, free

DANCE BAILE DE CASCARONES Santa Fe Community Convention Center 201 W Marcy St., 955-6590 For 40 years running, celebrate the preservation of traditional music and folk dances from Spain, where during the festivities men crumble confetti eggs over the heads of potential dance partners.

Cascarones are available for purchase, so get your crumblin' fingers ready.

7 pm, $2-$15 WORLD MUSIC DANCE PARTY Railyard Performance Center 1611 Paseo de Peralta, 982-8309 Three hours of eclectic modern recorded music from all over the world, from mid-tempo to high-energy, for your dancing pleasure.

Hosted by Embodydance Santa Fe. 7 pm, $10

EVENTS BASKETBALL TOURNAMENT MEMORIAL FUNDRAISER Santa Fe Community College 6401 Richards Ave., 428-1000 Cheer on the teams in the William C Witter Fitness Education Center—it's the best use of a dolla dolla bill you'll get today.

9 am, $1 BIRD WALK Randall Davey Audubon Center 1800 Upper Canyon Road, 983-4609 A guided birding hike with experienced bird nerds.

8:30-10 am, free COMMITMENT TO LOVE AWARDS Boxcar 530 S Guadalupe St., 988-7222 Boxcar honors the work of Esperanza Shelter for its work for survivors of domestic violence, as well as Albuquerque Mayor Tim Keller, for his leadership in ending the backlog of rape kits in New Mexico. Plus a silent auction and Latin salsa music from Nosotros.

7 pm, $20

THE CALENDAR

ENTER EVENTS AT SFREPORTER.COM/CAL

SANTA FE ARTISTS MARKET Santa Fe Railyard Market Street at Alcaldesa Street, 310-8766 Find original arts and crafts from a juried group of local artists. It's just north of the Water Tower.

8 am-2 pm, free

with Karina Wilson

FOOD DIGEST THIS!: 3-D PRINTED PANCAKES AND LIVING BEINGS, ENTROPY, AND THE SECOND LAW OF THERMODYNAMICS SITE Santa Fe 1606 Paseo de Peralta, 989-1199 Enjoy 3-D printed pancakes and get the scoop on printed foods. Artemy Kolchinsky, postdoctoral fellow at the Santa Fe Institute, lectures (see SFR Picks, page 19).

10:30 am, $5-$10 PINTS FOR PARKINSON’S Second Street Brewery 2920 Rufina St., 954-1068 1607 Paseo de Peralta, 989-3278 1814 Second St., 982-3030 Second Street Brewery donates 15 percent of all beer sales at all three of their locations today to Pints for Parkinson’s New Mexico, so drink up for a good cause.

(We put all three addresses up there for ya.)

11 am-11 pm, free

MUSIC THE ALPHA CATS Tonic 103 E Water St., 982-1189 Jazz, blues, bossa and ballads.

9:30 pm, free THE BARBWIRES Second Street Brewery (Original) 1814 Second St., 982-3030 Soulful blues. Also, did you see that Second Street is donating proceeds to Pints for Parkinson’s today? (We said it, like, literally three inches up from here.) All the more reason to head over there for a beer and some wings!

6 pm, free BOB FINNIE Vanessie 427 W Water St., 982-9966 Piano standards.

7 pm, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 Modeled after 19th-century Parisian cabarets, a musical respite from the outside world.

6 pm, free DANA SMITH Upper Crust Pizza (Eldorado) 5 Colina Drive, 471-1111 Original country-tinged folk songs and a pizza you don’t even have to drive into town to pick up.

5:30 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano standards and Broadway faves.

6 pm, $2

Bowl Fo F Forr Kids’ Sake 2018 COURTESY KATRINA WILSON

Chances are, if you’re even slightly into the local music scene, you know Karina Wilson. The stalwart violinist/ fiddler has backed up more musicians than we could even begin to list here, and now she’s striking out on her own with an improvisational jazz-esque trio at Tonic this Friday (9:30 pm. Free. 103 E Water St., 982-1189).

As longtime fans of Wilson, we had to get the lowdown.

(Alex De Vore) So, this is your own thing, right?

Yeah, I guess so. It’s an improvisational trio. Nothing is prepared beforehand. The first time was with Cyrus Campbell and Mikey Chavez, this time with Casey Anderson and Trevor Bahnson. Trevor is back in town and we wanted to play a gig; I’d been offered this date and didn’t have anything lined up for it. I love playing with Trevor and Casey, and it’s something out of the ordinary to play with Trevor when he’s not playing his own stuff. I’ve gotten together twice with these guys; we haven’t played together as a trio, but you need a little bit of background to be able to know what they do.

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Can you give us an idea of what it’ll sound like?

Casey comes from a really impressive jazz background, I come from a pretty deep folk background and Trevor … I don’t really know what Trevor’s background is. But it’ll have these jazz flavors in it, fiddle stuff and jazz riffs, Casey is doing experimental percussion on his bass. It falls in the realm of jazz, but that seems like a really loose term.

Does this mean we’ll see more of you, and does playing not as backup bring other challenges?

I think so. I’ve got a little trio going, I’ve got some other projects in the works. I’ve got a fiddler coming up from Texas this summer named KeyReel Raskolenko and we’ll be doing duets. I have a bandstand show this year. It’s way more responsibility. I have to take responsibility for my own choices now, figure out what I want to represent. There’s a whole other set of complications when you’re trying to be a bandleader, too; like trying to get people to play as in-depth as you want them to without telling them what to do. In my opinion, why would you hire somebody if you don’t want them to play how they already play?

Digital Arts Media and Film Premiere Pro: Intermediate After Effects: Beginning

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Business, Marketing and Social Media FRANKIE COSMOS Meow Wolf 1352 Rufina Circle, 395-6369 Alt.rock songs about dependency growth, and love, complete with dissonant lyrics, jangly grooves and a distinctly DIY-based ethos. Based in NYC, she makes the kinda music you listen to when you wanna feel the feels. With support from uber-pensive musician Lomelda.

7 pm, $15-$18

THE JAKES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Southern rock ‘n’ roll.

7 pm, free KODAMA TRIO Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Jazz. And proceeds to a good cause. No better reason to drink.

6 pm, free

or

Marketing with Social Media I Marketing with Social Media II

Apr 17 Apr 19

$295 $295

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FREE information session

DIGITIZING YOUR HAND DRAWINGS Wednesday, April 18 | 6:00PM-8:00PM RSVP to digitalarts@unm.edu or call 505-277-6037.

See you at 1634 University Blvd. NE. 5 0 5 . 2 7 7. 0 0 7 7 ce.unm.edu/Creative

CONTINUED ON NEXT PAGE

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APRIL 4-10, 2018

27

THE CALENDAR

OPENING featuring the work of

D av i d M i s c o n i s h Thursday, April 5

5:30 - 7pm

J ean C octeau A rt G allery 4 1 8 M o n t e z u m a Av e , S a n t a Fe , N M 8 7 5 0 1

(505) 466-5528

GALLERY

Over 35 interactive indoor and outdoor exhibits, including , our . portable planetarium

COME PLAY WITH US! 1050 Old Pecos Trail

www.santafechildrensmuseum.org

505.989.8359

Partially funded by the County of Santa Fe Lodgers’ Tax

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APRIL 4-10, 2018

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LITTLE LEROY AND HIS PACK OF LIES La Fiesta Lounge 100 E San Francisco St., 982-5511 Party-time rock 'n' roll.

8 pm, free LORI OTTINO AND ERIK SAWYER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Head to the deck for folk, Americana and bluegrass from one of our fave duos.

We suggested they call themselves LERIK or LORERIK ... but they didn't really listen.

3 pm, free MARC SANDERS Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free NELSON DENMAN Chez Mamou French Bakery 217 E Palace Ave., 216-1845 Classical, folk and jazz.

6 pm, free NEXT 2 THE TRACKS Palace Saloon 142 W Palace Ave., 428-0690 Renegade outlaw country.

10 pm, $5 PAT MALONE Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Solo jazz guitar.

7 pm, free RIVALRY Zephyr Community Art Studio 1520 Center Drive, Ste. 2 Hardcore rockers out of Roswell are joined by Neckwringer (Hobbs), Heart Museum (Shiprock) and Smith W Fang (Albuquerque).

7:30 pm, $6 RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar.

7 pm, free SHOWCASE KARAOKE Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Sing it good, y’all.

8:30 pm, free SMOOTH Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Santana tribute band.

8:30 pm, free ST. RANGE Cowgirl 319 S Guadalupe St., 982-2565 Rock 'n' roll, outlaw-style.

8:30 pm, free STANLIE KEE AND STEP IN Cowgirl 319 S Guadalupe St., 982-2565 Blues 'n' rock.

1 pm, free STEPHANIE SCHNEIDERMAN Kitchen Sink Recording Studio 528 Jose St., 699-4323 This Pacific Northwest singer releases a stripped-down acoustic album on piano and guitar. To give you an idea of her sound: She kicked off her career at Lilith Fair (remember Lilith Fair?!).

7:30 pm, $15-$20

ENTER EVENTS AT SFREPORTER.COM/CAL

THIRD BIRTHDAY PARTY Ghost 2899 Trades West Road Ghost is turning three, so catch some weirdo music (we mean that in a good way) from The Bed Band, Nathan Smerage and APPS. 7 pm, free VAIVÉN El Mesón 213 Washington Ave., 983-6756 Jazz and flamenco.

7:30 pm, free

OPERA MET LIVE IN HD: COSÌ FAN TUTTE Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Mozart's comedy about the sexes set in a whimsical 1950s Coney Island-esque environment. BONUS: Burlesque dancer and College of Santa Fe alumna Zoe Zeigfield plays a snake charmer, so keep your eye out!

11 am and 6 pm, $22 OPERA BREAKFAST SERIES: MOZART'S COSÍ FAN TUTTE Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Before you head to the Lensic for today's Met Live in HD broadcasts, get all the background info from lecturer Tom Franks.

9:30 am, $5

THEATER BLACK & WHITE New Mexico School for the Arts 275 E Alameda St., 310-4194 NMSA students have written, directed and acted in these entirely original one-act plays.

These kids always blow us away, so check this one out.

7 pm, $5-$10 DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 Six regulars gather at their neighborhood bar and, as happens in these situations, we soon learn much more than we bargained for. This is the opening weekend gala performance.

7:30 pm, $25 PADDY CHAYEFSKY: MARTY AND THE MOTHER Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 A reading of two short plays

by Chayefsky that tell the stories of a hard-working Bronx butcher pining for the company of a woman, and the struggles faced by worried children and aging parents while addressing issues of race and class.

7:30 pm, $15 QUINN FONTAINE: HUNG LIKE A SEAHORSE Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Fontaine presents the "show and tell" version of his memoir, live and in person, directed by Susan Mele.

2 and 7:30 pm, $15-$25

TALKING WITH...

Santa Fe Playhouse 142 E De Vargas St., 988-4262 A play composed of 11 monologues, each from a different female character that explores the inner lives of women (see SFR Picks, page 19).

7:30 pm, $20-$25

WORKSHOP ALL ABOUT TREES FOR SANTA FE Stewart Udall Building 725 Camino Lejo, 983-6155 Horticulturist and landscape designer Tracy Neal discusses everything you need to know about making the longterm committment to a tree.

9 am-noon, $10-$25 COMPOST CLINIC Santa Fe County Fairgrounds 3229 Rodeo Road Learn how to compost your yard and food waste. Bring hats, gloves, study shoes, water and a pitchfork if you have one (because pitchforks do have a purpose besides threatening the bourgeoisie). Presented by the Santa Fe Compost Action Team (SCAT) of the Santa Fe Master Gardener Association.

1-3 pm, free INTERNATIONAL TABLETOP GAMING DAY Santa Fe Children's Museum 1050 Old Pecos Trail, 989-8359 Until 4 pm, it's a family program where you can enjoy play-to-win games and miniature painting; then, from 6-8 pm, it's adults-only where you can learn a new game (or play an old favorite—plus a game library, local game groups teaching games, door prizes, and more. There's a suggested donation of $10.

11 am-8 pm, free ROSE PRUNING CLINIC Cornell Rose Garden Galisteo Street and Cordova Road Learn the correct way to prune roses from Master Gardeners and rosarians at this hands-on event. Bring your handheld pruners, gloves and long sleeved clothing (these flowers are brutal, folks). Presented by the Santa Fe Master Gardener Association.

9 am-noon, free

SUN/8 ART OPENINGS MARIA SAMORA: A MASTER OF ELEGANCE Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 A new exhibition of the works of jeweler Samora, of Taos, known for her minimalist lines, interdisciplinary approach and modern designs. Since the first Sunday of the month was Easter, the free first Sunday for New Mexico residents is today. Through Feb. 2019.

10 am-5 pm, $6-$12

ENTER EVENTS AT SFREPORTER.COM/CAL

BOOKS/LECTURES AMANDA ALLEN: SANTA FE MOURNING op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 Local author Allen reads from her newest mystery novel, the story of a 1920's artist caught up in bootlegging and murder.

2 pm, free JOURNEYSANTAFE: SANDRA POSTEL Collected Works Bookstore 202 Galisteo St., 988-4226 Postel, co-creator of a national water stewardship initiative, presents a talk about water in the Española Basin.

11 am, free PUEBLO POTTERY AND THE PUEBLO POTTERY FUND St. Francis Auditorium 107 W Palace Ave., 476-5072 In a panel discussion led

by Bruce Bernstein, artists Russell Sanchez and Nora Naranjo Morse investigate the Pueblo Pottery Fund and how it impacted Native arts.

1 pm, $10 THE RISE AND FALL OF TIN PAN ALLEY St. Francis Auditorium 107 W Palace Ave., 476-5072 Chronicle the growth of the popular music industry in 19th and early 20th century America.

2 pm, free

EVENTS CRAFTING MEMORY: THE ART OF COMMUNITY PERU: PLACES OF MEMORY Museum of International Folk Art 706 Camino Lejo, 476-1200 Quechua artist activists Adelina Garcia, Wari Zarate and Rosalia Tineo present talks (1-2 pm) and host meetand-greets 2-4 pm), plus a pop-up shop. Free with museum admission, and admission is even free today for New Mexico residents with ID. 1-4 pm, $6-$12 DHARMA DISCUSSION GROUP Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A chance to meet and become better acquainted with fellow folks of a Buddhist persuasion.

7 pm, free DOKTOR KABOOM: IT'S JUST ROCKET SCIENCE Lensic Performing Arts Center 211 W San Francisco St., 988-1234 A funny, educational look at the science behind space travel. Come at 2 pm for free crafts, games and activities.

3 pm, $12-$15 LOVING MORE MONTHLY MEETING Bourbon Grill 104 Old Las Vegas Hwy., 984-8000 A polyamory meet-up titled "How to Find, Approach and Meet Like-Minded People.”

Everyone’s welcome (well, naturally).

5-8 pm, free

THE CALENDAR

MODERN BUDDHISM: THE ART OF HAPPY RELATIONSHIPS Zoetic 230 St. Francis Drive, 292-5293 By meditating on pure love, compassion, patience and giving, we can transform ourselves.

10:30 am-noon, $10

MUSIC AL ROGERS Vanessie 427 W Water St., 982-9966 Standards 'n' jazz on piano.

6:30 pm, free THE BARBWIRES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful blues on the deck.

3 pm, free BORIS AND FRIENDS Cowgirl 319 S Guadalupe St., 982-2565 Americana.

Noon, free MARIO REYNOLDS La Fiesta Lounge 100 E San Francisco St., 982-5511 Latin American tunes.

6 pm, free MICHAEL UMPHREY Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Worldly Latin tunes.

7 pm, free PAT MALONE DUO El Farol 808 Canyon Road, 983-9912 Jazz on Civilized Sunday.

7 pm, free ROBERT MARCUM: TRIBUTE TO GORDON LIGHTFOOT Teatro Paraguas 3205 Calle Marie, 424-1601 A faithful representation of the Canadian musician.

7 pm, $10-$12

THEATER DAPHNE’S DIVE Teatro Paraguas 3205 Calle Marie, 424-1601 Six barflies turn their memories into vivacious mythology.

4 pm, $12-$20 PADDY CHAYEFSKY: MARTY AND THE MOTHER Studio Center of Santa Fe 1614 Paseo de Peralta, 989-4423 A reading of two short plays

by Chayefsky that tell the stories of a hard-working Bronx butcher pining for a woman, and the struggles faced by worried children and aging parents while addressing issues of race and class.

2 pm, $15 TALKING WITH...

Santa Fe Playhouse 142 E De Vargas St., 988-4262 Eleven monologues, each from a different woman (see SFR Picks, page 19).

2 pm, $20-$25

MON/9 BOOKS/LECTURES CHACO, CAHOKIA AND OTHER SECONDARY CITYSTATES IN NATIVE NORTH AMERICA Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Stephen H Lekson, curator of archaeology at the Univeristy of Colorado's Museum of Natural History and author/ editor of many books about Chaco Canyon and the Mimbres region, speaks.

6 pm, $15

EVENTS NEW MEXICANS FOR MONEY OUT OF POLITICS GENERAL MEETING Higher Education Building 1950 Siringo Road, 428-1725 Share your thoughts about where NM MOP should be headed.

6 pm, free THE SANTA FE HARMONIZERS REHEARSAL Zia United Methodist Church 3368 Governor Miles Road, 699-6922 The local choral group invites anyone who can carry a tune to its weekly rehearsals.

6:30-8 pm, free

SANTA FE’S COMMUNITY

JAZZ station

MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana.

7:30 pm, free DAVID WOOD Vanessie 427 W Water St., 982-9966 Piano standards, Broadway tunes and classical faves.

6:30 pm, free LUNA The Bridge at Santa Fe Brewing 37 Fire Place, 557-6182 Beloved indie rockers have reunited (see Music, page 22).

8 pm, $27-$30 METAL MONDAY The Matador 116 W San Francisco St., 984-5050 DJ Lady Strange spins hard rock and heavy metal on vinyl.

9 pm, free

TUE/10 MUSIC HUNNY Meow Wolf 1352 Rufina Circle, 395-6369 A blend of pop and '80s-style post-punk (see SFR Picks, page 19).

7 pm, $13-$16 AL ROGERS Vanessie 427 W Water St., 982-9966 Standards 'n' jazz on piano.

6:30 pm, free

El Museo Winter Market

Saturday 8 - 3 pm Sunday 9 - 4 pm

Art, Antiques, Folk & Tribal Art, Books, Jewelry, Beads, Glass, Hides, Rugs and much much more!!

555 Camino de la Familia, Santa Fe, NM 87501 (In the Railyard )

Info call: Steve at 505-250-8969 or Lesley at 760-727-8511

CONTINUED ON NEXT PAGE

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APRIL 4-10, 2018

29

THE CALENDAR

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BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana from a master.

7:30 pm, free CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar.

7 pm, free DON CURRY Cowgirl 319 S Guadalupe St., 982-2565 Rock 'n' roll.

8 pm, free

MICHAEL UMPHREY Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards.

6 pm, free OPEN MIC Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Hosted by John Rives and Randy Mulkey.

7 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar.

6 pm, free

VINTAGE VINYL NIGHT The Matador 116 W San Francisco St., 984-5050 DJ Prairiedog and DJ Mamagoose spin garage, surf, country and rockabilly.

8:30 pm, free

Want to see your event listed here?

Email us! We love you! calendar@sfreporter.com

MUSEUMS GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Journey to Center: New Mexico Watercolors by Sam Scott. Through Nov. 1.

HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Work By Women. Erin Currier: La Frontera. Jolene Nenibah Yazzie: Sisters of War. All through May 13.

MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 IAIA 2018 BFA Exhibition: Breaking Ground. Through May 12. Art & Activism: Selections from The Harjo Family Collection. Through May 13. The Abundant North: Alaska Native Films of Influence. Through June 3. Action Abstraction Redefined. Through July 27.

Without Boundaries: Visual Conversations. Through July 29. Rolande Souliere: Form and Content. Through Jan. 27, 2019.

MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 Encaustic/Wax Art: From Ancient Beeswax to the Modern Crayon.

MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Frank Buffalo Hyde: I-Witness Culture. Through April 30.

Stepping Out: 10,000 Years of Walking the West. Through Sept. 3. Lifeways of the Southern Athabaskans.

Through Dec. 31. Maria Samora: Master of Elegance.

Through Feb. 2019.

MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200 Negotiate, Navigate, Innovate: Strategies Folk Artists Use in Today’s Global Marketplace. Through July 16. Crafting Memory: The Art of Community in Peru.

Through March 10, 2019.

Artistic Heritage: Syrian Folk Art. Through July 29.

No Idle Hands: The Myths

COURTESY MUSEUM OF ENCAUSTIC ART

CALLING ALL FOOD TRUCKS!

ENTER EVENTS AT SFREPORTER.COM/CAL

The Museum of Encaustic Art includes the work of Nora Levine, like this-here horse, as well as many other artists from around the world working in the medium of wax. & Meanings of Tramp Art. Through Sept. 16.

MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Time Travelers: and the Saints Go Marching On. Through April 20.

NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 The Land That Enchants Me So: Picturing Popular Songs of New Mexico. Through Feb. 24, 2019.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Contact: Local to Global.

Through April 29. Shifting Light: Photographic Perspectives. Through Oct. 8. Horizons: People & Place in New Mexican Art. Through Nov. 25.

PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100

Tesoros de Devoción.

POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we.

SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Namingha: Conception, Abstraction, Reduction.

Through May 18.

SITE SANTA FE 1606 Paseo De Peralta, 989-1199 Luke DuBois: A More Perfect Union. Through April 4.

Future Shock. Through May 1.

WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Beads: A Universe of Meaning.

Through April 15.

@THEFORKSFR

ALL HAIL LA REINA

BY MARY FRANCIS CHEESEMAN a u t h o r @ s f r e p o r t e r. c o m

A

n underground revolution of sorts has been taking place at the El Rey Inn, located in Midtown, right on Cerrillos Road. The hotel has been a local institution for over 80 years, but in 2016 it was sold to Behringer, a real estate company from Texas. Now it has changed hands again, with the current design and logistical changes spearheaded by husband and wife partners Jay and Alison Carroll.

Hailing from Joshua Tree, California, the couple has made the pilgrimage to Santa Fe many times over the years, and their appreciation for the city has majorly impacted their vision for the El Rey. “I’ve been coming to Santa Fe for almost two decades and it’s taken me a long time to navigate,” Jay Carroll says. “I want the hotel to be a gathering place for locals and travelers alike, to attract the best the region has to offer.”

While the Carrolls are committed to preserving the vintage vibe of the hotel, the most drastic change has been the complete makeover of what was once a breakfast room into a full bar. The space has been dubbed La Reina (the queen), meant to complement the royal implications of the El Rey. As a further complement, the staff is made up entirely of women. Bar manager Laurel Hunziker said that it happened organically, but she appreciates the chance to provide more opportunity to talented women in the restaurant industry. “After all, it is called La Reina,” Hunziker says with a grin. “We are excited to be creating a safe and sup-

FOOD

There’s a new queen in town set to dominate the Santa Fe bar scene

portive environment for female bartend- $7 to $8 by the glass ($25 to $39 a bottle). ers.” As a female patron, I’m excited to The selection features sly nods to burgeoning trends sweeping cocktail culture share in that space as well.

The room itself has undergone a com- outside the purview of Santa Fe. Highplete makeover from its breakfast days. lights include a La Cueille, a Bugey-CerWhat was once small, cramped and closed don pét-nat ($39/bottle), and a glass of is now airy, spacious and minimalist, with Yuri Masamune Honjozo Sake ($8).

The menu was developed by Alison softly neutral wood furniture and white walls painted with abstract murals by Los Carroll, and she aimed for it to be considerably less expensive than the Angeles-based artist John Zabawa.

“I have a fascination with the era of downtown bar scene. “The pricing is the countercultural art scene in New really democratic,” she maintains. “We Mexico,” Jay says. “The Abiquiú House, want the look and feel of a local bar Georgia O’Keeffe’s art, Alexander Gi- that just happens to be in a hotel.” The rard’s work on The Compound—we want- signature cocktails are clearly crafted to ed to emulate that in a fresh, unique way.” highlight the smoky earthiness of mezcal Zabawa has also scattered small, clev- and the alluring spectrum of flavors er embellishments painted almost randomly in hidden corners. On one wall, the silhouette of a cowboy smokes a cigarette. A large, black X and a small O creep lazily across a wall above a stark white bench. There are plans to hold artist receptions in the bar and showcase work from local craftspeople by supplying all the hotel decorations in the rooms and lobby from local sources. But it was hard for me to spot all the secret artwork when I attended the soft opening party last Saturday, as the bar was packed to the rafters with party-goers. It seems that La Reina has already settled into satisfying La Reina’s eponymous drink features mezcal, tequila, agua a niche. de jamaica and chile liqueur.

The selection is simple but comAudible gasp. plete, offering local beer, wine and a cocktail list focusing on a selection of tequila and mezcal. Beers start at $4, cocktails run $9 to $12, and wines are

present in tequila, with each selection featuring one or both as the main ingredient. My favorite was the La Reina ($12), which features Illegal brand mezcal and Casamigos reposado tequila mixed with agua de jamaica and Ancho Reyes chile liqueur. As an herbalist by trade, Hunziker says she appreciates the touch.

“Jamaica has a similar flavor profile to citrus; it’s less expected and more interesting,” she explains. “And it has medicinal benefits and implications, as well as the mezcal, which is traditionally and culturally seen as a holistic and sacred beverage—I think that should be emphasized in cocktail culture more.”

Further changes are afoot at the El Rey—all of them positive, some of them wildly offbeat and fun. In terms of food, the hotel’s restaurant is not yet up and running, though the Carrolls hope to offset this with food trucks on weekends. None have been confirmed yet. The hotel itself will also reportedly revert back to its original name, El Rey Court. Meanwhile, the pool is being remodeled, and by June, the Carrolls plan to revive the Pool Club that was once a featured program for locals to enjoy. This will involve access to music, drinks and pool privileges, naturally.

Regardless, as it stands, La Reina is set to be one of the most enjoyable additions to the various cocktail, art and food cultures of Santa Fe. LA REINA El Rey Court, 3370, 1862 Cerrillos Road, 982-1931 5-11 pm Thursday-Sunday

SFREPORTER.COM

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APRIL 4-10, 2018

31

SHOWTIMES APRIL 4 – 10, 2018

• HEARING & SIGHT ASSISTIVE DEVICES NOW AVAILABLE • Wednesday, April 4 12:15p Flower* 1:00p Death of Stalin 2:15p A Fantastic Woman* 3:15p Death of Stalin 4:30p Flower* 5:30p Death of Stalin 6:30p Flower* 7:45p Death of Stalin 8:30p Flower* Thursday, April 5 11:45p Flower* 12:30p Death of Stalin 1:45p A Fantastic Woman* 2:45p Death of Stalin 4:00p Flower* 5:15p Isle of Dogs - benefiting Santa Fe Animal Shelter 6:15p Death of Stalin* 7:30p Isle of Dogs - benefiting Santa Fe Animal Shelter 8:30p Death of Stalin* Friday - Tuesday, April 6-10 10:30a Isle of Dogs 10:45a Foxtrot* 12:45p Isle of Dogs 1:15p Foxtrot* 3:00p Isle of Dogs 3:45p Death of Stalin* 5:15p Isle of Dogs 6:00p Foxtrot* 7:30p Isle of Dogs 8:30p Foxtrot*

KUNM 89.9 FM kunm.org

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MOVIES

RATINGS

Isle of Dogs Review

BEST MOVIE EVER

The best good boys

10

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

9

Wes Anderson’s shtick can come across as cutesy or far too awash in pastel precociousness. However, his stop-motion features—such as 2009’s Fantastic Mr. Fox—don’t succumb to this problem, at least not in the same ways. Cue Isle of Dogs, Anderson’s newest animated effort and one of the most clever and entertaining films of the year.

In the not-too-distant future, the Japanese city of Megasaki is overrun with dog flu, an affliction that has made its way to the vast majority of canines, which results in the mayor decreeing every last one be sent to Trash Island, an offshore trash dumping ground otherwise lost to natural disasters. Most of the city’s denizens have been brainwashed by propaganda, save the idealistic students of a local high school’s newspaper and the mayor’s young nephew Atari (Koyu Rankin), who sets off in search of his own dog Spots who was marooned on the island some months ago.

There, formerly domesticated dogs, show dogs, stray dogs and mutts eke out a bleak existence, fighting over trash scraps and contaminated water, all while pining for their former lives and loves. Favorite meals are remembered, cushy living situations are recounted and the desperately formed packs observe primitive democracies, un-

8 7 6 5 4 3 2 1 WORST MOVIE EVER

10 + IMPRESSIVE

IN SCOPE AND EXECUTION - ANDERSON’S MOVIES TEND TO FEEL SAME-Y

able to choose a singular alpha.

Perhaps the greatest moment of Isle of Dogs comes with the realization that the dogs are far more human than those who’ve placed them on Trash Island. Stellar voice work from Ed Norton, Jeff Goldblum, Bill Murray and Bob Balaban truly sells the concept, but Bryan Cranston as Chief is untouchable. Cranston’s ability to sell proud-yet-broken with just his voice speaks volumes about his acting skills, though the design of the dogs is also brilliant, right down to the way their fur blows in the wind. Trash Island itself is smartly designed, conveying utter loneliness despite a population that consistently reveals itself across varying locales such as an abandoned amusement park, an overgrown golf course and the barren coast.

Only the dogs speak English and, other than a few scenes with interpreters, the Japanese dia-

logue is not subtitled. This is a genius move, as we can use context to derive meaning without being led by the hand and it preserves the dogs as the story’s true heroes.

We fall in love with Cranston’s Chief and root tirelessly for Atari, all while culturally impactful and tactfully represented moments highlight Japan’s art, food and daily life with subtlety and grace.

It might be too soon to say this is the best film of the year, but Isle of Dogs is a strong contender and should not be missed under any circumstances.

ISLE OF DOGS Directed by Anderson With Cranston, Norton, Murray, Goldblum and Balaban Center for Contemporary Arts, Violet Crown, PG-13, 111 min.

QUICKY REVIEWS

7

READY PLAYER ONE

9

THE DEATH OF STALIN

READY PLAYER ONE

7

+ LOOKS SOOOO COOL; EXCITING - WHY THEY GOTTA PIGEON-HOLE NERDS LIKE THAT?!

For nerds, it’s going to be hard to not feel personally attacked, capitalized upon or made fun of by the next-level pandering at play in Spielberg’s Ready Player One, adapted from the Ernest Cline novel of the same name. Somehow, though, among the literally countless Easter eggs and cutesy reminders of the nerd properties loved by children and (as the film beats us over the head with) supposedly stunted adults, lies one of the finest uses of CGI in modern film bogged down by a simplistic paint-by-numbers story about how love was the real treasure the whole time.

In futuristic Ohio—which is somehow the most advanced place on the planet— young Wade Watts (Tye Sheridan, X-Men Apocalypse) lives out his Charlie Bucket-esque existence by escaping into the OASIS, a bonkers virtual reality world created by a couple of nerds who are, respectively, dead and missing. One such nerd (the dead one) announced there was a secret game within the game upon his death, the winner of which would take over the OASIS and be so totally super-rich it’s nuts.

Thus, Wade—who goes by Parzival online—and

7

FLOWER

5

TOMB RAIDER

the other Gunters (a term that sounds filthy as fuck, but simply applies to Easter egg hunters and players of said secret game) spend their days searching for clues. Of course, over the years since the creator’s death, no one has found anything—until now, when everybody starts finding everything all the damn time,

5

A WRINKLE IN TIME

6

thrusting Wade into a shadow war with the IOI, a shady company that wants control of the OASIS for itself.

The rest plays out like a combination of Willy Wonka and a fashion nerd’s wet dream as licensing from dozens of gaming, film, music and toy properties pops up everywhere. At all

Ohmygod. We remember The Iron Giant—and all the other relentless pop culture references shoved down our throats in Ready Player One.

8

RED SPARROW

BLACK PANTHER

times. Relentlessly.

Sheridan is A-OK as the young Wade though, since we mostly spend time with his anime-like avatar, we never really get a feel for him. Same goes for the clan (a gaming term; Google it) he reluctantly joins, which includes flat performances from no-name kids and Master of None star/scribe Lena Waithe. No matter, though, since their dialogue is generally a bunch of pap about how hard their lives have been and/or references to nerd stuff. Wade’s love interest, Art3mis (Olivia Cooke, Bates Motel), is just fine as well, though we’ll hand it to her for being a mostly strong character with clear-cut motivations of her own … y’know, outside of Wade.

Yes, Ready Player One looks incredible, and yes, those of a certain age will feel that pang of nostalgia when they see characters from Gundam, Godzilla, Halo, Overwatch or The Iron Giant doing crazy crap to hit songs of the 1980s while toys like Madballs or things like Monty Python’s Holy Hand Grenade pop up.

But when certain nerds are diluted into clumsy-with-women, gaming-obsessed and antisocial weirdos who shit on their friends for having dared to miss out on any pop culture reference whatsoever, one can’t help but feel Cline, and by extension, Spielberg, have a fairly narrow, mainstream view of the culture.

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SFREPORTER.COM

• APRIL 4-10, 2018

33

MOVIES

FOR SHOWTIMES AND MORE REVIEWS, VISIT SFREPORTER.COM

Methinks Cline wanted to convey Wade (or himself) heroically, when he’s really just onedimensional at best.

Ah well, at least they gave one character a gun from Gears of War without making a big-ass deal out of it. And it’s pretty. The end. (ADV) Jean Cocteau Cinema, Regal, Violet Crown, PG-13, 140 min.

THE DEATH OF STAILIN

9

+ IANNUCCI IS A GENIUS - SOME BITS CAN LAG

Professional Counselors and Peer Supports are here to HEAR YOU 24 /7/365

The Death of Stalin is both hysterical and terrifying.

FLOWER

7

+ ZOEY DEUTCH; FUNNY/CREEPY - JOEY MORGAN IS MEH

Director/writer Max Winkler makes the leap from television programs like the strangely addictive Crazy Ex-Girlfriend with Flower, a semi-adorable indie flick that examines the sometimes unbelievable antics of a sexually liberated teen girl who uses the power of blowjobs to exploit money from creepy dudes who should sincerely know better.

Erica (Zoe Deutch, The Disaster Artist) and her friends use said blowjob plan to raise cash for her incarcerated father’s bail, but when her soon-to-be stepbrother Luke (Joey Morgan, Compadres) gets out of rehab where, we learn, he was placed for an addiction spawned by alleged sexual abuse, Erica’s misguided thirst for scamming skeezy creeps pushes the pair into a situation well beyond their control.

Deutch is a revelation, all at once channeling a preternatural ability for embodying a confident woman with a skewed idea of feminism and naive youngster who can’t admit she doesn’t have all the answers. Morgan, on the other hand, struggles to keep up, and their chemistry feels off. Perhaps we’re supposed to see a modern day Bonnie and Clyde, but we simply don’t. All the same, at the heart of each character lies a flawed desire to do good. Scott is also charming in his

er

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own way, and it’s kind of nice to see him shed his neurotic nice guy typecasting for that of undercover scumbag.

But do the ends justify the means? Rarely.

And Flower does falter in making us believe any of Erica and Luke’s actions are warranted.

Brashness may be the curse of the teenager, but Erica is presented as too-smart-for-her-owngood, a character trait that all but flies out the window thanks to to her impulsiveness. The last act wraps rather quickly, though we’ll hand it to Winkler and crew for eschewing the tidy happy ending for something a bit more realistic. Either way, Deutch is the draw here, and we expect great things from her in the future. (ADV) Center for Contemporary Arts Violet Crown, R, 90 min.

TOMB RAIDER

5

+ ACTUALLY CONSIDERS THE SOURCE - NOT A WHOLE LOT ACTUALLY HAPPENS

Surprise! Tomb Raider is exactly what you thought it would be—though, unlike the Angelina Jolie films of yesteryear, slightly better. And we mean slightly.

We follow a young Lara Croft (Alicia Vikander of Ex Machina), the heiress of a massive fortune who has turned her back on her trust fund in favor of underground bicycle races and working hard.

Whatevs. Her dad (Dominic West, who is crazy-handsome) has been missing for seven years

A WRINKLE IN TIME

5

+ DIVERSE CASTING; STORM REID - LACK OF NUANCE; POSSIBLY TOO MUCH GLITTER

Madeleine L’Engle’s 1962 children’s novel, A Wrinkle in Time, was rejected by more than 25 publishers before becoming an award-winning classic story about quantum physics, the danger of conformity and the power of love. Though geared at young readers, the story’s nuanced mesh of science, female heroism and, yes, Christian ideology nudged its appeal to adults as well.

The story’s protagonist, 13-year-old Meg

Snuggle a baby, Support a Mom Peer to P e

Veep creator Armando Iannucci has certainly proven his affinity for dark and savvy political humor, but whereas his HBO program does occasionally provide redemptive moments for its seemingly heartless characters, his new feature film, The Death of Stalin—which may just be one of the darkest comedies ever made—doesn’t even bother.

We join the top brass of Russia circa 1953, a time when comrade Stalin’s lust for power made him paranoid and kill lists were the nightly norm. Here, his top men work hard at assuaging the man, staying up too late watching cowboy movies and enlisting their wives as sounding boards for what drunken banter plays well with their fearful leader. But when Stalin takes ill and the likes of Kruschev (Steve Buscemi), Malenkov (Jeffrey Tambor) and Beria (Simon Russell Beale) enter a power vacuum, hilarity and all hell break loose, making for some of the most cringe-worthy and excellently funny writing we’ve ever seen.

Stalin ultimately proves a wild and capable farce, with powerful and self-absorbed yet pitiful and ridiculous men each attempting to grasp power before their colleagues. An early sequence that finds various Russian ministers forced to admit they’ve either imprisoned or killed their country’s best doctors, thereby making suitable aid for Stalin impossible, is particularly hysterical as each flounders to justify the absurd shape of things. Buscemi shines particularly in these moments, a bit of a toad whose story we all (of course) know, but a terrified boob grasping for self-preservation. Tambor wows as well, taking a more idiotic yet soft tack as Stalin’s deputy who maybe just wanted to fly under the radar but obviously can’t anymore.

And the madness grows and twists until we hate pretty much everyone even as we might understand how they created such dire straits for themselves. All the while, Iannucci’s keen sensibilities throttle the movie forward, rarely taking a beat and relentlessly bringing the laughs. Will you feel guilty for some of the things you find funny? Absolutely. But so enjoyably you won’t much care. Do not miss this movie. (ADV) Center for Contemporary Arts, R, 107 min.

in search of answers about the afterlife, or more specifically, an ancient Japanese queen who was sent to an uncharted island to die because she was evil and stuff. Seven years is just long enough for Lara to quit all the daydreamin’ and take over the family company and fortune.

Ruh-roh, though, because she begins uncovering clues to her father’s actual life, that of an amateur archaeology enthusiast who clearly didn’t love her as much as he claimed. Lara takes off looking for answers, is swept up in a whole bunch of tomb raiding and ledge-leaping and secret society nonsense and, all the while, learns a thing or two about what kind of Croft she really is.

Those who played either of the recent Tomb Raider reboot games from developer Crystal Dynamics will find a mishmash of their narrative elements wrapped up in a package that’s far more akin to a gaming experience than actual film.

That’s not a bad thing per se, but as far as genre movies like these go, a new identity could have been interesting. Director Roar Uthaug (whom you don’t know, we promise) even throws in subtle nods to gaming mechanics, such as how Lara climbs on shit, her love of the bow and arrow and ridiculous ancient puzzles that surely could never have been created by anyone without an advanced engineering degree.

Indiana Jones this ain’t, especially in its accelerated pacing, faceless villain Mathias (a reference to the villain from the 2013 video game, though far less dimensional despite actor Walton Goggins’ best attempts) and painful tries at comic relief, all of which fall flat. Even worse is having to watch master actors like Derek Jacobi (I, Claudius) sit on the sidelines with roles so meaningless they make Denholm Elliott in Last Crusade look like a commanding and vital performance.

Whatever. People still get shot, things still get blown up and Vikander still scrambles around coming into her own, right up to the last few moments with Nick Frost (Shaun of the Dead) for some reason—moments that scream “Maybe we’ll try better for a sequel, but you already paid, so …” (ADV) Regal, Violet Crown, PG-13, 118 min.

Ready to Volunteer?

MANY MOTHERS THERS 505.983.5984 ~ nancy@manymothers.org ~ www.manymothers.org ymothers.org

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MOVIES

YOUR HOMETOWN MOVIE THEATRE WEDNESDAY, APR. 4TH SUNDAY, APR. 8TH

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THURSDAY, APR. 5TH 1:20, 4:10, 7:00

READY PLAYER ONE

Newcomer Zoey Deutch (left) makes Flower worth watching.

1:50, 4:40, 7:30 Murry (Storm Reid, 12 Years a Slave), is an angry outcast suffering from the loss of her father (Chris Pine of Star Trek fame), a scientist who, along with his fellow scientist wife (Beauty and the Beast’s Gugu Mbatha-Raw), has learned to “wrinkle” time and travel the universe and has been captured by the pervasive evil that seeks to turn all beings away from the light. Meg, her prodigy little brother Charles Wallace (Deric McCabe) and new friend Calvin O’Keefe (Levi Miller, Pan) set out to rescue him.

Director Ava DuVernay’s adaptation falls unsurprisingly short in capturing the nuance of L’Engle’s novel, relying frequently on baffling amounts of glitter and eyeshadow to convey magic and angry trees to connote evil. The trio of magical beings, Mrs. Whatsit, Mrs. Who and Mrs. Which (Reese Witherspoon, Mindy Kaling and Oprah Winfrey, respectively) appear here with particular Disney theme-park camp, although Winfrey’s bone-deep ability to convey empathy makes for some of the film’s most touching moments.

That empathy is primarily directed to Meg, played by Reid with hints of the fierceness and nuance that emblematized the original book.

The young characters’ rescue mission takes them to Camazotz, a place where evil, fear and conformity have enslaved inhabitants. The film’s greatest adaptive decision was its diverse casting, which reinforces L’Engle’s original message about the importance of individual spirit and experience in the fight between good and evil. (Julia Goldberg) Violet Crown, Regal, PG, 109 minutes RED SPARROW

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+ NOT BORING, PER SE …

- … BUT NOT SO GREAT

ered moments later render said spy thing moot.

Not to worry, though, because lukewarm performances are everywhere, from Joel Edgerton (from the Netflix original movie Bright, which we still say should have been called Lieutenant Goblin) as the forgettable CIA agent, Matthias Schoenaerts (The Danish Girl) as the cruel uncle, Charlotte Rampling (Assassin’s Creed) as the heartless spy school headmistress, and Jeremy Irons as … well, he really only ever does Jeremy Irons. All the while, Lawrence’s silly stab at a Russian accent undermines what was an already painfully too-serious performance, and Mary-Louise Parker’s brief turn as an unscrupulous chief of staff for a US senator feels like one of the most low-stakes and overblown setups in the history of spy film.

Still, Red Sparrow does manage to not overstay its welcome (even with a running time in excess of two hours) so long as one understands that it should by no means be taken seriously or assumed to be anything other than an escapist means of killing a couple hours. If nothing else, scenes of Moscow, Budapest and Vienna remind us that Europe is pretty beautiful, Russia is pretty bleak and that we can fall back on John le Carré in a pinch. (ADV) Regal, Violet Crown, R, 139 min.

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JEAN COCTEAU CINEMA Setting aside how much we don’t buy Jennifer Lawrence (Mother!) as the Bolshoi’s prima ballerina, it becomes even more absurd when an accident onstage somehow forces her into the spy-packed world of international espionage in Red Sparrow.

Lawrence is Dominika, a young woman whose uncle is the minister of, like, shadowy operations or something for Russia. He tricks her into the spycraft game of them vs. America and the search for a mole they believe has infiltrated their government. But why would she just do this? So she can care for her mother, who ails from some nameless sickness, obviously. Apparently in Russia, if you can’t make the big bucks as a ballerina, you have to become a seductive spy. Chyort!

What follows is a series of confusing double-crosses, brutal torture scenes and wildly un-sexy sex rendezvous. Pointless characters pop up regularly and scenes wherein somebody does a sneaky spy thing only for it to be discov-

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SFR CLASSIFIEDS CALL: 505.988.5541

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JONESIN’ CROSSWORD

BE MY FUR-EVER FRIEND!

“The 4 Ps”—Stay happy, people!

by Matt Jones

CALL FELINES & FRIENDS

City of Santa Fe Permit #18-004

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26 “___ and away!”

27 Domed church area 1 Cereal aisle consideration 28 Movie snippet 6 Former Senate Majority 29 One-person performances Leader Trent 31 Goes sour 10 Carpet protection 32 Kate Middleton’s sister 13 Diagnostic machine 33 Pork cut 15 Hawkeye’s state 34 Auto manufacturer Ferrari 16 “Here ___ Again” (1987 35 10 1/2 wide, e.g.

Whitesnake hit) 39 Abbr. on a tow truck 17 Spicy appetizers 41 Tune that’s tough to get 20 Like chai, sometimes out of your head 21 M&Ms color replaced by blue DOWN 42 Like much of Keats’s poetry 22 Parlor furniture 45 Blood group known as the 1 Tonga neighbor 23 Charged subatomic particle 2 Desktop that turned 20 in 2018 universal donor 24 “Wild” author Cheryl 46 High shoes 3 Hay unit 25 Some barnyard noises 47 Kids’ rhyme starter 4 Watsonian exclamation 29 Gender pronoun option 48 “Weekend Update” cohost 5 Certain theater company, 30 Card game where you Michael match adjectives with nouns for short 49 Finnish architect Alvar 6 Pride member 36 Girl in “Calvin and Hobbes” who’s the first entry in many 37 “The Subject Was Roses” 7 Alley ___ (basketball play) encyclopedias 8 “Texas” dance move director Grosbard 50 Sippy ___ 9 ___ off (dwindle) 38 Ancient Aegean region 52 “Five hundred twenty-five 10 Devoutness 40 Slice choice thousand six hundred min11 Give a thumbs-up 43 T or F, e.g. utes” musical 12 Gave a shot, perhaps 44 Sleeper’s breathing prob53 Spot in the ocean 14 Mix again, as a salad lem, to a Brit 54 Sports page number 18 Photographer Goldin 45 “You Might Think” band 55 Scotch mixer 50 ___ Awards (event held in 19 School fundraising gp.

56 Birthstone that shares a 23 “Why do ___ trying?”

Nashville) first letter with its month 24 Olympic snowboarding 51 Outburst from a movie 58 Luau delicacy medalist White cowboy, perhaps 59 Cruise around Hollywood 25 ___ in “questionable” 52 Massage 53 “That ___ not fair!”

57 “Wacky Races” character who later got her own cartoon 60 Director Roth 61 1982 Disney movie with a 2010 sequel 62 Piña ___ (rum drink) 63 Sugar suffix 64 Bypass 65 Cobalt, for one

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PETCO: 1-4 pm Thursday, Friday, Saturday & Sunday TECA TU at DeVargas Center: 10 am-2 pm First Saturday of each month Please visit our cats at PETCO and TECA TU during regular store hours.

FOSTER HOMES URGENTLY NEEDED FOR ADULT CATS OF VARIOUS AGES

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abandoned when their family moved away, so we took them in and they are doing well in their foster homes and looking for homes of their own.

TEMPERAMENT: KAMIKO is a bit shyer than her sister KRYSHANA. However, once she starts getting petted she is in heaven. She also gets a little more relaxed when she’s being held & caressed.

She loves to wrestle with her sister & will start playing with her toys so long as no one is around. If she gets scared she’ll hide behind her sister whom she’s very bonded to.

KAMIKO is a beautiful girl with a short coat and brown tabby markings and large white areas. AGE: born approx. 10/27/15.

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FIV+, in excellent health and expected to live a normal lifespan.

While conventional thinking is to only place an FIV+ cat in a home with no other cats or with another FIV+ cat, “mixed households” are becoming more common.

TEMPERAMENT: MITZI is very social and playful and needs to have at least one other young cat to play will. She is fearless, so would probably be fine with a cat-friendly dog. AGE: born approx. 10/7/17.

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They are supervised by licensed counselors. We do not take insurance at this time. Please call 471-8575 for more information or to sign up for services. We also see couples and families.

UPAYA ZEN CENTER: MEDITATION, TALKS, BUDDHIST RETREATS Come for daily MEDITATION and Wednesday DHARMA TALKS 5:30-6:30PM: 4/4 talk by David Hinton on ìRediscovering Zen’s Roots in Ancient China.î Sunday 4/8, 3:00-4:00pm receive ZEN MEDITATION INSTRUCTION - Free, RSVP: meditation@upaya.org. April 17-22 SESSHIN: THE SONG OF THE JEWEL MIRROR SAMADHI - examine the interplay of IS FOOD A PROBLEM FOR YOU? absolute and relative truth at Do you eat when you’re not this intensive meditation retreat hungry? Do you go on eating led by Sensei Genzan Quennell. binges or fasts without medical www.upaya.org/programs. approval? Is your weight affecting Registrar@upaya.org, your life? Contact Overeaters 505-986-8518, Anonymous! We offer support, 1404 Cerro Gordo Road, no strings attached! No dues, Santa Fe, NM. no fees, no weigh-ins, no diets.

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The Johrei Center of Santa Fe is located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505.

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SFR CLASSIFIEDS 3 Ways to Book Your Ad!

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MIND BODY SPIRIT ACUPUNCTURE Rob Brezsny

Week of April 4th

ARIES (March 21-April 19): Eighty-three-year-old author Harlan Ellison has had a long and successful career. In the course of publishing hundreds of literary works in seven different genres, he has won numerous awards. But when he was in his thirties, there was an interruption in the upward arc of his career. The film production company Walt Disney Studios hired him as a writer. During his first day on the job, Roy Disney overheard Ellison joking with a co-worker about using Disney characters in an animated pornographic movie.

Ellison was fired on the spot. I am by no means predicting a comparable event in your life, Aries. On the contrary. By giving you this heads-up, I’m hoping you’ll be scrupulous and adroit in how you act in the early stages of a new project — so scrupulous and adroit that you will sail on to the next stages.

to offer. And yet your stress levels also seem to be increasing. Why is that? Do you assume that having more power requires you to endure higher tension? Do you unconsciously believe that being more worried is the price of being more responsible? If so, banish that nonsense. The truth is this: The best way to manage your growing clout is to relax into it. The best way to express your growing clout is to relax into it.

TAURUS (April 20-May 20): Are you an evolving Taurus or an unevolving Taurus? Are you an aspiring master of gradual, incremental progress or a complacent excuse-maker who secretly welcomes inertia?

Will the theme of your next social media post be “The Smart Art of Compromise” or “The Stingy Glory of Stubbornness”? I’m hoping you will opt for the former rather than the latter in each of the three choices I just offered. Your behavior in the coming weeks will be pivotal in your long-term ability to animate your highest self and avoid lapsing into your mediocre self.

SCORPIO (Oct. 23-Nov. 21): The immediate future will challenge you to revisit several fundamental Scorpio struggles. For best results, welcome these seeming intrusions as blessings and opportunities, and follow these guidelines: 1. Your control over external circumstances will increase in direct proportion to your control over your inner demons. 2. Your ability to do what you want will thrive to the degree that you stop focusing on what you don’t want. 3. Your skill at regulating and triumphing over chaos will be invincible if you’re not engrossed in blaming others.

SAGITTARIUS (Nov. 22-Dec. 21): I’m about to say things that sound extraordinary. And it’s possible that they are in fact a bit overblown. But even if that’s the case, I trust that there is a core of truth in them. So rejoice in their oracular radiance. First, if you have been hoping for a miracle cure, the next four weeks will be a time when you’re more likely than usual to find it or generate it.

GEMINI (May 21-June 20): If you fly in a passenger jet Second, if you have fantasized about getting help to address a seemingly irremediable problem, asking from New York to London, the trip usually takes more aggressively for that help now will lead to at least a parthan six hours. But on January 8, 2015, a powerful jet stream surging across the North Atlantic reduced that tial fix. Third, if you have wondered whether you could ever retrieve a lost or missing part of your soul, the odds time significantly. With the wind’s extra push, several flights completed the trip in five hours and 20 minutes. are more in your favor than they’ve been in a long time.

I suspect you’ll have comparable assistance in the CAPRICORN (Dec. 22-Jan. 19): The French government course of your upcoming journeys and projects, defines books as an “essential good,” along with water, Gemini. You’ll feel like the wind is at your back. bread, and electricity. Would you add anything to that list of life’s basics? Companionship? Stories? Deep sleep?

CANCER (June 21-July 22): Actor Keanu Reeves’ career ascended to a higher level when he appeared Pleasurable exercise and movement? Once you identify as a lead character in the film Speed. It was the first your “essential goods,” I invite you to raise the level of time he had been a headliner in a big-budget produc- reverence and care you give them. Take an oath to treat tion. But he turned down an offer to reprise his starthem as holy treasures. Boost your determination and ring role in the sequel, Speed 2. Instead he toured with ability to get all you need of their blessings. The coming his grunge band Dogstar and played the role of weeks will be a favorable time to enhance your appreciaHamlet in a production staged by a local theater com- tion of the fundamentals you sometimes take for granted. pany in Winnipeg, Manitoba. I admire him for being motivated more by love and passion than by fame and AQUARIUS (Jan. 20-Feb. 18): Buckingham Palace is the home and office of the Queen of England. It has fortune. In my estimation, Cancerian, you face a been the main royal residence since Queen Victoria choice that in some ways resembles Keanu’s, but in took the throne in 1837. But in earlier times, the site other ways doesn’t. You shouldn’t automatically assume that what your ego craves is opposed to what served other purposes. The 17th-century English lawyer Clement Walker described the building occupying your heart yearns for and your soul needs. that land as a brothel, a hotbed of “debauchery.” Before LEO (July 23-Aug. 22): A Leo sculptor I know is working that the space was a mulberry garden where silkworms on a forty- foot-long statue of a lion. Another Leo friend tuned mulberry leaves into raw material for silk fabrics. borrowed $30,000 to build a recording studio in her I see the potential for an almost equally dramatic garage so she can pursue her quixotic dream of a music transformation of a certain place in your life, Aquarius. career. Of my other Leo acquaintances, one is writing a Start dreaming and scheming about the possibilities. memoir of her time as a black-market orchid smuggler, another just did four sky dives in three days, and another PISCES (Feb. 19-March 20): Poet Carolyn Forché is a embarked on a long-postponed pilgrimage to Slovenia, role model for how to leave one’s comfort zone. In her land of her ancestors. What about you? Are there any early career, she earned writing degrees at placid univerbreathtaking challenges or smart gambles you’re consid- sities near her childhood home in the American ering? I trust you can surf the same astrological wave.

Midwest. Her first book mined material about her family; its first poem is addressed to her grandmother. But VIRGO (Aug. 23-Sept. 22): How sexy is it possible for then she relocated to El Salvador, where she served as a you to be? I’m referring to authentic soul-stirring sexihuman rights advocate during that country’s civil war. ness, not the contrived, glitzy, counterfeit version. I’m Later she lived and wrote in Lebanon at the height of its alluding to the irresistible magnetism that wells up in political strife. Her drive to expand her range of experiyou when you tap in to your core self and summon a reverent devotion to your life’s mission. However sexy it ence invigorated her poetry and widened her audience.

Would you consider drawing inspiration from Forché in is possible for you to be, Virgo, I suggest you unleash the coming weeks and months, Pisces? I don’t necessarthat magic in the coming weeks. It’s the most reliable ily recommend quite so dramatic a departure for you, strategy for attracting the spiritual experiences and material resources and psychological support you need. but even a mild version will be well rewarded.

LIBRA (Sept. 23-Oct. 22): According to my analysis of Homework: Buy or make yourself a present that the cosmic omens, your impact is rising. You’re gaining encourages you to be more generous. Report results influence. More people are tuning in to what you have at Freewillastrology.com.

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 8 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700.

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LEGALS LEGAL NOTICE TO CREDITORS/NAME CHANGE

FIRST JUDICIAL DISTRICT COURT COUNTY OF SANTA FE STATE OF NEW MEXICO No. D0101 CV 2018-00714 STATE OF NEW MEXICO In re the Change of Name of COUNTY OF SANTA FE DANIELRAY ROYBAL, JR., IN THE PROBATE COURT Petitioner No. 2017-0221 NOTICE OF HEARING FOR IN THE MATTER OF THE PETITION FOR CHANGE OF ESTATE OF Lucia M. Roybal, NAME DECEASED. NOTICE TO Notice is hereby given that CREDITORS DanielRay Roybal, Jr. will apply to the Honorable David K. NOTICE IS HEREBY GIVEN that the undersigned has been Thomson, District Judge of the First Judicial District, Santa appointed personal repreFe County Judicial Complex of sentative of this estate. All persons having claims against Los Alamos, New Mexico at 9:00 A.M. on the 23rd day of this estate are required to May, 2018 or as soon therepresent their claims within four (4) months after the date after as the matter may be heard for an Order to change of the first publication of this Petitioner’s name to DanielRay notice, or the claims will be Roybal-Cardenas. Hearing forever barred. Claims must be shall take place at the Santa Fe presented either to the under- County Judicial Complex. signed personal representative Jerome M. Ginsburg at his address stated below or Attorney for Petitioner filed with the Santa Fe County 121 Sandoval Probate Court.

Santa Fe, NM 87501 DATED: March 22, 2018 STATE OF NEW MEXICO John M Roybal, Pro Se IN THE PROBATE COURT Personal Representative COUNTY OF SANTA FE PO Box 729 No. 2017-0110 Espanola, NM 87532 IN THE MATTER OF THE ESTATE OF WALTER ROYBAL, FIRST JUDICIAL DISTRCIT DECEASED. NOTICE TO COUNTY OF SANTA FE CREDITORS STATE OF NEW MEXICO Case No. D-101-PB-2018-00037 NOTICE IS HEREBY GIVEN that RICHARD ROYBAL has IN THE MATTER OF THE been appointed personal repESTATE OF SAMUEL L. resentative of this estate. All THOMPSON (a/k/a Sam persons having claims against Thompson), DECEASED. this estate are required to NOTICE TO CREDITORS present their claims within NOTICE IS HEREBY GIVEN that William E. Mosher, whose four months after the date of the first publication of this address is c/o Sawtell, Wirth & Biedscheid, P.C., 708 Paseo Notice, or the claims will be forever barred. Claims must be de Peralta, Santa Fe, New presented either to the underMexico, 87501, has been appointed personal represen- signed personal representative tative of the Estate of Samuel at the offices of his counsel, Kegel Law Office, 1925 Aspen L. Thompson, deceased.

Drive, Suite 501-A, Santa Creditors of the estate must Fe, NM 87505, or filed with present their claims within the Santa Fe County Probate four (4) months after the Court, PO Box 1985, Santa Fe, date of the first publication NM 87504-1985. of this notice or within sixty Dated: January 24, 2018 (60) days after mailing or KEGEL LAW OFFICE other delivery, whichever is Margaret Kegel later, or the claims will be Attorney for Personal forever barred. Claims must Representative be presented to the Personal 1925 Aspen Drive, Suite 501A Representative, William E. Santa Fe, NM 87505 Mosher, in care of Sawtell, Wirth & Biedscheid, P.C., 708 (505) 438-1810 Paseo de Peralta, Santa Fe, STATE OF NEW MEXICO NM 87501 or filed with the First Judicial District Court of COUNTY OF SANTA FE Santa Fe County, New Mexico. FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF Dated: March 23, 2018 A PETITION FOR CHANGE OF Respectfully submitted, NAME OF Inez Geoffrion SAWTELL, WIRTH & Case No.: D-101-CV-2018-00995 BIEDSCHEID, P.C. NOTICE OF CHANGE OF NAME Attorneys for the Estate of TAKE NOTICE that in accorSam Thompson dance with the provisions 708 Paseo de Peralta of Sec. 40-8-1 through Sec. Santa Fe, New Mexico 87501 40-8-3 NMSA 1978, et seq.

(505) 988-1668 the Petitioner Inez Geoffrion By: Peter Wirth

will apply to the Honorable RAYMOND Z. ORTIZ, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 10:00 a.m. on the 20th day of April, 2018 for an ORDER FOR CHANGE OF NAME from Inez Geoffrion to Agnes Geoffrion.

STEPHEN T. PACHECO, District Court Clerk By: Victoria Martinez Deputy Court Clerk Submitted by: Inez Geoffrion Petitioner, Pro Se STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF Catheryn Ellen Kopman Case No.: D-101-CV-2018-01000 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Catheryn Ellen Kopman will apply to the Honorable DAVID K. THOMSON, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 10:00 a.m. on the 23rd day of May, 2018 for an ORDER FOR CHANGE OF NAME from Catheryn Ellen Kopman to Catherine E. Lutz.

STEPHEN T. PACHECO, District Court Clerk By: Victoria Martinez Deputy Court Clerk Submitted by: Catheryn Ellen Kopman Petitioner, Pro Se

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STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY IN THE MATTER OF THE ESTATE OF Maria Elena Larsen, DECEASED. Case No.: 2018-0022 NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed personal representative of this estate. All persons having claims against this estate are required to present their claims within two (2) months after the date of first publication of this notice, or the claims will be forever barred. Claims must be presented either to the undersigned personal representative at the address listed below, or filed with the Probate Court of Santa Fe, County, New Mexico, located at the following address: 102 Grant Ave, Santa Fe, NM 87501. Dated: 3/15/18 Byrne Lauritz Larsen 138 Elena St. Santa Fe, NM 87501 505-577-2508 SFREPORTER.COM

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APRIL 4-10, 2018

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