May 31, 2017 Santa Fe Reporter

LOCAL NEWS

AND CULTURE MAY 31-JUNE 6, 2017

SFREPORTER.COM FREE EVERY WEEK

WE CAN’T REALLY KNOW WHAT’S KILLING NEW MEXICO’S MOTHERS

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diabetes-SFR.qxp_Layout 1 5/26/17 10:03 AM Page 1

DIABETES 101: THE PERFECT GUIDE TO UNDERSTANDING THE SWEET PANDEMIC

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In addition, Dr. Ruiz will discuss prevention and the various protocols for managing diabetes and the data behind recommended medications.

Saturday, June 10 • 8:00 – 11:00 am Eldorado Hotel & Spa 309 W. San Francisco St., Santa Fe, NM 87501 Complimentary parking is limited at the hotel.

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will present on all things diabetes and will focus on prevention, diagnosis and management.

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SFREPORTER.COM

MAY 31-JUNE 6, 2017 | Volume 44, Issue 22

NEWS

I AM

OPINION 5 NEWS 7 DAYS, METROGLYPHS AND THIS MODERN WORLD 6

.

Marcel Legendre, VP, Santa Fe Branch Manager

CAN’T STOP WON’T STOP 9 ¡YouthWorks! braces for a Trumpian economic landscape TVMLA 11 What do Tesuque and Venice Beach have in common?

My clients expect superior customer service.

That’s how I work. I AM your bank.

35 PAIRING IT UP

COVER STORY 12 MORTALLY MATERNAL The United States’ maternal mortality rate is on par with some developing nations, and in New Mexico, minorities are especially hard-hit—but figuring out why our rates are climbing is not so simple

Pairing the proper wine with your culinary creations can be a bit of a gamble. Go in armed with suggestions from our resident sommelier.

Cover design by Anson Stevens-Bollen artdirector@sfreporter.com

EDITOR AND PUBLISHER JULIE ANN GRIMM

MyCenturyBank.com 505.424.2882

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE

CULTURE

ART DIRECTOR ANSON STEVENS-BOLLEN

SFR PICKS 19 Cocktails and Italians, dawgs and chillouts

CULTURE EDITOR ALEX DE VORE

THE CALENDAR 21

STAFF WRITERS AARON CANTÚ MATT GRUBS

MUSIC 23

COPY EDITOR CHARLOTTE JUSINSKI

THE YARD AMP Concerts goes big for its Summer Concert Series DREAM, BUT DREAM PRACTICALLY #SaveTheGreer loves the theater

DIGITAL SERVICES MANAGER BRIANNA KIRKLAND

SAVAGE LOVE 26 Doin’ it and doin’ it and doin’ it well

PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER

AC 31

PHOTO INTERN LILANA DILLINGHAM

NIGHTWATCH Painter Lavanya Reed gets dreamy

WEB INTERN LEONORA SANCHEZ

¡POUR VIDA! 35

MAJOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS

PAIRING IT UP Try this or that wine with this or that food

ADVERTISING EXECUTIVES MICHELLE RIBEIRO NOAH G SIMPSON

MOVIES 39 PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES REVIEW Plus obits in the new doc Obit and the pain and ecstasy of infinite boredom in L’Atessa

www.SFReporter.com

CONTRIBUTING EDITOR JEFF PROCTOR CONTRIBUTING WRITERS MARY FRANCIS CHEESEMAN JORDAN EDDY ELIZABETH MILLER

ACTING OUT 25

Phone: (505) 988-5541 Fax: (505) 988-5348 Classifieds: (505) 983-1212 Office: 132 E MARCY ST.

CULTURE STAFFER MARIA EGOLF-ROMERO

Filename & version:

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NEED A PHYSICIAN? WE PROVIDE health care for THE entire family.

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EDITORIAL DEPT.: editor@sfreporter.com

CULTURE EVENTS: calendar@sfreporter.com DISPLAY ADVERTISING: advertising@sfreporter.com CLASSIFIEDS: classy@sfreporter.com

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southwestcare.org SFREPORTER.COM

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MAY 31-JUNE 6, 2017

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P R OV I D E R F O R D E LTA A N D U N I T E D C O N C O R D I A D E N TA L P L A N S • M O S T I N S U R A N C E S A C C E P T E D

Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

WEB EXTRA, MAY 24: “NOT BAD FOR GOVERNMENT WORK”

DIVINE INSPIRATION Executive CEO Mayor versus community conscious public servant. That seems to be the divide between the mayor’s salary setting commission and the public speaking out at recent public input meetings.

Many feel misled, angry and offended by the huge salary increase for the mayor in a time when the community is stretched thin. This drama is playing out like a Dr. Seuss story (“Yertle the Turtle”). Here’s my own version of the story: The turtle on top must be paid more, Because he’s one notch above the turtle before.

While the taxpayer turtles that hold up the heap are sliding and sinking into the deep.

While they lose their jobs, infrastructure and schools, the turtles on top compare data and rules.

They say that the mayor is the top CEO, ignoring all the suffering of the turtles below.

GAYLE DAWN PRICE SANTA FE

NEWS, MAY 24: “DUTY TO SUCCEED”

LOSER PARENTS Unfortunately there are a lot of ignorant and useless parents out there that throw their kids at the

school and expect the state to educate them. It starts at home. Get involved with your children, encourage thinking, curiosity, and learning. Turn off the TV and take away the video games. Take them to the library. Invest in your children. A lot of the parents I see [are] bad examples, lazy drop-outs, waiting for government handouts, using their children as objects, whether it be for handouts, or custody battles; exposing their children to to all of their drama, including the music, and loser lifestyle.

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New Mexico is gonna stay impoverished and weak because of the Republicans who hold everyone down through oppressive ideology.

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COVER, MAY 24: “DISPENSARY LAND”

GOOD FOR THE PUPS The folks were so very kind to me when I stopped by to pick up some CBD oil for my dog, Sumo, who had been diagnosed with cancer the day before, given only weeks to live. Well, Sumo, is back to normal, energetic, curious, enjoying life after I expected for him to pass on late in March. I am very grateful and wish we in NM had funded more research and produced this remedy ourselves rather than have it imported from Switzerland. I know of another little dog who seems to benefit greatly from CBD oil, as far as we can tell. I hope others will hear about it and share their stories, what worked, was helpful and what not. So because of my recent personal experience, I am particularly appreciative of this article, thanks.

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CONTINUED ON PAGE 7

SFREPORTER.COM

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MAY 31-JUNE 6, 2017

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7 DAYS TIGER WOODS ARRESTED FOR DWI IN FLORIDA, CLAIMS IT WAS REACTION TO MEDS We’d have thought he’d be a better driver; or He should’ve stuck with club soda; or That’s rough; or Hope he doesn’t get put in the hole!

KOB-TV NEWSCAST DELAYED DURING ATTEMPTED BREAK-IN Y’all can just stick to writing us angry letters and commenting online from behind fake names, thanks!

ANGELA MERKEL SAYS EU CAN’T RELY ON THE US ANYMORE UNDER TRUMP Girl, tell us about it.

FORMER TEACHER ANNOUNCES MAYORAL RUN She gained notoriety for locking a student in a chain-link enclosure. We, too, favor City Hall cage matches over boring meetings.

BOMB THREAT AT WALMART TURNS UP NOTHING Other than those low, low prices.

STATE MAY GIVE MEOW WOLF $850K This just in: Other things also exist!

MANUEL NORIEGA DIES Puppet regime-in’ ain’t easy when you’re known as “Pineapple Face.”

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LETTERS HEALTHY AND FUN! Very interesting. I came away with the impression that the cannabis business is still trying to decide between a future as alternative medicine or as something along the lines of a specialty bar and grill. Be fascinating to see where it settles. Colorado seems to be slowly but surely moving towards the latter.

Health is still a marketing emphasis, but the other aspects are increasingly prominent.

SCOTT McMILLIN SFREPORTER.COM

IDGI? Tasteless depiction of the program and patients in that cartoon used for the article; Does SFR find humor in those who have cancer, MS, ALS or PTSD?

JASON BARKER SFREPORTER.COM

LETTERS, MAY 17: “NOT ENOUGH” AND “WORKS FOR SOME”

HERE HERE John Moreau is absolutely correct when he says that domestic violence offenders (also called batterers and habitual abusers) should be required to participate in a 52-week program. Sheila Lewis is also correct in saying that not all those who come before the courts qualify as needing 52 weeks of treatment. Abuse and partner violence happen in levels and degrees; from yelling and threatening to brutally assaulting a victim. We need to have different levels and degrees of treatment, from 12-week to 26-week and 52-week treatment, in order to make sure the offender gets a level of treatment that best fits the situation.

We need to have a consistent and effective means of assessing each individual case.

Ideally, this would be done by a licensed therapist who has knowledge of the dynamics of abuse and violence, and should be

done prior to court sentencing. It should also be noted that not all offenders are male and not all victims are women.

MARTIN KLEHN SANTA FE

NEWS, MAY 17: “HOLD ON TO YOUR BUTTS”

NOT EVERYONE LIKES IT I completely agree with the city’s decision to outlaw smoking on the Plaza.

Secondhand tobacco smoke is a proven carcinogen, but that isn’t the only carcinogenic smoke people are forced to inhale there. Meat grilling on the Plaza has gotten out of hand. On one visit last year to the bandstand series, a thick pall from meat grilling hung over the entire park. It was so dense that our group of bikers was forced to leave the festivities.

There is growing public awareness that eating barbecued meat is conclusively link to increased cancers, but emerging research now proves that inhaling polycyclic aromatic hydrocarbons from grilling meat increases cancer too and definitely harms fetal development in the womb.

Why not make it a clear and safe environment for everyone down at the Plaza and ban all forms of smoke?

LEE

GREENWOOD JUNE 30 TICKETS AT TICKETS.COM OR CASINO BOX OFFICE BUFFALOTHUNDERRESORT.COM

JAMES CORCORAN SANTA FE

CORRECTION In SFR’s 2017 Summer Guide, inserted in today’s edition, we incorrectly stated in the “Summer’s Cool” event guide that the FantaSe Dome Fest would occur June 17. It is not happening this year. Sorry, guys.

SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER “Come on guys, let’s flick these onions off the roof.”

“No … I don’t have the energy right now.”

—Overheard at Bar Alto “I can’t imagine having sex with either one of them. He looks like the Pillsbury Doughboy.

That’s just gross.”

—Overheard at La Fiesta Lounge

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MAY 31-JUNE 6, 2017

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MAY 24-30, 2017

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LILANA DILLINGHAM

CAN’T STOP WON’T STOP

NEWS

Santa Fe’s ¡YouthWorks! keeps hope lit in a darkening world second-highest receiver of such funds.

The league suggested in the piece that the city tighten its accounting.

But Schuyler, ¡YouthWorks!’s executive director, argues that the impacts on personal development are more important than what can be quantified on paper, and at a time when the country seems headed in a harsh direction for struggling people, she says that the work they do resisting despair is invaluable.

We dropped in to their office on Cerrillos last Thursday morning, after all the young people had fanned out across the city, and spoke to Schuyler and operations chief Heather Vigil Clarke about their current and future work in Trump’s America.

BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m

M

SFR: How do you connect youth to local businesses?

Schuyler: We look at youth needs and business needs in the local economy, we study the current labor market trends LILANA DILLINGHAM

elynn Schuyler insists that the young people she serves are the true voice of ¡YouthWorks!— so much so that she’s slightly uncomfortable speaking on behalf of the organization she co-founded. Since 2001, the nonprofit has offered critical support to around 10,000 teens and young adults in the Northern New Mexico area. Nearly everybody who comes through its doors hails from a low-income background, most are people of color and many live precariously; they’re undocumented, or homeless, or ensnarled in the criminal justice system at a young age.

To date, the organization has put to use $4.5 million for “wrap around services” for young people. That’s nonprofit-ese for programs that hit on various needs, from GED prep and apprenticeship programs with local businesses (wherein ¡YouthWorks! will subsidize a youth’s wages) to on-site counselors who also work with public schools in Santa Fe. A lot of the stuff on offer stems from the partnerships ¡YouthWorks! has made over the years; for example, private catering contracts form the basis of a culinary arts program, and Bureau of Labor finances an arrangement where youth help build affordable housing. But the organization does little things too, like provide places to sleep and help with laundry.

Few would dispute the good intentions here, but in a recent story for the Santa Fe New Mexican, the Santa Fe County League of Women Voters appeared to question the city’s decision to pour a reported $1.2 million of economic development money into ¡YouthWorks! over the last eight years, making it the

ABOVE: Inside the ¡YouthWorks! HQ BELOW: Melynn Schuyler says the city’s economic development spending on her organization helps youth resist despair.

in Northern New Mexico, and see what matches. Where are the job openings, where are they coming from, what’s going to come down the pipeline, and what are youth interested in, and can we help them see that some of their interest might match those areas? So our intake process with any young person asks, ‘What are you interested in doing now, in five years, in 10 years?’ And, ‘Can we help guide you toward the things you might want to experience so you can test-drive your skills and find that passion somewhere?’

Why do you believe the city’s spending of economic development funds on ¡YouthWorks! is justified?

Schuyler: We meet and exceed all the performance measures that we have mutually agreed upon between the city and this organization to develop a workforce that is employable and that contributes to the economy. Each year of funding that we’ve received, we have gained another 20 percent in job placement, apprenticeship placements and successful youth outcomes, measurable from the day we started to receive funds nine years ago to this day. Throughout multiple administrations in the city, nothing has been able to compare to the work and impact that we’ve been able to demonstrate in human lives and changing trajectories and in meeting employers’ needs.

What’s ¡YouthWorks! relationship to the criminal justice system?

Vigil Clarke: We’ve always had a general relationship, in that the clients they serve are often those we serve, but now we’re interfacing because there’s been this big paradigm shift within the juvenile justice system that’s less punitive and more focused on how you teach new skills and integrate young people instead of throwing them in jail. We’re interfacing with the [Juvenile Probation Office] because

they see the services we’re offering and recognize that when we offer these services to young people it makes their jobs less intensive. ¡YouthWorks! receives money from federal community block grants, which the Trump administration has threatened to pull from self-declared sanctuary cities. How would it affect ¡YouthWorks! if those funds were pulled?

Schuyler: ¡YouthWorks! would be primarily affected by the impact on young people and their families who are already struggling to maintain housing, in a community that has less and less affordable housing options. Our partners like Habitat for Humanity would also be affected. ... ¡YouthWorks! won’t go under, but we’ll experience much greater need and much more homelessness—we already have families living on the edge, and young people living in tents right now. … The needs on the social services agencies are going to explode. And so other sources have to come into play. Private sources have to reassess how they are going to help maintain society if our federal government’s not going to.

Many of the kids you serve are Latino and Native. How have they reacted to the racist and xenophobic rhetoric and policies emanating from the federal government?

Schuyler: There’s a lot of fear of the unknown. There is some general feeling of lack of hope: How do you stay invested in your future and all the things we’re espousing and pushing here? But there’s also some rebellion: How can we fight back? As a smaller community, we have that power. We’ve survived this long. And young people bring energy and ideas and creativity, and we’ll get behind them and support them in all of that. We won’t give up, and they’re not going to give up.

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MAY 31-JUNE 6, 2017

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TVM B Y M AT T G R U B S m a t t g r u b s @ s f r e p o r t e r. c o m

I

t’s been a gas station, a butcher shop, and an apartment. It’s now the original Tesuque Village Market.

Seeking to export the laid-back air of the New Mexico eatery and general store, owners Michael and Reeve Stein partnered with lived-in-Tesuque-thenleft-and-is-back-now Alicia Searle and Christi Offutt. In March, they opened a Tesuque Village Market in the Los Angeles neighborhood of Venice Beach.

The New Mexico TVM morphed into what it is organically. Jerry Honnell opened the place as a restaurant in the late ’60s. Stein bought it from him about a decade ago. The transition, he says, amounted to Honnell handing him the keys one night after work and Stein showing up to open the place the next day. There have been changes since then to a more upscale market—with $13 Frito pies, it’s not cheap—but it has a distinctly low-key feel.

The effort to buck the trend of style moving inland from the coast and to transport that feel from Tesuque to LA has been far more bureaucratic than organic. While the market is now open, it’s still only part way to what the owners want it to be. They hired the same Santa Fe artists who did the mural in Tesuque to paint the Venice exterior. They’ve put long tables down the center of the inside.

There are beer coolers, a deli case and an espresso bar. All with what Stein calls a “beachier” vibe.

The Kim’s Food Corner market that occupied the corner of Mildred and Ocean avenues before Searle and company bought the property was a beloved, if not revered, local dive in Venice. It served no-frills, cheap stuff—food and otherwise.

Venice holds fast to the funky vibe it grew during the ’50s and ’60s. The neighborhood was wary of what might make its way into the mostly residential area just off Venice Boulevard.

The “dirty-grit element” that TVM’s Stein saw in Kim’s was something he wanted. It felt aligned with Tesuque. It was also something the Venice Neighborhood Council, part of the City of Los Angeles Department of Neighborhood Empowerment, felt it had to protect. As a result, the Venice version of TVM isn’t yet a restaurant. There’s alcohol, but it’s a package license that only lets the market sell booze, not serve it. Breakfast burritos, Frito pie, posole and the market’s green chile cheese bread are cooked up off-site.

ABOVE: TVM co-owner Michael Stein.

BELOW: The new Venice Beach location is tackling concerns from neighbors.

COURTESY ALICIA SEARLE

Tesuque Village Market looks to bring Santa Fe vibe to Venice Beach

TVM will have to convince the neighborhood that it can become the same local hangout as its Tesuque self.

“It’s the only commercial property in a residential area,” Searle tells SFR. “And that’s what we were looking for. We wanted the same feel … to be the local place for the community. It is still our dream to do that.”

Santa Fe can relate to what’s happened on nearby Abbot Kinney Boulevard. It’s boomed, with local stores largely pushed out in favor of hot-spot restaurants, boutiques, yoga studios and third-wave coffee bars bringing hipsters en masse. Snap— which owns the photo-sharing app Snapchat—plopped its LA headquarters in Venice Beach and the neighborhood has occasionally gone ballistic as the company has bought and leased buildings and

MATT GRUBS

NEWS

homes for more office space, its techie tentacles reaching deeper into the community.

TVM is no Snapchat, though.

“We’re not the gentrifiers that we were being accused of,” Stein says, perched on a stool in the Tesuque location late on a Friday morning. “I mean, look at this place.”

He and Searle are confident that once the community realizes what the market is all about, the permits to open a restaurant will soon follow.

“I think they saw these people from another state coming in. And unfortunately in Venice, people have taken advantage of the property and come in and said, ‘Oh, yeah. We’re just going to do this.’

And then turn around and demolish it and turn it into something that the community never wanted,” says Searle.

“If they could all just come to the market here and experience it, they would know what we’re trying to do there.”

In the two months the Venice property has been open, they’ve actually had a few people from Los Angeles stumble upon the Tesuque market and make the connection between the two. Either Stein or Searle is in Venice every other week and say the market is doing well.

“The margins in retail aren’t what I’m used to,” Stein says. But they’re good enough for now. If he can get the restaurant open, it may not be too long before he’s established enough to go looking for a third TVM location in the market he passed up to move into Southern California: Get ready, Dallas.

SFREPORTER.COM

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BY ELIZABETH MILLER e l i z a b e t h @ s f r e p o r t e r. c o m

I

t’s taken years for her to say it, but Nicolle Gonzales now can frankly state that she nearly died in childbirth. The arrival of her first child was marked with warning signs—a big baby, a long labor, high blood pressure.

She hemorrhaged; her husband remembers so much blood, and her mother was so traumatized she didn’t attend the births of Gonzales’ next two children.

Yet the doctor barely spoke to her, barely acknowledged her questions or concerns through the process.

It took years, and, in part, her master’s degree, to understand how near a miss that was.

Gonzales, a San Ildefonso Pueblo Diné woman and midwife, is on the frontlines of a new battle for mothers.

The statistics she’s staring down put gaping holes in families without matriarchs. Nationwide, the maternal death rate has climbed, and women of color are particularly hard-hit. A woman is more likely to die during childbirth in America than in Iran, Serbia, or Bosnia-Herzegovina. This, in the nation that spends more

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WE CAN’T REALLY KNOW WHAT’S KILLING NEW MEXICO’S MOTHERS

on healthcare than any other.

What happens at birth, Gonzales says, has a chance to reshape everything else that follows, starting a process that mends ties to family and community. To offer women that support and an option to birth in a traditional way, she’s in the throes of establishing a Native birthing

SFREPORTER.COM

center.

Sen. Nancy Rodriguez thought she would also be leading a charge to shine more light on the state’s lost mothers this year, but her efforts ended on the governor’s desk—at least for now. When the long-serving Santa Fe lawmaker spoke at a New Mexico Federation of Democratic

Women event at the start of the regular session, she mentioned a bill she drafted after hearing a case made solely through the numbers. Since the turn of the 21st century, the rate at which women die in childbirth across the country has doubled.

When she finished speaking, a woman from the front row of the audience approached, and pleaded with her to pursue the legislation. She’d lost a family member shortly after the woman had given birth, and said, as the senator recalls, “to this day, we are just wondering what happened. We don’t have her in the family any more—we have the baby, and not her, and no idea what happened. So hopefully something like this legislation will help come up with some answers.”

The latest numbers show a rate of 19.1 maternal deaths per 100,000 live births in New Mexico each year, up from 9.6—the state aggregates four years of data at a time, so these rates apply respectively to 2012-15 and 2003-06. Nationwide, over the 20th century, maternal mortality had severely declined, from a rate as high as 850 or 900 per 100,000 births in the early 1900s, to one as low as 10.

Unraveling how and why these numbers have been climbing is a challenge fet-

The legislation from Rodriguez sought to loosen some of the stranglehold on this information in New Mexico and create a 25-person, zero-cost committee to study these cases. In her veto message, the governor wrote that while she was sympathetic to the cause, there wasn’t any need to legislate the creation of such a committee.

Physicians disagree. One hurdle to good data is that hospitals are reluctant to hand over case information. Maternal mortalities often result in lawsuits, and no one wants to risk a violation of the federal privacy law called the Health Insurance Portability and Accountability Act (HIPAA). The numbers are small enough that details such as when, at which hospital, and what caused a woman’s death are seen as identifiable and therefore cannot be released to the public. The proposed legislation would have authorized hospitals to give those details to two designated aggregators, who could then review and present data to the committee without any recognizable details. The committee could then assess their causes and make recommendations as needed.

The legislation would also have al-

lowed for expanding the process to include severe morbidity events, cases considered a “near miss” with death, such as what midwife Gonzales experienced.

These cases are by some estimates 20 times more common than death and also, according to the CDC, appear to be on the rise.

The impetus for the legislation came from Dr. Sharon Phelan, chairman of the American College of Obstetricians and Gynecologists, professor at the Universi-

ty of New Mexico and a physician in the state for 40 years, 30 of which have seen her reviewing maternal deaths. When she testified in February to a Senate committee, she pointed out that women die during childbirth in the United States at a rate that ranks among what’s found in developing nations.

In New Mexico, she says, “It’s small in number—20 people a year when some 200 die in motor vehicle accidents, but you’ve lost a mother, a daughter, a sister.

COURTESY NICOLLE GONZALES

tered by privacy laws protecting an individual’s health care and fogged by a recent change in death certificate filings. That administrative change, which began rolling out in 2003, may be responsible for increasing the number reported, creating the appearance of an increase simply by virtue of catching more of these deaths.

“We probably were not going a good job of tracking in the ’90s,” says Dr. William Callaghan, chief of the Maternal and Infant Health Branch at the federal Centers for Disease Control and Prevention.

In last five years, since death certificates began including a box to check if a woman was or had recently been pregnant when she died, the national rate has hovered around 16 or 18 per 100,000.

“To what degree that was a real increase up to that 16 or 18, and to what it’s just identification, I can’t really tease out,” he tells SFR. There’s room to quibble about measuring issues, he says, yet “at the end of the day, we feel really confident that it is what it is today and it’s too high. …

There really is no acceptable level.”

With his first grandchild due this summer, this issue weighs on his own mind for more than theoretical reasons.

You’ve lost a mother, a daughter, a sister. It’s a big blow to the family. A maternal death is just the tip of the iceberg.

-Dr. Sharon Phelan, chairman of the American College of Obstetricians and Gynecologists

Nicolle Gonzales almost died during childbirth, and now the San Ildefonso Pueblo and Diné woman is a midwife with plans to open a Native birthing center.

It’s a big blow to the family. A maternal death is just the tip of the iceberg. And for every one of them, there are probably 20 to 40 severe morbidity events that will have consequences for that woman and her family for years to come.”

Exactly how small that number is depends on which agency you ask. The Department of Health, which counts just women who died within six weeks of the end of a pregnancy, lists just 34 maternal mortalities between 2008 and 2014. Extend that research out as far as a year after giving birth, as Phelan does in her maternal mortality reviews, and the number climbs to 135.

“The problem we have in New Mexico is that we don’t have any real good data gathering,” says Dr. Abraham Lichtmacher, chief of women’s services at Lovelace Health System. “There are racial disparities in those numbers, but because we don’t have any great way of collecting that data or a mandatory reporting requirement, we’re catching these things at the back end.”

He cites estimates that some 30 to 40 percent of maternal deaths still are not captured by the mechanisms currently used.

CONTINUED ON PAGE 15

SFREPORTER.COM

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Individuals who need special accommodations should call the phone number listed for each event.

Phelan and advocates were able to use death certificate data to craft a breakdown by cause of death, region and race to give legislators. These numbers are “just a start,” Phelan cautions, and not a complete picture of the problem. Their survey expanded to include women who died within a year of giving birth as a way of tracking how many families are disrupted by this type of loss. The rough summary shows that women of color bear a disproportionate burden. White non-Hispanic women die at a rate of roughly 14.9 per 100,000, while Hispanic women at 25.5— well ahead of the national average of 11.3— and Native American women at 23.7.

Those numbers fit with national trends found in a September 2016 study published by the American College of Obste-

tricians and Gynecologists. Their analysis found that the nationwide rate increased 26.6 percent between 2000 and 2014, disproportionately affecting women of color.

Black women are three to four times more likely to die during childbirth than white women, and Hispanic women 50 percent more likely.

When the CDC breaks data down to causes, those traditionally associated with pregnancy—hemorrhage, hypertension and embolisms—actually appear to be decreasing. The increase is in a set of complications that current coding rules categorize as “other specified pregnancy-related conditions”—something linked to the pregnancy or childbirth, but not one of those formerly dominant problems.

“It’s really difficult to know what they

are, but they’ve increased dramatically and they’ve increased during the same time that the checkbox is being used,” Callaghan said during a webinar on the issue in December.

Infections and cardiovascular conditions appear to be on the rise over the last five to 10 years, but the language here also lumps heart attacks and cardiomyopathy—diseases of the heart muscle—with problems resulting from uncontrolled, longstanding high blood pressure. His concern is that these chronic diseases seem to be affecting younger populations.

Physicians could screen for some of these conditions, and there are some obvious markers, like obesity, that cue a need to monitor heart health. But for some women, problems seem to come out of no-

where—and the “lay literature,” as he calls the press, is packed with stories of women who didn’t appear to be in a high-risk situation when something went wrong.

One possible contributor is that a generation of women born with congenital heart disease or cardiac abnormalities at birth that were corrected—women who in the past would not have survived childhood—and are reaching reproductive age, Callaghan says.

“The hard part about pregnancy mortality is that it’s not like a war on disease, it’s not, ‘How do we fix deaths from colon cancer’—that’s a very specific and clean question,” Callaghan says. “You have women who come into pregnancy with all that they bring with them and the diCONTINUED ON NEXT PAGE

MATERNAL DEATHS BY CAUSE FROM 2008-2014

MATERNAL DEATHS IN NEW MEXICO

1%

Total Number of Deaths: 135

8%

Accident

4%

Homicide

4%

MATERNAL DEATHS PER NM HEALTH REGION

Suicide Embolism

7%

Hemorrhage

41%

3% Metro

Northeast

Northwest

Southeast

Hypertension Dir - Other

6%

Cardiac

5%

Southwest

Pulmonary Sepsis

7%

14 %

Indir - Other

15

DEATH RATES PER 4 YEARS

19 48

20

20032006

20062009

20072010

20082011

20092012

20102013

20122015

26 18/15.3

11/9.6 15/12.5

7

19/17.1 24/21

20/19.1 19/17.5

Unknown

4 Year Total / Average Death Rate SOURCES: NM DEPARTMENT OF HEALTH

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MAY 31-JUNE 6, 2017

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rect effects of pregnancy itself. There are multiple reasons why they might die.”

In the numbers gathered in New Mexico, for a woman for the year following a birth, the leading single cause is accidents, to which 41 percent of these deaths were attributed. Fourteen percent were to suicide, and half that many to homicide. The causes more commonly associated with medical issues that arise during delivery include hemorrhage, embolism, hypertension and a catch-all “other” category. One of the problems Phelan identifies is that with about 20 deaths a year, and only eight to 10 of those pregnancy-related, patterns are tough to trace.

“When you have this small a number, it’s tough to pick up trends or whether interventions are working,” she says.

It may take reviewing a number of years at a time, or comparing notes with other states in the region.

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In four decades of delivering babies, Phelan has noticed a visible difference in her patients: She sees more and more overweight or obese mothers. A healthy body mass index runs in the low- to mid20s, and she’s seen mothers come in at twice that, meaning their hearts are already essentially straining to pump for two. Add a pregnancy, for which the body’s amount of blood increases by 40 percent, and they’re up to three. The heart can’t pump more blood with each beat, so it pumps more often. The chance of complications increases—so much so that the university’s board on which nurses and doctors track the progress and condition of laboring moms now includes a category for body mass index (BMI).

“We suspect strongly that obesity has contributed to it,” says Callaghan, with

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the CDC. “It’s really hard to document with numbers, at the level of the data we have, but if I go out and talk to anybody in practice, it’s the first thing that they say.”

Women having children later in life may also be a contributing factor, and women over 40 have the highest mortality rates.

All this ambiguity and uncertainty around the causes can impair rolling out solutions. A program run by the Maternal and Child Health Bureau at the Health Resources and Services Administration specifically to increase the health of mothers and children around the country sends “bundles” to their pilot-program hospitals, equipping medical care providers with strategies and protocols for quickly addressing and preventing maternal deaths from some of the leading causes, hemorrhage, hypertension and cardiovascular disease among them.

Because there is often a gap between the rate at which white women and women of color die, one of those bundles specifically targets racial biases. Eleven states have adopted an effort to implement them throughout birthing hospitals, but any hospital can request them.

“It’s free—you don’t have to buy anything,” says Kimberly Sherman, health lead, Division of Healthy Start and Perinatal Services for the Maternal and Child Health Bureau at the Health Resources and Services Administration. “You just need a champion in your community to say, ‘What is the biggest issue that we face in our community? What would be like to implement?’”

So far, the majority of time and attention has gone to rolling out strategies for addressing hypertension and cardiovascular disease, but the Health Resources and Services Administration is also

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Dr. Sharon Phelan has been reviewing maternal deaths for 30 years.

Native women face options limited by the facilities that exist in the rural communities where they often live, as well as by the menu provided by Indian Health Services. Birthing services are covered by the Indian Health Services, and Medicaid picks up where those facilities leave off.

But because getting a Medicaid card takes time, they often miss early term checkups, and issues can spiral from there. Gonzales sees the trouble starting even earlier.

“When I go to larger conferences and I’m the only Native woman talking to a room full of white people with degrees, all they want to talk about is how sick we are

COURTESY NICOLLE GONZALES

working on how to reduce injuries and address opioid misuse during pregnancy.

Another solution will be training everyone in the hospital to spot risk factors like a big baby, prior history of hemorrhage or a long induction, and to run practice drills on how to respond quickly, Callaghan says. Some hospitals have even put together hemorrhage carts like they have crash carts for cardiac events, and report that action is followed by as much as a 20 percent reduction in severe events.

At Lovelace, they’ve rolled out new protocols to catch hemorrhages, launched standardized approaches to make sure everyone on staff is aligned in how to discuss and manage patient response, and required bedside assessments within 15 minutes of certain vital signs that suggest a patient may soon need immediate intervention.

“Our work is going to continue, so despite fact that [the maternal mortality review bill] was vetoed, the perinatal collaboration and group that we’ve been working with are going to try to continue to do the work that we can,” Lichtmacher says.

The numbers for Native American women show they appear to have problems at double the rate of white women.

It’s a small sample size, cautions Callaghan with the CDC, so that’s partly why that information often goes unpublished.

Again, limited data intervenes: The CDC is also not allowed to publish anything about what state people live in, even when taking these numbers to the Indian Health Service (IHS). The rate is “important information, but then of course she would want to know how it was broken out by delivery in IHS hospitals or non-IHS hospitals, and we can’t go there. … What’s written on a death certificate is all we can say,” he says. “If a maternal mortality review committee in New Mexico wanted to do that, they could do that. But all potentially identifying information has been redacted for most of what we get.”

A contingent from New Mexico visited Washington DC to advocate for maternal health action at the federal level.

as Native women,” Gonzales says. “I have to remind them that this isn’t how we see ourselves, and there is a big piece of our story missing from this conversation—we as Native women are missing from this conversation about our health.”

Throughout the process, there’s a disconnection from the experience and a lack of ownership over it, Gonzales says.

There is a big piece of our story missing from this conversation—we as Native women are missing from this conversation about our health.

- Nicolle Gonzales, midwife

That’s among the motivators for her action. She traveled to Standing Rock to help care for the women there with babies and babies on the way, who otherwise faced an hour-long drive to a hospital in Bismarck.

And back at home, she founded the nonprofit Changing Woman Initiative with which she plans to open a birthing center north of Santa Fe in Pojoaque as soon as

next summer. Designs include an onsite teepee for women who’d like to birth outside, an oven for baking bread and a sweat lodge, all of which respond to data she’s seen that half of Tewa women would like cultural practices to be incorporated into their birthing experiences. (They still do many of these traditions, often at home, before leaving for the hospital.) This center, modeled in part after successful native birthing centers in Canada, will also offer wraparound services on lactating, behavioral health and nutrition.

“What would our outcomes be as Native women if we had the support, if we had access to healthy food, if we had a community where we wanted to take care of each other, if we had information provided to us in a way that we understood?

What would that look like?” Gonzales says. “Nobody knows. Nobody’s tried it.

Nobody cares to try it.”

That’s not the only population for which much remains unknown about what solutions need to be deployed. At the CDC, at best, researchers see cause of death, but how agencies report the chain of events leading to that death can vary based on the compulsions of the person filling out the certificate. Whether those problems cascaded through cardiac failure due to hemorrhage due to bleeding from a complication related to pregnancy or childbirth can get lost.

“The bottom line is, what’s happening is, we think we’re capturing more of the numbers, but we’re not capturing data that can help us identify the real cause of it,” says Lichtmacher, at Lovelace.

We can’t, for example, know what role the epidemic of opioid use in New Mexico is playing. It’s likely a factor in mater-

nal mortality because it’s contributing to deaths of women in that age group. But the death certificate just says “drug overdose” and the box that she died while pregnant may be checked.

“You don’t know if it was opioids—you know almost nothing,” Callaghan says. All he hears is peripheral, from physicians practicing in high-risk areas. They say it’s a real problem.

That’s why the agency has spent the last 20 years urging states to review their own deaths, to establish mortality review committees and study these issues at greater depth.

“They have public health law that allows them to make maternal deaths reportable, if they so desire, to allow committees to function and to have access to detailed medical records, so they can really find out the story,” Callaghan says.

So far, 26 states have begun maternal mortality reviews.

About 24,000 infants die in the country every year, compared to about 700 maternal deaths. Their review is complicated in part by their relative rarity, but also by the emotions involved and the defensiveness they tend to incite. “Near-miss” interviews can be much more productive in generating learning opportunities.

“There’s more attention to this in the public health community and the clinical community than there has been in my lifetime,” Callaghan says. “There is more and more recognition that we have to do something, that we have to take care of pregnant mothers just like we’ve spent a lot of time taking care of the fetus that they’ve been carrying. In some ways, I think there’s been some neglect around that, and right now, there’s a lot of change.”

SFREPORTER.COM

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MAY 24-30, 2017

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SFREPORTER.COM

ROLLIN’ ON THE RIO

CLAIRE BARRETT

ANSON STEVENS-BOLLEN

MUSIC THU/1

The week is tough, but since it’s basically summertime and the patios are opening up, some beloved local DJs are taking some of the sting out. DJs Mayrant and John Sherdon return this week with the Chama Patio Sessions, their annual relaxing outdoor gathering featuring the best in chillout, downtempo and deep house as performed by Sherdon and Mayrant themselves and pals (the series features the likes of DJ Oona, Billiam, Badcat and more). DJ Phi kicks things off on Thursday and is fully prepared to bring down your blood pressure. Throw a drink in the mix and you’ll be chilled out in no time. (ADV) Chama Patio Sessions with DJ Phi: 5 pm Thursday June 1. Free. Rio Chama, 414 Old Santa Fe Trail, 955-0765.

MEDITERRANEA PRODUCTIONS

FILM THU-SUN/1-4 BELLA! Generally speaking, film directors of Italy have proven a capable bunch, what with their genre-defining works of cinematic brilliance and all. CineFesta Italia knows this and, over a fourday period, presents some of the best Italian cinematic offerings at the Jean Cocteau Cinema.

See films like Lo Chiamavano Jeeg Robot, L’Atessa, No Essere Cattivo and more, plus get down with some fantastic wine tastings and food events at Osteria D’Assisi and Cowgirl. Here’s your chance to say smug in-the-know things about international film, but also to truly know what it is to be a cinema buff. (ADV) Cinefesta Italia: Various times ThursdaySunday, June 1-4. $12-$185. Jean Cocteau Cinema, 418 Montezuma Ave., 466-5528. Full schedule at cinefestaitalia.org.

COURTESY MARCHFOURTHBAND.COM

EVENT SUN/4 HAWT DAWG The spring weather has been weird, so maybe you’re craving that summer sun more than ever.

Luckily, there’s a music fest headed to a local brewery, and its proceeds benefit the Santa Fe Animal Shelter. It certainly wouldn’t be a dog day without your canine, so bring your pup—and the rest of the family—to the Dog Days of Summer and celebrate the kickoff of warm weather and your furry friend. See indie garage rock by Red Light Cameras; Memphis-inspired soul by Greyhounds; reggae rock by Innastate and a headlining brassy funk rock and jazz performance by the 15-person ensemble MarchFourth, which includes acrobats. There will even be games for your dog. (Maria Egolf-Romero) The Dog Days of Summer: 3 pm Sunday June 4. $21-$26. The Bridge @ Santa Fe Brewing Co., 37 Fire Place, 557-6182.

EVENT FRI-SUN/2-4

Get in the Spirit The Art of Alcohol New Mexico Cocktails & Culture is gearing up for its third year and, as always, the three-day fest remains Santa Fe’s go-to destination event for fans of newwave mixology, delicious food options and the art of the drink.

“A lot more people are coming from out-of-state,” founder (and former SFR columnist) Natalie Bovis says. “It’s really exciting when the word gets out. People in our area have of course heard of it, but now we have people flying in to attend, which I think is an incredible sign.”

In addition to her work re-glamorizing the world of cocktails, Bovis also aims to educate a new generation of bartenders looking for new-school ways of creating artful drinks. But it’s not about getting trashed—rather, it’s about infinite possibilities and the chance to expand horizons.

“I always liken a cocktail to a piece of cake—we enjoy having a piece, but if we eat the whole thing we’re going to be sick,” Bovis says. “It’s all about sipping and treating it like a gourmet experience rather than drinking.” This includes what Bovis considers the marquee event of the fest, the Chef and Shaker Chal-

lenge on June 3, which finds local chefs cooking with a particular spirit and pairing the meals with cocktails crafted by their restaurant’s bartender using the same spirit. A panel of judges chooses the best one and the winning team gets $500 for the charity of their choice.

There are also workshops with esteemed mixologists like Dale DeGroff, a street taco-off with local establishments like Pranzo, Santacafé and others, and some pretty killer parties. Not only will the weekend speak to bartenders looking for inspiration and camaraderie, but it’s great for everyday folks in search of fancy, yet accessible, things to do.

“I think we can start thinking about spirits and cocktails as part of the culinary world,” Bovis explains. “It’s just a fun way for people to get a broader understanding of what cocktail culture is all about.” (Alex De Vore)

NEW MEXICO COCKTAILS & CULTURE FESTIVAL Various times Friday-Sunday, June 2-4.

Free-$125. Various locations.

Visit nmcocktailculture.com for more info.

SFREPORTER.COM

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MAY 31-JUNE 6, 2017

19

June

EVENTS

ALL EVENTS AT 6PM UNLESS OTHERWISE NOTED

FOR THE MONTH OF JUNE

FRIDAY, JUNE 9 @ 4PM

GALLERY SHOWING:

ARTIST RECEPTION AND BOOK SIGNING:

Susan Gold Purdy My Travels – Vegetables and Villages Artist Reception June 9 TUESDAY, JUNE 6

Robin Becker Tiger Heron and Leslie Laurence The Death of Fred Astaire: Essays from a Life Outside the Lines THURSDAY, JUNE 8

Margaret Randall in conversation with SITE Santa Fe’s Joanne Lefrack Exporting Revolution: Cuba’s Global Solidarity

Susan Gold Purdy Pie in the Sky, Successful Baking at High Altitude SATURDAY, JUNE 10 @ 2-4PM (OFF-SITE AT EILEEN FISHER ON LINCOLN AVENUE)

Deborah Madison In My Kitchen WEDNESDAY, JUNE 14 SANTA FE WRITERS LAB PRESENTS:

Hampton Sides and Kirk Ellis FRIDAY, JUNE 16

Bella Pollen Meet Me in the In-Between

ICONIK DOWNTOWN PRESENTS JAZZ: Every Saturday, 11;30am to 1:30pm JOURNEY SANTA FE CONVERSATIONS: Every Sunday at 11am

202 Galisteo Street • 505-988-4226 www.cwbookstore.com

SUMMER HOURS: MON-SAT 8AM-8PM SUNDAY 8AM-6PM 20

MAY 31-JUNE 6, 2017

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Email all the relevant information to calendar@sfreporter.com.

COURTESY EVOKE CONTEMPORARY

Want to see your event here?

THE CALENDAR

You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion).

Need help?

Contact Maria: 395-2910

WED/31 BOOKS/LECTURES DHARMA TALK: WENDY JOHNSON AND ROSHI JOAN HALIFAX Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This week's talk is presented

by Johnson, a master gardener, and Upaya's founding abbot Halifax. Maybe you’ll zen your way to growing the perfect tomatoes this summer?

5:30 pm, free

EVENTS GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Use your noodle, and all the useless info it stores, to win this game that rewards the nerdiest table each night with bragging rights and bar credits for next time.

8 pm, free

FILMS LONG STRANGE TRIP Lensic Performing Arts Center 211 W San Francisco St., 988-1234 See this documentary film about the movement behind the psychedelic rock group, The Grateful Dead, with proceeds from the evening benefitting the Center for Contemporary Arts.

6 pm, $25

MUSIC CALVIN HAZEN El Mesón 213 Washington Ave., 983-6756 Flamenco and Spanish classical guitar make a good pair in Hazen’s hands.

7 pm, free DANIEL ISLE SKY The Dragon Room 406 Old Santa Fe Trail, 983-7712 Folk rock and pink margaritas called Rosalitas.

5 pm, free

“Nuri” is on display at Evoke Contemporary as part of the solo exhibit Kiokada, featuring the works of Soey Milk, through June 24.

CONTINUED ON PAGE 24

SFREPORTER.COM

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MAY 31-JUNE 6, 2017

21

New Mexico

presents

EAT

Santa Fe

Friday & Saturday June 9 & 10 • 5–8pm

ANTIQUES

ARTsmart kicks off the summer with top galleries and restaurants showcasing two nights of world class art and cuisine in the Edible Art Tour (EAT).

& Flea Market

• Buy • Sell • Consign • Art • Movie Props • Vintage • Curios • Rarities • Furniture • Collectibles • Native American

EAT invites ticket holders to experience an evening of visual and gustatory delights while strolling along the city’s fabled sunlit streets.

June 9 is Downtown Santa Fe and June 10 is Canyon Road.

505.982.0017

Purchase tickets at ARTsmartNM.org or at the Lensic Ticketssantafe.org.

1006 Marquez Place Santa Fe, NM 87505

santafeantiques@gmail.com • santafeantiquemall.com

Meditation with Chris Griscom

An informal evening of questions and answers with internationally acclaimed Spiritual Leader and Author, Chris Griscom

And...

MEDITATION WITH CHRIS GRISCOM 5:00 pm-5:30 pm

Behind the Woman in Gold

KNOWINGS WITH CHRIS GRISCOM 5:30 pm-6:30 pm Sunday Evenings UPCOMING LIGHT INSTITUTE INTENSIVES: Galisteo, NM | Greece | Germany | Sedona, AZ For more information about Knowings and other LI events, contact

followed by Chris Griscom’s Knowings class

The Light Institute

505-466-1975 thelight@lightinstitute.com www.lightinstitute.com

Come train to be a great herbicide applicator and get a license.

Learn what it takes to be a vegetation management professional.

NEW MEXICO

TRAIN IT

Vegetation Management Training

• Classroom and Hands-on Demonstrations • All Training Material Provided • Weed Identification Publication Issued • Laws and Regulations Explained

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• Bare ground calibration demonstrated with Backpack and Boom Sprayer

Email: trainitnm@gmail.com

$429.99 per person | Credit Cards Accepted June 26 & 27, 8:30am to 4:30pm | 575-840-9555 Held at Days Inn conference room, 2900 Cerrillos Road, Santa Fe 22

MAY 31–JUNE 6, 2017

•

Underwritten by

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Featuring Peter Altmann

Join Peter Altmann as he takes us “Behind the Woman in Gold .”

Peter, son of Maria Altmann, who famously took on the Austrian government to regain the artwork that was stolen from her family during WWII, will be speaking on the difference between the Hollywood version in the 2015 film, Woman in Gold , starring Helen Mirren, and the reality for his family during the decades-long legal battle.

Exclusive Engagement / Fundraiser at The Lensic Thursday, June 8, 2017

Talk • Film Screening • Q & A • VIP Reception $75 (5pm) • General Admission $35 (6pm) • Tickets: Lensic.org or 505-988-1234 • More info: ARTsmartNM.org

ARTsmart empowers and transforms lives by teaching art, literacy, and life skills.

1201 Parkway Dr, Santa Fe,NM • 505-992-2787 • ARTsmartNM.org

JAIME BUTLER

The Yard

MUSIC

AMP Concerts’ Jamie Lenfestey on this summer’s don’t-miss Railyard shows

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

I

n January, Santa Fe/Albuquerque-based promotions nonprofit AMP Concerts announced it had received a $25,000 AMP Grant (a purely coincidental name) from the Levitt Foundation, a Los Angeles organization that seeks to unify through matching monies bestowed upon live music organizers.

At the time, AMP Concerts’ Jamie Lenfestey told us that it was “a real feather in Sana Fe’s cap to have won something like this.” Lenfestey has long been a supporter of live music in Santa Fe, but his work in curating free shows in the Railyard over the past eight-ish years has been, let’s face it, astoundingly cool.

These days, he feels more vital than ever, especially in the lead-up to this summer’s series—which is, by the by, free— presented in part by Levitt AMP. “I’m so excited to see the Railyard really come to life in this way,” Lenfestey says, “and become this incredible community space that I always knew it could be.” And since this particular series represents some of the biggest and best shows of Lenfestey’s career, we asked him what his personal don’t-miss events might be. Did we mention they’re free?

MEAT PUPPETS Saturday June 3 @ 7 pm “Are you a Meat Puppets fan?” Lenfestey asks, making sure to remind all within ear-

Find some kids, take ‘em to Meat Puppets on June 3.

shot just how important the Arizona rock band has been to the musical zeitgeist.

Hell, if Nirvana covers you, you’ve really gotta be something. “They’re just one of those bands I’ve wanted to get in the Railyard for free for a very long time,” Lenfestey says. “They’re important.” He’s right.

Now then, let’s all go bump “Oh, Me” and say stuff like “Oh, yeah!”

DUMPSTAPHUNK Saturday June 17 @ 7 pm “Another band I’ve wanted to get in the Railyard for some time, Dumpstaphunk is one of New Orleans’ best funk acts,” Lenfestey says. He’s particularly excited about legendary band member Ivan Neville and local openers The Sticky. He says Dumpstaphunk is “just a seriously great band.”

DAKHABRAKHA Saturday June 24 @ 7 pm “What I love about this band is that they’ve got a sound that is just so ancient, but still so contemporary,” Lenfestey says of the Ukrainian act that returns to Santa Fe af-

ter stunning crowds at Skylight last year.

“They’re just this beautiful, bizarre—maybe bizarre isn’t the right word. They’ve got a beautiful sound.”

IAN MOORE BAND Saturday July 8 @ 7 pm “Ian grew up in Santa Fe, so this was just one of those no-brainer shows,” says Lenfestey of the now-Austinite singer-songwriter. Moore’s work is incredibly heartfelt and will surely appeal to fans of anyone from local Bill Palmer to the likes of Bonnie “Prince” Billy himself, Will Oldham.

THE IGUANAS Saturday Aug. 5 @ 7 pm “Originally the David Bowie tribute show was going to close out the series on the fifth, but then these guys were routing through and it was perfect,” Lenfestey tells SFR. Another New Orleans act, The Iguanas’ roots-rock style is essential Santa Fe listening—the perfect blend of studied musicianship and dance party.

SANTA FE SALUTES DAVID BOWIE Saturday Aug. 12 @ 7 pm “Last year’s Prince tribute was just such a joyous coming-together of so many great local musicians, and we want to recapture that energy,” Lenfestey says of this tribute show. Countless locals descend upon the Railyard to perform the hits of Bowie and, if we’re lucky, some of the weirder stuff, too.

Of course, this doesn’t even get into the free movie nights in the park across from the Railyard plaza, which include Christopher Guest’s brilliant Best in Show, which features a low-key informal dog show judged by local celebs like Honey Harris (8 pm Friday June 30), or Laika’s Kubo and the Two Strings on July 29 at 8 pm, complete with a shamisen and taiko demo beforehand. “Everything is absolutely family-friendly,” Lenfestey adds. Although, it isn’t like you’ll feel out of place if you don’t have kids. In fact, you should just find some kids and convince them to go to Meat Puppets. Lord knows they’ll thank you.

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THE CALENDAR

THE LIQUID MUSE PRESENTS: ERYN BENT Cowgirl 319 S Guadalupe St., 982-2565 This singer-songwriter sings about things like life and love and woes.

8 pm, free SANTA FE CROONERS Palace Saloon 142 W Palace Ave. 428-0690 These crooners make swing music magic.

7 pm, free SANTA FE SYMPHONY: IN HONOR OF MEMORIAL DAY Cathedral Basilica of St. Francis of Assisi 131 Cathedral Place, 982-5619 Lose yourself in classic compositions by Vivaldi, Mozart and more performed by this sizable symphony in the wondrous setting of the downtown cathedral.

7 pm, free WILLIAM STEWART La Boca 72 W Marcy St., 982-3433 Country classics.

7 pm, free

SANTA FE’S MOST SPIRITED CULINARY EVENT May 26 –June 3

Saturday, June 3

NM Cocktail Week

HDRF Fundraising Bike Ride Negroni lunch

Thursday, June 1

Hendrick’s Gin Academy Chef & Shaker Challenge with Dale DeGroff show

Official Festival Cocktail Pairing Dinner at Coyote Cafe

Sunday, June 4

Friday, June 2

“Whiskies of the World” seminar

Mind Body Spirits wellness and yoga

THU/1

Craft Collective and Cocktail Week Awards

“The Hustle” Beyond Bartending seminar Margarita Trail Taco Wars!

BOOKS/LECTURES ART TALK: LENSCRATCH PHOTOGRAPHERS IN CONVERSATION Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 Hear from local photographers Kate Russell, Jennifer Schlesinger, Caitlyn Soldan, Robert Stivers and Laurie Tumer. They have images in the exhibit Lenscratch, which highlights exceptional photographers from all 50 states, and they share their views on the national project.

6 pm, free

TICKETS AVAILABLE AT: www.NMCOCKTAILCULTURE.com

New Mexico Performing Arts Society PRESENTS

THE CLOSING CONCERT of Santa Fe

Sunday, June 4, 2017 at 5:30 pm

EVENTS EMILY BRANDEN: YOGA AT THE CHAMA SESSIONS Rio Chama Steakhouse 414 Old Santa Fe Trail, 955-0765 Enjoy the first hour of DJ Dr. John's electronica lounge set while Branden teaches an all-levels vinyasa yoga class.

The combo of live tunes and vinyasa flow is particularly rad, and the ticket price includes one post-sweat well drink. Get bendy and a little boozy on this Thursday evening.

5 pm, $25 NEW HOMEBUYER NIGHT Homewise 1301 Siler Road, Ste D, 983-9473 If you are in need of some info about becoming a homeowner, this is the event for you.

Get to know the nonprofit and the services they provide at this informal evening.

5 pm, free

FILM CINEFESTA ITALIA OPENING Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Partake in Italian films, like Fuocoammare and Lo Chimavano, at this opening night of the film festival, which continues with an after party at Cowgirl starting at 10 pm (see SFR Picks, page 19).

5 pm, $45

FOOD OPENING PAIRING DINNER Coyote Café 132 W Water St., 983-1615 New Mexico Cocktails & Culture kicks off with this special dinner prepared by Chef Eduardo Rodriguez, which comes paired with craft cocktails by mixologist Quinn Stephenson. Dine on unique dishes and you may be able to drink enough to make the hefty ticket price worth it (see SFR Picks, page 19).

6:30 pm, $125

MUSIC CHAMA PATIO SESSIONS Rio Chama Steakhouse 414 Old Santa Fe Trail, 955-0765 Justin Mayrant and John Sherdon team up to bring deep house to the Rio Chama patio, with a different special guest DJ (from DJ Oona to DJ Badcat) joining them each time. This patio is prime during the summer evening hours. Wind down after work and enjoy their soundscapes (see SFR Picks, page 19).

5 pm, free CONTINUED ON PAGE 26

ED PERLSTEIN

FLUTE IMMERSION

JULIE REHMEYER: THROUGH THE SHADOWLANDS Steve Elmore Indian Art 839 Paseo de Peralta, 995-9677 Science journalist Rehmeyer was so sick she sometimes couldn’t turn over in bed, and having exhausted the plausible remedies and diagnoses, she turned to an implausible one: Leaving behind everything she owned, she drove into the desert, testing the theory that mold in her home and belongings was making her sick. Rehmeyer tells her story of recovery in her book Through the Shadowlands, from which she reads at this event.

6 pm, free

Doors open for seating at 5 pm Immaculate Heart of Mary Chapel 50 Mount Carmel Road in Santa Fe

Participants in the week-long performance skills and flute masterclass perform an eclectic combination of music for flute(s) and piano.

THE CONCERT IS FREE AND OPEN TO THE PUBLIC 24

MAY 31-JUNE 6, 2017

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SFREPORTER.COM

The film Long Strange Trip documents the movement behind the counterculture rock band The Grateful Dead. See it Wednesday May 31 at the Lensic.

THEATER

ACTING OUT Dream, But Dream

BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m

A

passion; this conversation concerned the nuts and bolts.

Along with alums, attendees included newcomers to Santa Fe, members of the film industry and others from the community at large (a few of whom say they were friends of the venue’s namesake actress Garson and her husband Bud Fogelson). At least twice, they raised the name of New Mexico School for the Arts as a potential tenant. Yet, NMSA Director Cece Derringer tells SFR via email: “At this time, we are far too invested in our site at the former Sanbusco Center to change the location of our school. We would hope that there could be collaborative efforts with the theater and other resources at

of someone’s college roommate’s sister’s boyfriend’s father’s rich boss is a waste of time.

O’Reilly asks that “if someone has a legitimate contact of someone in a position to make a decision” at an institution of higher learning that could assume the lease on the SFUAD campus—we’re talking provosts, presidents, members of boards of directors or regents—they should pass that information along to the city.

Along the same lines, Sills, as a member of #SaveTheGreer, is working with colleagues and friends to gather information about schools that could possibly be serious about the campus. Their focus is on schools with already-vibrant film departments in particular, who would find the well-equipped Garson Studios attractive for a satellite campus in a destination city.

At the May 22 forum, former City Councilor Karen Heldmeyer closed the evening concisely: “If I had to sum up what I heard tonight, it was: ‘Dream, but dream practically.’” The crowd, which bore considered ideas rather than pitchforks, nodded in agreement.

The future of the Greer Garson Theatre is yet to be seen. But if anyone can make good things happen, said SFUAD alum and forum participant Corbin Albaugh, it’s this group. “Money is indeed a very powerful factor in what we are trying to accomplish,” he said bluntly. “But I think that, being theater artists, it is our profession to take our dreams and reconcile them with reality. I think this is absolutely something that we can do.”

ANSON STEVENS-BOLLEN

mid murky details surrounding the closure of the Santa Fe University of Art and Design on its city-owned campus, one fact remains clear for the performing arts community of Santa Fe: It loves the Greer Garson Theatre. The community’s support for the campus’ venue came across loud and clear at a public forum hosted the evening of Monday May 22 by #SaveTheGreer, a Facebook group concerned with the future of the space.

The sweeping 513-seat auditorium is many a thespian’s favorite venue in town: it’s flanked by the Weckesser Black Box (aka the Weck), and features practice rooms, classrooms, a dance studio, scene and costume shops, prop storage, offices, a roomy lobby, a mezzanine art gallery and plenty of parking outside. With the impending June 2018 closure of SFUAD, its alums and those from the College of Santa Fe (which occupied the campus until 2009) have voiced concern about the theater’s future, and Reuben Greenwald (CSF class of ’04) started #SaveTheGreer as a place for discussion and activism.

Cheryl Odom, who taught various performing arts subjects at CSF for 29 years and remains involved in the theater community in Santa Fe, opened the public forum with the emotion underlying alums’ attachment to the Greer. “If you work in a theater—if you’re there 24/7, like it often is in a college theater program—you become very attached to the space,” she said, perched on the edge of the stage at Santa Fe Performing Arts.

Beyond emotional attachment, though, forum participants recognized that there has to be a sane and rational plan in place to preserve the campus as a whole. Theater folks are never short on

the university site once new ownership is secured.”

Peter Sills, former executive director of the Santa Fe Playhouse, said at the forum and later reiterated to SFR that he approached the city with an inquiry: If said passionate theater folks could find the money, would the city consider selling the theater? The city responded resolutely that it is not interested in parceling out the campus building by building.

Matthew O’Reilly, asset development director at the City of Santa Fe, confirms that this is the city’s stance. He tells SFR officials are “dead serious about saving this as a university or college,” and hopes to find an established institution of higher education interested in stepping into SFUAD’s shoes and taking over the lease for the property. Dividing up the campus piecemeal would risk “potentially limiting the appeal to a university that would want the entire campus, and would have the means to keep it going,” O’Reilly says.

“The campus is a valuable asset in its entirety.”

O’Reilly also hoped to dispel some alternative facts that have been circulating about the city’s plans for the Greer. The city is “absolutely not” selling or demolishing the theater, he says, despite what some outraged people “flooding the city with calls” have been led to believe. Tearing down the theater is something the city would “never, ever do.”

So, if the best bet for preserving the Greer is finding a school willing to take over the whole campus, it’s time to start making connections—but serious inquiries only, please. Chasing down rumors

The Santa Fe University of Art and Design’s Greer Garson Theatre is many a thespian’s favorite venue in our town, and the best bet for preserving the theater for future use is finding an institution to take over the campus as a whole.

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Get savager at: SFReporter.com/savage

I’m a middle-aged homo trying to figure out Grindr. Is it impolite to go on Grindr if you’re not looking for an immediate hookup? My preferred form of sexual relationship is the friend-with-benefits situation. I go on Grindr looking to make friends who could, at least potentially, be sex partners, but I like to do the friend thing before the sex. I’ve had guys call me an asshole because I exchanged messages with them for 20 minutes and then didn’t come right over and fuck them. Do they have a point? Does logging into a hookup app like Grindr imply openness to an immediate sexual encounter?

-Talking Online Repulses Some Others Always be up front about your intentions, TORSO. The best way to do that is by creating a profile—on Grindr or elsewhere—that clearly describes what you want and what you’re up for. Because good partners (sexual or otherwise) communicate their wants clearly. Adding something like this to your profile should do it: “My preferred form of sexual relationship is the friend-with-benefits situation. I go on Grindr looking to make friends who could, at least potentially, be sex partners, but I like to do the friend thing before the sex.”

Grindr is an app designed and marketed to facilitate hookups, but some people have found friends, lovers, and husbands on the app (usually after hooking up first). So being on a hookup app doesn’t automatically mean you’re looking for “right now,” and it certainly doesn’t obligate you to fuck every guy you swap messages with. But if you’re not clear in your profile or very first message about what you’re doing there, TORSO, guys looking for a hookup on that hookup app will be rightly annoyed with you. (The time and energy he sunk into you could have been sunk into someone looking for right now.) If you are clear, guys seeking instacock have only themselves to blame for wasting their time on you.

Your timing could also have something to do with guys calling you an asshole. Are you exchanging messages at two in the morning for 20 minutes? Because most guys on Grindr at that hour are seeking immediate sexual encounters. If you’re just chatting in the middle of the night, then you’re probably wasting someone’s time—if, again, you’re not being absolutely clear about what you’re doing there. Also, TORSO, Grindr is location-based, which means you’re going to get a different experience based on where you’re using it.

Some neighborhoods seem to be filled with messy guys looking for chemsex, bless their hearts. In others, you’ll find unwoke twinks who are on Grindr to swap (highly problematic) GIFs of black women pulling faces. And if you’re in a rural area, it’s likely you’ll message your full cast of Grindr torsos within a few days.

Think of Grindr as a giant gay bar—most guys are there to hook up, a few just want to hang out and chat, some dudes are really messed up (avoid them), and no one is at their best around closing time.

I’m a 25-year-old gay woman and I’ve been looking for a girlfriend for the past two years.

I post on dating websites, go to the lesbian club, take part in the LGBTQ+ scene at my university, and put myself in places where I might meet women. But I’m worried that my persona deters women: I’m extremely analytic, a doctoral student and university instructor. Whenever I meet a girl, our conversation always goes in the same direction: She thinks it’s cool I work with literature and then brings up her favorite pop-culture

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novel like Harry Potter. I say something like “I’ve never read Harry Potter, but people rave about it. What do you like about it? I took an online Harry Potter test once for a friend, and it said I was a Slytherin.” At this point, things change. The girl I’m speaking with gets flustered. She says something like “Oh, I’m not good at describing things,” seemingly feeling pressured to give me an intellectual response, like I’m giving her a quiz. I’m not sure what to do about this. I am having trouble maintaining casual and fun conversations despite my intentions. I come off as intense. I think I’m a pretty attractive person, but my dating life is starting to make me feel differently. I work out regularly and take good care of myself.

How can I find a woman I jibe with?

-A Lesbian Obviously Needs Excitement You’re doing all the right things—almost.

You’re getting out there, you’re not shy about initiating conversation, and you’re moving on multiple fronts—online, club nights, LGBTQTSLFNBQGQIA+++ groups. Join a women’s athletic organization—join a softball league— and you’ll be moving on every lesbo front.

That said, ALONE, I’m surprised this hasn’t popped into your extremely analytic head: If Y happens whenever I do X, and Y isn’t the desired outcome, then maybe I should knock this Y shit the fuck off. Your response to the mention of Harry Potter drips with what I trust is unintentional condescension. (“I’ve never read it… what do you like about it… I took an online test once for a friend…”) Don’t want women to think you’re administering a quiz?

Don’t want women to get the impression you’re too intellectual for them? Don’t want to seem like someone incapable of keeping things casual and fun? Don’t administer quizzes, don’t subtly telegraph your disgust, and keep things casual by offering a little info about yourself instead of probing. (“I haven’t read the Harry Potter books, but I’m a huge Emma Watson fangirl. Who isn’t, right?”)

And maybe go ahead and read Harry Potter already.

I’m a married woman whose hot, hung husband is into “beautiful women and pretty boys” (his words—and he means boyish men of legal age, of course). It took a dozen years to get that out of him. I’d watched him drool over pretty male baristas and waiters, but it wasn’t until I found twink porn on his computer that he came out about his “narrow slice of bisexuality.” (Again, his words.) Now that it’s out—now that he’s out—he’s anxious to have a three-way with me and a femme guy. I’m up for it, but the pretty boys we’re finding online who are into my husband aren’t into me. My husband says he would feel too guilty doing it without me, which means he may not be able to do it at all. I want him to do it. It turns me on to think about. I don’t have to be there.

-Hubby’s Underlying Bi Biological Yearnings Let your hot, hung husband find a pretty boy he likes, HUBBY, then ask for the boy’s e-mail or phone number or IG handle or whatever, and have a quick back-channel convo with him. Let him know your hot, hung husband (HHH) wants his ass and that you’ll be there—but only at the start. Once drinks have been served, the ice has been broken, and a little spit has been swapped (between him and HHH), tell him you’ll invent a reason to excuse yourself (your period, bad clams, whatever), leaving him alone with your HHH. At that point, HHH can decide for himself if he wishes to proceed without you but with your blessing (which you can toss over your shoulder on your way out of the room). Good luck!

SFREPORTER.COM

On the Lovecast, Rachel Lark and the Damaged Goods: savagelovecast.com mail@savagelove.net @fakedansavage on Twitter ITMFA.org

DJ POETICS AND VDJ DANY: MIAMI PARTY Skylight 139 W San Francisco St., 982-0775 Let your inner dancer out while these DJs play tropical electronica tunes.

9 pm, $7 HALF BROKE HORSES Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 A fresh take on Americana classics and newer songs.

7 pm, free JOE WEST Second Street Brewery (Original) 1814 Second St., 982-3030 Country folk originals and jams about the Southwest.

6 pm, free OPEN MIC Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Amateurs, this one’s for you.

If you have a voice you think is great (for more reasons than your mama told you so) come and showcase your talent with Stephen. Try not to shatter any ear drums.

7 pm, free SEDGEWICK WITH TRUMMORS & PPOACHER PPOACHER Ghost 2899 Trades West Road Nostalgic folk by Sedgewick, original country folk tunes by Taos-based duo Trummors and ethereal spell songs by ppoacher ppoacher.

8 pm, $5-$10 SOFT BLUES DUO Starlight Lounge at Montecito 500 Rodeo Road, 428-7777 Guess what kind of music they play? Yes! Soft blues!

6 pm, free STANLIE KEE AND STEP IN Cowgirl 319 S Guadalupe St., 982-2565 Blues, funk and soul.

8 pm, free SUNSET IN THE GARDEN Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Pack a picnic supper, visit the gardens at the best time of day and listen to the jazzy stylings of the Shiner’s Club Jazz Band. This event is BYOB, so you can enjoy the view with some vino. Just remember: no glass containers and no pets. Perfect opportunity to try wine in a can.

5 pm, $10

THEATER THE GLASS MENAGERIE Teatro Paraguas 3205 Calle Marie, 424-1601 This Tennessee Williams play tells the story of a family in quiet desperation.

Starring local actors Suzanne Lederer, Robyn Rikoon, Geoffrey Pomeroy and Vaughn Irving.

7:30 pm, $15-$20

TIME STANDS STILL Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Sarah and James, a photojournalist and foreign correspondent, battle their way through love and life.

Directed by Catherine K Lynch, the production stars Kevin Kilner (The Good Wife, House of Cards), Maureen Joyce McKenna, David Sinkus and Alexandra Renzo.

7:30 pm, $15-$20

FRI/2 ART OPENINGS ANITA LOUISE WEST: OUR LANDS Counter Culture 930 Baca St., 995-1105 West paints using oils, pastels and acrylics to produce her plein-air works. See the New Mexico sky and landscape through her eyes in this solo exhibit.

5:30 pm, free BRUCE COCHRANE, ANI KASTEN AND RYAN McKERLEY Santa Fe Clay 545 Camino de la Familia, 984-1122 Cochrane presents woodfired, wheel-thrown works; Kasten shows her handbuilt pieces inspired by the natural world and McKerley debuts new porcelain vessels in this group exhibit.

5 pm, free CHRIS COLLINS: DESTRUCTION RITUAL David Richard Gallery 1570 Pacheco St., 983-9555 Collins presents sculptures and shiny metallic prints in this solo exhibit. Through June 24.

5 pm, free DAVID SIMPSON: HEAVEN AND HELL Charlotte Jackson Fine Art 554 S Guadalupe St., 989-8688 Simpson diverges from his usual artistic path in this presentation of expressionistic wood panel paintings, inspired by the state of the world. Through June 17.

5 pm, free DUNCAN CHAMBERLAIN: NEW WORK Peters Projects 1011 Paseo de Peralta, 954-5700 Chamberlain creates sculptures and wall collages made from welded aluminum, which display texture and movement through marks made by the artist using a hand grinder. Through July 1.

5 pm, free HILARIO GUTIERREZ: FULL CIRCLE Tansey Contemporary 652 Canyon Road, 995-8513 See medium and large canvas works by Gutierrez, which depict his emotional journeys via abstract forms.

Through June 30.

5 pm, free

JOEL HOBBIE: POINTS IN SPACE Peters Projects 1011 Paseo de Peralta, 954-5700 Hobbie presents his most recent works, representing cottonwood trees unearthed by flooding near the artist's home, made with reassembled metal. Through July 15.

5 pm, free LAVANYA REED Eye on the Mountain Art Gallery 614 Agua Fría St., 928-308-0319 This solo exhibit features new figurative paintings by the local artist. Through June 30 (see A&C, page 31).

5 pm, free LUCKY STRIKE: A FRESH APPROACH TO FORM AND COLOR Mill Contemporary 702 1/2 Canyon Road, 983-6668 This group exhibit presents color-exploring works by Howard Sherman, Ruben Aguirre and Michael Cutlip.

5 pm, free PAUL-HENRI BOURGUIGNON: A RETROSPECTIVE—50 YEARS A MODERNIST Ventana Fine Art 400 Canyon Road, 983-8815 Featuring paintings and drawings by the late artist, this exhibit invites viewers on a journey around the world—to places like Greece, Spain and Haiti—through the works of Bourguignon, who painted from the memory of his travels. Through June 20.

5 pm, free SECOND ANNUAL SKATEOPOLIS Downtown Subscription 376 Garcia St., 983-3085 Over 50 artists create works on skateboards with proceeds benefiting the nonprofit mentorship program Future Men Project, which provides local middle school boys with mentors. Through June 30 (see 3 Questions, page 27).

3 pm, free SHEL NEYMARK AND STEVE COX: BRAIN WAVES Axle Contemporary 670-5854 Witness the power of your own brain waves in this demonstrative exhibit featuring single drops of water which fall into a dark pool.

As more drops fall, light reflects on the pool changing the shapes of its waves.

Catch the trippy water experiment at the Farmers Market shade structure (1607 Paseo de Peralta).

5 pm, free SPECTACLE Community Gallery 201 W Marcy St., 982-0436 This group exhibit presents works by 22 New Mexican artists, who created art in response to productions in the 2017 Santa Fe Opera season. Through Aug. 31.

5 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

THE CALENDAR

EVENTS INTERACTION IN ART, OR THE ART OF PING PONG IAIA Musem of Contemporary Native Arts 108 Cathedral Place, 983-8900 Learn about art and then battle to win it in a game of ping pong.

5 pm, free MIND BODY SPIRITS Hotel St. Francis 210 Don Gaspar Ave., 983-5700 Attend this special event, which is part of New Mexico Cocktails & Culture, aimed to help servers and bartenders relax and unwind with an all-levels vinyasa yoga class taught by Emily Branden (see SFR Picks, page 19).

9:30 am, free THE HUSTLE: FROM BEHIND BARS TO DREAM GIG Skylight 139 W San Francisco St., 982-0775 The New Mexico Cocktails & Culture festival continues with this lecture by Eric “ET” Tecosky who owns the liquor company Dirty Sue. He talks about his journey from bartender to company owner at this event (see SFR Picks, page 19).

1 pm, $15-$20

FOOD MARGARITA TRAIL TACO WARS Santa Fe Community Convention Center 201 W Marcy St., 955-6590 Celebrate the New Mexico Cocktails & Culture Festival by gathering in the convention center courtyard to sip margaritas and munch tacos from restaurants and bars on the margarita trail, which include La Posada, Bar Alto and the Inn and Spa at Loretto (see SFR Picks, page 19).

6 pm, $20

MUSIC BAD SUNS Meow Wolf 1352 Rufina Circle, 395-6369 Pop rock in the House of Eternal Return.

7:30 pm, $18-$20 BROTHER COYOTE Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 An evening of folk and alt. country songs on the deck.

Bask in that sun, people.

Summer is nearly upon us, and vitamin D is the shit.

5 pm, free DJ POETICS AND VDJ DANY: SUMMER FLING Skylight 139 W San Francisco St., 982-0775 Let your inner dancer out and show off your moves while these DJs play electronica tunes.

10 pm, $7

with Bobby Beals

MEET MATA AMRITANANDAMAYI, RENOWNED HUMANITARIAN AND SPIRITUAL LEADER

JUNE 12-15, 2017 SANTA FE, NEW MEXICO LOCATION Hilton Buffalo Thunder | 20 Buffalo Thunder Rd. Santa Fe, NM 87506

ALEX DE VORE

If he hadn’t already proven his artistic and curatorial know-how before recent shows with photographer Bri Cimino or painter Reyes Padilla in his Beals & Co. Showroom gallery (830 Canyon Road, 357-0441), Bobby Beals sure as hell will with his upcoming benefit, the second annual Skateopolis at Downtown Subscription (3 pm Friday June 2. Free. 376 Garcia St., 983-3085).

An offshoot of Kamagraph, Beals’ nonprofit skateboard company, Skateopolis brings fine art to skateboard decks, which are auctioned off to benefit the Future Men Project, a local nonprofit that trains young men in the ways of life.

And though Beals may be relatively new to the world of skating, he says he takes its lessons seriously and totally wants to inspire youths. We can get on board with that, so we met up with Beals and said, “Hey bro, can we ask you some questions?” (Alex De Vore) What exactly is Skateopolis?

It’s a show that we coined the name of last year for Kamagraph to give back to the community. Last year, we had 50 artists paint 50 skateboard decks— some sculpted on them, we had no guidelines—and we hung them at Downtown Subscription for two months. When we made sales, 50 percent went to the artists and the rest went to the National Alliance on Mental Illness. This year ... [Initiate Skateboarding owner] Damon Archuletta has been doing mentorships with preteens and teenagers that teach them how to cook, how to survive in the world, how to apply for jobs, and I needed to do something like that.

OK, so can you clear up what Kamagraph is?

A kamagraph is this old French press from the 1880s that could duplicate original art, but 99 percent of the time it would destroy the original. And I thought, ‘That’s really interesting,’ so, my whole concept of skateboarding and skateboarders is that they kind of break the mold of what’s original. It’s an idea or expression related to skate art and culture. I’ve been doing the art world for about 15 years, and it was something completely opposite to that for me to start a skateboard company. It fulfilled this part of me that was really important for me to have. I grew up in punk rock culture, and [Kamagraph] isn’t really the Beals & Co. persona, but it also fulfilled the business part of it.

Doing Kamagraph, I’ve met so many great people that are always giving back to people and to kids, and I was like, ‘I have to do this.”

Why skateboards?

You go into a shop and you look at the wall, and it’s a lot of T&A, but I wanted to do fine art and really ask the artists to really think about the concepts they were creating. It’s interesting, because I’m curating one piece [from an artist] instead of a whole show.

I don’t want to just be a ‘cool’ skateboard company. I mean, I want people to think it’s cool, but in a heartfelt way. It got me out there skating in the last few years and, to me, what I’ve learned through this process is that I’ve fallen a lot in my career but, and it’s true, you have to fall to learn the trick.

FREE PUBLIC PROGRAM June 12 | 12:00 Noon

DEVI BHAVA – FREE PROGRAM PLEASE PLAN TO ARRIVE AT LEAST 90 MINUTES BEFORE THE PROGRAM TO RECEIVE A FREE TOKEN IF YOU WOULD LIKE TO HAVE AMMA’S EMBRACE. TOKENS MAY BE LIMITED

BY TIME CONSTRAINTS.

OM LOKAH SAMASTAH SUKHINO BHAVANTU

A celebration devoted to world peace June 15 | Program begins at 7:00pm

RETREAT* June 13-15 | Pre-registration required

*VISIT AMMA.ORG FOR MORE INFORMATION OR CALL (505) 982 - 9801 MAY ALL BEINGS EVERYWHERE BE HAPPY

OM LOKAH SAMASTAH SUKHINO BHAVANTU

RAILYARD URGENT CARE We put patients first and deliver excellent care in the heart of Santa Fe.

+ INJURIES & ILLNESS + X-RAYS + PHYSICALS + LAB TESTS + VACCINATIONS + DRUG TESTING + DOT EXAMS Pediatric urgent care We have experience treating patients of all ages.

WHERE TO FIND US 831 South St. Francis Drive, just north of the red caboose.

(505) 501.7791

www.railyardurgentcare.com CONTINUED ON NEXT PAGE

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#KeepItUpKeepItD ow up, Santa Fe n Keep it ! Ke e

Keep an EyeOnWater Outside This Summer

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Download the Southwest Plant Selector app to identify plants that thrive on little or no supplemental water.

Avoid tier 2 Water Rates... ...Use only what your yard really needs!

Monitor daily water use with the EyeOnWater app

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Water no more than 3 times a week and no outdoor watering between 10 am and 6 pm.

rs

an ta fe. com

Caring is not just for the Birds!

Auction of Birdhouses and Bird Art to Benefit

New Mexico Coalition to End Homelessness

Silent auction of clay creations, birdhouses, monotypes, dry points and other items made by regional artists and students

Sunday, June 4, 3-5 pm Scottish Rite Temple | Paseo de Peralta and Washington Ave. Temple Tours | Music | FREE admission | FREE Parking 28

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THE CALENDAR HELLO DOLLFACE Cowgirl 319 S Guadalupe St., 982-2565 This Southwest-based ensemble performs a passionate set of soul tunes, taking inspiration from a diverse group of musical greats like Led Zeppelin, Stevie Wonder and Little Dragons.

8 pm, free IDEAL GENERATION SUMMER TAKEOVER Warehouse 21 1614 Paseo de Peralta, 989-4423 Local hip-hoppers and rappers take center stage as Ideal Generation headlines their third show with a bangerfilled set from DJ Ideal, to a set from The Villain, then Alec Blaze, then Fabz. The plan is to have a great night filled with nothing but amazing energy!

8 pm, $5-$10 KAREN MEAT, DANA T AND SWELLSHARK Zephyr Community Art Studio 1502 Center Drive, Ste. 2 Meat performs moody poprock; Dana T plays emotionally complex musical rock songs and Swellshark shreds on an electric ukulele, making a one-man-band with his looping techniques.

8 pm, $5-$10 THE NAUGHTY SWEETHEARTS Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Funky Americana on a banjo and harmonica.

6 pm, free NORTH BY NORTH, THIEVES & GYPSYS AND CRIME LAB Ghost 2899 Trades West Road Spastic yet honed rock from North by North, chilled out rock by Thieves & Gypsys and hard rock from Crime Lab. 8 pm, $5-$10 THE ROBERT PARKER BAND: MUSIC AT THE MUSEUM New Mexico Museum of Art 107 W Palace Ave., 476-5072 Enjoy live rockin’ Americana music by Parker and his ensemble, and free admission to the museum for New Mexico residents.

5 pm, free-$12 ROBIN HOLLOWAY Pranzo Italian Grill 540 Montezuma Ave., 984-2645 See Holloway rock the piano as he performs a set of classics and standards.

6 pm, $2 RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Roybal performs a set of Native American flute and classical Spanish guitar, creating an especially New Mexican experience.

7 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

RUBY DEE AND THE SNAKEHANDLERS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Rockabilly originals. No real snakes, we’re guessing.

8 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swinging jazz with special guest musicians.

7:30 pm, free

THEATER THE GLASS MENAGERIE Teatro Paraguas 3205 Calle Marie, 424-1601 Directed by Robert Benedetti, this Tennessee Williams play tells the story of a family in quiet desperation. Starring local actors Robyn Rikoon, Geoffrey Pomeroy, Vaughn Irving and Suzanne Lederer.

7:30 pm, $15-$20 TIME STANDS STILL Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Sarah and James, a photojournalist and foreign correspondent, battle their way through love and life. Directed

by Catherine K Lynch, the production stars Kevin Kilner (The Good Wife, House of Cards), Maureen Joyce McKenna, David Sinkus and Alexandra Renzo.

7:30 pm, $15-$20

SAT/3 ART OPENINGS DEAN HOWELL: RHINO IN THE STUDIO INITIATIVE Dean Howell Studios 1575 Center Court, 466-2838 Howell presents his body of work honoring the rhino, including drawings, paintings and one life-size sculpture. He hopes to bring awareness to the seriousness of the threat against rhinos, especially as the last Western black rhino died recently, making that branch of the species extinct.

5 pm, free MULTIPLE UNIVERSES Freeform Artspace 3012 Cielo Court, 692-9249 This group exhibit presents works by Lea Anderson, Rita Bard, Crockett Bodelson, Shirley Klinghoffer and Jody Sunshine and includes interpretations of alien worlds and life.

5 pm, free SHIRLEY BASKIN FAMILIAN: STAMP ART Mill Contemporary 702 1/2 Canyon Road, 983-6668 Familian makes collages using postage stamps the same way other artists use fabric or mosaic tiles to create intricate mandala and quilt-inspired patterns.

4 pm, free

BOOKS/LECTURES LLOYD KREITZER: GROW YOUR OWN SUPER FRUIT, GOJI BERRY Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Did you know that the goji berry is a super fruit? Come learn from the Fig Man of New Mexico how to grow them in your backyard as well as how to harvest and best consume this underutilized super fruit.

2 pm, $25-$30

EVENTS DALE DEGROFF: ON THE TOWN AND CHEF & SHAKER CHALLENGE Santa Fe Scottish Rite Center 463 Paseo De Peralta, See James Beard Awardwinning, legendary mixologist DeGroff tell stories and songs from his 40 years behind the bar at this New Mexico Cocktails & Culture event.

When the show is over, the Chef & Shaker Challenge sponsored by Edible magazine kicks off featuring dishes by some of the area's best chefs, who pair cocktails with their food. The evening donates 20 percent of proceeds to the nonprofit Cooking with Kids (see SFR Picks, page 19).

5:15 pm, $85 HENDRICK’S GIN ACADEMY Skylight 139 W San Francisco St., 982-0775 Hendricks Gin ambassador Mattias Horseman explains the unusual gin creation process that makes this particular juniper alcohol so damn yummy, and he lets participants in on a few recipes for delicious gin cocktails at this New Mexico Cocktails & Culture event. It happens twice today, with the second event beginning at 3:15 pm (see SFR Picks, page 19).

2 pm, $20 KID'S FISHING DERBY Santa Fe River River Road & Calle Don Jose, 955-6840 Catch dinner straight from the Santa Fe river at this event for children 11 years old and younger. Hit the park bright and early and fish from 500 rainbow trout stocked by the New Mexico Department of Game and Fish.

7 am-noon, free KIDS IN THE GARDEN: GROWING VEGGIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Want to learn how to incorporate little ones in your garden activities? Attend this class with your favorite young gardeners and learn how to provide opportunities for kids in the garden around building soil, growing plants from seed, and how to care for your veggies. Each child will have a plant to take home and grow in their own garden.

10 am, free-$9 CONTINUED ON PAGE 30

Santa Fe, NM

In appreciation of 12 years of unbelievable support — we would love to thank our community by offering:

12% OFF ALL NEW BIKES in stock or special order

24-36% OFF ALL BIKES IN STOCK including demos and new bikes on the floor *

SALE IS FROM JUNE 1ST-JULY 4TH, 2017 505.982.8986 | 505.995.8356 info@mellowvelo.com OPEN 7 DAYS * Discounts based on Original MSRP… please contact store directly for more details. Some restrictions apply.

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THE CALENDAR

HANDS-ON

ICON WORKSHOP

PROSOPON SCHOOL OF ICONOLOGY

June 12 – 17 • Santa Fe

for more information and registration contact:

Elizabeth Bezzerides 505-660-9113 ebezzerides@gmail.com

St. E’s

TEAM NEGRONI BIKE RIDE Skylight 139 W San Francisco St., 982-0775 Team Negroni bikes 35 miles around Santa Fe as part of New Mexico Cocktails & Culture to raise funds for the Helen David Relief Fund, which fights breast cancer.

The ticket price covers a tasty lunch after your ride, but if you want to skip the meal this event is free (see SFR Picks, page 19).

8:30 am, $30 SANTA FE ARTISTS MARKET Railyard Park Cerrillos Road and Guadalupe St., 310-8766 This market presents works by local artists representing a ton of different mediums from sculpture to painting. Support local artists and enjoy the sunshine.

8 am-1 pm, free SPRING AND FIBER FEST El Rancho de las Golondrinas 334 Los Pinos Road, 471-2261 See what life was like on the Camino Real, Santa Fe Trail and Spanish Trails and learn about the people, goods and livestock that came and went on the arteries of the Southwest. Also experience traditional ranch activities like sheep shearing, wool dyeing, spinning and weaving. Plus a fiber arts marketplace, bread baking and crafts for children!

10 am-4 pm, $6-$8

MUSIC

WALKathon Walk & Raise $$ to Help End Homelessness in Santa Fe! Share your SuperPowers!

Costume Making PartY & CONTEST Special Guests & Live Music ANDALE FOOD TRUCK “We Care” Fair Family Fun Prizes!

Saturday, June 10th 9am to Noon

Registration includes a FREE SANTA FE Breakfast Burrito, T-shirt & RAILYARD PARK Raffle Prizes!!

Thanks to : Adventure Comics, Santa Fe Need and Deed, The Food Depot, Chainbreakers, Adelante, Youth Shelters, United Way, La Familia, Big Brothers Big Sisters, Santa Fe Railyard Corporation and more!

REGISTER: www.steshelter.org (505) 982-6611

ALTO STREET Second Street Brewery (Original) 1814 Second St., 982-3030 Irreverent bluegrass and covers of Cake and the Rolling Stones. Enjoy them with a locally brewed beer. It’s practically summer.

6 pm, free BADCAT AND AUDIOBUDDHA: SERVE Duel Brewing 1228 Parkway Drive, 474-5301 Enjoy electronica beats and libations at this dance party where the DJs serve their best high-energy sets.

8 pm, free THE CALI SHAW BAND Cowgirl 319 S Guadalupe St., 982-2565 Reggae rock.

8 pm, free DANCE MONSTER: DANNY DAZE Meow Wolf 1352 Rufina Circle, 395-6369 Daniel Gomez, aka Danny Daze, combines electronica styles like Italo disco and Miami bass to make a dancey meld all his own. Become a dance monster and shake your butt to his beats.

9 pm, $16-$19

ENTER EVENTS AT SFREPORTER.COM/CAL

DJ POETICS AND VDJ DANY: MIAMI PARTY Skylight 139 W San Francisco St., 982-0775 Let your inner dancer out and show off all those crazy moves you keep tucked away while this DJ duo plays sets of electronica tunes with a tropical vibe.

9 pm, $7 DUSTY GREEN BONES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Electric bluegrass and one of the raddest band names we’ve heard in a while.

7 pm, free MEAT PUPPETS AND ST. RANGE Railyard Plaza Market and Alcadesa Streets, 414-8544 Hard rock from Meat Puppets and high desert roll from St. Range under the summer evening sky will (most likely) put you in a great mood (see Music, page 23).

7 pm, free ROBIN HOLLOWAY Pranzo Italian Grill 540 Montezuma Ave., 984-2645 See Holloway rock the piano as he performs a set of classics and standards at the Italian eatery.

6 pm, $2 RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and classical Spanish guitar.

7 pm, free THE SANTA FE CHILES Cowgirl 319 S Guadalupe St., 982-2565 Spend your Saturday afternoon with this band and their dixie jazz.

1 pm, free SEAN HEALEN BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Americana and rock.

4 pm, free

THEATER THE GLASS MENAGERIE Teatro Paraguas 3205 Calle Marie, 424-1601 Directed by Robert Benedetti, this Tennessee Williams play tells the story of a family in quiet desperation. Starring local actors Robyn Rikoon, Geoffrey Pomeroy, Suzanne Lederer and Hania Stocker.

7:30 pm, $15-$20 TIME STANDS STILL Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Sarah and James, a photojournalist and foreign correspondent, battle their way through life. Directed by Catherine K Lynch, the production stars Kevin Kilner (The Good Wife, House of Cards), Maureen Joyce McKenna, David Sinkus and Alexandra Renzo.

7:30 pm, $15-$20

WORKSHOP PLANT-BASED CULINARY EXPERIENCE Sunrise Springs 242 Los Pinos Road, 471-3600 Learn sprouting, soaking and fermenting techniques to create tasty meals including surprisingly sweet plantbased treats at this natural cooking event, which is also the perfect occasion to see the beautiful springs on this resort property along the former El Camino Real.

10 am, $35

SUN/4 BOOKS/LECTURES ESSENTIAL OILS FOR THE GARDEN & GARDENER Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 If you are a gardener you know that gardening is beneficial for the body and soul.

However, gardening also comes with sore muscles, dry skin, sunburns and bug bites.

Essential oils can be used not only to help with your gardening pains, but also in your garden to deter pests and pathogens from infecting your plants. Huh, who knew?

3 pm, $25-$30 JOURNEYSANTAFE: JENNIFER RAMO Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Ramo created the “No Food Shaming Bill,” which protects children from being treated badly at school when they cannot afford meals. She created the bill with Sen. Michael Padilla, and she speaks about her efforts to prevent problems associated with poverty and the nonprofit New Mexico Appleseed.

11 am, free MARC HUDSON AND JEFFERY BEAN: POETRY READING Teatro Paraguas 3205 Calle Marie, 424-1601 Two poets read their works on pain and loneliness. Hudson presents works from his new collection East of Sorrow and Bean reads from his meditations on loneliness titled Woman Putting on Pearls. If you’re looking for a laugh and a good ol’ time, look elsewhere.

5 pm, free ORLANDO DUGI Wheelwright Museum of the American Indian 704 Camino Lejo, 982-4636 Dugi—a Navajo fashion designer—is known for his elegant couture gowns and extraordinary beadwork. He speaks about his process and inspiration in this artist talk.

1 pm, free

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LAVANYA REED

Nightwatch

A&C

Lavanya Reed lights the way through dark dream worlds in new solo exhibition

BY J O R DA N E D DY @jordaneddyart

W

hen Lavanya Reed was growing up in Santa Fe, her father came home one day with a turquoise tattoo of a dragon on his arm. “It was really fresh, so it just glowed,” says Reed. “The tattoo said ‘Vietnam’ with the years that he was drafted, and it was amazing.” Reed’s childhood dreams were filled with dark, mystical visions of flying and falling, swimming and drowning, snakes and sea creatures. Here was one of the strange beings from her nightly voyages, wrapped around her dad’s bicep. “I remember the look on his face when he realized how much I loved it,” Reed says. “He went, ‘Oh no, what have I done?’”

Reed got her first tattoo in a friend’s living room when she was 14, and has added many more since then. On a busy afternoon at Santa Fe Spirits, she sets down her margarita and rolls up her sleeves. There’s a nymph on each of her wrists, perched on intertwined branches that crawl up her forearms. She clasps her arms together, and the branches on each side connect to form the outline of a scarab beetle. “I’ve designed all of my tattoos,” she says. “It’s another canvas.”

This Friday, Reed mounts a solo exhibition at Eye on the Mountain Art Gallery featuring paintings that span more than 10 years. Much like the inky lines that adorn her skin, Reed’s brushstrokes are a conduit for deeply personal narratives that emerge as fantastical stories. Once externalized, Reed’s images become lanterns that she hopes will guide others through their own dark nights.

Reed started painting with watercolors when she was 5 years old, inspired by illustrations in children’s books such as Maurice Sendak’s Where the Wild Things Are. Her father was an airbrush artist, so she’d stake out a corner of his drafting table and ask for drawing lessons. She recalls rifling through his bookshelf of vinyl records, and marveling at album art from Santana, Miles Davis and Jimi Hendrix.

When she was 15, Reed jumped from ink and watercolor to acrylic paints. “My first acrylic painting was this crazy, abstract thing,” she says. “Working with acrylics was so open and free. Unlike with watercolors or ink, you could wipe things away, layer and build textures in different ways.” She took her first and only day of art class in high school, and balked at her teacher’s rigid instructions of how to represent the world. “I was really afraid of being influenced by someone else’s style,” she says.

These days, Reed lives in a 400-squarefoot home with her 14-year-old son. Her kitchen table is also her painting studio,

Lavanya Reed showcases her dreamscape acrylic paintings at Eye on the Mountain Art Gallery starting this weekend.

and her living room serves as a gallery for over 40 of her artworks. Aside from brief stints in Boulder and Austin, Reed has never lived outside of Santa Fe. “When it comes to painting, the more of a grownup I have to be, the harder it is to get into that subliminal state of creating,” she says. “There’s this whole fantasy world that I lived in when I was younger, and I’ve probably never left it, honestly. I feel safe in Santa Fe.” Reed’s mature style features rich, earthy colors and surreal scenes that blend wandering figures with natural imagery. Trees, flowers and ocean waves float across faces and meld with limbs, becoming symbols of the emotional tides that ripple through Reed’s life. This might be a fantasy world, but it isn’t without its real-world shadows.

“In the last couple years, I’ve had times where I’ve felt pretty alone,” she says. “This is a small town, but you can still meet someone who’s doing the exact same thing you’re doing, and they’ve been here for 10 years. You’ll say, ‘How come I’ve never seen you before?” To combat isolation, Reed started inviting her creative friends over once a week to make art. The gathering has evolved into a twice-weekly ritual frequented by local jewelers, painters and photographers.

Reed’s son is an enthusiastic participant, creating densely detailed ink drawings at the soirees.

For Friday’s opening, Reed attempts to recreate the gestalt of her living room inside Eye on the Mountain. She plans to pack the walls with artworks, perhaps employing all of the creations that have hidden away in her home for so long.

Reed has exhibited in galleries, cafés and retail stores over the years, and has occasionally installed her work on the walls of Capital Coffee Company, where she works as manager. Eye on the Mountain’s diverse collection felt like a perfect fit for her work, a rare feeling for the artist in Santa Fe’s highly commercial scene.

Though she draws from personal subject matter, Reed often resists titling her work because she loves to hear alternate interpretations of her imagery. “I made it with certain emotions in mind, but it could be so many other things,” she says.

“Something that I think is dark, another person might think is beautiful. I want people to take it and use it how they need to.”

LAVANYA REED SOLO SHOW OPENING RECEPTION 5 pm Friday June 2. Free.

Eye on the Mountain Art Gallery, 614 Agua Fría St., 928-308-0319

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JUNE

THE RAILYARD S

E AN T A F

IN THE RAILYARD! SPECIAL COMMUNITY EVENTS

LEVITT AMP SANTA FE CONCERT SERIES Saturdays at the Water Tower June 3: MEAT PUPPETS & ST. RANGE June 10: (CURRENTS 2017 Opening Weekend) EL TEN ELEVEN & FUTURE SCARS June 17: DUMPSTAPHUNK & THE STICKY June 24: DHAKABRAKHA

RAILYARD PARK SUMMER MOVIE SERIES Every other Friday at dusk June 2: All Time Classic MARY POPPINS June 16: FANTASTIC BEASTS & WHERE TO FIND THEM June 30: Bring Your Dog to the Movie Night for BEST IN SHOW!

3PM TO CLOSE

CONTINUING

WEDNESDAY

DUMPSTAPHUN

K

MAKE MUSIC SANTA FE June 21/ On the Plaza All Santa Fe Line-up launches Wednesday Nights in the Railyard

CURRENTS NEW MEDIA

CURRENTS NEW MEDIA 2017 June 9 thru 25 / El Museo June 9 & 10 / Outside on the Plaza Video Art, EDM & Multi-media Concert

ST. ELIZABETH’S SUPERHERO WALKATHON June 10 / In the Park Be a Hero – Walk for St. E’s

EVE @

ROUND MOUNTAIN

INTERNATIONAL MUD DAY June 24/ In the Park Kids play the natural way!

SOL SUNDAYS June 24 / In the Park Health & Wellness Extravaganza

JUNE 21-SEPTEMBER 27

THERAILYARD LAUNCHES WITH MAKE MUSIC SANTA FE

NEW! FOOD, MUSIC ART & FUN FARMERS MARKET & MORE!

FEED YOUR SENSES

SANTA FE FARMERS MARKET

SANTA FE ARTISTS MARKET

RAILYARD ARTISAN MARKET

Tuesdays & Saturdays /7am –1pm Railyard Plaza & Shade Structure

Saturdays / 8am –1pm Railyard Park

Sundays /10am – 4pm Farmers Market Pavilion

SECOND STREET BREWERY

BOXCAR

VIOLET CROWN CINEMA

Freshly brewed beer and pub fare Geeks Who Drink: Wednesdays/ 8-10:30pm Live Music: Friday/ 6-9pm Sunday/1- 4pm

Killer Sports, Food, Drinks & Music Mon-Sat till 2am / Sundays till 12

Railyard Plaza - 11 Screens Restaurant & Bar Your movie experience will never be the same!

ALL OUTDOOR EVENTS ARE FREE! FOR TIMES DETAILS AND MORE GO TO:

www.RAILYARDsANTAfE.COm & sANTA fE RAILYARD fACEbOOk pAGE 32

MAY 24-30, 2017

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ENTER EVENTS AT SFREPORTER.COM/CAL

EVENTS ARTISTS’ DRAW OFF New Mexico Museum of Art 107 W Palace Ave., 476-5072 In the summer of 1924, John Sloan and Will Shuster went out sketching. While lounging in the orchard, Sloan suggested that they paint each other and Shuster agreed. Inspired by that historical art event, two local artists draw each other in the museum’s courtyard while visitors watch their creative process. This happens the first Sunday of each month through August.

Noon, free FOLK ARTS AND ACTIVISM: ARTISTS IN CONVERSATION WITH THE LAND Museum of Int’l Folk Art 706 Camino Lejo, 476-1200 On this first Sunday of the month—which offers free museum admission to New Mexico residents—listen as local millennial folk artists, including Ehren Kee Natay, Marina Eskeets and Rose B Simpson, speak about activism though art. After the discussion, you can put your newfound knowledge to work and work on a group piece inspired by the Southwest landscape.

1 pm, free NOT JUST FOR THE BIRDS Scottish Rite Center 463 Paseo de Peralta, 982-4414 Sponsored by the New Mexico Coalition to End Homelessness, this event brings colorful bird baths, bird art and birdhouses donated to this benefit by more than 100 local artists and school children.

3 pm, free SPRING AND FIBER FEST El Rancho de las Golondrinas 334 Los Pinos Road, 471-2261 See what life was like on the Camino Real and learn about the people, goods and livestock that came and went on the arteries of the Southwest.

10 am-4 pm, $6-$8

FOOD CRAFT COLLECTIVE TASTING AND BAR AWARDS Skylight 139 W San Francisco St., 982-0775 Good drinks and awards abound at the final event of New Mexico Cocktails & Culture. Attend and try craft cocktails mixed by master mixologists and see who wins what in this year's Bar Awards (see SFR Pick, page 19).

4 pm, $15

MUSIC ALEX MARYOL Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Bluesy folk songs by the local troubadour.

1 pm, free

THE CALENDAR

DOG DAYS OF SUMMER WITH MARCHFOURTH The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 This warm-weather music festival brings brassy funk rock and jazz by the 15-person ensemble that is MarchFourth, including acrobats, stilters and musicians with opening performances

by Innastate, Greyhounds, Red Light Cameras and more.

Proceeds from this doggy day benefit the Santa Fe Animal Shelter (see SFR Picks, page 19).

3 pm, $21-$26 JIM ALMAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Roots and blues on an afternoon in Madrid.

1 pm, free JOE WEST Cowgirl 319 S Guadalupe St., 982-2565 West sings alt.country and folk songs about the Southwest. He even mentions Santa Fe. Enjoy him with a day drink because it’s Sunday.

Noon, free SANTA FE COMMUNITY ORCHESTRA: SEASON FINALE St. Francis Auditorium 107 W Palace Ave., 982-1890 The community orchestra concludes its season with this performance premiering the program “The Ruins of Quivira” by Charles Blanchard.

2:30 pm, free THE BARNYARD STOMPERS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Outlaw country.

3 pm, free

OPERA THE GOLDEN COCKEREL The Screen 1600 St. Michael’s Drive, 473-6494 See a screening of this production by Rimsky-Korsakov performed by La Monnair.

11 am, free

THEATER THE GLASS MENAGERIE Teatro Paraguas 3205 Calle Marie, 424-1601 Directed by Robert Benedetti, this Tennessee Williams play tells the story of a family in quiet desperation. Starring local actors Robyn Rikoon, Suzanne Lederer, Geoffrey Pomeroy and Hania Stocker.

2 pm, $15-$20 TIME STANDS STILL Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Sarah and James, a photojournalist and foreign correspondent, battle their way through life. Directed by Catherine K Lynch, it stars Kevin Kilner (The Good Wife), Maureen Joyce McKenna, David Sinkus and Alexandra Renzo.

3 pm, $15-$20

WORKSHOP OVERCOMING ANGER Zoetic Center 230 St. Francis Drive, 473-4343 Sit in meditation, learn to reduce frustration, anger and disappointment and welcome joy and contentment into your life with American Buddhist nun Gen Kelsang Ingchug.

10:30 am, $10 ZEN MEDITATION INSTRUCTION Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This is an opportunity for those new to Upaya and Zen meditation to receive instruction on meditation and become familiar with temple etiquette. You know, so you aren’t constantly offending everyone at the zen center without knowing it. Also, there’s a lot of anger-reducing workshops out there, y’all.

Take a deep breath and stay safe. The world is cruel.

3 pm, free

MON/5 EVENTS COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Michèle Leidig leads this fun evening of singing. Some of these amateurs may surprise you with their pipes. And who doesn’t want to hear some drunk gal belt out Matchbox Twenty tunes from 2001?

8 pm, free GEEKS WHO DRINK Draft Station 60 E San Francisco St., 983-6443 Do you know every line to every dumb ‘90s movie in existence? Or do you think you do? This game night is for people like you: know-it-alls.

Bring your smartest friends along and compete against other teams for trivia knowledge victory. The subjects range from math to music, and not much feels better than knowing you know more than everyone else, and rubbing it in their faces.

7 pm, free

TUE/6 BOOKS/LECTURES ROBIN BECKER AND LESLIE LAURENCE: POETRY READING Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Becker, who recently had a poem published in The New Yorker, reads from her collection titled Tiger Heron.

Lawrence reads from her personal essays, The Death of Fred Astaire: Essays from a Life Outside the Lines.

6 pm, free CONTINUED ON PAGE 37

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w a t y s e B

o u y r t r d a ay ! t s ot

Don’t be sorry.

Play it UBER safe.

Get a LYFT home.

Think SaFe

Drinking and driving is never good. Ever.

MORN

ING

W R D!

SFR’s Morning Word Staff Writer MATT GRUBS brings you the most important stories from all over New Mexico in his weekday news roundup.

Sign up to get a FREE email update:

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WINE

¡Pour Vida!

Pairing it up

BY MARY FRANCIS CHEESEMAN

P

airing wine and food is a special kind of magic. There are some pairings that are so natural they seem true in all situations: chevre and Sancerre, or foie gras with Sauternes, for example. But the wine world is a world of taste and opinion, colored by layers of context. That same foie gras accompanied by a berry compote might not pair so well with a Sauternes.

If your steak is served as thinly sliced tartare, you might want to steer clear of a Napa cabernet and break open a Beaujolais instead. Getting people to expand their tastes is difficult, though. Foie gras carries with it levels of assumption and

Try this Catherine and Pierre Bretton with a spicier curry.

interpretation as nuanced as that of a green chile cheeseburger. If I’m at a summertime barbecue in downtown Santa Fe, I’m probably going to be sipping on Dos Equis lager and that is right for where I am and who I’m with. If I’m at a fine dining restaurant with an exciting wine list and diverse food options, however, it’s a different (much geekier) story entirely.

After all, a talented chef will not send out a plate of food that is not already balanced. What is the role of wine in that context? I like to think of the wine as the frame of a picture: The purpose of the wine is to accompany the dish rather than contrast or heighten it. It helps to think first of the structure of the food, the weight of a dish, the acid and sugar structure, the potential saltiness and the spiciness. This is especially helpful when pairing wine with cuisines outside the Western European tradition or dealing with flavors and meals that were not made with wine in mind.

There is an unfortunate tendency to describe wine pairing with global cuisine using broad and reductive terms.

For example, riesling with everything spicy. Vietnamese food? Riesling. Indian food? Riesling. Thai food? Riesling. Now, I could chair as president of the riesling fan club, but to reduce the diversity of over half the world of food to pairing with only one white wine counters the level of imagination and excitement that this

Domaine des Baumard would pair well with a gingery curry.

pairing opportunity brings to the table.

I get it—the instinct, when dealing with anything hot, is to break out a wine with a little bit of residual sugar to tame the heat, and it also tends to pair well with the hidden sweetness you find in many Asian dishes. But just as there are different kinds of acidity and sweetness and tannin, so too are there different kinds of spice. Not all Asian food can be reduced to simple heat. Ginger is different than chile is separate from soy sauce. Why should the answer to all of them be the same?

For example, I think riesling with nước chấm sauce doesn’t work at all; it really enhances the salty fishiness of the sauce and neutralizes the diversity of flavors that I love in riesling. I would prefer an old vine verdejo instead, an outwardly neutral Spanish grape that possesses a refreshing crispness that doesn’t compete with fish sauce-influenced flavors.

Nisia, a wine producer from Rueda, Spain, makes an excellent choice, and it retails for about $18. It’s surprising that a Spanish grape would complement Vietnamese food, but it speaks to the freedom to explore the diverse options that make pairing wine and food so exciting in the first place.

With that in mind, here are a few other ideas for outlier pairings. I usually focus on the dominant flavor of a dish. So even with steak or pork, I might pick a white wine over a red, or vice versa. Are

Pair this 2014 Kith & Kin with wok-fried scallops.

your scallops wok-fried in a black pepper and soy sauce? Try a Napa cabernet with some meat on its bones. Round Pond makes an excellent example called Kith & Kin that retails for $36. (Go ahead and fight me over it, I love it.)

When I’m dealing with a curry that is influenced largely by ginger, I love chenin blanc as an accompaniment. Domaine des Baumard from Savenniéres, France, makes an excellent example for $24. But if your dish does have some heat to it, a Vouvray, like the Dilettante from Catherine and Pierre Breton, at $30 a bottle might be a nice option too.

If I’m working with an umami-heavy dish with lots of soy, I move towards a syrah. Not necessarily a northern Rhone or an Australian shiraz, although it depends on the other content of the dish. I prefer a softer American-style syrah like the one from Jaffurs Wine Cellars in Santa Barbara County that retails for $31.

None of these are terribly expensive wines, but they aren’t cheap either. It wouldn’t be wine pairing if there wasn’t a little bit of a gamble thrown in to make it fun.

To really parse different styles of cuisine is to play with some very unusual and inspired pairings. The only way to explore it is to use your imagination, open your mind, trust your gut, eat many different kinds of food and drink lots and lots of wine.

Going umami? Jaffurs is a good bet.

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Whether it’s local, statewide or national politics that you find sketchy, deliver your best— and funniest—artistic rendering. We’ll print the best entries in a special issue this summer.

• Entry fees are $5 per cartoon.

• No limit to the number of entries.

• Entry period begins June 1. All entries must be complete by July 1.

• Entry format can be JPG or PDF. Hard copies must be accompanied by check or cash payment and delivered to 132 E Marcy St., Santa Fe, NM 87501.

• Entrants must provide a contact email address or phone number and a short artist bio statement.

• Submission includes consent to reproduce your cartoon in the Santa Fe Reporter and digital platforms.

www.sfreporter.com/toons One grand prize winner gets a $100 gift certificate to Second Street Brewery.

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MAY 17-23, 2017

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ENTER EVENTS AT SFREPORTER.COM/CAL

THE CALENDAR

EVENTS

MUSIC

GEEKS WHO DRINK Boxcar 530 S Guadalupe St., 988-7222 Oh, you missed the Monday night battle? Don’t worry, because you can do it all over again tonight. The subjects of these trivia games change, so you may be better off tonight anyways. Bring a team, it’s a group effort, which means you can combine your factskills to make one unbeatable team.

8 pm, free

DJ PRAIRIEDOG: VINTAGE VINYL NITE The Matador 116 W San Francisco St. DJ Prairiedog and DJ Mama Goose spin vintage vinyl nite including the best in garage, surf, rockabilly and ol' school country.

9 pm, free GARY GORENCE Cowgirl 319 S Guadalupe St., 982-2565 Alt.country by the West Texas native.

8 pm, free

GOATS BEARD Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Alt.country. It seems like nobody plays regular old country anymore.

5 pm, free HURRAY FOR THE RIFF RAFF Meow Wolf 1352 Rufina Circle, 395-6369 Alynda Zegarra, aka Hurray for the Riff Raff, performs rootsy folk songs influenced

by New Orleans and the political world.

7:30 pm, $16-$19

COURTESY NEW MEXICO MUSEUM OF ART

MUSEUMS

Giovanni Battista Piranesi’s drawing “Interior of a circular building” is on view at the New Mexico Museum of Art as part of Lines of Thought, through Sept. 17.

EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Spring and Fiber Fest.

10 am-4 pm Saturday and Sunday, June 3 and 4. $6-$8.

GEORGIA O’KEEFFE MUSEUM 217 Johnson St.,946-1000 O’Keeffe at the University of Virginia. Through Oct. 28.

HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Contingent Beings: The Works of Cannupa Hanska Luger. Through May 28. Ken Price, Death Shrine I. Agnes Martin Gallery. Continuum, Through May 21.

MUSEUM OF CONTEMPORARY NATIVE ART 108 Cathedral Place, 983-8900 Athena LaTocha: Inside the Forces of Nature.

Through May. New Impressions: Experiments in Contemporary Native American Printmaking.

Through June. Daniel

McCoy: The Ceaseless Quest for Utopia. Through Jan. 2018. New Acquisitions.

Through Jan. 2018.

MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Frank Buffalo Hyde: I-Witness Culture. Through Jan. 2018. Into the Future: Culture Power in Native American Art. Jody Naranjo: Revealing Joy. Through Sept.

MUSEUM OF INTERNATIONAL FOLK ART 706 Camino Lejo, 476-1200 No Idle Hands: The Myths and Meanings of Tramp Art. Through Sept. 16. Flamenco: From Spain to New Mexico.

Through Sept. Sacred Realm. The Morris Miniature Circus. Under Pressure.

Through Dec. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Mirror, Mirror: Photographs of Frida Kahlo. Through Oct. 23.

NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 Agnes Martin and Me. Through Aug. Out of the

Box: The Art of the Cigar.

Through Oct. Voices of Counterculture in the Southwest. Through Feb. 11, 2018.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Meggan Gould and Andy Mattern: Light Tight.

Through Sept. 17. Cady Wells: Ruminations. Through Sept. 17. Lines of Thought: Drawing from Michelangelo to Now. Through Sept. 17.

PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Tesoros de Devoción.

POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 Nah Poeh Sang.

SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Ojos y Manos.

WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Beads: A Universe of Meaning. Through April 15, 2018.

PRODUCED BY MARTIN SCORSESE

WEDNESDAY, MAY 31, 6PM

$25 • THE LENSIC PERFORMING ARTS CENTER

LENSIC.ORG • 505-988-1234 A BENEFIT FOR

CCA

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37

CINEFESTA ITALIA

ITALIAN FILM FESTIVAL Jean Cocteau Cinema

2017 JUNE 1-4

CINEFESTAITALIA.ORG

It is with great excitement and enthusiasm that we complete the line up with these top quality Southwest Premieres of critically acclaimed, award studded, both powerful and entertaining films!

Welcome to CineFesta Italia Luca Ceccarelli Creative Director

Get Tickets NOW: CineFestaItalia.org Exclusive Santa Fe Reporter Discount code: sfr2017

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MAY 24-30, 2017

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MOVIES

RATINGS BEST MOVIE EVER

10 9 8 7 6 5 4 3 2 1 WORST MOVIE EVER

Pirates of the Caribbean: Dead Men Tell No Tales Review

6

Damn, it feels good to be a pirate

+ GHOST

PIRATES!

- GHOST

PIRATES…

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

Johnny Depp and crew are back as Captain Jack Sparrow and a bunch of bafflingly yet inextricably linked seafaring types in the newest installment of Disney/Jerry Bruckheimer’s Pirates franchise. Looks like Jack Sparrow ran afoul of a Spanish captain named Salazar (a wonderfully spooky Javier Bardem) some years ago and, as is the style of these films, that means supernatural curses for some reason and more acrobatic adventure for the likes of the formerly-also-cursed Barbossa (Geoffrey Rush), Henry Turner (the son of Orlando Bloom’s Will Turner from previous films, as played by the incredibly conventionally handsome Brenton Thwaites from Gods of Egypt) and a brilliant if brash young sci-

entist named Carina (The Maze Runner’s Kaya Scodelario).

Young Henry wants to save his dad from service on the ghost ship Flying Dutchman, but he’ll need the fabled trident of Poseidon to do so. According to legend, anyone who’s got that thing is basically the king of the sea. The only catch is that to get that bad boy he’ll need a “map no man can read.” Good thing Carina is a woman (and also conveniently has the map), so they join Jack Sparrow to get that danged artifact while Salazar nips at their heels totally ready to kill everyone cause he straight crazy.

Whereas the series took a bizarre turn many films ago and chooses to favor ghosts and stuff over good old-fashioned pirating, Dead Men isn’t as bad as you’d think. This isn’t to say it’s great by any means—more like you’ll probably never find

yourself bored. Depp is … fine as Sparrow, but we’ve of course grown accustomed to his Keith Richards-y bumbling and damn-near-unbelievable ability to piss off every fucking ghost and curse victim throughout the Seven Seas. Bardem is brilliant as always and actually provides a fun villain, it’s just that everything else is fairly predictable at this point. Paul McCartney’s cameo, however, is a pure delight, and we would have watched a whole movie just with him being a goofball. Still, pirates get stabbed, and what else are you doing?

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES Directed by Joachim Rønning and Espen Sandberg With Depp, Rush, Bardem, Thwaites and Scodelario Regal, Violet Crown, PG-13, 129 min.

QUICKY REVIEWS

7

OBIT

4

L’ATESSA

6

ALIEN: COVENANT

7

THE COMMUNE

5

OBIT

7

GUARDIANS OF THE GALAXY VOL. 2

renovated research tactics, but it’s refreshing to see writers tenderly parse through old pieces of newspaper and hold actual photographs close to their eyes; history buffs will love the archival video footage that helps bring the newspaper stories to life.

And if you’re one of those people who goes goo-goo on social media every time a Gregg Allman or a Chris Cornell or a Prince fades to black, you might want to hear about the day Michael Jackson died. The editors and writers of Obit are an articulate, thoughtful bunch. Each day, says obituarist William Grimes. “You have a chance that you can’t repeat; it is a once-only chance to make the dead live again.” (Julie Ann Grimm) Center for Contemporary Arts, NR, 93 min.

+ GREAT INSIDE VIEW OF THE PRESS - IF YOU THINK JOURNALISTS ARE

THE ENEMY, YOU WON’T LIKE THIS

Inside a brittle folder in a metal filing cabinet in an overstuffed room, there’s evidence that journalists had been preparing for her death since 1931. Now, it’s 2010, and former teenage daredevil pilot Elinor Smith has died in her 90s.

Out comes the file from the newspaper morgue, the advance obituary written by a reporter himself already long dead. And so begins the research about her role on the early aviation stage—and it’s got to be done by tomorrow.

In the tradition of 2011’s Page One—which featured newsroom action at The New York Times and an extensive look at famed, now late, media writer David Carr—this newest documentary about the Gray Lady gets inkstained with the most common of denominators: the obituary pages.

Turns out, there’s still a whole department at the Times for obituary writers who take on stories from across the nation and the globe.

Once a busy part of the news operation, the morgue service is still part of how they research the movers and shakers from 50 years ago who are now dropping like flies. Sure, the internet has

9

NORMAN

L’ATTESA

4

Obit provides an inside look at the pre-researched obituaries found in The New York Times.

+ BINOCHE IS SO TALENTED - EVEN SNAILS MOVE FASTER

When a young French woman named Jeanne (Lou de Laâge) travels to visit her boyfriend in Sicily, she instead finds his mother, Anna (Juliette Binoche of The English Patient), who is reeling from the recent loss of a family member. Anna frowns constantly, refuses to CONTINUED ON NEXT PAGE

SFREPORTER.COM

• MAY 31-JUNE 6, 2017

39

MOVIES

FOR SHOWTIMES AND MORE REVIEWS, VISIT SFREPORTER.COM

answer simple questions and seems to have no idea as to her son’s whereabouts. What follows is an unbearable series of silent moments, uncomfortable exchanges and some of the most self-indulgent and drawn-out establishing shots in the history of film.

L’attesa would have you believe Anna and Jeanne (or even the mysteriously absent Giuseppe) harbor dark secrets, but whatever they may be, we soon cease to care. Like, immediately.

Jeanne wanders the grounds of the admittedly gorgeous Sicilian villa, leaving repeated and increasingly frustrated phone messages for her lover, all of which are intercepted by Anna for, uh, some reason. And rather than slowly coming to terms with the young woman’s feelings, we begin to think of her as a petulant child angry that her boyfriend ditched her with his mom.

Anna is no better, and every moment she’s onscreen, we fear she’s about to lose her shit.

Jeanne is understandably confused by all of this, but it’s absurd to believe anyone would just hang around for days on end with someone’s weird mother when they could just as easily find a hotel or leave or something. Binoche does manage to cobble together an emotionally believable performance as the first woman in Sicily to get divorced (or so they say), and there are even moments of genuinely fine acting peppered throughout, but if Jeanne is supposed to be our hero, or even just our cipher, she fails.

Eventually, as we watch the seasoned thespian flounder under boring dialogue and her young counterpoint descend further into clingy and unstable, we just kind of check out and pray for L’attesa to come to an end—which it does, with practically no satisfying conclusion or discernable point of any kind. (ADV) Jean Cocteau, NR, 100 min.

ALIEN COVENANT

6

+ STUNNING VISUALS - IF I CREATED RIDLEY SCOTT’S MANKIND, I’D GIVE UP ON THEM, TOO

In the futuristic world of 2104, which director Ridley Scott renders in jaw-dropping fashion, mankind has colonized planets and built synthetic humanoids. But they’ve also apparently abandoned wearing space suits and testing atmospheres—as they did in the previous Alien installment, Prometheus, which is set just 10 years earlier—and decided to wing it on a new planet. It does not go well.

Alien: Covenant is not a horror flick. It’s sci-fi.

There’s some quality suspense, but not a ton.

More than anything, the movie feels like a chapter, the conscience of which is Katherine Waterston (Inherent Vice) as Daniels, who becomes the

You’ll wait and wait and wait some more in the aptly-titled L’atessa (Google the translation).

second-in-command aboard the colonization freighter Covenant. Waterston delivers some of the most important lines and seems to be the only one with the little voice in her head that says, “Maybe we shouldn’t.” If everyone played it safe, this would admittedly be a boring movie about a long trip through space, but there’s no real drama to the decisions the crew must make.

Despite mankind’s advanced state of existence, the crew of 15 contains just three African Americans and one Hispanic. Sadly, the only notable role among them is Demián Bichir’s (The Hateful 8) Lope, a well-played security team leader. While Idris Elba was believable as a no-nonsense pilot in Prometheus, Danny McBride is less so as a ratty-straw-hat cowboy.

He seems more at home steering a jet ski as Kenny Powers in HBO’s Eastbound and Down, and though McBride has shown range in non-comedic assignments, he seems miscast here.

Scott smartly homes in on Michael Fassbender who, despite being a humanoid, is the dark soul of the movie. Fassbender’s David has the same chip on his shoulder in Covenant as his Peter-O’Toole-obsessed self in Prometheus. His new iteration, Walter, is David’s less-inquisitive self. The interplay between them brings some of the movie’s most poignant moments.

Like Prometheus before it, Covenant scratches at a lot of larger issues but, ultimately, I want this film to do more. It doesn’t take much to get me to suspend disbelief in sci-fi—I want to be on that

new planet or in that ship—but you’ve gotta try.

Director Scott doesn’t seem to agree.

Regal, Violet Crown, R, 122 min.

THE COMMUNE

7

+ BEAUTIFUL, PAINFULLY REALISTIC - WHILE BELIEVABLE, NOT ENTIRELY RELATABLE

The fragility of aging relationships takes center stage in The Commune, a tense vision of 1970’s Denmark that manages to tell an honestly painful love story through unconventional yet believable means. Erik (an entirely unlikable Ulrich Thomsen) is a stuffy architecture professor who seems quick to anger and altogether unsuited for communal life. But when he inherits his sprawling childhood home after his father’s death, Erik’s wife Anna (Trine Dryholm of 2012’s A Royal Affair) convinces him to embrace the ideals of the then-burgeoning concept, though it ultimately becomes their downfall in director Thomas Vinterberg’s (2012’s The Hunt) loosely-based retelling of his own childhood growing up in a commune of his own.

Erik wants to ditch the house for the money, but Anna, fearing the doldrums of a 15-year marriage, views the inheritance as an opportunity for growth. Old friends, flighty hippies and young couples join forces with Erik and Anna, and a family unit begins to form. But when Erik begins an affair with a young student named Emma

(Helene Reingaard Neumann), the betrayal runs deep. To Anna’s credit, she tactfully agrees to see where it goes which is, of course, disastrous, and Erik’s innate ability to gaslight his wife without the least bit of concern for her mental well-being is absolutely infuriating.

At times funny, The Commune straddles the line someplace between Wes Anderson-y character dramedy and uncomfortable cautionary tale, though rather than feel sad for its main characters, we ultimately pity their flawed humanity. Will people do the worst things when given enough rope and does idealism or misguided belief in others goeth before a fall? Either way, it’s nice to see a character-driven film made well, even if one does wonder how the hell seemingly enlightened people could do such terrible things to one another. (ADV) Jean Cocteau, NR, 111 min.

NORMAN

5

+ HEAVY ON THE INTRIGUE AND BULLSHITTERY

- DRAGS FOR NEARLY TWO HOURS

Norman Oppenheimer might have the same last name as SantaFamous philanthropists and the guy who gets the credit for facilitating the atomic bomb up there in Los Alamos, but his life apparently had fewer headline accomplishments.

That’s not to say that this ass-kissy and handsy fellow, part stalker and part detective, has not CONTINUED ON PAGE 43

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C I N E M AT H E Q U E 1050 OLD PECOS TRAIL • 505.982.1338 • CCASANTAFE.ORG

SHOWTIMES MAY 31 – JUNE 6, 2017

Wednesday, May 31 12:45p Kedi* 1:00p Wakefield 2:30p Norman* 3:15p Wakefield 5:00p Wakefield* 6PM, MAY 31 5:30p Masters & Museums: AT THE LENSIC!

I, Claude Monet 6:00p Radical Southwest: Long Strange Trip at The Lensic LENSIC.ORG • TICKETS.TICKETSSANTAFE.ORG • 505-988-1234 7:00p Norman* 7:30p Wakefield Thursday, June 1 12:45p Kedi* 1:00p Wakefield 2:30p Norman* 3:15p Wakefield 5:00p Wakefield* 5:30p Masters & Museums:

I, Claude Monet 7:00p Norman* 7:30p Wakefield Friday-Saturday, June 2-3 11:00a Masters & Museums: The Artist’s Garden:

American Impressionism 11:15a Obit* 1:00p Auteurs 2017 - Stalker 1:15p Norman* 3:45p Obit* 4:15p Like Crazy 5:45p Obit* 6:45p Kedi 7:45p Norman* 8:30p Like Crazy

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ONCE SEEN, WILL BE-NEWCITY DREAMT AGAIN AND AGAIN”

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STALKER

AUTEURS 2017: DON’T MISS!

KEDI

&

Sunday, June 4 11:00a Masters & Museums: The Artist’s Garden:

American Impressionism* 11:15a Obit 1:00p Auteurs 2017 - Stalker* 3:00p Radical Southwest: Remembering Reies Tijerina

& the Tierra Amarilla

Courthouse Raid 4:15p Like Crazy* 5:45p Obit 6:45p Kedi* 7:45p Norman 8:30p Like Crazy* Monday-Tuesday, June 5-6 1:00p Obit* 1:45p Norman 3:00p Like Crazy* 4:15p Obit 5:30p Masters & Museums: The Artist’s Garden:

American Impressionism* 6:15p Kedi 7:30p Obit* 8:00p Like Crazy

*in The Studio

PASSES AVAILABLE: 505.982.1338

WAKEFIELD

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Literacy Volunteers of Santa Fe Providing free tutoring services to adults learning English as a Second Language, improving their basic reading skills, learning U.S. history and civics in preparation for U.S. Citizenship.

To find out about volunteer opportunities or to make a contribution, visit us at:

www.lvsf.org

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MOVIES

Why do people keep fighting these aliens?! All they ever seem to get for their troubles is a melted face and their corpses eaten! accomplished plenty. He spends all day coldcalling, hot-calling and otherwise pestering a smattering of his vast network of his New York Jewish friends to trade favors in this film originally subtitled the much-more-descriptive The Moderate Rise and Tragic Fall of a New York Fixer.

Richard Gere (The Second Best Exotic Marigold Hotel) sheds any hint of his heartthrob calling card to don the role of not just a pathetic schmooze, but a pained loner who is either really good at making connections or really bad at it. He’s pushy when he needs to be, quiet and captivating when he needs that instead—yet Oppenheimer’s matchmaking is still flawed.

When he befriends a rising star in the Israeli political sphere (a chiseled and poised delivery from Lior Ashkenazi), the protagonist in this affair ends up in over his head. His first clue is the impulsive retail therapy for his mark: a pair of shoes worth more than $1,000. But the bluffer and bullshit artist is undeterred.

Prepare to spend lots of time listening to the lyrical sounds of Hebrew and reading the English subtitles, a respectable choice for a time when Americans don’t want to feel at the center of it all (and for a film shot half in Tel Aviv).

Notable in a supporting role is the plainfaced investigator Alex, played by Charlotte Gainsbourg, who effectively channels every woman everywhere who has ended up on public transit next to a man who feels entitled to conversation.

It’s never clear how Oppenheimer makes a living, and she’s quick to get on the case. Is he a delusional name-dropper or a victimized mensch? That one might be for history to sort out, too. (JAG) Center for Contemporary Arts, R, 118 min.

GUARDIANS OF THE GALAXY VOL. 2

9

+ SO FUN, SO FUNNY, SO COOL - NOT AS IMPACTFUL AS THE FIRST FILM

In a sea of ultra-serious films based on comic books, melodrama fatigue becomes a serious concern. Thank goodness then for Guardians of the Galaxy Vol. 2, another excellent outing for the lesser-known Marvel heroes and one of the most incredibly fun franchises currently hitting theaters.

Once again, we join Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper) and Groot (now in baby form but still voiced by Vin Diesel) as they unwittingly get swept up into the collective role of galactic saviors.

When Quill’s father Ego (an excellent Kurt

Russell) finally tracks him down after 30-plus years of searching, the humorous hero learns of his origins and—get this—they are dubious.

Turns out his dad’s a god (“With a little ‘g,’” Ego says) with nefarious intentions, and the Guardians must step in to set him straight.

Of course, the two-pronged approach of slapstick antics and absolutely killer soundtrack are the real draw here, but Guardians also manages to drive home some fairly heavy material on the topics of family drama, friendship and, almost surprisingly, love— though never in a way as silly as the overarching plot would lead us to believe. There are, in fact, some downright moving scenes shared between Quill and his sorta-kinda adoptive father Yondu (an exceedingly fun Michael Rooker). And all the while, great tunes from the likes of Looking Glass, Cat Stevens and ELO blare through the speakers through firefights and space battles, gravity-defying Pac-Man references and, gleefully, the reveal of the fate of one Howard the Duck.

Writer and director James Gunn absolutely nails the tone, and even when things become borderline too-serious, he knows just how to pull it out and make us laugh. Throw in excitingyet-brief appearances from heavyweights like Michelle Yeoh and Sylvester Stallone, and we’ve got what may be the perfect summer movie; the opening dance sequence alone is worth the price of admission. (ADV) Regal, Violet Crown, PG-13, 136 min.

CCA CINEMATHEQUE 1050 Old Pecos Trail, 982-1338

JEAN COCTEAU CINEMA 418 Montezuma Ave., 466-5528

REGAL STADIUM 14 3474 Zafarano Drive, 844-462-7342 CODE 1765#

THE SCREEN SFUAD, 1600 St. Michael’s Drive, 473-6494

VIOLET CROWN 1606 Alcaldesa St., 216-5678

For showtimes and more reviews, visit SFReporter.com

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JONESIN’ CROSSWORD “You Say You Want a Revolution”—it’s your turn.

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BE MY FUR-EVER FRIEND! We need foster homes for single orphans, litters of kittens and nursing moms. Felines & Friends can provide playpen cages, litter boxes, toys and food if needed. Bath enclosures with glass doors are also a good place for growing kittens.

At 8 weeks, kittens can move to our Adoption Center at Petco. If you are interested and helping and enjoying kittens without the commitment of adoption, please call 505316-2281 or send an e-mail to: askfelinesandfriends@yahoo.com. City of Santa Fe Permit #17-004.

CALL FELINES & FRIENDS AT 316-2281

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PETCO: 1-4 pm Thurs., Fri., Sat. & Sun. TECA TU at DeVargas Center.

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SFR CLASSIFIEDS 3 Ways to Book Your Ad!

COMMUNITY ANNOUNCEMENTS TIERRA NUEVA COUNSELING CENTER - We offer low cost, sliding scale ($25 per session) counseling and art therapy services for adults and children ages 3 and up. These services are provided by student therapists from Southwestern College. They are supervised by licensed counselors. We do not take insurance at this time. Please call 471-8575 JOHREI CENTER OF SANTA FE. for more information or to JOHREI IS BASED ON THE sign up for services. We also FOCUS AND FLOW OF THE see couples and families. No UNIVERSAL LIFE ENERGY. waiting list at this time.

When clouds in the spiritual body and in consciousTEACH YOUR WAY AROUND ness are dissolved, there is THE WORLD. Get TESOL a return to true health. This Certified & Teach English is according to the Divine Anywhere. Earn an accredited Law of Order; after spiritual clearing, physical and menTESOL Certificate and tal- emotional healing follow. start teaching English in You are invited to experience the USA and abroad. Over the Divine Healing Energy of 20,000 new jobs every Johrei. All are Welcome! The month. Take this highly Johrei Center of Santa Fe is engaging & empowering located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505. course. Hundreds have Please call 820-0451 with any graduated from our Santa Fe questions. Drop-ins welcome! Program. Summer Intensive: June 12 - July 7. Limited There is no fee for receiving seating. Contact John Johrei. Donations are gratefully accepted. Please check Kongsvik. 505-204-4361. us out at our new website info@tesoltrainers.com santafejohreifellowship.com www.tesoltrainers.com

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STATE OF NEW MEXICO COUNTY OF SANTA FE IN THE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF THE ESTATE OF MATHILDE GOODWIN BIRD, Deceased.

No. D-0101 PB 2017 00037 NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed Personal Representative of the Estate of MATHILDE GOODWIN BIRD, Deceased. All persons having claims against this estate are required to present their claims within two (2) months after the date of the first publication of this Notice or the claims will be forever barred. Claims must be presented either to DONALD J. MARTINEZ, Personal Representative, C/O Daniel Sanchez, Esq., 2304 Middle Court, Santa Fe, New Mexico 87505 or filed with the First Judicial District Court.

Dated: May 23, 2017 DONALD J. MARTINEZ, Personal Representative Of the Estate of MATHILDE GOODWIN BIRD, Deceased. c/o Daniel A. Sanchez, Esq. 2304 Middle Court Santa Fe, New Mexico 87505 (505) 946-8394 FAX: (505) 473-4270 Dansanchez911@gmail.com

COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT ONEMAIN FINANCIAL SERVICES, INC., fka Springleaf Financial Services, Inc., Plaintiff, v.

FRANK L. GONZALES, Defendant.

Cause No.: D-101CV-2016-02565 NOTICE OF SUIT NOTICE OF SUIT to the abovenamed defendant, Frank L. Gonzales, GREETINGS: You are hereby notified that the above-named Plaintiff OneMain Financial Services, Inc. fka Springleaf Financial Services, Inc., by its undersigned attorney, has filed a civil action against you in the aboveentitled Court and cause, the general object thereof being Complaint for Money Owed.

That unless you file an answer or response to the Complaint in said cause, on or before 30 days from the last date of publication, a judgment by default will be entered against you. Name and address and telephone number of Plaintiff’s attorney: Katherine A. Basham, Basham & Basham, P.C., 2205 Miguel Chavez Road, Suite A, Santa Fe, New Mexico 87505; (505) 988-4575.

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MIND BODY SPIRIT CHIROPRACTIC Rob Brezsny

Week of May 31st

ARIES (March 21-April 19) Life is in the mood to communicate with you rather lyrically. Here are just a few of the signs and portents you may encounter, along with theories about their meaning. If you overhear a lullaby, it’s time to seek the influence of a tender, nurturing source. If you see a type of fruit or flower you don’t recognize, it means you have a buried potential you don’t know much about, and you’re ready to explore it further. If you spy a playing card in an unexpected place, trust serendipity to bring you what you need. If a loud noise arrives near a moment of decision: Traditionally it signifies caution, but these days it suggests you should be bold.

astrological omens, I have determined that now is a favorable time for you to sing liberation songs with cheeky authority … to kiss the sky and dance with the wind on a beach or hilltop … to gather your most imaginative allies and brainstorm about what you really want to do in the next five years. Do you dare to slip away from business-as-usual so you can play in the enchanted land of what-if? If you’re smart, you will escape the grind and grime of the daily rhythm so you can expand your mind to the next largest size.

$40.00 CHIROPRACTIC ADJUSTMENTS Effective May 1, 2017, SCORPIO (Oct. 23-Nov. 21) “On some hill of despair,” wrote poet Galway Kinnell, “the bonfire you kindle can Gilbert Chiropractic & TAURUS (April 20-May 20) Your body is holy and light the great sky — though it’s true, of course, to make it Wellness located at 1504 magic and precious. I advise you not to sell it or rent it burn you have to throw yourself in.” You may not exactly S St Francis Drive, Santa or compromise it in any way — especially now, when feel despair, Scorpio. But I suspect you are in the throes of Fe, NM, will offer a walk-in you have an opening to upgrade your relationship with an acute questioning that makes you feel close to the clinic on Wednesdays from it. Yes, Taurus, it’s time to attend to your sweet flesh and edge of forever. Please consider the possibility that it’s a 1:00 p.m. to 3:30 p.m. Offer blood with consummate care. Find out exactly what your favorable time to find out just how much light and heat is for new patients only. amazing organism needs to feel its best. Lavish it with are hidden inside you. Your ache for primal fun and your Call if you have questions pleasure and healing. Treat it as you would a beloved longing to accelerate your soul’s education are converging (505)984-1222 child or animal. I also hope you will have intimate conversations with the cells that compose your body. Let them know you love and appreciate them. Tell them you’re ready to collaborate on a higher level.

with your quest to summon a deeper, wilder brilliance.

SAGITTARIUS (Nov. 22-Dec. 21) You’re in a phase when you have the power to find answers to questions that have stumped you for a while. Why? Because GEMINI (May 21-June 20) “The most intense moments you’re more open-minded and curious than usual. the universe has ever known are the next 15 seconds,” You’re also ready to be brazenly honest with yourself. said philosopher Terence McKenna. He was naming a Congrats! In light of the fact that you’ll be lucky at central principle of reality: that every new NOW is a solving riddles, I’ve got three good ones for you to harvest of everything that has ever happened; every wrestle with. 1. Which of your anxieties may actually fresh moment is a blast of novelty that arises in be cover-ups for a lazy refusal to change a bad habit? response to the sum total of all history’s adventures.

2. What resource will you use more efficiently when This is always true, of course. But I suspect the phenomyou stop trying to make it do things it’s not designed to enon will be especially pronounced for you in the near do? 3. What blessing will you receive as soon as you future. More than usual, you may find that every day is give a clear signal that you are ready for it? packed with interesting feelings and poignant fun and CAPRICORN (Dec. 22-Jan. 19) A typical Capricorn culepic realizations. This could be pleasurable, but also tivates fervent passions, even to the point of obsession. overwhelming. Luckily, you have the personal power Almost no one knows their magnitude, though, necessary to make good use of the intensity. because the members of your tribe often pursue their CANCER (June 21-July 22) Nobody likes to be scrutifulfillment with methodical, business-like focus. But I nized or critiqued or judged. But we Crabs (yes, I’m wonder if maybe it’s a good time to reveal more of the one of you) are probably touchier about that treatment raw force of this driving energy than you usually do. It than any other sign of the zodiac. (Hypersensitivity is a might humanize you in the eyes of potential helpers trait that many astrologers ascribe to Cancerians.)

However, many of us do allow one particular faultfinder who see you as too strong to need help. And it could motivate your allies to provide the extra support and to deride us: the nagging voice in the back of our understanding you’ll need in the coming weeks. heads. Sometimes we even give free rein to its barbs.

But I would like to propose a transformation of this situation. Maybe we could scold ourselves less, and be a bit more open to constructive feedback coming from other people. Starting now.

AQUARIUS (Jan. 20-Feb. 18) In accordance with the astrological omens, I invite you to carry out a flashy flirtation with the color red. I dare you to wear red clothes and red jewelry. Buy yourself red roses. Sip red wine and savor strawberries under red lights. Sing Elvis LEO (July 23-Aug. 22) The lion’s potency, boldness, and Costello’s “The Angels Want to Wear My Red Shoes” majesty are qualities you have a mandate to cultivate in and Prince’s “Little Red Corvette.” Tell everyone why the next three weeks. To get in the righteous mood, I suggest you gaze upon images and videos of lions. Come 2017 is a red-letter year for you. For extra credit, murmur the following motto whenever a splash of red up with your own version of a lion’s roar — I mean actually make that sound — and unleash it regularly. You teases and pleases your imagination: “My red-hot pasmight also want to try the yoga posture known as the lion sion is my version of high fashion.” pose. If you’re unfamiliar with it, go here for tips: tinyurl.

PISCES (Feb. 19-March 20) “If you want a puppy, start by com/lionpose. What else might help you invoke and asking for a pony,” read the bumper sticker on the Lexus express the unfettered leonine spirit?

SUV I saw. That confused me. Would the owner of a VIRGO (Aug. 23-Sept. 22) “What does it matter how many lovers you have if none of them gives you the universe?” French psychoanalyst Jacques Lacan posed that question. I invite you to put it at the top of your list of hot topics to meditate on. In doing so, I trust you won’t use it as an excuse to disparage your companions for their inadequacies. Rather, I hope it will mobilize you to supercharge your intimate alliances; to deepen your awareness of the synergistic beauty you could create together; to heighten your ability to be given the universe by those whose fates are interwoven with yours.

Lexus SUV be the type of person who didn’t expect to get what she really wanted? In any case, Pisces, I’m conveying a version of this bumper-sticker wisdom to you. If you want your domestic scene to thrive even more than it already does, ask for a feng shui master to redesign your environment so it has a perfect flow of energy. If you want a community that activates the best in you, ask for a utopian village full of emotionally intelligent activists. If you want to be animated by a focused goal that motivates you to wake up excited each morning, ask for a glorious assignment that will help save the world.

LIBRA (Sept. 23-Oct. 22) From my study of the lost prophecies of Nostradamus, the hidden chambers beneath the Great Pyramid of Cheops, and the current

Homework: Your imagination is the single most important asset you possess. Listen to the podcast: http://bit.ly/YourProphecy

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 7 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700.

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ARE YOU A

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Medical Cannabis

card holders discount

Locally Blown Glass Pipes!!!

Vaporizers Rolling Papers Detox and Much more!

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SAM SHAFFER, PHD

OPEN EVERYDAY! 10 am - 9 pm

INNER FOR TWO 106 N. Guadalupe Street (505) 820-2075

“YOU ARE WHAT YOU INK”

•

happy hour!

from 4 pm to 6:30 pm Enjoy treats like: • Duck Confit tacos • pink peruvian shrimp • prime rib sliders • wine • local brews

WEDNesday – Sunday

... and lively conversation. See you there!

NOW OPEN

227 DON GASPAR | SUITE 11A

Inside the Santa Fe Village

505-920-2903

happy hour everyday from 4 pm to 6:30 pm

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