RR Auction: Marvels of Modern Music

MARVELS OF MODERN MUSIC

RR Auction’s June 2026 Marvels of Modern Music sale is anchored by its highest-value, museum-caliber highlights from rock’s most legendary figures. Leading the auction are Jimi Hendrix’s handwritten working lyrics for “Room Full of Mirrors,” a fully signed Beatles A Hard Day’s Night album—one of fewer than a dozen known—and a massive mixed-media ‘Side Tracks’ artwork by Bob Dylan. Other premier offerings include Elvis Presley documents from the threshold of his superstardom, a George Harrison letter with a guitar design sketch, Eric Clapton’s personally owned 1928 Gibson L-3, and exceptional pieces tied to David Bowie, Bob Dylan, Led Zeppelin, Queen, the Rolling Stones, Bob Marley, Prince, Janis Joplin, Jim Morrison, and the Grateful Dead. Join us as we make history selling music history in June 2026.

Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

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Elizebeth Otto SVP of Consignments & Acquisitions elizebeth.otto@rrauction.com

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Fiona Lenaire Consignor Customer Service Manager fiona.lenaire@rrauction.com

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Matt Klein Filemaker Developer and IT Administrator matt.klein@rrauction.com

Bill White Lead Autograph Appraiser bill.white@rrauction.com

Dan McCarthy Writer, Researcher dan.mccarthy@rrauction.com

Evan Mugford Writer, Researcher evan.mugford@rrauction.com

Sarina Carlo Head of Production sarina.carlo@rrauction.com

Nikki Brickett Photographer nikki.brickett@rrauction.com

Joe Boucher Production Assistant joe.boucher@rrauction.com

Robert S. Eaton Sr. 1940–2001

BEATLES

A

Hard

Day’s Night fully signed by the Beatles—one of fewer than a dozen known to exist

7001. Beatles Signed Album - A Hard Day’s Night - “One of Fewer Than a Dozen Known to Exist”. A Hard Day’s Night album (Parlophone, Mono, PMC 1230) boldly signed on the back cover in blue ballpoint by John Lennon, Paul McCartney, George Harrison, and Ringo Starr. In fine condition, with some minor soiling to the signed side. The record is not included.

Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “These signatures are found on the back cover of an early pressing mono copy of the band’s third album release on the Parlophone Records label, entitled ‘A Hard Day’s Night’ (PMC 1230), which was released in Great Britain on July 10, 1964. All four have autographed the back cover beautifully in blue ballpoint pen in various places on the

back cover, which was the first to feature separate headshots of all four band members. The signatures date from very shortly after the release of the album, and each is an excellent example from the period. ‘A Hard Day’s Night’ is a scarce and desirable title to have autographed by The Beatles, with fewer than a dozen known to exist.”

The Beatles’ third studio album and the first to feature only songs written by John Lennon and Paul McCartney, A Hard Day’s Night serves as the soundtrack to their film of the same name and captures the band at the height of Beatlemania with energetic, jangly guitar-driven tracks. Highlights like ‘A Hard Day’s Night,’ ‘Can’t Buy Me Love,’ and ‘And I Love Her’ showcase their growing sophistication as songwriters. Starting Bid $5000

Coveted complete set of signed Beatles checks, drawn on the accounts of their music publishing companies

7002. Beatles (3) Signed Checks with Lennon, McCartney, Harrison, and Starr - A Sought-After Complete Set, Drawn on their Music Publishing Companies. Amazing set of three business checks signed by the members of the Beatles, all encapsulated by PSA/ DNA. Includes:

- Sought-after Maclen (Music) Ltd. business check, 7.75 x 3.5, filled out in another hand and prominently signed by John Lennon and Paul McCartney as company directors, payable to Pyramid Records Ltd. for £800, November 28, 1975. Encapsulated and graded by PSA/DNA as “MINT 9.”

Maclen Music was the company through which Lennon and McCartney received songwriting royalties for the songs they wrote together during the Beatles’ days. Both were well into their solo careers by this point, with both releasing albums in 1975—McCartney’s Wings came out with their fourth album, Venus and Mars, and Lennon released his sixth, Rock ‘n’ Roll. Post-Beatles material signed by both Lennon and McCartney is extremely scarce.

- Harrisongs Ltd. business check, 7.75 x 3.5, filled out in another hand and signed by George Harrison, payable to Woking Motors Ltd. for £19.24, May 6, 1971. Encapsulated in a PSA/DNA authentication holder. Harrisongs was Harrison’s own music publishing company, founded in 1964.

- Apple Publishing Ltd. business check, 7.75 x 3.5, filled out in another hand and signed by Ringo Starr, “R. Starkey,” payable to Graham Lyle for £9.99, March 5, 1974. Encapsulated and graded by PSA/DNA as “GEM MT 10.” Apple Publishing was founded in 1967 by the four Beatles to serve as a music publisher under their larger Apple Corps umbrella. In overall fine condition. Accompanied by a certificate of authenticity from Tracks for the Lennon/McCartney check. Starting Bid $1000

Historic band-signed first pressings of the Beatles’ second single, the chart-topping ‘Please Please Me,’ obtained at the Cavern Club in early 1963

7003. Beatles (2) Signed Parlophone ‘Please Please Me’ 7-Inch Single Records. Desirable pair of UK Parlophone red label 7-inch vinyl first pressings of the Beatles’ second single, ‘Please Please Me / Ask Me Why’ (45-R 4983), both signed on their respective A-side label in black ink by two members of the Beatles: “John Lennon” and “George Harrison”; and “Paul McCartney, xxx” and “Ringo Starr, xxx.” The consignor notes that the signatures date to early 1963 and were all obtained at the Cavern Club. Includes the original Parlophone record sleeves. In overall fine condition. Accompanied by a certificate of authenticity from Tracks.

Following the success of the single, ‘Please Please Me,’ which topped the NME singles chart upon its release on January 11, 1963, George Martin and the Beatles got to work on the band’s debut full-length album, which was strategically named after their recent hit song. The band recorded Please Please Me in one day at EMI Studios on February 11, 1963, and the album was released a month later on March 22, 1963. Although the record wasn’t released in the United States, Please Please Me earned positive reviews in Great Britain, where it remained in the Top 10 for over a year, a record for a debut album that stood for half a century. Starting Bid $1000

Beatles

autographs obtained at the Irby Village Hall in Heswall, on September 7, 1962, just three weeks after the arrival of drummer Ringo Starr

7004. Beatles Signatures - Obtained at Irby Village Hall, September 7, 1962 - One Month After Ringo Starr’s Arrival. Vintage ballpoint signatures of the Beatles — “George Harrison,” “To Carole, love, Paul McCartney, xxx,” “Ringo Starr, xxx, Drums,” and “Love to Carole, from John Lennon, xx” — on a light green 5 x 4.5 sheet. The consignor notes that the autographs were obtained at Irby Village Hall in Heswall, Wirral, England, on September 7, 1962, less than one month after Ringo Starr had joined the Beatles. In very good to fine condition, with a stain at the top, unobtrusive intersecting folds, and light show-through from unrelated signatures on the back.

Accompanied by a certificate of authenticity from Tracks and by a letter of provenance from the original owner: “My family and I grew up in Irby Village and I attended the Mary Newton Dance School. My mum had agreed to help Mary Newton set up the hall for The Beatles playing there; at the time we had no idea who they were. I went along after school, as my mum was there helping. I was only 13 or 14 at the time. I sat on the side of the stage and watched the Beatles play. I forget which songs they played but I do recall the Beatles complaining that there were only soft drinks and no alcohol. We got to speak with all of the Beatles and the DJ for the event, Derek Jeffries. John Lennon had just picked up a new kitten that day and he brought it on a holdall. He even let me have a hold of it. The autographs were all signed with me present.” Starting Bid $1000

Marvelous, ultra-clean Beatles photograph signed at their 1963 Stockholm ‘Drop In’ show

7005. Beatles Signed Photograph - Autographed at Their 1963 Stockholm ‘Drop In’ Show. Vintage glossy 6 x 7.75 Starpics promotional photo of the Beatles wearing matching suits and posing with their instruments, signed on the reverse in blue ballpoint, “Paul McCartney, xxx,” and in blue fountain pen, “Ringo Starr, xxx,” “John Lennon, xxx,” and “George Harrison, xxx.” In fine condition, with a very light bend across the bottom. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “This photo was signed by The Beatles on October 30, 1963, while they were

in Stockholm, Sweden performing a segment which was filmed for a popular television show there called ‘Drop In.’” Months before Beatlemania swept across the United States with the band’s legendary performance on the Ed Sullivan Show, the Fab Four traveled to Sweden for a five-concert tour that showcased an edgier side of the Beatles, injecting standard rhythm and blues with a frenetic punk pace and attitude. Their television appearance on Drop In and subsequent seven-song set at Stockholm’s Karlaplansstudion secured their status among Swedish audiences. Starting Bid $1000

“Very best wishes, The Beatles”—official Fan Club promo card signed by all four members— John, Paul, George, and Ringo—depicting

Dezo Hoffmann’s iconic portrait of the group in their collarless suits, circa late 1963

7006. Beatles Signed Fan Club Promo Card (Late 1963). Classic vintage circa 1963 official Beatles Fan Club promo card, 5.5 x 4.25, depicting Dezo Hoffmann’s image of the group seated in their collarless suits, desirably signed on the front in blue ballpoint by George Harrison, John Lennon, Ringo Starr, and Paul McCartney, who adds, “Very best wishes, The Beatles.” Professionally matted and framed with a reproduction of the card’s reverse to an overall size of 14.5 x 19.5; window to frame backing reveals the card’s reverse. In fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, who states that the signatures date to late 1963. This classic shot is one of the most desirable images to have been autographed by The Beatles, with these highly coveted Fan Club cards having become quite scarce. Starting Bid $1000

Sought-after signatures from the birth of

‘Beatlemania’—a historic TV showcase on Sunday Night at the London Palladium

7007. Beatles Signatures (October 13, 1963) - Dating to Their ‘Beatlemania’ TV Concert on Sunday Night at the London Palladium. Magnificent set of vintage ballpoint signatures of the Beatles — “John Lennon,” “George Harrison,” “Paul McCartney,” and “Ringo Starr”— on an off-white 9 x 7 sheet, which were obtained on October 13, 1963, when the band famously performed on Val Parnell’s popular variety show Sunday Night at the London Palladium. The Beatles performed ‘From Me to You,’ ‘I’ll Get You,’ ‘She Loves You,’ and ‘Twist and Shout’ in front of a TV audience of 15 million viewers. To the delight of press photographers, dozens of fans blocked the street outside, a situation that made for front-page-ready pictures and stories for the next morning’s paper. The Daily Mirror described the mass hysteria in a single word that would soon be adopted into the worldwide cultural lexicon—Beatlemania. In very good to fine condition, with light creasing, intersecting folds, and a small tape stain on the back, showing through behind Lennon’s signature. Starting Bid $500

Super early 1962 Cavern Club promo card signed by Lennon, McCartney, Harrison, and Best

7008. Beatles Signed Promo Card from Their ‘Going-Away’ Cavern Club Show (April 5, 1962). Extremely rare, early vintage glossy 5.75 x 4 promo card from the Beatles’ Cavern Club ‘going away’ performance on April 5, 1962, signed on the reverse in ballpoint, “Love from, John Lennon, xxxx,” “Love from Paul McCartney, xxx,” “Love from George Harrison, xxxxxx,” and “Love from, Pete Best, xxx.” The front features a portrait of the band (with Pete Best as drummer) taken by Albert Marion on December 17, 1961, during the band’s first professional photo shoot organized by Brian Epstein. The reverse is imprinted: “With Best Wishes from Paul, Pete, John, George, The Beatles, April 5th 1962.” Professionally matted and framed with a reproduction image of the front to an overall size of 13.5 x 17.75; window to frame backing reveals the front of the card. In fine condition, with a bit of light soiling. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, who notes that this uninscribed example is quite rare, “To date, most of these cards which have surfaced have been inscribed by one or more members.”

The April 5th show was organized by The Beatles Fan Club and dubbed ‘the Beatles for their fans,’ as a special ‘going away’ show before they traveled to Hamburg. The group played the first part of the special show in their black leather outfits, then changed into their new Beno Dorn suits and ties for the second part. Rare and highly sought even in unsigned examples, this is an absolutely remarkable, ultra-early Beatles promo card. Starting Bid $1000

The Beatles sign while filming their first movie, A Hard Day’s Night, obtained by Ringo Starr’s stand-in in March/April 1964

7012. Beatles Signatures - Obtained on the Set of A Hard Day’s Night by Ringo Starr’s Stand-In (March/April 1964). Vintage autograph book, 6.25 x 4.25, signed and inscribed inside in ballpoint by the Beatles on four separate pages: “To Loraine, love, John Lennon,” “To Loraine, Love from, Ringo Starr, xx,” “To Lorraine, love Paul McCartney (Beatles, xx),” and “To Loraine love from, George Harrison, xxx,” who signs on the front pastedown; each signed page area bears an affixed image of the respective Beatle. The consignor notes that the signatures were obtained on the set of A Hard Day’s Night in London, in either March or April 1964. The book is also signed by Wilfred Brambell, who played McCartney’s grandfather in the film. In very good to fine condition, with old tape stains at the corners of the small affixed photos. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient: “My name is Lorraine. Growing up in London, my neighbour was a lad called Eddy Dillon, who was a stand-in for Ringo Starr in ‘A Hard Day’s Night.’ He took my autograph book to the film set and got the autographs of the Beatles.” Starting Bid $1000

Exceedingly rare original poster for the Beatles at Leyton Super Baths in April 1963, amidst their meteoric rise to fame

7009. Beatles Exceedingly Rare 1963 Leyton Super Baths Concert Poster. Exceedingly rare original first printing color 15 x 20 concert poster for the Beatles at Leyton Super Baths on April 8, 1963, with the band’s name printed in remarkable bright red day-glo ink within a black box. The poster reads: “Leyton Super Baths, Leyton, E.10, Monday, 8th April, The Fabulous Beatles, Bus Routes: 35, 38, 38A, 69, 249, 257, 234, 70, 170, 26, Nearest Underground Leyton (Central).” In fine condition, with light creasing and flattened intersecting folds.

This incredibly rare poster comes from the personal collection of Norman Jago, who assisted in creating and distributing it in 1963 to advertise the Beatles’ first and only show at Leyton Super Baths; this is his only remaining example, in an exceptionally well-preserved state. We find no record of another ever being offered at auction.

By the spring of 1963, the Beatles were skyrocketing to fame across the United Kingdom. Their debut album, Please Please Me, had just hit the airwaves—soaring up the charts and transforming them from local favorites into national sensations. Though a major tour with Roy Orbison was already being planned, manager Brian Epstein held firm that the band honor their dance hall bookings. One such date, at Leyton Super Baths on April 8, 1963, drew a packed and electric crowd eager to witness Britain’s hottest new act in person. The raw excitement that night crackled with the first sparks of Beatlemania—an unstoppable cultural wave that was just beginning to roll. Starting Bid $1000

“The One and Only BEATLES”— rare, original poster promoting a Beatles concert at the

Town Hall Ballroom in Abergavenny, Wales, on June 22, 1963

7010. Beatles Original 1963

Abergavenny Town Hall Concert Poster (20˝ x 30˝). Rare original 20 x 30 promotional poster for the Town Hall Ballroom in Abergavenny, Wales, which highlights an upcoming concert by “The One and Only BEATLES” on June 22, 1963. Rolled and in very good to fine condition, with tack holes to the corners, and a couple of old clear tape repairs to the back of the somewhat fragile intersecting folds. Accompanied by a certificate of authenticity from Tracks.

Shortly after their UK tour with Roy Orbison, the Beatles performed at the Town Hall in Abergavenny, Wales, on June 22, 1963, taking the stage later than usual due to John Lennon’s appearance on the BBC’s Juke Box Jury. Filming for the show ended at 9:15 pm, after which Lennon was flown by helicopter from Battersea to Abergavenny, landing at Penypound football ground at 9:50 pm and driven straight to the venue, while the rest of the band had arrived earlier and attended a civic reception hosted by the town’s mayor.

Booked by promoter Eddie Tattersall for £250, the concert began at 10:30 pm before an audience of just 600 fans. After the show, the band signed autographs sold for three pence each in aid of the Freedom From Hunger Campaign. Starting Bid $1000

Rare early Beatles demo pressing of Love

Me Do’—the first official pressing featuring John, Paul, George, and Ringo on the same single

7011. Beatles 45 RPM ‘Demonstration Record’ Single for ‘Love Me Do / P.S. I Love You,’ with ‘McArtney’ Misspelling. Extremely rare Parlophone ‘A-label’ 45 RPM demonstration single of ‘Love Me Do’ / ‘P.S. I Love You’ by the Beatles, with “McArtney” misspelling and catalogue number “45–R 4949.” This unique demo was the first official pressing featuring John, Paul, George, and Ringo on the same single (pressed in September 1962), and only 250 copies of the disc were produced and sent to radio stations for promotion. Record label matrix numbers on side A (7XCE 17144 1N) and B (7XCE 17145 1N), with stamped tax codes of “ZT” and “JR.” Includes the original ‘Top Pop’ sleeve. In very good to fine condition, with creasing and a small tear to the sleeve. Accompanied by a certificate of authenticity from Tracks.

Perhaps most interesting about this single is the rarity of the music itself—only the first UK pressings used the ‘Love Me Do’ track recorded in the studio with Ringo Starr as the drummer. Dissatisfied with Ringo’s work, producer George Martin hired Andy White as a session drummer and had them record a second version. All future British pressings of the single, the American release, and their Please Please Me debut album used the track featuring White on the drums; the version of the song on this 45 has only been sporadically re-released on compilation albums of rare or unusual Beatles recordings. In fine condition, with light creasing to the sleeve. Starting Bid $1000

Vintage 1963 PYX magazine signed by John, Paul, and Ringo at a Channel Islands concert at the dawn of Beatlemania

7034. Beatles Signed 1963 PYX Magazine - Signed by Lennon, McCartney, and Starr at a Channel Islands Concert. Rare vintage UK ‘The Beatles’ magazine from 1963, published by PYX, 7.25 x 9.5, 28 pages, featuring a classic color Dezo Hoffman photograph of the band in their matching gray collarless suits on the cover, which is signed above their respective likenesses in ballpoint by Paul McCartney, John Lennon, and Ringo Starr. In fine condition. Accompanied by letters of authenticity from noted Beatles experts Frank Caiazzo and Perry Cox, and a letter of provenance from the sister of the original recipient, who states that the autographs were obtained by her brother in 1963 at a Beatles performance in the Channel Islands. The Beatles played five concerts in the Channel Islands in August 1963 at the height of early Beatlemania: four nights at the Springfield Ballroom in Jersey (August 6, 7, 9, and 10) and one appearance at Candie Gardens in Guernsey (August 8th). A sought-after publication dating to this pivotal early phase of Beatlemania, signed by three Beatles just prior to their international breakthrough. Starting Bid $1000

Ink signatures of Lennon, Harrison, and McCartney, dated to the start of their 10-day conference on Transcendental Meditation in Wales, and two days before the tragic death of manager Brian Epstein

7013. Beatles: John Lennon, Paul McCartney, and George Harrison Signed Postcard - Two Days Before the Death of Brian Epstein. Vintage ballpoint signatures, “Paul McCartney,” “John Lennon,” and “George Harrison,” on the reverse of a color 3.5 x 5.5 Bamforth & Co. postcard. Includes a color glossy 3.5 x 5 snapshot photo of Lennon posing with the recipient, Rod Griffin, and two others moments after he signed the postcard, which occurred on August 25, 1967, when the Beatles travelled from London to Bangor, Wales—along with Cynthia Lennon, Pattie Harrison, her sister Jenny, Alexis Mardas, Mick Jagger, and Marianne Faithfull—to attend the Maharishi Mahesh Yogi’s 10-day conference on Transcendental Meditation. The event was also attended by Griffin, who met the three Beatles upon their arrival. In very good to fine condition, with two punch holes, overall creasing, and a scuff to the letter of Lennon’s signature. Accompanied by certificates of authenticity from Tracks and Fab Four Memorabilia Ltd., and by three printed photos of the Beatles arriving at the conference, each of which features an arrow pointing out Griffin.

On August 25, 1967, the Beatles traveled from London to Bangor, Wales, to attend Maharishi Mahesh Yogi’s 10-day Transcendental Meditation course. Worn down by years of

relentless work and searching for direction after ending live performances in 1966, the band turned to Transcendental Meditation in hopes of finding renewed purpose, balance, and spiritual focus.

The retreat abruptly ended on August 27, when the Beatles received the shocking news that their manager, Brian Epstein, had died in London at the age of 32. Shaken by the sudden loss of the man who had guided their career from obscurity to global fame, the band immediately returned home. Lennon spoke candidly to the press on the band’s grief and Epstein’s importance, but in later interviews, he shared a more practical assessment on the loss of their manager: ‘I knew that we were in trouble then. I didn’t really have any misconceptions about our ability to do anything other than play music, and I was scared. I thought, ‘We’ve fucking had it.’’

In so many words, Lennon made it clear that Epstein served as the brains and organizing force behind the band’s success. Without him, they would struggle with the administrative and business aspects of their career, a sentiment that many fans and historians agree ultimately contributed to the band’s breakup. Starting Bid $300

7014. Beatles Photograph Signed by John Lennon, George Harrison, and Ringo Starr. Attractive 8.5 x 11.25 book photo of the Beatles posing outdoors, signed in ballpoint, “John Lennon,” and in felt tip “George Harrison” and “Ringo Starr.” In fine condition, with a bit of trivial soiling to the borders. Accompanied by a full letter of authenticity from REAL. An uncommon combination of signatures, missing only McCartney to complete the set. Starting Bid $1000

‘John & Yoko Calendar’ issued with Live Peace in Toronto 1969, signed by John Lennon and Yoko Ono, with the former adding two original sketches

7015. John Lennon and Yoko Ono Signed 1970 ‘John & Yoko Calendar’ with (2) Original Sketches by Lennon. Original “John & Yoko Calendar” for 1970, issued with the Plastic Ono Band album Live Peace in Toronto 1969, 10.25 x 10.5, signed and inscribed on the front in felt tip, “To Dixie with love from John Lennon” and “Yoko Ono Lennon,” with John adding two wonderful caricature sketches of himself and his wife. In very good to fine condition, with light handling wear, and wrinkling to the top edge. Accompanied by a certificate of authenticity from Tracks, and a UK vinyl pressing of Live Peace in Toronto 1969 (record included). Starting Bid $1000

Twice-signed Lennon agreement with EMI Records for the 1969 avant-garde Wedding Album, released with Yoko Ono

7016. John Lennon TwiceSigned Contract with EMI Records for the 1969 Lennon-Ono Release, ‘Wedding Album’. Twice-signed DS, one page, 8 x 10, November 7, 1969. Agreement between EMI Records, Lennon, and Apple Corps authorizing Lennon—despite his existing 1967 contractual obligations—to record for Apple a 12˝ LP with Yoko Ono entitled “Wedding Album,” with EMI to manufacture and distribute the release. Signed twice in black felt tip by Lennon, as both artist and Apple Director, and also signed by EMI managing director Ken East. Two additional pages are stapled to the front of the document, one being the original document sent to Lennon for his signature, as well as a cover letter, dated November 10, 1969, addressed to Peter Howard simply stating, “Herewith formal letter dealing with the ‘Wedding Album.’” In fine condition. Accompanied by a certificate of authenticity from Tracks, and full letters of authenticity from JSA and REAL.

Released in 1969, Wedding Album commemorates John Lennon and Yoko Ono’s March 20 marriage, at which time he adopted the name John Ono Lennon. The experimental LP consists of two tracks: ‘John & Yoko,’ featuring the pair calling out each other’s names over the sound of their heartbeats, and ‘Amsterdam,’ a collage of interviews, conversations, and audio from their ‘Bed-In’ honeymoon.

Created as Lennon’s artistic focus moved beyond the Beatles during their final year, the album forms part of a trio of avantgarde collaborations with Ono—Unfinished Music No. 1: Two Virgins and Unfinished Music No. 2: Life with the Lions—that document this transitional moment in his career. A unique artifact from a pivotal period in Beatles history, signed not once but twice by Lennon. Starting Bid $1000

John Lennon lends a ‘Helping Hand’ for three days at a Philadelphia radio marathon fundraiser for multiple sclerosis

7017. Beatles: John Lennon Signature with (19) Candid Photographs from the 1975 WFIL Helping Hand Marathon. Vintage 1975 ballpoint signature and inscription, “To Jim, John Lennon,” on an off-white 4.75 x 4 sheet, which is lightly affixed to a slightly larger card. Included with the signature is a period spiral-bound photo album, which contains 19 color semi-glossy 5 x 3.5 candid photographs from the WFIL Helping Hand Marathon, with eight photos picturing Lennon at the event. In very good to fine condition, with light

creasing, and old mounting residue on the back. From May 16 to 18, 1975, the Philadelphia rock station WFIL and the advocacy organization PARC cosponsored the Helping Hand Marathon, a weekend fundraiser to raise money for multiple sclerosis. Lennon spent the entire three days answering phones, taking pledges, and signing autographs for fans; he even stayed long enough to do the weather report for WPVITV. Starting Bid $500

John Lennon and Yoko Ono approve address change forms at New York’s Bowery Savings Bank

shortly after Lennon’s 1976 green card resolution

7018. John Lennon and Yoko Ono Signed New York Bank Documents (1976) - Approving Address Changes for Their Financial Managers. Two partly-printed DSs, individually signed “John Lennon” and “Yoko Ono Lennon,” both one page, 7.5 x 3.5, October 1, 1976. A pair of bank address change authorization slips from the Bowery Savings Bank of New York City, annotated by a banker to change their account address from “Weissbarth, Altman & Miller, 919 Third Avenue, New York, New York 10022,” to “c/o Oppenheim, Appel, Dixon & Co., One New York Plaza, New York, New York 10004,” reflecting a transition in financial management for husband and wife. Both forms are signed at the conclusion in black felt tip by the respective account holders, John Lennon and Yoko Ono, authorizing the update. In overall very fine condition. Dated just months after Lennon secured his U.S. green card on July 27 of that year, these forms reflect a moment of newly settled residency and an update to the power couple’s financial arrangements in New York City.

The consignor notes that the handwriting on the forms is that of his father, a longtime Bowery Savings Bank employee who personally handled the transaction. He served at the bank for approximately 36 years, rising from teller to senior vice president. Following his passing in August, these documents were discovered among his personal belongings. Starting Bid $500

7019. John Lennon Signed BookThe Penguin. Signed book: The Penguin. Later printing. England: Penguin Books, 1965. Softcover, 5 x 7.75, 155 pages. Signed and inscribed on the page adjacent to the title page in felt tip, “To Gerry with a G. Love, John Lennon, 71,” who draws a speech bubble around the inscription to suggest that the words are coming from a printed drawing of a man holding several birds. Autographic condition: fine, with partial separation to the bottom of the page. Book condition: VG/None, with some sunning to the wrappers. Accompanied by a certificate of authenticity from Tracks. Starting Bid $500

7022. John Lennon Signed Photograph - From the Collection of ‘Apple Scruff’ Lizzie Bravo. Vintage glossy 4.5 x 3.5 deckle-edge candid close-up photo of John Lennon, signed in black ballpoint, “John.” In very good to fine condition, with silvering to the dark areas, circular discoloration at the corners, and poor signature contrast. Accompanied by a certificate of authenticity from Tracks, stating that the autograph “was obtained by the Brazilian Beatles fan Lizzie Bravo during her stay in London in the sixties. Lizzie arrived in London in February 1967 with a burning desire to meet The Beatles. She met and photographed John, Paul, George and Ringo on numerous occasions over the period 1967-1969 and built up a friendly relationship with the group and with John in particular. Lizzie, along with her friend Gayleen, was asked by Paul McCartney to sing backing vocals on The Beatles track ‘Across The Universe.’” Also includes a provenance statement from Lizzie’s daughter, Marya Bravo. Starting Bid $300

7020. John Lennon Archival Print by Brian Hamill (Ltd. Ed. #1/25) - 30.5˝ x 23˝. Limited edition semi-glossy 30.5 x 23 museum-quality archival pigment print of John Lennon, numbered 1/25, depicting Lennon seated on the roof of his New York City apartment building, the Dakota, on February 25, 1975. The Beatles legend is pictured wearing a beret, a coat, a cross necklace, and a large diamante ‘Elvis’ pin, a tribute to his musical idol. The image was originally taken by photographer Brian Hamill, who has signed the lower border in black ink. In very fine condition. Starting Bid $200

7021. John Lennon Archival Print by Brian Hamill (Ltd. Ed. #1/25) - 30.5˝ x 23˝. Limited edition semi-glossy 30.5 x 23 museum-quality archival pigment print of John Lennon, numbered 1/25, depicting Lennon in a full-figure pose standing on the roof of his New York City apartment building, the Dakota, on February 25, 1975. The Beatles legend is pictured with crossed legs, wearing a beret, a coat, and a large diamante ‘Elvis’ pin, a tribute to his musical idol. The image was originally taken by photographer Brian Hamill, who has signed the lower border in black ink. In very fine condition. Starting Bid $200

7023. John Lennon Oversized Photograph by Annie Leibovitz - Rolling Stone Magazine Portrait Cover. Semi-glossy 11.5 x 15 silver gelatin photograph of John Lennon by Annie Leibovitz, taken during a photo shoot for Rolling Stone magazine, which took place on West 61st Street in New York City on December 4, 1970. The image, which depicts Lennon wearing a denim shirt and overalls and looking at the camera, was published on the front cover of Rolling Stone magazine on January 21, 1971. The reverse bears a printed photo credit with title, “John Lennon, New York City, 1970,” above a Leibovitz copyright stamp marked in pencil, “Print, 8 Feb 76.” In fine condition. Starting Bid $200

McCartney Productions check signed by Paul in July 1970, roughly three months after he released his self-titled debut solo album and announced his departure from the Beatles

7024. Paul McCartney Signed ‘McCartney Productions Ltd.’ Business Check - Three Months After Announcing His Beatles Departure. McCartney Productions Ltd. business check (Westminster Bank Limited, Wood Green Branch), 6 x 3, filled out in another hand and signed in felt tip by Paul McCartney, payable to the Rye Castle Fund for £145, July 3, 1970. In very fine condition. Encapsulated in a PSA/DNA authentication holder.

This check dates to roughly three months after McCartney publicly announced his departure from the Beatles in a press release accompanying his first solo album on April 10, 1970—the date most often cited as the band’s official breakup. This separation is further evidenced by the use of McCartney’s personal business check, rather than the more commonly encountered Apple or Maclen Music checks. Starting Bid $1000

7025. Paul and Linda McCartney Signed Book - Linda’s Pictures: A Collection of Photographs. Signed book: Linda’s Pictures: A Collection of Photographs by Linda McCartney. First American edition. London: Alfred A. Knopf, 1976. Hardcover with dust jacket, 10 x 13, 148 pages. Signed and inscribed in ink on the half-title page, “To Sue, Thanx our kid, love Paul McCartney (Broad St. ‘83)” and “To Sue & hubby, Love, Linda McCartney, 1983.” In fine condition, with light wear to the dust jacket. Accompanied by a certificate of authenticity from Tracks.

From the collection of make-up artist Sue Black, who worked with McCartney on Give My Regards to Broad Street. Starting Bid $300

7026. Paul McCartney Signed 1984 British Airways Program - Days Before His Marijuana Arrest in Barbados. Vintage British Airways ‘In-flight Entertainment Programme,’ 5.75 x 8.25, picturing Paul McCartney on the front cover, imagery taken during the photoshoot for his 1983 album, Pipes Of Peace, signed next to his likeness in ballpoint, “All the best! Paul McCartney.” The consignor notes that the autograph was obtained by a stewardess in January 1984 when McCartney was travelling to Barbados, the same trip when he was arrested for marijuana possession. Included with the program is McCartney’s original British Airways boarding pass, which lists him under the alias “Mr. Norman.” In fine condition, with light handling wear.

Accompanied by a certificate of authenticity from Tracks and a letter from the original recipient: “In 1981 [sic] I was a stewardess on a British Airways flight to Barbados. I had Paul McCartney on my flight who very kindly signed his autograph for me. I was also lucky as the inflight entertainment programme had his picture on the front. I also kept his boarding card as he always travelled under the name Mr. Norman.”

During a Barbados holiday in January 1984, local police raided the McCartneys’ rented home after receiving a tip, and Paul and Linda McCartney were arrested for possession of small amounts of cannabis. The repercussions were relatively minor but highly publicized: both pleaded guilty in court and were fined $100 each, avoiding jail time. Speaking upon his return to Heathrow, McCartney reflected without rancor: ‘I’ve got absolutely no grudges…It was a small amount of cannabis and I intended to use it, but the police came to my place and I gave them 10 grams of cannabis. Linda had another small carton of cannabis in her handbag.’ Starting Bid $200

7027. Paul McCartney

Signed Album - A Hard Day’s Night. A Hard Day’s Night album by the Beatles, signed on the back cover in ballpoint by Paul McCartney. In very good to fine condition, with scattered toning and fair contrast to the signature. The record is not included. Accompanied by a full letter of authenticity from Beckett Authentication Services. Starting Bid $200

Harrison writes to his friend, the esteemed luthier Tony Zemaitis,

adding a detailed sketch of an ‘Om Tat Sat’ design for his guitar

7028. George Harrison

Autograph Letter Signed to Luthier Tony Zemaitis with Detailed Guitar ‘Om Tat Sat’ Sketch. ALS signed “George,” one page, 8.25 x 11.5, Friar Park letterhead with an affixed ‘OM’ symbol, September 2, 1998. Handwritten letter to world-renowned luthier Tony Zemaitis, in full: “This type of thing – accept nicer! Script OM = [symbol] TAT SAT. Thanks a lot for remembering me – love to Ann – see you later.” Below the letter, Harrison has added a detailed sketch of the lower body of a guitar, drawing a bridge marked “Zemaitis,” above a decorative motif featuring the sacred Sanskrit mantra ‘Om Tat Sat’ and vine work with a central sun design, which Harrison has annotated, “Sun? Possibly?” Harrison appears to have added two control knobs to the right, indicating an electric model. In fine condition. Accompanied by a certificate of authenticity from Tracks.

The recipient, Tony Zemaitis, was a world-famous luthier and friend of many of the most famous guitarists in the world. In addition to Harrison, he made guitars for artists such as Jimi Hendrix, Eric Clapton, Keith Richards, Paul McCartney, Mary Hopkin, Marc Bolan, Donovan, Bob Dylan, David Gilmour, Peter Frampton, Ronnie Wood, and Ronnie Lane. Starting Bid $500

7029. George Harrison (2) Apple Corps Ltd. Test Pressings for Electronic Sound - From the Claude Harper Collection. Two Apple Corps Ltd. 12-inch one-sided test pressings for George Harrison’s 1969 twotrack album, Electronic Sound, containing the songs ‘Under the Mersey Wall’ and ‘No Time or Space.’ Both records feature the white-and-green “Custom Recording” label with typed captions: “Zapple 02, Electronic Sound, Side 1, Under the Mersey Wall, George Harrison” and “Zapple 02, Electronic Sound, Side 2, No Time or Space, George Harrison.” Includes an original white paper sleeve dated April 3, 1969. In fine condition. Accompanied by a certificate of authenticity from Tracks.

Electronic Sound, George Harrison’s second solo album, was released in May 1969 as one of two LPs on the Beatles’ shortlived avant-garde Zapple label, a subsidiary of Apple Records. Comprised of two extended Moog synthesizer pieces, it stands among the earliest electronic works by a rock musician, preceding Harrison’s introduction of the instrument into the Beatles’ sound on Abbey Road later that year. From the collection of former EMI Studios and Apple Studios engineer Claude Harper. Starting Bid $200

7030. George Harrison Signed CD Inlay for the Single ‘This Is Love’. CD single inlay for George Harrison’s 1988 release ‘This Is Love,’ the third single from his Cloud Nine album, signed and inscribed in felt tip, “To Angela, George Harrison.” In fine condition, with faint yellow haloing to the ink. The CD is not included. Accompanied by a certificate of authenticity from Tracks. ‘This Is Love’ was co-written by Harrison and Jeff Lynne, whose production partnership on Cloud Nine marked Harrison’s commercial and critical comeback after years of relative quiet — the album reached No. 10 in the UK and No. 8 in the US, his strongest chart performance in over a decade. Starting Bid $200

7031. Beatles Original EMI Acetate Single for ‘Blue Jay Way’. Rare 7˝ EMI acetate pressing of the Beatles song ‘Blue Jay Way,’ which was recorded at EMI studios on Abbey Road in London on September 6th and 7th, and October 6, 1967, and was released on December 8, 1967, as a track on the band’s Magical Mystery Tour EP. The acetate disc bears an Emidisc label with typed notations: “Blue Jay Way, The Beatles, 45, MWS.” In fine condition. Accompanied by a certificate of authenticity from Tracks.

Written by George Harrison, ‘Blue Jay Way’ was named after a street in the Hollywood Hills of Los Angeles, where Harrison stayed in August 1967, shortly before visiting the Haight-Ashbury district of San Francisco. The lyrics document Harrison’s wait for music publicist Derek Taylor to find his way to Blue Jay Way through the fog-ridden hills, while Harrison struggled to stay awake after the flight from London to Los Angeles. Starting Bid $300

7032. Beatles Original Acetate for ‘Ticket to Ride’. Rare 7-inch acetate for the classic 1965 Beatles song ‘Ticket to Ride,’ which was written by John Lennon and Paul McCartney and recorded at the EMI Recording Studio in London on February 15, 1965. The record retains its original Dick James Music Limited ‘Demo Disc’ label, which bears typed captions: “Ticket to Ride, The Beatles.” In fine condition. Accompanied by a certificate of authenticity from Tracks.

Issued as a single in April 1965, ‘Ticket to Ride’ became the Beatles’ seventh consecutive number 1 hit in the United Kingdom and their third consecutive number 1 hit (and eighth in total) in the United States. The song was included on their 1965 album Help! and is featured in the scene where the Beatles are attempting to ski and avoiding a team of cult assassins determined to murder Ringo Starr. Starting Bid $200

7033. Beatles ‘Third State’ Butcher Cover Album - Yesterday and Today (Stereo). The Beatles Yesterday and Today stereo ‘third state’ butcher cover (Capitol Records, ST 2553), its previously affixed ‘trunk’ cover pasteover peeled from the album jacket to reveal the ‘butcher’ cover underneath. In very good condition, with light scuffing, staining, old tape stains, and an ink inscription to the back cover, restored splitting to the bottom edges, and some minor adhesive residue to the surface. The record is included.

Within days of releasing this miscellany of previous hits, Capitol recalled all copies in response to retailers’ negative reactions to the original macabre cover image. The recalled copies were ‘retrofitted’ with a new pictorial flat, pasted over the first, featuring an innocuous image of the boys posed around a steamer trunk; these have frequently been peeled away by collectors to reveal the infamous butcher image below. Starting Bid $200

7035. Beatles (4) Photographs by Richard Avedon –Individual Portraits from the ‘Mount Rushmore’ Poster.

Beautiful set of four glossy 8.5 x 10.5 silver gelatin photographs of the Beatles by Richard Avedon, which were taken at a London photographic studio in Thompson House at 200 Gray’s Inn Road on August 11, 1967. The black-and-white portraits, which individually depict band members John Lennon, Paul McCartney, George Harrison, and Ringo Starr, were later arranged into a horizontal collage, known colloquially as the ‘Mount Rushmore’ portrait, and published as a poster in the January 9, 1968, edition of Look Magazine in the U.S. That same issue also featured Avedon’s more iconic psychedelic portraits of the Beatles. The reverse of each bears Avedon’s photography stamp, subject titles in pencil, and notations dating the prints to May 1987. In overall very fine condition.

In 1967, Beatles manager Brian Epstein commissioned fashion and portrait photographer Richard Avedon to photograph the band and create a series of images reflecting their emerging psychedelic aesthetic. During the August 11, 1967, session, Avedon produced multiple portraits of each member; four were later transformed into his well-known psychedelic works, overlaid with solarization, Day-Glo colors, and symbolic motifs, and titled ‘Flame Bright John,’ ‘Flower Power Paul,’ ‘Mystic George,’ and ‘Dove Loving Ringo.’ The present set represents the original black-and-white portraits from that same sitting, prior to their later artistic alteration. Starting Bid $300

Ticket stub for the Beatles’ controversial Royal Variety Performance of November 4, 1963, the night Lennon’s ‘rattle your jewelry’ quip became part of rock and roll legend

7036. Beatles 1963 Royal Variety Performance Concert Ticket Stub. Rare orange large-format 6.25 x 5.5 ticket stub for the infamous appearance of the Beatles at the Prince of Wales Theatre in London on November 4, 1963, for a royal variety performance before Queen Elizabeth and the Queen Mother. The ticket is issued for “Stalls” and stamped as “T7.” In fine condition, with a very faint, unobtrusive horizontal crease. Accompanied by a certificate of authenticity from Tracks.

The band’s selection as part of the Royal Variety Performance did much to propel Beatlemania across the whole of England. The group performed four songs — ‘From Me To You,’ ‘She Loves You,’ ‘Till There Was You,’ and ‘Twist and Shout’ — and when ITV broadcast the show a week later on November 10th, an estimated 21 million people tuned in. This was also the event where John Lennon took a jab at the Crown with his famous bit of stage banter: ‘For our last number I’d like to ask your help. The people in the cheaper seats clap your hands. And the rest of you, if you’d just rattle your jewelry.’ A superb piece from one of the earliest Beatles controversies. Starting Bid $300

7037. Beatles Photographic Print by Terry O’Neill (18˝ x 13˝) - First Major Group Photo with Ringo. Superb semi-glossy 18 x 13 archival print of the Beatles—John Lennon, Paul McCartney, George Harrison, and Ringo Starr—behind Abbey Road Studios, taken by Terry O’Neill in 1963. George and John are shown with their guitars, as Paul and Ringo pose behind them. Titled on the reverse in print, “The Beatles, London 1963, By: Terry O’Neill,” and bears O’Neill’s copyright stamp. In fine condition, with light creasing to the lower edge. Terry O’Neill (1938–2019) was a British photographer renowned for capturing iconic images of celebrities, musicians, and public figures from the 1960s onwards, often stylishly portraying them in candid and unconventional settings. Starting Bid $200

7038. Beatles Help! 1965 ‘Royal World Premiere’ Movie Ticket Stub. Large-format movie ticket stub for the royal world premiere of the Beatles’ 1965 film Help!, which was held at the London Pavilion in Piccadilly Circus on July 29, 1965, at 8:30 p.m., measuring 5.5 x 4.75, issued for “Stalls Row S, Seat No. 11,” for a price of “5 gns,” and noting the special attendance of Princess Margaret, Countess of Snowdon, and the Earl of Snowdon. In fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

7039. Beatles Original 1963 Royal Performance Program. Scarce original program for the infamous appearance of the Beatles at the Prince of Wales Theatre in London on November 4, 1963, for a royal variety performance before Queen Elizabeth, the Queen Mother, 8.25 x 11.75, 52 pages, with the band listed as the seventh act in the program. The program also contains attractive images of Queen Elizabeth II and The Queen Mother, as well as pictures of the other acts and musicians. In fine condition, with some light stains to the front cover. Accompanied by a certificate of authenticity from Tracks. This was the event where John Lennon took a jab at the Crown with his famous bit of stage banter: ‘For our last number, I’d like to ask your help. The people in the cheaper seats clap your hands. And the rest of you, if you’d just rattle your jewelry.’ Starting Bid $200

Original tapes of Bob Dylan’s unpublished 1965 Playboy interview—a candid, electric-era conversation on folk-rock, protest songs, fame, and artistic influence BOB DYLAN

7088. Bob Dylan Original Reel-to-Reel Audio Tapes of an Unpublished 1965 Playboy Interview with Nat Hentoff. Set of four original reel-to-reel audio tapes (¼˝) of historian, music critic, and free speech activist Nat Hentoff’s unpublished interview with Bob Dylan, conducted for Playboy in New York City in October–November 1965, totaling about two hours of content. Dylan exercised veto power over the interview and ultimately refused to allow it to be published; the version that ultimately appeared in the March 1966 issue of Playboy is an entirely different interview, famed for its humor and stream of consciousness style, fabricated for publication by Dylan and Hentoff. The reels are housed in their original black boxes, one with a Columbia Records “Inter-Office Shipping Label” affixed on the front; the boxes are worn, with splits to the edges, but the tapes themselves remain in fine condition. Accompanied by a USB drive carrying a digital transfer of the tapes’ audio. Consigned by Nat Hentoff’s son, these tapes were returned to Hentoff by the CBS Records publicity department and have remained in the family since.

The wide-ranging conversation preserved here captures Dylan at a pivotal moment just after the release of Highway 61 Revisited, as he rejects easy labels, reflects on rock and roll, folk music, fame, protest songs, politics, education, drugs, money, and the burdens of being treated as a generational spokesman—a label he refuses to embrace.

Much of the interview centers on Dylan’s refusal to be confined by the folk revival or by expectations that he continue writing “protest songs.” Asked about criticism that he had stopped singing protest material, Dylan responds coolly that he has “absolutely no contact with that,” and rejects the very idea of the “message song,” calling it “vulgar” and saying: “I’m not trying to say anything any more…The songs are just somebody else is hearing them, that’s all it is…They exist, and whoever listens to them, that’s none of my business.” He is equally resistant to being called a folk singer, explaining that he has “a very deep respect” for folk music but no interest in the commercial folk scene: “I’m not a folk singer really at all, you know…I don’t call myself anything, I really don’t. I’m sort of a slot machine. Slot machine wonder!” Starting Bid $1000

Three signed variants of the Spanish-language Bob Dylan: Letras Completas, 1962–2012

7089. Bob Dylan (3) Signed Books - Letras Completas, 1962–2012. Three signed Spanish-language books: Bob Dylan: Letras Completas, 1962–2012. First editions in three color variations (green, yellow, and orange). Barcelona, Spain: Malpaso, 2016. Hardcover, 7 x 9.5, 1297 pages. Each signed on the half-title page in black felt tip by Bob Dylan. All include their original bookmarks and belly bands that read (translated): “Nobel Prize For Literature 2016, Complete lyrical works, 19622016 / All songs in bilingual edition / Expanded and revised edition by Bob Dylan.” In overall fine condition, with light edgewear and bumped corners. Starting Bid $500

Bob Dylan’s landmark album of love and loss, Blood on

the Tracks, signed and presented to his longtime business manager

7090. Bob Dylan Signed Album - Blood on the Tracks. Beautiful example of Bob Dylan’s 15th studio album, Blood on the Tracks, signed on the front cover in silver ink by Dylan. In fine to very fine condition. The record is included. Accompanied by a letter of provenance from Jeff Rosen, president of the Bob Dylan Music Company, in full: “I represent Bob Dylan and have done so for many years. In 2017 he signed a number of individual albums on a rare and limited basis, including the album photographed here. I can say for certain that it is Bob Dylan’s signature. The chain of custody is directly from Bob Dylan to myself.” The album itself is from the personal stock of Jeff Rosen and Bob Dylan.

Many critics consider Blood on the Tracks to be Dylan’s finest work. With songs like ‘Tangled Up In Blue’ and ‘Shelter From The Storm,’ it is a gut-wrenching account of the dissolution of his marriage. Dylan has denied that the songs on the album are autobiographical, but it’s impossible not to hear his pain on tracks like ‘You’re a Big Girl Now’ and ‘If You See Her, Say Hello.’ The common thread throughout is the pain that comes when love dies. Blood on the Tracks endures as one of Dylan’s most honest and heartfelt recordings.

A magnificent example of one of Dylan’s greatest albums, signed in a controlled environment, for his trusted business manager of 30-plus years. Starting Bid $500

Dylan-signed promo photo for D. A. Pennebaker’s classic documentary Dont Look Back

7091. Bob Dylan Signed Photograph for D. A. Pennebaker’s Dont Look Back. Very desirable glossy 8 x 10 publicity photo of Dylan for the 1967 documentary Dont Look Back, signed and inscribed in red felt tip, “To Vera, Best wishes, Bob Dylan.” In fine condition, with some light creasing and surface impressions to the background. Accompanied by a full letter of authenticity from JSA.

Directed and written by D. A. Pennebaker, Dont Look Back covers Bob Dylan’s whirlwind concert tour in England between April 30 and May 10, 1965. The film follows Dylan over the course of eight performances and features several of his friends and contemporaries, such as Joan Baez, Donovan, Alan Price, Marianne Faithfull, John Mayall, Ginger Baker, and Allen Ginsberg. Although Dylan played folk music exclusively on the tour, he would become alienated by many of his fans when he went electric two months later at the 1965 Newport Folk Festival. An exceptional offering with a fantastic pose of the brash young musician. Starting Bid $300

7092. Bob Dylan Signed Book - Face Value (Ltd. Ed. #19/21). Rare signed book: Bob Dylan: Face Value by Bob Dylan and John Elderfield. First edition (limited 2013 release of 21 signed copies). London: National Portrait Gallery, 2013. Hardcover, 9 x 12, 63 pages. Signed in pencil by Bob Dylan on a bookplate affixed to the title page, numbered 19/21. In very fine condition. An intriguing collection of portraits by the internationally acclaimed icon of American music. In 2013, 21 numbered copies of Face Value were signed in pencil by Bob Dylan on an official National Portrait Gallery bookplate, with the first three numbered examples retained by the publisher. Eight years later, on May 26, 2021, with zero pre-publicity and in celebration of Dylan’s 80th birthday, 12 additional copies were put on sale, each of which was signed in black felt tip by Dylan on a National Portrait Gallery bookplate. They were individually priced at £500 and were sold out in around two hours. Starting Bid $200

JIMI HENDRIX

Program for the legendary Jimi Hendrix Experience and Pink Floyd 1967 UK Tour, signed by Hendrix at Green’s Playhouse in Glasgow on the tour’s final stop

7101. Jimi Hendrix Signed 1967 Program for the Experience and Pink Floyd UK Tour (Green’s Playhouse, Glasgow). Original vintage program for the Jimi Hendrix Experience’s 1967 United Kingdom Fall Tour, published by the Hastings Printing Co., 12 pages, 10.5 x 8, signed on the front cover in ballpoint by Jimi Hendrix. The front cover features psychedelic artwork by Anthony Litri and Paul Martin, and the program includes images and biographies of the tour’s scheduled performers: Jimi Hendrix Experience, Pink Floyd, The Move, The Amen Corner, The Nice, The Eire Apparent, The Outer Limits, and Pete Drummond as compere.

The consignor notes that the program was signed at Green’s Playhouse in Glasgow on December 5, 1967; this show was the final night of the 16-day UK tour. In fine condition, with general light handling wear.

Accompanied by a certificate of authenticity from Tracks, and by a letter of provenance from the original recipient: “Several of my school friends and I were lucky enough to get tickets for the concert at Green’s Playhouse on the 5th December 1967… Heading the bill was the Jimi Hendrix Experience…Jimi was the last act on the night & really brought the house down. As an encore, he played Wild Thing with the guitar between his legs…At the end of the concert, I went down to the front of the stage & asked one of the bouncers if he could get Jimi’s autograph on the programme. After several minutes, the bouncer returned with the programme duly signed.”

The 16-date UK package tour kicked off on November 14, 1967, and consisted of a total of 31 shows in 16 cities, with each act playing two shows a night; at each gig, the headlining Experience were allotted exactly 40 minutes, The Move a half an hour, and Pink Floyd were given between 15 and 20 minutes. At this juncture, Hendrix was well on his way to becoming a major star: his first three singles, ‘Hey Joe,’ ‘Purple Haze,’ and ‘The Wind Cries Mary,’ had all been top ten hits, and his debut album, released in May of that year, sat in the top 20 for 33 weeks. Starting Bid $1000

“So now we fly over the mountains / and we sail over the seas”—original handwritten working lyrics by Jimi Hendrix for his introspective

‘Room Full of Mirrors,’ dating to his Londonderry Hotel residencies in 1970

7100. Jimi Hendrix Handwritten Working Lyrics for ‘Room Full of Mirrors’. Exceedingly rare set of handwritten working lyrics by Jimi Hendrix for his song ‘Room Full of Mirrors,’ the first recording of which was made at the Record Plant in New York on August 12, 1968. Although Hendrix made subsequent recordings of the song over the next couple of years, ‘Room Full of Mirrors’ was never placed on an official Hendrix album during his lifetime; an unaltered rough mix of the song, recorded one month before Hendrix’s death on August 20, 1970, was released on the posthumous compilation album Rainbow Bridge in October 1971. A live version of the song, recorded at the Royal Albert Hall on February 24, 1969, was included on the posthumous live album Experience that was released in August 1971.

The lyrics, unsigned, no date (circa March 1970 or August 1970), are handwritten in black felt tip on two off-white 8.25 x 11.75 sheets of Londonderry Hotel letterhead, both of which are entitled at the top by Hendrix in faded red and green felt tip, “Room full of Mirrors,” and “Page I” and “Page II.” The lyrics, in full (spelling and grammar retained):

“I. I use to live in a room full of mirrors – / All I could see was me. / But then Love, came on so strong, that it broke the mirror prison, She set my poor heart free

II. Broken glass use to be all in my head / Jangling, screaming, cutting in my brain / Broken glass was all in my head – it used to fall out my dreams and cut me in my bed – / But love and Hope came and saved me from the dead –

III. I said How can I ever repay you / She said just remember It’s love that will never die / And remember friend and lover…/ the sooner you discover, the sooner our heart’s will come alive / and then She kissed and wiped the tears from my eyes –

So now we fly over the mountains / and we sail over the seas / We’re rideing up through the Vallies together – / you know the whole world is here for us to see / My Lady, my love and me.” In very good to fine condition, with staple holes, small tears, and overall creasing.

‘Room Full of Mirrors’ remains one of Jimi Hendrix’s most introspective works, a vivid metaphor for the emotional turbulence and self-confrontation that shadowed his final years. First written and recorded in 1968, the song and its difficult themes followed Hendrix through a period marked by relentless work, strained relationships, and growing psychological pressure. Though Hendrix returned to the

song repeatedly in the studio and onstage, it remained unreleased in his lifetime—its lyrics, which changed ultimately offering a vision of clarity and escape, a solution to the inner conflict that Hendrix himself, tragically, never found. The song’s title was later used for the name of a 2005 biography by author Charles R. Cross.

Although undated, the Londonderry Hotel letterhead indicates that the lyrics may date to either March 1970 or August 1970. Not long after receiving news that his former girlfriend, Kathy Etchingham, had married, Hendrix left America for England and checked into the Londonderry on March 19, 1970. He brought Etchingham to the hotel to convince her to leave her new husband—he was unsuccessful.

Hendrix met Etchingham four years earlier when he first arrived in London on September 24, 1966, at The Scotch of St. James nightclub. They became a couple during his rise to stardom, and Etchingham served as the inspiration for famous songs like ‘The Wind Cries Mary’ and ‘Foxy Lady.’ By April 1969, the couple had drifted apart. During his short stay at the Londonderry, Hendrix met routinely with Etchingham, went to nightclubs, jammed with fellow musicians, and returned to Olympic Studios, where he recorded his first two albums: Are You Experienced and Axis: Bold as Love.

Five months later, Hendrix returned to London from New York on August 27, 1970, booking the Park Suite at the Londonderry Hotel, where he spent two days giving press interviews before performing at the historic Isle of Wight Festival in the early morning hours of August 31st. Hendrix, who was also preparing for a major European tour, would die just 22 days after his return.

During this final stay at the Londonderry, Hendrix suffered an infamous meltdown. Etchingham discovered that Hendrix was back in London when Angie Burdon called her in distress, saying that she and a friend were in Hendrix’s suite and that he had ‘gone mad.’ When Etchingham arrived, she found the living area wrecked, the two women in their underwear, and Hendrix locked in the bedroom after becoming violent and erratic.

The hotel expelled Hendrix after discovering the damage, prompting him to move to The Cumberland—his last known address. He then traveled to the Isle of Wight for his final UK performance and continued to several troubled European shows before returning to London. Just days later, on September 18, 1970, Hendrix tragically died at the age of 27. Starting Bid $5000

“Love, Jimi Hendrix”—a pristine vintage signature with hand-drawn heart

7102. Jimi Hendrix Signature. Choice vintage ballpoint signature, “Love, Jimi Hendrix,” with a small sketch of a heart on an off-white 5 x 3 album page. In very fine condition. A magnificent, pristine example of a Jimi Hendrix autograph. Starting Bid $1000

7103. Jimi Hendrix Experience 1967 ‘Bal Du Droit’ Concert Poster (Paris) - 16˝ x 23.5˝. Scarce original 16 x 23.5 poster for the ‘Law Society Graduation Ball’ at the Universite Pantheon-Assas in Paris, France, on March 4, 1967, which lists the “Jimmi Hendrix Experience” as one of the performing acts. Rolled and in fine condition, with light old tape stains to the top corner tips. Accompanied by a certificate of authenticity from Tracks.

On March 4, 1967, during an early visit to Paris, Jimi Hendrix packed a series of promotional appearances and performances into a single day. He began with a visit to the studios of Radio Europe No. 1, where he listened to Johnny Hallyday’s French rendition of ‘Hey Joe,’ then left to perform with the Experience at Le Cadran-Omnibus in Colombes. After this, the band traveled to the Law Society Graduation Ball for the Faculté de Droit d’Assas at Université PanthéonAssas Paris II, where they were supported by The Pretty Things. Starting Bid $300

ROLLING STONES

Early handwritten letter from Keith Richards, dated to the Rolling Stones’ 1964 debut tour of America

7113. Keith Richards Early Autograph Letter Signed - Dated to the Rolling Stones’ First American Tour. ALS signed “Keith, xxx,” one page, 7.25 x 10.5, El Tropicano Motor Hotel (San Antonio) letterhead, postmarked June 13, 1964. Handwritten letter to Connie Berk, in full: “Thanks a lot for the sweet letter, we really enjoyed our stay in L.A, and we miss you all. Texas is really hot, we’ve all got a big tan. Anyway thanks for being so good to us, we all hope to be back very soon.” Includes the original mailing envelope handaddressed by Richards. In fine condition, with light handling wear. Accompanied by a certificate of authenticity from Tracks and a full letter of authenticity from Beckett Authentication Services.

The Rolling Stones’ first American tour, June 5–20, 1964, marked a modest and challenging debut in the U.S., where the band was still largely unknown. Playing a short run of dates across major cities and smaller venues, they often faced small or indifferent audiences, in sharp contrast to the Beatles’ earlier success. The demanding schedule included multiple shows in a single day, with two performances on both June 6th and 7th at the Team Fair of Texas in San Antonio. A week later, a notable moment came with their appearance on Hollywood Palace, which was broadcast on June 13th, when host Dean Martin openly mocked the group’s image. Despite its lukewarm reception, the tour laid the groundwork for their rapid rise in the American market the following year. Starting Bid $300

Early Bell Sound Studios acetate of the Rolling Stones’ sixth album, Their Satanic Majesties Request, containing unreleased versions of ‘2000 Light Years from Home,’ ‘She’s a Rainbow,’ ‘Sing This All Together,’ ‘Citadel,’ and a commercially unreleased instrumental jam session

7114. The Rolling Stones Early Acetate for ‘Their Satanic Majesties Request,’ with Unreleased Song Versions (Bell Sound Studios). Rare original double-sided Bell Sound Studios (New York) acetate containing unreleased versions of tracks from Their Satanic Majesties Request, the sixth studio album by the Rolling Stones, including ‘2000 Light Years from Home,’ ‘She’s a Rainbow,’ ‘Sing This All Together,’ ‘Citadel,’ and a commercially unreleased instrumental jam session. The A-side label is stamped with the name of the band’s manager, “Allen Klein,” the band name, and apparent song titles, “Aftermath” and “God Bless You”; and the B-side is stamped with the date, “9/15/6[7],” the band name, and three more song titles, “After Five,” “Pieces,” and “Flowers.” Includes the original album sleeve and inner paper sleeve. In very good to fine condition, with overall scuffing and scattered scratches, dings to the edge, and light stains to the labels. Accompanied by a certificate of authenticity from Tracks. From the Redlands estate of Keith Richards, via gardener Jack Dyer. Starting Bid $1000

“Please find enclosed the hair you asked for” —early Rolling Stones band-signed letter dated shortly before their first American tour, accompanied by preserved hair samples from Mick Jagger, Keith Richards, Bill Wyman, and Brian Jones

7115. Rolling Stones Early Typed Letter

Signed by Mick Jagger, Keith Richards, Charlie Watts, and Bill Wyman, with (4) Bags of ‘Band Hair’. TLS from the Rolling Stones, signed by Mick Jagger, Keith Richards, Charlie Watts, and Bill Wyman, accompanied by four small pouches containing strands of hair from the heads of Brian Jones, Jagger, Richards, and Wyman.

The letter, one page, 8 x 11.25, March 9, 1964. Letter to Scottish fan Angela McMillan of Paisley, Renfrewshire, in full: “Many thanks for your very nice letter - sorry to keep three weeks for the reply, but you know how it is with us these days. We was very sorry to hear about your accident we would like to wish you as speedy a recovery as possible. We are playing three dates in Scotland in May – Aberdeen 19th, Dundee 20th and Edinburgh on the 21st, we will look forward to seeing you sometime. Please find enclosed the hair you asked for, thanks again for your lovely, flattering and pleasing letter.” Signed at the conclusion in ballpoint by Mick Jagger, Keith Richards, and Charlie Watts, and in ink by Bill Wyman, who also signs on behalf of Brian Jones.

The referenced “hair you asked for” is present in four small plastic storage bags, each containing several strands of hair affixed to small paper sheets labeled “Bill,” “Brian,” “Mick,” and “Keith.” No Watts hair is present. In overall fine condition. Accompanied by the original mailing envelope.

At this juncture, the Rolling Stones had just concluded their second British tour (February 8–March 7, 1964) and, poised for their first American tour in early June, had recently released their first U.S. single, ‘Not Fade Away,’ through London Records on March 6, 1964, backed with ‘I Wanna Be Your Man.’ The single reached number 48 on the Billboard Hot 100 and later served as the opening track of the American version of the band’s self-titled debut album. In the interim between March 9th and their departure for the United States, the band played several warm-up shows in England and, when time permitted, responded to fan mail—on this occasion even enclosing clipped strands of hair at a fan’s request. A notable multi-signed letter from a pivotal moment in the band’s early rise, elevated furthermore by the uncommon inclusion of hair attributed to four original members, including Brian Jones. Starting Bid $1000

Vintage Decca Records promotional card signed on the front by the Rolling Stones, obtained at ATV Studios on February 7, 1964, the day the band was banned from the network for arriving two hours late to rehearsals

7116. Rolling Stones Signed Decca Records Promotional Card - Obtained at the Arthur Haynes Show (February 7, 1964). Vintage circa 1964 Decca Records promotional card for the Rolling Stones, 5.5 x 4.25, signed and inscribed in ballpoint, “Love to Pauline, xx, Bill Wyman, xx,” “Brian Jones,” “Mick Jagger,” “Keith Richard,” and “Charlie Boy.” The front of the card features the same image used for the cover of the band’s self-titled debut EP, which Decca released in January 1964 to test the commercial appeal of the Rolling Stones before they would commit to producing a full album. In very good to fine condition, with old tape stains to the top, and light creasing to the right border. A highly desirable, collectable set of a fully signed Stones promo card, as many of these are autographed on the reverse. The consignor notes that the autographs were obtained when the Stones made an appearance on the Arthur Haynes Show at ATV studios, London, England, on February 7, 1964. Read more online at www.RRAuction. com. Starting Bid $300

The legendary debut album of the Rolling Stones, signed by the full classic lineup

uninscribed vintage-signed example of the Stones’ classic debut release. Starting Bid $300

7117. Rolling Stones Signed Debut Album. Sought-after Decca Records UK mono pressing (LK 4605) of the self-titled debut album by the Rolling Stones, signed on the back cover above their respective likenesses in ink by Mick Jagger, Brian Jones, Bill Wyman, Charlie Watts, and Keith Richards. In very good condition, with edge wear, front laminate loose in places, and heavy soiling and toning to the back cover. The record is not included. A desirable,

7118. Rolling Stones Signatures on Hand-Drawn Amplifier and Stage Setup Diagram. Vintage ballpoint signatures of the Rolling Stones — “Brian Jones,” “Mick Jagger,” “Charlie Boy,” “Keith Richard,” and “Bill Wyman” — on an 11 x 8.5 sheet containing handwritten amplifier and sound-equipment setup diagrams and technical notes on both sides. The reverse features multiple sketched layouts labeled “Amp Back,” “Amp Front,” “Amp Side,” and “Mic Arrangement,” with annotated speaker and reverb positions, directional stage references, and numbered placements. Additional handwritten instructions include: “Make sure all plugs are in and tight all the way,” “Green wire on horn goes to #2 terminal on horn! Always!!,” “Input on reverb,” and “Output on reverb,” alongside amplifier-control labels including “Aux,” “Mastr,” “Bass,” and “Trebel.” The backstage-style notes suggest the sheet originated in a live sound or touring environment before being repurposed for the Stones’ signatures. In fine condition, with intersecting folds. Encapsulated in a PSA/DNA authentication holder. Starting Bid $200

7119. Rolling Stones and Andy Warhol (14) Promotional Photographs for ‘Love You Live’. Uncommon set of 14 vintage glossy 5 x 7 promotional photographs of the Rolling Stones, which were originally taken by Andy Warhol and issued in conjunction with a promotional EP that was released ahead of the September 1977 release of the Rolling Stones’ double live album, Love You Live. The images show the band members—Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood, and Bill Wyman—playfully biting one another. Warhol created the cover artwork for Love You Live, and these images were used on various promotional items related to the album. In overall very fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

An unprecedented union of rock royalty, featuring period signatures of the Beatles, the Rolling Stones, Gene Vincent, Little Richard, and other early pioneers of rock and roll music

7120. Beatles and Rolling Stones Signatures - British Invasion Autograph Album with Gene Vincent, Little Richard, The Hollies, and More . Sensational vintage autograph album, 4˝ x 3˝, containing signatures of numerous British Invasion and early rock ’n’ roll artists from the late 1950s and early 1960s, a group highlighted by ballpoint signatures of the Beatles, the Rolling Stones, Gene Vincent, and Little Richard. The Beatles sign individually on images affixed to successive album pages, with Paul McCartney, George Harrison, John Lennon, and Ringo Starr each autographing his own portrait; the portraits originate from Astrid Kirchherr’s celebrated November 1962 Hamburg studio session, the only formal studio photo shoot she conducted with the Beatles during their years in Hamburg.

The Rolling Stones sign on adjacent pages, with one page signed “Stones, Charlie Boy,” “Bill Wyman,” and “Keith Richard,” and the other signed “Mick Jagger” and “Brian Jones.” The latter page is also signed by British actress Carole Gray. Other notable signers include Cliff Richard, The Searchers, The Hollies, Brenda Lee, Billy J. Kramer, Freddie and the Dreamers, John Leyton, The Everly Brothers, Cilla Black, Dusty Springfield, and several others. In overall very good to fine condition, with the pages partially detached from the album, and staining to each of the Beatles’ signatures.. Starting Bid $1000

“To the Who, Thank you for working so hard on the television show - really”

7121. Mick Jagger Autograph Letter Signed “to the Who,” Thanking Them for Their Work on ‘The Rolling Stones Rock and Roll Circus’ Television Special . ALS from Mick Jagger to fellow British rock legends The Who, signed “Mick, x,” one page, 8 x 10, The Rolling Stones Ltd. letterhead, no date [circa December 1968]. Short handwritten letter from the Rolling Stones frontman “to the Who,” reading: “Thank you for working so hard on the television show - really.” Includes the original ‘The Rolling Stones Ltd.’ transmittal envelope annotated in felt tip, “The Who.” In fine condition, with light show-through at the center from an old tape stain on the back.

The letter relates to The Who’s participation in The Rolling Stones Rock and Roll Circus, the legendary and long-shelved television special filmed in December 1968 featuring performances by the Rolling Stones, the Who, John Lennon, Yoko Ono, Eric Clapton, Jethro Tull, Taj Mahal, Marianne Faithfull, and others. The Who’s explosive performance of ‘A Quick One, While He’s Away’ became one of the defining moments of the production and contributed heavily to the mythology surrounding the project, with the Stones reportedly dissatisfied with their own performance after an exhausting overnight shoot that stretched into the early hours of December 12.

Portions of the film were later discovered among the belongings of pianist and longtime Stones associate Ian Stewart following his death in 1985, while additional missing footage surfaced in a Who vault in London in 1993. The project was ultimately restored and officially released in 1996. An appealing example of camaraderie between two of the defining British rock bands of the era.Starting Bid $200

7122. Brian Jones Signed ‘Emergency Contract’ for a Rolling Stones Concert - Dated to Their First Concert Tour (September 30, 1963)

. DS, one page, 8 x 10, September 20, 1963. An Eric Easton Ltd. “Emergency Contract” between Philip Hayward and “The Rolling Stones,” with the latter agreeing to perform a concert at the Rex Ballroom in Cambridge on September 30, 1963, for a salary of “£150:0:0.” Signed at the conclusion in ballpoint by founding member Brian Jones. In fine condition. Eric Easton, co-manager of the Stones alongside Andrew Loog Oldham during the band’s formative years, oversaw the group’s early concert bookings and professional engagements, making contracts of this type central to his role in the band’s development.

The agreement dates to a pivotal moment in the group’s ascent, executed just five weeks before the release of ‘I Wanna Be Your Man’ and shortly before the Rolling Stones emerged as one of Britain’s leading live attractions. Notably, the September 30th performance was an extracurricular engagement arranged between dates on the band’s first national package tour, headlined by Bo Diddley and the Everly Brothers—the tour opened the day prior with a concert at the New Victoria Theatre; that the Stones were simultaneously commanding independent bookings while appearing on a major touring bill reflects the band’s rapidly increasing demand. A superb early Rolling Stones performance contract dating from the band’s breakthrough year. Starting Bid $200

Westminster Bank corporate resolution signed by all five Rolling Stones and manager Andrew Loog

Oldham on New Year’s

Eve 1965—establishing banking authority for Nanker Phelge Music Ltd., the publishing company behind the band’s early collective compositions

7123. Rolling Stones Band-Signed ‘Nanker Phelge Music Ltd.’ Banking Resolution Document, Cosigned by Manager Andrew Loog Oldham (December 31, 1965). Partly-printed DS signed by the Rolling Stones and their manager, Andrew Loog Oldham, one page, 8 x 13, December 31, 1965. A Westminster Bank corporate banking resolution document for “Nanker Phelge Ltd. (Music),” the Rolling Stones’ collective songwriting and royalty entity, appoints Westminster Bank Limited as bankers for Nanker Phelge Ltd. and authorizes designated company representatives to execute banking and financial transactions on behalf of the corporation. A handwritten amendment specifies that the bank is authorized to accept the signatures of “Mr A. L. Oldham and Mr W. Wyman only,” reflecting Oldham’s role as secretary and Bill Wyman’s role as chairman. Signed in the designated ‘signature’ field in ballpoint by the full classic lineup: “M. Jagger,” “Brian Jones,” “Bill Wyman,” “Keith Richard,” and “C. R. Watt,” as well as by Oldham. Both Wyman and Oldham sign again below in their respective capacities as chairman and secretary. The document lists the company address as “138, Ivor Court, Gloucester Place, N.W.1” and identifies the signatories in their corporate capacities, including Andrew Loog Oldham as “Director/Secretary,” with Jagger, Jones, Wyman, Richards, and Watts each designated as “Director.” In very good condition, with multiple folds and creases, light toning and staining, and a few edge tears.

“Nanker Phelge” was the pseudonym adopted by the Rolling Stones for songs credited collectively to the band rather than specifically to the Jagger/Richards partnership. The name appeared on numerous early Stones compositions, including ‘Stoned,’ ‘2120 South Michigan Avenue,’ ‘Off the Hook,’ and ‘The Under Assistant West Coast Promotion Man.’ Executed at the close of 1965, the breakthrough year of ‘(I Can’t Get No) Satisfaction’ and the group’s emergence as an international phenomenon, the document reflects the Rolling Stones’ transition into a major international recording and songwriting enterprise. Nanker Phelge Music Ltd. served as the publishing company through which those collective compositions were administered.

Bill Wyman confirmed in his 2002 book, Rolling with the Stones: ‘When the Stones cut ‘Stoned’ – or ‘Stones,’ according to early misprinted pressings – as the B-side to ‘I Wanna Be Your Man,’ Brian suggested crediting it to Nanker Phelge. The entire band would share writing royalties. Phelge came from Edith Grove flatmate Jimmy Phelge, while a Nanker was a revolting face that band members, Brian in particular, would pull.’. Starting Bid $500

Historic NEMS Presentations

contract signed by Brian Epstein, booking “The Rolling Stones” for their first and only performance at Liverpool’s famed Cavern Club—a legendary concert attended by the Beatles on November 5, 1963

7124.Brian Epstein Signed NEMS Contract for the Only Cavern Club Performance of ‘The Rolling Stones’ (November 5, 1963) . Rare DS, one page, 8.25 x 13.25, September 23, 1963. A NEMS Presentations Ltd. performance contract for a one-night engagement by “The Rolling Stones” at “The Cavern Club” on Tuesday, November 5, 1963, for a fee amended in type to “£65 (Sixty-five pounds).” Additional clauses specify payment terms, performance timing (“one 50 minute spot between 8.0 and 11.30 p.m.”), and a radius restriction preventing the group from appearing within fifteen miles of the venue for five weeks before and one week following the engagement. A NEMS Enterprises ‘With Compliments’ sheet is stapled to the upper left corner. Signed prominently at the conclusion in ink by Brian Epstein. In fine condition, with light creasing and faint edge toning.

This historic engagement proved to be the Rolling Stones’ sole performance at the famed Cavern Club, occurring at a pivotal moment in late 1963 as the band emerged from the London R&B circuit into national prominence. The Beatles, who had previously traveled south to see the Stones perform, were themselves in attendance that night. Years later, Ringo Starr recalled: ‘I remember standing in some sweaty room and watching them on the stage…Keith and Brian—wow! I knew then that the Stones were great.’ George Harrison was similarly struck by the crowd’s reaction: ‘The audience screamed and shouted and danced on tables.’

Following the performance, Mick Jagger reflected: ‘Man it was hot! We almost sweated away. They’ve had so many big groups at the Cavern that you’ve really got to prove yourself, they asked us back so they must like us.’ Bill Wyman similarly recalled the Liverpool reception in his autobiography: ‘While some people were building a wall, metaphorically, dividing the north from the south in pop music, we found no barriers whatsoever from Merseyside fans. Walking around the city we were stopped and chatted to by friendly Liverpudlians. In the evening our show at the Cavern was fantastic, with a marvellous crowd.’ Although the Stones were invited to return, their rapidly expanding popularity soon rendered the Cavern too small to contain their audiences; when they next played for Cavern promoters in 1964, the engagement was moved to the larger Tower Ballroom in New Brighton.

Signed prominently by Epstein on behalf of NEMS Presentations Limited above the company’s printed Liverpool address, the document represents an extraordinary convergence of the Beatles, Brian Epstein, the Cavern Club, and the Rolling Stones at the dawn of the British Invasion. A remarkable and exceptionally rare artifact from one of the defining moments in early British rock history.. Starting Bid $200

THE WHO

7145. Keith Moon Signed Photograph - PSA NM-MT 8. Glossy 8 x 10 MCA Records publicity photo of Keith Moon as a proper gentleman posing with a Rolls Royce, an image originally captured by photographer Jim McCrary, signed in felt tip. In fine condition. Encapsulated and graded by PSA/DNA as “NM-MT 8.” Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

7146. Keith Moon (11) Los Angeles Household and Pet-Related Documents (1975). Group of 11 personal household, business, transportation, and pet-related documents from the Los Angeles collection of Who drummer Keith Moon, dating from 1975. The archive offers an intimate snapshot of Moon’s day-to-day domestic life during his mid-1970s residence in Beverly Hills and includes a variety of routine service receipts, invoices, veterinary records, and retained accounting sheets. Highlights include: an Interamerican Customs Broker delivery receipt for “personal effects” shipped from London to Moon’s 2723 Benedict Canyon residence; a White Tie Limousine Service invoice addressed to “Mr. Keith Moon”; a Beverly Hills Telephone Answering Bureau statement for Moon’s Benedict Canyon address; multiple Robertson Blvd. Animal Hospital veterinary forms and receipts pertaining to Moon’s dog “Bonzo”; Turner’s TV–Radio & Key invoices and rental receipts for a Zenith color television delivered to Moon’s home; and two retained carbon/ impression sheets bearing transferred handwriting and signature impressions attributable to Moon. In overall very good to fine condition. A candid and unusually personal glimpse into Moon’s offstage domestic routines and Beverly Hills lifestyle during 1975. Starting Bid $200

7148. The Who (8) Original ‘Magic Bus’ Negatives (October 9, 1968) - Sold with Copyright. Eight mediumformat negatives of The Who, each 2.5 x 2.5, taken on October 9, 1968, during the ‘Magic Bus’ promotional tour of London’s West End ahead of the single’s release. Later that day, the band went to the BBC’s Lime Grove Studios to play their single ‘Magic Bus’ on the TV program How It Is. Each band member is pictured, as is their ‘Magic Bus.’ In overall fine condition. Accompanied by a certificate of authenticity from Tracks. The negatives are sold with copyright. The buyer is solely responsible for ascertaining that each image is otherwise cleared for publication. Starting Bid $200

7147. The Who Early Signatures as the High Numbers (August 1964) with John Entwistle Signing as “John Allison”. Scarce ballpoint signatures of The Who during the brief window when they were known as the High Numbers, signed and inscribed on the front of a 4.75 x 4 album page, “To Janet, Pete Townshend,” “To Janet, Keith Moon,” and “Lots of love Janet, Roger Daltrey, xxx,” and on the reverse, “To Janet, Johnny Allison [John Entwistle].” A collector’s notation dates the signatures to a concert at the Hippodrome in Brighton on August 9, 1964, about one month after the High Numbers released their only single, ‘Zoot Suit/I’m the Face,’ which, in essence, was also The Who’s first single. In fine condition, with blocks of toning. Encapsulated by Beckett Authentication Services. Read more online at www.RRAuction.com.. Starting Bid $200

7149. The Who Signatures - Townshend, Moon, and Entwistle. Vintage ballpoint signature Pete Townshend, Keith Moon, and John Entwistle on a 6 x 4 album page. In fine condition, with a light central vertical fold. Starting Bid $200

THE DOORS

Handwritten notes by Jim Morrison of The Doors, penned

on a letter

asking him if he wants to interview with Tony Thomas on CBC Radio’s Something to Say in May 1970

7153. Jim Morrison Handwritten Notes and Doodle - Agreement for an Interview with Tony Thomas of CBC Radio (May 7, 1970). Handwriting by Jim Morrison on a typed letter sent to The Doors frontman by literary agent Sylva Romano, inquiring whether Morrison would be interested in an interview with the CBC (Canadian Broadcasting Company). Morrison’s handwriting appears at the top and bottom of the letter in both felt and ballpoint; the felt tip portion reads, “He tapes here (portable),” with Morrison adding a line to the upper margin and writing “Next Week.” In ballpoint, Morrison writes the name and phone number of “Tony Thomas,” the CBC Radio interviewer, adds a doodle sketch, and then writes below, “Song Book.” The annotation to the lower border, “interview on May 27, 1970,” is in the hand of The Doors’ office secretary, Katherine Lisciandro. The typed letter from Romano, one page, 8.5 x 11, Mitchell J. Hamilburg Agency letterhead, May 7, 1970, reads: “Tony Thomas who tapes an interview show for the Canadian Broadcasting Company, saw The Lords and the New Creatures in our office and made inquiries to CBC, who said they’d love to have you as the subject of one of the shows. I think it’s an hour-long show—intelligent interviews, and in depth. Please let me know if you’d be interested and available for this. Among other things, it would be a good opportunity to talk to a Canadian audience about your poetry as well as your music. Please call me about this when you get back. Also, I want to get the British rights contract signed, with a couple of amendments I recommend.” In fine condition.

Originates from the collection of Morrison’s close friend and UCLA classmate Frank Lisciandro, editor of the documentary film Feast of Friends, and accompanied by a detailed certificate of authenticity signed by Lisciandro, which reads: “On May 7, 1970, Sylva Romano, who worked for the Literary Agency, Mitchell J. Hamilburg, wrote to Jim Morrison passing on a request for an interview from Tony Thomas, a reporter for the Canadian Broadcasting Company…Jim Morrison wrote on the letter four times with two different pens and he added 2 small designs. The CBC interview did take place at The Doors’ office on May 27, 1970. Tony Thomas and Morrison had a deep and far ranging conversation on many subjects, including youth culture and Jim’s published writings.

In June or July 1970, several months after the film HWY was finished and post-production work was completed, Jim decided to close the

film office. I returned the rented equipment, gathered the boxes of film and sound rolls and trims, and moved them to a storage facility. What was left included posters, books, office and editing items (chairs, an editing table, metal reels, rolls of leader) and miscellaneous notes and papers. I talked with Jim about what to do with these items. After examining what remained, he said he had no use for any of it. He told me that I could have and keep any of the items that still remained in the HWY office. The Tony Thomas letter was one of the items he gave me that day. I have owned the letter with Jim’s words ever since. I certify that the handwritten words on this letter were written by Jim Morrison and are in his own distinctive hand.” Jim Morrison, age 26 and at the height of his fame, was interviewed for CBC Radio’s Something to Say by Tony Thomas at The Doors Workshop on May 27, 1970, shortly after the publication of his first poetry book, The Lords and the New Creatures. A notoriously difficult interview subject, he was persuaded to speak not only about his music but also his writing, as well as his reflections on youth culture and the cultural climate. Softspoken and deliberate, Morrison emerges as an introspective, if at times meandering, subject, with Thomas pressing to frame him as a voice of his generation. The interview aired on September 27, 1970; less than a year later, Morrison died in Paris at age 27.

Selected excerpts from the CBC Radio interview with Thomas capture Morrison thinking through the concerns of his time, observations that resonate today. Asked what young people ‘worship’ or ‘hope for,’ he points to continuity, ‘a joy of existence, self discovery, freedom.’ On student unrest, he frames it not as an anomaly but as a pattern, noting that ‘every revolution has started with students and spread to workers.’

Perhaps most prescient is his response to the Thomas question: ‘Life does seem to become more and more involved and complex. We’re becoming computerized and dehumanized in that process. That bugs me. I wonder how it bothers you and your generation.’

Morrison: ‘There does seem to be a trend toward a return to a kind of primitive outlook on life, a more tribal attitude and I think it’s a natural reaction to industrialization, but unfortunately it’s kind of naive because I think the future is going to become increasingly mechanized, computerized as you call it and I don’t think there’s any turning back. It’s just figuring out a way to survive and thrive in that kind of society. But I don’t think there’s any chance of going back.’ Starting Bid $1000

GRATEFUL DEAD

7158. Jerry Garcia Signed Artist’s Proof Lithograph - ‘Wetlands I’ (28˝ x 23˝). Scarce color 28 x 23 artist’s proof lithograph entitled ‘Wetlands I,’ signed in the lower border in pencil by Jerry Garcia, “J. Garcia.” From unnumbered edition, reportedly one of 50 produced. In this piece of visual art by the Grateful Dead frontman, a luminous gradient sky dissolves from cool blue into warm bands of crimson and gold, casting a dreamlike glow over a tranquil marsh; delicate clusters of reeds rise from softly swirling waters in the composition, which balances serenity and movement, evoking the quiet, atmospheric beauty of wetlands at dusk. In fine condition. Starting Bid $200

7159. Jerry Garcia Signed Artist’s Proof Lithograph‘Facets I’ (23˝ x 28˝). Scarce color 23 x 28 artist’s proof lithograph entitled ‘Facets I,’ signed in the lower border in pencil by Jerry Garcia, “J. Garcia.” From unnumbered edition, reportedly one of 50 produced. In this trippy piece of visual art by the Grateful Dead frontman, a dynamic field of prismatic forms cascades across the composition, as sharp, faceted shapes seem to refract light like scattered crystals; the interplay between translucency and structure creates a sense of depth and motion, as if the image is simultaneously dissolving and crystallizing before the viewer’s eye. In fine condition. Starting Bid $200

7160. Grateful Dead 1972 Bickershaw Festival Concert Poster (19.75˝ x 31.25˝). Scarce original 19.75 x 31.25 concert poster for the 1972 Bickershaw Festival, which was held in Bickershaw, Wigan, England, May 5-7, 1972, which lists the Grateful Dead as one of the main musical acts. Other listed acts include Hawkwind, Captain Beefheart, New Riders of the Purple Sage, Dr. John, The Kinks, Donovan, Family, and more. The poster’s artwork depicts a flowing, psychedelic illustration of a nude female figure whose elongated body frames a distant pastoral scene within a circular opening. Rolled and in very good to fine condition, with overall creasing and a central horizontal fold. Accompanied by a certificate of authenticity from Tracks. Starting Bid $300

7161. Owsley Stanley Bronze ‘Sun Face’ Belt Buckle. Beautiful cast bronze ‘sun face’ belt buckle designed by legendary Grateful Dead sound engineer Owsley Stanley, measuring approximately 2˝ in diameter, with his signature and a 1995 copyright date incised on the reverse. In fine condition. Read more online at www.RRAuction.com. Starting Bid $200

7162. Owsley Stanley Bronze ‘Steal Your Face (Stealie)’ Grateful Dead Belt Buckle. Extremely desirable cast bronze ‘Steal Your Face (Stealie)’ belt buckle designed by legendary Grateful Dead sound engineer Owsley Stanley, measuring approximately 2˝ in diameter, with his signature, “OS BT/GDP,” “1983,” and “6” incised on the reverse. The Grateful Dead’s iconic ‘Stealie’—the lightning bolt-bisected skull—was designed by artist Stanley and Bob Thomas in 1969, initially using it to identify the band’s equipment cases. In fine condition. Read more online at www.RRAuction.com. Starting Bid $200

Grateful Dead insider’s archive of Bay Area rock memorabilia including posters by Rauschenberg, Moscoso, and Kelley

7186.Grateful Dead Archive of Barbara WhitestoneRare Posters, Photographs, Backstage Passes, and Insider Ephemera. ’ Massive archive of original Grateful Dead, Jerry Garcia, Bob Weir, Bill Graham, and Bay Area music memorabilia assembled and preserved by longtime insider Barbara Whitestone, spanning the late 1960s through the mid-1990s. The expansive collection encompasses psychedelic concert posters, signed photographs, backstage passes and laminates, production proofs, original promotional materials, rare Grateful Dead Records ephemera, handbills, tour artifacts, artist-signed material, and behind-the-scenes documents chronicling decades of Grateful Dead history and the broader San Francisco rock scene.

Among the archive’s most significant pieces is a Robert Rauschenberg limited-edition Grateful Dead “Benefit Performance for the Rainforest” poster from Madison Square Garden in 1988, signed in pencil by the artist and numbered “2/250.” Also featured are three copies of the scarce Europe ’72 “Black Book” distributed at the Grateful Dead’s legendary Lyceum Theatre performances in London; an original promotional photograph signed in gold ink by Jerry Garcia and Bob Weir; original 1967 Victor Moscoso Neon Rose psychedelic posters; unused Grateful Dead Fall 1971 tour poster blanks by Alton Kelley and Stanley Mouse; and a signed Alton Kelley “Family Dogma Revival” poster from 1974.

The archive further includes extensive Grateful Dead backstage laminates and all-access credentials from tours spanning the

1980s and 1990s; rare Grateful Dead Records and Round Records promotional postcard sets preserved in exceptional condition; original “Wake of the Flood” proof sheets and album production materials; signed Bob Weir “Panther Dream” posters; rare Grateful Dead Records stationery and internal office ephemera; original photographs featuring Jerry Garcia, Bob Weir, Bill Graham, Mickey Hart, Donna Godchaux, and other members of the extended Grateful Dead family; as well as Bill Graham memorial material, SEVA Foundation posters, Weir/Wasserman tour memorabilia, and New Orleans Jazz & Heritage Festival artist credentials.

Particularly noteworthy is the archive’s remarkable concentration of insider material—working proofs, backstage credentials, promotional stock, stationery, fan correspondence, and tour ephemera—offering an unusually intimate and authentic glimpse into the business and community surrounding the Grateful Dead organization during its most influential decades. A deeply personal and museum-worthy collection with exceptional provenance and broad appeal to collectors of rock history, psychedelic art, counterculture ephemera, and Grateful Dead memorabilia.

A complete inventory is available online at RRAuction.com.

Interested parties are encouraged to view the collection in person at our offices or call us with specific inquiries, as this collection is sold as is and no returns will be accepted. Starting Bid $1000

LED ZEPPELIN

Page, Plant, Bonham, and Jones sign for a Portland musical instrument dealer

7220. Led Zeppelin Signatures (1968) - Signed for a Portland Musical Instrument Dealer. Sought-after vintage pencil signatures of Led Zeppelin’s original lineup—“To Denny, best wishes & thanks, Jimmy Page,” “Best wishes, Robert Plant,” “Best wishes, John Bonham,” and “Good Luck & Thanks, John Paul Jones”—on a white 8.5 x 11 sheet of stationery of Denny’s Music Shop, Portland, Oregon. In very good to fine condition, with intersecting folds, overall creasing, and light edge wear.

These autographs were obtained in December 1968, when the group came to the United States for their first American tour. Led Zeppelin had just formed in July 1968, making this signature set one of the earliest known.

Accompanied by a letter of provenance from original recipient Dennis Handa, in part: “From 1965 through 1973 I owned a music store in Portland, Oregon, called Denny’s Music. Through a friend of mine we became the main source of furnishing stage equipment for major concert tours in the Northwest USA. In the 60’s–early 70’s bands typically would bring their personal gear but would send a Rider ahead requesting what they needed for onstage gear. This was before the big trucks, lighting etc…My store had an arrangement with Sunn Amplifiers and Fender to furnish gear for the Concerts as part of a PR program for the companies…Re Led Zeppelin. I got a call at my store saying that Zeppelins truck had ran into difficulties coming from a concert in Spokane Washington (snow) and would I meet with the band and loan them some instruments for the concert that night at Portland’s Civic Auditorium. I agreed and late that day the band showed up. Jimmy Page picked out an Epiphone Casino guitar (this was used in the part of the concert where he used a violin bow) he had his Les Paul with him. John Bonham picked out a Ludwig drum set and the bass player John Paul Jones as I remember took a Fender precision bass. After they settled on the instruments, I asked them if they wanted to go to a pub around the corner from my store. They agreed and we went. I remember everyone looking at them strange, thinking they were just some hippies. Remember they were very young and this was at the start of their career and US tours.” Starting Bid $1000

Led Zeppelin signatures dated to their raucous performance at the Birmingham Odeon, a hometown show for John Bonham and Robert Plant,

on December 16, 1972, just before the release of Houses of the Holy

7221. Led Zeppelin Signatures - Obtained at the Birmingham Odeon on December 16th, 1972. Vintage signatures of Led Zeppelin on two light green 4.5 x 3.75 album pages, one of which is signed in ballpoint by John Bonham and John Paul Jones, and the other is signed in ballpoint by Jimmy Page and in felt tip by Robert Plant. Both bear collector’s notations dating the signatures to December 16, 1972, when they performed at the Birmingham Odeon in Birmingham, England. In fine condition, with fading to Plant’s signature. Accompanied by a full letter of authenticity from REAL.

A hometown show for John Bonham and Robert Plant, Led Zeppelin’s concert at the Birmingham Odeon occurred just before the release of Houses of the Holy, and is often cited by fans among the band’s finest performances. It featured a dynamic setlist that blended new material – such as ‘The Song Remains the Same’ and ‘The Rain Song’ – with established classics including ‘Rock and Roll,’ ‘Dazed and Confused,’ ‘Stairway to Heaven,’ and an expansive ‘Whole Lotta Love’ medley.

Per an article from the Birmingham Post: ‘It was, said singer Robert Plant, a ‘night of calamity’ for Led Zeppelin on Saturday. It was the first of the band’s two sell-out concerts in Birmingham and their electric machine, which was supposed to produce a background orchestral sound, did not work.

But that did not worry the audience, once they had overcome their frustration at the 40-minute wait. Pop groups are notorious for being late but this was a longer delay than usual and no apology was given until half an hour had elapsed. Then after a cursory apology, the band played for more than two hours and the audience enjoyed every minute of it.

For, despite all the electronic failures, Led Zeppelin were superb. This 23 concert tour is designed to reintroduce them to their British fans after a long stay in America. But the fans had not forgotten them and it was no wonder that both concerts were sold out in less than 1 1⁄2 hours.’ Starting Bid $500

7222. Led Zeppelin (25) Concert Negatives from The Summit in Houston, Texas (May 21, 1977) - Sold with Copyright. Five 35mm negative film strips, each 7.5 x 1.25, containing 25 images of Led Zeppelin performing at The Summit in Houston, Texas, on May 21, 1977, as part of their 1977 North American tour. Although all members of the band are pictured, the images focus on Robert Plant and Jimmy Page, with the latter shown playing his cherry red Gibson EDS-1275 double-neck guitar, which he used to perform the 12-string and 6-string parts of ‘Stairway to Heaven.’ In fine condition. Accompanied by a certificate of authenticity from Tracks. The negatives are sold with copyright. The buyer is solely responsible for ascertaining that each image is otherwise cleared for publication. Starting Bid $200

7223. Led Zeppelin 1980 Olympiahalle Concert Poster (23.5˝ x 33˝) - The Band’s Penultimate Performance. Original 23.5 x 33 Stimmer def Welt (‘Voices of the World’) promotional poster for 12 concerts in Germany between April and July 1980, highlighted by a Led Zeppelin concert at the Olympiahalle in Munich, on May 23, 1980, which was later rescheduled to July 5th; the show marked Zeppelin’s penultimate ever performance, just two days before their final concert in Berlin on July 7, 1980. Following the death of drummer John Bonham that September, the band disbanded, cementing these July dates as their last. Other acts listed include Frank Zappa, Roxy Music, and Santana. Rolled and in fine condition, with some light creasing near the top and bottom edges. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

7224. Robert Plant Twice-Signed Album - Led Zeppelin’s Self-Titled Debut (Turquoise Variant). Scarce self-titled debut (Atlantic Stereo 588 171) album from Led Zeppelin, signed on the inside of the front cover, “Don’t show your friends! They won’t be able to read it! Robert Plant,” and on the back cover, “Best wishes, Robert Plant.” In fine condition, with expected wear and moderate contrast to the signature on back cover. The record is included. Accompanied by a full letter of authenticity from Beckett Authentication Services. This first-pressing variation has turquoise lettering on the album sleeve, which was quickly withdrawn and replaced with fiery orange. An uncommon example of this classic album, enhanced by two vintage autographs of the band’s legendary vocalist. Starting Bid $200

7225. Led Zeppelin Signed Photographic Print by Janet Macoska (Ltd. Ed. #3/50) - 12.25˝ x 18.75˝. Limited edition semi-glossy 12.25 x 18.75 silver gelatin print of a photograph by Janet Macoska of Led Zeppelin guitarist Jimmy Page performing at the Richfield Coliseum in Cleveland, Ohio, on April 27, 1977, numbered 3/50, signed in the lower border in felt tip by both Page and Macoska. Archivally matted and framed to an overall size of 19.25 x 26.25. In very fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

“To be a rock & not to roll”—

Led Zeppelin’s vocalist quotes from ‘Stairway to Heaven’

7226. Robert Plant Autograph Lyrics Signed from ‘Stairway to Heaven’ - “To be a rock & not to roll”. Autograph lyrics from the closing of Led Zeppelin’s classic song ‘Stairway to Heaven,’ penned in black ballpoint on the reverse of a vintage color glossy 3.25 x 3.25 candid photograph of an unknown couple. Plant writes, in full: “To be a rock & not to roll, Robert Plant.” In fine condition, with thin diagonal stains. Encapsulated by Beckett Authentication Services.

First released on Led Zeppelin IV in November 1971, ‘Stairway to Heaven’ has never left the cultural consciousness, logging more classic rock radio airplay than virtually any other song in history. That Plant chose this particular line— the song’s emotional peak and philosophical heart—to put his name to speaks volumes. Defiant, paradoxical, and utterly unforgettable, it remains the perfect closing statement from one of rock’s greatest voices. Starting Bid $500

QUEEN

7243. Queen Signed 1980 ‘The Game Tour’ Program (Mercury, May, and Deacon). Scarce original program for Queen’s 1980 American Tour in support of their eighth studio album, The Game, 24 pages, 9.5 x 11.75, signed inside on separate pages in ink and felt tip by Freddie Mercury, Brian May, and John Deacon; May has signed twice, on the front and back sides of the same page, and Deacon has signed three times, with two of his signatures having very poor contrast. In fine condition. Carried by hit singles ‘Another One Bites the Dust’ and ‘Crazy Little Thing Called Love,’ The Game remains Queen’s best-selling studio album in the U.S., with four million copies sold to date. Starting Bid $200

7241. Queen Signed 1979 ‘Jazz World Tour’ Concert Program. Original program for the European leg of Queen’s 1979 World Tour in support of their seventh studio album, Jazz, 8.25 x 11.75, signed on the back cover in ballpoint by Freddie Mercury, Brian May, John Deacon, and Roger Taylor. In fine condition. Accompanied by a certificate of authenticity from Tracks and full letters of authenticity from JSA and REAL. Starting Bid $300

JAZZ, BLUES, AND AMERICAN STANDARDS

“I have finished the music for the opera”— Gershwin announces the composition of Porgy and Bess

7246. George Gershwin Typed Letter Signed on Porgy and Bess: “I have finished the music for the opera and also the orchestrations of the first act”. TLS, one page, 8.25 x 10.75, personal letterhead, May 16, 1935. Letter to Joseph Schillinger, his music teacher, about his progress on the opera Porgy and Bess. In full: “I’ve been wanting to write you for some time since I came back from Florida but so many things are happening that it’s difficult to write a letter these days. I have finished the music for the opera and also the orchestrations of the first act and am now working on the second act scoring, but it goes slowly. Would like to see you one of these days and perhaps continue to take some lessons as I am planning to stay in New York all summer. I would like to clear up the amount outstanding on the organ loan and perhaps we could work this out in lessons. Am leaving town today and will be back Monday. I will call you then.” In very good to fine condition, with a couple of short edge tears.

Joseph Schillinger, the recipient of this letter, was a composer and music teacher who collaborated with many of the era’s leading musicians, including Benny Goodman, Glenn Miller, Tommy Dorsey, and George Gershwin. From 1932 to around 1936, Gershwin frequently studied composition, music theory, and orchestration with Schillinger whenever his schedule permitted. Scholars still debate the extent of Schillinger’s influence on Porgy and Bess.

In Gershwin: His Life and Music, biographer Charles Schwartz observes: ‘Even though the completed scores of all of Gershwin’s orchestral pieces written after the Rhapsody…are in his hand, there is a good chance that they were orchestrated with some help…The orchestrated score for Porgy and Bess is a case in point. All three acts of the opera, beautifully written and well orchestrated, are in Gershwin’s hand. Solely on the basis of the finished product one would assume that he had not been helped in any way. Yet there is evidence that he was aided in his orchestration by Joseph Schillinger. According to Vernon Duke, he and George, as well as Ira… all shared a house on Fire Island during the summer of 1935. All summer long, Duke claims, Gershwin saw Schillinger three times weekly for help in orchestrating the opera.’

Schwartz goes on to quote this exact letter, though he notes that ‘though one might easily infer from this letter that Gershwin sought Schillinger’s help in orchestrating Porgy and Bess, presumably the second and third acts of the opera if not the first act too, there is nothing in the finished score that would substantiate that inference…Schillinger himself, after Gershwin’s death, alleged that he supervised the entire writing of the opera over a period of a year and a half…in defense of his brother and in answer to such a claim, Ira stated in 1944 that ‘lessons like these…unquestionably broaden musical horizons, but the don’t inspire an opera like Porgy.’’ Starting Bid $200

Queen-signed boiler suit from their ‘Radio Ga Ga’ music video

7242. Queen Signed Boiler Suit from the ‘Radio Ga Ga’ Music Video. Three-piece paper boiler suit worn by one of the 400 extras during the filming of the music video for Queen’s hit single ‘Radio Ga Ga,’ which took place at Shepperton Studios in Middlesex, England, on November 23 and 24, 1983. The suit consists of a pair of trousers, a balaclava headpiece, and a long-sleeved top, the latter of which has been signed on the left sleeve in ballpoint by Freddie Mercury, on the right sleeve in ballpoint by Brian May and John Deacon, and on the back in ballpoint by Roger Taylor. In very good to fine condition, with soiling, staining, and general signs of use. Accompanied by a certificate of authenticity from Tracks. Starting Bid $300

7247. Billie Holiday Signed Onyx Club Postcard. Vintage fountain pen signature, “B# always, Billie Holiday,” on the reverse of a color 5.25 x 3.5 postcard for NYC’s Onyx Club, also signed by jazz musicians Hank D’Amico, Cozy Cole, John Guarnieri, and Bob Haggart. In fine condition, with some skipping to her last name. Located at 57 West 52nd Street from 1942 to 1949, the Onyx Club was one of New York City’s top jazz venues. Starting Bid $200

7249. Django Reinhardt Signed Sketch. Original sketch of Belgian guitarist Django Reinhardt by artist Jan Mara, accomplished in ink on an off-white 7.25 x 9 sheet, which is signed and inscribed in ink, “A Monsieur Mara, maitre du desin amite, D. Reinhardt.” Matted to an overall size of 12.5 x 14.25. In very good condition, with soiling, toning, and creasing. Accompanied by a full letter of authenticity from REAL.

The artist Jan Mara (1913–1992) was famous for his slightly surreal portraits of contemporary showbiz stars and philosophers, as well as for the French movie posters that he created in the 1950s and 1960s. Starting Bid $200

Charlie Parker signed Kriegsmann portrait—with charming provenance from a railroad conductor’s personal collection

7248. Charlie Parker Signed Photograph. Scarce vintage glossy 7.75 x 9.75 photo of Charlie Parker with his saxophone by James J. Kriegsmann of New York, signed and inscribed in fountain pen, “To Kayo, Regards of Charlie Parker.” In fine condition, with trimmed borders, creasing to corners, and a light stain touching the saxophone. Consignor notes that this signed photograph is reproduced on page 31 of the book ‘Charlie Parker & Jazz Club Memorabilia: The Norman R. Saks Collection’ by Ken Vail.

The original recipient, “Kayo,” assembled a well-known inperson collection through his job as a train conductor, where he acquired celebrities’ autographs as they rode the train. An exceptional signed photo of the revolutionary saxophonist—Bird remains exceedingly scarce and hugely sought after across all formats. Starting Bid $1000

ELVIS PRESLEY

Signed the day he recorded ‘Heartbreak Hotel’—historic RCA

Records document signed by Elvis Presley

7251. Elvis Presley Document Signed on the Day He Recorded ‘Heartbreak Hotel’. Important partlyprinted DS, signed “Elvis Presley,” one page, 8 x 5, January 10, 1956. Incredibly historic Radio Corporation of America employee’s withholding exemption certificate filled out in another hand and signed at the conclusion in blue ballpoint by Elvis Presley. The document notes his full name, “Elvis Aron Presley” (the second ‘a’ crossed out—this version famously recorded on his birth certificate), his address at 1414 Getwell St. in Memphis, his social security number, and his number of withholding exemptions. In fine condition.

This document dates to one of Elvis’s most legendary recording sessions—on this day, January 10, 1956, he made his first recordings for RCA Records at The Methodist Television, Radio and TV Studios in Nashville. ‘Heartbreak Hotel’ was one of the songs recorded during this session, and released as a single just seventeen days later. The single topped the Billboard Top 100 for seven weeks and became Presley’s first record to reach a million sales. A remarkable document representing an important day in music history. Starting Bid $1000

Elvis on the eve of superstardom— an important Presley and Parker dual-signed 1956 agency contract

7253. Elvis Presley and Colonel Tom Parker Twice-Signed Document - William Morris Agency Contract. Partly-printed DS, signed on both sides, “Elvis Presley,” and “Col. Tom Parker,” one page both sides, 8.5 x 15.75, January 31, 1956. Agreement between the William Morris Agency and Elvis Presley, who employs the former as his “sole and exclusive agent, adviser, manager and representative” for a period of five years. Signed at bottom of both sides in fountain pen by Elvis Presley and his manager, Col. Tom Parker. Also initialed by Elvis on a rider attached to the front, “E. P.,” affirming that the agreement “shall not apply with respect to the phonograph recording field.” In fine condition.

By January 1956, Elvis Presley stood at the precise threshold of superstardom—’Heartbreak Hotel,’ his first single on RCA Victor, was released on January 27, 1956, and rocketed to number one, forever changing American popular culture. The William Morris Agency’s formal engagement as Elvis’s exclusive representative at this exact moment reflects Colonel Parker’s shrewd orchestration of his client’s transition from regional phenomenon to national star, with major television bookings, film interest from Hollywood, and a powerful new record deal with RCA all converging simultaneously. Starting Bid $500

1950s

Hank Williams headlines a Grand Ole Opry autograph book

7258. Hank Williams, Chet Atkins, and Grand Ole Opry Stars Signed Autograph Book. Vintage fountain pen signature, “Best Wishes, Hank Williams,” on an off-white 5.5 x 4.5 album page inside an autograph album, annotated at the top with the date, “7-11-52.” Other signers within the book include Grand Ole Opry performers Red Foley, Kathy Copas, Chet Atkins, Marty Robbins, Eddie Hill, Jimmy Dickens, Bill Carlisle, Minnie Pearl, Rex Allen, Ernest Tubb, Billy Byrd, and others. In fine condition. Accompanied by a group of five vintage candid photographs, two showing young ladies posing with country performers. Starting Bid $200

1960s

7260. Badfinger: Pete Ham Original Handwritten Lyrics for ‘Matted Spam’. Handwritten lyrics by Pete Ham for the 1974 Badfinger song ‘Matted Spam,’ unsigned, no date, composed in ballpoint on an off-white 8.25 x 11.75 sheet of notebook paper. In part: “I feel a change comin’ on / A frame of mind that’s kept me down for too long / Tried to imprison my soul / Locked me outside of my own rock & roll.” In fine condition, with a negligible stain to the top edge. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

7262. The Byrds Signed Photograph. Vintage 11 x 8.5 Sears paperstock promo photo of the Byrds, signed in black ballpoint by Roger McGuinn, David Crosby, Gene Clark, Michael Clarke, and Chris Hillman. In very good to fine condition, with two vertical folds, and old tape remnants at the corners. Starting Bid $200

An unfiltered vision of womanhood— original artwork by Warhol muse Edie Sedgwick

7264. Edie Sedgwick Original Mixed Media Female Figure Artwork (1962). American actress, model, and socialite (1943–1971) known as one of Andy Warhol’s superstars and muse to Bob Dylan. Original artwork by Edie Sedgwick of a female figure, accomplished in mixed media on an off-white 12 x 16 canvas sheet, signed in the lower right in black ink, “ES–62.” Removably corner-mounted in an off-white mat to an overall size of 20 x 24. In fine condition.

Sedgwick left the St. Timothy’s School boarding school in 1959 and returned to her family’s La Laguna ranch in California, where she remained until the fall of 1962 when her family forced her to confront her eating disorder. At the age of 19, she was sent to the private Silver Hill psychiatric hospital in New Canaan, Connecticut, before eventually being moved to Bloomingdale, the Westchester Division of New York Hospital, residencies that allowed her to focus on artwork during occupational therapy sessions. Given her history of anorexia and body dysmorphia, this artwork of a nude female figure offers insight into what Sedgwick may or may not have considered to be a healthy female body. She left Bloomingdale soon thereafter and, at the age of 20, she moved to Cambridge, Massachusetts, to study art with her cousin Lily Saarinen in the fall of 1963. From the Michael Post Collection. Starting Bid $300

Four-page handwritten letter from Janis Joplin to her boyfriend, discussing life back home in Texas, running into old friends at a high school football game—“Most of them were pregnant. That’s nice, I guess, I just wish I could be having children”

7263. Janis Joplin Autograph Letter Signed on Family, Football, and Motherhood - “I just wish I could be having children”. ALS signed “Love, J,” four pages, 5.75 x 7.75, September 10 [1965]. Handwritten letter to her boyfriend, Peter de Blanc, in full: “How are you? I hope you’re doing okay. I don’t know. They call you Sunday, so if you’ve already left the hospital, call me. Jesus, damn Peter. I hope everything is going well for you. We really deserve some good times. At least I think we do. And I’m really ready. Wow, it’s going to be so nice. Just to be, I mean. I can hardly wait.

I have enclosed a picture. Hope you don’t think I am bombarding you. I mean, a letter every day and everything, you might think I’m coming on too strong or something. (I don’t really think you do – I’m only kidding.) (You don’t, do you?).

The family went to the opening football game of Laurie’s school tonight. And we (the Yellow Jackets) won. We beat the Texas City Stingarees, 22-7. Yay! Yay! But of prime importance, the Hussars marched. Sigh. Laura looked so cute! She had on a big, buttony red coat w/ belts all over, & dangledy things on the shoulders, & a short white pleated skirt, $ her $30 boots (white), & a big hat w/ a red feather goodie on top of it. All in all, she looked mostly just cinched in. But she was really thrilled & so worried, & I helped get her ready, & we took pictures of her. At the game, we had Michael’s binoculars & we spotted her and kept screaming, ‘There she is! There she is!’ She was really good. I was very proud, but fortunately I didn’t weep this time. It was a good game. Lots of fun – even Dad was there. And of course I saw a few people that I used to go to school with (I’m an alumnus) & that was nice except that most of them were pregnant. That’s nice, I guess, I just wish I could be having children.

Anyway, the picture – that’s me (isn’t my hair getting long? Sigh…) in my new dress that Mother made for me as we were

leaving for the game. If any of those pictures of you come out, send some to me. I love you. But maybe you’re really pretty sick, and I shouldn’t be talking about frivolities. But, jeez, it’s hard to talk to you when I don’t know what’s going on. Wow, I miss you, baby. This separation jazz is really killing me. I’ll be so glad when we can be together again. Ah, well. Good night, baby, I still love you. Hope you know it. Xxxx. Get well, I need you.” In very fine condition. Accompanied by a modern printed photo of Joplin posing with her family in Texas, which pictures her parents, Seth and Dorothy, her sister, Laura, and her brother, Michael.

Before her rise as the electrifying lead singer of Big Brother & the Holding Company in the summer of 1966, Janis Joplin briefly stepped away from San Francisco at the urging of friends who had grown alarmed at her deteriorating condition. Described as skeletal and weighing just 88 pounds, she returned to her hometown of Port Arthur, Texas, in 1965, aided by a small ‘going home’ fund raised for her bus fare. There, under the care of her parents, she entered rehabilitation and soon enrolled at Lamar University as an anthropology major, embracing a more conventional appearance—including a fashionable beehive hairdo—and lifestyle. With the support of psychiatric social worker Bernard Gierritano, Joplin was able to get and remain sober.

During this period, she stayed in contact with her boyfriend, Peter De Blanc, whom she had left behind in San Francisco. De Blanc, then working for IBM in New York, traveled to Texas to ask her father for permission to marry her, and the couple became engaged in the fall of 1965. Yet the prospect of domestic life proved ill-suited to Joplin, and the engagement ultimately unraveled. By June 1966, she had returned to San Francisco, where she joined Big Brother & the Holding Company and launched her meteoric career. Joplin died tragically of a heroin overdose in 1970 at the age of 27. Starting Bid $1000

“My phone book has had your number scribbled out so violently that the pen cut through three pages…My mail is also being monitored”—collection of six intimate letters from Jeff Beck to his secret romance, expressing desire, discretion, and the pressures of his mid-’90s career

7261. Jeff Beck Collection of (6) Autograph Letters

Signed to a Secret Romantic Correspondent“My mail is also being monitored”. Collection of six ALSs from Jeff Beck, each signed “Jeff” or “JB,” one page, postmarked between 1995 and 1996, all addressed to Toni Capuano. The handwritten letters, penned during a period of relative quiet for Beck, reveal a candid, possibly romantic relationship marked by longing, secrecy, and the demands of his mid-’90s career. The letters, in full:

June 1995 - “I hope you are better now. The last time we spoke, you sounded very down. I had food poisoning for about two weeks, which threw my plans out of the window. I hope also that you had a happy Thanksgiving. I know it’s really a big celebration over there. Please write soon and send a picture (without me!) in it. I’m catching up on work after being sick and hope to be over soon. Here’s some pretty bad photos of me trying to stay on a horse! Take care. Bye for now.” Beck adds two postscripts: “P.S. I was invited to stay with friends about two miles away from where you live (for Thanksgiving) but could not go. P.S. Thanks for the photo you sent. Xx.” Includes three color glossy 6 x 4 candid photos of Beck on horseback, annotated on the reverse, “Colorado ‘95.”

April 30th 1996 - “Sorry I took so long to write, but things have been chaotic over here. I loved your letter especially the tearing off of clothes bit. Tony, I think my mail is being tampered with so it would be better to address it to the London one. I can’t be sure but it would make sure only I read the letters. I hope you have had no more horrible experiences! and that you are well. Send a picture of yourself and I’ll send an eye and lips shot!” Beck adds a postscript: “P.S. I’m definitely coming to U.S. soon. I’ll call you soon about it. Xx.”

June 27th 1996 - “Thank you so much for the really nice present that you sent me. Unfortunately the summer here is really disappointing so I haven’t had a chance to test it yet! Those photos are beautiful but it’s difficult for me to look at them if you know what I mean. You’re in my thoughts anyway and to suddenly see a photo. I’ve been working 16 - 18 hours a day so have just about run myself into the ground. I’ll be going to L.A. in July to start my new band project. I’ll write again soon. I hope you will too.” On the reverse of the page, Beck writes “love you.”

August 8th, 1996 - “Sorry, I haven’t been in touch for a while, although I have called a few times. I have been completely snowed under with work, trying to get my new material finished. I hope you haven’t forgotten me! I’ll call you this week for sure. I must finish as I am in a post office! I miss you.”

August 1996 - “Please forgive my silence. It’s been very difficult to make contact with you given the situation. My phone book has had your number scribbled out so violently that the pen cut through three pages. My mail is also being monitored and otherwise tampered with. In any case, I’m still missing you a whole lot. I hope you’re doing fine. Bill was in London recently, but I didn’t think it would be too cool to ask him for your number. Please write soon to Hereford Rd address. Love and everything else.”

September 1996 - “I am staying in London this Sunday night. I will call you from there when I will explain what’s been happening. I hope you will be able to receive the call in private. If you need to call me back, I’ll let you have their number. I hope I have not upset you too much however I quite understand everything you say in your letter. Love the photos! Lots of love. Speak to you Sun 8pm U.S. time.”

Included with the letters is a colorized 10.25 x 13.5 photo of Jeff Beck posing with his guitar, the reverse bearing an affixed Post-It note with ANS signed “JB, xxx,” which reads: “Sorry this is the only close-up I could find! Lots of love.” In overall fine condition.

Accompanied by a collection of Jeff Beck tour materials spanning 1995-2015, featuring itinerary books for his 1995 and 1999 USA tours; a sheet of four tickets for a Beck concert at the Ruth Eckerd Hall in Clearwater, Florida, on May 7, 2011, with four unused guest passes; two tickets for a Beck and ZZ Top concert at the MidFlorida Amphitheatre on May 7, 2015; and three additional guest passes. The original hand-addressed mailing envelopes for the letters are included (two of which incorporate Beck’s signature on the reverse), as are four guitar magazines with Beck on the cover, dated between 1980 and 1991. Starting Bid $500

1970s

AC/DC’s explosive

frontman, Bon Scott, documents

life on tour: “All the gigs have been pretty good so far... I’ve been drunk since the beginning of June”

7310. AC/DC: Bon Scott Autograph Archive of (7) Letters and Cards, with Commentary on Touring, Drinking, and Aerosmith. OOutstanding archive of materials from the collection of AC/DC road manager/tour director Dawn M. Blouin, highlighted by seven items signed by Bon Scott—three autograph letters, two handwritten postcards, a New Year’s card, and an oversized envelope, mostly circa 1978. The content is personal in nature and includes references to touring, drinking, and his rock ‘n’ roll lifestyle, along with some humorous and candid commentary.

Highlights:

- ALS signed “Bon,” one page on a postcard depicting Geronimo, postmarked at Pittsburgh, September 9, 1978, in part: “I called about a dozen times between getting home from the gig & going bye bye’s tonight but cha wasn’t home. Maybe I’ll try tomorrow… reckon I will. Wish I was with you. I feel as mean as this cat looks.”

- ALS signed “Bon,” one page inside a greeting card featuring artwork by George Barbier, no date, in part: “This is an exciting night in Down Town Toledo Ohio. (At least that’s where I think I am) & it’s Sunday to boot. Fuck Aerosmith & it’s ‘Tour of Lost Cities.’ Why do we have to help them find them. I must have dozed off for a couple of hours this afternoon & everybody seems to have gone out & I have no money… & no where to go & fuck all to do but plenty of time to do it in. I’m glad I bought this card today to give me something to write you on. (I hate hotel stationary.) I guess Joella has returned by now with tales of ‘On the Road’ in New York. It was a shit not having you come with her but you’d have been pretty bored had you come. We played a couple of dull places. I’m so glad there’s only two more gigs & three more days to go.”

- ALS signed “Bon,” three pages, Holiday Inn letterhead, no date but postmarked at Stockholm, October 11, 1978. In part: “Made it… I arrived in London at about 10:30 AM today. (Or actually yesterday as it’s now about 2:00 AM Tuesday.) It wasn’t an unpleasant flight as I sat next to a couple of interesting, friendly guys on both legs (of the flight…) The only asshole part of the trip was the cab ride from Heathrow Airport to the hotel as there was a smash on the freeway which held up traffic no end. I guess I slept from midday till about 7:00 PM. Refused to answer the phone although it rang most of the day & went out to eat & see a couple of friends at about 9:00 o’clock. Right now I’m sitting back in the hotel room with my half empty bottle

of Black Jack writing a letter. The bar’s closed…everybody’s asleep & the T.V.’s finished…I just ate a lump of black Nepalese hash that Billy gave me this afternoon so it should start happening soon…I went to a gay friend of mine’s place tonight & he told me that it’s been totally boring the last couple of months & that he’s going to San Francisco soon as he gets his green card. I just caught up on who’s up who & how far & it seems that most people here are up themselves a fuckin’ long way. Oh how things change. So say hi to everybody for me.” Accompanied by the original mailing envelope, addressed in Bon Scott’s own hand.

- ALS signed “Bon,” two pages, Hotel Rotmischer Kaiser Dortmund letterhead, no date. In part: “Good morning baby. Hope all is well on the west coast. No doubt the sky is clear & the temperature is in the 90s… If it is don’t tell me about it. It’s fuckin’ cold here at the moment & don’t let the above address fool ya ‘cause actually I’m in a room ten stories over Amsterdam. We’re playing a gig about an hour & a half out of town tonight & we played Amst. last night or actually it was in the afternoon so I was pissed stupid by six o’clock & then after the show Atlantic took us out to dinner at a French restaurant & we kicked on there till about ten after which I lost consciousness till I woke about one o’clock today. I’m happy to say that all the gigs have been pretty good so far with one or two actually being incredible but things have been busy with a lot of travel so I haven’t been able to get into much trouble though I must say my alcohol intake has doubled. I was thinking about it today & I figured out I’ve been drunk since the beginning of June. I’m going to send you an itinerary for England as I’m afraid the European one was a bit late…I’m sure you’ll ‘love’ England…At least you can understand the bastards. I’m O.K. in Germany or at least I can get by but as for the rest of the continent I’m fucked. But I must admit it’s not been all that bad on the whole but I’ll be glad to get out of the place. We’ve only been here fifteen days or so & it’s been a relatively short tour for us but God only knows how we used to spend six weeks here at a time.”

- ALS signed “Bon,” one page on a ‘Good News Productions’ postcard, in part: “By the time you get this I’ll have phoned already & asked… No, begged… for your forgiveness. It’s not that I haven’t thought of you… quite the contrary. I guess I have to say that I’ve been either too busy or just too fuckin’ lazy (I think maybe the latter.) Anyway as soon as I get an English itin. I’ll send it to you. Maybe you’ll come to London… hope so. My love to you.” In overall very good to fine condition.Starting Bid $1000

7311. David Bowie Collection of (18) 35mm Concert Negatives from Earl’s Court, London (May 12, 1973)

- Sold with Copyright. Collection of 18 35mm negatives of David Bowie performing at Earl’s Court in London, England, on May 12, 1973, each image featuring a close-up of Bowie in his prime as Ziggy Stardust. In overall fine condition. Accompanied by a certificate of authenticity from Tracks.

The negatives are sold with copyright. The buyer is solely responsible for ascertaining that each image is otherwise cleared for publication.

Bowie’s landmark concert at Earl’s Court in London on May 12, 1973, held as part of his Ziggy Stardust Tour (aka Aladdin Sane Tour), marked a significant step up to arena-sized venues in the UK—it was one of the first times a rock artist of his caliber had played the massive Earl’s Court venue, highlighting his meteoric rise. The show is remembered for its theatricality, showcasing Bowie’s transition from rock singer to global superstar, with hits like ‘Life on Mars?,’ ‘Starman,’ and ‘The Jean Genie.’ Starting Bid $200

Fully signed Columbia Record Productions test pressing of the Eagles’ classic 1976 album, Hotel California

7312. The Eagles Band-Signed Test Pressing of Hotel California. Early Columbia Record Productions test pressing of the Eagles’ fifth studio album, Hotel California, signed on the plain off-white album sleeve in blue felt tip by Don Henley, Don Felder, and Randy Meisner, in purple felt tip by Glenn Frey, and in black felt tip by Joe Walsh. The sleeve bears an inscription by an unknown hand, “Mark, Thanks,” and is annotated in the upper left, “7E-1084 A/B,” the matrix number for both sides of Hotel California. The record is included, which features the plain “Columbia Record Productions, Santa Maria, Test Pressing’ label to both sides, with the runouts bearing the following matrix numbers: “7E 1084 A-2 RE CSM, ‘IS IT 6 O’CLOCK YET?,’ A1 STERLING LH 1S” and “7E 1084 B-4 RE CSM, ‘V.O.L. IS FIVE PIECE LIVE,’ A STERLING LH 1S.” In fine condition, with light scuffing and edgewear to the sleeve. Accompanied by full letters of authenticity from PSA/DNA and JSA.

The ‘secret messages’ engraved in the run-out groove were included on the original release, with the latter referencing the album’s sixth track, ‘Victim of Love,’ which was recorded in a live studio session with no overdubbing. The iconic album topped the charts for a total of eight weeks and won Grammy Awards for the singles ‘Hotel California’ (Record of the Year) and ‘New Kid in Town’ (Best Arrangement for Voices). A scarce group-signed test pressing of a true classic. Starting Bid $300

7313. Mick Fleetwood Autograph Letter

Signed to John McVie, Discussing Sobriety, His Creative Role, and the Inclusion of ‘These Strange Times’ on Time. ALS signed “Mick, xx,” three pages, 8.25 x 11.75, no date [1995]. Fantastic handwritten letter from Mick Fleetwood to John McVie regarding his composition of the song ‘These Strange Times,’ the final song to be included on Fleetwood Mac’s sixteenth studio album, Time. The letter, in full is available to read online at www.RRAuction.com. In very fine condition. Accompanied by the original ‘Radisson Plaza Hotel Berlin’ transmittal envelope, signed and inscribed by Fleetwood, “To John McVie, from Mick,” and a full letter of authenticity from Beckett Authentication Services. Read more online at www. RRAuction.com. Starting Bid $200

7314. Fleetwood Mac and T-Rex 1970 ‘Pop Proms’ Poster (April 1970) - 40˝ x 30˝. Original 40 x 30 NEMS promotional poster for the ‘Pop Proms’ concert series held at the Roundhouse in London, England, between April 20-25, 1970, which lists concerts by Traffic and Mott the Hoople on April 20th, Tyrannosaurus Rex (TRex) on April 21st, Fleetwood Mac on April 24th, and Ginger Baker’s Air Force on April 25th. Rolled and in very good to fine condition, with a central vertical fold, and creasing, short tears, and old tape stains, at the edges. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Eric Clapton’s personally-owned circa 1928 Gibson L-3 concert-size hollow-body acoustic guitar— originally sold in 1999 to benefit the Crossroads Centre

7323. Eric Clapton’s Personally-Owned 1928 Gibson L-3 Acoustic Guitar. Eric Clapton’s personally-owned circa 1928 Gibson L-3 concert-size acoustic guitar, serial no. 85566, retaining its “Gibson Masterpiece Model” label inside, annotated in ink with model and serial number: “Style L3, Number 85566.”

The guitar boasts a spruce top in a sunburst finish, f-holes, maple body, mahogany neck, ebony fingerboard with nineteen frets and pearl dot inlays, adjustable ebony bridge, and metal tailpiece. Exhibits overall wear, including a surface chip to the soundboard below the neck and some crazing to the finish, but tunes and plays nicely.

Provenance: Lot 30, Eric Clapton Guitars in Aid of the Crossroads Centre, Christie’s June 24, 1999. Their lot description notes: “This guitar was given to Clapton by a mutual Mississippi Blues fan and he kept it at home for some time.”

Accompanied by a tie-on handwritten label by Clapton’s guitar tech Lee Dickson (“Gibson L3, 85566”), Christie’s lot tag, “E.C. The Auction” guitar pick, and hardshell contour case lined in green velvet (which has a somewhat musty odor).

Eric Clapton is widely celebrated for his masterful guitar work, and while he’s often associated with Fender Stratocasters, his early career prominently featured Gibson guitars. In the late 1960s, Clapton wielded a Gibson Les Paul with Cream, shaping the raw, blues-driven sound that defined the era. He also played a Gibson ES-335 and the iconic SG nicknamed ‘The Fool.’ Additionally, his acoustic work—especially on the legendary MTV Unplugged album—showcases his deep connection to blues roots, with warm, expressive tones from his orchestra-size Martin, a meticulously crafted tribute to pre-war guitars such as this Gibson L-3.

The Gibson L-3 was a high-grade concert-size hollow-body acoustic produced during the late 1920s, representing Gibson’s transition from traditional parlor guitars to more projection-oriented instruments suited for blues and early jazz musicians. Compact and highly responsive, the model is prized for its connection to early American blues and pre-war Gibson craftsmanship. Starting Bid $1000

7315. Elton John’s Custom-Made Machin Shirt (1975). Creamcolored long-sleeve shirt custom-made for Elton John in August 1975. The light fabric, collared shirt retains its original Machin Shirtmaker of Los Angeles label to the inner collar, which is stamped, “Elton John, August 1975.” In fine condition. Accompanied by a certificate of authenticity from Tracks.

The consignor notes that this shirt was originally sold by Elton John at his first ‘Out of the Closet’ sale. Elton John can be seen wearing a near-identical shirt at the first Rock Music Awards at the Santa Monica Civic Auditorium, August 9, 1975. Starting Bid $200

7316. Lynyrd Skynyrd Multi-Signed (8) Limited Edition Epiphone ‘30th Anniversary’ Les Paul Electric Guitar. Limited edition Epiphone Lynyrd Skynyrd 30th Anniversary Les Paul ‘Goldtop’ solid-body electric guitar released in 2003 to celebrate 30 years of Lynyrd Skynyrd, who released their first album, (Pronounced ‘Le˘h-’nérd ‘Skin-’nérd), in 1973. The guitar—which features a metallic goldtop finish, large “Lynyrd Skynyrd” fretboard inlay, a 30th Anniversary logo on the back, and vintage-style green keystone tuners—is signed on the body in silver ink by eight band members: Johnny Van Zant, Billy Powell, Carol Chase, Hughie Thomasson, Rickey Medlocke, Gary Rossington, Dale Krantz-Rossington, and Michael Cartellone. Includes a hardshell carrying case and the guitar’s original Epiphone ‘Lynyrd Skynyrd 30th Anniversary’ gig bag. In very good to fine condition, with missing strings, some scuffs and marks to the body, and light use, resulting in wear to the end of Rossington’s signature. Starting Bid $200

7317. Lynyrd Skynyrd (6) Signatures

Dated to Their 1977 UK Tour. Vintage ballpoint and felt tip signatures of Lynyrd Skynyrd dated to their concert at the Odeon Theatre in Birmingham, England, on February 2, 1977, as part of their 1977 European tour, signed on four album pages, and the inside cover of said autograph album, each measuring 5.5 x 4 and 4 x 5.5. The autographs are as follows: “Thanks, Ronnie Van Zant,” and on the reverse, “Many thanks, Steve Gaines”; “Ta cheers, Leon Wilkeson,” and on the reverse by rock legend Roy Orbison; “Thanks, Bill Powell”; “Jo-Jo Billingsley (‘Skynyrd Tour of UK - 77’),” signed on the reverse by English model Twiggy; and “Gary Rossington,” signed on the reverse by Swedish actress Britt Ekland. In overall fine condition, with some light stains and spotting. Each page/cover is individually encapsulated by Beckett Authentication Services. Read more online at www.RRAuction.com. Starting Bid $200

7318. Bob Marley Signed Bootleg Album - Jah Joys and Rainbow. Rare unofficial ‘Jah Joys and Rainbow’ album by Bob Marley and The Wailers (Ze Anonym Plattenspieler, ZAP 7889), signed and inscribed on the blank album sleeve in felt tip, “To Wayne, Rasta Fari Guide, Bob Marley.” Includes the vinyl record with plain ‘Side One’ and ‘Side Two’ labels, and the original cover pastedown listing the songs as ‘Catch a Fire,’ ‘Trenchtown Rock,’ ‘Concrete Jungle,’ ‘Midnight Ravers,’ ‘Talkin’ Blues,’ ‘Rebel Music,’ and ‘I Shot The Sheriff.’ In fine condition, with old clear tape along the edges, and some scuffs and marks to the vinyl. A rare signed bootleg widely identified as a recording of their June 10, 1975, concert at The Quiet Knight Club in Chicago, Illinois. Starting Bid $300

7319. Bob Marley Signed 12˝ Promo Single - Could You Be Loved. Island Records 12˝ promo single of “Could You Be Loved” by Bob Marley & The Wailers (PRO-A-902), signed on the front of the sleeve in black ballpoint, “All the Best Wishes Love, Bob Marley.” In fine condition. The record is included.

A vibrant anthem of unity and resilience, Bob Marley’s “Could You Be Loved” stands as one of the most enduring expressions of reggae’s global reach, blending infectious rhythm with a timeless message of self-worth and independence. Released in 1980 as part of the landmark Uprising album, the track captures Marley at his artistic peak, its pulsating groove and lyrical depth continuing to resonate across generations. Starting Bid $300

7320. Bob Marley and The Wailers ‘Canceled’ Concert Poster (University of Bradford, November 17, 1973) - 20˝ x 30˝. Original 20 x 30 poster for a Bob Marley and the Wailers concert at the University of Bradford in Bradford, England, on November 17, 1973, which features a large, colorful image of an organ grinder with his trained capuchin monkey. Rolled and in fine condition, with light edgewear, mostly to the right edge. Accompanied by a certificate of authenticity from Tracks. Marley’s 1973 Burnin’ Tour began in Homestead, Florida, in mid-October 1973, and ended in Northampton, England, in late November. The first four shows of the second tour leg in England had been cancelled due to Peter Tosh’s illness, including the concert in Bradford. Starting Bid $200

Rush R40 Tour limited edition signed display with Peart’s stage-used drum stick and Lee & Lifeson’s concert-used strings—one of only 10 made

7321. Rush Concert-Used Memorabilia Display: Peart Drum Stick, Lee & Lifeson Strings, and Signatures (Ltd. Ed. #3/10). Exceedingly rare limited edition official display of concert-used memorabilia from Rush’s 2015 R40 Live Tour—the last before Neil Peart’s death in 2020—which marked the 40th anniversary of Peart joining the band. The shadowbox features one of Peart’s stage-used drum sticks—heavily beaten and battered from his intense playing style—along with Geddy Lee’s stage-used bass strings and Alex Lifeson’s stage-used electric guitar strings. Also displayed are felt tip signatures of Peart, Lee, and Lifeson, matted and framed with a large concert photograph to an overall size of 24 x 32. Affixed on the reverse is a certificate of authenticity from Showtech, Rush’s official merchandiser and purveyor of the Rush Backstage Club store; numbered 3/10, this ultra-limited edition sold out almost instantly via the official Rush Backstage Club store. In fine condition. Starting Bid $1000

PUNK ROCK

7386. The Clash 1977 Concert Handbill (Coliseum, Harlesden). Vintage 8.25 x 13 handbill for a concert by The Clash at the Coliseum in Harlesden, London, on March 11, 1977, which lists the Buzzcocks, Subway Sect, and the Slits as supporting acts. In very good to fine condition, with a central horizontal fold and old tape stains to the corners. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

7387. The Clash Signatures (1981). Vintage ballpoint signatures of The Clash — Paul Simonon, Topper Headon, Joe Strummer, and Mick Jones, who adds “(GTR)” — on an off-white 8.25 x 11.5 sheet. The consignor notes that the signatures were obtained by the head of the Swedish Motorhead fan club at Johanneshov Isstadion in Stockholm, Sweden, on May 16, 1981, during the Mission Impossible tour. In very good to fine condition, with overall creasing, file holes to the left edge, and several intersecting folds. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Rare and controversial ‘smoking boy’ poster made for the Sex Pistols’ international debut concert at the Club Du Chalet Du Lac in Paris, France, on September 3, 1976—

one of only 100 posters printed for the show

7388. Sex Pistols Rare 1976 Club Du Chalet Concert Poster (Paris, September 3, 1976)

- The Band’s International Debut. Exceedingly rare original 21 x 30.75 concert poster for the Sex Pistols at Club Du Chalet Du Lac in Paris, France, on September 3, 1976. The controversial poster features blue stencil-style text, a central pink guitar shape, and a series of four images of a nude boy smoking a cigarette. Text above reads: “London’s most notorious band!” Rolled and in very good condition, with folds and creases, light stains, tack holes, and a small area of edge loss. Accompanied by a certificate of authenticity from Tracks. Only 100 copies are believed to have been printed, with just a scant few surviving in the decades since the concert.

Manager Malcolm McLaren devised the provocative ‘smoking boy’ motif in November 1975 for an early Sex Pistols t-shirt sold at his King’s Road boutique, Sex. Interviewed by Paul Gorman in 2008, McLaren recalled: ‘This was my first attempt at making a Sex Pistols t-shirt…I wanted to create something of a stir…the way this boy stood with his cigarette could look like a smoking gun.’ The image, sourced from a gay magazine, was paired with a guitar outline based on Glen Matlock’s bass. When Bernie Rhodes refused to print it, McLaren pressured Matlock—then an art student at Saint Martin’s—to produce a small run, reportedly no more than 40 shirts, many distributed to promote the band. As shown here, the design was later adapted into a poster for the band’s September 1976 Chalet du Lac performances. During production, Rhodes attempted to obscure parts of the image with lettering, later remarking, ‘Malcolm likes to titillate, but I like to get down to substance.’

The Sex Pistols’ two performances at the Chalet du Lac on September 3 and 5, 1976, marked their first international shows, spotlighting both their rising notoriety – just months before the release of their debut single – and the growing influence of British punk abroad. The venue, newly refurbished from a disco into a live music club, reopened on September 3rd with a free event that drew more than 2,000 people, including regular clubgoers and members of the Bromley Contingent who had traveled from London, among them Siouxsie Sioux, Steven Severin, and Billy Idol. Booked by photographer and promoter Pierre Bénain – tasked with finding the most fashionable British band – the Sex Pistols arrived late after their equipment was lost at Heathrow, forcing them to begin after midnight without a soundcheck. Opening with ‘Anarchy in the U.K.,’ they delivered a notoriously chaotic performance, with reportedly poor sound prompting the club owner to try to halt the show after just a few songs. Though reactions were mixed, the shock of this raw, confrontational style proved electrifying, helping ignite the early French punk scene; a second performance on the afternoon of September 5th was recorded and later circulated as a bootleg. Starting Bid $500

British punk ignites—rare Sex Pistols and the Clash concert

poster from the opening night of the ‘100 Club Punk Special’ on September 20, 1976— pulled from the venue’s door after the show

7389. The Sex Pistols and The Clash Rare Original 1976 Concert Poster (100 Club, London) - 11.75˝ x 16.75˝. Rare original vintage 11.75 x 16.75 poster for a concert featuring the Sex Pistols and The Clash at the 100 Club on Oxford Street in London, England, on September 20, 1976. In very good to fine condition, with a central horizontal fold, light creasing in the margins, and tack holes to the corners. Accompanied by a certificate of authenticity from Tracks and a handwritten letter of provenance: “I obtained this flyer/poster when attending the first night of the 100 Club Punk Festival. It was pinned on the door and removed when exiting the venue.”

The September 20, 1976, concert at London’s 100 Club marked the opening night of the seminal “100 Club Punk Special,” a two-day event widely regarded as a defining moment in the emergence of British punk. Featuring performances by the Sex Pistols and the Clash—alongside Siouxsie and the Banshees in their debut appearance and Subway Sect— the show brought together the movement’s key early acts on a single bill. Notorious for its chaotic atmosphere and brief outbreak of violence, the event drew significant attention and helped crystallize punk as a distinct and confrontational cultural force. Starting Bid $300

1980s

“Your part is on track 12…Of course change it as you like & sing my part”—handwritten letter from Chrissie Hynde to Friends actress Lisa Kudrow, forwarding her updated handwritten lyrics to the show’s classic song, ‘Smelly Cat,’ which Kudrow famously sang as the TV character Phoebe Buffay

7410. The Pretenders: Chrissie Hynde Autograph Letter Signed to Friends Actress Lisa Kudrow, Sending Her Handwritten Lyrics to the Show’s Iconic Song, ‘Smelly Cat’. ALS signed “Love, Chrissie,” with handwritten lyrics to the song, ‘Smelly Cat,’ sent to Friends actress Lisa Kudrow, who sang the song as her television character, Phoebe Buffay, in the sixth episode of the show’s second season, ‘The One with the Baby on the Bus,’ which aired on November 2, 1995. Hynde’s handwritten letter, one page, 8.25 x 11.75, September 4, 1999, in full: “Your part is on track 12. ( - The middle and something at the very end.) Of course change it as you like & sing my part or whatever — Hell, we’re not proud (not after this we’re not!).” Hynde adds a short postscript: “Loved you in Analyze This.” The included lyrics, which are marked “Lisa” on the back of the second page, read: “1. SC SC, what are they feeding you / SC SC, you’re getting fat / I think that I’m gonna be sick / Ears & lips, & nose & dick / Heart of red tail of pink / 2. All the dogs in the neighborhood will say that it’s for your own goo d/ They want you fat so you can’t run / No fun babe no fun / Smelly cat SC, boredom makes you eat like that / I saw you in a shopping mall / 3. Smelly Cat SC, It’s not your fault / If you knew what was in your food / Let’s say it might affect your mood / You smell like something dead x 3.” Includes a promotional Reprise Records CD single for ‘Smelly Cat’ by Phoebe Buffay and the Hairballs featuring The Pretenders, with credits to “Chrissie Hynde / Lisa Kudrow.” In overall fine condition. ‘Smelly Cat’ was one of those small, quirky moments from Friends that somehow took on a life of its own. Sung by Lisa Kudrow as Phoebe Buffay, the offbeat tune first appeared in Season 2’s ‘The One with the Baby on the Bus,’ which guest-starred Chrissie Hynde as Stephanie Schiffer, a polished musician hired to replace Phoebe at Central Perk—only to end up learning ‘Smelly Cat’ from Phoebe herself. What began as a throwaway joke quickly became a signature bit, with Kudrow bringing the song back again and again over the show’s ten-season run. Fan enthusiasm eventually led to a studio version: Kudrow teamed up with Hynde and the Pretenders—cheekily billed as Phoebe Buffay and the Hairballs—to record ‘Smelly Cat Medley’ for the 1999 album Friends Again. By then, ‘Smelly Cat’ had grown into a full-fledged fan favorite, often ranked among the show’s most memorable moments and even mentioned alongside its theme song. Its legacy carried on beyond the series as well: Kudrow revisited it in a surprise duet with Taylor Swift during the 1989 World Tour in 2015, and later performed it with Lady Gaga during the 2021 Friends reunion special. Starting Bid $200

7409. Madonna Signed Photograph. Glossy 8 x 10 half-length photo of Madonna wearing a black crop top with the word “Healthy” across her chest, signed vertically in felt tip. In fine condition, with a PSA label affixed to the lower left corner. Encapsulated in a PSA/DNA authentication holder.

Madonna’s iconic ‘Healthy’ crop-top photo session with photographer Ken Regan took place on February 22, 1985, at the Mondrian Hotel on the Sunset Strip in West Hollywood. Regan later recalled first encountering Madonna in the hotel elevator at 4 a.m., mistakenly assuming she was ‘a lady of the evening,’ explaining, ‘She wasn’t that big then,’ despite the recent charttopping success of ‘Like a Virgin’ and her headline-making MTV Video Music Awards performance.

The resulting shoot became one of Madonna’s defining early image sessions, with Regan photographing her in the now-famous ‘Healthy’ crop top, rosary crucifix, rubber bracelets, lace-trimmed white skirt, beauty mark, and wild, teased hair. Regan particularly remembered the stripped-down nature of the session: ‘What was great was that no publicist was there, no manager…she was there by herself.’ He added, ‘That was the most successful shoot that I’ve ever had. Twenty-four magazine covers around the world.’ Starting Bid $200

7468. Madonna Signed Check for “Chiropractic care” - Dated 11 Days Before Marrying Sean Penn. Personal check, 6 x 2.75, filled out and signed by Madonna, “Madonna Ciccone,” payable to Dr. Leroy Perry for $223.93, August 5, 1985, with Madonna adding in the memo field, “Chiropractic care.” In very fine condition. Encapsulated in a PSA/DNA authentication holder. This check, likely pertaining to physical rehab following her highly successful The Virgin Tour, is dated just 11 days before she married actor Sean Penn on her 27th birthday on August 16, 1985. Starting Bid $200

“Your fan, Bono”— letter from the U2 frontman to legendary singer Tony Bennett

7412. U2: Bono Typed Letter Signed to Tony Bennett. TLS signed “Bono,” one page, 8.25 x 11, Temple Hill letterhead, February 26, 2003. Letter to music legend Tony Bennett, in full: “I was honoured, delighted and slightly flummoxed to see you at the MusiCares event. I wish I’d know you were coming…I would have made a note to remind everyone of what you are doing behind the scenes in the civil rights movement. Not that you need to be reminded, but we all do…that the collision of culture and politics is the mark of a whole society. Where would the Irish be without the cross wires of drunk priests, mad poets, colourful politicians, megalomaniacs and bons vivant. I think I might have been all of the above the other night… Thanks again for being there. Your fan, Bono.” In very good to fine condition, with overall light creasing. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

“I shouldn’t be signing this”

7411. U2 Signed Bootleg Album - Live in Boston. Limited edition Live in Boston bootleg album, released by Me Records in an edition of 400, signed on the front cover in black ballpoint, “I shouldn’t be signing this—Bono,” “Edge,” and “Adam.” In fine condition, with corner creasing and some staining to reverse. The record is included. Accompanied by a full letter of authenticity from REAL. A scarce, unofficial U2 release, recorded live at Paradise Theatre on March 6, 1981. Starting Bid $200

MICHAEL JACKSON

7448. Michael Jackson Signed AlbumThriller. Thriller album signed on the front cover in black ballpoint, “Michael Jackson 83.” In very good condition, with overall creasing, scuffing, and edge wear. The record is included. Starting Bid $200

7449. Jackson 5 Signed Photograph. Vintage glossy 10 x 8 Motown promo photo of the Jackson Five, signed in blue felt tip, “Michael Jackson, Be cool man,” “Jermaine Jackson,” “Marlon,” “Tito Jackson,” and “Jackie Jackson.” In very good to fine condition, with scattered creasing. Starting Bid $200

“Call me ol fashioned – just clap yo hands / Radio used 2 b local, untouched by the man”—Prince’s partial handwritten lyrics for ‘Ol’ Skool Company,’ the eighth track from his 2009 album MPLSound

7452. Prince Partial Handwritten Song Lyrics for ‘Ol’ Skool Company’. Partial handwritten lyrics by Prince for the song ‘Ol’ Skool Company,’ the eighth track from his 2009 album MPLSound, which was released as part of Lotusflow3r, a triple album set by Prince and protégée Bria Valente containing the Prince albums Lotusflow3r and MPLSound, his thirty-third and thirty-fourth studio albums, and Valente’s debut album, Elixer.

Headed “OSC” and “2,” the unsigned lyrics start and close in pencil, with the middle verse section penned in purple ink. The lyrics read, in part: “Cuz every day we need some OSC – we need it / sexy groove while we were pleadin / ruled in the community / 3. Everybody’s sinked n the quicksand created by the keepers of time / cast aside by using ancient tricks that r changing ur state of mind / got u catering the whims of the flesh b4 / b4 u get ur paper right / call me ol fashioned, but back n the day wasn’t no shorties n sight.

4. 1st come job then come marriage b4 shorty come out with the baby carriage / call me ol fashioned – just clap yo hands / radio used 2 b local untouched by the man / songs we used 2 sing used 2 mean somethin / now they just bland like ur drummer.

5. New world hippies say we don’t care / make the party strip 2 their underwear / turn the lights off so they don’t stare / somebody blindfold Billy he’s so square / Christina Milian playin’ ‘Truth or Dare’ / Maxwell & CeeLo they gonna end up there / pick another # –nickel, dime, don’t care / as long as she’s having fun nobody scared.” In fine condition. Starting Bid $500

7453. Prince Signed Album Insert - Dirty Mind. Album insert for Prince’s third studio album, Dirty Mind, signed over his likeness in felt tip, “Prince.” The insert is also signed by guitarist Dez Dickerson. In fine condition. The album sleeve and record are included. Accompanied by a full letter of authenticity from REAL.

Dirty Mind, Prince’s third studio album, was released on October 8, 1980, by Warner Bros. Marked by a bold fusion of rock, funk, and new wave, it introduced his high-register vocals, sexually explicit lyrics, and androgynous image, elements that would shape early 1980s popular music. Though it peaked at number 45 on the Billboard 200, the album was critically acclaimed, with the single ‘Uptown’ reaching number five on the Billboard Hot Soul Singles chart, and has since been widely ranked among the greatest albums of the decade and of all time. Starting Bid $300

7454. Prince’s Personally-Owned Flower Pillow. Fabulous throw pillow adorned with white and pink faux roses, approximately 14˝ x 11˝ x 5˝, purchased in 1985 for Prince’s house on Galpin Boulevard in Chanhassen, Minnesota. In fine condition. Accompanied by a letter of provenance from Prince’s former assistant, Karen Krattinger, who attests that this decorative pillow was displayed in Prince’s personal bedroom and sitting area, and was gifted to her when Prince decided to redecorate his home after breaking up with his fiancée, Susannah Melvoin. Starting Bid $200

1990s AND BEYOND

50

celebrities

sign a ‘Guitar of Hope’—including Taylor Swift, Britney Spears, and Barbra Streisand

7408. Guitar of Hope Signed by (50) Celebrities, including Taylor Swift, Britney Spears, and Barbra Streisand. Sunburstfinish Epiphone PR-150VS model six-string acoustic guitar, signed ink and felt tip on the front, back, and sides of the body, as well as the pickguard, by 50 musicians and entertainers, all in support of a family who experienced a personal battle with cancer. Signers are: Adam Levine, Adam Shankman, Alan Jackson, Amy Grant, Ariana Grande, Baby Face, Barbra Streisand, Big Time Rush, Blake Shelton, Brad Paisley, Britney Spears, Carlos Santana, Chris Mann, Christina Aguilera, Christina Millian, Ellen DeGeneres, Fergie, Gavin Rossdale, Gary LeVox, Gwen Stefani, Hilary Duff, Jason Aldean, Jay DeMarcus, Joe Don Rooney, Josh Duhamel, Josh Groban, Kathy Griffin, Kelly Clarkson, Kimberly Williams Paisley, K. T. Oslin, Miley Cyrus, Paula Abdul, Rachel DiPillo, Reba McEntire, Ronnie Dunn, Shakira, Sylvie Vartan, Taylor Swift, Usher, Vince Gill, and Glee cast members Chris Colfer, Darren Criss, Cheyenne Jackson, Adam Lambert, Jane Lynch, Kevin McHale, Mark Salling, Harry Shum, Jr., Jenna Ushkowitz, and Erinn Westbrook. In fine condition.

Originally started with the hope of obtaining a few signatures to auction the guitar for the family, the effort quickly gained support and momentum through a close network of friends, associates, and the charity of the celebrities. The guitar is accompanied by a detailed narrative of the travels of the guitar, chronicling its journeys across the country from Nashville, Tennessee, Burbank, New York City, Beverly Hills, northern California, and a flight on Taylor Swift’s private jet. The narrative is composed by those who helped in obtaining the signatures, with each listing the signatures they personally acquired, and is also accompanied by 18 photos taken at the time of signing, including McEntire, Duff, DiPillo, Westbrook, Grande, Shelton, Fergie, and several Glee cast members. A one-of-a-kind offering, extensively documented, and generously signed for a worthy and personal cause. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $300

7465. David Bowie: Gail Ann Dorsey’s StageWorn agnès b. Suit Ensemble from BBC Two’s Later... with Jools Holland (September 20, 2002). Vibrant stage-worn agnès b. black-and-red silk-blend velvet suit ensemble worn by bassist Gail Ann Dorsey when she performed with David Bowie on the 10th anniversary show of BBC Two’s Later… with Jools Holland on September 20, 2002, the opening episode of the program’s 20th series. The two-piece suit is comprised of a tailored three-button jacket and matching trousers, both made in France by agnès b. of Paris. The striking jacket features an all-over abstract circular motif in vivid red flocked velvet against a black velvet ground, accented by peaked lapels, flap pockets, and a black satin lining. The coordinating trousers are fashioned in complementary black velvet with bold vertical red velvet striping for a dramatic stage-ready silhouette. Both retain their original “agnès b. Paris” labels, with the jacket marked size 1 and the pants dated September 17, 2001. In overall fine condition, with expected light wear from stage use.

Bowie’s appearance on September 20, 2002, marked his final performance on Later… with Jools Holland, the influential BBC music series on which he had appeared several times beginning in 1995. Backed by longtime collaborators, including bassist and vocalist Gail Ann Dorsey, Bowie performed a five-song set featuring ‘Rebel Rebel,’ ‘Look Back in Anger,’ ‘5:15 The Angels Have Gone,’ ‘Heathen (The Rays),’ and ‘Ashes to Ashes,” although only three of the songs and the interview were selected to air when the concert was broadcast on October 18, 2002.

Dorsey can be seen wearing this ensemble throughout the five-song set, during which she played bass, sang backing vocals, and, during the finale performance of ‘Heathen (The Rays),’ played tambourine. As the song concluded, Dorsey and Bowie are shown embracing just offstage.

The appearance marked Bowie’s final performance on Later… with Jools Holland and came during his celebrated reunion with producer Tony Visconti for Heathen, now regarded as one of the defining works of his later career. Heathen was quickly followed by 2003’s Reality, but while touring in support of that album in 2004, Bowie suffered a heart attack and subsequently all but retired from live performance.

French designer agnès b. (Agnès Andrée Marguerite Troublé, born 1941) launched her influential namesake label in Paris in 1976, becoming known for understated, accessible designs inspired by vintage and flea-market fashion. Her enduring ‘snap cardigan,’ introduced in 1979, became an international signature piece and remains one of the most recognizable garments associated with the brand. Starting Bid $300

Breathtaking early original Alexander McQueen evening dress worn by Gail Ann Dorsey when she performed with David Bowie at his 50th birthday concert celebration in New York City on January 9, 1997—including an iconic rendition of

‘Under Pressure’ and leading Madison Square Garden in a rendition of ‘Happy Birthday’

7464. David Bowie: Gail Ann Dorsey’s Stage-Worn Alexander McQueen Evening Dress from David Bowie’s 50th Birthday Concert at Madison Square Garden (1997). Stunning stage-worn Alexander McQueen semi-sheer evening dress worn by bassist Gail Ann Dorsey while performing with David Bowie at the latter’s 50th birthday concert celebration at Madison Square Garden in New York City on January 9, 1997. The dress, which bears no size or maker tag, is constructed of a dark slate-blue floral lace textile with dramatic asymmetrical construction and deconstructed detailing characteristic of the designer’s early avant-garde aesthetic. The form-fitting silhouette features a single three-quarterlength sleeve opposite an intentionally exposed shoulder, an open back, and a revealing split lower skirt panel. Executed in intricate floral lace with alternating tonal blue-gray and pale silver-white patterning over an open mesh ground, the dress combines romantic textilework with McQueen’s signature tension between elegance and sensuality. In fine condition.

David Bowie’s 50th Birthday Celebration Concert, billed as David Bowie and Friends: A Very Special Concert, was held at Madison Square Garden in New York City on January 9, 1997, one day after Bowie’s fiftieth birthday. Staged before a sold-out crowd of nearly 15,000 fans, the landmark event served both as a retrospective celebration of Bowie’s career and as the public launch of material from his then-forthcoming album Earthling. The concert also benefited the charity Save the Children.

The evening featured an extraordinary lineup of guest performers reflecting Bowie’s wide-ranging influence across generations of rock and alternative music, including Lou Reed, Billy Corgan of the Smashing Pumpkins, Foo Fighters and Dave Grohl, Robert Smith of The Cure, Frank Black of the Pixies, and Sonic Youth.

Among the setlist highlights was a celebrated performance of “Under Pressure,” featuring the remarkably talented Gail Ann Dorsey on bass and vocals as she assumed Freddie Mercury’s original vocal parts opposite Bowie. If that moment wasn’t special enough, Dorsey also led the assembled musicians and full Madison Square Garden audience in a rafter-shaking rendition of ‘Happy Birthday’ during the concert finale.

Alexander McQueen (1969-2010) remains one of the most influential and visionary designers of the modern era, revolutionizing fashion in less than two decades with his theatrical silhouettes, technical mastery, and provocative romanticism. Founder of his eponymous label in 1992 and chief designer for Givenchy from 1996 to 2001, McQueen earned four British Designer of the Year awards before his untimely death at age 40. Original stage- and runway-worn McQueen garments from this formative early period are of the utmost rarity and desirability, with the present example elevated further by its direct association with David Bowie’s historic 50th Birthday Celebration Concert at Madison Square Garden. Starting Bid $1000

7466. David Bowie: Gail Ann Dorsey’s John Richmond Leather Jacket - Worn on the Cover of Her Debut Album, The Corporate World. John Richmond ‘Man’ black leather asymmetrical moto jacket worn by Gail Ann Dorsey on the front cover of her debut album, The Corporate World, released in the United States on Sire Records in 1989. The supple leather jacket, size medium, features a silver-tone zip-front closure, angled zip pockets, snap-tab shoulders, and striking tattoo-inspired sleeve artwork with skulls, serpents, roses, and banner motifs. Fully lined in gold-tone acetate, the jacket combines a sleek, fitted biker silhouette with the bold rock aesthetic associated with the Italian designer label. In fine condition. Accompanied by printed photographs of the album’s front and back covers, both signed by Dorsey and picturing her wearing the offered jacket.

Gail Ann Dorsey’s debut studio album, The Corporate World, was released by WEA in 1988 and by Sire Records in the United States in 1989. Produced by renowned bassist Nathan East, the album features guest appearances by Eric Clapton and Gang of Four guitarist Andy Gill. Blending elements of rock, pop, and R&B, the record introduced Dorsey’s distinctive songwriting and genre-crossing style that would later define her acclaimed career as both a solo artist and collaborator. It received a five-star review and was voted one of the Top 50 Albums of the Year by London’s Q magazine.

John Richmond leather jackets are closely associated with the designer’s signature rock-inspired and biker-influenced aesthetic that has attracted an array of celebrity admirers since the label’s founding in 1987. Known for bold graphics, rebellious tailoring, and punk-inspired styling, Richmond’s designs have been worn by major music icons including Mick Jagger, David Bowie, Madonna, George Michael, Annie Lennox, Axl Rose, Bryan Adams, and Michael Jackson. George Michael notably wore Richmond’s celebrated “Destroy” jacket in the music video for his hit single ‘Faith,’ helping cement the designer’s reputation for fashion rooted in rock ’n’ roll culture. Starting Bid $200

7467.David Bowie: Gail Ann Dorsey’s Jean Paul Gaultier Stage-Worn Dress from the Special Rai Concert, 1,2,3 Soleils (1998). Beautiful stage-worn Jean Paul Gaultier Maille multicolor knit slip dress worn by bassist Gail Ann Dorsey when she performed with Algerian artists Rachid Taha, Khaled, and Faudel during the special 1, 2, 3 Soleils concert at the Palais Omnisports de Paris-Bercy in Paris, France, on September 26, 1998. The Italian-made dress is executed in a vividly striped open-knit textile with a folkloric geometric yoke in olive green and ochre. The body features alternating vertical bands of turquoise, burgundy, yellow, ivory, and black, framed by orange trim and delicate shoulder straps, and the hem is finished with an intricate zigzag knit border in orange and metallic gold tones. The interior retains its original “Jean Paul Gaultier Maille” label. In fine condition. Read more online at www.RRAuction.com. Starting Bid $200

7027. Paul McCartney Signed Album - A Hard

7050. Beatles Original 'HELP! Premiere' Dinner

7051. Beatles (3) Original Negatives from the Warwick

7052. The Beatles Vintage 1963 Photograph (Dezo

7053. Beatles Vintage 1961 Cavern Club Photograph by

7054. Beatles Vintage 1963 'RoundUp' Photograph

7055. Beatles Vintage Candid Photograph by Linda McCartney (1968)

7056. Beatles 1966 Dodger Stadium Concert Ticket Stub Starting Bid $200

7057. Beatles Vintage 1963 Dezo Hoffmann Photograph

7058. Beatles 1963 Cavern Club Promotional Card Starting Bid $200

7059. Beatles 1963 Parlophone Records

7060. Beatles: Apple Music Ltd. Letterhead Sheet (1967)

7061. Apple Studios Vintage Letterhead (Late 1960s/Early

7062. Beatles and Rolling Stones 1963 'The Great Pop

7063. Beatles Oversized 7064. Beatles Oversized

7069.

Starting

Starting Bid

7065. Beatles Oversized Photograph by Harry

7066. Beatles: Cavern Club Brick

Bid $200

7067. Beatles: Peter Blake (2) Original 'Sgt. Pepper's'

7068. Beatles (4) Sgt. Pepper's Release Party Photographs by Jan Olofss...

$200

Beatles: Tony Sheridan, Günter Zint, and Ulf Krüger Signed Book -... Starting Bid $200

7070. Peter Blake Signed Inner Album Sleeve - Sgt. Pepper's Lonely Hear...

7071. Brian Epstein (2) Vintage Photographs Starting Bid $200

7072. George Harrison Vintage Candid Photograph by Linda McCartney (196...

7073. John Lennon Photographic Print by Linda McCartney - Sgt. Pepper's...

7074. John Lennon Original 1962 'Casbah Club' Candid

7075. John Lennon Vintage Candid Photograph by Linda McCartney (1969)

7076. John Lennon and Paul McCartney Vintage 1961 'Cavern Club' Photogr...

7077. John Lennon and Paul

7078. John Lennon and Yoko Ono Original 1968 'Two Virgins' Outtake Phot...

7079. Paul McCartney Autograph Note Signed to Designer Mike Ross Starting Bid $200

7080. Paul McCartney Photographic Print by Linda McCartney - Post No Dr...

7081. Paul McCartney HandCommunications Mailing

7082. Paul McCartney Vintage Candid Photograph by Linda McCartney (1969...

7083. Ringo Starr Photographic Print by Terry O'Neill - Cigar and Peace...

7084. Ringo Starr Autograph Letter Signed

7085. Ringo Starr Signed Book - Another Day in the 7086. Ringo Starr Document Signed for "The Point"

7087. Ringo Starr Original 1961 Photograph by Dick Matthews (Rory Storm...

7093. Bob Dylan Photographic Print by Jim Marshall - Greenwich Village

7094. Bob Dylan Oversized Photographic Print by Daniel Kramer - Bringin...

7095. Bob Dylan (4) Original Negatives from 1965 LA Press Conference - ...

7096. Bob Dylan 1964 London Concert ProgramHis 1st UK Appearance

7097. Bob Dylan 1966 UK Tour Program Starting Bid $200

7098. Bob Dylan and The Who 1969 Isle of Wight Festival Flyer Starting Bid $200

7099. Bob Dylan: Barry Feinstein Signed Book and Print - Real Moments (...

7104. Jimi Hendrix 1971 7105. Jimi Hendrix Experience and Vanilla Fudge 1968 Concert Ticket

7106. Jimi

Experience 1970 Concert Ticket (Hemisfair Arena,

Starting

Experience Original 'The Pavilion' Concert Handbill ...

7111. Jimi Hendrix Original Photograph by Joseph Stevens Starting Bid $200

Starting Bid $200

and

Zeppelin: 1969 Annual Northern California Fo... Starting Bid $200

7112. Jimi Hendrix Experience Original Photograph by Michael Putland (1... Starting Bid $200

7127.

Richards Photographic Print Signed by John ... Starting Bid $200

Starting

Hendrix

7107. Jimi Hendrix

7108. Jimi Hendrix

Led

7109. Jimi Hendrix Vintage 'Woburn Music Festival' Photograph by Richar...

7110. Jimi Hendrix Vintage 'Savile Theatre' Photograph

7118. Rolling Stones Signatures on Hand-Drawn

7125. Mick Jagger Typed Letter Signed

Bid $200

7126. Mick Jagger, Keith Richards, and James Brown (2) Oversized Photog...

Mick Jagger and Keith

7128. Keith Richards Signed Album - Crosseyed Heart

7129. Keith Richards (2) Photographs by Jean-Marie

7130. Keth Richards, Brian

7131. Keith Richards and Ronnie Wood Oversized Original Photograph (198...

Bid $200

7132. Rolling Stones (2) Oversized Photographs Signed by Barry Feinstei...

Starting

Starting Bid

Starting Bid $200

7133. Rolling Stones 7134. Rolling Stones (7) Original Negatives from the Frost on Saturday ...

7135. Rolling Stones and Gene Vincent 1964 Concert Handbill (Colston Ha...

7136. Rolling Stones Early Concert Agreement (Wampler's Hara Arena on N...

$200

7137. Rolling Stones and Andy Warhol 1977 Unused Sticker Sheet for 'Lov...

7138. Rolling Stones Print by John Rowlands - 'The Stones' (Artist Proo...

Bid $200

7139. Rolling Stones and Lynyrd Skynyrd 1976 Knebworth Fair Concert Pos...

7140. Rolling Stones 1981 Candlestick Park Concert Poster (20˝ x 30˝) Starting Bid $200

7141. Rolling Stones 1971 UK Tour Poster (20˝ x 30˝) Starting Bid $200

7142. Rolling Stones 1973 Australian Tour Poster (23.25˝ x 31.5˝) Starting Bid $200

7143. Rolling Stones and Pearl Jam 1997 Oakland Stadium Concert Poster ... Starting Bid $200

7144. Ronnie Wood Photographic Print Signed by John Rowlands (Ltd. Ed. ... Starting Bid $200

7146. Keith Moon (11) Los Angeles Household and PetRelated Documents (... Starting Bid $200

7147. Th Who Starting Bid $200

7150. Roger Daltrey Signature Starting Bid $200

7151. The Who (5) Original Negatives from 1965 - Sold

7152.

7154.

Starting Bid $200

7155. The

and Big Brother and the Holding Company 1967 Winterland... Starting Bid $200

Starting

Starting

The Who Original 1970 (Hippodrome, Bristol)

The Doors 1969 Cow Palace Concert Poster (14˝ x 21.5˝)

Doors

7156. The Doors Oversized Photograph by Bobby Klein (Ltd. Ed. #3/125)

Bid $200

7157. The Doors: Jim Morrison Oversized Photograph by Nettie Pena Starting Bid $200

7163. Jerry Garcia's Empty

7164. Jerry Garcia (4) Original Sketches

Bid $200

7165. Jerry Garcia Signed Photograph Starting Bid $200

7166. Jerry Garcia Signed Photograph Starting Bid $200

7167. Jerry Garcia Signed Photograph Starting Bid $200

7168. Jerry Garcia Signed Photograph Starting Bid $200

7169. Jerry Garcia Signed Oakland Coliseum Arena Ticket - New Year's Ev... Starting Bid $200

7170. Jerry Garcia Signed Rolling Stone Cover Starting Bid $200

7171. Jerry Garcia Signed 1990 Grateful Dead European Tour Itinerary

7172. Jerry Garcia (4) Grateful Dead Productions, Inc. Business Cards Starting Bid $200

7173. Jerry Garcia's Pair of (2) Adamas Graphite Guitar Picks

7174. Jerry Garcia: Herb Greene Signed Photograph

7178. Grateful Dead (11) Vintage Tour, Concert, and Merchandising T-Shi... Starting Bid $200

7175. Jerry Garcia Oversized Photograph by Baron Wolman Starting Bid $200

7179. Grateful Dead (60+) Backstage Passes, Ticket Stubs, and Tour Lami... Starting Bid $200

7183. John Dawson

Autograph Letters Signed: "I think that our new

7176. Grateful Dead (8) Bill Graham Concert Posters,

7180. Grateful Dead and Big Brother and the Holding

Starting

7177. Grateful Dead 1978 Egyptian Concert ProgramGiza Pyramids Starting Bid $200

7181. Grateful Dead Ephemera: (100+) Postcards, Stickers, Decals, and P... Starting Bid $200

with The Doors, Mi...

7182. Grateful Dead and Black Sabbath 1970 Hollywood Music Festival

(2)

v...

7184. Owsley Stanley

7185. Owsley Stanley Autograph Letter Signed,

7224. Robert Plant TwiceSigned Album - Led Zeppelin's Self-Titled

7227. Led Zeppelin Collection of (27) Concert Negatives from London's

7228. Led Zeppelin 1969 Fillmore Concert Poster (13.75˝ x 20.25˝)

Bid $200

7229. Led Zeppelin Vintage 1969 'RIAA Gold Record'

7230. Led

Original Photograph by Michael Brennan Starting Bid $200

7231.

Starting Bid $200

7232. Led

Shepard Fairey Signed 'Mothership' Print (Ltd. Ed. ... Starting Bid $200

7234. Jimmy Page (2) Early Negatives of Carter Lewis and The Southerner...

Starting

Starting

7235. Jimmy Page Oversized Original Photograph (1977) Starting Bid $200

7240. Pink

1975 Pittsburgh Concert

(17.25˝

Starting Bid $200

7236. Jimmy Page Oversized Original Photograph (1983/1988) Starting Bid $200

7237.

7245.

Starting Bid $200

Zeppelin

Led Zeppelin Vintage 'Earls Court' Photograph by Joe Stevens

Zeppelin:

7233. Jimmy Page Signed Book - The Anthology (Ltd.

Led Zeppelin: Robert Plant Signed CD Cover Proof for 'Sixty Six t...

7239. Pink Floyd Signed Album - Atom Heart Mother

Bid $200

Floyd

Poster

x 22˝)

7244. Freddie Mercury Signed Magazine Centerfold

Queen Original 1980 Candid Photograph from the 'Play the Game' Mu...

7250. Muddy Waters 1979 Antone's Concert Poster and Handbill (11.5˝ x 1...

Bid $200

7252. Elvis Presley Twice-

7254. Elvis Presley Signed Postcard Photograph

7256. Sam Cooke Document Signed - William Morris Agency Contract

7257. Allan Freed Signature Starting Bid $200

7267. Eric Clapton Signature Starting Bid $200

Signed Photograph Starting Bid $200

7259. Pete Seeger

Signed Items - Letter and Lyric Sheets Starting Bid $200

Starting Bid $200

7268. David Crosby Autograph Letter Signed on Buying a Boat: "Not prett...

Original Photographs

Christian

Starting Bid $200

Starting Bid $200

Starting Bid $200

(3)

7265. 1960s Rock and Roll (11) Band Signatures

7266. Beach Boys 45 RPM

7269. Crosby, Stills, and Nash Signed Photograph

7270. Crosby, Stills, and Nash Signed Photograph

7271. Crosby, Stills, and Nash: Henry Diltz

7272. Janis Joplin (2)

by

Simonpietri

7273. Janis Joplin and Grace Slick Photograph by

7274. Joni Mitchell (2) Photographs by Jim Marshall and Martin Mills Starting Bid $200

7275. Joni Mitchell Signed Album - For the Roses 7276. Van Morrison Signed Album - Moondance Starting Bid $200

7277. Van Morrison 1986 'No Guru, No Method, No Teacher' Summer Tour Ep... Starting Bid $200

7278. Edie Sedgwick Original Photograph Starting Bid $200

7281.

Three-Day Admission Ticket – PSA MINT 9 Starting Bid $200

Starting

Starting Bid

Starting Bid $200

Starting

7279. Steppenwolf 1972 Reading University Concert

7280. Stephen Stills and Graham Nash (3) Signed

Woodstock

7282. Woodstock Music Festival Original Poster Signed by Artist Arnold ...

7283. Yardbirds Signed 7284. The Yardbirds Signatures

Bid $200

7285. John Van Hamersveld Collection of (14) Signed Digital Artwork Pri...

7286. Big Brother and the Holding Company 1967 Fillmore Concert Poster ...

Bid $200

7287. Big Brother and the Holding Company, Quicksilver Messenger Servic...

$200

7288. The Chambers Brothers 1968 Fillmore Concert Poster (14˝ x 21˝) Starting Bid $200

7289. Country Joe and the Fish: (8) Bill Graham Concert Posters Signed ...

7290. Fillmore: (11) Bill Graham Concert Posters, with Pink Floyd, Jeff...

7291. Fillmore: (10) Bill Graham Concert Posters, with Cream, Big Broth...

7292. Fillmore Auditorium: (11) Bill Graham Concert Posters, with Grate...

7293. Fillmore Auditorium/Winterland: (9) Bill Graham Concert

7294. Fillmore Auditorium/Winterland: (9) Bill Graham Concert

7295. Fillmore: (3) Bill Graham Posters Signed by Grace Slick, Dave Mas... Starting Bid $200

7296. Fillmore West/Winterland: (10) Bill Graham Concert Posters,

7297. Fillmore West: (10) Bill Graham Concert Posters,

7298. Fillmore West: (10) Bill Graham Concert Posters, with Creedence C...

7299. Fillmore West: (10) Bill Graham Concert Posters, with Santana, Je... Starting Bid $200

7300. Fillmore West: (10) Bill Graham Concert Posters with Big Brother ...

7301. Fillmore West: (8) Bill Graham Concert Posters, with Chuck Berry,...

7302. Fillmore: (6) Bill Graham Concert Posters Signed by Artist Lee Co...

7303. Fillmore: (5) Bill Graham Concert Posters Signed by Lee Conklin a... Starting Bid $200

7304. Fillmore: (4) Bill Graham Concert Posters Signed by Lee Conklin a... Starting Bid $200

7305. David Gahr (9) Original Photographs Starting Bid $200

7306. Fillmore: (6) Bill Graham Concert Posters Signed by Artist Lee Co...

7307. Jefferson Airplane (11) Bill Graham Concert Posters, with Gratefu...

7308. San Francisco: (13) Bill Graham and Family Dog Music Posters, wit...

7309. Baron Wolman (7) Signed Photographs of 1960s-1970s Rock Icons

7313. Mick Fleetwood Autograph Letter Signed to John McVie, Discussing ...

7317. Lynyrd Skynyrd (6) Signatures Dated to Their 1977 UK Tour Starting Bid $200

Photographic Print Signed by John

'Isolar ... Starting Bid $200

7324. AC/DC Signed Album Flat - Stiff Upper Lip Starting Bid $200

7329.

7333. David Bowie Signed Album - Lodger Starting Bid $200

7326. Aerosmith Signed Album - Self-Titled Starting Bid $200

7330. David

Signed Album - Pin Ups Starting Bid $200

Original Photograph (1978)

7327. Black Sabbath: Ozzy Osbourne Oversized

7328. Blondie Signed 2013

David Bowie Signed Book - From Station to Station (Ltd. Ed. #709/...

Bowie

7331. David Bowie Signed 12˝ Single - 'Let's Dance'

7332. David Bowie

Rowlands

7334. Eric Clapton Signed 7335. Leonard Cohen Oversized Photograph by John Rowlands Starting Bid $200

7336. Concert for the People of Kampuchea (2) Test Pressing Records Starting Bid $200

7337. Alice Cooper Signed

7338. Crime Original 1979 Demo Cassette Tape for ‘Crime Wave / TV Blue’... Starting Bid $200

7339. Crosby, Stills, Nash, and Young Signed Flyer'Let's Roll' Starting Bid $200

7340. Crosby, Stills, Nash, and Young (4) Signed Photographs Starting Bid $200

7344.

Starting Bid $200

7341. Crosby,

Nash, and Young Signed Photograph Starting Bid $200

7345.

Starting Bid $200

7342. Crosby,

and Young Signed Photograph Starting Bid $200

7343.

Stills,

Stills, Nash,

Crosby, Stills, Nash, and Young Oversized Signed Photograph by He... Starting Bid $200

Crosby, Stills, Nash, and Young 1974 Oakland Stadium Concert Post...

Deep Purple Signed Drum Head

7346. The Eagles: Henley, 7347. The Eagles: Don Henley Signed CD Booklet -

7348. Fleetwood Mac 1977 Oakland Stadium Concert Poster (16.5˝ x 28˝) Starting Bid $200

7349. Fleetwood Mac: Stevie Nicks Signed

7350. Hall and Oates Tour Ephemera Group Lot (1990 -1994) - From the Col... Starting Bid $200

7351. Billy Joel Signed Album - The Stranger Starting Bid $200

7352. Billy Joel Signed Photograph Starting Bid $200

7353. Elton John Signed Album - Honky Chateau Starting Bid $200

7354. Elton John Signed Photograph Starting Bid $200

7355. Elton John Autograph Letter Signed: "Thanks for singing on the Gr... Starting Bid $200

7356.

Kansas Signed Album - Point of Know Return

7357. Carole King Signed Album - Tapestry Starting Bid $200

7358. KISS Signed AlbumLick It Up Starting Bid $200

7359. Kris Kristofferson and Rita Coolidge Signed 1975 Concert Poster f... Starting Bid $200

7360. The Last Waltz: Collection of (16) Vintage Photographs of The Ban...

7361. Bob Marley 1978 Babylon by Bus Tour Poster (25˝ x 38˝) Starting Bid $200

7362. Tom Petty Signed Album - Into the Great Wide

7363. Tom Petty Collection of (13) Photographs Starting Bid $200

7364. Tom Petty and the Album – Official Live ‘Leg...

7365. The Police: Sting Artwork by Jagga (Ltd.

7366. Billy Preston Signed 7367. Rush Signed BookThe Art of Rush: Serving a

7368. Rush Signed Tour Poster - Vapor Trails (18˝ x 24˝) Starting Bid $200

7369. Rush: Lee and Lifeson

7370. Leon Russell Signed 1999 Palookaville Concert Poster Starting Bid $200

7371. Simon and Garfunkel (4) Early Negatives by Chuck Boyd - Sold with...

7372. Bruce Springsteen (4) 7373. Bruce Springsteen

Photographic Print by Danny Clinch - On Stage a... Starting Bid $200

7374. Bruce Springsteen Photographic Print by Annie

7375. Bruce Springsteen

Photographic Print by Richard E. Aaron - On Sta... Starting Bid $200

7376. Bruce Springsteen 7377. Bruce Springsteen

Photographic Print Signed by John Rowlands - 'B... Starting Bid $200

7380. Tom Waits Original Oversized Photograph by

7381. Gary Wright Signed Print - 'Dream Weaver' (Ltd. Ed. #618/1000) Starting Bid $200

7378. Bruce Springsteen Oversized Original Photograph (1988) Starting Bid $200

7382. Frank Zappa (2) Original Reel-to-Reel Tapes for His 1974 KMET Rad... Starting Bid $200

7379. Bruce Springsteen Oversized Original Photograph (1981) Starting Bid $200

Starting Bid $200

7383. Ramones Signed 1991 Australia Tour Poster

7384. Ramones Signed Album - Leave Home Starting Bid $200

7385. Ramones Signed Album - Rock 'n' Roll High School

7390. The Clash 1982 Friars Aylesbury Concert Poster

7391. The Clash 1981 Lyceum Ballroom Concert Poster (38˝ x 28.25˝)

7392. The Clash Signed 45 RPM Single Record - 'White Riot' Starting Bid $200

7396. The Clash 1977 Manchester Electric Circus Concert Poster (29.5˝ x... Starting Bid $200

7400. Punk Rock: Original KSAN Reel-to-Reel Tape of 'The Outcastes' - F... Starting Bid $200

7404. Sex Pistols (2) Original KSJO Interview Reel-to-Reel Tapes (Janua...

7393. The Clash Original 1980 Victoria Hall Concert Poster (8.25˝ x 11.... Starting Bid $200

7397. The Clash: Paul

7401. Punk Rock: Original KSAN Reel-to-Reel Tape of 'The Outcastes' - F... Starting Bid $200

7405. Sex Pistols Original KSAN Reel-to-Reel TapeOn-Air Intro to the... Starting Bid $200

7394. The Clash (4) Photographs - Contact Sheets by Bryn Jones

7398. The Jam Signed Album - All Mod Cons

7402. Sex Pistols 1976 Promotional Press PackFrom the Skum Punk Fanz...

7406. Patti Smith Signed Photographic Print by Richard E. Aaron (Ltd. E... Starting Bid $200

7399. Iggy Pop Original 1977 'King Biscuit Flower Hour'

7403. Sex Pistols Original Concert Ticket Stub (Brunel University on De... Starting Bid $200

7407. Suicide Original 1977 KSAN Reel-to-Reel Tape (Interview with Howi... Starting Bid $200

7395. The Clash (3)

7409. Madonna Signed Photograph Starting Bid $200

7413. Bon Jovi Signed 2011 Tour Program Starting Bid $200

7414. Kate Bush Signed Poster for 'The Sensual

7415. Christopher Cross and Friends Signed Album -

7416. The Cure Signed Guitar Starting Bid $200

7417. The Cure Signed 'Three Imaginary Boys' Poster (18˝ x 24˝) Starting Bid $200

7418. Duran Duran Signed

7419. Guns n' Roses Signed 2023 Houston Concert Poster (Ltd. Ed. #37/25...

7420. Guns n' Roses Signed 2023 San Diego Concert Poster (Ltd. Ed. #49/...

7421. Debbie Harry 1989

7422. Billy Idol Original 1984 KQAK Reel-to-Reel Tape Starting Bid $200

7423. George Michael Signed Inner Album SleeveListen Without Prejudi... Starting Bid $200

7424. George Michael Signed Oversized CD Cover

7425. George Michael Signed Photograph Starting Bid $200

7426. George Michael Signed 1991 Cover to Cover Tour Program Starting Bid $200

7427. Fleetwood Mac: Stevie Nicks Autograph

7428. Stevie Nicks Signed 7429. Ozzy Osbourne and Randy Rhoads Oversized Original Photograph (198... Starting Bid $200

7430. Jimmy Page, Jeff Beck, Charlie Watts, Bill Wyman, and Kenney Jone... Starting Bid $200

7431. Queensryche Giclee Print by Frank Kozik (Ltd. Ed. #58/290) Starting Bid $200

7432. Queensryche Signed 2006 'Mindcrime at the Moore' Concert Poster (... Starting Bid $200

7433. Sheila E. 1984-1986 Tour Ephemera CollectionFrom the Collectio...

7434. Paul Simon Signed 7435. Talking Heads Signed Ticket Stub

7436. U2 Signed 45 RPM Single - 'New Year's Day' Starting Bid $200

7437. U2 Signed 'Boy' Album Flat - Obtained at

7438. U2 Signed CD - All 7439. U2 Signed Photograph

7440. U2: Bono Signed Album - War Starting Bid $200

7441. Van Halen Signed

7442. Van Halen Signed Promotional Poster (36˝ x 24˝) Starting Bid $200

7443. Van Halen Signed 1998 Concert Poster (11˝ x 17˝) Starting Bid $200

7455. Prince 'Around the World in a Day' Album Cover Press Proof Print,... Starting Bid $200

7456. Prince Lot of (7) Ephemera Items - Perfume, Chain Hat, Love Symbo... Starting Bid $200

Original Photograph (1983) Starting Bid $200

7457. Prince 'Symbol' Tambourine (Remo, Late 1980s, Early 1990s)

Nirvana Complete

7444. Van Halen 1978 Netherlands Concert Poster

7445. Van Halen Oversized Photograph by Richard E.

7446. Eddie Van Halen Oversized

7450. Michael Jackson

7458. Prince 'Glam Slam'

7459. Prince: Original Painting Study for 'When Doves Cry' by Doug Hend... Starting Bid $200

7460. Prince 'Love Symbol' 7461. Prince (4) New Power Generation Hockey Jerseys

7462. Prince (4) Purple RainEra Lapel Pins - From the

7463.

Set of (4) Unused Concert Tickets for Brixton Ac... Starting Bid $200

7469. Adele RIAA Platinum

7470. The Black Crowes Signed 'The Lost Crowes'

7471. Coldplay Signed 2002

7472.

7473. Melissa Etheridge 1992 Never Enough Tour Ephemera Collection - Fr... Starting Bid $200

7479.

7484.

Eminem RIAA MultiPlatinum Sales Award for 'Slim Shady' Starting Bid $200

7474. Foo Fighters Photograph by Danny Clinch Starting Bid $200

7475. Green Day: Billie Joe Armstrong Signed Christmas Card to the

7476. Whitney Houston Signed Album - Whitney

7478. Kings of the Mic Signed Screenprint by Shepard Fairey (18˝ x 24˝)...

Lady Gaga Signed CD - Lovegame Starting Bid $200

7480. Alanis Morissette Signed Album Flat - The Collection Starting Bid $200

7481. Sinead O'Connor Personally Curated Mix Tape Presented to Her

7482. Public Enemy Signed Artist's Proof Screenprint by

7483. Puff Daddy & The Family RIAA Multi-Platinum Sales Award for 'No W... Starting Bid $200

Radiohead Signed Album - Pablo Honey Starting Bid $200

7485. Red Hot Chili Peppers Signed CD Insert - Unlimited Love Starting Bid $200

7486. Red Hot Chili Peppers Signed CD Insert - Return of the Dream Cant... Starting Bid $200

7487. Taylor Swift Signed CD Booklet - Lover Starting Bid $200

7488. Stevie Ray Vaughan and Double Trouble Signed Album - Couldn't Sta... Starting Bid $200

7489.

7501. Mick Jagger Oversized Photograph (Ltd. Ed #6/50) Starting Bid $200

7502. Mick Jagger Oversized Original Photograph (1981) Starting Bid $200

7503. Mick Jagger Oversized Original Photograph (1978/1981) Starting Bid $200

The Warning (7) 7490. AC/DC Signed AlbumFor Those About to Rock

7491. KISS: Tommy Thayer's Stage-Used Limited Edition

7500. Mick Jagger 1988 Australasian Tour

Conditions of Sale

ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION”) TOGETHER WITH BIDDER, THE “PARTIES”).

This Agreement contains important provisions that control rights and liabilities, and specifically has provisions governing how disputes are handled as well as LIMITATIONS OF LIABILITY that can be imposed upon RR Auction, WAIVER OF JURY and ARBITRATION PROVISIONS. This acknowledgement is a material term of these Conditions of Sale and of the consideration under which RR Auction agrees to these terms. PLEASE READ CAREFULLY.

The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property on its website, and/or described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby.

Section 1

The Parties1.1 RR Auction and Auction

This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.RRauction.com Internet site. The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog.

1.2

Bidder

Bidder shall mean the original Bidder on the property offered for sale by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal.

The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale.

Bids will not be accepted from minor persons under eighteen (18) years of age without a parent or legal guardian’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder.

All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the Auction.

If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid and agrees to be bound by these Conditions of Sale in addition to company for whom the Bidder is acting

By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment.

Section 2 Bidding Privileges

2.1 In order to place bids, Bidders who have not established an account with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Privileges will be granted at the sole discretion of RR Auction. Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide a cash deposit prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue.

2.2 Bidder providing any false or misleading information provided in connection with the registration shall be a material breach of the Conditions of Sale and in addition to any other remedies at law shall excuse RR Auction from performance under these Conditions of Sale, including the right to any refund.

2.3 Bidding privileges may be revoked without notice, for any reason, at the sole discretion of RR Auction .

Section 3

Buyer’s Premium

3.1 The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. . For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is earlier. Bidder’s failure to pay any payment in full when due required shall constitute a material breach, and in addition to other damages available under contract or law, at RR Auction’s election, RR Auction may cancel the sale and require full premium still be due along with interest at 1.5% per month from the date of breach, or at the maximum legally allowable rate.

Section 4

Bidding

4.1 Each Bidder’s determination of its bid should be based upon its own examination of the item(s) and independent investigation, rather than any reliance as to what is represented in the Catalog, online or elsewhere. Bidder affirms that it regards any statements made by RR Auction concerning the item as solely opinion and that Bidder is making its own inspection and independent evaluation of the goods, and is not relying upon any description or statements by RR Auction (including as to quality, authenticity, provenance, ownership, liens existing, on goods legality, or value) in making its determination to bid on or purchase an item. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS CONCERNING ANY AND ALL PURCHASES TO THE FULLEST EXTENT UNDER APPLICABLE LAW.

4.2 RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a reoffering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake.

4.3 All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder.

4.4 Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder and Bidder has fully satisfied any outstanding financial obligations to RR Auction (including as it concerns any other lots). RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder.

4.5 It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all risk of loss upon the earlier of shipment to Bidder or in Bidder’s possession.

4.6 Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder fur-

ther grants RR Auction a lien consisting of a senior security interest (or purchase money security interest to the extent applicable) in such sums or items to the fullest extent applicable, authorizes RR Auction to file documents concerning the interest, and Bidder agrees to execute any further documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued fees and expenses, until the indebtedness is paid.

4.7 By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction.

4.8 RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders.

Section 5 Bidding Options

5.1 Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid.

5.2 When identical bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins.

5.3 In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.

5.4 RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive.

Section 6 Payment

6.1 Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than sixty (60) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.

6.2 Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot.

6.3 All sales for total invoices greater than $1,000 are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements.

6.4 All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks.

6.5 In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment.

6.7 If RR Auction refers any unpaid invoice to an attorney for collection, the Bidder agrees to pay and shall be liable for RR Auction’s attorney’s fees, court costs, and other collection costs incurred by RR Auction in addition to the invoice amount and interest the greater of 1.5% per month or at the maximum legally allowable rate from date of invoice to collection. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

6.8 RR Auction shall have a lien against the merchandise purchased by the Bidder (as well as to the extent it is a consignor any other monies owed or due to Bidder) to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

6.9 All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. RR Auction clients with an invoice totaling $1,000 or under will have the option to pay by VISA, Mastercard, Discover or Paypal. All Paypal payments must be sent to FinanceDepartment@ rrauction.com. Authorize.net, a third-party service provider contracted by RR Auction for processing on-line payments, charges a nonrefundable service fee of 3%, which will be added to your final invoice should you pay by credit/debit card.

Section 7 Sales Tax

RR Auction is a remote seller and we are now required to collect Sales/Use Tax from our bidders. The states that we have nexus in we will be required to collect and remit sales tax on your behalf. Each state has different requirements to meet nexus. When RR Auction has achieved a certain monetary and/or invoice threshold in each state we will apply sales tax to your total invoice. The states that are affected are: ARIZONA, ARKANSAS, CALIFORNIA, COLORADO, CONNECTICUT, FLORIDA, GEORGIA, ILLINOIS, INDIANA, IOWA, KANSAS, KENTUCKY, MAINE, MARYLAND, MASSACHUSETTS, MICHIGAN, MINNESOTA, NEBRASKA, NEVADA, NEW JERSEY, NEW YORK, NORTH CAROLINA, OHIO, OKLAHOMA, PENNSYLVANIA,RHODE ISLAND, TENNESSEE, TEXAS, UTAH, VIRGINIA, WASHINGTON, WISCONSIN

If we have not achieved nexus in a particular state it is still your responsibility to pay sales tax on your purchases.

The sales tax rate is determined by the State, Country, and City where purchases are shipped to. If you decide to pick up your purchases at our New Hampshire location you will not be required to pay sales tax. The State of New Hampshire does not have a general sales and use tax. All purchases picked up at our Massachusetts location will be taxed at the current rate of 6.25%.

If you have a resale number please email Sue@RRAuction.com or fax to (603) 732-4288 a copy of your state resale certificate and you will be exempt from paying sales tax.

Section 8

Delivery; Shipping; and Handling Charges

Bidder is liable for shipping and handling and providing accurate information as to shipping or delivery locations and arranging for such. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that

service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.

Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

All duties, customs, and any other import charges are the responsibility of the bidder.

Section 9

Title

Title shall not pass to the successful Bidder until all invoices of Bidder (including those pertaining to the item(s) at issue) and amounts owed to RR Auction are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Section 10

Rights Reserved

RR Auction reserves the right, at any time before, during or after an auction has ended to: withdraw any lot before or at the time of the Auction, cancel any bid, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal, cancellation, or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone at any time.

Section 11

Conducting the Auction

11.1 RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.

11.2 RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auctions record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.

11.3 Reserves

Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own. RR Auction may execute bids consecutively or otherwise up to one bid increment below the reserve.

11.4 Off-Site Bidding

Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form.

11.5 Estimate Prices:

In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).

11.6 Owned or Guaranteed Property:

RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.

11.7 Before the Auction:

Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.

11.8 Maximum Bids In All Auctions:

To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid.

11.9 Successful Bids:

The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.

11.10 Unsold Lots:

If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

11.11 Bidding in Timed Auction:

Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/ EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/ EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.

11.12 Bidding - Internet Live Auction:

Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including

but not limited to transmission, execution or processing of bids.

During live internet or live auction, property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid or bids (successively or otherwise) on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. All auctions for lots are with reserve unless specifically stated otherwise.

During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www.invaluable. com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third-party sites carry an additional Buyer’s Premium.

11.13 Miscellaneous:

Agreements between Bidders and Consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with ”donot-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.

11.14 Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Section 12

RR Auction’s Remedies

Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of material breach or default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under subpart (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any Bidder’s property in RR Auction’s possession or to which title has not yet passed to Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the

Commonwealth of Massachusetts.

Section 13 Warranties

13.1 RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold ”as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright, trademark, or other intellectual property (including exhibition or reproduction rights) related to the item, or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.

13.2 All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.

13.3 Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.

13.4 All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “AC”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The AC inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the AC and such purported transfer, assignment, or conveyance shall be null and void.

Section 14

Firearms

RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.

Section 15

Unauthorized Statements

Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed Bidder and by an authorized officer of RR Auction by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

Section 16

Bidder’s Remedies

16.1 Except as stated expressly herein, Bidder’s sole and exclusive remedy related to or pertaining to items it bids upon, views, or purchases from RR Auc-

tion, and any claims by Bidder related to authenticity, ownership, condition, title or value, shall be against Consignor only.

16.2 This section sets forth the sole and exclusive remedies of Bidder as against RR Auction (inclusive of its affiliates, officers, managers, employees or agents), or in any way arising out of, related to, or in connection with these Conditions of Sale, , and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. Time is of the essence with respect to these procedures.

16.3

Title to Items

The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, satisfactory to the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction may make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand (if any made), RR Auction may disclose the identity of the Consignor to Bidder and may assign to Bidder all or some of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and/or assignment, all responsibility and liability of RR Auction, if any, with respect to said lot or item shall automatically terminate related to or arising from these Conditions of Sale or such transaction operating as a complete waiver and general release by Bidder as to RR Auction and its agents, contractors, and affiliates, as to any and all claims concerning or related to the item, if any . RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction by Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.

16.4 Authenticity Challenge Process

(1) If Bidder wishes to dispute or challenge the Authenticity of the lot or item (including asserting that it is incorrect), Bidder must adhere to the following procedure: Within 30 days of the Auction Date, Bidder must present written evidence to RR Auction, that the lot is not authentic as determined by a known expert in the field (and one recognized by RR Auction within its discretion) and send the physical item or lot at issue to RR Auction along with all evidence relied upon by Bidder for contesting the Authenticity. (“Authenticity Challenge Process”) “Authenticity” shall mean a gross discrepancy in the between the description, genuiness, or attribution of the item as represented by RR Auction in the Catalog or at the auction, and the item. If RR Auction concurs that the lot is not Authentic as was represented (it is sole discretion), Bidder’s sole and exclusive remedy as against RR Auction (inclusive of its affiliates, agents, employees, and contractors) shall be a refund of the purchase price of the subject item paid by Bidder, with no other costs, liabilities or amounts recoverable by Bidder. If RR Auction does not agree with the assertion by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale. Strict adherence to the Authenticity Challenge Process is a condition of standing for Bidder to initiate suit or claim.

(2) So long as Bidder has complied with the Authenticity Challenge Process, any claim, suit or action, by Bidder concerning an AC or Certification of Authenticity, or related to the authenticity of the item must, without any exception, be brought within one (1) year of Auction Date and is subject to the other limitations and conditions stated in the Conditions of Sale.

16.5 Other Issues. Any dispute or claim by Bidder against RR Auction (or its affiliates, directors, employees, officers, agents, or contractors)) other than Authenticity, concerning any item or lot bid upon, or purchased, including value, title, condition, bidding process, or description must be asserted (if at all) in the following manner:

(1) If the description of any lot in the Catalog is materially or grossly incorrect (e.g., gross cataloging error), or there is any other gross material issue pertaining to the item or lot, the item or lot may be returned if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date with explanation in writing.. If there is any discrepancy between the description in the Catalog and a certificate of auction, then the description in the certificate of auction (“Lot Challenge Process”). This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction within the period of time stated herein or not materially or grossly in deviation from the description. Such a refund is subject to RR Auction’s sole discretionary review, and any request for refund must be made concurrently with returning the physical item or lot to RR Auction. Any item not returned within said frame will constitute acceptance of the item and a waiver and release of

any and all claims by Bidder pertaining to the item other than with respect to authenticity; and

(2) Provided that the Bidder has engaged in the Lot Challenge Process, any claim concerning such must be brought no later than one (1) year of the Auction Date for the item or lot at issue and is subject to the other limitations and conditions stated in the Conditions of Sale.

NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED OR PROVIDED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE AND BIDDERS OR AS MAY BE REQUIRED BY LAW. FAILURE TO COMPLY WITH SUCH SHALL BE A COMPLETE DEFENSE TO ANY CLAIMS BY BIDDER RELATED TO THE CONDITIONS OF SALE, ANY AUCTION OR BID.

16.6 LIMITATION OF LIABILITY. For any and all claims by Bidder arising out of or related to this Agreement, Bidder’s viewing, bid, or purchase of items, or any agreement between the Parties, or otherwise, Bidder agrees that to the fullest extent such can be limited under the law, Bidder shall have no right to recover and hereby waives any and all rights to recover from against RR Auction or its affiliates, directors, employees, officers, agents, or contractors, consequential or indirect damages, lost profits damages, punitive, exemplary, statutory (or multiplier damages), physical or emotional distress damages, general or special damages of any kind (beyond amounts actually paid by Bidder for item(s) at issue), and in the event of recovery of any damages whatsoever, such shall be limited by the amounts actually paid by Bidder to RR Auction for the item(s) at issue in such claim, or if no money was paid to RR Auction by Bidder for items at issue, or there items are at issue, the amount of $150.00.

Section 17

RR Auction’s Additional Services

For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.

Section 18

Headings

Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.

Section 19

Entire Agreement

Except to the extent Bidder is also a consignor (in which case the terms of the consignment agreement shall also govern), these Conditions of Sale constitute the entire agreement between the Parties together with the terms and conditions contained in the auction Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court or arbitrator of competent jurisdiction, the remaining parts of the agreement and remainder of the sections or terms and provisions of the section and all sections shall continue in full force and effect without being impaired or invalidated in any way.

Section 20

Governing Law and Enforcement

20.1 The Parties agree that all agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.

20.2 The Parties agree that these Conditions of Sale, any other related agreement(s), along with all claims between the Parties, including those arising out of or related to such are governed by the laws of the Commonwealth of Mas-

sachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute between the Parties, including but not limited to those related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the ”Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”) The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA in Boston, Massachusetts, unless the Consumer Arbitration Rules apply, in which case, such rules and venue will govern. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall also recover all of its related fees and costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and costs, if RR Auction prevails, such recovery, in addition to all remedies available at agreement or law, shall include the Buyer’s Premium as defined in these Conditions of Sale. Federal arbitration law, including the Federal Arbitration Act apply to this agreement to arbitrate and its related provisions. The arbitration and all related proceedings shall be held strictly confidential and all documents and discovery shall be held confidential and not used, published or disclosed publically or to anyone outside the Parties or expert consultants or counsel who shall agree to hold such confidential.

20.3 The Parties consent to the Commonwealth of Massachusetts as exclusive jurisdiction and venue for all claims between the Parties except as provided specifically herein and may seek confirmation of the decision in the Arbitration pursuant to the Federal Arbitration Act in any Court of competent jurisdiction, including the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts. To the extent such is necessary under the law, RR Auction may enforce the Arbitration award against Bidder and any related Party in any court of competent jurisdiction. Nothing in this Agreement shall be construed as RR Auction consenting to jurisdiction or venue in any location outside of the Commonwealth of Massachusetts.

THE PARTIES MAY NOT BRING CLAIMS AGAINST EACH OTHER AS A CLASS OR CLASS MEMBER IN ANY CLAIMED CLASS, OR IN A REPRESENTATIVE ACTION UNLESS OTHERWISE AGREED. UNLESS OTHERWISE AGREED, THE CLAIMS AGAINST EACH OF THE OTHER CANNOT BE CONSOLIDATED OR JOINED WITH MORE THAN ONE ADDITIONAL PERSON OR ENTITIES’ CLAIMS. NO INJUNCTIVE OR DECLARATORY RELIEF SOUGHT BY BIDDER IF ANY, CAN AFFECT OR BE ORDERED TO AFFECT ANY OTHER BIDDERS OR PERSONS.

20.4 Except as provided specifically in these Conditions of Sale in Bidder’s Remedies against RR Auction (along with its affiliates, directors, agents, officers, employees, and contractors) for any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other related agreement(s), brought by Bidder must be brought within the earlier of the Auction Date as it pertains to the item(s) at issue or no later than one (1) year of the acts, omissions or circumstances occurred giving rise to the alleged claim, without exception. This provision is intended as a full, complete and absolute bar to and release of any claims by Bidder initiated after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by Bidder. These provisions are consideration for the execution of these Conditions of Sale.

20.5 To the fullest extent under applicable law and except as specifically stated herein Bidder hereby holds harmless, releases and discharges RR Auction and its agents, officer’s directors, affiliates, successors, and assigns from any and all claims, liabilities, obligations, promises, agreements, damages, causes of action, suits, demands, losses, debts, and expenses of any nature whatsoever, known or unknown, suspected or unsuspected existing prior to these Conditions of Sale. Bidder agrees to the Conditions of Sale and upon each instance that Bidder participates in any auction, bids, or otherwise agrees to such terms and reaffirms this release as of the date of so participating or agreeing unless Bidder otherwise provides clear written notice to RR Auction prior to so bidding.

20.6 The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.

20.7 Liquidated Damages for Specific Breaches

In the event that Bidder provides false information in connection with registering for bidding, fails to correct or update information or breaches the Conditions of Sale by failing to pay the purchase price when due after becoming the winning bidder, as liquidated damages associated with such breaches, R&R may obtain from Bidder the greater of (1) 150% the reserve of the item (if any); (2) the amount bidder bid; or (3), the full amount that bidder would have otherwise paid. Bidder will also be liable for an additional 20% of such amount to account for additional administrative costs, shipping, additional advertising, and other dam-

ages and liabilities fees that are difficult to calculate on an item-by-item basis.

20.8 Indemnity. Bidder agrees to defend, indemnify, hold harmless RR Auction (along with its officers, directors, agents, contractors, and affiliates) from and against any and all claims, costs, fees, damages, and liabilities arising out of or related to these Conditions of Sale, view of items, or lots, bidding, or participation in any auction by RR Auction, and/or or in any way connected to any item you viewed, bid upon or purchased through RR Auction.

Section 21: State-by-State Law Issues

This Auction is being conducted in and the sale shall take place in the State of Massachusetts. Notwithstanding, the foregoing, should these terms and conditions violate the law of any State should that state’s law be found to govern, or any provision herein determined to be invalid, the clause itself and the remainder of the Agreement shall be valid to the fullest extent allowed. Also, to the extent other states law apply to any transaction arising out of the Agreement (without admitting such), RR Auction states:

For Residents of California:

SALE OF AUTOGRAPHED COLLECTIBLES: AS REQUIRED BY LAW, A DEALER WHO SELLS TO A CONSUMER ANY COLLECTIBLE DESCRIBED AS BEING AUTOGRAPHED MUST PROVIDE A WRITTEN EXPRESS WARRANTY AT THE TIME OF SALE. THIS DEALER MAY BE SURETY BONDED OR OTHERWISE INSURED TO ENSURE THE AUTHENTICITY OF ANY AUTOGRAPHED COLLECTIBLE SOLD BY THIS DEALER.

A written express warranty is provided with each autographed collectible, as required by law. This dealer may be surety bonded or otherwise insured to ensure the authenticity of any autographed collectible sold by this dealer.

Section 22

Glossary of Condition terms

Information provided to prospective Bidders with respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by RR Auction.

Use of the following terms constitutes an opinion as follows:

VERY FINE describes an item believed to be in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.

FINE is the most common statement of condition, and applies to most items that we offer. It describes items that we believe to show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.

VERY GOOD describes an item that we believe exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).

GOOD describes an item which we believe to have obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise believed to be exceedingly rare or important.

Bidder may call and request further details and information about RR Auction’s opinions concerning any item via phone or email which shall provided in RR Auction’s discretion.

Certificate of Auction, Certificate of Authenticity and Goods Acquired:

Bidder warrants that Bidder (and its agents, assigns, successors, and affiliates) shall not purposely deface, destroy, dismember, cut-up into parts the item or Lot purchased at auction from RR Auction and in the event such shall occur whether purposefully or accidently, Bidder (and its agents, assigns, successors, and affiliates) shall refrain from advertising, promoting, or marketing the item as having been purchased from RR Auction and shall in no event display, expressly claim, or imply that the item was certified or auctioned in such state by RR Auction. As liquidated damages for such breach, Bidder agrees to be liable to RR Auction for the greater of the amount of three (3) times the hammer price of the item along with all other fees and costs as otherwise provided in this Terms of Sale.

For 50 years, relationships have been the backbone of RR Auction. We have made it a priority to keep our consignors informed and involved, encouraging them to share their voices, to instill their knowledge, and to forge a partnership based on our shared passion for history. With a mutual desire to achieve greatness, these relationships are at the heart of our success.