Sachio Badham 2020 Portfolio

DESIGN OF ALL KINDS!

SACHIO BADHAM 2020

portfolio

syracuse university

enjoy!

contents

2020

Contents 01 02 03 04 05 06 07

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Professional Work Thesis Comprehensive Studio Green Lakes Education Lab Long Island City Mixed Use Self Storage Facility Near West Community Arts Center Boboli Landscape Workshop

sachio badham

corresponding page(s)

Syracuse BArch

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design portfolio

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me

2020

greetings

2y

k!

rs.

bac

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sachio badham

cv

Syracuse BArch

RESUME 01 INFO EMAIL: sachiob@gmail.com CITIZEN: US+BRASIL PHONE: +1(805) 453-3537 LANGUAGES: English, Portuguese, Spanish, un po di Italiano

02 WORK OMA NY Intern Summer 2019 Various

OMA/AMO Rotterdam Intern July 2018 – Jan 2019 2019 SS PRADA Women’s Show CARTESIAN THEATRE Prada Invites Book Design Logo Design 2019 FW Premonition Concepting

TIGHE ARCHITECTURE Intern Summer 2017 Tighe Monograph Designer 3d print, hand cut, laser cut models for exhibition

SYRACUSE ARCHITECTURE TA Undergraduate Representation Teaching Assistant 2019 Drawing and Design Lectures + Assistance

03 EDUCATION SYRACUSE ARCHITECTURE (BArch) 2015-2020 Thesis Honorable Mention

SBCC 2012-2015

design portfolio

4

f/w

2018

OMA / AMO Rotterdam + New York Summer, Fall, Winter 2018 + Summer 2019 Various Projects

5

I worked two different sessions at OMA, 6 months in Rotterdam and one summer in New York. In Rotterdam I was a 3 month member of the Prada team, worked collaboratively with Rem Koolhaas and two others on a private project for a short design push, and then joined two competition teams. In NY I worked on POST Houston for most of my time, and two competitions. As you can imagine, the tasks were varied.

sachio badham

professional work

al Re

design portfolio

collages!

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nt Fa

AMO

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2018+19

9 SS Work for the 201roposshow and graphic peting + als for digital mark ompatrailers for the acc nying collection. includPrada Invites book ading ing profiles on 3 le each female designers esigns who submitted d for the collection. inning Wafra Tower w r rencompetition, interio n. ders + cutaway axo ollage POST HOUSTON c s + research diagram

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sachio badham

professional work

design portfolio

OMA/AMO

8

summer

2017

TIGHE ARCHITECTURE Los Angeles, CA Summer 2017 Various Projects Working at Tighe Architecture my primary tasks corresponded to the exhibitions held in August, titled ReDrawn. This consisted of 3D printing, laser-cutting, and modeling the complex geometries of 12 of the firms important conceptual and built projects, in collaboration with my colleagues. I was also involved with producing renders and submitting proposals for clients, preparing award-submittal drawings, and designing the Tighe Architecture monograph; yet to be released.

9

sachio badham

tighe

ti on

design portfolio

exterior renders

s! !!!

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p

professional work

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redrawn exhibit models

summer

11

2017

Rhino, M Grassho used to the struc of these realized projects month m cess ne extensi tion be tors, bo coordin the Tig experi first de world sional

sachio badham

professional work

tighe

Maya, and opper were coordinate ctural feats e mostly und building s. The several modeling proecessitated ive coordinaetween fabricaosses, gallery nators, and ghe team. This ience was my elving into the of 3-dimenl complexity.

design portfolio

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fall

2020

THESIS

Six Sickly Schemes Challenge Six Symbols Spring 2020 Advisors: 1. Britt Eversole 2. Julie Larsen 3. Sinead Macnamara Honorable Mention Thesis AWARD This here, is a manifesto.

Deeply dissatisfied with the prevailing intellectualised pessimism of the architectural discourse, The Electricists have arrived to strike new electric vigor into the hearts of the many. As their maiden declaration to the world they presented 6 CHARACTERS based on 6 ICONIC BUILDING PRECEDENTS, acting as spokespeople for their new building project. Their founding declaration, The Electric Six, documents their conception. They are a set of counter icons; wholely irreverent. Like Kandinsky they contend that form, line, shape and color – individually – resonate with us like notes on a piano.

Together, concocted with elite knowledge of proportion and the psychological effects of color, shape and material, they strike deep chords in our hearts.

These creations are as relevant today as they will be tomorrow, because they were not envisioned as mere buildings, they were imagined as living, breathing characters. They are SIX SICKLY SCHEMAS, scaleless and heretical. Their colors twinkle and their details gleam.

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sachio badham

thesis

prof. eversole

The

PULSING,

SEETHING,

manifesto preview

They were as unforgettable as those fictional characters that we, children across the world, had fallen asleep dreaming to since the beginning of time. They declared that, in the pursuit of bringing to life breathtaking visual experience, no art was warranted the potential power of architecture. A HIGH-POWERED COCKTAIL OF EVERY GREAT CONTRIBUTION THEY COULD GET THEIR HANDS ON…

T

M

design portfolio

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2020

trailerrrrr

fall

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sachio badham

thesis

design portfolio

prof. eversole

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fall

2020

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sachio badham

thesis

design portfolio

prof. eversole

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FORMAL T

And now, the...

1

Each character is directional. Like most characters you know of, they have some recognizable front, not necessarily one with doors or a patio. Their constituent parts gravitationally play off the guiding force.

2

Each character engages in a distinct play on color.To test symphonic limits, everything has it. It varies from drawn out gradients to monotone canvases to shrill accents announcing ends of lines and ideas.

3

In pursuit of vivid formal communication – extra utilitarian articulation, shall we say ornament – is added to joints and entries and key notes of the composition, like capitals on columns.

TENANTS

for an electric creation

4 5 6

Like strings of abandoned concepts, chains of reaction, marking points of entry of structural paths, embark on sequences from recognizable to abstract geometries, disrupting our rationally expected ends...

Mike Kelley on Pollock stated that what makes his compositions work is that they are ritualistically contained – if they went on into eternity, they would be chaotic. In this suite, walls, curtains, and other impeding devices erect themselves to heighten the festering intensity of the sonatas lurking behind them.

Each composition is drawn orthographically. Rather than push and pull form in scaleless digi-space, we deliberately draw out, in brooding detail, cosmological compositions.

character 1

winton

RED RAGE REGGIE resembles a rainbow

pinwheel amoeba with FOUR ROBOT ARMATURES gathering around ONE CELESTIAL CORE, congregating beneath a COLLECTIVE CIRCUS TENT where the armatures fulfill their wildest formal fantasies.

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character 2

hejduk

ALLURINGLY LAZY LUCY oozes her indifferent hejdukian curvilinears upon a grand, sculptural stair, while only a fossil of the previously triple stacked volumes remains visible on THE WALL.

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character 3

savoye

BRAND NEW BOB erects dramatic drawbridge technology to elevate and detach from a toxic outer world.

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character 4

venturi

TWO FACE TAMMY Two Face Tammy is driven by THE CONTRADICTION, with red herrings and recognizable citations marking a path between worlds.

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character 5

bordeaux

BABY BLUE BONANZA engages in complex flight tactics to defy the suppressing tendencies of “THE BOX”.

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character 6

firminy

PAULS PRPL PRTY PLACE is fundamentally a glow-

ing lantern, emanating light outwards to offer an even more inviting inner cosmos.

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spring

2019

COMP STUDIO

Project 2 Thousand Islands Boat Restoration Facility Spring 2019 This facility is organized to accomodate long spans for boat restoration processes. A residential tower housing mentors and students conducting traineeships commences a highly articulated tectonic sequence through boat workshops, ultimately landing in a conical gallery/ lookout point, suspending the academy’s finest water crafts.

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sachio badham

comp studio

prof. kamell

eside

Tow

ntial

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worm's eye

design portfolio

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spring

2019

doodles

preliminary diagram sketch

geome planar tric hashou t

rythmic value m brainstor

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sachio badham

comp studio

prof. kamell

worm's eye

design portfolio

36

2019

detail sec.

spring

37

sachio badham

comp studio

design portfolio

prof. kamell

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2019

short section perspec!

spring

39

sachio badham

comp studio

design portfolio

prof. kamell

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2019

textonic axon!

spring

41

sachio badham

comp studio

design portfolio

prof. kamell

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2019

long section perspective

spring

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sachio badham

comp studio

design portfolio

prof. kamell

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worm's eye parallel projection spring

45 2019

sachio badham

comp studio

design portfolio

prof. kamell

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2019

view from riverside

spring

47

sachio badham

comp studio

prof. kamell

suspended wooded vortex

design portfolio

48

2019

view from workshop

spring

49

sachio badham

comp studio

prof. kamell

site plan

design portfolio

50

spring

2017

GRN LAKE LAB

Project 3 Syracuse, NY Program: Education Lab Being located at the midpoint of a steep site overlooking Green Lakes in Syracuse, New York, this project serves as a continuation of the hiking path over which it sits. The threshold between public and private, internal and external, are effectively erased. The projects greatest spaces can be enjoyed entirely without infringing upon the activities of the private programmes within. In an effort to mimmick the experiential quality of the preceeding hike, the sequence of approaching and entering the building consists of a series of exagegerated light and dark spaces. Transparencies are created as the building contorts out from landscape, walls and floorslabs conflict, creating a sensually rich sequence of events.

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sachio badham

y2 sem. 2

prof. kamell

Chip unk.

boar d ch

final model

design portfolio

52

2017

retroactive drawing

spring

53

sachio badham

y2 sem. 2

prof. krietemeyer

study models + plans

design portfolio

54

2017

view from top!

spring

55

sachio badham

y2 sem. 2

design portfolio

prof. krietemeyer

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2017

long section

spring

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sachio badham

y2 sem. 2

design portfolio

prof. krietemeyer

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2017

short section

spring

59

sachio badham

y2 sem. 2

design portfolio

prof. krietemeyer

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2017

views

spring

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sachio badham

y2 sem. 2

prof. krietemeyer

view from reserve shelter

design portfolio

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fall

2017

LIC STORAGE Project 4 Long Island City, NYC Program: Mixed Use Storage Facility

When working at Tighe Architecture last summer, my main tasks corresponded to the exhibitions we held in August, titled ReDrawn. This consisted of 3D printing, laser-cutting, and modeling the complex geometries of 12 of the firms important conceptual and built projects, in collaboration with my colleagues. I was also involved with producing renders and submitting proposals for clients, preparing award-submittal drawings, and designing the TigheArchitecture monograph, which is yet to be released.

63

sachio badham

ye

design portfolio

prof. corso

exploded axon

's rm

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Wo

y3 sem. 1

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2017

site plan

fall

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sachio badham

y3 sem. 1

prof. corso

exploded axon

design portfolio

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fall

2017

auditorium self storage self storage circulation space classroom library and book storage

1st floor plan perspective

1 2 3 4 5 6

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sachio badham

y3 sem. 1

prof. corso

exploded axon

design portfolio

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2017

section perspective

fall

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sachio badham

y3 sem. 1

prof. corso

plans

design portfolio

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2017

view from behind

fall

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sachio badham

y3 sem. 1

design portfolio

prof. corso

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2017

study models

fall

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sachio badham

y3 sem. 1

prof. corso

final model

design portfolio

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fall

2017

elevations

Midterm Work!

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sachio badham

y3 sem. 1

prof. corso

axon first floor plan

design portfolio

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fall

2016

NEAR WEST COMMUNITY ARTS CENTER

Project 5 Syracuse, NY Program: Arts Center A bar rests atop a mound. The bar, elevated and ordered, recalls the industrial past of the building site.

The mound stays rooted in the park on which it is built, rising to provide programmatic space beneath. The mound is divided into strips, each strip corresponding in section to the proximity of the bar above. The circulation of the gallery is dictated by the height of the bulges, stimulating sinuous movement throughout the space. Above, the roof is traversible, covered in vegetation. It serves as a continuation of the park, funneling circulation towards the center of the building. The bar bends above, forming a void which creates a center, accessible from all directions, framed by its natural and constructed elements.

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sachio badham

y2 sem. 1

Expl s

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ion!! A

xon o metri

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prof. stenson

industrial bar

B

vegetated roof

C

ground level

D

asphalt, continuation of sidewalk

E

cohesive form

design portfolio

tectonic strategy

A

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retroactive drwaing

fall

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2016

BAR

sachio badham

prof. stenson

first floor

y2 sem. 1

ground floor

plans

design portfolio

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2016

section drawing

fall

each strip responds to the proximity of the bar above it. circulation of the gallery space beneath it is directly informd by the height of the bulges above

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sachio badham

y2 sem. 1

prof. stenson INDUSTRIAL BAR and CUTOUT INDUSTRIAL BAR and CUTOUT INDUSTRIAL BAR and CUTOUT

TERRAIN. Vegetated roof. Traversible.

TERRAIN. Vegetated roof. Traversible.

TERRAIN. Vegetated roof. Traversible.

C1: Cafe to main entry

C5: Industrial Fragment C5: Industrial Fragment

circulation

C2: From Tioga st. under andCafe through building C1: to main entryto park C1: Cafe to main entry C2: From Tioga st. under C3: Gallery Circulation C2: Tioga st. under andFrom through building to park andFrom through buildinginto to park C4: landscape building center C3: Gallery Circulation C3: Gallery Circulation C4: landscape into building C5: From Industrial Fragment C4: From landscape into building center center

GROUND LEVEL. Grass terrain, walls which support landscape above, “plastic” concrete fragments GROUND Grass terrain, articulatingLEVEL. entry, and bearing walls GROUND LEVEL. terrain, walls which supportGrass landscape providing structure for above fragment. walls which support landscape above, “plastic” concrete fragments above, “plastic” fragments articulating entry,concrete and bearing walls articulating entry, and walls providing structure for bearing above fragment. providing structure for above fragment.

Cafe ASPHALT. Same materiality as the sidewalk itself.

ASPHALT. Same materiality ASPHALT. Sameitself. materiality as the sidewalk as the sidewalk itself.

program

Main Entry Gallery Main Entry Cafe Library Cafe Gallery Classrooms Gallery Library Studio’s Library Classrooms Classrooms Studio’s Studio’s

diagrams!

Main Entry

Center of Importance

design portfolio

COHESIVE FORM. Symbolising the industrial edge condition and order COHESIVE FORM. industrial of the neighborhood’s COHESIVE FORM. Symbolising the industrial past, the gridded-bar sits atop another Symbolising theand edge order rooted in the piece,condition one that isindustrial instead edge and of thecondition neighborhood’s industrial landscape of the siteorder itself.

The orientation of of thethe neighborhood’s industrial past, gridded-bar sits atop another these two pieces creates a literal center, a public past, the gridded-bar sits atop another piece, that is instead in the space one accessible from all rooted directions. piece, one that is instead rooted in the landscape of the site itself. The orientation of landscape of the site itself. of these two pieces creates a The literalorientation center, a public these two pieces creates a literal center, a public space accessible from all directions. space accessible from all directions.

markers

“Plastic” concrete insertions signifying cafe and main entry Center of Importance Center of Importance “Plastic” concrete insertions “Plastic” signifyingconcrete cafe andinsertions main entry signifying cafe and main entry

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2016

final model

fall

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sachio badham

y2 sem. 1

design portfolio

prof. stenson

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short section perspective fall

85 2016

sachio badham

y2 sem. 1

design portfolio

prof. stenson

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2016

long section

fall

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sachio badham

y2 sem. 1

design portfolio

prof. stenson

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2016

interior view

fall

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sachio badham

y2 sem. 1

design portfolio

prof. stenson

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spring

2018

BOBOLI LANDSCAPE WORKSHOP

Project 6 Florence, Italy Program: Landscape Intervention Workshop with Daniel Vassini + Julia Czerniak In Collaboration with Danny Raphael + Echo Zhao During a two-day workshop in Florence, our group of three analyzed the boboli gardens through a narrative lens. We proposed an intervention: rather than introducing a new story or historical anecdote, we highlighted a trend already taking taking place within the site.

Our story showcased the inverse relationship between natural and construct, in efforts of highlighting the highly staged condition of the nature within the park.

As the user arrives at the Isolotto, he finds himself with no obvious route back to the exit. Our intervention sits here, offerering a series of spaces for the user to reflect on the constructions’ role within the gardens.

The “continuous monument” increases in scale and frequency, becoming increasing regular and regulating for the user, visibly playing a greater role in composing his experience. The intervention begins as a series of irregular pavings, eventually becoming a bench and a wall, and then a frame and an enclosure. In the final vignette, the user finds himself back at Palazzo Pitti, enclosed within the piazza, standing upon a gridded surface, staring at a projection of a painting of an idealized landscape. At this point, the user realizes the extent of the construction of his experience.

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sachio badham

prof. miller

min g L

an dsc

In co

y3 sem. 2

ap e!!!

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design portfolio

existing conditions

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spring

2018

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sachio badham

y3 sem. 2

prof. miller

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design portfolio

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THANKS! SACHIO

BADHAM

(805)453-3537

sachiob@gmail.com