2022 SFCMF Program Book

Santa Fe Chamber Music Festival July 17–August 22, 2022

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On the Cover

Santa Fe Chamber Music Festival July 17­–August 22, 2022 Contents Welcome to Our 2022 Season.......................................................5 Santa Fe Chamber Music Festival Trustees, Advisory Council, Past Presidents, and Administration............................................6 Santa Fe Chamber Music Festival Commissions.........................8 Young Composers String Quartet Project..................................12 2022 Season Sponsors.................................................................14 2022 Festival Concerts................................................................17 2022 Festival Artists....................................................................51 Annual Fund and Artists’ Circle Donor Benefits.......................64 Annual Fund: How You Make the Music Happen.....................65 Artists’ Circle and Annual Fund Contributors..........................67 Corporate, Foundation, and Government Support...................77 The Endowment: Investing in the Festival’s Future...................78 The Mozart Society.....................................................................81 Save the Date: 2023 Opening Weekend Celebration.................82 Education and Outreach.............................................................84 2022 Business Partners and Community Hosts........................86 2022 Festival Volunteers.............................................................87 The Festival’s 2022 Radio Broadcasts.........................................88 Artwork on Our Stage.................................................................89 Patron Information.....................................................................90 2023 Season Preview...................................................................93 Program Book Credits................................................................94 Please visit our website at SantaFeChamberMusic.com.

Harry Fonseca (1946–2006) Fire (1989) Lithograph, edition of 75 22” x 30” Image courtesy of the Harry Fonseca Trust, with exclusive representation by Chiaroscuro Contemporary Art in Santa Fe, New Mexico.

About the artist: Harry Fonseca was born on January 5, 1946, in Sacramento, California, of Nisenan Maidu, Hawaiian, and Portuguese heritage. His work went through several transformations throughout his long career as an exhibiting artist, but the one constant was his openness to new influences and sources of inspiration.

Fonseca began his Coyote series—which Fire is part of— in 1979. The subject of that series is Coyote, the trickster and transformer. Fonseca re-situated this cultural hero into contemporary settings, and Coyote became an alembic through which Fonseca filtered his vision of the artist and the Native American in society.

In August 2006, Fonseca was diagnosed with brain cancer and hospitalized at the Veterans Administration hospital in Albuquerque. He died there on December 28, 2006, at the age of 60.

Special Thanks

The Santa Fe Chamber Music Festival thanks everyone at the New Mexico Museum of Art for their ongoing cooperation and their longtime support of our concerts held in the museum’s St. Francis Auditorium.

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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“Chiricahua Love Song”, 1987, bronze edition of 12, 36” H X 10” W X 9” D

Welcome to Our 2022 Season We’re so happy to see you!

As we continue to navigate these unpredictable times, one thing remains constant: our love for presenting extraordinary live chamber music concerts performed by the world’s most acclaimed musicians. This summer, for our 2022 season, we’re presenting 40 concerts in our longtime venues of St. Francis Auditorium in the New Mexico Museum of Art and The Lensic Performing Arts Center, and each one showcases the high-level artistry you expect.

One highlight we’re especially excited about is the newly formed Chien-Kim-Watkins Trio performing, for the first time in our history, a cycle of the groundbreaking Beethoven Piano Trios over the course of a single season. The trio—which features the talents of pianist Gloria Chien and violinist Soovin Kim, co-artistic directors of Chamber Music Northwest, and Paul Watkins, cellist of the renowned Emerson String Quartet—plays nine works on the series, beginning with Beethoven’s Op. 1, No. 1, and ending with his towering Archduke Trio.

Another can’t-miss event is the return of our piano-vocal recital series for the first time since we launched it in 2019. On three of our Wednesday Noon programs, we’re featuring powerful yet intimate recitals by tenor Paul Groves and pianist Bradley Moore, mezzo-soprano Fleur Barron and pianist Julius Drake, and soprano Susanna Phillips and pianist Craig Terry, who perform a wonderful range of works—from a traditional Chinese folk song to a 21st-century Uyghur art song, and from 19th-century classics by Schubert, Brahms, and Dvořák to 20thcentury gems by Rachmaninoff, Berg, and Chen Yi.

Michael Everett

Last summer, we were thrilled to present superstar violinist Leila Josefowicz in her Festival debut, and this summer we’re even more excited to welcome her back for her first-ever Festival recital, during which she plays what’s perhaps Bach’s best-known work for solo violin: the Partita No. 2 in D Minor. We’re also excited to present recitals by pianists Zoltán Fejérvári, Kirill Gerstein, Benjamin Hochman, Gilles Vonsattel, and Haochen Zhang as well as two works—Knussen’s Requiem: Songs for Sue, featuring soprano Tony Arnold, and Schoenberg’s Chamber Symphony in E Major—conducted by John Storgårds. You can also hear premieres of commissioned works by Kaija Saariaho, Shulamit Ran, Detlev Glanert, and our two 2022 Young Composers, Marco-Adrián Ramos and Benjamin Scheer, as well as New Mexico premieres of works by Matthias Pintscher and Festival Artistic Director Marc Neikrug.

Thirteen artists make their highly anticipated Festival debuts this summer, including the previously mentioned Chien-Kim-Watkins Trio, conductor James Gaffigan, pianist Nicolas Namoradze, Louisville Orchestra Principal Oboe Alexander Vvedenskiy, Baltimore Symphony Orchestra Principal Clarinet YaoGuang Zhai, and the Beijing Guitar Duo. We also can’t wait to welcome back dozens of longtime friends of the Festival, including violinists Martin Beaver, Jennifer Frautschi, Paul Huang, Ida Kavafian, and Daniel Phillips; violists Che-Yen Chen, Paul Neubauer, and Steven Tenenbom; cellists Eric Kim, Peter Stumpf, and Peter Wiley; harpist June Han; flutists Bart Feller and Tara Helen O’Connor; oboist Robert Ingliss; clarinetist Todd Levy; bassoonist Christopher Millard; hornists Jennifer Montone and Julia Pilant; and the Dover, Escher, FLUX, and Miami string quartets.

Steven Ovitsky

All that and much more is on offer this summer, and we’re so grateful we can share it with you in person. Thank you, as always, for your invaluable support. We hope you enjoy the 2022 Santa Fe Chamber Music Festival.

Michael Everett President, Board of Trustees

Steven Ovitsky Executive Director

Marc Neikrug Artistic Director

Marc Neikrug

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Santa Fe Chamber Music Festival Trustees, Advisory Council, Past Presidents, and Administration Steven Ovitsky, Executive Director Marc Neikrug, Artistic Director Board of Trustees Michael Everett* President John Berghoff* Vice President Robert L. Clarke* Treasurer Elizabeth McGown* Secretary Trustees Benjamin Allison Anna-Marie Baca Brett Bachman Barbara Balser* Beth Beloff* Carole Brown Elisbeth Challener* Ralph Craviso* David Frank* Peter B. Frank* Diane Grob Bessie Simpson Hanahan John H. Hart Michael Hindus Robert Hull Hervey Juris* Paul L. King* Ronald S. Lushing Ellen Marder Kenneth R. Marvel David Muck* Jay W. Oppenheimer Barry W. Ramo, MD Crennan M. Ray Louisa Stude Sarofim Herman Siegelaar* Nat Sloane Cheryl Willman, MD Trustee Emerita Jane Ann Welch Honorary Board Susan Graham Hon. Senator Martin Heinrich and Julie Heinrich Marilyn Horne Arnold Steinhardt Hon. Senator Tom Udall and Jill Cooper Udall Pinchas Zukerman 6

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Advisory Council Joan Z. Cohen Lynn Coneway Richard J. Cronin, MD Patricia Marcus Curtis Sue and Chris Fan Paula Fasken Donna Hankinson Joanna Hess Lynne Horning Kay Duke Ingalls Jani Leuschel Thomas F. and Jane O’Toole David Sontag Jasper Welch Leshek Zavistovski Nancy Zeckendorf

Jane Ann Welch (1998–99)

Past Presidents Bergere Kenney (1973–76)

Douglas M. Brown (2011–12)

Philip Naumburg (1977–78) Nicholas Molnar (1979–80) Owen Lopez (1981–82) Laurel Seth (1983–84) Philip Naumburg (1985–86) Marsha Ard (1987–88) Stanley Davis (1989–90) Edward B. Kaufmann, PhD (1991) Gifford Phillips (1992) Dode Kenney and Gifford Phillips, Co-chairs (1993–94) James P. Cohen and Jill Z. Cooper, Co-chairs (1995–96) Wood “Mike” Arnold (1997)

L. Donald Tashjian, MD (2000–01) Thomas F. O’Toole (2002) Quarrier B. Cook (2003–04) Carole Brown (2005–07) Toni Zavistovski (2008–10)

Kenneth Marvel (2013–15) Arnold Tenenbaum (2016–18) Year-round Staff Julia R. Baca Special Events and Board Relations Manager Angelica Bernaert Operations and Production Manager Cece Derringer Director of Development Leanne DeVane Director of Education and Outreach Valerie Guy Director of Artistic Administration Amy Hegarty Director of Publications Joseph Hohlfeld Development Operations and Research Manager Toni A. Pittman Director of Ticketing and Patron Services Nancy Steedman Controller/CFO *Member of the Executive Committee

Julia Felix Ticket Office Representative

Carly Siegel Artistic Administration Intern

Leticia Gonzales Ticket Office Representative

Matthew Snyder Recording Engineer

Alyssa Johnson Ticket Office Representative

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Edgard Rivera Guitar in Our Schools Instructor

Hyesun Lee Ticket Office Representative

Kent Williamson Page Turner

Hilary Schacht Strings in Our Schools Instructor

Michael Levis Ticket Office Representative

Seasonal Staff Bernard Alexander Piano Technician

Isaiah Martinez Ticket Office Representative

Professional Partners 2540 Group Public Relations

Part-time Staff Jamie Kim Dream Big Private Lesson Program Coordinator Johnnyangel Pineda Volunteer Services Manager and House Manager

Eric Bromberger Program Annotator Wouter Feldbusch Production Specialist

G. Nicholas Quintero Production Associate Jennifer Rhodes Titles and Translations Lila Searls Development and Special Events Intern

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Santa Fe Chamber Music Festival Commissions As the Santa Fe Chamber Music Festival heads toward its 50th anniversary season in 2023, the celebration begins this summer with premieres of commissioned works—written in honor of that momentous event—by three of the world’s leading composers: Kaija Saariaho, Shulamit Ran, and Detlev Glanert. The Festival also premieres commissioned works by Marco-Adrián Ramos and Benjamin Scheer, the two participants in the Festival’s 2022 Young Composers String Quartet Project, and all five works bring the total number of Festival commissions—so far—to 109.

Photo by Maarit Kytöharju

On the 2022 season-opening program, presented July 17 and July 18, James Gaffigan conducts the New Mexico premiere of Kaija Saariaho’s Semafor for Eight Instruments, performed by pianist Nicolas Namoradze, violinist L. P. How, violist Che-Yen Chen, cellist Joseph Johnson, double bassist Leigh Mesh, flutist Bart Feller, clarinetist Todd Levy, and bassoonist Ted Soluri.

Kaija Saariaho

Ms. Saariaho was born in Helsinki, Finland, in 1952. She studied at the Sibelius Academy in her hometown, the Hochschule für Musik Freiburg, the Darmstadt Summer Course, and, beginning in 1982, the Institute for Research and Coordination in Acoustics/Music (IRCAM) in Paris, where she’s lived ever since.

In the early 1980s, Ms. Saariaho became interested in spectral music, and, at IRCAM, she explored creating 8

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

electronic music that uses tape, computers, and live elements. She wrote her first major composition, Verblendungen, for orchestra and tape, in 1984, and since then she’s been recognized for her proficiency in several genres. Standout works include, among many others, her 1988 composition Petals for cello and live electronics, her 2000 opera L’Amour de loin, her 2006 oratorio La Passion de Simone, and her 2012 orchestra-andelectronics piece Circle Map. Ms. Saariaho’s works are performed by the world’s leading ensembles, including the New York, Los Angeles, Berlin, and Helsinki philharmonics; Royal Concertgebouw Orchestra; and Orchestre National de France, to name just a few. She’s also the recipient of numerous honors and awards, with a select list including the 2003 Grawemeyer Award for Music Composition, 2008 Musician of the Year Award from Musical America, 2009 Wihuri Sibelius Prize, 2011 Léonie Sonning Music Prize, and 2011 Grammy Award for Best Opera Recording.

In a program note for Semafor, Ms. Saariaho writes: Ideas for this piece started to turn in my mind when completing my [2019] orchestra piece Vista. There the orchestral texture is culminating at some point in a passage with quick xylophone ostinati on G in two alternating octaves, surrounded by short, accented G–F# glissandi on solo wind instruments trying to cut violently that obsessive continuum.

In that particular context, the texture

is short, and it couldn’t have been longer—even if I would have wanted it to continue—but the intensity of the obsessive octaves versus those scream-like glissandi stayed in my mind, asking to be developed for more music.

When I then started to work on this material, I realized my use of octaves here was different from the usual in my music; normally the octave is, for me, an interval for releasing the harmonic tension. It unwinds the musical intensity and direction, or at least fixes it, and we feel it physically. Here the tempo, register, and dynamics—but, above all, the disturbing, accented glissandoscreams—remove the feeling of resolution, and I started asking myself what would happen if the whole piece would be about this contradictory but reduced material.

Gradually, the music grew into a study on breaking the combination of the ostinato and scream; building it again; varying, modifying, developing/metamorphosing it. The idea of the octave and, more generally, of regulating harmonic tension via separate intervals rather than by harmonic successions stayed central here. The music changes character from joyous to calm throughout the piece, also with the help of changing tempi that regulate the musical flow.

The Swedish spelling of the word semaphore is a reference to the late Finnish artist Ernst MetherBorgström, whose first language was Swedish. His work has been well known to me since my childhood, and I grew up with his paintings.

Photo by Valerie Booth

The second Festival-commissioned work of the 2022 season is Shulamit Ran’s All Roads Leading, presented in its world premiere on August 4 and performed by flutist Tara Helen O’Connor, violist Max Mandel, and harpist June Han.

as the Cleveland Orchestra, Israel and New York philharmonics, and Baltimore and National symphony orchestras. In 1993, the Chicago Symphony Orchestra premiered her commissioned work Legends in honor of the centenaries of the orchestra and the University of Chicago, where, from 1973 to 2015, Ms. Ran was a member of the composition faculty; she currently serves as an Andrew MacLeish Distinguished Service Professor Emerita.

In addition to the Pulitzer Prize, Ms. Ran has been awarded two Guggenheim Foundation fellowships, commissions from the Fromm Music Foundation and the Serge Koussevitzky Music Foundation in the Library of Congress, and first prize in the Kennedy Center Friedheim Award competition for orchestral music, among many other honors. She’s a member of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, where for three years she served as vice president for music.

About All Roads Leading, Ms. Ran writes:

Shulamit Ran

Shulamit Ran was born in Tel Aviv, Israel, in 1949, and in 1991 she became the second woman to win the Pulitzer Prize for Music (for her 1990 orchestral work Symphony, which The Philadelphia Orchestra commissioned). As a child, Ms. Ran studied piano and composition with some of Israel’s leading musicians, and at the age of 14, she moved to the United States to accept a scholarship to study at the Mannes School of Music in New York City. Her compositional voice has been influenced by the American composers Ralph Shapey (whom she studied with) and Elliott Carter.

Ms. Ran’s orchestral works have been performed by such leading ensembles

Being commissioned by the Santa Fe Chamber Music Festival for the major milestone of its 50th anniversary was a special honor and privilege for me. My choice of the flute, viola, and harp combination for this work was reached quickly and almost instinctively, motivated in part by the fact that I have not written for this instrumental grouping before and therefore relished the challenge, but also because something about its color palette reminded me of the image I have of Santa Fe. A prior visit to the Santa Fe Chamber Music Festival introduced me to a sun-drenched city of warm hues, a thriving arts scene, and a spirit of relaxed tolerance.

In All Roads Leading, I treat the instruments intermittently as three distinct characters who have their own individual “voices” and musical materials, while at other times they coalesce into a single, more unified

entity. In the sections expressive of the instruments’ individual “souls”—as I like to call them— the music ranges from the songful to the impassioned but also the volatile. In contrast, where all three instruments act as a single entity, the music tends to be highly rhythmic, sometimes dance-like, even angular and spiky.

As the work progresses, the boundaries between these contrasting approaches become deliberately blurrier and more intertwined. One might well hear this as the musical analog of a tale with various twists and turns in the plot. And although eschewing a formal recapitulation, various motivic threads as well as emotive “states” are eventually brought full circle, as if to fulfill an intended role that crystallizes only as All Roads Leading plays out its full journey. Simultaneously with the general unwinding and relaxation that is reached near the end, a mutation of an earlier, more threatening element appears at the very closing of the work, perhaps a reminder that the unknown always lies ahead.

The day after the premiere of Ms. Ran’s new work, on August 5, the Festival presents the world premiere of Detlev Glanert’s String Quartet No. 3, performed by the FLUX Quartet.

Photo by Bettina Stoess

He also created several versions of playful and colorful sculptures that he called Semafor, since he thought of them as traffic signs in our urban jungle. In his mind, he considered that art should surround us everywhere as a messenger of spiritual values in our life. Who wouldn’t agree?

Detlev Glanert Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Detlev Glanert was born in Hamburg, Germany, in 1960. He began studying trumpet at age 11 and composition in his 20s, and today he’s primarily known for his acclaimed operas—such as Der Spiegel des großen Kaisers, Joseph Süß, and Caligula—and he’s renowned for his chamber music and orchestral works as well. His teachers have included Oliver Knussen, whom he studied with at Tanglewood in Massachusetts, and Hans Werner Henze, who was his teacher in Cologne for several years.

Along with Mahler and Ravel, Henze has been a major influence on Glanert’s compositional style, which has been described as being “characterized by a lyrical musical language and an affinity with the Romantic tradition, explored from a contemporary point of view.”

When it comes to composing, Mr. Glanert has said that a work “must tell you something about your life and something about what you are. Opera has to have this principle, and so does orchestral music. If it does not, it will die.”

Mr. Glanert’s numerous honors and awards include, among others, the 1987 Bach Prize from the City of Hamburg, the 1993 Rolf Liebermann Opera Prize, the 2001 Bavarian Opera Prize, and serving as house composer for the Royal Concertgebouw Orchestra in Amsterdam and composer-in-residence for the Mannheim National Theatre, Radio Orchestra Cologne, and Pacific Music Festival in Sapporo, Japan.

In a program note for his String Quartet No. 3, Mr. Glanert writes: A string quartet is always the most private and intimate musical form for any composer in any time. It contains music like a diary, pure and authentic.

There’s no orchestral brilliance or splendid instrumentation to help; it is just music in its most detailed, intelligent, and dialectic form. It is pure truth.

My first string quartet was composed in 1986, the second in 2006, and the present work in 2021–22 during the third [pandemic] lockdown and at the beginning of the Ukrainian war. This work’s three movements 10

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

are played without a pause, and the same music material is used in each movement.

Friday, August 5, 6 p.m.

St. Francis Auditorium New Mexico Museum of Art

My personal wish is that every listener takes my music as their private statement—as an emotional self-analysis, as childhood play filtered through adult experiences and reflection. This is the best thing that music can offer.

DETLEV GLANERT String Quartet No. 3 (2021–22; Festival Co-Commission; World Premiere) FLUX Quartet Tom Chiu, violin Conrad Harris, violin Max Mandel, viola Felix Fan, cello

PRE- AND POST-CONCERT TALKS AND FESTIVALCOMMISSIONED PREMIERES Sunday, July 17, 6 p.m.

Monday, July 18, 6 p.m.

St. Francis Auditorium New Mexico Museum of Art KAIJA SAARIAHO Semafor for Eight Instruments (2020; Festival Co-Commission; New Mexico Premiere) James Gaffigan, conductor Nicolas Namoradze, piano L. P. How, violin Che-Yen Chen, viola Joseph Johnson, cello Leigh Mesh, double bass Bart Feller, flute Todd Levy, clarinet Ted Soluri, bassoon Thursday, August 4, 12 p.m.

St. Francis Auditorium New Mexico Museum of Art SHULAMIT RAN All Roads Leading for Flute, Viola, and Harp (2022; Festival Commission; World Premiere) Tara Helen O’Connor, flute Max Mandel, viola June Han, harp Thursday, August 4, 1 p.m.

St. Francis Auditorium New Mexico Museum of Art Post-concert Talk Composer Shulamit Ran Friday, August 5, 5 p.m.

Women’s Board Room New Mexico Museum of Art Pre-concert Talk Composers Detlev Glanert, Marco-Adrián Ramos, and Benjamin Scheer

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Young Composers String Quartet Project This annual Festival program, established in 2013, spotlights two up-and-coming composers who spend a week in Santa Fe, where they receive mentoring from Artistic Director Marc Neikrug, meet with music-publishing veterans, and have their Festival-commissioned works premiered by the renowned FLUX Quartet.

Mr. Ramos is a Mexican American composer who was born and raised in Arkansas. Over the past few years, he’s received two ASCAP Foundation Morton Gould Young Composer Awards (in 2016 and 2021), the BMI Student Composer Awards’ William Schuman Prize, the American Academy of Arts and Letters’ Charles Ives Scholarship, an artist grant from the National Association of Latino Arts and Cultures, and the Arthur

Friedman Prize from his undergraduate and graduate alma mater, The Juilliard School. His works have been performed by such ensembles as the New York Youth Symphony, the 45th Parallel Chamber Orchestra, the Orchestra of St. Luke’s, and the Houston Symphony through the American Composers Orchestra’s EarShot Readings program.

Mr. Ramos began playing the violin in middle school, and it was during that time, when he was around 12 years old and a member of his school’s orchestra, that he also began composing. He draws inspiration from “poetry in English and Spanish, Fibonacci numbers, anime, Mexico, and recipe books,” but he doesn’t compose for any particular form or genre. “I am naturally curious,” he says, “and boundaries can annoy me.” Similarly, when it comes to his compositional style, he says: “Words dissolve when I try to talk about my work, [so] the listener’s impression is always illuminating.”

Photo by Nancy Pop

As a violinist, Mr. Ramos notes that “writing string music is generally a fishin-water activity,” and he thinks “it can be a fertile ground for contemporary music.” His Festival-commissioned quartet is titled Woven clay for the death of Mario Lavista or Quartet II, which is written in memory of the renowned Mexican composer who died in 2021 at the age of 78. (The Festival presents Lavista’s Marsias for Oboe and Eight Crystal Glasses, written in 1982, on the season-closing program on August 22.)

Marco-Adrián Ramos

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Benjamin Scheer was born in Connecticut and first studied composition with Augusta Read Thomas. He went on to earn his

Benjamin Scheer

bachelor’s degree from the Eastman School of Music and master’s degree from the New England Conservatory, and he’s currently completing his doctoral degree at the Peabody Institute at Johns Hopkins University.

Mr. Scheer was awarded composition fellowships at the Tanglewood Music Center and American Conservatory at Fontainebleau, and he received his first orchestral commission in 2013 from the New Haven Symphony Orchestra.

Currently, he’s a faculty member at Southern Methodist University in Dallas, Texas, where he teaches composition and music theory.

Mr. Scheer began playing the violin at the age of 5, and around the age of 15, he was inspired to write his first work. “I happened to be learning the Tchaikovsky Violin Concerto, and I was so enamored by that piece that I quickly became determined to write my own 40-minute-long violin

Photo by Jiyang Chen

On August 5, the Festival presents the world premieres of string quartets commissioned from the participants in its 2022 Young Composers String Quartet Project: 27-year-old MarcoAdrián Ramos and 29-year-old Benjamin Scheer. The composers are in the emergent phases of their careers, winning prestigious awards and gaining ever-wider audiences as they continue to develop and hone their skills and explore and evolve their interests and styles.

by Amy Hegarty

concerto,” he says. “The whole thing was in G minor, and it was, sadly, an atrocious piece! However, I now realize that I had to get that out of my system, so to speak, in order to discover my compositional voice.”

That voice, Mr. Scheer says, reflects a style that he thinks “is dependent on emotional expression. I want the performers to approach my piece in the same way that they would a piece

by Brahms or Strauss.” He’s influenced by “anything that has a compelling story, and for this reason,” he says, “I’m usually drawn to visual art. However, in the past, I’ve also found inspiration from outrageous post-modern architecture, 18th- and 19th-century poetry, and ugly deep-sea fish.”

When it comes to writing for a particular genre, Mr. Scheer says that he especially enjoys a challenge.

“I once had a commission to write for the electric guitar and acoustic piano. I’d never even touched an electric guitar before that, and it provided me an opportunity to learn all about it and explore musical ideas I never would have considered with any other instrumentation.” The string quartet, he notes, “has such a rich history—dating all the way back to Haydn—and one of the challenges of writing for it is paying respect to the tradition that’s come before while also finding something new to say.”

act. I use pizzicati and harmonics to represent the careful tiptoeing of the funambulist and a separate theme to represent the dread of a fatal misstep.”

Both Mr. Ramos and Mr. Scheer will be first-time visitors to Santa Fe when they arrive to ultimately hear their works premiered by longtime Festival collaborators the FLUX Quartet, whom they’ll workshop their piece with before the performance, and they’re both excited about participating in the Young Composers program and spending time in the City Different.

“It’s a pleasure to be working with the Festival so far,” Mr. Ramos says, “and I’m looking forward to collaborating with the FLUX Quartet. I love travel and look forward to visiting Santa Fe.” Mr. Scheer shares similar sentiments, saying: “When I first heard that I had been selected to participate in the Festival’s Young Composers String Quartet Project, I was so excited that I immediately started working on my piece!” He also notes that he’s “most looking forward to working with the performers,” but, he adds, “I’m also so eager to visit a place with so much inspiring natural beauty as Santa Fe.”

PRE-CONCERT TALK AND PREMIERES Friday, August 5, 5 p.m.

Women’s Board Room New Mexico Museum of Art Pre-concert Talk Composers Detlev Glanert, MarcoAdrián Ramos, and Benjamin Scheer Friday, August 5, 6 p.m.

St. Francis Auditorium New Mexico Museum of Art MARCO-ADRIÁN RAMOS Woven clay for the death of Mario Lavista or Quartet II (2022; Festival Commission; World Premiere) BENJAMIN SCHEER The Funambulist’s Double (2022; Festival Commission; World Premiere) FLUX Quartet Tom Chiu, violin Conrad Harris, violin Max Mandel, viola Felix Fan, cello Amy Hegarty is the Director of Publications for the Santa Fe Chamber Music Festival.

Mr. Scheer describes his Festivalcommissioned quartet, titled The Funambulist’s Double, as “a piece that’s meant to tell a nightmarish story of a tightrope performer who encounters her doppelgänger mid-act. There’s a struggle as the doppelgänger attempts to push her off the high wire, all while accomplishing a balancing act 50 feet above the ground. I played around with register,” he adds, “so that the quartet can evoke its own high-wire Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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With Thanks to Our 2022 Season Sponsors ANNUAL SPONSORSHIPS

The following donors have generously directed their annual gifts in support of specific aspects of the Festival.

Anna-Marie Baca Zoltán Fejérvári, piano Barbara B. and Ronald Davis Balser Paul Huang, violin Beth Beloff and Marc Geller Benjamin Hochman, piano Joseph M. Bryan, Jr. Keith Robinson, cello David Bulfer and Kelly Pope Jennifer Montone, horn Elisbeth Challener and Brett Bachman Escher String Quartet Kathleen and Robert L. Clarke James Gaffigan, conductor Lynn Coneway Tony Arnold, soprano Ralph P. Craviso Haochen Zhang, piano Susan and Conrad De Jong Tara Helen O’Connor, flute Edgar Foster Daniels Foundation Thursday Noon series Mike and Marty Everett Steven Tenenbom, viola Sue and Chris Fan FLUX Quartet Paula and Steven Fasken June Han, harp David Tausig Frank and Kazukuni Sugiyama Nicolas Namoradze, piano Honoring the Memory of Ronald Goldberg, MD Wednesday Noon series Steven Goldstein, MD, and Susan Goldstein Jennifer Frautschi, violin David Goodrich and Brian Clarke Joseph Johnson, cello Diane and Werner Grob Miami String Quartet Bessie Simpson Hanahan Todd Levy, clarinet John Hart and Carol Prins Kirill Gerstein, piano Michael Stephen Hindus and Lynne Elizabeth Withey Soyeon Kate Lee, piano Robert L. Hull and Myra Barker Hull Susanna Phillips, soprano Kay Duke Ingalls

Fleur Barron, mezzo-soprano Sue Kimm and Seymour Grufferman Benny Kim, violin Paul L. King John Storgårds, conductor and violin Ron Lushing and Dan Reid Che-Yen Chen, viola Margaret and Barry Lyerly Paul Groves, tenor Marcella Fund Keith Robinson, cello Ellen Marder and Wolfgang Schmidt-Nowara Gilles Vonsattel, piano Anthony and Kay Marks YaoGuang Zhai, clarinet David Muck and Cole Martelli Leila Josefowicz, violin Jay W. Oppenheimer Beijing Guitar Duo Louisa Stude Sarofim Dover Quartet Herman Siegelaar and Cornelia Bryer Chien-Kim-Watkins Trio Nat and Rebecca Sloane Peter Stumpf, cello Lorlee and Arnold Tenenbaum Memorial Fund Tuesday Noon series Marilynn and Carl Thoma Daniel Phillips, violin Drs. Cheryl Willman and Ross Zumwalt Eric Kim, cello

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PERPETUAL SPONSORSHIPS

These Named Funds of the Santa Fe Chamber Music Festival Endowment were established by friends of the Festival to provide support in perpetuity for performances, artists, and programs.

Louisa Stude Sarofim Artistic Director Chair

Marc Neikrug, Artistic Director

Diane B. Jergins Concert Performance Fund

Sunday series

Jacqueline Hoefer Guest Artist Fund

Ida Kavafian, violin and viola

Nancy E. and P. Anthony Jacobs Emerging Artist Fund

Alexander Vvedenskiy, oboe

Kathryn O’Keeffe Emerging Artist Fund

Rachel Blumenthal, flute

Helen and Bertram Gabriel, Jr., Flute Fund

Bart Feller, flute

Joann and Gifford Phillips Clarinet Fund

Carol McGonnell, clarinet

Charles M. and Shirley Weiss Distinguished Young Artists Fund

Alastair Eng, cello

Lanham Deal Memorial Performance Fund Peter Hoefer Memorial Performance Fund Dode Kenney Memorial Performance Fund Naumburg Memorial Performance Fund

Festival performances

Deborah L. Berkman Education Fund William Randolph Hearst Education Fund John Hart and Carol Prins Outreach Fund

Education and Outreach programs

Ann C. and James E. McGarry Essay Fund

Program book articles

Mike and Marty Everett Distinguished Violist Fund

Paul Neubauer, viola

Rebecca and Nat Sloane Distinguished Violinist Fund

Martin Beaver, violin

Coneway Family Foundation Education Fund

Teacher training for Music in Our Schools

To learn how you can sponsor an artist, performance, or program annually or in perpetuity, contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org.

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Sunday & Monday, 6 p.m.

SUNDAY & MONDAY SERIES

July 17 & 18 St. Francis Auditorium in the New Mexico Museum of Art

JAMES GAFFIGAN, Conductor ZOLTÁN FEJÉRVÁRI, Piano NICOLAS NAMORADZE, Piano L. P. HOW, Violin PAUL HUANG, Violin CHE-YEN CHEN, Viola JOSEPH JOHNSON, Cello* PETER STUMPF, Cello LEIGH MESH, Double Bass

ESCHER STRING QUARTET ADAM BARNETT-HART, Violin BRENDAN SPELTZ, Violin PIERRE LAPOINTE, Viola BROOK SPELTZ, Cello BART FELLER, Flute* TODD LEVY, Clarinet* TED SOLURI, Bassoon

KAIJA SAARIAHO (b. 1952)

Semafor for Eight Instruments (2020; Festival Co-Commission; New Mexico Premiere)◊ James Gaffigan, Nicolas Namoradze, L. P. How, Che-Yen Chen, Joseph Johnson, Leigh Mesh, Bart Feller, Todd Levy, Ted Soluri

WOLFGANG AMADEUS MOZART (1756–91)

Piano Quartet in E-flat Major, K. 493 (1786) Allegro Larghetto Allegretto Nicolas Namoradze, Paul Huang, Che-Yen Chen, Peter Stumpf INTERMISSION

CÉSAR FRANCK (1822–90)

Piano Quintet in F Minor, M. 7 (1879) Molto moderato, quasi lento—Allegro Lento, con molto sentimento Allegro non troppo, ma con fuoco Zoltán Fejérvári, Escher String Quartet (Adam Barnett-Hart, Brendan Speltz, Pierre Lapointe, Brook Speltz)

◊Kaija Saariaho’s Semafor was co-commissioned by Carnegie Hall and the Santa Fe Chamber Music Festival in celebration of the Festival’s 50th anniversary in 2023.

Hamburg Steinway D concert grand pianos are supplied by Pro Piano for the Santa Fe Chamber Music Festival.

Santa Fe Chamber Music Festival pianos are moved by Albuquerque Piano & Organ Service.

*Santa Fe Opera artist

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Tuesday, 12 p.m.

July 19

St. Francis Auditorium in the New Mexico Museum of Art

MUSIC AT NOON Generously sponsored by the Lorlee and Arnold Tenenbaum Memorial Fund

ESCHER STRING QUARTET ADAM BARNETT-HART, Violin BRENDAN SPELTZ, Violin PIERRE LAPOINTE, Viola BROOK SPELTZ, Cello CHARLES IVES (1874–1954)

String Quartet No. 2 (1911–13) Discussions: Andante moderato—Andante con spirito—Adagio molto Arguments: Allegro con spirito The Call of the Mountains: Adagio—Andante—Adagio

ANTONÍN DVOŘÁK (1841–1904)

String Quartet in E-flat Major, Op. 51 (1878–79) Allegro ma non troppo Dumka: Andante con moto Romanza: Andante con moto Finale: Allegro assai

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WEDNESDAY SERIES

Wednesday, 6 p.m.

July 20 St. Francis Auditorium in the New Mexico Museum of Art

TONY ARNOLD, Soprano JOHN STORGÅRDS, Conductor and Violin ZOLTÁN FEJÉRVÁRI, Piano NICOLAS NAMORADZE, Piano PAUL HUANG, Violin CHE-YEN CHEN, Viola THERESA RUDOLPH, Viola* ALASTAIR ENG, Cello* JOSEPH JOHNSON, Cello* PETER STUMPF, Cello

LEIGH MESH, Double Bass GRACE BROWNING, Harp* RACHEL BLUMENTHAL, Flute* BART FELLER, Alto Flute* TODD LEVY, Clarinet* YAOGUANG ZHAI, Clarinet TAYLOR EIFFERT, Bass Clarinet* JENNIFER MONTONE, Horn JULIA PILANT, Horn GREGORY ZUBER, Percussion

GABRIEL FAURÉ (1845–1924)

Sonata in A Major for Violin and Piano, Op. 13 (1875–76) Allegro molto Andante Allegro vivo Allegro quasi presto Paul Huang, Zoltán Fejérvári

OLIVER KNUSSEN (1952–2018)

Requiem: Songs for Sue, Op. 33 (2006) From Emily Dickinson Antonio Machado W. H. Auden Rainer Maria Rilke Tony Arnold, John Storgårds, Che-Yen Chen, Theresa Rudolph, Joseph Johnson, Alastair Eng, Leigh Mesh, Grace Browning, Zoltán Fejérvári, Rachel Blumenthal, Bart Feller, YaoGuang Zhai, Todd Levy, Taylor Eiffert, Jennifer Montone, Julia Pilant, Gregory Zuber INTERMISSION

DMITRI SHOSTAKOVICH (1906–75)

*Santa Fe Opera artist

Piano Trio in E Minor, Op. 67 (1944) Andante—Moderato—Poco più mosso Allegro con brio Largo­— Allegretto—Adagio Nicolas Namoradze, John Storgårds, Peter Stumpf

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MUSIC AT NOON

Thursday, 12 p.m.

July 21 St. Francis Auditorium in the New Mexico Museum of Art

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

ZOLTÁN FEJÉRVÁRI, Piano JOHANN SEBASTIAN BACH (1685–1750)

Partita in C Minor, BWV 826 (1727) Sinfonia Allemande Courante Sarabande Rondeaux Capriccio

FRANZ SCHUBERT (1797–1828)

Valses nobles, D. 969 (1827) No. 1 in C Major No. 2 in A Major No. 3 in C Major No. 4 in G Major No. 5 in A Minor No. 6 in C Major No. 7 in E Major No. 8 in A Major No. 9 in A Minor No. 10 in F Major No. 11 in C Major No. 12 in C Major

MAURICE RAVEL (1875–1937)

Valses nobles et sentimentales (1911) Modéré, très franc Assez lent, avec une expression intense Modéré Assez animé Presque lent, dans un sentiment intime Vif Moins vif Épilogue: Lent

BÉLA BARTÓK (1881–1945)

Dance Suite, BB 86b (Sz. 77) (1925) Moderato Allegro molto Allegro vivace Molto tranquillo Comodo Finale: Allegro

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

BACH PLUS

Generously sponsored by

Saturday, 5 p.m.

July 23 St. Francis Auditorium in the New Mexico Museum of Art

PAUL HUANG, Violin JOHN STORGÅRDS, Violin CHE-YEN CHEN, Viola PETER STUMPF, Cello ESCHER STRING QUARTET ADAM BARNETT-HART, Violin BRENDAN SPELTZ, Violin PIERRE LAPOINTE, Viola BROOK SPELTZ, Cello LEIGH MESH, Double Bass KATHLEEN McINTOSH, Harpsichord JOHANN SEBASTIAN BACH/ WOLFGANG AMADEUS MOZART (1685–1750)/(1756–91)

Fugue in E Major, BWV 878, from The Well-Tempered Clavier/K. 405, No. 3 (ca. 1740; arr. 1782) Escher String Quartet (Adam Barnett-Hart, Brendan Speltz, Pierre Lapointe, Brook Speltz)

GEORG PHILIPP TELEMANN (1681–1767)

Viola Concerto in G Major, TWV 51:G9 (ca. 1716–21) Largo Allegro Andante Presto Che-Yen Chen, Adam Barnett-Hart, Brendan Speltz, Pierre Lapointe, Brook Speltz, Leigh Mesh, Kathleen McIntosh

CARL PHILIPP EMANUEL BACH (1714–88)

Cello Concerto in A Major, Wq. 172, H. 439 (1753) Allegro Largo con sordini, mesto Allegro assai Peter Stumpf, Adam Barnett-Hart, Brendan Speltz, Pierre Lapointe, Brook Speltz, Leigh Mesh, Kathleen McIntosh

JOHANN SEBASTIAN BACH

Concerto in D Minor for Two Violins, BWV 1043 (ca. 1720) Vivace Largo, ma non tanto Allegro John Storgårds, Paul Huang, Adam Barnett-Hart, Brendan Speltz, Pierre Lapointe, Brook Speltz, Leigh Mesh, Kathleen McIntosh

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Sunday & Monday, 6 p.m.

SUNDAY & MONDAY SERIES

July 24 & 25 St. Francis Auditorium in the New Mexico Museum of Art

JOHN STORGÅRDS, Conductor L. P. HOW, Violin PAUL HUANG, Violin CHE-YEN CHEN, Viola ERIC KIM, Cello PETER STUMPF, Cello LEIGH MESH, Double Bass MIAMI STRING QUARTET BENNY KIM, Violin CATHY MENG ROBINSON, Violin SCOTT LEE, Viola KEITH ROBINSON, Cello

BART FELLER, Flute* ALEXANDER VVEDENSKIY, Oboe ROBERT INGLISS, English Horn* TODD LEVY, Clarinet in E-flat* YAOGUANG ZHAI, Clarinet TAYLOR EIFFERT, Bass Clarinet* CHRISTOPHER MILLARD, Bassoon LEWIS KIRK, Contrabassoon* JENNIFER MONTONE, Horn JULIA PILANT, Horn

FRANZ JOSEPH HAYDN (1732–1809)

String Quartet in G Major, Op. 77, No. 1 (1799) Allegro moderato Adagio Menuetto: Presto Finale: Presto Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson)

ARNOLD SCHOENBERG (1874–1951)

Chamber Symphony in E Major, Op. 9 (1906) Langsam—Sehr rasch— Feurig—Hauptzeitmaß—ruhiger—sehr rasch— Viel langsamer—fließender—schwungvoll—Hauptzeimaß— Etwas ruhiger—steigernd—Hauptzeitmaß— Etwas bewegter John Storgårds, Paul Huang, L. P. How, Che-Yen Chen, Eric Kim, Leigh Mesh, Bart Feller, Alexander Vvedenskiy, Robert Ingliss, YaoGuang Zhai, Todd Levy, Taylor Eiffert, Christopher Millard, Lewis Kirk, Jennifer Montone, Julia Pilant INTERMISSION

ANTON ARENSKY (1861–1906)

July 25: Youth Concert

Quartet in A Minor for Violin, Viola, and Two Cellos, Op. 35 (1894) Moderato Variations on a Theme of Tchaikovsky Finale: Andante sostenuto—Allegro moderato Paul Huang, Che-Yen Chen, Eric Kim, Peter Stumpf

Monday, 10 a.m., St. Francis Auditorium in the New Mexico Museum of Art Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson) 22

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Generously sponsored by

*Santa Fe Opera artist

MUSIC AT NOON

Tuesday, 12 p.m.

July 26

Generously sponsored by the Lorlee and Arnold Tenenbaum Memorial Fund

St. Francis Auditorium in the New Mexico Museum of Art

BENJAMIN HOCHMAN, Piano LUDWIG VAN BEETHOVEN (1770–1827)

Sonata in E Major, Op. 109 (1820) Vivace, ma non troppo—Adagio espressivo Prestissimo Andante molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung)

LUDWIG VAN BEETHOVEN

Sonata in A-flat Major, Op. 110 (1821) Moderato cantabile molto espressivo Scherzo: Allegro molto Adagio ma non troppo—Fuga: Allegro ma non troppo

LUDWIG VAN BEETHOVEN

Sonata in C Minor, Op. 111 (1822) Maestoso—Allegro con brio ed appassionato Arietta: Adagio molto semplice e cantabile

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Wednesday, 12 p.m.

MUSIC AT NOON

July 27 St. Francis Auditorium in the New Mexico Museum of Art

Honoring the memory of Ronald Goldberg, MD

PAUL GROVES, Tenor BRADLEY MOORE, Piano IDA KAVAFIAN, Violin FRANZ SCHUBERT (1797–1828)

“Rastlose Liebe,” D. 138 (1815) “Nachtstück,” D. 672 (1819) “Nacht und Träume,” D. 827 (1823) “Die Forelle,” D. 550 (ca. 1817) “Du bist die Ruh,” D. 776 (1823)

HENRI DUPARC (1848–1933)

“Le Manoir de Rosemonde” (1879) “Chanson triste” (1868) “Extase” (1874) “Phidylé” (1882)

FRANZ LISZT (1811–86)

“Comment, disaient-ils,” S. 276 (1842–44) “Enfant, si j’étais roi,” S. 283 (1842–44) “S’il est un charmant gazon,” S. 284 (1842–44) “Oh! Quand je dors,” S. 282 (1842–44)

SERGEI RACHMANINOFF (1873–1943)

“V molchan’i nochi taynoy,” Op. 4, No. 3 (1890–93; arr. Fritz Kreisler) “Zdes’ khorosho,” Op. 21, No. 7 (1900–02; arr. Lorin Chisholm) “Ne poy, krasavitsa, pri mne,” Op. 4, No. 4 (1890–93; arr. Fritz Kreisler)

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WEDNESDAY SERIES

Wednesday, 6 p.m.

July 27 St. Francis Auditorium in the New Mexico Museum of Art

IDA KAVAFIAN, Violin and Viola ERIC KIM, Cello MIAMI STRING QUARTET BENNY KIM, Violin CATHY MENG ROBINSON, Violin SCOTT LEE, Viola KEITH ROBINSON, Cello ROBERT INGLISS, Oboe* ALEXANDER VVEDENSKIY, Oboe TODD LEVY, Clarinet* YAOGUANG ZHAI, Clarinet CHRISTOPHER MILLARD, Bassoon DANIEL SHELLY, Bassoon* JENNIFER MONTONE, Horn JULIA PILANT, Horn FRANZ SCHUBERT (1797–1828)

String Trio in B-flat Major, D. 471 (1816) Ida Kavafian, Scott Lee, Eric Kim

WOLFGANG AMADEUS MOZART (1756–91)

Wind Serenade in C Minor, K. 388 (1782) Allegro Andante Menuetto in canone Allegro Alexander Vvedenskiy, Robert Ingliss, YaoGuang Zhai, Todd Levy, Christopher Millard, Daniel Shelly, Jennifer Montone, Julia Pilant INTERMISSION

PYOTR ILYICH TCHAIKOVSKY (1840–93)

*Santa Fe Opera artist

Souvenir de Florence, Op. 70 (1890; rev. 1891–92) Allegro con spirito Adagio cantabile e con moto Allegretto moderato Allegro vivace Benny Kim, Cathy Meng Robinson, Scott Lee, Ida Kavafian, Keith Robinson, Eric Kim

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Thursday, 12 p.m.

JULY 28 St. Francis Auditorium in the New Mexico Museum of Art

MUSIC AT NOON Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

BENJAMIN HOCHMAN, Piano MIAMI STRING QUARTET BENNY KIM, Violin CATHY MENG ROBINSON, Violin SCOTT LEE, Viola KEITH ROBINSON, Cello SAMUEL BARBER (1910–81)

String Quartet in B Minor, Op. 11 (1936) Molto allegro e appassionato Molto adagio Molto allegro (come prima) Miami String Quartet (Benny Kim, Cathy Meng Robinson, Scott Lee, Keith Robinson)

GABRIEL FAURÉ (1845–1924)

Piano Quartet in G Minor, Op. 45 (1885–86) Allegro molto moderato Allegro molto Adagio non troppo Allegro molto Benjamin Hochman, Benny Kim, Scott Lee, Keith Robinson

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

BACH PLUS

Generously sponsored by

Saturday, 5 p.m.

July 30 St. Francis Auditorium in the New Mexico Museum of Art

BEIJING GUITAR DUO MENG SU, Guitar YAMENG WANG, Guitar DOMENICO SCARLATTI (1685–1757)

Sonata in B Minor, K. 173 (date unknown; arr. Alexandre Lagoya) Sonata in D Minor, K. 141 (date unknown; arr. Beijing Guitar Duo) Beijing Guitar Duo

JOHANN SEBASTIAN BACH (1685–1750)

Prelude, Fugue, and Allegro in E-flat Major, BWV 998 (ca. 1740–45) Yameng Wang

JOHANN SEBASTIAN BACH

Suite No. 4 in E Major, BWV 1006a (ca. 1720; transcr. Johann Sebastian Bach, 1736–37) Prelude Loure Gavotte en rondeau Menuett I—Menuett II Bourrée Gigue Meng Su

JOHANN SEBASTIAN BACH/ FERRUCCIO BUSONI (1866–1924)

Chaconne from Partita No. 2 in D Minor, BWV 1004 (ca. 1720; arr. Ulrich Stracke) Beijing Guitar Duo

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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SUNDAY & MONDAY SERIES

Sunday & Monday, 6 p.m.

JULY 31 & AUGUST 1 St. Francis Auditorium in the New Mexico Museum of Art

BENJAMIN HOCHMAN, Piano JENNIFER FRAUTSCHI, Violin IDA KAVAFIAN, Violin and Viola DANIEL PHILLIPS, Violin STEVEN TENENBOM, Viola ERIC KIM, Cello FRANZ SCHUBERT (1797–1828)

Sonatina in G Minor for Violin and Piano, D. 408 (1816) Allegro giusto Andante Menuetto Allegro moderato Jennifer Frautschi, Benjamin Hochman

MAURICE RAVEL (1875–1937)

Piano Trio in A Minor (1914) Modéré Pantoum: Assez vif Passacaille: Très large Final: Animé Benjamin Hochman, Ida Kavafian, Eric Kim INTERMISSION

JOHANNES BRAHMS (1833–97)

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

String Quintet in G Major, Op. 111 (1890) Allegro non troppo, ma con brio Adagio Un poco allegretto Vivace ma non troppo presto Daniel Phillips, Jennifer Frautschi, Steven Tenenbom, Ida Kavafian, Eric Kim

MUSIC AT NOON

Tuesday, 12 p.m.

August 2

Generously sponsored by the Lorlee and Arnold Tenenbaum Memorial Fund

St. Francis Auditorium in the New Mexico Museum of Art

GILLES VONSATTEL, Piano MAURICE RAVEL (1875–1937)

Sonatine (1903–05) Modéré Mouvement de menuet Animé

HEINZ HOLLIGER Elis—Three Nocturnes (1961; rev. 1966) (b. 1939) I. Elis, wenn die Amsel im schwarzen Walde ruft, Dieses ist dein Untergang II. Blaue Tauben Trinken nachts den eisigen Schweiß, Der von Elis’ kristalliner Stirne Rinnt III. Ein goldener Kahn Schaukelt, Elis, dein Herz am einsamen Himmel CLAUDE DEBUSSY (1862–1918)

Images, Books I and II (1901–05, 1907) Reflets dans l’eau Hommage à Rameau Mouvement Cloches à travers les feuilles Et la lune descend sur le temple qui fût Poissons d’or

CLAUDE DEBUSSY

Masques, L. 105 (1904) D’un cahier d’esquisses, L. 99 (1904) L’Isle joyeuse, L. 106 (1903–04)

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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MUSIC AT NOON

Wednesday, 12 p.m.

August 3 St. Francis Auditorium in the New Mexico Museum of Art

Honoring the memory of Ronald Goldberg, MD

FLEUR BARRON, Mezzo-soprano JULIUS DRAKE, Piano ALBAN BERG (1885–1935) JOHANNES BRAHMS

(1833–97) ALBAN BERG ALBAN BERG JOHANNES BRAHMS ALBAN BERG JOHANNES BRAHMS

“Schlafen, schlafen,” Op. 2, No. 1 (ca. 1909–10) “Wie traulich war das Fleckchen,” Op. 63, No. 7 (1874) “Schlafen trägt man mich,” Op. 2, No. 2 (ca. 1909–10) “Nun ich der Riesen Stärksten überwand,” Op. 2, No. 3 (ca. 1909–10) “O wüßt ich doch den Weg zurück,” Op. 63, No. 8 (1874) “Warm die Lüfte,” Op. 2, No. 4 (ca. 1909–10) “Nachtwandler,” Op. 86, No. 3 (1878–82)

ANTONÍN DVOŘÁK (1841–1904)

Cigánské melodie (Gypsy Songs), Op. 55 (1880) Má píseň zas mi láskou zní (My Song Sounds of Love) Aj! Kterak trojhranec můj (Ah, How My Triangle Rings!)

A les je tichý kolem kol (The Forest Is Quiet All Around) Když mne stará matka (Songs My Mother Taught Me) Struna naladěna (The String Is Tuned) Široké rukávy (Wide Sleeves) Dejte klec jestřábu (Give a Hawk a Cage)

CHEN YI (b. 1953) CHARLES IVES (1874–1954) ZUBAIDA AZEZI & EDO FRENKEL (b. 1990 & b. 1988) CHARLES IVES CHEN YI TRADITIONAL

“Know You How Many Petals Falling?” from Meditation (1999)

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

“My Native Land” (1895) “Ananurhan” (2021) “At the River” (1922) “Monologue” from Meditation (1999) “Northeast Lullaby” (date unknown)

WEDNESDAY SERIES

Wednesday, 6 p.m.

This concert is generously sponsored by Allan Houser, Inc.

August 3 St. Francis Auditorium in the New Mexico Museum of Art

SOYEON KATE LEE, Piano GILLES VONSATTEL, Piano JENNIFER FRAUTSCHI, Violin IDA KAVAFIAN, Violin and Viola DANIEL PHILLIPS, Violin STEVEN TENENBOM, Viola ERIC KIM, Cello CLARA SCHUMANN (1819–96)

Three Romances, Op. 22 (1853) Andante molto Allegretto: Mit zartem Vortrage Leidenschaftlich schnell Ida Kavafian, Soyeon Kate Lee

AMY BEACH (1867–1944)

Piano Quintet in F-sharp Minor, Op. 67 (1907) Adagio—Allegro moderato Adagio espressivo Allegro agitato Gilles Vonsattel, Jennifer Frautschi, Daniel Phillips, Steven Tenenbom, Eric Kim INTERMISSION

LUDWIG VAN BEETHOVEN (1770–1827)

String Quintet in C Major, Op. 29, Storm (1801) Allegro moderato Adagio molto espressivo Scherzo: Allegro Presto Daniel Phillips, Jennifer Frautschi, Ida Kavafian, Steven Tenenbom, Eric Kim

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Thursday, 12 p.m.

August 4 St. Francis Auditorium in the New Mexico Museum of Art

MUSIC AT NOON

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels 1 p.m.

Post-concert Talk: Composer Shulamit Ran St. Francis Auditorium in the New Mexico Museum of Art

SOYEON KATE LEE, Piano JENNIFER FRAUTSCHI, Violin MAX MANDEL, Viola ERIC KIM, Cello JUNE HAN, Harp TARA HELEN O’CONNOR, Flute SHULAMIT RAN (b. 1949)

All Roads Leading for Flute, Viola, and Harp (2022; Festival Commission; World Premiere)◊ Tara Helen O’Connor, Max Mandel, June Han

FELIX MENDELSSOHN (1809–47)

Piano Trio in C Minor, Op. 66 (1845) Allegro energico e con fuoco Andante espressivo Scherzo: Molto allegro quasi presto Finale: Allegro appassionato Soyeon Kate Lee, Jennifer Frautschi, Eric Kim

◊Shulamit Ran’s All Roads Leading was commissioned by the Santa Fe Chamber Music Festival in celebration of its 50th anniversary in 2023.

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Friday, 6 p.m.

MODERN MASTERS 5 p.m.

Pre-concert Talk: Composers Detlev Glanert, Marco-Adrián Ramos, and Benjamin Scheer Women’s Board Room in the New Mexico Museum of Art

August 5 St. Francis Auditorium in the New Mexico Museum of Art

FLUX QUARTET TOM CHIU, Violin CONRAD HARRIS, Violin MAX MANDEL, Viola FELIX FAN, Cello GEORGE E. LEWIS (b. 1952)

String Quartet No. 1.5: Experiments in Living (2016)

MARCO-ADRIÁN RAMOS (b. 1995)

Woven clay for the death of Mario Lavista or Quartet II (2022; Festival Commission; World Premiere)

BENJAMIN SCHEER (b. 1993)

The Funambulist’s Double (2022; Festival Commission; World Premiere)

DETLEV GLANERT (b. 1960)

String Quartet No. 3 (2021–22; Festival Co-Commission; World Premiere)◊ Lento mecchanico—Allegro volatile— Adagio— Allegro volante—Mecchanico—Andante mesto

◊Detlev Glanert’s String Quartet No. 3 was co-commissioned by the Santa Fe Chamber Music Festival in celebration of its 50th anniversary in 2023 and the Klenke Quartett, funded by Die Beauftragte der Bundesregierung für Kultur und Medien und Neustart Kultur.

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Saturday, 5 p.m.

August 6

BACH PLUS

Generously sponsored by

St. Francis Auditorium in the New Mexico Museum of Art

GILLES VONSATTEL, Harpsichord L. P. HOW, Violin DANIEL JORDAN, Violin* DANIEL PHILLIPS, Violin TOBY APPEL, Viola ALASTAIR ENG, Cello* MARK TATUM, Double Bass* JUNE HAN, Harp BART FELLER, Flute* TARA HELEN O’CONNOR, Flute GEORGE FRIDERIC HANDEL (1685–1759)

Harp Concerto in B-flat Major, Op. 4, No. 6 (1736) Andante allegro Larghetto Allegro moderato June Han, L. P. How, Daniel Jordan, Toby Appel, Alastair Eng, Mark Tatum, Gilles Vonsattel, Bart Feller, Tara Helen O’Connor

JOHANN SEBASTIAN BACH (1685–1750)

Orchestral Suite in B Minor, BWV 1067 (ca. 1739) Ouverture Rondeau Sarabande Bourrée I—Bourrée II Polonaise—Double Menuett Badinerie Tara Helen O’Connor, L. P. How, Daniel Jordan, Toby Appel, Alastair Eng, Mark Tatum, Gilles Vonsattel

JOHANN SEBASTIAN BACH

Brandenburg Concerto No. 5 in D Major, BWV 1050 (1720–21) Allegro Affettuoso Allegro Daniel Phillips, Tara Helen O’Connor, Gilles Vonsattel, L. P. How, Toby Appel, Alastair Eng, Mark Tatum

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

*Santa Fe Opera artist

SUNDAY & MONDAY SERIES

Sunday & Monday, 6 p.m.

AUGUST 7 & 8 St. Francis Auditorium in the New Mexico Museum of Art

CHIEN-KIM-WATKINS TRIO GLORIA CHIEN, Piano SOOVIN KIM, Violin PAUL WATKINS, Cello LUDWIG VAN BEETHOVEN (1770–1827)

Piano Trio in E-flat Major, Op. 1, No. 1 (1795) Allegro Adagio cantabile Scherzo: Allegro assai Finale: Presto

LUDWIG VAN BEETHOVEN

Piano Trio in D Major, Op. 70, No. 1, Ghost (1808) Allegro vivace e con brio Largo assai ed espressivo Presto INTERMISSION

LUDWIG VAN BEETHOVEN

Piano Trio in E-flat Major, Op. 70, No. 2 (1808) Poco sostenuto—Allegro ma non troppo Allegretto Allegretto ma non troppo Finale: Allegro

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Tuesday, 12 p.m.

August 9 St. Francis Auditorium in the New Mexico Museum of Art

MUSIC AT NOON Generously sponsored by the Lorlee and Arnold Tenenbaum Memorial Fund

GILLES VONSATTEL, Piano MARTIN BEAVER, Violin PAUL NEUBAUER, Viola PETER WILEY, Cello JUNE HAN, Harp TARA HELEN O’CONNOR, Flute CLAUDE DEBUSSY (1862–1918)

Sonata in D Minor for Cello and Piano, L. 144 (1915) Prologue: Lent, sostenuto e molto risoluto Sérénade: Modérément animé Final: Animé, léger et nerveux Peter Wiley, Gilles Vonsattel

CLAUDE DEBUSSY

Sonata for Flute, Viola, and Harp, L. 137 (1915) Pastorale: Lento, dolce rubato Interlude: Tempo di minuetto Final: Allegro moderato ma risoluto Tara Helen O’Connor, Paul Neubauer, June Han

CLAUDE DEBUSSY

Sonata in G Minor for Violin and Piano, L. 148 (1916–17) Allegro vivo Intermède: Fantasque et léger Final: Très animé Martin Beaver, Gilles Vonsattel

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MUSIC AT NOON

Wednesday, 12 p.m.

August 10 St. Francis Auditorium in the New Mexico Museum of Art

Honoring the memory of Ronald Goldberg, MD

SUSANNA PHILLIPS, Soprano CRAIG TERRY, Piano HILDEGARD OF BINGEN (1098–1179)

“O Virtus Sapientiae” (ca. 1150)

ALAN LOUIS SMITH (b. 1955)

Vignettes: Letters from George to Evelyn: From the Private Papers of a World War II Bride (2002) Prologue Stationed in Europe Crossing the English Channel—Recitativo France, Having Survived the Normandy Invasion, D-Day Telegram—Schism Epilogue

ALMA MAHLER (1879–1964)

Fünf Lieder (1910) Die stille Stadt (The Quiet Town) In meines Vaters Garten (In My Father’s Garden) Laue Sommernacht (Mild Summer’s Night) Bei die ist es traut (With You It Is Pleasant) Ich wandle unter Blumen (I Stroll among Flowers)

JOAQUÍN TURINA (1882–1949)

Poema en forma de canciones, Op. 19 (1923) Dedicatoria (Dedication) Nunca olvida (Never Forget) Cantares (Songs) Los dos miedos (The Two Fears) Las locas por amor (Mad for Love)

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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WEDNESDAY SERIES

Wednesday, 6 p.m.

August 10 St. Francis Auditorium in the New Mexico Museum of Art

CHIEN-KIM-WATKINS TRIO GLORIA CHIEN, Piano SOOVIN KIM, Violin PAUL WATKINS, Cello LUDWIG VAN BEETHOVEN (1770–1827)

Variations on an Original Theme in E-flat Major for Piano Trio, Op. 44 (ca. 1792) Theme: Andante Variation I Variation II Variation III Variation IV Variation V Variation VI Variation VII Variation VIII Variation IX Variation X Variation XI Variation XII Variation XIII Variation XIV Coda: Andante—Presto

LUDWIG VAN BEETHOVEN

Piano Trio in C Minor, Op. 1, No. 3 (1795) Allegro con brio Andante cantabile con variazioni Menuetto: Quasi allegro Finale: Prestissimo INTERMISSION

LUDWIG VAN BEETHOVEN

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Piano Trio in G Major, Op. 1, No. 2 (1795) Adagio—Allegro vivace Largo con espressione Scherzo: Allegro Finale: Presto

MUSIC AT NOON

Thursday, 12 p.m.

August 11

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

LEILA JOSEFOWICZ, Violin MATTHIAS PINTSCHER (b. 1971)

La Linea Evocativa: A Drawing for Violin Solo (2020; New Mexico Premiere)

JOHANN SEBASTIAN BACH (1685–1750)

Partita No. 2 in D Minor, BWV 1004 (ca. 1720) Allemande Courante Sarabande Gigue Chaconne

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Saturday, 5 p.m.

August 13

BACH PLUS

Generously sponsored by

St. Francis Auditorium in the New Mexico Museum of Art

KIRILL GERSTEIN, Piano KATHLEEN McINTOSH, Harpsichord MARTIN BEAVER, Violin L. P. HOW, Violin DANIEL JORDAN, Violin* MARGARET DYER HARRIS, Viola* PAUL NEUBAUER, Viola ALASTAIR ENG, Cello* PETER WILEY, Cello MARK TATUM, Double Bass* BART FELLER, Flute* ROBERT INGLISS, Oboe d’Amore* ANTONIO VIVALDI (1678–1741)

Cello Concerto in G Minor, RV 417 (ca. 1720) Allegro Andante Allegro Peter Wiley, L. P. How, Daniel Jordan, Margaret Dyer Harris, Alastair Eng, Mark Tatum, Kathleen McIntosh

GEORG PHILIPP TELEMANN (1681–1767)

Concerto in E Major for Flute, Oboe d’Amore, and Viola, TWV 53:E1 (1730–40) Andante Allegro Siciliana Vivace Bart Feller, Robert Ingliss, Paul Neubauer, L. P. How, Daniel Jordan, Margaret Dyer Harris, Alastair Eng, Mark Tatum, Kathleen McIntosh

JOHANN SEBASTIAN BACH (1685–1750)

Violin Concerto in A Minor, BWV 1041 (ca. 1730) Allegro Andante Allegro assai Martin Beaver, L. P. How, Daniel Jordan, Margaret Dyer Harris, Alastair Eng, Mark Tatum, Kathleen McIntosh

JOHANN SEBASTIAN BACH

Keyboard Concerto in D Major, BWV 1054 (ca. 1738) Allegro Adagio e piano sempre Allegro Kirill Gerstein, L. P. How, Daniel Jordan, Margaret Dyer Harris, Alastair Eng, Mark Tatum

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*Santa Fe Opera artist

SUNDAY SERIES

Sunday 6 p.m.

August 14 The Lensic Performing Arts Center

CHIEN-KIM-WATKINS TRIO GLORIA CHIEN, Piano SOOVIN KIM, Violin PAUL WATKINS, Cello LUDWIG VAN BEETHOVEN (1770–1827)

Piano Trio in B-flat Major, Op. 11 (1798) Allegro con brio Adagio Tema (“Pria ch’io l’impegno”): Allegretto—Variazioni I–IX

LUDWIG VAN BEETHOVEN

Piano Trio in G Major, Op. 121a, 10 Variations on “Ich bin der Schneider Kakadu” (ca. 1803; rev. 1816) Introduction: Adagio assai Theme: Allegretto Variation I Variation II Variation III Variation IV Variation V Variation VI Variation VII Variation VIII Variation IX Variation X Coda: Allegretto INTERMISSION

LUDWIG VAN BEETHOVEN

Piano Trio in B-flat Major, Op. 97, Archduke (1811) Allegro moderato Scherzo: Allegro Andante cantabile, ma però con moto— Allegro moderato

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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MONDAY SERIES

Monday, 6 p.m.

August 15 The Lensic Performing Arts Center

KIRILL GERSTEIN, Piano LEILA JOSEFOWICZ, Violin PAUL NEUBAUER, Viola PAUL WATKINS, Cello CAROL McGONNELL, Clarinet KARLHEINZ STOCKHAUSEN (1928–2007)

In Freundschaft (In Friendship) (1977) Carol McGonnell

WOLFGANG AMADEUS MOZART (1756–91)

Trio in E-flat Major, K. 498, Kegelstatt (1786) Andante Menuetto—Trio Rondo: Allegretto Kirill Gerstein, Carol McGonnell, Paul Neubauer INTERMISSION

OLIVIER MESSIAEN (1908–92)

Quatuor pour la fin du temps (Quartet for the End of Time) (1940–41) Liturgie de cristal (Crystal Liturgy) Vocalise, pour l’ange qui annonce la fin du temps (Vocalise, for the Angel Who Announces the End of Time) Abîme des oiseaux (Abyss of the Birds) Intermède (Interlude) Louange à l’éternité de Jésus (Praise to the Eternity of Jesus) Danse de la fureur, pour les sept trompettes (Dance of Fury, for the Seven Trumpets) Fouillis d’arcs-en-ciel, pour l’ange qui annonce la fin du temps (Tangle of Rainbows, for the Angel Who Announces the End of Time) Louange à l’immortalité de Jésus (Praise to the Immortality of Jesus) Kirill Gerstein, Leila Josefowicz, Paul Watkins, Carol McGonnell

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Tuesday, 12 p.m.

MUSIC AT NOON

August 16

Generously sponsored by the Lorlee and Arnold Tenenbaum Memorial Fund

St. Francis Auditorium in the New Mexico Museum of Art

KIRILL GERSTEIN, Piano FRANZ SCHUBERT (1797–1828)

Sonata in C Minor, D. 958 (1828) Allegro Adagio Menuetto: Allegro Allegro

FRANZ LISZT (1811–86)

Sonata in B Minor, S. 178 (1852–53) Lento assai—Allegro energico—Andante sostenuto— Allegro energico—Andante sostenuto—Lento assai

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Wednesday, 12 p.m.

MUSIC AT NOON

August 17 St. Francis Auditorium in the New Mexico Museum of Art

Honoring the memory of Ronald Goldberg, MD

HAOCHEN ZHANG, Piano FRANZ LISZT (1811–86)

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Études d’exécution transcendante (Transcendental Études), S. 139 (1851) 1. Preludio 2. Molto vivace 3. Paysage: Poco adagio 4. Mazeppa: Allegro 5. Feux-follets: Allegretto 6. Vision: Lento 7. Eroica: Allegro 8. Wilde Jagd: Presto furioso 9. Ricordanza: Andantino (improvisato), un poco animato 10. Allegro agitato molto 11. Harmonies du soir: Andantino 12. Chasse-neige: Andante con moto

WEDNESDAY SERIES

Wednesday, 6 p.m.

August 17 The Lensic Performing Arts Center

HAOCHEN ZHANG, Piano MARTIN BEAVER, Violin LEILA JOSEFOWICZ, Violin PAUL NEUBAUER, Viola PAUL WATKINS, Cello PETER WILEY, Cello FRANZ SCHUBERT (1797–1828)

Allegretto in C Minor, D. 915 (1827) Haochen Zhang

FRANZ SCHUBERT

Sonata in A Minor for Cello and Piano, D. 821, Arpeggione (1824) Allegro moderato Adagio Allegretto Peter Wiley, Haochen Zhang INTERMISSION

FRANZ SCHUBERT

String Quintet in C Major, D. 956 (1828) Allegro ma non troppo Adagio Scherzo: Presto—Trio: Andante sonstenuto Allegretto Martin Beaver, Leila Josefowicz, Paul Neubauer, Peter Wiley, Paul Watkins

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Thursday, 12 p.m.

MUSIC AT NOON

August 18

Generously sponsored by the Edgar Foster Daniels Foundation in memory of Edgar Foster Daniels

St. Francis Auditorium in the New Mexico Museum of Art

DOVER QUARTET JOEL LINK, Violin BRYAN LEE, Violin MILENA PAJARO-VAN DE STADT, Viola CAMDEN SHAW, Cello WOLFGANG AMADEUS MOZART (1756–91)

String Quartet in C Major, K. 465, Dissonance (1785) Adagio—Allegro Andante cantabile Menuetto: Allegro Allegro molto

DMITRI SHOSTAKOVICH (1906–75)

String Quartet No. 4 in D Major, Op. 83 (1949) Allegretto Andantino Allegretto Allegretto

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

INDIAN MARKET CONCERT

Friday, 6 p.m.

August 19 St. Francis Auditorium in the New Mexico Museum of Art

ROBERTO CAPOCCHI, Guitar JOHANN SEBASTIAN BACH (1685–1750)

Prelude, Fugue, and Allegro in E-flat Major, BWV 998 (ca. 1740–45)

BENJAMIN BRITTEN (1913–76)

Nocturnal after John Dowland for Guitar, Op. 70 (1963) Musingly Very Agitated Restless Uneasy March-like Dreaming Gently Rocking Passacaglia Slow and Quiet

GIOACHINO ROSSINI/ JOHANN KASPAR MERTZ (1792–1868)/(1806–56)

Il barbiere di Siviglia (The Barber of Seville), Opern-Revue, Op. 8, No. 23 (ca. 1843–56)

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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BACH PLUS

Saturday, 6 p.m.

Generously sponsored by

August 20 The Lensic Performing Arts Center

BENJAMIN HOCHMAN, Piano JOSQUIN DES PREZ (ca. 1450–1521) JOHANN SEBASTIAN BACH (1685–1750)

Ave Christe (date unknown; arr. Charles Wuorinen, 1988)

JOHN BULL (1562–1628) OLIVER KNUSSEN (1952–2018)

Fantasia, FVB 108 (ca. 1610–25) Ut, Re, Mi, Fa, So, La, FVB 51 (ca. 1610–25) Prayer Bell Sketch, Op. 29 (1997)

JOHANN SEBASTIAN BACH

English Suite No. 5 in E Minor, BWV 810 (ca. 1720) Prelude Allemande Courante Sarabande Passepied I Passepied II Gigue

English Suite No. 2 in A Minor, BWV 807 (before 1720) Prelude Allemande Courante Sarabande Bourrée I Bourrée II Gigue

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

SUNDAY SERIES

Sunday, 6 p.m.

August 21

5 p.m.

Pre-concert Talk: Composer Marc Neikrug The Lensic Performing Arts Center

The Lensic Performing Arts Center

HAOCHEN ZHANG, Piano DOVER QUARTET JOEL LINK, Violin BRYAN LEE, Violin MILENA PAJARO-VAN DE STADT, Viola CAMDEN SHAW, Cello TODD LEVY, Clarinet* LEONARD BERNSTEIN (1918–90)

Sonata for Clarinet and Piano (1942) Grazioso Andantino—Vivace e leggiero Todd Levy, Haochen Zhang

MARC NEIKRUG (b. 1946)

Piano Quintet No. 2 in Six Parts (2021; New Mexico Premiere) I. (e = 72) II. (q = 78) III. (q = 54) IV. (q = 44) V. (q = 102) VI. (q = 108) Haochen Zhang, Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw) INTERMISSION

MAURICE RAVEL (1875–1937)

String Quartet in F Major (1902–03; rev. 1910) Allegro moderato—Très doux Assez vif—Très rythmé Très lent Vif et agité Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw)

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

*Santa Fe Opera artist

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MONDAY SERIES

Monday, 6 p.m.

This concert is generously sponsored by

August 22 The Lensic Performing Arts Center

HAOCHEN ZHANG, Piano DOVER QUARTET JOEL LINK, Violin BRYAN LEE, Violin MILENA PAJARO-VAN DE STADT, Viola CAMDEN SHAW, Cello ROBERT INGLISS, Oboe* JOSEPH FERRARO, Glasses* ANGELA GABRIEL, Glasses GREGORY ZUBER, Glasses PATRICIA ZUBER, Glasses* MARIO LAVISTA (1943–2021)

Marsias for Oboe and Eight Crystal Glasses (1982) Robert Ingliss, Joseph Ferraro, Angela Gabriel, Gregory Zuber, Patricia Zuber

FRANZ JOSEPH HAYDN (1732–1809)

String Quartet in D Major, Op. 64, No. 5, Hob. III: 63, The Lark (1790) Allegro moderato Adagio cantabile Menuet: Allegretto Finale: Vivace Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw) INTERMISSION

ROBERT SCHUMANN (1810–56)

Piano Quintet in E-flat Major, Op. 44 (1842) Allegro brillante In modo d’una Marcia. Un poco largamente Scherzo: Molto vivace Allegro ma non troppo Haochen Zhang, Dover Quartet (Joel Link, Bryan Lee, Milena Pajaro-van de Stadt, Camden Shaw)

The Santa Fe Chamber Music Festival thanks The Lensic Performing Arts Center for its support of our concerts.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

*Santa Fe Opera artist

2022 Festival Artists For further details about the Festival’s artists, please visit SantaFeChamberMusic.com.

Marc Neikrug (Festival Artistic Director/composer) has been Artistic Director of the Santa Fe Chamber Music

Festival since 1998. His works have been performed at major festivals and by major orchestras and opera companies around the world. Recent compositions include his Fourth Symphony, commissioned by the NDR Elbphilharmonie Orchestra, which premiered the work in Hamburg in May 2022, and his Second Piano Quintet, commissioned by Music Accord for pianist Haochen Zhang and the Dover Quartet, who premiered the work at The Kennedy Center in Washington, DC, in October 2021. Mr. Neikrug lives in Santa Fe with his wife, Dolly Naranjo, and they now have five grandchildren and one new addition, Atlas, their first great-grandchild.

Toby Appel (viola) has appeared in recital and concerto performances throughout North and South America, Europe,

and the Far East. He’s been a member of such renowned ensembles as TASHI and the Lenox and Audubon quartets; a guest artist with the Vermeer, Manhattan, Alexander, and Dover quartets; and a frequent guest with The Chamber Music Society of Lincoln Center and jazz artists Chick Corea and Gary Burton. His festival appearances include Mostly Mozart; Chamber Music Northwest; the Seattle Chamber Music Society; Music from Angel Fire; the Santa Fe Chamber Music Festival; the Marlboro, Manchester, Colorado College Summer, and Bravo! Vail music festivals; and festivals in England, France, Korea, Germany, Italy, Finland, and Greece. Mr. Appel is a member of the viola and chamber music faculties of The Juilliard School, where he’s been teaching for the past 32 years.

Tony Arnold (soprano) is internationally acclaimed as a leading proponent of contemporary music. She is a member

of the International Contemporary Ensemble; appears regularly with the world’s leading ensembles, presenters, and festivals; and has premiered major works written for her voice by Georges Aperghis, George Crumb, Brett Dean, Jason Eckardt, Gabriela Lena Frank, Josh Levine, George Lewis, Philippe Manoury, Carlos Sanchez-Gutierrez, Christopher Theofanidis, Ricardo Zohn-Muldoon, and many others. Her extensive discography includes her Grammy-nominated recording of Crumb’s iconic Ancient Voices of Children. Ms. Arnold serves on the faculties of the Peabody Institute and the Tanglewood Music Center. Her honors include the 2015 Brandeis Creative Arts Award and first prize at both the Gaudemus International Competition for Interpreters of Contemporary Music and the Louise D. McMahon International Music Competition.

Fleur Barron* (mezzo-soprano) is a 2018 HSBC Laureate of the Festival d’Aix-en-Provence and the recipient of the

Tanglewood Music Festival’s 2016 Grace B. Jackson Prize. In the 2021–22 season, she makes house debuts at Arizona Opera as the title role in Bizet’s Carmen; English National Opera as Schwertleite in Wagner’s Die Walküre; and the AuditorioPalacio de Congresos Príncipe Felipe in Oviedo, Spain, as Hänsel in Humperdinck’s Hänsel und Gretel. She also makes her recital debut at London’s Wigmore Hall; joins soprano Barbara Hannigan for Offenbach’s Barcarolle with the London Symphony Orchestra; returns to the Festival d’Aix-en-Provence as Ottavia in Monteverdi’s L’incoronazione di Poppea and to Opéra de Toulon as Polina in Tchaikovsky’s The Queen of Spades; and collaborates with pianist Julius Drake for a United States recital tour, performances of Schubert’s Winterreise in Spain, and concerts in the United Kingdom. Ms. Barron also serves as an artist-in-residence at Denmark’s Oremandsgaard Chamber Music Festival with cellist Natalie Clein.

Martin Beaver (violin) is an active musician for recital, concerto, and chamber music performances. He was the first

violinist of the renowned Tokyo String Quartet from 2002 to 2013, and he remains one of Canada’s violin ambassadors to the international concert stages. He’s been a concerto artist with orchestras around the world, including all the major Canadian orchestras, and he’s collaborated with Pinchas Zukerman, Raymond Leppard, Leon Fleisher, and Yannick Nézet-Séguin. Mr. Beaver is a founding member of the Montrose Trio with pianist Jon Kimura Parker and cellist Clive Greensmith. He’s a former pupil of Victor Danchenko, Josef Gingold, and Henryk Szeryng, and he’s served on the faculties of the Peabody Institute and Yale School of Music. Mr. Beaver is currently a professor of violin and chamber music at the Colburn School in Los Angeles.

*Festival debut

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The Beijing Guitar Duo* launched their international concert career with their New York debut at Carnegie Hall in 2010. They’ve appeared around the world in venues such as Amsterdam’s Concertgebouw, Barcelona’s Palau de la Música, Moscow’s Tchaikovsky Concert Hall, and Beijing’s National Theatre. They regularly collaborate with orchestras and with flutist Marina Piccinini, the Grigoryan Brothers guitar duo, and the legendary guitarist Manuel Barrueco, whom they’ve toured with in Europe, Australia, Asia, and the United States. Their debut CD, Maracaípe, was nominated for a Latin Grammy Award for its title work, which the renowned guitarist and composer Sérgio Assad wrote for them. Their second CD, Bach to Tan Dun, has been widely noted for its world-premiere recording of Tan Dun’s Eight Memories in Watercolor. In addition to concertizing, the duo is dedicated to teaching, and from 2011 to 2015, they served as artists-inresidence for San Francisco Performances.

Rachel Blumenthal* (flute) was appointed acting utility flute of the Baltimore Symphony Orchestra in 2021.

She spends her summers performing with The Santa Fe Opera Orchestra, where she’s served as second flute/piccolo since 2019. Previously, she was a member of the Sarasota Opera Orchestra and the Des Moines Symphony, and she’s performed with the Chicago Symphony Orchestra, Lyric Opera Orchestra, and Grant Park Orchestra, among many other ensembles. She’s also been a fellow at numerous summer music festivals, including Tanglewood, Aspen, Brevard, and the National Repertory Orchestra. Ms. Blumenthal has taught students of all ages across the United States. From 2018 to 2020, she was on the chamber music faculty of the University of Chicago. She received her undergraduate degree from the University of Michigan and her master’s degree from Carnegie Mellon University.

Grace Browning (harp) is principal harp of the Rochester Philharmonic Orchestra and The Santa Fe Opera Orchestra. She can be heard on Grammy Award–winning recordings by both ensembles: American Rapture and The (R)evolution of Steve Jobs, respectively. In 2014, she became principal harp of The Dallas Opera, and in 2018, she made her debut with The Metropolitan Opera. She’s performed with the Dallas Symphony Orchestra and The Philadelphia Orchestra, and she performed as guest principal harp on the Houston Symphony’s 2018 European tour. As a soloist, she’s appeared with the Rochester Philharmonic Orchestra and the Pacific, New World, and Omaha symphony orchestras. Ms. Browning’s festival appearances include Tanglewood, the Spoleto Festival USA, the Aspen Music Festival, the Pacific Music Festival, and the National Repertory Orchestra. She also collaborates with Chatter in Albuquerque and the Society for Chamber Music in Rochester.

Roberto Capocchi (guitar) was born in Brazil, where he studied classical guitar with Henrique Pinto and Brazilian

jazz with Conrado Paulino. He later studied with Thomas Patterson at the University of Arizona and privately with Jorge Caballero. Mr. Capocchi helped design the first Santa Fe Chamber Music Festival Guitar in Our Schools program at Santa Clara Pueblo’s Kha’p’o Community School, and he’s recorded three CDs of solo and chamber music. He lives in Santa Fe, where he keeps a private teaching studio and performs with Guitar New Mexico, The Santa Fe Opera Orchestra, the Santa Fe Desert Chorale, the Santa Fe Chamber Music Festival, the New Mexico Performing Arts Society, the National Dance Institute, and other arts organizations.

Che-Yen Chen (viola) is a founding member of the Formosa Quartet and a professor of viola at UCLA’s Herb Alpert School of Music. Previously, he served as principal viola of the San Diego Symphony and Mainly Mozart Festival Orchestra, and he’s appeared as guest principal viola with the Los Angeles Philharmonic, National Arts Centre Orchestra, and San Francisco, Cincinnati, and Toronto symphony orchestras. An active chamber musician, he’s a founding member of Camera Lucida and The Myriad Trio and the co-founder of the Formosa Chamber Music Festival, the first intensive chamber music training program of its kind in Taiwan. His engagements have also included The Chamber Music Society of Lincoln Center, the Santa Fe Chamber Music Festival, Marlboro Music, and festivals across North America and Asia. Mr. Chen’s honors include first prize at the 2006 London International String Quartet Competition and the 2003 Primrose International Viola Competition.

The Chien-Kim-Watkins Trio* comprises three of classical music’s most highly esteemed artists performing today: pianist Gloria Chien, violinist Soovin Kim, and cellist Paul Watkins. The trio has been performing together since 2019, and their concerts in Santa Fe mark the first time they play a cycle of the Beethoven Piano Trios. In 2017, Ms. Chien joined Mr. Kim as co-artistic director of the Lake Champlain Chamber Music Festival, which Mr. Kim founded in Vermont in 2009, and since 2020, they’ve also served as co-artistic directors of Chamber Music Northwest in Oregon. Ms. Chien is also the artistic director of the String Theory series in Tennessee and the director of the Chamber Music Institute at Music@Menlo in California. Paul Watkins has been the cellist of the Emerson String Quartet since 2013, and for 16 years he was a member of The Nash Ensemble. He serves as artistic director of the Great Lakes Chamber Music Festival in Michigan and is an acclaimed conductor who leads a wide range of international orchestras.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

*Festival debut

The Grammy-nominated Dover Quartet is the inaugural Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music, and they also hold residencies at The Kennedy Center, the Bienen School of Music at Northwestern University, the Amelia Island Chamber Music Festival, and Artosphere. Their honors include every prize at the 2013 Banff International String Quartet Competition, Chamber Music America’s Cleveland Quartet Award, top prizes at the Wigmore Hall International String Quartet Competition and the Fischoff National Chamber Music Competition, Lincoln Center’s Hunt Family Award, and the Avery Fisher Career Grant. In the 2021–22 season, they give worldpremiere performances of Marc Neikrug’s Piano Quintet No. 2 at The Kennedy Center with Haochen Zhang, Chris Rogerson’s Dream Sequence for Santa Fe Pro Musica with pianist Anne-Marie McDermott, and Steven Mackey’s theatrical musical work Memoir at Artosphere with arx duo (a percussion duo) and narrator Natalie Christa. In October 2021, they released the second volume of their complete Beethoven String Quartet recordings.

Julius Drake* (piano) has devised song series for London’s Wigmore Hall, Amsterdam’s Concertgebouw, New York’s 92nd Street Y, and Berlin’s Pierre Boulez Saal, and he curates an annual series of song recitals in London’s Middle Temple Hall. His engagements this season include recitals in Barcelona and Vilabertran with mezzo-soprano Dame Sarah Connolly and soprano Julia Kleiter, in Brussels and Madrid with soprano Eva-Maria Westbroek, at the Salzburg Festival with bassbaritone Gerald Finley, at the Schubertiade festival in Austria with tenor Christoph Prégardien and tenor Ian Bostridge, at the Vienna Konzerthaus with soprano Anna Prohaska, at Wigmore Hall with mezzo-soprano Catriona Morison and baritone Konstantin Krimmel, and on a major US tour with Mr. Finley. Mr. Drake has an extensive, award-winning discography, and he’s a professor at the University of Music and Performing Arts Graz and the Guildhall School of Music and Drama in London.

Originally from Dallas, Texas, M. Taylor Eiffert (bass clarinet) is currently second clarinet of the Winnipeg Symphony Orchestra in Canada. This summer, he plays bass clarinet for The Santa Fe Opera Orchestra, which he also did in 2021. Before joining the WSO, he was a freelance clarinetist and music educator in Los Angeles, California, where he frequently performed with the Debut Chamber Orchestra and the Santa Monica Symphony Orchestra. Mr. Eiffert was also the bass clarinet fellow for the Aspen Festival Orchestra during the 2015–17 seasons.

He holds degrees from the University of Southern California and Northwestern University, where his primary teachers were Yehuda Gilad, Steve Cohen, and J. Lawrie Bloom.

Alastair Eng (cello) is assistant principal cello of The Santa Fe Opera Orchestra and a member of the Toronto

Symphony Orchestra. Prior to joining the TSO, he was associate principal cello of the Canadian Opera Company Orchestra. He’s served as guest principal cello of the National Arts Centre Orchestra in Ottawa, and he’s performed with the National Ballet of Canada Orchestra and the London and Calgary philharmonic orchestras. Mr. Eng has worked extensively with the Grammy-nominated chamber orchestra A Far Cry, and, as a chamber musician, he’s appeared at the Ravinia Festival, the Rockport Chamber Music Festival, Ottawa Chamberfest, and the Strings Music Festival. He also arranges music for a wide variety of instrumentations, and his scores have been heard across North America and Europe in venues as varied as the Musikverein in Vienna and Fenway Park in Boston.

The Escher String Quartet is a former BBC New Generation Artist and a recipient of the Avery Fisher Career Grant. They’ve performed at London’s Cadogan Hall for the BBC Proms and are regular guests at London’s Wigmore Hall. In their hometown of New York City, they’re season artists of The Chamber Music Society of Lincoln Center. In the 2021–22 season, the quartet tours the United States extensively, performing at Alice Tully Hall and The Rockefeller University in New York City; The Kennedy Center in Washington, DC; the Segerstrom Center for the Arts in Costa Mesa; the La Jolla Music Society’s SummerFest; the Savannah Music Festival; the Santa Fe Chamber Music Festival; and Chamber Music Detroit. Abroad, they return to Wigmore Hall and the Sociedad Filarmónica de Bilbao. In the fall of 2021, the Escher String Quartet released their latest album, which features the complete quartets of Ives and Barber.

Zoltán Fejérvári (piano) won first prize at the 2017 Concours Musical International de Montréal and is a recipient of a 2016 Borletti-Buitoni Trust Fellowship. His 2021–22 season includes orchestral debuts with the Czech Philharmonic and the Royal Concertgebouw Orchestra and recitals at London’s Wigmore Hall, the La Jolla Music Society’s SummerFest, the Harvard Musical Association in Boston, the Cosmos Club in Washington, DC, and the Steinway Society—The Bay Area in San Jose. He’s given recitals throughout Europe and the Americas at venues such as Carnegie Hall in New York City, and, as a soloist, he’s appeared with the Budapest and Verbier Festival chamber orchestras, Hungarian National Philharmonic Orchestra, and Concerto Budapest Symphonic Orchestra, among others.

Mr. Fejérvári is a professor at the Hochschule für Musik FHNW, Musik-Akademie Basel in Switzerland. He released his most recent recording, Schumann, in 2020. *Festival debut

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Bart Feller (flute) is principal flute of the New Jersey Symphony and The Santa Fe Opera Orchestra. He’s performed with the New York Philharmonic, the Orpheus Chamber Orchestra, and The Chamber Music Society of Lincoln Center, and he’s appeared at Bargemusic. Mr. Feller graduated from the Curtis Institute of Music and has given recitals and classes throughout the United States. Among the summer festivals he’s participated in are the Santa Fe and Napa Valley chamber music festivals, Marlboro and Grand Teton music festivals, OK Mozart International Festival, and Colorado College Summer Music Festival. Mr. Feller is a professor of flute at Rutgers University’s Mason Gross School of the Arts, and he teaches in the Pre-College Division of The Juilliard School.

The FLUX Quartet has performed to great acclaim around the world, including at the Tate Modern in London with BBC Radio 3; the Park Avenue Armory and Carnegie Hall’s Zankel Hall in New York City; The Kennedy Center in Washington, DC; the Walker Art Center in Minneapolis; Mount Tremper Arts and EMPAC in New York State; LACMA in Los Angeles; and international festivals in Australia, Europe, and Asia. FLUX avidly pursues interdisciplinary projects, which has led to performances of new works with choreographers Pam Tanowitz and Christopher Wheeldon, balloonist Judy Dunaway, video artists OpenEndedGroup, and visual artist Matthew Barney. As active commissioners of new works, FLUX has been awarded grants from the American Composers Forum, The Aaron Copland Fund for Music, the Fromm Foundation, Meet the Composer, New Music USA, and Chamber Music America. FLUX’s extensive discography includes the full string-quartet catalog of Morton Feldman and a recently released live recording of the complete quartet output of Toshi Ichiyanagi, an innovator of the Japanese avant-garde.

Jennifer Frautschi (violin) is a two-time Grammy Award nominee and an Avery Fisher Career Grant recipient.

Highlights of her 2021–22 season include a return to the Rhode Island Philharmonic Orchestra, with Bramwell Tovey conducting, and her first appearance at the Sarasota Music Festival. Recent highlights include performances with the Cincinnati, Jacksonville, Milwaukee, New Jersey, Tucson, and Utah symphony orchestras; the Minnesota and Florida orchestras; the Boston and Buffalo philharmonic orchestras; The Saint Paul Chamber Orchestra; and the Orchestra of the Teatro di San Carlo as well as return appearances with the Alabama, Arkansas, Belo Horizonte (Brazil), Portland, and Phoenix symphony orchestras. Her recent chamber music engagements include the Santa Fe Chamber Music Festival, Spoleto Festival USA, Olympic Music Festival, Jupiter Symphony Chamber Players, Seattle Chamber Music Society’s Winter Festival, and St. Barts Music Festival in the Caribbean.

James Gaffigan* (conductor) is the newly appointed music director of the Komische Oper Berlin, beginning in the 2023–24 season. He’s currently music director of the Palau de les Arts Reina Sofía in Valencia, Spain; principal guest conductor of the Netherlands Radio Philharmonic Orchestra and Norway’s Trondheim Symphony Orchestra; and music director of the Verbier Festival Junior Orchestra. Last year, he finished his 10-year tenure as chief conductor of the Lucerne Symphony Orchestra. In the 2021–22 season, Mr. Gaffigan leads productions at Opéra National de Paris, The Metropolitan Opera, Valencia’s Les Arts, and The Santa Fe Opera. He also conducts the Chicago, Atlanta, Cincinnati, and Trondheim symphony orchestras; Deutsches Symphonie-Orchester Berlin; and Netherlands Radio Philharmonic Orchestra.

Recent highlights for Kirill Gerstein (piano) include premiering Thomas Larcher’s Piano Concerto with Karina Canellakis and the Netherlands Radio Philharmonic Orchestra at Amsterdam’s Royal Concertgebouw and recording the world-premiere performance of Thomas Adès’s Concerto for Piano and Orchestra and a compendium of Mr. Adès’s works for piano. Accolades for those recordings include a 2021 International Classical Music Award, a 2020 Gramophone Award, and three Grammy Award nominations. His latest recording features Mozart’s Sonatas for Piano Four-Hands with his longtime mentor, Ferenc Rados. Mr. Gerstein is on the faculty of the Kronberg Academy and a professor of piano at the Hochschule für Musik Hanns Eisler Berlin. He hosts a series of free online seminars called Kirill Gerstein Invites, which is hosted by the Kronberg Academy and features conversations with leading musicians, artists, and thinkers. Mr. Gerstein’s honors include first prize at the Arthur Rubinstein Competition, a Gilmore Young Artist Award, a Gilmore Artist Award, and an Avery Fisher Career Grant.

Paul Groves (tenor) is one of the great American tenors of his generation. Recent highlights include performing the role of Faust in Boito’s Mefistofele and singing Britten’s War Requiem at Opéra National de Lyon, appearing as Wilhelm Arndt in Korngold’s The Ring of Polykrates with The Dallas Opera, making his debut at the National Kaohsiung Center for the Arts in Taiwan in the title role of Bernstein’s Candide, and making his role debut as Herod in Strauss’s Salome at the Spoleto Festival USA. On the concert stage, he appeared in Stravinsky’s Perséphone with Esa-Pekka Salonen and the Los Angeles Philharmonic, and he sang Bruckner’s “Te Deum” with Krzysztof Urbánski and the Indianapolis Symphony Orchestra, Mahler’s Das Lied von der Erde with Donald Runnicles and the BBC Scottish Symphony Orchestra, the title role of Berlioz’s La Damnation de Faust with the Boston Symphony Orchestra, Beethoven’s Symphony No. 9 with the Rochester Philharmonic Orchestra, and Haydn’s The Creation with the Prague Philharmonia.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

*Festival debut

June Han (harp) has performed with The Chamber Music Society of Lincoln Center; Speculum Musicae; Music

from Japan; the Manhattan Sinfonietta; the Group for Contemporary Music; the Jupiter Symphony Chamber Players; Ensemble 21; Mabou Mines; Alarm Will Sound; and the Bronx Arts, Sequitur, and Talea ensembles. As an orchestral musician, she’s collaborated with the Orchestre de Paris, the Mariinsky Orchestra, and the Kirov and New York City opera orchestras, and she frequently performs with the New York Philharmonic and the Boston Symphony and Metropolitan Opera orchestras. She’s also appeared as a solo artist with the Oshawa-Durham Symphony Orchestra, Colonial Symphony, and Aspen Young Artist Orchestra. She serves on the faculties of the Yale School of Music, Columbia University’s Music Performance Program, The Juilliard School’s Pre-College Division, and the Bowdoin International Music Festival. In 2018, she joined the online faculty roster for the Harp Column Academy.

Margaret Dyer Harris (viola) is assistant principal viola of The Santa Fe Opera Orchestra and a member of the

New York City–based orchestra The Knights. She was a founding member of the Grammy-nominated chamber orchestra A Far Cry, and she’s performed with various other ensembles, such as ECCO and the Moscow, Orpheus, and Saint Paul chamber orchestras. Ms. Harris has appeared as guest principal viola with the Sarasota, Santa Fe Opera, and Princeton Symphony orchestras and the Brooklyn and Long Island philharmonics. She’s been a guest artist and teacher at the Guildhall School of Music in London, Royal Conservatoire of Scotland, and Yellow Barn Young Artists Program, and she’s given master classes in Mexico City, Lima, Abu Dhabi, and cities across the United States. She was also a fellow in Carnegie Hall’s Ensemble Connect program and a guest artist in its Musical Connections program.

Benjamin Hochman (piano) made his Carnegie Hall debut as a soloist with the Israel Philharmonic, and since

then, he’s performed around the world with leading ensembles. In the 2021–22 season, he returns to Santa Fe Pro Musica to open their season, conducting Beethoven’s Symphony No. 5 and playing Mozart’s Concerto for Two Pianos with Anne-Marie McDermott, and he rejoins the Orlando Philharmonic Orchestra and Music Director Eric Jacobsen to perform Brahms’s Piano Concerto No. 1. Chamber music engagements include the Tel Aviv Museum of Art, the Schubert Club in Minnesota, the Santa Fe Chamber Music Festival, the Strings Music Festival in Colorado, Music Mountain in Connecticut, The Stissing Center in New York, and numerous appearances in Berlin. He also records the two Brahms Sonatas for Viola and Piano alongside works by Robert Schumann and Clara Schumann with violist Dov Scheindlin. Mr. Hochman serves on the piano faculty of the Bard College Conservatory of Music and is a research associate at Bard College Berlin.

L. P. How (violin) has been a member of the Orpheus Chamber Orchestra since 1980 and frequently appears with the

conductorless group as concertmaster and soloist. He serves as concertmaster of the Sarasota Opera Orchestra, is regularly engaged as concertmaster of the Monterey Symphony, and is a former member of The Santa Fe Opera Orchestra. An active soloist and chamber musician, Mr. How has toured extensively throughout North and South America, Europe, and Asia with Orpheus and many other ensembles; appeared with The Chamber Music Society of Lincoln Center; and performed at the Caramoor, Spoleto, Lockenhaus, and Moab chamber music festivals. He’s appeared at the Santa Fe Chamber Music Festival every season since 2002.

Paul Huang (violin) is the recipient of the 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists. During the upcoming 2022–23 season, he opens the National Symphony Orchestra of Taiwan’s season, makes debuts with the Rotterdam Philharmonic and the Hiroshima and Dallas symphony orchestras, and appears with the Buffalo and Fort Wayne philharmonic orchestras and the Colorado, San Diego, and Pensacola symphony orchestras.

His recital and chamber music engagements include returns to The Chamber Music Society of Lincoln Center, the Santa Fe Chamber Music Festival, and Camerata Pacifica; a recital debut at Lincoln Center’s Alice Tully Hall with pianist Anne-Marie McDermott; and appearances at Wolf Trap and The Rockefeller University and with Washington Performing Arts, The Society of Four Arts in Palm Beach, the Cleveland Chamber Music Society, and Chamber Music San Francisco. In January 2023, Mr. Huang launches the Paul Huang & Friends International Chamber Music Festival in Taipei, Taiwan, in association with the National Symphony Orchestra of Taiwan.

Robert Ingliss (oboe) is principal oboe of the New Jersey Symphony and The Santa Fe Opera Orchestra. He’s toured

worldwide with the Orpheus Chamber Orchestra, appearing numerous times as soloist with that ensemble, and he’s been a member of An die Musik, Ensemble Sospeso, and the Cygnus Ensemble, Manhattan Sinfonietta, Aspen Wind Quintet, American Composers Orchestra, American Symphony Orchestra, and Riverside Symphony, among other ensembles. An avid proponent of contemporary music, Mr. Ingliss has premiered solo or chamber music works by Milton Babbitt, Elliott Carter, Marc-André Dalbavie, Jason Eckardt, and many other composers. His recording credits and performances on soundtracks for film and television are as varied as they are numerous. He’s taught at the Brooklyn College Conservatory, Columbia University, Sarah Lawrence College, SUNY Purchase, and the University of New Mexico.

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Joseph Johnson (cello) is principal cello of the Toronto Symphony Orchestra and The Santa Fe Opera Orchestra.

Recent solo performances include Dvořák’s Cello Concerto with the Toronto Symphony Orchestra, Tchaikovsky’s Rococo Variations with the Etobicoke Philharmonic Orchestra, and Shostakovich’s Cello Concerto No. 1 with the Niagara Symphony Orchestra. Mr. Johnson has given the Canadian premieres of Unsuk Chin’s Cello Concerto with the Esprit Orchestra and Miguel del Aguila’s Concierto en Tango with the Toronto Symphony Orchestra as well as the North American premieres of Péter Eötvös’s Cello Concerto Grosso with the Toronto Symphony Orchestra and MarcAndré Dalbavie’s Cello Concerto with the Esprit Orchestra. As a chamber musician, Mr. Johnson appears in recitals and concerts around the world. He’s also an assistant professor of cello at the University of Toronto, the cello coach for the Toronto Symphony Youth Orchestra, and a coach and teacher at the New World Symphony orchestral academy.

Daniel Jordan (violin) is concertmaster of the Sarasota Orchestra, principal second violinist of The Santa Fe Opera

Orchestra, and director of programs for the Artist Series Concerts of Sarasota. Formerly, he was assistant principal first violinist of the Malaysian Philharmonic Orchestra and a member of the New World Symphony in Miami Beach. He’s played as concertmaster for the Waterbury Symphony Orchestra, Spoleto Festival USA Orchestra, and Erie Philharmonic; performed in the violin section of the St. Louis Symphony Orchestra, Naples Philharmonic, and Florida Orchestra; and returned twice to lead the New World Symphony as concertmaster in alumni concerts. He’s also spent summers serving as concertmaster of the National Repertory Orchestra, assistant concertmaster of the Colorado Music Festival Orchestra, and a member of the Sun Valley Summer Symphony. Recent summer appearances include the Mainly Mozart Festival in San Diego, the Sarasota Music Festival, and the Santa Fe Chamber Music Festival.

Leila Josefowicz (violin) is a passionate advocate of contemporary violin music and has premiered many works written for her. In the 2021–22 season, she gives the world premiere of Matthias Pintscher’s Assonanza II with the Cincinnati Symphony Orchestra followed by the European premiere with Musikkollegium Winterthur in Switzerland, both times with Mr. Pintscher conducting. She also returns to the Finnish Radio Symphony Orchestra, working with their incoming music director, Nicholas Collon; appears with the Los Angeles Philharmonic, the San Francisco Symphony, and Ottawa’s National Arts Centre Orchestra, all of which are regular collaborators; and returns to the Oslo Philharmonic, Dresden Philharmonic, Royal Concertgebouw Orchestra, and Budapest Festival Orchestra, working with Hannu Lintu, Dalia Stasevska, John Storgårds, Susanna Mälkki, and Esa-Pekka Salonen. Her honors include a 2008 MacArthur Fellowship, the 2018 Avery Fisher Prize, and two Grammy Award nominations.

In 2019, Ida Kavafian (violin/viola) completed her 35-year tenure as artistic director of the Music from Angel Fire chamber music festival in New Mexico. A frequent artist of The Chamber Music Society of Lincoln Center for more than 40 years and the former violinist of the renowned Beaux Arts Trio, Ms. Kavafian currently performs as a soloist; in recital with her sister, violinist Ani Kavafian; as a guest with distinguished ensembles; and as a faculty member at the Curtis Institute of Music. She’s premiered many new works, and she’s the founder of the Bravo! Vail Music Festival in Colorado and the co-founder of the ensembles TASHI, OPUS ONE, and Trio Valtorna. She holds the Nina von Maltzahn Chair in Violin Studies at Curtis, where she was awarded the Lindback Award for Distinguished Teaching. Ms. Kavafian also breeds, trains, and shows prizewinning Hungarian vizsla dogs.

Benny Kim (violin) is the first violinist of the Miami String Quartet and is known for his versatility as a soloist, chamber musician, and teacher. Engagements include recital appearances at the 92nd Street Y in New York City and The Kennedy Center in Washington, DC; festival appearances in Santa Fe, Savannah, and Angel Fire; and concertos with the Chicago, Boston, and St. Louis symphony orchestras. Mr. Kim is an associate professor at the University of MissouriKansas City Conservatory, and he appears on several recordings.

Eric Kim (cello) made his solo debut at age 15 with the Chicago Symphony Orchestra. Since then, he’s served as principal cello of, and been a featured soloist with, the Cincinnati, Denver, and San Diego symphony orchestras. In 2009, he joined the faculty of the Indiana University Jacobs School of Music. An active chamber musician, he’s performed with such artists as pianists Emanuel Ax, Yefim Bronfman, and Stephen Hough; violinists Joshua Bell and Jaime Laredo; mezzo-soprano Susan Graham; and cellist Lynn Harrell. Mr. Kim has also toured Europe, South America, and Israel as a member of the Pinchas Zukerman and Friends chamber ensemble.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Lewis Kirk (contrabassoon) is a member of the Lyric Opera of Chicago and Santa Fe Opera orchestras, playing

bassoon and contrabassoon. He performs regularly at the Bach Week Festival in Evanston, Illinois, and with the Music of the Baroque chorus and orchestra and the Chicago Philharmonic. His music studies were at the Peabody Conservatory in Baltimore and the Manhattan School of Music in New York City. Mr. Kirk is a former member of the Städtischen Orchester of Bremerhaven, Germany, and the New Orleans Symphony. He’s recorded music of Villa-Lobos, Badings, and Ned Rorem, and his original compositions are published by Prairie Dawg Press. Mr. Kirk is a lecturer on bassoon at the Chicago College of Performing Arts at Roosevelt University.

Scott Lee (viola) won the 1996 Concert Artists Guild Competition and was the youngest winner in that competition’s history. He also won first prize in both violin and viola in the Taiwan National Instrumental Competition, and he was a top-prize winner in the Lionel Tertis International Viola Competition, Primrose International Viola Competition, and Corpus Christi Young Artists Competition. His engagements include the Isabella Stewart Gardner Museum in Boston; the National Concert Hall in Taiwan; Musicians from Marlboro; the Santa Fe Chamber Music Festival, Marlboro and Newport music festivals, and La Jolla Music Society’s SummerFest; and The Chamber Music Society of Lincoln Center, Merkin Concert Hall, Carnegie Hall’s Weill Recital Hall, Alice Tully Hall, Bargemusic, and The Metropolitan Museum of Art in New York City. Mr. Lee is a faculty member at the University of Missouri-Kansas City Conservatory and the Idyllwild Chamber Music Festival and Workshop in California.

Soyeon Kate Lee (piano) is the first-prize winner of the Naumburg International Piano Competition and the Concert Artist Guild International Competition and a laureate of the Santander and Cleveland international piano competitions. Highlights of her recent seasons include appearances at The Cleveland Museum of Art, Purdue Convocations in Indiana, and the National Gallery of Art and Library of Congress in Washington, DC; on the Gina Bachauer Concerts series; and with San Francisco Performances. She’s collaborated with conductors Carlos Miguel Prieto, Rafael Frühbeck de Burgos, Jahja Ling, and Jorge Mester with the London, San Diego, and Hawaii symphony orchestras and the Naples and Louisiana philharmonic orchestras, among others, and she regularly appears at the Great Lakes, Santa Fe, and Music Mountain chamber music festivals. Ms. Lee is a member of the faculties of The Juilliard School, the University of Cincinnati-College Conservatory of Music, and the Bowdoin International Music Festival.

Todd Levy (clarinet) is principal clarinet of the Milwaukee Symphony Orchestra and The Santa Fe Opera Orchestra.

He’s performed as a soloist at Carnegie Hall and the Mostly Mozart Festival in New York City and at the White House in Washington, DC. As a chamber musician, he’s appeared with members of the Guarneri, Juilliard, Orion, Miró, and Miami string quartets and at festivals such as the Santa Fe Chamber Music Festival and the Marlboro Music Festival. He’s served as guest principal clarinet for the Chicago Symphony Orchestra, Philadelphia Orchestra, New York Philharmonic, and Metropolitan Opera Orchestra, and he’s premiered works by John Harbison, Joan Tower, Peter Schickele, Paquito D’Rivera, Morton Subotnick, and Marc Neikrug. Mr. Levy is a four-time Grammy Award winner with an extensive discography. He serves on the clarinet faculties of the University of Wisconsin-Milwaukee and the Bienen School of Music at Northwestern University.

Max Mandel (viola) enjoys a varied and acclaimed career as a chamber musician, a soloist, an orchestral musician, and a speaker. He’s a member of the FLUX Quartet and principal viola of the Orchestra of the Age of Enlightenment.

As guest principal viola, his engagements include the Chamber Orchestra of Europe, Australian and Scottish chamber orchestras, Academy of Ancient Music, Handel and Haydn Society, and others. Additional group affiliations include Spunicunifait, the Smithsonian Chamber Players, the Tafelmusik Baroque Orchestra, and the Silkroad Ensemble. Mr. Mandel’s discography features recent recordings of Toshi Ichiyanagi’s String Quartets with the FLUX Quartet and Mozart’s Sinfonia concertante with violinist Aisslinn Nosky and the Handel and Haydn Society Orchestra.

Carol McGonnell (clarinet) was born in Dublin and has performed as a soloist with ensembles around the world, such as Ensemble Modern, The Saint Paul Chamber Orchestra, the Zankel Band of Carnegie Hall, and The Metropolitan Museum of Art’s MMArtists in Concert, as well as in John Adams’s In Your Ear festival at Carnegie Hall and the Los Angeles–based Monday Evening Concerts series curated by Esa-Pekka Salonen. She performed in the inaugural concert held in Carnegie Hall’s Zankel Hall; has appeared on Lincoln Center’s Great Performers series; and has played at the Santa Fe, Marlboro, Mecklenburg, and West Cork chamber music festivals, among many others. Ms. McGonnell is a founding member of the Argento Chamber Ensemble and serves as artistic director of Music for Museums. She’s also an auxiliary faculty member for contrabass clarinet at The Juilliard School.

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Kathleen McIntosh (harpsichord) has been a Santa Fe Chamber Music Festival artist since 1996. She’s performed at festivals in the United States, Cuba, Japan, Peru, Spain, and Germany, and she’s appeared as a soloist with chamber orchestras in Russia, Vietnam, and many places in between. As a teacher, Ms. McIntosh regularly travels to Havana, Lima, and Opole (Poland). She’s premiered works by Melinda Wagner, Leo Brower, John Steinmetz, Carl Mansker, and many other composers, and she’s performed in New Mexico, where she lives, with Chatter, Severall Friends, the New Mexico Philharmonic, the Santa Fe Symphony, and many chamber ensembles.

Leigh Mesh (double bass)

is associate principal bass of the Metropolitan Opera Orchestra. He’s a graduate of the Curtis Institute of Music and has taught master classes at the Cincinnati Conservatory, The Juilliard School, the Manhattan School of Music, and the New World Symphony orchestral academy in Miami Beach. He’s performed regularly at the Verbier Festival and Santa Fe Chamber Music Festival and with the Met Chamber Ensemble, Brentano Quartet, Tokyo String Quartet, and Caramoor Virtuosi.

For more than 30 years, the Miami String Quartet has been one of America’s top-rank chamber music ensembles. Highlights of recent seasons include performances at the 92nd Street Y and Alice Tully Hall in New York City; The Kennedy Center in Washington, DC; and venues in cities such as Amsterdam, Hong Kong, Lausanne, and Paris. The group has served as quartet-in-residence at the Hugh A. Glauser School of Music at Kent State University since 2004, and they’ve appeared at Chamber Music Northwest and the Ravinia, Mostly Mozart, Kent Blossom, and Santa Fe Chamber Music festivals. They’ve commissioned and premiered works by Bruce Adolphe, Ricky Ian Gordon, Annie Gosfield, Philip Maneval, Roberto Sierra, Robert Starer, Augusta Read Thomas, Joan Tower, Pēteris Vasks, and Ellen Taaffe Zwilich. Their honors include Chamber Music America’s Cleveland Quartet Award and Grand Prize at the Fischoff National Chamber Music Competition.

Christopher Millard (bassoon) joined the National Arts Centre Orchestra as principal bassoon in 2004 after

28 years with the Vancouver Symphony Orchestra and CBC Radio Orchestra. He also serves as principal bassoon of the Grand Teton Music Festival Orchestra, and he’s performed on five concert tours with the World Orchestra for Peace. He served on the faculty of Northwestern University until 2014, and for 20 years he was the bassoon professor for Canada’s National Youth Orchestra. He continues to give master classes at leading music schools, including Rice University, Indiana University, and the Curtis Institute of Music, Manhattan School of Music, Mannes School of Music, Orchestre de la francophonie, and National Orchestral Institute. He has an extensive discography, and his recording of Jacques Hétu’s Bassoon Concerto won a 2004 Juno Award. Mr. Millard is also a skilled woodwind technician and a recognized authority on the acoustics of reed making.

Grammy Award winner Jennifer Montone (horn) is principal horn of The Philadelphia Orchestra and a faculty member at the Curtis Institute of Music and The Juilliard School. Previously, she was principal horn of the St. Louis Symphony Orchestra, associate principal horn of the Dallas Symphony Orchestra, and third horn of the New Jersey Symphony. She also appeared as a guest artist with the Berlin and New York philharmonics and the Cleveland, Metropolitan Opera, Saint Paul Chamber, and Orpheus Chamber orchestras. Ms. Montone performs with the Chamber Music Society of Lincoln Center; Philadelphia Chamber Music Society; Santa Fe and Lake Champlain chamber music festivals; Strings, Bravo Vail!, and Marlboro music festivals; National Brass Ensemble; La Jolla Chamber Music Society’s SummerFest; Bay Chamber Concerts; and Spoleto Festival dei Due Mondi in Italy. Her honors include winning the Avery Fisher Career Grant in 2006 and the Bob Paxman Young Horn Player of the Year Award in 1996.

Bradley Moore* (piano) has appeared in recital with mezzo-sopranos Susan Graham and Jamie Barton; sopranos Renée Fleming, Christine Goerke, and Angela Meade; bass-baritones Ryan Speedo Green and Eric Owens; and tenor Eric Cutler, among others. He’s been a piano soloist with such orchestras as the National Symphony Orchestra and Buffalo Philharmonic Orchestra, performed the Martinů Harpsichord Concerto with the San Francisco Ballet Orchestra for the world premiere of Mark Morris’s Beaux, and appeared as a recitative accompanist and continuo player with the Metropolitan Opera Orchestra, Vienna Philharmonic, Los Angeles Philharmonic, and Met Chamber Ensemble. As a conductor, Mr. Moore has served as associate music director of the Houston Grand Opera and assistant conductor of The Metropolitan Opera, the Salzburg Festival, the Canadian Opera Company, Opéra National de Paris, and LA Opera.

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

*Festival debut

Nicolas Namoradze*

(piano) came to international attention in 2018, when he won the triennial Honens International Piano Competition, the largest piano prize in the world. He’s been named a Gramophone One to Watch, a BBC Music Magazine Rising Star, and one of WQXR’s Artists to Watch. Highlights of this summer and the upcoming 2022–23 season include residencies at the Toronto Summer Music festival and Honens and performances at Le Festival Radio France Occitanie Montpellier and Beethovenfest in Bonn, Germany. As a composer, Mr. Namoradze has enjoyed commissions from and performances of his works by such leading artists and ensembles as Ken-David Masur, Tessa Lark, the Metropolis Ensemble, and the Verona Quartet. His music has been heard at such festivals as the Santa Fe Chamber Music Festival, Chelsea Music Festival in New York City, Honens Festival in Canada, and Ruhr Piano Festival in Germany.

Mr. Namoradze’s debut album received the highest accolades, as did his latest album, Arabesque.

Paul Neubauer (viola) recently made his Chicago Symphony Orchestra subscription debut and Mariinsky Orchestra debut and gave the US premiere of a newly discovered Impromptu for Viola and Piano by Shostakovich with pianist Wu Han. When he was 21 years old, he was appointed principal viola of the New York Philharmonic, and he held that position for six years. He’s appeared as a soloist with more than 100 ensembles, and he’s premiered viola concertos by Béla Bartók (a revised version of the Viola Concerto), Reinhold Glière, Gordon Jacob, Henri Lazarof, Robert Suter, Joel Phillip Friedman, Aaron Jay Kernis, Detlev Müller-Siemens, David Ott, Krzysztof Penderecki, Tobias Picker, and Joan Tower. Mr. Neubauer appears with The Chamber Music Society of Lincoln Center and is a member of the trio SPA with soprano Susanna Phillips and pianist Anne-Marie McDermott. He has an extensive discography and has received two Grammy Award nominations.

Mr. Neubauer is the artistic director of the Mostly Music series in New Jersey and a faculty member at The Juilliard School and the Mannes School of Music.

Tara Helen O’Connor (flute) is an Avery Fisher Career Grant recipient, a two-time Grammy Award nominee, a season artist of The Chamber Music Society of Lincoln Center, and a Wm. S. Haynes Flute Artist. She’s premiered hundreds of new works and is a frequent performer at numerous festivals, including Music@Menlo, Chamber Music Northwest, and the Santa Fe Chamber Music Festival, Spoleto Festival USA, and Bravo! Vail Music Festival. Ms. O’Connor is a member of the woodwind quintet Windscape and a founding member of the Naumburg Award–winning New Millennium Ensemble.

She’s on the faculties of the SUNY Purchase Conservatory of Music, Bard College Conservatory of Music, and Manhattan School of Music, and she’s a visiting artist, teacher, and coach at The Royal Conservatory in Toronto. Ms. O’Connor and her husband, violinist Daniel Phillips, are the artistic directors of the Music from Angel Fire festival in New Mexico.

Daniel Phillips (violin) is a founding member of the 35-year-old Orion String Quartet, which regularly performs with The Chamber Music Society of Lincoln Center, and he’s co-artistic director of the Music from Angel Fire chamber music festival with his wife, flutist Tara Helen O’Connor. He’s appeared as a soloist with the Boston, Houston, New Jersey, Phoenix, Pittsburgh, San Antonio, and Yakima symphony orchestras, and his festival appearances include Chamber Music Northwest, the Spoleto Festival USA, and the Chesapeake Music Festival. He’s performed at the Santa Fe Chamber Music Festival every season since 1979, and he’s participated in the International Musicians Seminar in Cornwall, England, since its inception. Mr. Phillips’s faculty appointments include the Mannes School of Music, The Juilliard School, the Aaron Copland School of Music at Queens College, the Bard College Conservatory of Music, and the summer faculties of the Heifetz International Music Institute and the St. Lawrence String Quartet Chamber Music Seminar at Stanford.

Susanna Phillips (soprano) won The Metropolitan Opera’s Beverly Sills Artist Award in 2010, and she’s sung at the Met for 12 consecutive seasons in such roles as Musetta in Puccini’s La bohème, Countess Almaviva in Mozart’s The Marriage of Figaro, Fiordiligi in Mozart’s Così fan tutte, and Clémence in The Met’s first performance of Kaija Saariaho’s L’Amour de loin. She recently opened the Oregon Symphony’s 125th Anniversary season performing Mahler’s Symphony No. 2, Resurrection, and she appeared with the Philadelphia, Chicago Symphony, and Royal Stockholm Philharmonic orchestras.

Other highlights include singing roles in two Handel operas with Boston Baroque—Cleopatra in Giulio Cesare and the title role in Agrippina—Stella in Previn’s A Streetcar Named Desire opposite soprano Renée Fleming as Blanche with the Orchestra of St. Luke’s at Carnegie Hall, and Birdie in Blitzstein’s Regina at Opera Theatre of Saint Louis.

Julia Pilant (horn) is assistant principal horn of the Metropolitan Opera Orchestra and a horn instructor at the Bard College Conservatory of Music. Before joining the Met, she was principal horn of the Syracuse Symphony Orchestra for 10 years. She’s also played principal horn for the Saito Kinen and Tokyo Opera Nomori music festivals and the Mito Chamber Orchestra in Japan under Music Director Seiji Ozawa, and she’s performed with the Orchestra of St. Luke’s, Stamford and American symphony orchestras, and New York City Ballet, Orpheus Chamber, and New York City Opera orchestras. Ms. Pilant has been a guest artist with The Chamber Music Society of Lincoln Center, and her festival appearances include Classical Tahoe, Mainly Mozart, OK Mozart, and Affinis (in Japan); the Santa Fe, Bard, and Strings chamber music festivals; and the Spoleto Festival dei Due Mondi in Italy and La Jolla Music Society’s SummerFest. In 1994, she won the American Horn Competition. *Festival debut

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Keith Robinson (cello) is a founding member of the Miami String Quartet. He’s made solo appearances with ensembles such as the American Sinfonietta, New World Symphony, and Miami Chamber Symphony, and he regularly appears at festivals such as the Santa Fe Chamber Music Festival, Music from Angel Fire, the Virginia Arts Festival, and the Kent Blossom, Bravo! Vail, and Savannah music festivals. Recent highlights include performances in New York City at Lincoln Center’s Alice Tully Hall and in Boston, Indianapolis, Los Angeles, New Orleans, Philadelphia, St. Paul, San Francisco, and Seattle. International highlights include appearances in Bern, Cologne, Hong Kong, Istanbul, Lausanne, Mexico City, Montreal, Paris, Rio de Janeiro, Taipei, and Vancouver. Mr. Robinson is a regular performer at Music@ Menlo, and he regularly appears with The Chamber Music Society of Lincoln Center. He’s also on the chamber music faculty of the Cleveland Institute of Music.

Theresa Rudolph (viola) is assistant principal viola of the Toronto Symphony Orchestra and a member of The Santa Fe Opera Orchestra. She began her orchestral career at age 21, as the youngest member of the Detroit Symphony Orchestra, and she’s performed with the Vancouver Symphony Orchestra and The Cleveland Orchestra. Her chamber music appearances include the Vancouver and Great Lakes chamber music festivals, Ottawa Chamberfest, and New Music Detroit. She also regularly performs as a member of the TSO Chamber Soloists and has been featured on CBC/ Radio-Canada. Ms. Rudolph serves on the faculty of the University of Toronto, and she’s the viola coach for the Toronto Symphony Youth Orchestra. She earned her bachelor-of-music degree from the Cleveland Institute of Music. While studying at CIM, she toured and recorded with the Musicians from Ravinia’s Steans Music Institute, was a prizewinner at the Fischoff National Chamber Music Competition, and performed at Carnegie Hall.

Daniel Shelly* (bassoon) has been a member of the Metropolitan Opera Orchestra since 2004. In recent seasons, he’s performed with Lincoln Center’s Mostly Mozart Festival Orchestra, San Diego’s Mainly Mozart Festival Orchestra, Chicago’s Grant Park Orchestra, and the Los Angeles Philharmonic. He can be heard on PBS broadcasts of Gerard Schwarz’s Emmy Award–winning program The All-Star Orchestra and on several major motion-picture and commercial soundtracks. Before joining the Met, Mr. Shelly held positions with the New Mexico Symphony, Honolulu Symphony Orchestra, and Sarasota Opera Orchestra as well as numerous ensembles in the New York area. Mr. Shelly received his bachelor’s degree from the Eastman School of Music and his master’s degree from The Juilliard School. He’s taught at the Verbier Festival, the Kinhaven Music School, and Rutgers University. He’s currently on the faculty of New York University, and he also maintains a private studio.

Ted Soluri (bassoon) has been principal bassoon of the Dallas Symphony Orchestra since 2015. Previously, he held

the same position with the Milwaukee Symphony Orchestra and The Santa Fe Opera Orchestra. He’s made numerous solo appearances, including in a concerto he commissioned from Jerod Tate called Ghost of the White Deer with the Dallas Symphony Orchestra in 2020. In 2019, he began teaching at Southern Methodist University. Before that, he taught at the University of Wisconsin-Milwaukee and the Chicago College of Performing Arts at Roosevelt University. He’s also given master classes at Florida State, Northwestern, and McGill universities and at the Eastman School of Music, University of Wisconsin, University of Michigan, and New World Symphony orchestral academy. This year he releases his second recording, Songs of Late Season, which features French music for bassoon and harp.

John Storgårds (violin/conductor) is chief guest conductor of the BBC Philharmonic, principal guest conductor

of the National Arts Centre Orchestra in Ottawa, and artistic director of the Lapland Chamber Orchestra. Highlights of his 2021–22 season in Europe include his debut with the Berlin Philharmonic, performances with the Munich and Dresden philharmonics, and his regular appearance at the BBC Proms with the BBC Philharmonic. In North America, he returns to the St. Louis and Cincinnati symphony orchestras, the National Arts Centre Orchestra, and the Santa Fe Chamber Music Festival, and he makes his postponed debut at the Aspen Music Festival. Mr. Storgårds has an awardwinning discography, and his additional honors include receiving the 2002 Finnish State Prize for Music and the 2012 Pro Finlandia Prize.

Peter Stumpf (cello) is a professor of cello at the Indiana University Jacobs School of Music. Previously, he was principal cello of the Los Angeles Philharmonic and associate principal cello of The Philadelphia Orchestra. Mr. Stumpf is a member of the Weiss Kaplan Stumpf Trio and a former member of the Johannes Quartet. He’s appeared at many of the leading chamber music festivals, and he’s performed at Carnegie Hall in New York City, The Kennedy Center in Washington, DC, and venues in Amsterdam, Tokyo, and Cologne. Concerto appearances have been with the Boston Symphony Orchestra, Philadelphia Orchestra, and Boston and Los Angeles philharmonics, among other ensembles. As a recitalist, Mr. Stumpf has performed at the Universities of Hartford and Delaware, Syracuse University, Jordan Hall in Boston, and the Phillips Collection and Corcoran Gallery of Art in Washington, DC. Mr. Stumpf ’s honors include first prize at the Washington International Competition, Graham-Stahl Competition, and Aspen Concerto Competition.

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*Festival debut

Mark Tatum (double bass) is a member of The Santa Fe Opera Orchestra, principal bass of the Opera Southwest

Orchestra, and assistant principal bass of the New Mexico Philharmonic. He’s performed with the Württemberg Chamber Orchestra in Germany, the Moab Music Festival, the Cascade Festival of Music, and numerous regional orchestras throughout the inner mountain West. Mr. Tatum is active in jazz music and in composing for string ensemble. After teaching music at the University of New Mexico for 30 years, he retired in 2019. Mr. Tatum began playing with the Santa Fe Chamber Music Festival in 1989.

Steven Tenenbom (viola) has a distinguished career as a chamber musician, soloist, recitalist, and teacher. A recipient of the Coleman Chamber Music Award and a former member of the Galimir Quartet, he’s currently a member of the Orion String Quartet, TASHI, and the piano quartet OPUS ONE. He’s appeared as a guest artist with ensembles and organizations such as the Guarneri and Emerson string quartets, the Beaux Arts and Kalichstein-Laredo-Robinson trios, and The Chamber Music Society of Lincoln Center. Mr. Tenenbom has performed as a soloist with the Utah Symphony, Rochester Philharmonic Orchestra, and Cincinnati Chamber Orchestra, and he’s toured with the Brandenburg Ensemble throughout the United States and Japan. His festival appearances include the Santa Fe Chamber Music Festival, Mostly Mozart, Ravinia, Chamber Music Northwest, Music from Angel Fire, and the Aspen, Marlboro, June, and Bravo! Vail music festivals. Mr. Tenenbom serves on the faculties of the Curtis Institute of Music, Juilliard School, Bard College Conservatory of Music, and Mannes School of Music.

Craig Terry* (piano)

enjoys an international career regularly performing with the world’s leading singers and instrumentalists. He serves as music director of the Ryan Opera Center at Lyric Opera of Chicago and artistic director of Beyond the Aria, a highly acclaimed recital series presented by the Harris Theater in collaboration with the Ryan Opera Center and Lyric. Previously, he was an assistant conductor at The Metropolitan Opera in New York City after joining the organization’s Lindemann Young Artist Development Program. As a chamber musician, Mr. Terry has collaborated with members of the Metropolitan Opera Orchestra, Lyric Opera of Chicago Orchestra, Leipzig Gewandhaus Orchestra, and Pro Arte String Quartet. Mr. Terry’s latest recording project, Songplay, with mezzo-soprano Joyce DiDonato, received the 2020 Grammy Award for Best Classical Solo Vocal Album.

Gilles Vonsattel (piano/harpsichord) is the recipient of an Avery Fisher Career Grant and the Andrew Wolf

Chamber Music Award and the winner of the Naumburg and Geneva competitions. In the 2021–22 season, he performs with Camerata Pacifica, the South Carolina Philharmonic, the Santa Fe Chamber Music Festival, Arizona Friends of Chamber Music, The Orchestra Now at Carnegie Hall, and The Chamber Music Society of Lincoln Center in New York City. Recent orchestral engagements include the Philharmonic State Orchestra in Hamburg and the Bern, Chicago, Gothenburg, Huntsville, Montreal, North Carolina, and Santa Barbara symphony orchestras. As a chamber musician, his recent engagements include the Spoleto Festival USA, Bridgehampton Chamber Music Festival, Cooperstown Summer Music Festival, La Jolla Music Society’s SummerFest, Classical Tahoe festival, Swiss Chamber Concerts series, and, in Germany, ZeughausKonzerte, SWR Schwetzinger Festspiele, and Memminger Meisterkonzerte. Mr. Vonsattel has an acclaimed discography, and he serves on the faculty of the University of Massachusetts at Amherst.

Alexander Vvedenskiy* (oboe) is principal oboe of the Louisville Orchestra. He holds degrees from the Curtis Institute of Music and Manhattan School of Music, where his major teachers were Richard Woodhams and Liang Wang, respectively. As a soloist and chamber musician, Mr. Vvedenskiy has performed in numerous concert halls and at numerous music festivals in Europe, Asia, and the United States. Highlights of his solo career include performances with the Lithuanian National Symphony Orchestra and The Philadelphia Orchestra. He’s also made multiple appearances as guest principal oboe with the New York Philharmonic, Pittsburgh Symphony Orchestra, and Chicago Symphony Orchestra.

Paul Watkins* (cello) is a distinguished concerto soloist, chamber musician, and conductor. He’s the artistic director of the Great Lakes Chamber Music Festival in Detroit, the cellist of the Emerson String Quartet and Chien-Kim-Watkins Trio, and a visiting professor of cello at the Yale School of Music. He won first prize in the 2002 Leeds Conductors Competition, served as music director of the English Chamber Orchestra and principal guest conductor of the Ulster Orchestra, and has an extensive, Grammy-nominated discography. Mr. Watkins gives regular concerto performances with the major British orchestras, and he’s performed with prestigious ensembles across the globe. Recent highlights include conducting debuts with the Minnesota Orchestra and Detroit Symphony Orchestra and concerto appearances with the BBC Symphony Orchestra, the City of Birmingham Symphony Orchestra, and the European Union Youth Orchestra on a tour that featured performances at Austria’s Grafenegg Festival and Amsterdam’s Concertgebouw. Mr. Watkins has also made regular appearances with The Chamber Music Society of Lincoln Center. *Festival debut

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Peter Wiley (cello) is a member of the piano quartet OPUS ONE, which he co-founded in 1998, and a former

member of the Beaux Arts Trio and Guarneri Quartet. After graduating from the Curtis Institute of Music, which he entered at the age of 13, he played with the Pittsburgh Symphony Orchestra for one year before being appointed, at the age of 20, principal cello of the Cincinnati Symphony Orchestra, where he remained for eight years. Mr. Wiley appears at leading festivals around the country, including the Bridgehampton and Santa Fe chamber music festivals, Music from Angel Fire, Chamber Music Northwest, OK Mozart, and the Bravo! Vail Music Festival. He also continues his long association with the Marlboro Music Festival, with which he tours and records. Mr. Wiley’s honors include an Avery Fisher Career Grant and Grammy nominations for recordings with the Beaux Arts Trio and the Guarneri Quartet. He teaches at Curtis and the Bard College Conservatory of Music.

YaoGuang Zhai* (clarinet) is principal clarinet of the Baltimore Symphony Orchestra and associate professor

of clarinet at the Boston Conservatory at Berklee. As a soloist, he’s performed with the Baltimore, Toronto, Victoria, Shanghai, Pacific, Montgomery, and Springfield symphony orchestras; Toronto Summer Music Festival Orchestra; and Aspen Conducting Academy Orchestra. He’s also performed as guest principal clarinet with the New York Philharmonic and The Saint Paul Chamber Orchestra. Mr. Zhai has actively participated in various music festivals as both a soloist and chamber musician, with appearances including Music from Angel Fire; the Santa Fe and Hong Kong International chamber music festivals; the Aspen, Laguna Beach, Pacific, and Toronto Summer music festivals; and the Beijing, Chongqing, and Taiwan international clarinet festivals. Mr. Zhai studied at China’s Central Conservatory of Music, the Idyllwild Arts Academy, and the Curtis Institute of Music.

Haochen Zhang (piano) won the gold medal at the 13th Van Cliburn International Piano Competition in 2009 and received the Avery Fisher Career Grant in 2017. Highlights for this summer include performances with The Philadelphia Orchestra, led by Nathalie Stutzmann, at the Bravo! Vail Music Festival and the National Orchestra of Metz at The Concertgebouw in Amsterdam as well as recitals in China and appearances at the International Keyboard Odyssiad & Festival and the Santa Fe Chamber Music Festival. The upcoming 2022–23 season features performances with the Staatskapelle Berlin, NHK Symphony Orchestra, and Memphis Symphony Orchestra; chamber music and concerto tours in Asia; and more. Past engagements have included the BBC Proms with the China Philharmonic; The Philadelphia Orchestra with Yannick Nézet-Séguin; the Munich Philharmonic with Lorin Maazel; the Sydney Symphony Orchestra with David Robertson; the NDR Elbphilharmonie Orchestra with Thomas Hengelbrock; the London, Los Angeles, and New York philharmonics; the London Symphony Orchestra; and solo and concerto performances at Carnegie Hall.

Gregory Zuber (percussion)

is the principal percussionist for the Metropolitan Opera Orchestra. He’s toured the United States, Europe, and Japan with the Met, and he’s been featured with the orchestra as a concerto soloist at Carnegie Hall. As a solo recitalist and chamber musician, Mr. Zuber has appeared at Carnegie Hall’s Zankel Hall and Weill Recital Hall, the Verbier Festival, the Leigh Howard Stevens Summer Marimba Seminar, the New York Chamber Music Festival, The Juilliard School’s Summer Percussion Seminar, the Santa Fe Chamber Music Festival, and Music from Angel Fire. He’s also performed regularly with the Met Chamber Ensemble. Mr. Zuber plays chamber music with his wife, flutist Patricia Zuber, as Duo Zuber. They can be heard on their duo album, Blackbird Redux, and Mr. Zuber can also be heard on his solo album, Life Behind Bars: Masterworks for Marimba.

*Festival debut

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Annual Fund & Artists’ Circle Donor Benefits Artists' Circle Donor Benefits*

Supporter Associate Silver Gold Platinum ($500–$999) ($1,000–$1,999) ($2,000–$2,999) ($3,000–$4,999) ($5,000–$9,999)

Diamond ($10,000 +)

Festival Program Book Listing

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Access to Season Preview Event

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Invitations to Artists’ Recitals

Four

Four

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Priority Ticketing

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Passes for Free Parking

Four

Six

Ten

Unlimited

Companion Coupons

Two

Four

Six

Ten

Platinum / Diamond Dinner & Recital

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Pre-season Printed & Digital Program Notes

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Boxed CD Set of Festival Radio Broadcasts

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Mozart Society Recital Invitation

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Free Ticket Exchanges

Sponsorship of Festival Artists

*All gifts of $100+ will be listed in the Festival Program Book For more information, please contact: Cece Derringer, Director of Development 505-983-2075, ext. 108 • cderringer@sfcmf.org • PO Box 2227, Santa Fe, NM 87504-2227 • www.sfcmf.org

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| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

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Annual Fund: How YOU Make the Music Happen Dear Festival Friends,

This summer marks the Santa Fe Chamber Music Festival’s 49th season. Every year, we offer our audience an unforgettable musical experience by presenting a wide range of chamber music repertoire performed by musicians of the highest caliber from around the world. Your generosity—as donors, patrons, and valued members of our musical family—makes this glorious music possible.

Your support also allows us to bring music into the lives of thousands of children and youth through our music education programs. Music in Our Schools is a series of chamber music concerts performed for students in pre-K and grades K–6 at 15 schools in Santa Fe and northern New Mexico. Strings in Our Schools offers small-group violin instruction (which culminates in yearly recitals and group concerts) to students in grades 3–6 in four elementary schools in Santa Fe and Pecos. Guitar in Our Schools provides small-group guitar instruction for students in grades 3–6 at Kha’p’o Community School at Santa Clara Pueblo. The Dream Big Private Lesson Program offers weekly subsidized private lessons taught at middle and high schools on each student’s chosen instrument, including voice. And our summer Youth Concerts feature Festival musicians engaging children with fascinating storytelling and performances of repertoire drawn directly from our regular programming.

In addition to our concerts and education programs, your generosity supports the creation of important new music, which the Festival commissions every year from today’s leading composers as well as exciting up-and-coming talents, and it allows us to broadcast Festival performances via our national Radio Series on stations around the country and beyond, including in areas where access to classical music may be limited.

All of us at the Festival thank you for your ongoing support of our concerts and programs. To make your tax-deductible 2022 donation to the Festival, contact our Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org. You can also mail your donation to the Festival at PO Box 2227, Santa Fe, NM, 87504-2227, or pick up an Annual Fund brochure at the Ticket Office desk—located in our venues’ lobbies during the Festival season—and drop the enclosed donation envelope into the donation box near the Ticket Office desk.

YOUR DONATION MATTERS­—NOW MORE THAN EVER!

This year, the Festival is the recipient of an exciting challenge grant. Please consider supporting the music you love with a tax-deductible gift that can be matched through this challenge grant.

Still Water Foundation Special Donor Challenge Between now and October 31, 2022, new Festival donors who give $250 or more and returning donors who increase their gifts by $250 or more over last year’s amount will have their gifts matched, dollar for dollar, by the Still Water Foundation—which means that every gift’s impact will double instantly.

Now and always—challenge or no challenge—please know that your generosity in making the music happen is deeply and warmly appreciated. You make a difference.

Thank you.

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Fill your summer with California IVAL of CABRILLO FEST MUSIC RY CONTEMPORA g or ic. us m cabrillo CA , uz Cr a nt Sa JULY 24–AUG 7 FESTIVAL CARMEL BACH l.org iva st fe bach Carmel, CA JULY 14–30 LA JOLLA MUSIC SOCIETY SUMMERFEST ljms.org La Jolla, CA JULY 29–AUG 26 T MAINLY MOZAR FESTIVAL mainlymozart.org San Diego, CA JUNE 10–18 MUSIC@MENLO rg musicatmenlo.o CA n, Atherto JULY 14–AUG 6

Idaho SUN VALLEY US M IC FESTIVAL org svmusicfestival.

ID y, lle Va Sun JULY 24–AUG 18

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Colorado ASPEN MUSIC FESTIVAL and SCHOOL aspenmusicfestival.com Aspen, CO JUNE 30–AUG 21 BRAVO! VAIL bravovail.org Vail, CO JUNE 23–AUG 4 COLORADO MUSIC FESTIVAL coloradomusicfestival.org Boulder, CO JUNE 30–AUG 7 STRINGS MUSIC FESTIVAL stringsmusicfestival.com Steamboat Springs, CO JUNE 24–AUG 27

New Mexico SANTA FE CHAMBER MUSIC FESTIVAL santafechambermusic.com Santa Fe, NM JULY 17–AUG 22

Oregon CHAMBER MUS IC NORTHWEST SUMMER FESTIV AL cmnw.org Portland, OR JUNE 25–JULY 31

Washington SEATTLE CHAM BER MUSIC SOCIETY SUMMER FESTIV AL seattlechamberm usic.org Seattle, WA JULY 5–31

Wyoming GRAND TETON MUSIC FESTIVAL gtmf.org Jackson Hole, W Y JULY 3–AUG 27

Explore the mus ical riches and unique settings of thes e allied festival s of the Western Unite d States.

CLASSICAL MUSIC FESTIVALS OF THE WEST 2022

Artists’ Circle and Annual Fund Contributors The Santa Fe Chamber Music Festival gratefully acknowledges the individuals listed here for their generous gifts. More than half of our annual budget comes from you, our wonderful contributors. We want to especially recognize and thank the loyal members of our Sostenuto Society—indicated here with an asterisk (*)—who’ve made gifts to the Festival for the past five or more consecutive years.

We warmly thank everyone who’s contributed to the Festival for the critical role they’ve played and continue to play in helping us make the music happen.

The Artists’ Circle This special core group of annual supporters contributing $2,000 or more ensures the Festival’s continued artistic excellence by generously underwriting musicians’ residencies. Their outstanding commitment is deeply appreciated.

Diamond Patrons ($10,000 and above)

Anna-Marie Baca Barbara B. and Ronald Davis Balser* Beth Beloff and Marc Geller* Joseph M. Bryan, Jr.* David Bulfer and Kelly Pope* Elisbeth Challener and Brett Bachman* Kathleen and Robert L. Clarke* Lynn Coneway* Ralph P. Craviso Susan and Conrad De Jong* Mike and Marty Everett* Sue and Chris Fan* Paula and Steven Fasken David Tausig Frank and Kazukuni Sugiyama* Steven Goldstein, MD, and Susan Goldstein* David Goodrich and Brian Clarke* Diane and Werner Grob* Bessie Simpson Hanahan* John Hart and Carol Prins* Michael Stephen Hindus and Lynne Elizabeth Withey* Robert L. Hull and Myra Barker Hull* Kay Duke Ingalls* Nancy E. and P. Anthony Jacobs Sue Kimm and Seymour Grufferman*

Paul L. King* Ron Lushing and Dan Reid* Margaret and Barry Lyerly Marcella Fund Ellen Marder and Wolfgang Schmidt-Nowara* Anthony and Kay Marks* David Muck and Cole Martelli* Jay W. Oppenheimer* Louisa Stude Sarofim* Herman Siegelaar and Cornelia Bryer* Nat and Rebecca Sloane* Marilynn and Carl Thoma* Drs. Cheryl Willman and Ross Zumwalt* Lynn Wolf

Platinum Patrons ($5,000–$9,999)

Newlyn and Ben Allison Jean and John Berghoff* Kelley O. and Neil H. Berman* Brian Braa and Andy Eiseman* Carole and David Brown* Terry and Pamela Carter* Benjamin F. Crane* Patricia Marcus Curtis and Robert Curtis David B. de Wetter Kevin Dvorak and Steven Toms Halley Faust* Peter Frank and Leslie Shaw*

Valerie and Bud Hamilton Lynne and Joe Horning* Ellen and James Hubbell* Sherry and Robert Johnson Hervey Juris and Leslie Nathanson Juris Mary Lattimore* Diane and John Lenssen* Jani and Jeff Leuschel* Harry and Betsey Linneman* Marilyn Macbeth and Forrest Carlton* Ginnie Maes, Kanter Kallman Foundation* Kenneth R. Marvel and Robert R. Gardner* Beth McGown and Russ Toal* Steve Moise* Tom and Jane O’Toole* Lisa and John Overbey* Steven Ovitsky* Barry and Roberta Ramo* Crennan M. Ray* Shellie Scott* Judy and Bob Sherman* Richard and Willa Sisson* Richard Tang* Jane Ann and Jasper Welch* Jody and Rob Wilson

Gold Patrons ($3,000–$4,999) Anonymous*

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Yoko and Thomas Arthur* Suzanne and Enrico Bartolucci Jocelyn and Donald Blair* Virginia and Morgan Boatwright* Mrs. Duncan E. Boeckman* Sarah and Doug Brown* Philip Cook* Mrs. Kay Crawford* George de Garmo Janet Desforges* Donna and Lee Dirks* Susan Foote and Stephen Feinberg Maria and Edward Gale Joel Goldfrank* Jeri Berger Hertzman and Phillip Hertzman* Lynne Hohlfeld and Michael Crockett Jeanne and Van Hoisington* Edward and Patricia Hymson* Dan Jackson and Jeremy Guiberteau Elizabeth and Albert Kidd* Alan and Elisabeth Lerner* Dr. and Mrs. Robert Marcus* Judy Moore-Kraichnan* Penelope Penland* Jane Phillips-Conroy and Glenn Conroy* Mary Lawrence Porter* Dave Rossetti and Jan Avent* Jacqueline and Richard Schmeal* John Wilcynski and Jan Chavez-Wilcynski Martha B. and David G. Winfield*

Silver Patrons ($2,000–$2,999)

Michael and Ann Anastasio* Anonymous* Richard C. Bentley* Donna and Tom Berg Keri and Michael Brinegar* Cynthia and Alan Coleman* Mary and David Cost, Charles Piper Cost Foundation* Richard and Margaret Cronin* Julie and Glenn Davidson Nancy and Chris Deyo Susan H. Dubin* Christine and Daniel Fallon* Nancy and Roland Feiner Judi Flom Doris Francis-Erhard 68

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Sophia O. Garrett Julanna Gilbert and Robert Coombe Elizabeth Glassman John L. Gray and Ray Landy Dr. Sheila Hafter Gray†* Donna and Hal Hankinson* Joanna Hess* Jo Kurth Jagoda* Kim Jordan* Phyllis Lehmberg Mary Jean Little* Van Mabee* Mary Meredith Elaine Wang Meyerhoffer* Robert and Mary Platt* Gary and Lois Podolny* Carolyn and Preston Reed Judy Rhymes* Roberta Robinson and Roger Carasso Helen and William Rogers* Grace and John Rosenquist* Victoria Shepard Samuel Shorstein* Lea and David Soifer* Marcia Southwick* Barbara Teichert Evelyne Thomas* Suzanne M. Timble Marcia Torobin* Thom Von Buelow* Nancy West Linda Westerburg Patti Wetzel Kathleen Winslow Nancy Meem Wirth* Elizabeth Yasek Nancy Zeckendorf* The Annual Fund

Festival Associates ($1,000–$1,999)

Lori and Edward Adcock Emy Lou and Jerry Baldridge Eleanor P. Brenner* Mike and Diane Cannon* Douglas and Ruth Chaney Elaine and Ken Cole Dr. Ron Costell and Marsha Swiss* Margo Cutler Douglas and Marcia Dworkin*

Carlota and Walter Dwyer Natalie Foster* Bernice Greene Claudia Hardwick Robin and John Hendricksen Richard Hughes Charlene and Charles Hyle Eugene Kornblum* Ellen and Charles Lacy Jane G. Morrison and Michael Tobias Helen T. Murphy and Mary S. Riebold* Dr. John Petricciani* Lee Podles Sasha and Alexandra Pyle* Kathleen and Robert Reidy Richard Schacht and Judith Rowan* Joel and Beth Scott Molly and Fred Seibel* Gay P. and Graham J. Sharman* Larri Short and Steve Reilly* Sarah Billinghurst Solomon and Howard Solomon David Sontag* Nancy Steedman Sheila Van Cuyk and Tom Anderson Joan Vernick* James F. Watson Dan Winske*

Festival Supporters ($500–$999)

Joe Alcorn and Sylvia Wittels Cindy Aloi and Irwin Sugarman* Anonymous* Mikaela Barnes* David L. Bass Christine Bassett and Carey Alexander* Sarah and John Bienvenu Robert Brown and Dennis Karbach Constance Burke and William Leeman Tee Campion Christine Cassel and Michael McCally Roberto L. Ceriani and Pedro Surroca* Roberta Colton Richard and Mary Covington Katherine Dalsimer Eudice and Les Daly* †Deceased

Joan Dayton and Richard Curless Raul Delgado* Rebecca Dempsey John C. and Jay Nicholas Elder David and Ellen Evans* Cynthia Fields David Gee Pamela and Richard Hanlon* Steve Haskin David Hawkanson Holly Hayes-Stern and Carl Stern* Maya Hoffman* Sarah Horton Adrienne Horwitch* Clark and Carolyn Hulse Robin and Julius Kaplan* Steven Kerchoff Dr. Walter L. Kirchner Barbara Lenssen and Keith Anderson* Donna and Trevor Lumb Julia Marsden Beverly and George Martin* Juliet Mattila and Robin Magowan* Camille Ovitsky* Wendy and George Powell* Diane and Robert Reid Sally and Don Roberts* Gene and Barbara Sanger Nancy Scanlan* Harriet Silverman and Hon. Paul Smelkinson Eric Springsted Jean and Eugene Stark Susan Steinhauser and Daniel Greenberg* Renee and Larry Stevens John L. Van Horn and Charles R. Owens Nina Robinson Vitow Adair Waldenberg and Jon Peck* Mary Adams Wotherspoon Dr. Dean Yannias Ellen Yarrell Linda and Owen Youngman

Festival Contributors ($250–$499) Robert C. Anderson* Bob and Pat Anker Anonymous* Anonymous*

Anonymous* Page Ashley Gail and Dana Atkins Ryan and Melanie Bailey Hilary Benton and David Williams William and Nancy Bergner Erin Blair William Blumenthal Carl Bogenholm Susan Brake Karen Broido Gaia Brown and Lloyd Rogers Anne and John Burton Tish Butler* Frank and Bonnie Cahill Elissa Cahn Dr. and Mrs. Michael B. Clayman Pamela Culwell and Charles Case* Bill and Nancy Doolittle* Luci Duranceau-Church Yolanda and Abram Eisenstein* Bonnie Ellinger and Paul Golding Rachel and Melvin Epstein Judith Evans Lisa Falls Sarah Fleming Louise Frank Elizabeth French Cathy Gebhard Paula Greer* Jeffrey and Barbara Griffith* Barbara Haffner Fanchon and Howard Hallam* Marie F. Harper* Linda and Jill Herman* Judy and Ed Hildebrand Bernhard B. Holzapfel* Marsha Hunter and Brian Johnson Marjorie Eddy Johnson Jamie Jordan Diana and Neil King Maria Soledad King and John Joseph King Thomas King Mark Kosower Elaine F. Kramer Corinne Kratz* Ellen Kurnit Craig Lamb Toni Lipton and Scott Temple William Lotshaw Robert Lynn and Janet Braziel* Isabelle and Eric Mayer

Patrick McCabe Evelyn McClure* Shelley McGehee Judith R. McNeil and David J. Welch Frances Walton Moore* Julia Moore* Sana Morrow* Dede and Paul Natale* Susan C. Oliphant James Orth* Jerald and Cindi Parker Diana Petitti John and Sue Prange Nancy Rowland Daniel Rusthoi Paula Sass-Donnelly* Jeffrey Schamis and Eva Eves* Carol and Nicholas Seeds* Jeremy Shamos Marilyn Smith and Ellen Smith* Nadine F. Stafford Scott Turner Melvin and Mary Ann Twiest Jill Cooper Udall and Tom Udall* Willard R. Wadt* Barbara Wagner and Charles Palmer* Mayor Alan Webber and Frances Diemoz Gertrude de G. Wilmers Lynn Witherspoon Dinah Worman and Bruce Ingram Everett Zlatoff-Mirsky

Festival Donors ($100–$249)

Jerome Andersen Sally and Ken Anderson* Eugene B. and Ellen Andes* Anonymous* Anonymous Carol Beck Henry C. Bierwirth Nina Binin Bobbie Ferrell Art Barbara Boyd Helen and Douglas Brooks Stephen Bubul Ann Caldwell and Rebecca Royall Lesley Carlson Philip Chapman Jerry W. Claiborne Robbin and Don Close* Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Malcolm H. Cole Robert Cook Drs. John and Lois Crowe* Anne D’Alessandro and Lawrence Lyons* Sheryl and Michael DeGenring* Cece Derringer Bobbie Elliott* Gail and Douglas Fine Kristina J. Flanagan Timothy Fox William Gates* Pamela J. George Mary Jane Gilchrist James and Adele Glimm* Linda Goff Hartford P. Gongaware John Greer Gerald and Diane Gulseth* Mary and Jeffrey Harvey Kathy and Joe Hessenthaler Constance Holderer Mark Jacobs Robin and Alfred Kappler Arthur Kerr Dina Kuntz Carol Lakin Anne and Harry Lamberton Kimberly Leight Michael Liebman and Barbara Beames Barbara Luboff Tina Ludutsky-Taylor and Allen Taylor Todd Lustgarten Kimberly Macloud Daniel Marcus Janice Mayer Jessica and Lowry McAllen Dee Ann McIntyre* Rosemary Merriam Dwight Miller Susan More and Mary Menke Donna and Alec Morgan Mary Ellen Mulcahy Hal Myers Kay and Jose Ofman Anne M. Ortiz-Harris and Dahl L. Harris David Osborne Victoria and Howard Palefsky* Dr. James Parks and Ms. Donna Behnke 70

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Matilda Perkins, MD, and Michael Freeburger Philip Phibbs John Pope John Rask Robert Ripps Phyllis and Elliot Ross Irwin Sarason John Scanlan* John Serkin and Catherine Kurland Elisabeth Spanhoff Lynne P. Spivey Jane Stecher H. Bart Stucky Jay Ven Eman Hella and George Vroom Karen Walter David L. Walther* Chase and Judy Weaver Deborah and Laurence Weinberg Steven and Alison Weinstein Donna Welensky Ronald Werner Charlotte T. Whaley Anna L. Wilson Donna Winters*

Gifts Made in Tribute In Memory of Marjorie Beck Carol Beck In Memory of Benjamin Crane Richard and Willa Sisson In Memory of Gail Factor Dr. Ron Costell and Marsha Swiss In Memory of Helen Lamberton Gates Anne and Harry Lamberton Gertrude de G. Wilmers In Memory of Ronald Goldberg, MD Lynn Wolf In Memory of Susan Herter Cece Derringer In Memory of Barbara Holzapfel Bernhard B. Holzapfel

In Memory of David Ingalls Janice Mayer Nedra Matteucci Galleries Barbara Teichert In Memory of Ann Rubenstein Debby Bergh Elfriede Trujillo Dinah Worman and Bruce Ingram In Memory of David Shepherd Emy Lou and Jerry Baldridge In Honor of Victoria Shepherd Emy Lou and Jerry Baldridge In Memory of Marvin Sloves Anonymous Elizabeth Glassman Thom Von Buelow In Memory of Lorlee and Arnold Tenenbaum Anonymous Anonymous Tom Applequist and Charles Newman Anna-Marie Baca Barbara B. and Ronald Davis Balser Beth Beloff and Marc Geller Donna Bradley and Lee Dirks Brenda F. Brand Patricia Marcus Curtis and Robert Curtis Janet Desforges Ann Marie Drucker Mike and Marty Everett Sandy Fitzpatrick David Tausig Frank and Kazukuni Sugiyama Richard Gaddes Hartford P. Gongaware Diane and Werner Grob Bessie Simpson Hanahan John Hart and Carol Prins Jeri Berger Hertzman and Phillip Hertzman Nancy E. and P. Anthony Jacobs Hervey Juris and Leslie Nathanson Juris Sue Kimm and Seymour Grufferman

Shell and Wyck Knox Miryam and Bob Knutson Ron Lushing and Dan Reid Elizabeth McGown and Russell Toal Marti Meyerson and Jamie Hooper Steve Moise Lynn Pollock Judy Rhymes and Sally Whitely† Peter Selig Judy and Bob Sherman Richard Tang Zelda Tenenbaum The Tenenbaum Family Jan and Marica Vilcek Andrew Wallerstein and Mary Sloane In Memory of Sally Whiteley Margo Cutler Judy Moore-Kraichnan Jane G. Morrison and Michael Tobias

In Memoriam Benjamin Crane Advisory council member, patron, and donor Sherry Davis Former board member, patron, and donor Marcia de Garmo Patron and donor Sheila Hafter Gray, MD Patron and donor David Ingalls Board member, patron, and donor Bill Jagoda Patron and donor Ann Lodge Patron

ENTEPRISE BANK & TRUST IS PROUD TO SUPPORT THE SANTA FE CHAMBER MUSIC FESTIVAL. Enterprise is proud to support the Santa Fe Chamber Music Festival in their commitment to providing our community with world-class performances and exceptional music education programs.

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James Lowry Patron and donor Harold Melnick Patron Clair Nielson Patron and donor Kathryn O’Keeffe Patron and donor Ann Rubenstein Patron and donor Marvin Sloves Patron and donor Sally Whiteley Patron and donor

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welcome to our 2022-2023 season

the world’s best music, dance, and theater

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PerformanceSantaFe.org | 505 984 8759

Joshua Habermann | Artistic Director

CAMINANTE: Journey Through 40 Years Join Us for Our 40th Anniversary!

2022 Summer Festival July 13 - August 5 Sponsored by Mary and Phil Delk in Memory of Joel Brauer

PILGRIMAGE: SONGS OF THE MEDITERRANEAN BASIN

Program sponsored by Lynne and Joe Horning

Stream us live: KHFM.org

MYSTICS & MAVERICKS

Program sponsored by Sallie Bingham

THE SOUNDING SEA

Program sponsored by Suzanne Timble

2022 Winter Festival December 10-22 Sponsored by Catherine and Guy Gronquist

A CEREMONY OF CAROLS

TICKETS ON SALE NOW (505) 988-2282 desertchorale.org

Photo: Tira Howard Photography

THANK YOU TO OUR SPONSORS

Chamber Music Albuquerque 2022-2023 Season October 9th

Sharon Isbin, guitar Grammy winner Juilliard School January 22nd

Takacs Quartet

“one of the greatest quartets” (New York Times) April 16th

Viano Quartet

winner Banff Quartet Competition resident: Curtis Institute of Music June 11th

Stars of Chamber Music Lincoln Center David Finckel, cello Wu Han, piano Arnaud Sussman, violin June 18th

Third Coast Percussion Grammy winner Percussion and Composer Collective

Symphony subscribers have the best seats in the house! Subscribe today and experience the vibrant and warm embrace of symphonic music with your Santa Fe Symphony Orchestra & Chorus.

The 2022–2023 Season is The Symphony’s Love Letter to Santa Fe—presenting an outstanding lineup of award-winning guest artists, including 2021 American Pianists Awards Winner and Christel DeHaan Classical Fellow, Kenny Broberg.

The Symphony Box Office: 505.983.1414

****** Sunday afternoons Simms Center for the Performing Arts Albuquerque Academy Tickets chambermusicabq@gmail.com 505.886.1251

Corporate, Foundation, and Government Support Support received by the Santa Fe Chamber Music Festival from local and national businesses, corporations, foundations, and government agencies is critical to its ongoing success. The Festival expresses its profound gratitude to the following entities for so generously recognizing the importance of music to the Santa Fe community and the artistic significance of the Festival nationally and internationally.

Corporate Support Act 1 Tours Allan Houser, Inc. Arroyo Vino Century Bank Eldorado Hotel & Spa Enterprise Bank & Trust La Fonda on the Plaza LewAllen Galleries Pulakos CPAs RVK, Inc. Corporate Matching Gifts Boeing Company Eli Lilly and Company Foundation ExxonMobil Foundation IBM International Foundation Johnson & Johnson Family of Companies Miller Stratvert, PA, Law Offices Pfizer Foundation Matching Gifts Company Stillman Pacific, Inc. Texas Instruments Foundation Foundation Support Alexandra Pyle Charitable Fund, Fidelity Charitable Ann and Gordon Getty Foundation Beloff and Geller Family Fund, Santa Fe Community Foundation Berkman Family Charitable Trust Boeckman Family Foundation Carl and Marilynn Thoma Foundation Carter Family Fund, Tulsa Community Foundation Caryn Glickman Charitable Fund, Fidelity Charitable Coneway Family Foundation Dave Rossetti and Jan Avent Philanthropic Fund David K. Ingalls Charitable Lead Trust

Earl M. and Margery C. Chapman Foundation Edgar Foster Daniels Foundation Fasken Foundation Fay Shwayder Foundation Fred and Eve Simon Charitable Foundation Greenberg Foundation Halley and Ruth Anne Faust Charitable Fund, Schwab Charitable Hoffman-Bravy Charitable Foundation Hutson Wiley and Echevarria Foundation, Inc. Ira N. Langsan and Lillian Langsan Philanthropic Fund James N. Cost Foundation Jane Phillips-Conroy and Helen Cohn Charitable Fund Jo Kurth Jagoda Charitable Fund, Fidelity Charitable John H. Hart Foundation Kantar Kallman Foundation Kaplan-Privitera Charitable Fund Kathryn O’Keeffe Charitable Foundation Lair Ranch Fund Little Charitable Fund, Tulsa Community Foundation Marcia Southwick Charitable Fund, Fidelity Charitable Martha Anne Dorminy Fund, The Boston Foundation Mickey Inbody Charitable Foundation, Inc. Moise Family Fund Muzik 3 Foundation Nathanson/Juris Family Fund, Fidelity Charitable Paul L. King Charitable Foundation Peters Family Art Foundation Santa Fe Community Foundation Special Relativity Education Foundation

Still Water Foundation Mr. and Mrs. Thomas F. O’Toole Fund, Communities Foundation of Texas Tulsa Community Foundation Turnip Top Foundation United Way of Central New Mexico Welch Family Fund, Vanguard Charitable Government Support City of Santa Fe Arts and Culture Department National Endowment for the Arts New Mexico Arts

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The Endowment: Investing in the Festival’s Future In 1998, the Santa Fe Chamber Music Festival created a permanent endowment to ensure that its rich tradition of presenting the world’s finest chamber music could continue for generations to come. Through bequests and outright gifts large and small from many donors over the years, the Endowment has grown to nearly $11 million today, and the Festival is deeply grateful to the donors who have so generously participated in this important effort.

You, too, can make a lasting impact on the Festival and play a crucial role in its future by contributing to the general Endowment or establishing your own Named Fund. (Please see the Perpetual Sponsorships section of this program book for a list of current Named Funds.) Named Funds can support an exciting range of Festival activities, including artists’ and composers’ residencies, unique education and outreach programs, and special Festival projects, such as recordings and national radio broadcasts.

Gifts of any amount—whether made today or as part of your estate plans—are welcome and deeply appreciated.

For more information, please contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org.

Endowment Board of Directors Peter B. Frank, President Albert Kidd, Treasurer Robert L. Clarke, Secretary Brett Bachman Douglas M. Brown Richard Cronin Michael Stephen Hindus Paul L. King Kenneth R. Marvel Herman Siegelaar Nat Sloane Michael Everett, Ex officio Donors of Distinction Anonymous Anonymous Brown Foundation, Inc., of Houston Nancy C.† and Kenneth C. Cain David T. Frank and Kazukuni Sugiyama Kay Duke Ingalls and David K. Ingalls† Diane B. Jergins† Mara† and Charles† Robinson Guarantors Quarrier† and Philip Cook John Hart and Carol Prins Nancy E. and P. Anthony Jacobs David Muck and Cole Martelli 78

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Mr.† and Mrs.† Gifford Phillips Herman Siegelaar and Cornelia Bryer Benefactors Deborah L. Berkman† Susan Black† Carole and David Brown Mr. and Mrs. Robert L. Clarke Ralph P. Craviso Mike and Marty Everett Susan Gardner and Devon Ross David Goodrich and Brian Clarke Michael Stephen Hindus Jacqueline Hoefer† Susan† and David† Horowitz Betty Gardner Meyers† National Endowment for the Arts Kathryn O’Keeffe† Crennan M. Ray Nat and Rebecca Sloane The Tenenbaum Family Thaw Charitable Trust Jane Ann and Jasper Welch Nancy and Bill† Zeckendorf Sponsors Wood Arnold II Barbara B. and Ronald Davis Balser Dr. Barry† and Natalie Beller Sarah and Doug Brown Elisbeth Challener and Brett Bachman

Lynn and Peter† Coneway Patricia Marcus Curtis and Robert Curtis Judy† and Lee Dirks Edgar Foster Daniels Foundation William E. and Tina Santi Flaherty Susan Foote Peter and Eleanor† Frank Susan and Steven J. Goldstein, MD Stanton Hirsch† Robert L. Hull and Myra Barker Hull Barry Lapidus Ron Lushing and Dan Reid Kenneth R. Marvel and Robert R. Gardner Faith B. Meem† Bob and Vicki Midyett Mary Mill, Mill Atelier Foundation Beth† and Steve Moise Judy Naumburg Jay W. Oppenheimer Mary Lawrence Porter Bruce S. Ross and Eileen Gallo-Ross James Clois Smith, Jr. Jill Cooper Udall and Tom Udall Professors Emeriti Charles M.† and Shirley F.† Weiss William Randolph Hearst Foundation Nancy Meem Wirth and John Wirth† †Deceased

Endowment Fund Contributors (continued) Partners Anonymous Jean and John Berghoff Donald and Jocelyn Blair Drs. Glenna and Curtis Boyd Richard† and Eleanor P. Brenner Robert and Nancy Carney Elisbeth Challener and Brett Bachman Joan and David Clark James and Linda Cohen Joan Z. Cohen Sally† and Ben Crane† Richard J. and Margaret A. Cronin Florence Dapples† Stan and Zu Davis Douglas† and Joan Dayton Anne Dean† and John W. Turk† Marthanne Dorminy and Stewart Gardner Mrs. Avery Fisher† Adeline† and Richard† Fleischaker Helen C. and Bertram† Gabriel, Jr. Diane and Werner Grob Hal and Donna Hankinson Lynn and William Herbert Susan Herter Phillip A. Hertzman and Jeri Berger Hertzman Leda Hirsch† Horace W. Goldsmith Foundation Irving Harris Foundation Virginia and Ira† Jackson Hervey Juris and Leslie Nathanson Juris Virginia L. Kahn Edward B. Kaufmann Sarah Lawless Alan and Elisabeth Lerner Margot and Robert Linton Foundation, Inc. Marthanne Dorminy Fund Balene Cross McCormick† The Honorable Patricia A. McFate† Ann and James† McGarry Charles and Beth Miller Philip H. Naumburg† New Mexico Community Foundation Marianne and Michael† O’Shaughnessy Jane and Thomas O’Toole †Deceased

Steven Ovitsky Joseph and Anne Ponce Jean S. Potter Carolyn and Bill Rainer Roberta and Barry Ramo, MD Margaret Robson† Betsy and Ted Rogers Dave Rossetti and Jan Avent Paul Ira Rubinfeld† Alicia Schachter† and Sheldon Rich† Lorraine Schechter† Sidney and Sadie Cohen Foundation Eve and Fred† Simon Marvin Sloves† Jane and Arthur† Stieren Ling Tong and Robert Hilgendorf Erich Vollmer B. J. and Bob Weil Joseph M. and Eileen Wells Sol and Marsha Wiener Dr. Cheryl Willman and Dr. Ross Zumwalt Estelle B.† and S. P.† Yates Toni† and Leshek Zavistovski Friends Richard D. Alby† Joyce and Tom Allen Anonymous Anonymous Anonymous Linda and Lance Armer William and Julia Ashbey Anna-Marie Baca Jane and John Bagwell Jeff Ballowe Mikaela and Craig† Barnes Marie Baum Richard K. Beaubien Stephen Benjamin Jane and Charles Berger Judith and Sam Berger Gisela and Laurence Berns Katherine† and Bruce Besser Eleanor and M. H. Blakemore Maxine and Sidney Bloom Elizabeth and Duncan† Boeckman Amy Bourret Susan and Donald Bowey Dr. and Mrs. Ralph Bransky Joseph M. Bryan, Jr.

Natalie Smith Buck Jean and Waldo Burnside Marcella† and Clifford† Burton Tish Butler Helen and Julius Cahn Ann and Lynn Carrozza Vincent Carrozza Ann Casady Robbin and Donald H. Close Corinne and Dan Collins Gloria Cordova and Dan Winske Harry R. Courtright Gloria R. and Philip R. Cowen Mr.† and Mrs. William W. Crawford John and Lois Crowe Scott Cuming† Hope Curtis Mollie and Robert Custer Sherry† and Jim Davis Anne Hunt Deal† and Family Lisl and Landt Dennis Cece Derringer Ellen and Ralph Digneo John and Cynthia Dobson Susan Dupépé Dr. Nader D. Ebrahimi and John K. Wheeler Robert† and Brenda Edelson Edward and Ann C. Levy Charitable Remainder Trust Dr. Bernice Elkin Bobbie Elliott Eleanor and Frank Evans Sandra and James Fitzpatrick Nancy M. Folger and Sydney Werkman, MD Barbara Forslund A. Charles Forte Loulie M. Fox John V. Frank Letitia E. Frank† Laurel and Orrie Friedman Marjorie Garber William Gates and Helen Lamberton Amy and Philip Geier Sheila Gershen Robert Glick and Jacquelyn Helin Mary Goodman Carmoline† and William Grady Kathleen and Alan Grainger Brooke Suzanne Gray Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Endowment Fund Contributors (continued) Dolly H. Gray-Bussard Geneva Griffin Clara Keyes Hardin Marie F. Harper Dorothy S. Harroun Hascoe Family Foundation Milton S. Heath, Jr. Jackie and Jack Heise Beth and C. Wolcott Henry Joanna Hess Thomas G. D. Hesslein David Hillson and Eileen Grevey Hillson Joseph Hohlfeld Theodora Hooten Mr. and Mrs. Gerald Hotchkiss Robert L. Houget Jane Hunt Houston Jo Kurth Jagoda and Bill Jagoda† Barbara and Perry Jeffe Dr. Cone Johnson Fred and Kim Johnson Susan D. Jones Hilde and Ernest Kahn Mr. and Mrs. Jeffrey H. Kahn Audrey† and Norman Kaplan, MD Julius and Robin Kaplan Louise and Jerome Kaplan Timothy D. Karsten Lisa and Paul Kaufman Brian Kern Alice and Jerry Kessler Carola Kieve, MD Dr.† and Mrs. Morton M. Kligerman Helen Kornblum Andrea Kroh Nancy and Martin Kuckly Edwin F. LeGard, Jr. Joan and Harold Leinbach Michael and Nancy Levin Audrey Lewis Erika† and Fred Little Galen S. Lockwood Melanie S. and Peter K. Maier Mary Jean Manning Tom Margittai† Marlene Nathan Meyerson Foundation Jerome Marshak Michael G. McCafferty Marilyn and John McConnell Milo L. McGonagle 80

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Susan McGreevy Marguerite McGregor Janet and James McKay Martha B. McLanahan William H. Mears, Jr. Alicia and Bill Miller Ellen and Roger Miller Susan and Charles Mize Marjorie and David Morehead Barbara-lyn† and Tom Morris Sana Morrow Jackie M. and Michael Motley Gardner M. Mundy Rochelle and Edward Nanas Lee J. Nash Peg Nelson Scott Nelson New Mexico Concierge Association Bridget and Bob Nurock Michael Ogg and Barbara Doroba-Ogg Ellen S. O’Gorman Richard T. Okinaka Dolores† and Frank† Ortiz Estate of Katya Overhage† Madeline C. Papile Stu Patterson and Ellie Schrader Paul and Elissa Cahn Foundation Katie and Gerald Peters Ann and Felix Phillips Mary Claire† and Charles Phipps Joseph Pisacane Mary Polhemus Mary and James Polk Lynn and Lewis Pollock Maya Pool Lisa S. and John A. Pritzker Gail and Owen† Quattlebaum Joan Cuming Read Arden Reed and Drury Sherrod Kathie and Tom Reed Diane and Robert Reid Ed Reid† and Ellen Bradbury-Reid Reynolds Family Foundation Dr. and Mrs. Pete Rhymes Mr. and Mrs. Frank Brooks Robinson Ann† and Alan Rolley† Rolley Foundation Carol Romero-Wirth and Peter F. Wirth Janet and Tony Rousselot Mr.† and Mrs. Ian Russell

Charles Ryskamp† Santa Fe Art Foundation Santa Fe Weaving Gallery Sol Schreiber Mary and Robert Schuyler Ernest and Edith Schwartz Michael† and Noreen† Scofield David A. Shepard Jr. and Tori Warner Shepard Rev. F. G. Sherrill David Silverman, EA Jane Silverman Dr. Roger M. and Leslie K. Simon Helene and Herman Singer Richard and Willa Sisson Charlotte Ferguson Sloan† Marianna Smith† Drury Spurlock Nadine Stafford Drew Stewart Sutin, Thayer, and Browne Steffi and Don Tashjian Kyla and Roger Thompson Ellen Tipton Deborah Ungar Kristin and Mac Watson Barbara and Paul Weiss Charles “Charley” West† Jane A. Wetzel Charlotte and Gould Whaley Dale and Ellen Wilde Ernamarie T. Williams Robert A. Willis Cynthia and Tom Wilson Thea Witt and Tom Maguire Lena and James Wockenfuss Barbara and Clark Woolley Linda Wright B. Wyckliffe and Libby S. Pattishall Memorial and Honorarium Gifts Gift in Honor of Barry Beller by: Robert L. Hull and Myra Barker Hull Gift in Memory of Eleanor Frank by: Peter Frank Gift in Honor of Carol Deal Schaefer in Memory of Her Parents, Anne and Lanham Deal, by: Kathleen and Alan Grainger †Deceased

The Mozart Society Play a part in the future of the Santa Fe Chamber Music Festival through your planned gift.

The group of passionate Festival supporters we call The Mozart Society comprises chamber music lovers who wish to leave a permanent legacy of support for the Festival in their wills or other estate plans. Like the enduring beauty of Mozart’s music, the generosity of our Mozart Society members lives on, ensuring that future generations can enjoy and be inspired by the Festival’s world-class chamber music performances.

Your gift of any size is truly meaningful. Legacy gift options are varied, and we can work with you to find a plan that best suits you and your family.

If you’ve already made a provision for a bequest or another planned gift, please let us know so that we can welcome you into The Mozart Society and acknowledge and honor your commitment.

And to our current Mozart Society members, we extend our heartfelt thanks.

The Mozart Society Members Barbara B. and Ronald Davis Balser Natalie and Barry† Beller Beth Beloff and Marc Geller Gayle S. Bishop Susan Black† Carole and David Brown Doug and Sarah Brown Marcella† and Cliff† Burton Nancy C.† and Kenneth C. Cain Elisbeth Challener and Brett Bachman Susan A. Chittim† Joan Z. Cohen Quarrier† and Philip Cook Harry R. Courtright Ralph P. Craviso Edgar Foster Daniels† Dr. Nader D. Ebrahimi and John K. Wheeler Robert Eickmeyer† Mike and Marty Everett Halley Faust David Tausig Frank and Kazukuni Sugiyama Helen Gabriel

Susan Gardner and Devon Ross Steven J. Goldstein, MD Phyllis L. Goodman and John F. Simpson Diane and Werner Grob Donna and Hal Hankinson Jane Hardeman† John Hart and Carol Prins Susan Herter† Michael Stephen Hindus Leda Hirsch† Stanton Hirsch† Jacqueline Hoefer† Susan† and David† Horowitz David K.† and Kay Duke Ingalls Nancy E. and P. Anthony Jacobs Diane B. Jergins† Diane Kravif Barry Lapidus Sarah Lawless† Edward Levy† Ron Lushing and Dan Reid Marilyn Macbeth and Forrest Carlton Kenneth R. Marvel and Robert R. Gardner

Balene C. McCormick† Henry Meisels† Betty Gardner Meyers† Vicki and Bob Midyett David Muck and Cole Martelli Jane and Thomas O’Toole Katya Overhage† Steven Ovitsky Cinda and Spence Perry Crennan M. Ray Mara† and Charles† Robinson Paul I. Rubinfeld† Ted Ruskin Lorraine Schechter† Herman Siegelaar and Cornelia Bryer Fred† and Eve Simon James Clois Smith, Jr. Drew Stewart William Tierney and Barry Weiss Ling Tong and Robert Hilgendorf Jill Cooper Udall Shirley† and Charles† Weiss Toni† and Leshek Zavistovski Nancy and Bill† Zeckendorf

For more information on endowed and planned gifts and the many other ways you can contribute to the Festival, please contact the Festival’s Director of Development, Cece Derringer, at 505-983-2075, ext. 108, or cderringer@sfcmf.org. †Deceased

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Photos by Steven Ovitsky (l) and Joseph Hohlfeld (r)

Education and Outreach

The Santa Fe Chamber Music Festival upholds a passionate commitment to the artistic needs of its local community through its engaging and inspiring music education programs for youth in Santa Fe and northern New Mexico.

Strategically structured for efficacy and reach, our programs provide powerful learning experiences over a period of many years. Our sequential, spiral, and research-based curriculum, coupled with intentional teacher-student interaction, has a transformative impact on students’ school attendance, graduation rates, worldviews, career choices, and potential for success in life.

Music in Our Schools

Music in Our Schools is a series of themed, in-school chamber music concerts for students in pre-K and grades K–6 at 15 schools in Santa Fe, Taos, Los Alamos, Pecos, and Santa Clara Pueblo. The program reaches nearly 4,800 students annually and introduces them to classical chamber music.

Prior to each concert, music and classroom teachers attend a Festival-run workshop, where they receive training, lesson plans, and materials related to an upcoming performance. Teachers return to their schools and introduce the music to their students through standards-based learning sequences.

When musicians arrive on concert day, students are already familiar with the music—its sounds, melodies, 84

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

characteristics, instruments, and composers.

The pre-concert learning experiences make each school performance personal, safe, intellectually accessible, and deeply meaningful.

Strings in Our Schools

Strings in Our Schools offers small-group violin instruction in four elementary schools in Santa Fe and Pecos, serving students in grades 3–6. The free program provides students with violins and materials, and instruction is individualized for unique learning needs.

Strings in Our Schools students go on to enroll in public-school orchestra programs at the middle school level, taking their musical study to ever-higher levels.

Without Strings in Our Schools, students would miss the opportunity to learn violin during critical elementary school years and

wouldn’t be fully prepared to play in middle school orchestras.

Guitar in Our Schools

Guitar in Our Schools provides youth with instruction in classical guitar. The program is based at the Kha’p’o Community School at Santa Clara Pueblo and serves students in grades 3–6.

Students learn multiple aspects of guitar playing through twice-weekly lessons, and they perform in concerts every school year at special Kha’p’o Community School events.

Dream Big Private Lesson Program

The Dream Big Private Lesson Program is Santa Fe’s only subsidized lesson program serving low-income music students in public middle and high schools. It offers

Photos by Joseph Hohlfeld

Education and Outreach (continued)

weekly low- and no-cost private lessons taught at school by professional musicians on each student’s chosen instrument, including voice. The program serves 31 students and provides an average of 941 private lessons per year.

Public-school performing groups— band, choir, guitar ensemble, and string orchestra—require students to accurately and independently carry sophisticated parts. Private lessons empower students to master their parts and perform them with confidence and artistry. They earn the respect of their peers while contributing to their ensembles as valued team members.

Dream Big students always rise to the top of their performing groups. They play for honors ensembles at regional and state levels, and they often continue their music studies at the university level, pursuing music as their life path. Perhaps most importantly, Dream Big students also, through their instructor, gain a relationship with a caring, capable adult that they can bond with and rely on during vulnerable teenage years.

Dream Big students harbor the hope that musicianship will be their unique way to express themselves and contribute to society as adults. Through Dream Big, we empower our students to make their biggest dreams come true.

Youth Concerts

A mainstay since 1983, the Festival’s Youth Concerts are enduringly popular events that make classical music fun and accessible for youth of all ages. The free, interactive concerts are held during the Festival’s summer season in St. Francis Auditorium in the New Mexico Museum of Art. The concerts feature Festival musicians engaging children with fascinating storytelling— about composers, instruments, music, and musical styles—as well as performing repertoire drawn directly from the Festival’s regular programming.

2022 Youth Concert

The concerts delight and inspire our youngest audiences while also building their knowledge and curiosity about the world of music. They draw individual children of all ages (plus their family members or guardians) and hundreds of students from public schools and summer camps.

Youth Concerts are generously sponsored by

Open Rehearsals

Open Rehearsals—which are free and open to the public—offer a behind-thescenes look at how Festival artists and staff put together a performance. Due to the coronavirus pandemic, the Festival isn’t offering Open Rehearsals this summer.

St. Francis Auditorium in the New Mexico Museum of Art, 10 a.m.

Monday, July 25 HAYDN STRING QUARTET Miami String Quartet Benny Kim, violin Cathy Meng Robinson, violin Scott Lee, viola Keith Robinson, cello

The Festival’s music education programs are generously sponsored by

For more information about the music education programs featured here, contact Leanne DeVane, Director of Education and Outreach, at ldevane@sfcmf.org.

Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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2022 Business Partners The Santa Fe Chamber Music Festival gratefully recognizes its generous business partners and encourages you to support these fine companies, establishments, and organizations.

4Leet Business IT Services 95.5 KHFM 2540 Group 21C Media Group Absolute Entertainment Santa Fe Adobo Catering Albuquerque Piano & Organ Service Alexana Winery Allan Houser, Inc. Alliance Audio Visual Arroyo Vino Restaurant and Wine Shop Artichokes & Pomegranates Florist BBJ La Tavola Specialty Linens Century Bank Chamber Music Society of Lincoln Center Chiaroscuro Contemporary Art, Santa Fe Chicago Shakespeare Theater Chicago Symphony Orchestra Colorado Party Rentals Delta Dental of New Mexico Drayton Hall El Rancho de las Golondrinas Enterprise Bank & Trust Enterprise Rent-A-Car Georgia O’Keeffe Museum Goodman Theatre, Chicago Harris Theater, Chicago Heritage Hotels & Resorts, Inc.

Honens HTLF Retirement Plan Services Impressions Advertising JAME American Cleaning Kha’p’o Community School La Casa Sena Restaurant and Wine Shop La Fonda on the Plaza Lyric Opera of Chicago Mark Johnson, Auctioneer Metropolitan Opera Michael’s Valet Monsoon Design Mountain Elementary School Museum Hill Café Nacha Mendez Music Scholarship for New Mexican Girls of Color New Mexico Bank & Trust New Mexico Kids! Magazine New Mexico Mutual New York Philharmonic Oakwood Gardens & Alpaca Farm Otra Vez en Santa Fe Pacific Office Automation Paper Tiger Pecos Elementary School Performance Santa Fe Pro Piano Pulakos CPAs Restaurant Martin Rio Chama Prime Steakhouse Road RunneR Private Ride and Charter

RVK, Inc. Santa Fe Dining, Inc. Santa Fe Drum Source Santa Fe New Mexican Santa Fe Party Rentals Santa Fe Public Schools Santa Fe Symphony Orchestra & Chorus Santa Fe Youth Symphony Association Santacafé ServiceMaster Clean SITE Santa Fe Sommer Udall Law Firm Spoleto Festival USA Steinway & Sons Steppenwolf Theatre Company, Chicago Stoller Family Estate The Compound Total Wine & More UnitedHealthcare Van Duzer Vineyards Video Magic VladFoto, Inc. Wallis Family Estate Wayne Scheiner & Co. WFMT, Chicago Willamette Valley Vineyards Zen Movers Zia Insurance Agency

2022 Community Hosts The Santa Fe Chamber Music Festival also gratefully acknowledges the following businesses, organizations, and individuals for generously accommodating Festival musicians’ rehearsal and housing needs and generously hosting Artists’ Circle and other donor events.

Acequia Madre House AdobeStar Properties Vacation Rentals Beth Beloff and Marc Geller Bishop’s Lodge Casas de Guadalupe Center for Contemporary Arts Club at Las Campanas 86

| Santa Fe Chamber Music Festival 2022 ∙ The 49th Season

Erin Daly Drury Plaza Hotel in Santa Fe Eldorado Hotel & Spa Ellen Marder and Wolfgang Schmidt-Nowara First Presbyterian Church of Santa Fe Gerald Peters Contemporary

La Fonda on the Plaza La Posada de Santa Fe LewAllen Galleries Museum of Indian Arts and Culture Museum of International Folk Art San Miguel Chapel School for Advanced Research

2022 Festival Volunteers As we work to present an unforgettable Festival experience during these still-unpredictable times, we offer a heartfelt Thank You to our intrepid volunteers—a dedicated group of hard-working people who generously donate their time, energy, and expertise to help ensure that every concert is a success and every special event runs smoothly. We couldn’t do what we do without these invaluable friends.

Lenore Alarid Marilyn Batts Sue Benedict Kim Bey Carl Bogenholm Christine Boss John Burke Deborah Casillas Charlotte Chavez Donna Clark Elaine Coleman Kenneth Alan Collins Judy Costlow Sue Crossman Joalie Davie Mark Davis Sheryl DeGenring Rebecca Dempsey

Delphine Douglass Lucie Dranceau Church Donna Eagles Bobbie Elliot William Epstein Bill Fajman Jeanne Flannery Roxanne Fleszar Barbara Forslund Nora Gluck Gail Goldey Michael Goldey Eda Gordon Anna Griswold Barbara Grogin Barbara Hadley Mary Ann Hale Jane Halpern

Barbara Hays Bev Hedin Judy Henry Gina Hopely Bonney Hughes Anna Jamrosz Hanna Kaiser Lisa Kantor Penny Kapin Stephen Kapin Michael Keller Dale Kellogg Eslee Kessler Linda Koran Edwina Lieb Darby Long Barbara Luboff Anne Maglisceau Sharon McCawley

Estelle Miller Karen Miller Linda Miller Paula Miller Ann Moon Nina Morrow Ann Parks Janet Peacock Gail Perazzini Randy Perazzini David Ponder Andrea L. Poole Madeline Pryor Nilou Rahimi Edna Reyes-Wilson Eileen Rhine Mark Robyn Barbara Roush Jonathan Shapiro

A 501(c)3 nonprofit organization since 1971.

Nanette Shapiro Frank Shelton Michael Simon Ruth Singer Sandra Smith Janet Steinberg Ellen Stelling Milton Stockmyer Susan Stockmyer Erin Taylor Michael Thompson Sue Thompson Deborah Tulchin Jim Werbel Harvey Wilson Nancy Yankura

The Santa Fe Chamber Music Festival’s 2022 Radio Broadcasts Every year, the Santa Fe Chamber Music Festival airs 13 radio broadcasts on stations around the country as well as on its website. The broadcasts are part of the Festival’s national Radio Series—which the WFMT Radio Network produces and distributes—and they feature high-quality recordings of live performances from the previous year’s Festival season. WFMT’s Kerry Frumkin hosts the series, and the Festival’s Artistic Director, Marc Neikrug, provides insightful commentary. Festival musicians also share thoughts on the broadcasts’ performances and repertoire.

This year, as we look to our 50th anniversary season in 2023, our 2022 broadcasts spotlight performances from our 2021 season as well as from earlier ones, going back to 2010. For more information on both our series and our broadcasts, visit RadioNetwork.WFMT.com/programs. To stream our broadcasts from the past 15 years—2007 to 2022—visit SantaFeChamberMusic.com/radio-programs.

Here are just a handful of highlights from our 2022 broadcasts: FRANZ SCHUBERT Octet in F Major, D. 803 Paul Huang, violin William Hagen, violin CarlaMaria Rodrigues, viola Peter Stumpf, cello Leigh Mesh, double bass Ricardo Morales, clarinet Christopher Millard, bassoon Stefan Dohr, horn MARC NEIKRUG Clarinet Quintet David Shifrin, clarinet Orion String Quartet Daniel Phillips, violin Todd Phillips, violin Steven Tenenbom, viola Timothy Eddy, cello REYNALDO HAHN Piano Quintet in F-sharp Minor Jeremy Denk, piano Cho-Liang Lin, violin Jennifer Gilbert, violin Hsin-Yun Huang, viola Peter Stumpf, cello WOLFGANG AMADEUS MOZART Horn Quintet in E-flat Major, K. 407 Stefan Dohr, horn Paul Huang, violin CarlaMaria Rodrigues, viola Brett Dean, viola Peter Stumpf, cello AMY BEACH Piano Quintet in F-sharp Minor, Op. 67 Anne-Marie McDermott, piano Orion String Quartet Daniel Phillips, violin Todd Phillips, violin Steven Tenenbom, viola Timothy Eddy, cello

TORU TAKEMITSU Rain Coming for Chamber Orchestra Alan Gilbert, conductor Paul Huang, violin Amy Oshiro-Morales, violin CarlaMaria Rodrigues, viola Kajsa William-Olsson, cello Leigh Mesh, double bass Bart Feller, flute Robert Ingliss, oboe Ricardo Morales, clarinet Christopher Millard, bassoon Stefan Dohr, horn Matthew Ernst, trumpet Jonathan Randazzo, trombone Gregory Zuber, percussion Debra Ayers, piano and celesta MAX BRUCH Piano Quintet in G Minor Orion Weiss, piano Jennifer Gilbert, violin L. P. How, violin Paul Neubauer, viola Mark Kosower, cello KURT WEILL “Der Song von Mandelay” from Happy End “Die Ballade von der Höllen-Lili” from Happy End H. K. Gruber, chansonnier Kirill Gerstein, piano SERGEI RACHMANINOFF Piano Sonata No. 2 in B-flat Minor, Op. 36 Ran Dank, piano

JOHANNES BRAHMS Piano Trio No. 1 in B Major, Op. 8 Montrose Trio Jon Kimura Parker, piano Martin Beaver, violin Clive Greensmith, cello H. K. GRUBER Frankenstein!! A Pan-demonium for Baritone Chansonnier and Ensemble after Children’s Rhymes by H. C. Artmann H. K. Gruber, chansonnier Guillermo Figueroa, conductor L. P. How, violin Daniel Jordan, violin Theresa Rudolph, viola Joseph Johnson, cello Mark Tatum, double bass Tara Helen O’Connor, flute Laura Ardan, clarinet Christopher Millard, bassoon Philip Myers, horn Matthew Ernst, trumpet Daniel Druckman, percussion Jacob Greenberg, piano CARL MARIA VON WEBER Clarinet Quintet in B-flat Major, Op. 34 David Shifrin, clarinet Dover Quartet Joel Link, violin Bryan Lee, violin Milena Pajaro-van de Stadt, viola Camden Shaw, cello

BRETT DEAN Imaginary Ballet—Dances and Interludes for Piano and String Trio (Festival Co-Commission; US Premiere) Benjamin Hochman, piano William Hagen, violin Brett Dean, viola Joseph Johnson, cello

The Santa Fe Chamber Music Festival Radio Broadcasts are supported, in part, by generous underwriting from the National Endowment for the Arts and New Mexico Arts.

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Artwork on Our Stage At St. Francis Auditorium in the New Mexico Museum of Art

Allan Houser, Chiricahua Love Song, 1987, bronze, edition of 12 36” x 10” x 9” © Chiinde LLC* Loan courtesy of Allan Houser, Inc.

*Chiinde LLC is a Houser/Haozous Family company that owns copyrights to all Allan Houser artworks.

Purchase information: Allan Houser, Inc., 505-471-9667

BANKING BUILT FOR YOU. Century Bank is more than just banking, it’s about community.

We are honored to support the Santa Fe Chamber Music Festival!

MyCenturyBank.com | 505.995.1200

Patron Information CONCERT VENUES Santa Fe Chamber Music Festival concerts take place in St. Francis Auditorium in the New Mexico Museum of Art, 107 W. Palace Ave., and The Lensic Performing Arts Center, 211 W. San Francisco St. Both venues are in downtown Santa Fe. TICKET PURCHASES AND TICKET OFFICE HOURS Tickets can be purchased with any major credit card by phone at 505-982-1890 or 888-221-9836, ext. 102, or in person at the Festival’s Ticket Office, which, from mid-June to August 21, 2022, is in the lobby of the New Mexico Museum of Art (107 W. Palace Ave., Santa Fe; daily, 10 a.m.–4 p.m.). On concert days, the Ticket Office remains open until after intermission or until the start of the concert if there is no intermission. From August 22 until mid-June of 2023, the Ticket Office is at 208 Griffin St., in Santa Fe, and is open Monday–Friday, 10 a.m.–4 p.m.

LOST OR MISPLACED TICKETS If you lose or misplace your tickets, contact the Ticket Office to arrange for free replacements. Call 505-982-1890 or 888221-9836, ext. 102.

TICKET EXCHANGES AND REFUNDS All ticket sales are final. There are no refunds or cancellations. The Festival permits ticket exchanges for most concerts up to 48 hours prior to the concert date. This service is free to subscribers; an exchange fee per ticket applies to nonsubscribers. Exchanges are subject to availability. For more information or to exchange your tickets, contact the Ticket Office at 505-982-1890 or 888-221-9836, ext. 102.

IF YOU CAN’T ATTEND, CONSIDER DONATING YOUR TICKETS If you’re unable to attend a performance, please consider donating the cash value of your tickets to the Festival, which is a 100 percent tax-deductible contribution.

Prior to the performance, you can donate your tickets in person at the Festival’s Ticket Office (see address in previous column) or via email at info@sfcmf.org.

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When emailing, please include the name of the person who purchased the tickets, the date and time of the performance, the number of seats to be donated (and the seat numbers, if possible), and the order number, if possible. The Festival can’t accept ticket donations via phone. We appreciate receiving your ticket donations as soon as possible so that we can increase our chance of reselling the tickets. You’ll receive a receipt for tax purposes, and you’ll give other music lovers the opportunity to hear a live Festival performance.

Please note: Once you donate a ticket, your donation is final, and the ticket is instantly made available for resale.

COVID SAFETY PROTOCOLS The Festival’s COVID safety protocols and procedures meet or exceed recommendations from the Centers for Disease Control and Prevention (CDC) and the New Mexico Department of Health.

All Santa Fe Chamber Music Festival staff members and musicians are fully vaccinated.

Vaccinations are strongly encouraged but not required for entry to Festival concerts.

Face masks are required indoors at all times in St. Francis Auditorium and The Lensic Performing Arts Center, regardless of your vaccination status. Musicians will perform onstage without masks. Festival tickets are available digitally for touchless entry into St. Francis Auditorium as well as in their traditional physical form.

Any patron who refuses to follow our COVID safety protocols will be required to leave both St. Francis Auditorium and the New Mexico Museum of Art or The Lensic Performing Arts Center immediately. The Festival will not provide a refund to any patron who’s been asked to leave a concert for COVID safety violations.

For further details, visit SantaFeChamberMusic .com/covid-updates.

PATRONS WITH SPECIAL NEEDS The Festival provides wheelchair seating, accommodations for guide dogs and walkers, and other assistance. Please notify the Ticket Office of your needs when ordering tickets.

EMERGENCIES Medical or other emergencies should be brought to the attention of a museum guard, a Festival volunteer (look for their teal-colored sash), or a Festival staff member.

RECORDING AND ELECTRONIC DEVICES The use of cameras and other recording and electronic devices is not permitted in the Festival’s concert halls. Out of consideration for the Festival’s musicians and your fellow concertgoers, please turn off your cell phone, alarm watch, pager, and other electronic devices before your concert begins.

LATE SEATING Concerts begin promptly at indicated times. Out of consideration for the Festival’s musicians and your fellow concertgoers, and to minimize distractions, latecomers or those leaving a performance in progress won’t be admitted or readmitted to the concert until an appropriate time as determined by a Festival staff member or volunteer. Please remember that traffic, parking, and weather can affect your arrival time. We suggest arriving 30 minutes prior to the concert to allow time to find your seat and get ready for the performance.

The Festival assumes no responsibility for portions of any concert missed due to lateness and can’t make any adjustments to the ticket price. Your understanding and cooperation are appreciated.

INCLEMENT WEATHER The Festival is committed to honoring its concert schedule; therefore, performances proceed at their scheduled times regardless of weather conditions or traffic delays. The Festival regrets that tickets not used due to inclement weather or traffic delays can’t be refunded, exchanged, or returned for a tax receipt.

LENGTH OF CONCERTS Performance lengths vary, but most evening concerts last about two hours, including intermission. Noon and Saturday concerts last about one hour and don’t have an intermission.

CHILDREN ATTENDING CONCERTS Children ages five and older can attend concerts with tickets that are purchased for them; however, concerts are best suited for children ages ten and older.

The Festival offers a free Youth Concert series designed especially for children.

Visit SantaFeChamberMusic.com/youthconcerts for information.

APPLAUSE Although most artists appreciate applause at any time during a performance, audiences should wait until the end of a piece to clap. This is considered respectful to the performers’ concentration and mindful of musical continuity. If you’re unsure about when to applaud, a good rule of thumb is to follow the lead of other audience members.

COUGHING If you’re prone to coughing, please have

unwrapped throat lozenges ready when the concert begins, or try to cough during a loud passage of music. If you begin to cough a lot, it’s perfectly acceptable to leave the hall; a Festival staff member or volunteer will readmit you to the hall during an appropriate part of the performance.

SMOKING, FOOD, AND BEVERAGES Smoking, food, and beverages are not permitted inside the concert halls or in any part of the New Mexico Museum of Art building. Food and drinks are permitted in the museum’s courtyard during intermission. Refreshments are available for purchase in The Lensic Performing Arts Center lobby before concerts and during intermission.

JEWELRY AND FRAGRANCES Please avoid wearing jewelry and accessories that make noise and any

scented personal products that may compromise the health and comfort of other concertgoers.

LOST AND FOUND Lost articles may be claimed at the New Mexico Museum of Art’s information desk and at The Lensic Performing Arts Center’s box office during regular business hours.

FOR MORE INFORMATION If you want to receive future Festival mailings, such as our 2023 season brochure, or if you want to stay in touch with the Festival through our monthly electronic newsletter, sign up via our website at SantaFeChamberMusic.com.

Please note: All programs, artists, and performance dates are subject to change.

2022–23 SEASON ORCHESTRA | BAROQUE ENSEMBLE | STRING QUARTETS

Orchestra String Quartets Bach Festival Baroque Concerts sfpromusica.org | 505.988.4640 Subscriptions and single tickets now available. Risk-free ticketing.

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2023 Season Preview Next summer, from July 16 through August 21, 2023, we’re celebrating our 50th anniversary season, and we can’t wait to experience this exciting musical milestone with you!

On our popular Music at Noon and Bach Plus series, we’re offering 11 vocal and instrumental recitals, which include performances by violinist Rachel Barton Pine and pianists Inon Barnatan, Zoltán Fejérvári, Nicolas Namoradze, Juho Pohjonen, and Haochen Zhang. Tenor Paul Appleby performs Schubert’s first song cycle, Die schöne Müllerin; soprano Tony Arnold and violinist Movses Pogossian join forces in György Kurtág’s Kafka Fragments (one of their signature works); and soprano Ana María Martínez and pianist Craig Terry, mezzosoprano Michelle DeYoung and pianist Kevin Murphy, and mezzo-soprano Jennifer Johnson Cano and pianist Christopher Cano render wonderfully powerful songs from the rich art-song repertoire.

Photo by Roy Cox

Programming for our 2023 season spans several styles and centuries—from Vivaldi’s The Four Seasons and Schoenberg’s Transfigured Night to Handel’s La Lucrezia and Stravinsky’s two-piano arrangement of The Rite of Spring. We also have dozens of Festival favorites—like Bach’s Brandenburg Concerto No. 3, Schubert’s Trout Quintet, Dvořák’s American Quintet, and Tchaikovsky’s Piano Trio in A Minor—as well as lesserknown gems by Biber, Popper, Braunfels, Thuille, and others.

As always, we’re presenting several world and US premieres, with next year’s Festival commissions including works by Magnus Lindberg, Ryan Chase, Christopher Stark, Charlotte Bray, and our two 2023 Young Composers. You can also hear the New Mexico premiere of a new Oboe Quartet by Festival Artistic Director Marc Neikrug.

Conductor Alan Gilbert

Dover Quartet

Photo by Lisa-Marie Mazzucco

Other returning artists who’ve made an important mark on the Festival include mezzo-soprano Susan Graham, pianist Garrick Ohlsson (in a special pre-season event), violinist Cho-Liang Lin, bassist Edgar Meyer, violist and former Festival Artistic Director Heiichiro Ohyama, and the Dover, Escher, FLUX, and Miami string quartets. Artists making Festival debuts include baritone Thomas Hampson, violinists Chad Hoopes and Yura Lee, and cellist Zlatomir Fung.

Photo by Peter Hundert

A centerpiece of the season is the return of conductor Alan Gilbert, who reprises his epic 2015 performance of Messiaen’s From the Canyons to the Stars—a monumental, 90-minute work that was written in celebration of the bicentennial of the Declaration of Independence and evokes the awe-inspiring majesty of the American Southwest. The work’s soloists include one of the Festival’s most cherished longtime collaborators, pianist Kirill Gerstein.

Violinist Rachel Barton Pine

We look forward to seeing you next summer!

Photo by Dario Acosta

Subscriptions for our 2023 season are available now, and individual tickets and FlexPasses go on sale in February 2023.

For further details about our 2023 season, pick up our 2023 subscription brochure at our Ticket Office desk in the lobby of your concert’s venue or view it online at SantaFeChamberMusic .com. To purchase or renew your subscription, call our Ticket Office at 505-982-1890.

Mezzo-soprano Susan Graham Santa Fe Chamber Music Festival 2022 ∙ The 49th Season |

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Index of Advertisers

Program Book Credits

Allan Houser, Inc............................................................................ 4 Bishop’s Lodge, Auberge Resorts Collection.............................IBC Century Bank................................................................................ 89 Chamber Music Albuquerque...................................................... 76 CHRISTUS St. Vincent................................................................. 11 Classical Music Festivals of the West........................................... 66 El Castillo / La Secoya de El Castillo............................................ 87 Enterprise Bank & Trust............................................................... 71 John Day Law................................................................................ 62 KHFM............................................................................................ 75 LewAllen Galleries....................................................................... BC Nusenda Credit Union.................................................................. 16 Otra Vez en Santa Fe..................................................................... 72 Palace Prime Steak + Seafood....................................................IFC Performance Santa Fe................................................................... 74 Pilates............................................................................................ 73 Pro Musica..................................................................................... 91 Pulakos.......................................................................................... 75 Santa Fe Bar & Grill...................................................................... 73 Santa Fe Desert Choral................................................................. 75 Santa Fe Opera.............................................................................. 63 Santa Fe School of Cooking............................................................ 7 Santa Fe Symphony....................................................................... 76 Ten Thousand Waves.................................................................... 92 315 Restaurant & Wine Bar.......................................................... 72 Wayne Scheiner & Company....................................................... 73

Editor Amy Hegarty

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Contributors Julia R. Baca Angelica Bernaert Cece Derringer Leanne DeVane Valerie Guy Joseph Hohlfeld Marc Neikrug Steven Ovitsky Johnnyangel Pineda Toni A. Pittman Nancy Steedman Design, Production, and Advertising Sales Impressions Advertising, Inc. Publisher Impressions Advertising, Inc. Printer Publication Printers Corp.

JIVAN LEE

LewAllenGalleries Railyard Arts District 1613 Paseo de Peralta Santa Fe, New Mexico (505) 988.3250 www.lewallengalleries.com