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June 3, 2020: Santa Fe Reporter: Summer Guide 2020

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JUNE 3-9, 2020 | Volume 47, Issue 22

NEWS OPINION 5 NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 FALLING FAST 8 To combat COVID-19, county jail populations across the state have fallen by about a third, a trend not matched by state prisons PAPER CHASE 9 An unprecedented amount of mail-in voting means longer waits for results

WE’RE HERE FOR YOU

UNEMPLOYMENT CHALLENGES 11 Last-minute rule changes required new documents from unemployment applicants, and some of them were asked to pay back funds BLACK LIVES MATTER 12 Events this past weekend honored the life of George Floyd, protested police violence and drew hundreds

The journalists at the Santa Fe Reporter are in overdrive to help our community stay connected. We plan to continue publishing a print edition and daily web updates. Can you help support our journalism mission? Learn more at sfreporter.com/friends

THE INTERFACE 13 PRIME OPPORTUNITY Albuquerque’s getting a new Amazon warehouse—but in the midst of a global pandemic, how will the company take care of 1000 new employees?

Cover photo Sean Pavone Cover design by Anson Stevens-Bollen artdirector@sfreporter.com

CULTURE

Local Means Loyal

Local means we don’t give up. We don’t give up on our communities. We don’t give up on being a part of something bigger. We have been honored to help nearly 600 businesses support over 13,000 jobs. This represents over $100 million of relief through SBA Paycheck Protection Program Loans. Century is YOUR BANK!

MyCenturyBank.com | 505.995.1200 plasma-SFR.qxp_Layout 1 5/18/20 1:13 PM Page 1

A&C 14 THE PEN IS MIGHTY We’ve talked plenty about the plights of visual artists and musicians during COVID-19, but what about writers? A bevy of local wordsmiths give us their thoughts on arranging words while contending with a pandemic FOOD 17 TOURISM Local food tour founder Nick Peña discusses the total collapse of his business—and its potential future alongside that of the broader New Mexico restaurant scene MOVIES 19 TOMMASO REVIEW Italy and aging white men—the perfect recipe for a mediocre new film from director Abel Ferrara ALSO INSIDE

EDITOR AND PUBLISHER JULIE ANN GRIMM ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE ART DIRECTOR ANSON STEVENS-BOLLEN CULTURE EDITOR ALEX DE VORE CONTRIBUTING EDITOR JEFF PROCTOR SENIOR CORRESPONDENT JULIA GOLDBERG STAFF WRITERS LEAH CANTOR KATHERINE LEWIN CALENDAR EDITOR/COPY DESK COLE REHBEIN DIGITAL SERVICES MANAGER BRIANNA KIRKLAND PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER ADVERTISING ACCOUNT EXECUTIVE ROBYN DESJARDINS

SUMMER GUIDE

CIRCULATION MANAGER ANDY BRAMBLE

Grab that glossy insert and do your best to summer it up around here

PRINTER THE NEW MEXICAN

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In cooperation with a national program led by Mayo Clinic, CHRISTUS St. Vincent is now employing convalescent plasma therapy in the treatment of COVID-19. Plasma donated from recovered patients may boost a generalized immune response in patients with advanced COVID-19 until their own bodies develop a strong, targeted ability to fight the virus. If you have recovered from COVID-19 and would like to donate plasma, please call CHRISTUS St. Vincent Care Coordination at (505) 913-4256. For more information, visit stvin.org/plasma

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LETTERS

CREDIT

S F R EPORT ER.COM / NEWS / LET LETTERSTOT T ERSTOT HEEDI TOR

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P R OV I D E R F O R D E LTA A N D U N I T E D C O N C O R D I A D E N TA L P L A N S • M O S T I N S U R A N C E S A C C E P T E D

the people demanding to be served, plain and simple. They don’t understand what it means to serve. They can’t handle thinking about others before themselves.

Coe Center

CYNDI LAZARUS CARR VIA FACEBOOK Mail or deliver letters to 132 E Marcy St., Santa Fe, New Mexico 87501; or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

ONLINE, MAY 27:

Art inspires, energizes, and challenges.

Let us find hope in the creativity that surrounds us.

KEEP SAFETY FIRST It’s similar to any doctor... I had an eye exam and felt safe. But I guess necessity negated my fear and safety was top of mind for the office.

Experience the Coe—visit us virtually at coeartscenter.org

RAYCHEL JAYNE LEBLANC VIA FACEBOOK

Ralph T. Coe Center for the Arts

Coe Center 1590 B Pacheco Street, Santa Fe, NM 87505

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IMPORTANT WORK

COVER, MAY 27: “SFR ENDORSEMENTS”

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CONTINUED ON PAGE 7

SPECIALIZING IN:

CERRIL

With regard to your US Congress endorsement, you chose Teresa Leger Fernandez, over six other excellent candidates, and highlighted nothing significant with regard to any real accomplishments for such an important position. You also mentioned one item that stood out, an endorsement by Planned Parenthood (pro-abortion), while at the same time, for excellent candidate and the most outspoken defender of the sanc-

OWS EAD S. M

Jeff Proctor is an invaluable asset to our community. We have too little information about police shootings and the stories tend to quickly fade away as the DA’s referrals languish. I followed Proctor’s reporting in Albuquerque about police misconduct and I think that the sustained attention has helped move that city towards more humane approaches to those who are mentally ill. Proctor’s focus on people in prison and police abuses keeps a largely ignored part of our community in view. Thanks, Reporter for giving us access to such important information; it’s up to us as citizens to demand more serious responses from the D.A., the Police Department, and elected officials

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ONLINE, MAY 29: “MASSAGE THERAPISTS NERVOUS ABOUT REOPENING”

THANKLESS SERVICE People providing services are nervous. People serving others are more aware of what it means to be constantly exposed to people. People who need legitimate services have been doing so respectfully and know how to handle themselves accordingly. The ones making the biggest, loudest stink are

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S FREP ORTER.COM / FUN

BLACK LIVES MATTER

BLACK LIVES MATTER

BLACK LIVES MATTER

BLACK LIVES MATTER

BLACK LIVES MATTER

BLACK LIVES MATTER

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BLACK LIVES MATTER

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W E A R E WAY M O R E TH A N W E D N E S DAY H E R E A R E A CO UP LE O F O N LI N E E XC LUS I V E S :

COMMUNITY THOUGHTS Santa Fe School Board Vice President Lorraine Price and Wanda Ross Padilla, former president of the local chapter of the NAACP pen an op-ed about failures of the justice system that hurt and kill African Americans.

COMMUNITY ORGANIZING See photographs from Santa Fe gatherings to remember George Floyd and raise awareness about police violence.


LETTERS

CONTINUED FROM PAGE 5

tity of the gift of life (pro-life), you stated, “State Rep. Joseph Sanchez’ opposition to women’s reproductive freedom made him a non-starter for us.” Really, a “non-starter,” while the SFR and your candidate Fernandez clearly choose baby/fetuses wholesale eliminations, including the disgusting late term stages. And, here we are in the middle of one of the world’s most tragic circumstances trying to SAVE lives. Do we get it? There must be more sane alternatives for reproductive rights freedoms, and surely not by becoming a political football during elections.

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FOR THE MEMORIES YET

ELMER MAESTAS SANTA FE

OPINION, MAY 13:

FOR THE MILES YET

“GREAT DISSERVICE”

WE CAN’T HANDLE IT As human population explodes to 8 billion and beyond, the myth of sustainability is just that—a myth. Homo sapiens has never been sustainable for this planet. Since COVID-19 emerged because of human exploitation of nature, filthy air in mega cities around the world actually became cleaner for a while, as people stayed home. Now, that pollution is increasing again, as COVID-19 restrictions are lifted. Humans seem bent on destroying their only living home, obsessed with the god of never-ending growth. We think we have no limits to our eating up the earth; our plutonium stores can destroy all life on earth, much of it buried in New Mexico. Humans have disturbed novel viruses, which have been torn from their jungle/ rainforest homes, as their depleted wildlife become “bushmeat” and “entertainment” for Homo’s thoughtless societies. We are already an extinct species—we just can’t face it yet—and we are probably taking the whole world with us to extinction. Those trying to debunk the movie Planet of the Humans, will not allow themselves to face the reality of what is happening: The truth? We can’t handle the truth!

ROSEMARY LOWE SANTA FE

TO BE MADE TO BE DRIVEN

ONLINE, MAY 28: “RESTAURANTS, GYMS AND SALONS CAN REOPEN JUNE 1”

STAYING IN I won’t be dining in, getting my hair cut or doing anything in an indoor space anytime soon. We still don’t know who is infected and contagious.

FRAN WALKER VIA FACEBOOK

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WHY CAN’T WE ROLL? How is it that a non-contact sport like bowling where you can offer every other lane and easily comply with all rules for the health department is not as safe as a gym where people sweat? I don’t get it…

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SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER

AND

“I don’t date girls, but if I did, she would have to be a chola.” —Overheard on the Plaza

Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com

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• JUNE 3-9, 2020

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SFRE PORTE R.COM / NE WS ANSON STEVENS-BOLLEN

NEWS

Falling Fast NM jail populations plummet amid joint efforts to avoid COVID-19 outbreak; positive test rates are low

BY J E F F P RO CTO R NMInDepth

N

ew Mexico’s 27 adult county jails have slashed their combined population by a third since the new coronavirus began tearing through the state 11 weeks ago, according to data gathered by the New Mexico Association of Counties. On March 13, two days after New Mexico saw its first confirmed COVID-19 cases, counties held nearly 6,000 men and women behind bars; by May 27, about 4,000 sat in jails around the state, the vast majority of them awaiting trial. Some of the largest dips have been in counties hardest hit by the virus, including McKinley (more than a 60% decrease) and San Juan (with a 45% decline). And here in Santa Fe, the county was housing nearly 35% fewer inmates than at the start of the pandemic. The statewide numbers appear to be ticking back up since the low point on May 1, but Grace Philips, general counsel for the New Mexico Association of Counties, calls the overall trend a “significant reduction.” The sharp decline comes from a joint effort to avoid an outbreak in jails of COVID-19, the respiratory illness caused by the coronavirus that has infected tens of thousands of inmates and guards nationwide, killing hundreds. Officials interviewed for this story say prosecutors, defense lawyers, judges, law enforcement and jail administrators worked together early and throughout the pandemic to keep many low-level offenders out of custody—and to release people languishing in jails who didn’t pose a public safety threat, particularly the medically vulnerable. County jails house offenders sentenced to less than a year and people awaiting trials. Though none who spoke to NMID was prepared to declare victory, the gambit appears, tentatively, to have worked.

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The Santa Fe County jail now reports three inmates have tested positive for COVID-19.

As of Thursday, 2,099 county jail detainees had been tested for COVID-19. Just 22 jail inmates have tested positive, Philips told NMID. And officials have tested 2,404 jail staffers, Philips said, with 15 positive results. No inmates or staff have died from the virus, she said. “I don’t want to jinx it, but so far it looks like the counties really have done a good job of allowing for more distancing inside the jails, housing people in cohorts and so on,” Philips said. The effort has led to a notable statistic: as of this week, the state’s jails are at just 43% capacity. That contrasts sharply with the state’s 11 prisons—where inmates are held who have been convicted of crimes and are serving sentences of a year or longer— which were at 81% capacity as of Friday morning. At the state level, just 46 inmates had been released as of earlier this week under an executive order signed in early April by Gov. Michelle Lujan Grisham meant to make the prisons safer amid the pandemic. As of Tuesday, 164 state prison inmates had tested positive for the virus including a newly reported outbreak in the Otero County Prison Facility. Bennet Baur, chief public defender for New Mexico, called the stark difference between population reduction schemes by the state and counties “unfortunate.” “It’s a lack of systemic will or imagination,” Baur told NMID. “And it’s a failure for all of us: the courts’, the executive’s unwillingness to do anything different from the way things have always been done.” But he was optimistic about the joint

So far, it looks like we have reduced the number of people incarcerated in jails without reducing public safety. And it looks like it has worked to keep those testing rates low, which I hope is true. -Bennet Baur, chief public defender efforts to trim inmate populations in the jails. “Clearly, these are unique circumstances, so there are only so many conclusions you can draw,” Baur said. “But so far, it looks like we have reduced the number of people incarcerated in jails without reducing public safety. And it looks like it has worked to keep those testing rates low, which I hope is true.” The effort started with law enforcement, Philips said. In nearly every jurisdiction, police and sheriffs deputies agreed to make “fewer unnecessary arrests,” Philips said, and to fine or ticket people instead for many low-level offenses that don’t pose a public safety risk. The courts chipped in, too, she said, by ordering no arrests for failure to pay court fees. Jail wardens scanned their populations to identify nonviolent defendants who “just didn’t need to be in jail anyway,” Philips said. In many cases, defense lawyers and prosecutors—often working together in ways not often seen—agreed early on that

certain defendants could remain out of jail but still under supervision. “Judges agreed that house arrest and ankle monitors would work,” said Dianna Luce, 5th Judicial District attorney and president of the New Mexico DAs’ Association. “There was even a shortage of ankle monitors for a while.” Perhaps the largest driver of the reduction, Philips said, came from the state Probation and Parole Division’s decision to stop locking people up in county jails for so-called “technical violations”—failed drug tests, missed appointments with officers and other minor rule-breaking for people on probation and parole. Three years ago, the last time detailed offense data were produced on the county jails, roughly a third of the incarcerated population was in on a technical violation, Philips said. Every adult jail in the state except one—Quay County—has cut its population numbers since March 13, the association’s data show. Most jails have seen reductions of 20% or more, with Sandoval County showing the largest drop among larger facilities: more than 60%. Despite the apparent successes, Philips said, there have been problems with testing and other aspects of the population reduction moves. For example, corrections officers and jail contractors have refused to be tested in several New Mexico counties. Among them: Doña Ana, Grant, Lea and Quay. And in Eddy County, Philips said, 70 out of 89 staff and contractors refused a test. In most counties, testing is optional. Lengthy wait times for test results have led to harsh conditions, as well. In San Miguel County, the jail was on complete lockdown for six days as officials awaited results from the state Department of Health. This year’s reduction, all the way down to about 4,000 inmates on a given day, has happened precipitously. Baur and Philips said there’s plenty to learn from the population reductions— mostly about who belongs in jail and who doesn’t. Both said justice system actors have been forced to reexamine the way jails are used, and there’s a possibility the numbers could remain low even once the pandemic subsides. Luce agreed. “Will this probably continue into the future? I expect it will, and I think it’s helped us look at who should be added to the jail population and who shouldn’t have been in it in the first place,” she said. “Shoplifting and pointing a gun at someone are different things. I think this will change the way we do things going forward, even without the virus.”


S FR E P O RTE R .CO M / N E WS

Paper Chase

Election officials warn central ballot tabulation could lead to reporting delays

tee ballots and 59,703 people had voted early in person. In Santa Fe County, that included 23,909 Democrats, 3,182 Republicans and 60 Libertarians who voted early or absentee

U

nprecedented mail participation in Tuesday’s primary elections for major political parties in New Mexico is almost certain to spell delay for timely unofficial returns. Ballots requested by voters and not delivered to county clerks or polling places before the 7 pm deadline on Election Day won’t get counted, but the mountain of mailed and hand-dropped paper ballots awaiting tabulation that did arrive on time could keep workers busy for many hours, or even days later. Election results are always unofficial on election night. In fact, the state’s process allows for a three-week period during which an appointed board reviews tabulation, voter rolls, provisional ballots and other documents before certifying the official winner. Except in rare cases—like the 2018 Southern New Mexico upset that sent Xochitl Torres Small to Congress after Yvette Harrell claimed early victory—poll watchers can typically discern the victor as it gets toward bedtime and most results are reported. It’s not likely to be so this time, warns Secretary of State Maggie Toulouse Oliver. “For sure there will be ballots that will not be counted on Election Day or well into the night on election night. It’s going to be important for folks to understand, particularly in very close races, we may not know what the unofficial results are for possibly even a couple days after Election Day,” she said in a Facebook video last week. “That is the nature of tabulating all these votes in a central location.” Election administrators had asked the state Supreme Court last month to close all polling places and allow instead for all-mail voting due to the public health threats posed by in-person voting. The court ruled against the request and instead encouraged people to utilize absentee voting. They did. As of a report issued by the Secretary of State’s office Monday morning, county clerks had received 201,409 absen-

KATHERINE LEWIN

BY JULIE ANN GRIMM e d i t o r @ s f r e p o r t e r. c o m

Santa Fe County Clerk Geraldine Salazar tells SFR she can’t even guess whether all those ballots will be processed and tabulated on election night. Ensconced at the county’s elections warehouse in southeast Santa Fe, members of the absentee board began the task last week of opening the ballot envelopes and worked through both days of the weekend as well as Monday. State election laws and guidelines for county clerks allow the state’s 33 election administrators to have made some preparations to tabulate mailed and hand-delivered ballots, such as logging the day they arrived in the statewide voter software and separating ballots

ABOVE: Members of the Santa Fe County Absentee Board review mailed ballots at the election warehouse. BELOW: In-person voters at the county fair building on Rodeo Road.

NEWS

from their inner envelopes. The act of running those paper ballots through the scanning machines to record votes can’t begin until the morning of Election Day. Salazar says a vendor tasked with mailing the county’s ballots had sent out all the 39,062 requested ballots by Sunday, but numerous voters experienced delays with the post office and vendor leading up to the weekend. “There is just a lot of work to do,” Salazar says Monday. “We can all point fingers all we want, but the fact is, no one failed to do anything. It’s overwhelming.” At presstime a few hours before the close of polling, another 4,334 people had voted at the county’s convenience centers. Asked to rate her level of confidence in election night returns for the county, she says, “It’s to be determined. We don’t know … There’s a high possibility that we might not be able to get them tabulated that night or even 10 hours after.” Complicating factors such as write-in candidates and provisional ballots also come into play, she notes. Voting before Election Day this year has already topped figures by about 44% for the same time period leading up to the 2016 primary, when just over 23,000 voted absentee statewide and more than 117,000 voted early. That year, in Republican and Democratic primaries that featured a contest for governor, among other races, more than 188,000 people cast votes during Tuesday polling. On this year’s ballot, the top of the ticket for Santa Fe Democrats (who comprise the bulk of voters here) rests on a list of presidential contenders who have all ceded but one. It includes seven candidates vying for a Congressional seat that stretches into several other counties, as well as a handful of contested legislative seats, the county clerk and treasurer and seats on the County Commission and Public Regulation Commission. “Everyone else is going home from their election night parties and my office—and my staff and the county clerks and their staff—are still working for several weeks after that to make sure all the numbers add up and every single vote is tallied and counted accordingly,” Toulouse Oliver said. SFR takes pleasure in holding the press run for our weekly issue into the night when it’s possible to get returns into the next day’s paper. This year, you can instead read unofficial results on our website, always free, www.sfreporter. com/elections.

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Unemployment Challenges Worforce Solutions asks some self-employed to return cash BY L E A H CA N TO R l e a h @ s f r e p o r t e r. c o m

A

s the New Mexico economy eased into reopening during the past week, a harsh reminder loomed: historic unemployment rates of nearly 13%. Many have been struggling to get by during the past weeks and months as businesses have remained closed, and the state Department of Workforce Solutions is still scrambling to sort out the confusion caused by the department’s handling of a recent change to the Pandemic Unemployment Assistance program. Last week, thousands of self-employed New Mexicans who received unemployment benefits under the PUA program learned that they must pay at least some of the money back to the government. The problem stems from a discrepancy between the tax documents initially accepted by the state when it rolled out the program and federal guidelines released later, says Workforce Solutions Secretary Bill McCamley. When New Mexico began accepting applications in late April, the state allowed applicants to submit either 2018 or 2019 tax returns to accommodate the IRS’ extension of tax day until July 15. A week later, the US Department of Labor issued its own guidelines that prohibited states from accepting 2018 returns and required state departments to recalculate benefits based on 2019 tax

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documents, McCamley tells SFR. The federal government gave everyone receiving benefits based on 2018 returns 21 days to file their taxes for 2019 and resubmit their PUA applications before states were required to reduce their weekly benefits to the minimum and notify them that they owed the government a repayment. As of Monday, McCamley says, 2,907 applications were missing documents required by the federal rule change. It’s a problem with a relatively easy fix; at any point, even after receiving notification that they owe money to the government, all a person has to do to have their debt erased and their benefits reinstated is submit their 2019 tax returns. Workforce Solutions will even reimburse the person for the amount that was withheld in the meantime, albeit at the recalculated rate, says McCamley, though it may take the department a few weeks to process the case. However, most people impacted by this change had no idea what the problem with their application was or how to fix it. McCamley tells SFR his department sent text messages to all impacted individu-

als informing them of the change and the solution, but SFR has received no reports of any individuals who can confirm they received the texts. Lauren Slaff, a culinary tour guide who received unemployment benefits under the PUA program and was later asked to return $1,752, says she called Workforce Solutions 50 times before she got through to an employee. That person, she says, could not adequately explain why she owed the money. “The confusion and panic this has caused is just unacceptable,” says Slaff. “Now I finally have learned enough to understand why this is happening, but I think the situation was very poorly handled.” McCamely does not disagree. He issued a statement late Tuesday that reads, in part: “On behalf of the agency, I sincerely apologize that the notices caused concern and frustration at an already stressful time. To provide clarification on what claimants need to do next, we are sending out direct communication that provides guidance on how individuals can provide the Department with the information nec-

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essary to clear any pending issues or alleviate a hold on their claim.” The difficulties of successfully applying for benefits, the hours-long wait times and numerous calls required to get through to a department employee show how utterly unprepared the system was for an economic impact such as that caused by the COVID-19 pandemic, says Vince Gonzalez, a Santa Fe resident who has spent the last few weeks helping others sign up for benefits. According to Workforce Solutions, 133,118 New Mexicans had received unemployment benefits through both traditional and emergency unemployment programs as of Thursday. In the national context, these numbers put New Mexico far ahead of most states. McCamley says 89.7% of people who filed and are eligible to get benefits have been paid since March 15. If that number sounds high, consider an independent report by worker advocacy group One Fair Wage in collaboration with the UC Berkeley Food Labor Research Center reported a lower rate: as of May 14, 72% of people who filed initial unemployment claims in New Mexico received benefit payments. Nationally, less than 60% of applicants have received benefits and in some states such as Florida and Hawaii, the number is as low as 32%. Yet Gonzalez worries benefits are not be equitably distributed because of inequal access to the internet and cell service required to press for cased to go through. He also worries that the numbers are skewed by who is able to successfully complete an application and deemed eligible in the first place. “The government has not put information together so that it’s easily accessible… people get frustrated and they give up,” he tells SFR. Gonzalez tells SFR that some of the people he has helped were deemed “ineligible” because their employers did not submit tax documents to Workforce Solutions on their behalf and for other reasons.

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Black Lives Matter

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KATHERINE LEWIN

KATHERINE LEWIN

Candles dripped wax onto pavement at the foot of the Capitol building on Sunday night as hundreds of people gathered in a vigil to remember George Floyd, the black man killed by police in Minneapolis on May 25. The death has sparked protests, some turning violent, across the country. Multiple Santa Fe rallies remained peaceful over the weekend, despite reports that someone hit a protester with their car—and kept going—on Friday. Santa Fe Police Department made contact with the victim who suffered minor injuries, but have made no arrests. Sunday’s vigil saw dozens of people of all ages and races speaking at a microphone set up on the back side of the Roundhouse. The prompt for the evening: What does justice mean to you?

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Prime Opportunity Is Amazon’s new Albuquerque warehouse good news? Probably not for its future workers BY JULIA GOLDBERG @votergirl

B

arring unforeseen circumstances (if such things exist anymore), come late 2021, Amazon will open a massive “fulfillment” center on Albuquerque’s west side and employ 1,000 people. According to the Albuquerque Journal, which reported the opening last week, Amazon says those employees will be paid $15 an hour and the center will use robots to help fill orders. From a certain perspective, this might constitute good news: 1,000 new jobs announced in the midst of massive pandemic-inspired unemployment and robots to help bear the brunt of backbreaking work. That perspective, though, requires ignoring Amazon’s shoddy reputation when it comes to warehouse employees, whose lots have only worsened since the pandemic, and the company’s use of technology to pressure and spy on its workers. Last November, I interviewed Beth Gutelius, a Santa Fe resident and associate director of the Center for Urban Economic Development at the University of Illinois at Chicago, after she co-authored an ex-

tensive academic report on the future of warehouse work, which disclosed, among other findings, Amazon’s propensity for using technology to surveil and isolate employees. “We think of robots and technology as being able to make workers’ jobs easier,” Gutelius said to me in an interview last week. “Instead we found that it was having the opposite effect.” Many of these technologies, she notes, “do have the potential to make workers’ jobs better” by eliminating repetitive motions, for instance. But warehouse employers are instead deploying them to speed up workers’ tasks through surveillance, tracking, “nudging” and sometimes “disciplining” them, all via automation. “This is happening across the warehousing sector,” she says, and “Amazon is the front edge of that spear; it’s doing the most experimentation, it’s pushing most at the limits of the human body.” A February 2018 Atlantic magazine article about Amazon’s expansion into San Bernardino, California quoted one Amazon employee, in describing the pressurized environment: “They make it like the Hunger Games…That’s what we actually call it.” Those conditions have led to notable worker safety issues. A 2019 Reveal from the Center for Investigative Reporting investigation found the rates of injuries at Amazon warehouses were more than double the national average for the general warehousing industry.

The COVID-19 pandemic has heightened the stakes, with employees holding walkouts over unsafe conditions, and everyone from activist groups to US senators criticizing the company for its treatment of employees and whistleblowers. The pandemic also brought, Gutelius says, an often-invisible workforce “out of the shadows.” So-called essential workers became designated as such “because we’re now relying on them and they’re being asked to sacrifice or risk their own health and that of their families and communities so the rest of us can stay home.” Back to the new Amazon warehouse slated for Albuquerque. Advocacy group OLÉ member Jeanne Van Amburg says “the main concern is that Amazon is going to come in and not provide [employees] sick pay, hazard pay and protective equipment, proper protection for all of its employees that they are going to be hiring.” Concern in general about essential employees when the pandemic hit prompted Van Amburg, a health care worker herself, to become involved with OLÉ in the first place. “We want people to stay in to prevent the spread of this, but not everyone is lucky enough to have sick pay and hazard pay or even something so simple as a mask.” Both Gutelius and Van Amburg discussed the need for employees to not fear retaliation when they speak out against unsafe working conditions, as has been documented at Amazon. “That is a common fear for people everywhere,” Van Amburg says, “this retaliation, this fear of not being able to provide for themselves or their family.” I asked Gov. Michelle Lujan Grisham any concerns she might have, during last week’s COVID-19 press conference, related to Amazon employee safety. “No employer, new or old, can be in a position to not adequately protect the public or workers,” Lujan Grisham said, pointing toward the Occupational Safety and Health Administration as a resource for workers.

TECH

COURTESY AMAZON

SFR E P O RTE R .CO M / TH E I N TE R FAC E

While Amazon’s media library features photos of masked workers in a COVID-19 safe environment, the company has been roundly criticized for its employee safety protocol during the pandemic.

“I have to respectfully disagree with the governor,” Gutelius says. “OSHA is a massively underfunded institution…they don’t have enough inspectors and the penalties that OSHA is able to levy on bad actors are most of the time so inconsequential to those businesses that they don’t actually deter bad behavior.” Ideally, Van Amburg and Gutelius say, local government would mandate protections for Amazon’s New Mexico workers before the company arrives. But workers’ fates don’t lie solely in the hands of government. The “state of suspension” COVID-19 has created does provide consumers, at least, some options going forward. “I think we have to be very discriminate about what lands again,” Gutelius says. “And one of the things we should question is, ‘Who are we here for?’ Are we showing up for [Amazon owner and New Mexico native] Jeff Bezos, or are we showing up for nurses and warehouse workers and grocery store workers? We can’t change everything…but we can make some decisions about how we spend our money and what we’re supporting.”

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The Pen is Mighty Are we leaving writers out of conversations about supporting artists? BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

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hile we’ve all been busy posting to social media about supporting artists in the time of COVID-19, and maybe even buying a piece or two if we’re lucky enough to still be working, we’re leaving a very important factor out of the mix. I’m guilty of it, too, but the fact is—we aren’t thinking about writers. At least not with the same level of regularity as other artists. I’m also guilty of stealing this topic, or at least taking inspiration from a Facebook post by former SFR food columnist Michael J Wilson, who opined online, “It’s not just musicians and visual artists…” Indeed, as sites like bandcamp.com began waiving revenue shares once a month for its musicians, and visual arts organizations both local and national launched well-publicized grants for struggling artists, freelance writers and novelists, poets and zine creators took a dive alongside them—but with very little by way of resources and even as some who work day jobs at home (don’t even get me started on the whole writing’s validity as a single source of income conversation) manage to scrape by .

“There are two aspects to this,” says author, educator and publisher James Reich, whose Stalking Horse Press has put out Reich’s works, Wilson’s poems and tomes by wordsmiths such as Duncan B Barlow and Quintan Ana Wikswo. “On the one hand, the loss of in-person readings, book launch events, salons, conferences, etc. absents a profound human quality in the way literature is shared and enjoyed; on the other hand, to be fair, most writers of fiction or poetry aren’t using their art as a source of weekly gig income, so I’m reluctant to make a special case for writers as a general matter of economics.” Still, writing a book, Reich says, rep-

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resents a shocking amount of time and labor—from the actual writing to the workshopping, editing, production and promo of the thing. But, he continues, it isn’t as if scribes are conducting a dozen live readings per month to make rent as Santa Fe musicians often do. One of his biggest concerns at the moment, however, is in what happens next as opposed to right now. “It remains to be seen what allowances publishers are willing to make for new authors whose books will naturally stall somewhat during these times,” Reich laments. “The large presses are already risk-averse. Aesthetically, I imagine them becoming still more cautious, impoverishing the art.” Reich says he’s lucky Stalking Horse didn’t have any titles launching over the spring (he’s looking for next year’s projects now, though). Stalking Horse did publish an anthology called Dreams of Montezuma featuring students from the New Mexico School for the Arts, where

Reich is chair of creative writing and literature. In any case, Reich is ultimately not out to make an impassioned plea for the future of writing as a career: The pandemic, he notes, has put certain things into perspective. “Environmentally, artistically, psychologically, this should be something of a period of introspection,” he tells SFR. “There are problems in literature like everything else, and I wouldn’t be at all sad to see some of it go the way of all flesh: if there was never to be another literary panel at the AWP [Association of Writers and Writing Programs] conference, I don’t think literature would suffer at all; quite the contrary.” We Were Witches author Ariel Gore has noticed the shift as well. “The pandemic has certainly traced the economics of the books I’ve had come out this year,” she says. “We joked at the launch of Santa Fe Noir at Collected Works [Bookstore and Coffeehouse] that it was ‘the last public gathering,’ and that turned out to be somewhat true.” Gore compiled the collection of locally writ noir tales, which indeed dropped at the outset of national stay-at-home orders. The timing could not have been worse for the book, even as our lit critic Molly Boyle said it was “a pleasure to discover how different imaginations can channel the chiaroscuro energy of well-known places.” Gore says she doesn’t believe writers should try to horn in on the artistic spotlight or make visual artists and musicians feel guilty for getting by. The arts, she says, are one of the few things keeping us going right now. “Artists, including writers, are getting us through these scary times and helping us all find ways to embrace the new paradigm we’re entering, helping us

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imagine how we do and don’t want to live into the future, helping us all think about ways we can decenter capitalism in our lives,” she says. “Let’s all support each other with whatever resources we have. Not take the money from visual artists and give it to writers, but rather abandon the corporate money-suckers who have us convinced it’s more ‘convenient’ to send all our resources to Jeff Bezos whose business model, incidentally, had crushed the economical viability of being an everyday working author long before the pandemic had a chance to.” And there it is. Times are tough, no question, but not newly so for authors. Everyone interviewed for this story, in fact, noted that things were not so different for writers. One could call them students of the human condition, and they’re doing what they can on the page and in their lives. Gore, for example, offered refunds to students who signed up for her writing workshops pre-pandemic—another hit in an already dismal world of words; but, she says, she’s also opening her eyes to certain positives. “All of us have a really different quality of time, and it’s making more room for meandering storytelling as opposed to just Tweets and soundbites,” she explains. “I think a lot of us are dialing back and taking some time we’ve long-missed to just hear a good story in the same way that a lot of us are finding the time and the rhythm to grow a garden.” Writer Darryl Lorenzo Wellington, whose story “The Homeless Detective” appears in Gore’s Santa Fe Noir, says he’s doing pretty OK during the pandemic, but he also has a regular day job as a communications fellow with the Washington, DC nonprofit Community Change. Wellington has also worked as a journalist, a novelist, a graphic novel writer and in a freelance capacity for years. “It’s a very troubling time,” Wellington tells SFR. “Most writers are more like writers-slash-teachers, which can still result in a loss of income when you’ve got teachers with fewer hours or who have been cut.” Still, he says, there have been resources available for writers, like the Pen America Emergency Fund (which has been temporarily depleted due to COVID-19 after reportedly granting monies to 10 times its normal number of writers) or the Creative Capital Arts Writers Grant, which, at the time of this writing, is still endowed through the Andy Warhol Foundation. On a local level, the Santa Fe Arts and Culture Department’s Culture Connects Coalition Artist Relief Fund grant, which should be entering

A&C

its third round of accepting applications soon, is open to writers. Despite that, Wellington notes, the real underlying issue is that working as a writer has not, in most cases, been a viable career path for decades. National magazines, for example, pay very little, according to Wellington; years ago, he could make a living freelancing— and he did—today, however, he says he could easily rattle off a long list of wellknown publications who have official policies about paying hired guns as little as possible. “I would say if [a publication] has the resources to pay for writing, they should pay for them,” he notes, “but that’s why so many writers do other things.” Still, his day-to-day is largely unchanged. “As many have pointed out, writing is pretty much at-home work anyway,” Wellington says. “People are all different, but in terms of time, there’s a quote I’ve always liked, and I can’t remember who said it, but they said ‘Writers are lower-class economically, but they’re the aristocrats of time.’ I’m privileged in that respect, but that’s the nature of the job.” San Antonio-based writer Sam Bee, who recently released his first book Boom City through Anti-Oedipus Press, says his life hasn’t changed much, either, but that doesn’t mean he often feels supported. “I think writers are largely left out of the conversation when discussing the support of artists,” he tells SFR. “But I am fortunate enough to have a job that allows me to work from home. I feel very blessed to be in that position. I also feel guilty. A lot of my friends and family have had to file for unemployment and loans.” Like Wellington, Bee works a day job, but more importantly sees this time as both a creative catalyst for writers, and as an opportunity for would-be readers. “Right now is a time when everyone is having to think more creatively,” he says. “I support that evolution.” So is there an answer? The sad truth is that we weren’t effectively supporting writers before COVID-19, and even as we ravenously consume their efforts now, we’re probably going about it all wrong. It’s time to find and support local publishers and Patreons. It’s time to delve back into poetry and fiction—if nothing more, than for a brief respite from the trash fire our country has become. “I encourage people to read for the calmness and the reflection,” Wellington adds. “I’m sure there are people who are going to want to write stories and novels after this…sometimes literature can help you understand things a lot better.”

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S FR E P O RTE R .CO M / FO O D

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

T

hough Nick Peña conceived of Food Tour New Mexico ages ago, he made it a reality in 2011. The company’s core premise is simple: One of Peña’s guides takes visiting or local diners to various restaurants in Santa Fe and/or Albuquerque for special menu items. The idea is that food tourists can get a little bit of a lot of types of food while learning city and restaurant history from a local—win/win. SFR even took the tour a couple years back and had a grand time with a knowledgable guide named Carlos. And because Peña’s been working so closely with restaurants for so many years (and also worked for a time as the food editor at Albuquerque The Magazine), he seemed as good a person as any to ask about the future of dining, particularly during a week wherein Gov. Michelle Lujan Grisham has allowed restaurants to reopen so long as they limit capacity. For Peña, the fallout of the pandemic came at the tail-end of a particularly prosperous time. “Y’know, we were completely growing and increasing in ticket sales and revenue and, ironically enough, the winter months, which are typically very slow for Santa Fe, were some of our busiest on record,” he says. “I was excited coming into the spring because we were off to an amazing start.” But as COVID-19 barreled across the land, Peña’s business came to a screeching halt. He was forced to lay off all four of his guides and take out loans (not PPP) to pay bills and marketing contracts that were still in play despite the pandemic.

have to be understanding when you go into a high end restaurant and the server is wearing a mask and gloves. It’s going to be a whole new world.” As for whether diners are prepared for said new world order, Peña’s apprehensive there as well. While he says it’s probable the vast majority of diners will understand the changes, he fears the excitement of finally leaving the house will put people in “Because of how the business is formustrange places emotionally. lated, there was no work for everyone,” he “But they need to be aware there are says. “It went from being super busy until going to be new rules,” he adds. “I would the first few days of March—to literally hope people are self-aware enough to nothing.” know they’re not walking back into busiNot only did the cancellations and ness as usual.” closures affect his own business, it hit his Ultimately, though, Peña’s concerns partnering restaurants as well. Unlike land with the community at plenty of other, similar comlarge. Food Tour New Mexico panies, Peña says, Food Tour has been his baby, but his love New Mexico paid for their for the Santa Fe/Albuquerque meals outright. area runs deep. He is, how we “We’d purchase like a pasay, born here all his life. tron,” he says. “In some other “I guess I’m not too contours, they’re asking for free cerned with myself—I’m a stuff, and it’s not as great an pretty healthy guy,” he says. experience—but we’re com“But I’m concerned about ing in, buying food, buying my mother, about my granddrinks and giving back to the parents. If they need me, I’m local economy. It’s generatthere for them, so I don’t want ing an experience, and all the to be concerned about being money is staying right here.” sick or an asymptomatic carriStill, as restaurants reer. As excited as I am to open open this week, Peña resoon, I’ll probably give it time. mains cautious about his But I’ll be supporting restauown future. Rather than rants when it comes to orderdive back in immediately, ing—I just picked up some he’s taking time to assess the food at the Jambo Hapa food situation. truck. It’s late in the year, but “I’m kind of split down I am getting inquiries from the middle,” he explains. people who want to book in “I’m excited the industry is September and October; we going to have an opportunity have gift certificates, we have to start making money again, a merch store; we’ve changed because parts of it were kind a lot of policies to allow for of forgotten about; there things like indefinite credits, wasn’t much aid for servers things like that. I just hope and people in the kitchen, some of the events that carry and I can’t imagine how our state go through this year, tough that must have been or Nick Peña loves food more than you do, but he’s willing to share. like Balloon Fiesta.” still—the other side of me is

Food Tour New Mexico’s Nick Peña talks the future of doing business

curious to know how well it’s going to actually function.” Peña spends (or spent) most of his time in restaurants. He uniquely understands volume and necessity and, perhaps most pressing right now, overhead. “If I can only have a fraction of the guests on my tour, I don’t know if I’ll make it, and if some of the places in downtown Santa Fe are having to operate at 25% capacity, are they?” he says. “They’re doing the patio thing, they’re starting to do the indoor dining, and my hope is we’re going to find that it works and things will progress, but I also think a lot of things are going to change. Social distancing is just going to be the norm, and you’re going to

COURTESY NICK PENA

Tourism

FOOD

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RATINGS BEST MOVIE EVER

10 9 8 7 6 5 4 3 2 1

WORST MOVIE EVER

MOVIES Tommaso Review Willem Dafoe deftly hits middle age in otherwise middling pseduo auto-bio BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

Try Googling filmmaker Abel Ferrara, and you’ll get links to movies like Bad Lieutenant and King of New York (plus a lot about documentaries and shorts, too). He’s kind of known for a certain, shall we say, intense and gritty tone, which would make his newest, the mostly reflective Tommaso, what people call a departure. The always spectacular Willem Dafoe (who was robbed by not getting that Oscar for The Lighthouse) stars as the titular Tommaso, an older American gent with a much younger wife and a toddler (played by Ferrara’s real life family Cristina Chiriac and Anna Ferrara), all of whom live in Rome. Its opening act feels like an Italian version of the movie love letter to New York, with Tommaso sipping coffee in laughter-filled shops, boning up on his Italian with a private tutor (Dafoe’s Italian is surprisingly great) and attending welcoming AA meetings with very interesting people who seem to hang on his every word. But hidden within that seeming domestic and geographic bliss are Tommaso’s fear of hasbeen-ness, impending age, a wife and daughter who barely seem to acknowledge his existence and any number of fantasy situations bubbling up in his subconscious as he works on his new

THE LOVEBIRDS

4

+ THESE ACTORS ARE GREAT DESPITE THE BAD MATERIAL - IT’S JUST PLAIN PRETTY BAD

Issa Rae and Kumail Nanjiani are both national treasures, HBO series alums and very funny people—but knowing that makes the wildly unfunny new film from Michael Showalter (The State, Wet Hot American Summer) all the more disappointing. Rae and Nanjiani are Leilani and Jibran, a couple nearly half a decade into a stalling relationship. She wants spontaneity, he wants…I dunno, for her to be more careful about spouting facts (it’s dumb). Together, they wind up hitting some dude with their car in the middle of their breakup and then they witness his murder at the hands of some mysterious baddie. This kicks off a series of events that should be familiar to anyone who saw 2010’s also not-that-good Date Night with Steve Carrell and Tina Fey and/or Kubrick’s Eyes Wide Shut (though The Lovebirds‘ lampooning of the latter film is neither topical nor sensical nor funny)—and it’s pretty much boring from then on out. Convinced they’ll be accused of a crime

7 + DAFOE;

INCREDIBLY SHOT WITH TINY BUDGET - SELFINDULGENT; MOVES AT A SNAIL’S PACE

screenplay for some kind of comeback. Tommaso is, seemingly, a loosely-based bit of Ferrara’s actual fears coming to life onscreen, a vulnerable display that feels like a cinematic stroke of brilliance and openness until one realizes it’s rooted in a self-indulgent assumption that aging white men who feel things about movies are sooooo interesting (I am aware of the irony in writing that sentence in a film review). Dafoe is natural as ever, and it’s hard not to feel for him when his AA buds make eye contact while his wife doesn’t. But whereas Almodóvar’s culling from his own life for broader themes based in experience often borders the sublimely relatable in films like Pain & Glory, Ferrara’s take feels like a midlife crisis in film form, only

they didn’t commit, the pair sets out to solve the crime on their own, never knowing the police don’t actually blame them. They wind up at weird cult orgies, interrogating frat boys, making semi-humorous observations about the world around them and bringing up plot points that never get resolved. Even worse, the film approaches themes of institutional racism only to back off before its points land, leaving pretty much no thing outside of the opportunity for film critics to note how similar The Lovebirds feels to Nanjiani’s last film, Stuber (about a neurotic guy who gets swept up in crime stuff and says “funny” things). Flashes of chemistry make way for halfbaked physical comedy routines that simply aren’t that funny and, despite a running time under 90 minutes, the story grows stale before it concludes with something about how bad relationships might just need the jumpstart of crime. It’s honestly pretty lucky this movie hit Netflix amid the pandemic as opposed to its planned theatrical release. This way people might actually see it when they’re done with Avatar: The Last Airbender. (Alex De Vore)

Netflix, R, 86 min.

without any real learning. This deflates some of the suspense he builds otherwise, and it certainly doesn’t make us empathize with Tommaso. But then, maybe we’re not meant to. Maybe he’s actually supposed to be a sort of cautionary tale. Either way, Ferrara shot the thing himself with almost no budget in and around his own Roman home, and guerrilla-style filmmaking and expert cinematography make Tommaso a mostly worthy entry for his resume. Just ask yourself—do you like character studies?

THE WRONG MISSY

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+ SPADE’S ALRIGHT—DEAL WITH IT - SWARDSON, SCHNEIDER, LAPKUS’ FORCED “WEIRDNESS”

Being Adam Sandler’s buddy must feel a little like winning the lottery. All folks like David Spade, Rob Schneider and Nick Swardson have to do is show up, spout wildly unfunny lines from whatever hastily written script satisfies Sandler’s end of his Netflix deal and boom—still famous. In Sandler’s newest foray, The Wrong Missy, we find Spade as Tim, a Portland corporate guy on the receiving end of a horrible date with a free-spirit-type called Missy (Lauren Lapkus). She’s weird, y’know? Which is hard for assholes. Months later, though, Tim meets the woman of his dreams with the same name, but a case of mistaken text identity becomes a disastrous corporate retreat when he invites the wrong Missy to Hawaii with him for the most important business something-something of his life. Spade does what he can (people forget he’s not a half bad actor) as Lapkus’ “eccentric” Missy gives out psychic readings, hypnotizes bosses and throws herself from a cliff into the sea. The usual cadre

TOMMASO Directed by Ferrara With Dafoe, Chiriac and Ferrara violetcrown.com, NR, 115 min.

of Sandler homies (the aforementioned Schneider and Swardson) pop up to say gross misogynist things or engage in the faint hint of physical comedy. Sadly, though, the bulk of The Wrong Missy feels like the most formulaic extended ’90s sitcom episode ever: “But if you’re here…and I’m here—who’s watching my drunk boss?!” Even worse, the delightful Sarah Chalke (Scrubs) is trotted out as Tim’s ex-wife, given a couple jerk-ish lines and then relegated to the background. We could’ve lost Swardson in exchange for Chalke’s spot-on comic timing and sensibilities easily; her simply farting on a snare drum would’ve been better. And funnier. Of course, it’s hard to blame Sandler and crew for setting the film in Hawaii. The Sandman’s affinity for the state has been clear since 50 First Dates, and if we had Netflix sending us to pretty places for work, we’d probably feel differently. Still, it plays no real purpose outside of a very weird shark sequence that pretty much seems like it was added to justify the location. But then, it’s not supposed to be good, is it? It just is. The Wrong Missy isn’t really supposed to be anything, in fact. As far as mid-quarantine programming goes, it’s a CONTINUED ON NEXT PAGE

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JUNE 3-9, 2020

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In this together.

MOVIES wonderful time killer and can boast a few chuckles. And Spade really does try—you can tell. Lapkus, however, is exhausting. The Vanilla Ice cameo is…wait, who is that for? (ADV)

Netflix, TV-MA, 90 min.

BLOOD QUANTUM

committed to our community. All Summer 2020 classes will be online. Though the campus grounds are temporarily closed, Santa Fe Community College remains open and ready to serve our students and our community. During this challenging time, SFCC is committed to working with all students to address your individual situation and provide access to the support you need. To find resources to help you register for classes, pay for college, contact a counselor, or connect with support services, call 505-428-1270 or visit sfcc.edu. As of now, Fall 2020 classes are scheduled for on-campus delivery, unless already scheduled to be online. Register for summer and fall classes at sfcc.edu. sfcc.edu | 505.428.1270

Five Great Reasons To License Your Pet:

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+ CORE; CAST; EFFECTS; ORIGINAL IDEA;

- SOME WOODEN PERFORMANCES

Every so often an original take hits the zombie genre, but it’s important to never get one’s hopes up. 2017’s The Cured, for example, found zombies getting cured but living with the memories of their zombie actions—a fantastic idea that wound up producing a tragically boring movie. In the newly released Blood Quantum, however, writer/director Jeff Barnaby’s vision of a world wherein Indigenous Canadians are immune to a zombie virus ravaging white folks, we get something we’ve never seen before, plus some of the coolest practical and gore effects in a movie ever—and an almost entirely Indigenous cast. On the Mi’gmaq reserve of Red Crow, sheriff Traylor (Michael Greyeyes) finds himself in the midst of a very bad day. His sons are arrested and his ex (Elle-Máijá Tailfeathers) is none too pleased; dead salmon are flopping back to life and his cousin’s wife just ate her newborn. Within six months, surviving tribal members have built up a small but relatively safe shelter, but with zombified white people shambling and sprinting across the bridge, it’s only a matter of time before they’ll have to leave in search of something more tenable. To make matters worse, his teenage son Joseph (Indian Horse star Forrest Goodluck) has an impregnated girlfriend (Olivia Scriven of Degrassi) and his other son Lysol (Kiowa

• It will keep you in compliance with state and local Animal Control Ordinances. • It proves your pet is properly vaccinated. • It can help get your pet home to you faster if he/she becomes lost. • It will reduce fines if your pet is picked up. • The fees help support other lost, stray, or abandoned animals in our care.

For more information about licensing, call our Admissions Desk at 505-983-4309 x1606, or visit our website at sfhumanesociety.org. 100 Caja del Rio Rd • Santa Fe, NM 87507 • 20 JUNE 3-9, 2020

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Blood Quantum brings something new to the zombie movie formula.

FOR MORE REVIEWS, VISIT SFREPORTER.COM

Gordon) has some controversial ideas about who gets to live or die. Outside of the totally bitchin’ premise and the totally bitchin’ grandpa (Stonehorse Lone Goeman) who fights with a sword instead of guns, Blood Quantum does suffer from some middling support performances. Its core cast, however, finds common ground between action thrills and emotional nuance. Goodluck in particular brings a noteworthy turn, and Gordon similarly impresses with calculated evil dressed up as concern. Greyeyes wows as well, sometimes hysterically funny amidst so much carnage and death, sometimes a caring father faced with tough decisions. As for the not-so-subtle subtext, it’s notable that characters still try to do right by the very colonizers destroying their lives with illness. We all know (or should know) at least some of the history surrounding the awful ways Native folks in this country have been treated. So we root steadfast for the non-zombies right up to the harrowing final moments of this exciting film. (ADV)

Shudder, NR, 96 min.

HOW TO BUILD A GIRL

5

+ THE MUSIC - DISJOINTED; SILLY; THE FAUX BRITISH ACCENT

Beanie Feldstein proved quite the capable actor in last year’s Book Smart, but maintains only some of that magic in How to Build a Girl, the film version of Caitlin Moran’s novel of the same name. Moran tackles the screenplay here as well and, like the book, bases the events of the film loosely on her own life as a 1990-something teenage rock critic for some alt.weekly rag in England. Feldstein is Johanna, a precocious if painfully shy 16-year-old who longs to be cool, have sex, write for a living. Using a combination of moxie, hallucinations and sheer force of will, Johanna lands her dream job and must navigate snobby culture journos, a never-been musician father hellbent on her helping him make it, up-and-coming bands and a brief but tempestuous crush on some superstar singer (Game of Thrones alum Alfie Allen) who’s far too old for her, but that’s OK, maybe? Definitely not, but the film wants us to believe it will be one day in the not-too-distant future. Girl starts strong with minor character turns from the likes of Michael Sheen and Sue Perkins, but quickly changes course to a dark-adjacent tale about staying true to oneself. Feldstein, meanwhile, transforms from lovably dorky into snarkily cruel so quickly; speeches are made about meaning what one writes, but someplace along the way she loses the thread. This hurts her family and her new friends, but she’s all about making that paper (both news and money wise) and boning as many dudes as possible (which we have no problem with except she describes it in great detail to her irritated gay brother, played by Laurie Kynaston, about the only character here who approaches anything close to authentic). Conflict arises, Johanna learns lessons, a surprisingly kickass soundtrack plays in the background and everything winds up right where you assumed it might. Where things get confusing is in whether this film was attended for the YA set or people who’ve lived long enough to find the whole thing silly. Either way, it’s not going down as one of Feldstein’s greatest hits. In fact, we’ll probably forget it (and her atrocious stab at a British accent) right around the end of…this sentence. (ADV)

Amazon, R, 102 min.


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JONESIN’ CROSSWORD by Matt Jones

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55 Nickname of a ‘50s-’60s sitcom kid 1 “Interstate Love Song” band, briefly 56 Freudian error 4 “Fiddler on the Roof” dance 59 Is untruthful with 8 Frenzied 62 *Former TLC reality show 14 Some old Chryslers about tattooists 16 Former Georgian president 65 Candle material Shevardnadze 66 “Go easy on me” 17 *Pioneering video game 67 Bequeaths company founded in 1972 68 Show that moved from Fox 18 Egyptian goddess of love to ABC, familiarly 19 Like almost all restaurant 69 “I just finished the puzorders these days zle!” exclamation 20 Plate 22 Lennon’s second wife DOWN 23 *Japanese variation on a 1 “Get a move on, Mittens!” frozen dessert 2 “The Wizard of Oz” dog 28 Like old wristwatches 3 Down-to-earth 30 “I know! Pick me!” 4 ___ polloi 31 Turn bad 32 “Where ___” (song by Beck) 5 Sash for a kimono 6 “Amazing” magician famous 35 “Wow, cool!” 39 *Redundant-sounding title for debunking 7 PC character system used for an “X-Files” agent for some “art” 42 “I’m Gonna Git You ___” 8 Laugh from Beavis (Keenen Ivory Wayans film) 43 “Clueless” actress Donovan 9 “When Your Child Drives You Crazy” author LeShan 44 Powerful sphere 10 Partner of paste 45 “___ a Kick Out of You” 11 Lake between two states (Cole Porter song) 47 First name in the 2020 campaign 12 Richie Rich’s metallic, robotic maid 49 *Home of Indira Gandhi International Airport 13 Format for Myst, back then 54 Prefix meaning “egg” 15 Emulate Pavlov’s dogs

21 ___ Brothers Records (longtime label for “Weird Al” Yankovic) 24 Invention of new words 25 “House Hunters” cable channel 26 Did a Cuban ballroom dance 27 Cassowary’s cousin 28 Kennel noises 29 Chef Matsuhisa who co-owns a restaurant with Robert De Niro 33 Be really mad 34 Comm. from some translators 36 Characteristic of Schonberg’s music 37 “Boys for Pele” singer Amos 38 “It’s either hunt ___ hunted” 40 “Just joking around” 41 Publisher’s multi-digit ID 46 Macaroni shapes 48 “Mr. Mojo ___” (repeated words in The Doors’ “L.A. Woman”) 49 Nick of “Cape Fear” 50 Dasani rival 51 Handle with skill 52 Fancy way of saying “feet”? 53 Covered with green creepers 57 “Lost ___ Mancha” (2002 documentary) 58 It’s seen near the hyphen 60 Traffic sign warning 61 Pull along 63 It may come after long 64 Blanc behind Bugs

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LISA MARIE is a beautiful one year old Oriental Short Hair – Balinese Seal Point mix. She recently finished nursing her kittens and now is ready for a home of her own. LISA MARIE came to us from a family in Albuquerque that could no longer care for her. She is very sweet, gentle and well socialized. LISA MARIE would do fine in a home with other cats but may also appreciate being your one and only.

DYLAN is a 3 month old kitten that is looking to be adopted with a sibling or into a home with another young cat for him to play with. He is just one of the many kittens we will have available over the next few months. Currently we have over 45 kittens in foster care. If you are interested in adding a kitten to your family, please fill out an adoption application now at www. fandfnm.org to get pre-approved. Please keep in mind, we typically adopt kittens in pairs unless there is another playful cat at home for companionship.

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MIND BODY SPIRIT ACUPUNCTURE Rob Brezsny

Week of June 3rd

ARIES (March 21-April 19): Aries poet Paul Verlaine wrote “Autumn Song” in 1866. It became a well-known French poem, and eventually played a role in a historical turning point. In June 1944, a top-secret British spy organization used the poem as a code to communicate crucial information to the French Resistance, via BBC radio, about the allies’ upcoming D-Day invasion of Normandy. In the spirit of poetry being used to accomplish practical actions, I’m now sending out a burst of code to you, Aries. It’s adapted from another poem by Verlaine: “Delight in good-omened fortune, baptized by the bristling scents of mint, thyme, and clover on the wind of dawn.” Regard this as a signal for you to acquire a necessary resource, strengthen connections with key allies, and intensify your current quest.

LIBRA (Sept. 23-Oct. 22): Nobel Prize-winning Libran author William Faulkner was asked by a cousin if he was drunk when he dreamed up the imaginative stories and characters in his novels. The truth was that on occasion Faulkner did indeed consume alcohol in excessive amounts. However, he rarely indulged while actually writing. His creative ideas mostly came from his fertile imagination, not an unhinged spirit. In the coming weeks, I hope you will be like Faulkner during the inventive phases he enjoyed while sober and disciplined and driven by focused intention. The astrological omens suggest that’s the best recipe for generating original ideas and productive visions.

SCORPIO (Oct. 23-Nov. 21): “What use is this howling tenderness?” wrote eighth-century Tamil mystic poet Andal. My research on Google reveals that no one has TAURUS (April 20-May 20): Taurus philosopher answered her question until now. I decided you would Bertrand Russell observed, “The best life is the one in which the creative impulses play the largest part and the benefit from hearing my response, since you are in a chapter of your life story when howling tenderness could possessive impulses the smallest.” That is always an important principle for everyone to embrace, in my opin- work to your benefit. So here’s my counsel: Howling tenderness is useful because it has the power to shatter mysion. But it will be an especially essential truth for you in terious barriers that have been at least partially obstructthe coming weeks. Your creative powers will thrive, even ing you from exploring the frontiers of sacred intimacy. soar and generate blessings, to the degree that you SAGITTARIUS (Nov. 22-Dec. 21): Buddhist teacher downplay and outwit your possessive inclinations Jack Kornfield articulates the spiritual medicine I think GEMINI (May 21-June 20): “It’s OK to live a life others you should seek in the coming weeks. You especially don’t understand,” writes author Jenna Woginrich. need it, and by happy coincidence, it’s likely to be That’s a healthy attitude for an eccentric person like her, available. Kornfield writes: “When we have for so long who taught herself by trial and error how to run a small been judged by everyone we meet, just to look into the farm with a meager budget while all alone in the middle eyes of another who does not judge us can be extraorof nowhere. But does her advice apply to everyone? I dinarily healing.” I urge you to identify the people who say yes, it does. All of us have quirky behaviors and idio- can perform this service for you, then ask them pointsyncratic ideas and odd feelings that other people find blank to perform this service, even if it has to happen hard to understand, let alone appreciate. I bring this to over FaceTime or via Zoom. To generate the good your attention, Gemini, because the coming weeks will karma that will ensure this happens in just the right be a time when it’s best for you to emancipate yourself way, offer to perform the same service for others. as much as possible from the need to be perfectly CAPRICORN (Dec. 22-Jan. 19): “The changes we understood as you express your raw, pure, unique self. dread most may contain our salvation,” writes author CANCER (June 21-July 22): I’m one of the lucky peo- Barbara Kingsolver. Although I mostly agree with her ple who has never been addicted to alcohol or drugs. conclusion, I’ll also suggest that we could come up What’s the source of my great fortune? Two kinds of with less melodramatic versions of it. For example, we grace are key: I suffered no abuse and trauma when I might say, “The adjustments we’re resisting may actuwas growing up, and my genetic make-up doesn’t ally be healthy.” Or “The uncomfortable transitions predispose me to self-medicate with intoxicants. But I we’re avoiding might ultimately lead to a better veram indeed a bit addicted to other things, like fearful sion of comfort.” Or “The revelations we’re attempting fantasies, sexual feelings, and the urge to win arguto ignore and deny could eventually be the source of ments. So I’m blessed in some ways, cursed in othrelief and release.” Do any of these work for you right ers—just like all of us! In honor of our season of intro- now, Capricorn? I bet at least one does. spection, my fellow Cancerian, I invite you to do what AQUARIUS (Jan. 20-Feb. 18): Some people seem to I just did: Count your blessings and curses. Doing so think of sacredness as being pristine and pious—an will bring you just the right kind of healing. immaculate and orderly transcendence of earthly concerns. Author and minister Marilyn Sewell has a LEO (July 23-Aug. 22): “Jacquemus Mini Le Chiquito” is the name of a tiny purse you can buy for $522. It fits different perspective. “Who can order the Holy?” she asks. “It is like a rain forest, dripping, lush, into the palm of your hand, and won’t hold much— maybe a single-use strand of dental floss, a shoe from a fecund, wild. We enter its abundance at our peril, for here we are called to the wholeness for which we Barbie doll, a snippet of a loved one’s hair, an aspirin, long, but which requires all we are and can hope to maybe a few crumbs from a potato chip. In any case, I don’t recommend it for you. You should be surrounding be.” I recommend Sewell’s version of holiness to you yourself with symbols of capaciousness and roominess. in the coming weeks, Aquarius. You’re primed to upgrade and deepen your sacred lust for life. You need influences that inspire you to be a spacious container. It’s time for you to welcome and receive an PISCES (Feb. 19-March 20): When Europeans arrived abundance of blessings, inquiries, and invitations. in the New World, the Iroquois Confederacy in what’s VIRGO (Aug. 23-Sept. 22): “Worry is a way to pretend now northeastern North American had been practicing participatory democracy for 350 years. The visionary that you have knowledge or control over what you principles of these native people ultimately influenced don’t,” writes author Rebecca Solnit. “And it surprises me, even in myself, how much we prefer ugly scenarios the formation of the United States and its Constitution. Now would be a good time for you to be inspired by to the pure unknown.” Your assignment in the coming these facts. How? You could draw teachings from the weeks is to thoroughly incorporate Solnit’s wisdom— past and use them to create your future. You could and then wield it with tender ferocity as you reshape study the perspectives of indigenous people and incoryour relationship with the future. See if you can manporate their wisdom into the way you live your life. You age, if only for ten days, to fight off and dissolve the could tune in to and explore the traditions of people reflex to worry. Here’s a tip: Any time the agitated fanyou respect and adopt them for your own use. tasy of an ugly scenario rises up in your imagination, remind yourself that it’s not objectively true and imme- Homework: What’s your favorite thing to do when diately replace it with a fantasy of a desirable scenario. you’re alone? Testify: FreeWillAstrology.com

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 2 0 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700. 22

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ASTROLOGY

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in Authenticity - For Proven Resilience! (re) Discover Who You Really Are With Integrative Coaching and Counseling Dr Mark Arcuri Santa Fe -based, Zoom Sessions drmarkarcuri.com/coaching (505) 629-0821

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COMMUNITY ANNOUNCEMENTS THE PALACIO CAFE IS OPEN!! Our beloved Palacio Cafe has reopened for take-out (inside soon). Damian & Marie are back to prepare breakfast (all day) and lunch straight from their hearts! Clean, fresh, homemade, flavorful plus organic vegetables. Award winning New Mexican and American offerings. Open Wed - Mon 7:30am to 4pm. 209 E. Palace Ave.•505-989-3505 If you'd like to help keep Damian's Cafe Open, there is a Go Fund Me, Google: Fundraisers in Santa Fe, NM 87501 : keep-palacio-cafe (input passcode again to access second page) All denominations will be greatly appreciated! Thank you, God Bless you all!

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FENCES & GATES

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LEGALS

LEGAL NOTICE TO CREDITORS/ NAME CHANGE STATE OF NEW MEXICO FIRST JUDICIAL DISTRICT COURT SANTA FE COUNTY NO. D-101-PB-2019-00208 IN THE MATTER OF THE ESTATE OF LORENZO L. BARRONE, DECEASED NOTICE TO CREDITORS Robin Naffziger has been appointed Personal Representative of the Estate of Lorenzo L. Barrone, deceased. All persons having claims against this estate are required to present their claims within four months after the date of the first publication of this Notice or the claims will be forever barred. Claims must be presented either to the Personal Representatives Attorney, Philip J. Dabney, Esq. at 3500 Trinity Drive, Suite B-4, Los Alamos, NM, 87544 or filed with the First District Court Clerk at 225 Montezuma Ave, Santa Fe, NM 87501. Date: 5/18/20 /s/ Philip Dabney PHILIP J. DABNEY, Esq. STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY IN THE MATTER OF THE ESTATE OF CINDYLEIGH M. ROYBAL, Deceased. No. 2020-0053 NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed personal representative of the estate of the decedent. All persons having claims against the estate of the decedent are required to present their claims within four (4) months after the date of the first publication of any published notice to creditors or sixty (60) days after the date of mailing or other delivery of this notice, whichever is later, or the claims will be forever barred. Claims must be presented either to the undersigned personal representative at the address listed below, or filed with the Probate Court of Santa Fe County, New Mexico, located at the following address P O Box 1985 100 Catron Street Santa Fe, NM 87504 Dated: May 29, 2020, Nathan A. Gallegos, Personal Representative, 1105 Avenida de Codorniz, Santa Fe, NM 87507.

CALL 988.5541 TO PLACE YOUR AD TODAY!

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JUNE 3-9, 2020

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LOST PADRE RECORDS

Santa Fe Reporter is looking for a new home this fall. Seeking parking and a mix of private and common areas in the range of 3,000 square feet. Serious inquiries to Jen Fong, Barker Realty, jfong@santaferealestate.com

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TEXTILE REPAIR 505.629.7007 BIG STAR OPEN BY APPOINTMENT Buying & trading books & CDs again! Schedule an appointment — 820-7827

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Just like most beloved events, our calendar is now completely online and updated regularly with virtual events from across the city. Find all the gallery openings, book readings and live-streamed concerts you could ever desire at

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ARTISTS, GALLERISTS AND COLLECTORS DEMYSTIFY THE ART COLLECTION GAME BY ALEX DE VORE, P.10

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online or delivery services?

Advertise them HERE on SF Reporter’s backpage! sfreporter.com/friends

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