RR Auction: Marvels of Modern Music Featuring The Bob Dylan Archives of Tony Glover

MARVELS OF MODERN MUSIC Featuring

TONY GLOVER’S BOB DYLAN ARCHIVE November 19, 2020 www.RRAuction.com

Over 250 additional lots

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Including items from Tony Glover’s Bob Dylan Collection!

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BIDDING INFO Preview online October 23 - November 11 Bid online at www.RRAuction.com November 12 - 19

CONTENTS The Tony Glover Collection.........................................................................................................2 Marvels of Modern Music..........................................................................................................65 Conditions of Sale.................................................................................................................. 135

CONTRIBUTORS Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Elizebeth Otto Consignment Director elizebeth.otto@rrauction.com

Dan McCarthy Writer, Researcher dan.mccarthy@rrauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

Jon Siefken Consignment Director jon.siefken@RRAuction.com

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Nikki Brickett Photographer nikki.brickett@rrauction.com

Robert S. Eaton Sr. 1940–2001

MUSICIAN WRITER CRITIC

TONY GLOVER

Minneapolis’s resident ‘Rock and Roll Renaissance Man,’ Tony ‘Little Sun’ Glover (1939–2019) honed his talents as a musician, writer, and critic in the Twin Cities. A renowned harmonica player, he formed one third of Koerner, Ray & Glover, an influential blues trio during the early 1960s folk/blues revival that included ‘Spider’ John Koerner and Dave ‘Snaker’ Ray. Glover befriended Bob Dylan in the Minneapolis coffeehouse scene where they would on occasion share the same stage. It was in the Dinkytown district that Glover made some of the earliest recordings of Dylan, at intimate ‘venues’ like Bonnie Beecher’s apartment. He was one of the few hometown friends that Dylan stayed in touch with after going to NYC, and Dylan dedicated his prose-poem contribution to the 1963 Newport Folk Festival program to Glover, calling him a ‘best friend in the highest form.’

Glover has shared the stage with Jim Morrison and the Doors, the Allman Brothers at Carnegie Hall, Patti Smith, Lucinda Williams and the Replacements, among others. Glover has been inducted into the Minnesota Blues Society Hall of Fame multiple times, and Koerner, Ray & Glover has been recognized with a star outside of the First Avenue nightclub in Minneapolis—a prestigious local honor. Bob Dylan wrote of Glover in his 2004 memoir Chronicles, Volume One: ‘I couldn’t play like Glover or anything and I didn’t try to. I played mostly like Woody Guthrie and that was about it. Glover’s playing was well known and talked about around town, but nobody commented on mine.’

KOERNER, RAY & GLOVER

GLOVER WITH HENDRIX In addition to his work as a musician, Tony Glover was an experienced music journalist and critic who contributed to the ‘Little Sandy Review’ folk zine; crafted reviews and conducted interviews for Rolling Stone, Circus, Creem, and other media outlets; co-authored the only biography of the great blues musician Little Walter; created several influential blues harp songbooks; and wrote liner notes for various projects, including An Anthology by Duane Allman and the two-disc live album The Bootleg Series Vol. 4: Bob Dylan Live 1966, The ‘Royal Albert Hall’ Concert. For the Dylan liner notes, Glover was honored with the prestigious Deems Taylor Award, which is comparable to the Pulitzer Prize for Music Writing.

Glover’s wide-ranging talents and interests led him to connect with countless famous musicians and artists, often being pulled into their orbit—sometimes as an observer, other times as a participant.

Glover was also a prolific collector, retaining an impressive variety of ephemera and artifacts from the realms in which he worked. His collection includes correspondence with Bob Dylan, Joan Baez, Donovan, and Pete Seeger; transcripts of an unpublished 1971 interview with Dylan, hand-edited by Dylan himself; early Dylan posters and programs; original photography; audio tape recordings of interviews with Dylan, Jimi Hendrix, Robbie Robertson, and the Allman Brothers; an eclectic personal vinyl collection of over 2,400 records; and much more. His collection spans the beginning and substance of many of our most treasured icons’ careers.

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“This world is yours, take it easy but take it”— Dylan quotes his musical idol 5001. Bob Dylan January 1962 Autograph Letter Signed. Thrice-signed ALS from Bob Dylan, one page

both sides, 6.75 x 8.25, with the original hand-addressed mailing envelope postmarked January 20, 1962, with Dylan striking through the ‘Book of the Month Club’ address field and writing: “Bob Dylan, Earle Hotel, New York.” Letter to blues musician Dave Glover, in part (spelling and grammar retained): “Back now in that city and thinking of all that whistling harmonica music you are making back there in that dungeon hole...Seen ol Dave Ray and sorta introduced him around. We went one time to see John Lee Hooker paying his dues to the blues at Folky City...I was up in Schenectady last week playing and singing—I spent so much money that I went in the hole and had to play an extra nite just to get back to New York...I’m a gonna take Dave Ray to see Gary Davis sometime soon—Dave then would automatically be 10 times better...If you wanna write me—send a letter to Bob Dylan—Earle Hotel—Washington Square North—New York, N.Y. That’s about all for now I guess—I’m starting to play poker sometimes to pass my worries away—I got about 25 dollars worth of worries now…O.K. S. B. Williamson—if you got time drop a line or something like that.” Dylan concludes with a famous quote from Woody Guthrie—”This world is yours, take it easy but take it, Woody Guthrie”—and then adds a signed postscript: “My girlfriend says that you don’t sign your full name to friends so—Me, Bob.” In fine condition.

Estimate $6,000 - 8,000

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Subject-rich handwritten letter from a month before the release of his debut album, with Dylan quoting Woody Guthrie—“Sometimes I feel like a piece a dirt walkin’”

5002. Bob Dylan February 1962 Autograph Letter Signed. ALS signed “I, Me, Bob—161 West 4th Street Apt

3A,” one page both sides, 6 x 9, February 16, 1962, with the original ‘The Normandie, San Juan, Puerto Rico’ mailing envelope, addressed by Dylan who adds an arrow pointing to the return address and playfully writes: “That’s me all right.”

Letter to blues musician and close friend Dave Glover, written roughly a month before the release of his self-titled debut album (spelling and grammar retained): “Work out a new tuning on the guitar you gotta hear it to believe it—Big Joe Williams start at Folk City next Tuesday for two weeks. So the Minor Flea or Bee or key or something like that somewhere huh?...There aint much work around here now I aint workin, I’m writing a lot and bummin around—This here place we got got a couch in one room—I’d sure like to know when you’re a comin’—...

Times aren’t too awful good anywhere right now—Rote a new song called The John Birch Paranoyd Blues—Dave Ray’s still working down the Gaslight hole—times aint too good down there neither...bring a piles load of money with you—fill yer

trunk up—we can use for wood to burn when you get—wood’s expensive as hell nowadays.” He close with a quote from Woody Guthrie: “(‘Sometimes I feel like a piece a dirt walkin’).” This particular quote appears to be unpublished, and was most likely gleaned from lyrics shown to Dylan by Guthrie’s wife, Marjorie, when Dylan visited their Rockwood Park home in Queens. In fine condition.

Estimate $6,000 - 8,000

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Image shows cropped section of the sheet. Image larger than actual size.

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Never-before-seen handwritten lyrics from Dylan, penned after a visit with Woody Guthrie in May 1962 5003. Bob Dylan 1962 Handwritten Lyrics and Notes.

Handwritten lyrics and notes by Bob Dylan, accomplished in black ballpoint on an off-white 8.5 x 11 sheet, unsigned, May 1962. The lower left panel of the sheet features lyrics to an untitled song, which reads, in full: “My eyes are cracked I think I been framed / I can’t seem to remember the sound of my name / What did he teach you I heard someone shout / Did he teach you to wheel & wind yourself out / Did he teach you to reveal, respect, and repent the blues / No Jack he taught me how to sleep in my shoes,” with Dylan adding the date above “(May 1962).” In the adjacent right panel, Dylan has penned an apparent song title, “Brooklyn’s Stony Island Mind,” and upside down in the upper left panel Dylan has jotted down a

variety of math equations. Notes in the lower right panel, “John Hammond, Antioch College, Ohio, Yellow Springs, Ohio, LSR’s, with Origin, LP Reviews, all that power,” are in another hand, and the reverse of the sheet features handwritten lyrics for the blues standard ‘Worried Life Blues,’ which is accomplished in pencil in an unknown hand (ostensibly John Hammond, Jr.). In very good to fine condition, with soiling, ceasing, and intersecting folds.These lyrics directly originate from a road trip made by Dylan, Dave Glover, and John Hammond, Jr., when the trio visited Woody Guthrie at the Brooklyn State Hospital in the spring of 1962.

Estimate $6,000 - 8,000

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“My guitar strings have escaped my eyesight...an soon I myself will vanish into the sound hole”

5004. Bob Dylan 1963 Typed Letter. Typed letter from Bob Dylan, unsigned, one page both sides, 8 x 11, postmarked December 6, 1963, accompanied by the original mailing envelope that is addressed in Dylan’s own hand. Letter written to close friend and blues musician Dave Glover during a particularly transformative period in Dylan’s life as a songwriter and lyricist (spelling and grammar retained): “My guitar strings have escaped my eyesight…they remain with me now as a friend a flashin dashin friend who stands in front a me makin me look better…an its gettin so now that I’m growin not t need it…an soon I expect I will shout my words without it. for it’s colors are wearin off on me an soon I myself will vanish into the sound hole…ha you ask about harps I cant even understand how my own harp fits into me…oh pity my own poor harp I am a writer of words I am honest I do not mean t harm nothin an nobody save that that runs against the boards of nature its a big nature…last month gave too much money t scc or

as you’d say sncc…or as winny churchhill snick...where’s it at? I dont know I dont even know what the fuck the ‘it’ is let alone where this so called ‘it’ is at Its me man an its at me no farther.” In fine condition, with a few light stains.

Estimate $4,000 - 6,000

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Three months after Dylan’s first meeting with the Beatles— “john lennon groovy also ringo”

5005. Bob Dylan 1964 Typed Letter Signed. TLS signed

“Bob,” one page, 8.5 x 11, postmarked November 13, 1964, with the original ‘The Second City’ mailing envelope addressed in Dylan’s own hand, who adds “Bearsville, Box 125” to the reverse. Letter to blues musician Dave Glover, typed by Dylan in a lyrical stream-of-consciousness style rant, in part (grammar and spelling retained): “i am outside an somewhat free / long for nothing. john lennon groovy also ringo...lots of strange towns round here very ancient / old stone buildings–rip van winkle icabod crane demon horseback people... mystic country no smell of any city anyway i bum around up here.live here not but alway come back t groovy silent house. i write by candlelight. hardly never during day / bob dylan he plays makes bread facing kind fond people menace in their bathtubs / they call him names an pay outrageously just t see what he looks like…bob dylan he laughs / it is all a joke see me in the sky. the sky is on fire...i used t dig woody guthrie so much oh my gawd / met manfred mann in england / have you heard a song they sing called sha la la? it is fucking beautiful…

gotta go…noose is waiting joan baez is hot an bothered. type writer turns her on. door bells ringing must be the prospectors / anyhow be brave an watch for the tambourine man / write you later.” Prior to signing his name in bold black felt tip, Dylan adds an amusing flourish of typewriter symbols and numbers before adding “an kisses.” In fine condition.

Estimate $4,000 - 6,000

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 13

Rare original Gerde’s Folk City poster, proudly mailed by the “sensational Bob Dylan” to his old friend 5006. Bob Dylan 1961 Gerde’s Folk City Poster. Original Gerde’s Folk City poster for a series of Bob Dylan performances between September 26 and October 8, 1961, 8.5 x 11, with the poster’s bold header text reading: “Gerdes Folk City, New York’s Center of Folk Music.” The lower portion of the poster addresses the appearance of the Greenbriar Boys, “picking & singing thru bluegrass,” before listing their supporting act: “With the sensational Bob Dylan.” In very good to fine condition, with light creasing and intersecting folds. Consignor notes that this particular poster was proudly mailed by Dylan to his friend, blues musician and music critic Tony ‘Little Sun’ Glover, not long after the former reached New York City.

Estimate $400 - 600

5007. Bob Dylan 1961 Carnegie Chapter Hall Program. Original

program for Bob Dylan’s first major concert at Carnegie Chapter Hall in New York on November 4, 1961, four pages, 5.5 x 8.5, depicting the 20-year-old folk singer playing his harmonica on the front cover.

In fine, clean condition, with a faint central horizontal fold. Promoted and financed by Izzy Young, proprietor of the Folklore Center music store, the show was a financial failure—the audience comprised only 53 people. These programs are thus very rare.

Estimate $800 - 1,000

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Rare vintage ‘Columbia Records’ photo 5009. Bob Dylan Original Photograph. Original vintage glossy 8 x 10 Columbia Records promotional photo of a young Bob Dylan playing his acoustic guitar and harmonica during a recording session. Reverse bears a “Columbia Records Photo” credit stamp. In fine condition, with scattered light creasing. A fantastic original studio photo of Dylan.

Estimate $400 - 600

5014. Bob Dylan: Broadside 1963 Sheet Music Booklet. Original vintage Broadside sheet music booklet, issue No. 20, 10 pages, 8.5 x 11, dated February 1963, with front cover and first page featuring lyrics and music for ‘Master of War’ by Bob Dylan, with illustrations by Susie Rotolo. The first and second pages also contain lyrics and music for the Dylan songs ‘Playboys and Playgirls’ and ‘It’s All Right.’ The booklet also features songs by Phil Ochs, Malvina Reynolds, Gil Turner, Albert Lannon, Jr., David Arkin, and John Brunner. In fine condition.

Estimate $200 - 400

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 15

Scarce Broadside sheet music for ‘—for Dave Glover,’ Dylan’s letter-poem to his friend 5015. Bob Dylan: Broadside 1963 Sheet Music Booklet. Original vintage Broadside sheet music

booklet, issue No. 35, eight pages, 8.5 x 11, dated November 20, 1963, with front cover featuring lyrics and music for ‘The Faucets Are Dripping’ by Malvina Reynolds. Most notably the booklet contains lyrics for a song by Bob Dylan entitled ‘—for Dave Glover,’ which reads, in part: “Dave Glover—harmonica sidekick an guitar pardner / Dave Glover—best friend in the highest form / Dave Glover—true rebel an unconscious outlaw / Dave Glover—ramblin do-gooder a the best breed / Dave Glover—who knew me before I hit or got hit by New York City / Dave Glover—who’s everythin I stand for or am a part of.” In fine condition.

Estimate $400 - 600

5018. Bob Dylan Pair of Vintage Original Photos from Minneapolis 1965. Pair of

original 5 x 7 silver gelatin photographs of Bob Dylan backstage at Minneapolis Auditorium on November 5, 1965: one shows him holding a glass, with the headstock of Robbie Robertson’s guitar seen in the background; and one is an intriguing ‘Dutch angle’ portrait showing him from below. Both are displayed in their original exhibition mounts from the “Bob Dylan’s American Journey, 1956–1966” exhibit held at the Experience Music Project in Seattle in 2004–2005, annotated in pencil with exhibit inventory data on the reverse. In fine condition.

Estimate $300 - 500

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5016. Bob Dylan Newport Folk Festival ‘For Dave Glover’ Poem and Jac Holzman Typed Letter Signed. Vintage copy of Bob Dylan’s

letter poem “—for Dave Glover,” one page both sides, 8.5 x 11, removed from an original program for the 1963 Newport Folk Festival by Elektra Records founder Jac Holzman and mailed to Dave Glover. Included is a TLS from Holzman signed “Jac,” one page, 5.5 x 8.25, personal letterhead, August 17, 1963, forwarding the poem to Glover: “I just got back to my office, and I am enclosing Bobby’s poem as I had promised. Look very much forward to seeing you in New York.” In overall fine condition, with expected mailing folds and a rough left edge to poem. Accompanied by the original Elektra Records mailing envelope.

Estimate $200 - 400

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Dylan and Glover backstage in 1965

5019. Bob Dylan 1965 Vintage Original Photograph. Original vintage matte-finish 8 x 10 silver gelatin photograph showing Bob Dylan in a mirror backstage at Minneapolis Auditorium on November 5, 1965, with friend Tony Glover blurred in the foreground. In fine condition.

Dylan returned home for the first time in November 1965, playing before a crowd of 9,000 at Minneapolis Auditorium on the 5th. Looking to please the crowd, he opened with some acoustic folk tunes before bursting into an electric set, backed by Robbie Robertson and Levon Helm.

Estimate $200 - 400 18 Marvels of Modern Music | 603) 732-4280

5020. Bob Dylan Pair of Vintage Original Photos from Minneapolis 1965. Pair of original 5 x 7 silver

gelatin photographs of Bob Dylan backstage at Minneapolis Auditorium on November 5, 1965: one shows him with a glass in his hand; and one is an intriguing ‘Dutch angle’ portrait showing him from below. In fine condition.

Estimate $300 - 500

5021. Bob Dylan 1960 Minneapolis Reel-to-Reel Tape. Tony Glover’s 1/4-inch reel-to-reel audio tape of an early Bob Dylan recording known as the ‘Minnesota Party Tape,’ marked on the side of the box, “Dylan - Mpls - Fall 1960,” with the track list handwritten by Glover on the back: “Reel I - Bob Dylan - Mpls, Fall 1960, (After Denver Trip), 1. Red Rosy Bush, 2. Johnny I Hardly Knew You, 3. Jesus Christ, 3 1/2. Streets of Glory, 4. KC Moan, 5. Mule Skinner Blues, 6. I’m a Gambler, 7. Talking Merchant Marine, 8. Talking Hugh Brown, 9. Talking Lobbyist.” In fine condition. RR Auction does not claim ownership of copyright therein and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $400 - 600

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5022. Bob Dylan Minneapolis 1961 Set of (3) Reel-to-Reels. Tony Glover’s group of three 1/4-inch reel-to-reel audio tapes featuring recordings of Bob Dylan made in Minneapolis in May 1961, marked on the sides of the boxes by Glover: “Dylan - Mpls - May 1961.” Glover has annotated the backs of the boxes with track lists and information about the sessions: “Bob Dylan - Mpls, May 1961 (After 1st NY Trip) (At Bonnie’s - 8th St SE), Reel II: 1. Rambling Blues, 2. Death Don’t Have No Mercy, 3. It’s Hard to Be Blind, 4. This Train, 5. Harp Blues, 6. Talking Fisherman, 7. Pastures of Plenty”; “Bob Dylan - Mpls, May 1961 (Ctd), Reel IV: 1. Railroad Bill, 2. Will The Circle Be Unbroken, 3. Man of Constant Sorrow, 4. Pretty Polly, 5. Railroad Boy, 6. Times Ain’t What They Used To Be, 7. [Talk] Why’d You Cut My Hair”; and “Side One - May 1961 (Ctd), 1. This Land, 2.

Two Trains, 3. Wild Mountain Times, 4. Howja Do, 5. Car Song, 6. Don’t Push Me, 7. Come See, 8. I Want My Milk, 9. SF Bay Blues, 10. A Long Time a Growin, 11. Devilish Mary, Side Two - (Ctd), 1. Railroad Bill, 2. Will The Circle Be Unbroken, 3. Man of Constant Sorrow, 4. Pretty Polly, 5. Railroad Boy, 6. Times Ain’t What They Used To Be, 7. Why’d You Cut My Hair (Dylan).”

The third box also has a handwritten note inside in Glover’s hand: “May 1961 Dub (Ctd), I. This Land Is Your Land, 1/2 track dupe of previous tape.” In overall very good to fine condition.

Bonnie Beecher was a friend of Bob Dylan’s from Minneapolis, and is sometimes said to have been the inspiration for ‘Girl from the North Country.’ Some of the earliest known Dylan recordings were captured at her home on 8th Street SE. Prior to this recording, Dylan had gone to New York City but returned home to Hibbing, possibly to ask his family for money. Before visiting his parents, he asked Bonnie to cut his hair—then playfully turned it into an improvised tune: ‘Bonnie why’d you cut my hair / I can’t go nowhere / Sitting down all alone / Sitting down all alone / Ain’t go no hair on my head / Ain’t got enough to use a comb.’

RR Auction does not claim ownership of copyright therein and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $400 - 600

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5023. Bob Dylan October 24, 1965 Interview Reel-to-Reel.

Tony Glover’s 1/4-inch reel-to-reel audio tape of Bob Dylan’s interview with Allen Stone of WATM Radio in Detroit on October 24, 1965. In this important interview, they cover Dylan’s meteoric rise in popularity after ‘going electric,’ his backing band and his history with Robbie Robertson (“They know what I’m doing without being able to express it into words”), getting booed at Newport and audiences in general, songwriting, and upcoming projects. In fine condition. RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $400 - 600

Glover’s interview with Bob Shelton for No Direction Home, chronicling Dylan’s early life and career 5024. 1966 Tony Glover interview tape on Bob Dylan recorded by Robert Shelton. Tony

Glover’s 1/4-inch reel-to-reel audio tape of his fourhour long interview with Bob Shelton, conducted on May 26–28, 1966, for Shelton’s important biography No Direction Home: The Life and Music of Bob Dylan. They cover Dylan’s career up to that point, including Glover’s first time meeting Dylan, going to NYC to see Dylan in 1962, ‘going electric’ at the the Newport Folk Festival in 1965, and the recording sessions for Highway 61 Revisited in the summer of 1965. Shelton would spend two decades on the book before it was finally published in 1986. According to the index published in the trade edition, Glover is mentioned on eleven pages, and his input clearly helped to inform much of Shelton’s writing on Dylan’s early life and career. In fine condition.

RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $400 - 600

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 21

5025. Bob Dylan ‘Basement’ Tape with Dylan-Handwritten Address on Front of Box. Rare 1/4-inch reel-to-reel stereo

tape containing 13 tracks from ‘The Basement Tapes’ featuring Bob Dylan and The Band, in its original box hand-addressed on the front in black felt tip in Bob Dylan’s hand with the address of Tony Glover: “421 8th Street S.E., Mpls. 55414, T. Glover - Apt. 5.” Inside is a typed track list: “1. Million Dollar Bash, 2. Yea Heavy and a Bottle of Bread, 3. Please Mrs. Henry, 4. Down in the Flood, 5. Lo and Behold, 6. Tiny Montgomery, 7. This Wheel’s on Fire, 8. You Ain’t Goin’ Nowhere, 9. I Shall Be Released, 10.

Too Much of Nothing, 11. Tears of Rage, 12. Mighty Quinn, 13. Nothing Was Delivered.” Glover has written “Basements - B.D. Stereo” on the spine, and also penned the track list on the back of the box. In fine condition.

Accompanied by a full letter of authenticity from REAL and by a photocopy of Glover’s transcript of a phone call with Dylan on May 21, 1969, in which they discuss this tape. Dylan asks Glover for his address, and warns him to make a copy of it before listening: “Its one of those first copies, and ahh, you don’t wanna play this one too much.”

Recorded in West Saugerties, New York, during the summer of 1967, the ‘Basement Tapes’ consist of over 100 songs recorded

by Bob Dylan and his then-backing group, the Band. These included original compositions as well as covers of traditional folk ballads, classic blues tunes, and other pieces. The thirteen songs on this tape are original pieces by Dylan and the Band. RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $1,000 - 2,000

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5026. Bob Dylan ‘Basement Tapes’ Set of (3) Reel-to-Reels. Tony Glover’s set of three 1/4-inch reel-to-reel audio tapes

of the legendary ‘Basement Tapes’ featuring Bob Dylan and The Band, marked on the spines: “Basement Tape, Reel I - 1967,” “Basement Tape - Reel II,” and “Dylan - Summer 1967 Songs with The Band.” The first two are on Scotch 203 tape, and marked with track lists on the backs: “Million Dollar Bash, Apple Sucker Tree, Talkin’ (Clothsline) Blues, Yea Heavy & A Bottle of Bread, I’m Not There, Odds & Ends, Get Your Rocks Off, Down in the Flood, Lo & Behold, Tiny Montgomery” and “This Wheel’s On Fire, Nothing Was Delivered, Open the Door Homer, Quinn the Eskimo, You Ain’t Goin Nowhere, Too Much of Nothin’, Tears of Rage, Please Mrs. Henry, I Shall Be Released.” The third reel, on Scotch 141 tape, has a typed track list of 13 songs inside, all of which appear on the other two tapes. In overall very good to fine condition. RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $800 - 1,000

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Significant archive of early Dylan 1/4" collection audio tapes

5028. Bob Dylan 1/4 Inch Tape Collections. Tony Glover’s collection of 15 rare 1/4-inch reel-to-reel audio tape bootlegs of various Bob Dylan demos, rehearsals, interviews, press conferences, and concerts from the early to mid 1960s. The tapes are annotated in ink and felt tip by Glover with title, track listing, and background notes. A full list of the audio tapes is available upon request. RR Auction does not claim ownership of copyright therein and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $800 - 1,000

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5029. Bob Dylan 1969 Telephone Call Archive. Tony

Glover’s archive of audio cassette tapes and transcripts of his telephone conversations with Bob Dylan in 1969. Includes three audio cassette tapes, marked “Dylan - Phone, 1+2/69 / 4/69,” “Dylan - Phone - 4/18/69 / Robbie Robertson - LA 3/69 + 4/15/69,” and “Doors/Glover Concert - 11/10/68 / Dylan Phone 5/21 + 6/21/69,” plus seven original typed transcripts of their conversations between January 1969 and June 1969.

They discuss the ‘Basement Tapes,’ new LPs, the local music scene, covering standards, record sales, his album Nashville Skyline and duets with Johnny Cash, singles of ‘I Threw It All Away’ and ‘Lay Lady Lay,’ and bands like The Doors and Creedence Clearwater Revival. In these conversations with an old friend, Dylan is at ease—a departure from the cautious tone typically struck with journalists during this period. With candid thoughts on his own work and the music industry at large, these phone calls offer a fascinating look into Dylan’s mind at a time when he was the most elusive star in America.

In overall fine condition.

Estimate $1,000 - 1,200

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 25

5030. Bob Dylan 1971 Telephone Call Archive. Tony

Glover’s archive of audio cassette tapes and transcripts of his telephone conversations with Bob Dylan in 1971. Includes two audio cassette tapes, marked “Dylan - Phone, 1/19/71 / 2/25/71 + 9/28/71” and “Dylan - Phone - 9-28-71 (Ctd.) / 10-571,” plus four original typed transcripts of their conversations between January 1971 and October 1971. These discussions outline the genesis of Glover’s unpublished interview of Dylan, originally done for Esquire. The two discuss the reasons that Dylan stopped giving interviews, potential topics of discussion (“Well, like one question which people would expect to be asked in any interview would be—What do you think about Lennon not believing in Zimmerman?”), and the necessity for creative control over the entire project. In later conversations, the talk turns to religion, Kurt Vonnegut, current projects (“I did some new stuff in the studio…gonna be on the 2nd Greatest Hits album”), Anthony Scaduto’s biography of Dylan, the Concert for Bangladesh organized by George Harrison, a Neil Young concert, bootleg records, and more. In overall fine condition.

RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $1,000 - 1,200

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Autobiographical manuscripts hand-annotated

by Bob Dylan in ‘71

In early 1971, Tony Glover pitched the idea of an exclusive interview to his old friend Bob Dylan, hoping to publish it in Esquire. Initially reluctant, Dylan came around on the idea so long as he was granted full creative control—as evidenced in the large number of interview transcripts that have been extensively hand-corrected

by Dylan himself.

The process was a long and laborious one—over three different days, Glover and Dylan spoke in his Greenwich Village studio/office, with Glover recording the chat on his portable cassette deck. Though clearly an interview—Glover came prepared with questions, some given to him by the editors at Esquire—it is also a candid conversation between friends and colleagues, catching up after some time apart. Their relationship set Dylan at ease, knowing that he was both free to speak and free to revise afterwards.

In between sessions, Glover typed up transcripts of the tapes so that Dylan could go through and make revisions. In addition to the three interview sessions, which amounted to about three-and-a-half hours, they spent twelve hours making corrections to the transcripts.

Covering the key moments of Bob Dylan’s career from 1958 to 1971, his handwriting pours off of the pages as he crafts and re-crafts his own narrative, striking out passages and writing thoughts anew. Though full of candor, humor, and Dylan’s personality, the project was never published.

Embodying the metamorphosis of Bob Dylan—from Zimmerman to Dylan, from the Greenwich Village folk scene through his emergence as an enigmatic rocker—these transcripts offer valuable primary source material that has never been seen by the public. Capturing Dylan in the act of self-transformation—one pen stroke at a time—there is nothing so autobiographically significant known to be in private hands.

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Audio cassettes of Dylan’s unpublished 1971 interview with Tony Glover—over three hours of candid talk between old friends 5031. Bob Dylan 1971 Interview Tapes and Notes. Tony Glover’s archive of notes and original cassette tape recordings from his 1971 interview with Bob Dylan. The interview, conducted in three sessions in March 1971, spans four cassette tapes and has a combined duration of about 3.5 hours. Each case is labeled in black felt tip by Tony Glover, with dates of “3/18/71,” “3/22/71,” and “3/24/71.” Glover’s notes consist of a typed summary headed “Points Relevant to the Interview,” with brief biographical facts about Dylan; lists of questions sent by Esquire, with a note from John Lombardi encouraging Glover to “try to get him to talk a little longer—nothing sensational, just human”; several pages of Glover’s handwritten notes, with organizational thoughts jotted down related to Dylan’s biography, career, and transition from folk to rock; a three-page handwritten list

by Glover of Dylan’s discography up to that point, naming albums and song titles; and a two-page handwritten chronology by Glover documenting the decade of Dylan’s life from 1961 to 1971.

These significant notes were in Glover’s hands as he interviewed Dylan, and provided the roadmap for their conversation: they touch upon his early life in Hibbing, his name change, Jewish prejudice, movies, musical influences, Woody Guthrie, New York City, protest songs, America’s ‘melting pot,’ the media, the moon landings, the Frazier/Ali fight, fame versus freedom, criticism, Johnny Cash, drugs, going electric at the 1965 Newport Folk Festival, songs like ‘Subterranean Homesick Blues’ and ‘Like a Rolling Stone,’ his motorcycle accident, media coverage, his poetry collection Tarantula, bootlegs, characters in songs, the youth culture, and many other subjects. In overall very good to fine condition. RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $2,000 - 3,000

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Remembering the 1965 Newport Folk Festival: “Yeah, it was a strange night” 5032. Bob Dylan Hand-Annotated 1971 Interview Transcript (Tape #2, First Correction). Typed transcript of

Bob Dylan’s interview with Tony Glover on March 22, 1971, 37 pages, 8.5 x 11, extensively annotated in blue felt tip by Dylan: on 36 pages, Dylan strikes through passages and pens new thoughts as he revises his own story. The upper right corner is annotated in felt tip by Tony Glover, “BD, D - Corrected, 1st Correction.” Also includes an original, uncorrected copy of the transcript.

Among the numerous topics discussed here are critical assessments of his craft—about which he writes, “My work is a moving thing”—early musical influences while growing up in Hibbing, his identity, meeting Woody Guthrie in 1961, the recording of his first albums with producer John Hammond, writing ‘Blowing in the Wind’ and ‘A Hard Rain’s a-Gonna Fall,’ coverage in the media, the Ali-Frazier fight, walking on the moon, drugs, ‘going electric’ at Newport in 1965, his motorcycle accident, and his influence on popular music.

After playfully reflecting on changing his name from Robert Zimmerman to Bob Dylan—”I mean it wouldn’t’ve worked if I’d changed the name to Bob Levy. Or Bob Neuwirth. Or Bob Doughnut. It wouldn’t of worked”—he discusses his Jewish identity in a handwritten passage, striking through some more controversial remarks and writing: “A lot of people are under the impression that Jews are just money lenders and merchants.

A lot of people think that all Jews are like that. Well they used to be cause that’s all that was open to them. That’s all they were allowed to do.”

Commenting about his role as a so-called ‘leader,’ Dylan strikes through several lines and modifies the narrative: “I’ve always sang in front of people—that role of ‘leader’ has been thrust on me and the Be[a]tles & Stones by the mass media—who’ve done it for manipulation of other people...they told all those people I was a leader—those people never heard it from me.”

He goes on to strike through even more text on the subject,

writing “It’s not real” in the margin.

Dylan’s sense of humor comes through in several of his corrections: explaining the difficulty of finding your own community in America’s cultural ‘melting pot,’ he lists various nationalities that have to get along, and adds in the margin: “English, even Swiss, Japaneze, & French and people from Brooklyn.”

Asked if it bothers him that there’ll soon be hot dog stands on the moon, Dylan says it bothers him that they’re spending so much money on it, then writes: “and I don’t like hot dogs.”

Talking about ‘going electric’ at the 1965 Newport Folk Festival, Dylan modifies the transcript to read: “Yeah, it was a strange night. So I went back on solo and sang Mr. Tambourine Man and Baby Blue—because that’s what the crowd wanted to hear. They were just like little babies, they wanted to hear that, and thats all they wanted to hear—so I went and sang it for them. It was the easy thing to do—I just thought ‘oh forget it, do it and get out of there.’” Among the noteworthy deletions in this passage is a denigrating remark about the crowd: “At that time I just knew they were a bunch of fucks.”

Returning to the subject of influence, the public, and the media, Dylan reflects: “Things had tooken me for a loop—people were coming to the door all the time, they thought I was a Hindu or a sage with an answer to their problems.” In fine condition.

When compared to the original transcript accompanying this lot, the way in which Dylan aimed to shape his narrative becomes clearer: in many cases, the deletions are more telling than the additions. Struck through are passages about critics and the media, drug use amongst children, and various other quips and comments. A remarkable piece of popular music history, in which Dylan revises his own narrative—performing the act of self-transformation that came to characterize his career.

Estimate $6,000 - 8,000

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From Hibbing to NYC, Zimmerman to Dylan— “I wanted to become somebody new”

5033. Bob Dylan Hand-Annotated 1971 Interview Transcript (Tape #2, Second Correction). Typed/photocopied

transcript of part of Bob Dylan’s interview with Tony Glover in March 1971, 36 pages, 8.5 x 11, annotated in black felt tip

by Dylan: on many pages, Dylan strikes through passages and pens new thoughts as he revises his own story. Headed “Tape # 2 Transcript, (tape #1 inter-edited),” the upper right corner is annotated in black felt tip by Tony Glover, “BD, Second Correction.” Also includes an original, uncorrected copy of the “Tape #1” transcript, which has been incorporated into this manuscript beginning on the fourth page. As this is the second correction, it is made up of several disparate parts: many pages are photocopied from the first correction (with previously made emendations printed as part of the copy), in addition to newly typed sections. Primarily using black felt tip, Dylan makes original corrections to about 19 pages—sometimes as simple as a small deletion, other times rewriting and

changing his responses. Glover makes a few changes and corrections to the document as well.

Among the topics discussed here are his dislike of interviews (“They were mainly set up by the record company”), musical influences while growing up in Hibbing, his name change from Zimmerman to Dylan (“I wanted to become somebody new”), Jewish prejudice, actors he liked (James Dean “made a big impression”), traveling to New York and meeting Woody Guthrie, writing protest songs, his portrayal in the press, life in the American midwest compared to the coasts (“The midwest is like a casual hum”), the Ali-Frazier fight, the problem of fame versus freedom and going out to restaurants (“I’d rather eat at home”), drugs, going electric at Newport, and Little Richard (“It’s like he’s older, he’s saving something, holding back”). In fine condition.

Estimate $4,000 - 6,000

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34 Marvels of Modern Music | 603) 732-4280

Dylan riffs on truth in songwriting: “Do you think Johnny Cash shot a man in Reno?”

5034. Bob Dylan Hand-Annotated 1971 Interview Transcript (Day #3, First Correction). Typed transcript of Bob Dylan’s interview with Tony Glover on March 24, 1971, thirteen pages, 8.5 x 11, extensively annotated in blue felt tip

by Dylan: on every page, Dylan strikes through passages and pens new thoughts as he revises his own story. The upper right corner is annotated in black felt tip by Tony Glover, “BD, Dylan Corrected, 1st Correction.” Also includes an original, uncorrected copy of the transcript.

Among the topics discussed here are Dylan’s albums John Wesley Harding and Nashville Skyline, his marriage, musical collaborations, the idea of selling out, the process of songwriting, and reading and writing. Often, the changes Dylan makes reveal his personality and sense of humor—straightforward replies are transformed into quippy questions, while some passages are deleted entirely.

On the idea that he kept his marriage a secret, he strikes through his initial response (“I didn’t keep it a secret, I just didn’t find it—I just didn’t think anybody needed to know that”) and writes, “My wife knew.” Denying that his collaboration with Johnny Cash meant that he had adopted a right-wing ideology, he ponders: “What if I’d have played with Howling Wolf? Nobody would have thought twice about that.” Riffing

on the idea of lyrical truth, he playfully asks: “Do you think Johnny Cash shot a man in Reno? Would Paul Simon throw himself down over a troubled Hudson river and let someone use him for a bridge?”

Clearly displeased when the subject turns to money and ‘ripping off the youth culture,’ Dylan deletes his original responses, re-writes several lines, then strikes those through as well. He settles on a firm denial: “There is no youth culture. It’s a term made up by the media and supported by the system.” The focus turns to literary efforts, and Dylan talks reading and writing: he found Kerouac’s On the Road forgettable, but enjoyed The Slave by Isaac Bashevis Singer—”I must have thought about that for months afterwards.” He also digs B. Traven, Norman Mailer, and Kenneth Patchen. In fine condition.

The inclusion of the uncorrected transcript allows one to ponder the changes Dylan makes throughout the interview, juxtaposing his original candid answers with his revised thoughts on several subjects. In many cases, these deletions and changes are as telling as his responses, and offer key insight into Dylan’s thought process as he crafts his public persona.

Estimate $4,000 - 6,000

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36 Marvels of Modern Music | 603) 732-4280

An untold story from the 1966 ‘Judas’ show: “This big chick stormed the stage, she just came right up, crushing everything in sight”

5035. Bob Dylan Hand-Annotated 1971 Interview Transcript (All Tapes, First Correction). Typed/photocopied

transcript of Bob Dylan’s 1971 interview with Tony Glover, 47 pages, 8.5 x 11, annotated throughout in black felt tip

by Dylan. Headed “All Tapes Transcribed—Interedited,” the transcript incorporates changes made by Dylan in previous edits, and boasts original handwritten revisions intermixed with photocopied annotations from previous iterations. The upper right corner is annotated in black felt tip by Tony Glover: “BD, 1st Correction, Dylan Corrected.” Primarily using black felt tip, Dylan makes original corrections to about 21 pages—sometimes changing a single word, other times prolifically deleting and rewriting questions and responses. Glover also makes a few corrections to the text.

Representing an early draft of the complete interview, the topics covered here are wide ranging—from growing up in Hibbing to being booed at Newport and beyond. Most interesting are the revisions Dylan makes to the text: he revises a passage about prejudice against Jews, early performances

where he knew the first and last verses but ‘invented’ what was in between (“Nobody knew the difference”), comments on the ‘gay lib’ movement (“They’re not bothering anybody”), and writes an unknown story of the infamous 1966 ‘Judas’ concert in Manchester, revising the quote to read: “At some place, I think Manchester, instead of a drop in front of the stage there was just a roll up. Very strange—you could just walk right into the audience from the stage. And this big chick stormed the stage, she just came right up, crushing everything in sight, really meant to have it out—the electric music wasn’t working for her (laughs). She swung amps around pounced on the microphones, screamed like a moose and roared around beating her chest. It was awful.” He goes on to make other substantial revisions to some passages about reading and writing literature, noting that teaching himself the basics of writing is “really tough,” and says Jack Kerouac is “not great, entertaining.” In fine condition.

Estimate $4,000 - 6,000

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38 Marvels of Modern Music | 603) 732-4280

Dylan signs off on his Esquire interview, but not before changing it once more

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5036. Bob Dylan Signed and Annotated 1971 Interview Notes and Transcript (Esquire Copy). The Esquire copy of Tony Glover’s completed 1971 interview with Bob Dylan, comprising a two-page “Notes on the Interview” document setting the scene plus a final draft of the 46-page interview. The first page is signed at the top in blue ballpoint by Dylan, “Bob Dylan,” as approved for publication; it is also marked “E” in the corner, identifying it as the Esquire copy. In the introductory notes, Glover outlines the “sometimes surrealistic” process of arranging and conducting the interview, held over the course of three days in Dylan’s Greenwich Village studio/office in March 1971. He makes note of Dylan’s interview style—”He preferred to discuss the things he knows best—music and his life in it—usually parrying questions of current ‘social’ topics with a gentle sarcasm”—and concludes that the “main impression he gave was that of a man refusing to be categorized.”

Summarizing the interview, Glover observes that “on some matters Dylan remains invisible, in others he reveals a good deal more than he has ever before.”

Interestingly—although he does discuss the arduous legal matters involved in arranging the interview, and calls it “one of the most demanding and enjoyable rides I’ve ever head”—Glover does not reveal that he ceded total control of the manuscript to Dylan, allowing him to edit and re-edit the material prior to

publication. This was a process that continued even in this final, “approved” draft—Dylan makes several changes throughout the transcript ballpoint and black felt tip; a number of edits are also in Glover’s hand.

On the eighth page, asked whether his manager Al Grossman suggested what songs to sing, Dylan initially replied “Never!,” and here he adds in blue ballpoint: “He just took big percentages.” On the next page, asked why he first made records, he initially replied, “At that time they were sort of like a document,” and here he adds in black felt tip, “Also, I wanted to be famous.”

Editing a story about a ‘big chick’ storming the stage at the infamous ‘Judas’ concert in Manchester (1966), he changes the simple word ‘came’ to the more visually descriptive “poured”; on the same page, Glover writes the word “twin” to describe folk singer-songwriter David Blue. In discussing Anthony Scaduto’s biography of him, Dylan crosses out his two-line response to the question “Isn’t it weird to have things based on talking to everybody who ever knew you for five minutes?,” and writes: “It sure is.” Adding to a list of potential tracks for a ‘Best of Bob Dylan’ album, he adds, “4th Time Around.” Touching on authors he’s read who have changed him, he adds “William Carlos Williams” and “Tolstoy.” In fine condition.

Estimate $2,000 - 3,000

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“On some matters Dylan remains invisible, in others he reveals a good deal more than he has ever before” 5037. Bob Dylan Signed 1971 Interview Notes and Transcript (Tony Glover’s Copy). Tony Glover’s copy of

his completed 1971 interview with Bob Dylan, comprising a two-page “Notes on the Interview” document setting the scene plus a final draft of the 46-page interview. The first page is signed at the top in blue ballpoint by Dylan, “Bob Dylan,” as approved for publication; it is also marked “TG” in the corner, identifying it as Glover’s copy. In the introductory notes, Glover outlines the “sometimes surrealistic” process of arranging and conducting the interview, held over the course of three days in Dylan’s Greenwich Village studio/office in March 1971. He makes note of Dylan’s interview style—”He preferred to discuss the things he knows best—music and his life in it—usually parrying questions of current ‘social’ topics with a gentle sarcasm”—and concludes that the “main impression he gave was that of a man refusing to be categorized.” Summarizing

the interview, Glover observes that “on some matters Dylan remains invisible, in others he reveals a good deal more than he has ever before.”

Interestingly—although he does discuss the arduous legal matters involved in arranging the interview, and calls it “one of the most demanding and enjoyable rides I’ve ever head”—Glover does not reveal that he ceded total control of the manuscript to Dylan, allowing him to edit and re-edit the material prior to publication. This was a process that continued even in this final, “approved” draft—Glover makes several minor changes throughout the transcript in black felt tip, based on changes made by Dylan in another copy. In fine condition.

Estimate $2,000 - 3,000

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42 Marvels of Modern Music | 603) 732-4280

Rare note from Dylan with 7-inch ‘scratch track’ tape from his Greatest Hits Vol. 2—“Here they are & I’d like to know your reaction (if any)”

5038. Bob Dylan Original October 1971 Reel-to-Reel Tape and Autograph Letter Signed. Incredible 3M ‘Scotch’

7-inch reel double-length tape (200, 1/4 inch x 2400 feet) containing a three-track scratch recording for Bob Dylan’s Greatest Hits Vol. II, with back cover annotated by a studio engineer in black ballpoint, “Down In The Flood,” “I Shall Be Released,” and “You Aint Goin Nowhere,” and the case spine marked in black felt tip by Dylan’s friend, blues musician and music critic Tony ‘Little Sun’ Glover: “Dylan–New Tracks–HitsVol 2.” Presented by Dylan to Glover, the 7-inch reel tape is accompanied by an ALS signed “Bob,” written in green felt tip on a 4 x 6 sheet dated October 1st (1971), in full: “Tony, Am not sure if there are final mixes or not. 2nd guitar maybe up too high—In any case, here they are & I’d like to know your

reaction (if any).” In fine condition.

Dylan forwarded this 7-inch reel tape to Glover after Esquire magazine declined to publish an interview written by the latter.

In an attempt to help his old friend, Dylan sent Glover these three tracks to include with the interview, hopeful that the updated version would sway the powers that be at Esquire.

A personal gesture of good will from Dylan to a trusted friend and musical accomplice—handwritten notes from Dylan remain decidedly rare. RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $1,000 - 1,200

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5039. Bob Dylan Original November 1971 Reel-to-Reel Tape and Autograph Letter Signed. Very rare ALS signed “Bob,” one page, 4 x 6, no date but circa 1971. Dylan writes to Tony Glover, asking for a friend and fellow musician’s input on rough mixes of his songs ‘George Jackson’ and ‘Wallflower.’ In full: “Tony—Here’s the songs. The tape is 4th generation but I don’t think it matters. Call me when you hear it.” Includes the original 1/4-inch Scotch RB-7 reel-to-reel audio tape in its original box, marked on the back: “George Jackson / Wallflower / George Jackson.” In overall fine condition.

Both songs were recorded at Columbia Studio B on November 4, 1971, with Dylan backed by Kenneth Buttrey (drums), Ben Keith (steel guitar), and Leon Russell (bass). ‘George Jackson,’ a protest song inspired by the killing of Black Panther leader George Jackson at San Quentin Prison in August, was quickly released as a single a week after the session. ‘Wallflower,’ on the other hand, did not see the light of day until being released as part of The Bootleg Series in 1991. RR Auction does not claim ownership of copyright therein, and is not sure who, if anyone, would own those copyrights, and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $800 - 1,000

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“You were there. Still are. And always will be.

Best wishes, Bob Dylan.”

5040. Bob Dylan Telegram to Tony Glover. Western Union telegram sent by Bob Dylan to Tony Glover, one page, 8.5

x 5.5, October 12, 1998, full: “Tony, Thanks for the eloquent notes. True articles of faith. You were there. Still are. And always will be. Best wishes, Bob Dylan.” Includes a carbon copy duplicate and the original envelope. In fine condition. Great content showing the importance of Glover in Dylan’s life—an ever-reliable friend and colleague, Glover wrote the liner notes for The Bootleg Series Vol. 4: Bob Dylan Live 1966, The ‘Royal Albert Hall’ Concert, released on October 13, 1998.

Estimate $200 - 400

5041. Bob Dylan ‘Highway 61 Revisited’ Promo Album. Highway 61 Revisited promo album by Bob

Dylan, released by Columbia in 1965 (CL 2389). The record is included, with a “For Demonstration Use Only / Not For Sale” sticker on the label. Complete with its rare portrait print and two promo stickers on the front of the sleeve. Condition (Cover/LP Record): EX/EX. Estimate $200 - 400

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5043. Bob Dylan ‘Zimmerman Ten Of Swords’ Album Box Set. Zimmerman Ten of Swords bootleg album box set

of 10 records, an unofficial release from Tarantula in 1985 (CL 16319). Complete with its original booklet. Billed as “the only definitive collection,” this famous bootleg featured over eight hours of music and 134 previously unreleased tracks recorded between 1961 and 1966. Condition (Cover/LP Records): EX/EX. Though a prized set among Dylan collector’s, Tony Glover later regretted trading for it—it cost him his copy of Dylan’s first single.

Estimate $200 - 400

5046. Bob Dylan ‘Tarantula’ Galley Proof Copy. Contemporary photocopy of the galley proof for Bob Dylan’s 1966

collection of poetry entitled Tarantula, bound into a 9 x 11.5 binder, annotated on the front by Tony Glover: “Tarantula, Bob Dylan, March 1966 - 1st Proofs.” Originally slated to be published by Macmillan in August 1966, the release of Tarantula was derailed by Dylan’s motorcycle accident on July 29, 1966. Only a few of the original spiral-bound galley proofs were produced, but ‘bookleggers’ soon obtained one and created pirated copies which were sold until it was officially released in 1971. Given Glover’s close friendship with Dylan, it is unclear whether this is an ‘authorized’ version—perhaps given to him for feedback—or a bootlegged one. In fine condition.

Estimate $200 - 400

46 Marvels of Modern Music | 603) 732-4280

5047. Bob Dylan by Anthony Scaduto Galley Proof. Spiral-bound contemporary photocopy of the galley proof for Bob

Dylan by Anthony Scaduto, published by Grosset & Dunlap in 1973 as the first biography of Bob Dylan. The front cover is annotated in Tony Glover’s hand, “Grosset & Dunlap - Oct (1st week), Illus. (8 pgs-photos), $6.95, Approx 300 pgs.” The proof measures 8.5 x 14.5 and is 165 pages long. Scaduto’s work is considered an influential book in the field of biography, being one of the first to take an investigative approach to writing about its subject. In fine condition.

Estimate $200 - 400

Signed by Shelton, a rare galley proof of ‘No Direction Home’

5048. Bob Dylan ‘No Direction Home’ Book Galley Proof. Scarce signed book: No Direction Home: The Life and Music of Bob Dylan by Robert Shelton. Uncorrected galley proof of the first edition. NY: Beech Tree Books/William Morrow, 1986.

Softcover, 5.25 x 8.25, 711 pages. Signed on the dedication page in black felt tip by the author, “Thanks for all the help & friendship down the years, Bob Shelton.” Also includes a handwritten note from Tom Rusch of William Morrow & Company, in full: “Tony, Nice words about you in this book. It sounds like the interview was done some years ago. Where are those novels that Shelton refers to?” In very good condition, with several spots of dampstaining to wrappers.

Estimate $200 - 400

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All three seasons of Theme Time Radio Hour, with LOA from the president of the Bob Dylan Music Company

5055. Bob Dylan Theme Time Radio Hour Seasons. iPod Nano containing all three seasons of Theme Time Radio Hour (TTRH), a weekly, one-hour satellite radio show hosted by Bob Dylan, which aired from May 2006 to April 2009 on XM Radio.

The first season aired from May 3, 2006 to April 18, 2007, and contains 50 episodes; the second season, September 19, 2007 to April 2, 2008, contains 25 episodes; and the third season, October 8, 2008 to April 15, 2009, contains 25 episodes. In fine condition. Accompanied by a letter of authenticity from Jeff Rosen, president of the Bob Dylan Music Company, which reads: “Compliments of Jeff Rosen—these are the 3 seasons of the XM Radio Show & then some...Enjoy!”

Estimate $800 - 1,000

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The Doors play the Minneapolis Auditorium...with Glover on Harmonica

5060. The Doors 1968 Interview/Concert Archive. Tony Glover’s archive of materials related to his interview/

concert with The Doors at the Minneapolis Auditorium on November 10, 1968. Includes: a 1/4-inch reel-to-reel tape of the concert and interview, annotated on the box, “Doors - concert w/ me 11/10.68 / Interview - same,” with Glover’s handwritten track list inside: “Side One: 1. Soul Kitchen, 2. Break On Thru, 3. When the Music’s Over, 4.

Back Door Man, 5. Little Red Rooster, 6. Wild Child & Money, 7. Love Me Two Times, 8. Light My Fire”; an audio cassette tape recording of the interview; and two original vintage glossy 10 x 8 photos of the concert taken by Minneapolis rock photographer Mike Barich, both showing Glover playing alongside Jim Morrison. In overall very good to fine condition.

During the concert, Glover played harmonica on ‘Back Door Man,’ ‘Little Red Rooster,’ ‘Wild Child,’ ‘Money,’ and ‘Love Me Two Times.’ The show received positive reviews, and Glover’s interview with the group—including manager Bill Siddons, was published in Circus magazine in four parts from March–July 1969. RR Auction does not claim ownership of copyright therein and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $400 - 600 Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 49

Rare privately printed edition of Morrison’s first poetic work

5061. Jim Morrison Private-Edition Book: ‘The Lords: Notes on Vision’. Exceedingly rare unsigned book: The

Lords: Notes on Vision. First edition, printed as a limited issue of 100 copies. Self-published and privately printed by Western Lithographers, Los Angeles, 1969. Housed in the original blue portfolio with red string tie and gilt lettering, “The Lords / Notes on Vision / James Douglas Morrison,” 8.5 x 11, 82 loose-leaf pages. These unbound pages could be rearranged in any order by the reader. In very good to fine condition, with edgewear and light creasing to the portfolio, folds and creases to the portfolio’s red cardstock tiedowns, and traces of adhesive where flaps were once sealed; inner pages are fine with some very mild corner creasing and some slight color transfer from the navy blue portfolio to page edges. This rare edition of Morrison’s first self-published poetic work was given to Tony Glover in June 1969.

Estimate $1,000 - 1,200

Morrison’s second self-published poetry book, limited to 100 copies and signed for Tony Glover 5062. Jim Morrison Signed Book: ‘The New Creatures’. Extremely rare signed book: The New Creatures. First edition, printed as a limited issue of 100 copies. Self-published and privately printed by Western Lithographers, Los Angeles, 1969. Hardcover with gilt lettering, “The New Creatures / James Douglas Morrison,” 5.5 x 8.75, 88 pages. Neatly signed and inscribed on the title page in black ink, “To Tony Glover, J. Morrison.” In fine condition, with slight wear at spine ends and a very subtle scratch to the front board. An exemplary copy of Morrison’s second self-published volume of poetry, inscribed to a fellow writer and musician.

It was presented to Glover by Morrison in June 1969.

Estimate $1,000, - 1,200

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5063. Jim Morrison Signed Letter. TLS signed “J. Morrison,”

one page, 8.5 x 11, The Doors letterhead, June 17, 1969. Letter to Tony Glover in Minneapolis, in full: “Enjoyed talking with you again. Keep in touch and hope to see you again…Enc: 2 books of private edition.” In very good condition, with scattered creasing, a tape-repaired tear to the top edge, and the letterhead uniformly faded. Originally enclosed with this letter were Morrison’s privately printed books, The Lords: Notes on Vision (see lot # XXX) and The New Creatures (see lot # XXX), both printed in limited runs of 100 earlier in 1969.

Estimate $1,000 - 1,200

Original photos of The Doors rocking Minneapolis in 1968

5064. The Doors (21) Original Photographs by Mike Barich. Tony Glover’s collection of 21 original vintage glossy silver gelatin photos of The Doors by noted rock and roll photographer Mike Barich, 8 x 10 and 10 x 8, which show the group performing on stage at the Minneapolis Concert Hall on November 10, 1968. The collection contains eight photos exclusively focused on frontman Jim Morrison, six photos of the band, one of drummer John Densmore, and one of keyboardist Ray Manzarek. Also included are five contact sheets that contain a total of 141 images from the concert and the rehearsals, with each photo marked in red felt tip. Reverse of all photos feature credit and Mike Barich photography stamps. Includes two Morrison duplicates. In overall fine condition.

Estimate $400 - 600

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 51

Tony Glover interviews Hendrix

5068. Jimi Hendrix Interview/Concert Tape and Transcript. Desirable 1/4-inch reel-to-reel tape marked on the box, “Hendrix Int. + Concert / Noel Redding Int. - Nov. 2, 1968,” containing audio of Tony Glover’s backstage interview with Hendrix plus a recording of the concert at the Minneapolis Auditorium on November 2, 1968.

Includes Glover’s five-page transcript of the interview, in which he and Hendrix discuss audiences in America and Europe, the production of Electric Ladyland, 12-track recording at Record Plant, and covering Bob Dylan’s ‘All Along the Watchtower.’ Highlights of the show included ‘Are You Experienced,’ ‘Voodoo Child,’ ‘Red House,’ ‘Foxy Lady,’ ‘Little Wing,’ ‘Spanish Castle Magic,’ ‘Sunshine of Your Love,’ and ‘Purple Haze.’ In overall fine condition. RR Auction does not claim ownership of copyright therein and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $400 - 600 52 Marvels of Modern Music | 603) 732-4280

Original Hendrix photos from Minneapolis 1968 5069. Jimi Hendrix and the Experience (12) Original Photographs by Mike Barich. Tony

Glover’s collection of 12 original vintage glossy photos of the Jimi Hendrix Experience by noted rock and roll photographer Mike Barich, 8 x 10 and 10 x 8, with eight of the photos showing Hendrix performing on stage at the Minneapolis Auditorium in Minneapolis, Minnesota, on November 2, 1968. Also includes two photos of Hendrix seated with bassist Noel Redding (one with Glover during an interview) and two silver gelatin contact sheets containing a total of 60 images of the show and interview. Includes a few duplicates.

Reverse of eight photos bear credit and/or Mike Barich stamps, with both contact sheets dated November 2, 1968. In overall fine condition.

Estimate $600 - 800

Rare Rolling Stones limited edition radio promo LP 5070. The Rolling Stones ‘Special Radio Promotion’ Album. The Rolling

Stones: A Special Radio Promotion Album In Limited Edition (Not For Sale) released

by London Records in 1969 (RSD-1). The record is included. Condition (Cover/LP Record): VG+/M-, with a minor seam split to cover (with tape to top edge) and ring wear. This rare promotional record features 14 tracks from earlier albums. With an estimated pressing of only 200, this rarity is one of the most sought after Rolling Stones albums.

Estimate $1,000 - 2,250

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5071. Rolling Stones: Keith Richards Original Oversized Photograph Signed by Annie Leibowitz. Fantastic original

matte-finish 11 x 14 silver gelatin photograph of Keith Richards asleep in San Francisco in 1972, signed in the lower border in black felt tip by photographer Annie Liebowitz. Reverse bears an Annie Liebovitz/Straight Arrow Goods credit stamp. In fine condition. In her memoir Annie Leibovitz at Work, the photographer humorously observed: ‘There are very few pictures of Keith standing up.’

Estimate $800 - 1,000

5072. The Rolling Stones (13) Original Photographs by Mike Barich. Collec-

tion of 13 original vintage glossy photos of the Rolling Stones by noted rock and roll photographer Mike Barich, 8 x 10 and 10 x 8, showing the band performing live at the Metropolitan Sports Center in Bloomington, Minnesota, on June 18, 1972, during their 48-show American tour, or ‘Stones Touring Party,’ in support of their Exile on Main St. album. Includes a few duplicates. Reverse of each photo bears Mike Barich credit stamps.

In overall fine condition. The Stones show in Bloomington marked only the second time the band had ever appeared in Minnesota.

Estimate $800 - 1,000

54 Marvels of Modern Music | 603) 732-4280

5083. Tony Glover ‘The Writer’ Lifetime Collection Including Typewriter. Tony Glover’s archive of writing equip-

ment, tapes, and materials from his career as a music journalist, which is highlighted by his Remington Quiet-Riter typewriter with portable carrying case. Also included: a Shure Green Bullet microphone, Model 520D, with original box; an Electro-Voice omni-directional microphone, Model 636, with cord; an assortment of microphone cables, cords, and plugs; a wooden pen case with two pens; various items like ribbon tapes, liquid paper, and tape eraser; a group of 17 cassette tapes containing interviews conducted by Glover, annotated in his own hand, which includes interviews with blues and folk artists like Bernie Hayes, Pops McFarlane, James Cotton, Dave Myers, and more; and a set of three 5˝ and 7˝ reel-to-reel audio tapes marked “Patti Smith, Dec. 1, 1973,” “Nine Below Zero, KQRS, 11-11-75,” and “Walter Horton, Int (Edit), KQRS.” In overall very good to fine condition.

Estimate $400 - 600

5084. Tony Glover Interview Tapes. Group of 45 audio cas-

sette tape recordings from the collection of Tony Glover, predominately consisting of his interviews with figures in music and popular culture but also including recordings of radio play, concerts/readings, or audio book dubs. Dates range from the 1970s to 1990s, and subjects include: Joyce DeShay Anderson, Billy Boy Arnold, Carey Bell, Elvin Bishop, Big Guitar Red, Mike Bloomfield, Joe Lee Bush, Jim Carroll, Francis Clay, Norman Dayron, Honeyboy Edwards, Five Blind Boys, Fred Glaser, Mark Kazinoff, Sam Lay, Jim Lombardi, Mel McCosh, Charlie Musselwhite, Anais Nin, Mark Power, Jimmie Lee Robinson, Matty Rollins, Hugh Smith, Luther Tucker, Marguerite Wallace, Bill Warren, and Jonathan Winters.

In overall very good to fine condition. RR Auction does not claim ownership of copyright therein and is possession of the actual tangible items on consignment from the rightful owner thereof.

Estimate $600 - 800

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5085. Tony Glover Original Candid Photograph.

Original vintage glossy 3.5 x 3.5 candid photograph of Tony Glover with a cigarette dangling from his mouth, dated “May 65” along the top edge. Annotated in Glover’s hand on the reverse: “Credit to: Karen Glover.” Reverse also bears “A Kodak Paper” watermarks. In fine condition.

Estimate $100 - 200

5086. Tony Glover’s Harmony Hollowbody Electric Guitar. Tony Glover’s personally-owned

and -used Harmony hollowbody electric guitar, featuring a single pickup and two knobs. The guitar has a black paint finish applied by a hobbyist, and has numbers scratched into the back of the headstock: “MN02711, 100404.” Includes an original vintage 10 x 8 photo of Glover posing with this guitar and his harmonica. In very good condition. Accompanied by a very worn hardshell case.

Estimate $200 - 400

56 Marvels of Modern Music | 603) 732-4280

5087. Tony Glover’s Hemen Sitar. Tony Glover’s personally-owned circa 1960s Hemen #3 sitar with 11 plain taraf pegs,

housed in its large original wooden carrying case. The neck bears the original “Hemen & Co / 140 Rashbehari Avenue” label.

Includes a photograph of Tony Glover playing acoustic guitar alongside a sitarist, and a photo of Nikhil Banerjee imprinted on the reverse: “Greetings from the American Society for Eastern Arts.” In very good condition, with some broken strings. Located in Kolkata, India, Hemen supplied handmade sitars to artists all over the world—in addition to local exponents of the instrument like Ravi Shankar, the shop counted George Harrison, Yehudi Menuhin, and Ian Anderson among its loyal customers. Tony Glover studied the sitar under Nikhil Banerjee, one of the leading sitarists of the era.

Estimate $400 - 600

Tony ‘Little Sun’ Glover on the cover of The Little Sandy Review 5096. The Little Sandy Review (No. 27, 1963). Issue no. 27 of The Little Sandy Review from 1963, a folk music fanzine edited by Paul Nelson and Jon Pankake, 4.25 x 7, 38 pages, featuring ‘Spider’ John Koerner, Tony ‘Little Sun’ Glover, and Dave ‘Snaker’ Ray on the front cover. Inside is a six-page review and a blurb about their newly released debut album, Blues, Rags, and Hollers: “Alan Lomax calls them ‘excellent bluesmen,’ and says that he was ‘astonished by the record.’” In fine condition, with some light staining to wrappers.

Estimate $100 - 200

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Full run of Rolling Stone from ‘67 to ‘73 5098. Rolling Stone Magazine Archive.

Archive of Rolling Stone magazines from Tony Glover’s personal library, comprising a complete run from number 1 through 141 (November 1967 through August 1973), plus some later issues and duplicates. The collection fills five Bankers boxes. In overall very good to fine condition.

Estimate $800 - 1,000

“I’m comin to New York to do Carnegie Hall with Pete Seeger” 5104. Donovan Handwritten Signed Letter. ALS signed “Don,” three pages both

sides, postmarked at London, August 20, 1965.

Letter to Tony Glover. View part of the letter transcribed online at www.RRAuction.com.

In fine condition. Accompanied by the original mailing envelope.

Estimate $200 - 400

58 Marvels of Modern Music | 603) 732-4280

“Sonny Terry....He can make that mouth harp talk” 5111. Pete Seeger Handwritten Letter.

Handwritten letter by Pete Seeger, signed “Pete,” at the bottom of a TLS sent to him by Tony Glover, one page, 8.5 x 11, Little Sandy Review letterhead, December 29, 1960. Glover asks Seeger for his thoughts on Sonny Terry for a tribute in The Little Sandy Review. Seeger responds, in part: “Like many true folk musicians, knows one idiom only, but he knows it very very well. He can make that mouth harp talk...But let me most of all pay tribute to him as a person, who never let his blindness make him discouraged or scared, and who always looks to see the good in people.” In fine condition. Accompanied by a typescript of Mel Lyman’s letter about Terry and a transcript of Seeger’s quote.

Estimate $200 - 400

5113. Duane Allman ‘Anthology’ Archive. Tony Glover’s archive of material for Duane Allman’s Anthology compilation album released by Capricorn Records in 1972, for which Glover wrote the liner notes. Includes: a 1/4-inch reel-to-reel tape marked “Duane Allman Anthology, 1/4 TR Stereo”; a vintage glossy 7 x 5 photo of Duane Allman and Berry Oakley, annotated on the reverse by Glover, “Permission is granted for use in Creem”; four copies of the Anthology booklet with liner notes by Glover; and two glossy 8 x 10 photos of Duane Allman in a Capricorn Records folder. In overall fine condition.

Estimate $200 - 400

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Tony interviews the Allman Brothers 5115. Allman Brothers Band Interview & Press Kit Archive. Tony Glover’s archive of interview materi-

als related to the Allman Brothers Band, including: four audio cassette tape recordings of interviews, marked: “Pete Townshend - Mpls - 7-4-70 / Allman Brothers NYC 12-10-70,” “Allman Brothers (Ctd) 12-70 NYC / Dicky Betts, Int. 11-28-71 NYC,” “Berry Oakley - Phone Int, 2-10-72, Macon-NYC / Gregg 3/29,” and “Gregg LA PM Radio 10-73”; packets of Glover’s typed and handwritten interview notes and transcripts; five press kits, containing a total of eight glossy photos of the band and its members, several biographies and press clippings, and a hand-corrected draft of Glover’s article entitled “The Allman Brothers—Saturday Night Fish Fry”; and an ALS by Dickey Betts on a postcard from 1977. In overall very good to fine condition.

Estimate $200 - 400

5116. The Band: Robbie Robertson Interview Archive.

Tony Glover’s archive of interview materials associated with Robbie Robertson and The Band, including: four audio cassette tape recordings of interviews, marked: “Robbie Robertson - Canadian, Phone Interview, 12-68,” “Johnny Winter Int. - Mpls 6-29-69 / Robbie Robertson Phone Int. 9-9-69,” “Robbie Robertson Phone Int. 10-2-69,” and “Robbie Robertson - Phone - 4-70”; a hand-edited 12-page transcript of the October 2, 1969 interview, marked at the top, “Do not print what’s in Brackets”; a 1/4-inch reel-to-reel tape marked “The Band - Single + Out Takes,” annotated with a track list that includes two songs by Levon & the Hawks, five tracks by The Band, and twelve takes of “We Can Talk About It Now” in various states of completion; a 1/4-inch reel-to-reel tape marked “TG Demos w/ Band - Master,” containing a handwritten track list inside dated September 23, 1976, with highlighted titles including “I Ain’t Wasting No More,” “Ladies Get Lusty,” “How Come I Keep Running Into You,” and “Waiting for the Rain”; a glossy 10 x 8 photo of Robbie Robertson and Rick Danko

by Minneapolis photographer Mike Barich; and a packet with Glover’s typed notes about The Band’s album Music from Big Pink, two hand-edited typed drafts of his review of the album (published in Eye magazine in November 1968), and two versions of the Albert B. Grossman, Inc. biography of the group and album. In overall very good to fine condition.

Estimate $200 - 400

60 Marvels of Modern Music | 603) 732-4280

Early lyrical letter from Joan Baez 5123. Joan Baez Autograph Letter Signed.

ALS, two pages, 8.5 x 11, August 10, 1966. Letter to blues musician and music critic David Glover, who also went by Tony ‘Little Sun’ Glover, in part: “Funny, that little block where you live, every day about towards evening you put on your shades, turn up your collar against the living air, walk out of the dingy room and fall onto the path. The same path every day—you walk into, around through the carnival of death, flirting and coughing, death, charcoal, bones, skulls, ulcers, fuck it all, it’s getting to be a bore, this waiting game.” In fine condition.

Accompanied by the original hand-addressed mailing envelope, with Baez incorporating her signature in the return address field.

Estimate $400 - 600

5124. Joan Baez Autograph Letter Signed. ALS signed “Joanie,” one page, 6 x 9, postmarked November 20, 1967 at Detroit, Michigan. A letter to blues musician and music critic David Glover, who also went by Tony ‘Little Sun’ Glover, in full: “Ghandi was the greatest mystic of the 20th century, and he knew that his karma couldn’t be divided from his street actions—I love you, even though love has always been a dirty word, and even though you’re a jerk.” In fine condition.

Accompanied by the original hand-addressed mailing envelope, with Baez incorporating her signature in the return address field.

5125. Joan Baez Autograph Letter Signed. ALS, signed “Joan,” one page, penned on her personal 6.25 x 4.5 stationery card, postmarked November 23, 1993 at San Francisco.

Letter to blues musician and music critic David Glover, who also went by Tony ‘Little Sun’ Glover, in full: “You always were good with a typewriter & the English language. Thanks for the letter. I love your writing. I hope you are well.” In fine condition. Accompanied by the original hand-addressed mailing envelope.

Estimate $200 - 400

Estimate $200 - 400

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5131. Jimmy Reed ‘High and Lonesome / Roll and Rhumba’ 45 RPM Record. Rare Vee-Jay Records 45 RPM single

of ‘High and Lonesome / Roll and Rhumba’ by Jimmy Reed, released in 1953 (VJ53-104/VJ53-107). Condition (Cover/LP Record): Generic/VG++, with small pencil notations to labels.

Estimate $600 - 800

5132. Sonny Boy Williamson Record and Brick. Two

Sonny Boy Williamson items: a framed 10˝ shellac 78 RPM record of ‘Mighty Long Time / Nine Below Zero,’ released by Trumpet Records in 1952; and a brick from the boarding house where Williamson lived at the time of his death, bearing an affixed plaque: “From the Home of Sonny Boy Williamson, 427 1/2 Elm St., Helena, Arkansas, May 25, 1965, Sonny Boy Blues Society.” In overall very good to fine condition.

Estimate $600 - 800

62 Marvels of Modern Music | 603) 732-4280

5141. Brownie McGhee Twice-Signed Letter. Twice-signed TLS, one page,

8.5 x 11, February 4, 1961. Letter to Tony Glover, offering thoughts on his partner Sonny Terry for The Little Sandy Review. In part: “There is one way out of two that a man can be: right or wrong, good or bad, true or false, a creator or an imitation, a blues player or a player of the blues, a folk singer or a singer of folk songs, etc. Sonny is all the above underlined.” In fine condition, with light creasing. Accompanied by the original mailing envelope addressed in McGhee’s own hand, including his signature (“B. McGhee”) as part of the return address. Also includes a typed transcript of McGhee’s piece and a typescript of a piece by Mike Russo about Sonny and Brownie’s famous collaboration.

Estimate $200 - 400

Rare Twice Signed First Edition From Burroughs and ‘William Lee’ 5153. William S. Burroughs Signed Book. Signed book: Junkie by William S.

Burroughs (writing under the pseudonym William Lee, using his mother’s maiden name). First edition, bound as an ‘Ace Double’ with Narcotic Agent by Maurice Helbrant. NY: Ace Books, Inc., 1953. Paperback, 4.25 x 6.5, 318 total pages. Signed and inscribed on the title page in blue felt tip, “For Tony Glover, all the best, William S. Burroughs, for William Lee, March 21, 1981.” Autographic condition: fine. Book condition: VG/None, with edgewear and minor creasing to wrappers. As Burroughs’ first published work, this is a rare and sought-after edition in its own right, made all the more desirable by its unique doublesignature with inscription to Tony Glover.

Estimate $400 - 600

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5154. Charles Gatewood Signed Book Lot Including “X-1000” Estimate $400 - 600

5155. Jack Kerouac and Beats Lot of (7) Books Estimate $600 - 800

5156. Jack Kerouac Signed Book. Signed book: Excerpts from Visions of Cody. Limited edition, numbered 500/750. NY: New Directions, 1959. Hardcover, 5.5 x 8.5, 128 pages. Signed on the colophon in ballpoint by Jack Kerouac. Includes the original publisher’s slip. In fine condition. Originally written during 19511952, partly overlapping with what became On the Road, the complete manuscript was not edited and published in its entirety until 1972, three years after Kerouac’s untimely death.

Estimate $1,000 - 1,500

64 Marvels of Modern Music | 603) 732-4280

MARVELS OF MODERN MUSIC Highlights include a stage-worn Bob Marley shirt, stage-used guitars of Ace Frehley and Roy Buchanan, a remarkable archive of Johnny Cash letters, a multitude of Beatles pieces, a rare handwritten John Lennon letter lashing out against “Jesus Freaks,� and much more.

Beatles First UK pressing of the Beatles’ second single, fully signed by the group

5200. Beatles Signed ‘Please Please Me’ 45 RPM Record. Highly desirable Parlophone UK first pressing of the band’s second single, ‘Please Please Me / Ask Me Why,’ signed and inscribed on the label in black ballpoint, “John Lennon, xxxx,” “Paul McCartney, xxxx,” “To Pat, Love, George Harrison,” and “Ringo Starr, xx.” In fine condition, with some surface loss to the label on the B-side. Accompanied by a certificate of authenticity from Tracks, noting that the signatures were obtained in the Liverpool area around the time of the single’s release. Starting Bid $1000

66 Marvels of Modern Music | 603) 732-4280

Oversized Parlophone promo card, signed for the Middlesbrough Astoria’s booking manager 5201. Beatles Signed Promo Card. Rare vintage circa

1963 Parlophone promo card depicting the Beatles dressed in formal attire, 7.5 x 5, signed and inscribed on the reverse in blue ballpoint, “To Linda, Love Paul McCartney, xxx,” “And Bowden, John Lennon, xxx,” “George Harrison, xxx,” and “Ringo Starr, xxx.” In fine condition, with some light creasing, and surface impressions on the photo side from the signatures on the back.

Accompanied by a certificate of authenticity from Tracks and a provenance note, in part: “My uncle was the booking manager at Middlesbrough Astoria. He booked the Beatles to play in 1963 and got their autographs for my mother Linda Bowden.”

Starting Bid $1000

5202. Beatles 1963 Swedish Program. Original vintage program

for the Beatles’ 1963 Autumn tour of Sweden held between October 25th and 29th, 5.75 x 8.25, signed over the band image in blue ballpoint by John Lennon, George Harrison, Paul McCartney, and Ringo Starr. The front and back covers are affixed together. In very good condition, with trimmed edges, two short edge tears, slight fuzziness to the signatures from onetime exposure to moisture, and poor contrast to parts of all of the signatures except Harrison’s. Months before Beatlemania swept across the United States with the band’s legendary performance on the Ed Sullivan Show, the Fab Four traveled to Sweden for a five-concert tour that showcased an edgier side of the Beatles, injecting standard rhythm and blues with a frenetic punk pace and attitude. Despite their popularity in Sweden, The Beatles were second on the bill to Joey Dee and the Starliters, however, the band’s television appearance on Drop In, and their subsequent seven-song set at Stockholm’s Karlaplansstudion, quickly secured their status among Swedish audiences. Starting Bid $500

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5203. Beatles Original Artwork by Allison Lefcort. Large,

highly displayable original color painting of the Beatles by acclaimed artist Allison Lefcort, accomplished in mixed media on 29.25 x 36.75 artist board, and depicting the Fab Four posing together against a Union Jack backdrop, signed in the lower right in silver ink by the artist. Cloth-matted and framed without glass to an overall size of 34.5 x 42. In fine condition. Learn more about Lefcort online at www.RRAuction.com. Starting Bid $200

5205. Beatles 1961 ‘Swinging Lunch Time Rock Sessions’ Handbill.

Starting Bid $200

68 Marvels of Modern Music | 603) 732-4280

5206. George Harrison Signed Photograph.

Starting Bid $200

5207. George Harrison Signed Receipt. DS, one page,

5.5 x 8, July 7, 1967. Receipt for clothing from Allsopp, Brindle & Boyle Ltd. for “one pinstripe suit,” “one pair of trousers,” and “2 pairs of trousers,” signed in the lower left in ballpoint by George Harrison. A note from the proprietor on the reverse is addressed to Harrison’s wife, the model Pattie Boyd, instructing her to bring in anything needing alterations.

In fine condition. Harrison and Boyd had gotten married the previous year and it was her interest in Eastern mysticism that inspired the Beatles to meet the Maharishi in London in August 1967, just a month after Harrison signed this receipt.

Starting Bid $200

5208. George Harrison Original Painting by Trevor Carlton. Very attractive original painting of George Harrison

by acclaimed artist Trevor Carlton, accomplished in acrylic on eight slats of distressed wood measuring 15 x 44.5, signed on the bottom slat in black paint, “Carlton,” with the reverse also signed, “Monte Trevor Carlton, 2006.” In fine condition.

Learn more about Trevor Carlton online at www. RRAuction. com. Starting Bid $200

5209. George Harrison Signed Check. Apple Records, Inc. business check, 7.75 x 3.5, filled out in another hand and boldly signed by Harrison, “George Harrison,” payable to Fabrica for £9.15, March 22, 1971. In fine condition, with two punch holes to the top. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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5210. George Harrison Signed Photograph. Vintage glossy 6 x 7.75 Top Star promotional photo of the Beatles posing in the studio with their instruments, signed on the reverse in black ballpoint, “George Harrison, xx.” The original photo was taken by Dezo Hoffman at Abbey Road Studios on September 4, 1962, when the Beatles were recording their first single, ‘Love Me Do.’ In fine condition. Consignor notes that the signature dates to mid-1963. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Rock’s first major charity concert featuring George Harrison and friends 5211. George Harrison ‘The Concert for Bangladesh’ Ticket Stub. Rare original orange ticket stub for The Concert for Bangladesh, 2.5 x 1.75, held at Madison Square Garden in New York City on August 1, 1971. The ticket stub is issued for “Tower A, Gate 9, Sec. 102, Row D, Seat 9,” with red text reading: “1st Promenade, $6.50, Harrison & Friends, 8:00 P. M., Sat. Eve, July 31, 1971, Perf. A.” In fine condition. Accompanied by a modern photo of George Harrison playing alongside Bob Dylan during the latter’s five song mini-set, which included ‘A Hard Rain’s A-Gonna Fall,’ ‘Blowin’ in the Wind,’ ‘It Takes a Lot to Laugh, It Takes a Train to Cry,’ ‘Love Minus Zero/No Limit,’ and ‘Just Like a Woman.’

Starting Bid $200

70 Marvels of Modern Music | 603) 732-4280

“Peace off!”—an intense handwritten letter from John Lennon—“Why don’t you Jesus Freaks get off peoples backs?”

5212. John Lennon Autograph Letter Signed and Matchbook. ALS signed “John & Yoko, 71,” one page, 8.5 x 11, Apple

letterhead, October 1, 1971. Letter to Tom Bonfield, in full (spelling and grammar retained): “Listen, Brother, Why don’t you Jesus Freaks get off peoples backs? its been the same for two thousand years—wont you ever learn? those who know do not speak, those who speak do not know, your peace of mind doesn’t show in your neurotic letter, son. One mans meat—brother!

Peace off!” Also included is a matchbook from the St. Regis–Sheraton in New York, the residence of Lennon and Ono, which is annotated in black ink by Lennon, “this will help brother,” and the original Apple mailing envelope, which Lennon has addressed in his own hand. All of which are double-matted with a Lennon sketch logo (with facsimile autograph) and a printed letter of provenance from the original recipient, in part: “After the release of the album ‘Imagine,’ I wrote a letter with my thoughts on it to John Lennon…I wrote that things were not so negative, and went on to share my religious beliefs in an uplifting and non-threatening manner…I apparently hit a sore spot with what I was saying. I also included a booklet of ‘Four Spiritual Laws’ upon which I wrote ‘this might help’…That is why John sent back a matchbook from St. Regis…I always thought John was open minded and open to sharing his ideas; his angry response was totally unexpected.” Archivally framed to an overall size of 19.75 x 20.5. In very good to fine condition, with intersecting folds and light creasing. Starting Bid $2500

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 71

5213. John Lennon Signed Photo. Wonderful vintage glossy 5.75 x 8 photo of John Lennon leaning into view, signed nicely in blue ballpoint. The consignor notes that the photograph was signed in Germany in 1966 when Lennon was filming the black comedy How I Won the War. In very good to fine condition, with scattered light creasing and spotting.

Accompanied by a certificate of authenticity from Tracks. Starting Bid $500

5214. John Lennon and Pete Best Original Cavern Club Photographs.

Pair of vintage glossy 3.5 x 5 photos of John Lennon and Pete Best that were taken inside the Cavern Club in the summer of 1961. In overall very good condition, with creasing to both (heavy creasing to the right side of the Lennon photo), and a short edge tear to Best. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

72 Marvels of Modern Music | 603) 732-4280

Extremely rare Double Fantasy album signed by Lennon and Ono days after its release—less than three weeks before the Chapman murder 5215. John Lennon Signed Album. Double

Fantasy promotional album signed and inscribed on the back cover in thin black felt tip, “For Allan, love, John Lennon” and “Yoko Ono.” In fine condition, with some light edge creasing. The record is included. Accompanied by full letters of authenticity from Perry Cox and Frank Caiazzo, who writes: “This LP cover was signed for photographer Allan Tannenbaum, who took [a] series of images of John in late November of 1980 for the ‘SoHo News’ newspaper, including a well known photograph of John sitting at his desk in his office while autographing a stack of ‘Double Fantasy’ album covers. Autographed ‘Double Fantasy’ album covers are quite rare and immensely desirable and this is an excellent example, with great provenance.” Additionally, Cox notes that this album is indeed one of the Double Fantasy albums signed “at their home office on November 21, 1980 after the historic photo session in Central Park,” a distinction he believes elevates this album as “one of the most historic John Lennon / Yoko Ono signed items in existence.” To date, this is one of only two signed copies of Double Fantasy that have been sold with photographic evidence of Lennon signing the album—the other being the one he signed to his killer. Starting Bid $5000

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 73

5216. John Lennon Double Fantasy Standee. Fantastic

never-used original Geffen Records promotional cardstock standee for the release of the 1980 John Lennon and Yoko Ono album Double Fantasy, which measures 26 x 38.5 and depicts the couple standing side-by-side above bold yellow and white text: “John Lennon, Yoko Ono, Double Fantasy.” Includes the original Geffen Records shipping box. In fine condition. Starting Bid $200

5217..John Lennon Signed Check - PSA/DNA MINT 9. Rare District Bank Limited/Lennon Productions LTD check, 8 x 4,

filled out in another hand and boldly signed by Lennon, “John Lennon” payable to Arthur Young McClelland Moores & Company for £420, January 4, 1972. In fine condition. Encapsulated in a PSA/DNA authentication holder, with the autograph graded MINT 9. Lennon’s checks are typically seen in shades of pink—this cream-colored variety is rare and unlike the others we have seen.

Boasting a large and bold signature of the Beatles legend, this MINT 9 example is of the utmost desirability. Starting Bid $300

74 Marvels of Modern Music | 603) 732-4280

5218. John Lennon War is Over (Lennono Collection).

Original 20 x 30 poster from circa December 1969 that reads in bold black text, “War Is Over! If You Want It, Love and Peace from John & Yoko.” Blindstamped in the lower right corner, “Lennon-Ono, Original Gallery Ad, Certified 1970 to 1974.”

Rolled and in fine condition. An iconic counterculture and antiVietnam War poster from the couple’s international multimedia campaign. Starting Bid $200

5219. John Lennon: JOKO Films Poster. Uncommon original 27 x 39 JOKO Film Productions one-sheet poster promoting “Films by John Lennon & Yoko Ono,” which lists “One Showing—Saturday Midnight— February 12th [1971],” and features an Iain Macmillan image of Lennon and Ono staring out from a car window. Rolled and in fine condition, with some edgewear. Macmillan had worked with the Beatles on a number of projects, including taking the famous cover photo for their Abbey Road album. Starting Bid $200

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5220. John Lennon George Maciunas Genocide Poster. Color 34.5 x 21.25 poster of George Maciunas’s controversial

1966 work ‘USA Surpasses all the Genocide Records!,’ which features an American flag that compares massacres in Nazi Germany, Russia, and Vietnam to the those committed by the United States. The 50 stars in the upper left have been replaced with skulls over crossbones. The lower right corner features a “Lennon-Ono Original Gallery” blindstamp. Rolled and in fine condition, with a small tear to bottom edge. John Lennon and Yoko Ono famously posed in front of ‘USA Surpasses all the Genocide Records!’ on July 22, 1971. Starting Bid $200

5221. John Lennon War is Over Newspaper Ad. Scarce

original “War Is Over” advertisement from John Lennon and Yoko Ono that ran in the Sunday issue of The New York Times on December 21, 1969. The advertisement measures 15 x 22.5 and features a simple Xmas message in bold text: “War Is Over! If You Want It, Happy Christmas from John & Yoko Lennon.” The advertisement has been professionally restored and affixed to a 16.75 x 24.25 canvas backing. Rolled and in fine condition, with small tape stains to the top and bottom edges. Starting Bid $200

76 Marvels of Modern Music | 603) 732-4280

5222. John Lennon Imagine Poster. Scarce original

color 22 x 32.75 Apple Records poster for the 1971 release of John Lennon’s second solo album Imagine, which features a Peter Fordham image of Lennon singing and playing the piano in the studio, with bold red lettering to upper right: “It’s Here.” Rolled and in fine condition, with a tiny tear to top edge. Starting Bid $200

5223. John Lennon Bob Gruen Walls and Bridges Prints. Very desirable set of four limited edition color

satin-finish 11 x 14 cibachrome photo prints of John Lennon by photographer Bob Gruen, taken on a New York City rooftop on August 29, 1974, during a photo shoot for Lennon’s fifth solo album Walls and Bridges. All the photos depict Lennon looking directly into the camera from an up-close angle, with two of him wearing glasses, and each numbered, titled, and signed in the lower border in silver ink by Gruen, “27/150, John Lennon, NYC, 1974, Bob Gruen, NYC ‘90.” In overall fine condition, with some tape adhesive to reverse edges of prints. Accompanied by laminated certificates of authenticity from the “Bob Gruen Rockers Collection” for three of the prints. Starting Bid $200

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 77

5224. John Lennon: ‘Shot Dead’ Poster. Original color 17 x 28.75

poster announcing the death of John Lennon that was included in London’s The New Standard newspaper on December 9, 1980, with bold black text against a plain background: “John Lennon Shot Dead.” Rolled and in very good to fine condition, with a central horizontal fold, and tears to the top and bottom edges. Starting Bid $200

Rare 1971 exhibition poster signed by John and Yoko, limited to just 100 5225. John Lennon and Yoko Ono Signed Poster.

Extremely rare limited edition 18 x 24 poster for the ‘This Is Not Here’ exhibition held from October 9-27, 1971, at the Everson Museum of Art in Syracuse, numbered 56/100, boldly signed in black felt tip, “John Lennon” and “Yoko Ono.” In very good condition, with moderate scattered creasing (heaviest to upper right), and a slight surface crack to the upper right. The exhibition of Ono’s artwork—billed as ‘a show of unfinished paintings and sculpture’—featured Lennon as a guest artist and opened on his birthday in 1971. Limited to just one hundred signed examples, this is a very difficult-to-find piece of the utmost desirability.

Starting Bid $500

78 Marvels of Modern Music | 603) 732-4280

5226. Beatles: Paul McCartney. Beautiful left-handed sunburst-finish Hofner ‘violin’ or ‘Cavern’ B-Bass HI-Series bass guitar, signed nicely on the pearloid pickguard in black felt tip by Paul McCartney. In fine condition. Accompanied by a full letter of authenticity from REAL and the Hofner shipping box. Originally designed by Walter Hofner in 1955, the beautifully shaped ‘Beatle bass’ remains a highly sought-after piece of musical equipment, with this instrument enhanced furthermore by its influential signer. Starting Bid $500

5227. Paul McCartney Signed Photograph. Extremely rare vintage photo of Paul McCartney performing with the Beatles at the Cavern Club in Liverpool on April 5, 1962, signed on the reverse in black ballpoint, “To…Love, Paul McCartney, xxx,” with the original owner adding her name “Jean” as the inscription. On this date the Beatles played a special concert that was organized by The Beatles Fan Club, which was dubbed ‘the Beatles for their fans.’ The group played the first half of the show in their black leather outfits and then changed into their new Beno Dorn suits and ties for the latter half. In very good condition, with creasing to the photo side, and light soiling and horizontal wrinkling to the signature. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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“All the breast!

Paul McCartney”

5229. Paul and Linda McCartney Signed Wings Booklet. Uncommon Wings MPL promotional booklet, measuring 5228. Paul McCartney Signed Receipt. Manuscript DS, one page, 5 x 8, stamp-dated June 2, 1967. Receipt from locksmiths Sidney Venning for “2 Chubb Latch Keys” and “2 Chubb 3G110 Keys,” signed below in ballpoint by Paul McCartney. In fine condition, with two file holes to the left edge. Starting Bid $200

5230. Paul McCartney Signed Invitation. Uncom-

mon typed postcard invitation, 5.75 x 4.25, sent to Peter Nash, head of the British Beatles Fan Club to be part of the video for Paul McCartney’s 1982 single ‘Take It Away,’ postmarked June 14, 1982, signed on the front in blue ballpoint by McCartney. The invitation reads, in part: “We need people of 16 yrs. and over to act as an audience in a promo film for Paul’s next single, ‘Take It Away,’ which will be filmed at EMI’s Elstree Studios on Wednesday, 23 June from about noon onwards.” In fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

80 Marvels of Modern Music | 603) 732-4280

13.25 x 5.75 open, depicting the band on the right side, with the adjacent side signed in black ink, “All the breast! Paul McCartney” and “Love, Linda McCartney,” who adds a smiley face. In fine condition, with light scuffing to the front cover.

Consignor notes that the signatures were obtained by a roadie during the Wings 1975 UK tour. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

5231. Ringo Starr Signed Check. Unique and unused

Apple Films Ltd. business check, 7.75 x 3.5, signed in blue ballpoint by Ringo Starr as “R. Starkey.” In very fine condition.

A rare BLANK Apple Films check signed by Ringo—the FIRST SUCH EXAMPLE that we’ve ever offered. Starting Bid $200

5233. Ringo Starr. Color limited edition 27 x 21 serigraph

print entitled ‘Hold Me, Love Me,’ numbered 46/150, signed in the lower border in felt tip, “Love, Ringo.” In fine condition.

Starting Bid $200

5234. Beatles 1965 White Sox Park Concert Collection.

5232. Ringo Starr Signed Receipt. DS, one page, 5 x 7.75, stamp-dated June 7, 1967. Invoice from Dr. Norman Cowan who “presents his compliments to Zac. Starkey and begs to state that his fee for professional services is £ 2:2:–.”

Signed below in black felt tip, “R. Starkey.” In fine condition, with two file holes to the left edge. Zak Starkey (born 1965) has done a stalwart job of following in his father’s footsteps; he has performed and recorded with The Who since 1996, and he is the third drummer to have appeared with English rock band Oasis. Starting Bid $200

Notable grouping of four items related to the Beatles’ historic performance at White Sox Park in Chicago, on August 20, 1965, which includes: an original ticket stub for the concert, 2.5 x 1.25, issued for “Lower Deck Box, Box 75, Tier 7, Seat 9”; a double-sided 7-Up ticket giveaway flyer, measuring 4.75 x 5.5 open, with entry form neatly clipped and removed from the lower portion by the previous owner who entered the competition; a vintage color glossy 3.5 x 3.5 photo of the Beatles, viewed from a distance, performing at the concert, with reverse bearing “A Kodak Paper” watermarks; and an original 12-song set list written by a fan during the concert and headed: “Beatle Concert 1965.” In overall fine condition.

Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

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5235. George Martin Signed Beatles Sheet Music. Vintage sheet music

booklet for the Beatles’ 1962 debut single ‘Love Me Do,’ two pages, 8.5 x 11, signed on the front cover in black ink by producer George Martin. Published by Ardmore and Beechwood Ltd. The cover image of the Beatles was taken by Dezo Hoffmann at EMI’s, Abbey Road, London Studios on September 4, 1962, during the recording session for the single, which was released on Parlophone Records on October 5, 1962, with the catalogue number 45-R 4949. In very good to fine condition, with edge toning, a central horizontal fold, corner wear, and moderate signature contrast. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

5236. Beatles 1968 Apple Watch. One-of-a-kind original Apple watch made by Old England in 1967, with a modified 1.5˝ square sterling silver 24k gold-plated bezel and crown, a 21-jewel mechanical movement, a color dial with green Apple logo and black hands, and a black suede band bearing the gold imprint on back: “Genuine Suede, Made in England, Old England, Copyright Old England, Watches LTD 1967.” The reverse of the case is engraved: “Old England.” In fine condition.

This professionally upgraded, never-before-worn example of the Apple watch is much heavier than its plastic forebears. The consignor notes that the watch was obtained from an Apple employee. Starting Bid $200

82 Marvels of Modern Music | 603) 732-4280

Elvis

5268. Elvis Presley Signed Photograph. Vintage glossy

8 x 10 promo photo of Elvis Presley in a suit and tie, signed and inscribed in black ink, “To Skeeter, a swell gal, My best to you, Elvis Presley.” In fine condition, with some small border creases, and a small stain to the lower left corner. Accompanied by a vintage glossy 8 x 10 photo of the Jordanaires by the Fabry Studio of Nashville, which is signed and inscribed by Neal Matthews, Jr., Hoyt Hawkins, Hugh Jarrett, and Gordon Stoker. A desirable union of signed photos of the King and his background vocal group. Starting Bid $300

Oversized Elvis poster signed by the King and the Colonel 5269. Elvis Presley Signed Poster. Gorgeous color 21.75 x

27.75 poster of Elvis in his prime, signed and inscribed in black felt tip, “To Claude, from, Elvis Presley.” The poster is also signed in the lower portion in ballpoint by Colonel Tom Parker and his right-hand man Tom Diskin. Lower left bears a preprinted facsimile signature.

Professionally linen-backed to a slightly larger size and meticulously and beautifully restored to fine condition. Starting Bid $200

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 83

Bob Dylan Dylan’s iconic 1962 protest song, ‘Blowin’ in the Wind’

5271. Bob Dylan Handwritten Lyrics for ‘Blowin’ in the Wind’. Sought-after handwritten lyrics by Bob Dylan for his iconic protest song, “Blowin in the Wind,” one page, 6 x 8.25, St. Regis of New York letterhead, written in black ballpoint and signed neatly at the conclusion, “Bob Dylan, 2011.” View full lyrics online at www.RRAuction.com. In very fine condition. Accompanied by a 2014 letter of authenticity from Jeff Rosen. Starting Bid $5000

84 Marvels of Modern Music | 603) 732-4280

Dylan’s revolutionary hit single, ‘Like a Rolling Stone’

5272. Bob Dylan Handwritten Lyrics for ‘Like a Rolling Stone’. Immensely desirable handwritten lyrics by Bob Dylan for his breakthrough single, “Like a Rolling Stone,” one page, 8.25 x 11.75, The Dorchester of London letterhead, written in black ballpoint and signed neatly at the conclusion, “Bob Dylan, 2010.” Lyrics avialable online at www.RRAuction.com. In very fine condition. Accompanied by a 2013 letter of authenticity from Jeff Rosen. Starting Bid $5000

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Rare signed promo album for Highway 61 Revisited 5273. Bob Dylan Signed Album. Highway 61

Revisited promotional album by Bob Dylan, signed on the front cover in blue felt tip. In fine condition, with a small area of old price sticker residue. The record is not included. Accompanied by a handwritten statement from in-person autograph specialist Mike Wehrmann, in part: “This letter is to confirm that I did witness Bob Dylan sign the below pictured ‘Highway 61’ album on November 12, 2010, at his hotel in Bethlehem, Pennsylvania.” Starting Bid $500

Dylan’s iconic Blonde on Blonde 5274. Bob Dylan Signed Album. Highly desir-

able Blonde on Blonde promotional album signed on the front cover in black felt tip by Bob Dylan. In fine condition. Both records are included. Accompanied by a full letter of authenticity from REAL and a letter of provenance from Jeff Rosen, president of the Bob Dylan Music Company, in full: “I represent Bob Dylan and have done so for many years. In 2017 he signed a number of individual albums on a rare and limited basis, including the album photographed here. I can say for certain that it is Bob Dylan’s signature. The chain of custody is directly from Bob Dylan to myself.” The album itself is from the personal stock of Jeff Rosen and Bob Dylan.

A sensational example of one of Dylan’s greatest albums, signed in a controlled environment, for his trusted business manager of 30-plus years. An unprecedented event, especially for the ever-elusive Dylan. Starting Bid $500

86 Marvels of Modern Music | 603) 732-4280

5275. Bob Dylan Signed 1966 Program. Remarkably rare original program for Bob Dylan’s historic 1966 tour of Australia,

eight pages, 8.5 x 11, desirably signed on the back cover in crisp black ballpoint, “Love, Bob Dylan.” The program contains a biography entitled ‘The Tambourine Man,’ Dylan’s ‘My Life In A Stolen Moment’ essay, and a list of popular artists that have covered Dylan’s music, with the opening page featuring the dates for the seven Australian shows: Sydney Stadium (April 13 and 16), Brisbane’s Festival Hall (April 15), Melbourne’s Festival Hall (April 19 and 20), Adelaide’s Palais Theatre (April 22) and Perth’s Capitol Theatre (April 23). The promoter was Kenn Brodziak of Aztec Services, who had brought the Beatles to Australia in 1964. In fine condition, with an ownership notation to top of first page. Accompanied by a certificate of authenticity from Tracks and a typed letter of provenance from the original recipient, stating that the autograph was obtained backstage at the Capitol Theatre on April 23, 1966. Starting Bid $500

Iconic portrait from The Times They Are a-Changin’ 5276. Bob Dylan Signed Photograph. Remarkable vintage glossy 8 x 10 photo, signed and inscribed in the 1970s in blue ink against the bright white background, “To John, from Bob Dylan.” In fine condition, with scattered light creasing. Used as the cover art for Dylan’s acclaimed 1964 album The Times They Are a-Changin’, this is unquestionably one of the most famous photographs of Dylan ever taken. A rare vintage-signed example of this iconic image. Encapsulated in a PSA/DNA authentication holder. Starting Bid $500

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5277. Bob Dylan Signed Print. Vibrant limited edition color

22 x 27.5 giclee print entitled ‘Three Chairs,’ numbered 208/295, signed in the lower right corner in pencil, “Bob Dylan.” Published as part of The Drawn Blank Series, Washington Green/Black Buffalo Artworks, 2011. In fine condition, with trivial bumping to three corners. Accompanied by the original folder and by a certificate of authenticity from Washington Green Fine Art. Starting Bid $300

5278. Bob Dylan Signed Print. Attractive limited edition color

22 x 27.5 giclee print entitled ‘Mexico,’ numbered 208/295, signed in the lower right corner in pencil, “Bob Dylan.” Published as part of The Drawn Blank Series, Washington Green/Black Buffalo Artworks, 2011. In fine condition. Accompanied by the original folder and by a certificate of authenticity from Washington Green Fine Art. Starting Bid $300

88 Marvels of Modern Music | 603) 732-4280

5279. Bob Dylan Signature. Crisp ballpoint signature,

“Bob Dylan,” on an off-white 3.75 x 2.25 sheet. In fine condition. Starting Bid $200

Dylan’s stage-used Hohner Marine Band from the Never Ending Tour

5280. Bob Dylan’s Stage-Used Harmonica. Bob Dylan’s

stage-used M. Hohner Marine Band harmonica in the key of B, played during his 1991 world tour. Originating from Dylan’s longtime guitar technician Cesar Diaz, the top surface of the harmonica is marked with the corresponding key on a small piece of white tape.

Complete with its original plastic case; affixed to the bottom is the Christie’s label, reading: “20 Apr 99, Sale 8225, Lot 246/7.” In fine condition. Starting Bid $200

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The Doors 5284. The Doors and Jefferson Airplane 1968 Middle Earth Handbill. Rare dou-

ble-sided handbill for performances by The Doors and Jefferson Airplane at Middle Earth, New Roundhouse, Chalk Farm, London, on September 6 and 7, 1968, 6.75 x 10, featuring The Doors on one side and Jefferson Airplane on the other. In very good condition, with intersecting folds, light creasing, two small areas of paper loss, and two punch holes to the left edge. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

The beginning of the end—rare original court documents from the 1970 obscenity trial of Jim Morrison

5285. Jim Morrison Court Documents. Remarkable group of four original court documents from the 1970 Dade County

trial of Doors frontman Jim Morrison, who was arrested following a concert at the Dinner Key Auditorium in Miami, Florida, on March 1, 1969. Four days later an arrest warrant was issued, charging Morrison with a felony (Lewd and Lascivious Behavior In Public) and three misdemeanors (Indecent Exposure, Open Profanity, and Public Drunkenness). The legal documents are as follows: A “Defendant’s Requested Charge No. 38, Count III—Supplemental Charge,” one page, 8.5 x 14, stamp-dated September 19, 1970, which contains Morrison’s obscene rant and summarizes that “the state must prove each and every word in each phrase, and each and every one of the phrases.” The Morrison rant, in all its glory: “You are all a bunch of fucking idiots, your faces are being pressed into the shit of the world, take your fucking friend and love him, do you want to see my cock?”

A partial “Appearance Bond” document between the State of Florida and James Douglas Morrison, one page, 8.5 x 7, stampdated September 21, 1970; the lower portion has been trimmed. Two criminal witness subpoenas, both one page, 8.5 x 14, stamp-dated August 4, 1970, issued to the 79th Street Art Theater and the Mini Art Cinema in Miami, known purveyors of adult films. This request by the defense was an attempt to prove that Morrison’s alleged actions, in comparison to community standards, were not extreme or indecent; this was the defense team’s attempt to establish such standards. In overall fine condition.

Starting Bid $200

90 Marvels of Modern Music | 603) 732-4280

Jimi Hendrix Sought-after ‘The Wind Cries Mary / Purple Haze’ EP—“Stay groovy, Jimi Hendrix”

5290. Jimi Hendrix 45 RPM Record. Barclay 7-inch French pressing of the Jimi Hendrix Experience EP ‘The Wind Cries

Mary / Purple Haze,’ which also features the songs ‘Fire’ and ‘Highway Child,’ signed and inscribed on the back cover in black felt tip, “To Christian, stay groovy, Jimi Hendrix.” In very good to fine condition, with light scuffing and soiling to the signed side, and the clear emulsion starting to lift from the lower left corner of the front. The record is included. The consignor notes that this autograph was obtained at the L’Olympia Bruno Coquatrix in Paris, on October 9, 1967, during the band’s second European Tour. Starting Bid $300

5292. Jimi Hendrix 1970 Winter Carnival for Peace Handbill. Scarce original

8.5 x 12.75 handbill for the Winter Carnival for Peace held on January 28, 1970, at Madison Square Garden in New York City. The show was a fundraiser for the antiwar movement at the time and featured performances by a variety of notable artists, which are listed in the upper section: Jimi Hendrix and His Band of Gypsies, Peter, Paul, and Mary, Blood, Sweat and Tears, Richie Havens, Harry Belafonte, The Rascals, Dave Brubeck, and more. The handbill also features a ‘thank you’ list of patrons who had paid for one thousand dollar, one hundred dollar, and fifty dollar seats at the event. In fine condition, with intersecting folds. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 91

Jimi’s Band of Gypsys’ historic Fillmore East concerts 5293. Jimi Hendrix and Band of Gypsys 1970 Fillmore East Poster.

Original Capitol Records promotional color poster for the 1970 Jimi Hendrix live album Band of Gypsys, which was recorded at the Fillmore East in New York City on January 1, 1970, with Billy Cox on bass and Buddy Miles on drums. The poster, which measures 57 x 34, depicts Hendrix on the left side holding his guitar with eyes closed and his left hand raised, with the balcony backdrop showing an unfurled American flag with peace sign, and the right side featuring a clock that reads “Joshua Light Show.” Rolled and in very good to fine condition, with light overall creasing, and a tear to left edge. Starting Bid $200

Brilliant signature from Jimi Hendrix, who adds “The Best of luck & Happiness” 5294. Jimi Hendrix and Noel Redding Signatures. Excellent vintage ballpoint signatures, “The Best of luck & Happiness, Jimi Hendrix” and “Cheers, Noel Redding,” on both sides of a light pink 5.25 x 3.25 album page. In fine condition, with light toning along the right edge of the Hendrix side from a tape stain on the Redding side.

Accompanied by a full letter of authenticity from PSA/DNA and by a letter of provenance, which reads, in part: “Jimi was touring with the Walker Bros., and was not at all well known in England at the time. When Jimi signed his autograph he was playing chess with Barbara back stage in a theatre in Stoke-on-Trent...Barbara at the time was in a relationship with...John Walker.” Starting Bid $500

92 Marvels of Modern Music | 603) 732-4280

Handbill for the final night of Jimi’s infamous Walker Brothers tour

At the Astoria in 1967, Jimi sets his guitar on fire for the first time

5295. Jimi Hendrix and the Walker Brothers 1967 Handbill. Vibrant original color 5.5 x 11.5 handbill for a

5296. Jimi Hendrix and the Walker Brothers 1967 Handbill and Ticket Stub. Two items: a vibrant original

concert featuring Jimi Hendrix, The Walker Brothers, and Cat Stevens at the Granada Theatre in Tooting, London, England on April 30, 1967, which features a lineup of The Californians, Compere Nicky Jones, The Quotations, and Engelbert Humperdinck as the special guest star. In very fine condition It’s just about impossible to find one of these handbills in this unfolded condition with the booking coupon still intact. Starting Bid $300

color 5.5 x 11.5 handbill for a concert featuring Jimi Hendrix, The Walker Brothers, and Cat Stevens at the Finsbury Park Astoria in London, England, on March 31, 1967, which features a lineup of The Californians, Compere Nicky Jones, The Quotations, and Engelbert Humperdinck as the special guest star; and an original ticket stub for the concert, 2.5 x 2.5, issued as “J” and “M47.” In overall fine condition, with horizontal folds to the handbill. Starting Bid $300

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Jimi’s infamous debut tour opening for the Walker Brothers

5297. Jimi Hendrix and the Walker Brothers 1967 Program and Ticket Stub. Scarce original concert program for the

Walker Brothers 1967 UK Tour, 8 x 10.5, which features images and biographical information for the Jimi Hendrix Experience, the Walker Brothers, Cat Stevens, Engelbert Humperdinck, Nick Jones, and The Californians. The program also includes an advertisement for the Hendrix single ‘Purple Haze / 51st Anniversary.’ Also included with the program is an original ticket stub for the tour’s stop at De Montfort Hall in Leicester, on April 16, 1967, issued as “J 40,” and listing the top performing acts; and a copy of a photo of Hendrix sitting backstage with Cat Stevens, Humperdinck, and Gary Walker. In overall fine condition, with light handling wear to program. Starting Bid $200

Jimi’s historic London performances with a who’s who in the audience and on stage

5298. Jimi Hendrix and The Who Signatures. Outstanding circa 1967 autograph book, 4.75 x 4.25, signed inside in blue

ballpoint, “ Love always, Jimi Hendrix,” who adds a heart below, and in red ballpoint, “ Noel Redding, XX,” each signing on the same page; and “ Keith Moon” and “ John Entwistle,” each signing on separate, adjacent pages in blue ballpoint. These Saville shows on January 29th were the Jimi Hendrix Experience’s first major concerts. Other notable signatures in the book include The Artwoods (featuring Ronnie Wood’s brother Art, Keef Hartley, and Jon Lord of Deep Purple), The Alan Bown Set, The Quotations, Distortion, The Trend, and The MooDoos amongst others. Edge of spine peeled from front cover (covers remain firmly attached), otherwise in fine condition; the signed pages remain crisp and clean. Accompanied by a photo of Hendrix posing with The Who backstage that night at the Saville theatre and a full letter of authenticity from PSA/DNA. Starting Bid $1000

94 Marvels of Modern Music | 603) 732-4280

Materials from the infamous 1967 Jimi Hendrix and Monkees Forest Hills concerts

5299. Jimi Hendrix Experience 1967 Forest Hills Ticket Stub, Matchbook, and Program. Rare 1.5 x 2 laminated ticket stub from a concert featuring the Monkees and headlined by the Jimi Hendrix Experience at Forest Hills Tennis Stadium in Queens, New York, on July 14, 1967, marked on the reverse in an unknown hand with the names of the Monkees band members. Also included is an ultra-rare matchbook advertising The Monkees’ “First and Only N.Y. Appearance” at the Forest Hills Music Festival, July 14–16, 1967, with a full schedule of top-billed performers listed inside; and a 1967 Monkees US tour program. In overall very good condition, with aforementioned lamination and notations to ticket stub, wear to the used matchbook, and light creasing to the program. Starting Bid $200

5300. Jimi Hendrix Experience 1967 Marquee Club Handbill.

Starting Bid $200

5301. Jimi Hendrix Experience 1967 Marquee Club Handbill.

Starting Bid $200

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Jimi’s performance of Sgt. Pepper’s Lonely Hearts Club Band floors McCartney

5302. Jimi Hendrix Experience 1967 Saville Theatre Program. Brilliant and rare original

program for a Jimi Hendrix Experience concert at London’s Saville Theatre on June 4, 1967, four pages, 6 x 9.5, featuring colorful cover artwork by Simon and Marajke. The program features images and information on the evening’s five scheduled performers, including: The Jimi Hendrix Experience, Denny Laine, Procol Harum, The Chiffons, and Rick Dane. In fine condition. Starting Bid $200

5303. Jimi Hendrix Experience and Pink Floyd 1967 Blackpool Handbill. Scarce original 7.25 x 10 handbill for the Jimi Hendrix Experience, Pink Floyd, and The Move at the Opera House, Blackpool, Lancashire on November 25, 1967. In very good to fine condition, with light overall toning, and creasing to the top. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

96 Marvels of Modern Music | 603) 732-4280

Jimi, The Move, and Pink Floyd with founder Syd Barrett during the 1967 British Tour

5304. Jimi Hendrix Experience and Pink Floyd 1967 Ticket Stub and Program. Rare original 3.25 x 3.25 ticket stub

for “The Jimi Hendrix Show” at Portsmouth Guildhall in Portsmouth, England, on November 22, 1967, as part of his second European tour, issued for “Block E,” “Row F,” and “Seat 22.” Also included is an original vintage program for the Jimi Hendrix Experience’s 1967 United Kingdom Fall Tour, published by the Hastings Printing Co., 12 pages, 10.25 x 8, with front cover featuring psychedelic artwork by Anthony Litri and Paul Martin, and the program including images and biographies of the tour’s scheduled performers: Jimi Hendrix Experience, Pink Floyd, The Move, The Amen Corner, The Nice, The Eire Apparent, The Outer Limits, and Pete Drummond as compere. In overall very good condition, with heavy creasing and corner loss to the program, and light creasing and a central horizontal fold to the ticket. Starting Bid $200

5305. Jimi Hendrix Experience and The Who 1967 Saville Theatre Program and Ticket Stub. Scarce original program for the Jimi Hendrix Experience’s first concert at London’s Saville Theatre, in support of headliners The Who, produced by Beatles manager Brian Epstein on January 29, 1967, four pages, 6 x 9.5, featuring vibrant psychedelic cover artwork by Simon and Marijke. The program features outstanding images and information on the performers: Jimi Hendrix Experience (“A couple of months ago the name of Jimmy Hendrix was unknown, and now his first release ‘Hey Joe’ has made the Jimi Hendrix Experience a household word”), The Who (“The World’s Most Sensational Group”), The Koobas, and Mike Quinn. Also included is an uber rare original ticket stub for the concert, 1.25 x 2, issued as “C19,” and the original ticket mailing envelope for the Saville Theatre. In overall fine condition. Starting Bid $300

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5306. Jimi Hendrix Experience Signatures. Vintage autograph book, 5.75 x 4.25, signed inside on two pages in ballpoint, “Love, Jimi Hendrix,” “Noel Redding, xx,” and “Mitch.” The autograph book also contains signatures of the Walker Brothers, Cat Stevens, and Engelbert Humperdinck. In fine condition.

Consignor notes that all of the autographs were obtained at the Winter Gardens in Bournemouth on April 29, 1967. Accompanied by a certificate of authenticity from Tracks. Buried behind the chart-topping Walker Brothers, Cat Stevens, and Engelbert Humperdinck, the Jimi Hendrix Experience received modest billing at the start of the tour. By year’s end they were one of the most sought-after tickets in live music, soaring high off the successful debut of Are You Experienced and their now-legendary performance at the 1967 Monterey Pop Festival. Starting Bid $500

5307. Jimi Hendrix Group of (5) Original Photographs.

Grouping of five vintage color glossy 3.5 x 3.5 candid photos of Jimi Hendrix performing on stage at the Open Air Love and Peace Festival in Fehmarn, Germany on September 6, 1970, which proved to be Hendrix’s last ever concert performance. Each photo is from an upward perspective from just below the stage and depicts Hendrix, wearing a blue headband and a multicolored shirt, singing and playing the guitar. Reverse of each photo bears “A Kodak Paper” watermarks. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

98 Marvels of Modern Music | 603) 732-4280

The Rolling Stones

5311. Keith Richards Signature. Vintage ballpoint signature, “Glad you enjoyed the show, Must rush, Love, Keith Richard, x,� on an off-white 5 x 4.25 sheet. The consignor notes that the signature dates to the mid 1960s. In very good to fine condition, with show-through from old mounting remnants on the back.

Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

5312. Rolling Stones Original Painting by Tim Rogerson. Vibrantly colored original painting of the Rolling Stones by renowned artist Tim Rogerson, 40 x 30, accomplished in acrylic on stretched canvas, featuring stylized depictions of Charlie Watts, Keith Richards, Mick Jagger, and Ronnie Wood against a red background, signed in the lower left in gray paint by the artist. In fine condition. Read more about Rogerson online at www.RRAuction.com. Starting Bid $300

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5313. Rolling Stones Signed Guitar. Highly displayable black-bodied Fender Squier Stratocaster electric guitar with an affixed ‘tongue and lips’ logo sticker, signed on the white pickguard in blue felt tip by Mick Jagger and Ronnie Wood, on the body in white paint pen by Keith Richards, and on the sticker in blue felt tip by Charlie Watts. In fine condition. Starting Bid $500

5314. Rolling Stones Beggars Banquet Acetate. Double-sided 12˝ Emidisc stereo acetate for

the 1968 Rolling Stones album Beggars Banquet, filled out on the labels in ballpoint: “Beggar’s Banquet, Side #1 Stereo, Rolling Stones” and “Beggar’s Banquet, Side #2 Stereo, Rolling Stones.” Complete with its original sleeve, marked “Beggar’s Banquet, Rolling Stones,” in the same hand. In very good to fine condition, with toning, soiling, and light staining to the covers. The acetate was formerly the property of Rolling Stones Fan Club secretary Shirley Arnold, who was given the disc by the band on the day of the launch party on 5th December 1968; accompanied by a handwritten letter from Shirley Arnold, which reads: “The band gave me this acetate on the day of the launch party for the album. Where many a custard pie was thrown!” Also includes a certificate of authenticity from Tracks.

Starting Bid $300

100 Marvels of Modern Music | 603) 732-4280

One-of-a-kind print of one Rolling Stone by another—a 1/1 artwork by Ronnie Wood

5315. Ronnie Wood Signed Lithograph of Keith Richards (1/1). Extraordinary, one-of-a-kind color limited edition 22.5

x 28.75 lithograph by Ron Wood featuring a multi-colored portrait of Rolling Stones guitarist Keith Richards, numbered 1/1, signed in the lower right corner in pencil, “Ronnie Wood.” Beautifully mounted, matted, and framed to an overall size of 30.5 x 36.25. In fine condition, with some minor wear to frame, and plastic covering delaminating a bit from the wood base.

Ronnie Wood began painting when he was 12 and went on to study at Ealing Art College, becoming an accomplished painter and master printmaker in addition to his success as a multi-instrumentalist, singer, and songwriter with the Rolling Stones, Faces, and the Jeff Beck Group. His artwork has been featured in exhibitions at the Sao Paulo Museum of Modern Art in 1996, and at the Butler Institute of American Art in 2010. One-of-a-kind pieces by Wood are very rare, as he prefers to part with only those works that he has duplicates of in his own collection. A remarkable, extremely appealing, and unique piece by Wood.

Starting Bid $500

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The Who Townshend edits the Tommy screenplay 5321. Pete Townshend Hand-Annotated Tommy Screenplay.

Screenplay by Ken Russell for Tommy: A Rock Opera by The Who, 8.5 x 11, 65 pages, March 5, 1974, with handwritten annotations inside by Pete Townshend. Changing the lyrics to ‘Cousin Kevin,’ Townshend crosses out five lines and writes: “We thought of some nice games to play / While the grown-ups had all gone away / You weren’t too much fun / Cos you’re blind deaf + dumb / But I’d no one to play with today.”

In the song ‘Sally Simpson,’ Townshend deletes the line “Full of happiness and strife,” and writes, “Let’s play to win tonight.” In another instance, he adds some musical directions—”Add Strings” and “Just Harmonium.” In very good to fine condition, with the front cover missing, the back cover partially detached (and held on with old tape), and tears and toning to the detached title page. Starting Bid $1000

5322. The Who Signed Program. Original program for the European

leg of the Who’s 1975 ‘The Who by Numbers Tour,’ 28 pages, 8.25 x 11.75, signed on the front cover in blue felt tip by Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon, with an unknown hand adding the inscription above, “To Megan.” The consignor notes that the autographs were obtained by a police officer in charge of the Who’s security when they performed at New Bingley Hall in Stafford, Staffordshire, England on October 3 and 4, 1975. In fine condition.

Accompanied by a certificate of authenticity from Tracks, and by a letter of provenance from the granddaughter of the original recipient, in part: “Ronald Edward Hammond, my grandad…was serving at Stafford Police Station and living in Keats Avenue when The Who were performing at the New Bingley Hall, County Showground, Stafford. Due to his rank he was responsible for all The Who’s security during their stay/performance and therefore in charge of looking after them while they were in Stafford…As a result of being in close contact, he had two t-shirts and the programme to me signed by them.” Starting Bid $300

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Two complete sets of The Who signatures!

Plus a huge selection of English bands including Them, The Small Faces, and The Zombies

5323. The Who Twice-Signed Autograph Book. Extremely rare leather-bound autograph book that measures a large 7 x

5.25 and the pages are a thick mil, signed inside in ballpoint by an assortment of influential English rock bands who performed at the Stourbridge Town Hall in 1965. The book is highlighted by not one but two sets of early autographs from The Who, with Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon signing together on one album page that bears a collector’s date notation of June 16, 1965; near the end of the book, the group’s second set of signatures are found on adjacent pages dated to December 1, 1965, with Townshend and Moon signing one page, and Daltrey and Entwistle signing on the other. Along with numerous affixed promo cards, the inside of the book is also signed by the following bands and musicians: The Moody Blues, Them (with Van Morrison), Screaming Lord Sutch (with Ritchie Blackmore), The Hollies (with Graham Nash), The InCrowd (with Steve Howe), The Spencer Davis Group (with Steve Winwood), a very early, rare set of The Small Faces (Steve Marriott, Ronnie Lane, and featuring Jimmy Winston), The Zombies, and many more. In overall fine condition. Accompanied by a full letter of authenticity from PSA/DNA and a provenance letter from the original recipient. Starting Bid $1000

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Grateful Dead 5333. Grateful Dead: Vince Welnick’s Denim Jacket. Handsome Grateful

Dead denim jacket from the personal estate of the band’s keyboardist Vince Welnick, size small, with red “Grateful Dead” stitching to left chest and the back attractively embroidered with the band’s iconic ‘Lightning Skull’ logo. Inner collar retains the original Grateful Dead Merchandising Inc. tag. In fine condition, with expected wear from use.

Provenance: Bonhams, More Skeletons from the Closet, Lot 105, October 2008.

Starting Bid $200

5334. Grateful Dead: Vince Welnick’s San Francisco Giants Jacket. San Francisco Giants jacket worn by Grateful

Dead keyboardist Vince Welnick when he and bandmates Jerry Garcia and Bob Weir sang the National Anthem a cappella on opening day at Candlestick Park in San Francisco, California, on April 12, 1993. The black satin jacket, size XL, made by Starter as part of the Diamond Collection, features knit cuffs, collar, and waistband, with the Giants logo embroidered to the left chest. Included with the jacket is a framed and reprinted color photo of the trio singing at the stadium, with Welnick and Garcia wearing the jackets. In fine condition, with some soiling and expected wear from use. Provenance: Bonhams, More Skeletons from the Closet, Lot 104, October 2008. Starting Bid $200

104 Marvels of Modern Music | 603) 732-4280

Led Zeppelin

5339. John Bonham Signed Album. Led Zeppelin III album signed on the inner gatefold in black ballpoint, “Best Wishes, John Bonham.” In fine condition. The record is included. Accompanied by a certificate of authenticity from Tracks. Starting Bid $300

Very rare original Led Zeppelin poster for their legendary show at Crawford Hall 5340. Led Zeppelin 1969 Crawford Hall Poster. Sought-after original color 12 x 19 poster for a Led Zeppelin concert at the University of California Irvine’s Crawford Hall on May 1, 1969. Designed by Chris Boulton, the psychedelic poster depicts the band with capillary wave-like patterns rippling out from each of their foreheads, making for a terrifically kaleidoscopic effect. Stylized text to upper portion reads, “Led Zeppelin, Lee Michaels, Thursday May 1, 8:00 P. M., U. C. Irvine, Crawford Hall,” with the lower border featuring a peace sign and ticket information. Professionally restored to fine condition, with only a subtle horizontal crease. This bright and highly displayable concert poster was the band’s last to not include the appearance of a dirigible, the first showing of which occurred the next night in a poster for their show in Pasadena; the Zeppelin blimp then became a staple in nearly all future promotional materials. An ideal example of one of the most desirable Led Zeppelin posters. Starting Bid $500

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Pink Floyd

Pink Floyd’s American debut with Syd Barrett 5347. Pink Floyd and Janis Joplin 1967 (BG 91) Fillmore and Winterland Poster. Beautiful color 14 x 21 original first

printing lithographic poster for a series of concerts presented

by Bill Graham (BG 91) and headlined by Pink Floyd (making their American debut with founder Syd Barrett), Big Brother and the Holding Company, and Richie Havens at the Fillmore Auditorium and Winterland Ballroom on November 2-4, 1967.

The poster features gorgeous Bonnie MacLean (Bill Graham’s wife at the time) artwork of three young women with long hair and wearing robes beneath Gothic arches topped by a dove with outstretched wings. Signed in the lower left in black ink by MacLean. In fine condition. Starting Bid $200

5348. Pink Floyd Signed Photograph. Highly appealing color 11.75 x 19 centerfold photo of Pink Floyd playing live removed from a German music magazine, signed in black felt tip by Roger Waters, David Gilmour, Richard Wright, and Nick Mason. In very good to fine condition, with light overall creasing and central horizontal fold. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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5349. Pink Floyd Signed Photograph. Satin-finish 8 x 10

promotional photo of Pink Floyd as a trio in the early 1990s, signed in black felt tip by David Gilmour and Nick Mason, and in blue felt tip by Richard Wright, with Mason adding the inscription “To Mark.” Consignor notes that the autographs were obtained by a roadie. In fine condition, with an area of surface loss in the middle of the bottom edge. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

‘Crossedhammers’ banner used by Pink Floyd during ‘The Wall Tour’ 5350. Pink Floyd Stage-Used ‘The Wall’ Tour Banner. Remarkable original overhead banner used on stage during Pink Floyd’s 1980–1981 ‘The Wall Tour,’ approximately measuring 124˝ x 132˝, featuring a hand-painted design of Gerald Scarfe’s iconic crossed-hammer emblem stitched against a white and red canvas background, one of eight tacked to black drapes suspended above the audience in various venues. The insignia of two claw hammers crossed is based on a fictitious neo-Nazi organization introduced during The Wall Tour and later depicted in the 1982 film Pink Floyd—The Wall. In very good to fine condition, with scattered staining and expected wear from use. Starting Bid $500

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Queen Debut album signed in full by Queen 5353. Queen Signed Album. Highly desirable

debut studio album from Queen, signed and inscribed on the front cover in blue ballpoint, “Love to Caz, Freddie Mercury,” “To Caz, Roger Taylor,” “Love to Caz, from Queen, Brian May,” and “John Deacon, To Caz, with love.” In fine condition. The record is not included. Accompanied by a full letter of authenticity from PSA/DNA, as well as by a copy of a letter of provenance from the original recipient, which states: “This album was signed by all members of Queen at The Guild Hall, Preston on 8th December 1975. I attended the concert with a friend who was acquainted with the tour promoter, Mel Bush, and this is how we were able to gain access back stage to meet the band.” The provenance letter also features images of the Guild Hall ticket stub and Mercury at the time of signing. Starting Bid $1000

5354. Queen Signed 45 RPM Record. EMI Electrola 45 RPM record sleeve for the Queen single ‘Killer Queen / Flick of the Wrist,’ signed on the back cover in ballpoint by Freddie Mercury, Brian May, John Deacon, and Roger Taylor. In very good condition, with overall creasing, and trivial smudging to Mercury’s signature. The record is not included. Starting Bid $200

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5355. Queen Signed Album. Queen II album signed on the inner gatefold in blue ballpoint by Freddie Mercury, Roger Taylor, Brian May, and John Deacon. In fine condition. The record is included. Accompanied by a laminated ticket stub from Queen’s show at the Cheltenham Town Hall on March 14, 1974, just six days after this album’s release. Accompanied by a certificate of authenticity from Tracks, noting that it was signed at the Cheltenham Town Hall show. Starting Bid $500

5352. Freddie Mercury Signed CD. Barcelona CD released in 1988 by Freddie Mercury and Montserrat Caballe, signed on the front of the sleeve in black felt tip, “Freddie Mercury.” In fine condition. The CD is included.

Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

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One-of-a-kind candid photos of Queen, signed prior to a concert at the Oakland Arena in 1977

5356. Queen Signed Photographs. Marvelous set of four color candid photos of the members of Queen from late 1977,

semi-glossy and satin-finish, 5 x 7 and 7 x 5, individually signed in blue ballpoint or black ink by the pictured musician: Freddie Mercury, Brian May, John Deacon, and Roger Taylor. According to the consignor, the photos were taken at the band’s hotel prior to them departing for their concert at the Oakland-Alameda County Coliseum Arena on December 17, 1977; pictured in the background of the Mercury photo is his former manager Paul Prenter. Reverse of each photo bears “This Paper Manufactured by Kodak” watermarks. Includes two color satin-finish 3.5 x 4.5 photos of Mercury and May performing at the aforesaid concert, as well as a ticket stub for a Queen concert at the Oakland-Alameda Coliseum on September 7, 1982, presumably the date these autographs were obtained. In overall fine condition, with some spotting to the emulsion on the May photo. Starting Bid $300

Jazz, Blues, and Standards

5361. Clifford Bailey (2) Original Paintings. Attractive pair of original color paintings by artist Clifford Bailey, both accomplished in acrylic on stretched canvas measuring 12 x 6, with one entitled “Little Blues” and the other entitled “Quartet,” both of which show musical groups of four and are signed in an upper corner in black felt tip. The reverse of each is also signed and titled by the artist. In overall fine condition. Starting Bid $200

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5362. John Coltrane Quartet Signatures. Vintage ballpoint

signatures of John Coltrane, McCoy Tyner, Elvin Jones, and James Garrison on individual off-white notebook pages measuring 5 x 3.25 and 3.25 x 5. In overall fine condition. Consignor notes that the signatures were obtained on the night of November 21, 1961, at the Palace Hotel in Gothenburg, Sweden.

Accompanied by full letters of authenticity from REAL for each autograph. A crisp, fantastic set of one of jazz history’s most famous and influential quartets. Starting Bid $200

The mind of a master— 22 original abstract drawings by Miles Davis

5363. Miles Davis Group of (22) Original Drawings. Magnificent collection of original abstract artwork by Miles Davis, accomplished in multicolored felt tip, ballpoint, and pencil on 22 individual off-white sheets ranging in size from 8 x 11.75 to 11 x 14. Includes nine single-sided drawings signed “Miles!”; six double-sided drawings signed “Miles” on one side; one unsigned single-sided drawing; and six unsigned double-sided drawings. The sketches are a mixture of faces and figures executed with bold lines and bright colors, completely abstract bursts of color, cubes and geometric shapes, and simple line drawings. They offer a fascinating look into the mind of a creative genius, all done in Davis’s trademark style that drew inspiration from Kandinsky, Basquiat, Picasso, and tribal art. In overall fine condition. Starting Bid $1000

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Early draft of Dizzy Gillespie’s autobiography, as told to Al Fraser 5364. Dizzy Gillespie Typed Manuscript for ‘Bebop: Reminiscences of an Era in Jazz’. Typed draft of a manu-

script entitled “Bebop: Reminiscences of an Era in Jazz by Dizzy Gillespie, as told to Alfred Fraser,” 849 pages, 8.5 x 11, circa mid-to-late 1970s. The book, which would undergo substantial revisions, would later be published in 1980 under the title ‘To Be or Not to Bop.’ Includes a TLS by Al Fraser, signed “Al,” one page, June 22, 1974, transmitting a very early draft of his life story and requesting revisions, as well as offering a suggestion for publication. Also includes 1980 letters from Doubleday concerning the sale of foreign publication rights. In overall very good to fine condition, with creasing to the letters and a stain to the title page of the manuscript. Starting Bid $200

5365. Billie Holiday Signed Photograph.

Beautiful vintage glossy 8 x 10 head-and-shoulders publicity photo of the legendary jazz singer, signed and inscribed in fountain pen, “To Denis, Best of everything always, Billie Holiday.” In fine condition, with light scattered creases and a tack hole to the lower border. Starting Bid $300

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The Jazz Scene, a landmark limited edition album by Norman Granz, signed by 14 contributors

5366. The Jazz Scene Album Signed by 14. Limited edition The Jazz Scene box-set album (#453/5000) produced and signed by Norman Granz, released by Mercury Records in 1949, signed inside the spiral-bound volume by 14 jazzmen: Duke Ellington signs in blue ink on his full-page portrait; Harry Carney signed in blue ink on the reverse of his portrait; Billy Cole signs on the reverse of Billy Strayhorn’s photo; Buddy Rich signs in blue ink on his full-page portrait; and Al Killian, Wendell Marshall, Jimmy Hamilton, Ray Nance, Quentin Jackson, Johnny Hodges, Lawrence Brown, Charlie Rouse, Nelson Williams, and Beau McCain sign on a single record sleeve. In fine condition. The six records are included. This landmark limited edition album remains in superior condition, and is wonderfully enhanced by the autographs of 14 legendary jazz artists and a David Stone Martin fold-out print. Starting Bid $200

Little Walter’s harmonica, from the collection of Howlin’ Wolf 5367. Little Walter’s Personally-owned and -Played Harmonica. Vintage Marine

Band M. Hohner harmonica personally-owned and -played by famed Chicago bluesman Little Walter, with attached provenance tag.

Included with harmonica is an off-white 5 x 3 sheet, which is signed in blue ballpoint

by Little Walter. In overall fine condition, with expected wear from age and use. The harmonica is accompanied by a certificate of authenticity from the Memphis Music Hall of Fame Museum, which states: “Marine Band M. Hohner harmonica purchased from the widow of Chester Burnett ‘Howlin Wolf.’ This harmonica belonged to Little Walter whom was a Chicago Blues harmonica player. From collection of Howlin Wolf.” Starting Bid $200

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Rare signed photograph of the bebop sax legend 5368. Charlie Parker Signed Photograph.

Fabulous vintage glossy 8 x 10 publicity photo of Parker posing with his saxophone by James J. Kriegsmann, neatly signed and inscribed in fountain pen, “To Ken:—Best wishes, Charlie Parker.” In very good to fine condition, with scattered creasing and moderate signature contrast. A brilliant pose of Parker, who is extremely rare in signed photos of this size and quality. Starting Bid $500

5369. Frank Sinatra Signed Photograph. Appealing satin-finish 11 x 14 photo of a young Frank Sinatra seated and looking over his shoulder into the camera, signed in black felt tip. In very good to fine condition, with some light scuffing, and a crease and stain to the lower left corner; the flaws could be easily trimmed or matted out if so desired. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

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Country and Folk Amazing, revealing letter collection from Johnny Cash—“For the first time in years my mind is clear”

View additional images online at www.RRAuction.com 5401. Johnny Cash Archive of (10) Signed Letters.

Outstanding and intimate archive of 10 letters from country music legend Johnny Cash, comprised of nine ALSs and one TLS, 20 pages in total, dating between 1964 and 1984, with the entirety addressed to Columbia Records executive Gene Ferguson and his wife Dolores. The collection offers a unique and revealing glimpse into Cash’s life and attitude following his departure from Sun and his signing with Columbia in 1958, a period that coincided with both his explosive success and a worsening drug addiction. A selection of highlighted quotes include: June 14, 1964: “Come see me sometime. We will capture a wild horse. I know where there’s a whole bunch of ‘em—3 hours from here.”

April 12, 1965: “ I take pen in hand many moons later than I intended to thank (both) of you for what you did for me. Ac-

cident was harder on me than I thought—three teeth broken, upper jaw-bone shattered. Am mending now. Just one more toother to be dug out—reset nose.”

April 27, 1965: “I’ll continue to work on that 2,000,000 seller for you. And I will have that 2,000,00 seller. Even pissed off D.J.’s will have to play it.”

October 23, 1965: “I’m taking care now. I weigh 192 pounds— the most in 8 years...1966 I will, under no circumstances be ‘weak’ in any way. I’m going to produce what you want and need. I’m strong, steady, and determined. Watch me.”

January 18, 1984, written from the “Betty Ford Center”—”For the first time in years my mind is clear; I’m at peace and very very happy. Ferg, one thing I have to do when I get home; I have to try to sell some guns to raise some cash, since I’m not working.” In overall fine condition. Starting Bid $1000

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1960s 5409. The Byrds Signatures. Vintage ballpoint signatures of Jim McGuinn, David Crosby, Michael Clarke, Gene Clark, and Chris Hillman on a green 8.75 x 3.75 autograph book page. The consignor notes that the signatures date to the mid 1960s. In fine condition, with a single vertical fold. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

5410. Eddie Cochran and Gene Vincent Signatures. Vintage ballpoint

signatures, “Love & xxx, Eddie Cochran” and “Gene Vincent,” on individual 5.25 x 3.75 album pages. In fine condition. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient, noting that the autographs were obtained through the manager of the Gaumont Cinema, Bradford, England. Starting Bid $200

5411. Janis Joplin Signed Ticket Stub. Felt tip signature, “Janis Joplin,”

on a blue 1.75 x 1.5 ticket stub from her concert at the Eastern States Coliseum in West Springfield, Massachusetts, on April 25, 1969. Includes the original handbill from the same show, 8.5 x 11, which features an artistic image of Joplin above ticket and venue information. In overall fine condition, with creasing and tack holes to handbill. Accompanied by a full letter of authenticity from REAL. A rare and very desirable format for the sought-after blues rock frontwoman.

Starting Bid $200

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Original negatives from Joplin’s last-ever concert, sold with full transfer of copyright

5412. Janis Joplin Harvard Stadium Original Negatives and Photographs.

Amazing archive of original photographs and negatives from Janis Joplin’s final public performance, taken by photographer Peter Warrack at Harvard Stadium on August 12, 1970, which is highlighted by a set of seven strips of original negatives from the shows, containing a total of 24 amazing images of Joplin performing on stage; as featured by Rolling Stone magazine, these images were published in 2015, but previously were unknown and never-before-seen. Images from this show are extremely rare and only a few other single images are known to exist. The negatives, which are housed in their original sleeve annotated as “27a, Janis” by Warrack, include a full transfer of copyright for all of the Joplin negative images; copyright is not transferred for anything else within the archive.

Included is a vintage leather-bound photo album, 12.25 x 14.25, containing over 250 first-generation glossy photos of various entertainers and notables of the period, including 24 vintage photos of Joplin at Harvard Stadium, most of which are featured in the negatives along with several additional Joplin images that are not included within the negatives; these are the only vintage prints of these Joplin images included within the Warrack archive. The photographs that are not part of the negative set are unpublished and have never been viewed by the public. Other accompaniments include: an original satin-finish 11 x 14 photographic print of Joplin by Warrack; an original issue of Rolling Stone magazine from August 6, 1970, No. 64; a Memory Records bootleg of Wicked Woman; and full transfer of ownership of the domain names www.

JanisJoplinFinalConcert.com and wwwJanisJoplinLastConcert.com. In overall fine condition. Starting Bid $1000

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1970s

5427. Roy Buchanan’s Stage-Used Les Paul Guitar. Roy Buchanan’s stage-used tobacco sunburst-finish 1971–72 Les Paul Standard 58/54 Reissue electric guitar (serial no. 678450), owned and played by Buchanan for many years. One of the first ‘re-issued’ guitars, it is based on the iconic early Les Pauls of the 1950s, featuring two P-90 pickups, a one-piece neck, one-piece mahogany body with thin binding in cutaway, headstock with no volute, and a wraparound bridge. Accompanied by a glossy 8 x 10 Atlantic Records publicity photo of Buchanan holding this exact guitar (with matching woodgrain pattern evident in the image), as well as a letter of provenance from his wife, Judy Buchanan, in full: “Gibson Les Paul-serial number 678450 belonged to Roy Buchanan. He’s owned this guitar for many years & played it often.” He is also seen with this guitar in a series of images taken in studio on October 20, 1977. Also included are Buchanan’s 1978 album You’re Not Alone (featuring the same Atlantic promo image on the back cover), and a 1992 bill of sale which also states this guitar was owned by Buchanan. Exhibits expected wear from use, including rubbing to the back of the neck and body. Accompanied by its Gibson hardshell case.

A guitar player for most of his life, Buchanan interacted with all kinds of musicians including Robbie Robertson and Jimi Hendrix.

A pioneer of different sounds and techniques, Buchanan rarely used effects pedals, instead relying on unconventional methods to achieve his sound, including pouring water on the tubes of his amplifier. A super rare offering of a stage and studio-used guitar from one of music’s most revered guitarists. Starting Bid $500

5428. Eric Clapton Signed Program. Concert program for Clapton’s run of 24 nights at the Royal Albert Hall in Febru-

ary–March 1991, 11 x 11, signed and inscribed inside in blue ballpoint, “Sam, Eric Clapton, 91,” and also signed throughout by band members Nathan East, Greg Phillinganes, Steve Ferrone, Ray Cooper, Phil Palmer, Michael Kamen, and Jeremy Smith.

Stapled throughout the program are seven ticket stubs from several of the March shows. In very good to fine condition, with soiling, staining, and creasing to the covers; interior pages are all clean and fine. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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“Hotel California” shirt signed by 6 Eagles!

5429. The Eagles Signed Shirt. White t-shirt from the Eagles 1994 Hell Freezes Over Tour, size large, signed on the chest section in black felt tip by Don Henley, Timothy B. Schmit, Joe Walsh, Glenn Frey, Randy Meisner, and Don Felder. The front shows the cover for the classic 1976 album, Hotel California, and the back features images of five members of the group, with large text, “Eagles, Hell Freezes Over 1994.” In very good to fine condition, with some faint scattered stains, and waist section bearing tape and adhesive remnants from a prior display. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Beautiful Hurrell photos from the Mirage cover shoot 5430. Fleetwood Mac Original Photographs

by George Hurrell.

Stunning set of five original matte-finish 11 x 14 photographs of Fleetwood Mac from George Hurrell’s photo shoot for the cover of the band’s 1982 studio album Mirage. The artistic black-and-white photos include individual images of Stevie Nicks, Christine McVie, Lindsey Buckingham, and Mick Fleetwood, with one photo depicting both Fleetwood and John McVie. Reverse of each photo bears Agfa watermarks and is numbered in pencil: “12,” “24,” “27,” “38,” and “46.” In overall very fine condition. Starting Bid $200

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Ace Frehley’s customized stageused Les Paul, used during the KISS reunion and his solo career 5433. KISS: Ace Frehley’s Stage-Used Guitar. Ace Frehley’s stage-used 1993 Gibson Les Paul electric guitar (serial no. 92883385), featuring a gorgeous cherry sunburst finish and design customizations including: “ACE” etched into the mother-of-pearl inlay at the twelfth fret, a planet etched into the mother-of-pearl truss rod plate on the headstock, and a “Mighty Mouse” sticker on the back of the body. The guitar has three DiMarzio humbucker pickups, pearloid tuners, a cream-colored pickguard, standard rhythm/treble switch, and four volume/tone knobs. It exhibits numerous small dents and dimples on the upper portion of the body, a characteristic of Frehley’s personally-used guitars—the result of ‘punching’ the guitar with the rings worn on his right hand. The back of the headstock is signed in silver ink, “Ace Frehley,” along with his trademark sketch of an Ace of Hearts. Includes its Gibson hardshell case, and also accompanied by a certificate of authenticity signed in black ballpoint by Frehley, a photocopy of a FedEx shipping label sending the guitar from Frehley’s home in San Diego, and several images of Frehley playing the guitar.

Many images exist that show Frehley with this iconic guitar: he is shown posing with it inside the 1996–1997 Kiss ‘Alive/ Worldwide’ Tour program (the woodgrain patterns in the image clearly match those on this guitar’s body), and on the cover of the September 1996 issue of Guitar World magazine covering KISS’s reunion; original examples of the program and magazine are included. Further, video exists of him playing it in concert footage from the Birch Hill Nightclub in New Jersey on February 19, 1995 (toward the end, both the mother-of-pearl planet on the headstock and ‘Mighty Mouse’ sticker are seen); and at the 30th anniversary party for Eddie Trunk’s radio show at the Hard Rock Cafe in New York City on October 23, 2013 (when he takes the guitar off after playing ‘Rock and Roll All Nite,’ the ‘Mighty Mouse’ sticker can be seen on the back).

Frehley’s stage-used guitars rarely hit the public market, and this example is especially well-documented: the signed certificate from Frehley identifies this specific guitar by its ‘Mighty Mouse’ sticker and matching serial number; and it is

seen with him in multiple photographs and videos. This guitar also formed the basis for the Ace Frehley Signature Model Les Paul (ACE 300) released by Gibson in 1997. As the original lead guitarist of KISS, Frehley created the ‘Spaceman’ persona and toured and recorded with the group from its inception in 1973 until his departure in 1982, when he embarked on a solo career. He rejoined the group for their 1996 reunion tour, and was inducted into the Rock and Roll Hall of Fame in 2014. Boasting ideal photographic and video evidence of extensive stage-use, this is a remarkable personally-owned guitar from one of the great hard rock guitarists of the 20th century. Starting Bid $2500

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5431. Marvin Gaye Signed Photograph. Very desirable glossy 8 x 10 EMI / Motown publicity photo of Marvin Gaye in an up-close pose, signed in blue ballpoint, “Marvin Gaye, ‘80,’” who adds a musical note below. In fine condition, with a few small spots of silvering. Starting Bid $200

5432. Guns N’ Roses Tour Jacket. Mean-looking black leather Guns N’ Roses biker-style tour jacket, size XL, with stylish designs and leather patchwork to the right sleeve, the left chest, and the back dominated with a large top hat-wearing skull with crossed pistols. Interior retains the original L. A. Roxx tag. In very good to fine condition, with scuffing to the left chest side and some tearing to inner cuff liners. Starting Bid $200

122 Marvels of Modern Music | 603) 732-4280

Worn by Marley on stage at the Santa Barbara Bowl in 1978

5434. Bob Marley Stage-Worn Shirt. Incredible photo-matched shirt worn on stage by reggae legend Bob Marley at the Santa Barbara Bowl in Santa Barbara, California, on July 23, 1978, as part of the second North American leg of the Kaya Tour with The Wailers. The military-style short-sleeve shirt consists of faded Rastafari color patterns of yellow, red, and green, with loops to shoulders and wooden buttons; the majority of the shirt’s front buttons are missing, as is the left shoulder loop button.

In fine condition, with expected wear from use.

Accompanied by a letter of provenance from the consignor: “In 1996 my friend gave me a shirt that Bob Marley’s sister had given him after he had helped her with a personal matter. He had maybe four or five shirts made by Bob Marley’s mother and gave me the smallest one because it fit me. He had dreadlocks to his knees and introduced me to Jimmy Cliff backstage at his concert so I really felt the story was true. In August 2020 after years of searching I finally found proof...a photo of Bob wearing the shirt on stage in the sun! July 23, 1978 Santa Barbara County.” Starting Bid $2500

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Scarce Catch a Fire record, signed boldly by Marley

5435. Bob Marley Signed Album. Catch a Fire album by Bob Marley and the Wailers, signed and inscribed on the front cover in black felt tip, “Richard, Rasta fari guide, Bob Marley.” In very good to fine condition, with scattered scratches to the surface, and creasing to the right side. The record is not included. The first signed example of Marley’s classic Catch a Fire that we’ve offered—the fifth studio album by The Wailers proved a significant turning point for both the celebrity of Marley and for the history of reggae music. When recording was completed, lsland label head and producer Chris Blackwell overdubbed the instruments to make them more appealing to a Western audience. Upon its release in the spring of 1973, Catch a Fire’s fresh sound, coupled with its subsequent concert tour in England and the United States, quickly established the Wailers as international stars. A highly displayable, uncommon, and boldly signed album with cover art featuring Esther Anderson’s portrait of Marley smoking a large spliff. Starting Bid $1000

124 Marvels of Modern Music | 603) 732-4280

5436. Van Halen Signed Display. Large color promotional

display for Van Halen’s twelfth studio album A Different Kind of Truth, 35.75 x 35.75, with cover art featuring a New York Central Railroad J-3A Dreyfuss Hudson steam locomotive, signed in blue felt tip, “David Lee Roth, 12,” “Eddie Van Halen, V.H., 2012,” “Wolfgang Van Halen, 2012,” and “Alex Van Halen.” In fine condition, with some corner bumps and creases, and a very small area of surface loss at the bottom edge. Accompanied by a pair of VIP backstage passes from the band’s two shows at Madison Square Garden on February 29 and March 1, 2012, the dates these autographs were obtained. Starting Bid $200

Huge, super early fully signed photo of Van Halen from their first world tour 5536. Van Halen Signed Photograph. Color satin-finish 11 x 14 photo of Van Halen from early 1978, signed in black felt tip, “Look out for tour, Edward Van Halen,” “Alex Van Halen,” “Cool!!

Michael Anthony,” with the latter two both having drawn glasses and mustaches to their respective faces, and “David Lee Roth.” Reverse bears a 1978 Stars Showcase copyright stamp and is marked along the bottom edge, “VH-1” and “3-778.” In fine condition, with a faint horizontal bend and the “D” in Roth’s first name traced over in an unknown hand. Accompanied by full letters of authenticity from REAL and PSA/DNA. A sensational oversized and fully signed photo from early on in the band’s career. Starting Bid $200

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Punk Rock

5484. The Clash Signed Photograph. Vin-

tage glossy 9 x 7.5 photo of the original lineup of The Clash, signed in black felt tip by Joe Strummer, Mick Jones, Paul Simonon, and Terry Chimes. Attractively suede-matted and framed to an overall size of 15.5 x 13.5. In fine condition.

Accompanied by a full letter of authenticity from REAL. Starting Bid $200

5485. The Clash Signed 45 RPM Record. CBS Records

45 RPM record for the Clash single ‘Bankrobber / Rockers Galore…. UK Tour,’ signed on the front of the sleeve in black felt tip by Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon. In fine condition. The record is not included.

Starting Bid $200

126 Marvels of Modern Music | 603) 732-4280

5486. The Clash Signed 45 RPM Record. CBS Records 45 RPM single record for ‘Tommy Gun / 1-2 Crush on You’ by The Clash, signed on the front cover in black felt tip by Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon.

In very good to fine condition, with some edge and corner creasing, and one small area of scuffing. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

5487. The Clash Signed 45 RPM Record. CBS records

45 RPM single of ‘(White Man) in Hammersmith Palais / The Prisoner,’ signed on the paper sleeve in ballpoint by Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon.

In very good condition, with overall soiling and intersecting folds. The record is included. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

5488. The Clash Signed Album. Sought-after 1979 US pressing (CBS 36060) of the self-titled debut album from The Clash, signed on the front cover in blue felt tip by Paul Simonon and Mick Jones, and in gold ink by Topper Headon and original drummer Terry Chimes, who also playfully signs the back cover, “Tory Crimes!,” next to his accidental pseudonym credit; both Headon and Chimes are given drumming credits on the back cover. In fine condition, with light scuffing. The record is included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

5489. The Clash Signed Test Pressing. Single-sided 45 RPM test pressing acetate for the Clash song ‘I’m Not Down,’ signed on both the record label and paper sleeve in black felt tip by Topper Headon, Mick Jones, and Paul Simonon. In fine condition. Starting Bid $200

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5490. The Clash Signed Test Pressing. Rare one-sided 45

RPM record test pressing by The Clash, signed on the label in black felt tip by Mick Jones, Topper Headon, and Paul Simonon, with all three also signing on the included paper sleeve. In fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

5491. Sex Pistols Signed Album. Never Mind the Bollocks, Here’s the Sex Pistols debut album signed on the front cover in black felt tip by Johnny Rotten and Paul Cook, and in blue felt tip by Steve Jones and Glen Matlock. In fine condition, with a PSA/DNA label affixed to lower right corner. The record is included. Consignor notes that the autographs were obtained on October 25, 2007, at the Roxy Theatre in Hollywood, California. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $200

128 Marvels of Modern Music | 603) 732-4280

5492. Sex Pistols 1977 Promotional Poster. Scarce original color 28 x 27.5 Virgin Records promotional poster for the Sex Pistols’ 1977 single ‘Holidays in the Sun,’ which depicts the single’s album artwork of illustrated postcards with vacationers reciting the song’s lyrics. Rolled and in fine condition, with some wear to edges. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

1980s 5496. U2 Signed CD Booklet. CD booklet for the U2

album All That You Can’t Leave Behind, signed on the front in black felt tip, “Bono, 2001,” “Adam Clayton,” and “Larry Mullen,” and on the back, “Edge.” In fine condition.

The CD is not included. The consignor notes that the signatures were obtained by a member of the road crew while on tour. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Vintage Jaguar guitar signed by Stevie Ray Vaughan hours before his death

5497. Stevie Ray Vaughan Signed Guitar. Beautiful vintage 1965 black-bodied Fender Jaguar (L85679) electric guitar, signed on the body in gold paint pen by Stevie Ray Vaughan, who adds “90,” Jimmie Vaughan, Robert Cray, Bonnie Raitt, and Chris Janata. With the exception of Raitt, the signatures were all obtained following a star-studded showcase at the Alpine Valley Music Theatre in East Troy, Wisconsin, on the night of August 26, 1990, a concert now remembered for the final performance of Stevie Ray Vaughan, who, upon leaving the venue in a Bell 206B helicopter, lost his life at the age of 35 when the aircraft crashed into a nearby ski hill shortly after takeoff. The Raitt signature was obtained early the next morning at a Milwaukee hotel, a few hours before news broke that Vaughan and four other passengers had perished overnight. In very good to fine condition, with expected signs of use. The guitar is accompanied by the original hardshell carrying case in well-traveled condition, as well as additional ephemera related to the fateful Alpine Valley concert: a complete and unused ticket for the show; a ‘Support’ pass for “Eric Clapton Tour ‘90,” marked “RC” [Robert Cray] and stamped “26 Aug 90, Alpine Valley”; and a promotional ticket voucher for the concert, good for one “lawn ticket only at the Alpine Valley Box Office.” Also included is a signed letter of authenticity from Cray, which reads, in part: “This is to certify that [name withheld] was my guest at the Alpine Valley Music Theater, outside Milwaukee, WI, for a concert featuring Eric Clapton, Stevie Ray Vaughan, Robert Cray and Chris Janata. Following the show held on August 26, 1990…[the guitar was] signed by myself, Chris Janata, Jimmie Vaughan and Stevie Ray Vaughan.” Guitars signed on the body by SRV remain exceedingly rare, with this example—signed at his final concert and, in all likelihood, the last guitar he would ever sign—easily distancing itself from all others as a cornerstone rock music artifact of the highest caliber. Starting Bid $2500

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Prince

5509. Prince ‘Around the World in a Day’ Album Cover Press Proof Print. Scarce original color 27 x 16.5 printer’s proof of the front and back cover designs for Around the World in a Day, the seventh studio album by Prince. The print features a color bar to upper border and printing legend to lower border, listing customer and job name as “W/B, Prince Album” and date as “2/12/85.” The box is initialed as “Correct” by artist Doug Henders. In very fine condition. Starting Bid $200

5511. Prince Cloud Guitar Photograph. Color satin-finish 11.75 x 14 photo print on Epson Professional paper made from an original 1984 Polaroid featuring Prince’s famous white Cloud guitar, created by artist Doug Henders in 2016 as a memorial to Prince’s passing. Initialed on the reverse by Henders. In very fine condition. Starting Bid $200

130 Marvels of Modern Music | 603) 732-4280

Purple Rain Tour–used tambourine thrown into the crowd on Christmas Eve 5512. Prince Concert-Used Purple Tambourine. Superb dark purple double-row tambourine

with a 10˝ open head, used on stage by Prince and thrown into the crowd during his show at the St. Paul Civic Center on December 24, 1984, during the Purple Rain Tour. Taped to the side of the tambourine are the ticket stub from the show and one of Wendy Melvoin’s stage-used guitar picks which was also thrown into the crowd. In fine condition, with expected wear from use. Accompanied by a provenance statement from the consignor, in part: “This tambourine was thrown to the crowd…by Prince Himself. I happened to be the lucky one to catch it since I was in the second row on the main floor. During the concert Prince’s guitarist Wendy also threw a guitar pick into the crowd…I felt something hit me in the forehead…I picked it up and realized it was Wendy’s guitar pick.” An exceptional stage-used relic from Prince’s legendary tour. Starting Bid $200

5513. Prince Original Drawing Study for ‘When Doves Cry’ by Doug Henders. Original sketch of the iconic face

design seen at the end of Prince’s ‘When Doves Cry’ music video, accomplished in airbrushed ink on a white 11 x 14 sheet by artist Doug Henders, who adds his initial in the lower right corner, “D.” Includes a color satin-finish 16.5 x 11.75 photo print of the music video set, lightly initialed on the reverse by Henders, “D.” In very fine condition. Starting Bid $200

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5514. Prince Signed Album Flat. Highly displayable Lovesexy album flat signed on the front in black felt tip, “’Love God,’ P, 88.” In fine condition, with some light creasing and a small tear to left edge. Accompanied by a full letter of authenticity from REAL. The consignor notes that this was obtained at Tower Records in New York where Prince did a rare in-store signing.

Starting Bid $200

A turntable keepsake from Paisley Park 5515. Prince: Yamaha Turntable from Paisley Park. Yamaha

TT-300U Natural Sound Stereo turntable from Prince’s Paisley Park Studios, 17 x 4.5 x 14, with cueing control, play/cut switch, anti-skate knob, and speed selector, with serial number, “CF0108A053,” and part number, “SGTB169-1.”

Includes the original stylus. In fine condition, with expected signs of use; working condition untested.

Accompanied by a lengthy letter of provenance from former Paisley Park employee Tom Underwood, which reads, in part: “In 2012 I was offered a part-time position [at Paisley Park] and continued working there until Prince passed away in 2016...In my time working at Paisley Park, I was allowed to keep an old turntable that Prince had inside a room next to the vault.”

Starting Bid $200

132 Marvels of Modern Music | 603) 732-4280

Nirvana Cobain in Italy during the Nevermind Tour 5518. Kurt Cobain Signature. Ball-

point signature, “Kurt Cobain,” on the reverse of a color glossy 9 x 4 postcard of Hotel Baur Al Lago on Lake Dobbiaco in Italy. Collector’s notation to lower right dates the signature to “1991, Muggia.”

In fine condition. Accompanied by a full letter of authenticity from REAL. Nirvana played at the Teatro Verdi in Muggia, Italy, on November 16, 1991, as part of their massive Nevermind world tour. Starting Bid $300

5519. Nirvana: Love Buzz and Big Cheese Single. Sought-after limited edition Sub Pop 45 RPM record for Nirvana’s debut single ‘Love Buzz / Big Cheese,’ numbered 489/1000, with matrix numbers to A and B sides: “SP-23-A Why Don’t You Trade Those Guitars For Shovels? L-31540 Kdisc” and “SP-23-B L-31540X Kdisc.” In fine condition. The record is included.

During the early 1990s, the consignor of this single worked as security for Kurt Cobain and then later as a night watchman at his Seattle home at 171 Lake Washington Boulevard East. This single was one of several items gifted to him during his time of employment. Starting Bid $200

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90s and Beyond Amazing complete lyrics to (What’s the Story) Morning Glory?, written for studio use by Oasis songwriter Noel Gallagher

View additional images online at www.RRAuction.com 5520. Noel Gallagher Handwritten Lyrics for (What’s the Story) Morning Glory? Spectacular complete set of handwritten lyrics by Noel Gallagher for (What’s the Story) Morning Glory?, the landmark second studio album from English rock band Oasis. Used in Rockfield Studios for rehearsals and during recording in March–June of 1995, the lyrics are penned in various colored ink and felt tip on 11 off-white sheets, each approximately 8.25 x 11.5, and include the following song titles: ‘Hello,’ ‘Roll with It,’ ‘Wonderwall,’ ‘Don’t Look Back in Anger,’ ‘Hey Now!,’ ‘Bonehead’s Bank Holiday,’ ‘Some Might Say,’ ‘Cast No Shadow,’ ‘She’s Electric,’ ‘Morning Glory,’ and ‘Champagne Supernova.’ In overall very good to fine condition, with overall creasing to all of the pages, and varying degrees of staining to about half of the pages. Accompanied by certificates of authenticity from Tracks for each individual lyric sheet, as well as one for the entire collection. On the strength of major hit singles ‘Wonderwall,’ ‘Champagne Supernova,’ and ‘Don’t Look Back in Anger,’ (What’s the Story) Morning Glory? promptly elevated Oasis from a fledgling indie rock group to bona fide international rock stars in the fall of 1995. This year marks the 25th anniversary of this historic album’s release. As a complete set, these lyrics are of astounding appeal. Starting Bid $2500

134 Marvels of Modern Music | 603) 732-4280

5521. Amy Winehouse Signed CD Booklet. Very desirable CD booklet for Back to Black, signed on the centerfold in blue felt tip, “Lots of [heart], Amy x.” In fine condition, with light handling wear. The CD is not included. Accompanied by a full letter of authenticity from REAL. A sought-after signature of the late English singer on her most famous album, an album that earned her five Grammy Awards in 2008, including Record and Song of the Year. Starting Bid $200

5522. Amy Winehouse Signed Promo Card. Sought-after color 5.75 x 4 promo card for Amy Winehouse’s nine-date tour of the United Kingdom in November 2006, signed in black felt tip, “Amy, x.” The reverse features an advertisement for her multi-Grammy winning album Back to Black. In fine condition, with some slight ink adhesion trouble. Starting Bid $200 Hundreds of more items are listed online at www.RRAuction.com | November 19, 2020 135

Nominee medal for the 53rd Grammy Awards

5535. 53rd Annual Grammy Awards: Bronze Tiffany Nominee Medal. Rare nominee medal

issued for the 53rd Annual Grammy Awards held at the Staples Center in Los Angeles on February 13, 2011.

Bronze, 90 gm, 57 mm, made by Tiffany & Co. The front of the medal features the iconic Grammy phonograph with concentric outlines and raised text: “Grammy Nominee”; and the reverse shows the Grammy phonograph against a large “53,” with border encircled with “National Academy of Recording Arts & Sciences.” The edge of the medal is engraved, “Tiffany & Co. Bronze.” Includes the original blue satin ribbon, and the rare and attractive custom-made presentation box (embossed inside the lid, “Tiffany & Co.”) with accompanying Grammy Awards card: “Congratulations on your Nomination!

We hope you enjoy this beautiful Tiffany & Co. presentation box for your Nominee Medallion.” Also includes the iconic blue cardboard Tiffany gift box, with “Tiffany & Co.” on the lid, as well as an original event program and an unused ticket for the the 53rd Annual Grammy Awards. An exceedingly attractive and complete Grammy Awards nomination package. Starting Bid $200

136 Marvels of Modern Music | 603) 732-4280

5010. Bob Dylan Original Photograph Starting Bid 200

5011. Bob Dylan Original Photograph Starting Bid 200

5012. Bob Dylan Original Photograph Starting Bid 200

5013. Bob Dylan Original Photograph Starting Bid 200

5017. Bob Dylan Pair of 1965 Newport Folk Festival Original Performance Photographs Starting Bid 200

5027. Bob Dylan 'Greil Marcus' Bootlegging Archive Starting Bid 200

5042. Bob Dylan Archive of (60) Albums Starting Bid 200

5044. Bob Dylan Collections Tape and CD Archive Starting Bid 200

5045. Bob Dylan Clipping Archive Starting Bid 200

5049. Tony Glover's Bob Dylan Reference Book Archive Starting Bid 200

5050. Bob Dylan Programs, Magazines, and Publications Group Starting Bid 200

5051. Bob Dylan 'Saved! The Gospel Speeches' Mini Book Starting Bid 100

5052. Bob Dylan Promo Standee Starting Bid 200

5053. Bob Dylan Group of (7) Photographs Starting Bid 200

5054. Bob Dylan Group of (3) Posters Starting Bid 200

5056. The Beatles Monthly Books Starting Bid 200

5057. Beatles: John Lennon Pair of Books Starting Bid 200

5058. John Lennon Promotional Photograph Starting Bid 200

5059. Traffic Contact Sheet

by Linda McCartney Starting Bid 200

5065. The Doors 1968 US Tour Programs (2) Starting Bid 200

5066. The Doors Boot Yer Butt! Bootlegs CD Box Set Starting Bid 100

5067. Doors: Jim Morrison 'The Lords and New Creatures' Book Starting Bid 200

5073. The Rolling Stones 1972 and 1975 Tour Press Packets Starting Bid 200

5074. The Rolling Stones Book (25) Magazine Collection Starting Bid 200

5075. Rolling Stones: Ronnie Wood Poster Starting Bid 200

5076. Performance Script featuring Mick Jagger Starting Bid 200

5077. The Who: Pete Townshend Interview Tape and Original Photos Starting Bid 200

5078. Grateful Dead 1972 England Tour Program Starting Bid 200

5079. Prince 'Slave / New World' Cassette Tape Starting Bid 200

5080. Prince Purple Rain Group Lot Starting Bid 200

5081. Prince (2) Comic Books Starting Bid 200

5082. Prince Group of (14) 45 RPM Records Starting Bid 200

5088. Tony Glover 'The Musician' Lifetime Archive Starting Bid 200

5089. Tony Glover Pair of Allman Brothers Concert Passes Starting Bid 200

5090. Tony Glover's Zigzag Magazine Collection Starting Bid 100

5091. Tony Glover's 1/4 Inch Tape Archive of Various Artists Starting Bid 200

5092. Tony Glover's Rolling Stone Magazine Correspondence Archive Starting Bid 200

5093. Tony Glover's 1960s Japanese Electric Guitar Starting Bid 200

5094. Tony Glover's Album Archive (2,400+ Records) Starting Bid 200

5095. Tony Glover's Collection of Cassette Recordings Starting Bid 200

5097. The Little Sandy Review Complete Run of (30) Magazines Starting Bid 200

5099. Rolling Stone: Greil Marcus Group of (6) Signed Postcards Starting Bid 200

5100. Music Press Kits and Programs Lot Starting Bid 200

5101. Marc Bolan: The Warlock of Love First Edition Book Starting Bid 200

5102. Caravan Magazine (June-July 1960, featuring Robert Shelton) Starting Bid 100

5103. Country Joe and the Fish Interview Archive Starting Bid 200

5105. Elektra: Jack Holzman Correspondence Archive Starting Bid 200

5106. Lee Jackson 'Fishin' In My Pond / I'll Just Keep Walkin'' 45 RPM Record Starting Bid 100

5107. The Litter '$100 Fine' Promo Album Starting Bid 200

5108. The Litter 'Distortions' Album Starting Bid 200

5109. Mel Lyman Archive Starting Bid 200

5110. Manfred Mann: Paul Jones Pair of Letters Starting Bid 200

5112. Velvet Underground and Nico Magazine and Interview Transcript Starting Bid 100

5114. Allman Brothers 'Allman Joys/Early Allman' Acetate Starting Bid 200

5117. David Bowie Fan Club Kit and Photographs Starting Bid 100

5118. The Concert for Bangladesh Original Photograph Starting Bid 200

5119. Creem Magazine Archive Starting Bid 200

5120. J. Geils Band Interview Archive Starting Bid 200

5121. New York Dolls Poster and Press Kit Starting Bid 200

5122. 'Open Air Festival' 1971 Set of Original Photo Contact Prints Starting Bid 200

5126. Johnny Cash Original Photograph by David Gahr Starting Bid 200

5127. Woody Guthrie Archive Starting Bid 200

5128. Lucinda Williams Archive Starting Bid 200

5129. Patti Smith Pair of Signed Booklets Starting Bid 200

5130. Patti Smith Signed 'Hey Joe / Piss Factory' 45 RPM Record Starting Bid 200

5133. Blues and Harmonica Archive Starting Bid 200

5134. Blues: John P. Hammond Archive Starting Bid 200

5135. Dana Gillespie 'Foolish Seasons' Album Starting Bid 200

5136. John Lee Hooker 'I'm John Lee Hooker' Album Starting Bid 200

5137. Howlin' Wolf 'Howlin' Wolf' Album Starting Bid 200

5138. Howlin' Wolf 'Moanin' in the Moonlight' Album Starting Bid 200

5139. Lightnin' Slim 'Bell Ringer' Album Starting Bid 100

5140. Lightnin' Slim 'Rooster Blues' Album Starting Bid 100

5142. Moondog 'Moondog' Album Starting Bid 100

5143. Moondog 'More Moondog' Album Starting Bid 100

5144. Moondog 'The Story of Moondog' Album Starting Bid 200

5145. Sing Out and Living Blues Magazine and Booklet Archive Starting Bid 200

5146. Sugar Blue Signed Poster and Interview Tapes Starting Bid 200

5147. Little Walter Archive Starting Bid 200

5148. Big Joe Williams Reelto-Reel Archive Starting Bid 200

5149. Sonny Boy Williamson 'Down and Out Blues' Album Starting Bid 200

5150. Stevie Wonder Press Kit and Publicity Photos Starting Bid 100

5151. 'Impressions of Reality' Photograph by John Cooke Starting Bid 200

5152. Robert Mapplethorpe Pair of Lithographs Starting Bid 200

5157. Beat Generation Book Lot Starting Bid 200

5158. 'Birdland' Set of (3) Comics Starting Bid 100

5159. Charles Bukowski Book Collection Starting Bid 200

5160. Charles Bukowski Signed Book Starting Bid 200

5161. Charles Bukowski Signed Book and Patti Smith Signed Postcard Starting Bid 200

5162. William S. Burroughs Cassette Tapes and Poster Starting Bid 200

5163. Robert Crumb Set of (3) Comics Starting Bid 200

5164. Interview Magazine Archive Starting Bid 200

5165. Anais Nin Lot of (8) Books Starting Bid 200

5166. Sexploitation Publication Lot Starting Bid 100

5167. Marlon Brando Group of (20) Booklets and Photographs Starting Bid 200

5168. Lenny Bruce Stamp Help Out! Book Starting Bid 100

5169. James Dean Group of (20) Original Publicity Photographs Starting Bid 200

5170. Vintage MAD Magazine and Marvel Comics (7) Group Lot Starting Bid 200

5204. Beatles Hair Display Starting Bid 200

5240. Neil Aspinall Signed Christmas Card Starting Bid 200

5241. Beatles 1963 Cavern Club Promo Card Starting Bid 200

5242. Beatles 1963 Scottish Tour Program Starting Bid 200

5243. Beatles 1970 Dutch Promo Card Starting Bid 200

5244. Beatles Apple Film Canister Stickers Starting Bid 200

5245. Beatles Apple Records Promo Postcard Starting Bid 200

5246. Beatles Original 1963 Royal Hall Harrogate Photograph Starting Bid 200

5247. Beatles Original 1963 Royal Hall Harrogate Photograph Starting Bid 200

5248. Beatles Original Photograph by Astrid Kirchherr Starting Bid 200

5249. Beatles Original Photograph by Astrid Kirchherr Starting Bid 200

5250. Beatles: Pauline Sutcliffe Starting Bid 200

5251. Peter Blake Signed Photograph Starting Bid 200

5252. George Harrison 1968 Promotional Poster Starting Bid 200

5253. George Harrison and Rory Storm Original Photograph by Dick Matthews Starting Bid 200

5257. John Lennon 1974 Apple Promo Leaflet Starting Bid 200

5254. George Harrison Original Photograph by Linda McCartney Starting Bid 200

5255. John Lennon 'Rock ‘N’ Roll' T-Shirt Starting Bid 200

5256. John Lennon 1971 Apple Promo Leaflet Starting Bid 200

5258. John Lennon and Paul 5259. John Lennon and Paul 5260. John Lennon McCartney Royalty McCartney Royalty serigraph by Allison Lefcort Statements Statements Starting Bid 200 Starting Bid 200 Starting Bid 200

5261. Paul McCartney and Wings 1971 Apple Promo Leaflet Starting Bid 200

5262. Paul McCartney Original Photograph by Linda McCartney Starting Bid 200

5263. Paul McCartney Original Photograph from the Peter Kaye Studio Starting Bid 200

5265. Yoko Ono Signed Check Starting Bid 200

5266. Plastic Ono Band 1970 Apple Promo Card Starting Bid 200

5267. Bob Wooler 1964 Cavern Club Christmas Card Starting Bid 200

5270. Elvis Presley Poster Starting Bid 200

5282. Apple 'Think Different' Bob Dylan Poster Starting Bid 200

5283. Bob Dylan 1966 Pittsburgh Unused Ticket Starting Bid 200

5286. Jim Morrison Signature Starting Bid 200

5287. The Doors 1968 Colgate University Program Starting Bid 200

5288. The Doors 1968 Program, Poster, and Protest Flyer Starting Bid 200

5289. The Doors 1991 Movie Poster Starting Bid 100

5291. Jimi Hendrix (Maurice James) and Soupy Sales 1965 Program Starting Bid 200

5308. Jimi Hendrix Band of Gypsys 1969 Fillmore East Program Starting Bid 200

5309. Jimi Hendrix Experience 1969 Royal Albert Hall Program Starting Bid 200

5310. Mick Jagger 1961 The Dartfordian High School Yearbook Starting Bid 200

5318. Mick Jagger Original Photograph Starting Bid 100

5319. Brian Jones Signature Starting Bid 200

5320. Rolling Stones 1964 Star Parade Program Starting Bid 200

5324. The Who (3) Original Photographs Starting Bid 100

5325. The Who 1967 'Sundays at the Saville' Program Starting Bid 200

5326. The Who 1969 Fillmore East Program Starting Bid 200

5327. The Who 1975 Tommy Premiere Ticket Stub Starting Bid 200

5328. The Who 1976 'The Who Put the Boot In' Program Starting Bid 200

5329. The Who and Chuck Berry 1969 Fillmore East Program Starting Bid 200

5330. The Who and Elton John Tommy Program with Insert and Pass Starting Bid 200

5331. The Who Original Photograph Starting Bid 100

5332. The Who Tommy 1969 Fillmore East Program Starting Bid 200

5335. Jerry Garcia Original Photograph Starting Bid 100

5336. Grateful Dead Original 5337. Grateful Dead, Allman Photograph Brothers, and Peter Green Starting Bid 100 Fillmore East Program Starting Bid 200

5338. Grateful Dead: Mouse and Kelley Starting Bid 200

5341. Led Zeppelin 1979 Knebworth Concert Group Lot Starting Bid 200

5342. Led Zeppelin and The Who 1969 Royal Albert Hall Handbill Starting Bid 200

5343. Led Zeppelin 1969 Promotional Poster Starting Bid 200

5344. Led Zeppelin 1972 Japanese Handbill Starting Bid 200

5345. Led Zeppelin Fillmore East Program Starting Bid 200

5346. Led Zeppelin Original Photograph Starting Bid 100

5351. Roger Waters Signed Album Starting Bid 200

5357. Queen 'A Night at the Opera' Tour Stage Pass Starting Bid 200

5358. Queen 1973 Marquee Club Handbill Starting Bid 200

5359. Queen: May and Taylor Signed Album Starting Bid 200

5360. Queen: May and Taylor Signed Book Starting Bid 200

5370. American Negro Blues Festival 1963 Handbill Starting Bid 200

5371. Louis Armstrong & His All Stars Signed Program Starting Bid 200

5372. Louis Armstrong and Mezz Mezzrow Signed Photograph Starting Bid 200

5373. Louis Armstrong Signed Brochure and Swiss Kriss Packet Starting Bid 200

5374. Louis Armstrong Signed Photograph Starting Bid 200

5375. Count Basie Orchestra Signed Album Starting Bid 200

5376. Birdland

Starting Bid 200

Starting Bid 200

5378. Ornette Coleman Signed Photograph Starting Bid 200

5379. John Coltrane and Dizzy Gillespie Program Starting Bid 200

5380. Miles Davis Signature Starting Bid 200

5381. Miles Davis Signed Album Starting Bid 200

Jazz Club 5377. Blues Legends Signed Photographs Ashtray and Programs

5382. Miles Davis Signed Album Starting Bid 200

5383. Miles Davis: Kind of Blue Group of (8) Photos Starting Bid 200

5384. Duke Ellington Orchestra Signed Album Starting Bid 200

5385. Duke Ellington Signed Album Starting Bid 200

5386. Bill Evans and George Russell Signed Album Starting Bid 200

5387. Dizzy Gillespie: Raymond Ross Group of (32) Photos Starting Bid 200

5388. Billie Holiday Group of (4) Programs Starting Bid 200

5389. Jazz Musicians Starting Bid 200

5390. Jazz Musicians Starting Bid 200

5391. Barney Kessel Group Lot Starting Bid 200

5392. David Stone Martin Countertop Standees Starting Bid 200

5393. David Stone Martin Signed Prints Starting Bid 200

5394. Herbie Nichols Pair of Handwritten Musical Manuscripts Starting Bid 200

5395. Charlie Parker and Ben Webster Photographs

by Herman Leonard Starting Bid 200

5396. Charlie Parker Voice of America Transcription Record Starting Bid 300

5397. Art Pepper Signed Book Starting Bid 200

5398. Frank Sinatra Signed Record Starting Bid 200

5399. Sonny Boy Williamson Signature and 1963 American Folk Blues Festival Program Starting Bid 200

5400. Lester Young, Bud Powell, and Others Signed Program Starting Bid 200

5402. Johnny Cash Limited Edition Print Starting Bid 200

5403. Harry Chapin 1973 Datebook Starting Bid 200

5404. John Denver Signed Poster Starting Bid 200

5405. The Everly Brothers Signed Promo Card Starting Bid 200

5406. Little Richard Signed Poster Starting Bid 200

5407. Frank Sinatra 1953 Handbill Starting Bid 200

5408. Gene Vincent Original Photograph by Astrid Kirchherr Starting Bid 200

5413. The Animals Signatures Starting Bid 200

5414. The Band Fillmore East Program Starting Bid 200

5417. Freddie and the Dreamers Signatures Starting Bid 200

5418. Grand Funk and Jethro Tull Fillmore East Program Starting Bid 200

5415. Fillmore East Group of 5416. Fleetwood Mac (Peter (10) Programs Green) and Joe Cocker Starting Bid 200 Fillmore East Program Starting Bid 200

5419. The Mamas and the Papas (2) Original Photographs Starting Bid 100

5420. Monterey Pop Festival Handbill and Order Form Starting Bid 200

5421. Roy Orbison Signature Starting Bid 200

5422. Rock and Roll Hall of Fame Program Starting Bid 200

5423. Paul Simon 1965 London Handbill Starting Bid 200

5424. Simon and Garfunkel 1967 Royal Albert Hall Handbill Starting Bid 200

5425. Rory Storm and the Hurricanes and Gene Vincent 1960 Handbill Starting Bid 200

5426. Woodstock Program and Ticket Starting Bid 200

5437. AC/DC Signed Program Starting Bid 200

5439. Allman Brothers 1971 Steel Pier Program Starting Bid 200

5440. David Bowie 1974 Madison Square Garden Program Starting Bid 200

5441. Jackson Browne Signed Album Starting Bid 200

5442. Eric Clapton Original Photograph Starting Bid 100

5443. Phil Collins Signed Photograph Starting Bid 200

5444. Derek and the Dominos Fillmore East Program Starting Bid 200

5445. Elton John Captain Fantastic Pinball Machine Backglass Starting Bid 200

5446. Fleetwood Mac (Peter Green) and Van Morrison Fillmore East Program Starting Bid 200

5447. Fleetwood Mac Original Photograph Starting Bid 100

5448. Mick Fleetwood Signed Book Starting Bid 200

5449. Debbie Harry Signed Album Starting Bid 200

5450. Jefferson Airplane CD Design by Rick Griffin Starting Bid 200

5451. Jefferson Airplane Signed Guitar Starting Bid 200

5452. Elton John Promotional Watch Starting Bid 200

5453. KISS Signed Album Starting Bid 200

5454. KISS Signed Album Starting Bid 200

5455. KISS Signed Album Starting Bid 200

5456. KISS Signed Books Starting Bid 200

5457. KISS Signed Poster Starting Bid 200

5458. KISS Signed Poster Starting Bid 200

5459. KISS Signed Poster Starting Bid 200

5460. KISS Signed Poster Starting Bid 200

5461. KISS Signed Poster Starting Bid 200

5462. KISS Signed Solo Albums Starting Bid 200

5463. KISS: Simmons and Stanley Signed Books Starting Bid 200

5464. Bob Marley Original Photograph Starting Bid 100

5465. Meat Loaf Picture Disc Starting Bid 200

5466. Steve Miller Signed Album Starting Bid 200

5467. Tom Petty Signed Album Starting Bid 200

5468. Tom Petty Signed Photograph Starting Bid 200

5469. The Police: Andy Summers Signed Book Starting Bid 200

5470. Quiet Riot Signed Photograph Starting Bid 200

5471. Lou Reed Signed Photograph Starting Bid 200

5472. Rock Musicians (4) Original Photographs Starting Bid 100

5473. Rock Musicians (6) Original Photographs Starting Bid 200

5474. Bob Seger Document Signed Starting Bid 200

5475. Bob Seger Signed Typed Lyrics Starting Bid 200

5476. Bruce Springsteen Original Photograph Starting Bid 100

5477. Bruce Springsteen Signed Song Book Starting Bid 200

5478. Styx Signed Album Starting Bid 200

5479. Thin Lizzy Photograph and Slides (8) Starting Bid 200

5480. Toto Signed Album Starting Bid 200

5481. Van Halen Signed Photograph Starting Bid 200

5482. Whitesnake Signed Program Starting Bid 200

5483. ZZ Top Signed Tour Jacket Starting Bid 200

5493. The Clash Signed Photograph Starting Bid 200

5494. The Clash Signed Photograph Starting Bid 200

5495. Guns N' Roses: Slash Photograph by Robert Knight Starting Bid 200

5498. Def Leppard Signed Album Starting Bid 200

5499. Def Leppard Signed Photograph Starting Bid 200

5500. Bob Gruen Signed Book Starting Bid 200

5501. Mark Knopfler Signed Program Starting Bid 200

5502. Lisa Lisa and Cult Jam Signed Album Starting Bid 200

5503. George Michael Membership Card Starting Bid 200

5504. George Michael Signed Album Starting Bid 200

5505. George Michael Signed CD Starting Bid 200

5506. Mr. Mister Signed Album Starting Bid 200

5507. Ozzy Osbourne Signed Photograph Starting Bid 200

5508. U2 Signed Book Starting Bid 200

5516. Prince Original Photograph Starting Bid 100

5517. Prince: 1988 Paisley Park Shirt Starting Bid 200

5524. Whitney Houston Signed Billboard Chart Starting Bid 200

5525. Whitney Houston Signed Program Starting Bid 200

5526. Pearl Jam Signed Photograph Starting Bid 200

5530. Jimmy Page 'Deluxe' Signed Book Starting Bid 300

5531. Thelonious Monk Signed Album Starting Bid 200

5532. David Bowie Signed Advertisement Starting Bid 200

5533. Prince Signature Starting Bid 200

Conditions of Sale ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION”) TOGETHER WITH BIDDER, THE “PARTIES”).

This Agreement contains important provisions that control rights and liabilities, and specifically has provisions governing how disputes are handled as well as LIMITATIONS OF LIABILITY that can be imposed upon RR Auction, WAIVER OF JURY and ARBITRATION PROVISIONS. This acknowledgement is a material term of these Conditions of Sale and of the consideration under which RR Auction agrees to these terms. PLEASE READ CAREFULLY.

The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property on its website, and/or described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby.

Section 1 The Parties1.1 RR Auction and Auction This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.

RRauction.com Internet site. The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog.

1.2 Bidder Bidder shall mean the original Bidder on the property offered for sale

by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal.

The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale.

Bids will not be accepted from minor persons under eighteen (18) years of age without a parent or legal guardian’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder.

All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discre-

tion, at any time prior to, during, or even after the close of the Auction.

RR Auction reserves the right to exclude any person from the Auction.

If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid and agrees to be bound by these Conditions of Sale in addition to company for whom the Bidder is acting By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment.

Section 2 Bidding Privileges 2.1 In order to place bids, Bidders who have not established an account with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction.

Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Privileges will be granted at the sole discretion of RR Auction.

Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide a cash deposit prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue.

2.2 Bidder providing any false or misleading information provided in connection with the registration shall be a material breach of the Conditions of Sale and in addition to any other remedies at law shall excuse RR Auction from performance under these Conditions of Sale, including the right to any refund.

2.2 Bidding privileges may be revoked without notice, for any reason, at the sole discretion of RR Auction .

Section 3 Buyer’s Premium 3.1 The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. Buyer’s premium for our Sports Auctions is 20%. For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is earlier. Bidder’s failure to pay any payment in full when due required shall constitute a material breach, and in addition to other damages available under contract or law, at RR Auction’s election, RR Auction may cancel the sale and require full premium still be due along with interest at 1.5% per month from the date of breach, or at the maximum legally allowable rate.

Section 4 Bidding 4.1 Each Bidder’s determination of its bid should be based upon its own examination of the item(s) and independent investigation, rather than the any reliance as to what is represented in the Catalog, online or elsewhere. Bidder affirms that it regards any statements made by RR Auction concerning the item as solely opinion and that Bidder is making its own inspection and independent evaluation of the goods, and is not relying upon any description or statements by RR Auction

(including as to quality, authenticity, provenance, ownership, liens existing, on goods legality, or value) in making its determination to bid on or purchase an item. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS CONCERNING ANY AND ALL PURCHASES TO THE FULLEST EXTENT UNDER APPLICABLE LAW. 4.2 RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake.

4.3 All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder.

4.4 Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder and Bidder has fully satisfied any outstanding financial obligations to RR Auction (including as it concerns aby other lots). RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder.

4.5 It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all risk of loss upon the earlier of shipment to Bidder or in Bidder’s possession.

4.6 Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired

by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a lien consisting of a senior security interest (or purchase money security interest to the extent applicable) in such sums or items to the fullest extent applicable, authorizes RR Auction to file documents concerning the interest, and Bidder agrees to execute any further documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued fees and expenses, until the indebtedness is paid.

4.7 By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction.

4.8 RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders.

Section 5 Bidding Options 5.1 Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid.

5.2 When identical bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins.

5.3 In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.

5.4 RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive.

Section 6 Payment 6.1 Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than sixty (60) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.

6.2 Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot.

6.3 All sales for total invoices greater than $1,000 are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements.

6.4 All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via

e-Check, personal or corporate checks.

6.5 In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment.

6.7 If RR Auction refers any unpaid invoice to an attorney for collection, the Bidder agrees to pay and shall be liable for RR Auction’s attorney’s fees, court costs, and other collection costs incurred by RR Auction in addition to the invoice amount and interest the greater of 1.5% per month or at the maximum legally allowable rate from date of invoice to collection. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

6.8 RR Auction shall have a lien against the merchandise purchased by the Bidder (as well as to the extent it is a consignor any other monies owed or due to Bidder) to secure payment of the Auction invoice.

RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

6.9 All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. RR Auction clients with an invoice totaling $1,000 or under will have the option to pay by VISA, Mastercard, Discover or Paypal. All Paypal payments must be sent to FinanceDepartment@rrauction.com. Authorize.net, a third-party service provider contracted by RR Auction for processing on-line payments, charges a nonrefundable service fee of 3%, which will be added to your final invoice should you pay by credit/debit card.

The State of New Hampshire does not have a general sales and use tax. All purchases picked up at our Massachusetts location will be taxed at the current rate of 6.25%.

Pennsylvania sales or use tax may be due in connection with the purchase and delivery of tangible personal property to Pennsylvania individuals and businesses. The purchaser is required to file a use tax return if tax is due in connection with the purchase and delivery in the Commonwealth. This notice is required pursuant to the provisions of the Tax Reform Code of 1971. 72 P.S. ¤ 7213.2.

If you have a resale number please email Sue@RRAuction.com or fax to (603) 732-4288 a copy of your state resale certificate and you will be exempt from paying sales tax.

Section 8 Delivery; Shipping; and Handling Charges Bidder is liable for shipping and handling and providing accurate information as to shipping or delivery locations and arranging for such. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.

Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

Section 9 Title

Section 7

Title shall not pass to the successful Bidder until all invoices of Bidder (including those pertaining to the item(s) at issue) and amounts owed to RR Auction are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Sales Tax

Section 10

RR Auction is a remote seller and we are now required to collect Sales/Use Tax from our bidders. The states that we have nexus in we will be required to collect and remit sales tax on your behalf. Each state has different requirements to meet nexus. When RR Auction has achieved a certain monetary and/or invoice threshold in each state we will apply sales tax to your total invoice. Please go to our terms on our website to see the states that are affected.

Rights Reserved

If we have not achieved nexus in a particular state it is still your responsibility to pay sales tax on your purchases.

The sales tax rate is determined by the State, Country, and City where purchases are shipped to. If you decide to pick up your purchases at our New Hampshire location you will not be required to pay sales tax.

RR Auction reserves the right, at any time before, during or after an auction has ended to: withdraw any lot before or at the time of the Auction, cancel any bid, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal, cancellation, or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone at any time.

Section 11 Conducting the Auction

11.1 RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.

11.2 RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auctions record of final sale shall be conclusive.

RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.

11.3 Reserves Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own. RR Auction may execute bids consecutively or otherwise up to one bid increment below the reserve.

11.4 Off-Site Bidding Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form.

11.5 Estimate Prices: In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280.

The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).

11.6 Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.

11.7 Before the Auction: Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.

11.8 Maximum Bids In All Auctions: To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid.

11.9 Successful Bids: The fall of RR Auction’s hammer indicates the final bid. RR Auction

will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.

11.10 Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

11.11 Bidding in Timed Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing.

RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/ EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.

11.12 Bidding - Internet Live Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing.

RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any

problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

During live internet or live auction, property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid or bids (successively or otherwise) on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. All auctions for lots are with reserve unless specifically stated otherwise.

During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www.invaluable.com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the thirdparty sites carry an additional Buyer’s Premium.

11.13 Miscellaneous: Agreements between Bidders and Consignors to effectuate a nonsale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with ”do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing.

RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.

11.14 Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Section 12 RR Auction’s Remedies Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of material breach or default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate

RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any Bidder’s property in RR Auction’s possession or to which title has not yet passed to Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts.

Section 13 Warranties 13.1 RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold ”as is” and “where is”.

By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright, trademark, or other intellectual property (including exhibition or reproduction rights) related to the item, or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.

13.2 All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.

13.3 Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.

13.4 All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auc-

tion, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “AC”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The AC inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the AC and such purported transfer, assignment, or conveyance shall be null and void.

Section 14 Firearms RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.

Section 15 Unauthorized Statements Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed Bidder and by an authorized officer of RR Auction by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

Section 16 Bidder’s Remedies 16.1 Except as stated expressly herein, Bidder’s sole and exclusive remedy related to or pertaining to items it bids upon, views, or purchases from RR Auction, and any claims by Bidder related to authenticity, ownership, condition, title or value, shall be against Consignor only.

16.2 This section sets forth the sole and exclusive remedies of Bidder as against RR Auction (inclusive of its affiliates, officers, managers, employees or agents), or in any way arising out of, related to, or in connection with these Conditions of Sale, , and is expressly in lieu of any other rights or remedies which might be available to Bidder by law.

Time is of the essence with respect to these procedures.

16.3 Title to Items The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, satisfactory to the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction may make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand (if any made), RR Auction may disclose the identity of the Consignor

to Bidder and may assign to Bidder all or some of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and/or assignment, all responsibility and liability of RR Auction, if any, with respect to said lot or item shall automatically terminate related to or arising from these Conditions of Sale or such transaction operating as a complete waiver and general release by Bidder as to RR Auction and its agents, contractors, and affiliates, as to any and all claims concerning or related to the item, if any . RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction

by Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.

16.4 Authenticity Challenge Process

(1) If Bidder wishes to dispute or challenge the Authenticity of the lot or item (including asserting that it is incorrect), Bidder must adhere to the following procedure: Within 30 days of the Auction Date, Bidder must present written evidence to RR Auction, that the lot is not authentic as determined by a known expert in the field (and one recognized by RR Auction within its discretion) and send the physical item or lot at issue to RR Auction along with all evidence relied upon by Bidder for contesting the Authenticity. (“Authenticity Challenge Process”) “Authenticity” shall mean a gross discrepancy in the between the description, genuiness, or attribution of the item as represented by RR Auction in the Catalog or at the auction, and the item. If RR Auction concurs that the lot is not Authentic as was represented (it is sole discretion), Bidder’s sole and exclusive remedy as against RR Auction (inclusive of its affiliates, agents, employees, and contractors) shall be a refund of the purchase price of the subject item paid by Bidder, with no other costs, liabilities or amounts recoverable by Bidder. If RR Auction does not agree with the assertion by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale. Strict adherence to the Authenticity Challenge Process is a condition of standing for Bidder to initiate suit or claim.

(2) So long as Bidder has complied with the Authenticity Challenge Process, any claim, suit or action, by Bidder concerning an AC or Certification of Authenticity, or related to the authenticity of the item must, without any exception, be brought within one (1) year of Auction Date and is subject to the other limitations and conditions stated in the Conditions of Sale.

16.5 Other Issues. Any dispute or claim by Bidder against RR Auction (or its affiliates, directors, employees, officers, agents, or contractors)) other than Authenticity, concerning any item or lot bid upon, or purchased, including value, title, condition, bidding process, or description must be asserted (if at all) in the following manner: (1) If the description of any lot in the Catalog is materially or grossly incorrect (e.g., gross cataloging error), or there is any other gross material issue pertaining to the item or lot, the item or lot may be returned if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date with explanation in writing.. If there is any discrepancy between the description in the Catalog and a certificate of auction, then the description in the certificate of auction (“Lot Challenge Process”). This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction within the period of time stated herein or not materially or grossly in deviation from the description. Such a refund is subject to RR Auction’s sole discretionary review, and any request for refund must be made concurrently with returning the physical item or lot to RR Auction. Any item not returned within said frame will constitute acceptance of the item and a waiver and release of any and all claims by Bidder pertaining to the item other than with respect to authenticity; and

(2) Provided that the Bidder has engaged in the Lot Challenge Process, any claim concerning such must be brought no later than one (1) year of the Auction Date for the item or lot at issue and is subject to the other limitations and conditions stated in the Conditions of Sale.

NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED OR PROVIDED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE AND BIDDERS OR AS MAY BE REQUIRED BY LAW. FAILURE TO COMPLY WITH SUCH SHALL BE A COMPLETE DEFENSE TO ANY CLAIMS BY BIDDER RELATED TO THE CONDITIONS OF SALE, ANY AUCTION OR BID.

16.6 LIMITATION OF LIABILITY. For any and all claims by Bidder arising out of or related to this Agreement, Bidder’s viewing, bid, or purchase of items, or any agreement between the Parties, or otherwise, Bidder agrees that to the fullest extent such can be limited under the law, Bidder shall have no right to recover and hereby waives any and all rights to recover from against RR Auction or its affiliates, directors, employees, officers, agents, or contractors, consequential or indirect damages, lost profits damages, punitive, exemplary, statutory (or multiplier damages), physical or emotional distress damages, general or special damages of any kind (beyond amounts actually paid by Bidder for item(s) at issue), and in the event of recovery of any damages whatsoever, such shall be limited by the amounts actually paid by Bidder to RR Auction for the item(s) at issue in such claim, or if no money was paid to RR Auction by Bidder for items at issue, or there items are at issue, the amount of $150.00.

Section 17 RR Auction’s Additional Services For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended

by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items.

Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.

Section 18 Headings Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.

Section 19 Entire Agreement

arbitrator of competent jurisdiction, the remaining parts of the agreement and remainder of the sections or terms and provisions of the section and all sections shall continue in full force and effect without being impaired or invalidated in any way.

Section 20 Governing Law and Enforcement 20.1 The Parties agree that all agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.

20.2 The Parties agree that these Conditions of Sale, any other related agreement(s), along with all claims between the Parties, including those arising out of or related to such are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute between the Parties, including but not limited to those related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the ”Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”) The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA in Boston, Massachusetts, unless the Consumer Arbitration Rules apply, in which case, such rules and venue will govern. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall also recover all of its related fees and costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and costs, if RR Auction prevails, such recovery, in addition to all remedies available at agreement or law, shall include the Buyer’s Premium as defined in these Conditions of Sale. Federal arbitration law, including the Federal Arbitration Act apply to this agreement to arbitrate and its related provisions. The arbitration and all related proceedings shall be held strictly confidential and all documents and discovery shall be held confidential and not used, published or disclosed publically or to anyone outside the Parties or expert consultants or counsel who shall agree to hold such confidential.

20.3 The Parties consent to the Commonwealth of Massachusetts as exclusive jurisdiction and venue for all claims between the Parties except as provided specifically herein and may seek confirmation of the decision in the Arbitration pursuant to the Federal Arbitration Act in any Court of competent jurisdiction, including the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts. To the extent such is necessary under the law, RR Auction may enforce the Arbitration award against Bidder and any related Party in any court of competent jurisdiction. Nothing in this Agreement shall be construed as RR Auction consenting to jurisdiction or venue in any location outside of the Commonwealth of Massachusetts.

Except to the extent Bidder is also a consignor (in which case the terms of the consignment agreement shall also govern), these Conditions of Sale constitute the entire agreement between the Parties together with the terms and conditions contained in the auction Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

THE PARTIES MAY NOT BRING CLAIMS AGAINST EACH OTHER AS A CLASS OR CLASS MEMBER IN ANY CLAIMED CLASS, OR IN A REPRESENTATIVE ACTION UNLESS OTHERWISE AGREED. UNLESS OTHERWISE AGREED, THE CLAIMS AGAINST EACH OF THE OTHER CANNOT BE CONSOLIDATED OR JOINED WITH MORE THAN ONE ADDITIONAL PERSON OR ENTITIES’ CLAIMS. NO INJUNCTIVE OR DECLATORY RELIEF SOUGHT BY BIDDER IF ANY, CAN AFFECT OR BE ORDERED TO AFFECT ANY OTHER BIDDERS OR PERSONS.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court or

20.4 Except as provided specifically in these Conditions of Sale in Bidder’s Remedies against RR Auction (along with its affiliates, direc-

tors, agents, officers, employees, and contractors) for any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other related agreement(s), brought by Bidder must be brought within the earlier of the Auction Date as it pertains to the item(s) at issue or no later than one (1) year of the acts, omissions or circumstances occurred giving rise to the alleged claim, without exception. This provision is intended as a full, complete and absolute bar to and release of any claims by Bidder initiated after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by Bidder. These provisions are consideration for the execution of these Conditions of Sale.

SALE OF AUTOGRAPHED COLLECTIBLES: AS REQUIRED BY LAW, A DEALER WHO SELLS TO A CONSUMER ANY COLLECTIBLE DESCRIBED AS BEING AUTOGRAPHED MUST PROVIDE A WRITTEN EXPRESS WARRANTY AT THE TIME OF SALE. THIS DEALER MAY BE SURETY BONDED OR OTHERWISE INSURED TO ENSURE THE AUTHENTICITY OF ANY AUTOGRAPHED COLLECTIBLE SOLD BY THIS DEALER.

20.5 To the fullest extent under applicable law and except as specifically stated herein Bidder hereby holds harmless, releases and discharges RR Auction and its agents, officer’s directors, affiliates, successors, and assigns from any and all claims, liabilities, obligations, promises, agreements, damages, causes of action, suits, demands, losses, debts, and expenses of any nature whatsoever, known or unknown, suspected or unsuspected existing prior to these Conditions of Sale. Bidder agrees to the Conditions of Sale and upon each instance that Bidder participates in any auction, bids, or otherwise agrees to such terms and reaffirms this release as of the date of so participating or agreeing unless Bidder otherwise provides clear written notice to RR Auction prior to so bidding.

Section 22 Glossary of Condition terms

20.6 The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.

20.7 Liquidated Damages for Specific Breaches In the event that Bidder provides false information in connection with registering for bidding, fails to correct or update information or breaches the Conditions of Sale by failing to pay the purchase price when due after becoming the winning bidder, as liquidated damages associated with such breaches, R&R may obtain from Bidder the greater of (1) 150% the reserve of the item (if any); (2) the amount bidder bid; or (3), the full amount that bidder would have otherwise paid. Bidder will also be liable for an additional 20% of such amount to account for additional administrative costs, shipping, additional advertising, and other damages and liabilities fees that are difficult to calculate on an item-by-item basis.

20.8 Indemnity. Bidder agrees to defend, indemnify, hold harmless RR Auction (along with its officers, directors, agents, contractors, and affiliates) from and against any and all claims, costs, fees, damages, and liabilities arising out of or related to these Conditions of Sale, view of items, or lots, bidding, or participation in any auction by RR Auction, and/or or in any way connected to any item you viewed, bid upon or purchased through RR Auction.

Section 21: State-by-State Law Issues This Auction is being conducted in and the sale shall take place in the State of Massachusetts. Notwithstanding, the foregoing, should these terms and conditions violate the law of any State should that state’s law be found to govern, or any provision herein determined to be invalid, the clause itself and the remainder of the Agreement shall be valid to the fullest extent allowed. Also, to the extent other states law apply to any transaction arising out of the Agreement (without admitting such), RR Auction states:

For Residents of California:

A written express warranty is provided with each autographed collectible, as required by law. This dealer may be surety bonded or otherwise insured to ensure the authenticity of any autographed collectible sold by this dealer.

Information provided to prospective Bidders with respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held

by RR Auction.

Use of the following terms constitutes an opinion as follows: VERY FINE describes an item believed to be in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.

FINE is the most common statement of condition, and applies to most items that we offer. It describes items that we believe to show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.

VERY GOOD describes an item that we believe exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).

GOOD describes an item which we believe to have obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise believed to be exceedingly rare or important.

Bidder may call and request further details and information about RR Auction’s opinions concerning any item via phone or email which shall provided in RR Auction’s discretion.

Certificate of Auction, Certificate of Authenticity and Goods Acquired: Bidder warrants that Bidder (and its agents, assigns, successors, and affiliates) shall not purposely deface, destroy, dismember, cut-up into parts the item or Lot purchased at auction from RR Auction and in the event such shall occur whether purposefully or accidently, Bidder (and its agents, assigns, successors, and affiliates) shall refrain from advertising, promoting, or marketing the item as having been purchased from RR Auction and shall in no event display, expressly claim, or imply that the item was certified or auctioned in such state by RR Auction. As liquidated damages for such breach, Bidder agrees to be liable to RR Auction for the greater of the amount of three (3) times the hammer price of the item along with all other fees and costs as otherwise provided in this Terms of Sale.

Since 1976

Let’s make history—together For over 40 years, relationships have been the backbone of RR Auction.

We have made it a priority to keep our consignors informed and involved, encouraging them to share their voices, to instill their knowledge, and to forge a partnership based on our shared passion for history. With a mutual desire to achieve greatness, these relationships are at the heart of our success.

RR Auction

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Est. 1976

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www.RRAuction.com

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(800) 937-3880

WE ARE CURRENTLY SEEKING CONSIGNMENTS FOR MANY OF OUR EXCITING SALES

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MARVELS OF MODERN MUSIC OLYMPICS SPACE EXPLORATION ANIMATION

www.RRAuction.com

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(603) 732-4280

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Boston, Massachusetts