Santa Fe Reporter, March 23, 2022

Spring

Poetry Search SFREPORTER.COM

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MARCH 23-29, 2022

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READINGS & CONVERSATIONS Inspired writers of fiction and poetry, as well as advocates of cultural freedom and liberation, read from and discuss their work.

13 APRIL Deborah Eisenberg

with

David L. Ulin

A short story writer who crafts distinctive portraits of contemporary American life with precision and moral depth, Deborah Eisenberg is the author of Transactions in a Foreign Currency, Under the 82nd Airborne, All Around Atlantis, Twilight of the Superheroes, and Your Duck Is My Duck. Writer and editor David L. Ulin is professor of the Practice of English at the University of Southern California and former book critic for the Los Angeles Times.

Tickets on sale now

11 MAY Arthur Sze

with

Forrest Gander

Arthur Sze has published twelve books of poetry, including The Glass Constellation: New and Collected Poems and Sight Lines, which won the 2019 National Book Award.

The recipient of many honors and a fellow of the American Academy of Arts & Sciences, he is a professor emeritus at the Institute of American Indian Arts and was the first poet laureate of Santa Fe, New Mexico. Forrest Gander is a translator, editor, and author of more than a dozen books, including Twice Alive and Be With, which was longlisted for the 2018 National Book Award.

Tickets on sale Saturday 2 April

JOIN THE CONVERSATION Wednesdays at 7pm Lensic Performing Arts Center General admission $8; students and seniors with ID $5 Face masks and proof of full vaccination required to attend Events will also be livestreamed at lannan.org

Purchase tickets at

Lannan.org Can’t make it? Recordings of all events are available at podcast.lannan.org

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MARCH 23-29, 2022

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SFREPORTER.COM

MARCH 23-29, 2022 | Volume 49, Issue 12

NEWS

Heard any gossip lately? Let’s clear the air.

BUILT LOCAL, STAYING LOCAL.

OPINION 5 NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 THE DISCONNECTED 8 Despite a court order and millions invested, some New Mexico students are still waiting for reliable internet access EMPLOYMENT EBB 9 Persistent trouble hiring for local businesses driven by multiple factors, economists and Santa Fe city officials say COVER STORY 10 SPRING POETRY SEARCH WINNERS Poetry echoing trauma includes reflections on wars—both cultural and corpereal—plus immigration, the passing of time, as well as environmental and health threats

WE’RE HERE FOR YOU The journalists at the Santa Fe Reporter strive to help our community stay connected. We publish this free print edition and daily web updates. Can you help support our journalism mission? Learn more at sfreporter.com/friends

Century Bank is New Mexican-made and growing beyond state lines. We’re honored to serve our communities in New Mexico and are proud to have an office in Dallas and soon another in Houston!

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EDITOR AND PUBLISHER JULIE ANN GRIMM

facebook: facebook.com/sfreporter

CULTURE

MyCenturyBank.com 505.995.1200

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE ART DIRECTOR ANSON STEVENS-BOLLEN CULTURE EDITOR ALEX DE VORE

SFR PICKS 15 Badass ballet, mariachi happy hour, help a musician and lala with Lala Lala THE CALENDAR 16 3 QUESTIONS WITH AUTHOR AND FORMER SEN. DEDE FELDMAN 20 A&C THE BOOKSHELF 21 Zahra Marwan’s Where the Butterflies Fill the Sky tells a challenging but vital story for today’s youths QUEEN TAZ 23 Shontez Morris leaves of legacy of light

NEWS EDITOR JEFF PROCTOR

STAFF WRITERS BELLA DAVIS WILLIAM MELHADO CONTRIBUTING WRITERS ANNABELLA FARMER DARRYL LORENZO WELLINGTON CULTURE WRITER RILEY GARDNER DIGITAL SERVICES MANAGER BRIANNA KIRKLAND DISPLAY/CLASSIFIED ADVERTISING EXECUTIVE ROBYN DESJARDINS CIRCULATION MANAGER ANDY BRAMBLE

MOVIES 24

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CHEAPER BY THE DOZEN REVIEW You’re better than this, Zach Braff

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Your Local & Independent Printing Specialist

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Guaranteed.

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SFREPORTER.COM • • MARCH MARCH23-29, 23-29,2022 2022 SFREPORTER.COM

3 3

W I N T E R LE CT URE SE RIES

The Battalion of San Patricio: Mexico’s Irish Soldiers with Las Golondrinas Board Chair Henry Rivera Tuesday, March 29, 6:00 p.m., St Francis Auditorium Join us as we learn about “The San Patricio Battalion,” deserters from the U.S. Army, most of whom were Irish, who fought for Mexico during the Mexican-American War. Purchase tickets in advance at golondrinas.org Tickets $10; free for Las Golondrinas and Museum BEST LECTURE SERIES Foundation Members.

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START YOUR CAREER IN HOSPITALITY HHandR.com

PETER MYGATT / COURTESY OF THE PALACE OF THE GOVERNORS PHOTO ARCHIVES (NMHM/DCA), 1952.

S F R E P ORT ER.COM / NEWS / LET T ERSTOT H E E DITOR

Mail letters to PO Box 4910, Santa Fe, NM 87502; or email them to editor@sfreporter. com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

COVER, MARCH 9: “CASTLES, RUINS AND MYSTERIES”

EXTRA CREDIT The story about the second Governor’s Mansion revealed a bit of Santa Fe architectural history I knew nothing about. I started to wonder where precisely that gracious Georgian confection once stood.

Reports of flood damage suggested a location adjacent to the Santa Fe River. The tree shadows in a couple of photographs suggested the mansion faced south.

Sure enough, a 1930 Sanborn fire insurance map from the Library of Congress made note of this structure: due north of the Capitol (now the Bataan Memorial Building), roughly half-way between the Capitol and the river. A north-south line bisecting the Capitol would just about intersect the Governor’s Mansion through it’s front door…The city lost a distinctive landmark when it was demolished. Santa Fe apparently also lost what appears to be a shady park. Only two of the many trees survived on

LETTERS

the grounds north of the Capitol, according to a 1954 picture in the current issue of El Palacio.

(One of those trees is most likely the one to the left in the Reporter’s cover photograph.)

I can find no record of a major flood that could have damaged the mansion in the 1940s or early 1950s. Perhaps water damage of a different kind than an estuary overflowing its banks brought about the mansion’s demise.

The 20th century cliche, oft repeated, also held true regarding the second New Mexico Governor’s Mansion: The demolition site eventually became a place to park cars.

JOHN WAGNER SANTA FE

FOOD, MARCH 16: “GUADALUPE MAGIC”

AGREE An entertaining and informative review.

GILDA SIMON VIA FACEBOOK

SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER First woman: “On St. Paddy’s Day, we’re all Irish. We’re the O’Moores.”

Second woman: “We’re the O’MyGods.”

—Overheard at Second Street Brewery on St. Patrick’s Day “It’s impossible to figure out when this train comes.”

—Tourists overheard at Altar Spirits looking up Railrunner schedule

Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM SFREPORTER.COM • • MARCH MARCH23-29, 23-29,2022 2022

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S FREP ORTER.COM / FUN

OTERO COUNTY COMMISSIONER COUY GRIFFIN GUILTY OF ENTERING RESTRICTED US CAPITOL AREA But a federal judge apparently didn’t think whipping people into a frenzy via bullhorn on Jan. 6 amounted to disorderly conduct.

LEGISLATURE HEADS FOR SPECIAL SESSION What’s worse: Debate will be on state spending and not daylight saving time.

NM HIGH SCHOOL GRADUATION RATES STAY STEADY THROUGH PANDEMIC There’s actually no joke here. This is just good.

TWO CANNABIS DISPENSARIES APPROVED FOR MADRID Because rules matter, after all.

EVEN FOR SANTA FE, THIS SNOW AND HEAT AND WHATEVER ELSE IS WEIRD Welcome to the end of days, we guess?

SANTA FE ASIAN MARKET OPENS Thank. God.

KETANJI BROWN JACKSON SUPREME COURT HEARINGS UNDERWAY We wish she had called Don Rumsfeld and George W. Bush “war criminals.”

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MARCH MARCH23-29, 23-29,2022 2022 •• SFREPORTER.COM SFREPORTER.COM

READ IT ON SFREPORTER.COM

W E A R E WAY M O R E TH A N W E D N E S DAY H E R E A R E A CO UP LE O F O N LI N E E XC LUS I V E S :

CONTRACTUAL

TOP COP NO LONGER INTERIM

Meow Wolf Workers Collective agrees to tentative contract with management.

City officials named Paul Joye as chief of the Santa Fe Police Department.

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teatro paraguas presents

11 Short Plays by

Joey A. Chavez

March 25 - April 10

Tales of dark suspense,

Tickets $20/ $10 students and limited income reservations 505-424-1601

romance, philosophy, comedy, and pranks

by Santa Fe’s beloved theatre teacher

Friday and Saturday at 7:30 p.m.

Sunday at 2:00 p.m.

Joey A. Chavez

tix online @ teatroparaguasnm.org

Teatro Paraguas 3205 Calle Marie

project supported by New Mexico Arts/ Dept. of Cultural Affairs, and SF Community Foundation

SFREPORTER.COM

•

MARCH 23-29, 2022

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The Disconnected Despite a court order and millions invested, some New Mexico students are still waiting for reliable internet access

BY WILLIAM MELHADO w i l l i a m @ s f r e p o r t e r. c o m

S

heila and Vincent Largo breathed a deep sigh of relief when their daughter, Faith, walked into a classroom last August to begin her ninth-grade year at Cuba High School, a small institution in a town of less than 1,000 people, located a few miles from the Santa Fe National Forest.

Faith, like most New Mexico students, had spent the previous academic year attending classes online. She used a district-provided hotspot and ran a generator to keep her connected.

“My husband and I did our best to try and help her with all the stuff on the laptop,” Sheila Largo tells SFR, adding that the family needed more guidance on how to effectively use the tools demanded by the pandemic-driven Zoom classroom.

Things got easier as the Largos familiarized themselves with some of the computer-based programs, but their spotty internet connection meant online learning was never a proper substitute for in-person schooling.

In Cuba and across New Mexico, the Largos’ story is common. Despite two years passing since COVID-19 hit New Mexico, many families, particularly in rural parts of the state, still struggle with limited or no internet access.

Near the end of the 2021 school year, First Judicial District Judge Matthew Wilson ordered the state to provide immediate access to devices and connections to high-speed internet.

The ruling came three years after Wilson’s predecessor, late-District Court Judge Sarah Singleton, found the state had violated students’ constitutional right to a sufficient public education in the 2018 case Martinez and Yazzie v. State of New Mexico.

Wilson’s decision last May came after an emergency motion for relief filed by the Yazzie plaintiffs. When school buildings shuttered in March 2020 due to the pandemic, students took to laptops and Zoom for class, which prevented those without a device or broadband connection from logging in. The

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emergency motion specified students in rural areas serving Native students were particularly disadvantaged.

The across-the-board access Wilson ordered hasn’t materialized for all New Mexico students, an analysis by SFR finds.

“It’s a statewide problem,” says state Sen. William Soules, D-Las Cruces, of the lack of internet access in New Mexico, adding that it “became really evident in the school, the disparities.”

The chair of the Legislative Education Study Committee and a longtime teacher, Soules tells SFR that the issue persists “in communities all across the state where they don’t have access to high-quality, fast broadband.”

The state’s efforts to provide a quick connection through hotspots weren’t sufficient, Soules contends.

“We’ve got problems…all around with broadband. Where I live there are lots of times I have to tell people, if I’m on the phone driving, that I’m gonna drop a call here any moment,” says Soules.

In an October presentation to LESC about the Yazzie/Martinez technology ruling, the Public Education Department noted the millions of dollars available to families in the form of subsidies and technology benefits.

Yet, “New Mexico needs a long-term strategy

MARCH MARCH23-29, 23-29,2022 2022 •• SFREPORTER.COM SFREPORTER.COM

Edgar San Juan, a technology integration specialist at the Cuba Independent Schools, installs a Starlink terminal at the Largos’ home.

SFREP O RTE R .CO M / D O E S N OTEQ UA L

ADRIA MALCOLM

NEWS

Right to left: Vincent Largo and Sheila Largo connect their phones to the Starlink router after Brian Voss, a technology network specialist with the Cuba Independent School District, installed the equipment at their home near Ojo Encino on the Navajo Nation in February.

to address student connectivity in the home,” the department’s report reads.

Soules notes that the state has made significant investments to improve internet access, but it takes time to build out broadband infrastructure. During the last session, the Legislature invested $20 million in connectivity nuts and bolts, which followed $130 million in allocations made the previous year.

“I don’t know that I would say there’s good progress,” Soules says, though “there has been progress made.”

Some school districts have taken the issue into their own hands.

A month ago, the Largos received an internet-service upgrade when Cuba Independent Schools helped install a Starlink terminal at their home that enables the family to access the world wide web through satellites. Unlike other satellite-based internet services, Starlink leverages low-orbit satellites to access a faster connection without relying on traditional broadband infrastructure such as fiber cables that rarely make it to rural areas.

The Cuba district went in with Starlink in the hopes it would better serve its rural population, where some students travel two hours by bus to get to class.

Superintendent Karen Sanchez-Griego tells SFR the district purchased 450 Starlink units, one for every family in the district, but the process to get each receiver installed is lengthy and costs more than expected.

Of the district’s $3.4 million federal pandemic relief funding, 35% of it went to making the investment in technology and internet services, which Sanchez-Griego explains was among the community’s primary needs.

“It’s not going to just be…here today, gone tomorrow,” Sanchez-Griego tells SFR. “It’s a long-range investment, overall, in what kids and families are going to be able to do.”

The superintendent explains that about one-third of the district’s families have been connected to the internet through Starlink.

For those still waiting on that broadband infrastructure, she plans to have everyone online by the end of the school year in May. Sheila Largo and her family have already seen the benefit from the Starlink connection.

The standalone internet connection is faster than the cellular network they previously relied on and doesn’t require “our phones using up all our data, so it’s really wonderful to have that in our house.”

This story was produced with support from the Education Writers Association Reporting Fellowship program.

Does Not Equal

SFR is taking a deep dive into inequities in New Mexico’s education system in the context of the 2018 Martinez and Yazzie v. State of New Mexico lawsuit.

With two more stories planned for the coming weeks, here’s a breakdown of the series so far.

March 2 - Does Not Equal - New Mexico faces a steep climb to make education more equitable March 9 - Disruptions to testing and muddied accountability March 16 - New Mexico’s legacy to make better teachers Coming Next: March 30 - Funding shifts for at-risk children April 6 - Language education shapes or denies students

S FR E P O RTE R .CO M / N E WS

cites two reasons for hiring struggles in the city. One of them is a child care shortage, which predates the pandemic but has been exacerbated over the past two years, particularly when schools were operating remotely.

O’Donnell agrees that it’s likely a major factor.

“I think that the increase in costs of child care and the difficulty there make it so that if you are somebody working in some of these industries, it might not make sense for you to go back to work,” O’Donnell tells SFR. Another factor, Brown says, is people switching jobs.

“People are pivoting,” Brown tells SFR. “We’re trying to figure out where they might be going so that we can establish job training…I think there’s a cushion [from the volume of job openings] that allows some workers to say, ‘I’m going to find my own way and I have a little bit of time to do that,’ know-

Persistent trouble hiring for local businesses driven by multiple factors, economists and Santa Fe city officials say B Y B E L L A D AV I S b e l l a @ s f r e p o r t e r. c o m

B

usiness owners across sectors in Santa Fe have struggled to fill their workforces for months, even as indicators such as gross receipts tax revenue pointed to the city’s economic recovery.

Multiple forces drive the stagnant hiring trend, city officials and economists tell SFR, including health concerns, a child care shortage and career changes.

Plus, the pandemic hit Santa Fe particularly hard in terms of job losses because its economy is reliant on customer service industries, says Michael O’Donnell, acting director of the University of New Mexico’s Bureau of Business and Economic Research.

That’s made staffing up difficult.

Those nuances run contrary to a popular narrative that emerged about this time last year across the country, as business owners and lobbyists, mostly in the restaurant industry, lamented understaffing in one news story after the next—often blaming their difficulty finding workers on people cashing in on unemployment or stimulus checks.

Overheated coverage included reports from Albuquerque in which fast food joint franchisees and restaurant owners blamed a lazy potential workforce for hiring struggles.

And though Santa Fe has largely been spared the horror stories, some business owners

have raised the specter of a deadbeat working class in interviews with SFR in recent months.

The numbers do, in fact, still look depressing. New Mexico has seen a 1.6% decrease in its labor force participation rate—the percentage of the working-age population that’s employed or looking for employment—between December 2019 and December 2021, when the rate hit 57%. The nationwide rate last December, meanwhile, was 61.9%.

The Santa Fe Metropolitan Statistical Area had an unemployment rate of 4.6% in December, slightly higher than March 2020, when the pandemic began and the rate was 4.4%.

In analyzing businesses’ trouble hiring, O’Donnell says it’s important to look at the participation rate rather than just the unemployment rate, which is the number of unemployed people as a percentage of the labor force.

“If the labor force size falls, the unemployment rate can fall also, even if it’s the case that you don’t have more people employed,” O’Donnell says.

The state’s most recent Labor Market Review lists health concerns as one potential reason for the participation rate decline.

Fears about getting sick or exposing vulnerable family members to COVID-19 have kept some people out of the job market, says Ali Arshad, who teaches economics at New Mexico Highlands University.

“People are always worried about falling sick and having to pay tons of money for health care,” Arshad says.

Rich Brown, director of the City of Santa Fe’s Economic Development Department,

BELLA DAVIS

Employment Ebb

Emilio Nava is an assistant manager at cannabis company Best Daze who used to be a museum custodian before quitting last year.

Santa Fe city officials say people changing career paths in recent years is one cause of businesses’ trouble hiring.

NEWS

ing that there are a lot of open jobs.”

Take Emilio Nava.

The 25-year-old worked as a custodian at the Georgia O’Keeffe Museum for nearly two years. He says the museum paid him decently and took care of him during the pandemic, plus the schedule worked well with his two kids.

But he wasn’t happy there, so he quit last year and took a cut to his pay and hours to pursue his passion and start budtending at local cannabis company Best Daze, where he’s now an assistant manager earning more than he was at the museum.

Nava says he thinks there’s a generational divide in how people think about jobs.

“We saw our parents and grandparents do a job that they weren’t necessarily happy about for all of our lives,” he says. “I think we just watched so many people that we love struggle that we figured, well, if we’re gonna struggle, might as well struggle while doing something we love. I think our generation isn’t afraid of the failure aspect of it anymore.”

O’Donnell points to economic restructuring that’s happened over the past half century, and how events like the Great Recession have shaped people’s views on work.

“I think there has been this trend over time, at least with a portion of the population, that they feel they need to follow their dreams,” O’Donnell says. “Things obviously aren’t like they were in the ‘50s and ‘60s where we had this large workforce that worked for their employer for 25 years and then collected their pension.”

Looking forward, Arshad says he thinks some businesses have taken steps in the right direction by raising wages and creating flexible schedules. Universal health care, federal minimum wage increases and paid sick leave would be more significant, impactful steps, Arshad says.

Starting in July, all private sector employees in New Mexico will accrue one hour of paid sick leave for every 30 hours worked.

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9

Spring Poetry Search FIRST PLACE

Folded Neatly, Ready to Go Home

By Carol Miller

Poetry echoing trauma takes center stage

H

ow would you describe your feelings if you shouted inside a cavern, and hundreds of echoes returned ? And sonorous sounds filled the space?

How would you depict the phenomenon itself, and describe your emotions? Breathtaking. Impactful. Touching. Overwhelming. The adjectives—no matter how many accumulate—say too little.

The dilemma is comparable to trying to express my feeling after receiving over 80 submissions following the call for poetry on the themes of history and trauma.

Before reading the poems, let’s review the contest guidelines. I asked for “poems dealing with a traumatic event that has a deeper history, so that the poem deals both with the present manifestation and the historical background. The traumatic crisis may be cultural, racial, sexual, gender-based, geographical, environmental, or anything else.”

Put another way—write me something about where historical tragedy ends, and your public or private story begins. Make me feel the weight of history.

In response I received an outpouring of rhyming, confessional and free verse and experimental poetry addressing (thematically) loss, dislocation, isolation, immigration, racism, love, family, guilt, memory and drawing (historically) on memories of the Holocaust, the bombing of Dresden, massacres of Native Americans, World War II battles, Japanese internment camps, Vietnam, Kent State and the killing of George Floyd, to name a few specific references.

I can’t humanly convey the similarities and differences in the submissions (because I can’t reprint them all.) But their emotional register hit me. The corpus hit me harder than any individual poem. I didn’t have to wade through the manuscripts, feeling tedium, or annoyance, so much as simply let them wash over me. There is an immense outpouring of goodwill in these poems. It proved impossible to remain unimpressed by the conscientiousness evident. In its own way, although I knew Santa Fe was a progressive city, reading so many meditations on ethics and history written (mostly) by local authors was an affirmation of human nature.

If you’re vexed because you submitted, but don’t see your poem printed here, then my advice is to study the chosen poems carefully. Study them for the values that struck me. And that you can incorporate into your next poem.

Note Carol Miller’s skillful use of silence in “Folded Neatly, Ready to Go Home.” Alejandro Jimenez’s layered unraveling of dislocation and memory in “Untitled Poem about Immigration” and Leslie Zane’s shrewd use of formalism (a formal villanelle) to contain timeless gravitas and topical events in “History Cannot Be Chiseled Away.”

I chose the prizewinners and honorable mentions that evoked history heavily enough for me to feel its import, but balanced inside the shapes, sounds and metaphorical veils of poetry. Enjoy.

—Darryl Lorenzo Wellington

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MARCH MARCH 23-29, 23-29, 2022 2022

••

SFREPORTER.COM SFREPORTER.COM

My huipiles are crying from the drawer.

I can hear them in my heart.

They want to go home.

I don’t know how to tell them the villages have been destroyed.

Daughters of the weavers walking two thousand miles. For a dream.

For life.

Threads connect me to the hands of many women.

Each came from the maker.

Or the sister mother neighbor.

In a market or at the artist’s small home, made of dirt, like mine.

Stacked like beautiful gravestones, memorials to Mayan grief.

Too precious to wear.

Rematriation is the dream.

Each huipile gifted to a woman forced to run with only a pack too small for treasures.

Notes: The huipil (plural: huipiles) is a garment hand woven on a loom and worn by Mayan women. For the Mayan women of Guatemala, the woven design identifies which community they come from.

Carol Miller is a public health and social justice activist who has been living in a frontier mountain village in Northern New Mexico for 46 years. In addition to being a New Mexico community organizer, Miller has worked at every level of government: local, state, and federal all the way to the White House.

Miller is dedicated to geographic democracy, the principle that social and economic justice must extend to the smallest and most isolated areas of the country.

No community left behind.

SECOND PLACE

THIRD PLACE

Untitled poem about immigration

By Alejandro Jimenez In the photo I am 3 years-old and off camera our dog a black and red dobermann without a tail that we nicknamed, mocho, was still alive.

He hadn’t eaten whatever made him start puking uncontrollably, which caused my grandmother to ask my uncle to put mocho out of his misery.

I stood atop the basurero as mocho’s lifeless body [now with a hole in its head] was thrown down the cliff into the river.

There was a lot of trash but mocho was the first dead dog [I had seen] in it.

His body stopped rolling, belly up and over time I would watch the sun, crows, insects, and other dogs uncover the pearly white ribs hidden underneath his black fur. I would make a habit of visiting mocho.

In the photo I am 3 years-old and I am smiling at the camera.

I got a knife in my hand and I am cutting into the cake but I don’t remember eating.

Off camera the mandarina tree has not been cut down and the lemon tree is planted in a bucket. It was August, it was cloudy and muggy that day. My grandmother threw water on the dirt floor to keep the dust from rising [onto my cake of course].

In the photo I am [mostly] complete. I’ve not met grief.

It was the first time I met my mother [well, my first memory of her anyway].

In the photo I am wearing an all blue outfit [even then I disliked wearing all one color].

I remember feeling blue that day. I remember that I ran into the bedroom and hid under the bed and my mother tried to console me but she was a stranger back then.

I would not have a memory of her until I was 8 years old and I was standing on carpeted floors and the smells in the house were all new [even the birdsongs needed translating].

I felt like mocho: belly-up, unable to shoo away the insects coming to nibble on my flesh.

Alejandro Jimenez is a formerly-undocumented immigrant, poet, writer, educator and avid distance runner from Colima, Mexico, living in Santa Fe. He is the 2021 Mexican National Poetry Slam Champion, a two-time National Poetry Slam Semi-Finalist (US), multiple time TEDx Speaker/Performer and Emmy-nominated poet, whose work centers around cultural identity, immigrant narratives, masculinity, memory and the intersections of them all. He is a TIN HOUSE Writers Workshop participant. His work has appeared in The Acentos Review, The Latino Book Review, As/Us Journal, Rethinking Schools and other publications. His self-published book, “Moreno. Prieto.

Brown.” (2017), has sold over 2,000 copies and has been incorporated in curricula across various school districts.

History cannot be chiseled away

By Leslie Zane History cannot be chiseled away, Remove the word “savage” but it’s too late, Monument toppled and people must pay.

Eighteen months, the plaza in disarray, Heroes, victims, all are considered great.

History cannot be chiseled away.

Outsiders, non-natives, just punks who stray, Obelisk falls, past destroyed, headlines grate, Monument toppled and people must pay.

Plywood surrounding plinth now on display, We lament, argue, form councils and wait, History cannot be chiseled away.

A tri culture town with voices that sway, Rallies, opinions, citizens irate Monument toppled and people must pay.

Eighteen months is a long enough delay, Where this will end is a constant debate History cannot be chiseled away, Monument toppled and people must pay.

Leslie Zane has been writing for most of her life from NYC, to NM, to the Bay Area and back to NM. She currently tutors kids 7 - 14, in writing and reading, is an improviser with various groups, loves to hike, be inspired by Northern NM scenery and can be seen walking in and around town on most days. This poem is written in the traditional villanelle format.

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SFREPORTER.COM SFREPORTER.COM • • MARCH MARCH23-29, 23-29,2022 2022

11

HONORABLE MENTION

a letter to hiromu arakawa

Getting Over

By Alexandra (Sasha) Weiss

By Flavian Mark Lupinetti

i don’t know if you know how much fullmetal alchemist means to somebody like me, somebody who had to buy my life at the price of not quite limbs, at organs removed, to see somebody clutch incision sites when it rains to see nerve pain in action and shake at reminders of what happened, of the family curse. my body, too, is a site of bargaining, my aunt’s life for ours, maybe my organs, maybe, if i do it right, will protect me, and maybe, if it happens to me, maybe my sister will be safe somehow. i know it’s not how it works but maybe i can dream it into being, her genes unbroken, only once in a pair of siblings when my dad and his sister were not so lucky. what happened to us is a fluke unrelated to the genocide of our people, it came from my goyish father not my jewish mother and yet. it’s still talked about like we did it to ourselves, the “jewish genetic diseases,” not like we were the blood making the city move not like we were used and spat out not like we were killed not like genocide is a genetic bottleneck and yet. i am a jew and i have a brca mutation and it is a coincidence. and yet there’s a curse in my family’s dna reflecting the bloodshed. it came from the side of my family with people who did it, who flew the planes, not the side with victims whose names i’m scared to ask even though i need to know because i have their blood and they are alive in me alongside fragments of the wrong side and the aunt i didn’t speak to who bought my life with her own and i don’t want my body back, i just want my sister to be able to let this all go like rainwater washing the gutter like dreamless sleep like shed skin cells like double stranded dna breaks.

The fellow from the think tank says America must take action.

The man says we must get over this war as we got over Vietnam.

Alexandra (Sasha) Weiss is a writer, gardener and academic. Sasha edits for Another Chicago Magazine and has work in or forthcoming in Death’s Dormant Daughter, Corporeal, Cicada’s Lament and elsewhere.

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On a wall of black granite in Washington, on panel number twenty, east side not west, on line 102, a boy’s name is carved.

The boy spent eleven months In Vietnam.

If he had survived one more he would have come home.

When that carving has been effaced, when that boy walks the earth, when he becomes as old a man as I am, when we sit on the porch drinking quarts of Iron City like we used to, when we talk about the old times . . .

Flavian Mark Lupinetti is a poet, fiction writer and cardiac surgeon.

His work has appeared in About Place, Barrelhouse, Bellevue Literary Review, Briar Cliff Review, Cutthroat, Flint Hills Review, Sport Literate, and ZYZZYVA. He lives in Santa Fe.

Unexpected Costs of Life Expectancy

By Richard Sober

Prescribed Burn at Aztec Springs

By Gregory Berg

Not a watering can, a drip torch.

Same metal shape with balance in hand: 50/50 gas and diesel.

Slight tilt, fuel to wick, steady drizzling fire.

Benzene soaking leaf litter, roots, fungi.

Optimum conditions for the mosaic burn pattern.

Generations of nest, now kindling.

Little roasted voles, red sizzling berries, smoke in the eyes of a lumbering dove.

Homes of bark and stem, burrows of duff turned to ash.

Thirteen million square feet at Aztec Springs.

Six hours without refueling.

If the world were turned upside down, rabbits would be falling into fire.

Gregory Berg is a poet, book artist and photographer living in Santa Fe, New Mexico. He is the author of “The Hiker & the Blaze,” a collection of poetry and artwork about the relationship of man and the natural environment. His handmade books and fine art photography have been in juried exhibitions and are held in private collections.

Camino Real

By Richard Sober

I walk on old dirt, a place weighed down with ancient myths, people I’ll never know.

Pains I’ve never had walk with me through this nowhere everywhere, this holy site made unholy by those of us who choose to call this place home. I walk hills above a town held in a mountain’s hands, made nameless by so much naming, made almost human, millions of footprints stirred in with rain, snow and wind.

A long time ago a coyote killing sheep woke us in the middle of night.

There’s a price on my head. My budget, if I ever had one, did not include living to age eighty-six. Did not include price of rent or mortgage on being out of my reach.

Did not include the quantity of my vices, my un-publishable habits, my bad days, days of soaring eagles, racing heart, aching head, foot throbs, heart throbs, nights of serious drinking, sleepwalking, nightmares, inferior architecture of being a man, hernia repair mesh imploding, the penalties and rewards of daydreaming, miscalculations of actuaries, mishaps, surgical malpractice, not enough water, too many muffins, too many friends dying off before we had a chance to say goodbye. Not only that, but, the long road my family took to get here, crooked highway of wandering Jews. My grandmother’s first husband’s head cut off by a Cossack on his way home from work. The secret arguments, slammed doors, red faces after her bouts of electroshock therapy, a family simultaneously absent and overbearing, exhausted parents, a brother out of his body, me, trying to be out of my body, soap operas, the American Dream dragged through the streets like a defeated, captive enemy.

The simple oddness of sitting in the third row of a church, watching a priest gently pour water on the head of my grandson. Watching the streams, as if the back of his head was a fountain, silently flowing into a glass bowl, priest and grandson dressed pure as snow, soft echo of Jewish grandfather slipping down the side aisle.

Richard Sober conceived this poem during and after attending his grandson’s baptism, he writes, “as I was remembering the story of the decapitation of my grandmother’s first husband.” He is a painter and poet, worker in both fields for 50-odd years.

There was a terrific storm afterward.

Walls lit up with lightning. We tossed and turned.

The ground was still damp in morning.

A car was stuck in the flooded arroyo west of the room where we slept.

Eroded mesas around us spelled a heavy dose of silence we had never heard before.

Men I worked with decades ago asked me to come down to this part of the world where they squatted half the year. I never did, until decades later. They are long gone, I am here.

The winters are warmer and drier, old-timers pride themselves on “sticking it out, “ the town stretches further into the desert, the river is almost extinct, people don’t come and visit like they used to. Old friends don’t write so much anymore. We turn inward more frequently.

A past spreads wider than a future. Some of us are already caught in its hallucinogenic net.

So many eyes have seen this place. Sitting alone I feel a surge of possibility in this vast confluence with time. This morning I saw a woman in a Mexican dress, ornate flowers on a black field, pushing a rickety stroller with two Chihuahuas under a blanket.

Her black hair brushed close to her skull. She talked to the dogs. She walked the narrow royal road, looking straight ahead. When I looked back she was gone.

Sober wrote this work after seeing someone walking her dogs on Agua Fria. The artist recently completed a series of paintings entitled “River” and writes that he is “considering making an altarpiece without any religious value.”

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SFREPORTER.COM SFREPORTER.COM •• MARCH MARCH 23-29, 23-29, 2022 2022

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HONORABLE MENTION

Returning a Child to the Rez

By Mary Strong Jackson

We drive under a dreamer’s sky the whitest of clouds plumped and placed in a precise hue of prairie blue in what might be entry into a sweet town where men in overalls stand with hands in pockets talk of rain and when the wheat will be ready to cut instead it’s Whiteclay, Nebraska the 2nd of the month checks have come in bodies are strewn like discarded bottles of beer broken leaking some face down on the street some braced in doorways “they’d get it somewhere and if they had to walk further there’d be more dead on the roads” say the sellers of beer in Whiteclay population 14 2 miles from the dry reservation 4 establishments sell beer just 4 just beer 3 to 4 million cans a year 10 to 13,000 a day sold to the 28,000 Native Americans from Pine Ridge Reservation, South Dakota Skinny little Angie Eagle Star wakes to meet my eyes in the rear-view mirror “Wanna stop for a coke?”

“No,” I say “Scared?”

“No. We can stop” “Never mind,” she says Sorrow seems to steam from the streets rising like heat my vision feels wavy the way mirages appear on oiled country roads in July Angie leans over the seat to whisper “I’m almost home!” miles away from the white house white fenced foster home of cut lawns and leashed dogs back to cars that take 4 Hail Marys to start where sunlight wind and snow comes in around door frames and windows where Auntie Sue will gather all their blankets and coats to wrap the two grandpas and two children and herself not a popcorn cozy warm but so they will not freeze so they will not die and be dead like Angie’s father

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hit by a car on his way home from Whiteclay Angie’s one memory of mother is her yellow death skin or Auntie Sue’s babies 1 and 2 and 3 dead like other cousins in car wrecks or her sister who hanged herself after the 3rd rape from white men who come to the rez to get away with it Auntie Sue brings me inside her dirt-floored house bare wood walls one page from a coloring book hangs near the door the child beside her holds her returning cousin’s arm as if never to let go two old men watch a small TV there are no rooms just quilts covering places to sleep and two hard-backed chairs I sit in one and explain paperwork to Auntie Sue who speaks aloud the names of those gone tells the agony of a family tree made of dead branches Sue says, “It’s the funerals all those funerals made me give up beer long ago.”

Gracious Auntie Sue sees me to the door does she know her life expectancy is 52 outside under that perfect hue of prairie blue we say goodbye I step into my car seats with no holes the engine starts on first try my sleek black traveling mug fits in the cup holder I’ll drive to my small stucco house where my two dogs wait in a grassy yard with cactus wildflowers and garden tomatoes An exit out of my country into my country a feel of and stink of wealth on my skin in my gut under a hue of prairie blue

May 4, 1970 This summer I hear the drumming

By Flavian Mark Lupinetti

On the day of the shooting Greg called his Aunt Tillie.

Only after she reassured him that his cousin Jean already left campus for the semester did Greg agree to honor our plan to skip school, collect enough from the guys to hit Ray’s party store for a case of Stroh’s, and meet at the creek to blow off the afternoon.

Charging sixty cents a quart, Ray’s wasn’t the cheapest place to buy our three-point-two beverage of choice, but it was the one that didn’t hesitate to sell to sixteen-year-olds.

Only the older dudes could arbitrage the cheaper suds from Kroger’s, buying low and selling high, sometimes making enough on big party nights that they could drink for free.

The next day at school Greg wore the college T-shirt Jean sent him for his birthday on which Greg penned four bullet holes.

When Mrs. Landry our guidance counselor saw the shirt, she said to Greg, “They should have shot more.”

Note: In 2017, the 4 liquor stores in Whiteclay lost their licenses and the town ceased to supply alcohol to the reservation.

Mary Strong Jackson’s work has appeared in journals and anthologies in the United States and England. Her chapbooks include Dreaming in Grief, From Other Tongues, The Never-Ending Poem by the Poets of Everything, Witnesses, No Buried Dogs, Between Door and Frame and Clippings. She resides near Santa Fe.

SFR Spring Poetry Search winners share the stage with Santa Fe Poet Laureate Darryl Lorenzo Wellington at Teatro Paraguas in honor of National Poetry Month during an event at 5 pm Sunday, April 3.

GRAN IS RIGHT Can you even call yourself a Santa Fean if you don’t have strong feelings about Café Castro? As far as we’re concerned, you cannot be, but even if you’ve somehow failed to come to terms with some of the best New Mexican food our town has to offer, you can remedy that mistake this Thursday alongside a performance from Mariachi Gran Victoria, a super-fun mariachi act that promises to meld with your happy hour experience for memory-making, killer chile and good times. You’ll note the grand folk tradition of mariachi is alive and well here, and with an all-woman cast of musicians helming Mariachi Gran Victoria, we’re bound to get some amazing harmonies out of the deal, too. (ADV) Mariachi Gran Victoria: 3:30 pm Thursday, March 24 Free. Café Castro, 2811 Cerrillos Road, (505) 473-5800

S FR E P O RTE R .CO M /A RTS / S FR P I C KS COURTESY ALEJANDRA AVILA

COURTESY FACEBOOK

MUSIC THU/24

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MUSIC FRI/25 TAKING CARE If nothing else, Santa Fe’s music scene works hard to take care of its own, so when local musician and filmmaker Lydia Clark recently found herself staring down the barrel of some fairly hefty medical bills, you know the scene came together to work something out.

That something, as it happens, comes in the form of a benefit show at Tumbleroot this week. There, you’ll find acts like vocalist Hillary Smith and Americana weirdos Joe West & Friends, plus more Americana from Sarah Streitz Band, Alto Street, Bill Hearne and others, all of whom come together into some kind of empathy-based, money-raising Voltron. Proceeds will go to Clark, whose advanced spinal arthritis is inhibiting pretty much all aspects of her quality of life and is reportedly quite painful. It kind of feels like a show from musicians you like that also helps someone is about as good as it gets. (ADV) Concert for Lydia Clark: 6 pm Friday, March 25. $10 Tumbleroot Brewery & Distillery, 2791 Agua Fría St. (505) 303-3808

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MUSIC MON/28 LALALALALALA You could throw a rock in almost any direction and hit an atmospheric indie artists these days. And though that’s great on one hand, it’s harder than ever to differentiate between that which is fleeting and that which maybe—just maybe—has staying power. When it comes to Chicago’s Lillie West, aka Lala Lala, that staying power is evident. West’s on the road these days in support of her third fulllength, I Want the Door to Open, out now on Sub-Pop imprint Hardly Art, and with her patented layers on layers of guitars, horns, synths and vocals, she’s cutting a swath of excellence across this great land. Think heady and melodic, but experimental and ghostly; think dense instrumentation over sometimes minimalist singing tracks, and an artsy undercurrent that belies the old “heartbreak sucks” indie ethos for new age goodness. Don’t try to nail down a genre, just enjoy. (ADV) Lala Lala: 7 pm Monday, March 28. $16.50 Meow Wolf, 1352 Rufina Circle, (505) 395-6369

DANCE SUN/27

Dance, Dance Revolution Breaking master Alejandra Avila lends her skills to ballet/modern dance class at Wise Fool We dove deep into the folks behind Santa Fe’s 3HC breakdance crew in a cover story last year, and thorough readers will likely recall how Alejandra Avila, aka B-Girl Ale, has a background in ballet and modern dance. And though Avila ultimately chose breaking over pointe shoes, she still has a lot of know-how to impart, which she’s offering up at Sunday afternoon ballet/ modern dance classes at Wise Fool New Mexico.

“I was 20 when I started my first dance company, and my goal was to have a studio New Mexicans could be proud of,” she tells SFR. “That went south and I focused more on breaking, and then the pandemic hit, but now we’re here in 2022, and I’m really happy to provide a dance class for Wise Fool—through the whole pandemic, I realized there’s a new era of dance in Santa Fe, and hopefully now we can have more momentum, because I think I might currently be the only modern dance teacher in Santa Fe.” Avila further says her weekly class is geared toward all ages, all experience levels and all body types. For now, she notes, most of her students are adults, but she’ll gladly open up the ranks to anyone.

“The reason I like to reach out with modern dance is because you get to explore the beauty and the ugly, and then you realize the ugly is beautiful,” she says. “This class...explores how human movement is art—just you waving your arm can be art— so while I like to open with technique, to focus on body conditioning, I believe that once you know the rules, you get to break the rules.”

This is where Avila’s hip-hop background comes into play, and you won’t need any special gear, clothing or footwear for the class—even if Avila and her husband, Tyrone “Faro” Clemons, recently helped design a shoe for the Dyzee Threadz Sneaker Company specifically for breaking.

“The other part of the class is about breaking the rules and exploring our movement through things like improv exercises,” Avila concludes. “This is for all people, all levels.” (Alex De Vore) MODERN DANCE/BALLET WITH ALE 5 pm Sunday, March 27. $18-$22 Wise Fool New Mexico 1131 Siler Road B, (505) 992-2588

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ED KASHI / COURTESY MONROE GALLERY OF PHOTOGRAPHY

THE CALENDAR Want to see your event listed here?

We’d love to hear from you.

Send notices via email to calendar@sfreporter.com.

Make sure you include all the pertinent details such as location, time, price and so forth. It helps us out greatly.

Submission doesn’t guarantee inclusion.

ONGOING ART ABANDONED MOMENTS Monroe Gallery of Photography 112 Don Gaspar Ave. (505) 992-0800 Ed Kashi’s sensitive eye and relationship to his subjects are signatures of his intense and unsparing work. Photographs shot over a 40-year period reveal glimpses of the chaos of everyday life.

10 am-5 pm, free ALYSSUM PILATO PAINTINGS Downtown Subscription 376 Garcia St. (505) 983-3085 Urban landscapes plus Santa Fe’s incredible night skies. Tip your baristas!

7 am-4 pm, free (but buy coffee) CHAIRS, TELEPHONES, MAILBOXES AND THE COVID MUTATION SERIES El Zaguán 545 Canyon Road (505) 982-0016 A show all about watercolors and decoupaged chairs.

9 am-5 pm, free CONVERSATIONS OF OURSELVES Online tinyurl.com/3hh2p8tv A collaborative, immersive conversation on Kivetoruk Moses’ influence as both a documenter and creator of images of Inupiaq life. This show features Alaska Native elders, artists, historians, linguists and culture bearers.

All day, free

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From Ed Kashi’s Abandoned Moments, currently on view at Monroe Gallery of Photography.

EARTH & SKY: OAXACA TO SANTA FE Kouri + Corrao Gallery 3213 Calle Marie (505) 820-1888 Artist Gary Goldberg continues his exploration of Oaxaca through photography and felted textiles.

Noon-5 pm, Tues-Sat, free EXPANDING MOMENTS Strata Gallery 418 Cerrillos Road (505) 780-5403 King's work may be abstract, but oof—what a style. It’s the kind of work where the intimacy blooms into the profound. Also, lots of colors.

10 am-5 pm, Tues-Sat, free

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HELEN PASHGIAN: PRESENCES SITE Santa Fe 1606 Paseo de Peralta (505) 989-1199 Light’n space? No, not another Marvel superpower, but rather an awesome art movement where physical space is the art.

10 am-5 pm, Thurs, Sat, Sun 10 am-7 pm, Fri, free HOPE DIES LAST: A TRIBUTE TO STUDS TERKEL Railyard Park 740 Cerrillos Road You may have seen this in your park strolls. See this pop-up art honoring an inspirational legend.

All day, free

INTERSECTIONS ViVO Contemporary 725 Canyon Road (505) 982-1320 The space between something and nothing might be a freaky place, but it’s where art builds.

These works ask how form develops, and what boundaries give us our sense of reality.

10 am-5 pm, free METAPHYSICS SITE Santa Fe 1606 Paseo de Peralta (505) 989-1199 From Kate Joyce, who created this series while up in the air (a plane, not floating).

10 am-5 pm, Thurs, Sat, Sun 10 am-7 pm, Fri, free

LA LUZ DE TAOS Couse-Sharp Historic Site 138 Kit Carson Road, Taos (575) 751-0369 Thirty-nine contemporary artists working in a variety of media, including painting, pottery, sculpture, jewelry and fashion.

By appointment, free LOST & FOUND Placitas Community Library 453 Hwy. 165, Placitas (505) 867-3355 When Placitas artists were challenged to make art using reclaimed materials, they didn’t disappoint.

10 am-7 pm, Tues 10 am-5 pm, Thurs and Sat 1 pm-4 pm, Sunday, free

MEDIUM RARE: ART CREATED FROM THE UNEXPECTED Evoke Contemporary 550 S. Guadalupe St. (505) 995-9902 It’s hard to really categorize this, but consider it suprising art from suprising sources. And it looks good, of course.

10 am-5 pm, Tues-Sat, free NEVADA WIER: INVISIBLE LIGHT Obscura Gallery 1405 Paseo De Peralta (505) 577-6708 A photographic exploration focusing on infrared photography, bringing the unseen to “light.“ 11 am-5 pm, free

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EN T ER EV ENTS AT SFREPORTER.COM/CAL

PATHWAYS: WILDLIFE CORRIDORS OF NEW MEXICO Wild Hearts Gallery 221 B Highway 165, Placitas (505) 867-2450 A show honoring a local nonprofit org working to protect wildlife. Thart means, of course, nature-inspired art.

11 am-4 pm, Tues-Fri 10 am-2 pm, Sat-Sun, free PAULA & IRVING KLAW: VINTAGE PRINTS No Name Cinema 2013 Pinon St. nonamecinema.org 20 vintage prints from the "bizarre fetish underground" photo archive of the brother and sister collaborative commercial photographers.

By appointment or during No Name Cinema events, free SUBLIMINAL RELEASE Susan Eddings Pérez Galley 717 Canyon Road (505) 477-4ART Rodney Hatfield’s folk art looks lean both into the abstract and the surreal.

10 am-5 pm, Mon-Sat Noon-5 pm, Sun, free SFCC STUDENT ART EXHIBITION Santa Fe Public Library Southside 6599 Jaguar Drive (505) 955-2820 Did you know the Santa Fe Community College produces a ton of talented artists? Of course you do, you cute engaged citizen, you.

Check out the works on display.

10 am-6 pm, Tues-Sat, free SIXTIES ABSTRACTIONS LewAllen Galleries 1613 Paseo de Peralta (505) 988-3250 You might have noticed a lot of abstract work coming through town these days. But hey—we like it. Warren Davis’ art was a major point in the movement of the era.

10 am-6 pm, Mon-Fri 10 am-5 pm, Sat, free SKATE NIGHT Foto Forum Santa Fe 1714 Paseo de Peralta (505) 470-2582 Photo series documenting the Black roller skating community.

All day, free SPRING GROUP SHOW Chiaroscuro Contemporary Art 558 Canyon Road (505) 992-0711 Cool art, cool folks. See works

by Renate Aller, John Garrett, Peter Millett, Lisa Holt and Harlan Reano, Chris Richter and Bryan Whitney.

10 am-5 pm, Tues-Sat, free TOGETHER/APART Turner Carroll Gallery 725 Canyon Road (505) 986-9800 A long-time collaboration debuting a new and dynamic body of photo collage and sculpture.

10 am-6 pm, Mon-Sat 10 am-5 pm, Sun, free

VIBRANT POOL Currents 826 826 Canyon Road (505) 772-0953 One of those neat-o exhibitions where art looks one way in one direction, but light, space and sound promote an entirely different reaction seconds later.

Oh, yes.

Thurs, 9 am-5 pm Fri and Sat, noon-6 pm Sun, 11 am-5 pm, free THE NIGHT FALLS AND THE DAY BREAKS 5. Gallery 2351 Fox Road, Ste. 700 (505) 257-8417 Sumi ink on paper and stoneware vessel by artist by Utako Shindo.

Noon-5 pm, Thurs-Sat, free

DANCE EL FLAMENCO: SPANISH CABARET El Flamenco Cabaret 135 W Palace Ave. (505) 209-1302 A heck of a show from some of the most skilled dancers in the business. Dinner options availible in addition to the show.

Various times, $25-$43

WED/23 DANCE ECSTATIC DANCE About the Music 2305 Fox Road (505) 603-4570 Dance in the ecstatic form.

Dance in a judgement-free zone in whatever manner you like.

6:30-8:30 pm, $12

EVENTS GROUND: THE ENERGETICS OF THE ROOT CHAKRA Online tinyurl.com/ys72uwem Embody the antidote to anxiety. Ground through your root chakra. Learn the energetics of security and confidence. Learn how to shift anxious energy through working with the root chakra and the energy of Mother Earth.

6 pm-7:30, $22-$44 GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta (505) 989-3278 Trivia night. Drink or don't, have fun and prep with a random Wikipedia binge.

8 pm, free HOTLINE B(L)INGO Desert Dogs Brewery and Cidery 112 W San Francisco St., Ste. 307 (505) 983-0134 You’re walking down the street one night thinking, “Oh! If only I had 5 more minutes...“ and then you repeat. “Oh! Five! O... 5...

O-5.“ And then you’re playing bingo. What? Why are we like this? Get in there and win.

7 pm, $2 per round

MUSIC BAHAMAS Meow Wolf 1352 Rufina Circle (505) 395-6369 Award-winning artist Bahamas, aka Afie Jurvanen, arrives at Meow Wolf on the heels of their new album Sad Hunk.

8-11:30 pm, $25 DANIELLE DURACK La Reina at El Rey Court 1862 Cerrillos Road (505) 982-1931 Durack is a rising star in the indie-rock scene with a refreshingly earnest and unpretentious sound. You've probably heard her name if you follow indie music outlets— check out this free show where she plays from her new album, No Place.

8-10 pm, free KARAOKE NIGHT Boxcar 530 S Guadalupe St. (505) 988-7222 Classic karaoke options at Boxcar. It's pretty selfexplanatory, huh? No more Journey. It’s over now.

10 pm, free LISTENING IN THE 21ST CENTURY Renesan Institute for Lifelong Learning at St. John’s United Methodist Church 1200 Old Pecos Trail (505) 982-9274 The surprisingly close relationship between early music (medieval and renaissance) and modern music explored by placing chansons and Bach with works by avantgarde European composers.

Learn about “extended techniques” for playing different instruments and how they can expand music’s sound.

3:30-5:30 pm, $60 PORYDZAI REMIX Audio Bar 101 W Marcy St. (505) 803-7949 Live DJ at Santa Fe's coolest hidden little music and coffee joint. Plus, live streaming options if you don't feel like going outside right now. Or ever. We get it.

6-7:30 pm, free

Shop in-person with your favorite

Artisans, Merchants, and Importers Hands of the Hills, Inc Janes Beads and Arts Kameyab Imports Marcia Kmack Mat Collection Required Elements Sally Bead Jewelry Samarkand Inc Secret of Beauty Silver & Gem Design Tangible Light Thomason Stone Supply Tracey Donoughe Traders of the Lost Arts Tribal Reflections Yayin Glassworks

7Hands Design A Wander Out Yonder Alice Helstrom Studios Aloha Pearls, Inc. April Melody Ava Motherwell Collection Bead Gypsies Beading House Beads Zone Beyond Beadery Blue Heron Bead Company Christina Roselle Handbags Exotic Collections Gempeaks, LLC Good River Gallery/Shawn Tucker Glass Gretchen Simons Art Beads

BEAD SHOW

March 25-27, 2022 Fri & Sat 10am-6pm, Sun 11am-4pm

www.WholeBead.com

Santa Fe Community Convention Center 201 W Marcy Street

FREE ADMISSION

THU/24 EVENTS LGBT "PLUS PLUS" NIGHT The Sage Hotel 725 Cerillos Road (505) 982-5952 “Plus Plus” is an inclusive weekly event to celebrate Santa Fe’s colorful, rainbow-esqe community and to support the creation of more safe spaces. Here you can be yourself with people just like you. Plus, organizers donate proceeds every Thursday in March to Safe Space Alliance.

4 pm- 10 pm, free (but buy stuff to support the establishment)

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THE CALENDAR NEW MEXICO CENTER FOR THERAPEUTIC RIDING VOLUNTEER ORIENTATION HIPICO Santa Fe 100 S Polo Drive (505) 695-0017 Anyone with a desire to make a real difference in the lives of those with special needs is most welcome. If you are interested in attending one of our orientations, please RSVP at the number above, or reach out to nmctrvolunteercoordinator@ gmail.com.

Noon-2 pm, free QIGONG Downtown Library 145 Washington Ave. (505) 955-6780 Guided by Lauri Genesio, consider this a mindful movement class. The outcome?

Health, wellness and vitality.

Genesio is a practitioner of massage, shiatsu and medical Qigong.

3 pm, free WOMEN OF SANTA FE: NETWORKING LUNCH Pecos Trail Cafe 2239 Old Pecos Trail (505) 982-9444 Grab some lunch, meet some women in business and other ventures and hear from guest speaker Michelle Pelletier with Golden Child Meditation.

Noon-1:30 pm, $5 YARDMASTERS Railyard Park Community Room 701 Callejon St. (505) 316-3596 Yardmasters might sound like an anime meet-up group, but rather, is a horticultural gathering that’s just as important. For this program, bring your own gloves, dress for the weather and contributing to the beauty of public space.

10 am-noon, free COFFEE WITH A COP: FBI EDITION Starbucks 780 St Michael’s Drive You read that right. Meet some agents from the Santa Fe office and learn why they might not be terrifying after all, plus what it’s like to work for the FBI. 11 am-1 pm, free

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MUSIC AUDIOBUDDHA REMIX Audio Bar 101 W Marcy St. (505) 803-7949 One of Santa Fe's most beloved DJ plays chillout beats, with streaming options too.

6-7:30 pm, free DAVID GEIST Osteria D'Assisi 58 S Federal Place (505) 986-5858 This delightful pianist and vocalist performs from The Great American Songbook, occasional classical bops, modern(ish) pop and quality originals. In the Cabaret upstairs. Geist pairs well with fine pasta, we’ve heard.

7-10 pm, $5 MARIACHI GRAN VICTORIA Café Castro 2811 Cerrillos Road (505) 473-5800 Happy hour plus real quality mariachi? Yup, we're already hanging out outside the door waiting. (See SFR Picks, page 15) 3:30-5 pm, free STRANGERS FROM AFAR The Mineshaft Tavern and Cantina 2846 NM-14, Madrid (505) 473-0743 Debuting new songs from their upcoming album! New tunes, familiar good food and drinks.

6-9 pm, free

FRI/25 ART OPENINGS FAMILY ART NIGHT Boys and Girls Club-Zona del Sol 6600 Valentine Way tinyurl.com/thriveartnight Draw/paint/color the solar system in an interactive workshop led by multimedia artist John Paul Granillo. All supplies provided. Hosted by THRIVE Community School, a new free K-8 public charter school opening this fall.

5:30-7 pm, free PAINTINGS BY TOM KIRBY Winterowd Fine Art 701 Canyon Road (505) 992-8878 Kirby's lifelong interest in classic books, mathematics, philosophy and meditation has influenced many of his works. This latest group of paintings explores his interest in the stars. We're fans of the old saying ad astra, you know?

10 am-5 pm, free SALTILLO Hecho a Mano 830 Canyon Road (505) 916-1341 A series rooted in reverence for heritage, identity and the experience of the descendants of immigrants.

10 am-5 pm, free

WORKSHOP

EVENTS

INTRO TO DIGITAL DESIGN Online tinyurl.com/493uknst Want in-demand from across a variety of industries? You can’t run new technologies like 3D printers until you can master basic design concepts, don’t you know? This digital badge certifies your ability to work in 3D Design and is the pre-requisite for things like 3D printing, laser cutting, CNC machining and other classes. Led by instructor Alec Kerr. Mondays/ Thursdays. Free online software, but requires your own laptop or desktop.

5-6:30 pm, $49-$249

NEW MEXICO RENAISSANCE CELTIC FESTIVAL Wildlife West Nature Park 87 W Frontage Road, Edgewood (505) 281-7655 A fantasy kingdom surely to rival the Sherwood Forest, Fairy Glen, Mermaids and Pirates lurking around the cove. The Land of Enchantment Realm might surprise you and capture your heart as you make your way through each kingdom seeking the history and fantasy of this festival. Please only put deserving people in the stocks and do not plot rebellion against your Queen.

10 am-5 pm, Wed-Sun, $25

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QIGONG Downtown Library 145 Washington Ave. (505) 955-6780 What’s health? Qigong. What’s wellness? Qigong. What’s vitality. Qi-wait-gong. Learn from a practitioner of massage, shiatsu and medicine to add a little more balance in your life.

3 pm, free

FILM OPEN SCREEN No Name Cinema 2013 Pinon St. nonamecinema.org Open to all local artists working in experimental, doc, animation and personal filmmaking. Submissions have passed, but you can still view the coolest local (and underground) cinema being produced.

6 pm, free (but donate)

FOOD JACK'S MAGIC BAKERY Root 66 Café 1704 Lena St. (505) 780-8249 What vegan baker out there is not a concoction of dedication?

Okay, so we don’t know what that means either, but try some vegan pastries if you wanna.

9 am-3 pm, free

THE CONCERT FOR LYDIA CLARK Tumbleroot Brewery & Distillery 2791 Agua Fría St. (505) 303-3808 Clark is a longtime local professional musician, filmmaker, mother, grandmother, great grandmother and loyal friend in Santa Fe. She's in a lot of pain these days and needs our support. This concert includes Hillary Smith & Chill House, Joe West & Friends, the Sarah Streitz Band, Otis Moon and Band and Alto Street Band. Venture out and help our a pillar of our community. (See SFR Picks, page 15) 6 pm, $10

THEATER 11 SHORT PLAYS BY JOEY CHAVEZ Teatro Paraguas 3205 Calle Marie (505) 424-1601 Originally written for his theater students at Santa Fe High, Chavez’s plays range in mood from dark suspense to unabashedly romantic to comic slapstick. Fifteen actors take on 25 roles, and the cast includes theater students from Santa Fe High and New Mexico School for the Arts.

7:30 pm, $10-$20

MUSIC

WORKSHOP

DMITRI MATHENY Club Legato 125 E Palace Ave. (505) 988-9232 Jazz—flugelhorn-style. Club Legato is the hottest little jazz venue in town, and it's about time you had a jazzy night. Bob Fox is on piano, Terry Burns is on bass and John Trentacosta is on drums. And yes, we did say “flugelhorn.”

6 pm, $25-$30 TGIF CONCERT First Presbyterian Church 208 Grant Ave. (505) 982-8544 An assortment of classical and popular music from the New Mexico School for the Arts.

5:30 pm, free

CREATIVE EXPERIENCE 2022 Santa Fe Railyard 1612 Alcaldesa St. creativestartups.org Over 50 exhibits and panels, spotlighting experts such as Meow Wolf cofounder Sean Di lanni; Two Bit Circus CEO Brent Bushnell; Museum of Ice Cream Co-founder Manish Vora; and Intelligent Mischief Artistic Director Aisha Shillingford.

Panelists, performers, and speakers will cover topics such as the future of VR, immersive museums and performances, NFTs as tools for equitable wealth, compelling storytelling, revolutionary capital structures and more. It’s that big.

All day, $1500

WHOLE BEAD SHOW Santa Fe Convention Center 201 W Marcy St. wholebead.com/showssf22/ Back and beadier than ever.

You know you've been needing beads anyway. Life is too short for bead shortages, trust us.

10 am-6 pm, free

SAT/26 ART OPENINGS SANTA FE ARTISTS MARKET In the West Casitas, north of the water tower 1612 Alcaldesa St. (505) 310-8766 This weekly outdoor art market is a regular fixture in the Railyard. The art? Fine art.

Crafts? Super crafty. Santa Fe's best in pottery, jewelry, painting, photography, furniture, textiles and more is on display (also to buy, obvs).

9 am-2 pm, free

BOOKS/LECTURES SENATOR FELDMAN AND THE PATH TO CHANGE IN OUR LIVES AND POLITICS Placitas Community Library 453 Hwy. 165, Placitas (505) 867-3355 Dede Feldman is a former New Mexico state senator who focused on health care and democracy reforms. Always an inspiring speaker, Sen Feldman will talk about her memoir Ten More Doors: Politics and the Path to Change. (See 3Qs, page 20) 2 pm, free BILINGUAL BOOKS AND BABIES: STORYTIME AND SONG Santa Fe Public Library Southside 6599 Jaguar Drive (505) 955-2820 Books, activities and art-related things for Spanish-first language kiddos or youth speaking both languages. Every Saturday morning for any families interested—including you, people who only speak one language so far.

10 am, free

E NTE R E V E N TS AT SFREPORTER.COM/CAL

THEATER 11 SHORT PLAYS BY JOEY CHAVEZ Teatro Paraguas 3205 Calle Marie (505) 424-1601 All sorts of genres and performers celebrating a local theater mainstay. Quality, local theater is the stuff of legends, and Chavez’s works bring the heat.

7:30 pm, $10-$20

EVENTS NEW MEXICO RENAISSANCE CELTIC FESTIVAL Wildlife West Nature Park 87 W Frontage Road, Edgewood (505) 281-7655 Food, beers, knighting ceremonies, performances, food, craft merchants and more.

10 am-5 pm, $25 QIGONG Downtown Library 145 Washington Ave. (505) 955-6780 You might’ve passed by some people in the park doing those unusual movements, and it’s actually an ancient practice for health that’s really cool. Get the lesson on the ins-and-outs of Qigong from an expert.

3 pm, free

FOOD PLANTITA VEGAN BAKERY POP-UP Plantita Vegan Bakery 1704 Lena St. Ste. B4 plantitaveganbakery.com In Plantita's usual delightful popups, check out orange chocolate cayenne cake, coconut and date chocolate chip scones, blueberry muffins and more. Check online for the full menu, just know it’s all vegan, all the time.

10 am-noon, free

MUSIC ALTO STREET Ski Santa Fe 1477 Hwy. 475 (505) 982-4429 Alt-country, Americana, rock n'roll, on the deck at Totemoff’s!

Drinks, mountaintop music and maybe some slopes if you're up to it (but it isn't mandatory).

11 am-3 pm, free CHATTER (IN)SITE: FRANCK SONATA AND MORE SITE Santa Fe 1606 Paseo de Peralta (505) 989-1199 Music by Bach and Jessie Montgomery, plus the dramatic Violin Sonata in A Major by Franck, performed by Elizabeth Young (violin) and Natasha Stojanovska (piano).

10:30-11:30 am, $5-$20 HAYDN DISCOVERY First Presbyterian Church 208 Grant Ave. (505) 982-8544 Witness Haydn unpacked and explored! Not, like, physically though—through his music. This community engagement event is free and open to the public for all music lovers out there.

7 pm, free (but donate if you can)

WORKSHOP HOW TO TEACH BICYCLE SKILLS TO CHILDREN Railyard Park Community Room 701 Callejon St. (505) 316-3596 Join Safe Routes to School Education Consultant Chuck Malagodi and learn the ins and outs of teaching bicycling skills to children of all ages.

9 am-3 pm, free WHOLE BEAD SHOW Santa Fe Convention Center 201 W Marcy St. wholebead.com/showssf22/ Take and class and buy from your favorite merchants, artisans and importers.

Gemstones, beads, trade beads, handmade, vintage and so much more. Register online for classes.

10 am-6 pm, free

SUN/27 DANCE MODERN DANCE AND BALLET Wise Fool 1352 Rufina Circle (505) 992-2588 Classic dance class in a circus-esqe environment, which sounds pretty cool, frankly. (see SFR picks, page 15) 5 pm-6:30 pm, $22

MUSIC IYA TERRA Meow Wolf 1352 Rufina Circle (505) 395-6369 Electronic reggae? Oh yes, and their inspiring lyrics help out with those feelings a little down and need a boost. With special guests Eli-Mac and Cydeways.

8 pm, $22 ST. LAWRENCE STRING QUARTET Lensic Performing Arts Center 211 W San Francisco St. (505) 988-1234 Santa Fe Pro Musica presents the St. Lawrence String Quartet at the Lensic Performing Arts Center, performing works of Mozart, Korngold and Franck.

3 pm, $20-$85 THEO KUTSKO Vanessie Piano Bar 427 W Water St. (505) 984-1193 Enjoy the piano and vocal stylings of Santa Fe's youngest cabaret pianist, NMSA senior Theo Kutsko. Tunes from the '70s, Broadway and more.

6:30-9:30 pm, $10

UNICORN DE TRES Ski Santa Fe 1477 Hwy. 475 (505) 982-4429 Put on your Unicorn onesie's and join us for a fun day of music and celebration of life.

Re-Flex will be playing your favorite music and Totemoff's pours your favorite highelevation libations.

11 am-4 pm, free

THEATER 11 SHORT PLAYS BY JOEY CHAVEZ Teatro Paraguas 3205 Calle Marie (505) 424-1601 You get the point at this point, right? Quality theater from someone who’s served our students and our community. Go check it out to learn how cool home-grown theater can be.

2 pm, $10-$20

WORKSHOP BELLYREENA BELLYDANCE CLASS Move Studio 901 W San Mateo Road (505) 660-8503 Cultivates your capacity for movement in this COVID-19 safe environment. There’s a whole lotta shakin’ going on. And self love. That’s a big one.

1-2 pm, $15 MODERN BUDDHIST MEDITATIONS: FIND FREEDOM DISCOVER THE INNER PATH TO LIBERATION ZOETIC Nourishing Life 230 S St Francis Drive (505) 292-5293 Begin a journey that can only lead to happiness. Find protection from mistaken attitudes and feel secure knowing you’re headed in the right direction. Let go of the obstacles in your life and relax!

True and lasting pleasures will appear. Experience meditations on the truth of Karma and past and future lives.

10-11:30 am, $10 WHOLE BEAD SHOW Santa Fe Convention Center 201 W Marcy St. (505) 955-6590 Like Jurassic Park, but with beads. Let the artistic creature within you loose. No electric fences as far as we can tell, but no guarantees.

10 am-5 pm, free

MON/28 DANCE SANTA FE SWING Odd Fellows Hall 1125 Cerrillos Road Weekly swing dance in Santa Fe with different teachers and DJs every week. Class starts at 7 pm and the open dance at 8 pm. $8 for the class and the dance, $3 for just the dance.

7 pm, $3-$8

MUSIC

THEATER

EVENTS

BILL HEARNE Cowgirl 319 S Guadalupe St. (505) 982-2565 Americana and honky-tonk.

4 pm, free KAKI KING SITE Santa Fe 1606 Paseo de Peralta (505) 989-1199 Composer and musician Kaki King is mind-blowing on the guitar—and she’s here. Go listen.

7 pm, $30 LALA LALA Meow Wolf 1352 Rufina Circle (505) 395-6369 Moody indie atmospheric sounds on deck. Lala Lala celebrates her third album I Want The Door To Open. With guest Elton Aura.

7-11 pm, $16 THEO KUTSKO Vanessie Piano Bar 427 W. Water St. (505) 984-1193 At this point we’ll be out of town and some former tourist will hear we’re from SF and will say “Oh, you must know Theo Kutsko!“ 6:30-9:30 pm, $10

JULESWORKS FOLLIES END OF MONTHLY SHOWCASE Online tinyurl.com/2vncv2pm Back in action and better than ever, obviously! See our local talent in a fun online variety show. At this point you should know variety is the spice of life.

Check out the live show and see all the talent around us.

5 pm, free

MEET THE GUIDES Online raphaelweisman.com Join Raphael and the Guides as they answer your spiritual questions.

6:30 pm, $20 CELEBRATING THE LIFE OF SHONTEZ DENISE MORRIS Rivera Family Funeral Home 417 E Rodeo Road A memorial service for a beloved member of our community. (see A&C, page 23) 1 pm, free MEMORIAL DANCE PARTY Meow Wolf 1352 Rufina Circle (505) 395-6369 Dance in the House of Eternal Return to remember Shontez Denise Morris. (see A&C, page 23) 8 pm, free

TUE/29 BOOKS/LECTURES THE BATTALION OF SAN PATRICIO: MEXICO’S IRISH SOLDIERS St. Francis Auditorium at NM Museum of Art holdmyticket.com/event/391034 Learn the fascinating tale of deserters from the US Army, most of whom were Irish, who fought for Mexico during the Mexican-American War. History is insanely interesting, actually.

Did you know?

6 pm, $10

MUSIC BEACH HOUSE Lensic Performing Arts Center 211 W San Francisco St. (505) 988-1234 Multi-instrumentalists Victoria Legrand and Alex Scally.

6:30 pm, $47

MUSEUMS IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place (505) 983-8900 Exposure: Native Art and Political Ecology. IAIA 2021–2022 BFA Exhibition: Awakened Dreamscapes.

10 am-4 pm, Wed-Sat, Mon 11 am-4 pm, Sun, $5-$10 MUSEUM OF INDIAN ARTS AND CULTURE 706 Camino Lejo (505) 476-1200 Clearly Indigenous: Native Visions Reimagined in Glass.

Birds: Spiritual Messengers of the Skies.

10 am-5 pm, Tues-Sun, $3-$9 MUSEUM OF INTERNATIONAL FOLK ART 706 Camino Lejo (505) 476-1200 Yokai: Ghosts and Demons of Japan. Música Buena.

10 am-5 pm, Tues-Sun, $3-$12 NEW MEXICO HISTORY MUSEUM 113 Lincoln Ave. (505) 476-5200 The Palace Seen and Unseen.

Curative Powers: New Mexico’s Hot Springs.

10 am-5 pm, Tues-Sun, $7-$12, NM residents free 5-7 pm first Fri of the month GEORGIA O’KEEFFE MUSEUM 217 Johnson St. (505) 946-1000 Artist-in-residence Josephine Halvorson.

10 am-5 pm, Thurs-Mon $20

MILDRED HOWARD

DANCE DIRT DANCE IN THE PARK Patrick Smith Park E Alameda St. allaboardearth.com This weekly dance in the featuring live DJs, sound healers, performers and karaoke stars.

Ever heard of silent DJs? Now you have, my friend.

2-4 pm, $5-$12

THE CALENDAR

“Square Meal“ by Mildred Howard, part of Poetic Justice at the New Mexico Museum of Art.

MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo (505) 982-2226 Pueblo-Spanish Revival Style: The Director’s Residence and the Architecture of John Gaw Meem. Trails, Rails, and Highways: How Trade Transformed New Mexico.

1-4 pm, Wed-Fri, $5-$12, free for members NEW MEXICO MUSEUM OF ART 107 W Palace Ave. (505) 476-5063 Poetic Justice.

10 am-5 pm, Tues-Sun, $7-12

SFREPORTER.COM

POEH CULTURAL CENTER 78 Cities of Gold Road (505) 455-5041 Di Wae Powa: A Partnership With the Smithsonian. Nah Poeh Meng: The Continuous Path.

9 am-5 pm, Tues-Sun, $7-$10 WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo (505) 982-4636 Indigenous Women: Border Matters (Traveling).

Portraits: Peoples, Places, and Perspectives. Abeyta | To’Hajiilee K’é.

10 am-4 pm, Tues-Sat, $8

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MARCH 23-29, 2022

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Ages 3 to 18 June & July TER REGIS E N ONLI 8!

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BALLET, CREATIVE MOVEMENT, HIP-HOP, JAZZ, MODERN, TAP, & MORE

ndi-nm.org/summer2022 THE HILAND THEATER | Albuquerque | 505.340.0200 THE DANCE BARNS | Santa Fe | 505.795.7088

COURTESY PLACITAS COMMUNITY LIBRARY

DANCE!

With author and former state Sen. Dede Feldman

Talk to former state Sen. Dede Feldman for a few minutes, and you’ll know she’s not your usual politician. A 16-year Democratic representative for Albuquerque’s North Valley from 1996-2012, her post-legislative career has been aimed at teaching New Mexicans the ins and outs of political life with all its faults and virtues, and her new political memoir, Ten More Doors: Politics and the Path to Change, is available at Collected Works Bookstore and Coffeehouse and Garcia Street Books now. Feldman chatted with SFR about her campaigning days and inspirations before her talk and book signing at the Placitas Community Library this Saturday (7 pm Saturday, March 26. Free. 453 Hwy 165, Placitas, (505) 867-3355). (Riley Gardner) You write about the feelings of empathy for everyday people in your district you gained from your days campaigning.

How much have the lives of your former constituents shaped you into the person you are today?

It was such a privilege—and a struggle—to knock and ask people what their concerns were, and I got an earful. I got to see inside their homes. When they open the door, you get a picture of their lives behind that door.

That was transformational for me. I want to convey that to other people who are running for office or trying to make change, whether it be journalism or teaching or a small agricultural enterprise. If you don’t ask, if you don’t knock on doors, people can’t say yes or open that door. That was a lesson for me.

The ethnic nature of my district is more like Santa Fe, including traditional Hispanic families and Anglos. This area has been solidly Democratic for years, with a very high voter turnout level and civic engagement. I used to talk to my fellow senators, many who’d never hear a peep from their constituents, but mine were very knowledgeable about what was going on.

They called because they needed things, like behavioral health services or drug addiction help. That’s what this book is about. My neighborhood is a working class neighborhood, where I settled in 1976. It

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crafted me both into the public servant and person I am. I learned to be a steward of the land, to be tolerant of different viewpoints and cultures and different income levels. If it wasn’t for the beauty of the land, I don’t know if I would’ve entered public service.

You still go door to door even now to help campaigns. What are some of the big changes you’ve seen since campaigning in the ‘90s and today—outside of obvious tech considerations?

I’m a believer in retail politics, like former Gov. Bruce King. It happens on a personto-person basis, and less so over the email and the internet. To a certain degree, campaigns have become dominated by email blasts and online fundraising, and so the message changes to fit the medium. A short blurb can make it more divisive—faceto-face talks bring out much more. Today, conflict is magnified. That’s a big change.

As a campaigner, you could see trends developing over a 20-year period, like the ceding of [campaign control] to outside experts and consultants. There are so many consultants wanting to be hired or hired for you by the party organizations to craft a message based off what sells; a smart marketing approach, but it diminishes the kind of campaign I love and I wrote about in this book. Campaigns were community creations with a sense of spontaneity and synchronicity when groups of people worked together in a contest against opposition. I was going out and looking for votes, and in turn I found this community out there.

Your memoir chronicles your life and career. In your time in office, what did you learn about your community, and New Mexico as a whole, that you didn’t entirely know before?

I learned so much there, it was like getting thrust into graduate level courses in state history, fears, assets and people. Learning about different sectional concerns was a great gift for me. The main thing I learned was that change takes a long time, especially when you’re in a Western conservative state, in terms of the Legislature still being dominated by rural interests. That makes change more difficult, particularly when you’re operating in a structure set up in 1912 to ensure change comes slowly. Rural interests were threatened by long sessions, so they made them short. That was their time when they didn’t have to be out in the fields. It was embedded in the constitution our Legislature would be a citizen legislature, the idea being the butcher and baker coming together and not being paid. Truth is, that’s a formula for conflict-of-interest and unprofessional, inefficient lawmaking, but since it’s embedded in the constitution, it needs to be taken to the people for change.

We can’t deal with our problems in 30- or 60-day sessions, and there’s a growing traction for a modernized Legislature these days.

S FR E P O RTE R .CO M / ARTS

“I like to work the way things feel,” Marwan explains. “Tumbling from one page to the other is kind of how it felt.”

Telling her story in picture book form came naturally to Marwan, because pairing text and image has always been a part of her process. She usually begins with a line or two of text, and develops that idea in her paintings.

Marwan’s online portfolio Two Desert Illustrations brims with whimsy. Pigeons in party hats appear, uninvited (“Whenever I forget my studio window open, my toughest critics come in and have a party”), flowers bloom from the heads of five men (“Patrilineally not fitting in”) and a man has a curious encounter (“He took his boat out at night because the water was as still as olive oil. Alone, he was startled by a swimming cow”). It feels like flipping through someone’s journal, only that someone has an infinitely colorful and deftly wrought inner world. There’s something delightfully voyeuristic in the unexplained nature of it all. Each painting functions as a micro-fiction unto itself.

The challenge, Marwan says, is in arranging those fragments into a cohesive, resonant story.

“I’ve been looking at picture books as a sort of poetic retelling,” she says—a retelling

Zahra Marwan’s Where the Butterflies Fill the Sky tells a challenging but vital story for today’s youths B Y A N N A B E L L A FA R M E R @boeinbrief

according to Marwan. She recalls a librarian who said Butterflies isn’t for children because they won’t know who Saddam Hussein is.

“Ask any Kuwaiti child,” Marwan points out. “These are real lived experiences for people.”

Such criticism hits particularly hard, she says, because of what statelessness continues to mean for Kuwaiti children. She remembers how, while working on the final art for her book, two stateless children in Kuwait committed suicide. It’s absurd, she says, to assume children couldn’t understand her book.

“What kid’s gonna understand?” she queries. “Well, maybe that one who knows how hard things are going to get as he grows older, or how hard they already are.”

And though Marwan is still impacted by statelessness, especially when borders were closed due to the pandemic, she counts herself lucky.

“I feel so grateful to have grown up in such different places, and that we came to a place where people treat me like I belong,” she says.

The parallels between New Mexico and Kuwait might not seem apparent on the surface, but in her author’s note, Marwan writes about attending public school in New Mexico: “I was taught to be proud of my heritage—maybe because so many of my neighbors had strong Indigenous and Hispano roots and had been subject to so much cultural oppression themselves. I lost the ability to live among my family, language and culture because of government rules, but I carry with me a constant sense of home.”

COURTESY BLOOMSBURY CHILDREN’S BOOKS

Z

ahra Marwan’s debut picture book, Where Butterflies Fill the Sky (March 29, Bloomsbury), is part autobiography, part children’s book, part artist’s book and wholly captivating.

Through bittersweet text and delicate, playful watercolor illustrations, it tells the story of how Marwan’s family left Kuwait for New Mexico when she was 7 years old to make a new home in Albuquerque.

Marwan was considered stateless in Kuwait: Though her mother is a citizen, her father’s family missed out on registering as citizens when Kuwait became an independent country in 1961. And because Kuwaiti citizenship is patrilineal, Marwan and her siblings aren’t citizens either. That meant they faced both open discrimination and discriminatory laws. Stateless people weren’t allowed to attend public schools, go to college, access health care, get married or leave the country for fear they wouldn’t be allowed back.

“Their only career options were working low-wage jobs or joining the army,” Marwan explains in an author’s note.

Her parents wanted a better future for their family, so they packed up and moved to Albuquerque, an experience that was profoundly disorienting for Marwan.

“I used to wait outside for a bus to take me back to my grandpa’s house,” she tells SFR. “I had no idea what was going on.”

But it wasn’t all grim, she says. Marwan has fond memories of how that early sense of confusion blended into a mix of magical thinking and reality that continues to influence her art.

“I used to think a boy in my class could translate my thoughts for some reason,” she says. “I was a really weird kid.”

To wit, in Butterflies, Marwan’s family journey is represented by a two-page spread that shows her and other members tumbling into the sky, from the shores of Kuwait to the desert of New Mexico.

not bound by the literal; Butterflies has a poetic quality in the spare effervescence of its text and illustrations inspired by Persian miniatures. It operates under the surreal, expansive illogic of childhood, where the real and imagined coexist, and Marwan weaves symbolic elements of her Kuwaiti identity throughout the book: Two bulls watch over her as she sleeps and follow her through the book, a calming, protective presence. The symbology is inspired by “art from the ancient Dilmun civilization found in Kuwait and Failaka Island among ancient Greek ruins,” Marwan notes, and says the bulls represent her grandmother and uncle, the latter of whom was killed during the Iraqi invasion when he was only 33—the book doesn’t pander, which shows a respect for children’s understanding that similar books do not.

“I’m not particularly fond of the very commercial ones that are what people think kids need to see,” Marwan says with a laugh.

But not everyone agrees, and the book has already been criticized for being too mature,

A&C

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S FR E P O RTE R .CO M / ARTS

Shontez Morris leaves legacy of light

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

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y friends are likely tired of hearing the story after countless retellings this week, but it’s how I want to remember my friend Shontez “Taz” Morris: While driving along Marcy Street in downtown Santa Fe some months ago, a friend of mine remarked, “Ohmygod—it’s Taz!” Rolling down the window, we began shouting stuff about how we love her, and there, in the street, Shontez spent nearly a minute screaming compliments and practically dancing. In that moment, like so many others, Taz was pure kindness and light. I will miss her dearly.

Morris died at 42 in the wee hours of Thursday, March 17 from complications related to asthma. According to Kate Kennedy, a longtime friend and co-worker at Security Asset Solutions, Morris wasn’t feeling well during a security shift at a Meow Wolf concert earlier in the night. Later, at home, Morris called 911 when she started having trouble breathing, but paramedics didn’t make it in time. Morris had largely recovered from a bout with COVID-19 a few months ago, yet her asthma had worsened afterward, Kennedy said.

Morris grew up in the Bedford-Stuyvesant neighborhood of Brooklyn where, her brother Andrew Morris tells SFR, she attended the

Boys and Girls High School. She graduated in out her beautiful bright presence,” says Jared seems humanly possible.

1996, and loved the school, Andrew says, not- Antonio-Justo Trujillo of downtown gallery Her true artistry, then, might have been ing how he found a pristine book bag from the KEEP Contemporary, where Morris would in how she made the people around her feel. institution as he was clearing out his sister’s sometimes work security during events. Anyone who ever received a hug from Taz apartment this week. Even as a kid, he con- “Everyone loved her. I’ll miss her hugs and knows exactly what I mean, and many were tinues, Morris was a shining example of kind- her enthusiasm for the arts, but most of all I’ll the times I’d find a message online that read ness and positivity. miss my friend.” simply “Taz hugz!” Somehow, these always “We had our disagreements here came when I needed them most. and there, but we were always very “There was one specific incident close,” he says. “Even recently, we’d when my mom was hospitalized for still act like when we were 10 or 12 MS reasons, and Shontez beat me years old when we were together. I to the hospital,” Kennedy recalls. think that’s what I’ll miss most.”

“And she sat in that waiting room. I Morris would briefly attend don’t know how long she was there, Virginia State University, but she’d but I know she didn’t leave until return home after a semester to bemy mom was discharged—and she come a state corrections officer in didn’t think anything of it. The way New York. That job ultimately left that she operated in the world was... her feeling unfulfilled, according to everybody was family unless proven Andrew, but the death of their uncle otherwise. The way that everybody and the subsequent discovery of an knew and loved her, she knew and entire book’s worth of fashion deloved everybody.” signs he never got to create sparked “I’m just glad she was able to a love of art in Taz that persisted uncome out here and be a positive intil her death. She moved to Atlanta fluence, a positive reflection,” brothto live with her aunt, Janice Fagan, er Andrew says. “I’m still so proud after that, where she worked private of her, and what’s keeping me sane security and became interested in is just knowing that she did some murals. Fagan tells SFR that’s where real great work out here. I’m just so You won’t have to go far to find a Santa Fean affected by the death Taz befriended Santa Fe artist/muproud of the life my sister lived.” of Shontez “Taz” Morris. sician Aaron Kalaii while working on one such mural, then relocated to Santa Fe in 2013.

Morris was, of course, a creator herself—a CELEBRATING THE LIFE “It actually started in Atlanta,” Fagan painter, storyteller and freelance fried chickOF SHONTEZ MORRIS: notes, “but she relocated to Santa Fe because en cook; a curator who organized shows for Memorial Service: 1 pm Tuesday, the art community was easier for her to be- artists she loved and an artist who presided March 29. Free. Rivera Family Funeral Home, come a part of.” over exhibitions of her own work. Her ap417 E Rodeo Road, (505) 989-7032 For other Santa Feans who’ll miss Morris, pearance at Raashan Ahmad’s I Got a Story To Dance Party: 8 pm Tuesday, March 29. Free. this move was a godsend.

Tell speaker series in 2020 remains a prime Meow Wolf, 1352 Rufina Circle, “Shontez was a gentle warrior and our example of the type of person she was, and (505) 395-6369 very own hugging saint,” says writer and reiki 2019’s Love Light and Awakening exhibit at A Gofundme campaign is raising funds for practitioner Tintawi Kaigziabiher. “Her med- Meow Wolf found Taz beaming with pride. funeral costs at gofundme.com/help-withicine was to show up and show love. Her pres- Morris also worked countless events around shontez-taz-morriss-final-expenses. Any ence was the ointment that healed our woes. town, sat on the board of Santa Fe’s Human extra money will go toward scholarships at Her vibration anointed each of us.”

Rights Alliance and Leadership Santa Fe Brooklyn’s Boys and Girl’s High School and to the Santa Fe HRA and Leadership Santa Fe. “My events will never be the same with- and, somehow, touched more lives than even COURTESY MORRIS FAMILY

Queen Taz

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RATINGS BEST MOVIE EVER

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MOVIES Cheaper By the Dozen Review The word “cheaper” doing the heavy lifting for us

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THE LONG WALK

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From the get-go, it’s worth pointing out The Long Walk is not designed for general audiences.

That’s not to say it’s unreachable, incomprehensible or a series of long, pointless montages. It’s a methodical film that refuses to explain itself, that comes together in a connect-the-dots fashion which, for many, will be too opaque. Those with an interest in how Buddhism can intertwine with cinema, however, will find much to ponder.

The Long Walk follows an unnamed old man (Yannawoutthi Chanthalungsy) and young boy (Por Silatsa), both of whom can talk to spirits.

One in particular (Noutnapha Soydara) joins them during long walks along forested roads for decades on end, though it never speaks a word.

When numerous women go missing, authorities tap the unnamed man for assistance, but he might be more interested in undoing the flaws of his past with help from his spirit friend.

In a strike against the Asian Orientalism that continues to plague Western filmmaking, Laotian-born director Mattie Do builds her world from everyday Laotian anxieties: Namely, the belief that bodies not properly cremated bear spirits which find themselves stuck wandering the Earth. Deeper Buddhist themes reflecting life, death and rumination make for a sturdy, if 24

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With all the seriousness one can muster and without a hint of sarcasm, I will tell you that Disney’s Cheaper By The Dozen reboot/remake is one of the worst movies I have ever seen. To say it sucks would be to insult air itself; not only does it eviscerate whatever promise Disney+ may have had in original programming, it’s a reminder to keep this service at the top of your streaming service cost-cutting list.

In its first major fault, the Baker family has nine kids—not the dozen the title promises in a seeming attack against the entire premise of the original 1948 Frank Bunker Gilbreth Jr. and Ernestine Gilbreth Carey memoir from which these repeated films are inspired. Nine! In a never-ending setup, Paul (Zach Braff, who ought to be criminally prosecuted for this role) invents a special sauce out of his family-run breakfast café where he and wife Zoë (Gabrielle Union) use their children as forced labor. The sauce makes the multi-racial fam a fortune, so they move to a wealthy Los Angeles enclave where questions of systemic racism and living authentically come into

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play. There are antics in-between, but it feels like the length of a Lord of the Rings extended edition marathon.

Is Cheaper By the Dozen a parody of the online left’s checklist for diversity points, or an honest attempt at something wholesome? It doesn’t matter.

It is a filthy movie not because of its aspirations, but because of its dark underbelly. Expect jokes made at the expense of people who attend trade schools, or therapy and towards gay people (don’t worry, Disney remembered not to include them in this diversity training video). Expect elitist trash posing as progressiveism that simultaneously admonishes corporate practices only to start flooding the screen with astonishing product placement. Every other minute a corporate brand flies across the screen.

It’s like a 57-year-old man studied modern teen culture without ever meeting one. The characters

pessimistic, undercurrent. Here, the living aren’t frightened by ghosts so much as they are the more earthbound fears they illicit—if a dissatisfied ghost can be stuck on Earth for eternity, is there a point in striving for a type of perfection already disproved by the very existence of these stuck spirits?

It’s too easy to call The Long Walk a horror film or a psychological trip. It’d have to be stretched, stuffed and disjointed if you wanted it to fit into more mainstream horror definitions, or as I like to call it, the old stab-stab/jump-jump.

Do’s opus doesn’t fit neatly into any genre, in fact, and a viewer can’t expect any coddling from her. Her elements of Asian futurism are not deeply crafted (everyone in this future has a microchip installed) but they do emphasize a common misconception that tech and tradition are mutually exclusive. But then, The Long Walk is a film of ideas—and what a success it is. (RG) Center for Contemporary Arts and VoD, NR, 115 min.

TURNING RED

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+ REPRESENTATION AND OVERALL TONE - IMPORTANT THINGS ALLUDED TO BUT LEFT UNSAID

As part of the generation that was just the right age for Pixar’s Toy Story—the first fully-CGI movie ever, mind you—to be mind-blowing, it begins to feel less and less

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are not human, they are formless blobs, but the worst offense is the pretense that racism exists as a unique trend to high-income communities and not where the “real people” live. You can’t make a project so obsessed with social justice when no one involved actually believes in what they are saying— or when the studio doesn’t bother for an attempt at quality. We know Disney is a corporate crash grab company, but rarely has it pumped out such a disgusting attempt at generating good PR and, thus, subscribers. Even the firm believers in film preservation should consider this version of Cheaper By The Dozen worthy of destruction.

like these movies are for those of us who were kids at the time, particularly when we don’t have any of our own. Still, the animation juggernaut’s newest full-length, Turning Red, which just dropped on the Disney+ streaming service, kinda-sorta recaptures that magic from all those years ago, even if it’s a relatively elementary allusion to our changing bodies that also, despite being set in Canada, somehow misses out on making Degrassi references.

In Turning Red, we meet Toronto kid Meilin (Rosalie Chiang), who is newly 13 and ready to rumble with her best buds circa 2002; when boy bands roamed the Earth and flip phones, Tamagotchis and overalls were all somehow cool. Mei struggles under the weight of her mother’s expectations (hats off to Sandra Oh as the overbearing but loving mom), but she’s still a killer student and fun friend who makes time for everything, which includes lending a hand at the family temple—the oldest in Toronto, we learn.

Things seem pretty OK (which is the default Pixar starting point) until Mei discovers a family curse that finds her family’s young women transforming into gigantic red pandas whenever they get too emotional... something about an ancient curse, but really just a stand-in for puberty. As Mei comes to terms with her new panda form, the infamous boy band 4-Town announces North American dates, and while older folks might

CHEAPER BY THE DOZEN Directed by Gail Lerner With Braff, Union and Timon Kyle Durrett Disney+, NR, 107 min.

find the idea of stakes that come in the form of a stadium pop show laughable, it’s life or death for Mei, as it would be for any 8th grader. Cue hijnks.

Director Domee Shi (who won an Oscar for her short Bao in 2018) finds ludicrously enjoyable common ground for both kids and adults here, and even better, she never shies away from frank talk about things like crushes, periods and complicated familial relationships. This is Disney, though, so some things fall short, from toothless jokes that don’t quite land and nods to queer culture that never come out and say so. Still, Chiang is brilliant and relatable as the evolving Mei, and that we get an entire film dedicated to, created by and starring Asian people ultimately feels like a step in the right direction. Oh, and Mei’s panda form is absurdly adorable.

Toss in some songs by Billie Eilish and her brother Finneas, the kind of painstaking animation we expect from Pixar and numerous funny-adjacent early-aught moments and you’ve got something that’s almost groundbreaking. If Pixar would trust its audiences to roll with a little more maturity, Turning Red could have been a generational high point.

As it stands, it’s fun and mostly funny and exactly the kind of thing elder millennials and their kids can enjoy together. (Alex De Vore) Disney+, PG, 100 min.

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12 Drafting tools 15 Was winning 18 “Happy Birthday” playwright Anita 22 Blend together 24 “Lawrence of Arabia,” for one 25 Groups indiscriminately 28 Hall-of-Famer Ripken 29 Tick off 32 Getting some air 33 Vegan coffee shop order 34 Nicholas Sparks’s “Nights in ___” 35 9-digit no. issuer 36 Bars in supermarkets DOWN 1 Specialty of the late Amazing 37 Time out 40 Telly watcher Johnathan 2 Engineer for whom a type of 43 Commotion paving is named 44 Van ___ Mungo (‘30s-’40s baseball player with a novel3 Henner of “Evening Shade” ty song named for him) and “Taxi” 45 Tarnished 4 “Roll to Me” group Del ___ 46 Chrissy of “This Is Us” 5 Eyelid twitches, e.g.

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SFR CLASSIFIEDS MIND BODY SPIRIT PSCYHICS Rob Brezsny

Week of March 23rd

ARIES (March 21-April 19): The Carib people from Surinam quote their mysterious Snake Spirit as follows: “I am the force of the spirit of the lightning eel, the thunder ax, the stone. I am the force of the firefly; thunder and lightning have I created.” I realize that what I’m about to say may sound far-fetched, but I suspect you will have access to powers that are comparable to the Snake Spirit’s in the coming weeks. In fact, your state of being reminds me of how Aries poet Marge Piercy expressed her quests for inspiration: “When I work, I am pure as an angel tiger, and clear is my eye and hot my brain and silent all the whining grunting piglets of the appetites.”

LIBRA (Sept. 23-Oct. 22): It’s the start of the Listening Season for you Libras. I propose a full-on celebration of listening: a three-week Holiday of Paying Close Attention to Important and Interesting Words Being Said in Your Vicinity. Make yourself a magnet for useful revelations. Be alert for the rich information that becomes available as you show the world you would love to know more of its secrets. For inspiration, read these quotes. 1.

You cannot truly listen to anyone and do anything else at the same time. —M. Scott Peck. 2. Learn to listen.

Opportunity sometimes knocks very softly. —my friend Jenna. 3. Listening is being able to be changed by the other person. —Alan Alda. 4. If you want to be listened to, you should put in time listening. —Marge Piercy. 5.

Listening is a magnetic and strange thing, a creative force. When we are listened to, it creates us, makes us unfold. —Karl A. Menninger.

TAURUS (April 20-May 20): “It’s always too early to quit,” wrote cheerful author Norman Vincent Peale, who first popularized the idea of “positive thinking.” I’m an optimistic person myself, but I think his advice is excessively optimistic. On some occasions, it’s wise to withdraw your energy from a project or relationship you’ve been working on. Struggling to find relevance and redemption may reach a limit. Pushing ever onward might be fruitless and even harmful. However, I don’t think that now is one of those times for you, Taurus.

According to my reading of the astrological omens, it is too early for you to quit.

GEMINI (May 21-June 20): “You can be as earnest and ridiculous as you need to be, if you don’t attempt it in isolation.” So says author Barbara Kingsolver. She adds, “The ridiculously earnest are known to travel in groups.

And they are known to change the world.” In my view, this is perfect advice for you right now. If you and the members of your crew focus on coordinating your efforts, you could accomplish blazing amazements in the coming weeks. You may solve riddles that none of you has been able to decipher alone. You can synergize your efforts in such a way that everyone’s individual fate will be lifted up.

CANCER (June 21-July 22): About 200 years ago, poet William Wordsworth wrote, “Every great and original writer must himself create the taste by which he is to be relished.” Now I’ve come up with a variation on that wisdom: “Every great and original soul must herself create the taste by which she is to be understood and appreciated.” That’s what I hope you will work on in the coming weeks, Cancerian: fostering an ambiance in which you can be even better understood and appreciated. You now have extra power to teach people how to value you and get the best out of you.

LEO (July 23-Aug. 22): “I hate housework!” complained comedian Joan Rivers. “You make the beds, you do the dishes, and six months later you have to start all over again.” I wish I could give you a six-month reprieve from having to attend to those chores, Leo. In fact, I’d love it if I could permanently authorize you to avoid all activities that distract you from thinking big thoughts and feeling rich emotions and pursuing expansive adventures. But I’m afraid I can only exempt you from the nagging small stuff for just the next three weeks or so—four, tops. After that, you’ll have to do the dishes and make the beds again. But for the foreseeable future: Focus your energy on thinking big thoughts and feeling rich emotions and pursuing expansive adventures!

VIRGO (Aug. 23-Sept. 22): A British plumber named Kev Crane worked for weeks to install a new bathroom at a private home. As he toiled, he passed the time by singing his favorite songs. He didn’t know that the homeowner, Paul Conneally, was the owner of a music label. So he was surprised and delighted when Conneally offered him a deal to record an album in the label’s studio. There may be a comparable development in your life during the coming weeks, Virgo. You could be noticed in new ways for what you do well. Your secret or unknown talents may be discovered or revealed. You might get invitations to show more of who you really are. Be alert for such opportunities.

SCORPIO (Oct. 23-Nov. 21): “Worry doesn’t count as preparation,” writes author Lily Akerman. That sounds wise, but I don’t think it’s true in all cases. At its best, worrying may serve as a meditation that helps us analyze potential problems. It prompts us to imagine constructive actions we might take to forestall potential disruptions—and maybe even prevent them from erupting into actual disruptions. I bring these thoughts to your attention, Scorpio, because now is an excellent time to engage in this kind of pondering. I declare the next three weeks to be your Season of Productive Worrying.

SAGITTARIUS (Nov. 22-Dec. 21): If I had my way, you’d be a connoisseur of kisses in the coming weeks. You’d make it your intention to expand your repertoire of kissing styles and ask willing partners to do the same. You would give and receive unwieldy kisses, brave kisses, and mysterious kisses. You would explore foolish, sublime kisses and sincere but inscrutable kisses and awakening kisses that change the meaning of kisses altogether. Are you interested in pursuing this challenge? It will be best accomplished through unhurried, playful, luxurious efforts. There’s no goal except to have experimental fun.

CAPRICORN (Dec. 22-Jan. 19): “Anybody who has survived his childhood has enough information about life to last him the rest of his days,” wrote author Flannery O’Connor. Her observation may be a bit of an exaggeration, but not much. And I’m offering it to you now, as you begin a phase when you can glean many new teachings about your childhood—insights that could prove handy for a long time to come. I encourage you to enjoy a deep dive into your memories of your young years.

They have superb secrets to divulge.

AQUARIUS (Jan. 20-Feb. 18): “Creativity is the power to connect the seemingly unconnected,” said author William Plomer. I agree with that. And I’m pleased to let you know that in the coming weeks, you will have more of this power to connect than you’ve had in a long time.

I hope you will use it to link your fortunes to influences that inspire you. I hope you will wield it to build bridges between parts of your world that have been separate or alienated until now. And I hope you will deploy your enhanced capacity for blending and joining as you weave at least one magnificent new creation.

PISCES (Feb. 19-March 20): “I use my intelligence to discover more ways of appreciating you,” author Piscean Anaïs Nin told her lover Henry Miller. In the coming weeks, I recommend you activate a similar ambition. Now is a time when you can enhance your close relationships with important allies by deepening your insight into them. What magic is at play within them that you haven’t fully recognized before? How could you better see and understand their mysteries? PS: You may be pleased when your deepening vision of them prompts them to extend the same favor toward you.

Homework: What non-sexual experience or adventure do you lust for? FreeWillAstrology.com

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700. © CO P Y R I G H T 2 0 2 2 R O B B R E Z S N Y 26

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FIRST JUDICIAL DISTRICT COURT STATE OF NEW MEXICO COUNTY OF SANTA FE Abel Gallardo Petitioner/Plaintiff, vs. (blank) Respondent/Defendant Case No.: D-101-SA-2022-00002 NOTICE OF PENDENCY OF SUIT STATE OF NEW MEXICO TO Unknown Biological Father.

GREETINGS: You are hereby notified that Abel Gallardo, the above-named Petitioner/ Plaintiff, has filed a civil action against you in the above-entitled Court and cause, The general object thereof being: to establish parentage, determine custody and timesharing and assess child support.

Unless you enter your appearance in this cause within thirty (30) days of the date of the last publication of this Notice, judgment by default may be entered against you.

Abel Gallardo 155 E. Venus Road Edgewood, nm 87015 (505) 249-0580 WITNESS this Honorable Maria Sanchez-Gagne, District Judge of the First Judicial District Court of New Mexico, and the Seal of the District Court of Santa Fe County, this 3rd day of March, 2022.

KATHLEEN VIGIL CLERK OF THE DISTRICT COURT By: Edith Suarez-Munoz 1/24/22 Case No: D- 101- CV 2020-01274 filed Certificate of Judgement Validating Admission of Extortion and Grand Larceny

STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY IN THE MATTER OF THE ESTATE OF Webster, Vesta H., DECEASED. No. 2022-0046 NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed personal representative of the decedent.

All persons having claims against the estate of the decedent are required to present their claims within four (4) months after the date of the first publication of any published notice to creditors or sixty (60) days after the date of mailing or other delivery of this notice, whichever is later, or the claims will be forever barred.

Claims must be presented either to the undersigned personal representative at the address below, or filed with the Probate Court of Santa Fe County, New Mexico, located at the following address: 100 Catron Street, Santa Fe, NM 87501 Dated: March 1, 2022 /s/ Jennifer Clement Jennifer Clement 40 Alondra Road Santa Fe, NM 87508 505.603.1892 sudasiclement@gmail.com STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF KRISTY DEAN NADLER Case No. : D-101CV-2022-00335 AMENDED NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through 408-3 NMSA 1978, et seq. The Petitioner Kristy Dean Nadler will apply to the Honorable Matthew J. Wilson, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., Santa Fe, New Mexico, at 11:00 a.m. on the 8th day of April, 2022 for an ORDER FOR CHANGE OF NAME from Kristy Dean Nadler to Audacity Trevayne Nadler.

Kathleen Vigil, District Court Clerk By: Gloria Landin Deputy Court Clerk Submitted by: Kristy Dean Nadler Petitioner, Pro Se

STATE OF NEW MEXICO COUNTY OF SANTA FE IN THE FIRST JUDICIAL DISTRICT COURT CASE NO. D-101-PB-2022-00027 IN THE MATTER OF THE ESTATE OF SARAH CARMACK SPENCER, Deceased.

NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed personal representative of this estate. All persons having claims against this estate are required to present their claims within four months after the date of the first publication of this Notice or the claims will be forever barred. Claims must be presented either to counsel for the undersigned personal representative c/o Kristi A. Wareham, P.C. at 708 Paseo de Peralta, Santa Fe, New Mexico, 87501, or filed with the above Court.

Dated: March 15, 2022 MARY CARMACK-ALTWIES Personal Representative of The Estate of SARAH CARMACK SPENCER, deceased KRISTI A. WAREHAM, P.C. Attorney for Personal Representative 708 Paseo de Peralta Santa Fe, NM 87501 (505) 820-0698 kristiwareham@icloud.com

STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF MARY GENEVIEVE ANGELA MONTOYA Case No.: D-101CV-2022-00413 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq.

The Petitioner Mary Genevieve Angela Montoya will apply to the Honorable Kathleen McGarry Ellenwood, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 11:00 a.m. on the 10th day of May, 2022 for an ORDER FOR CHANGE OF NAME from Mary Genevieve Angela Montoya to Angela Mary Genevieve Montoya.

Kathleen Vigil, District Court Clerk By: Breanna Aguilar Deputy Court Clerk Submitted by: Mary Genevieve Angela Montoya Petitioner, Pro Se SFREPORTER.COM

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