Samantha Miller - Landscape Architecture Portfolio

SAMANTHA MILLER PORTFOLIO OF SELECTED WO R K S 2024

CONTENTS MLA STUDIO PROJECTS OLIVEWOOD TIES

4 - 13

TOGETHER THYME

14 - 17

FLOODWATERS PARK

18 - 21

ANTI ANTI SOCIAL GARDEN

22 - 23

MISSING TEMPORALITIES

24 - 25

HOGAN’S ALLEY GUIDELINES

26 - 27

MLA TECHNICAL DRAWINGS SITE 01

28

NORTHEAST FALSE CREE

29

PROFESSIONAL WORK THE BOOT

30

ANDERSON ROAD

31

OL I V E WOOD T IES COURSE: GRADUATE PROJECT INDIVIDUAL WORK SUPERVISOR: FIONN BYRNE 2022-2023 VIEW THE FULL THESIS REPORT HERE Past and present peace negotiations have failed to propel Israelis and Palestinians to coexistence and liberation. Physical barriers to peace, such as the nearly 800-kilometre separation barrier, erode possibilities for interaction and human connection. This academic endeavour challenges the myth that peace and war are binary and cannot exist simultaneously. Upon the acceptance that the consequences of war are sociocultural and spatial, we can begin navigating a spatial strategy for peacebuilding. Both groups share a deep-rooted love and respect for the land they call home or dream of one day returning to. Because of this, these communities have enmeshed realities, and their futures are both tied to each other and the land.

Olivewood Ties investigates how landscape can be a peacebuilding mechanism in the divided context of Israel/Palestine. Presently and historically, trees in Israel/Palestine were proxy soldiers, employed in warfighting, land acquisition, and nation-building. If trees and flora were instead proxy peacebuilders, what implications do different landscape design strategies possess and moreover, what opportunities do they offer as a mechanism toward healing and unity?

Concept diagram

4

// SAMANTHA MILLER

Planting strategy sketches testing spatial peacebuilding along different existing wall conditions, using two culturally significant trees: the pine and the olive.

Planting strategy sketches testing spatial peacebuilding along different existing wall conditions, looking at real activist group activities and using two culturally significant trees: the pine and the olive.

SAMANTHA MILLER //

5

LAND TYPE INDEX AT SEPARATION WALL

MAP OF SEPARATION WALL AND INDEX SAMPLES WITHIN SURROUNDING POLITICAL, SPATIAL, AND ECOLOGICAL CONTEXTS

0km4

TREE COVER - 15 | 9

CROPLAND - 14 | 19

km8

km

12km2

0km

SHRUBLAND - 28 | 25

BUILT-UP - 15 | 22

GRASSLAND - 30 | 26

SPARSE/SAND - 12 | 16

GREEN LINE/1949 ARMISTICE LINE

BUILT WALL

WATERWAY

AREA A: PALESTINIAN ADMIN + SECURITY

COASTAL AQUIFER

WALL UNDER CONSTRUCTION

SAMPLE AREA

AREA B: PALESTINIAN ADMIN + ISRAELI SECURITY

WESTERN AQUIFER

WALL PLANS APPROVED

WATERBODIES

AREA C: ISRAELI ADMIN + SECURITY

NORTH EASTERN AQUIFER

WALL PLANS VOIDED

PALESTINIAN LOCALITIES

CHECKPOINT

EASTERN AQUIFER

GREEN LINE (1949 ARMISTICE LINE)

ISRAELI LOCALITIES

DESTROYED VILLAGE

INSTANCES OF VIOLENCE

BUILT WALL WALL UNDER CONSTRUCTION WALL PLANS APPROVED, NOT YET BUILT WALL VOIDED

6

2km

LEGEND

LEGEND

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Map of the region and the separation barrier, including ecological and socio-political contexts surrounding the wall. A wall index was sampled every 5km to further examine land types the wall traverses.

Three sites for peacebuilding interventions.

1

2

3

SAMANTHA MILLER //

7

DESIGN INTERVENTION / SITE 01 A space that marks destroyed Palestinian homes and offer marked gardens as a space for mourning.

8

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A place to mourn, witness the mourning of others, and help facilitate space for those to mourn who do not have time or space to do so at home.

SAMANTHA MILLER //

9

DESIGN INTERVENTION / SITE 02 A space for community building in ‘No Man’s Land’, where a pine forest has been the victim of arson attacks.

10

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A place to eat, pray, and gather, facilitating cross cultural celebration and dialogue in a context where these kind of spaces is desired.

SAMANTHA MILLER // 11

DESIGN INTERVENTION / SITE 03 A space planted with species protected by Israeli law to prevent wall building, promote land sovereignty, and protect traditional land practices.

12

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Using legally protected plants to prevent wall building and help maintain both access to olive groves and a sense of rootedness for occupied Palestinians in Beit Jala.

SAMANTHA MILLER // 13

TO G E THER T HYME COURSE: ARCH 520 - VERTICAL STUDIO INDIVIDUAL PROJECT INSTRUCTOR: GOLI JALALI 2022

Public spaces across the globe are palimpsests of stories, relationships, and cultures. Our inhabitation of public space is shaped by its surrounding context, political control or influence, and our sense of community. One thing that remains constant across public spaces is that they are not neutral. Certain communities and cultures are celebrated in public space, while others are concealed. Is neutral space possible? Can we offer a safe space for self-facilitated cross-cultural celebrations and intimate human connections? The studio brief asked us to select a carpet from our culture as a starting point for design PROGRAM exploration. Later, we would re-imagine the carpet as physical space and create a ‘carpet drawing’ to express the new site and design.

Chosen carpet: Oversized Jerusalem Bezalel Rug 20th c.; 15’ 9” x 17’ 10” (4.8 x 5.44 m) From Nazmiyal Collection, New York

THE MAGIC CARPET

Program drawing.

Program diagram: grow, harvest, prepare, perform rituals, pray, eat

The spaces will use the carpet’s patterning and geometry to organize areas dedicated to different processes and rituals in preparing and eating food. These areas will not be grouped by ritual or preparation step. These spaces will be numerous, small intimate enclosures dispersed throughout the site, allowing visitors to adapt the space to their needs and find human interaction. Division will not be reinforced. The spaces will be small enough to host a meal between just a few people, with larger spaces for cultural celebrations and large meals.

The spatial relationships will pull from the different iconography and colours in the carpet overlayed with the saturation information.

Foucault’s description of heterotopias can be expressed as a set of principles relating to worlds within worlds.

They are distinguishable from normal spaces but mirror them at the same time. In other words, they are spaces in which new, otherworldly rules apply, but they are still influenced by real-world societal workings.

This program imagines ordinary food practices, daily rituals, and cultural celebrations taking place, but in a space dictated, yet not dictated, by the jurisdiction of its surrounding context. Additionally, these practices are scattered, non-linear scrambles of different cultures and rituals all in the same space.

Site context for carpet drawing.

14

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This carpet was created in the early 20th century by Jewish folks who had recently immigrated to British-controlled Palestine.

They came to a place controlled by the British, which is now a place of nonexistent political neutrality. The British’s divide and conquer strategy kick-started a century of division. By separating ethnic/ religious governing, they could gratify different sides at different times and to all sides against each other, making them ‘neutral’ and in control.

SAMANTHA MILLER // 15

Left: Final carpet drawing of designed space based off of the chosen carpet. Entry to the space is through a new gate in the old city walls, with a hidden ceremonial bath to cleanse oneself before entering.

Right: Accompanying perspective showing juxtaposition between carpet space and outside space.

16

// SAMANTHA MILLER

Casted model of staircase and hidden space for a cleansing bath inside the wall before entering the space (based off of Foucault’s theory of Heterotopia).

SAMANTHA MILLER // 17

FL OODWAT ER S PA RK COURSE: LARC 503 - COMPREHENSIVE STUDIO COLLABORATION: NICOLE DULONG & CALEB VAN DER LEEK INSTRUCTORS: RACHEL LASZLO TAIT & TATIANA NOZAKI 2022

This re-design proposal for East Park explores the concept of immersive edges and landscape as infrastructure. By blurring the line between land and water, Floodwaters Park aims to provide an adaptive coastal and stormwater infrastructure that maintains its position as a central hub within the public sphere

Programmatic drawings for proposed floodable event space.

18

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Grading plan, flooding/pooling areas, flows, and high points vs. low points diagrams.

SAMANTHA MILLER // 19

20

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SAMANTHA MILLER // 21

A N TI -A N T I- SOCIAL G ARD EN COURSE: LARC 502 - STUDIO 2 INDIVIDUAL PROJECT INSTRUCTORS: DANIEL ROHR & STEPHANIE BRACONNIER 2021

Each year that passes, this 120+ year old community struggles even more to engage its residents and foster a sense of community. The issue of loneliness is ever-present in more rural communities like the community of Mount Lehman, and is an increasingly prevalent health concern in 2021. The Anti-Anti-Social Garden brings folks of all ages together over wine and play to encourage togetherness, whether that be larger community gatherings or simply being alone together.

Process plans, sections, and sketches.

22

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SAMANTHA MILLER // 23

M I SSI N G T EM POR ALITIES COURSE: LARC502 - STUDIO 2 COLLABORATION: CALEB VAN DER LEEK INSTRUCTORS: DANIEL ROHR & STEPHANIE BRACONNIER 2021

Missing temporalities was a mission to explore how we can provide pockets of joy and temporal experiences to residents and visitors, regardless of any of the factors that divide us. Experiences with water are an innate need, and something that unites all people. Inclusivity means that no one should feel there are exceptions of use targeted at them, and everyone should be able to explore the same unique experiences at every level.

24

// SAMANTHA MILLER

SAMANTHA MILLER // 25

HO G A N’S ALLEY SITE G UID ELIN ES COURSE: LARC504 - VERTICAL STUDIO COLLABORATION: NICOLE DULONG & REECE MILTON INSTRUCTORS: DIVINE NDEMEYE, SIERRA TASI BAKER, & JB TAYLOR 2021 VIEW THE BOOKLET HERE This report seeks to address the direct wants and needs of the community. It is a graduate level attempt at subversion, or a bottom up approach, where the desires of the community are considered far above the bottom line. Guidelines provide direction to, and support for, systematic change while leaving room for community input. It places emphasis on Black and Indigenous geographic centrality, healing, spaces of social connection, oral history, resilient nature, and land sovereignty. We recognize that Hogan’s alley exists within a greater socio-economic urban culture and that this process could be applied to similar scenarios.

26

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SAMANTHA MILLER // 27

SITE 01 COURSE: LARC 531 - LANDSCAPE TECHNOLOGIES I COLLABORATION: ALEX WILLIAMS & WANHUI FANG INSTRUCTOR: STEPHEN WILKINSON SOTWARE: RHINO AND ILLUSTRATOR 2021

KEY

KEY

DRAIN PIPE TRAVERTINE RETAINIING WALL AGGREGATE CONCRETE

SITE BOUNDARY

SOIL 0%

(00)

EXISTING CONTOUR (1.0m)

(00)

EXISTING CONTOUR (5.0m)

00

2m

m

PROPOSED SLOPE PERCENTAGE AND DIRECTION OF DRAINAGE

+ 0.00

PROPOSED SPOT ELEVATION

+ TOR/BOR: 0.00

PROPOSED TOP/BOTTOM OF RUNNEL ELEVATION

+ TOW/BOW: 0.00

PROPOSED TOP/BOTTOM OF WALL ELEVATION

m

PROPOSED CONTOUR (1.0m)

00

PROPOSED CONTOUR (5.0m)

BOT: (11.44)

HIGH WATER MARK (13)

0%

BOT: (11.08)

(12)

(13)

13

+ 12.34

0.5%

2%

BW: 12.45 + TW: 12.50 + BW: 12.41 +

TWO STORY TOWNHOUSE

2%

3% 12.07 +

TWO STORY TOWNHOUSE

11.92 +

2%

D1

+ HP of Wall: 14.00

BOT: (12.38)

BOT: (13.89)

+ 11.11

+ LP: 10.90

+ 12.19

2%

EE

m

EXISTING LOW POINT ELEVATION

m

+ HP: 0.00

PROPOSED HIGH POINT ELEVATION

m

+ LP: 0.00

PROPOSED LOW POINT ELEVATION

revision:

2

project name:

11.61 +

BOW: 12.50 + TOW: 12.60 + + BOW: 10.95

PROPOSED TOP/BOTTOM OF CURVE ELEVATION

+ TOW/BOW: 0.00

PROPOSED TOP/BOTTOM OF WALL ELEVATION

m

SM, AW & WF

north:

m

1:10

scale:

2

m

m

2

PROPOSED TOP/BOTTOM OF SWALE ELEVATION

2m

0m

5m

10m

site number:

01

drawing title:

DETAIL SECTION D-D1

sheet number:

5 of 5

20m

sheet name:

RAIN GARDEN

KEY RIVER

10.50 +

+ 10.68

10.70 +

BOT: (12.77)

9 APRIL, 2021

drawn by:

EROSION PROTECTION MATERIAL, I.E. RIP RAP

+ BOW: 11.00 + + TOW: 11.20 BOW: 10.60 + 10.65

3.6%

LARC 4/531 GRADING & DRAINAGE

print date:

checked by:

+ TOC/BOC: 0.00

BIO-RETENTION SWALE

+ 12.06

DRAIN PIPE

AGGREGATE

(12)

+ 12.03

SOIL

A1

RUNNEL

3.6%

UNDERGROUND PIPE

0%

10.65 + 10.68 + +BOW: 10.60 BOW: 10.95 + + TOW: 11.10

11.00 + 11.00 +

AD: 0.00 +

AREA DRAIN

CD: 0.00 +

CURB DRAIN

PROPOSED SLOPE PERCENTAGE AND DIRECTION OF DRAINAGE + 0.00

PROPOSED SPOT ELEVATION

+ TOC/BOC: 0.00

PROPOSED TOP/BOTTOM OF CURVE ELEVATION

+ TOW/BOW: 0.00 AD: 0.00 +

PROPOSED TOP/BOTTOM OF WALL ELEVATION AREA DRAIN

FFE: 0.00

PROPOSED FINISHED FLOOR ELEVATION EXISTING SECTION CUT

RETAINING WALL 11

UNDERGROUND PIPE

1%

2%

CENTRELINE OF ROAD

+ BW: 11.75 + TW: 11.70 BOR: + BW: 11.70 11.60 + + TOS: 11.60 + BOS: 11.40 + 11.65 2% + 11.62

2%

00.0%

2%

CENTRELINE, SLOPE, AND DIRECTION OF DRAINAGE

A

11.87 +

11.83 +

FFE: 12.09

AD: 11.99 +

11.87 +

11.91+

2%

2%

+ TOW: 12.53 + BOW: 11.95

2%

+ 11.36

11.42 + 2%

2%

CONCRETE PATH GRAVEL LEVELING COURSE

2%

2.5%

CONCRETE SLAB FOUNDATION GRAVEL FOUNDATION COURSE

CONCRETE PATH GRAVEL LEVELING COURSE

CONCRETE PATH

A1

11.02+

12

2.5%

BOT: (8.81) 10.30 +

2%

10.28 +

2%

EXISTING TREE

+11.36

FFE: 11.40

+ 11.37 2% + 11.34

ME

+11.28

2%

LP: 11.05 + AD: 11.15 +

1.2% + + 11.24 11.22

+ HP: 11.45

BOT: (10.07)

+ CD: 11.04

2%

2%

2% 2%

(12)

+ 11.15

10

+ LP: 9.50

+ 10.07

AD: 9.80 +

9.90 +

+

11

BOC: 10.80 TOC: 11:00 (11)

BOC: 10.00 TOC: 10.20 +

10.52 + (10)

(09)

+ 10.81

(08)

(07)

(07)

0.5%

(08)

(09)

(10)

RIVERBANK

RIVER

project name:

LARC 4/531 GRADING & DRAINAGE

print date:

9 APRIL, 2021

drawn by:

SM, AW & WF

1%

(10)

10.22 +

+ + BOC: 10.00 BOC: 9.80 TOC: 10.00 TOC: 10.20

revision:

11

+ LP: 10.00

+ LP: 9.80

10 + BOC: 10.00 TOC: 10.20

2.7%

+ CD: 9.60

+ BOC: 9.80 TOC: 10.00

6%

10

2% 2%

BOC: 10.00 + TOC: 10.20

11.01+

project name:

LARC 4/531 GRADING & DRAINAGE

print date:

9 APRIL, 2021

+ LP: 9.25

drawn by:

SM, AW & WF

+ INV IN: 9.50

checked by:

+ BOC: 9.80 TOC: 10.00

INV OUT: 9.10 +

+ LP: 10.50

C1

BOT: (10.74) INV IN: 10.90 +

BOT: (10.66)

+ INV OUT: 8.10

north: (12)

(11)

1:200

scale:

BOT: (10.37)

0m

BOT: (10.35)

(13)

2m

2m

5m

10m

site number:

01

drawing title:

GRADING PLAN

sheet number:

1 of 5

sheet name:

20m

5m

10m

site number:

01

drawing title:

SECTION A-A1

sheet number:

2 of 5

sheet name:

2%

2%

1:150

scale:

10.25 +

2% 2%

10

+ CD: 9.48

9.96 + + BOC: 9.80 TOC: 10.00

4%

2%

(11)

(06)

BOC: 10.80 TOC: 11.00 +

2%

10.57 +

CD: 11.10 +

// SAMANTHA MILLER

PATH W/ BENCH

north:

10

1.4%

BOC: 11.00 TOC: 11.20 +

(10)

HILLSIDE

0m

2%

BOC: 9.80 TOC: 10.00

5%

10.13 +

10.04 +

+ 9.99

+ LP: 9.95 +

10.56 +

2%

(11)

CAFE W/ PATIO (BACKGROUND)

EXISTING TREE TO BE REMOVED

5%

2%

BOC: 11.00 +TOC: 11.20

BOT: (11.82) BOT: (11.76)

10.01 +

BOT: (10.27)

+ + 11.03 11.06

+ 11.10

+ BOC: 11.00 TOC: 11.20

2%

+ HP: 11.48

1.6%

+ LP: 10.90

2% CD: 11.05 +

5%

10.06 + 10.10 +

11

BOT: (11.41) BOC: 11.00 TOC: 11.20 2%

10.10 +

1.1%

AD: 11.00 +

B1

5%

EE

+ AD: 11.05

HILLSIDE

checked by:

CAFE FFE: 11.28

11.19 +

ME

10

+11.18

2%

PATH W/ RUNNEL & WALL

revision:

FFE: 10.34

B

(10)

TOWNHOUSE W/ YARD

SPORTS FACILITY

1.6%

11.20+

+ BOS: 11.08 + TOS: 11.28

PATH

EE

(06)

2%

+ CD: 11.04

28

m

+ LP: (0.00)

11

13

BOT: (12.62)

+ 11.11

BOT: (12.84)

11

m

2 2

2%

2

EXISTING HIGH POINT ELEVATION

+ TOS/BOS: 0.00

11.00 + 2%

BOT: (12.9)

+ 11.42

BOC: 10.80 TOC: 11.00 +

12

2%

+ 10.80

EXISTING BASE OF TREE ELEVATION

(13)

+ 11.78 2% + 11.75

2%

11

BOT: (0.00)

2

m

BOT: (12.99)

+ 12.16

2.3%

+

C

0.8%

0.8%

+ 11.00

+ BOC: 10.80 TOC: 11.00

+

10

(13)

11.07 +

11.10

2.5%

11.23 +

+10.70

HP:

AD: 11.58 +

11.27 +

PROPOSED SPOT ELEVATION

GRAVEL LEVELING COURSE

2%

ME

3%

12

2%

FFE: 11.68

ME

11.32 +

+ 0.00

11.10 +

11.26 +

TWO STORY TOWNHOUSE

2%

13 11.40 +

2%

11.52 +

2.5%

11

2%

11.57 + 3%

EE 2%

ME

3%

2%

AD: 11.99 +

11.67 +

(12)

12

EE

11.72 +

BOT: (13.62)

+ 12.44

2.5%

PROPOSED SLOPE PERCENTAGE AND DIRECTION OF DRAINAGE

(14)

(13)

(12)

(11)

10

+ 12.47

2%

EE

2%

(10)

BOT: (10.52)

FFE: 11.81

2.5%

A

(09)

(08)

(07)

22

11

FFE: 12.09

ME

3%

(06)

+ HP: (0.00)

2% 11.97 +

(07)

BOT: (9.39)

AD: 12.40 +

ME

12.12 +

2%

D

2%

EE

2%

2%

(08)

(09)

(10)

11.00 +

FFE: 12.22

2.5%

EE

ME

3%

FFE: 12.50

12.37 + 12.32 +

BOT: (10.4)

(11)

+ BW: 13.10 + TW: 13.20

BW: 12.44 + BOR: 12.34 + TOR: 12.44 + + 12.50

12.40 +

(12)

20m

NOR THEAST FALSE CREEK COURSE: LARC 532 - LANDSCAPE TECHNOLOGIES 2 COLLABORATION: TYLER ADAM INSTRUCTOR: JOSEPH DAHMEN SOFTWARE: AUTOCAD 2021

General Notes

CIP Concrete Slabs

1 L 3.14

Concrete Bench Water Jet w/ Rubber Stopper

Wetland Compacted Subgrade Planting Concrete

1.0%

Clay Liner 1 L1.1

DETAIL SECTION 1 Scale: 1:200

Gravel Sand Planting Medium

WETLAND

Steel

PICNIC GARDENS 1 L 3.1

Water 0.0%

Slope and Direction

PATH

WOODEN BRIDGE

1 L3.13 1 L 1.13

WETLAND BRIDGE

SEASONAL GARDEN

SPRAY PAD

SAMANTHA MILLER & TYLER ADAM

1 L 1.1

LARC 532 DECEMBER 15, 2021

1 L2.12

2.0%

2.0%

2.0%

2.0%

DETAIL PLAN AND SECTION

2 L3.15

2 L3.13

1:200

Sheet L1.1

1 L1.1

DETAIL PLAN 1 Scale: 1:200

SAMANTHA MILLER // 29

TH E BOOT PROFESSIONAL WORK - PPA SUBMISSION DURANTE KREUK LTD. PARTNER ON PROJECT: STEPHEN VINCENT SOFTWARE: VECTORWORKS 2024

VIA Architecture | www.via-architecture.c 270 - 601 W Cordova St Vancouver BC V6 tel 604 683 1024 fax 604 683 0774 CONSULTANT

VIA Architect 270 - 601 W tel 604 683 1 CONSULTANT

VIA Architecture | www.via-architecture.com 270 - 601 W Cordova St Vancouver BC V6B 1G1 tel 604 683 1024 fax 604 683 0774 CONSULTANT

PROJECT

Kingston Gardens 15245 99 Avenue, Surrey

Portion of Parcel Identifier: 007-797-9 Lot 212 Section 33 Block 5 North Rang West PROJECT New Westminster District Plan 60058

Kingst

City of Surrey File No. 7919-0132-00 89818 15245 99 A OWNER

Portion of PROJECT

Kingston Gardens 15245 99 Avenue, Surrey Portion of Parcel Identifier: 007-797-991 Lot 212 Section 33 Block 5 North Range 1 West New Westminster District Plan 60058 City of Surrey File No. 7919-0132-00 89818

Lot 212 Se METRO VANCOUVER West New West HOUSING CORPORATION City of Surr 89818 Metrotower III, 4730 Kingsway OWNER Burnaby, BC

METR HOUS CORP

PROFESSIONAL SEAL

OWNER

METRO VANCOUVER HOUSING CORPORATION Metrotower III, 4730 Kingsway Burnaby, BC

Metrotowe Burnaby, B

PROFESSIONAL SE

DESIGN TEAM

DC AH PRINCIPAL

PM DC PROJECT MANAGER

PROFESSIONAL SEAL

DC SC PROJECT ARCHITECT

DC DRAWN BY

DC CHECKED BY DRAWING SET DESCRIPTION

DESIGN TEAM

DC AH PRINCIPAL

PM DC

PROJECT MANAG

DESIGN TEAM

DC SC

DC AH

PROJECT ARCHITE

DC

PRINCIPAL

PM DC PROJECT MANAGER

VIA Architecture | www.via-architecture.com DC SC 270 - 601 W Cordova St Vancouver BC V6B 1G1 PROJECT ARCHITECT tel 604 683 1024 fax 604 683 0774

DC

DRAWN BY CONSULTANT

No .

DATE A 16 SEP JAN A 28 2021 2020 B 13 NOV 2020

DC

DRAWN BY DESCRIPTION DC ISSUED FOR FOR TENDER ISSUED BUILDING PERMIT CHECKED BY

ISSUED FOR 95% DRAWING SET DE SUBMISSION FOR BC HOUSING

CHECKED BY DRAWING SET DESCRIPTION

SHEET TITLE

No PARKING DETAILS PARKING DETAILS .

DATE

A A

PROJECT

Kingston Gardens No 15245 Surrey .

DATE 99 Avenue, DESCRIPTION A 16 SEP JAN ISSUED FOR FORBUILDING TENDER A 28 ISSUED Portion of Parcel Identifier: 007-797-991 2021 2020 PERMIT Lot 212 Section 33 Block 5 North Range 1 B 13 West NOV ISSUED FOR 95% 2020 SUBMISSION FORPlan BC 60058 New Westminster District HOUSING City of Surrey File No. 7919-0132-00 89818 OWNER

METRO VANCOUVER HOUSING PARKING DETAILS PARKING DETAILS CORPORATION

SHEET TITLE

30

// SAMANTHA MILLER

Metrotower III, 4730 Kingsway Burnaby, BC

B

16 SEP JAN 28 2021 2020 13 NOV 2020

SHEET NUMBER

A0913 A0913

ISSUE DATE

15 JANUARY 2021 15 JANUARY 2021 SHEET TITLE

PARK PARK

ALL RIGHTS RESERVED BY VIA ARCHITECTURE INCORPORATED. THIS DESIGN IS NOT TO BE USED OR REPRODUCED WITHOUT THE CONSENT VIA ARCHITECTURE INCORPORATED.

SHEET NUMBER

A N D E R S ON R OAD

PROFESSIONAL WORK - REZONING SUBMISSION DURANTE KREUK LTD. PARTNER ON PROJECT: DYLAN CHERNOFF SOFTWARE: VECTORWORKS (17 3+2726 2024

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