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The Way It Was La Madrugada de Fiesta
took to the street along with flower bedecked carts and carriages. Brass bands, Chumash Indians, pack trains, and members of the local chapter of the Grand Army of the Republic (GAR) marched along the route. The final vehicle in the parade was a donkey cart driven by Santa Claus, who was accompanied by two little girls on a burro.
After several days of sporting events, horse races, a bazaar, dances, and a rodeo, the festival ended with the Grand Centennial Ball at Lobero’s Theatre. Spanish dancers in full regalia performed historic classics like “La Jota,” and Chumash dancers in costumes of feather and paint danced “El Coyote.” The finale featured both the descendants of the old Spanish families and members of the new Anglo population dancing “La Contradanza.”
by Hattie Beresford
Celebrating the 99th anniversary of its founding this year, Santa Barbara’s Old Spanish Days Fiesta was established in August 1924. Civic celebrations commemorating Santa Barbara’s old Spanish days, however, date back to the December 1886 fiesta celebrating the 100th anniversary of the founding of Mission Santa Barbara. The purpose of that four-day celebration was to raise funds for a new roof for the “Queen of the Missions.”
For the Centennial, State Street merchants and businessmen had put up bunting comingling the American red, white, and blue with the Spanish yellow and red. Residents assumed Spanish costume and a cavalcade of colorfully dressed riders
The New Lobero Theatre and Fiesta
In June, preparations for the upcoming Old Spanish Days were in full swing with a campaign to get all Santa Barbara citizens into Spanish costume. Seen here at far left is Hamilton MacFadden, executive director of the Community Arts Association and the Lobero Theatre, and third from left, Charles Pressley, who was in charge of the Old Spanish Days’ Committee. (courtesy of Santa Barbara Historical Museum)

Ever since the 1886 Centennial celebration, Santa Barbara had been trying to create an annual festival that would bring in visitors and fill the coffers of Santa Barbara’s businesses. Few of those attempts survived more than a few years. In 1924, the latest attempt, La Primavera, was struggling to survive. Its spectacular 1920 inaugural event had proved to be a spectacular financial failure, but the organization continued to operate in a less ambitious form.
By June of 1924, a community theater was approaching completion on the site of José Lobero’s original 1872 theater. Initially slated for renovation, the old theatre