RR Auction: Pop Culture Featuring Woodstock

Pop Culture Auction • www.RRAuction.com • August 15, 2019

SIB HASHIAN

LIVE TRIBUTE AUCTION • THIS FALL PROCEEDS TO BENEFIT THE SIB HASHIAN FOUNDATION

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POP CULTURE AUCTION Bidding begins August 8th. Bidding will close August 15th.

Modern Music

Hollywood, Art, Literature, and the People’s Princess

Woodstock................................................. 2 Beatles.................................................... 17 Led Zeppelin............................................ 22 Fleetwood Mac........................................ 25 Country and Folk .................................... 36 Jazz, Blues, and Standards .................... 37 Posters and Handbills ............................ 38 Prince..................................................... 39

1950s ..................................................... 49 1960s....................................................... 49 1970s...................................................... 51 1980s....................................................... 57 1990s...................................................... 58 Musician Wardrobe ................................. 62 Lady Gaga ............................................. 71 The John Brennan Collection.................. 77

Marilyn Monroe..................................... 102 Magnum Photographs .......................... 105 Classic Hollywood................................. 106 Contemporary Hollywood.......................116

Animation.............................................. 119 Art ........................................................ 121 Literature............................................... 122 Royalty.................................................. 124

Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Joseph DelGrippo Director of Sports Auctions joseph.delgrippo@RRAauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

Fiona Lenaire Administration Support Representative fiona.lenaire@rrauction.com

Bobby Livingston Executive Vice President, Public Relations bobby.livingston@rrauction.com Bobby Eaton VP, Business Development Auctioneer, MA/Lic. #3214 bobby.eaton@rrauction.com Tricia Eaton Chief Marketing Officer tricia.eaton@rrauction.com Mandy Eaton-Casey Finance Manager amanda.casey@rrauction.com Elizebeth Otto Consignment Director elizebeth.otto@rrauction.com Jon Siefken Consignment Director jon.siefken@RRAuction.com Louis Bollman Director of Sports Auctions louis.bollman@RRAuction.com

Sean Coleman Customer Experience Specialist & Assistant to the CMO sean.coleman@rrauction.com Cecily Gruce Consignment Customer Service Representative cecily.gruce@rrauction.com Kevin Lessard Shipping Executive kevin.lessard@rrauction.com Peter Parenti Lead Inventory Executive peter.parenti@rrauction.com Bill White Lead Autograph Appraiser bill.white@rrauction.com

Matt Klein Filemaker Developer and IT Administrator matt.klein@rrauction.com Sue Recks Director of Customer Service, Accounts Receivable sue.recks@rrauction.com Sylvia Nassy Accounts Payable sylvia.nassy@rrauction.com Amey Fuller Accounting Manager amy.fuller@rrauction.com Sarina Carlo Creative Director sarina.carlo@rrauction.com Nikki Brickett Photographer nikki.brickett@rrauction.com Leanne Baratier Production Assistant leanne.baratier@rrauction.com

Dan McCarthy Writer, Researcher dan.mccarthy@rrauction.com Evan Mugford Writer evan.mugford@rrauction.com

Robert S. Eaton Sr. 1940–2001

Woodstock Fifty years ago, more than 400,000 revelers descended upon Max Yasgur’s 600-acre dairy farm near White Lake in Bethel, New York, for ‘three days of peace and music’ at the Woodstock Music & Art Fair. From August 15–18, 1969, 32 acts performed outdoors, including Richie Havens, Ravi Shankar, Joan Baez, Santana, Canned Heat, Grateful Dead, Creedence Clearwater Revival, Janis Joplin, Sly & the Family Stone, The Who, Jefferson Airplane, Joe Cocker, Country Joe and the Fish, The Band, Crosby, Stills, Nash & Young, and Jimi Hendrix. The iconic festival defined the counterculture generation as the ‘60s came to a close, and is it considered a pivotal moment in the history of popular music.

9001. Joan Baez Signed Album.

9004. Canned Heat 1970 Munich Concert Material.

From Every Stage album by Joan Baez, signed on the front cover in black felt tip.

In fine condition, with a few small surface gouges. The record is not included. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Bracket-bound 9.25 x 12 folder of Germanlanguage material relating to a Canned Heat concert at the Circus-Krone-Bau in Munich, Germany on February 1, 1970. The booklet contains several sheets and packets related to venue costs, requirements, and ticket sales, additional correspondence, and newspaper clippings. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

9002. The Band 1971 Munich Concert Material. Bracket-bound

9.25 x 12 folder of German-language material relating to a concert by The Band at the Circus-KroneBau in Munich, Germany on May 19, 1971. The booklet contains a Capitol Records promotional flyer, a handbill for the show, sheets related to venue costs, requirements, and ticket sales, newspaper clippings, and a European Tour concert program. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

9005. Crosby, Stills, and Nash Signed Album. Self-titled

debut album from Crosby, Stills & Nash, signed and inscribed on the front cover in black ballpoint, “Hello Stephen, Graham Nash, 1924,” “Stephen Stills,” and “David Crosby.” The front cover is also signed in black felt tip, “Judy Collins,” and on the back cover in black ballpoint, “Thank you Larry, from Dallas Taylor.” In fine condition, with a Beckett label affixed to lower right corner. The record is included. Accompanied by full letters of authenticity from Beckett and REAL. Starting Bid $200

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9006. Crosby, Stills, Nash, & Young Fillmore East Program.

Fillmore East program for a series of Crosby, Stills, Nash, & Young concerts on June 2-7, 1970, 20 pages, 5.5 x 8.5, with inner pages featuring full-page images of the four CSN&Y members inside. In fine condition, with light handling wear. The majority of their successful live album, 4 Way Street, was comprised of recordings from these shows at the Fillmore East. Starting Bid $200

9009. Grateful Dead Signed 1989 Tour Pelon. Fantastic color

9007. Jerry Garcia Signed Check. Jerry Garcia Band

check, 8.25 x 3, filled out in another hand and signed by Jerry Garcia, payable to Carolyn Adams Garcia for $1750, February 19, 1985. Memo field notes the check is for “Feb. Pmnt and House Pmnt.” In fine condition. Also known as Mountain Girl, Adams was a member of the Merry Pranksters group led by author Ken Kesey, with whom she bore a daughter, Sunshine. For several years Adams stayed with Garcia at his home in San Rafael, California, raising their three daughters and eventually marrying in late 1981. Starting Bid $200

9008. Grateful Dead Handbill and Pelon. Two items: an

original color 4.75 x 7 handbill for Grateful Dead and Taj Mahal at the Fillmore West from February 5–8, 1970, presented by Bill Graham (BG-216), featuring an outer space mushroom design by David Singer; and a color t-shirt artwork pelon for San Francisco’s Fillmore West, 15.75 x 19.75, featuring the same artwork. In very good to fine condition, with light overall dimpling and a central horizontal fold to the small poster; the pelon is very fine. Starting Bid $200

t-shirt artwork pelon showing a gold-and-red lightning bolt encircled with the names of five cities included on the Grateful Dead’s east coast “Fall Tour, 1989,” 14.5 x 17.5, signed in gold ink by Jerry Garcia, Mickey Hart, Phil Lesh, Bill Kreutzmann, Bob Weir, and Vince Welnick. Nicely doublematted and framed to an overall size of 20.25 x 23.25. In fine condition, with the signatures quite faint but mostly legible.

Accompanied by a full letter of authenticity from REAL. These pelons were printed in very low quantities making this a very scarce piece. Starting Bid $200

9010. Grateful Dead Signed Album. Very appealing In the Dark album signed on the inner gatefold in black ink or felt tip by Jerry Garcia, Bob Weir, Phil Lesh, and Mickey Hart. Framed with a Grateful Dead bracelet to an overall size of 27.25 x 14.75; the glass front bears an affixed Dead logo sticker and the backing has a window for viewing the front side of the album. In fine condition, with some light edge creasing. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Music | August 15, 2019 3

9011. Richie Havens 1972 Munich Concert Material.

Bracket-bound 9.25 x 12 folder of Germanlanguage material relating to a Richie Havens concert at the Circus-Krone-Bau in Munich, Germany on May 31, 1972. The booklet contains the original five-page contract between the city of Munich and the concert organizers to put on the show, a biography packet, and sheets and packets related to venue costs, requirements, ticket sales, and correspondence. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

9012.

Richie Havens Signed Woodstock Ticket.

Choice original unused 6 x 2 three-day admission ticket for the iconic Woodstock Music and Art Fair, issued for August 15–17, 1969, signed in black felt tip, “A friend forever, Richie Havens.”

Each ticket is numbered “37808,” and marked with a face value of $8.00, for a total cost of $24.00. In fine condition.

Havens was the first performer at Woodstock, and with many other scheduled acts delayed due to standstill traffic, Havens captivated the crowd for nearly three hours. The release of the subsequent Woodstock movie made Havens a household name. Starting Bid $200

Historic and rare Hendrix-signed document related to his PPX contract breach 9013. Jimi Hendrix 1969 Document Signed. DDS, one page,

8.5 x 11, November 19, 1969. Official letter directed to the Yameta Company, in part: “You are named as the fifth defendant in the action now pending in the High Court of Justice, Queen’s Bench Division, and assert that I am liable for your legal expenses in defending the suit...

With respect to the outstanding bill rendered by Clintons to Yameta for $5,000., arrangements are being made to pay the same.” Signed at the conclusion in black ink by Hendrix. In fine condition, with trivial corner creasing, a tiny piece of old tape to the left edge, and a light block of toning from prior display.

In October 1965, Hendrix was introduced to Curtis Knight’s manager, Ed Chalpin, and his management company PPX. Soon thereafter Knight and the Squires recorded for PPX, and Chalpin, amazed by the young guitarist’s talents, convinced Hendrix to sign an exclusive three-year deal with PPX—purportedly for a total sum of one dollar. As Hendrix’s popularity began to surge in the middle of 1966, the guitarist errantly signed an additional management contract with Chas Chandler of Yameta in England. Eager to bank on the success of Hendrix’s debut album, Are You Experienced, as well as his iconic performance at the 1967 Monterey Pop Festival, Chalpin sued Hendrix and Yameta, in both London and New York, for breach of contract. Chalpin and PPX were awarded a payout of $1,000,000 and a share of future royalties.

Ultimately, Hendrix agreed to release a live album to satisfy the terms of the lawsuit. He formed the Band of Gypsys with Buddy Miles and Billy Cox, and they performed their only full concerts at the Fillmore East on December 31, 1969, and January 1, 1970, which were recorded and released as the self-titled Band of Gypsys album. This was the last album Hendrix released before his untimely death, and additional recordings of these shows were released on the posthumous album Live at the Fillmore East. A significant document relating to a business decision that would affect Hendrix over the entirety of his brief yet brilliant career, which culminated in these infamous and legendary Fillmore East concerts. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $1000

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9014. Jimi Hendrix 1970 Atlanta Music Festival Poster. Original color 28 x 22 poster for the 1970 Atlanta Pop Festival designed by Lance Bragg, featuring Jimi Hendrix, Procol Harum, Allman Bros., B. B. King, Richie Havens, Jethro Tull, and many others. In very good to fine condition, with a light stain to the bottom edge, some creasing along the top edge, and a missing upper left corner tip. The second and final Atlanta Pop Festival, held during the 4th of July weekend, much like Woodstock in 1969, was eventually turned into a free event when fans tore down the plywood fences, resulting in a crowd estimated anywhere from 350,000 to 550,000. The Allman Brothers, who were barred from playing the previous year due to a crooked booking agent, were headliners this time around. Grand Funk Railroad, who played the previous year’s event as an unsigned band, were a sensation; their performance subsequently released as a million-selling live album. Jimi Hendrix reprised his ‘Star Spangled Banner’ during midnight fireworks on July 4th. Starting Bid $200

9015. Jimi Hendrix Experience Acetate.

Remarkably rare doublesided 45 RPM Emidisc acetate containing master recordings of four tracks from Are You Experienced, the debut studio album by the Jimi Hendrix Experience. Mastered by Brian Carroll at London’s IBC Studios in October 1966, the disc features labels to both sides marked in black felt tip, “The Jimi Hendrix Experience,” with track listing to each side annotated in blue ballpoint, “1. Are You Experience, 2. I Don’t Live Today” and “1. 3rd Stone from the Sun, 2. Remember.”

Includes the original brown album sleeve. In very good to fine condition, with scratching to the vinyl and a small edge chip.

Accompanied by a certificate of authenticity from Tracks and a letter of provenance from Carroll, which reads, in part: “In the 60s and 70s I worked at IBC Studios in London and mastered the Jimi Hendrix Experience’s first 4 singles and their first album I cut for myself…a 10 inch disc at 45 rpm of four tracks from the master…The tracks are Are You Experienced, I Don’t Live Today, 3rd Stone from the Sun, Remember.”

Carroll adds a backstory to his experience with Hendrix: “On October 24th, 1966, my first job of the day was with Chas Chandler, bass player with the Animals who was booked into IBC Studios to cut a master of his new signing who recorded the track on the night before at De Lane Lea Studios. I was a twenty year old mod and when I saw the man with Chas I thought, ‘Here we go again.’

Working with wanna be rock stars was a current situation and standing before me was a complete hippy with the rock and roll dress style and my immediate thought was ‘another prat who’s playing the rock star game’…I put the tape on that I was soon to master, possibly one of ten people who so far had heard the track and suddenly I hear the intro.

When the vocals kicked in I turned to the man [who] I knew was a real rock star and said ‘Is this you?’ He said it was and asked if I liked it. How could I not like this track?…We did a bit of banter while the record was mastered and I never knew that this ‘hippy’ would go on to world domination. Chas and Jimi left with a couple acetates to listen to and the rest is history.” Starting Bid $500

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Crisp Hendrix autograph from 1967 9016. Jimi Hendrix Signature. Vintage beige leather-bound

autograph book, 6 x 4.25, signed inside in blue ballpoint by Jimi Hendrix. The book contains a few other signatures from minor musical acts of the period. In fine condition. Consignor notes that the autograph was obtained at the Adelphi Theatre in Slough, England on April 28, 1967. Accompanied by a certificate of authenticity from Tracks. Starting Bid $300

From the Greenwich Village apartment of Jimi Hendrix—a bronze Chinese Buddha dating to the Ming Dynasty 9017. Jimi Hendrix’s Ming Dynasty Chinese Buddha. Chinese bronze

Buddha from the Ming Dynasty, personally owned and displayed by Jimi Hendrix in his New York apartment on West 12th Street in 1969 and 1970. Identified as a Chinese bronze figure of Budai from the later Ming period (1368-1644), the antique statuette measures approximately 8.75˝ x 7˝ x 5.5˝ and weighs 5.75 lbs.

The Buddha was acquired directly from Stella Benabou Douglas, one of Hendrix’s closest friends during the last years of his life. The former wife of record producer and Hendrix archivist Alan Douglas, she appeared in the 1973 documentary A Film About Jimi Hendrix. In fine condition, with a vertical crack to back side, presumably done during original casting process. Accompaniments include:A DVD containing a 15-minute video interview with Stella Benabou Douglas, about her close relationship with Jimi Hendrix and the history of his bronze Buddha; a signed letter of provenance from Alan Douglas, dated March 10, 1997, in part: “This letter is to certify that a Bronze Buddha…I personally purchased for Jimi Hendrix for his 27th birthday…[was] kept in his New York apartment until the time of his death”; and a lengthy letter of authenticity from Jeff Gold of Recordmecca, in part: “When [Stella] first met Hendrix, he was living in a basement room in the apartment of his manager…and Stella told him he needed his own apartment. A few days later she found one for him, on West 12th Street, and soon after began to decorate it for him…She was out with Jimi and her then husband Alan when Jimi saw the Buddha in a shop. ‘Jimi picked it up and caressed his stomach.’ It was nearing Hendrix’s birthday, and Alan bought it for him as a birthday gift. ‘It was such a big thing for Jimi; I don’t think he ever had something old and precious like this. He became very attached to it.’ ‘One time he asked me why Buddha’s have such a big stomach. I told him it was because they have the whole universe in it. He used to tell other people that…He showed it to people and explained the big stomach story to people, which for him was a bit of a mystery. Of course he wasn’t a Buddhist in any way. He was absolutely colorblind, religion blind, never got involved in politics in any way, contrary to what some people have said.’ Douglas was with Hendrix at a party in London on the night he died. She describes how, upon her return to New York, Hendrix manager Michael Jeffery asked her and Alan Douglas to accompany him to open Jimi’s apartment for the first time. ‘Of course it was emotional. We saw all those things. My emotions were that I had gotten all these things and decorated the place.’ Stella describes how Jeffery said to Alan ‘Why don’t you take the Buddha’—as Alan had given it to Jimi.” Alan did indeed take the Buddha, which he then, after a time, gave to his wife, Stella, who kept the statuette in safe keeping for over 45 years. An astounding, museum-quality artifact once owned and treasured by one of rock history’s most ephemeral and influential stars. Starting Bid $1000

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Jimi plays Tampa in August 1968 9018. Jimi Hendrix 1968 Signature. Vintage ballpoint signature and

inscription, “Love always to Nancy, Jimi Hendrix,” on the reverse of an off-white 3.5 x 2 Dodge dealership thick mil stock business card. In very good to fine condition, with old tape stains to the side edges (not affecting the bold and clean signature). The autograph was obtained backstage after Hendrix did an interview with Nancy’s then boyfriend, who worked at the University of Florida’s college radio station. Accompanied by two ticket stubs for the concert at Curtis Hixon Hall in Tampa, Florida, on August 18, 1968, as well as handwritten letters of provenance offering details from both the recipient, Nancy, and her boyfriend, Dennis. The Nancy letter reads, in part: “He had press credentials which allowed us back stage & gained us entrance to the press conference prior to the concert. I was fortunate to sit 4–5 feet from Jimi!…It was very small & informal. As he was answering questions he was eating dinner, ‘Hot dogs!’ He was a very shy, humble man & spoke very softly. After the press conference was completed Dennis (my boyfriend) ask for an autograph.

Jimi looked at him and said ‘I don’t do autographs.’ Dennis turned to me & said ‘I am sorry, he doesn’t do autographs.’ At that point Jimi ask who the autograph was for & Dennis replied ‘for my girlfriend, Nancy.’ Jimi’s response was ‘for her I will do an autograph.’ He shook my hand & introduced himself while Dennis was looking for one of his father’s business cards.” Hendrix released his third album, Electric Ladyland, less than two months later, and it soon rocketed to the top of the charts to become known as one of the greatest albums in rock music history. Also accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $500

Incredible ‘Hey Joe’ single signed by Hendrix 9019. Jimi Hendrix Signed 45 RPM Record Sleeve. Excep-

tionally rare original Polydor Records 45 RPM record sleeve for ‘Hey Joe/Stone Free,’ the first single released by the Jimi Hendrix Experience, signed across Hendrix’s white printed name in green felt tip, “Jimi Hendrix.” In very good to fine condition, with creasing to the corners and edges.

Accompanied by a typed letter of provenance from the original recipient: “This autograph…was signed by Jimi Hendrix on March 17, 1967, in front of Parkhotel, Hamburg, Lincolnstreet. We were a group of autograph hunters that had direct contact with almost all stars appearing in the Star Club Hamburg. The musicians frequently made use of our knowledge of Hamburg and thus we also were on the road for three days with Jimi Hendrix and Chas Chandler. As a return favor, they signed autographs for us.” The record is not included.

On March 17, 1967, the Jimi Hendrix Experience began a threenight showcase at Hamburg’s famed Star-Club, which, upon opening in April 1962, featured some of the world’s most promising rock musicians, including The Beatles, Cream, Ray Charles, Bo Diddley, and more. The Experience performed two shows a night during their brief stay in Hamburg, with their opening night coinciding with the UK release of the band’s second single, ‘Purple Haze.’ Starting Bid $500

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9020. Woodstock: Jefferson Airplane and Joe Cocker Fillmore East Program. Fillmore East

program for a pair of Jefferson Airplane and Joe Cocker concerts on August 8-9, 1969, 22 pages, 5.5 x 8.5, which also features a two-page advertisement and ticket order form for the Woodstock Music & Art Fair set to occur a week later in Wallkill, New York; both Cocker and Jefferson Airplane were featured acts and these Fillmore concerts served as a warm-up for their eventual Woodstock performances. The program also has several advertisements promoting releases by Iron Butterfly, Canned Heat, Procol Harum, and Crosby, Stills, and Nash. In fine condition. Starting Bid $200

Joplin and Big Brother hit Campus Magazine in 1967

9021. Jefferson Airplane Signed Guitar. Black-bodied

Carlo Robelli Stratocaster-style electric guitar, signed on the white pickguard in blue paint pen by Grace Slick and Jack Casady, and in blue felt tip by Marty Balin, and on the body in silver ink by Spencer Dryden, Paul Kantner, and Jorma Kaukonen. In fine condition. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services.

Starting Bid $200

9022. Janis Joplin Oversized 1969 Francesco Scavullo Photograph.

Brilliant semi-glossy 8.75 x 12.75 silver gelatin photo of Janis Joplin in a lively and cheerful fulllength pose, taken

by Francesco Scavullo during a 1969 photo shoot. In very good to fine condition, with creasing, primarily constrained to the edges. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

9023. Janis Joplin Signed 1967 Campus Magazine.

Complete spring-summer 1967 issue of Campus Magazine, Vol. II, No. 3, 8.75 x 11.25, signed on the back cover in brown felt tip by Janis Joplin and three key original members of Big Brother and the Holding Company: Peter Albin, James Gurley, and Sam Andrew. In very good to fine condition, with light handling wear, and a fold separation to lower left edge.

A scarce combination of signatures from early in Joplin’s career. Starting Bid $300

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9024. Woodstock: John Mayall Fillmore East Program. Fillmore East program for a

pair of John Mayall concerts on July 11-12, 1969, which also features a two-page advertisement and ticket order form for the Woodstock Music & Art Fair set to occur a month later in Wallkill, New York. The program, 24 pages, 5.5 x 8.5, also promotes performances by the Preservation Hall Jazz Band and Spooky Tooth, and features advertisements for a “Tuesday Tanglewood Trends” series show on August 12th, with “The Who” as special guest stars, the Atlantic City Pop Festival, and the First Annual Rutgers Jazz Festival. In fine condition. With The Who having just finished an American tour in June and the August 17th date of Woodstock cutting into the middle of their planned British tour, the band were initially reluctant to commit to the planned New York festival. When The Who finally agreed to perform (after much convincing), they used this Tanglewood concert as a warm-up for their now legendary performance at Woodstock. Starting Bid $200

9025.

Santana 1971 Munich Concert Material.

Bracket-bound 9.25 x 12 folder of German-language material relating to a Santana concert at the Circus-Krone-Bau in Munich, Germany on April 20, 1971. The booklet contains the original four-page contract between the city of Munich and the concert organizers to put on the show, various sheets related to venue costs, requirements, and ticket sales, and additional correspondence. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

9026. Ravi Shankar 1971 Munich Concert Material.

Bracket-bound 9.25 x 12 folder of German-language material relating to a Ravi Shankar concert at the Circus-Krone-Bau in Munich, Germany on December 18, 1971. The booklet contains the original four-page contract between the city of Munich and the concert organizers to put on the show, a handbill for the show, the concert program, newspaper clippings, and two sheets noting venue costs and ticket sales.

In fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

9027. Grace Slick Handwritten Lyrics. Handwritten lyrics by Grace Slick for the Jefferson Airplane song ‘White Rabbit,’ one page, 8.5 x 11, dated May 2015, penned in black ink and signed at the conclusion by Slick. The lyrics, in full (spelling and grammar retained): “One pill makes you larger and one pill makes you small. The ones that mother gives you don’t do anything at all—Go ask Alice, when shes ten feet tall. If you go chasing rabbits and you know your going fall, tell them a hookah-smoking caterpillar has given you the call—He called Alice when she was just small. When the men on the chessboard get up and tell you where to go and youve just had some kind of mushroom and your mind is moving low—Go ask Alice, I think she’ll know. When the white knights talking backwards and the red queens off with your head—remember what the dormouse said, Feed your head, feed your head!” In fine condition. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

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9028. Ten Years After Souvenir Set List. Souvenir handwrit-

ten set list for Ten Years After’s performance at Woodstock on August 17, 1969, one page, 9 x 12, signed at the conclusion in ballpoint by both Alvin Lee and Leo Lyons. Lee pens what he remembers playing, in full: “This is possibly what TYA played at Woodstock. Schoolgirl—Stopped & Returned. Slow Blues in C? Love Like a Man? Crying—Was good 20 mins long. Going Home—Last chord was out of tune, Choo Choo Moma?—It’s all a bit hazy now.” Below, Lyons makes a slight tweak, adding, “Maybe we started with ‘One of These Days.’”

In fine condition. Although this performance was a highlight of Woodstock, much of their set was lost when the sound recording partially failed; the film crew was only able to capture their final song. As Lee mentions, the band experienced multiple technical failures during the set, most notably their guitars falling out of tune due to the high humidity. Starting Bid $200

9031. The Who 1971 US Tour Program. Uncommon original Sound Image souvenir oversized program for The Who’s 1971 American Tour known as ‘The Who’s Next Tour,’ 16 pages, 10 x 13, with front cover depicting Pete Townshend performing his classic and trademark ‘windmill’ guitar motion.

The back cover features the band’s logo and the inner pages consist of dates for the tour’s two legs (July 20 to August 19, November 20 to December 15), a discography, articles, and numerous vintage images of the band. In fine condition, with some light creasing and moderate handling wear to the covers. Starting Bid $200

9030. The Who 1966 Torquay Concert Ticket. Original 3.5 x 2.25 ticket for a concert by The Who at Town Hall in Torquay, Devon, England on August 20, 1966, with the ticket declaring The Who a “Rave Attraction” and making note of other “Top Supporting Groups.” In fine to very fine condition. On this particular evening, The Who were supported by The Staggerlees, The Hunters, and The Empty Vessels. The Who’s massive yearlong tour carried the group all across the United Kingdom and mainland Europe, playing a total of 222 shows in support of their debut studio album, My Generation. Starting Bid $200

9029. The Who Six Nights of ‘Tommy’ Fillmore East Program. Very desirable

Fillmore East program for The Who’s legendary six-night concert stand in which they performed the newly released Tommy in its entirety at the aforesaid theatre on October 20-25, 1970. The program measures 5.5 x 8.5 and features a special blue 12-page insert dedicated to this remarkable run of performances, including song lyrics, a plot description of the rock opera, and various photos and period advertisements highlighted by a full-page promo for The Who’s Tommy. The program also features advertisements for The Electric Circus, Crosby, Stills, & Nash, Country Joe and the Fish, and The Kinks. In fine condition. Starting Bid $200

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9032. The Who and Elton John ‘Tommy’ Program.

Sought-after original program for a special charity performance of the rock opera ‘Tommy’ by The Who at the Universal Amphitheatre in Los Angeles, California, on August 24, 1989, 64 pages, 9.75 x 11.75, containing a wide assortment of images of Roger Daltrey, Pete Townshend, and John Entwistle in celebration of the band’s 25th anniversary. In addition to images of old press releases, articles, and advertisements, the program also shows pictures of the evening’s special guests: Elton John, Patti LaBelle, Billy Idol, Steve Winwood, and Phil Collins. Includes the original ‘Tommy’ insert exclusive to the Universal Amphitheatre show. In fine condition. The Who played four shows featuring the rock opera ‘Tommy’ as part of The Who Tour 1989, a reunion tour in celebration of the band’s 25th year of existence. Of the four ‘Tommy’ shows—which were even more complete than when the band played it in 1969–1970, due to the inclusion of ‘Cousin Kevin’ and ‘Sensation’—the performance of the charity concert at the Universal Amphitheatre aired on the Fox Network.

Presented by the Rock and Roll Hall of Fame Foundation, the Los Angeles charity show directed all proceeds to The Gilbert W. Lindsay Children’s Center, the United Friends of the Children, the Westside Children’s Center, the Rock and Roll Hall of Fame Foundation, and Nordoff–Robbins Music Therapy. Starting Bid $200

9033. The Who Signatures. Vintage ballpoint signatures,

“Pete Townshend, xxx,” “Keith,” “Roger Daltrey,” and “John Entwistle, x,” on two 4.5 x 4 album pages. In very good to fine condition, with light creasing to the Entwistle page. Consignor notes that the autographs date to the mid 1960s. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Super early promo photo of The High Numbers

9034. The Who Signed Photograph. Semi-glossy 6.25 x 8.25 silver gelatin promotional photo of The Who posing with their instruments when they were known as The High Numbers, signed in the lower border in blue ballpoint, “Roger Daltrey” and “Peter Townshend,” and in blue ballpoint, “John Brown” and “Keith Moon.” In fine condition, with a couple of small surface impressions. An extremely rare and early promotional photo of The Who, with a clean cast of signatures from each member of the band.

Accompanied by a certificate of authenticity from Tracks, a full letter of authenticity from PSA/DNA, and a letter of provenance from the original recipient, who affirms that the autographs were obtained “sometime in between December 1964 and February 1965.” Starting Bid $500

Music | August 15, 2019 11

The Who rock BBC TV in the early 1970s 9035. The Who Signed BBC 1973 Photograph. Brilliant

vintage glossy 10 x 8 outtake photo of The Who by famed British photographer Harry Goodwin, showing the band in 1971 posing together in a dressing room, signed in black felt tip by Keith Moon, Pete Townshend, Roger Daltrey, and John Entwistle. Reverse bears a “H. Goodwin” photography stamp. In fine to very fine condition. This incredible photo is an outtake from Goodwin’s photo session with The Who in their dressing room at the BBC Television Studios on December 30, 1971. The band were there to film and record ‘I Don’t Even Know Myself’ and ‘Naked Eye’ for the TV special ‘Into 71.’ Goodwin was the resident photographer for the BBC Television programme ‘Top of the Pops’ since its inception in 1964 until 1973, and several of his prints are in the collection of the National Portrait Gallery in London.

Accompanied by an article about the original recipient of the signed photograph, Alex Brown, a piano tuner for the BBC for over 40 years, who has tuned for musicians such as Vladimir Ashkenazy, Liberace, Jools Holland, Duke Ellington, and Paul McCartney; among his career highlights, Brown tuned the piano for Elton John at Princess Diana’s funeral. Included is a letter of provenance from Brown, who notes that he “first met The Who at the BBC studios on (sic) December 1971, when the photograph was actually taken by Harry Goodwin.” He then got the band to sign the photograph in 1973, when they recorded some music tracks at the BBC Television Centre. Fully signed photos of The Who from the 1970s are extraordinarily rare, with this example certainly one of the nicest that we have ever seen or offered. Starting Bid $300

Unpublished photo of The Who drummer 9037. The Who: Keith Moon Signed Photograph. Vintage

9036. The Who Who’s Next Promotional Poster. Original color 20

x 30 Decca Records promo poster for the band’s landmark fifth studio album, Who’s Next, released in August 1971.

Rolled and in fine condition, with scattered light creasing. Starting Bid $200

glossy 3.5 x 3.5 candid photo of Keith Moon that was taken at Charing Cross Station in London on May 13, 1966, signed in black ballpoint by The Who drummer. In very good condition, with some loss and old tape stains to the borders, a tear to the lower right corner, and surface impressions from notations on the reverse. Consignor notes that the signature was obtained by a fan who used to follow The Who around the south of England in the mid 1960s. Later this same evening, The Who performed at the Wimbledon Palais in London. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

12 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Drum brushes used by Keith Moon on his snare 9038. The Who: Keith Moon’s Drum Brushes. Incredible pair of drum brushes personally-owned and -used by Keith Moon, the legendary drummer for The Who, both measuring 13.5˝ in length. In very good to fine condition, with expected signs of use. Accompanied by a letter of provenance from the original recipient, renowned producer and promoter Alan Goldsmith: “These drum snare sticks were given to me by Keith Moon of the Who after they played a concert for me on March 25th 1965 at Watford.” Goldsmith appears to misremember the date of the concert, which occurred some 54 years ago; The Who played Trade Union Hall in Watford on March 21, 1965, a mere three months into a hectic calendar of touring that witnessed the band play an approximate total of 263 shows. The opportunity to own sticks, brushes, or any piece of a drum set played by Keith Moon, is a rare and special occurrence not to be missed. Starting Bid $300

9039. Woodstock Festival Ticket. Original unused 5 x 2 one-day admission ticket for the iconic Woodstock Music and Art Fair, issued for Saturday, August 16, 1969, and numbered “02224E.” In very fine condition. Performing on the second day of the festival (from the afternoon of August 16th through the early morning of August 17th) were some of Woodstock’s top acts, including Santana, Grateful Dead, Creedence Clearwater Revival, Janis Joplin, Sly & the Family Stone, The Who, and Jefferson Airplane. Starting Bid $200

Uncommon ‘Food for Love’ tickets from Woodstock 9040. Woodstock Food for Love Tickets. Strip of three

“Food for Love” concession tickets from the iconic Woodstock Music and Art Fair, 6 x 1, with each ticket allotted for 20 cents and accordingly numbered: 076348, 076349, and 076350. In overall fine condition.

When the plan to hire Nathan’s hot dogs fell through, Woodstock organizers hired vendors Food for Love, an upstart venture helmed by Charles Baxter, Jeffrey Joerger, and Lee Howard. With around 400,000 in attendance, the Food for Love concession stands were quickly overwhelmed. Long lines and dwindling supplies resulted in elevated prices, and two of the stands were purportedly set aflame by disgruntled, famished hippies. These Food for Love tickets are quite scarce given that the majority were discarded on site by hungry concertgoers. Starting Bid $200

Music | August 15, 2019 13

9041. Woodstock 1969 Original Wallkill Ticket O rd e r Fo r m .

Original 4 x 8.5 ticket order form for the Woodstock Music and Art Fair to be held in Wallkill, New York, between August 15–17, 1969. The front of the bi-fold form lists the roster of bands set to perform during the three days—Joan Baez, Arlo Guthrie, Richie Havens, Canned Heat, Creedence Clearwater, Grateful Dead, Janis Joplin, Santana, The Who, Jefferson Airplane, Iron Butterfly, The Band, Joe Cocker, The Moody Blues, and more. The inside pages contain descriptions of other event activities, in addition to a ticket form listing prices for 1-day, 2-day, and 3-day passes. The back of the form contains a list of hotel accommodations, as well as a map and directions to the event from Boston, Philadelphia, and New York. In fine condition, with light handling wear. This is the earliest ticket order form for Wallkill, the original Woodstock location, which was moved due to issues with the locals and officials to Bethel. Examples in such excellent condition are scarce and seldom encountered. Starting Bid $200

9043. Woodstock Ticket - PSA GEM MINT 10. Choice

original unused 6 x 2 three-day admission ticket for the iconic Woodstock Music and Art Fair, issued for August 15–17, 1969, numbered “45208.” Each ticket is marked with a face value of $8.00, for a total cost of $24.00. Graded by PSA as GEM MINT 10. Starting Bid $200

9042. Woodstock Poster Signed by Michael Lang.

Gorgeous original color 24 x 36.75 poster for the Woodstock music festival held at Max Yasgur’s 600-acre dairy farm in Bethel, New York, between August 15–18, 1969, signed in the lower left corner in black felt tip by its original owner, Michael Lang, a concert promoter and co-creator of the Woodstock Music & Art Festival. Original Woodstock posters can be distinguished from a reproduction by the presence of three distinct hallmarks—a small dot to the M in ‘Music’; a small dot to the guitar neck, left of the pinky finger; and a small dot in the upper stem of ‘3.’ Rolled and in fine condition, with trivial wear to left edge. Accompanied by a letter of authenticity from Jeff Gold of Recordmecca, which reads, in part: “This letter is to authenticate an original large size poster from the 1969 Woodstock Festival, from the collection of original promoter Michael Lang. We obtained this directly from Lang, and at his request he signed this poster…Lang told us this was one of a few posters he brought home from the Festival office a few days after the Festival ended.” Also accompanied by a letter of authenticity signed by Lang, which reads: “I was the promoter of the 1969 Woodstock festival and have had this poster in my possession since taking it home 2 days after the Festival ended.” Starting Bid $200

9044. Woodstock Ticket - PSA MINT 9. Original unused 5 x 2 one-day admission ticket for the iconic Woodstock Music and Art Fair, issued for Saturday, August 16, 1969, and numbered “03259K.” In fine to very fine condition. Encapsulated in a PSA/DNA authentication and grading holder, evaluating the ticket as “MINT 9.” Starting Bid $200

9045. Woodstock Tickets. Group of four original unused

tickets for the iconic Woodstock Music and Art Fair, including: a pair of 6 x 2 three-day admission tickets, issued for August 15–17, 1969, numbered “37812” and “00328”; a 5 x 2 one-day admission ticket for the opening day on Friday, August 15th, numbered “003752”; and a 5 x 2 one-day admission ticket for Sunday, August 17th, numbered “03262.” In overall fine condition. Starting Bid $200

14 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Unused single-day tickets for Woodstock, with choice original program 9046. Woodstock Tickets (3) and Program. Highly

sought-after group lot of Woodstock keepsakes that includes three original unused one-day admission tickets for the iconic Woodstock Music and Art Fair, each 5 x 2, issued for the opening day on Friday, August 15th, numbered “03466H,” for Saturday, August 16th, numbered “01145M,” and for Sunday, August 17th, numbered “03720D.” Also included is an original program for the 1969 Woodstock Music & Art Fair, 8.5 x 11, 50 pages, filled with colorful psychedelic designs and images of the various performers, including: Jimi Hendrix, Janis Joplin, Jeff Beck, Creedence Clearwater Revival, Richie Havens, Grateful Dead, Joe Cocker, Ravi Shankar, and Joan Baez. In overall fine condition. Elevated by the presence of the singleday Friday ticket—a rarity given that most of these were used—this Woodstock group lot is in particularly crisp and clean condition. Starting Bid $200

9047. Yasgur Farms Group of (3) Milk Bottle. Group of three rare original 1969 glass milk bottles from Bethel, New York’s Yasgur Farms, the concert grounds for the Woodstock Music and Art Fair, standing 9.5˝ tall, one quart, labeled on the front, “Yasgur Farms Dairy, Bethel, N.Y., 12720,” and on the reverse, “You are cordially invited to come in and see why we’re so proud of the milk we produce, pasteurize and bottle at Yasgur Farms,” with a cow and banner at the top, “Direct from farm to you.” In overall very good condition. The caps are not included.

Starting Bid $200

9048. Max Yasgur Signed Check. Farmer (1919–1973) who

owned the dairy farm in Bethel, New York where the Woodstock Music and Art Fair held was held between August 15 and 18, 1969. Yasgur Farms Dairy check, 8.25 x 3, filled out and signed

by Yasgur, “Max B. Yasgur,” payable to Robert Huter for $203, September 11, 1969. In fine condition.

Conceived by budding entrepreneurs John Roberts and Joel Rosenman, the Woodstock Festival—billed as “An Aquarian Exposition: 3 Days of Peace & Music”—was originally scheduled to take place in Wallkill, NY, on the property of Howard Mills.

Although Wallkill officials were assured that no more than 50,000 people would attend, town residents immediately and vocally opposed the festival. On July 15th, the Wallkill zoning board officially banned the concert from taking place on the basis that the planned portable toilets would not meet town code. With less than 30 days to go before the festival’s start date, Roberts and Rosenman were left without a venue. They scrambled to search for a new location, and quickly found Max Yasgur’s farm in the adjacent county. They paid Yasgur $75,000 to rent his land—far more than the $10,000 agreed upon with Mills—and announced the new venue in an advertisement published in the New York Times on July 25, 1969, headed: “To Insure Three Days of Peace & Music We’ve Left Wallkill And Are Now At White Lake, N.Y.” Starting Bid $200

Music | August 15, 2019 15

Historic lease documents for Woodstock’s original site: “200 acres of vacant land in the Town of Wallkill…to be used and occupied only for a music festival, art show and associated functions” 9049. Woodstock: Howard Mills Jr. Wallkill Archive. Archive of

material concerning the lease for the originally proposed Woodstock site in Wallkill, New York, from the collection of Howard Mills, Jr., the owner of the property. The collection is highlighted by two original copies of the lease agreement between Mills Heights, Inc. and Woodstock Ventures, each signed by Mills, “Howard D. Mills, Jr.,” and by Woodstock financier John P. Roberts, “John Roberts,” ten pages, May 23, 1969. The lease describes “200 acres of vacant land in the Town of Wallkill…to be used and occupied only for a music festival, art show and associated functions and concessions in connection therewith, such festival to be opened for public admission for a period of not more than one week, but with an option to hold a second festival.” Also includes a document from the day before, May 22, 1969, signed by Woodstock Ventures partner Joel Rosenman and Howard Mills, Jr., confirming that Woodstock Ventures would exercise a previously agreed upon option to lease the property.

Additional items include a few other original letters and carbon copies of legal correspondence, mimeographed copies of lawsuit filings and court documents, and various relevant newspaper clippings, plus a binder full of similar ephemera. One such item is a carbon copy of a letter to Rosenman from Mills’s attorney Herbert J. Fabricant, dated July 14, 1969, expressing concern over their insurance policy: “I would like confirmation of the nature of the coverage since a comprehensive general liability policy usually excepts civil disorder and riots,—and it is this risk which especially concerns me.” Other correspondence concerns Mills’s attempts to recover damages after the festival was relocated. In overall very good to fine condition.

Conceived by budding entrepreneurs John Roberts and Joel Rosenman, the Woodstock Festival—billed as “An Aquarian Exposition: 3 Days of Peace & Music”—was originally scheduled to take place in Wallkill, NY, on Mills’s property. Although Wallkill officials were assured that no more than 50,000 people would attend, town residents immediately and vocally opposed the festival. On July 15th, the Wallkill zoning board officially banned the concert from taking place on the basis that the planned portable toilets would not meet town code. With less than 30 days to go before the festival’s start date, Roberts and Rosenman were left without a venue. They scrambled to search for a new location, and quickly found Max Yasgur’s farm in the adjacent county. They paid Yasgur $75,000 to rent his land—far more than the $10,000 agreed upon with Mills—and announced the new venue in an advertisement published in the New York Times on July 25, 1969, headed: “To Insure Three Days of Peace & Music We’ve Left Wallkill And Are Now At White Lake, N.Y.” An original copy of this New York Times ad is included in the archive. With a mere three weeks to go before the festival’s opening, new posters and advertisements had to be created to reflect the change.

Despite some hiccups—there wasn’t time to finish construction of the fences and ticket booths, effectively making admission free—Woodstock went on to become the most famous rock concert of the 20th century, while Wallkill firmly resides in the territory of ‘what could have been.’ These lease documents represent the foundations of the legendary festival, as well as the trials and tribulations that came with it. A truly unique and culturally significant archive. Starting Bid $300

16 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Beatles 9050. Beatles Pair of A Hard Day’s Night Tickets. Pair

of unused blue diecut oversized 9 x 3.75 souvenir tickets for a special matinee showing of ‘A Hard Day’s Night’ at San Francisco’s New Royal Theatre on August 13, 1964, at 4:00 p.m. Tickets are numbered 810 and 824. In overall fine condition, with a crease passing through both McCartney heads. Starting Bid $200

The Beatles pay their dues in 1967 9051. Beatles Set of (4) Signed 1967 Invoices.

Very desirable set of invoices individually signed by a member of the Beatles, including: An invoice statement from Cave Photographic Ltd., one page, 8.25 x 7, dated April 7, 1967, and addressed to Beatles accountants Bryce Hamner Limited. The statement concerns three outstanding invoices for a total of £253.6.6. Signed boldly at the conclusion in blue felt tip, “John Lennon.”

Includes carbon copies of the three outstanding invoices, two of which are addressed to “Mr. J. Lennon.”

An official statement letter from Hamilsash Clubs Ltd., one page, 8 x 10, dated January 25, 1967, and addressed to Beatles accountants Bryce Hamner & Co. The letter, in full: “We would like to draw your attention to Mr. Paul McCartney’s account incurred on the night of January 13th at Dolly’s amounting to £2.8.0. and look forward to receiving a remittance in settlement of this account.” Signed in bold black ink, “Paul McCartney,” within the ‘Passed for Payment’ stamp.

An invoice from Hunter Films Ltd., one page, 8.25 x 7, dated January 13, 1967, and addressed to “Mr. George Harrison, Beatles Ltd.” The invoice concerns the licensing of three films—‘Mission for a Killer,’ ‘Wicked Go to Hell,’ and ‘Taxi to Torbruk.’ Signed at the conclusion in crisp blue ballpoint, “G. Harrison.”

An invoice from Hunter Films Ltd., one page, 8.25 x 7, dated February 2, 1967, and addressed to “Mr. Ringo Starr, c/o Bryce Hamner & Co.” The invoice concerns the licensing of four films—‘Cavalry Command,’ ‘Tyrant of Castile,’ ‘Julie the Redhead,’ and ‘Mission for a Killer.’ Signed at the conclusion in blue ink, “R. Starkey.” In overall very good to fine condition, with some creasing and folds to Starr, and Lennon tracing over his failed first attempt with a much bolder pen. Accompanied by a certificate of authenticity from Tracks. Starting Bid $1000

Music | August 15, 2019 17

The Beatles rock Weston-super-Mare for six straight nights 9052.

Beatles Signed 1963 Concert Program.

Rare The Beatles Show ‘vintage orange’ program for performances held at the Odeon Theatre in Weston-superMare, England, on July 22–27, 1963, measures 8 x 10.5, twelve pages, signed inside on the “Meet the Beatles” section next to their respective images in blue ink or ballpoint, “George Harrison,” “Paul McCartney, xxx,” “Ringo Starr, xx,” and “John Lennon.” The program is also signed inside

by Gerry and Freddie Marsden, and Les Maguire, who signs twice, as well as Tommy Quickly. In very good condition, with overall creasing, a central horizontal fold, skipping to the start of McCartney’s name and Harrison’s last name, and stray ink marks to the lower right corner. A day after playing the Queen’s Theatre in Blackpool, the Beatles ventured to the seaside town of Weston-super-Mare in Somerset, England. For six consecutive nights, the Beatles played back-to-back sold-out shows at the Odeon Theatre, while during the day the group attended beach photo-shoots, had their hair cuts at Lloyd and Osborne, visited an injured fan in the hospital, and spent ample time mixing with the locals. An exceptionally rare program with fantastic display value. Accompanied by a certificate of authenticity from Tracks. Starting Bid $1000

Fully signed With the Beatles mono pressing 9053. Beatles Signed Album. Very desirable 1963 Parlophone mono pressing of the With the Beatles album, signed on the front cover in ballpoint

by Paul McCartney, John Lennon, George Harrison, and Ringo Starr, who signs over his image, with the other members signing in the upper border. In very good condition, with some light wrinkling to the emulsion, and a short tear and some damage along the right edge; Harrison’s last name is light but fully legible, Ringo’s first name is very light, and his last name is predominately indentations with only minor ink adhesion. The record is included.

Starting Bid $1000

18 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Vibrant oversized 1963 Dezo Hoffman PYX centerfold image 9054. Beatles Signed Magazine. Supreme-

ly rare vintage UK Beatles magazine from 1963, published

by PYX, 7.25 x 9.5, 28 pages, featuring a classic color Dezo Hoffman photograph of the band in their matching gray collarless suits on the cover, beautifully signed on the color centerfold photo in blue ballpoint, “Paul McCartney,” “John Lennon,” “George Harrison,” and “Ringo Starr.” With the magazine open, the signed image measures 9.5 x 14.5. In fine condition, with light creasing and handling wear. Autographs were obtained in person by a young female fan at the Princess Theater, Torquay, Devon, England, on August, 18, 1963. Although PYX magazines signed on the cover occasionally surface, this is the first example we have encountered with an attractive fully signed centerfold.

Starting Bid $1000

Revolver signed by Harrison 9055. Beatles: George Harrison Signed Album. Revolver album by the

Beatles, signed on the front cover in red ballpoint by George Harrison. In very good to fine condition, with creasing to the edges and corners. The record is included.

Beatles albums signed by Harrison are highly sought-after, with this uncommon Revolver example autographed neatly over his own likeness. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Music | August 15, 2019 19

9056. Beatles: George Harrison Signed Book.

Signed book: I, Me, Mine.

Limited edition, numbered 1337/2000.

Surrey, England: Genesis Publications, 1980. Hardcover with slipcase, 7.25 x 10.25, 398 pages. Signed on the colophon in fountain pen by Harrison, who adds an Om symbol and cross to upper corners. In very fine condition. A superlative example of this sumptuous leatherbound volume. Starting Bid $200

9057. Beatles: George Harrison Signed Check. Apple

Records, Inc. business check, 7.75 x 3.5, filled out and signed

by George Harrison, payable to R. M. B. Palmer for £1000, September 11, 1971. In fine condition, with some light creasing. Starting Bid $200

9058. Beatles: John Lennon and Yoko Ono Signed Postcard. Crisp

ballpoint signatures, “John Lennon” and “Yoko Ono Lennon,” on the reverse of a color 6 x 4 postcard photo of a BOAC Rolls-Royce 707 Jetliner. In fine condition.

Consignor notes that the signatures date to 1969. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $300

9059. Beatles: Paul McCartney Signed Photograph. Glossy

4.25 x 5.75 postcard photo of Paul McCartney holding an award in one hand and his wife Linda in the other, signed in black felt tip by the former Beatles bass player. In fine condition.

Starting Bid $200

9060. Concert for George Royal Albert Hall Program. Origi-

nal program for the Concert for George honoring the late George Harrison, held at London’s Royal Albert Hall on November 29, 2002, 7 x 9.25, complete with its original insert listing the legendary musicians and entertainers who performed on this special night in honor of their late friend, including Eric Clapton, Paul McCartney, Jeff Lynne, Paul McCartney, Ringo Starr, Tom Petty, Jeff Lynne, Billy Preston, Ravi Shankar, Tom Hanks, members of Monty Python, and many more. This rare and lovingly produced program is bound in high-quality stiff purple wrappers with an orange ribbon, and features eight portraits of Harrison from throughout his life. In very fine condition. Starting Bid $200

9061. Astrid Kirchherr Signed Print.

Desirable limited edition 23.5 x 16.5 laserprint of the Beatles taken by photographer Astrid Kirchherr in November 1960, numbered 556/1500, and signed in the lower border in pencil by Kirchherr. Taken at Heiligengiestfeld Square in Hamburg, Germany as part of the Beatles’ first official photo session, the image shows Pete Best, George Harrison, John Lennon, Paul McCartney, and Stuart Sutcliffe posing on a Hugo Haase railway wagon in an amusement park. Rolled and in very fine condition.

Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

20 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Rare stereo Meet the Beatles album, signed

by Lennon at the Helping Hand Marathon

9062. John Lennon Signed Album. Meet the Beatles stereo album signed on the front in blue ballpoint by Lennon. In fine

condition, with some minor tape remnants to corners of reverse. The record is not included. Accompanied by a full letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “This cover was signed on Saturday May 17, 1975, when John was the special guest host for the weekend at the W. F. I. L. ‘Helping Hands Marathon’ in Philadelphia. This event was open to the public, and for a small donation, John would sign items of choice brought in by the donators.”

From May 16-18, 1975, Philadelphian rock station WFIL sponsored the Helping Hand Marathon, a weekend fundraiser to raise money for multiple sclerosis. On the invite of the station’s DJ Larry Kane, Lennon spent the entire three days answering phones, taking pledges, and meeting fans; he even did the weather report for Kane’s broadcast on WPVI-TV. Lennon-signed US Capitol Records Beatles albums are exceedingly rare and desirable, with this example enhanced furthermore by its wonderful back-story. Starting Bid $1000

Music | August 15, 2019 21

Mouse’s stylish ‘Electric X’ Lennon 9064. John Lennon Lithograph by Stanley Mouse.

9063. John Lennon and Frank Zappa Jam Session Fillmore East Program. Fillmore East program for a pair of Frank Zappa and the

Mothers of Invention concerts on June 5-6, 1971, and a Byrds concert on June 9, 1971, eight pages, 5.5 x 8.5, which also promotes performances by the Hampton Grease Band, Head Over Heels, and McKendree Spring.

The Zappa concert on June 6th turned into a jam of legendary proportions when John Lennon, who met Zappa earlier that day and was then playing with the Plastic Ono Band, stunned the Fillmore audience when he and Yoko Ono shared the stage with Zappa for a four-song set that included ‘Well (Baby Please Don’t Go),’ ‘Jamrag,’ (which is actually ‘King Kong’), ‘Scumbag,’ and ‘u,’ which was also known as ‘Aü.’ In fine condition, with light handling wear. The four songs recorded at the Fillmore East ended up on Lennon’s Some Time in New York City album.Starting Bid $200

Brilliant limited edition color 20 x 26.25 lithograph of Stanley Mouse’s ‘Electric X’ variant of John Lennon, a portrait inspired by a 1969 video interview of Lennon and Yoko Ono done by Tony Secunda for Let It Be, numbered 4/19, titled and signed in the lower border in pencil by Mouse, who adds a small mouse face. Lower right bears a Running Mouse Serigraphy blindstamp. In fine condition.

Starting Bid $200

Led Zeppelin Limited edition ‘Object’ from the Led Zeppelin’s Presence 9066. Led Zeppelin ‘The Object’ Statuette. Limited edi-

tion promotional statuette of ‘The Object,’ a black obelisk-shaped object that appears throughout the artwork packaging for Led Zeppelin’s 1976 album Presence.

The ‘Object’ stands 12˝ in height, with base engraved on each side: “Led Zeppelin, Presence, 316/1000, ‘The Object’ 1976 Swan Song Inc.” Bottom of base bears an Alva Studios label. In fine condition. Accompanied by the original shipping box from Swan Song. Starting Bid $200

9067. Led Zeppelin Original 1972 Japanese Handbill.

Attractive original bright red glossy 7 x 10.25 first printing Japanese handbill used to promote two Led Zeppelin concerts in Tokyo on October 2nd and 3rd, 1972, with Japanese language text and excellent band imagery and artwork to either side, with front showing a cluster of heads belonging to Robert Plant, Jimmy Page, John Bonham, and John Paul Jones and lower text reading: “Led Zeppelin Is My Brothr [sic].” In fine condition, with light handling along the extreme right edge.Starting Bid $200

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Full Zeppelin lineup, with super rare Bonham addition

9068. Led Zeppelin Signatures. Vintage ballpoint signatures, “Robert Plant,” “Jimmy Page,” “John Paul Jones,” and “John Bonham, Led Zeppelin,” on a pair of 5 x 3 album pages. In overall fine condition, with small binding holes to the edges.

A tremendous fully signed offering highlighted by the extremely rare presence of Bonham’s “Led Zeppelin” addition, examples of which are virtually nonexistent. Starting Bid $500

Zeppelin’s debut record signed in full

9069. Led Zeppelin Signed Album. Amazing self-titled debut album by Led Zeppelin, signed boldly on the front cover in blue ballpoint by Jimmy Page, and on the back cover in blue ballpoint by Robert Plant, John Bonham, and John Paul Jones.

In fine condition, with a few ultra light creases. The record is included. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient, who notes that the autographs were obtained backstage at the Liverpool Stadium on November 29, 1971. The recipient’s letter, in part: “After the concert ended the band left the stage followed by the bouncer. The bouncer then came back across the stage over to us and said Led Zeppelin had invited us backstage to meet…I remember Robert Plant seemed to take a fancy to me (I was 17 years old at the time) and we ‘snogged’ and he chatted for a while. He said he’d like to take me home—I didn’t know if he was serious or not but I had a boyfriend…so I just laughed it off. However he signed my LP cover and kindly passed it to the rest of the band.” This remarkable album is perhaps the most pristine fully signed example we’ve ever offered, and made rarer still by the generational attitude, a period in which autographseeking had grown passe within musical and counterculture fandom. A true piece of rock history signed by all four original band members while the band were on tour promoting their newest material, the landmark Led Zeppelin IV album. A sensational display piece ready for framing. Starting Bid $2500 Music | August 15, 2019 23

Page cuts his first single, ‘She Just Satisfies’ 9070. Led Zeppelin: Jimmy Page Signed 45 RPM Record. Scarce

Fontana Records sample single record for ‘She Just Satisfies / Keep Moving,’ signed on the affixed ‘sample’ label in black ballpoint by Jimmy Page, with another hand adding “5/2.” Matrix numbers to side A, “267418 1F,” and matrix numbers to side B, “267418 2F.” In fine condition. Released by Fontana on February 26, 1965, ‘She Just Satisfies’ was the debut solo single from Page before he joined The Yardbirds and, later on, Led Zeppelin.

In addition to handling the production, Page played all the instruments, except the drums, and even sung the lead vocals. This 45 RPM single is one the ultimate Led Zeppelin/Jimmy Page vinyl rarities, and the only signed example we have ever seen. Starting Bid $200

9071. Led Zeppelin: Robert Plant Signed Album. Three albums

by Led Zeppelin—Led Zeppelin II, Led Zeppelin IV, and Presence—each nicely signed on the front cover in blue ballpoint by Robert Plant. In overall very good to fine condition, with small areaw of emulsion loss to the upper right corners of two albums from removed stickers. The records are not included. Consignor notes that the albums belonged to family doctor and close friend of the Plant family, Mike Tanner—’Robert would drop the albums round to Mike who lived close to the family in Kinver.’ Starting Bid $200

9074. Led Zeppelin: Robert Plant Signed Album. Pictures at Eleven

album by Robert Plant, signed on the front cover in blue felt tip. In fine condition, with some old price sticker residue on the back cover. The record is included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

24 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Fleetwood Mac Sam Emerson Sam Emerson is a unit photographer for motion pictures, television, and music videos: with an impeccable eye for composition, he has captured greats like Michael Jackson, John Lennon, Elton John, Rod Stewart, Jeff Beck, and Barbara Streisand through his accomplished lens.

These remarkable contact print photographs of Fleetwood Mac taken by Emerson, offered as lots 9075–9098, portray the legendary group on-stage at the height of their most energetic live performances, as well as intimate behind-the-scenes moments during their tours.

9075. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy

11 x 8.5 contact sheet print containing 34 images of Fleetwood Mac in concert taken by Sam Emerson, featuring Stevie Nicks and Lindsey Buckingham singing together into a microphone, and Buckingham emotionally soloing on his acoustic-electric guitar. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.”

Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

9076. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 32 images of Fleetwood Mac in concert taken by Sam Emerson, prominently featuring four members of the group: Stevie Nicks and Christine McVie singing together; close-ups of Mick Fleetwood during two raucous drum solos; and Lindsey Buckingham playing his Les Paul electric guitar. Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

Music | August 15, 2019 25

9077. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 8.5 x 11 contact sheet print containing 34 images of Fleetwood Mac in concert in Japan taken by Sam Emerson, most prominently featuring vocalist Stevie Nicks and guitarist Lindsey Buckingham: Nicks is seen singing with one arm dramatically raised, and Buckingham is shown cheerfully playing his acoustic-electric guitar; Mick Fleetwood is also seen in a few shots. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse is annotated “Japan” and “R-163.” In fine condition, with a few red-and-white grease pencil editorial notations and three filing holes to the right edge. Starting Bid $200

9078. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 37 images of Fleetwood Mac in concert taken by Sam Emerson, most prominently featuring guitarist Lindsey Buckingham and vocalist Stevie Nicks: Buckingham is shown soloing on his acoustic-electric guitar in most of the shots, with five of them showing him and Nicks singing together. Nicks is seen alone in the bottom row, with Christine McVie and her accordion seen in a single image. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.” Reverse bears “This paper manufactured by Kodak” watermarks. In very good to fine condition, with a light diagonal crease passing through the bottom row, a few red grease pencil editorial notations, and three filing holes to the bottom edge. Starting Bid $200

9079. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.75 contact sheet print containing 36 images of Fleetwood Mac in concert taken by Sam Emerson, most prominently featuring vocalist Stevie Nicks and guitarist Lindsey Buckingham: numerous close-up shots capture Nicks’s dramatic stage persona, and Buckingham is seen enthusiastically playing his guitar. John McVie and Christine McVie appear in singular close-ups, and the whole band is seen in three wide shots in the bottom strip. Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In very good to fine condition, with two diagonal creases to the lower left corner, a single red grease pencil editorial notation at center, and three filing holes along the bottom edge. Starting Bid $200

26 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9080. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 34 behindthe-scenes images of Fleetwood Mac during their travels taken by Sam Emerson, most of which show Stevie Nicks and John McVie; Lindsey Buckingham is also seen in a few shots. Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

9081. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 36 images of Fleetwood Mac taken by Sam Emerson, featuring behind-the-scenes shots of John McVie testing out his bass, Lindsey Buckingham playing his acoustic-electric guitar in concert, and a few images of Stevie Nicks and Buckingham together backstage. Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

9082. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print containing 35 images of Fleetwood Mac in concert taken by Sam Emerson, featuring Stevie Nicks, Lindsey Buckingham, and Christine McVie in equal measure: Nicks sings under the bright stage spotlights, Buckingham plays his acoustic-electric guitar, and McVie likewise strums her instrument. A lone image shows Mick Fleetwood, obscured by his drum set’s cymbals. Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with three filing holes to the bottom edge. Starting Bid $200

Music | August 15, 2019 27

9083. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print containing 37 behind-the-scenes images of Fleetwood Mac during their travels taken by Sam Emerson, featuring close-up portraits of the various members of the group: Mick Fleetwood, Stevie Nicks, John McVie, and Christine McVie. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with a couple red grease pencil editorial notations and three filing holes to the top edge. Starting Bid $200

9084. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print containing 36 images of Fleetwood Mac backstage and in concert taken by Sam Emerson, most showing them getting ready for their show. Behind-the-scenes images include Mick Fleetwood reading the newspaper, Christine McVie kissing a dapper gentleman, and Stevie Nicks having her makeup done. In-concert images show Christine McVie playing keyboards, Stevie Nicks singing, and Lindsey Buckingham playing his guitar. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks.

In fine condition, with light creasing to corners and three filing holes to the bottom edge. Starting Bid $200

9085. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 27 images of Fleetwood Mac in concert taken by Sam Emerson, showing John McVie and Lindsey Buckingham side-by-side, Stevie Nicks singing under the dramatic stage lights, and Christine McVie beside Buckingham and alone. Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

28 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9086. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print containing 33 behind-the-scenes images taken by Sam Emerson, showing John McVie and Christine McVie with various friends and associates at their hotel. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.”

Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with three filing holes to the bottom edge. Starting Bid $200

9087. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 34 images of Fleetwood Mac in concert taken by Sam Emerson, featuring sequences that show John McVie and Lindsey Buckingham side-by-side, Mick Fleetwood pounding a hand drum, Stevie Nicks shaking a tambourine, and Lindsey Buckingham soloing and singing. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with three filing holes to the top edge. Starting Bid $200

9088. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 33 images of Fleetwood Mac in concert taken by Sam Emerson, showing Stevie Nicks spreading out her shawl, Mick Fleetwood soloing on the drums, and Lindsey Buckingham jamming on his white Les Paul guitar. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.”

Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

Music | August 15, 2019 29

9089. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 33 behindthe-scenes Fleetwood Mac images taken by Sam Emerson, showing Mick Fleetwood, Steve Nicks, John McVie, and Christine McVie with various friends and associates at their hotel. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.” Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with a few red grease pencil editorial notations and three filing holes to the bottom edge. Starting Bid $200

9090. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print con-

taining 23 images of Fleetwood Mac in concert in Denver taken by Sam Emerson, predominately featuring Stevie Nicks and Christine McVie singing and playing percussion, both alone and together; a single frame shows Lindsey Buckingham. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp, “This paper manufactured by Kodak” watermarks, and a handwritten annotation, “Denver 1979.” In fine condition, with several red grease pencil editorial notations (mostly to the overexposed images of Nicks in the top row), one light diagonal crease, and three filing holes to the bottom edge. Starting Bid $200

9091. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 32 images taken by Sam Emerson, showing a backstage party with a few images of Stevie Nicks and Christine McVie. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks.

In very good condition, with a heavy vertical crease to the right third, some less obtrusive creases and small tears to the edges, and three filing holes along the bottom edge. Starting Bid $200

30 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9092. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 35 images of Fleetwood Mac in concert taken by Sam Emerson, featuring a number of wonderful close-ups of Stevie Nicks and Christine McVie singing, plus a sequence showing John McVie playing his bass. A single frame shows Lindsey Buckingham at his microphone. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.” Reverse bears “This paper manufactured by Kodak” watermarks. In fine condition, with a few minor surface impressions, a single red grease pencil editorial notation, and three filing holes to the bottom edge. Starting Bid $200

9093. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print containing 35 images of Fleetwood Mac in concert taken by Sam Emerson, featuring Stevie Nicks, Lindsey Buckingham, and Christine McVie in equal measure: Nicks sings under the bright stage spotlights, Buckingham plays his acoustic-electric guitar, and McVie likewise strums her instrument. A lone image shows Mick Fleetwood, obscured by his drum set’s cymbals. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with three filing holes to the bottom edge. Starting Bid $200

9094. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 8.5 x 11 contact sheet print containing 34 images of Fleetwood Mac in concert in Denver taken by Sam Emerson, featuring fantastic close-ups of Stevie Nicks and Christine McVie singing into their microphones. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp, “This paper manufactured by Kodak” watermarks, and a handwritten annotation, “Denver 1979.” In fine condition, with a couple red grease pencil editorial notations and three filing holes to the left edge. Starting Bid $200

Music | August 15, 2019 31

9095. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 34 images of Fleetwood Mac by Sam Emerson, featuring backstage and behind-the-scenes shots of Christine McVie, John McVie, Lindsey Buckingham, and Mick Fleetwood, along with special guest Art Garfunkel. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In very good to fine condition, with a vertical crease to the right side, a few red grease pencil editorial notations, and three filing holes to the bottom edge. Starting Bid $200

9096. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 33 images of Fleetwood Mac in concert taken by Sam Emerson, showing Lindsey Buckingham playing his guitar, John McVie with his bass, Christine McVie on the maracas, and Mick Fleetwood pounding a hand drum. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.” Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with three filing holes to the bottom edge. Starting Bid $200

9097. Fleetwood Mac Original Sam Emerson Contact Print. Original vintage glossy 11 x 8.5 contact sheet print con-

taining 35 images of Fleetwood Mac in concert taken by Sam Emerson, showing Lindsey Buckingham playing his guitar and singing, Christine McVie on the guitar and accordion, and Stevie Nicks singing and swinging a drum stick. Two wide shots show the whole band under the stage lights. Signed in the lower right corner in white ink by photographer Sam Emerson, “Emerson.”

Reverse bears a Sam Emerson credit stamp and “This paper manufactured by Kodak” watermarks. In fine condition, with a light diagonal crease to the upper left corner, a few red grease pencil editorial notations, and three filing holes to the bottom edge. Starting Bid $200

32 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9098. Fleetwood Mac Original Sam Emerson Contact Print. Original vin-

tage glossy 11 x 8.5 contact sheet print containing 34 behindthe-scenes images of Fleetwood Mac taken

by Sam Emerson, showing Stevie Nicks, Mick Fleetwood, John McVie, Christine McVie, and Lindsey Buckingham attending a “Cotton Blossom” event. Signed vertically in the right margin in white ink by photographer Sam Emerson, “Emerson.” Reverse bears Sam Emerson credit stamps and “This paper manufactured by Kodak” watermarks. In fine condition, with a single frame circled in red grease pencil, and three filing holes to the bottom edge. Starting Bid $200

Panoramic portrait of Fleetwood Mac in studio for ‘Say You Will’ 9099. Fleetwood Mac Signed Lithograph. Fabulous panoramic color 29.5 x 14.5 lithograph entitled ‘Say You Will,’ featuring a fantastic wide-angle view of the band recording in studio, signed in black felt tip by Stevie Nicks, Lindsey Buckingham, John McVie, and Mick Fleetwood. The lower border is blindstamped, “Fleetwood Mac / Say You Will.”

Archivally framed behind UV-protective glass and in very fine condition. Starting Bid $200

9100. Fleetwood Mac Signed Tourbook. Official tourbook

for Fleetwood Mac’s worldwide 2003–2004 Say You Will Tour, 24 pages, 11 x 14, signed on the front cover in black felt tip by Stevie Nicks, Lindsey Buckingham, John McVie, and Mick Fleetwood.

In very good to fine condition, with scattered light creasing, trivial scuffing to Fleetwood’s autograph, and water damage to interior pages (resulting in rippling along the top edge, and a few pages stuck together, not affecting the appearance of the autographed front cover). Starting Bid $200

9101. Fleetwood Mac S i g n e d To u rb o ok Page. Page

from the official 1977 Rumours tourbook, 12 x 12, signed and inscribed on the full-page image of the band in blue ballpoint, “To Phil, Love, Stevie Nicks” (adding a playful sketch of a smiley face wearing a top hat), “Lindsey Buckingham,” “John McVie,” and “Mick Fleetwood.” In fine condition, with scattered light creasing.

Starting Bid $200

Music | August 15, 2019 33

9102. Fleetwood Mac Vintage Original Hurrell Photograph. Orig-

inal vintage circa 1982 glossy 11 x 8.5 silver gelatin photo of Fleetwood Mac taken by George Hurrell during sessions for their Mirage album. The image shows the whole group—Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie, and Mick Fleetwood—posting together and casting harsh shadows on the backdrop. Reverse bears “This paper manufactured by Kodak” watermarks. In fine condition. Starting Bid $200

9105. Fleetwood Mac: Stevie Nicks Signed Album.

Wild Heart album signed and inscribed on the front cover in silver ink, “To Cousin Josh, Love, Stevie Nicks” In fine condition, with an area of price sticker residue to the upper right corner. The record is not included. Starting Bid $200

9103. Fleetwood Mac: Stevie Nicks Signature and Poster Display.

Impressively displayed silver ink signature and inscription, “Mike, Love, Stevie Nicks,” on a large piece of 6 x 4 textured magenta cardstock, creatively matted against an uncommon original color 21 x 30 promotional poster for her second studio album, The Wild Heart, released by Modern Records in 1983.

Handsomely matted and framed to an overall size of 31 x 40.

In fine condition. Starting Bid $200

9104. Fleetwood Mac: Stevie Nicks Signed 45 RPM Record Sleeve.

Picture sleeve for Stevie Nicks’s 45 RPM solo single ‘Edge of Seventeen (Just Like the White Winged Dove),’ signed and inscribed on the front in blue felt tip, “To Ali—Love you—Stevie Nicks.” In fine condition. The record is not included. Released as the third single from Nicks’s debut solo album, ‘Edge of Seventeen’ has become one of her most enduring and recognizable songs. Starting Bid $200

9106. Fleetwood Mac: Stevie Nicks Signed Album Cover. Behind the

Mask album cover signed in black felt tip, “Much love, Stevie Nicks.” Doublematted to an overall size of 15 x 15. In fine condition. The record is not included.

Created by photographer Dave Gorton, this cover artwork earned a Grammy nomination for ‘Best Album Package.’ Starting Bid $200

9107. Fleetwood Mac: Stevie Nicks Signed Tourbook Page. Page from

the official 1977 Rumours tourbook, 12 x 12, signed and inscribed on her image in blue ballpoint, “To John, Love, Stevie Nicks,” with a playful sketch of a smiley face wearing a top hat. In very good to fine condition, with scattered light creasing, and a central vertical bend. Starting Bid $200

34 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

“Much love, Stevie Nicks, enjoy!”— an autograph and personally-worn lace beret 9109. Fleetwood Mac: Stevie Nicks’s Personally-Worn Beret with Signed Card. Stevie

Nicks’s personally-owned and -worn black lace beret headband, with a metallic ink signature, “Much love, Stevie Nicks, enjoy!,” on an off-white 2.5 x 4 slip bordered by golden sequins. The simple beret is constructed of sheer black laced formed over a clothcovered headband. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in full: “This black beret accompanied with a signed card was worn and owned by Stevie Nicks. It was purchased originally from her mother’s store called Silver Springs Emporium back in the 90’s which sold Stevie’s clothing, autographs, and personal items.

This was purchased from a longtime Stevie fan who would go to the store weekly and purchase new items to add to their collection.” An immensely desirable pairing from the legendary Fleetwood Mac vocalist. Starting Bid $200

9110. Fleetwood Mac: Stevie Nicks’s Personally-Worn Black Dress.

Stevie Nicks’s personally-owned and -worn black velvet dress, featuring a black satin lining, lightly padded puffy shoulders, and central slits at the bottom. The fashionable dress is typical of Nicks’s iconic style, and lacks interior tags or markings. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in full: “This black dress was worn and owned by Stevie Nicks. It was purchased originally from her mother’s store called Silver Springs Emporium back in the 90’s which sold Stevie’s clothing, autographs, and personal items. This was purchased from a longtime Stevie fan who would go to the store weekly and purchase new items to add to their collection.” Starting Bid $300

Music | August 15, 2019 35

9111. Fleetwood Mac: Stevie Nicks’s Personally-Worn Pink Dress. Stevie

Nicks’s personally-owned and -worn reddish pink linen dress, featuring a sleeveless top with button-down collar, eight tiny gray-black buttons on the front, and two deep pouch pockets on the sides.

The tag has been cut out of the neck for comfort. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in full: “This red dress was worn and owned by Stevie Nicks. It was purchased originally from her mother’s store called Silver Springs Emporium back in the 90’s which sold Stevie’s clothing, autographs, and personal items. This was purchased from a longtime Stevie fan who would go to the store weekly and purchase new items to add to their collection.” Starting Bid $200

Country and Folk 9112. Johnny Cash’s Personally-Owned Print. Johnny Cash’s personallyowned color 19.75 x 19.75 print of a portrait painting of the songwriter in close profile against an American flag background, removed from Cash’s home in Hendersonville, Tennessee, signed in the lower left corner in pencil by the artist, Nate Giorgio. Matted and framed to an overall size of 26.5 x 26.5. In fine condition. Accompanied by a certificate of authenticity, a watercolor portrait of Cash, and a handwritten letter of provenance from Giorgio, with the latter reading: “This print of Johnny Cash is from an original painting Johnny commissioned from me circa 1986. It’s from a 2 piece series, 1 featured an American flag (which I own) and the other Johnny owned, which this print was reproduced from. It was during the time when Johnny was creating his theater in Branson, and he also used this art for promotional use.” The print is also accompanied by a photo of Cash’s nephew, Jeff Ingle, holding the print; he has also provided a letter of provenance that notes that it came “from Johnny & June Cash’s house in Hendersonville, TN.” Starting Bid $200

36 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9114. Hank Williams, Cowboy Copas, and Jimmy Dickens Signed Photograph. Tre-

9113. Hank Williams Signed Photograph. Very desir-

able vintage glossy 7 x 5 candid photo of the country music pioneer in a handsome half-length pose, signed in fountain pen, “Best wishes, Hank Williams.” In very good to fine condition, with scattered creasing and poor signature contrast.

Starting Bid $200

mendous vintage glossy 8.25 x 10 photo of Hank Williams and Cowboy Copas holding beer bottles next to Little Jimmy Dickens, signed by each country music legend in fountain pen, “Best wishes, Hank Williams,” “It’s a pleasure, Jimmy Dickens, Grand Ole Opry,” and “Sincerely, Cowboy Copas, W. S. M.” In very good to fine condition, with scattered creasing. Starting Bid $200

Jazz, Blues, and Standards 9116. Miles Davis and Laura Nyro Fillmore East Program. Rare

Fillmore East program for a series of four concerts featuring Laura Nyro and special guest Miles Davis Quintet on June 17–20, 1970, four pages, 5.5 x 8.5, with inner pages bearing advertisements and images and bios of Nyro and Davis. In fine condition. At this juncture, the Miles Davis Quintet featured Steve Grossman, Chick Corea, Keith Jarrett, Dave Holland, Jack DeJohnette, and Airto Moreira. The recordings from this four-day concert were released on the double vinyl LP live album Miles Davis at Fillmore. A very hard-to-find program in such excellent condition. Starting Bid $200

9115. Ruth Brown. Glossy 8

x 10 photo of Brown receiving an award, signed in blue felt tip, “Always, Ruth Brown.” In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

9117. Sonny Rollins Signed Photograph and Signature.

Two items: a color glossy 8 x 10 photo of Rollins with his saxophone, signed and inscribed in black felt tip, “To Vickie…best wishes, Sonny Rollins”; and a huge red felt tip signature, “Sonny Rollins, Best Wishes,” flanked by sketches of musical notes, on a white 8.5 x 11 sheet. In overall fine condition. Starting Bid $200

Music | August 15, 2019 37

Posters and Handbills

9118. Black Sabbath Toledo Sports Arena Poster Starting Bid $200

9119. David Bowie 1980 The Elephant Man Poster Starting Bid $200

9122. Bob Marley 1976 Oakland Concert Poster Starting Bid $200

9123. Bob Marley 1977 Portland Concert Poster Starting Bid $200

9125. Nine Inch Nails 1994 Seattle Poster Starting Bid $200

9126. Rolling Stones 1969 London Poster Starting Bid $200

9129. Patti Smith 1976 Hammersmith Odeon Poster Starting Bid $200

9120. The Clash 1980 Cardboard Poster Starting Bid $200

9121. The Clash 1982 San Francisco Poster Starting Bid $200

9124. New Order 1984 England Tour Poster Starting Bid $200

9127. Rolling Stones Poster Starting Bid $200

9128. Patti Smith 1976 Radio Ethiopia Poster Starting Bid $200

9130. Television and Blondie 1977 Hammersmith Odeon Poster Starting Bid $200

38 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Prince Prince’s gift of ‘Diamonds and Pearls’ 9131. Prince ‘Diamond and Pearls’ Personally-Owned and Stage-Worn Necklace. Prince’s personally-owned

and stage -worn jewelry necklace worn during the 1984–1985 Purple Rain Tour, measuring 37˝ long unclasped, featuring groups of faux pearls separated by thin rings of ‘diamonds,’ with occasional larger clear spherical ‘disco ball’ beads. The clasp is in the form of a “YSL” [Yves Saint Laurent] logo, presumed to be a replica. In fine condition. From the collection of singer-songwriter Susannah Melvoin, an extended member of the Revolution during the Parade era, who shared a longterm working musical relationship with and was engaged to Prince during the 80s. Accompanied by a letter of provenance from Susannah Melvoin. Among the accessories on his backstage dressing room, Prince later presented this dazzling necklace to Melvoin to wear as part of her performance outfit. A desirable example of jewelry embodying the ‘Diamonds and Pearls’ that would become Prince’s thirteenth studio album—and chart-topping hit—in 1991. Starting Bid $200

9132. Prince ‘Purple Rain’ and Dio ‘The Last in Line’ Album Error Pressing. Highly

unusual example of Dio’s The Last in Line album, with the A-side of the record erroneously featuring a pressing of Prince’s Purple Rain. Although the labels applied to both sides are for The Last in Line, the runout etching on the A-side reads, “(HXAD) W1-25110A G1D G,” which is correct for the A-side of Purple Rain (featuring the tracks ‘Let’s Go Crazy,’ ‘Take Me With U,’ ‘The Beautiful Ones,’ ‘Computer Blue,’ and ‘Darling Nikki’). The matrix etching for the B-side is correct for The Last in Line, reading “W1-25100B-1B G.” In very good to fine condition, with light scuffing and edge wear to album jacket, a small area of loss to the spine, splits to inner sleeve, and some scuffing to the vinyl (heavier to the B-side). Both published under the Warner Bros. record label, Purple Rain was released on June 25, 1984, and The Last in Line was released a week later on July 2nd: they were apparently being pressed in the same facility during the same timeframe, facilitating this rare error. Starting Bid $200

Music | August 15, 2019 39

9133. Prince 1984 Purple Rain Tour Book. Tour book for the

1984–85 Purple Rain World Tour of Prince and the Revolution, 24 pages, 13 x 12, with various images of Prince and The Revolution featured throughout, including guitarist Wendy Melvoin, the twin sister of Prince’s longtime girlfriend and former fiancé Susannah Melvoin. In fine condition, with some creasing and a tear to the bottom edge of the cover. From the collection of singer-songwriter Susannah Melvoin, an extended member of the Revolution during the Parade era, who shared a longterm working musical relationship with and was engaged to Prince during the 80s. Accompanied by a letter of provenance from Susannah Melvoin. Starting Bid $200

9134. Prince and The New Power Generation Signed Album. The Beautiful Experience album, signed

by Prince with his symbol in gold ink, and in black felt tip by Sonny T., Tommy Barbarella, Mayte Garcia, Morris Hayes, Nona Gaye, and one other. In very fine condition. The record is included. Starting Bid $200

Donuts with Prince 9135. Prince and the Revolution Signed Ticket. Sought-after

ballpoint signatures, “Prince,” “Dez D.,” “Bobby Z.,” “Andre,” and “Doctor Fink,” on the reverse of a 4.25 x 1.5 concert ticket issued by promoter Steve Myers. In fine condition, with one tiny corner stain.

Accompanied by a lengthy provenance letter from the original recipient, which reads, in part: “A girlfriend and I were at the Columbus Municipal Auditorium in Georgia on December 17th, 1981 to see Prince during the ‘Controversy’ tour and were issued special entrance tickets from the promoter Steven Myers (which explains the marketing ticket with his name on it). After the concert, we went to stakeout The Sheraton hotel where entertainers normally stay. We were sitting in the Krystal…and these two men with Commodores jackets came and sat down behind my friend. They overheard us talking about how we hoped to meet Prince. They introduced themselves and said they’d set up his equipment and they could get us in to meet him. My friend was doubtful, but we went across the street to the hotel lobby while the two guys went through a set of double-doors. They came back out and said Prince, his band, and Teena Marie…would be willing to meet us….Sure enough, the two men took me to this half-moon shaped table and there sat Prince, his bandmates, and Teena Marie (who was not so nice)…We sat and talked for about 30 mins and Prince said they were not going to actually be staying at that hotel and gave us the name of the hotel where they had reservations. He asked if we knew where it was and if so, could they follow us there. We said ‘sure!’ Prince asked if there was a Dunkin Donuts nearby and we told him there was one…on the way to the hotel…They followed us to the Holiday Inn on Victory Road and when we walked in to the room I saw a leopard print thong. I went to stick it in my skirt and Prince said ‘Please don’t take those—I will make sure you get something to remember me by.’ We sat on the beds and had donuts, played charades, and watched an old black and white zombie movie on TV. Before we left, Prince and the band members signed my ticket.” Starting Bid $200

40 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Answering machine tape with two Prince messages— “Can you make sure that Madonna gets a copy”

9136. Prince: Answering Machine Cassette Tape. TDK SA-X cassette tape from an answering machine containing two

voice messages from Prince from the fall of 1988, with label to A side of tape annotated in ballpoint: “Message 22, 6:10 pm, 9/25/88, B” and “#1 side A, Tape to Madonna.” The contents of the tape have been transferred to a digital audio disc containing six tracks that feature several messages from a variety of Paisley Park staff. The first Prince message can be found on the second track at marker 3:42, message 22, dated September 25, 1988, in full: “Karen, this is Prince. Please call me at home.”

The second Prince message, found on track four at marker 4:19, recorded at 8:33 a.m. on October 9, 1988, relates to Prince and Madonna for a potential collaboration, in full: “Can you make sure that Madonna gets a copy of this, um, today, and um, see if you can talk to her and tell her that she can reach me at home or at Paisley Park after she hears it. Um, stress that I’d like to hear from her today so, um, that we can, um, put something together before I go back on the road. Um, actually just tell her I’d just like to hear from her today because I have to go back on the road. Thanks.”

Other highlights include messages from: Bruno Speight, lead guitarist for The SOS Band; Cat Glover, a backing vocalist, dancer, and choreographer for Prince; Omar Baker, Prince’s half-brother; tour manager Alan Leeds; singer and songwriter Tony LeMans; actress Saundra Santiago; valet Robbie Paster; publicist Robyn Riggs; and business manager Fred Moultrie. In fine condition. From the collection of Prince’s former assistant and accompanied by a letter of provenance. Starting Bid $300

Music | August 15, 2019 41

Amazing early Prince notebook, featuring handwritten lyrics for three unreleased songs plus a Grammy winner 9138. Prince’s Handwritten Lyrics and Sketch Notebook. Extraordinary

8.5 x 11 Citadel narrow-ruled notebook with 11 pages containing Prince’s handwriting (ranging from a couple words to complete pages, all single-sided), signed on the front cover in ballpoint using a playful pseudonym, “Percy Bagonia, Chicago, Poland.” The first page is a handwritten draft by Prince of lyrics for the apparently unreleased “All I Want (Just a Little Love),” beginning: “I don’t need no money / All it does is make you want more / I’d only go to some big city / And blow it all on some cheap whore! / Right now, I’m feelin’ kinda horny / Sugar, if you would… / I really want you to make love to me / I just bet you’re so good.”

Other handwritten lyrics by Prince inside the notebook include: a full page of lyrics for an unreleased song, “Just One Night With You,” humorously credited, “by Harriet Tubman”; a page of lyrics for “I Feel for You,” which first appeared on his 1979 self-titled album, here credited, “by Percy Bagonia” (the best-known version of this song was recorded by Chaka Khan in 1984, for which Prince, as a songwriter, won the 1985 Grammy Award for Best R&B Song); and a full page of lyrics for an untitled song with the theme of “Am I wrong for loving you,” complete with an elaborate sketch at the bottom and tiny drawings in the margins.

Other noteworthy pages include an incredible pencil sketch by Prince, showing a very unusual guitar–human mashup; a handwritten aphorism by Prince, “Words to fun by: ‘To tap or not to tap / That is the question / Whether ‘tis funkier on the three / than the one is to suffer the / slings and arrows of unsyncopated misfortune.’ Willyum Shakespere,” below, he writes out several of his pseudonyms: “Percy Bagonia,” “Dexter Cunningbowl,” “Alfred Horkelsby,” and “Seymou”; a page headed “Prince” with points on contracts (“If there are in fact two hit singles within the album, an additional $10,000 upon completion of the album will be paid,” and so on), signed at the bottom, “Thank you, Prince”; and a set list in pencil, most of the songs coming from his second studio album, released in 1979: “Let’s Rock, I Wanna Be Your Lover, Bambi, Why You Wanna Treat Me So Bad, When We’re Dancing Close and Slow, With You, Still Waiting, It’s Gonna Be Lonely, Sexy Dancer, Darling Marie.” On the back cover, Prince signs his name in ballpoint, “Prince,” and also writes “Patrice” and “Last Waltz.” The notebook also includes several sketches in another hand in red ink, and a break-up note to Prince signed “Nadia” (“Sometimes goodbye does mean forever. I know all along our relationship has been soft & wet…but there have just been too many rumors”). In very good to fine condition, with expected handling wear, and dampstaining to the right edge of each page. Notebook originates from a girlfriend of Prince (who is different from Nadia, the girlfriend who left a breakup note to Prince in the notebook). Starting Bid $5000

42 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9139. Prince’s Family Cassette Tapes. Uncommon grouping of a handwritten letter from Prince’s half-sister Sharon Blakley and four cassette tapes relating to Prince and his family. The ALS, signed “Sharon & Eleanor & John L.,” one page, 5.5 x 8.25, June 30, 1994, addressed to “Karen,” in part: “We miss you, Dad thanks you for remembering his Birthday. Best wishes to your mom from Dad. Hope you enjoy our new music.” Included is a cassette of the EP Father’s Song by John L., Prince’s father John L. Nelson, which the consignor notes was mailed with the letter. The other tapes are as follows: a Sony cassette tape with A side label marked “‘The Family’ & ‘The Purple Party Mix!,’” and the B side label marked, “Madhouse 26,” with insert marked “Prince” and listing contents to both sides; a TDK cassette tape with inner sleeve marked “John L. Nelson” and “Sounds of Minnesota”; and a TDK cassette tape with A side label marked “Moses Nelso,” and inner sleeve with typed track titles: ‘Chapter 15,’ ‘Daughter,’ ‘(Moses),’ ‘Joshus,’ ‘Manasseh,’ and ‘Ach’sah.’ In overall fine condition. From the collection of Prince’s former assistant and accompanied by a letter of provenance. Starting Bid $200

Used by Prince in the ‘Gold Experience’ era 9140. Prince’s Personally-Owned and -Used ‘The Gold Experience’ Microphone. Prince’s personally-

owned and -used Shure Beta 58 vocal microphone from his mid-1990s ‘The Gold Experience’ era, with the body painted gold and a grill to match. Includes a Superlux PRO-258 padded carrying case and plastic microphone holder. In very good to fine condition, with scuffing to the gold paint at the top and bottom of the body. Accompanied by a handwritten letter of provenance from Howie Hubberman, originally written for a pair of microphones, in part: “These (2) Shure Gold Beta 58 mics were owned and used by Prince, Rhonda Smith received these from Prince while she was playing bass for him. There were a total of (3). They were collected and were part of the estate of Gavin Menzies.” Menzies was a noted guitar tech and music industry insider. Rhonda Smith joined Prince’s band, The NPG, after a chance meeting with Shiela E. in 1996; she toured with Prince and played on his records for more than a decade. Starting Bid $500

Music | August 15, 2019 43

The Ramones

9141. Escape from New York Multi-Signed Tour Book.

Original tour book for the 1990 Escape from New York Tour of North America, 12 pages, 9 x 12, signed on the opening group image in black felt tip by 13 musicians from the tour, including: Joey, Johnny, Marky, CJ, and Tommy Ramone, Debbie Harry, Chris Stein, Chris Frantz, Mark Roule, Jerry Harrison, and Tina Weymouth, who also signs on the Tom Tom Club group page. The tour book is also signed inside by Joyce Bowden, who sang backup vocals for Harrison. In fine condition. Accompanied by a group of three used backstage passes for the tour, which are affixed to a magnetic photo album page. Starting Bid $200

9143. The Ramones. Rare semi-glossy 10 x 8 Sire Records

publicity group photo of The Ramones, signed in black felt tip

by Johnny, Dee Dee, and Joey Ramone, and Clem Burke, the latter two adding “87.” In fine condition. Burke joined The Ramones for two shows under the stage name Elvis Ramone following Richie Ramone’s sudden departure in late August of 1987. A desirable and uncommon lineup of the leather-clad punk rockers. Starting Bid $200

9142. Escape from New York Multi-Signed Tour Jacket. Highly desirable beige

flight jacket from the Escape from New York Tour, signed in black felt tip by 13 musicians from the tour, with the majority signing on the back, including: The Ramones—“My MVR, Joey Ramone, 1990,” “Marky Ramone,” “Johnny Ramone,” “CJ Ramone,” with stick figure sketch; Marky also signs and inscribes on the right chest, “Gene, Bless ya, Marky Ramone, 1990.”

Blondie—“Debbie Harry, ’90,” “Chris Stein,” who adds a sketch of “Minkie,” the tour mascot, and “Brother Ramone #5, Jimmy C. [Clark],” who adds a drum kit sketch. Tom Tom Club—“Chris Frantz,” “Tina Weymouth,” “Victoria Clamp,” with heart sketch, “Bruce Martin,” and “Mark Roule.” The right sleeve is signed by Jerry Harrison. An unknown hand has added “1990 Tour of U.S.A.” to back, and “1990 Summer Tour Ramones, Tom Tom Club, Debby Harry,” to inside collar, which bears an Avirex Ltd. label. The back of the cotton jacket, size large, features a large embroidered tour logo patch, showing the statue of liberty leering over large block lettering. The original Avirex brand tag remains attached to zipper. Also included are a pair of Chris Frantz signature Vic Firth drum sticks. In fine condition. Starting Bid $200

44 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Vintage Mosrite signed by the original Ramones bassist

9144. Dee Dee Ramone Signed Mosrite Bass Guitar. Vintage cream-bodied Mosrite Ventures electric bass guitar signed

upside down on the body in black felt tip by Dee Dee Ramone, with an artistic design of Ramone’s head with trademark shout of “1234!” painted below. Bass is missing original knobs, lifting to top pickup, and affixed labels to head and reverse of body.

In very good condition, with extensive wear from use including scuffing, chipping, and yellowing to portions of paint; the rough condition adds to the item’s overall ‘punk’ aesthetic. Accompanied by a hardshell carrying case.

After leaving the Ramones in 1989 to pursue a brief hip-hop career, founding member Douglas Colvin, aka Dee Dee Ramone, transitioned from bass to guitar and formed the Ramones tribute band The Ramainz with Marky Ramone, CJ Ramone, and his second wife Barbara Zampini, whom he married in 1997. Given his fervent departure from the instrument later in his career, basses signed by Dee Dee remain especially rare and highly coveted by collectors. Starting Bid $300

CJ Ramone’s Mosrite Mark–II Deluxe

9145. CJ Ramone’s Mosrite Guitar. Gorgeous white-bodied Mosrite Mark–II Deluxe electric guitar personally-owned by CJ Ramone, the bass-player for legendary punk band the Ramones, signed on the body in black felt tip. Reverse of headstock signed in black felt tip by Noriyuki Yusa, the owner of the Fillmore Company Limited. Included with the guitar: a beige fitted baseball cap with orange embroidered Ramones logo and presidential seal, signed on the brim in black felt tip

by CJ Ramone, who adds a face sketch; a large group of 50 black and white CJ Ramone guitar and bass picks, with one “Ramones” pick; three patches, three stickers, and one pin featuring the “CJ Ramone, American Punk” logo; five backstage and all-access passes issued to “CJ Ramone”; a pair of “Ramones” stickers; and an unopened CD for CJ Ramone’s debut solo album, Reconquista.

In fine condition. Accompanied by a Mosrite hardshell carrying case. Starting Bid $200

Music | August 15, 2019 45

9147. Richie Ramone Group of (3) Signed 45 RPM Records Starting Bid $200

9148. Joey Ramone Signed 1989 New York Concert Poster Starting Bid $200

9149. Marky Ramone Signed Drum Sticks Starting Bid $200

9150. Johnny Ramone Signed Guitar Pick Starting Bid $200

9151. The Ramones ‘Rocket to Russia’ Window Card Starting Bid $200

9152. Ramones 1977 Richmond Concert Ticket Starting Bid $200

9153. Ramones 1990 Japan Tour Book Starting Bid $200

9154. Ramones 1990 Spain Concert Poster Starting Bid $200

9155. Ramones 1991 Australian Tour Poster Starting Bid $200

9156. Ramones Collection of (26) Guitar Picks Starting Bid $200

9158. Ramones Ephemera Group Lot Starting Bid $200

9159. Ramones Group of (10) Albums Starting Bid $200

9146. Marky Ramone (4) Sets of Drum Sticks Starting Bid $200

9157. Ramones Collection of (33) Shirts Starting Bid $200

46 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9160. Ramones Group of (3) Backstage Passes Starting Bid $200

9161. Ramones Signed 1989 Australian Tour Poster Starting Bid $200

9162. Ramones Signed 1989 Glasgow Concert Poster Starting Bid $200

9163. Ramones Signed 1990 Belgian Tour Poster Starting Bid $200

9164. Ramones Signed 1990 Bizarre Festival Poster Starting Bid $200

9165. Ramones Signed 1990 London Concert Poster Starting Bid $200

9166. Ramones Signed 1990 Spain Concert Poster Starting Bid $200

9167. Ramones Signed 1990 Zurich Concert Poster Starting Bid $200

9168. Ramones Signed 1991 Australian Tour Poster Starting Bid $200

9169. Ramones Signed 1991 Spain Concert Poster Starting Bid $200

9170. Ramones Signed 1991 Spain Concert Poster Starting Bid $200

9171. Ramones Signed 1994 Spain Backstage Pass Starting Bid $200

9172. Ramones Signed Book Starting Bid $200

9173. Ramones Signed Box Set Starting Bid $200

9174. Ramones Signed CD Starting Bid $200

Music | August 15, 2019 47

9175. Ramones Signed CD Starting Bid $200

9176. Ramones Signed CD Starting Bid $200

9179. Ramones Signed CD Starting Bid $200

9180. Ramones Signed CD Starting Bid $200

9182. Ramones Signed Crash Cymbal Starting Bid $200

9183. Ramones Signed Drum Head Starting Bid $200

9177. Ramones Signed CD Starting Bid $200

9178. Ramones Signed CD Starting Bid $200

9181. Ramones Signed CD Starting Bid $200

9184. Ramones Signed Photograph Starting Bid $200

9186. Ramones Signed Photograph Starting Bid $200

48 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9185. Ramones Signed Photograph Starting Bid $200

9187. Ramones Signed Tower Records Pass Starting Bid $200

Popular music has undergone numerous transformations across the decades: the introduction of rock and roll to the youth of the 1950s influenced the festival culture of the 1960s; the arena rockers of the 1970s gave way to solo pop superstars in the 1980s; and the nascent grunge scene of the 1990s countered their glamorous predecessors.

Each era has helped to define popular culture in America and around the world.

1950s 9188. Elvis Presley Signed Photograph. Vintage glossy 3.5 x 5.5 deckle-edge postcard photo of Elvis Presley as he appeared in the 1958 musical drama King Creole, signed on the reverse in blue ballpoint by Presley, with another hand adding the date, “24.9.1959.” In fine condition, with a couple light surface creases and a trivial bit of surface loss to top edge of image side. Accompanied by modern copies of two candid photos of Elvis meeting fans in Bad Nauheim, Germany while stationed there with the US Army. Starting Bid $200

1960s 9191. The Doors 1968 Tour Program.

9189. Eric Clapton Signed ‘Layla’ Album. Layla and Other Assorted

Love Songs album signed on the front cover in blue felt tip by Clapton. In very good to fine condition, with a light ‘ring of wear’ to cover, some corner tip dings and creases (most noticeably to bottom left), and partial splits to edges. The records are included. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

Extremely rare original program for the Doors’ 1968 ‘Waiting for the Sun’ tour program, 24 pages, 8.75 x 11.5, with contents including printed lyrics and a wide variety of uncommon images of the band, many of which were rare and unseen at that time. Inner pages feature poetry and ads for The Doors’ first two records, as well as an excellent Acoustic Amplifiers ad. In fine condition, with general light handling wear with all pages intact. This program is exceedingly hard to find in such stellar condition, as most examples have been folded or have tears, creasing issues, or loose pages. The only official program ever made for a Doors concert tour. Starting Bid $200

Music | August 15, 2019 49

Rare 1967 signatures of The Doors, plus an exceedingly scarce handbill for their Cal Poly show 9192. The Doors Signatures and 1967 Handbill. Super

desirable vintage felt tip signatures, “Jim,” “Ray,” “John,” and “The Doors, Robby,” who adds the inscription, “to Janice,” on an off-white 9 x 6 sheet of notebook paper. Includes the extremely rare original 8.5 x 5.5 handbill for Doors concert held at California Polytechnic State University in San Luis Obispo, California, on October 27, 1967, at which these signatures were obtained.

In very good to fine condition, with light toning, and many pinsized holes (and some slightly larger tack-sized holes to the bottom of the sheet). Accompanied by a letter of provenance from original recipient, stating that she witnessed the signing of these autographs.

The autumn of 1967 was a defining period for The Doors. On September 17th, their memorable performance of ‘Light My Fire’ on The Ed Sullivan Show, highlighted by Jim Morrison’s defiant singing of the word ‘higher,’ much to the chagrin of network executives, further propelled the band’s notoriety and record sales.

A week after the Sullivan Show, The Doors released their second full-length record in Strange Days, an album that landed in the No. 3 spot in the Billboard charts a mere month after the quartet’s self-titled debut had reached No. 2. An extremely desirable set of early Doors autographs, paired with an equally coveted handbill for an early concert. Starting Bid $1000

Elusive backstage pass for the Monterey Pop Festival, belonging to a Rolling Stone co-founder 9193. Monterey Pop Festival Backstage Pass. Extremely rare original

3 x 2 backstage pass for the Monterey International Pop Music Festival held at the Monterey County Fairgrounds between June 16–18, 1967, with red ticket text reading, “Guest, Admission to: Hunt Club/Gate,” and typed caption issuing the pass to “Ralph Gleason, 154.” In fine condition. Backstage passes for the Monterey Pop Festival are virtually unobtainable, with this example representing only the third to have appeared on the market.

A seminal festival that kicked off the 1967 ‘Summer of Love,’ the Monterey Pop Festival is remembered for the first major American appearances by the Jimi Hendrix Experience, The Who, and Ravi Shankar, the first largescale public performance of Janis Joplin, and the introduction of Otis Redding to a white audience. Although the Beatles did not appear (despite rumors), they were supporters of the festival and recommended that the organizers include The Who and Jimi Hendrix Experience in the lineup. Hendrix would famously close out his set by lighting his guitar on fire, which is widely believed to be his method of upstaging The Who; the two acts, well aware of each other’s intimidating and crowd-stealing stage shows from their time in England together, flipped a coin to determine who would play first, with The Who ultimately losing the gamble. Accompanied by a letter of authenticity from Jeff Gold of Recordmecca, which reads, in part: “This pass came from the archive of the late Ralph J. Gleason, co-founder of Rolling Stone magazine, and arguably the most influential music critic ever. Gleason joined the San Francisco Chronicle in the 1950’s, as the first full time music critic at a daily newspaper, and was instrumental in lending important early support to artists as varied as John Coltrane, Hank Williams, and Bob Dylan. Gleason also played a critical role in putting together the Monterey Pop Festival…There were at least three different kinds of backstage passes for Monterey Pop; Guest Passes such as this one, and passes for Artists and the Press.” Starting Bid $200

50 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9196. Rolling Stones: Brian Jones Autograph Letter Signed. ALS

9194. Monterey Pop Festival Ticket and Card. Two items: an original unused ticket for the third and final day of the 1967 Monterey International Pop Music Festival, 3.75 x 1.25, June 18, 1967, ticket No. 148; and one bifold business card, measures 3.5 x 4 unfolded, featuring the festival’s logo on the front and production supervisor Alan Pariser’s contact information on the inside. The ticket is housed in a plastic display case. In overall fine condition. Starting Bid $200

Full set of the Stones, with Jagger amending his ‘X’ marks 9195.

R o l l i n g Stones 1965 Signatures.

Vintage ballpoint signatures, “Mick Jagger, X–Not, Cross Out,” “Keith Richard,” “Brian Jones,” “Bill Wyman,” and “The Rolling Stones, Love, Charlie Boy,” on five individual 5 x 3 sheets.

In overall fine to very fine condition. Accompanied by a letter of provenance from the brother of the original recipient, which reads, in part: “My brother Paul Scudamore obtained the Rolling Stones autographs when he was a young freelance pop journalist writing under the pseudonym of Mike Adams.

He was also a Junior Reporter on the Llanelli Star weekly newspaper which meant he had a Press Card which gave him access to the backstage of many theatre concerts. He interviewed The Rolling Stones on the 28 September 1965 at the Capitol Theatre in Cardiff (and had his article published in the Record Mirror shortly afterwards…[The article is included]…Paul got two sets of autographs and gave one to me. Paul explained the reason Mick Jagger had added ‘X–Not. Cross Out’ below his signature was because he had assumed it was for a girl!” Starting Bid $200

signed “Brian Jones, xxxx,” one page, 5.5 x 7, July 1964. Letter to Elizabeth Parker, in full: “Thank you for your letter. I can’t send you a photo, as I don’t have any, but if you write to Annebelle Smith at Radnor House, and enclose a 3/- p.o., you can have one.” In very good to fine condition, with overall creasing and intersecting folds. Accompanied by a full letter of authenticity from REAL and by the original mailing envelope.

Starting Bid $200

1970s 9197. David Bowie.

Color glossy 10 x 8 photo of Bowie as Jareth the Goblin King in the 1986 film Labyrinth, signed in blue ink. In fine condition.

Starting Bid $200

9198.

David Bowie 1973 Signature. Rare

ballpoint signature and inscription, “For Linda, lots a love, David Bowie, x,” on a pink 5 x 3 card, which is signed on the reverse by Slade singer Noddy Holder. In very fine condition. Consignor notes that this signature was obtained on May 18, 1973, at The Green’s Playhouse in Glasgow, Scotland; the original recipient was the daughter of a police officer who patrolled the district where Green’s was located.

This beautiful autograph derives from Bowie’s final tour as his Ziggy Stardust persona, examples of which are quite scarce, especially those in such stellar condition. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $200

Music | August 15, 2019 51

9199. David Bowie Signed Poster. Original double-sided

color 19.75 x 28.5 poster, one side showing Bowie as Ziggy Stardust at full-length and the other featuring the Aladdin Sane album cover image, signed and inscribed on the Ziggy Stardust side in green felt tip, “For John, My thanx, David Bowie.” The other side has been signed and inscribed in purple ink by an unknown “Doody.” In very good condition, with overall creasing, and multiple horizontal folds. A fantastic oversized format signed by a music legend. Starting Bid $200

9200. The Eagles: Glenn Frey, Don Henley, and Linda Ronstadt Fillmore East Program. Fillmore East program

for a pair of Linda Ronstadt concerts on May 7–8, 1971, eight pages, 5.5 x 8.5, with shows also promoting performances

by Poco and Manhattan Transfer. Rondstadt’s band featured future Eagles members Glenn Frey and Don Henley, and ironically Poco featured future Eagles bassist Timothy B. Schmit. The program features short bios and photos of the bands, as well as a few classic ads from the period. In fine condition, with a light central vertical fold. Starting Bid $200

9202. The Eagles Signed Guitar.

Handsome Epiphone acoustic guitar with a natural wood-finish, signed on the body in black felt tip, “Joe Walsh” and “Hotel California, Randy Meisner, Eagles,” in dark blue paint pen, “Don Henley,” and in blue paint pen, “Glenn Frey,” and on the black pickguard in purple paint pen, “Don Felder.” In fine condition. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $300

52 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Extremely rare handwritten ‘top ten’ list from Ronnie Van Zant—“They represent the ten most influential songs in my music career” 9204. Lynyrd Skynyrd: Ronnie Van Zant Handwritten ‘Top Ten’ Song List. One-of-

a-kind handwritten “Lynyrd Skynyrd All Time Top Ten” list by Ronnie Van Zant, written in bold pencil on an off-white 8.5 x 14 sheet of Lynyrd Skynyrd stationery during an interview with acclaimed rock journalist Michael Gray on November 15, 1974.

Van Zant adds the header, signs below, “Ronnie Van-Zant,” and then runs down a list of his 10 favorite songs, which reads as follows:

“1. Dock of the Bay—Otis Redding / 2. Satisfaction—Rolling Stones / 3. Yesterday—The Beatles / 4. What’d I Say—Ray Charles / 5. If We Make It Through December—Merle Haggard / 6. Can’t Explain—The Who / 7. Big Boss Man—Jimmy Reed / 8. Respect—Aretha Franklin / 9. Will the Circle Be Unbroken—Traditional / 10. Light My Fire—Doors.”

Van Zant adds a brief handwritten note to the lower right, signing with his initials: “Please note: These are not in any order of preference.

The[y] represent the ten most influential songs in my music career. RVZ.” This ‘top ten’ list, as well as Van Zant’s handwritten comments, were later published in the February 1975 issue of Let It Rock magazine. In fine condition, with light overall toning, a central horizontal fold, and a strip of masking tape along the top back edge.

Accompanied by the original February 1975 issue of Let It Rock magazine, as well as a program from Lynyrd Skynyrd’s 1974 European Tour.

In November 1974, Lynyrd Skynyrd arrived in Scotland for their first European tour, supporting Dutch rockers Golden Earring. A UK-based music magazine, ‘Let it Rock,’ wanted to write a feature about the band and dispatched Gray to report on their first two concert dates—Glasgow and Edinburgh. As part of his article, Gray asked each band member to write down their ‘top ten’ songs, hoping to gather a sense of the music and artists that influenced them and informed their musical style. Gray assembled lists from all seven members of Lynyrd Skynyrd on November 15, 1974, prior to the band’s show at Edinburgh’s Odeon Theatre as part of their Nuthin’ Fancy Tour. Van Zant remains rare and highly sought-after across all signed formats, with this handwritten ‘top ten’ list far and away the most substantial and significant example of Van Zant’s handwriting that we have offered for auction. A remarkable rock and roll keepsake detailing the songs that shaped the short musical career of a rock legend. Starting Bid $1000

Music | August 15, 2019 53

9205. Bob Marley Signed ‘Survival’ Poster. Amazing original color 24 x 39 poster promoting the Island Records release of Bob Marley and the Wailer’s 1979 album Survival, showing a large image of Marley and a numbered outline of the African continent to lower right, with flags and informational text for the corresponding 53 African countries bordering and below the main image, signed and inscribed in blue felt tip, “Janet, One Love, One Heart, Bob Marley.” Rolled and in very good condition, with light overall creasing, and heavier creasing, tears, and staple holes to the edges, which could be effectively matted out. A remarkable display piece commemorating Marley and the Wailers’ powerful Survival record, an album that enjoyed only moderate chart success, peaking at No. 20 in the UK and at No. 70 in the US, but stands today as a testament to the strength of Marley’s convictions and an enduring meditation on struggle and political injustice. Starting Bid $1000

“Rasta Live, Bob Marley” 9206. Bob Marley Signed Photograph. Highly appealing color 8.25 x 11 German magazine photo of Marley performing on stage, signed and inscribed in black felt tip, “To Rudiger, Rasta Live, Bob Marley.”

In fine condition. An exceptional image that captures the mood and passion of a Marley concert—signed images of Marley performing on stage are among the most sought-after examples. Starting Bid $300

54 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

“This was my green thing, Rick Nielsen”—knitted sweater worn by the Cheap Trick guitarist 9207. Rick Nielsen’s Cheap Trick Sweater. Green-and-white knitted V-neck

sweater personally-owned and -worn by Cheap Trick guitarist Rick Nielsen. The sweater, no size but likely large, features two lower front pockets, with sleeves and front and back sections featuring several Cheap Trick logos and music symbols; collar area bears a Sally’s Own label. Included with the sweater is a handwritten letter of authenticity from Nielsen on Cheap Trick stationery, which reads, in full: “11–15–84, Yeah–yeah–yeah, This was my green thing, Rick Nielsen,” who adds a small self-portrait sketch. In fine condition, with expected wear from use, including a small hole to back right shoulder. An appealing and festive sweater owned and worn by the eclectic Nielsen—a must-have for the discerning Cheap Trick disciple. Starting Bid $200

9208. Tom Petty and the Heartbreakers Signed Album.

Official Live ‘Leg promotional album by Tom Petty and the Heartbreakers, signed on the back cover in black ballpoint by Petty, Mike Campbell, Benmont Tench, Stan Lynch, and Ron Blair, who adds “I love mah band.” Upper right corner of back cover is numbered “128.” In fine condition, with light scuffing.

The record is included. Starting Bid $200

Gorgeous quilted Les Paul signed by Waters, Wright, Mason, and Gilmour 9209. Pink Floyd Signed Guitar. Eye-catching Epiphone

Les Paul Classic electric guitar with a handsome quilted bourbon finish, signed on the body in felt tip by Rick Wright, Nick Mason, and Roger Waters, and on the mother-of-pearl pickguard in felt tip by David Gilmour. In fine condition, with partial fading to the Gilmour signature. A beautiful instrument signed by the legendary rock band. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $300

Music | August 15, 2019 55

Master tapes for Pink Floyd’s seminal The Dark Side of the Moon, discovered from the archives of Electric Lady Studios 9210. Pink Floyd ‘Dark Side of the Moon’ Master Reel Tapes.

AAstounding pair of duplicate analog reel-to-reel 2-track and multi-track Dolby encoded master tapes for Pink Floyd’s seminal eighth studio album, The Dark Side of the Moon. The album is contained on 10.5˝ tape reels repacked in their original 11 x 11 Ampex boxes with affixed labels from Electric Lady Studios, a recording studio in Greenwich Village, New York City, built by Jimi Hendrix and used by numerous notable artists. This studio was purchased from the Hendrix estate in the late 1970s, and these tapes were discovered among the archives during a studio cleanout in 2006.

The labels to each box are annotated in black ballpoint with their corresponding track list. The first 2-track box is identified as ‘Reel 1,’ dated “7-31-74,” and reads: “Pink Floyd, ‘Dark Side of the Moon,’ Tones—1K–10K–40hz–Dolby, TL, Side 1, Speak to Me, Breathe, On the Run, Time, Great Gig in the Sky.” Another hand has added a sixth track in black felt tip, “Dropouts Are Free,” with box spine marked: “7/31/74, Dark Side of the Moon, Pink Floyd, 1/2.” The multi-track second box, with label marked as ‘Reel 2,’ reads as follows: “Pink Floyd, Side 2, Money, Us & Them, Any Colour You Like, Brain Damage, Eclipse.” Like the first box, a sixth track has been added in black felt tip, “No Blo, No Sho!” The box spine is similarly marked: “7/31/74, Dark Side of the Moon, Pink Floyd, 2/2.” The tracks in felt tip, ‘Dropouts Are Free’ and ‘No Blo, No Sho!,’ are not found on the tapes and are presumed joke tracks listed by an engineer. In overall fine condition, with wear to the original boxes.

Accompanied by a letter of provenance from former Electric Lady Studios owner Richard Flanzer, in part: “Alan Selby and partner Richard Flanzer purchased the studio from the Hendrix estate in the late 1970’s. They successfully managed this studio through various musical transitions for the next 3 decades.” Between May 1972 and January 1973, Pink Floyd’s Dark Side of the Moon album was recorded at Abbey Road Studios in two sessions, with the album released shortly thereafter on March 1, 1973. The dates on both boxes indicate that these master tapes were delivered to Electric Lady Studios prior to July 31, 1974. “In 2006, while cleaning out the studio prior to its eventual sale, the Dark Side of the Moon Master Tapes were discovered by my partner and I. There is a 10-minute video showing expert Mastering Engineer Scott Hull of Masterdisk who examined and repacked this analog 2 track and multi-track reel. Through this process he verified the album is still on the tapes. Based on our observations we believe these to be vintage duplicate master tapes of Pink Floyd’s ‘Dark Side of the Moon.’” To our knowledge, these are the earliest recordings of Pink Floyd’s Dark Side of the Moon in private hands or ever offered at auction.

The referenced video can be viewed at www.RRAuction.com. Starting Bid $300

9211. Pink Floyd: Mason and Waters Signed Album. Ummagumma album

by Pink Floyd, signed on the front cover in gold ink by Roger Waters and in black felt tip by Nick Mason. In very good to fine condition, with scuffing and edge wear and a PSA/DNA label affixed to lower right corner. The record is not included.

Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

56 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Queen’s landmark A Night at the Opera, signed by the entire group 9212. Queen Signed Album. Ultra rare and highly coveted A Night at the Opera album by Queen, signed and inscribed on the front cover in green felt tip, “To Barbara, Freddie Mercury,” and in black felt tip, “John Deacon,” “Brian May,” and “Roger Taylor.”

In fine condition, with light edge toning, and some light wear to the spine. The record is included. A brilliant fully signed and well-spaced example of this hugely popular record, which last year was inducted into the Grammy Hall of Fame. Consignor notes that the signatures were obtained at a very rare Queen in-store appearance and signing of their newly released A Night At The Opera record at the Strawberries Record store in Boston Massachusetts, on January the 28, 1976; a photo of the band at the Strawberries in-store signing is included. Accompanied by a full letter of authenticity from PSA/ DNA. Starting Bid $200

“Let it Rock! Bruce Springsteen” 9213. Bruce Springsteen Signed Guitar. Handsome cream-bodied Fender Squier Stratocaster electric guitar, prominently signed on the body in black felt tip, “Let it Rock!

Bruce Springsteen.” In fine condition, with pen trouble rendering a few letters somewhat light, and a few scuffs and dings to the guitar (which lacks one of its strap buttons).

Accompanied by a full letter of authenticity from REAL, stating that it was signed in 1986. The consignor notes that Springsteen signed this for a record store in his native New Jersey, and that he may have even played a song on it. A desirable display piece boasting a huge autograph from ‘The Boss.’ Starting Bid $200

1980s 9214. Michael Jackson Signed Album. Thriller

album signed prominently on the front cover in blue felt tip, “Love, Michael Jackson.” In fine condition, with partial separation to the bottom edge. The record is included.

Released in 1982, Thriller is widely considered one of the greatest and most influential pop albums of all time. Starting Bid $200

9215. Michael Jackson Signed Photograph. Color glossy 7 x 5 photo of Michael Jackson on stage during the Dangerous World Tour, signed and inscribed in black felt tip, “To Meg, Love Michael Jackson, London, 2006.” In very fine condition. Starting Bid $200

Music | August 15, 2019 57

9216. Michael Jackson Signed Mastering Sheet.

Uncommon 11 x 17 copy of a Westlake Studios mixing/ mastering sheet for the production of Michael Jackson’s seventh studio album Bad, signed in the lower border in blue ballpoint by Jackson.

The sheet, identified as “Reel Number M-5BB,” consists of 32 tracking spots with upper portion reading: “Artist: Michael Jackson—Mix Master—, Title: Bad—Newest Edit Version, Client: Epic Records, Date: 7-3-87, Engineer: Bruce Swedien.” Rolled and in very good to fine condition, with some creasing and soiling, and a repaired tear to the lower right corner. Starting Bid $200

9217. U2. Semi-

glossy 8 x 10 paperstock publicity photo of U2, signed in black felt tip, “Edge” and “Bono 97,” in blue ink, “Larry,” and in green felt tip, “Adam Clayton.” In very fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

9219. U2 Signed Album. Boy album (1980,

Vinyl LP, CBS Records, CBS84658) signed on the reverse in felt tip and ballpoint by the whole band: “Bono, 82,” “Adam,” “Larry” (twice, adding an inscription “To Aiden”), and “Edge.” In very good to fine condition, with some light creasing, and light wear along the open edge. The record is included. A highly sought-after example of U2’s debut album, boasting a vintage cast of early ‘80s signatures that stand out against the white album cover. Starting Bid $200

9220. U2 Signed Poster.

Outstanding original color 23.25 x 35.25 Polygram/Island Records promotional poster for U2’s ninth studio album, Pop, signed in red felt tip by Bono (“Bono, 97,” with a heart sketch) and Larry Mullen, Jr. (“Larry”), and in black felt tip

by Edge (“Edge”) and Adam Clayton (“Adam Clayton”).

Matted and framed to an overall size of 28 x 40, with an engraved Island Records plaque at the bottom, reading: “Presented to Slacker, KYYS Radio, U2, Signed May 19th, 1997 in Kansas City, Bono, The Edge, Adam Clayton, Larry Mullen Jr.” In fine condition.

A highly desirable poster boasting huge signatures from the legendary Irish rockers. Starting Bid $200

1990s

9218. U2 Signed 45 RPM Record.

Island Records 45 RPM for the U2 EP ‘New Year’s Day / Treasure (Whatever Happened to Pete the Chop),’ signed on the front cover in black ballpoint, “Edge,” in black ink, “Bono,” and in blue ballpoint, “Adam” and “Clayton.” In fine condition, with light brushing to Bono’s signature. The record is not included. Starting Bid $200

9221. Pearl Jam Signed Photograph. Desirable

color satin-finish 10 x 8 photo of Pearl Jam, signed in various inks

by Eddie Vedder, Mike McCready, Stone Gossard, Jeff Ament, and Matt Cameron. In fine condition. Starting Bid $200

58 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9222. The Kinks: Ray Davies Signed Photograph Starting Bid $200

9225. Aerosmith Signed Album Starting Bid $200

9228. David Bowie Signed Photograph Starting Bid $200

9223. Rolling Stones 1976 European Tour Poster Starting Bid $200

9224. Rolling Stones: Mick Jagger Signed Card Starting Bid $200

9226. America Signed Guitar Starting Bid $200

9229. Eric Clapton Signed Sketch Starting Bid $200

9232. Lita Ford Collection of (4) Demo Tapes Starting Bid $200

9227. Tommy Bolin Pair of Signed Checks Starting Bid $200

9230. The Damned Signed Poster Starting Bid $200

9231. The Eagles: Glenn Frey Starting Bid $200

9233. Marvin Gaye Document Signed Starting Bid $200

9234. Heart ‘Bad Animals’ Rough Mix Cassette Tape Starting Bid $200

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9235. Heart 1981 Live Sound Board Cassette Tape Starting Bid $200

9236. Heart Demo Cassette Tape Starting Bid $200

9238. Heart Live 1987 Sound Board Cassette Tape Starting Bid $200

9240. Elton John Signed Photo Starting Bid $200

9241. KISS Signed CD Inserts Starting Bid $200

9244. Moody Blues Document Signed Starting Bid $200

9245. Pink Floyd: Gilmour and Mason Signed Album Starting Bid $200

9237. Heart Home Studio Demo Cassette Tape Starting Bid $200

9239. Elton John Signed Document Starting Bid $200

9243. Steve Marriott Signed Check Starting Bid $200

9246. Diana Ross Signed Photograph Starting Bid $200

60 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9247. Siouxsie and the Banshees Signed Poster Starting Bid $200

9248. Van Halen 1976 Demo Cassette Tape Starting Bid $200

9252. INXS Signed Poster Starting Bid $200

9249. Eddie Van Halen 1979 Live Cassette Tape Starting Bid $200

9250. Van Halen Demo Cassette Tape Starting Bid $200

9253. INXS: Michael Hutchence Signed Album Starting Bid $200

9251. Def Leppard Demo Cassette Tape Starting Bid $200

9254. INXS: Michael Hutchence Signed Album Starting Bid $200

9255. New Order Signed Lithograph Starting Bid $200

9256. Whitesnake Signed Album Starting Bid $200

9257. Christina Aguilera Signed Photograph Starting Bid $200

9258. Cher Setlist Tape for 1991 Tour Starting Bid $200

9259. Matchbox 20 Signed Photograph Starting Bid $200

9260. Pantera Signed CD Starting Bid $200

9261. Pantera Signed Photograph Starting Bid $200

9262. Rihanna Signed Photograph Starting Bid $200

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Musician Wardrobe 9263. Aerosmith: Steven Tyler’s Photo Shoot-Worn Devil Collar. Steven Tyler’s personally-worn devil collar from a photo shoot with Terry Richardson that appeared in the February 1997 issue of The Face. Made by World Domination NYC, the metallic red leather collar features a lace-up front, black suede lining, and devilish points for the lapels and neck. The black leather “World Domination NYC” tag is sewn on the back. In fine condition.

Accompanied by a letter of provenance from World Domination NYC owner/designer Carla Dawn Behrle, in part: “This collar was made by my original company, World Domination NYC, for a photo shoot featuring Steven Tyler that appeared in the February 1997 issue of ‘The Face.’ This is the actual collar that was worn by Steven Tyler. It was the only one that was ever made in this red metallic leather.” Also includes a photocopy of the page from The Face showing Tyler wearing this collar. Starting Bid $200

As seen in Beyonce’s shoot for Giant magazine 9264. Beyonce’s Personally-Worn Giant Magazine Photo Shoot Boots. Beyonce’s

personally-worn pair of tall Gianna Meliani highheeled leather boots with platform soles from a photo shoot for Giant magazine. Made in Italy, the tall black leather boots have three-quarter-length zippers on the inner calves and are marked on the insoles, “Gianna Meliani / Made in Italy,” and annotated on the edges of the lining, “PRB.” In fine condition, with scuffs and marks to the platform soles from use. Accompanied by a certificate of authenticity from L.A. Archives, in part: “These boots were worn by Beyonce in her Giant magazine photoshoot. These boots are heavily worn. They come directly from the style house that we work with that rented them out for the photoshoot to Beyonce.” Starting Bid $300

62 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9265. Beyonce’s Screen-Worn Pearl Bracelet from ‘Haunted’ Music Video. Beyonce’s screen-worn pearl-clad

leather cuff from her ‘Haunted’ music video, released in December 2013. The elaborate lace-up leather cuff features many strands of faux pearls with occasional dangling clear rhinestone gems.

In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “This pearl cuff bracelet was worn

by Beyonce in her ‘Haunted’ music video. This pearl cuff comes directly from the designer who lent the cuff for Beyonce to use in the music video.” Starting Bid $300

9266. Camilla Cabello’s Screen-Worn ‘Crying in the Club’ Shoes. Camilla Cabello’s

screen-worn pair of Gianvito Rossi stiletto highheeled four-strap sandals from her ‘Crying in the Club’ music video, released in March 2017; she is seen wearing these heels while dancing inside of a large glass case that shatters toward the end of the video. Made in Italy, the elegant high heels are size 36.5, and are stamped “Gianvito Rossi” on the leather insoles and soles. Includes the original drawstring Gianvito Rossi bag. In fine condition, with a size label to one insole. The consignor notes that these were purchased from Hollywood shoe rental guru Montana Rader, who is known for supplying designer footwear and accessories to the entertainment industry. ‘Crying in the Club’ was Cabello’s debut solo single, followed shortly thereafter by the chart-topping ‘Havana.’ Starting Bid $200

Music | August 15, 2019 63

9 2 67.

Cher’s Personally-Worn Bl a c k C a t S u i t .

Cher’s personally-worn black fishnet cat suit from the 1990s, returned to the designer as a gift and thank-you.

The one-piece bodysuit has padded black fabric breasts with velvet trim, four wide black shoulder straps, and a simple fishnet material for the body and legs.

The “Van Buren” label is sewn into the back. In fine condition. Starting Bid $200

9268.

Cher’s Pe r s o n a l l y-Wo r n Black Fishnet Dress Bodysuit. Cher ’s

personally-worn black fishnet dress bodysuit from the 1990s, returned to the designer as a gift and thank-you. The one-piece bodysuit has clear vinyl inserts in the breasts with velvet cross overlays, skintone nylons with velvet straps on the thighs, and a matching black fishnet material for the rest of the legs. The piece lacks any interior tags or markings.

In fine condition. Starting Bid $200

9269. Miley Cyrus’s PersonallyWorn Red Carpet Charity Event Daisy Hoop Earrings. Miley Cyrus’s

personally-worn large daisy hoop earrings from the ‘Hilarity for Charity’ red carpet event on October 17, 2015; she was filmed and photographed wearing these ostentatious earrings paired with a large flower costume. The hoop earrings measure 3˝ in diameter, and feature plastic daisies interspersed with clear rhinestone gems. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “These daisy earrings were worn by Miley Cyrus on the carpet for Hilarity for Charity on October 17th, 2015. The earrings came direct from the designer.” Starting Bid $200

64 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9270. Miley Cyrus’s Screen-Worn Flower Corset from The Voice. Miley Cyrus’s screen-worn white-and-pink tie-

dye corset from the NBC television series The Voice, worn by the star singer on six episodes. Designed by Rachel Long, the corset features green-and-pink flowers lining the padded bust, with thin adjustable straps at the top and bottom. The piece lacks any interior tags or markings. In fine condition.

Accompanied by a handwritten letter of authenticity from designer Rachel Long, in full: “This corset was worn by Ms. Miley Cyrus on 6 episodes of NBC’s The Voice (made by me!).” Starting Bid $200

9271. Miley Cyrus’s Screen-Worn Rainbow Top from The Voice. Miley Cyrus’s

screen-worn rainbow tie-dye top from the NBC television series The Voice, worn by the star singer on an episode of the show in 2016. Designed

by Rachel Long, the sheer long-sleeved shirt has a loosefitting mock turtleneck, wide sleeves, and slim body. The piece lacks any interior tags or markings. In fine condition. Accompanied by a handwritten letter of authenticity from designer Rachel Long, in full: “This is a top Miley Cyrus wore on The Voice in 2016.”

Starting Bid $200

9272. En Vogue Photoshoot Bra Top. Cindy Herron’s

screen-worn bra top from En Vogue’s ‘Rocket’ music video, released on January 22, 2018. The brown bra is elaborately embellished with feathery peacock trim details and bejeweled with rhinestone jewels, as well as square brass accents on the straps. In the video, the group is seen performing the song in a digitally-altered Mojave Desert, their wardrobe capturing the theme of ‘futuristic meets sexy.’ The song peaked at number eight on Billboard’s Adult R&B Songs chart, becoming En Vogue’s first top 10 hit in twenty years. In fine condition.

Starting Bid $200

9273. Lita Ford’s Personally-Worn Vintage Flower Boots. Lita Ford’s personally-owned and -worn pair of vintage tall lace-up brown suede boots with intricate embroidered floral designs on the sides, each signed on the sole in black felt tip by the rock guitarist, “Lita Ford, X.” The handsome high-heeled cowboy boots are laced through metal studs along the front.

In fine condition.

Accompanied by a Backstage Auctions certificate of authenticity signed in ballpoint by Lita Ford, describing these as “1971 Brown Suede Lace-Up Boots” from her personal collection. Starting Bid $200

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9274. Ariana Grande’s Personally-Worn Choker Necklace. Ariana Grande’s personally-worn choker necklace from the promotion of her third studio album, Dangerous Woman, released in 2016. Designed by Mary Collins, the choker features three brass panels with hand-set clear rhinestones, linked by pairs of matching stones with a ringlet chain in the back. In fine condition. Accompanied by a certificate of authenticity signed by Collins, in part: “This certificate certifies that Mary Collins Owner of Vauje designed and created the choker as shown. This choker is the original choker worn by Ariana Grande. This is not a duplicate or a reproduction. This is the original piece.” Also includes laminated images of Grande wearing the choker paired with a Dangerous Woman t-shirt. Starting Bid $200

9275. Kesha’s PersonallyWorn 2010 American Music Awards Dress. Kesha’s personal-

ly-worn dress from the 38th Annual American Music Awards, held at the Nokia Theatre L.A. Live in Los Angeles on November 21, 2010.

Made by Ella Zahlan, the outlandish pinkish beige gown is decorated with dazzling beads and sequins, spiky shoulders, a short front, and a long train in the back. The “Ella Zahlan / Haute Couture” label is sewn inside. In very good to fine condition, with general wear and some loose stitching. Accompanied by a certificate of authenticity from L.A. Archives, in part: “This dress was worn by Kesha to the American Music Awards in 2010. The dress came direct from the style house we work with.” At the 2010 AMAs, Kesha was nominated for ‘Artist of the Year,’ ‘T-Mobile Breakthrough Artist,’ and ‘Favorite Pop/Rock Female Artist,’ losing out on the awards to Justin Bieber and Lady Gaga. She also performed a medley of her popular hits ‘Take It Off’ and ‘We R Who We R,’ wearing a different outfit. Starting Bid $200

66 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9276. Courtney Love Personally-Worn Robe.

Courtney Love’s personallyworn Nordstrom pink silk peignoir robe, likely stage-worn during performances with Sugar Babylon and other San Francisco bands in the mid1980s, featuring pink lace trim on the front and cuffs of the three-quarter-length sleeves, and an inherent matching waistbelt. The Nordstrom tag is sewn into the back. In fine condition. The consignor notes that this was acquired directly from her father, George (Hank) Harrison; Courtney Love abandoned the garment at his home. Starting Bid $200

9278. Courtney Love’s Stage-Worn Pink Slip. Courtney Love’s stage-worn Victoria’s Secret pink silk baby doll slip from performances with Sugar Babylon and other San Francisco bands in the mid-1980s, featuring a pink lace trim, thin shoulder straps, and a short slit to the hemline, decorated with a tiny pink ribbon bow. The pink Victoria’s Secret tag is sewn into the back. In fine condition. Accompanied by a certificate of authenticity signed by her father, George (Hank) Harrison, in part: “This garment was purchased between 1982 and 1983 in San Francisco by Courtney Michelle Harrison aka Courtney Love and displays the Victoria’s Secret label. The garment was worn by Courtney Love in performance with Sugar Babylon and various bands in San Francisco before the star changed her name to Courtney Love and before she founded her own group HOLE. The star abandoned the garment at her father: George (Hank) Harrison’s home.” Starting Bid $200

9277. Courtney Love’s Stage-Worn Black Slip. Courtney

Love’s stage-worn Victoria’s Secret black silk baby doll slip from performances with Sugar Babylon and other San Francisco bands in the mid-1980s, featuring a black lace chest and back, thin shoulder straps, and scalloped hemline. The pink Victoria’s Secret tag is sewn into the back. In fine condition.

Accompanied by a certificate of authenticity signed by her father, George (Hank) Harrison, in part: “This garment was purchased in 1983 in San Francisco by Courtney Michelle Harrison aka Courtney Love and displays the Victoria’s Secret label. The garment was worn by Courtney Love in performance with Sugar Babylon and various bands in San Francisco before the star changed her name to Courtney Love and before she founded her own group HOLE. The star abandoned the garment at her father: George (Hank) Harrison’s home.” Starting Bid $200

9279. Nicki Minaj’s Personally-Worn Rainbow Bracelet. Nicki Minaj’s personally-worn rainbow bracelet from the Cash Money Records release party for Lil Wayne’s album Tha Carter IV on August 28, 2011, held at Boulevard3 in Los Angeles. The vibrant, yet simply styled, bracelet features multicolored, trapezoidal wooden blocks on a thin dual elastic band. In fine condition. Starting Bid $200

Music | August 15, 2019 67

Worn on stage in Boston for her ‘California Gurls’ finale 9280. Katy Perry’s Stage-Worn California Dreams Tour Boston Bruins Jersey. Katy Perry’s stage-worn Boston Bruins Cam Neely hockey jersey from her show at the TD Garden in Boston on June 18, 2011, during her international California Dreams Tour. The official CCM ‘Heroes of Hockey’ jersey, size medium, features the Bruins logo on the front, Neely’s name across the shoulders, an “A” signifying his role as alternate captain on the chest, and his number “8” on the sleeves and back. In fan videos of the concert posted online, Perry is seen wearing this jersey at the beginning of her ‘California Gurls’ encore to conclude the show; after the first few lines, she removes the jersey and tosses it into the screaming crowd. In fine condition. Accompanied by a certificate of authenticity stating that the jersey was “directly acquired from the individual who received it at the concert.” Starting Bid $200

9281. Prince: Sheila E .’ s Personally-Worn and Signed Tan Bebe Shoes. Shei-

la E.’s personallyowned and -worn tan Bebe highheeled platform shoes, signed on the bottom of the left foot’s golden sole in black felt tip by the famous Princepromoted musician.

In very good to fine condition, with expected wear from use. Accompanied by a certificate of authenticity from L.A. Archives, in part: “These tan BEBE shoes were worn and owned by Sheila E. They were sold at Sheila’s garage sale held at her house in California. They are signed on the bottom on the shoe to confirm they were actually hers.” Starting Bid $200

9282. Prince: Sheila E.’s Pers o n a l l y - Wo r n and Signed White Bebe Shoes. Shei-

la E.’s personallyowned and -worn white Bebe highheeled platform shoes, signed on the bottom of the left foot’s silver sole in black felt tip by the famous Princepromoted musician.

In very good to fine condition, with expected wear from use. Accompanied by a certificate of authenticity from L.A. Archives, in part: “These white BEBE shoes were worn and owned by Sheila E. They were sold at Sheila’s garage sale held at her house in California. They are signed on the bottom on the shoe to confirm they were actually hers.” Starting Bid $200

68 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9283. Bebe Rexha’s Personally-Worn Esprit for Opening Ceremony Launch Party Red Chinese Dress. Bebe

Rexha’s personally-worn red silk Chinese dress from the Esprit for Opening Ceremony launch party in New York City on September 11, 2016. The short, tight red dress is embroidered with a goldand-red floral pattern dotted with rhinestones, padded breasts with diamond-like rhinestone trim, and two thin black straps. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “This red dress was worn by Bebe Rexha for the Esprit for Opening Ceremony. It comes directly from the style house that rented it out to Bebe Rexha.” Starting Bid $200

9284. Bebe Rexha’s Personally-Worn Pink Top and Pants. Bebe

Rexha’s personally-worn pink outfit, consisting of a halter top and long shorts made by Ashton Michael: the halter-style top features a pink leather panel in the center with a black ring below, and three adjustable straps on the back; the long, baggy shorts have panels with big pouch pockets on the sides, two adjustable straps on the front, and additional straps connected by a black ring on the back. Both pieces have their “Ashton Michael” tags sewn inside. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “This pink two-piece outfit was worn by Bebe Rexha for one of her performances. It comes directly from the designer that it was pulled from for Bebe Rexha to wear.”

Starting Bid $200

9285. Bebe Rexha’s Stage-Worn Pink Denim Bodysuit. Bebe

Rexha’s stage-worn pink denim bodysuit jacket from her concert special for the Audience Network which aired on December 9, 2016. Made by Ashton Michael, the pink denim jacket features black snaps for closure, two pockets on the front, a pink leather collar, and a decorative embroidered cherry blossom tree and airplane design on the back, which is viewed through a frayed and torn ‘window’ pane.

Below the jacket is a leotard-style one-piece bottom, with multiple adjustable straps. The “Ashton Michael” tag is sewn into the collar. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “This pink bodysuit was worn by Bebe Rexha for her concert on the Audience Network. It comes directly from the designer that it was pulled from for Bebe Rexha to wear.” Starting Bid $200

Music | August 15, 2019 69

9286. Gwen Stefani’s Stage-Worn Shorts.

Gwen Stefani’s stage-worn shorts from her show at the Hammerstein Ballroom in New York on October 17, 2015, during which she premiered the single ‘Used to Love You’ from her 2016 album This Is What the Truth Feels Like. Made by Ashton Michael, the high-waisted black shorts have wide diagonal white stripes on the front, which follow the hem along the bottom onto the back. The “Ashton Michael” label is sewn into the waistband. In fine condition. Starting Bid $300

9 2 8 7. Ta yl o r Swift’s Personally-Worn Blue Two-Piece Outfit. Taylor Swift’s

personally-worn blue two-piece outfit, consisting of a blue floralpatterned crop top and matching highwaisted skirt, worn out on a date with Calvin Harris in New York City on May 26, 2015. The short-sleeved crop top has a wide, scooping neckline, and the skirt has an elastic waistband; designer’s tags have been removed, but the skirt has a tag denoting style, cut, and size.

Swift was photographed wearing this outfit outside the East Village’s L’asso restaurant; E! News reported that she and Harris ordered a salad and two gluten-free pizzas. In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “This two-piece blue outfit was worn by Taylor Swift. The outfit came from a stylist who worked for Taylor and had the piece in their possession and later resold it.” Starting Bid $300

70 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Lady Gaga Fur-trimmed outfit worn on the tarmac in Istanbul 9293. Lady Gaga’s Personally-Worn Dressing Gown and Boxers. Lady Gaga’s

personally-worn silk satin robe and matching boxers by Rosamosario, worn at Ataturk Airport in Istanbul, Turkey, on September 14, 2014, during the ArtRave: The Artpop Ball world tour. The long, bronze-colored dressing gown has a cropped, open chest with wide ties on the front, brown mink fur cuffs adorned with several buttons, and matching mink fur trim down the sides of the long, flowing gown section in the rear. The matching boxerstyle panties feature an elastic waistband, a four-button front, and mink fur trim along the bottoms of the legs. The original Rosamosario hangers are included. In fine condition. A stunning assemblage worn by Gaga and witnessed in photographic and video footage from her much-anticipated arrival in Istanbul, where she would perform at ITU Stadium on September 16th. Starting Bid $500

Worn by Gaga for her award-winning V99 cover 9295. Lady Gaga’s V Magazine Cover-Worn Blue Bustier.

Lady Gaga’s personally-worn blue wool corset bustier by Rosamosario, worn on one of the covers shot for the 99th issue of V Magazine in 2016 (which featured a record-setting 16 different covers). The front features twenty faux diamond stud buttons secured by elegant baby blue ribbon loops, and the back has a blue silk ribbon tie. In the black-and-white cover image for V99, Lady Gaga is seen embracing the fashion photographer Inez van Lamsweerde, both wearing matching Rosamosario corsets.

Includes the original Rosamosario hanger. The consignor notes that this corset was also worn by Rihanna (on the cover of CR Fashion Book, Issue 9: Marie Antoinette), and by Kylie Jenner. Gaga assumed the role of guest editor for the 99th issue of V, an important and influential seasonally printed American fashion magazine. In her editorial debut, she created a record-breaking 16 covers dedicated to her ‘Fashion Guard’—paying homage to the movers and shakers of the fashion world that she embraced during her rise to fame. In her editor’s letter to begin the issue, she emphasized: ‘There is something about fashion that is crucial to my existence. Not only by definition significant, essential to my happiness, necessary, yes—but more definitively, fashion is the cross hanging in my church. It is the anchor in my artistic place of worship.’ For the final product of these devoted efforts, Lady Gaga was awarded ‘Editor of the Year’ for V99 at the Fashion Los Angeles Awards. Starting Bid $500

Music | August 15, 2019 71

Worn to Electric Lady Studios in 2018 9296. Lady Gaga’s PersonallyWorn Black Neil J. Rodgers Shoes.

Lady Gaga’s personally-worn black Neil J. Rodgers slingback pumps, worn in New York City on May 24, 2018; she was photographed wearing these while leaving Electric Lady Studios, paired with a ballerina-inspired white tulle dress and black cat-eye sunglasses.

Made in Italy, the classically designed shoes are size 38, and feature black leather uppers with slingback straps and oval buckles, and triangular mesh toe boxes. The beige leather soles and insoles are stamped “Neil J. Rodgers.”

Includes the original Neil J. Rodgers drawstring bag. In fine condition, with some scuffing to the soles, nicks to the heels from use, and a size label to one insole.

The consignor notes that these were purchased from Hollywood shoe rental guru Montana Rader, who is known for supplying designer footwear and accessories to the entertainment industry. Starting Bid $200

Worn by Gaga in her classic ‘Born This Way’ era 9297. Lady Gaga’s Personally-Worn Born This Way-Era Lingerie Outfit. Lady

Gaga’s personally-worn lingerie outfit from the Born This Way era, similar to that worn by her in the ‘Born This Way’ music video. Made by Obey My Demand, the set includes: a bra with studded leather-clad cups set against a shimmering bronze silk, with Gaga shown here in similar outfit two heavy-duty leather snap straps for closure; and bottoms with a matching bronze silk front and sheer rear with elastic waistband. Both have “OMD/ ObeyMyDemand” tags sewn inside. In fine condition. The consignor notes that this came directly from the designer that it was sent back to.

Starting Bid $500

72 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9298. Lady Gaga’s Personally-Worn Documentary Premiere Test Pants. Lady Gaga’s personally-worn test-fit mockup of a pair of black latex ‘liquid’ pants by Colin Horgan, the final version of which she wore for the premiere of her documentary, Gaga: Five Foot Two, at the 2017 Toronto International Film Festival. These extremely long pants—measuring an overall 55.5˝ from the top of the waist to the bottom of the hem—have wide flares at the bottoms, a slim waist with zippered closure, and lack any interior tags or markings. In fine condition.

Accompanied by a certificate of authenticity from L.A. Archives, in part: “These pants were worn by Lady Gaga as a test/mockup trial for her other pair for the Five Foot Two documentary. These pants were purchased directly from the designer who sent them to Gaga to be fitted in.”

Designed to make a bold fashion statement on the red carpet, these exquisite pants embody the extravagance of Lady Gaga’s famously outrageous wardrobe. Starting Bid $300

Gaga shown here in final version of these pants

Purple platform Armani heels from Gaga’s ‘Fame Monster’ era

9299. Lady Gaga’s Personally-Worn Purple Armani Prive Shoes. Lady Gaga’s

personally-worn pair of amazing custom-made purple Armani Prive high-heeled platform shoes, featuring zippers on the sides. Made in Italy, the shoes are unmarked but likely size 39, and completely covered in purple rhinestones—the heels, outsoles, uppers, and zipper pulls are bedazzled in glorious purple gems. The insoles are stamped “Emporio Armani.” In fine condition. Accompanied by a certificate of authenticity from L.A. Archives, in part: “These purple Armani Prive shoes were worn and custom made for Lady Gaga. These were made and worn for her famous Fame Monster Era. These were purchased from the Yossi Dina Collection in Beverly Hills.” Starting Bid $300

Music | August 15, 2019 73

9300. Lady Gaga’s Personally-Worn Saint Laurent Shoes. Lady Gaga’s personally-worn

pair of high-heeled Saint Laurent pumps with vamp backs, worn in New York City on May 24, 2018; she was photographed wearing these to attend a party, paired with a red ruffled tulle dress

by Christian Siriano. Made in Italy, the shiny black patent leather shoes are size 38, and stamped “Saint Laurent / Paris” on the insoles and soles.

Includes the original Saint Laurent drawstring bag.

In fine condition, with light scuffing to the soles from use, and a size label to one insole. The consignor notes that these were purchased from Hollywood shoe rental guru Montana Rader, who is known for supplying designer footwear and accessories to the entertainment industry. Starting Bid $200

Worn in a climactic scene from her Golden Globe-winning role 9301. Lady Gaga’s Screen-Worn Burgundy Robe from American Horror Story. Lady

Gaga’s screen-worn burgundy velvet robe with fur trim from her role as ‘The Countess’ in the 2015 FX television series American Horror Story: Hotel, seen in Episode 11, ‘Battle Royale.’ The floor-length robe has a gathered shawl lapel, fur cuffs and panels down the back, and matching burgundy velvet belt, with a “Palace Costume Co.” tag sewn in the back. In fine condition.

Accompanied by a detailed letter of authenticity from The Golden Closet, signed by Palace Costume Company CEO Melody Barnett, in part: “This robe was worn by ‘The Countess’ portrayed by Lady Gaga in the fifth installment (Hotel, 2015) of the hit FX anthology series American Horror Story…Lady Gaga wears the robe in Season 5 Episode 11 ‘Battle Royale’ when The Countess is recovering in her Cortez Hotel penthouse after being shot multiple times by ‘Iris’…and ‘Liz Taylor’…While recovering in her room, ‘Ramona Royale’ (Angela Bassett) confronts her with the intention of killing ‘The Countess,’ but she convinces ‘Ramona’ to spare her life. American Horror Story: Hotel is the fifth season of the FX horror anthology television series…The plot revolves around the enigmatic Hotel Cortez in Los Angeles, California, that catches the eye of an intrepid homicide detective…The Cortez is host to the strange and bizarre, spearheaded by its owner, The Countess (Gaga), who is a bloodsucking vampire fashionista…This garment was rented directly to the production company.”

For her fabulous portrayal of ‘The Countess,’ Lady Gaga won the 2016 Golden Globe for ‘Best Performance by an Actress in a Limited Series or Motion Picture Made for Television.’ An amazing screen-worn piece from this significant award-winning role. Starting Bid $500

74 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Lady Gaga’s custom-made bedazzled Armani heels— as seen in a dressing room photo shoot 9302. Lady Gaga’s Personally-Worn Silver Armani Prive Shoes. Lady Gaga’s personally-worn pair of amazing custom-made

Armani Prive high-heeled platform shoes, featuring zippers on the sides. Made in Italy, the shoes are size 39, and completely covered in rhinestones—the heels, outsoles, uppers, and zipper pulls are bedazzled to reflect a shimmering, silvery light. The insoles are stamped “Emporio Armani,” and the suede soles boast tiny metallic Giorgio Armani emblems. In fine condition, with some scuffing to the soles from use. Accompanied by a certificate of authenticity from L.A. Archives, which features an image of the shoes in Lady Gaga’s backstage dressing room taken by Terry Richardson, in part: “These silver Armani Prive shoes were worn and custom made for Lady Gaga. These were made and worn for her famous Fame Monster Era. These were purchased from the Yossi Dina Collection in Beverly Hills.” Starting Bid $300

Lost while playing the piano during her ‘Born This Way’ charity show 9303. Lady Gaga’s Stage-Worn Born This WayEra Acrylic Fingernail. Lady Gaga’s stage-worn

acrylic fingernail from the Born This Way era, from her Robin Hood Foundation gala fundraising concert on May 9, 2011. The intact bright red acrylic fingernail has a glued-on gold diamond cross design with a black center, and adhesive residue to the underside; it broke off during the performance as she played the piano and was recovered by a stagehand after the show.

In fine condition. Accompanied by a detailed letter of provenance, in part: “Enclosed is the finger nail of Lady Gaga, which she broke and lost while performing at the Robin Hood Foundation Gala in May of 2011. My father worked as electrical installer at the Javits Center in NYC for some time; setting up/taking down all the lights for any event…During the Robin Hood Foundation Gala, Lady Gaga broke her middle finger nail playing Americano on the piano and, according to my dad, flipped everyone off to show the crowd. After the show he checked the piano and, low and behold, found a fully intact acrylic nail. Bright red with a goldish cross design glued on…He wrapped it in a paper towel, stuffed it in an envelope, and brought it home to me.” The missing fingernail is apparent in photographs of Lady Gaga taken during the show, and she is also seen wearing this style in her 2011 commercial for Google Chrome. A spectacular stage-worn piece from the pop legend, who remains at the height of her fame and popularity today. Starting Bid $300

Music | August 15, 2019 75

Electric blue furs worn by Gaga in her turn as American Horror Story’s bloodsucking vampire fashionista 9304. Lady Gaga’s Screen-Worn Blue Fur Coat from American Horror Story.

Lady Gaga’s screenworn blue fox fur smock coat from her role as ‘The Countess’ in the 2015 FX television series American Horror Story: Hotel, seen in Episode 9, ‘She Wants Revenge’; she is also seen with the smock in a few promo photos for the series. Interestingly, it was also worn on screen by Halle Berry in the 1998 film Why Do Fools Fall in Love. Conceived by legendary English designer Zandra Rhodes, the vintage circa 1970s electric blue fox fur smock has a plush purple satin lining printed with a pattern featuring her signature, and tags reading, “Zandra Rhodes Furs for Philip Hockley” and “Palace Costume Co.” The heavy, sleeveless smock is embellished with several twisting golden braid tassels.

In fine condition.

Accompanied by a detailed letter of authenticity from The Golden Closet, signed by Palace Costume Company CEO Melody Barnett, in part: “This robe was worn by ‘The Countess’ portrayed by Lady Gaga in the fifth installment (Hotel, 2015) of the hit FX anthology series American Horror Story…Lady Gaga wears the furs in Season 5 Episode 9 ‘She Wants Revenge,’ when the Countess walks into Room 33 where her son, the monster ‘Bartholomew,’ is kept. She finds her two husbands…looking at the baby and Mr. Drake is horrified. The Countess enters and is furious with Mr. Drake’s reaction. She hits him over the head, caged, and left as food for Ramona. American Horror Story: Hotel is the fifth season of the FX horror anthology television series…The plot revolves around the enigmatic Hotel Cortez in Los Angeles, California, that catches the eye of an intrepid homicide detective…The Cortez is host to the strange and bizarre, spearheaded by its owner, The Countess (Gaga), who is a bloodsucking vampire fashionista…Also worn by Zola Taylor (Halle Berry) in ‘Why Do Fools Fall In Love.’ Ms. Berry wears the garment in the beginning of the film at the Record label office where Frankie Lyman’s three wives meet for the first time…This garment was rented directly to the production company.”

For her fabulous portrayal of ‘The Countess,’ Lady Gaga won the 2016 Golden Globe for ‘Best Performance by an Actress in a Limited Series or Motion Picture Made for Television.’ An amazing screen-worn piece from this significant award-winning role. Starting Bid $500

76 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

The John Brennan Collection

AEROSMITH

For our August Pop Culture Auction, RR is pleased to present another remarkable selection of in-person autographs acquired by lifelong rock n’ roll collector John Brennan. An eclectic sampling of nearly 200 items obtained over the course of decades, we’re offering signed albums, photos, and guitars. From his early days of autograph collecting in New York City, where he met the elites of music, like The Stones, Madonna and more, to his later years in Los Angeles and Seattle, following the tours of Van Halen, Guns N’ Roses and Nirvana, Brennan became well known by these musical greats and welcomed into their inner sanctums. This well-provenanced featured section provides music fans with the chance to take home their own piece of rock history.

STEVEN TYLER & TOM HAMILTON Brennan on Aerosmith: “Aerosmith Rocks is one of my top 5 albums. That was like, this is who I am. That was my energy; that was what it was all about.”

9305.

Aerosmith Signed Album. Toys in

the Attic album

by Aerosmith, signed on the front cover in blue felt tip by Steven Tyler, Brad Whitford, Joey Kramer, and Joe Perry, who signs again in silver ink. In very good to fine condition, with light scuffing, creasing, and edge wear. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9306.

Aerosmith Signed Album. Done

with Mirrors album by Aerosmith, signed on the front cover in black or blue felt tip by Steven Tyler, Joe Perry, Joey Kramer, Brad Whitford, and Tom Hamilton, who signs backwards. In very good to fine condition, with light scuffing and corner wear. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

Music | August 15, 2019 77

9309. The Band Signed Album.

9307. Aerosmith Signed Photograph. Color

glossy 8 x 10 band photo of Aerosmith in a portrait-style photograph, signed next to their image in blue felt tip by Steven Tyler, Joe Perry, Joey Kramer, Tom Hamilton, and Brad Whitford. In fine condition, with a couple of small surface blemishes on Tyler’s shirt. From The John Brennan In-person Autograph Collection. Starting Bid $200

9308. Alice in Chains Signed Photograph.

BEATLES

Color glossy 10 x 8 photo of Alice in Chains proudly flashing their backstage passes, signed in blue felt tip

by Layne Staley, Mike Starr, Jerry Cantrell, and Sean Kinney. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

The Best of The Band album signed on the front cover in blue felt tip by Levon Helm, Garth Hudson, and Robbie Robertson. In fine condition, with light scuffing and toning. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9310. The Beach Boys Signed Album. Pet Sounds

album by The Beach Boys, signed on the front cover in blue felt tip by Brian Wilson, Al Jardine, Mike Love, and Bruce Johnston. In fine condition, with light scuffing. The record is included.

Highlighted by classics including ‘Sloop John B,’ ‘Wouldn’t It Be Nice,’ and ‘God Only Knows,’ Pet Sounds was originally promoted as ‘the most progressive pop album ever,’ and today takes a place among the most influential albums ever recorded. From The John Brennan In-person Autograph Collection. Starting Bid $200

GEORGE HARRISON Brennan on Harrison: “He was extremely reclusive.

I initially met him at Heathrow airport in 1988” (pictured here)

78 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9311. Beatles: Harrison, McCartney, and Starr Signed Album. Hugely desirable copy of

the Abbey Road album by the Beatles, signed on the front cover in blue felt tip, “George Harrison,” “Paul McCartney,” and “Ringo, 03.” In fine condition. The record is included. A choice example of this iconic Beatles album that boasts three legendary autographs. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo. The John Brennan In-person Autograph Collection. Starting Bid $500

9312. Beatles: McCartney, Starr, and Martin Signed Album. Sgt. Pepper’s Lonely

Hearts Club Band album by the Beatles, signed on the front cover in blue felt tip, “Paul,” “Ringo, 05,” and “George Martin.” In fine condition, with a price sticker on the back cover.

The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9313. Beatles: Paul McCartney Signed Album. Sgt. Pepper’s Lonely Hearts Club Band album by the Beatles, signed above his image on the inner gatefold in blue felt tip

by Paul McCartney. In very good to fine condition, with wear along the top edge. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9315. The Bee Gees Signed Album. Odessa album by the Bee

Gees, signed on the front cover in black felt tip, “Love, Maurice Gibb,” “Barry,” and “Robin.” In fine condition, with light scuffing. The records are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9316. Black Sabbath Signed Album. Self-

titled debut album by Black Sabbath, signed on the front cover in blue felt tip by Ozzy Osbourne, Bill Ward, Tony Iommi, and Geezer Butler. In fine condition, with some edgewear. The record is included. Brennan recalls of Ozzy in-person encounters: “It was always such a circus.

But Ozzy was so friendly.” From The John Brennan In-person Autograph Collection. Starting Bid $200

Music | August 15, 2019 79

9317. David Bowie Signed Album.

‘China Girl / Shake It (Re-Mix)’ single album by David Bowie, signed on the front cover in blue felt tip, “Bowie 86.” In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

ERIC CLAPTON

9320. Eric Clapton Signed Guitar. Beautiful white-bodied Stratocaster-style electric guitar signed on the body in blue felt tip by Eric Clapton. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

9321. Eric Clapton Signed Photograph. Color

Brennan on Clapton: “He hated pictures, but was always nice and friendly. We developed a relationship over the years.”

9319. Eric Clapton Signed Album. Layla and Other Assorted Love Songs album by Derek and the Dominos, signed on the front cover in blue felt tip by Eric Clapton and Bobby Whitlock. In fine condition, with price sticker residue to the upper right corner. The record is included.

Best known for its title track, Layla and Other Assorted Love Songs is widely considered Clapton’s greatest musical achievement. Rolling Stone ranked it as number 117 on its list of the 500 greatest albums of all time. Brennan recalls of in-person encounters with Clapton: “He hated pictures, but was always nice and friendly. We developed a relationship over the years.” From The John Brennan In-person Autograph Collection. Starting Bid $200

80 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

glossy 8 x 10 halflength photo of Eric Clapton performing during the early 1990s, signed in blue felt tip. In very fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

9322. The Clash Signed Album. Sandinista! album by The

Clash, signed on the front cover in blue felt tip by Joe Strummer, Paul Simonon, Topper Headon, and Mick Jones. In fine to very fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $300

9323. Cream: Clapton and Bruce Signed Album. Disraeli Gears album by Cream, signed nicely on the front cover in silver ink by Eric Clapton and Jack Bruce. In fine condition, with some old price sticker residue above Bruce’s signature.

The record is not included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9324. The Cure Archive of (18) Signed 45 RPM Records.

Collection of 18 45 RPM single records from The Cure and other associated projects, each signed on the disc or front cover in blue felt tip by Robert Smith, with three records also signed by other musicians. Singles are as follows: ‘The Caterpillar’ picture disc; ‘Close to Me’; ‘Close to Me (German pressing)’; ‘Close to Me (remix)’; ‘A Forest’; ‘The Hanging Garden’; ‘I’m a Cult Hero’ by Cult Hero (with Simon Gallup, Lol Tolhurst, and postman Frankie Bell); ‘In Between Days’; ‘An Interview with Simon Gallup of ‘The Cure’’ picture disc; ‘I Want to Be a Tree’

by Tim Pope (with Tolhurst); ‘Just like Heaven’; ‘Let’s Go to Bed’ (with Tolhurst); ‘Lovesong’; ‘Never Enough’; ‘The Peel Sessions’ purple vinyl; ‘Pictures of You’; ‘Punish Me with Kisses’ (with Steven Severin); and ‘Why Can’t I Be You?’ In overall fine condition. The records are included. A wonderful mini archive of fan-favorite and hard-to-find Cure singles. From The John Brennan In-person Autograph Collection. Starting Bid $200

Music | August 15, 2019 81

Dylan goes electric with Highway 61 Revisited 9325. Bob Dylan Signed Album. Highway 61 Revisited

album by Bob Dylan, signed on the front cover in blue felt tip. In fine condition. The record is included. An uncommon and highly sought-after signed record that has proven to be one of the more influential, and divisive, albums of Dylan’s career. From The John Brennan In-person Autograph Collection. Starting Bid $300

9326. The Eagles Signed Album. Their

Greatest Hits (1971–1975) album by the Eagles, signed and inscribed on the front cover in blue felt tip, “To Ed, Don Felder,” “JDS [Souther],” “Bernie Leadon,” “Randy Meisner,” and “Glenn Frey,” and in black felt tip, “Don Henley.”

In fine condition, with light edge creasing and wear. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9327. Easy Rider Signed Album.

Soundtrack album for the 1969 road movie Easy Rider, signed on the front cover in blue felt tip by the film’s three main stars: Peter Fonda, Dennis Hopper, and Jack Nicholson.

In very good to fine condition, with old price sticker residue, and some creasing to the top. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9328. The Faces Signed Guitar. White-bodied Strato-

caster-style electric guitar signed on the pickguard in blue felt tip by Rod Stewart and Ian McLagan, and on the body

by Kenney Jones and Ronnie Wood. In very good to fine condition, with a smudge to first name of Stewart signature and some scuffing and a small crack to paint to top of guitar.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

9329. The Firm Signed Album.

‘Radioactive’ single album by The Firm, signed on the front cover in blue felt tip

by Jimmy Page, Paul Rodgers, Tony Franklin, and Chris Slade.

In fine condition. The record is included.

From The John Brennan In-person Autograph Collection. Starting Bid $200

82 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

JERRY GARCIA Brennan on Garcia: “I knew all the hotels the Dead stayed at in NYC and was all over them from 1985–1994”

geous blackbodied Les Paul-style electric guitar with a sunburst finish, signed on the body in blue felt tip by Slash, and on the off-white pickguard in black felt tip by Axl Rose and in blue felt tip by Izzy Stradlin, Steven Adler, and Duff McKagan. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

SLASH Brennan on Guns N’ Roses: “I was just obsessed with them...I’ve met Slash hundreds of times.”

9332. Guns N’ Roses Signed Photograph.

9330. Grateful Dead: Jerry Garcia Signed Photograph.

Glossy 8 x 10 photo of the Grateful Dead frontman lounging on an antique settee, signed in blue felt tip by Jerry Garcia. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

Sought-after color glossy 10 x 8 band photo of Guns N’ Roses from the late 1980s, signed in blue felt tip, “W. Axl Rose,” “Slash,” “Duff, GR 91,” “Izzy,” and “Steven Adler.” In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

Music | August 15, 2019 83

GUNS N’ ROSES

GRATEFUL DEAD

9331. Guns N’ Roses S i g n e d Guitar. Gor-

9333. Guns N’ Roses: Slash Signed Guitar. Very

9336. The Jackson 5 Signed Album.

attractive Epiphone Slash ‘AFD’ Les Paul SpecialII electric guitar signed on the amber body in black felt tip, “Slash, 2015.” In fine condition, with a chip to bottom edge of lower bout. Accompanied by the original Epiphone Slash ‘AFD’ gig bag. From The John Brennan Inperson Autograph Collection. Starting Bid $200

9334. INXS Signed Album. ‘This Time’

single album by INXS, signed on the front cover in blue felt tip by Michael Hutchence, Garry Gary Beers, Kirk Pengilly, Jon Farriss, Andrew Farriss, and Tim Farriss. In fine condition. The record is included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

Skywriter album by the Jackson 5, signed on the front cover in black felt tip by Michael Jackson, and in blue felt tip

by Tito, Marlon, Jackie, and Jermaine Jackson.

In fine condition, with light edge wear and a clipped upper right corner. The record is included. From The John Brennan Inperson Autograph Collection. Starting Bid $200

9 3 3 7. M i c h a e l Jackson Signed Album. Thriller

album by Michael Jackson, who signs prominently on the front cover in blue felt tip. In fine condition, with light brushing to two letters of the signature. The record is included. Released in 1982, Thriller is widely considered one of the greatest and most influential pop albums of all time. From The John Brennan In-person Autograph Collection. Starting Bid $200

9338. Elton John and Bernie Taupin Signed Album. Captain Fantastic and the Brown Dirt Cowboy album signed on the front cover in blue felt tip by Elton John and Bernie Taupin. In fine condition. The record is included. An autobiographical account of the early musical careers of Elton John (Captain Fantastic) and Bernie Taupin (the Brown Dirt Cowboy), the album was released in May 1975 and debuted at number No. 1 on the US Billboard 200, becoming the first album to ever achieve such a feat. From The John Brennan In-person Autograph Collection. Starting Bid $200

84 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9339. Elton John Signed Album.

Greatest Hits album by Elton John, signed on the front cover in blue felt tip.

In very good condition, with corner creasing (heaviest to the upper right), and edge wear. The record is included.

Fr om T he J ohn Brennan In-person Autograph Collection. Starting Bid $200

9342.

Ma d o n n a Signed Album. Pro-

motional single album for ‘Live to Tell’ by Madonna, who signs prominently on the front cover in blue felt tip. In fine condition, with light creasing to the top. The record is included. From The John Brennan In-person Autograph Collection.

Starting Bid $200

bodied Telecasterstyle electric guitar with a sunburst finish, signed on the body in black felt tip by Rob Halford and Ian Hill, and on the pickguard in blue felt tip by Scott Travis, K. K. Downing, and Glenn Tipton. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

9341. Led Zeppelin Signed Album. Untitled

fourth studio album from Led Zeppelin, signed on the front cover in blue felt tip

by Jimmy Page, Robert Plant, and John Paul Jones.

In fine condition.

The record is not included. John Brennan recalled of Led Zeppelin: “I was straight-up obsessed with Led Zeppelin and dragged my parents to see ‘The Song Remains the Same.’ I had a straight hard-rock obsession that never wavered. I had tickets in 1979 or ‘80 to see them, then Bonham died and I never got to go. That killed me.” Brennan recalled he “got autographs from Page and Plant for a good solid 20 years, 1985-2006, up through the reunion tour. They don’t sign anymore.” From The John Brennan In-person Autograph Collection. Starting Bid $200

JAMES HETFIELD Brennan on Metallica: “Metallica loved to sign the vinyls...I would bring my imported albums and eps and they would always spend time looking at them, especially Lars”

9343. Metallica Signed 45 RPM Record.

Elektra Records 45 RPM single record for ‘One / The Prince’ by Metallica, signed on the front cover in blue felt tip by James Hetfield, Lars Ulrich, Kirk Hammett and Jason Newsted. In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

Music | August 15, 2019 85

METALLICA

9340.

Judas Priest Signed Guitar. Black-

9347. The Monkees Signed Album. Pisces, Aquarius, Cap-

9344.

Me t a l l i c a Signed Photograph.

ricorn & Jones Ltd. album by The Monkees, signed on the front cover in blue felt tip by Micky Dolenz, Peter Tork, Michael Nesmith, and Davy Jones. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

Color glossy 8 x 10 photo of Metallica posing behind barbed wire, signed in blue felt tip by James Hetfield, Kirk Hammett, Jason Newsted, and Lars Ulrich. In fine condition, with an authenticity label affixed to lower left corner.

From The John Brennan In-person Autograph Collection. Starting Bid $200

9348. Monty Python Signed Album. Monty Python 9345. George Michael Signed Photograph. Color

glossy 8 x 10 photo of George Michael leaning against a wall in front of an open window, signed in blue felt tip. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

9346. Joni Mitchell Signed Album. So Far

compilation album by Crosby, Stills, Nash & Young, signed on the front cover in black felt tip by Joni Mitchell. In fine condition, with an ownership notation in the upper right corner. The record is not included. Mitchell created the artwork for the album cover of So Far, which also included a hard rock arrangement of her famous counterculture anthem, ‘Woodstock.’ From The John Brennan In-person Autograph Collection. Starting Bid $200

Live at City Center album signed on the front cover in blue or black felt tip by John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin.

In very good to fine condition, with light soiling, and some wear to the spine. The record is included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

BRENNAN ON COLLECTING

“The music was always on and that just fueled the fire and the passion to get out there the next day and do it again.”

86 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Nirvana deliver a ‘Heart-Shaped Box’ for In Utero 9349. Nirvana Signed CD. UK issue CD single for ‘Heart-Shaped Box’ by Nirvana, signed on the front of the booklet in blue felt tip, “Kurt,” “Krist,” and “David.” In fine condition. The CD is included. Despite not being released as a physical single in America, ‘Heart-Shaped Box,’ the first single from Nirvana’s third and final studio album, In Utero, managed to attain the number one spot on the Billboard Modern Rock Tracks chart due in large part to strong radio airplay and a now iconic and surrealistic music video; according to the director Anton Corbijn, the video was ‘15% mine’ and 85% Cobain’s. A brilliant fully signed CD for one of Nirvana’s most popular grunge rock anthems.

Brennan first met Nirvana in January 1992, in the lobby of NBC when they were at the Thursday music rehearsal for a “Saturday Night Live” performance. After that, he flew to Seattle six times to see Nirvana, Kurt Cobain and Courtney Love. He followed them before they were famous: “I just knew.” He met them a total of 8-12 times. “In just under two years, it was all over.” He followed them all of 1992 and 1993.

Drummer Dave Grohl is seen wearing a “Secret Sounds” t-shirt on the album cover for “Muddy Banks of Wishkah,” which Brennan gave him. “Dave was always difficult to deal with; Kurt was the easy one.” Accompanied by full letters of authenticity from REAL and Beckett Authentication Services.From The John Brennan In-person Autograph Collection. Starting Bid $500

“I HATE!” Nirvana— oversized band photo of the grunge rockers 9350. Nirvana Signed Photograph.

Color glossy 13.75 x 11 photo of Nirvana seated together on wooden steps, signed in blue felt tip, “David,” “Kurt,” and “Krist,” with Grohl scrawling “I HATE!” over the signatures. In very fine condition. An awesome fully-signed oversized photo of the legendary 90s rockers, made even more desirable by Grohl’s ironic self-loathing addition, a line in keeping with grunge’s lyrical backbone.

Brennan first met Nirvana in January 1992, in the lobby of NBC when they were at the Thursday music rehearsal for a “Saturday Night Live” performance. After that, he flew to Seattle six times to see Nirvana, Kurt Cobain and Courtney Love. He followed them before they were famous: “I just knew.” He met them a total of 8-12 times. “In just under two years, it was all over.” He followed them all of 1992 and 1993. Drummer Dave Grohl is seen wearing a “Secret Sounds” t-shirt on the album cover for “Muddy Banks of Wishkah,” which Brennan gave him. “Dave was always difficult to deal with; Kurt was the easy one.” Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $1000

Music | August 15, 2019 87

PEARL JAM

EDDIE VEDDER Brennan on Pearl Jam: “Eddie was always signing and drawing weird doodles and sketches...he even, for a short period, signed his signature by drawing a box.”

9351. Pearl Jam Signed CD. CD

maxi-single for ‘Oceans’ by Pearl Jam, signed on the front of the booklet in blue felt tip by Eddie Vedder, Stone Gossard, Jeff Ament, Mike McCready, and Dave Abbruzzese. In fine condition. The CD is included. Brennan recalled of the Pearl Jam frontman: “If Eddie Vedder hated the photo you were offering for an autograph, he’d deface it.

Even if he hated his hair.” From The John Brennan In-person Autograph Collection. Starting Bid $200

9352. Pearl Jam Signed CD. CD

soundtrack for the 1992 romantic comedy Singles, signed on the front of the booklet in blue felt tip by Dave Abbruzzese, Jeff Ament, Stone Gossard, Mike McCready, Matt Cameron, and Eddie Vedder. In fine condition. The CD is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9353. Pearl Jam Signed Photograph.

Sought-after color glossy 10 x 8 group photo of Pearl Jam posing in a field, signed in blue felt tip by Eddie Vedder, Jeff Ament, Mike McCready, Stone Gossard, and Dave Abbruzzese. In fine condition, with a light smudge to Abbruzzese’s signature.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

9 3 5 4 . To m Petty Signed Album. Self-

titled debut album from Tom Petty and the Heartbreakers, signed on the front cover in blue felt tip by Petty. In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

88 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

photo of Tom Petty wearing his bathrobe and sitting on his bed, signed in blue felt tip. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

9357. Pink Floyd: Roge r Wa t e r s Signed Guitar. Hand-

PINK FLOYD

9355. Tom Petty Signed Photograph. Color glossy 8 x 10 full-length

ROGER WATERS . rennan on Waters: “My Floyd chase started in the 1980s...Roger B Waters lived in NYC on and off; he was very accessible.”

9358.

The Police Signed Album. Synchronicity

some blackbodied Crestwood Stratocaster-style electric guitar with a sunburst finish, signed on the body in silver paint pen

by Roger Waters. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

album by the Police, signed on the front cover in black felt tip by Sting, and in blue felt tip by Andy Summers and Stewart Copeland. In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

BRENNAN ON COLLECTING

“I always had a belief in this stuff without initially knowing what I was doing, and a lot of my success came down to doing it for the right reasons.”

Music | August 15, 2019 89

9359. Keith Richards Signed Guitar. Desirable

cream-bodied Affinity series Fender Squier Stratocaster electric guitar, signed on the body in black felt tip by Keith Richards. In fine condition. From The John Brennan In-person Autograph Collection.

Starting Bid $200

Brennan on Richards: “One time when I went for Keith at the Mayflower Hotel in NYC his assistant brought me into the restaurant to sit down with him and his bodyguard to have drinks. I sat in amazement for almost two hours hearing Keith’s stories followed by his hearty chuckles.”

9360. Rolling Stones Signed Album. Exile on

Main St. album by the Rolling Stones, signed on the front cover in blue felt tip by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman, and Mick Taylor.

In fine condition. The record is included. This specific Rolling Stones lineup with Mick Taylor (1969–1974) is considered by critics and fans as the most prolific and creative iteration of the group, with a body of work including Exile on Main St., Goat Heads Soup, Sticky Fingers, and It’s Only Rock and Roll. John Brennan recalled of the Stones, “Back when Keith, Ron and Charlie were partying hard, they’d be in the studio until dawn. We’d be waiting outside.” In 1986, during the “Dirty Work” era; on 48th St., NYC, the Stones were recording in the studio and Mick Jagger came out. “We saw him frequently so he wasn’t uptight around us. He tried but couldn’t hail a cab, so we offered him a ride home in my white IROC Camaro. I drove; he sat in the front seat.” Brennan also revealed his diehard devotion, “I once waited outside Mick’s apartment for 18 hours in 1984.” The steadfast autograph seeker “met Keith at least 150 times,” and possesses dozens of candid pictures as mementos. From The John Brennan In-person Autograph Collection. Starting Bid $300

90 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

ROLLING STONES

KEITH RICHARDS

9361. Keith Richards Signed Guitar. Very at-

9364. Rolling Stones: Keith Richards Signed Album. December’s Children

tractive Epiphone DR-100 acoustic guitar with a natural finish, signed on the body in blue felt tip by Keith Richards. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

(And Everybody’s) album by the Rolling Stones, signed on the front cover in blue felt tip by Keith Richards. In very good to fine condition, with light scuffing and edge wear, and a discount hole to the lower left corner. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9362. Rolling Stones Signed Album. Be-

tween the Buttons album by the Rolling Stones, signed on the front cover in blue felt tip by Keith Richards and Bill Wyman, and in black felt tip by Mick Jagger and Charlie Watts. In very good condition, with scuffing, edge wear and toning, and a small circular stain to the upper right corner. The record is included. Among the band’s most musically adventurous works, Between the Buttons marked the beginning of the Stones’ brief foray into psychedelia, with the single ‘Ruby Tuesday’ attaining a No. 1 spot in the Billboard Hot 100 chart. From The John Brennan In-person Autograph Collection. Starting Bid $200

9365. Rolling S t o n e s : Ke i t h Richards Signed Photograph.

Glossy 8 x 10 Virgin Records publicity photo of Keith Richard staring at himself in the mirror, signed in blue felt tip by the Rolling Stones guitarist. In fine condition, with a few scattered small surface impressions. From The John Brennan In-person Autograph Collection. Starting Bid $200

The Stones unplugged 9363. Rolling Stones Signed Guitar. Sought-after Epiphone

Gibson acoustic guitar with a natural finish, signed on the body in black felt tip by Mick Jagger and Keith Richards, in blue felt tip by Ronnie Wood, and on the white pickguard by Charlie Watts. In fine condition. An exceptional offering of the entire current Rolling Stones lineup—guitars signed by these English rock legends are among the most in-demand formats.

John Brennan recalled of the Stones, ‘Back when Keith, Ron, and Charlie were partying hard, they’d be in the studio until dawn. We’d be waiting outside.’ In 1986, during the Dirty Work era, on 48th St., NYC, the Stones were recording in the studio and Mick Jagger came out.

‘We saw him frequently so he wasn’t uptight around us. He tried but couldn’t hail a cab, so we offered him a ride home in my white IROC Camaro. I drove; he sat in the front seat.’ Brennan also revealed his diehard devotion, ‘I once waited outside Mick’s apartment for 18 hours in 1984.’ The steadfast autograph seeker ‘met Keith at least 150 times,’ and possesses dozens of candid pictures as mementos. Starting Bid $300

Music | August 15, 2019 91

9369. Sex Pistols Signed Guitar. Black-

9366. Rolling Stones: Keith Richards Signed Photograph.

bodied Stratocasterstyle electric guitar with a mellow sunburst finish, signed on the white pickguard in blue felt tip

by Paul Cook and Steve Jones, and on the body in blue and black felt tip by Glen Matlock and Johnny Rotten, who incorporates a woman’s bare chest into “Was here!!”

In fine condition, with pickguard raising slightly from body.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

Glossy 11 x 14 close-up photo of Keith Richards wearing a hat as a young musician, signed in blue felt tip by the Rolling Stones guitarist. In very fine condition. From The John Brennan In-person Autograph Collection.

Starting Bid $200

9370. Simon and Garfunkel Signed Album. Sounds

9367. Bee Gees: Saturday Night Fever Signed Album. Saturday

Night Fever movie soundtrack album signed on the front cover in blue felt tip

by Barry, Robin, and Maurice Gibb, John Travolta, and Karen Lynn Gorney. In fine condition, with an affixed price sticker. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9368. Sex Pistols Signed Album. Never

Mind the Bollocks, Here’s the Sex Pistols album signed on the front cover in blue felt tip by Johnny Rotten, Steve Jones, Glen Matlock, and Paul Cook. In fine condition, with light scuffing, and some price sticker residue. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

of Silence album signed on the front cover in blue felt tip by Paul Simon and Art Garfunkel. In fine condition, with an affixed price sticker on Simon’s shoulder. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9371. Simon and Garfunkel Signed Album.

Bookends album signed on the front cover in blue felt tip

by Paul Simon and Art Garfunkel. In fine condition. The record is included. An uncommon title boasting two large autographs. From The John Brennan In-person Autograph Collection. Starting Bid $200

9372. Simon and Garfunkel Signed Album.

Bridge Over Troubled Water album signed on the front cover in blue felt tip by Paul Simon and Art Garfunkel. In very good to fine condition, with light scuffing, edge wear, and creasing to the upper right corner. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

92 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9373. Sly and the Family Stone Signed Guitar. Black-bodied

9 3 7 7. T h e Stooges.

Stratocaster-style electric guitar with a sunburst finish, signed on the white pickguard in blue felt tip

by Sly Stone, Larry Graham, and Freddie Stone, and on the body in black felt tip by Greg Errico, Cynthia Robinson, and Jerry Martini, with the latter three each adding “Every Day People.” In fine condition, with slight smudging to the Graham and Freddie signatures. From The John Brennan In-person Autograph Collection. Starting Bid $200

9374. Bruce Springsteen Signed Album. Very ap-

pealing Born to Run album

by Bruce Springsteen, signed prominently on the front cover in blue felt tip. In fine condition, with light scuffing. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9375. Bruce Springsteen Signed Album. Born in

the U.S.A. album by Bruce Springsteen, signed nicely on the front cover in blue felt tip.

In fine condition, with a faint rectangle of price sticker residue. The record is included.

An ideal signed example of this classic hard rock album.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

Black-bodied Stratocasterstyle electric guitar with a mellow sunburst finish, signed on the body in felt tip by Iggy Pop and Ron Asheton. In fine condition, with some scuffing to back of guitar. From The John Brennan In-person Autograph Collection. Starting Bid $200

9378.

U2 Signed Album. ‘I Still

Haven’t Found What I’m Looking For’ single album by U2, signed on the front cover in blue felt tip by Edge, Larry Mullen, Adam Clayton, and Bono, who has signed a second time in the upper left in ballpoint. In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9376. Bruce Springsteen Signed Album.

Darkness on the Edge of Town album by Bruce Springsteen, who has signed nicely on the front cover in blue felt tip. In fine condition, with light scuffing, and some flecks of surface loss. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9379. U2 Signed Photograph. Glossy 10 x 8 Island Records publicity photo of U2 from around the release of The Joshua Tree, signed in black felt tip, “Bono” and “Edge,” and in blue felt tip, “Larry.” In very good to fine condition, with scattered creasing. From The John Brennan In-person Autograph Collection. Starting Bid $200

Music | August 15, 2019 93

9380. Van Halen Signed Album.

Fair Warning album

by Van Halen, signed on the front cover in blue felt tip by David Lee Roth, Eddie Van Halen, Alex Van Halen, and Michael Anthony. In fine condition, with a short tear to the right edge. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9382. The Velvet Underground Signed Album. The

Velvet Underground & Nico album signed on the front cover in blue felt tip by Lou Reed, Moe Tucker, and John Cale. In very good condition, with scuffing, soiling, and partial edge separations.

The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

9383. Wham!

Signed 45 RPM Record. Inner Vi-

9381. Van Halen Signed Guitar. Black-bodied S101 Standard Telecaster-style electric guitar with a sunburst finish, signed on the white pickguard in blue felt tip, “Eddie Van Halen, Van Halen ‘05,” and on the body in black felt tip, “David Lee Roth, 2004.” In fine condition, with some trivial scuffs to pickguard.

Beginning in 1984, Brennan followed and saw Van Halen 15 times in different cities. The passionate autograph collector recalled, “Van Halen opened for Black Sabbath in 1977 and from then on, until David Lee Roth left, I saw every tour.”

One time, at the Meadowlands in 1984, he was hanging out with Julian Lennon. “We were in a bathroom, and Eddie was walking around carrying a bottle of Jack Daniels and saying how he was a better piano player than guitar player. The whole band was fawning all over Julian because they were huge fans of his dad. All I cared about was autographs. I was there for Van Halen.” From The John Brennan In-person Autograph Collection. Starting Bid $200

sion Records 45 RPM single record for ‘Wham Rap!’

by Wham!, signed on the front cover in blue felt tip by George Michael and Andrew Ridgeley. In fine condition. The record is included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

9384. Yes Signed Album. Yessongs

live album by Yes, signed on the front cover in blue felt tip by Chris Squire, Jon Anderson, Rick Wakeman, Steve Howe, Bill Bruford, and Alan White. In very good to fine condition, with scuffing and edge wear.

The records are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

94 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9385. A-ha Signed Album Starting Bid $200

9386. AC/DC: Angus Young Signed Photographs Starting Bid $200

9389. Allman Brothers Signed Album Starting Bid $200

9390. Allman Brothers Signed Album Starting Bid $200

9393. The Black Crowes Signed Sheet Music Starting Bid $200

9394. Bon Jovi Signed Album Starting Bid $200

9395. Bon Jovi Signed Album Starting Bid $200

9396. James Brown Signed Album Starting Bid $200

9397. Jimmy Buffett Signed Album Starting Bid $200

9398. J. J. Cale Signed Album Starting Bid $200

9399. Mariah Carey Signed Photograph Starting Bid $200

9400. Johnny Cash Signed Photograph Starting Bid $200

9387. Aerosmith Signed Sheet Music Starting Bid $200

9391. Chuck Berry Signed Album Starting Bid $200

9388. Aerosmith Signed Sheet Music Starting Bid $200

9392. Chuck Berry Signed Photograph Starting Bid $200

Music | August 15, 2019 95

9401. Cheap Trick Signed Album Starting Bid $200

9402. The Cure Signed 45 RPM Record Starting Bid $200

9403. The Cure Signed 45 RPM Record Starting Bid $200

9404. The Cure Signed 45 RPM Record Starting Bid $200

9405. The Dave Clark Five Signed Album Starting Bid $200

9406. Robert De Niro Signed Photograph Starting Bid $200

9407. Depeche Mode Signed Album Starting Bid $200

9408. Depeche Mode Signed Album Starting Bid $200

9409. Johnny Depp Signed Photograph Starting Bid $200

9410. Devo Signed Album Starting Bid $200

9411. Bo Diddley Signed Photograph Starting Bid $200

9412. Fats Domino Signed Photograph Starting Bid $200

9413. Robert Downey, Jr Signed Photograph Starting Bid $200

9414. Duran Duran Signed 45 RPM Record Starting Bid $200

96 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9415. Duran Duran Signed Album Starting Bid $200

9416. Clint Eastwood Signed Photograph Starting Bid $200

9417. Clint Eastwood Signed Photograph Starting Bid $200

9418. Brian Eno Signed Album Starting Bid $200

9419. Faces Signed Album Starting Bid $200

9420. Faces Signed Album Starting Bid $200

9421. Harrison Ford Signed Photograph Starting Bid $200

9422. Harrison Ford Signed Photograph Starting Bid $200

9423. Peter Frampton Signed Album Starting Bid $200

9424. Aretha Franklin and George Michael Signed Album Starting Bid $200

9425. Aretha Franklin Signed Album Starting Bid $200

9426. Aretha Franklin Signed Album Starting Bid $200

9427. Funkadelic Signed Album Starting Bid $200

9428. Mel Gibson Signed Photograph Starting Bid $200

9429. Guns N’ Roses: Slash Signed Hat Starting Bid $200

9430. Guns N’ Roses: Slash Signed Photograph Starting Bid $200

9431. Heart Signed Album Starting Bid $200

Music | August 15, 2019 97

9432. The Hollies Signed Album Starting Bid $200

9433. Interpol Signed Album Starting Bid $200

9434. The Jam Signed Album Starting Bid $200

9435. Jefferson Airplane Signed Album Starting Bid $200

9436. Elton John and Bernie Taupin Signed Album Starting Bid $200

9437. Journey Signed Album Starting Bid $200

9438. Journey Signed Album Starting Bid $200

9439. Judas Priest Signed Album Starting Bid $200

9441. B. B. King Signed Album Starting Bid $200

9442. Carole King Signed Album Starting Bid $200

9445. KISS Signed 45 RPM Record Starting Bid $200

9446. KISS Signed 45 RPM Record Starting Bid $200

9440. B. B. King Signed Album Starting Bid $200

9443. B. B. King Signed Photograph Starting Bid $200

9444. Kings of Leon Signed Album Starting Bid $200

98 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9447. KISS Signed Album Starting Bid $200

9448. Lady Gaga Signed Photograph Starting Bid $200

9449. Lady Gaga Signed Photograph Starting Bid $200

9450. Led Zeppelin: John Paul Jones Signed Photograph Starting Bid $200

9451. Led Zeppelin: John Paul Jones Signed Photographs Starting Bid $200

9452. Courtney Love Signed Photograph Starting Bid $200

9453. John Mellencamp Signed Guitar Starting Bid $200

9454. The Moody Blues Signed Album Starting Bid $200

9455. The Moody Blues Signed Album Starting Bid $200

9456. Motley Crue Signed Album Starting Bid $200

9457. Motorhead: Lemmy Kilmister Signed Album Starting Bid $200

9458. Jack Nicholson Signed Photograph Starting Bid $200

9459. Al Pacino Signed Album Starting Bid $200

9460. Al Pacino Signed Photograph Starting Bid $200

9461. Al Pacino Signed Photograph Starting Bid $200

9462. Pearl Jam: Eddie Vedder Signed Photograph Starting Bid $200

Music | August 15, 2019 99

9463. Carl Perkins Signed Photograph Starting Bid $200

9464. Pink Floyd: Roger Waters Signed Album Starting Bid $200

9465. Pink Floyd: Roger Waters Signed Photograph Starting Bid $200

9466. Pixies Signed Album Starting Bid $200

9467. Poco Signed Album Starting Bid $200

9468. The Police Signed 45 RPM Record Starting Bid $200

9469. The Police Signed 45 RPM Record Starting Bid $200

9470. Iggy Pop Signed Album Starting Bid $200

9471. Queen: May and Taylor Signed Album Starting Bid $200

9472. The Rascals Signed Album Starting Bid $200

9473. Scorpions Signed Album Starting Bid $200

9474. Scorpions Signed Album Starting Bid $200

9475. Sex Pistols Signed Photograph Starting Bid $200

9476. Simple Minds Signed Album Starting Bid $200

9477. Smashing Pumpkins Signed 45 RPM Record Starting Bid $200

9478. Smashing Pumpkins Signed CD Single Starting Bid $200

100 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9479. Patti Smith Signed Album Starting Bid $200

9480. Soundgarden Signed CD Starting Bid $200

9481. Soundgarden Signed Photograph Starting Bid $200

9482. Soundgarden: Chris Cornell Signed Album Starting Bid $200

9483. Cat Stevens Signed Album Starting Bid $200

9484. Talking Heads Signed Album Starting Bid $200

9485. U2: Bono Signed Photograph Starting Bid $200

9486. Van Halen Signed Sheet Music Starting Bid $200

9487. The Who Signed Album Starting Bid $200

9488. The Who Signed Album Starting Bid $200

9489. The Who: Daltrey and Townshend Signed Album Starting Bid $200

9490. Kate Winslet Signed Photograph Starting Bid $200

9491. Neil Young Signed Album Starting Bid $200

9492. ZZ Top Signed Album Starting Bid $200

9493. ZZ Top Signed Album Starting Bid $200

9494. ZZ Top Signed Photograph Starting Bid $200

Music | August 15, 2019 101

Marilyn Monroe

9495. Marilyn Monroe ‘All About Eve’ Lobby Card.

(20th Century Fox, 1950) Original color 14 x 11 lobby card for the classic drama All About Eve, featuring the young Marilyn Monroe in a beautiful yellow gown, along with three of the film’s top-billed stars: Anne Baxter, Bette Davis, and George Sanders. In fine condition, with a repaired tear to the left edge. All About Eve earned wide critical acclaim upon its release, and received a record fourteen Academy Award nominations—in the end, it won six Oscars, including Best Picture. A desirable ‘star card’ from this landmark in modern cinema. Starting Bid $200

9496. Marilyn Monroe ‘Don’t Bother to Knock’ Title Lobby Card. (20th Century Fox, 1952) Original color 14

x 11 title lobby card for the film noir thriller Don’t Bother to Knock, starring Richard Widmark and Marilyn Monroe. The lobby card features a large image of Monroe in a strapless red top as Widmark ominously leans against a door, with a blurb from Live Magazine along the top: “Marilyn Monroe is the genuine article.” Below are five square scenes from the movie. In fine condition, with a few light creases, tack holes at the center of the upper border, and mounting tape remnants to the top edge of the reverse. Starting Bid $200

9497. Marilyn Monroe ‘Gentlemen Prefer Blondes’ Title Lobby Card. (20th Century Fox, 1953) Original color 14 x 11 title lobby card for the musical comedy Gentlemen Prefer Blondes, starring Jane Russell and Marilyn Monroe as globetrotting showgirls. The upper panel shows the pair in a leg-kicking pose, and pitches the Technicolor Howard Hawks film in red text: “The two m-m-marvels of our age in the wonder musical of the world!” Below are three scenes from the movie. In fine condition, with some mounting tape remnants to reverse. Starting Bid $200

9498. Marilyn Monroe ‘Niagara’ Title Lobby Card.

(20th Century Fox, 1953) Original color 14 x 11 title lobby card for the film noir thriller Niagara, starring Marilyn Monroe, Joseph Cotten, and Jean Peters. The upper panel shows Monroe lustily draped over Niagara Falls, and pitches the Technicolor film in yellow text: “Marilyn Monroe and ‘Niagara,’ a raging torrent of emotion that even nature can’t control!”

Below are four square scenes from the movie. In fine condition, with tack holes to corners and some mounting tape remnants to reverse. Given top billing for the first time, Monroe found her status elevated as a bona fide Hollywood star with her role in the film. Starting Bid $200

102 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9501. Marilyn Monroe and Arthur Miller Original Photograph. Original

vintage glossy 7.5 x 9.5 silver gelatin photo showing the elegantly attired Marilyn Monroe and Arthur Miller at the Empire Theatre in London to attend a Royal Command Film performance on October 30, 1956. Reverse bears a John Howard credit stamp. In fine condition, with light surface impressions above Miller’s head from a small notation on the reverse. Starting Bid $200

9499. Marilyn Monroe ‘Seven Year Itch’ Title Lobby Card. (20th Century Fox, 1955) Original color 14 x 11 title

lobby card for Billy Wilder’s romantic comedy The Seven Year Itch, starring Marilyn Monroe and Tom Ewell. The lobby card features the classic image of Monroe in her billowing white dress as Ewell looks on. In fine condition, with a few small tack holes and light edgewear. A wonderful piece boasting one of the iconic images of the 20th century. Starting Bid $200

9502. Marilyn Monroe and Joe DiMaggio Original Photograph.

Well-composed original vintage semi-glossy 7 x 10 silver gelatin photo of Marilyn Monroe watching ex-husband Joe DiMaggio take batting practice in March 1961; the Hall of Fame ballplayer is framed by the actress’s raised arm. Reverse bears an Arthur Rickerby/ Pix credit stamp. In fine condition, with trimmed edges.

Starting Bid $200

9503. Marilyn Monroe and Robert Mitchum Original Photograph. Original

9500. Marilyn Monroe and Arthur Miller Original Photograph. Original vintage glossy 6 x 8 silver gelatin

photo of Marilyn Monroe and Arthur Miller side-by-side in an English garden in 1956. Reverse bears an affixed caption and European credit label. In very good to fine condition, with light overall spotting to the emulsion, and rippling to the right edge from the caption on the back. Starting Bid $200

vintage glossy 7.25 x 9.25 silver gelatin photo of Marilyn Monroe and Robert Mitchum as they appeared in the 1954 Western film River of No Return, showing Monroe serenading Mitchum with an acoustic guitar. In fine condition, with trimmed edges.

Starting Bid $200

Hollywood | August 15, 2019 103

9504. Marilyn Monroe Archive of (20) Lobby Cards. Highly desirable collection of 20 original 14 x 11 lobby cards for the films of Marilyn Monroe, including: Ladies of the Chorus (1948), The Asphalt Jungle (1950), The Fireball (1950), Home Town Story (1951), As Young as You Feel (1951), Love Nest (1951), Let’s Make It Legal (1951), Ladies of the Chorus (1952-R), Clash by Night (1952), We’re Not Married! (1952), Be Your Age [Monkey Business] (1952), O. Henry’s Full House (1952), How to Marry a Millionaire (1953), River of No Return (1954), There’s No Business Like Show Business (1954), Bus Stop (1956), Some Like It Hot (1959), Let’s Make Love (1960), The Misfits (1961), and Marilyn (1963). In overall very good to fine condition, with various tack holes, creasing, and tape remnants to reverse. Starting Bid $200

9505. Marilyn Monroe Original Photograph. Original

vintage glossy 7 x 10 silver gelatin photo of Marilyn Monroe posing in a lovely beaded dress. Reverse bears a William R. Woodfield/Globe Photos credit stamp. In fine condition.

Starting Bid $200

9506. Marilyn Monroe Original Photograph. Gorgeous original vintage glossy 7.25 x 9.25 silver gelatin photo of Marilyn Monroe seated during her 1956 photo shoot with Cecil Beaton, taken by Beaton’s assistant Edward Pfizenmaier.

Reverse bears a Globe Photos credit stamp, and an ink annotation erroneously attributing the portrait to Beaton. In fine condition, with trimmed edges, and some faint speckling to the emulsion. Starting Bid $200

104 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9507. Marilyn Monroe Prince and the Showgirl Lobby Card Signed by Laurence Olivier. (Warner Bros. Studios,

1957) Original color 14 x 11 title lobby card for the romantic comedy The Prince and the Showgirl, depicting a scene with Marilyn Monroe and co-star Laurence Olivier, signed in the right margin in blue ballpoint by the British actor, “L. Olivier.�

Permanently affixed to a foamcore mount and in very good to fine condition, with mild uniform toning and a few light ripples and creases. Starting Bid $200

Magnum Photographs 9508. Cary Grant Original Photograph by Ernst Haas.

Original vintage semi-glossy 13.75 x 9.5 silver gelatin photo of Cary Grant as Capt. Anthony Trumbull in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Grant is shown smiling in a close-up at the end of a cannon. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition, with wear and light creasing to corners. Starting Bid $200

9509. Cary Grant Original Photograph by Ernst Haas.

Original vintage semi-glossy 13.75 x 9 silver gelatin photo of Cary Grant as Capt. Anthony Trumbull in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas.

Grant is shown loading a cannon during the storming of Avila.

Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition, with light creasing to edges. Starting Bid $200

Hollywood | August 15, 2019 105

Classic Hollywood Our first signed photo of ‘Floyd the Barber’ 9510. Andy Griffith Show: Howard McNear Signed Photograph. Exceedingly rare vintage glossy 8 x 10 photo of McNear as Floyd Lawson, the barber from The Andy Griffith Show, signed and inscribed in black ballpoint, “Best of luck always to Bonnie Lu, Friend, ‘Floyd,’ Howard McNear.” An ink notation to the reverse dates the signature to May 10, 1965. In very good to fine condition, with creasing to the left side, light surface impressions (some over McNear’s face), and three binder dings to the right edge. Photos signed by McNear are virtually nonexistent, with this ‘Floyd the Barber’ example all the more rare and desirable. In over four decades of business, RR Auction has never offered a photograph signed by McNear, and have come across instances of his autograph a mere three times. A true television rarity. Starting Bid $200

As Brando films 1958’s The Young Lions, he throws Hollywood censorship lines aside in this private letter: “Say hellow to your boss and give everybody the finger for me” 9511. Marlon Brando Typed Letter Signed. Humorous TLS signed “Take

care, Mar,” one page, 8.5 x 11, 1957. Letter to Eddie Sherman of the Honolulu Advertiser, in part (spelling and grammar retained): “Who would have ever thought that I would be in paris in 1957 and fucking Amelia Aerhart. I called you a couple of times while I was in and out of Lotus Land but I guess you were mad at me.

That’s all right kid, just wait till you want to get your hands on some of my used condoms, then we’ll see how tough you are. How are ya? I’ve been really bleeding with the heat here. I’m playing a German officer in the Young Lions and were shooting in wool uniforms at a mean temperature of 96 degrees. My nuts turnned into a couple of butterscotch drops and I had to scrape them up off the floor with a dull knife. I think that perhaps it’s going to be a good picture after all. Monty Clift and Dean Martin are in it. We’ll be here for possibly for threel more weeks and them go to Germany for six days and N. Y., the desert, sunvally, the Hollywood.

Its got the potentials of an effective anti war story and I’m trying to put my best into it.” In fine condition. Accompanied by the original mailing envelope, filled out in Brando’s hand, with his return address also written by him on the reverse.

At the time, Brando was working on The Young Lions, a World War II film in which he portrayed a disillusioned Nazi lieutenant. As Brando mentions, Lions also starred Dean Martin and Montgomery Clift, who represented the other side of the war, as two friends in the US Army.

Based on the best-selling 1949 novel by Irwin Shaw, the movie was somewhat limited due to censorship restrictions, but was nevertheless well received, Brando’s performance in particular. Just as Brando complains about the weather in this correspondence, according to Twentieth Century-Fox: A Corporate and Financial History by Aubrey Solomon, the production filming of The Young Lions ‘Had the misfortune to hit torrential rains in almost every location and was even struck by a locust plague, causing delays which amounted to $1.3 million, almost 50 per cent of the original budget.’ A colorful letter, rich in movie content from the Hollywood icon. Starting Bid $200

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9513. Bonanza: Dan Blocker Signed Photograph. Vintage glossy 7 x 9 photo of

Blocker in his famous role as Hoss Cartwright in the famous Western TV series Bonanza, signed and inscribed in black felt tip, “My best to Bill—Dan Blocker, Hoss.” In very good to fine condition, with scattered light creasing, a paperclip impression to the left edge, and minor emulsion loss to the upper left corner.

Starting Bid $200

9514. Robert De Niro and Jake LaMotta Signed Photograph.

Sought-after glossy 10 x 8 cardstock photo of world middleweight champion boxer Jake LaMotta, showing him during his fighting career and in later age, and Robert De Niro as he portrayed LaMotta in the Oscar-winning film Raging Bull, signed in blue ballpoint, “Hello! Robert De Niro,” and in blue felt tip, “Jake LaMotta.” In fine condition. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

9515. Easy Rider Signed Poster. Modern

color 27 x 40 reproduction of the one-sheet movie poster for the classic 1969 motorcycle film Easy Rider, signed in blue felt tip by Peter Fonda and Dennis Hopper. In fine condition.

Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

Lovely Armani waistcoat worn by Hepburn on her Emmy Award-winning series, Gardens of the World 9512. Audrey Hepburn Screen-Worn Waistcoat from Gardens of the World. Audrey Hepburn’s screen-worn Emporio Armani knitted

waistcoat from the 1990s documentary television series Gardens of the World with Audrey Hepburn. Patterned in hot pink, green, purple, and brown, the cotton/acrylic waistcoat with floral designs, no size but likely small/medium, features a set of four fabric buttons, with Emporio Armani label sewn into collar area. The original Christie’s lot tag is attached to top button. In fine condition, with expected wear from use. Provenance: Audrey Hepburn: The Personal Collection, Part III, Christie’s, May 2018.

Narrated by both Michael York and Hepburn herself, Gardens of the World with Audrey Hepburn followed the Oscar-winning actress to some of the world’s most beautiful, noteworthy gardens. Hepburn wore this particular waistcoat on the fourth episode of the series, entitled ‘Flower Gardens,’ which focused on Claude Monet’s stunning gardens at Giverny and the classic perennial flower borders at Tintinhull House in Somerset, England. In the fall of 1993, Hepburn posthumously earned her first and only Emmy Award when she and Gardens of the World won for Outstanding Individual Achievement, Informational Programming. Starting Bid $200

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This archive is highlighted by Brando, Sheen, Duvall, Coppola, and Lucas There are four Brando documents, with one signed twice!

108 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Forty documents from the turbulent making of

Apocalypse Now ‘My film is not a movie. My film is not about Vietnam. It IS Vietnam. It’s what it was really like—it was crazy. And the way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little we went insane.’

—Francis Ford Coppola, Cannes, 1979

9516. Apocalypse Now Archive of (40) Signed Documents.

On March 20, 1976, director Francis Ford Coppola and dozens of cast and crew descended into the Philippine jungle, into madness, into their Vietnam. The film opens sans credits, the whirling of Huey helicopters in a hellfire landscape interspersed with the whirring of a ceiling fan in the hotel room of Captain Benjamin L. Willard, played by Martin Sheen. He lies contemplatively, cursed by memories, as The Doors’ ‘The End’ plays in the background. A handgun, an empty glass of cognac, a smoldering cigarette. Willard rises, peers through the blinds, and exclaims: ‘Saigon…sh*t. I’m still only in Saigon. Every time, I think I’m gonna wake up back in the jungle.’

Coppola foregoes Hollywood’s standard opening formula by eschewing both title cards and credits (this is not a movie), resulting in immediate immersion for the viewer (it IS Vietnam). His artistic vision is mirrored in this comprehensive archive of 40 documents, which range in date from 1976 to 1979, and predominately consist of one-page screen credit release waivers signed in 1977; these forms, submitted to Coppola Cinema Seven, waive all rights “to receive credit on the screen for…services rendered in connection with the film entitled ‘Apocalypse Now,’” with the understanding that director Francis Ford Coppola intends “to provide credit on a printed program rather than on the screen in certain showings of the Film”; an example of this program is included.

The primary documents that deviate from this waiver format are signed by Marlon Brando and George Lucas: the four Brando documents (with a combined total of five Brando signatures) discuss and consent to various matters related to his screen credits (e.g. “Martin Sheen’s name may appear above the

title, in third position, after my name and that of Robert Duvall” and “In connection with ‘Apocalypse Now,’ I agree that the ‘Directed By’ and ‘Produced By’ credits to Francis Coppola may be combined and appear above mine, so long as my credit still appears on a separate card on screen”), while the George Lucas document is an employment agreement for his “consulting and editing services.”

Lucas had originally been slated to direct the picture, but his passion project—Star Wars—drew him away early on. Harrison Ford played the role of ‘Colonel Lucas’ in a nod to the departed director, and he, too, would be swept into the Star Wars saga—by the time Ford signed the present document (October 31, 1977), Star Wars had been in theaters for five months and made him a superstar overnight.

The highlights of this archive are the documents signed by the principal actors/filmmakers: Marlon Brando (four documents, with one twice-signed), Martin Sheen, Robert Duvall, Dennis Hopper, Harrison Ford, Laurence Fishburne, Sam Bottoms, Frederic Forrest (adding: “provided you use my good side in the scene where my head is cut off, with Marty”), Albert Hall, George Lucas (also signed by Coppola), Francis Ford Coppola (a TLS about permission to use the Playboy Bunny logo), and screenwriter John Milius; and by the musicians who provided the memorable soundtrack: one signed by John Densmore and Robby Krieger of The Doors, one signed by Ray Manzarek of The Doors, and one signed by Flash Cadillac & The Continental Kids (Warren Knight, Sam McFadin, Linn Phillips III, Kris Moe, Dwight Bement, and Paul Wheatbread).

In addition to the principal signers, the archive includes documents signed by background players and uncredited bit

Hollywood | August 15, 2019 109

View all 40 documents online at www.RRAuction.com

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parts: Joseph Sheen, Herb Rice, Charlie Robinson, Ben Piazza, Colleen Camp, Linda Carpenter, Mark Jenkins, Glenn Walken, Damien Leake, Ken Wolger, Jack Thibeau, William Upton, Tony Cummings, Frank Villard, David Olivier, Christian Marquand, Chrystel Le Pelletier, and Aurore Clément; and producers and crew assistants: Gray Frederickson, Fred Roos, Jerry Ziesmer, and Joe Lowry.

Like the nightmare that was the Vietnam War, the production of Apocalypse Now went sideways nearly as soon as it started. It was originally scheduled for 16 weeks of shooting beginning in March 1976, a timeline that spiraled out of control: borrowed helicopters were recalled by the Philippine military to fight rebels; tropical disease wreaked havoc; payroll was stolen; and monsoon rains destroyed sets and equipment. Marlon Brando arrived in September, overweight and unprepared, having learned none of his lines. He refused to work with wild-and-crazy Dennis Hopper, forcing their scene together to be filmed on alternate nights. Fed up with Brando’s antics, Coppola ultimately turned over the filming of his scenes to Assistant Director Jerry Ziesmer (who is represented in these documents, and who uttered one of the film’s most memorable lines—’Terminate, with extreme prejudice’—after Coppola failed for months to find a suitable actor).

Year’s end brought the fun ‘Hau Phat U.S.O. Bunny Show’ sequence, shot on December 3, 1976, that delivered Playboy Playmates Cyndi Wood, Linda Carpenter, and Colleen Camp to the set (Carpenter and Camp are included in this archive, as well as Coppola’s letter expressing concern about the use of Playboy’s famous logo, which appears throughout the scene). Trouble returned in early 1977, when the 36-year-old Martin Sheen collapsed from a serious, near-fatal heart attack. During Sheen’s six weeks of recovery, his look-alike, sound-alike younger brother, Joe Estevez—present in this archive as “Joseph Sheen”—filled in on set; Estevez would also provide the necessary voiceovers during post. Filming finally wrapped on May 21, 1977, after a combined 238 days of tumultuous shooting over a two-year span. Coppola addressed the crew at day’s end: ‘I’ve never seen so many people so happy to be unemployed.’

Post-production met with similar delays, due to setbacks in creating the stereo soundtrack (which would include ‘The End’ by The Doors and Flash Cadillac’s cover of ‘Suzie Q’) and re-working the film while editing the material. After fits and starts, Apocalypse Now finally debuted—as a ‘work in progress’—at the Cannes Film Festival in May 1979, where it was awarded the prestigious Palme d’Or. Laurence Fishburne was just 14 years old when production started, and had lied about his age to secure the role of 17-year-old Tyrone ‘Mr. Clean’ Miller (when he signed the present document in September 1977, he was still just 16); by the time the film premiered in American theaters in August 1979, Fishburne was 18 and could have joined the Army himself.

Coppola revisited his masterpiece with the revised and extended version, Apocalypse Now Redux, released in 2001. The significant re-edit added 49 minutes to the original’s runtime, among them a long French plantation sequence in which five of the signers in this archive—Villard, Olivier, Marquand, Le Pelletier, and Clément—appear on screen, who are not seen in the original 1979 version. In addition to its eight Academy Award nominations (winning Oscars for ‘Best Cinematography’ and ‘Best Sound’), Apocalypse Now’s cinematic legacy has been enhanced by the Emmy-winning 1991 documentary Hearts of Darkness: A Filmmaker’s Apocalypse, which chronicled the ‘magic and madness’ of its production. It now takes a place among the top films of all-time, and was selected for preservation in the National Film Registry by the Library of Congress as being ‘culturally, historically or aesthetically significant.’ As a one-of-a-kind, extensive archive of documents signed by the prominent and obscure figures involved with the legendarily difficult making of Apocalypse Now, this is a truly remarkable lot. Starting Bid $1000

Hollywood | August 15, 2019 111

Incredible court-used photo archive of the James Dean crash site 9517. James Dean Crash Site Photograph Collection. Unprec-

edented collection of 30 unpublished original glossy photos, 8.25 x 10 and 10 x 8.25, which vividly document the fatal car crash site of Hollywood actor James Dean, who was tragically killed at the age of 24 when his 1955 Porsche 550 Spyder, coined the ‘Little Bastard,’ collided with a 1950 Ford Tudor driven by Donald Turnupseed on September 30, 1955; the accident occurred when the actor was driving westbound on U.S. Route 466 en route to a racing event in Salinas, California.

The collection consists of 12 overhead views of the junction of Route 466 and Route 41, which lay a fascinating visual groundwork of the surrounding landscape and for a strip known as ‘the racer’s road,’ a stretch of tarmac used as a fast-moving shortcut by sports car drivers making their way to Salinas. Also featured is a total of 18 ‘ground-level’ photos, with nine showing Routes 466 and 41 in up-close detail—replete with telephone poles, mountainous vista, disrupted road shoulder, and fresh skid marks and vehicular fluid stains—and nine others showing the terrifying aftermath photos of Dean and Turnupseed’s mangled automobiles; the interior or exterior of Dean’s significantly damaged Porsche 550 is visible in six of the photographs, as is Dean’s No. 130 racing number and “Little Bastard” sticker.

The photos, distinguished by date, are as follows: four of the ground-level aftermath photos are dated to the day of the accident, September 30, 1955; nine ground-level photos of Routes 466 and 41 are dated to the following day, October 1, 1955, with one photo of Turnupseed’s damaged Ford Tudor in a garage similarly dated; seven aerial photos dated June 21, 1958, and five aerial photos dated July 10, 1958. Four vehicle aftermath are undated, but were assuredly taken on September 30th or on early October 1st.

Reverse of 26 photos stamp-dated with “Russ Schober Photo” or “Stevens Studios” address stamps and annotated with corresponding photo numbers. The reverse of all ground-level photos annotated in pencil, “Wutherich vs. Turnupseed–Dean– Coulter,” which alludes to the surviving passenger in Dean’s car, Porsche mechanic Rolf Wutherich, who attempted to sue the insurance companies of both Dean and Turnupseed for the array of injuries he incurred, such as a double fractured jaw and a severely torn left hip that required multiple surgeries. The legal proceedings never came to fruition, however, with Wutherich returning to West Germany in 1957. The other driver in the accident, Turnupseed, was practically physically unscathed, with no more than a bloody nose and scratches. In overall very good to fine condition, with scattered creasing, one edge tear, and one clipped corner.

Accompanied by a signed letter of provenance from Robert A. Coyle, the son of Robert Everett Coyle, who served as the attorney on behalf of Turnupseed and his insurance company. The letter, in part: “Official photos taken at the scene after the crash and published by Stevens Studios in Paso Robles, CA…used in court case Wutherich vs. Turnupseed, Dean, Coulter…Our father, Robert E. Coyle, was the attorney for Donald Turnupseed…When the case was dropped, he was still in possession of the photographs and being a history buff, made sure they were not destroyed.” Like other leading men Steve McQueen and Paul Newman, Dean developed a passion for auto-racing in his early adulthood and began to purchase vehicles shortly after filming East of Eden. In Palm Springs on March 26–27, 1955, he entered his first professional race, taking the top spot in the novice class and placing second in the main event. Barred from all racing activities during the filming of Giant, it wasn’t until the end of production that Dean traded in his 1955 Porsche Super Speedster for his ‘Little Bastard,’ the faster and more powerful 1955 Porsche 550 Spyder, which he planned to drive in the upcoming Salinas Road Race event scheduled for October 1–2. The early death of James Dean reverberates to this day, with these never-before-seen images offering an intensely unique perspective of the crash location and the resulting carnage, with many of the photos taken only hours after the accident. Starting Bid $1000

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9518. Dustin Hoffman Signed Photograph. Sat-

in-finish 14 x 11 photo of the wedding scene in the 1967 film The Graduate, signed in blue felt tip by Dustin Hoffman. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

9520. Harpo Marx Signature. Vintage

pencil signature, “Harpo Marx,” on an off-white 3 x 1.5 slip. Impressively matted and framed with a portrait of the comedian to an overall size of 12.75 x 16.5. In very good to fine condition, with creases to three corners. Starting Bid $200

Excessively rare fully signed Lost in Space cast photo, including Guy Williams as Dr. John Robinson

9519. Lost in Space Signed Photograph. Excessively rare glossy 10 x 8 photo of the Lost in Space cast, signed and

inscribed in felt tip, “Guy Williams,” “For Warren, Regards, June Lockhart,” “Billy Mumy,” “Angela Cartwright,” “Mark Goddard,” “Marta Kristen,” and “Jonathan Harris.” In fine condition. Accompanied by a provenance note from the original collector, in full: “I met Guy Williams in Ca. 1978 (very nice). I got the rest of the cast at shows over the years.” Williams is virtually non-existent in Lost in Space signed photos, given his reclusive retirement to Argentina and relatively early death. This is the only fully-signed cast photo we have ever seen. Starting Bid $500

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Incredible 30th anniversary Star Trek poster signed by 48 cast members 9521. Star Trek Multi-signed Poster. Amazing color 24 x 36 poster entitled ‘Star Trek: 30 Years,’ signed in various inks by 48 cast members from the Star Trek franchise, including the original series, The Next Generation, Deep Space Nine, Voyager, and related films. Signers are: Original Series: William Shatner, Leonard Nimoy, DeForest Kelley, Nichelle Nichols, James Doohan, Walter Koenig, George Takei, Majel Barrett-Roddenberry, Grace Lee Whitney, and Joan Collins.

The Next Generation: Patrick Stewart, John de Lancie, Marina Sirtis, Gates McFadden, Michael Dorn, Wil Wheaton, Denise Crosby, Jonathan Frakes, Brent Spiner, LeVar Burton, and Judson Scott.

Deep Space Nine: Rene Auberjonois, Avery Brooks, Max Grodenchik, Nana Visitor, Chase Masterson, Stewart Moss, William O’Connell, Charles Napier, Alexander Siddig, Nicole de Boer, Cirroc Lofton, Armin Shimerman, and Terry Farrell.

Voyager: Kate Mulgrew, Robert Beltran, Robert Duncan McNeill, Tim Russ, Robert Picardo, Jeri Ryan, Ethan Phillips, Roxann Dawson, Garrett Wang, Jennifer Lien, Robin Curtis, and Alice Krige.

Stark Trek films: Christopher Lloyd and Malcolm McDowell.

In very good to fine condition, with scattered light creasing and handling wear, a chip to the bottom edge, and some thin clear tape remnants along the edges and reverse. Accompanied by a detailed collector’s log that denotes the date and location that each signature was obtained (most at shows or conventions). With autographs gathered between 1996 and 2017, this impressive poster represents a decade-long, cross-country collecting effort—a truly remarkable assemblage of Star Trek signatures.

Starting Bid $200

9522. Star Trek: Shatner and Nimoy Signed Photograph.

Color satinfinish 16 x 20 photo of Star Trek’s Captain Kirk and Mr. Spock, signed in black felt tip by William Shatner and in blue felt tip

by Leonard Nimoy. In fine condition, with a JSA label affixed to lower right corner. Accompanied by a certificate of authenticity from JSA. Starting Bid $200

9523. Star Wars: Episode III – Revenge of the Sith Signed Poster. Color 27 x

40 one sheet poster for the 2005 epic space-opera Star Wars: Episode III – Revenge of the Sith, signed in ink and felt tip by 18 cast members, with most adding their character names. Signers include: George Lucas, Hayden Christensen, Temeura Morrison, Nalini Krishan, Bonnie Piesse, Joel Edgerton, Ahmed Best, Matthew Wood, Kenny Baker, Peter Mayhew, Orli Shoshan, Jerome Blake, Anthony Daniels, Samuel L. Jackson, Michael Kingma, Bruce Spence, Wayne Pygram, and Kee Chan.

Rolled and in very good to fine condition, with scattered light creasing. Starting Bid $200

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9524. Star Wars: Mark H a m i l l Signed Storybook.

Uncommon softcover storybook for Star Wars: Return of the Jedi, published by Scholastic Inc. in 1983, 8 x 11, signed on the front cover in blue felt tip by Mark Hamill.

In fine condition, with light handling wear.

Accompanied by a full letter of authenticity from JSA. Starting Bid $200

9525. Sharon Tate’s Personally-Owned Gloves. Mismatched

pair of Sharon Tate’s personallyowned leather gloves, including a short red left-handed glove with suede lining and a long dark green right-handed glove with floral-pattern fabric lining. In overall very good condition, with overall wrinkling and scattered areas of discoloration to the darker glove. Provenance: From the Estate of Sharon Tate, Julien’s, November 2018. Starting Bid $200

9526. Group of (3) Western Hollywood Vintage Original Photo Albums. Interesting

group of three thick vintage Western-themed Hollywood photo albums, containing a combined total of over 1,000 photographs from early Western films, including original stills, promo cards, and secondgeneration prints, as well as various images clipped from books, magazines, and programs. Actors seen in the album include John Wayne, Clint Eastwood, Peter Fonda, Gary Cooper, Dustin Hoffman, Charlton Heston, William S. Hart, Pedro Armendáriz, Tom Mix, Buck Jones, Pete Morrison, Richard Dix, Warner Baxter, Ken Maynard, Hoot Gibson, Will Rogers, Jack Holt, Wally Wales, Rex Bell, Tim McCoy, Harry Carey, William Farnum, Douglas Fairbanks, William Desmond, Bill Patton, Neal Hart, Frank Church, Tom Mix, Buck Jones, Leo Maloney, Randolph Scott, Rex Bell, Yakima Canutt, Leo Carrillo, Lash LaRue, Sunset Carson, and many more. Many of the photographs are annotated in an unknown hand to identify the actors and years of the films, which range from 1905 to 1970. In overall very good to fine condition. Starting Bid $200

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Contemporary Entertainment 9527. Dan Aykroyd Signed Photograph. Color satin-fin-

9 5 3 0 . Me l B r o o k s Signed Mini Posters. Two

ish 11 x 14 photo of Aykroyd as Ray Stantz in Ghostbusters, signed in blue felt tip. In very fine condition, with a PSA/ DNA label affixed to the lower corner. Accompanied by a certificate of authenticity from PSA/DNA. Accompanied by a photo taken of Aykroyd at the time of the private signing.

Starting Bid $200

color satin-finish 12 x 18 photos reproducing the posters for Blazing Saddles and Young Frankenstein, individually signed in blue felt tip by director Mel Brooks. In fine condition, with some light edge creasing to the Blazing Saddles photo. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

9528. Christian Bale Signed Photograph.

Color satin-finish 11 x 14 full-length photo of Christian Bale as Batman, signed in black felt tip. In fine condition, with scattered light creasing.

Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

9529.

John Belushi Signed Photograph.

Sought-after glossy 8 x 10.25 AVCO Embassy Pictures publicity photo of Belushi as Eric Katz in the 1979 drama Old Boyfriends, signed and inscribed in blue ballpoint, “To Matt, your friend, John Belushi.” In fine condition, with a few small surface creases. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

9531.

Matt Damon Signed Photograph. Color

satin-finish 10 x 8 head-and-shoulders photo of Damon in near profile, signed in blue felt tip. In very fine condition, with a PSA/DNA label affixed to the lower corner. Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

9532. Diff ’rent Strokes. Color glossy 8 x 10 photo of the four stars of Different Strokes, signed in black felt tip by Gary Coleman, Dana Plato, Todd Bridges, and Conrad Bain. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

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9533. Carrie Fisher.

9536. Tom Hanks Signed Photograph. Color satin-

Glossy 8 x 9.75 Orion Pictures publicity photo of Fisher as Annie Clark for the 1981 film Under the Rainbow, nicely signed in black felt tip. In fine condition, with some minor surface spots to finish.

From the Harvey and Rhoda Kuflik Collection. Accompanied by a full letter of authenticity from PSA/DNA Starting Bid $200

finish 14 x 11 photo of Hanks in his memorable role as Apollo 13 Commander Jim Lovell, signed in blue felt tip by the Oscarwinning actor. In fine condition, with a PSA/DNA label affixed to the lower corner.

Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

9537. Sam Kinison Live Performance Tape. Maxell cas-

9534.

Jodie Fo s ter S i g n e d Photograph. Sat-

in-finish 10 x 8 photo of Foster as underage prostitute Iris ‘Easy’ Steensma in the classic 1976 film Taxi Driver, signed in black felt tip. In fine condition, with a PSA/DNA label affixed to the lower corner.

Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

9535. Game of Thrones: Clarke and Momoa Signed Script Cover. Front cover

to a souvenir script for ‘Winter Is Coming,’ the series premiere episode of Game of Thrones, 8.5 x 11, signed in blue felt tip by Emilia Clarke and Jason Momoa. In very fine condition.

Accompanied by two certificates of authenticity from Celebrity Authentics. Starting Bid $200

sette tape recording of a performance by stand-up comedian Sam Kinison, annotated on the inner sleeve in red felt tip, “Sam Kinison Live” and “Sam Live @ Sturgis, Live Mix by Jeff Waluch,” listing phone numbers below. The tape itself is marked, “Sam @ Sturgis 8/10.” The consignor notes that this originates from the personal collection of Gavin Menzies, a noted guitar tech and music industry insider. Starting Bid $200

9538. Luke Perry Signed Photograph.

Color glossy 8 x 10 photo of Luke Perry during his years on Beverly Hills, 90210, signed in blue felt tip.

In very fine condition, with some creasing and emulsion irregularity. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

Hollywood | August 15, 2019 117

9539. John Travolta Signed Poster. Modern color 27 x 40 reproduction of the

one-sheet movie poster for Paramount’s popular 1977 disco film Saturday Night Fever, signed in blue felt tip by John Travolta. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

The X-Files props of Scully and Mulder 9540. The X-Files Group of (4) Props.

Highly appealing group lot of four props used for the Fox science fiction drama television series The X-Files, including:

A pair of laminated FBI identification badges belonging to special agents Fox Mulder and Dana Scully, 2.5 x 3.75, with front featuring images of the X-File agents below facsimile signatures and reverse featuring FBI emblems and bar codes; individually housed in plastic sleeves with clip holder. Both of these FBI I.D. badges were used during the eighth season of The X-Files; created in the studio’s property department in Los Angeles, these examples of Scully and Mulder FBI badges differ from those seen in earlier seasons when the series was filmed in Vancouver.

A pack of Morley cigarettes, 2.25 x 3.25 x .75, with red-and-white packaging designed to look like a pack of Marlboros; cigarettes are not included. The Morley brand is the go-to smoke for the ‘Cigarette Smoking Man,’ the arch-nemesis of Special Agent Mulder, who, in season 11, reveals his full name to be Carl Gerhard Busch.

A brown 9.5 x 11.75 FBI folder containing reports for three X-Files story arcs: a ‘Prosecutive Report’ concerning “Gary Lambert and Incidents Arising at From VinylRight Telemarketing Office,” which focuses on the events of ‘Folie à Deux,’ the nineteenth episode of season five, which was written by Vince Gilligan of Breaking Bad and Better Call Saul fame; an informal report relating to the abduction of Scully by Duane Barry, a significant storyline featured in the show’s second season; and a case file on serial killer Luther Lee Boggs, the antagonist from ‘Beyond the Sea,’ the thirteenth episode of the first season, with fan favorite character actor Brad Douriff playing the part of Boggs. The folder also contained a police report related to the arrest of Richard Talbot. In overall fine condition. Starting Bid $200

118 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Animation Fantasia’s mushroom dancers from the ‘Nutcracker Suite’ 9541. Mushrooms production cel from Fantasia. (Walt Disney Studios, 1940) Uncommon original production cel featuring the dancing mushrooms from the ‘Nutcracker Suite’ segment of Fantasia, showing the seven mushrooms in a synchronized dancing pose, with the small baby mushroom in front. The cel has been trimmed and applied to a detailed airbrushed background as prepared by Courvoisier Galleries for sale. The individual mushroom images range in size from 1.25 x 1 to 1.75 x 3.25, with a mat opening of 10.75 x 10.25. Framed to an overall size of 16.25 x 15.75. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition, with some minor cracking and lifting to paint. A wonderful piece from the pioneering Disney feature that paired classical music with modern, innovative visuals. Starting Bid $300

Extremely early Bart Simpson sketch from 1988 9542. Matt Groening Signed Book. Signed book: Childhood

Is Hell. First edition. NY: Pantheon Books, 1989. Softcover, 9 x 9. Signed on the inside front cover in red ink by Matt Groening, who adds the date, “11/22/1988,” and a fantastic full-length sketch of Bart Simpson with an inscription in a speech bubble above: “To Brian & Paula.” In fine condition. An incredibly early sketch of Springfield’s favorite troublemaker—at this juncture, the Simpson family were still only in their second season on The Tracey Ullman Show, and still over a year away from making their Fox network debut on December 17, 1989—one of the earliest Simpsons sketches known to exist. Starting Bid $200

9543. Bob Kane Signed Check. California Bank check, 8 x 3, filled out and signed by the legendary Batman creator, “Bob Kane,” payable to his ex-wife Beverly Kane for $100, December 3, 1958. In fine condition. Starting Bid $200

Animation | August 15, 2019 119

9544. Stan Lee Signed Comic Book. The Amazing

Spider-Man #359 comic book issued in February 1992, 32 pages, 6.5 x 10, signed on the front cover in black felt tip by creator Stan Lee. In fine condition, with a PSA/DNA label affixed to the front cover.

Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

9547. Jerry Siegel Signed Comic Book. Limited edi-

tion reprint of the iconic Action Comics No. 1 comic book that introduced Superman into popular culture, numbered 234/2000, 6.75 x 10.25, signed on the front cover in black felt tip by creator and writer Jerry Siegel. In fine condition. Accompanied by a certificate of authenticity from the publisher, Dynamic Force, Inc. Starting Bid $200

9548. Homer and Maggie Simpson production cel from The Simpsons. (20th

9545. Otto, Owls, and Children production cels from Robin Hood. (Walt Disney Studios, 1973) Original produc-

tion cels featuring Otto the canine blacksmith, two owls, and the town’s children from Robin Hood, showing them all waving to the left side of the frame. Otto’s image measures 4.5 x 8.25, the owls measure 6 x 4.25, and the line of children measures 8 x 3, with a mat opening of 26.25 x 10.5. Framed to an overall size of 34.75 x 18.5. The piece has the original Walt Disney Productions label on the reverse, and an initialed seal to lower right. In very good condition, with moderate to heavy overall wrinkling to the celluloid sheets, and cloudy scattered spotting. Starting Bid $200

Century Fox, 1990) Original production cels of Homer and Maggie Simpson from The Simpsons, which shows Homer in his favorite position—sitting on the family couch—with his youngest daughter by his feet. The cels are placed on a matching studio copy background, with cels and background featuring the production code, “7F07,” which indicates that the cels are from the seventh episode of the second season, ‘Bart vs. Thanksgiving.’ Character images measure 3.5 x 5.75 (Homer) and 1.25 x 2.25 (Maggie), with overall dimensions of 12.5 x 11. The piece has the 20th Century Fox seal on lower right. In fine condition. Accompanied by a certificate of authenticity from Twentieth Century Fox. Starting Bid $200

Beautiful large sketch of Snoopy inside a volume of “Peanuts Classics” 9546. Charles Schulz. Signed book: Peanuts Classics. First edition. NY: Holt, Rinehart and Winston, 1970. Hardcover with dust jacket, 8.75 x 11.25. Signed and inscribed on the first free end page in black felt tip, “For Ami with every best wish—Charles M. Schulz,” with the fabulous addition of a large sketch of Snoopy perched atop his doghouse. In fine condition, with a gift inscription to the front pastedown and a price-clipped dust jacket. This large original drawing could easily be removed from the book and displayed as artwork. An excellent compilation of Peanuts comic strips boasting a desirable sketch of the beloved Snoopy.

Starting Bid $200

120 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

Art, Architecture, and Design Banksy takes aim at Paris Hilton’s debut album 9549. Banksy. Rare first issue of

the ‘Paris’ CD by enigmatic street artist Banksy, who reinterpreted approximately 400 to 500 copies of Paris Hilton’s debut album before placing them in 48 record stores across the United Kingdom in late August 2006.

The ‘spoof’ CD package includes: CD booklet with cover artwork depicting a topless Hilton, with inner pages including the following images and captions: Hilton emerging from a vehicle next to a sidewalk of homeless people, “90% of Success is just Showing up”; Hilton in a sultry half-length pose, “Every CD you buY puts me even further out Of youR league”; Hilton lounging on a sofa, “Life wasn’t meant to be fair”; Hilton as a nude mannequin, “Thou SHALT NoT WORSHIP FALSE ICoNS”; Hilton in a head-and-shoulders pose, “RACE TO THE BOTTOM OF THE PILE!” with line below, “A special limited edition remix”; and black back cover, “Every time someone asks me how I am i hesitate for a Little bit too long.”CD-ROM disc with remixed music by DJ Danger Mouse, with “Paris, X” in black felt tip.Jewel case with reworked song label to upper left, which reads: “Paris Hilton, Debut Album, Featuring ‘Why Am I Famous?’ ‘What Have I Done?’ and ‘What Am I For?’” Inner tray artwork with full-length image of Hilton’s body posing with a microphone, and her head replaced with that of her Chihuahua, Tinkerbell; the back of sleeve features the original barcode. In fine condition, with a couple of cracks to the jewel case. The Banksy–Paris CD remakes are among the most legendary and sought-after marketing spoofs in pop culture history, with this very limited example representing the rare opportunity to own an original work from the notorious street artist. Starting Bid $300

9550. Andy Warhol Signed Gallery Announcement Card. Gallery announcement card for the release of Andy Warhol’s 1972 suite of Mao Tse-Tung screenprints, 6.75 x 6.75 (opening to 13.5 x 6.75), signed vertically on the front in black felt tip by Warhol. The front features a single image of one of the prints, and the back has a grid of the nine other variations.

Inside is bilingual text in English and Chinese advertising the release of the prints, which were published by Multiples, Inc. and Castelli Graphics and released in a limited edition of 250. In fine condition. An iconic 20th century image signed by the renowned pop artist. Starting Bid $200

Art, Architecture, and Design | August 15, 2019 121

Literature

9551. Al Hirschfeld Signed Lithograph. Limited edition

color 9 x 12 lithograph entitled ‘Plastered,’ showing a large woman in dress being held up by a police officer, numbered 6/50, signed in the lower left corner pencil, “Hirschfeld.”

In fine condition, with slight smudging to signature. This is one of the high-quality illustrations from ‘Harlem as seen by Hirschfeld,’ which featured text by William Saroyan, published on December 7, 1941. Starting Bid $200

Triple-signed Warhol’s philosophy with an iconic sketch of “Campbell’s Tomato Soup”

9552. Andy Warhol Signed Sketch in Book. Signed book: The Philosophy of Andy Warhol (From A to B & Back Again). First edition. NY: Harcourt Brace Jovanovich, 1975.

Hardcover with dust jacket, 5.75 x 8.5, 241 pages. Signed and inscribed on the first free end page in black felt tip, “To Martin, Andy Warhol,” with a full-page sketch of his iconic soup can, marked: “Campbell’s Tomato Soup.” Also initialed in the lower corner, “AW,” and signed again on the front of the dust jacket, “Andy.” In fine condition, with light dust jacket wear, and a small chip to the top edge of the signed page.

Starting Bid $200

9553. William Goldman Signature and First Edition Book. Vintage felt tip signature and inscription by William

Goldman on an off-white 4 x 4 slip clipped from one of his books, dated June 1977, loosely laid in to a first edition of The Princess Bride, hardcover with dust jacket, published

by Harcourt Brace Jovanovich in 1973. In very good to fine condition, with overall creasing to the signed slip. Starting Bid $200

9554. Ken Kesey Signed 1990s Acid Test Poster. Original color 18 x 23 re-issue poster for Ken Kesey’s famous ‘Acid Tests,’ produced by Artrock in the mid-1990s, signed in the lower right corner in glittery multi-colored ink, “Ken Kesey.”

Conducted by Kesey and his ‘Merry Pranksters,’ the acid tests—parties revolving around the use of LSD—came to represent San Francisco’s psychedelic scene and were immortalized in Tom Wolfe’s 1968 book, The Electric Kool-Aid Acid Test. In fine condition. Starting Bid $200

122 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

9555. Ken Kes ey S i g n e d Book. Signed

book: Kesey’s Garage Sale.

First edition.

NY: The Viking Press, 1973.

Hardcover with dust jacket, 9 x 11.25, 238 pages. Wonderfully signed and inscribed on the first free end page in gold ink, “For Joe, Ken Kesey, 1994.” Kesey adds white dots along the strokes of the large, stylish lettering in the inscription and signature. In fine condition, with light wear to the price-clipped dust jacket. A uniquely artistic and decorative signature from the countercultural icon. Starting Bid $200

9558. Timothy Leary Signed Book. Signed

book: Jail Notes.

First edition. NY: Douglas, 1970.

Hardcover with dust jacket, 5.75 x 8.5, 154 pages.

Signed and inscribed on the first free end page in black felt tip, “For Joe Collins, Timothy Leary, 9-27-94.” In fine condition. Starting Bid $200

9556. Ken K e s e y Signed B o o k .

Signed book: Kesey’s Jail Journal. First edition. NY: Viking, 2003. Hardcover with dust jacket, 8.5 x 11.25, 110 pages.

Signed on a loosely laid-in bookplate in thick felt tip, “Ken Kesey.” In fine condition, with nicks to the dust jacket’s edges. The consignor notes that the signature was obtained in person. Starting Bid $200

9 5 5 7. T i m o t h y Leary Signed Book. Signed book:

Flashbacks: An Autobiography. First edition. Los Angeles: J. P. Tarcher, 1983.

Hardcover with dust jacket, 6.5 x 9.5, 395 pages. Prominently signed and inscribed on the first free end page in blue felt tip, “To Joe, with respect and affection, Timothy Leary, 5-90.” In fine condition. Starting Bid $200

9559. Tom Wolfe Signed Book. Signed book: The Electric Kool-Aid Acid Test. First edition. NY: Farrar, Straus and Giroux, 1968. Hardcover with dust jacket, 5.75 x 8.5, 416 pages. Signed and inscribed on the half-title page in blue ballpoint, “For Joe Collins, Tom Wolfe.” In fine condition.

Accompanied by an unsigned first edition of Radical Chic & Mau-Mauing the Flak Catchers, hardcover with dust jacket, published by Farrar, Straus and Giroux in 1970.

Chronicling the eccentric adventures of author Ken Kesey and his Merry Pranksters during their LSD-laced cross-country road trip in a psychedelic school bus, Wolfe’s classic second novel, The Electric Kool-Aid Acid Test, remains one of the most popular and influential publications from the New Journalism movement. The second book is composed of two articles by Wolfe, ‘Radical Chic,’ about a gathering Leonard Bernstein held for the Black Panther Party, and ‘Mau-Mauing the Flak Catchers,’ about the response of minorities to San Francisco’s poverty programs. Starting Bid $200

Literature | August 15, 2019 123

Royalty

9560. Princess Diana. Two original circa 1980s glossy

silver gelatin press photos of Princess Diana, including: an 8 x 6 photo of Lady Diana Spencer being kissed on the hand by a teenage schoolboy in 1981, issued shortly before her royal wedding to Prince Charles; and a 6 x 8 photo of Princess Diana and Sarah Ferguson paying a surprise visit to Prince Andrew’s frigate, the HMS Brazen, in 1986. Both bear affixed London Pictures Service captions on the reverse. In overall fine condition. Starting Bid $200

9561. Princess Diana and Prince Charles Signed Christmas Card. Christmas card embossed with the Prince

of Wales’s feathers and Order of the Garter motto and the Spencer family arms, measuring 10.5 x 7.25 open, featuring an affixed color photo of Charles and Diana, the latter sitting with Prince William on a swing, signed and inscribed in fountain pen, “To you both—from Charles and,” and in black ink, “Diana.” In fine condition, with scattered soiling (heaviest along the inner hinge), a scratch to the photo, and a round sticker on the back of the card. Starting Bid $200

Lovely portrait of Diana with original signing pen 9562. Princess Diana Signed Photograph and Signing Pen. Gor-

geous color satinfinish 8 x 9.75 photo of Princess Diana wearing a black velvet dress and posing against an artistic backdrop, an image originally taken by Lord Snowdon in 1985, signed neatly on the original mat in fountain pen, “Diana, 1985.” Attractively matted and framed to an overall size of 14 x 17. Included with the photo is the original metal 5.25˝ Parker fountain pen used by Diana to sign the photograph, which is accompanied by a glossy 5.25 x 4 photo of Diana at the time of signing.

In fine condition. Starting Bid $500

124 Pop Culture Auction | www.RRAuction.com | (603) 732-4280

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RR Auction and Auction: This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.RRauction.com Internet site (“RRauction.com”). The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog.

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Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full

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In the event of a successful challenge to the title to any goods purchased pursuant to these Conditions of Sale and the exclusive remedies provided herein, RR Auction agrees to reimburse any Bidder in an amount equal to the successful bid price actually paid by Bidder at auction plus any Buyer’s Premium actually paid, in full and complete satisfaction of all claims, which once tendered by RR Auction, relieves and releases RR Auction from any responsibility whatsoever to the Bidder, even if the instrument is not cashed or is returned.

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Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid.

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the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins.

In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.

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Payment: Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than thirty (30) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.

Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot.

All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements.

All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks.

In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment.

If RR Auction refers any invoice to an attorney for collection, the Bidder agrees to pay attorney’s fees, court costs, and other collection costs incurred

by RR Auction. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

RR Auction shall have a lien against the merchandise purchased by the Bidder to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect

to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the “Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. Sales Tax: RR Auction is a remote seller and we are now required to collect Sales/Use Tax from our bidders. The states that we have nexus in we will be required to collect and remit sales tax on your behalf. Each state has different requirements to meet nexus. When RR Auction has achieved a certain monetary and/or invoice threshold in each state we will apply sales tax to your total invoice. Please go to our terms on our website to see the states that are affected.

If we have not achieved nexus in a particular state it is still your responsibility to pay sales tax on your purchases.

The sales tax rate is determined by the State, Country, and City where purchases are shipped to. If you decide to pick up your purchases at our New Hampshire location you will not be required to pay sales tax. The State of New Hampshire does not have a general sales and use tax. All purchases picked up at our Massachusetts location will be taxed at the current rate of 6.25%.

Pennsylvania sales or use tax may be due in connection with the purchase and delivery of tangible personal property to Pennsylvania individuals and businesses. The purchaser is required to file a use tax return if tax is due in connection with the purchase and delivery in the Commonwealth. This notice is required pursuant to the provisions of the Tax Reform Code of 1971. 72 P.S. § 7213.2.

If you have a resale number please email Sue@RRAuction.com or fax to (603) 732-4288 a copy of your state resale certificate and you will be exempt from paying sales tax.

Delivery; Shipping; and Handling Charges: Bidder is liable for shipping and handling. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.

Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

Title: Title shall not pass to the successful Bidder until all invoices are paid in full.

It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or thirdparty shipper.

Rights Reserved: RR Auction reserves the right to withdraw any lot before or at the time of the Auction, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone.

Conducting the Auction: RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.

RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the

successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.

Reserves: Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own.

Off-Site Bidding: Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form.

RR Auction’s Remedies: Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any property in RR Auction’s possession owned by such Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts.

Warranties: RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale.

All property and lots are sold “as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.

All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and

property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price.

Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on

by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.

Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.

All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”).

On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “Certification of Authenticity”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The Certification of Authenticity inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the Certification of Authenticity, and such purported transfer, assignment, or conveyance shall be null and void. The Certification of Authenticity is valid from date of the Auction in which Bidder was awarded the lot (the “Auction Date”) until five (5) years after the Auction Date, without exception.

FIREARMS. RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any.

Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.

Limitation of Damages: In the event that RR Auction is prevented for any reason from delivering any property to Bidder, or Bidder is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Bidder. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost.

Unauthorized Statements: Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

Bidder’s Remedies: Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid.

This section sets forth the sole and exclusive remedies of Bidder in conformity with the Warranties and Limitation of Damages provisions of these Conditions of Sale, and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, in the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction shall make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand, RR Auction shall disclose the identity of the Consignor to Bidder and assign to Bidder all of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction

with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.

If Bidder wishes to challenge the AC within the period of the Certification of Authenticity, Bidder must present written evidence that the lot is not authentic as determined by a known expert in the field. If RR Auction agrees that the lot is not as represented, Bidder’s sole and exclusive remedy shall be a refund of their purchase price, with no other costs, liabilities or amounts recoverable.

If RR Auction does not agree with the claim by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale.

Any such challenge concerning an AC or Certification of Authenticity must, without any exception, be brought within one (1) year of Bidder’s notice to RR Auction of Bidder’s contention that the lot was not authentic, or six (6) years from the Auction Date, whichever is sooner.

If the description of any lot in the Catalog is materially incorrect (e.g., gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date. If there is any discrepancy between the description in the Catalog and the AC, then the description in the AC shall control.

This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction.

NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE. RR Auction’s Additional Services: For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.

Headings: Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.

Entire Agreement: These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way.

Governing Law and Enforcement The Parties agree that any agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.

The Parties agree that these Conditions of Sale, and any other related agreement(s) are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the “Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”). The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the

Arbitration shall be entitled to recover all of its related costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. The Parties agree that Bidder shall have no right to recover consequential or indirect damages, or lost profits damages.

The Parties consent to the enforcement of the decision in the Arbitration pursuant to the Federal Arbitration Act in either the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts.

Except as provided in Bidder’s Remedies with regard to the Certification of Authenticity, any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other agreement(s) between the Parties must be brought within one (1) year of the acts, omissions or circumstances giving rise to the alleged claim, without exceptions. This provision is intended as a full, complete and absolute release of any claims after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding on all parties in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by either RR Auction or Bidder. These provisions are consideration for the execution of these Conditions of Sale.

The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties’ agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.

Notwithstanding the foregoing, RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration related to or arising out of any Auction of an item sold for less than $10,000. This right shall relate to the individual item price, such that RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration for items that in the aggregate exceed $10,000. The prevailing Party in such a proceeding shall be entitled to recover all of its related costs, whether before or after the formal institution of the proceeding, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. This right of enforcement is unique to RR Auction, and these Conditions of Sale are a waiver by the Bidder of any right to enforcement or adjudication outside of an Arbitration.

CONDUCT OF AUCTION Estimate Prices: In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).

Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.

Before the Auction: Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.

Maximum Bids – All Auctions: To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential.

Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid.

Successful Bids: The fall of RR Auction’s hammer indicates the final bid. RR Auction will re-

cord the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.

Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Bidding—Timed Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction.

RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/ EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.

Bidding - Internet – Live Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction.

RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www. invaluable.com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any thirdparty site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third party sites carry an additional Buyer’s Premium.

Miscellaneous: Agreements between Bidders and Consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.

Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Glossary of Condition Terms For decades, RR Auction has led the industry in providing an accurate and detailed condition statement for each item that we sell. Starting in 2016 we’ve decided to take a fresh approach to describing each item’s condition.

As our website and catalog images continually improve, and bidders can see obvious details from those excellent images, we’ve decided to simplify things, using the same terminology to describe an item’s overall condition (on an ascending scale of 1 to 4: good, very good, fine, very fine), but only adding specific details, if any, that would not be obvious from the illustration.

VERY FINE describes an item in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.

FINE is the most common statement of condition, and applies to most items that we offer. It describes items that show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.

VERY GOOD describes an item that exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).

GOOD describes an item with obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise exceedingly rare or important.

Of course we’re more than happy to provide more in-depth information about any item via phone or email. We hope this new system will make for easier reading and a more pleasant bidding experience.

WE ARE CURRENTLY SEEKING CONSIGNMENTS FOR MANY OF OUR EXCITING SALES

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www.RRAuction.com

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(603) 732-4280

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Boston, Massachusetts