NYSB Bulletin Winter 2020-2021

WINTER 2020/21

W W W. N Y S B. O R G

Farewell and New Beginnings

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From the Executive Officer

COVID can’t stop Christmas!

“Every Who down in Who-ville, the tall and the small, Was singing! Without any presents at all!

He HADN’T stopped Christmas from coming!

IT CAME! Somehow or other, it came just the same!

And the Grinch, with his grinch-feet ice-cold in the snow, Stood puzzling and puzzling, how could it be so?

‘It came without ribbons! It came without tags!

It came without packages, boxes or bags!’

And he puzzled three hours, till his puzzler was sore.

Then the Grinch thought of something he hadn’t before!”

—Dr. Seuss, How the Grinch Stole Christmas!

There is no doubt that in many ways Christmas 2020 feels a bit different. Due to the ongoing impact of the world-wide pandemic our normal schedule of live Christmas Concerts, special corps/church worship & functions, large family gatherings and so much more have been curtailed.

But, COVID can’t stop Christmas!

Christmas may not be the same for most of us this year but that does not change the true joy that remains ours, as we once again, celebrate the reality of Christ coming to save us.

“But the angel said to them, “Do not be afraid. I bring you good news that will cause great joy for all the people. Today in the town of David a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you: You will find a baby wrapped in cloths and lying in a manger.” — Luke 2:10-12 In verse three of Isaac Watts classic Christmas Carol, Joy to the World, we sing; He rules the world with truth and grace, and makes the nations prove The glories of His righteousness and wonders of His love.

This season, as we enjoy the sights and sounds of Christmas, even in a new way, let us all remember the angels message to the shepherds and the promise found in Jeremiah 29:13, “You will seek me and find me when you seek me with all your heart”.

Merry Christmas!

Lt. Colonel James LaBossiere Executive Officer, NYSB

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Commissioners William A. & G. Lorraine Bamford Territorial Leaders USA, East Lt. Colonel Kathleen Steele Executive Officer New York Staff Band Derek W. Lance Bandmaster Simon Morton Deputy Bandmaster Brindley Venables Band Secretary Dorothy Gates Composer in Residence Aaron Harris Chorus Leader Peter Vaughan Band Sergeant Major Donald Spencer Band Chaplain Charles F. Olsen, Jr. Treasurer/Property Manager Warren Smith, Jr. Librarian Aaron VanderWeele Development Secretary

Farewell and New Beginnings!

Simon Morton, Assistant Territorial Music Secretary

It is not unusual for personnel changes to alter the makeup of the New York Staff Band from season to season as job requirements or family obligations change. However, in what has been an unusual year for the band comes a change in band leadership that is not typical, mid-season!

We say farewell to the Executive Officer of our last four seasons, as Lt. Colonel James LaBossiere and his wife Lt. Colonel Patricia LaBossiere take up an exciting new role as principals of the College for Officer Training in Suffern, NY. “Jim the Boss” has been influential and steadfast as the spiritual leader of the New York Staff Band. Always ready to roll his sleeves up and get the truck loaded after a Festival. Always available to talk to “the little old lady” in the front row after a Sunday morning meeting. Always willing to be the hands and feet of Christ to the players and other members of the band team.

Even though the New York Staff Band won’t miss the occasional sermon references to New England and Boston sports teams, we will certainly miss Lt. Colonel LaBossiere’s consistency and character. We wish him and Pat the best in their new appointments.

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When asked about his time with the New York Staff Band, Lt. Colonel LaBossiere remembers a successful tour of Japan, countless Corps and Divisional Ministry Weekends, Future All Stars and even marching as highlights!

“It has been a deep privilege to serve as the Executive Officer of the NYSB. The role truly is both inward and outward facing. The inward focus is a personal and pastoral aspect in ministry to members of the band. There is also the outward focus of chairing concerts, sharing a concise but direct Gospel message in those settings as well as interacting with those attending concerts and other events.”

New Beginnings As we say goodbye to one Exec. we welcome another! Although not a stranger to the New York Staff Band, our new Executive Officer makes history as the first female Salvation Army Officer to hold the position and marks the beginning of an exciting new era for the band.

Lt. Colonel Kathleen Steele has been a playing member of the NYSB, specifically

Derek Lance, Bandmaster of the New York Staff Band adds this, “Lt Colonel LaBossiere and I have been together on this journey since our literal first day in the positions. I could not think of a better person to share in these early days of leadership and to have as a mentor and encourager. His influence on the band will be felt for years to come. It has been an absolute pleasure serving alongside a good friend”.

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people were as we marched past them. The International Congress in Atlanta, the ISB 120th, and the Boundless Congress, each with its own highlights too numerous to mention here. Tours to Great Britain, the West Coast, Norway and Sweden were absolutely fantastic. But of all the tours I’ve been on, I could never forget the enthusiasm of the worship of Salvationists in Cuba, or the warm welcome and hospitality of the people in Japan and I could not forget to mention the fantastic musicianship of the children in Japan that we had the privilege of sharing performances with.

There have also been many spiritual highlights, many of which have happened not in the big events, but in corps chapels or band rehearsals. More times than I can count, the testimonies of fellow NYSB members have both blessed and challenged me. As a member of the NYSB we get to witness and be a part of many spiritually enriching events. The words of songs that I can pray as I am playing have caused me to bring others and myself to the Lord in prayer.

Being part of the NYSB in many ways has helped my personal spiritual growth through the times of fellowship, devotions, and prayer.

Warren Smith, Jr.

Bass trombone

Second trombone

Robert Venables Lt. Colonel Kathleen Steele Noah Rife

First Cornet

Brindley Venables Anthony Barrington Lieutenant Jonathan Quatela Michael Baker Brian Smith

Solo Cornet

Mark Baker Dorothy Gates

New Role as Executive Officer: There has been a long history of Executive Officers who have been godly leaders and examples to members of the NYSB. They have been enthusiastic champions of the ministry and mission of the band. It is very humbling and perhaps a bit overwhelming to now be counted among them. I will strive to be the best example of God’s love that I can be. I will continue the tradition of keeping the ministry and mission of spreading the Gospel of our Lord and Savior Jesus Christ through the music of the NYSB a priority. Whatever I can do to assist the band and provide leadership and encouragement I will do. Most importantly, together we will look to the Lord for His guidance and direction. I claim the verses in Colossians 3:23-24 “Whatever you do, work at it with all your heart, as working for the Lord, not for human masters, since you know that you will receive an inheritance from the Lord as a reward. It is the Lord Christ you are serving.”

Please join the New York Staff Band in prayer for both Lt. Colonel LaBossiere and Lt. Colonel Steele in their new roles.

Color sergeant

Andrew Boynton Robert Myers Daniel Guillaume Thomas Scheibner

Second Baritone

Christian Riesebieter

First Baritone Aaron Harris

Second Horn

Mackenzie Dalrymple

First Horn

Major Donald Spencer Matthew Hodgson

Solo Horn

Lt. Colonel James LaBossiere

Executive Officer

Charles F. Olsen Jr.

Brandon Finnie

Derek W. Lance

Bandmaster

Multimedia specialist

First Trombone

Major Stewart Dalrymple

Soprano Cornet

Major Steve Ditmer Mark Gates

Daniel Wajda

Flugel Horn

Percussion

Simon Morton Andrew Dressler

B-flat tubas

Christopher Webster Michael DeVault

E-flat tubas

Aaron VanderWeele Devonte Thompson

Euphonium

N E W YO R K S TA F F B A N D

Donna Burgmayer Captain Elizabeth Ferreira Christianne Livingston Chris Payton

Alto

Captain Josue Alarcon Eric Dina Captain Mark Ferreira

Debbie Bowin Major Janet Clarke Robin Rice Lieutenant Cristina Spencer

Soprano 2

Lieutenant Danielle Bender Emilee Bennett Lt. Colonel Patricia LaBossiere Captain Margaret Quatela Chelsea Rice

Soprano 1

S/L Gavin Whitehouse

Songster Leader

Lt. Colonel Patricia LaBossiere

Executive Officer

Rhythm Section

Major Brett DeMichael Erik Jones Major Judson Laidlaw Major Dennis Muir Ben Payton

Basses

Major Carl Avery David Burgmayer Ben Clarke Major Thomas Dressler Robert Jeffery Ken Kirby Captain Timothy Sheehan

Tenor

Envoy Joan Pierce Envoy Patricia Wood

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David Childs, Brass Band World magazine

Lorena Simmonds – Lance Nathan Power

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Christmas with the New York Staff Band and Eastern Territory Songsters

Second Cornet

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“Let There Be Light” CD Review

Karen Shaffstall Fred Mbesi Peter Vaughan

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“I have so many great memories and highlights it will be hard to share them all. There is a whole list of “big events” or tour memories, each with its own set of highlights. The list includes events like marching in the Rose Parade in 2000 and how friendly and encouraging

LET THERE BE LIGHT

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in the cornet section for 15 years, holding various seats and having previously served the band well as its secretary, undertaking all organizational and logistical work for monthly duty weekends and major tours.

Kathy brings a wealth of knowledge of how staff banding “works” and will be a fantastic bridge between the band members and the countless people we interact with in any given season while also understanding the spiritual needs of bandsmen and women that are committed to the ministry of the New York Staff Band.

Lt. Colonel Steele currently serves as Secretary for Communication at the Eastern Territory Headquarters and had the following to say about her time as a playing member of the band in addition to her thoughts in the new role of Executive Officer.

For many, Christmas doesn’t begin until the traditional sound of a Salvation Army brass band can be heard in the street. Will that be possible this year though? Fear not, The New York Staff Band (NYSB), under the expert baton of Derek Lance, has ensured every household will have the opportunity to enjoy the quintessential sound of Christmas with the release of ‘Let there be Light’.

On this festive disc, the Eastern Territory Songsters and rhythm section provide joyous offerings in the form of O Little Town of Bethlehem, John Rutter’s popular Angel’s Carol, an attractive setting of Emmanuel and a reflective A Manger Lullaby. However, the real magic happens when the choir is joined by the NYSB for Amid the Winter’s Snow. The arrangement is inventive, full of technical ingenuity, and allows the voices and brass to shine in equal measure.

Composer of the moment, Andrew Wainwright, is featured twice with his atmospheric Huron Carol showcasing impressive phrasing from the band’s principal cornet, and Illuminate, originally composed for The Chicago Staff Band. At seven minutes

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in duration, it’s a substantial concert work with beautiful lyricism, energy and relentless drive, brought to life here by a band on scintillating form. Steven Ponsford’s eponymous Let there be Light, is also delivered with great verve and, amongst the rhythmic ostinatos, the performance reveals a warm well-balanced band sound. Joel Collier’s Personent Hodie and Marcus Venables’ Yuletide Treasure represent two of the latest editions to the American Band Journal, which with Dorothy Gates’ fun and jazzy take on The Holly and the Ivy, Dean Jones’ eclectic Sounding Joy, and the ever-popular Carol of the Bells receive impressive performances from the band and its talented soloists.

Moments of reflection are provided through Philip Rayment’s Advent Hymn and Philip Harper’s Lux Aeterna, whose uninterrupted single note is heard like an inextinguishable flame or constant source of hope – something much of the musicmaking on this release provides in abundance. In summary, this disc combines quality writing with stellar playing; a most welcome release in every respect.

“Live from NYC” CD Review New York Staff Band & Cory Band Tim Mutum, British Bandsman Magazine

Almost a year ago the Cory Band returned to the USA and the final concert of its short tour was a joint one with the New York Staff Band in the Centennial Memorial Temple in New York.

It was recorded and this double CD produced and finally released. The format is straight forward enough, each band having its own segment before joining forces for a finale, thankfully on this occasion avoiding the usual musical culprits which bands seem incapable of moving on from.

The New York Staff Band contribution opens with The Proclaimers, written by a former member of the band, Kevin Norbury.

It is a march that has been a signature piece in the band’s repertoire, with the second half featuring the song Banners and Bonnets.

Bristling with energy it was an early indicator of what a fine band the Big Apple has.

The three-movement Semper Fidelis (meaning Always Faithful) by Martin Cordner is followed by Philip Harper’s King of the Seven Heavens, a line taken from Mary Bryne’s 1905 translation of Be Thou My Vision, a Christian hymn of Irish origin commonly known as Slane, which is used as a focal point in the music.

As if to make amends, the band’s segment concludes with up-and-coming composer Andrew Wainwright, firstly in an arrangement of songwriter Dan Forrest’s popular choral anthem And Can It Be and secondly in original writing, Rhapsody on St Francis. This was receiving only its second performance and is based on the hymn of the same name, associated with the words All Creatures of Our God and King. Throughout its ten minutes the composer teases with little fragments of the melody before launching into the main tune in its entirety in a dramatic finale which brought the NYSB segment to a magnificent close.

Cory Band took over the middle part of the concert, here split between the two CDs, and while both are refrains of contest victories, they could not be more different.

Having won the National with Hermann Pallhuber’s Titan’s Progress a couple of weeks earlier it would have been tempting to do as most bands do with competition pieces and place it firmly at the back of the music library, never to be seen again.

Thankfully, Philip Harper recognises that like every other musical genre the brass band

ought to seize opportunities to perform substantial music written for it. Moreover, before the performance Philip Harper explained what Titan’s Progress was all about, which was just as well because the lush, glossy gatefold sleeve and accompanying booklet are sadly lacking in this important aspect of any CD. It remains music of epic proportions and was well received by an enthusiastic audience, who also lapped up Cory’s 2018 Brass in Concert programme, Romeo and Juliet, with narration from the conductor. Four massed band items conclude the second disc, the highlight being Leslie Condon’s The Call of the Righteous, written for Tottenham (now Enfield) Citadel Band’s 1964 tour of North America. It seemed entirely appropriate that this brightly coloured work should be chosen, which was surely far more familiar to the NYSB players than it will have been to Cory’s.

For those present, and it was a fairly hefty crowd, this is a permanent memento of a memorable evening, while for anybody else there is much to savour and enjoy in what is a well put-together and varied programme.

DISC 1 NEW YORK STAFF BAND 1. THE PROCLAIMERS 2. SEMPER FIDELIS 3. KING OF THE SEVEN HEAVENS 4. AND CAN IT BE 5. DEVOTIONAL 6. RHAPSODY ON ST FRANCIS

$

CORY BAND 7. MARCH OF THE PACEMAKERS 8. INTRODUCTION OF TITAN’S PROGRESS 9. TITAN’S PROGRESS

20 00

DISC 2 CORY BAND 1. O VERONA 2. CARIBE 3. LOVE THEME FROM ROMEO AND JULIET 4. CLANS COLLIDE 5. LAMENT AND LIEBESTOD 6. SOMEWHERE FROM WEST SIDE STORY

available for purchase at www.nysb.org

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MASSED BANDS 7. BALKAN DANCE 8. I KNOW THOU ART MINE 9. CALL OF THE RIGHTEOUS 10. ENTER THE GALAXIES

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Festival of Praise goes Virtual Craig Lewis, Territorial Music Secretary, Canada & Bermuda

The NYSB premiered their online Festival of Praise on November 12th, and it was received with much anticipation by a global audience. There were a few reasons why this was important and significant. It was a brandnew program by one of the SA’s prominent staff bands. It was also the largest ensemble that we had seen in some time as most other jurisdictions had lockdown restrictions that further reduced the size of group allowed.

Finally, it came in the middle of a divisive election cycle, and we just needed to be reminded of some good news.

With that said, it was not the entire NYSB. A quick screen count showed 23 players, with all but solo cornets and tubas being one on a part. It is a testament to the depth of the band to be able to produce a concert like this under those circumstances. Other Covid

protocols were obvious, with the band being spread widely apart in the THQ conference center, as well as a first for SA music videos… spit pads for each player!

The audio and visual components of the program were excellent. Kudos to the technical team for getting the right sound balance and knowing when to zero the camera in on the players with the melody or other important parts. One last thing before we get to the music. There was just the right amount of talking from Bandmaster Lance.

Some songs don’t need an introduction, and there was no wasted talking. We were told appropriate information to help us understand pieces where necessary.

Let’s talk about the playing and the music.

The band was surprisingly tight and together given the spread-out nature of the formation.

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That’s not easy to do when you are trying to blend, balance and tune with the other side of the band that far away. I was also pleased to hear that it wasn’t a ‘safe’ performance.

Without an audience to give you energy and knowing that you get one crack at it with the cameras and microphones recording, it can be tempting to play it safe. I’m glad that the band played liked the NYSB. I need to compliment the band for showing us a different side of their playing.

We have come to know and love the NYSB for going at it full throttle…excitement, passion and energy. But in this program, they showed us that they are much more than that. The highlight of the program for me was hearing the many times -and yes, there were many – where their sensitivity, control and breadth of musicality were on full display.

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HERE ARE A FEW HIGHLIGHTS FOR ME, IN PROGRAM ORDER: Praise Him – Bulla This opener showed us the band was tight despite the setup and that the program would be exciting.

Churchbury – Phillips This was the first sense that something was different about the band. My notes simply said “moments”. There were just special moments in this. Things like the muted cornets under the euphonium melody. Wonderful.

Make His Praise Glorious – Gordon This is just a great number that never gets old. Some excellent kit playing through this. Understated in approach but kept the piece hanging together.

New York, New York – Richards How can you not smile in this? Smooth and showy, bordering on schmaltzy.

Benedictus – Jenkins The only solo on the program, and Aaron VanderWeele delivered just what we expect from him…that gorgeous sound and unquestionable control. Special mention in the accompaniment must go to flugel player, Daniel Wajda, who worked seamlessly with the soloist. Nice to see Daniel growing into the flugel chair.

This I Know – Himes This arrangement itself borders on the sublime when played well, and this was another moment for me. Principal trombone, Mark Baker, wonderfully introduced the tune and then the band produced some of the finer softer dynamics we have heard from them. A highlight for me.

Hillcrest – Broughton The star of this piece was Andrew Boynton on snare. He was crisp, measured and exact. Just what is needed to make sure this piece doesn’t lag in the middle section.

Lord, You Know That We Love You – Downie This is a trombone section feature, and the threesome of Mark, Nathan and Warren were up to the task. Known for their power and fireworks, in this number it was their unison legato and tightly tuned octaves that turned heads. I’m totally biased to this section of the band, but praise is so well deserved in this number.

Christ-Hymn – Redhead The full ensemble shone in this number. The passing triplets from section to section was excellent. But this piece is really about the message, He is Lord, and you really felt the Spirit working through the band in this number. A spiritual moment.

Abide With Me – Burgmayer Just a nice way to catch your breath to finish.

Perhaps it’s the maturing of the band under Derek’s leadership, but I felt in this program that they made space. Space for contrast and musicality. This was particularly evident in selections such as Churchbury and This I Know. It allowed for moments of absolute meditation. Well done, NYSB! As I said previously, this program was just what we needed. It was well programmed and enjoyable. Most of all, it was a fresh spiritual experience. My thanks to the members of the NYSB for using new means and technology to share their gifts and talents with us.

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Tom

Scheibner tribute concert Bandmaster Andrew Blyth, Head Music Editor, UK

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illiam James, the American philosopher and psychologist was once quoted as saying ‘The great use of life is to spend it for something that will outlast it’. For those of us who profess the Christian faith this quote is true, we hope our lives pass on the truths of the Gospel, building the Kingdom and bringing people to faith.

Tom Scheibner’s life was one such ministry and his influence on those he shared life with will continue for many years and into many generations. His work within the USA Eastern

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Territorial Music Department and the New York Staff Band was one that went far beyond the boundaries of this great territory but to many SA musicians around the world.

Since Tom’s Promotion to Glory on the 5th February 2020 Bandmaster Lance and the department were already wanting to prepare a fitting tribute in his honour. Covid may have altered this plan but the foresight and excellent vision of bringing a virtual tribute concert which could be shared around the world may have given the opportunity for

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Tom Scheibner 1953 — 2020

more people who knew Tom to be part of and reflect on his influence in their lives alongside those who knew him best.

Right from the start the evocative title sequence brings a sense of Tom’s ministry, his work with young people and his musical leadership. It was so fitting that there was video footage of Bandmaster Lance recording words of appreciation for Tom’s 50-year participation at Star Lake Music Camp and to also hear Tom himself giving a response. Right from the start you could sense Tom’s heart

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and passion in the opening video sequence.

This presentation was originally taken from Tom’s funeral service but led so well as an introduction to the concert.

In presenting this concert the New York Staff Band had various challenges to overcome, social distanced playing, not being able to rehearse regularly for a number of months, not all members available and music especially chosen for the tribute concert to rehearse and present. Many Bandmaster’s may have chosen to wait for a time when making

music would be far easier! Bandmaster Lance and the band take on the challenge with a sense of resolve and determination to accept this challenge and you can sense that throughout the festival.

The fine Festival March Universal Message (Leslie Condon) is not often heard now which, for me, is a real shame. Perhaps it’s because of the technical demands it places on players but Leslie Condon’s imposing melodic line inspired from English composers such as William Walton and Eric Coates, brings a sense of Britannia to the listener as we hear the evangelistic message of ‘Whosoever Will may come’. The tempo employed is excellent and gives this Festival March time to express itself. From the bold opener we are brought to a sense of prayer and thanksgiving to God with ‘Lord, How I love you’ from the second movement of Leslie Condon’s ‘Splendour of youth’. The simplicity of the music is its strength and is sympathetically handled by the band.

After a warm and personal introduction from Bandmaster Lance we are presented with Joseph Turrin’s bright work ‘Festival Prelude’ and then a piece, written at Tom’s request from his good friend Stephen Bulla, ‘Through the years’. Important recognition was given to Tom’s corps ministry at Montclair Citadel with the evocative brass setting of James Curnow’s

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vocal work ‘Christ’s Part’ arranged for brass by alumni member Philip Rayment. This brought a lovely reminder of Tom’s passion for vocal music within the movement and his leading of the corps songster brigade. The interpretation from the band is to be commended in what is a challenging work to bring to life in brass.

From that moment of reflection the band are straight into Bruce Broughton’s ‘tour de force’ Covenant. I have to say that I take my hat off to the band and Bandmaster Lance for his bravery in playing such music with all the challenges faced! It must certainly sharpen the players minds to play this type of rhythmically demanding piece socially distanced. As I said earlier you do get the sense that this band is playing to give thanks to God for a man very dear to their hearts and this shows throughout. Covenant is played with that sense of purpose and drive that the piece demands!

Two soloists are featured next with the first work, ‘Just where I am’, arranged by Tom himself. Originally arranged for Bandmaster Derek Smith it is presented by Lt. Jon Quatela with the timeless truth of ‘Just where he needs me my Lord has placed me’. The second solo is the much-loved arrangement of Ray

Steadman-Allen’s from William Hammond’ vs melody entitled ‘In the love of Jesus’ presented

by Trombone Soloist Mark Baker. Both works give time to reflect and be thankful for not only Tom’s ministry but all those that we know have influenced our lives for the Gospel truths they believed in and passed on by their own lives and testimony.

The NYSB are playing this piece for Tom and for the Christ that Tom loved, his testimony and legacy is found within this band and that speaks through this rendition of Resurgam.

That sense of gratefulness and also the sense of continued loss was summed up

by Bandmaster Lance as reflected on Tom’s passing and how it still affects him and the members of the band to this day. His conversation with Tom’s wife and partner in ministry Charlene on the day of Tom’s passing

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led her to request Tom’s favourite piece of music Resurgam by Eric Ball to be played at his funeral service.

Resurgam has that unique quality to speak into people’s hearts and minds no matter how many times it is played. Bandmaster Lance provides Eric Ball’s own commentary on the work and this, along with the composers emotive musical narrative, can only bring one into at the very least a recognition of the Almighty and the promise of eternal life and peace. There have been very few people I have known that have not been stirred into some recognition of its true message when listening to it. The band’s interpretation is bold and compelling and you can feel that ‘emotion’ needed within this presentation.

Brindley Venables gives a good account of the lament which demands so much from soloist and conductor in shaping and molding of phrase and I must give a special mention to Aaron VanderWeele for his beautiful shape of phrasing and a fine understanding of the musical lines required for the work, the short cadenza section for the Euphonium is handled as well as anyone I have heard. The NYSB are playing this piece for Tom and for the Christ that Tom loved, his testimony and legacy is found within this band and that speaks through this rendition of Resurgam.

To close, a special recognition to Star Lake and Tom’s close association with this annual institution. At first we hear the band play Dick Krommenhoek’s Benediction, especially arranged for brass by Dorothy Gates. Tom would lead the camp through this benediction each year which would mark the culmination of the camps music making. Dorothy’s arrangement gives time and space to reflect on that memory, it is a truly lovely setting of this vocal work. Finally, a change of uniform for the band with the wearing of an official ‘Scheibs T-shirt’ (when

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will they be available for general sale?!) and Quick March by Tom’s good friend and fellow alumni member Professor Peter Graham who takes us down memory lane with ‘Hail SLC!’ Snippets of many tunes associated with this historic and unique camp are presented all of which Tom would have been a part of and enjoyed. The concert was at an end but it felt, just like camp, that it had gone all too quickly!

I must express an appreciation to the audio and video team for assembling an excellent production which presented a good balance of the band and visual experience.

Before the band played the final Quick March Bandmaster Lance closed by saying ‘thanks for stopping by’. I would want to say ‘thank you’ to the Bandmaster and band for sharing this heartfelt and sincere tribute with us all. This concert felt as though we were part of a family tribute not only sharing with the New York Staff Band but as a fellowship of Salvationist musicians. We may have lost many opportunities for music ministry during 2020 but the development of virtual concerts during this year ensured that many more people around the world were able to attend this thanksgiving service.

Those that knew Tom, whether that was just in passing or very well, could feel inspired and encouraged by this concert. I think he would have been more than pleased with this thanksgiving service, quietly showing his appreciation with a smile and even a hug.

His legacy will continue within his family, the corps at Montclair Citadel, the New York Staff Band and the fraternity of SA musicians worldwide. Thank you for stopping by Tom!

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Christmas with the New York Staff Band With Guest soloist, Chris Martin – Principal Trumpet, New York Philharmonic Harold Burgmayer, Territorial Music Sectretary, USA Central

DECEMBER 19, 2020 – In these challenging days when the great majority of brass bands cannot meet in person, no less as a full ensemble, the New York Staff Band has managed to produce video concerts, not unlike this latest Christmas program, with featured guest soloist Chris Martin, the Principal Trumpet of the New York Philharmonic.

The New York Staff Band is in fine form, opening the program with a refined performance of Ken Downie’s Intrada on

Regent Square. The presentation is enhanced by the high-quality audio recording. One can hear the band with clarity from the high end down to the fine bass section. Although the band is widely spaced out, respective of health requirements, the performance is enhanced with quality camera work, including welltimed closeup shots on featured soloists and sections of the band.

Some years back, the USA Eastern Territorial Music Department made a commitment to annually publish four Christmas selections

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in the American Band Journal. The second selection Bells of Christmas by Stephen Bulla is among the ABJ arrangements featured on this program from that growing library of fine Christmas selections. The NYSB exhibits a compact and unified sound in this march medley featuring The Carol of the Bells, Angels We Heard on High and Jingle Bells, with appropriately placed interjections of the ringing of bells used for Salvation Army Christmas kettles.

Paul Sharman’s On Christmas Night (Paul

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Sharman) is a suite in three movements, episodic in nature, and based on several melodies to the well-loved carol It Came Upon the Midnight Clear. A highlight is the poignant second movement featuring the expressive playing of Aaron Vanderweele on solo euphonium.

The first of Chris Martin’s two solo offerings is a haunting setting by Doug Court of the English melody Greensleeves, which we associate at Christmas with the words What Child is This? Chris exhibited a lyrical cornet

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tone and expressive control of the instrument with long, beautifully shaped phrases.

There is something winsome and even adventuresome about Kevin Norbury’s setting of On Christmas Day. The score features some delightful harmonic gestures, including a few recognizable allusions to the music of Gustav Holst. All sections of the band are featured and shine in this performance.

Stephen’s Bulla’s setting of the traditional carol Lo, How A Rose E’er Blooming commences with simple modal lines and a series of sumptuous chords before the chorale melody is formally introduced. Hints of Bach’s Jesu, Joy of Man’s Desiring act as an effective countermelody, before a return to the opening lush chords. The band renders this lovely music with a gentle sensitivity.

William Gordon is well known for his scintillating marches, and the march Christmas Rejoicing is unusual in that it is based on a chant melody O Come Immanuel, and therefore is primarily in the minor mode.

The band gives a very tight performance with good attention given to the other carols that are quoted throughout the march.

The original carols of John Rutter have a well-established association with Christmas.

For Chris Martin’s second solo feature, Andrew Wainwright was asked to make a fresh setting of John Rutter’s lovely Candlelight Carol. This fine arrangement references the refrain of Gloria in Excelsis Deo. Chris again exhibits a controlled cornet tone and negotiates the original variation obbligato with impeccably shaped phrasing.

The music of Erik Satie is referenced in Dorothy Gates’ tender setting of Silent Night.

The NYSB exquisitely negotiates this setting with its challenging light textures and pizzicato-like exchanges between sections.

The theme of much pandemic response has been one of offering hope in these difficult days. Following a devotional by the Executive Officer of the New York Staff Band, Lt Colonel James LaBossiere, the band presented a three-movement major work

by Kevin Larsson entitled Hope. The main musical theme is a worship song Cornerstone, whose initial lyric reads “My hope is built on

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nothing less than Jesus’ blood and righteousness.” Also referenced is the tune Dix, which at Christmas is associated with the words, “As with gladness men of old, Did the guiding star behold.” The flugelhorn solo by Daniel Wajda and the build-up that follows within the band in the slow section was especially moving. High marks for the excellent percussion support.

The concert closes with a lush, yet compelling re-working by William Himes of Have Yourself a Merry Little Christmas and a vibrant reading of the classic march Christmas Joy by Erik Leidzen. Congratulations to Bandmaster Derek Lance, the men and women of the New York Staff Band, and guest soloist Chris Martin for an enjoyable hour of brass music. The program was, at once. exhilarating, often contemplative, but even in these difficult days, splendidly celebrated the hope found in the Christmas story.

W W W. N Y S B. O R G

2020/21 Association Members The New York Staff Band wishes to thank the 2020/21 Association Members for their outstanding partnership and meaningful support of our ministry.

CORPORATE SPONSORS Green Family Foundation

PLATINUM BATON Debbie Bearchell David L. Carlson Dr. Dennis L. Horton Commissioners Jim & Carolyn Knaggs Dr. & Mrs. T. Phil Pitner Donald A. Ross Majors Chuck & Carol Schramm John A. Waynick

GOLD BATON Frank Bunton Annlies S. Cato Frederick R. Davey Major Charles & Shirley Drummond Dr. Kenneth Dunning & Lucy Dunning Bill & Catherine Flinn Commissioners William & Marilyn Francis David R. Hulteen David Simington Rev. Dr. Carter & Linda Smith Bill & Sharon Waiksnoris

SILVER BATON Ian & Faith Anderson William & Linda Anderson Mr. H. George Banta Mr. Robert Dearborn Captains Chas & Debbie Engel Jeannie & George Holmes Mr. & Mrs. Michael R. McDonald Rev. Dr. William & Lorraine Riley Wm. S.A. Quirk & Jean M. Berube Mr. Daniel J. Sharp Major Diana Smith Joyce Thompson Dawson Lt. Colonels Norman & Jeanne Voisey Mrs. Phillip Wajda Dr. Norman Wallis

T H E S A LVAT I O N A R M Y U S A E A S T

BRONZE BATON Major Harold R. Anderson Majors Sid & Betty Anderson Lt. Colonels Albert & Ruth Avery W. Todd & Carol A. Bassett Eldon Bender Lt. Colonel Sharon E. Berry Roy Charles Blaxhall Mr. Herb Burkett Major David Cedervall Barbara & David Clark Major Ernie Cox Lts. C. Tim & Dawn DeCastro Lt. Colonels Joe & Gladys DeMichael Lt. Colonels Dick & Sandy Dean Melvin Dorin Lt. Colonels Howard & Joan Evans Robert Fox Major Walter F. Guldenschuh Herb Gullquist Dee Harvey Gary Hawkins Clayton & Ellen Heath Ada Jean Hess Barnes William Heuman Mr. Laurie R. Hiscock Jake & Gloria Hohn William Hood Kenneth & Patricia Hunt Mr. Archie M. Janvrin Jr. Ian & Christine Jenkins Don & Tricia Jones Dr. & Mrs. R. Kerr Bill Kinnaman William H. LaMarr Mr. & Mrs. William L. Livingston Pastor Ake Lundberg Barbara Mathieson Janet & Brian McDougall Majors Bernie & Claranne Meitrott Major Harriet R. Mendez Sandra Moody Commissioner Nancy A. Moretz Lts. Elisha & Megan Moretz Osamu Morimoto Eleanor C. Nealy Jim & Shirley Osborne

Majors Frank & Evelyn Psaute Lt. Colonel Herb & Lois Rader C. D. Reinhart James K. Roberts Suzanne & Martin Royce Carl & Hollie Ruthberg Colonel Myrtle Ryder Majors Paul & Norma Satterlee Bill & Bobbie Schofield Richard & Janet Schotter Gil Seadale Pauline J. Sharp Mr. Dennis Bruce Sibley Ms. Inez M. Smith Steven M. Steiner Mr. Chris Stevens Rev. & Mrs. Walter J. Thompson Lt. Colonels Richard & Sharon Ulyat Mr. & Mrs. Robert B. Upton Dr. Keith M. & Mrs. Audrey Wilkinson Dorothy Woods

FRIENDS Sally Affanato Paul Baxendale Robert Blackwelder Lawrence Boblas Rev. Dr. & Mrs. Melvin G. Bridge Rick Coulter Mr. Harrington E. Crissey, Jr. Bud & Sharon Davies Stephanie Elynich Joan Harvey Lt. Colonel Alice Joyce Marilyn J. Kittle Lt. Colonel James LaBossiere Mr. & Mrs. Bruce Lemar Siv Linden Pat & Tom Mack Colonels Cheryl & Kenneth Maynor Dr. & Mrs. Arthur H. Mittelstaedt Mr. & Mrs. William Mohlenhoff Mr. & Mrs. Elliott D. Moxley Major Jean Nelting Mrs. Commissioner Juanita Nelting Mr. Robert Norman Russell & Shirley Prince

Howard Rombey Peter Skoglund Muriel Spence E. Dolores Theobald Larry Thompson Majors Norman & Ruby Zanders

IN MEMORIAM Doug Amaxopulos (In Memory of Tom Scheibner) Majors Sid & Betty Anderson (In Memory of Tom Scheibner) Betty Bamford (In Memory of W. Dean Bamford) Mary A. Barnes (In Memory of Major Chuck Schramm) Lt. Colonel & Mrs. Norman Bearcroft (In Memory of Tom Scheibner) David & Rebecca Brunner (In Memory of Sergeant-Major Mildred H. Brunner) Lt. Colonel Susan J. Chastain (In Memory of Major Gary Gregg) George & Joy Church (In Memory of Colonel George Church) Esther Schramm Connin (In Memory of Charles B. Schramm & Roland G. Schramm) Dave & Chris Deitrick (In Memory of Major Lillian Deitrick) Gladys Schramm Fleming (In Memory of Major Charles Schramm & Lt. Col. Roland G. Schramm) Rev. Erich & Marge Hamm (In Memory of Major James Abram) Kathleen & Peter Hawkins (In Memory of Bill DeMoranville) Catharina Henderson (In Memory of Major Charles Schramm) Richard R. Jessup (In Memory of Major Wade H. Watson) Diane & Dan Miles (In Memory of Jack Deitrick) Dorothy Stanfield (In Memory of Ted Stanfield)

W I N T E R 2 0 2 0 - 2 1 N Y S B B U L L E T I N ‡ 15

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LET THERE BE LIGHT

C H R I S T M A S WITH THE N E W YO R K S TA F F B A N D AND E A S T E R N T E R R I TO R Y S TA F F S O N G S T E R S

1. Let There Be Light 2. I lluminate 3. Lux Aeterna 4. O Little Town

9. Yuletide Treasure 10. Holly and the Ivy 11. Angel’s Carol 12. Huron Carol

6. Sounding Joy

13. Carol of the Bells 14. Emmanuel

7. A Manger Lullaby

15. See Amid the Winter’s Snow

8. Advent Hymn

16. A Joyful Sound

5. Personent Hodie

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