+
+
Yo u r s e n s o r y e x p e r i e n c e s t a r t s n o w
INTA 8000
+ + Saaf iyah Hussain
+
+
+ +
ACT 4
-Ackn owl ed gem en t of Coun tr y.
+
In t h e s p irit of recon cilia tion -We a ckn owl ed ge th e Tra d i ti on al Custod i an s of coun tr y th rough out Au s t ra l ia a n d th eir conn ec tions to la n d, sea an d commun i ty. We pay our resp ec ts to th ei r El d ers
002.
Acknowledgement of country
pa st a n d present a n d exten d th at resp ec t to al l Fi rst N ati on s p eop l es tod ay.
+ +
CONTENTS
004 . General Notes about Act 4 005. The Lens +
0 0 6 . Map of WBPS/ACT 4 008 . WBPS History 0 1 0 . A C T 0 1 - T h e D i s t r i b u t i o n Towe r 0 2 4 . A C T 0 1 - T h e Vo i d 042 . ACT 02 - The Immersive Cinema 066 . ACT 03 - The Idea Labs 082 . ACT 04 - The Exhibition of
Contents
Untold Narratives
003.
+ +
ACT 4
General notes about ACT 4 All of t h e b uildin gs signa ge is comple te ly in braille . Th e Le ns will conver t t h es e to alphanum e ric value s in real tim e . Make sure th e len s is worn at all tim e s! Touch p oin t s are points in which th e buildin g physically re spon ds ba ck to you. Follow th e Le ns prompts an d/or rea d through this book to id en t if y t h em; both m e diums will e nsure you have th e wh ole exp erien ce. T h is b ook is yours to ke e p! Its a docum e ntation of your ve r y own
004.
General Notes about ACT 4
+
p ers on al j ourn ey th or ugh ACT 4 . Enjoy re livin g th e expe rie n ce !
+ +
R S p ea ke r
L Sp eaker
f ron t o f p ro je c t i o n s
+
Collec t your wea ra ble i tems at th e D i stri b uti on Tower. T h e m a p on th e followi n g pa ge wi l l h el p you f i n d i t .
Lens
005.
+
ACT 4
6
+
4
2
3
7
+
1
LEGEND
006.
Map of WBPS/ ACT 4
Yo u Are H e re
1
T h e D i s t ri b u tion Tower
2
Ac t 01 - T h e Void
3
Ac t 02 - T h e C in em a
4
Acce s s to Co stum in g reta il
5
Ca fe
6
M u l t i -u s e r bathroom s
7
Acce s s to Level 1
8
Bu s s to p
5
+
+
8
+
Map of WBPS/ ACT 4
007.
+ History
ACT 4
+
-wbps history.
Th e a rea we kn ow today as R ozel l e beg a n a s a ba rren m ud lan d , h om e to a roun d 1 5 0 0 In dig en ous Australia ns. However, beca use o f th e way la n d wa s def in ed in th e 1 8 00’s, i t wa s ‘g iven’ away. 1 91 2 saw th e produc tion of T h e
+
W hite B ay Power Sta tion to d eal w ith th e in crea sin g dem an d for elec tricity. Th e g row th of th e rai l way n etwork saw techn olog ical a d van ce m ents f rom this una ssumi n g si d e of Sydn ey. In 1 95 8 , over environ enm e n t concerns a m on g st oth er thin gs, th e sta tion cea sed its opera ti on s an d ha s sin ce a ppea red in a mul ti tud e of Austra lia n com m ercia l s an d TV series. Even Ma jor Motion Pi c tures such a s Th e Ma trix: Reloa d ed an d Th e GRea t Ga tsby were f i l m ed h ere. Rem ena nts f rom th ese f il mi n g sets
008.
Hisotry
ca n be foun d in th e boile r h ouse
+ History
-proposed strategy. +
TO AMPLIFY THE STORIES UNTOLD THROUGH THE REVIVAL OF CINEMA
Ac t 4 is a cen tre for th e revi val of c i n ema w h ere th e a rch i tec ture p erp etuates a f i l mic na rra tive a n d gui d es th e vi si tors on th ei r ow n journ ey as th e p rota gon i st . I t a c ts as a predic tion of wh at th e future worl d woul d b e w h ere Hollywood an d soc i al m ed i a b ecom es th e epitom e of con sump ti on , an d p eop l e b e -
+
g in to lose th ei r sen se of sel f. Th e sensor y jo urn ey wh i ch ACT 4 p rov i d es, is to hig hlig ht th e un i q ue n arrati ves th at ea ch in dividua l own s an d to stren gth en i t by a llow in g th em to c reate an d sp ec tate f i l ms. B y doin g so, th e b ri d ge to our true c ul ture i s restored .
TO RE AD A DE TAI LED ST R AT EGY, CH ECK OUT T H E PR EQU EL
History
009.
A
.
C
T Checkpoint
+ The
The
set
Start
.
-up
your
.
. C
O
V
I
a
lens?
THE DISTRIBUTION TOWER Ge t your Lens h ere!
D C
0
+
narrative
What’s
Lens
-
1 H
9 E
C
K
1
+ Plans
+
YOU A RE HERE
+
T h e D i s t r i b u t i o n Towe r
011.
S c a l e a t 1 :1 0 0
+ Points of Interest
ACT 4
Ver ti ca l tra ck
+
+
02 . START YOU R N AR R AT IVE SI GN AGE
012.
T h e D i s t r i b u t i o n Towe r
Ci rc ul a r tra ck
03 . SWIVEL MECH AN I SM FOR AR M
+ Ponts of Interest
01. C RE A L EV M AN E T ISE D LEVITAT I NG M EC H AN I SM
+
WHAT I S G O I NG ON H E R E? T h e Dis t ib ut ion Towe r is your f irst point of conta c t w it h t h e Len s . You’ll n otice that th e re are 3 se nso rial as p ec t s to t his expe rie n ce . Th e vibratin g floor, t h e ligh t s , an d t h e sm ar t robotic arm . Th e se work to get h er to b rin g t h e world of ACT 4 to life . You’ll n ot ice t h at th e Le ns’ se e m like th ey are floatin g. Cool righ t ! I t use s just a little bit of ma g( n e t) ic forces . Don’ t s tep too close th ough, th e robotic arm d oes n’ t like b ein g disturbe d while at work . You input into th e l e n s s y s t e m t h a t y o u w o u l d like to experien c e t h e e n t i r e n a r r a t i v e . T h e next pages show h o w t h e L e n s o v e r l a y s i n f o r mation in real t i m e .
+ T h e D i s t r i b u t i o n Towe r
013.
+ 014.
T h e D i s t r i b u t i o n Towe r
+
+
sub header
ACT 4
ACT 01 S H OT 01
Th e prota gonist n ears th e buildin g, n oticin g th e ve r y apparant diffe re n ce in both m ate rial f inish of n ew vs old. Th ey are intrigue d an d continue to walk close r.
+ sub header
+ +
AC T 1 SH OT 2
015.
th e sc en e ni st en te rs es Th e pr ot a go e w h o st ar th e at te n de st ar tle d by en fo rc es e Sh . ly pe c ta nt a at th em ex e pe rs on at be on ly on th at th er e ce . a sp e th g in to tim e m ov in
T h e D i s t r i b u t i o n Towe r
THE ION DISTRIBUT TOWE R
+ 016.
T h e D i s t r i b u t i o n Towe r
+
+
Storyboard
ACT 4
ACT 01 S H OT 03
Th e soun d of m e tal whirri n g i s al m o st instantan e ous with th e step th e pro ta gonist take s onto th e i l l umi nated circle . Th e floor vibrate s, i n preparation for th e lightroom that i s beam ed upward, e n casin g th e pro ta go ni st .
+ Storyboard
+ +
ACT 01 S H OT 0 4
glasse s f rom th e arm, an d it appears to n od ba ck in a ge sture of thanks. Th ey put th e Le ns ove r th e ir h ea d, as th ey are gre e tin g with th e ACT 4 inte r fa ce .
T h e D i s t r i b u t i o n Towe r
Th e prota gonist gra ciously take s th e
017.
+ Details
ACT 4
+
EXISTIN G A SH TOWE R STRUCTURE
01. CREALEV M AGN ET IC LEVITAT ION SYST EM
+
02 . START YOUR N ARRAT IVE SIGN AGE
018.
T h e D i s t r i b u t i o n Towe r
03 . SWIVEL M ECHANISM FOR ARM
DE
TA
IL
S
1:5
MAG(NET)IC SYSTEM
Details
M akes th e g lasses ap p ear as t h o ug h th ey are h overi n g . i nt ro d uces t h e prota g onist in to a m a g i c al wo rl d .
THE LE NS 20 MM L IGHT ASH COR I AN SMART SURFACE I N MAT T E PRE - MADE IN CU R VE SH APE
PRODUCED BY AN AUTODESK STUDENT VERS
1 3MM CUSTOM CUT PLYWO O D SHEET, CU R VED
+
PRODUCED BY AN AUTODESK STUDENT VERSION
+
01
C RE AL EV LEVI TAT I ON MO DUL E ALT 37 EMBED D ED I N WALL .
02 5 M M M ETAL GRIL L WITH 5 MM GAP FO R FO G 5 M M EXPO SE D ME TAL FIXING
FOG/LIGHT EMITTING DETAIL W h en t h e Lens aren’ t wo rn , th e H o l o g rap hi c overl ay i s i m i ta te d i n t h e p hysi c al .
+
SPEC IAL E F F ECTS FO GGING & M IST I NG BY MISTAFO G
F LY AS H CON C RE TE L AYE RE D O N E ARTH
T h e D i s t r i b u t i o n Towe r
ME TAL FIXING
UDENT VERSION
R OU G H CAST FLY ASH CON C R E T E WITH 25% FINE AG G R EG AT E S O URC E D FRO M S I TE DE MO L ITIO N
E ARTH
019.
+ DEtails
ACT 4
+
PRODUCED BY AN AUTO
03 1:5
T hBY e DAN i s t rAUTODESK i b u t i o n T o wSTUDENT er 020. + PRODUCED VERSION
ROBOTIC ARM TRACK
SEN SOR R ECL AI MED ST EEL FR OM SI T E D EMOLITION T R AN SFOR MED I N TO STE E L T R ACK CUSTOM ST EEL T-B E A D, CUR VED, FAST EN ED WITH WH EELS
+ Details
+
MAGNE TIC SYST EM, LED SEN SOR
R OBOT I C AR M PI CK I N G LEN S
+ header
SWIVEL T R ACK AN D AR M
021.
+ +
MAterial Paletee
ACT 4
L ig ht ash Corian sm ar t sur face in m atte
‘ U- a rm’ m eta l Ro b o t ic arm R ecycl ed Al um inium b rush ed f i n i sh fo r m eta l tra ck
S p e c i a l Ef fe c t s Fog g in g & M i s t i n g By M i stafog
+
Crea l ev Lev i ta t io n m od ul e a l t 37 emb ed d ed i n wa ll.
Be a m Li gh t – L IFX Au stralia
022.
T h e D i s t r i b u t i o n Towe r
Mossin g la n d s ca p in g on th e exte rio r.
roug h cast f ly ash con crete w ith 25% f in e ag g reg ate sourced f rom site dem olition
‘ Sta r t your n a rra ti ve’ (i n fon t VT 323 ) si gn a ge c ut out of Pol a r Li gh t Green Ca st a c r yl i c p ol a ri te 500 a n d b a ckl i t by Voi e Li gh ts.
+ sub header
+
+
header
023.
+ ACT 01
A
ACT 4
.
C
T Touchpoint
+ The
Ascend
set
into
an
alternate
+
reality
+
Spiral
.
.
-up
+
OMG
024.
T h e Vo i d
. C
O
V
I
THE VOID
D C
0
-
1 H
9 E
C
K
1
+ What’s happening?
+
Reflective materials merge the spectator and the spectacle
+ header
025.
+ Points of interest
ACT 4
R efel c ti ve Col umn s
Ch eck i n p oi n t
+
+
Wa ter ri p p l es
WHAT I S G O I NG O N HER E?
Tr uly s h ows t h e h eigh t of WBPS an d doe sn’ t it m ake you curious? T h e h eigh t guid es your eye s upward an d t h is is on ly amp lif ied by t h e giant re fle c tive inser t ion you s ee b efore you. T h e p od ium you s t an d on rip p le s th e wate r usin g v i brat ion s , an d as you p eer over at your re fle c tion, you’ll n ot ice t h at it ’s d is tor ted . Alm ost as th ough its fo res h a d ow in g s om et h in g...
026.
T h e Vo i d
At th e p o d i um yo u ch o se to b e both th e spec tator a n d th e p e r fo rm e r. En joy p l ay i n g both par ts! Th e cap a ci ty o f th e i mm ersi ve ci n em a is runnin g at i t s m a x i mum. Pl ea se wa i t fo r th e au dio an d visual pro mp t b efo re p ro ceed i n g to th e c in e m a.
+ Points of Interest
+ +
T h e d i stor ted i n ser ti on
B raille si gn a ge
T h e Vo i d
Sta i rca se to l ower l eve l Sp ec ta tor Fl oor
027.
+ Storyboard
ACT 4
ACT 01 S H OT 5 S l ow l y t h e p ro t a g o ni st t akes t h ei r f i rst step s i nto t h e spa ce. Th e foyer area d o esn’ t have m any p eo p l e, b ut t h eres a p erso n st an d i n g o n t h e p o d i um w hi ch si t as t h o ug h t h ey h ov-
028.
T h e Vo i d
+
+
er ab ove t h e water.
+ Storyboard
ACT 01
+
S H OT 6 Caut i o usl y t h e p ro t a g o ni st step s o n to th e sam e p o d i um . Th ere’s a vi b rat i o n a t th e i r feet . Th ey al so n o t i ce m ovem ent f ro m th e co rn er o f t h ei r eye, h owever b efore th ey co u l d i nvest i g ate, a p ro m p t ap p ears i n f ro n t o f t h em seem i n g l y t ransl at i n g t h e b ra i l l e s i gna g e b efo re t h em . Tel l i n g t h em to wa i t .
+
ACT 01 S H OT 7 Th e water ri p p l es an d t h e p ro t a go n i s t p e e rs i nto water, g az i n g at t h ei r d i sto r te d re f l e ct i o n. As sud d enl y as i t c am e, t h e p ro m p t i s g o n e, rep l a ced w i t h an o t h er w hi ch te l l s th e m to p ro ceed i nto t h e c i n em a.
T h e Vo i d
029.
+ Storyboard
ACT 4
T H E VO I D
030.
T h e Vo i d
+
+
AC T 01 SH OT 8 wn fu r th er do ni st w al ks Th e pr ot a go gi n g th em er bm su ild in g, es in to th e bu in nf co e th er be yo n d r. se lv es fu r th in th ei r ea as it rip pl es er at w e an d of th er ud lo ts ge gr a du al ly Th e so un d s to fu lly en re it se em fo be , er lo ud ns es . se s st ni go l th e pr ot a co m pa ss al th ey di d it er ge d, an d bm su e ar Th ey lf. to th em se
+ Storyboard
+
+
T h e Vo i d
031.
032.
header
+
+ Storyboard
+ ACT 4
+ Details
+
H e m pcre te ro u gh cast f l y ash ce m e n t f i n i sh wi t h 2 5% co a rse ag g re g ate s o u rce d f rom s i te d e m o lit io n
C hro mi u m platin g s a t i n f i nish of a l u mi n i um sh eet t ri m.
Ex i s i t i n g Con crete p o l i s h e d an d Wa te rp ro ofed sealed
D i fferi n g m a teri a l textures
+ header
Bra i l l e Si gn a ge
033.
034.
T h e Vo i d
+
+ Storyboard
+ ACT 4
+ Material Palette +
R ecycl ed a l umi n i um a l l oy 6 06 3 sh eet c ustom sh a p ed sourced by Al um eco. Coa ted wi th zi n ca te b efore a p p l i ed ch rom e p l a ted f i n i sh .
Hem pcre te ro u g h cas t fly ash ce m en t f i n ish w ith 2 5% coars e ag g reg ate so u rced f ro m site dem o lit io n
Exi si ti n g co n cre te fl oor, a c id s ta in e d
L if x L E D Li ght s t ri p in Cool W hi te , l i gh t in ten sity a d ju s ta b l e .
+ Ch ro mium p la t in g sa ti n f inis h o f a l um inium s h e e t t rim.
Trea te d wa te r f ro m adj a ce n t b e a ch .
raised b ra i l l e c ustom cut dots on wh i te acr ylic m oul d i n g gl ossy by B rai l l e Si gn Sup p l i es
Terra zzo sourced wi th 25% coa rse a ggra ga te f rom si te d em ol i ti on , b l ea ch ed a n d emb ed d ed i n fl y a sh cem en t , h on ed f i n i sh .
T h e Vo i d
035.
+ Details
ACT 4
01
PLATFORM CHECK IN (BRAILLE) 1:10 T h e m ajority of th e buildin gs signa ge is in braille. T h e Lens overlay
wa i t h ere b efore p roceed i n g
fo r seein g-persons translates it into
+
alphanum eric chara c ters.
02 +
PLATFORM CHECK IN (HAPTIC FLOOR) 1:10 T h e vi b rat i n g f l o o r c reates ri p p l es i n th e water. Thi s Ch eck i n p o i nt al so a c t s as a spa ce w h ereby p eo p l e are wa i t l i sted , so as to co untera c t m axi-
036.
T h e Vo i d
m um o cc upan cy.
Wa te r
+ Details
+ +
03
STAIR + INSERTION INTERACTION Th e st ai rc ase w rap s aro un d t h e i nser t i o n an d b eg i ns to g et m o re an d m o re d i sto r ted t h e f ur t h er up
AUTODESK STUDENT VERSION
yo u g o.
Polish e d co n c re te s e mi g loss, close m atch to ex is i t n g.
50m m x 5 0 mm wo o d stud f ram in g
T h e Vo i d
J am es H a rd i e wa te rproof FC sh eet w ith an ex t ra wa te rp ro o f i n g l ayer on top.
J am e s H a rd i e wa te rproof FC sh eet w ith an ex t ra wa te rp ro o f i n g layer on top.
Ear t h
037.
Co n cre te u n d e rl a y
+ +
Research
ACT 4
038.
T h e Vo i d
+
La rge s ca le i n teri o r is a tra d em a rk el em ent of WBP S , th erefo re mus t b e h i ghlighte d .
EXIST I N G CON D I T I ON S
Col umn s is o n e of th e m o s t recogn i sab le fea tures o f WBPS , mus t b e i n cl ud e d in i n teri or.
+ Research I n sp i red by th e s t ud y of f i l m n a rra t ive a n d d i stor ti on . T h e fo rm i tsel f i s refl ec t ive of a Wormh ole , ie . tra n sp or ti n g s e l f into a n a l tern a te re a lity.
+
-Ve r t ica l s igh t lin e s d ra ws eye u pwa rd
+ Morp h ol o gy o f col umn s i ns p ire d by th e exi s t in g ch i mn ey s ta cks th a t a re t h e ta lle s t p oi n t of WBP S
T h e Vo i d
PRO P OSE D CO ND I T I ON S
Prop osed con d i ti on , a ccen tua tes th e h ei gh t vi a ver ti ca l si gh t l i n es.
039.
040.
T h e Vo i d
+
+ Research
+ ACT 4
+ Research
Th e com bin ation of th ese m ajor desig n ch oices ca n be sim plif ied to:
+ Sta i rca se a d d s a n el em en t of s p ira llin g i n to your n arra t ive .
+ T h e Vo i d
041.
+ ACT 02
A
ACT 4
.
C
choose your character
+
Spectate + perform
Submerge into
.
.
an augmented reality
+
+
Spiral
T
ARE
YOU?
042.
The Immersive Cinema
+
WAIT WHO
. C
H
THE IMMERSIVE CINEMA
O
O Y
0
S O
E U
R
S
T
O
R
Y
2
+ sub header
+
Blurring the line between physical and digital.
+ header
043.
+ Points of interest
ACT 4
+
Vi sua l Ma rker Fo r Le ns
H a p ti c Fl oor
+
Sonic S o un d Ba r
WHAT I S G O I NG O N HER E?
A fully s en s orial exp erien ce for both th e spe c tator
The Immersive Cinema
an d t h e p erform er. T h ere are 3 points of conta c t w h ere t h e b uil t form in tera c t s with you. On e is th e f l o orin g, it vib rates in res p on s e to pre ssure , m akin g i t seem like your walkin g t h rough grass, or eve n wate r! T h e s econ d is t h e con cealed sonic soun d bar that i s emb ed d ed in t h e walls , t h is ca n create a thick atm o s p h ere w it h litt le to n o s oun d be in g h eard. An d th ird ly, t h e Len s . T h e Len s aid s b o th par tie s in sh owi n g a 36 0 0 view of t h e m ovie. St an d ( or sit) anywh e re you like! T h e m ov i e yo u p e r fo rm e d i n was Blade Ru nn e r 2049 a n d th e m ov i e yo u watch ed was Star Wars R eturn o f th e Jed i . Re l i ve th o se m om ents in th ese
044.
n ex t pa g e s.
+ Points of Interest
+
+
The Immersive Cinema
045.
046.
The Immersive Cinema
+
+ sub header
+ ACT 4
+
THE FUTURE OF CINEMA IS HERE
+
+ Storyboard
+ +
S HOT 1 I n f irs t s te p s th e p ro ta g onist takes into th e I mm e rs ive C in e ma it becom es ver y obvious t hat t h e re is a switch in atm osph ere. T h eres a t hickn e s s to th e air inside that repla ces th e cool calmn e s s th e s oun d of water perpetuated in Th e Void . Th e lights begin to dim
The Immesive Cinema
ACT 02
047.
048.
header
+
+ Storyboard
+ ACT 4
+ Storyboard
+ +
E IMMERSIV CINEMA AC T 02 SH OT 2
header
a ce in to th e sp ni st w al ks Th e pr ot a go A . m di to n lig ht s be gi ju st as th e th em kn ow up le tt in g ps po pt pr om ay . Th e pl to ie is ab ou t w ha t m ov lo ur , se em co ge an t to ch ic lig ht s st ar ph ra og ol h e w ith th e in gl y in tim . on th e le ns ns tio ec pr oj
049.
050.
header
+
+ Storyboard
+ ACT 4
+ Storyboard
+
ACT 02 SH OT 3 T h e Lens inter fa ce b eg i ns to chan g e, aski n g th e prota g o ni st w hi ch chara c ter t h ey wo ul d prefer to play. Two chara c ters are c ro ssed out , an d th e p ro t a g o ni st f i nal l y real i ses w hy Harrison Fo rd i s sn eaki n g i nto vi ew.
+ header
051.
052.
The Immersive Cine-
+
+ sub header
+ ACT 4
+ sub header
+ +
SHOT 3 Af ter performin g , th e p ro t a g o ni st t ravel s down into th e depths o f t h e sp ec t ato r f l o o r,
header
ACT 02
wh ere th ey watch St ar Wars. Th ey enjoy watchin g th e m ovie an d fo r a m o m ent , i t al-
053.
m ost feels as th oug h t h ey are i n a c i n em a
+ Details
ACT 4
LI Fx Li gh ti n g s t rip
+
Ch romi um p la te d s a t in f i n i sh of a l um inium s h e e t tri m.
+
LI Fx Li gh ti n g S t rip emb ed d ed un d e r
Terra zzo source d wit h 2 5% coa rse a ggra ga te f ro m si te d em ol i tio n, b le a ch e d a n d emb edd e d in d a rk grey fl y a sh ce m e nt , h on ed f i n i sh. H ot rol l ed s te e l s h e e t s in b l a ck , m a tte
054.
The Immersive Cinema
Sa b er tub e light .
H ot rol l ed s te e l s h e e t s in b l a ck , m a tte
+ Details
+
H a p ti c F l oori n g
H a p ti c F l oori n g
+ The Immersive Cinema
H a p ti c F l oori n g
055.
+ Details
ACT 4
01
1:5 SONIC SOUND BAR
PRODUCED BY AN AUTODESK S
T h e m ajority of th e buildin gs signa ge is in braille. T h e Lens overlay for seein g -persons translates it into
+
alphanum eric chara c ters.
MI T R ED JOI N T
10MM ST R UCTU R AL PLYWOOD SH EET I N G F I XED TO STU D WORK
50MM X 100 MM WOO D STU D F R AMI N G JAMES H AR D I E WAT ERPROOF FC SH EET WI T H AN EXTRA WAT ER PR OOFI N G L AYE R ON TOP.
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H EMPCR ET E R OU GH CA ST FLY ASH FI N I SH WI T H 25% COA RS E AGGR EGAT E SOU R CE D FROM S ITE D EMOLI T I ON
10MM SH AD OW GAP TO A LLOW FOR SOUN D EMMI SSION
056.
The Idea Labs
EXI ST I N G CON CR ET E S L A B ON GR OUN D FLOOR
+ Details
PRODUCED BY AN AUTODESK STUDENT VERSION
+
02 HAPTIC FEEDBACK FLOORING Th e vi b rat i n g f l o o r c reates ri p p l es i n t h e water. Thi s Ch eck i n p o i nt al so wai t l i sted , so as to co untera c t m axi-
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a c t s as a spa ce w h ereby p eo p l e are m um o cc upan cy.
Fl y a sh con c rete f i n i sh ed wi th semi gl oss wa ter b a sed a c r yl i c fl oor wa x
Ja m es H a rd i e wa terp roof FC sh eet wi th a n extra wa terp roof i n g l a yer on top. Con c rete sl a b b a se
The Idea Labs
Ja m es H a rd i e wa terp roof FC sh eet wi th a n extra wa terp roof i n g l a yer on top.
057.
+ Material Palette
ACT 4
PERFORMER FLOOR
+
13 MM cl ea r gl a ss sup p l i ed by c ur ved a n d b en t gl a ss,
H e mp c rete roug h ca s t f l y a s h cem ent f i ni s h wi t h 2 5% coarse a ggre ga te sourced f ro m s i te d em olition. Fi n i s h e d wi t h Pro Seal 770 ( M a tte sealant) .
Sa b er tub e l i g ht . 110 240 v a t 50 - 6 0Hz s up p ly i n p ut A wa l l - si zed sp e c t rum a n a l yzeruses re a lti m e soun d f re q ue n cy a n a l ysi s to a i d wit h a ugm en ted re a lity p rojec ti on s
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C h ro mi u m p l atin g s a t i n f i nish of al u mi n i u m s h e e t trim .
ra i sed b ra i lle cus to m c ut d ots on white a c r yl i c m ou ld in g glo s sy by Bra i l l e Sign S up p lie s b a ckl i t by LE D
058.
The Immersive Cinema
Fl y a sh con c re te f i n i sh ed wi th s e mi gl oss wa ter b as e d a c r y l i c fl oor wa x
+ Material Palette
SPECTATOR FLOOR
H ot rol l ed steel s h e e t s i n b l a ck , m a tte
Terra zzo sourced wit h 25% coa rse a ggraga te f rom si te d em ol i tio n, b l ea ch ed a n d emb ed d ed i n d a rk grey fl y a sh cem en t , h o n e d f i n i sh .
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Terraz zo s o u rce d w it h 2 5% co a rs e ag g ra ga te f ro m site d e m o l i t i o n , ble a ch e d a n d emb e d d e d i n dark g rey fl y a s h cem e n t , h o n e d f i ni s h .
ra i sed b ra i l l e c us to m c ut d ots on wh i te a c r yl i c m oul d i n g glo s sy by Bra i l l e Si gn Su p p lie s 13 MM cl ea r gl a ss sup p l i ed by Cur ve d a n d Ben t Gl a ss Ch romi um p l a ted s a t in f i n i sh of a l umi n i um sh eet tri m. Al umi n um Foa m Sm a l l Cel l Pa n el | Cym a t Tech n ol ogi es Ltd .4 LI FX -Stri p l i gh t
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F l y a sh con c rete f i n i sh ed wi th semi gl oss wa ter b a se d a c r yl i c fl oor wa x
The Immersive Cinema
059.
+ +
Details
ACT 4
L E NS IDE NTIFICATIO N SYST EM
+
COR E SYST E M CINE MA
060.
The Immersive Cinema
S p e c ta tor vs per form er p ro m pt .
S p ec tator
H ap ti c fl oor con f i rmati on
Perform er
H ap ti c fl oor con f i rmati on
Li gh t an d H ap ti c F l oor
Ch ara c ter Sel ec ti on Promp t
Lo g g ed in ch oice
+ Details
+ + The Immersive Cinema
D esi gn l oosel y based off of Cyb erp un k v i sor gl asses
061.
+ research
ACT 4
Th e m ain fea tu res of tra d i ti on a l ci n e m a
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T h e s ta n d ard form at for cin em as h as been ca rri e d t hroug h f rom th e beg innin g of We s te rn t h eatre in an cient g reece, followi n g t h e o rd e r of per form er an d spec tator.
2D sc reen
062.
The Immersive Cinema
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Dim m able lig hti n g
stag gered sea ti n g
Sta i rca se
+ Research
Visual m a rkers for Len s
Inver tin g Trad i ti on a l C i n em a Ta ki n g t h e i d ea of spec tator an d per form er, b u t b l u rri n g t h e lin e between th e two to c re a te a fu lly im m ersive experien ce. W h e re yo u ca n ch oose to be spec tator or a p e r fo rm e r o r both. “. . . Bre a ki n g t h e m e dia o ut o f t h e device .� Ke i i ch i M a t suda o n Augm e n te d Re ality.
+ +
Per form er/Im m ersive f loor [ 2D Screen]
The Immersive cinema
Sp ec ta tor fl oor [Sta ggered Sea ti n g]
063.
Sea ti n g [Sta ggered Sea tin g]
064.
header
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+ sub header
+ ACT 4
+ sub header
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+
header
065.
+ ACT 03
A
ACT 4
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C
Collaborate
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ACT 3 - Crisis
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Learn an
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idea?
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Have
T
!!!!!!!!
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Hi!
066.
The Idea Labs
. M
THE IDEA LABS
A
K M
0
E A
G
I
C
3
+ ACT 03
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“We need to restructure our society in a more radical way, where automation becomes an asset instead of a threat,�
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[In response to workplace productivity] Keichii Matsuda
The Idea Labs
067.
+ +
What’s going on
ACT 4
p ul l out ta b l e a n d con sol e
+
T h e Id e a Wa l l
068.
The Idea Labs
Light b a rs
+ What’s going on
WHAT I S G O I NG ON H E R E?
You h ave n o id eas on what to create? You cam e to th e righ t p la ce! T h e I d ea L abs will guide you in creatin g ma gic! Wan t to w rite a script? Want to e dit a f ilm? Do it all! Con t rib ute to th e Ideas Wall to be feature d in t h e Mus eum for Distor te d Ide as. T h ere are two t h in gs to look out for in this spa ce , in an en clos ed roo m? Thats be cause th ey ’ ve be e n
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n ot ice h ow s om e pe ople look as th ough th ey are workin g a lon g t im e . Th e lon ge r you work , th e m ore t h e con ten t s urroun ds you. Be sure to n ot disturb t h em! T h ey s eem to be hard at work . T h e s econ d t h in g is that on ce you contribute to th e wall, you’ll get b ot h a physical an d visual pat on th e ba ck (b ut uh , n ot on your ba ck , you’ll fe e l it un de r your feet ). Yo u m e t a f ri e n d h ere, an d wrote a sc ript togethe r ! N ex t ste p i s to f inally make it a reality. Sin ce yo u co n tri b ute d to th e Idea Wall, make sure you go v i si t th e Muse um of Distor ted Ideas, maybe you ’ll catch a g l i mp se o f you r work! Or maybe it’ll spark m o re i d eas. . .
+ The Idea Labs
069.
070.
The Idea Labs
+
+ Plan
+ ACT 4
Scale at 1:100
+ Storyboard
+ +
ACT 03 S H OT 1 Th e p ro t a g o ni st feel s t h ei r way i nto th e L a b s . c reat i n g a at m o sp h ere i l l um i nated by re f l e ct i o ns.
The Idea Labs
Th e m i rro red surfa ces co nt i nue i nto th e l a b,
071.
072.
The Idea Labs
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+ Storyboard
+ ACT 4
+ Storyboard
+ +
THE IDEA LABS e sl at e al l th gi ns to tr an ph aTh e Le ns be al to om ro a ge in th e st Br ai lle si gn pr ot a go ni be rs . Th e m nu ic er nu m g fo r tin ai w le es th is w hi ie s a ck n ow le dg ns id en tif at e. Th e le m am te r th ei e cr ow d. th em in th
The Idea Labs
AC T 03 SH OT 2
073.
+ How to: The tables
ACT 4
A gu ide on h ow to u se our tables :
Bra i l l e b ui l t i n to j o in e r y p i ece ri m. Conver te d to Al p h a n um eri c va lue s by Len s.
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Etch i n gs i n to ta b l e d eri ved f ro m sy mb ol i sm i n Fi rs t N a ti on s p eop l e’s n a rra ti ve. D ep i c ts wa ter, a s i t con n e c t s commun i ti es.
Ci rc ul a r ta b l e i s th e ca mp si te “commun i ti es”
H old edg e of table f i rml y an d lif t upward.
+
1.
074.
The Idea Labs
Tri m Pol i sh ed n i cke l coa ted wi th cl ea r glo s s
2 . P u l l away f rom m ain console
+ storyboard
+ +
ACT 03 S H OT 3
t h ei r team m ate wal k toward t h e wal l , exc i ted to p ut t h ei r i d eas i n m o t i o n. Th e wal l l i g ht s up an d t h e f l o o r vi b rates seem i n g l y as an a ckn ow l ed g em ent .
The Idea Labs
O n ce t h ey are f i ni sh ed , t h e p ro t a g o ni st an d
075.
+ 076.
The Idea Labs
+
+
Storyboard
ACT 4
Th e labs wh en n ot in use
+ Material Palette
Fly ash con c rete h on ed f inish ed. Sea l ed wi th Pro Seal 770 (Ma tte sea l a n t).
+
R ecycl ed Al umi n i um sh eet ki ckp l a te sa ti n f i n i sh by Al uem co.
H i gh gl oss c ustom c ut Cori a n for ta b l e sea ti n g.
ra i sed b ra i l l e c ustom c ut d ots on wh i te a c r y l i c m oul d i n g by b ra i l l e si gn sup p l i es Ma tte b l a ck steel
Cu sto m ch ro m e p l a te d table h i gh gl o s s h e i ght adj u sta b l e ta b l e
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Li gh t Ash Co ria n S m a r t sur fa ce f i n i s h e d in gl oss.
F l y a sh con c rete h on ed , f i n i sh ed wi th semi gl oss wa ter b a sed a c r yl i c fl oor wa x
LI FX l i gh t stri p emb ed d ed un d er m atte b l a ck steel tri m
The Idea Labs
077.
+ Details
ACT 4
01
1:5
+
TABLE JOINERY Th e chrom e f inish table can be ex-
S PL IT TO AL LOW FO R EXTEN S IO N
te n d ed as n eeded to provide ease of a ccess wh en in use.
G AS L IF T MECH AN IS M
13MM PLYWO O D CIRCL E 50 X 50 MM STUD WO RK
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1 3 M M PLYWO O D STRUCTURE
T HE CHROME F IN IS H TAB L E CAN B E EXT EN D ED AS N EEDED TO PROVIDE
078.
PRODUCED BY AN AUTODESK STUDENT VERSION
The Idea Labs
EASE OF ACCES S WH EN IN US E .
+ Details
PRODUCED BY AN AUTODESK STU
02
1:5 +
TOUCH SENSOR IDEA WALL T h e wall is f i tted w i t h to uch senso rs that contri b ute i d eas to t h e Museum for D is to r ted Id eas. Th ey l i g ht up an d trigger a vi b rat i o n resp o nse i n t h e f l o o r d i rec t l y b en eat h.
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5 0 X 5 0M M WOOD STUD S
TOUCH SEN SOR DATA CABLE
5 M M AD HESIVE
M AT T E FINISH PRE- CUT.
The idea Labs
LI GHT A S H CORIAN SM ART SURFACE
079.
080.
The Idea Labs
+
+ Research
+ ACT 4
+ Research
+
MIRRORED SURFACES MERGE THE SPECTATOR AND THE SPECTACLE
+ The Idea Labs
081.
+ ACT 04
A
ACT 4
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C
T
You are now entering the Final
+
act
Distortion
.
Self your
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story
+
+
Showcase
.
082.
THe Exhibition
. B
E
THE EXHIBITION OF THE UNTOLD NARRATIVES
L
O B
0
U E
D H
E
A
R
D
4
+ sub header
+
“Because one believes in oneself, one doesn’t try to convince others. Because once one is content with oneself, one doesn’t need others’ approval. Because one accepts oneself, the whole world accepts him or her.” Lao Tzu
+ The Exhibition
083.
ACT 4
+ Plan
WH AT IS G OIN G ON H E R E?
Afte r asce n din g th e spiral staircase aroun d th e m ai n form you’ll rea ch th e Exhibition of Narrative s. So soon?! Watch ba ck your journ ey, an d re -live m om e nts by proje c tin g your Le ns’ data onto th e provide d viewin g table s. You viewed your visual data at table 01. You’ll n o tice that ever y thin g you sc rolled throu gh at th ese tables are available for you in this book . You ’ ve witn essed you r j ou rn ey an d rewatch ed you r ow n f ilm. How does it feel to be th e star of you r ow n
084.
The Exhibition
+
+
m ovie?
+ Storyboard
+ +
ACT 0 4
Th e as ce n s ion of th e stairc ase follows arou n d th e inser tion. In th e dim light of th e eve n in g t h e form beg ins to g low bec uase of its s p h os p h e rscent coatin g . As th ey gaze at th e ms e lve s , th ey realise that th e inser tion warp s th e ir appearan ce.
The Exhibition
s h ot 1
085.
+ sub header
ACT 4
ITION B I H X E E H T LD O F U N T OI V ES N A R R AT AC T 04 SH OT 2
086.
The Exhibition
+
+
es up th e ni st ve nt ur Th e pr ot a go do w s by th e w in is gr ee te d st ai rs an d s ou t ok lo It . S in al W BP of th e or ig ey th ei r jo ur n rk n es s as in to th e da ic e a fe w ot n ey Th a cl os e. vi tco m es to og ra m s, in n d w ith h ol ta bl es ar ou cl os er . t bi tle lit to go a in g th em
+ sub header
+
+
The Exhibition
087.
+ +
+
Storyboard
ACT 4
ACT 0 4 s h ot 3 I n t h e ir f in al m om e nts of th e experien ce, th e p rota gon is t lean s over th e railin g to look at th e fo rm. A v is u al re p lication of th eir narrative. An d t h ey are gla d th at t h ey have n ow realised th e
088.
The Exhibition
s i gn if ican ce of th e ir own narrative.
+ Details
+
T h e ta b l e con sol e i s m a d e f rom a si mi l a r form to th e on es i n th e i d ea l a b s
+ The Exhibition
Excep t th i s ti m e i t i s n ot rem ova b l e, i t i s f i xed . T h e top of th i s el em en t i s exp osed , p rovi d i n g a l egh t for wh en a ta b l e i s un occ up i ed .
089.
090.
The Exhibition
+
+ ACT 04
+ ACT 4
+ Material Palette
p h o s p h o re s ce n t paint i n a b l u e . Overlayed a s a gra dient on re cl a i m e d s teel f ron s i te d e m olition.
+
Terra zzo sourced wi th 25% coa rse a ggra ga te f rom si te d em ol i ti on , b l ea ch ed a n d emb ed d ed i n d a rk grey fl y a sh cem en t , h on ed f i n i sh .
ra i s e d braille custom c u t dots on w hite a c r y l i c m ouldin g g lossy by Bra i l l e Sig n Supplies
+
F l y a sh con c rete f i n i sh ed wi th semi gl oss wa ter b a sed a c r yl i c fl oor wa x
The Exhibition
091.
+ sub header
ACT 4
What’s a lens?
ACT
01
+
OMG
+
Who
are
you?
!!!!!!!!
Hi!
092.
header
!!!!!!!! Hi!
Exp eri en ti a l n a rra ti ve i n sc reen ca p s