RR Auction: December 2017 Marvels of Modern Music

MARVELS OF MODERN MUSIC December 14, 2017 www.RRAuction.com

S S E C C U S O T H T A P

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Bidding begins December 7 Bidding closes December 14

An initial bid must be placed on lots by 6pm Thursday, December 14th. A one hour extended bidding period begins followed immediately by the 30 Minute Rule at 7pm. All times in RR Auction guidelines and instructions are stated according to EST.

This December, we’re excited to offer items from the superstars of music. From iconic performers like Elvis and Prince; influential acts like The Beatles and David Bowie; pop superstars like Michael Jackson and Madonna; to those musicians we’ve lost this year or decades ago…Our Marvels of Modern Music auction has all the greats from the 1950s to today, in all genres: rock ‘n’ roll, country, blues, jazz, punk.

We’re proud to curate two important featured collections. The Brad Delp Collection celebrates the life and career of Boston frontman Brad Delp. His soaring voice helped the band take off much like their trademark spaceship logo. We’re honored Brad’s family chose RR Auction to curate this first-ever offering of his memorabilia.

Also, we have the Monte A. Melnick Collection relating to punk pioneers The Ramones.

Recently featured at a special GRAMMY Museum exhibit, these items were obtained during Melnick’s time on the road with the groundbreaking musicians.

Some exciting featured items this month include: • LOT 2349: Brad Delp’s 1873 Chickering concert grand piano • LOT 2378: Dee Dee Ramone’s bass guitar • LOT 2011: Beatles signed snapshot photographs • LOT 2211: Buddy Holly signed document • LOT 2204: Charlie Parker signed photograph • LOT 2499: Tupac Shakur handwritten letter

This auction contains incredible images from the Globe Photo archives Globe Photos is the nation’s oldest pop culture licensing agency, founded in New York City in 1939. Globe has represented over 3,000 photographers over the past 75 years and has over 10 million images in its archive. In conjunction with RR Auction, we are releasing a number of original, vintage pop culture photographs for sale for a limited time only featuring the world’s most iconic figures from Hollywood, music, history and sports.

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AUTHENTICATORS AND CONSULTANTS ROGER EPPERSON SIGNED, SEALED, AND DELIVERED/REAL

Roger has an extensive background as a full-time dealer in autographs and collectibles, and is a trusted authenticator in all areas of contemporary music. When supported by the REAL logo and Roger’s name, music-related autographs assume an added value. Letters of Authenticity are available on certain lots. Priced from $30 to $150*

BECKETT AUTHENTICATION SERVICES

Beckett Authentication Services provides expert third party opinions on autographs from all genres and eras. Led by authentication experts Steve Grad and Brian Sobrero, the BAS experts have unmatched years of experience authenticating autographs, and are responsible for authenticating some of the rarest and most valuable items in the industry. With the most trusted and knowledgeable experts in the autograph authentication field, BAS authentication is a must for any autograph collector or dealer. * For more information on Letters of Authenticity call (800) 937-3880

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Beatles

Ultra rare ‘Love Me Do’ / ‘P.S. I Love You’ first issue signed by the Beatles

2001. Beatles ‘Love Me Do’ Signed Single. Parlophone

45 RPM single of ‘Love Me Do’ / ‘P.S. I Love You’ by the Beatles, first issue with label featuring “Made in Gt. Britain” credit, catalogue number “45–R 4949,” and “Recording First Published 1962.” The original red label is signed and inscribed on both sides in black ballpoint, “Carole, John Lennon,” “Paul McCartney,” and “Ringo Starr,” and on the other side, “George Harrison.” Record label matrix numbers on side A (7XCE 17144 45) and B (7XCE 17144 45), and run-out matrix numbers side A (7XCE 17144-1N) and B (7XCE 17145-1N), with a tax code of “ZT.” Includes the original blue, red, yellow, and green multicolored sleeve. In fine condition. Accompanied by a typed letter of provenance for the record, as well a letter of provenance from a previous owner and friend of the original recipient, in part: “A dear friend of mine, bought this record upon its release in London (‘62) and that evening her and a mate went to see the Beatles play live at a small venue, (I believe it was the Marque in Wardour Street). Anyway during

their break, she asked them to sign her record, which they did, and John Lennon asked her for her name and wrote it next to his signature. My friend Carole left her 45 to me in her will, when she passed away.”

Perhaps most interesting about this single is the rarity of the music itself—only the first UK pressings used the ‘Love Me Do’ track recorded in studio with Ringo Starr as the drummer.

Dissatisfied with Ringo’s work, producer George Martin hired Andy White as a session drummer and had them record a second version. All future British pressings of the single, the American release, and their Please Please Me debut album used the track featuring White on the drums; the version of the song on this 45 has only been sporadically re-released on compilation albums of rare or unusual Beatles recordings.

A truly excellent piece representing the earliest days of the band. Pre-certified REAL. Starting Bid $1000

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Best with the Beatles in 1962 2002. Beatles with Pete Best 1962 Cavern Club Signatures. Sought-after cast of vintage ballpoint signatures

with inscriptions, “To Sue, love from George Harrison, xxxxx,” “Love to Susan, from, Pete Best, xxx,” “Love from John Lennon, xx,” and “Love from Paul McCartney,” on an off-white 4.75 x 3.75 centerfold page removed from a 1962 Cavern Club Membership Card booklet. The page is also signed and inscribed in ballpoint

by Liverpool beat singer Lee Curtis. Includes a complete 1962 Cavern Club Membership Card booklet. In good to very good condition, with a sliver of paper loss along the hinge, heavy overall creasing, and old tape stains to the top and bottom edges. Accompanied by a certificate of authenticity from Tracks and a brief letter of provenance from the original recipient, in part: “This is to confirm that the Beatles signatures including Pete Best…were obtained personally by myself at the Cavern Cub, Liverpool in 1962.” After the breakup of his former band The Black Jacks, Best was recruited by McCartney to join the Beatles on their upcoming Hamburg residency in mid-August 1960. Shortly after the band’s first Abbey Road recording session on June 6, 1962, Best was ousted from the group and replaced later that summer with Ringo Starr. A decidedly bold set of an early Beatles lineup. Pre-certified REAL. Starting Bid $1000

Extraordinary 1962 Hamburg promo card gifted by Harrison’s mother 2003. Beatles Signed 1962 Star Club Promo Card. Ex-

tremely rare vintage circa 1962 German promo card for the Beatles at the Star Club in Hamburg, 5.75 x 4.25, signed on the reverse in blue ballpoint by John Lennon, Paul McCartney, George Harrison, and Ringo Starr. In very good condition, with heavy overall creasing (less obvious on the signed side), paper loss to corners, an old tape stain to one corner, and another stain touching McCartney’s signature. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from a previous owner, in part: “The day Beatles ‘Love Me Do’ single was released in 1962 Benice Task was going to the record shop to purchase the single but found herself too ill to go so she asked her mother Betty Shiff to go for her. On her way to the shop she stopped in a fruit shop that was by her house in Hunts Cross, Liverpool England which George Harrison’s mother worked in. Betty Shiff mentioned she was on her way to a record shop for a single of a band she never heard of. Following week Betty Shiff went to the fruit shop to purchase fruit and veg to find that George Harrison’s mother handed her a 1962 Star Club promo card autographed by all four Beatles members.” The Star Club in Hamburg opened on April 13, 1962, and had the Beatles booked for the first seven weeks. The band returned again in November and December, this time with Ringo Starr as the drummer, having replaced Pete Best in August. As this promo card depicts Ringo as part of the band, it must have been produced to advertise one of these later stints. ‘Love Me Do’—the Beatles’ debut single—was released on October 5, 1962, so these signatures likely date to some time during that month. A fantastic, early piece from before the emergence of Beatlemania. Pre-certified REAL. Starting Bid $500

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“Love from The Beatles (A Liverpool Band!)”

2004. Beatles Signed 1962 Hotel Registry. Extraordinary vintage circa 1962 segment of a hotel guest registry, 9 x 1.75, signed by each member of the Beatles with their name, address, and nationality: “Paul McCartney, 20 Forthlin Rd, Allerton, L’pool, British,” “George Harrison, 174 Mackets Ln, Liverpool,” “R. Starkey, 10 Admiral Grove, L/pool, British,” and “John Lennon, 251 Menlove Ave, Liverpool, ??.” In the rightmost column, Lennon adds: “Love from The Beatles (A Liverpool Band!).” Handsomely matted and framed with a portrait of the Beatles to an overall size of 15.25 x 17. In fine condition. Accompanied by a full letter of authenticity from REAL. A remarkable early set of Beatles signatures in which they list their homes in their native Liverpool—the 20 Forthlin Road address is where McCartney lived from 1955 to 1964, and today the National Trust calls the property ‘the birthplace of the Beatles.’

Harrison lived on Mackets Lane from 1962 until 1965, throughout the Beatles’ meteoric rise to fame. Ringo Starr—born Richard Starkey—grew up at 10 Admiral Grove, living there with his mother from the time he was three years old in 1943 until achieving stardom in 1963. John Lennon spent his childhood at his Aunt Mimi’s home, 251 Menlove Avenue, living there from 1946 until mid-1963. An ideal set of signatures that reveals the band’s famous roots in Liverpool. Starting Bid $1000

The Beatles rock the Gaumont Cinema in the summer of ‘63 2005. Beatles 1963 Signed Program. Rare The Beatles Show vintage program for performances held at the Gaumont Cinema in Bournemouth, England, on August 19–24, 1963, measures 8 x 10.5, twelve pages, signed on the inside of the front cover next to their respective images in blue fountain pen by Paul McCartney, Ringo Starr, and John Lennon. The program is also signed inside by Billy Kramer, Tommy Quickly, and Billy Baxter. In very good condition, with a central vertical fold throughout, scattered creasing, and a few spots of soiling to blank borders of signed page. Accompanied by letters of authenticity from Beckett, Perry Cox, and noted Beatles expert Frank Caiazzo.The Beatles became well-suited to the cinema circuit during their 1963 Summer UK tour. Separated by stops in Blackpool and Torquay, the band played six nights at Llandudno’s Odeon Cinema in Wales from August 12–17, six nights at Bournemouth’s Gaumont Cinema in England from August 19–24, and then six more nights at Southport’s Odeon Cinema in England from August 26th to the 31st—and to the thrill of those in attendance, the Beatles played two energetic shows per night, at 6:30 p.m. and 8.50 p.m.

While in Bournemouth, the Beatles stayed at the Palace Court hotel on each night of the residency; on August 22nd, photographer Robert Freeman joined The Beatles at the Palace Court to take a series of photos for the cover of their second studio album, With the Beatles. Pre-certified REAL. Starting Bid $300

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Beatles signed 1963 PYX program with classic Hoffman cover 2006. Beatles Signed 1963 PYX Magazine. Extremely rare 1963 PYX Productions Limited program for the Beatles, 7.25 x 9.5, twenty-eight pages, signed on the front cover in fountain pen, “John Lennon,” “George Harrison,” and “Ringo,” and in blue ballpoint, “Paul.” The front cover features Dezo Hoffman’s iconic photograph of the band in their matching gray collarless suits. In very good to fine condition, with a heavy central vertical fold, spots of toning, and mild edge wear. Accompanied by a certificate of authenticity from Tracks, which states that the signatures date to the summer of 1963. After a month spent touring with Roy Orbison, the Beatles embarked on an ambitious summer tour of the United Kingdom in 1963. Between June 10 and September 15, the band played over 70 shows as they swept across England, Wales, and the Channel Islands, even playing at the Cavern Club for the final time on August 3rd. With Hoffman imagery and a crisp cast of signatures, this is an immensely desirable program signed during the nascent stages of Beatlemania. Pre-certified REAL. Starting Bid $500

The Beatles play Grosvenor in May ‘63

2007. Beatles Signed 1963 Grosvenor Ballroom Ticket. Fabulous yellow 3.5 x 2.25 ticket for the Beatles’ one-night appearance at the Grosvenor Ballroom in Norwich, England, on May 17, 1963, signed on the reverse in ballpoint, “John Lennon,” “Paul McCartney,” and “Ringo Starr,” and in fountain pen, “George Harrison.” The front of the ticket lists the Beatles’ chart-toppers “Please Please Me” and “From Me To You,” as well as opening act Ricky Lee and the Hucklebucks. Despite some old tape residue affecting the appearance, the signatures are strong and visible. The ticket itself is in fine condition, with expected age wear. Accompanied by a letter of provenance from Circular Sound in Norwich, which lists the name and address of the gentleman who obtained it in person on the evening of the performance; two later newspaper articles mentioning the show at the Grosvenor (which was torn down soon after); and copies of the original newspaper ads for the show. A great relic from the very beginning of Beatlemania. Pre-certified REAL. Starting Bid $1000

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The Beatles play Weston-super-Mare for six straight nights

2008. Beatles Signed 1963 Concert Program. Rare

The Beatles Show ‘vintage orange’ program for performances held at the Odeon Theatre in Weston-super-Mare, England, on July 22–27, 1963, measures 8 x 10.5, twelve pages, signed inside on the “Meet the Beatles” section next to their respective images in blue ballpoint pen or ink, “George Harrison,” “Paul McCartney, xxx,” “Ringo Starr, xx,” and “John Lennon.” The program is also signed inside by Gerry and Freddie Marsden, and Les Maguire, who signs twice, as well as Tommy Quickly. In very good condition, with a gentle horizontal fold, heavy wear to the covers but interior pages (including the signed page) showing light to moderate wrinkling

and creasing, and a stray squiggle to the lower right corner of the signed page in an unknown hand. Accompanied by a certificate of authenticity from Tracks. A day after playing the Queen’s Theatre in Blackpool, the Beatles ventured to the seaside town of Weston-super-Mare in Somerset, England.

For six consecutive nights, the Beatles played back-to-back sold-out shows at the Odeon Theatre, while during the day the group attended beach photo-shoots, had their hair cuts at Lloyd and Osborne, visited an injured fan in the hospital, and spent ample time mixing with the locals. An exceptionally rare program with fantastic display value. Pre-certified REAL. Starting Bid $2500

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2009. Beatles 1963 Signed Newspaper Photo. Vintage circa 1963 4.5 x 2.5

newspaper photo of the Beatles playing in the studio, signed in blue ballpoint by Paul McCartney and Ringo Starr, and in red ballpoint by George Harrison. In fine condition, with a short slice to lower right edge. Accompanied by a letter of provenance from the original recipient, in part: “I collected these autographs of Paul McCartney, George Harrison and Ringo Starr on the 4th June 1963. That night I attended a show at Birmingham Town Hall, Birmingham, United Kingdom that was billed to be headlined by Roy Orbison…

This was at a time when many tours were headlined by big US stars but by the time the tour started both The Beatles and Gerry and the Pacemakers, who were also on the bill, had massive number one hits in the UK and the country was going mad for the ‘Mersey sound,’ so the bill was switched around…I collected the three Beatles autographs on this picture at the stage door as The Beatles arrived before the show.”

Pre-certified REAL. Starting Bid $300

Ideal set of 1964 Beatles autographs

2010. Beatles Signed 1964 Promo Photograph. Magnificent vintage glossy 7 x 5.5 Brel mechanizing photo of the Beatles

at London’s EMI House, crisply signed on the reverse in blue ballpoint by Paul McCartney, George Harrison, John Lennon, and Ringo Starr. In fine condition. Consignor notes that the signatures date to 1964. Accompanied by a certificate of authenticity from Tracks. On April 5, 1963, the Beatles were present at the EMI House to receive a silver disc for their single ‘Please, Please Me,’ and to perform for the EMI executives in attendance. The card itself is clean and in fantastic shape, and the cast of signatures are extremely bold and attractively spaced. Pre-certified REAL. Starting Bid $1000

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One-of-a-kind signed snapshot set

2011.

Beatles Signed Snapshot Photographs.

Remarkable collection of four signed vintage candid snapshots: a matte-finish 4.75 x 3.75 close-up photo of John Lennon wearing his distinctive circular eyeglasses, signed in black ballpoint; a glossy 3.5 x 3.5 photo of Paul McCartney walking down the street, signed in blue ballpoint, with a collector’s notation on the reverse, “(1967) May 7th - Saville”; a color glossy 3.5 x 3.5 candid of the Beatles performing in a baseball stadium in 1966, signed on the reverse in blue ballpoint, “George Harrison, xx”; and a glossy 4 x 3 photo of Paul and Ringo outside Starr’s Montagu Square flat, signed in blue ballpoint, “Ringo Starr,” with collector’s notation on the reverse, “Paul & Ringo, 26th Oct 1965, M.B.E. Day.” In overall very good to fine condition, with some creasing and staining to the Lennon photo, and some creasing to the Harrison photo (most apparent on the front). Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo for all four signed photos, as well as certificates of authenticity from Tracks for the Lennon and Starr autographs. Also includes a reproduction of the front of the Harrison photograph.

While the Lennon and McCartney signed candids are rare and exceptionally desirable on their own, the Harrison and Starr pieces represent major moments in Beatles history.

The Harrison-signed snapshot was taken during one of the ballpark shows that closed out their 1966 US tour, which included a return to Shea Stadium and their last-ever paid concert at Candlestick Park. The Starr-signed snapshot dates to the day the band received their Most Excellent Order of the British Empire (MBE) medals from Queen Elizabeth II at Buckingham Palace, amid much political controversy in the UK. Ringo rented the flat in Montagu Square during the mid-1960s, and it was where McCartney recorded the demo for ‘I’m Looking Through You.’ Jimi Hendrix later rented the flat. As a whole, this is a truly spectacular assemblage of rarely available original signed candids. Pre-certified REAL. Starting Bid $2500

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The Beatles play Minnesota for the first and last time 2012. Beatles and Brian Epstein Signed 1965 Signatures. Fabulous vintage ballpoint signatures

of Paul McCartney, George Harrison, John Lennon, Ringo Starr, and Brian Epstein on the reverse of an off-white 8.5 x 5.5 sheet of Minnesota Twins Baseball Club letterhead. In fine condition, with light intersecting folds. Consignor notes that the signatures were obtained backstage at Minneapolis’ Metropolitan Stadium on August 21, 1965.

Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the brother of the original recipient, in full: “I was always a big fan of the Beatles! I even had a green swamp coat and a Beatles haircut. In August of 1965 the Beatles were going to play at the Met Sports Center in Bloomington. My brother worked for a local radio station and also was an usher at the Met Sports Center (He tried to seat screaming girls). Before the performance they had dinner at the Met Center and my brother was there and had the opportunity to get all of the Beatles autographs including Brian Epstein’s on a piece of stationary they had there. Since I was a big fan and our parents would not let me go to concerts he gave me the autographs and I have had them ever since.” Of the Beatles’ three massive US tours, the group played just a single concert in the state of Minnesota. Prior to taking the stage before 25,000 screaming fans at the ‘old Met’ stadium, the Fab Four were granted use of the Minnesota Twins’ locker room. According to clubhouse manager Ray Crump, all four took their very first saunas, and then played roulette with Brian Epstein for the proceeds of the souvenir programs. At a press conference held at the stadium’s Minnesota Room, which was attended by around 150 reporters, Harrison was presented with a new Rickenbacker 360-12, an electric 12-string guitar in a Fireglo red sunburst finish. Pre-certified REAL. Starting Bid $1000

Rare original ‘butcher’ outtake contact sheet by Robert Whitaker 2013. Beatles ‘Butcher Cover Outtake’ 1966 Contact Sheet. Rare original vintage glossy 10 x

8 contact sheet of outtake photos taken by Robert Whittaker, featuring twelve different images from the famous ‘Butcher Cover’ photo session for the band’s ninth studio album, Yesterday and Today.

The photos were taken by Whittaker at the Vale Studio in Chelsea, London on March 25, 1966.

In very good to fine condition, with scattered light creasing and dimpling to the surface. Accompanied by a certificate of authenticity from Tracks. Whittaker’s photo shoot, which features the Fab Four covered in raw meat, dolls and false teeth, was inspired by the German surrealist Hans Bellmer’s images of dismembered doll and mannequin parts.

A unique, behind-the-scenes series of images from this infamous photo shoot. Starting Bid $300

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Obtained at Abbey Road on the day the Ringo-less Beatles recorded ‘Back in the U.S.S.R.’

2014. Beatles 1968 Signatures Display. Large vintage ballpoint signatures, “George Harrison,” “John Lennon,” and “Paul McCartney,” on a lightly-lined white 7 x 4.75 sheet. A collector’s date notation of August 23, 1968, written on the reverse shows through in the lower left. Handsomely double-matted and framed with a portrait of the three Beatles together while shooting the ‘I Am the Walrus’ video to an overall size of 17.5 x 23. In fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “These signatures were obtained at Abbey Road Studios on August 23, 1968, while The Beatles were in the midst of recording The White Album. The day before, Ringo Starr quit the band, only to return 2 weeks later, hence the absence of his signature. On the day the signatures were obtained, the remaining band members worked on the song ‘Back In The U.S.S.R.’ Signatures from 1968 are extremely rare and desirable.” In Ringo’s absence, McCartney famously filled in on drums for ‘Back in the U.S.S.R.’ and ‘Dear Prudence.’ A marvelous display boasting signatures that date to a period of strife within the band.

Pre-certified REAL. Starting Bid $1000

2015. Beatles 1964 A Hard Day’s Night Premiere Ticket. Rare color 7.25 x 4.5 ticket for the royal world

premiere of the 1964 film A Hard Day’s Night at London’s Pavilion Theatre July 6, 1964. Issued as Seat No. 4, Grand Circle Row F, the ticket shows heart-shaped portraits of each Beatle, and notes the attendance of Princess Margaret and the Earl of Snowdon. In fine condition, with a small surface wrinkle and light handling wear. Accompanied by a certificate of authenticity from Tracks. The world premiere of A Hard Day’s Night was a momentous event and an early birthday present for Starr, who turned twenty-four the following day.

The Beatles’ first film proved to be a huge commercial and critical success, adding even greater momentum to the Beatlemania spectacle. Starting Bid $200

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53-year-old snapshot photos and mega-rare ticket stub, from the opening night of their first US tour at San Francisco’s Cow Palace

2016. Beatles Set of (8) Original Vintage 1964 Cow Palace Candids and Ticket Stub.

Unique collection of eight original vintage candid photos and a ticket stub from the Beatles concert at the Cow Palace in San Francisco on August 19, 1964, the opening show of their first American tour.

Includes seven black-and-white photos, measuring 3.25 x 4.5 and 4.5 x 3.25, with subjects including: Paul McCartney and George Harrison sharing a microphone; a similar shot of John Lennon and Paul McCartney sharing a mic; the full band mid-performance (Ringo’s face obscured by a cymbal); individual shots of Paul, George, and Ringo playing their instruments; and a snapshot of Lennon walking past police before the show.

Additionally includes one color 3.5 x 3.5 photo of the stage from afar. The scarce ticket stub measures 1.5 x 1.5 and is for “Sec. SS, Row F, Seat 7,” on the “Elevated Main Floor.” In overall fine condition, with some mild scattered creasing to photos and adhesive remnants to reverse of ticket stub. The consignor notes that seven of the eight photographs are unpublished. Six months after they first appeared on The Ed Sullivan Show, the Beatles kicked off their first-ever concert tour of North America with a show at San Francisco’s Cow Palace on the night of August 19th, playing before a packed house of 17,130 screaming fans. Starting Bid $200

2017. Beatles 1964 Gaumont State Ticket. Rare complete and unused ticket for a Beatles concert at Kilburn’s Gaumont State Theatre on October 23, 1964. The ticket measures 4 x 3 and is issued as “Circle 5/–, W40.” Text above “The Beatles” indicates that the concert was presented by “Arthur Howes & Brian Epstein.” In very good to fine condition, with the stub discreetly reattached. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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2018. Beatles ‘Rubber Soul’ Poster. Rare original 1965 Capitol Records color poster promoting the American release of the Beatles’ sixth full-length record, 1965’s Rubber Soul, 22 x 34, showing the band as they’re depicted on the album’s front cover, with bold lettering to upper and lower borders, “The Beatles, 12 Brand New Songs, Never Before Available in the U.S.A., Great for Giving! Or Just Groovy Listening!” In fine, folded condition. Starting Bid $200

2019. Beatles Set of (4) Vintage Photographs. Vintage set of four original glossy 7.5 x 9.5 photos of the Beatles during the filming of Help! in Obertauern, Austria, between March 14–20, 1965. The photos individually depict George Harrison and John Lennon during a skiing session, Ringo Starr playing a standup bass, and Paul McCartney calling out directions as a photographer. The photos were taken by Beatles book photographer Leslie Bryce and bear his stamp on the reverse (though the photos are vintage, the credit stamps are modern). In overall very good to fine condition, with two light diagonal creases to the Lennon photo and two heavier creases to the top of the Harrison photo. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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Remarkably wellpreserved ‘first state’ butcher cover 2020. Beatles ‘First State’ Stereo Butcher Album. Exceedingly rare original ‘first state’

Yesterday and Today stereo album released

by Capitol Records in 1966 (ST-2553). This extraordinary album features the notorious ‘butcher’ cover in which the Beatles are seen in butcher smocks draped with meat and plastic doll parts; ‘first state’ signifies that this is an original example which never had the ‘trunk cover’ pasteover applied. The record is included. Condition is VG+, with very light proper age mellowing to edges and back, some very light soiling and small surface abrasions to the back cover, some minuscule flaws to seams and edges, and the upper left corner tip of the front slick color matched in.

Accompanied by a letter of authenticity from Beatles expert Perry Cox, who notes: “This is the number one collectible album of all time by any artist anywhere. Indeed, this is the ultimate record collectible period…This example was manufactured at the Scranton, PA factory as evidenced by the light plumb tinting to the ‘Stereo’ banner bar at the top of the front cover…Stereo examples of this album are much scarcer than their monaural counterparts.” A classic, iconic Beatles piece.

Starting Bid $1000

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2021. Beatles ‘Second State’ Butcher Album.

The Beatles Yesterday and Today mono ‘second state’ butcher cover (Capitol, 1966). This ‘second state’ example features the revised ‘trunk cover’ pasteover that Capitol Records used to fix the already printed album sleeves in response to public backlash. Ringo’s tell-tale black v-neck from the original image can be seen through the pasteover on the right side, and a thin strip of the original cover underneath the pasteover can be seen along the left edge. Handsomely mounted, matted, and framed to an overall size of 18.25 x 18.25. In fine condition, with light edgewear. The record is not included. Within days of releasing this miscellany of previous hits, Capitol recalled all copies in response to retailers’ negative reactions to the original macabre cover image: a photo of the four mop-tops dressed in butchers’ coats and draped with raw meat and doll parts. The recalled copies were ‘retrofitted’ with a new pictorial flat, pasted over the first, featuring an innocuous image of the boys posed around a steamer trunk. A beautifully displayed example of this sought-after album. Starting Bid $200

2023. Beatles 1964 A Hard Day’s Night Premiere Program. Vin-

tage program from the royal world premiere of the Beatles’ feature film debut, A Hard D a y ’s N i g h t , held at London’s Pavilion Theatre on July 6, 1964, forty pages, 8.5 x 11, the front cover shows the handsomely clad Fab Four and notes the attendance of Princess Margaret and the Earl of Snowdon. In fine condition, with general light handling wear. Accompanied by a certificate of authenticity from Tracks. The London premiere of The Beatles’ movie debut was a momentous event for the band and ‘A Hard Day’s Night’ proved to be a huge commercial success, serving to further catapult the band’s popularity and stardom—the world premiere also served as an early birthday present for Starr, who turned twenty-four the following day. Starting Bid $200

2022. Beatles Pair of 1966 Candlestick Park Tickets. Choice pair of unused, sequentially numbered tickets for the Beatles

concert at Candlestick Park in San Francisco on August 29, 1966, for upper stand admission. The tickets, each measuring 5.75 x 2.5, feature ‘floating head’ images of the band members and text reading, “KYA Radio 1260 Welcomes The Beatles.”

The tickets are issued as “Gate B, Sec. 11, Row 14, Seat 9” and “10.” In overall fine condition. Accompanied by a certificate of authenticity from Tracks. This was the band’s very last scheduled live concert, though they would appear unannounced for their famed ‘rooftop’ show in 1969. Starting Bid $200

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2024. Beatles Help! Program. Vintage program from the royal world premiere of the Beatles’ second feature film, Help!, held at the London Pavilion in Piccadilly Circus on July 29, 1965, twenty-eight pages, 8.5 x 11, with the front cover showing the Beatles standing on the film title and noting the attendance of Princess Margaret and the Earl of Snowdon. The back cover of the program is signed by actor Leo McKern, who played Clang, and the inside of the back cover is signed by actor Lionel Blair, who starred in A Hard Day’s Night. In fine condition, with general light handling wear. Accompanied by a certificate of authenticity from Tracks. Inspired by the Goon Show and the Marx Brothers classic Duck Soup, Help! saw the Fab Four tackling comedy with a James Bond twist, fending off an evil cult from seizing a sacrificial ring attached to Ringo’s hand. The enormous premiere was attended by Princess Margaret, Countess of Snowdon and the Earl of Snowdon, and despite not earning as rave reviews as A Hard Days Night, the film has since been credited for influencing the development of music videos. Starting Bid $200

2025. Beatles 1964 Forest Hills Concert Program.

Vintage program for the Forest Hills Music Festival held between July 12 and August 29, 1964, at the Forest Hills Tennis Stadium, sixty pages, 9 x 12, with the latter portion of the program dedicated to the Beatles and the forthcoming release of their film debut A Hard Day’s Night. In fine condition, with general light handling wear. Accompanied by a certificate of authenticity from Tracks. The Beatles played shows on August 28th and 29th in front of sold-out audiences of nearly 16,000 fans. The night of the 28th was likewise purported to be the evening Bob Dylan officially introduced the Fab Four to marijuana. Starting Bid $200

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2026. Beatles Vintage ‘Butcher Cover Outtake’ Photograph. Original vintage glossy 7.25 x 9.25 silver

gelatin photo of the Beatles during Robert Whitaker’s famous ‘Butcher Cover’ photo session for the band’s ninth studio album, Yesterday and Today. The outtake photo was taken by Whittaker at the Vale Studio in Chelsea, London on March 25, 1966, and has been colored in blue felt tip by Whittaker. In fine condition, with scattered light surface marks. Accompanied by a certificate of authenticity from Tracks. Whittaker’s photo shoot, which features the Fab Four covered in raw meat, dolls and false teeth, was inspired by the German surrealist Hans Bellmer’s images of dismembered doll and mannequin parts. Starting Bid $200

2027. Beatles 1967 Magical Mystery Tour Promo Display Sleeve. Rare Apple Records promotional album

sleeve for the UK release of the Beatles EP Magical Mystery Tour on December 8, 1967. This sleeve, minus the booklet, was sent out by EMI Records for display in UK music and record stores. Includes the original information tag, which reads, “Two 45 r.p.m. discs containing six songs, supplied in an attractive full-colour, illustrated, 32-page booklet including the words of the songs, Inclusive retail price, 19/6d.” In fine condition.

The discs and booklet are not included. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2029. Beatles ‘Help’ One-Sheet Poster. Original color 27 x 41 one-sheet movie poster for the 1965 film Help!, showing ‘floating heads’ of each Beatle member along the top and reading below, “Stop worrying! Help! is on the way! The Colorful Adventures of The Beatles are more Colorful than ever…in COLOR!” In fine condition, with scattered creasing and horizontal folds. Starting Bid $200

2028. Beatles Set of (8) Help! Lobby Cards. Vintage set

of eight color 10 x 8 United Artists mini lobby cards for the 1965 film Help!, showing the Beatles and other actors during various scenes from the movie.

In overall very good to fine condition, with some scattered creasing. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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2030. Beatles Yellow Submarine Set of (4) Production Sketches. (Apple Films, 1968) Set of four original production

sketches from Yellow Submarine, individually featuring each member of the Beatles: John Lennon, Paul McCartney, George Harrison, and Ringo Starr. Accomplished in graphite on untrimmed 16 x 12.5 animation paper. Images sizes range from 4.25 x 6 to 12.25 x 9.5. In overall fine condition, with toned tape to edges of one sheet. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2032. Beatles Original Photograph. Fantastic

original semi-glossy 12.75 x 8.5 Jim Marshall photo of the Beatles walking across the field at San Francisco’s Candlestick Park on August 29, 1966, their last ever live concert, with the reverse bearing a Marshall copyright stamp and annotated in pencil, “Print 3–12–76.” In very fine condition. Starting Bid $200

2031. Beatles 1965 Cabana Hotel Staff Sash. Rare circa 1965 yellow sash with

the text, “Welcome Beatles, Cabana Hotel,” measuring 2 x 7, issued for and worn by staff and security members of the Cabana Hotel in Palo Alto, California. In fine condition. Accompanied by a certificate of authenticity from Tracks. The band stayed at the hotel prior to their performance at San Francisco’s Cow Palace on August 31, 1965. Starting Bid $200

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2033. Beatles Vintage 1957 Cavern Club Photograph. Vintage

original 8 x 6 glossy photo of a packed crowd inside Liverpool’s Cavern Club in 1957, the year the famous venue first opened. A small piece of tape affixed to upper right numbered “825,” and reverse of photo bearing a copyright stamp. In fine condition. Accompanied by a certificate of authenticity from Tracks. Inspired by the Le Caveau de la Huchette jazz club in Paris, Alan Sytner opened The Cavern Club on January 16, 1957, repurposing the WW2 air raid shelter–turned–fruit warehouse into an underground jazz club. By early 1961, Bob Wooler had become the fulltime compere, and on February 9, 1961, the venue hosted its first Beatles concert. Starting Bid $200

2034. Beatles Vintage 1957 Cavern Club Photograph. Vintage original 6 x 8

glossy photo of the payment desks at the entrance to Liverpool’s Cavern Club in 1957, the year the famous venue first opened. A small piece of tape affixed to upper right numbered “811,” and reverse of photo bearing a copyright stamp. In fine condition. Accompanied by a certificate of authenticity from Tracks. Inspired by the Le Caveau de la Huchette jazz club in Paris, Alan Sytner opened The Cavern Club on January 16, 1957, repurposing the WW2 air raid shelter–turned–fruit warehouse into an underground jazz club. Although rock and roll was not tolerated early on, skiffle bands were accepted to play the club, and on August 7, 1957, John Lennon’s group The Quarrymen made their debut. That same year, Ringo Starr played the venue on several occasions with acts like the Eddie Clayton Skiffle Group and Al Caldwell’s Skiffle Group. By the time Sytner sold The Cavern Club to Ray McFall in 1959, blues bands and Beat groups began to play on a regular basis. The first Beat night was held on May 25, 1960, and featured a performance by Rory Storm and the Hurricanes with Starr on drums. By early 1961, Bob Wooler had become the full-time compere, and on February 9, 1961, the venue hosted its first Beatles concert. In fine condition, with a few areas of surface spotting.

Starting Bid $200

2035. Beatles Collection of Hats and Handkerchiefs. Collection of

eleven vintage Beatles items: eight identical canvas beach hats, six whiteand-navy and two white-and-red, made in the USA, featuring images of each member of the Beatles along with their facsimile signatures; and three Beatles handkerchiefs from the early 1960s, each measuring 10 x 10, featuring ‘floating head’ images of John, Paul, George, and Ringo surrounded by various song titles and lyrics in red text. In overall very good to fine condition. Starting Bid $200

2036. Beatles Friends and Drummers Set of (8) Signed Items. Eight items: an Abbey Road album signed

on the front cover in gold ink by Alan Parsons; a color glossy 10 x 8 photo of the cover to Abbey Road, signed in gold ink

by Parsons; a glossy 8 x 10 photo of Andy White behind the drums, signed by White in black ink and adding “Good luck”; a semi-glossy 8.5 x 11 photo of White behind the drums, signed by White in blue felt tip and adding “Love me do”; and a set of four ink and felt tip signatures of Pete Best, Peter Blake, George Martin, and Allan Williams on individual off-white cards, all of which are affixed to an off-white 11 x 8.5 cardstock sheet. In overall very good to fine condition.

Starting Bid $200

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2037.

Beatles Large Collection of Ephemera.

Large collection of vintage items related to the Fab Four, including: two sets of four color 8 x 10.25 paperstock prints of Beatles portraits by artist Leo Jansen and originally distributed

by Capitol Records; a detailed set of glossy 12 x 12 line drawing prints of each Beatle, accompanied by their original envelope; an unopened circa 1964 9 x 12 package of Beatles Pin Up Screamers by Gordon Currie Limited; an unopened Genco Beatles hair brush with preprinted autograph picture card; two Beatles stamp booklets, each consisting of five sheets of 20 stamps, one cover detached but present; a 9.5 x 8.25 block of 48 stamps, each bearing a handsome Beatle headshot; a 2.5 x 2.75 block of four stamps depicting each member of the Beatles; an identical set of five C. T. A postcards, each 3.25 x 5.25, showing the Beatles on the front; a gold-colored 1964 official Beatles tie tack pin, 1.5 x .75, depicting the Beatles faces around a small guitar, pinned to the original NEMS Enterprises card; a set of four Beatles pencils, each 7.5˝, and showing a portrait and listing nicknames, birth dates, and instruments played; a 4.5˝ commemorative Beatles spoon with band image to upper handle; a dozen Beatles pins of varying sizes, highlighted by four Yellow Submarine cartoon pins; four blue plastic Beatles hologram rings, each showing images of a Beatle (with the Harrison hologram missing); four colored plastic sewing thimbles with images of each Beatle; two glossy 4.25 x 6 Beatles Official Fan Club of America band photos, both bearing stamped signatures; a 1964 plastic Beatles ruler

by NEMS Enterprises; and a 1.5˝ wooden nickel honoring the Beatles. In overall very good to fine condition. Starting Bid $200

2038. Beatles Photograph by Peter Kaye. Modern

matte-finish 10 x 8 photo printed from an original negative by photographer Peter Kaye, showing the Beatles posing on the Liverpool docks in late September of 1962. In fine to very fine condition. Photo originates directly from the archives of Peter Kaye Photography. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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2039. Beatles Photograph by Peter Kaye. Modern

matte-finish 10 x 8 photo printed from an original negative by photographer Peter Kaye, showing the Beatles posing with their instruments on the Liverpool docks in late September of 1962. In fine to very fine condition. Photo originates directly from the archives of Peter Kaye Photography. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2040. Beatles Wig. Original

vintage circa 1964 ‘the only authentic Beatle Wig’ made by the Lowell Toy Mfg. Corp., New York City, still sealed in its original plastic bag with the header card of die-cut Beatles heads. In fine condition, with some light creasing to header card. Starting Bid $200

2041. Beatles Yellow Submarine Group of Items.

Group of three vintage items related to Yellow Submarine: a 1968 Yellow Submarine “Sea of Monsters” picture puzzle by Jaymar (#5059) in its original box; a large psychedelic Yellow Submarine light switch plate cover sealed in its original packaging, made by the DAL Mfg. Corp.; and a complete unused Yellow Submarine “pop-out art decorations” book.

In overall fine condition, with some wear and creasing to the puzzle box. Starting Bid $200

2042. George Harrison Signature. Ballpoint signature, “George Harrison,” on a light yellow 2.75 x 2 Post-it note. Encapsulated in a plastic PSA/DNA authentication holder. In fine condition, with a crease below signature. Pre-certified REAL. Starting Bid $200

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2043. George Harrison Print by Robert Whitaker. Vibrant color limited edi-

tion 27.5 x 39.25 artist’s proof print of a psychedelic portrait of George Harrison, numbered AP 24/25, signed in the lower border in pencil by the artist, “Robert Whitaker.” Rolled and in fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified REAL. Starting Bid $200

2044. George Harrison Signed 45 RPM Sleeve. Record sleeve for Harrison’s ‘When We Was Fab’ 45 rpm single, signed

at the bottom in blue ballpoint, “George Harrison.” Nicely matted and framed with a letter of authenticity from noted Beatles expert Frank Caiazzo to an overall size of 21 x 16.5. Caiazzo notes: “This signature was obtained on November 23, 1989 and in fact this date is written lightly in pencil on the reverse of the sleeve.” In fine condition. Released as a single in 1988, ‘When We Was Fab’ nostalgically recalls the heyday of the ‘Fab Four,’ and Harrison’s former Beatles bandmate Ringo Starr joined in to play drums on the track. Pre-certified REAL. Starting Bid $200

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Rare unnumbered copy of I, Me, Mine 2045. George Harrison Signed Book. Signed book:

I, Me, Mine. First edition, limited issue of 2000 but unnumbered. England: Genesis Publications, 1980. Hardcover, 7 x 9.75, 398 pages. Signed on the colophon in black ink by Harrison. In fine condition, with a small paper remnant to upper left corner of signed page; slight toning to opening and closing pages, some wear and scattered scuffs to covers, spine, and textblock. An extremely desirable autobiographic work by George Harrison, this hand-bound, limited edition book by Genesis Publications sold out soon after its release and remains quite difficult to find today.

Its mixture of printed text and multi-color facsimiles of Harrison’s handwritten lyrics make it a beautiful edition to behold. This is one of just three unique unnumbered copies of the book, two of which were issued to Harrison and Bryan Roylance, the owner of Genesis Publications.

Pre-certified REAL. Starting Bid $300

2046. George Harrison Signed Program. Official United

Artists program for the 1965 film Help!, two pages, 10 x 8, signed and inscribed on the front cover in blue felt tip, “To John, best wishes, George Harrison.” In fine condition. An exceptional visually appealing and boldly signed piece. Precertified REAL. Starting Bid $200

2047. John Lennon ‘Bag One’ Exhibition Catalogue.

Original catalogue for the John Lennon/Bag One exhibition of lithographs at the Lee Nordness Galleries in New York from February 7–28, 1970, twenty pages, 8.5 x 11, reproducing the fourteen lithographs of the suite inside. In fine condition, with a couple small spots of staining to front cover, and a couple inner pages loose. Starting Bid $200

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Harrison-signed stub from their first 1963 Southport Odeon show

2048. George Harrison Signed Ticket. Original ticket stub from the Beatles’ 8:40 PM show at the Odeon Theatre in

Southport on August 26, 1963, 2.25 x 2.25, signed on the reverse in ballpoint, “George Harrison.” Impressively double-matted and framed with a photographic reproduction of the front of the ticket and an image of Harrison to an overall size of 18.5 x 21.

In fine condition, with a central vertical fold and light wrinkling. This was the first night of a five-night run at the Odeon, near the end of their 1963 summer tour. Any concert-related signed item is highly prized by Beatles collectors. Pre-certified REAL. Starting Bid $200

Extraordinary 1962 candid snapped by McCartney’s brother 2049. John Lennon 1962 Signed Candid Photograph.

Early vintage glossy 4.75 x 3 photo of Lennon in a leather jacket taken by Paul McCartney’s brother Mike in 1962, signed and inscribed on the reverse in blue ballpoint, “Love to Tonie, from John Lennon, xxxx.” Handsomely double-matted and framed with a reproduction of the front of the photograph to an overall size of 11 x 14.25. In fine condition. The photo was taken in the McCartneys’ back garden in late September/early October 1962 while they were working on the song ‘I Saw Her Standing There.’

Accompanied by letters of authenticity from Tracks, Perry Cox, and noted Beatles expert Frank Caiazzo, who states that this was signed shortly after it was taken. An exemplary and unusually early inscribed photograph of the future rock ‘n’ roll superstar.

Pre-certified REAL. Starting Bid $300

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2050. John Lennon 1975 Original WFIL Negatives. Rare original color 7.5 x 1.25 negative strip showing five different images of John Lennon when he was a special guest host for Philadelphian rock station WFIL’s Helping Hand Marathon. In fine condition. From May 16-18, 1975, Philadelphian rock station WFIL sponsored the Helping Hand Marathon, a weekend fundraiser to raise money for multiple sclerosis. On the invite of the station’s DJ Larry Kane, Lennon spent the entire three days answering phones, taking pledges, and meeting fans; he even did the weather report for Kane’s broadcast on WPVI-TV. The negatives are to be sold with copyright. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Rare footage of Lennon’s One to One benefit shows

2051. John Lennon and Yoko Ono Original Unpublished 1971 Photograph. Vintage circa 1971 color

glossy 8 x 10 photo of John and Yoko sitting at the base of a tree during the Cannes Film Festival. Reverse bears “This Paper Manufactured by Kodak / Papier Fabrique par Kodak” watermarks. This photo is unpublished and printed in the year taken. In fine condition. Lennon and Ono attended the 25th Cannes International Film Festival in May 1971 to present their films ‘Apotheosis’ and ‘The Fly.’ This interesting photograph serves as an artistic echo of the Plastic Ono Band album covers from a year prior. Starting Bid $200

2052. John Lennon One to One Concert Footage. Amazing single reel of

8mm color film of John Lennon performing at the One to One concert at Madison Square Garden on August 30, 1972. The reel is without sound, runs approximately 30 minutes in length, and features ownership labels to each side, with one side annotated in white out, “JL.” Housed in its original protective case. In fine condition. Accompanied by a DVD transfer of the film. After the release of Some Time in New York City, Lennon agreed to headline two charity concerts to benefit the Willowbrook State School, an institution for children with intellectual disability. The benefit event was called One to One and featured other notable performers like Stevie Wonder and Roberta Flack. Although both shows were filmed, only the afternoon show was compiled for release in 1986 as Live in New York City, the last full-length solo concert made by Lennon. A rare opportunity to own original footage of an historic Lennon performance. Starting Bid $200

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2053. John Lennon Pair of Posters. Two original posters: a color 22.75 x 29 censored-version of John and Yoko’s Two Virgins poster issued in 1970, featuring a reproduction of the album cover’s photo (censored across the lower region), with “Spread Happiness to the World” printed along the bottom; and a color 16 x 20 promo poster for Lennon’s 1974 Walls and Bridges album, featuring an image of the artist and large white text, “Listen To This Poster.” In overall fine condition, with some scattered creasing. Starting Bid $200

2054. John Lennon Photograph. Original artist’s proof glossy 14 x 11 silver gelatin photo of John Lennon calmly smoking a cigarette during the filming of a video to promote his last album, Double Fantasy, on November 26, 1980. Signed in the lower border in thin black felt tip by the photographer, Allan Tannenbaum, who adds the 1995 copyright and original date, “NYC 198.” In fine condition. Tannenbaum photographed John Lennon and Yoko Ono throughout November of 1980; Lennon would be killed less than two weeks after this photograph was taken. Starting Bid $200

2055. John and Julian Lennon Vintage Photographs.

Vintage pair of original semi-glossy 7.75 x 9.5 silver gelatin photos of John Lennon and his son Julian. The photos were taken by The Beatles Book photographer Leslie Bryce at Lennon’s Kenwood home on June 29, 1967, with one depicting the father and son leaning against Lennon’s Rolls-Royce Phantom V, and the other showing the pair sitting next to a swimming pool with Lennon’s ‘magic eye’ mosaic. Reverse of each photo bears a Leslie Bryce photography stamp. In overall fine condition. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

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Original Lennon-owned Polaroid of John and Yoko for use in National Lampoon’s March 1972 ‘Foto Funnies’ 2056. John Lennon’s Personally Owned One-Of-A-Kind Vintage 1972 Polaroid Photo. One-of-a-kind vintage original

color glossy 3.25 x 4.25 candid Polaroid photo of John and Yoko kissing, taken for the ‘Foto Funnies’ section of the March 1972 issue of National Lampoon. The memorable image shows the two of them wearing hardhats and Yoko’s eyes are wide open.

The Polaroid was later gifted by Lennon to National Lampoon art director (and Lennon’s personal designer) Michael Gross. Gross was also well known as the producer of the first Ghostbusters films and the creator of its iconic ‘No Ghosts Here’ logo. In very good to fine condition, with tape to front borders and remnants from previous scrapbook adhesion to reverse. Accompanied by several related items: the March 1972 National Lampoon issue in which this was published (on page 69); a print of a sketch for the magazine’s famous ‘If You Don’t Buy This Magazine, We’ll Kill This Dog’ cover, signed and inscribed in black felt tip

by Michael Gross; and a handwritten letter of provenance from Gross, in full: “The polaroid you are now holding was taken at the Record Plant in NYC. John & Yoko wanted to do a Foto Funnies for National Lampoon and this was part of the result.

I was their personal designer for a year or so and we had a great working relationship. He was everything you’d like to think he was, Yoko…. well, no comment.” A unique, scarce candid photograph published in one of Lennon’s favorite magazines.

Starting Bid $200

2057. Paul McCartney Signature. Vintage ballpoint signature, “Paul McCartney, Beatles,” on a light green 4.75 x 3.5 album page with an affixed image of the band. Encapsulated in a plastic PSA/DNA authentication and grading holder, evaluating the signature as “GEM MT 10.” In fine condition, with some scattered stains. Pre-certified REAL. Starting Bid $200

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“The farther one travels, The less one knows” 2058. Mal Evans 1968 Handwritten Lyrics for ‘The Inner Light’. Road

manager, assistant, and friend of the Beatles who contributed to several of their recordings (1935-1976). Unsigned handwritten lyrics, one page, 5.75 x 8.25, no date but circa 1968. Entitled “The Inner Light” at the top, Evans pens the verses and chorus to the song: “Without going out of my door / I can know all things on Earth / Without looking out of my window / I can know the ways of Heaven / The farther one travels / The less one knows / Without going out of your door / You can know all things on Earth / Without looking out of your window / You can know the ways of Heaven / Arrive without traveling / See all without looking / Do all without doing / Yeah, Yeah, Yeah.” In fine condition, with a crease to the bottom left edge.

Accompanied by a certificate of authenticity from Tracks. Written by George Harrison, “The Inner Light” was a non-album single released in March 1968 as the B-side to ‘Lady Madonna.’ Praised for its melodic qualities and meditative experience, the song reflects the Beatles early embrace of Transcendental Meditation prior to the recording of The White Album. Evans wrote out the lyrics so that they could be used in the studio during the recording of the song. Pre-certified REAL. Starting Bid $200

2059. Paul McCartney Signed Album. Beatles for Sale album

signed and inscribed on the front cover in black ballpoint, “To Brenda, Paul McCartney.” In very good to fine condition, with scattered light creases, and some lifting to the emulsion along the left edge. The record is not included.

Accompanied by a certificate of authenticity from Tracks and a letter of provenance from a friend and neighbor of the original recipient, in part: “From the early 1960’s up until she married in 1967 Brenda…worked at EMI’s London office. During that time Brenda worked for George Martin and was fortunate enough to meet the Beatles on many occasions. Like many young women Brenda had a crush on Paul McCartney and asked him for his autograph. Paul duly signed the LP cover of the ‘Beatles for Sale’ album. We assume this was when the album was being recorded in 1964.”

Pre-certified REAL. Starting Bid $200

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2060. Paul McCartney Signed Album. Abbey Road album signed

on the front cover in black felt tip by McCartney, signing his first name only.

In fine condition, with scattered light edge creases and surface marks. The record is not included. Pre-certified REAL. Starting Bid $200

Sought-after signed edition of Blackbird Singing

2061. Paul McCartney Signed Album.

Wings at the Speed of Sound album signed on the front cover in black felt tip by Paul McCartney. In fine condition, with a few edge and corner tip creases. The record is included.

Pre-certified REAL. Starting Bid $200

2063. Paul McCartney Signed Book. Signed book: Blackbird

Singing. Limited first American edition, numbered 192/250. NY: W. W. Norton and Company, 2001. Clothbound hardcover with slipcase, 6.75 x 10, 185 pages. Signed on the colophon in black ink by McCartney. In very good to fine condition, with fading to the signature and light toning to the signed page, apparently from prior display.

Pre-certified REAL. Starting Bid $300

Hofner ‘violin’ bass signed by McCartney

2062. Paul McCartney Signed Bass Guitar. Beautiful right-handed sunburst-finish Hofner ‘violin’ or ‘Cavern’ B-Bass

HI-Series bass guitar, nicely signed on the pearloid pickguard in black felt tip. In fine condition. Originally designed by Walter Hofner in 1955, the beautifully shaped ‘Beatle bass’ remains a highly sought-after piece of musical equipment, with this instrument enhanced furthermore by its influential signer. Pre-certified REAL. Starting Bid $300

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2064. Paul McCartney Signed Photograph. Circa

1980s semi-glossy 8 x 10 cardstock photo of McCartney in a surprised pose, signed and inscribed in black felt tip, “To David & Vee, Cheers! Paul McCartney.” In fine condition.

Accompanied by a certificate of authenticity from Tracks.

Pre-certified REAL. Starting Bid $200

2066. Apple Records Business Card for Chris Stone.

Apple Records business card belonging to Chris Stone, 1.75 x 2.75, listing the “3 Savile Row, London” address with the famous Apple Records logo. In very fine condition. Stone worked under Tony King in Apple’s artist promotion department. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

2065. Paul McCartney Signed Program. Program for the painting exhibition “The Art of Paul McCartney” at The Walker in Liverpool, May 24–August 4, 2002, 11.75 x 13.5, signed on a fold-out visual guide page in black felt tip by McCartney. In fine condition, with general handling wear. Accompanied by a plastic bag and small flyer from the exhibition. Accompanied by a certificate of authenticity from Tracks. Pre-certified REAL. Starting Bid $200

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2068. Apple Records Promo Leaflet for Mary Hopkin.

2067. Apple Records Early 1970s Promo Poster. Circa 1970s Apple Records color 29.75 x 40 promotional poster featuring images of various label releases including the debut albums from John Lennon, Paul McCartney, George Harrison, and James Taylor; Sentimental Journey and Beaucoups of Blues by Ringo Starr; No Dice by Badfinger; and The Whale

by John Tavener. In fine condition, with intersecting folds as issued. Accompanied by a certificate of authenticity from Tracks. An exceptional display piece relating to the early post-Beatles period. Starting Bid $200

Apple Records “Fresh from Apple” leaflet advertising the release of Mary Hopkin’s third studio album Those Were the Days on November 17, 1972, two pages, 6 x 7, featuring the record label’s logo on the front, and an image of Hopkin and release information on the inside. In fine condition, with one small edge tear. Accompanied by a certificate of authenticity from Tracks. Sometimes credited as Mary Visconti, Hopkin is a Welsh folk singer best known for her 1968 chart-topping single ‘Those Were The Days,’ which was produced by Paul McCartney. The song reached number two on the Billboard Hot 100, trailing only behind The Beatles’ classic ‘Hey Jude.’

Hopkin was one of the first musicians to sign to The Beatles’ Apple label. Starting Bid $200

2069. Apple Records Promo Leaflet for The Sundown Playboys.

Apple Records “Fresh from Apple” leaflet advertising the release of The Sundown Playboys’ single ‘Saturday Nite Special’ on November 17, 1972, two pages, 6 x 7, featuring the record label’s logo on the front, and a band image and release information on the inside. In very fine condition. Accompanied by a certificate of authenticity from Tracks. The Sundown Playboys are a Cajun music band from Louisiana that were founded in 1945 by accordionist Lionel Cormier. Starting Bid $200

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2070. Sgt. Pepper’s: Henry Grossman Kaleidoscope Eyes Signed Book. Signed book:

Kaleidoscope Eyes: A Day in the Life of Sgt. Pepper, The Photography of Henry Grossman. Limited edition, numbered 1321/1967. Houston, Texas: Curvebender Publishing, 2008. Clothbound hardcover with clamshell case, 12.25 x 12.5, 240 pages.

Signed on the colophon in black ink by Grossman.

Includes a handsome set of four matte-finish 8 x 10 prints, each depicting a Beatles member and signed in the lower border in pencil by Grossman, as well as a glossy 8 x 10 contact sheet showing 34 images of the Beatles and George Martin in the studio. In fine condition. Starting Bid $200

2071. Ringo Starr and Zak Starkey Signed Drumhead.

White Evans Genera 14.5˝ drumhead, signed in black felt tip by the legendary Beatles drummer, “Love, Ringo xxxxxxx,” and by his son, “Zak Starkey.”

In very good condition, with overall surface scuffing, not affecting the bold signatures.

Accompanied by a certificate of authenticity from Tracks.

Pre-certified REAL. Starting Bid $200

2072. Ringo Starr Pair of Signed Items. Desirable pairing of Ringo items: an Avedis Zildjian splash cymbal, 12˝ in diameter, signed on the top in black felt tip, “Ringo”; and a color glossy 7.5 x 9.5 photo of Starr drumming on the set of a television show, signed in black felt tip, “Ringo,” who draws an arrow pointing to his head. Both are mounted, matted, and framed with a plaque to an overall size of 33 x 22.25.

In overall fine condition, with some damage to the frame.

Pre-certified REAL. Starting Bid $200

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2073. Ringo Starr Print by Robert Whitaker. Vivid color

limited edition 27.5 x 39.25 artist’s proof print of a psychedelic portrait of Ringo Starr, numbered AP 24/25, signed in the lower border in pencil by the artist, “Robert Whitaker.” Rolled and in fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Rare ‘butcher’ cover signed

by Ringo Starr—plus the unpeeled revision

2074. Ringo Starr Signed ‘Butcher’ Album. Yesterday and Today stereo ‘third-state’ butcher album (Capitol, 1966), signed on the front cover in black felt tip, “Love, Ringo Starr.”

This ‘third-state’ album features the ‘butcher’ cover, the previously affixed ‘trunk’ cover pasteover having been removed from the album jacket to reveal the original cover underneath. Also includes a desirable unpeeled stereo ‘second state’ version of the album, with the pasteover still in place. Impressively matted and framed side-by-side to an overall size of 34 x 20. In very good to fine condition, with a few areas of surface loss due to peeling. The records are included separately from the display.

Accompanied by a copy of the letter Capitol sent to reviewers concerning the issue of the revised album cover. Within days of releasing this miscellany of previous hits, Capitol recalled all copies in response to retailers’ negative reactions to the original macabre cover image. The recalled copies were ‘retrofitted’ with a new pictorial flat, pasted over the first featuring an innocuous image of the boys posed around a steamer trunk. This is the just the second instance of an autographed original butcher cover that we have encountered—a unique piece of controversial Beatles history. Pre-certified REAL. Starting Bid $200

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2075. Ringo Starr Signature. Ballpoint signature and inscription, “To David, Best wishes, Ringo Starr,” on the reverse of an off-white 2.75 x 4.25 card for The Astor Club.

In fine condition, with a fold not affecting the signature, and light staining on the face of the card. Accompanied by a full letter of authenticity from Tracks, as well as a letter of provenance, in part: “In 1982 I shared a flat with David Cowan in Archway…when he decided to use his skills abroad…the flatshare came to an end. While Dave was packing up his belongings, he came across the autograph and gave it to me. As far as I remember, he told me he had visited the club, briefly met Ringo Starr there and obtained the autograph…I seem to remember him telling me he was underage at the time he went to the club…so it would have been the early 1970s.” Pre-certified REAL. Starting Bid $200

2076. Ringo Starr Signed Book. Beautiful signed book: Photograph. Limited edition, numbered 1974/2500. Surrey, England: Genesis Publications, 2014. Hardcover half-bound in Italian leather with presentation box, 11.5 x 14, 304 pages. Signed on the colophon in black felt tip, “Ringo.” In very fine condition. Accompanied by the original drawstring bag, shipping box, and Genesis promotional flyers.

An absolutely stunning, luxurious Genesis volume.

Pre-certified REAL. Starting Bid $200

2 0 7 7. R i n g o S t a r r S i g n e d Drumsticks. Pair of Millennium II ProMark Ringo model drumsticks, American hickory, 5AL, one signed in blue felt tip, “Ringo.” In fine condition. Pre-certified REAL. Starting Bid $200

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“Life is warming up,” writes Sutcliffe while attending Liverpool Art College, “this is mostly due to the efforts of Elvis Presley and Co.” 2078. Stuart Sutcliffe Autograph Letter Signed. ALS signed “Stuart,”

nine total pages, 8 x 10.5, October 1959. Lengthy letter addressed to his former girlfriend Sheila Garbe, in part: “I had the opportunity to go to Spain for five weeks with my father at the beginning of the next week, but unfortunately I can’t get permission to have any more than two weeks off college. Not that they can’t do without me, it’s just that they feel I ought to get on with my work…As you said earlier in your letter nothing very exciting ever happens. Things come and go in a very artificial way, we seem constantly to need excitement (that’s why I am getting a motor-bike, not a car). I felt that I was slowly being suffocated by my work, and I just had to do something about it, something to take my mind off the rat-race which we are all part of. Last Saturday there was this party at Brenda’s at Austen’s. I must admit it was the most exciting party I have ever been to, I couldn’t really say why it was good, because I was on my own for most of it because Janet had to go at one. It was absolutely packed. Rod went berserk on two different occasions when he tried to strangle Bucky, the police intervened the second time—he was dead lucky he wasn’t arrested….Geoff from next door has just given me a glass of very strong gin—he tells me that Allan Williams from the Jac. Had it smuggled in from Holland—…Life is warming up at college, this is mostly due to the efforts of Elvis Presley and Co., on records at lunch time rock meetings. The general age seems to be much younger with the first years than usual.” In fine condition, with mild scattered creasing. Accompanied by a certificate of authenticity from Tracks. On the constant urging of roommate and Liverpool College of Art classmate John Lennon, Stuart Sutcliffe joined The Quarrymen in late January 1960, purchasing a bass guitar with money he earned from selling one of his paintings. Along with Lennon, Sutcliffe is credited with creating the band name ‘Beetles,’ an ode to Buddy Holly and the Crickets. The smuggled gin belonged to Allan Williams, the owner of the Liverpool coffee bar the Jacaranda, of which Lennon and Sutcliffe were frequent customers. When the pair inquired about performing music at the “Jac,” Williams instead hired them to paint a mural for the ladies room. Williams eventually became the band’s unofficial first manager—when they were called The Silver Beetles—and his legendary coffee club soon hosted some of the earliest known ‘Beatles’ shows.

Pre-certified REAL. Starting Bid $300

2079. Yoko Ono Signed Check. Bag Productions, Inc. business check, 7.75 x 3.5, filled out in another hand and signed

by Ono, “Yoko Ono Lennon,” payable to Pathe Equipment for £90, May 18, 1971. In fine condition, with staple holes to the upper left corner. Accompanied by a certificate of authenticity from Tracks. Pre-certified REAL. Starting Bid $200

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Elvis Presley 2080. Jerry Leiber and Mike Stoller Signed Sheet Music. Sheet

music booklet for ‘Jailhouse Rock,’ three pages, 9 x 12, signed on the front cover in blue felt tip by songwriters Jerry Leiber and Mike Stoller.

In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2081. Elvis Presley Collection of Documents. Documents

2082. Elvis Presley Oversized Vintage Photograph. Outstand-

ing original vintage semi-glossy 9.75 x 14.25 silver gelatin photo of Elvis Presley taken at Caesars Palace in Las Vegas on the opening night of his comeback engagements in 1970 by photographer Terry O’Neill.

Reverse bears a Terry O’Neill/Hatton copyright stamp. In fine condition, with scattered creasing to edges. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

related to a pair of pest inspections ordered by Elvis Presley to be performed at his Beverly Hills ranch at 1174 Hillcrest Road, including: a Standard Inspection Report Form, dated February 13, 1968, in which Angelus Termite & Pest Control indicate no findings on the premises, “a one-story stucco, rock, and wood-siding residence,” with a layout of the property below; and two Standard Inspection Report Forms, dated March 18, 1968, in which ACE Termite Control indicate that “Subterranean Termites were noted penetrating through concrete slab from earth fill.”

Also includes other letters and forms related to costs and reports, dated between March 19 and May 20. In overall fine condition. Also includes several photos, playing cards, and postcards of Presley, many of which bear facsimile signatures. Starting Bid $200

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Signed at the Memphis Fairgrounds in the early ‘60s 2083. Elvis Presley Signed Photo. Handsome

vintage circa early 1960s 7.5 x 9.5 paperstock fan club photo of Elvis, signed and inscribed in black ballpoint, “To Debbie, Elvis Presley.” Matted and framed to an overall size of 12 x 15. In fine condition, with scattered light creasing, faint toning to the lower portion, and a tiny tear to the left edge. Accompanied by a letter of provenance from the original recipient, in part: “During the years 1962–1963, when I was 13 or 14 years of age, I was a member of the wellknown Tankers Fan Club…At that time, members of the fan club were often invited to attend movies at the Memphian Theater with Elvis Presley and to enjoy fun times at the Mid-South Fairgrounds with him on occasion. It was my privilege on one of these late night excursions to the Fairgrounds as a guest of Elvis, to ride the rollercoaster with him in the front seat! What an exciting ride it was as Elvis actually held onto me. Later that night when Elvis was standing around telling Army stories, I asked him to autograph this promotional photograph.”

Pre-certified REAL. Starting Bid $300

2084. Elvis Presley: Priscilla Presley Set of (3) Signed Items. Three items: a special edition

of the Memphis Press-Scimitar from August 17, 1977, twelve pages, with the headline, “A Lonely Life Ends on Elvis Presley Boulevard,” signed in black felt tip by the icon’s ex-wife, “A day of shock and sadness, Priscilla Presley”; an issue of the Memphis Commercial Appeal from August 17, 1977, twelve pages, with the headline, “Death Captures Crown Of Rock And Roll—Elvis Dies Apparently After Heart Attack,” signed in black felt tip, “Priscilla Presley”; and an ANS on a 5 x 3 card, signed “Priscilla Presley,” in full: “Thank you for gifting me the book Letters of the Century. It’s a fascinating read. Nice to see Elvis included.” In overall fine condition, with central vertical folds and expected toning to newspapers. These items originate from the collection of actor Johnny Weissmuller’s son-in-law, who notes that “these are the only two papers she personally signed on the death of Elvis.” Pre-certified REAL. Starting Bid $200

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Bob Dylan “Fear the Lord, it is the beginning of wisdom, Proverbs” 2085. Bob Dylan Signature. Ink signature, “Fear the Lord,

it is the beginning of wisdom, Proverbs, Love, Bob Dylan,” on an off-white 5 x 3 card. Encapsulated in a plastic PSA/DNA authentication holder. In fine condition. Accompanied by full letters of authenticity from REAL and PSA/DNA. Consignor notes that the signature was obtained not long after the release of Dylan’s 1980 album Saved, the second album of Dylan’s ‘Christian trilogy’ following his conversion to born-again Christianity. An exceedingly sought-after item given Dylan’s reluctance to sign and the addition of his rare inspirational quote. Starting Bid $300

2087. Bob Dylan Oversized Original Vintage Photograph. Original vintage matte-finish 12 x 9.5 silver gelatin 2086. Bob Dylan Original Photograph. Wonderful

original semi-glossy 8.5 x 11 close-up photo of Dylan with his eyes closed and singing, taken by Annie Leibovitz in 1977 Los Angeles, reverse bears a Leibovitz copyright stamp annotated in pencil, “77/Mar 78.” In very fine condition. Starting Bid $200

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photo of Bob Dylan playing his Stratocaster on stage. Reverse bears a Simon Fowler/London Features International credit stamp. In fine condition. Simon Fowler is a prominent English photographer/director known for his work with numerous singers and bands, ranging from Kylie Minogue to Iron Maiden. From the Globe Photo archives. Starting Bid $200

2088. Bob Dylan Oversized Original Vintage Photograph.

Original vintage mattefinish 9.5 x 12 silver gelatin photo of Bob Dylan playing his Stratocaster on stage.

Reverse bears a Simon Fowler/London Features International credit stamp. In fine condition, with a fingerprint smudge to the right border. Simon Fowler is a prominent English photographer/director known for his work with numerous singers and bands, ranging from Kylie Minogue to Iron Maiden. From the Globe Photo archives.

Starting Bid $200

2089. Bob Dylan Oversized Print by Elliott Landy.

Classic oversized color 15.5 x 21.5 print of the iconic Nashville Skyline album cover photograph by Elliott Landy, signed and titled in the lower border in silver ink, “Bob Dylan, Elliott Landy.” Framed and in fine condition. Starting Bid $200

2090. Bob Dylan Oversized Print.

Rare 8.25 x 11.75 digital print of an original photograph of Bob Dylan on stage at the Manchester Free Trade Hall, during the acoustic half of his set on May 17, 1966, taken by the 16-year-old Mark Makin.

Annotated with Makin’s credit on the reverse. In fine condition. This was the legendary show at which a heckler yelled ‘Judas’ at Dylan for taking up the electric guitar, and which was famously (and mistakenly) bootlegged as ‘The Royal Albert Hall’ concert. Makin’s photographs of Dylan are the only images to ever surface of this legendary show. From the Globe Photo archives.

Starting Bid $200

2091. Bob Dylan and Mick Jagger Original Vintage Photograph. Original vintage glossy 10 x 8 silver gelatin

photo of Bob Dylan and Mick Jagger performing at the Rock and Roll Hall of Fame in January 1988. Reverse bears a Kevin Mazur/London Features International credit stamp and handwritten caption. In fine condition. From the Globe Photo archives. Starting Bid $200

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Dylan plays Tokyo 2092. Bob Dylan Signed Album. Bob Dylan at Bu-

dokan album signed and inscribed on the back cover in green felt tip, “To Pauline, Best wishes, Bob Dylan, 10/22/87.” In fine condition, with slight scuffing, creasing, and a ring of wear. The record is not included. A boldly signed record with great display value. Pre-certified REAL. Starting Bid $200

Fifty years of songs signed by the Nobel Prize–winning lyricist 2093. Bob Dylan Signed Book.

Signed book: Bob Dylan: The Lyrics, 1961–2012. First edition, first printing. NY: Simon & Schuster, 2016.

Hardcover with dust jacket, 8.25 x 10.25, 679 pages. Signed on the title page in black felt tip by Dylan.

In fine condition. Accompanied by a full letter of authenticity from REAL and a Simon & Schuster press release about the book. Always known for his brilliant lyrics, Dylan was awarded the 2016 Nobel Prize in Literature for ‘having created new poetic expressions within the great American song tradition.’ A marvelous, comprehensive volume that showcases Dylan’s excellence in songwriting. Starting Bid $200

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2094. Bob Dylan Signed Album.

Empire Burlesque album signed on the front cover in black felt tip by Dylan. In fine condition, with a light crease to the lower right and dings to corner tips. The record is included. Accompanied by a full letter of authenticity from REAL. Dylan’s autograph is uncommon in any format, and signed albums are particularly desirable.

Starting Bid $200

2095. Bob Dylan, Tom Petty, and Stevie Nicks Original Vintage Photograph.

Original vintage color glossy 9.75 x 7 photo of Bob Dylan, Tom Petty, and Stevie Nicks performing together in the 1980s. Reverse bears affixed “RETNA Pictures” and “Grazia Neri” labels, a handwritten “Ross Barnett” photo credit, and “This paper manufactured

by Kodak” watermarks. In fine condition, with a couple surface creases and heavier bends to the lower left corner. From the Globe Photo archives. Starting Bid $200

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Jimi Hendrix Hendrix plays ‘Sgt. Pepper’s’ for McCartney and Harrison 2096. Jimi Hendrix 1967 Saville Theatre Program.

Brilliant original program for a Jimi Hendrix Experience concert at London’s Saville Theatre on June 4, 1967, four pages, 6 x 9.5, featuring colorful cover artwork by Simon and Marajke. The program features images and information on the evening’s five scheduled performers, including: The Jimi Hendrix Experience, Denny Laine, Procol Harum, The Chiffons, and Rick Dane. In fine condition. Less than a month after releasing their full-length debut, Are You Experienced, Hendrix and company headlined a show at the Brian Epstein-owned Saville Theatre, with both George Harrison and Paul McCartney attending the performance.

When the curtains opened the band took the stage playing a rendition of the title track from the Beatles eighth album, Sgt. Pepper’s Lonely Hearts Club Band, which had been released only days prior. McCartney, who wrote the song, was floored by the performance: ‘To think that that album had meant so much to him as to actually do it by the Sunday night, three days after the release. He must have been so into it, because normally it might take a day for rehearsal and then you might wonder whether you’d put it in, but he just opened with it. It’s a pretty major compliment in anyone’s book. I put that down as one of the great honours of my career.’ Exactly two weeks later, the Jimi Hendrix Experience made their American debut at the Monterey Pop Festival, where they were booked at the recommendation of McCartney. A true piece of rock music history.Starting Bid $200

Rare 1967 Sussex University concert poster 2097. Jimi Hendrix Experience 1967 Sussex University Poster. Magnificent blue-and-silver 20 x 30 poster for the Jimi Hendrix Experience show at Sussex University on November 11, 1967, in which they were supported

by Ten Years After, The Shame, and The Scheme. The gorgeous poster is a deep, vivid blue with shimmering silver print. Rolled and in fine condition, with pinholes at corners. Accompanied by a certificate of authenticity from Tracks. The Jimi Hendrix Experience played for about a half hour with a set that included ‘Stone Free,’ ‘Hey Joe,’ ‘The Wind Cries Mary,’ ‘Purple Haze,’ and ‘Wild Thing.’ A rarely seen poster from a little-known university concert.

Starting Bid $500

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The Experience play Newark the night after MLK’s assassination 2098. Jimi Hendrix 1968 Newark Symphony Hall Ticket Stub. Original 1.75 x 1.5 ticket stub for a Jimi Hendrix Experience

concert at Symphony Hall in Newark, New Jersey, on April 5, 1968.

The ticket is issued for the Orchestra section, left center, “P 18.” In very good condition, with a vertical crease and expected handling wear. Accompanied by an unsigned photo of the Experience.

On Friday, April 5, 1968, the day after Martin Luther King, Jr. was assassinated, the Experience were scheduled to play two concerts at Newark’s Symphony Hall. According to bass player Noel Redding, what greeted the band upon their arrival was beyond his comprehension. ‘Our gig in Newark brought home to me how little I understood about America. We got into the limo and drove from Manhattan and as soon as we crossed into Newark we were somewhere weird, a place with tanks in the streets, but no people.

I didn’t know what was going on. At the hall we were met by police.

We freaked. What had we done? Then we heard that Martin Luther King had been assassinated and Newark was under siege. This was beyond my experience. The cops told us that there might be a riot and that we should do one show, do it quick and f--k off. The hall was huge—a several-thousand-seater—but contained at most two hundred people.’ The Experience cancelled their second show and shortened their first, playing for roughly 45 minutes. The night concluded with Hendrix informing the crowd that ‘this number is for a friend of mine.’ The trio played an improvised song in honor of King, and then quietly walked off the stage. An extremely rare and highly coveted ticket stub amongst Jimi Hendrix collectors, as a majority of ones that have surfaced over the years have been replicas. Starting Bid $200

Jimi plays the Pacific Coliseum in ‘68 2099. Jimi Hendrix Experience 1968 Concert Flyer.

Scarce original 11 x 8.5 handbill for a Jimi Hendrix Experience concert at the Pacific Coliseum in Vancouver, British Columbia on September 7, 1968, showing three images of Hendrix, ticket information, and listing the supporting acts as Vanilla Fudge, Soft Machine, and Eire Apparent. In fine condition, with tack holes to corners. Just prior to the release of Electric Ladyland, the Experience flew from Seattle to Vancouver to perform a 10-song set at the Pacific Coliseum, which included bluesy renditions ‘Voodoo Child,’ ‘Hey Joe,’ ‘Are You Experienced?,’ ‘Little Wing,’ ‘Foxy Lady,’ and ‘Purple Haze.’ Interestingly, Hendrix’s grandmother, Nora Hendrix, attended the show. Starting Bid $200

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Awesome Track Records 1967 promo card signed by the Experience 2100. Jimi Hendrix Experience Signed Promo Card.

Vintage Track Records promo card for The Jimi Hendrix Experience from October 1967, 4 x 6, signed in red ballpoint, “Jimi Hendrix,” “Noel Redding,” and “Mitch.” The reverse sides lists various Track Records releases: “Hey Joe / Stone Free,” “Purple Haze / 51st Anniversary,” “The Wind Cries Mary / Highway Chile,” “The Burning of the Midnight Lamp / The Stars That Play with Laughing Sam’s Dice,” and “Are You Experienced (LP).” In very good to fine condition, with old adhesive residue and a tack hole to the top edge, scattered light creasing, and moderate contrast to all three signatures. Accompanied by a full letter of authenticity from PSA/DNA. The consignor notes that the promo card and signatures were obtained at Queens College’s Whitla Hall in Belfast, Ireland, on November 27, 1967, at a concert billed as ‘Festival of Arts.’ Also on the bill were Syd Barrett–era Pink Floyd, The Move, The Nice, Amen Corner, The Outer Limits. and Eire Apparent. The 27th happened to be Jimi’s 25th birthday, and he was given a birthday cake by the festival organizers. 1967 proved to be the most significant year in the brief life span of The Jimi Hendrix Experience—their full-length debut, Are You Experienced, was released in the UK and USA in May and August; Hendrix famously lit his Fender Stratocaster on fire at the June 1967 Monterey Pop Festival; and their second studio masterpiece, Axis: Bold as Love, was released in the UK in early December. An immensely appealing promo card signed by the band during their most productive period. Pre-certified REAL. Starting Bid $500

2101. Jimi Hendrix Original Photograph. Powerful original semi-glossy 12.75 x 8.5 Jim Marshall photograph of Jimi Hendrix playing during sound check of the 1967 Monterey International Pop Music Festival, with the reverse bearing a Marshall copyright stamp and annotated in pencil, “6491, Apr ‘75.” In fine condition.

Starting Bid $200

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2102. Jimi Hendrix Original Photograph. Original glossy 8 x 10 silver gelatin photo of Jimi Hendrix with his manager Chas Chandler at Royal Albert Hall in February 1969, printed from the original negative circa 1970s–80s. Hendrix is seen holding his upside-down Stratocaster with a cigarette dangling from his lips, and Chandler is standing behind a WEM amp. Reverse bears London Features International labels, editorial notations, and “This paper manufactured by Kodak” watermarks. In fine condition. From the Globe Photo archives.

Starting Bid $200

2103. Jimi Hendrix Original Photograph. Original

glossy 8 x 10 silver gelatin photo of Jimi Hendrix performing in a flamboyant outfit, printed from the original negative circa 1970s. An editorial notation to the lower border reads, “Reversed,” indicating that the negative was printed backwards; Hendrix thus appears as if he were right-handed in the image.

Reverse bears an SKR Photos/LFI credit stamp, London Features International labels, and editorial notations. In fine condition, with a few minor surface nicks and slight soiling to edges. From the Globe Photo archives. Starting Bid $200

2104. Jimi Hendrix Serigraph. Attractive limited edition 24-color serigraph, 14.75 x 21, numbered 29/350, entitled ‘The Prayer,’ printed on Lana Aquarelle Arches paper, bearing Hendrix’s printed signature in the lower border, as well as an official Hendrix estate stamp. Rolled and in very fine condition. Starting Bid $200

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Historic and rare Hendrix-signed document related to his PPX contract breach 2105. Jimi Hendrix Signed Document. DS, one page,

8.5 x 11, November 19, 1969. Official letter directed to the Yameta Company, in full: “You are named as the fifth defendant in the action now pending in the High Court of Justice, Queen’s Bench Division, and assert that I am liable for your legal expenses in defending the suit. I am advised by my American attorney, Henry W. Steingarten, that I am liable only in the event it is finally adjudicated that I misrepresented my contractual status at the time I entered into my agreement with you. In any event, I have arranged with Messrs. Goodman, Derrick & co., who represent me in the English action, to assume your defense of the action without any cost to you.

I also undertake to indemnify you in respect of any judgment which may be entered against you in the action, including possible court costs. In view of this undertaking on my part, my English attorneys may decide to strike from your answer your claim over against me, which now becomes unnecessary.

With respect to the outstanding bill rendered by Clintons to Yameta for $5,000., arrangements are being made to pay the same, but such payment is conditioned upon the agreement that there will be no further bills for legal services rendered by Clintons to Yameta in respect of the above action, for which you claim I am responsible and upon the agreement that you will not assert any further and additional claim against me except in conformity with the provisions of this letter.” Signed at the conclusion in black ink by Hendrix. In fine condition, with light corner creasing, a small piece of old tape to the left edge, and a light block of toning from prior display. Accompanied by a full letter of authenticity from PSA/DNA. In October 1965, Hendrix was introduced to Curtis Knight’s manager, Ed Chalpin, and his management company PPX. Soon thereafter Knight and the Squires recorded for PPX, and Chalpin, amazed by the young guitarist’s talents, convinced Hendrix to sign an exclusive three-year deal with PPX—purportedly for a total sum of one dollar. As Hendrix’s popularity began to surge in the middle of 1966, the guitarist errantly signed an additional management contract with Chas Chan-

dler of Yameta in England. Eager to bank on the success of Hendrix’s debut album, Are You Experienced, as well as his iconic performance at the 1967 Monterey Pop Festival, Chalpin sued Hendrix and Yameta, in both London and New York, for breach of contract. Chalpin and PPX were awarded a payout of $1,000,000 and a share of future royalties.

Ultimately, Hendrix agreed to release a live album to satisfy the terms of the lawsuit. He formed the Band of Gypsys with Buddy Miles and Billy Cox, and they performed their only full concerts at the Fillmore East on December 31, 1969, and January 1, 1970, which were recorded and released as the self-titled Band of Gypsys album. This was the last album Hendrix released before his death. This lot includes a rare original concert program for these Fillmore East shows, as well as three modern prints of copyrighted photos taken at the shows. Additional recordings of these shows were released on the posthumous album Live at the Fillmore East. A significant document relating to a business decision that would affect Hendrix over the entirety of his brief yet brilliant career, which culminated in these infamous and legendary Fillmore East concerts. Pre-certified REAL. Starting Bid $1000

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UK pressing of Are You Experienced— “Be Groovy, Jimi Hendrix”

2106. Jimi Hendrix Signed Album. Rare UK mono first

pressing of the Are You Experienced album signed and inscribed on the back cover in black ballpoint by Jimi Hendrix, “To Colin, Be Groovy, Jimi Hendrix” and by Mitch Mitchell, “Mitch.” Upper right corner of reverse bears a small “Disc Piccadilly, Souvenir of London” label annotated October 9, 1967. In very good to fine condition, with creasing to the lower corners, and splitting along the spine; both signatures are clear and bold. The record is included.

Accompanied by a letter of provenance from the niece of the original recipient, in part: “This album originally belonged to my uncle Colin…It was left to my dad, who’d sat on it for years (not realising what he was sitting on!), until a few months ago after he’d had a huge clear out and gave it to me to see if it was worth anything…So the story goes…in the late 60’s/early 70’s uncle Colin saw Hendrix and his band at many of their legendary BBC performances and recordings—as at the time he worked for the Beeb. My dad…reckons he got the album signed on 15 December 1967 when Hendrix and his band recorded at the Beeb for a radio show…Also there’s a smudge where Noel was about to sign…but didn’t. That’s another story apparently, which we never got to the bottom of.”

The release of their full-length debut, Are You Experienced, fifty years ago on May 12, 1967, ignited Hendrix and the Experience as they embarked on their first official European tour. This album was purchased at the Disci Piccadilly record shop in October, one of the coolest record stores in London which was visited by everyone from the Beatles to Dylan to Hendrix. On December 15th, Hendrix and crew visited London’s BBC Broadcasting House and Playhouse Theatre to perform on the radio show Top Gear. The music recorded at that session was released in 1988 on the live album Radio One, which consisted of four other BBC recordings from that year; the record is now considered a classic example of the band’s ‘accelerated evolution.’

Having just celebrated its 50th anniversary, this is a sought-after album with a great Hendrix inscription. Pre-certified REAL. Starting Bid $1000

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Rolling Stones 2107. Mick Jagger and Mick Taylor Oversized Original Photograph.

Original matte-finish 9.25 x 12 silver gelatin full-length photo of the Rolling Stones during a performance, showing Mick Jagger singing to the crowd and Mick Taylor playing the guitar in the background.

Reverse bears a London Features International label. In fine condition, with a few surface marks and creasing to corners, the latter easily matted out. From the Globe Photo archives. Starting Bid $200

2109. Mick Jagger and Tina Turner Signed Photograph.

Glossy 11 x 14 photo of Tina Turner and Mick Jagger during their Live Aid performance in Philadelphia on July 13, 1985, signed in blue felt tip, “Tina, 85” and “Mick Jagger.” In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2108. Mick Jagger and Peter Tosh Original Photograph. Original

matte-finish 8.25 x 11.75 silver gelatin photo of Mick Jagger and Peter Tork in 1968, printed from the original negative circa 1970s–80s.

Reverse bears a handwritten Adrian Boot credit, RETNA Pictures label, and “This paper manufactured by Kodak” watermarks. In fine condition, with stray ink marks to the bottom edge. Adrian Boot is one of Britain’s most celebrated music photographers.

He was the staff photographer for Melody Maker, and also shot for NME, The Face, The Guardian and The Times (of London). He has photographed a wide variety of musicians, including the Sex Pistols, Clash, Damned, Jimmy Page, Bob Marley & The Wailers, the Grateful Dead in Egypt, and Live Aid. From the Globe Photo archives. Starting Bid $200

2110. Mick Jagger Signature. Vintage ballpoint

signature, “Mick Jagger,” on a light blue 4.25 x 4 album page.

Includes a color 3.5 x 3.5 candid photo of Jagger taken at the time of signing on May 9, 1965, before the Rolling Stones concert at Chicago’s Arie Crown Theatre, with reverse bearing a collector’s date notation. In fine condition, with old mounting remnants on the reverse.

Pre-certified REAL. Starting Bid $200

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“‘It’s only Rock & Roll,’ Keith Richards”

2113. Keith Richards Signed Guitar. Attractive white-

bodied Gibson Epiphone Special Model electric guitar, signed on the body in black felt tip, “‘It’s only Rock & Roll,’ Keith Richards.” In fine condition. Pre-certified REAL. Starting Bid $200

2111. Brian Jones Oversized Original Photograph.

Original matte-finish 9.5 x 12 silver gelatin photo of Brian Jones playing his electric guitar, printed from the original negative circa 1970s–80s. Reverse bears a London Features International label and “This paper manufactured by Kodak” watermarks. In fine condition, with mild scattered creases.

From the Globe Photo archives. Starting Bid $200

2112. Keith Richards Original Photograph.

Original glossy 8 x 10 photo of Keith Richards in a close-up pose with his hands resting on his shoulders and forehead. Reverse bears a London Features International label and is annotated with the name of photographer Derek Ridgers. In fine condition, with trivial creasing to edges. Ridgers is an English photographer whose work has been published in The Guardian, The Observer, GQ, and Melody Maker and Sounds; his subjects vary widely and include such celebrities as James Brown, The Spice Girls, Clint Eastwood, Johnny Depp, Tony Blair, and Julian Schnabel. From the Globe Photo archives.

Starting Bid $200

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2114. Rolling Stones 1964 Cubiklub Ticket. Rare

vintage large format ticket for a Rolling Stones concert at the Cubiklub in Rochdale on April 16, 1964, measuring 3.5 x 2.25, and listing David John & the Mood and The St. Louis Checks as the supporting acts.

In fine condition, with light handling wear. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2115. Rolling Stones 1966 Ipswich Handbill. Vintage

orange 9 x 5.75 handbill for a Rolling Stones concert at Ipswich’s Gaumont Theatre on October 2, 1966. Presented by Rolling Stones Ltd. the show was billed as “Rolling Stones 66,” and features a supporting lineup that includes Ike and Tina Turner, The Yardbirds, Peter Jay and the New Jay Walkers, The Kings of Rhythm Orchestra, The Ike-Ettes, Jimmy Thomas, Bobby John, and Ray Cameron. In fine condition.

A particularly crisp handbill. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

1964 handbill for the Stones’ second British tour 2116. Rolling Stones 1964 Leicester Handbill. Vintage color 5.75 x 10 handbill for a Rolling Stones performance at De Montfort Hall in Leicester, England, on February 9, 1964. The “All Stars ‘64” concert is headlined by John Leyton and Mike Sarne, and lists several special guests, including: The Rolling Stones, The Swinging Blue Jeans, Don Fireball Spencer, Billy Boyle, Mike Berry and the Innocents, Billie Davis and the Leroys, and Jet Harris. In fine condition. Accompanied by a certificate of authenticity from Tracks. A stylish and vividly colored handbill dated two months before the Stones released their self-titled debut album. Starting Bid $200

2118. Rolling Stones Set of (3) AP Lithos Signed by John Rowlands. Three

2117. Rolling Stones 1971 Sticky Fingers Promo Display. Rare original USA

promotional display for the Rolling Stones 1971 album Sticky Fingers, 39 x 9.5, featuring a full-length cardboard cutout of Mick Jagger holding the album at his waist. In fine condition, with a central horizontal fold at the top of the album image and scattered creases. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

limited edition 19 x 13 artist proof prints, each signed in the lower border in pencil by photographer John Rowlands: one color print showing the Rolling Stones in concert in 1975, with Mick Jagger carrying a bucket across the stage, numbered AP 6/15; another color print showing the Rolling Stones in concert, with Jagger throwing a bucket of water into the crowd, numbered AP 8/15; and a black-and-white print of a shirtless Mick Jagger during an intense performance, numbered AP 1/15. In overall fine condition. Starting Bid $200

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2119. Rolling Stones Set of (3) Signed Business Cards. Crisp

vintage set of three ballpoint signatures and inscriptions, “To Sheila, love, Brian Jones, xxx,” “Best wishes, Keith Richard, Rolling Stones,” and “Mick Jagger, xxx,” on the reverse of individual off-white 3.75 x 2 Jaeger House business cards.

Each card bears collector’s ink notations. In overall fine condition, with light soiling.

Accompanied by an unsigned photo of the Rolling Stones early into their career.

A very early unique and very collectible set of Brian, Keith, and Mick autographs obtained when they lived together at 102 Edith Grove in the Chelsea section of London where they shared a flat together. Pre-certified REAL. Starting Bid $200

2120. Rolling Stones Signatures. Sought-after vintage ballpoint

signatures of Mick Jagger, Brian Jones, Keith Richard, Charlie Watts, and Bill Wyman, who adds “Many thanks for the letter!” and “Stones!,” on an off-white sheet of 5 x 8 stationery from Queen’s Hotel, Piccadilly, Manchester. In fine condition, with multiple horizontal folds and a small stain. Pre-certified REAL. Starting Bid $200

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2121. Rolling Stones Signed Album. Black and Blue album

signed in ballpoint on the front and back covers by all five members of the group: Mick Jagger, Keith Richards, Ronnie Wood, Bill Wyman, and Charlie Watts. When opened, the front and rear covers appear side-by-side, providing an excellent complete image of the band with all signatures visible.

In very good to fine condition, with wear, creases, and scuffing to spine and covers. The record is not included. Pre-certified REAL. Starting Bid $200

The Stones debut in America as “England’s Newest Hit Makers”

2122. Rolling Stones Signed Album. England’s Newest Hit Makers album signed on the back cover in black ink, “Mick

Jagger,” “Love, Bill Wyman,” “Love, Keith Richards” (Richards has also signed for Brian Jones), and “Charlie Boy, xxx.” In very good condition. The record is included. Accompanied by a full letter of authenticity from REAL. Following the release of their self-titled debut in the UK on April 16, 1964, the American edition of the Rolling Stones’ debut was released by London Records roughly a month and a half later on May 30, 1964. In addition to having a slightly different track listing, the album was accompanied by a subhead, “England’s Newest Hit Makers,” which would inevitably become the official title. A seldom-encountered example of the Stones’ American debut. Starting Bid $200

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Vintage oversized spread featuring the original Stones 2123. Rolling Stones Signed Magazine Photo. Color vin-

tage 16.25 x 10.25 spread of the Rolling Stones removed from Rave Magazine, signed in blue ballpoint by Mick Jagger, Keith Richard, Brian Jones, Bill Wyman, and Charlie Watts. Attractively matted and framed to an overall size of 23.5 x 17.5. In very good to fine condition, with old adhesive staining along the top edge, and a central vertical fold (as issued). Pre-certified REAL. Starting Bid $300

Large Decca Records photo signed by the Stones 2124. Rolling Stones Signed Promo Photograph.

Rare vintage circa 1964 matte-finish 10 x 8 Decca Records promotional photo of The Rolling Stones, signed in black ballpoint, “Keith Richard,” “Mick Jagger,” “Brian Jones,” “Bill Wyman,” and “Charlie Boy.” Reverse bears a pair of Decca Record Co. copyright stamps. In very good to fine condition, with creasing, primarily to the right side, and poor contrast to Watts’ very light signature. Accompanied by a certificate of authenticity from Tracks. Minus the background, this features the same image used for the cover of the band’s self-titled debut EP, which Decca released in January 1964 to test the commercial appeal of the Rolling Stones before they would commit to producing a full album. While signed Decca promo cards of the Stones can on occasion be found for auction, fully signed Decca photos of the band remain incredibly rare and sought-after—the first such example we have ever offered. Pre-certified REAL. Starting Bid $200

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2125. Ronnie Wood and Slash Signed Lithograph. Tremendous color limited edition 20.5 x 28 serigraph of a stylized painting of Slash by Rolling Stones guitarist Ronnie Wood, numbered 54/60, signed in the lower border in pencil by Slash and Wood. Matted and framed to an overall size of 26.5 x 34.25. In fine condition. Pre-certified REAL. Starting Bid $200

2127. Bill Wyman Oversized Original Photograph.

2126. Ronnie Wood Oversized Original Photograph.

Original matte-finish 9.5 x 12 silver gelatin photo of Ronnie Wood in an animated close-up pose. In fine condition, with trivial waving and creasing to borders, easily matted out. From the Globe Photo archives. Starting Bid $200

Attractive original matte-finish 9.5 x 12 silver gelatin close-up photo of Bill Wyman playing his bass guitar. Reverse bears a London Features International label and is annotated along the top edge, “Bill Wyman—LFI Archive—Previously Unpublished.” In fine condition, with some wear to borders, easily matted out. From the Globe Photo archives. Starting Bid $200

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The Doors 2128. The Doors 1970 Vancouver PNE Coliseum Handbill. Attrac-

tive original rare redand-white handbill for a Doors concert at the PNE Coliseum in Vancouver, British Columbia on June 6, 1970, measuring 5.5 x 8.5, with images of the four band members and listing Albert King as the supporting act. In very fine condition.

Five months before entering the studio to record L.A. Woman, The Doors played a memorable 16-song set at the Pacific Coliseum. According to keyboardist Ray Manzarek, the band were on ‘a creative high,’ which resulted in a number of lengthy improvisations—their rendition of ‘Light My Fire’ ran for nearly 18 minutes. Additionally, the Doors treated the audience to a legitimate blues showcase, with opener Albert King joining the band on stage for four songs—’Little Red Rooster,’ ‘Money,’ ‘Rock Me,’ and ‘Who Do You Love?’ A recording of the concert by the band’s tour manager Vince Treanor would later result in the two-disc record Live in Vancouver 1970.

Starting Bid $200

2129. Doors Signed 1967 Fillmore Auditorium Signed Mini Poster. Origi-

nal first printing color 14 x 23 concert poster for The Doors and Jim Kweskin Jug Band at the Fillmore on June 9–10, 1967, signed in silver ink by John Densmore and Robby Krieger, and in black felt tip

by Ray Manzarek. Rolled and in fine condition, with a bit of paper loss to the middle of the top edge, and tape remnants to the reverse. Featuring artwork by Bonnie MacLean, this is a classic poster from the ‘Summer of Love.’ Pre-certified REAL. Starting Bid $200

2130. Jim Morrison Fan Mail Correspondence. Jim Morrison fan mail letter sent out eleven days after the death of the Doors lead singer, one page, 8.5 x 11, July 14, 1971. The letter, issued by Danny Sugarman of Door Productions, reads, in part: “As you have undoubtedly heard Jim Morrison passed away July 3rd in Paris. The death was attributed to natural causes. The other three Doors while understandably upset about the death of their friend, realize that the show must go on. They intend to still make music together, and they have no immediate intention of replacing Jim. We all loved Jim for what he was—a kind, warm-hearted person, gentle person, with the soul of a clown. He always cared about you guys out there and he hired me to take care of you. He enjoyed your presents and cards and proudly displayed them on the wall near his desk. There is no going back and undoing what has already been done. We’re sure Jim is happy, and his presence will always be felt here, up at the office. Jim was a good person, but sometimes he tried too hard. He gave everything he had into what he did…and he did it with total conviction. I’m sure we’ll all miss him—that goes without saying. We should all know how lucky we were to be a part of his life, directly or indirectly.” In fine condition, with expected mailing folds and light creasing. Accompanied by the original mailing envelope. Starting Bid $200

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An American Prayer signed by Jim Morrison

2131. Jim Morrison Signed American Prayer Book. Signed book: An American Prayer. Published by James Douglas Morrison in 1970. Faux red leather paper boards with gilt lettering, 4 x 4.75, 40 pages. Signed and inscribed on the title page in black felt tip, “To Pam, J. Morrison.” In fine condition, with trivial toning to first free end page, and a ding to upper right corner of front paper board. Accompanied by a full letter of authenticity from REAL, as well as the original mailing envelope, postmarked Los Angeles, November 4, 1970, and addressed by an unknown hand. Printed by Western Lithographers of Los Angeles in the summer of 1970, Morrison self-published a total of 500 copies of this rare book, purportedly divvying them amongst his family and close friends. This terrifically scarce signed edition features lyrics to Morrison’s poem ‘An American Prayer,’ the eventual title track for The Doors’ ninth and final studio album, and represents Morrison’s unique and visceral style of poetry.

Starting Bid $1000

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Grateful Dead 2132. Jerry Garcia and Bob Weir Signed Document. DS, signed “Jerry Garcia” and “R.

Weir,” eleven pages, 8.5 x 11, October 6, 1988.

An agreement outlining details for a penthouse renovation at 213 West 70th Street in New York by which Garcia and Weir hire Gibco Builders, including “demolition…Intercom, Carpet, renovation of Public Corridors except as noted.” Document is housed in a binder with numerous other papers and documents related to the project, including a New York certificate of capital improvement, January 30, 1989, signed again by Bob Weir, “R. Weir.”

Two additional documents are signed by Rock Scully, a longtime manager of the band. Expected document wear and tears to binding holes to the first page, otherwise fine condition. Accompanied by a full letter of authenticity from PSA/DNA. Garcia and Weir first met on New Year’s Eve 1963, befriending over a love of the Beatles and soon forming a band called Mother McCree’s Uptown Jug Champions, which over time was renamed The Warlocks and, eventually, the Grateful Dead. An intriguing East Coast document that presents opportunity for further Dead research.

Pre-certified REAL. Starting Bid $200

2133. Jerry Garcia Oversized Original Vintage Photograph. Original

vintage glossy 8.25 x 11.5 silver gelatin photo of Jerry Garcia riding a camel in Egypt during the Grateful Dead’s 1978 trip to the nation. Reverse bears an Adrian Boot credit stamp. In fine condition. Adrian Boot is one of Britain’s most celebrated music photographers. He was the staff photographer for Melody Maker, and also shot for NME, The Face, The Guardian and The Times (of London).

He has photographed a wide variety of musicians, including the Sex Pistols, Clash, Damned, Jimmy Page, Bob Marley & The Wailers, the Grateful Dead in Egypt, and Live Aid. From the Globe Photo archives. Starting Bid $200

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2134. Jerry Garcia Oversized Original Vintage Photograph. Original

vintage glossy 8.25 x 11.5 silver gelatin close-up photo of Jerry Garcia during the Grateful Dead’s 1978 trip to Egypt.

Reverse bears an Adrian Boot credit stamp. In fine condition. Adrian Boot is one of Britain’s most celebrated music photographers. He was the staff photographer for Melody Maker, and also shot for NME, The Face, The Guardian and The Times (of London). He has photographed a wide variety of musicians, including the Sex Pistols, Clash, Damned, Jimmy Page, Bob Marley & The Wailers, the Grateful Dead in Egypt, and Live Aid. From the Globe Photo archives. Starting Bid $200

2135. Jerry Garcia Photographic Contact Sheet. Fantastic original vintage glossy 8.5 x 11 contact sheet print featuring twelve images of Grateful Dead frontman Jerry Garcia, with drummer Mickey Hart joining him in five of the pictures. Two close-up portraits are marked with grease pencil.

Reverse bears a Baron Wolman credit stamp and RETNA Pictures label. In fine condition, with light edgewear. Wolman is a famed rock photographer best known for his work with Rolling Stone during the magazine’s nascent years. From the Globe Photo archives. Starting Bid $200

2136. Jerry Garcia Signed Album. Workingman’s Dead

album signed on the front cover in silver ink, “Jerry Garcia.”

In fine condition. The record is not included. An uncommon and highly desirable example boasting a large signature of the Dead frontman. Pre-certified REAL. Starting Bid $200

Scarce check drawn on the Jerry Garcia Band account 2137. Jerry Garcia Signed Check. Jerry

Garcia Band check, 8.25 x 3, filled out in another hand and signed

by Garcia, payable to his housekeeper Nora Sage for $989.45, January 24, 1985. Encapsulated in a plastic PSA/DNA authentication and grading holder, evaluating the autograph as “MINT 9.” In fine condition. The Jerry Garcia Band was formed by the Grateful Dead founder in 1975 as a side-project and featured a rotating collection of musicians who toured and occasionally recorded, usually during the Dead’s downtime. An extremely uncommon offering. Pre-certified REAL. Starting Bid $200

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2138. Grateful Dead 1970 UK Program. Uncommon souvenir

brochure for the inaugural Hollywood Music Festival held near Newcastleunder-Lyme, Staffordshire, England, on May 23 and 24, 1970, sixteen pages, 7.75 x 10. The brochure features images of several of the artists and groups scheduled to perform, including: Grateful Dead, Free, Ginger Baker’s Air Force, Colosseum, Family, Black Sabbath, Traffic, Mungo Jerry, and Jose Feliciano. The Hollywood Music Festival was notable for the first performance of Grateful Dead in the UK. In fine condition, with some light staining to the cover. Starting Bid $200

Grateful Dead promo poster signed by Garcia and the gang 2139. Grateful Dead Poster. Uncommon Ace Records promotional color 17 x 24 poster for various Grateful Dead and Jerry Garcia releases, signed in black felt tip by Garcia, Bob Weir, Mickey Hart, Bill Kreutzmann, and Phil Lesh, who adds an inscription. The poster prominently shows the Uncle Sam skeleton, and displays a set of seven releases below, including: the Grateful Dead’s Blues for Allah, Wake of the Flood, Steal Your Face, and From the Mars Hotel, Jerry Garcia’s The Wheel and Almost Acoustic, and Bob Weir’s Ace. In fine condition, with trivial scattered creases, primarily to borders. Pre-certified REAL. Starting Bid $200

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2140. Grateful Dead Original Photograph. Original

matte-finish 8 x 10 silver gelatin photo of the Grateful Dead outside their home at 710 Ashbury Street in San Francisco in October 1967, printed from the original negative circa 1970s– 80s. Reverse bears a Baron Wolman copyright stamp and two affixed RETNA Pictures labels. In fine condition. Wolman is a famed rock photographer best known for his work with Rolling Stone during the magazine’s nascent years. From the Globe Photo archives. Starting Bid $200

2142. Mickey Hart Original Photograph. Original glossy 8 x 10 silver gelatin photo of Grateful Dead drummer Mickey Hart in a lighthearted three-quarter-length pose. Reverse bears three affixed RETNA Pictures labels, one of which credits photographer Baron Wolman; reverse is also erroneously identified as Ron ‘Pigpen’ McKernan. In fine condition, with tape remnant to lower border. Wolman is a famed rock photographer best known for his work with Rolling Stone during the magazine’s nascent years. From the Globe Photo archives. Starting Bid $200

2141. Grateful Dead Signed Guitar. Stunning black-bodied Paul Reed Smith McCarty model hollow-body electric guitar, signed on the body in silver ink by Bob Weir, Phil Lesh, Mickey Hart, Bill Kreutzmann, Warren Haynes, Jeff Chimenti, and Jimmy Herring. In fine condition. Includes a hardshell carrying case. A gorgeous guitar with a loaded cast of Dead autographs.

Pre-certified REAL. Starting Bid $200

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2143. Mickey Hart Photographic Contact Sheet. Original vintage glossy 8.5 x 11 contact sheet print featuring twelve images of Grateful Dead drummer Mickey Hart. Two portraits are marked with grease pencil. Reverse bears a Baron Wolman credit stamp and RETNA Pictures label. In fine condition, with light edgewear and slight creasing to corners. Wolman is a famed rock photographer best known for his work with Rolling Stone during the magazine’s nascent years. From the Globe Photo archives. Starting Bid $200

2144. Bob Weir Original Photograph. Original matte-

finish 8 x 10 silver gelatin photo of Grateful Dead guitarist Bob Weir in a contemplative half-length pose. Reverse bears a Baron Wolman copyright stamp and two affixed RETNA Pictures labels. In fine condition, with some surface loss and creasing to borders (easily matted out), and some faint surface marks to image. Wolman is a famed rock photographer best known for his work with Rolling Stone during the magazine’s nascent years. From the Globe Photo archives.

Starting Bid $200

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2145. Bob Weir Photographic Contact Sheet. Original vintage glossy 8.5 x 11 contact sheet print featuring twelve images of Grateful Dead singer-songwriter and guitarist Bob Weir. One portrait is marked with grease pencil. Reverse bears a Baron Wolman credit stamp and RETNA Pictures label. In fine condition, with light edgewear and creasing to corners. Wolman is a famed rock photographer best known for his work with Rolling Stone during the magazine’s nascent years. From the Globe Photo archives. Starting Bid $200

Led Zeppelin 2146. John Bonham Oversized Original Photograph.

Original mattefinish 9.75 x 12 silver gelatin photo of John Bonham clapping his hands from behind his drum kit during a packed Led Zeppelin concert. Reverse bears a London Features International label. In fine condition, with some chipping and wear to edges, easily matted out. From the Globe Photo archives. Starting Bid $200

2147. John Paul Jones Original Photograph. Original

matte-finish 10 x 8 silver gelatin half-length photo of John Paul Jones playing his triple neck acoustic guitar. Reverse bears London Features International and Neal Preston credit labels. In fine condition, with some wear to edges, which can be easily matted out. Preston is a legendary rock photographer best known for his collaborations with Led Zeppelin, Queen, The Who, Bruce Springsteen, Fleetwood Mac, and Michael Jackson. From the Globe Photo archives. Starting Bid $200

Rare store display for Zeppelin’s The Song Remains the Same soundtrack 2148. Led Zeppelin ‘The Song Remains the Same’ Store Display.

Swan Song Records 1976 cardboard store display standee promoting the release of Led Zeppelin’s The Song Remains the Same soundtrack album on record and tape. The colorful display measures 12 x 17.25 x 4.5, and features a trio of lights shining on the band’s logo, imagery from the movie poster, and an insert depicting the front cover of the soundtrack album. In fine condition. Starting Bid $200

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Rare fully-signed Houses of the Holy ‘obi’ strip

2149. Led Zeppelin Signed ‘Houses of the Holy’ Album Obi Band. Rare ‘obi’ paper band for the classic Houses of the

Holy album (marked Atlantic SD-7255 on the reverse), signed in black felt tip by John Bonham, John Paul Jones, Jimmy Page, and Robert Plant. The strip has been paired with a later Japanese stereo pressing of the album (P-6520A). In fine condition.

The record is included. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from a previous owner, in part: “I was given the signed Houses Of The Holy band around April 1975 by a friend called Rob who had some sort of connection to the music business. I was trying to get tickets for the 1975 Earls Court concert as I was crazy about Led Zeppelin at the time. Rob said to me I have something you would like and he gave me the title band. I put this in the Earls Court Led Zeppelin programme and left it in a box and forgot about it.” Includes the 1975 Earls Court program mentioned in the letter. The ‘obi’ is a strip of paper looped around a book or album, which is a traditional element of Japanese publishing. Against Jimmy Page’s wishes, Atlantic first issued Houses of the Holy with this type of strip in order to identify the band and title against the otherwise textless album cover. As these strips are often torn or discarded, this is an exceptionally scarce signed format.

A spectacular fully signed piece from a classic Zeppelin title. Pre-certified REAL. Starting Bid $1000

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2150. Led Zeppelin Oversized Original Photograph.

Original glossy 12 x 9.25 silver gelatin photo of Led Zeppelin performing at Knebworth in 1979. Reverse bears a London Features International credit stamp. In very good condition, with moderate scattered creasing. From the Globe Photo archives.

Starting Bid $200

Oversized poster signed while touring in 1973 2151. Led Zeppelin Signed Merchandizing Poster. Ex-

tremely rare color-hued 24 x 18 merchandizing poster depicting Led Zeppelin, signed in ballpoint

by John Bonham, Jimmy Page, Robert Plant, and John Paul Jones.

Rolled and in very good condition, with several significant vertical folds, scattered creasing, and a few small edge tears. Accompanied by a certificate of authenticity from Tracks, noting that the autographs were obtained by a doorman in Aberdeen, Scotland, on January 25, 1973. Led Zeppelin performed at the Aberdeen Music Hall on January 25, 1973, playing a set that included such classic hits as ‘Rock and Roll,’ ‘Over the Hills and Far Away,’ ‘Black Dog,’ ‘The Song Remains the Same,’ ‘Stairway to Heaven,’ and ‘Whole Lotta Love.’

A rare and visually impressive oversized format fully signed by the legendary rock band. Pre-certified REAL. Starting Bid $300

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Scarce album signed by Page and Plant 2152. Led Zeppelin: Page and Plant Signed Album.

In Through the Out Door album signed on the front cover in blue felt tip by Robert Plant and Jimmy Page. In fine condition, with some corner wear. The record is not included.

Accompanied by full letters of authenticity from REAL and PSA/DNA. In Through the Out Door was the last released Led Zeppelin record that featured new material; 1982’s Coda consisted of unused tracks from various sessions. According to Page, the band were planning for a more ‘hard-driving rock album’ for their next effort, but the death of drummer John Bonham the following year effectively ended the band.

A particularly uncommon album signed by two rock legends.

Starting Bid $200

“Used to carry the Led Zeppelin recording contracts to America” 2153. Led Zeppelin: Peter Grant’s Gucci Briefcase. Led Zeppelin manager Peter

Grant’s personally-owned and -used Gucci briefcase, measuring 15.5 x 11, featuring leather trim and a Gucci-patterned beige fabric. In very good condition, with general staining and overall wear from use. Accompanied by a certificate of authenticity from Tracks and a letter of provenance on Peter Grant Music Ltd. letterhead, in part: “This letter is written in good faith as was told to me by Peter Grant. The Gucci Briefcase was given to me a number of years ago by Peter Grant who was both a close personal friend and my business partner for a number of years prior to his death in 1995. The briefcase was used to carry the Led Zeppelin recording contracts to America for signing with Ahmet Ertegun of Atlantic Recording Corporation, 1841 Broadway, New York, New York.” In November 1968, Grant secured a $143,000 advance contract from Atlantic Records—then the biggest deal of its kind for a new band. Starting Bid $200

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2154. Led Zeppelin: Plant and Page. Two photos: a color 7.75 x 10.25 magazine photo of Jimmy Page during a performance, signed in black felt tip; and a color 10 x 12 magazine photo of Plant behind his microphone, signed in black felt tip. In overall very good to fine condition, with mounting remnants to reverse.

Consignor notes that these vintage signatures were obtained in person in Vienna during the early to mid-1970s. Pre-certified REAL. Starting Bid $200

Original BBC Gramophone tape of Jimmy Page’s 1965 debut solo single

2155. Jimmy Page BBC Tape Recording of ‘She Just Satisfies / Keep Moving’. An original reel of BBC Gramophone 1/4-inch audio tape that contains Jimmy Page’s 1965 debut solo single ‘She Just Satisfies/Keep Moving,’ released on Fontana Records on February 26, 1965. Page plays all instruments on the single apart from drums, and also handles the vocals.

Contained in its original box with typed BBC label. In very good to fine condition, with moderate rubbing to label on cover; tape itself remains in overall fine condition. Accompanied by a certificate of authenticity from Tracks. The recordings for ‘She Just Satisfies’ took place toward the end of Page’s prolific career as one of the most sought-after session guitarists on the UK rock scene, but before he stepped into the spotlight as a member of the Yardbirds (and later Led Zeppelin). This was the only single Page released as a solo artist, and the only instance in which he is known to have provided lead vocals. Starting Bid $500

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2156. Jimmy Page Oversized Original Photograph.

Original glossy 7.5 x 11.75 silver gelatin photo of Jimmy Page in a comfortable seated position.

Reverse bears a London Features International label and is annotated with the name of photographer Adrian Boot. In fine condition, with creasing to borders, easily matted out. Boot is one of Britain’s most celebrated music photographers. He was the staff photographer for Melody Maker, and also shot for NME, The Face, The Guardian and The Times (of London). He has photographed a wide variety of musicians, including the Sex Pistols, Clash, Damned, Jimmy Page, Bob Marley & The Wailers, the Grateful Dead in Egypt, and Live Aid. From the Globe Photo archives.

Starting Bid $200

2158. Robert Plant Oversized Original Photograph.

Original matte-finish 9.75 x 12 silver gelatin photo of Robert Plant during an impassioned performance. In fine condition. From the Globe Photo archives. Starting Bid $200

2159. Robert Plant Original Vintage Photograph. Origi-

nal vintage glossy 8 x 10.25 half-length photo of Robert Plant wearing a black tank top and grimacing during a Led Zeppelin concert. Reverse of photo bears a London Features International label and stamp, as well as a rare Chris Walter photographer’s stamp. In very good to fine condition, with wear and creasing to edges, the majority of which could be matted out, and slight surface impressions from writing to reverse. Walter was a photographer of classic rock and pop musicians, who co-founded the company London Features in the early 1970s; he photographed artists like The Who, Rod Stewart, The Doors, Donovan, Scott Walker, Jimi Hendrix, and Led Zeppelin. From the Globe Photo archives. Starting Bid $200

2160. Robert Plant Signed Album. Pictures at 2157. Jimmy Page Original Photograph. Original glossy

8 x 10 photo of a sweaty Jimmy Page hunched down and playing his guitar during a performance. Reverse a 1985 Neal Preston credit stamp. In fine condition. Preston is a legendary rock photographer best known for his collaborations with Led Zeppelin, Queen, The Who, Bruce Springsteen, Fleetwood Mac, and Michael Jackson. From the Globe Photo archives.

Starting Bid $200

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Eleven album signed on the front cover in blue felt tip by Plant.

In fine condition. The record is included.

Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Pink Floyd

2161. Syd Barrett Signed Book. Signed book from

the personal collection of Syd Barrett: The Oxford Companion to Twentieth Century Art. Later printing. Oxford: Oxford University Press, 1988. Paperback, 6 x 9.25, 656 pages. Signed on the title page in blue ink, “R. K. Barrett, April 88.” In fine condition, with a light irregular block of toning to signed page, and a slight fold passing through two letters of the signature; and scattered creases and marks to covers and spine. Provenance: From the Estate of Roger Keith ‘Syd’ Barrett, ex-lot 725 Cheffins, Fine Art Sale, 29th & 30th November, 2006.

Pre-certified REAL. Starting Bid $200

2162. David Gilmour Original Photograph. Original

glossy 8 x 10 half-length photo of David Gilmour playing guitar during a Pink Floyd performance. Reverse bears a Paul Canty/London Features International credit stamp, as well as a London Features International label. In fine condition, with slight surface impressions. London Features International was a London-based photo agency that started in the 1960s, and licensed photographs to magazines and newspapers for publication. From the Globe Photo archives.

Starting Bid $200

2163. David Gilmour Original Photograph. Original glossy 8 x 10 full-length photo of David Gilmour relaxing on a large sofa in front of a coffee table with tape recorder.

Reverse bears a pair of London Features International labels, as well as an LFI/Jill Furmanowsky credit stamp. In fine condition. Furmanowsky is a British photographer who has photographed many major rock musicians, including Bob Dylan, Led Zeppelin, Pink Floyd, Mike Oldfield, The Ramones, Bob Marley, Eric Clapton, Blondie, The Police, The Clash, The Sex Pistols, The Pretenders, and Oasis. From the Globe Photo archives. Starting Bid $200

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2164. Pink Floyd 1970 Royal Albert Hall Concert Flyer.

Appealing vintage color concert flyer for “An Evening with Pink Floyd” at London’s Royal Albert Hall on February 7, 1970, measuring 7.5 x 10, with venue details and ticket information listed along top and bottom. In fine condition, with light soiling to the left edge. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2165. Pink Floyd Original Photograph. Original glossy 10 x 8 silver gelatin photo of the classic Pink Floyd lineup of Roger Waters, Nick Mason, David Gilmour, and Rick Wright, printed from the original negative circa 1970s–1980s. Interestingly, Gilmour is seen wearing a B. B. King t-shirt. Reverse bears a London Features International label, editorial notations, and “This paper manufactured by Kodak” watermarks. In fine condition. From the Globe Photo archives. Starting Bid $200

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2166. Pink Floyd Original Photograph. Original glossy

8 x 10 silver gelatin photo of the classic Pink Floyd lineup of Roger Waters, Nick Mason, David Gilmour, and Rick Wright, printed from the original negative circa 1970s–1980s. Reverse bears a London Features International label and “This paper manufactured by Kodak” watermarks. In fine condition. From the Globe Photo archives. Starting Bid $200

2167. Pink Floyd Original Photograph. Original

glossy 8 x 10 silver gelatin photo of Syd Barrett–era Pink Floyd in concert, printed from the original negative circa 1970s. Reverse bears a London Features International credit stamp and label. In fine condition. From the Globe Photo archives.

Starting Bid $200

2168. Pink Floyd Original Vintage Photograph. Orig-

inal vintage circa 1980 glossy 10 x 8 silver gelatin photo of Pink Floyd in Los Angeles during a promo shoot for The Wall. Reverse bears a London Features International label, handwritten Neal Preston credit, and “This paper manufactured by Kodak” watermarks. In fine condition.

Neal Preston is a legendary rock photographer best known for his collaborations with Led Zeppelin, Queen, The Who, Bruce Springsteen, Fleetwood Mac, and Michael Jackson.

From the Globe Photo archives. Starting Bid $200

Scarce signed title from Pink Floyd 2169. Pink Floyd Signed Album.

Atomic Heart Mother album signed on the front cover in blue felt tip by Roger Waters, Nick Mason, Richard Wright, and David Gilmour, who also signs on the inner gatefold.

In fine condition. The record is not included. Originally obtained by inperson specialist Mike Wehrmann.

The release of Atom Heart Mother in 1970 marked the first instance in which a Pink Floyd album would top the UK charts. Although the band have distanced themselves from the record, with Gilmour admitting that they were ‘scraping the barrel a bit at that period,’ the amusing bovine artwork represents the band’s subtle humor, as well as their desire to branch away from the ‘space rock’ imagery they were becoming pigeonholed. A notably uncommon title with a full cast of bold Floyd signatures. Pre-certified REAL. Starting Bid $500

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Incredibly rare fully signed 1972 Dark Side of the Moon tour program

2170. Pink Floyd Signed Program. Exceedingly rare unofficial 1972 UK Dark Side of the Moon tour program, six pages, 8.5 x 11, signed on the front and back covers in blue ballpoint by all four members of the group: Roger Waters, David Gilmour, Nick Mason, and Richard Wright.

The program is unstapled (as issued) and can be opened so that all signatures are displayed.

In very good to fine condition, with intersecting folds and general handling wear. Included is the original Leeds Town Hall January 28, 1972, ticket stub for the event at which these autographs were obtained.

Accompanied by a certificate of authenticity from Tracks and a detailed letter of provenance from the original recipient, in part: “The first Pink Floyd concert I attended was at Leeds Town Hall on the 28th January 1972 and this was one of several venues making up the Pink Floyd’s UK winter tour 1972. This concert was all about Pink Floyd performing some of their most memorable music from the late 1960s but also performing Dark Side of the Moon, before its official launch on record in March 1973.

I attended the concert with several friends studying at Leeds University who also knew roadies helping the band transport their equipment…as most were leaving the building my friends and I held back for a while and were invited to help remove some of the bands WEM speaker columns making part of the groups 360deg quadraphonic sound system…On completing the task we gathered around the bands 32 channel Allen and Heath sound mixing console weighing up the technology…the Floyd band members emerged and stood around the sound mixer for a chat with the sound engineers. Without hesitation the Pink Floyd concert programme was presented to each band member and on asking for their autographs they duly obliged. Whilst asking Roger Waters to sign I also plucked the courage to ask him what base guitar strings he used to this he replied ‘Rotosound.’ A friend also asked him about the main chord sequence for Interstellar Overdrive…and again he explained clearly the sequence.”

An amazing and immensely rare piece not just of Pink Floyd history, but of music history itself—Dark Side of the Moon would go on to become the longest charting album ever released. A true Pink Floyd relic signed during a most pivotal period in the band’s history. Pre-certified REAL. Starting Bid $500

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2171. Pink Floyd Signed Album. Rare Japanese release of the album A Collection of Great Dance Songs (25AP 2260 / JASRAC) signed on the front cover in black felt tip by Richard Wright and Nick Mason, and on the back cover in black felt tip by David Gilmour and in silver ink by Roger Waters. In fine condition. The record is included.

A decidedly uncommon album title signed by the entire band. Pre-certified REAL. Starting Bid $200

2172. Gerald Scarfe Signed P i n k F l oyd Album. Eng-

lish cartoonist and illustrator (born 1936) who worked on Pink Floyd’s 1979 album The Wall, its 1982 film adaptation, and the subsequent tour in 1980-81; he was also an editorial cartoonist for The Sunday Times and illustrator for The New Yorker. The Wall album signed on the inner gatefold in blue ballpoint by Gerald Scarfe. In fine condition. The records are included. Accompanied by a certificate of authenticity from Tracks. Pre-certified REAL. Starting Bid $200

2173. Roger Waters and Nick Mason Signed Album. Umma-

gumma album signed on the front cover in gold ink by Waters, and in black felt tip by Mason. In very good to fine condition, with scuffing and edge wear.

The record is not included. Accompanied by a certificate of authenticity from PSA/DNA. Pre-certified REAL. Starting Bid $200

2174. Roger Waters Signed Guitar. Black-bodied Epiphone DR-100 EB acoustic guitar with an affixed Dark Side of the Moon decal, signed on the black pickguard in blue paint pen by Waters. In fine condition. Pre-certified REAL. Starting Bid $200

2175. RogerWaters Signed Magazine.

Rolling Stone magazine from September 30, 2010, 8 x 10.75, 86 pages, showing Waters in close-up profile on the front cover, nicely signed in bright pink paint pen. In fine condition. Pre-certified REAL. Starting Bid $200

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Michael Jackson 2178.

Michael Jackson and Motown Legends Signed Program. Vin-

2176. Michael Jackson ‘Bad’ Sales Award. In-house ap-

preciation award presented for “participation in the success of Michael Jackson’s #1 album Bad.” Framed with its plate, a CD, the album cover, and a background with five images of Jackson posing to an overall size of 17.75 x 13.75. In fine condition. Starting Bid $200

2177. Jackson 5 Sales Award: Victory. Impressive Epic Records in-house sales award presented “to commemorate the tremendous success attained by The Jacksons” for the release of their sixteenth studio album Victory. Attractively double-matted and framed with two discs, a 45 rpm record, and a plate bearing a small image of the Victory album to an overall size of 32 x 30.5. In fine condition. Starting Bid $200

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tage 1967 program for An Evening with the Motown Sound, twenty pages, 9 x 12, signed later on the front cover in black felt tip by numerous musicians, including: Michael Jackson, Tito Jackson, Smokey Robinson, David Ruffin, Eddie Kendricks, Kim Weston, Ashford and Simpson, Eddie Holland, Brian Holland, Lionel Dozier, Brenda Holloway, Jimmy Ruffin, the Four Tops, and many more. Signed on the back cover by Bobby Taylor, and signed inside by Halloway (2), Rosalind Ashford, and Martha Reeves (2). In fine condition.

Starting Bid $200

2179. Michael Jackson Oversized Signed Photograph.

Color glossy 10 x 14 half-length photo of Jackson in a gold sweater-vest and bow tie, signed in blue felt tip, “Love, Michael Jackson.” In fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

2180. Michael Jackson Case of Cologne. Case

of twelve boxes of Michael Jackson cologne, “Eau de toilette, Natural Spray,” individually housed in their original 3.5 x 5 x 1 display boxes. Each 60 ml/2.0 oz. glass bottle is circular in shape and features a holographic picture of Jackson’s face on either side, with the plastic spray cover reading “Michael Jackson” on either side. Manufactured by Beat Perfumes sa, Geneva Switzerland. Includes the original black case. In overall fine condition, with wear to the case. Starting Bid $200

2182. Michael Jackson Signed Book. Signed book: Moonwalk.

First edition. London: William Heineman, 1988. Hardcover with dust jacket, 6.25 x 9.25, 283 pages. Signed and inscribed on the half-title page in black ink, “Thanx so much, To Brian, Love, Michael Jackson.” The opening pages are also signed by three members of Jackson’s security team. In very good to fine condition, with scattered wear and tears to dust jacket, and a couple “The May Fair, London” labels affixed to opening pages; a smudge and an ownership notation to upper left of signed page. Pre-certified REAL. Starting Bid $200

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Rare Jackson-signed electric guitar

2183. Michael Jackson Signed Guitar. Extremely appealing red sparkle New York Pro ‘stratocaster style’ electric guitar, signed on the white pickguard in black felt tip by Michael Jackson. Body of guitar features an affixed white Jackson logo. In fine condition. A decidedly uncommon format signed by the ‘King of Pop’—the first Jackson-signed guitar we have offered in over seven years. Pre-certified REAL. Starting Bid $200

2184. Michael Jackson Signed Photograph. Color glossy

8 x 10 Epic Records publicity photo from 1991 showing Jackson in a badge-studded leather jacket, signed in black felt tip, “With Love, Michael Jackson.” In fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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2185. Michael Jackson Signed Photograph. Color semiglossy 10 x 8 photo of Jackson and several other musical artists during the final recording session of the song ‘We Are the World’ at A&M Studios in Hollywood California on January 28, 1985, signed in black felt tip. In fine condition, with a couple small impressions to upper edge. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

2186. Michael Jackson Signed Photograph. Color

semi-glossy 11 x 14 photo of Jackson from the ‘Black or White’ music video, signed in black felt tip. In fine condition, with a slightly grainy quality to the image, and a slight smudge to signature. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2 1 8 7. M i c h a e l Jackson Signed Photograph. Un-

usual glossy 8 x 10 promotional photo of Jackson, Leslie Uggams, and Oscar the Grouch standing on a snowcovered Sesame Street, neatly signed in blue felt tip by Jackson. In very good to fine condition, with a few scattered creases and light surface wear. Pre-certified REAL. Starting Bid $200

Stage-worn at Wembley Stadium

2188. Michael Jackson Stage-Worn Fedora. Michael Jackson’s stage-worn black wool fedora by the Golden Gate Hat Company, marked on the inner sweatband with gold text, “Michael Jackson.” A small golden tag reads, “WPL 5923.” Affixed inside the hat is a crew member’s cloth backstage pass for his show at Wembley Stadium in London on July 16, 1988. In fine condition, with signs of wear to the sweatband. The consignor notes that the hat was thrown from the stage during Jackson’s concert, which was part of the Bad international tour. A trademark element of Jackson’s stage style, he commonly wore hats by the Golden Gate Hat Company. A fantastic concert-worn piece from the legendary entertainer. Starting Bid $300

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Country

2189. John Denver Signed Photograph. Glossy 8 x 10 close-up photo of Denver, signed and inscribed in black felt tip, “It’s always a pleasure to play here—Even more-so when we beat you at softball. Ha!!! Peace! John Denver.” In very fine condition. Pre-certified REAL. Starting Bid $200

2190. John Denver Signed Program. Vintage 1980 tour program for John Denver, twenty pages, 10 x 14, signed on the front cover in black felt tip, “Peace!

John Denver.” In fine condition, with trivial creases to cover. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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2191. The Highwaymen Signed Photograph. Color glossy 14 x 11 photo

of The Highwaymen, signed in blue felt tip

by Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. In fine condition, with a slightly grainy quality to the image. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2192. Hank Williams Signed Photograph. Classic vintage glossy 8 x 10 photo of Williams with his guitar and cowboy hat at a WSM microphone, signed in blue ballpoint, “Best Wishes, Hank Williams.” In fine condition, with scattered light creasing, and the signature a bit light but legible.

As detailed in Colin Escott’s Hank Williams: The Biography: ‘Hank supplemented his income in various ways…The band typically went out into the crowd and sold song folios and photographs on commission during the intermission. The usual asking price for photos was fifty cents and Hank would sign them for that price.’ Starting Bid $200

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Jazz, Blues, & Standards 2193. Big Bill Broonzy Signed Book. American blues singer, songwriter and guitarist (1893–1958), who was one of the key figures in the development of blues music in the 20th century; he became an international star in the 1950s when he returned to his traditional folk-blues roots and became one of the leading figures of the emerging American folk music revival. Signed book: Big Bill Blues: William Broonzy’s Story. First edition. London: Cassell & Company Ltd., 1955. Hardcover with dust jacket, 5.5 x 8.75, 139 pages.

Signed on the half-title page in blue ballpoint, “Big Bill Broonzy.” In very good condition, with very light toning to signed page, and scattered spotting to end pages and textblock; and toning, scattered tears, and a clipped corner to dust jacket. Pre-certified REAL. Starting Bid $200

2195. Coleman Hawkins Signed Photograph. Scarce

2194. Natalie Cole Platinum Sales Award: Unforgettable with Love.

Official ‘R’ hologram-style RIAA triple platinum sales award presented “to commemorate the sale of more than 3,000,000 copies of the Elektra Entertainment album, cassette and C.D. ‘Unforgettable with Love.”’ Framed with its plate, CD, cassette, disc, and three small images of the album cover, each denoting platinum sales, to an overall size of 16.75 x 25. Award retains its original backing with an Ill-Eagle Enterprises label. In fine condition. Starting Bid $200

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vintage circa midto-late 1930s glossy 6.25 x 8.25 photo of Hawkins in a dapper suit and tie taken at Ava Studios in London, signed and inscribed in fountain pen, “To my pal Harry, best wishes, Coleman Hawkins.” Reverse bears an Ava Studio copyright stamp.

In very good to fine condition, with a tiny repaired tear to the upper left corner, a minuscule chip to the upper right corner, and a few small surface creases. The consignor notes that the recipient of this inscribed photograph was Harry Bacon, a preeminent London shirt maker and the brother of Max Bacon, one of the most significant drummers in Britain during the 1920s and 1930s. In late 1934, Hawkins accepted an invitation to play with Jack Hylton’s orchestra in London, and toured Europe as a soloist until 1939. During his time in Europe, Hawkins recorded with Django Reinhardt and Benny Carter. On his return to the United States, Hawkins recorded a twochorus performance of the pop standard ‘Body and Soul,’ a landmark of recording of the swing era. Pre-certified REAL. Starting Bid $300

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Fabulous portrait signed with her nickname— “Lady Day” 2196. Billie Holiday Signed Photograph.

Beautiful vintage glossy 7.75 x 9.5 Associated Booking Corp. publicity photo of Holiday, signed and inscribed in fountain pen, “For Jack, Thanks for loving me. Stay as fine as you are. Lady Day, Billie Holiday.” In very good condition, with horizontal crazing and light creases to surface, a small taperepaired tear to right side, and slightly trimmed edges. Her friend and musical partner Lester Young originally gave her the nickname ‘Lady Day,’ which she happily adopted and even recorded under—she used the pseudonym to record the song ‘Trav’lin’ Light’ for Capitol Records in 1942, attempting to sidestep her exclusive contract with Columbia.

Signed photos of Holiday are rare and represent one of the most sought after autographs in jazz collecting—this is a particularly appealing example.

Pre-certified REAL. Starting Bid $500

2197. Jazz: Muddy Waters and Howlin’ Wolf Oversized Photos Signed by Photographer John Rowlands. Two glossy photos, both signed in the lower border in black felt tip by photographer John Rowlands: a 14 x 19.25 photo showing Muddy Waters playing the blues on his Telecaster; and a 15 x 20 photo of Howlin’ Wolf holding a microphone and smiling during a performance. In overall fine condition.

Starting Bid $200

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2200. B. B. King Signed Lithograph. Color limited edition 28 x 22 lithograph of his famous guitar ‘Lucille,’ numbered 58/685, prominently signed in the lower border in black felt tip, “B. B. King.” Rolled and in fine condition. Pre-certified REAL. Starting Bid $200 2198. Quincy Jones Signed Photograph. Glossy 8 x 10

close-up photo of Quincy Jones, signed in blue felt tip. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2 2 0 1 . We s Montgomery Signed Album.

2199. Freddy King Signed Album. Kings of Rhythm & Blues, Vol. 2 album signed on the front cover in black ink, “Best wishes, Freddie King.” In fine condition. The record is included. Pre-certified REAL. Starting Bid $200

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American jazz guitarist (19231968), and sixtime winner of Down Beat’s critic’s poll as best guitarist, who died of a heart attack at the age of 45.

The Incredible Jazz Guitar of Wes Montgomery album signed on the back cover in pencil, “Best, Wes Montgomery.” In fine condition, with some stains and toning to back cover.

The record is not included. Precertified REAL. Starting Bid $200

Negro Folk Songs As Sung by Lead Belly 2 2 0 2 . Hu d d i e ‘ L e a d B e l l y ’ Ledbetter Signed Book. Signed book:

Negro Folk Songs As Sung by Lead Belly.

First edition. NY: The Macmillan Company, 1936. Clothbound hardcover, 7.5 x 9.5, 242 pages. Signed on the title page in black, “Huddie Ledbetter,” as well as in blue ink by the author, “Yours sincerely, John A. Lomax.” Collector’s notation to first free end page. In very good to fine condition, with slight scattered toning to opening pages, including the signed page (restricted to the bottom edge, in no way affecting the bold signature); boards and pastedowns feature some faint water damage and creasing. Father-and-son folklorists John and Alan Lomax discovered Ledbetter at Louisiana’s Angola Prison Farm in the summer of 1933. They recorded the 12-string guitarist—then serving a four-year sentence for attempted homicide—and, deeply impressed, they returned a year later with even better equipment to record hundreds of his songs. Upon his release in 1934, Ledbetter helped the Lomaxes with their folk song collecting around the South, and then later assisted them with recording songs and compiling interviews for their forthcoming book, Negro Folk Songs As Sung by Lead Belly. Autographic material from Leadbelly remains extremely scarce. Pre-certified REAL. Starting Bid $300

The Bird in Sweden 2203. Charlie Parker Signature. Vintage 8 x 5.75 program for a Charlie Parker concert at Konserthuset Stockholm, Sweden, on November 20,1950, neatly signed on the front page next to his image in black ink by Parker; the back of the program is affixed to the inside back cover of the record set, Metronome Records presents Bop-session with Charlie Parker, which consists of three 78 RPM records, and features six songs from Charlie Parker’s All Stars, including: ‘Cheryl’ / ‘Warming Up a Riff,’ ‘Sipping at Bell’s’ / ‘Parker’s Mood,’ and ‘Barbados’ / ‘Milestones.’ In fine condition, with intersecting folds. The records are included.

On November 3, 1950, Parker signed a contract that would fly him to Sweden for a week-long series of shows. Accompanied by Roy Eldridge, Parker landed at Bromma Airport in Stockholm on November 19th, and played several concerts throughout the country during his brief yet very prestigious stay, even traveling to Copenhagen, Denmark to play a show on the 23rd. Although Parker’s Swedish trip only lasted until the 28th, his abilities amazed those fortunate to attend his woefully under-advertised concerts. A variety of recordings from Parker’s tour of Sweden have appeared over the years. Pre-certified REAL. Starting Bid $300

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‘The Bird’ poses for a souvenir photo from the Royal Roost

2204. Charlie Parker Signed Photograph. Marvelous vintage glossy 9 x 7 photo of Parker sitting at a table with a couple,

still housed in its original 10.25 x 9.25 souvenir folder, signed and inscribed in fountain pen on the mat of the folder, “To Norm & Marg, Luck!—Charlie Parker.” Handsomely double-matted and framed to an overall size of 28.25 x 15.25. Some scattered light creases to photo, otherwise fine condition. Accompanied by a 2012 letter of provenance from the nephew of the original recipients, which reads, in part: “At the time, my uncle had just gotten out of the Navy, was courting my aunt and took her on a date to see Charlie Parker. In his effort to impress and woo my aunt, he made sure they had a front row table for ‘the Bird’ who they were fans of. The story goes according to my late father, Mr. Parker took a great liking to my uncle and aunt and spent his time between sets at their table, ‘kibbitzing.’ My uncle didn’t really have a whole lot of money (just being out of the Navy). Mr. Parker hailed the photographer and asked him to take that picture. Charlie Parker reached in his pocket, proceeded to count dollars, paid, and tipped the house photographer handsomely for his services. He then signed and personalized/autographed the photo for my aunt and uncle.” Signed images of Parker, no matter what size, are always scarce and desirable, and the uniqueness of the photo further enhance that desirability. Pre-certified REAL. Starting Bid $500

The iconic Rat Pack

2205. Rat Pack Signatures. Vintage ink signatures of Frank Sinatra, Dean Martin, Sammy Davis, Jr., Peter Lawford, and

Joey Bishop on individual off-white 5 x 3 cards with affixed images; Martin, Davis, and Bishop have added inscriptions to “Ken.” In overall fine condition. Accompanied by a full letter of authenticity from PSA/DNA for each signature. Starting Bid $200

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2206. Frank Sinatra Signed Photograph. Very appealing satin-finish 11 x 14 half-length photo of the young crooner smiling behind a microphone, signed and inscribed in blue felt tip, “Hi Elaine!, Love, Frank Sinatra.” In fine condition, with trivial wear to upper right corner. Pre-certified Beckett Authentication. Starting Bid $200

2208. Luther Vandross Platinum Sales Award: Power of Love. Official ‘R’ hologram-style RIAA platinum sales

award presented “to commemorate the sale of more than 1,000,000 copies of the Epic Records album, cassette and C.D. ‘Power of Love.’” Framed with its plate, CD, cassette, disc, and a small image of the album cover against a stylized purple background to an overall size of 17 x 21. Award retains its original backing with a California Gold Record Co. label.

In fine condition. Starting Bid $200

2207. Frank Sinatra Test Pressing. Vinyl test pressing of Sinatra’s classic three-disc album Trilogy: Past Present Future, released in 1980 by Reprise. Each disc is in a cardboard sleeve bearing an affixed track listing with production specifications, and all discs bear affixed Warner Bros. Records labels. In fine condition. From the collection of a former senior level executive in the music business. This famed release marked the first appearance of Sinatra’s “Theme from New York, New York” (disc two, track five), which became one of his signature numbers. At the Grammy Awards of 1981, Trilogy: Past Present Future was nominated for the Grammy Award for Album of the Year, and Sinatra’s recording of “Theme from New York, New York” was nominated for Record of the Year, Best Male Pop Vocal Performance, and Song of the Year. Starting Bid $200

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Music of the 1950s

2209. Everly Brothers Signed Album Sleeve. The Everly Brothers album sleeve from a Reader’s Digest record compilation, signed in black felt tip by Don Everly and in blue felt tip by Phil Everly. In fine condition. The record is not included.

Pre-certified REAL. Starting Bid $200

Sought-after 1958 Coral Records promo

2210. Buddy Holly and The Crickets Signed Promo Card. Scarce vintage circa

1958 Coral Records promo card featuring “The Crickets,” 3.5 x 5.75, signed in black ballpoint

by Buddy Holly and Jerry Allison, and in blue ballpoint by Joe Mauldin. The reverse lists the group’s lone LP (The Chirping Crickets) and their singles, including the classics ‘Not Fade Away,’ ‘That’ll Be the Day,’ and ‘Peggy Sue.’ In fine condition.

An exceptionally well preserved, boldly signed example. Precertified REAL. Starting Bid $300

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Buddy Holly’s Coral Records contract for “two masters now entitled ‘Peggy Sue’ and ‘Everyday’” 2 2 1 1 . B u d d y Ho l l y S i g n e d Document. DS, signed “Buddy Holly,”

one page, 8.5 x 11, August 30, 1957.

Agreement between Coral Records and Buddy Holly, in part: “Pursuant to letter agreement between us dated May 16, 1957. we are hereby exercising our option to enter into the contract for your personal services bearing date therewith, the term of said contract to commence August 30, 1957. It is hereby mutually agreed: 1. Two masters now entitled ‘Peggy Sue’ and ‘Everyday’ shall be deemed to have been recorded under the said contract. 2. We agree to pay you the sum of $600.00 for the aforesaid masters which shall include the advance to you under said contract together with the costs for recording. 3. All terms and conditions of the contract shall apply to these recordings as though they had been performed under said contract and shall serve to reduce the number of record sides required to be recorded thereunder. 4. The sum of $600.00 provided to be paid to you shall be an advance against royalties.” Signed at the conclusion by Buddy Holly, and also signed by Holly’s producer Norman Petty and Robert Thiele, the Coral Records Director of Artists and Repertoire. In fine condition, with staple holes to the upper left corner.

Buddy Holly recorded the classic ‘Peggy Sue’ at Norman Petty’s studio in Clovis, New Mexico, on June 29 and July 1, 1957. Capitalizing on Holly’s summer success with ‘That’ll Be the Day,’ Coral released the single on September 20, 1957, with the song ‘Everyday’ on the B-side. ’Peggy Sue’ immediately leapt up the charts, catapulting to number three on Billboard’s pop charts in October. One of Holly’s masterpieces, ‘Peggy Sue’ ranked 194 on Rolling Stone’s list of the ‘500 Greatest Songs of All Time,’ and was included by NPR on their list of the ‘100 Most Important American Musical Works of the 20th Century.’ The song was inducted into the Grammy Hall of Fame in 1999. A truly remarkable document preceding the release of an incredibly influential song. Pre-certified REAL. Starting Bid $1000

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2212. Les Paul Pair of Oversized Signed Photographs.

Two photos: a color glossy 11 x 14 photo of Les Paul holding his guitar in later age, signed in bright blue paint pen; and a glossy 11 x 14 photo of Paul posing with Mary Ford, signed in blue felt tip by Paul. In overall fine condition. Precertified REAL. Starting Bid $200

2213. Carl Perkins Signed Sheet Music. Chappell Music Company sheet music for the song ‘Blue Suede Shoes’ by Elvis Presley, four pages, 9 x 12, signed on the front in blue felt tip by Carl Perkins. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

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Music of the 1960s 2214. 1960s Group of (3) Posters. Group

of three classic 1960s California concert posters, including: an original color 14.5 x 20 poster for Country Joe & the Fish at the Finnish Brotherhood Hall in Berkeley in January 1967; an original color 14.25 x 20 Family Dog poster for 13th Floor Elevator and Moby Grape at the Avalon Ballroom, November 11–12, 1966 (FD-34); and an original color 14 x 21.25 Family Dog poster for Steppenwolf at the Avalon Ballroom on April 19, 1968 (FD-115). In overall fine condition, with some creasing to the 13th Floor Elevator poster. Starting Bid $200

2215. The Beach Boys Original 1960s Negatives. Set of three original 2.5 x 2.5 negatives of The Beach Boys taken during a candid UK photo session in the 1960s. In overall fine condition. The negatives are to be sold with copyright.

Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

2216. The Beach Boys Signed Albums. Two signed albums: Good Vibrations: Best of the Beach Boys, signed on the front cover in blue felt tip by Carl Wilson, Mike Love, and Al Jardine; and M.I.U. Album, signed on the front cover in blue felt tip by Brian Wilson. In overall fine condition. Includes the record for M.I.U. Album. Pre-certified REAL. Starting Bid $200

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Fully signed debut album, with Koblun signing for the deported Palmer

2217. Buffalo Springfield Signed Album. Self-titled

debut album signed on the back cover in black felt tip by Dewey Martin and Ken Koblun, and in blue ballpoint by Richie Furay, Stephen Stills, and Neil Young, with all but Koblun adding an inscription to “Linda.” Koblun has added facial features to Bruce Palmer’s image, with another writing “Blasphemy” above. In very good condition, with a full separation to top edge, heavy wear to edges and corners, and scattered staining and wear. The record is included. When bassist Bruce Palmer was deported to Canada following marijuana charges in January 1967, Koblun was taken on as his replacement for about a month. Pre-certified REAL. Starting Bid $200

2218. The Byrds Original 1960s Negatives. Set of three original 2.5 x 2.5 negatives of The Byrds taken during a candid UK photo session in 1967. In overall fine condition.

The negatives are to be sold with copyright. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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2219. Eric Clapton Signature. Felt tip signature, “Eric Clapton,” on a peach-colored 5 x 3 card. In fine condition.

Originally obtained by in-person specialist Mike Wehrmann.

Pre-certified REAL. Starting Bid $200

Classic portrait of Clapton 2220. Eric Clapton Signed Photograph. Vintage glossy 8 x 10 RSO publicity photo of a bearded Clapton from the 1970s, signed in purple felt tip. In fine condition, with faint creases to trimmed bottom edge. Accompanied by a full letter of authenticity from JSA. Signed photos of Clapton from the 70s are extremely scarce. Pre-certified REAL. Starting Bid $200

2222. Dave Clark Five Oversized Signed Photograph.

2221. Eric Clapton Signed Photograph. Glossy 8 x 10.25 Reprise publicity photo of Clapton staring directly into the camera, signed in black felt tip, “Eric.” In fine condition.

Pre-certified REAL. Starting Bid $200

Vintage glossy 13.25 x 10.25 photo of the group performing on a set, inscribed in black felt tip to “Terry” and signed by all five members of the band, most using their first name only: Dave Clark, Mike Smith, Rick Huxley, Lenny Davidson, and Denis Payton. Triple-matted and framed to an overall size of 19.5 x 16. In very good condition, with noticeable scattered creasing and some smudging to signatures. Pre-certified REAL. Starting Bid $200

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2223. Leonard Cohen Signed Check. Personal check, 8.75 x 3.25, filled out in another hand and signed by Cohen, payable to All State for $307.93, September 6, 1999. In fine condition, with a Beckett Authentication Services label affixed to the reverse. Accompanied by a certificate of authenticity from Beckett. Pre-certified REAL. Starting Bid $200

2226. The Kinks Original 1960s Negatives. Set of four

original negatives of The Kinks taken during a candid photo session at the British Transport Museum in 1964, each approximately measuring 2.5 x 2.5. In overall fine condition.

The negatives are to be sold with copyright. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2227. The Lovin’ Spoonful Signed Sheet Music. Sou-

2224. Leonard Cohen Signed Photograph. Color satinfinish 13.5 x 10.5 photo of Cohen during a performance, prominently signed in silver ink. Nicely matted and framed to an overall size of 18.5 x 14.5. In fine condition. Pre-certified REAL. Starting Bid $200

venir sheet music for the song ‘Daydream’

by The Lovin’ Spoonful, three pages, 8.5 x 11, signed on the first page in black felt tip by John Sebastian, Joe Butler, Steve Boone, and Jerry Yester. In very fine condition.

Pre-certified REAL. Starting Bid $200

2225. Marvin Gaye Set of (7) Signed Checks. Set of seven personal and bank checks, each 6 x 2.75, filled out and signed

by Gaye, “Marvin P. Gaye, Jr.,” dated between 1976 and 1979. In overall very good to fine condition. Starting Bid $200

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Drumstick used by Keith Moon at the 1967 Monterey Pop Festival

2228. Keith Moon’s Drum Stick from 1967 Monterey Pop Festival. Amazing Ludwig

Drum Co. 1A drumstick used by Keith Moon during The Who’s raucous performance at the 1967 Monterey International Pop Music Festival. The stick measures 16.75˝ in length and is partially splintered near the upper section, which shows toning from old tape remnants; additionally, the middle of the stick features numerous dents from Moon’s powerful playing. Also included is the very desirable original program for the Monterey Pop Festival, 8.25 x 10.75, 80 pages, which is filled with colorful psychedelic designs and images of the various performers, including: the Beatles, Jimi Hendrix, the Beach Boys, Ravi Shankar, Otis Redding, Simon and Garfunkel, The Who, Bob Dylan, and others. The drumstick is in very good condition, with signs of use, and cracking to the tip end which shows light stains from once being repaired with old scotch tape; and the program is in fine condition.

Accompanied by a letter of provenance from the original owner, in part: “It was the last day of the festival and I was exhausted...

We had slowly worked our way toward the stage in order for me to get a better view of Janis Joplin…After a while, The Who were introduced...They played a few songs that I’d never heard of and then they went into their last song which was ‘My Generation’…it was such an explosive theme and their playing style became utter chaos that the crowd really began to get into it. Keith Moon broke several drumsticks and would throw the broken ones out into the audience. I was about four rows from the front when the band began to go crazy. They stopped playing music and began to generate feedback on their guitars…

Several smoke bombs went off and all of a sudden men from backstage came out and started taking the microphones away.

No one knew what was going on. The members of the band began to smash their guitars and Keith Moon began to kick and knock down his drums. He grabbed what seemed like hundreds of drumsticks and threw them out into the audience. Most of us ducked to avoid being hit. I dove to the ground and grabbed one of the sticks. It was broken near the top but it was an entire stick, not just a piece of one…in retrospect, I was more afraid than anything else. I’d never seen a band do something like this before…I brought the drumstick home and wrapped a piece of scotch tape around the broken part.” The influential Monterey International Pop Festival became an inspiration and a template for future music festivals, including Woodstock two years later, with Moon and his band mates leaving an indelible mark not simply on stage, but likewise upon their newfound American fans. Starting Bid $200

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2229. The Monkees Oversized Signed Photograph. Color glossy

2232.

Va n Mo r r i s o n Signed Photograph. Glossy 8 x

14 x 11 photo of the band sitting in director’s chairs, signed in blue felt tip by David Jones, Mickey Dolenz, and Peter Tork. In fine condition. Pre-certified REAL. Starting Bid $200

2230.

The Monkees Signed Photograph. Color semi-

glossy 14 x 11 photo of The Monkees sitting in personalized director ’s chairs, signed in blue felt tip by David Jones, Mickey Dolenz, Peter Tork, and Michael Nesmith. In fine condition, with slight wear to edges and spotting to right side inherent to original photo. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

10 Warner/Reprise publicity photo of Morrison resting on a chair, signed vertically in blue felt tip.

In fine condition, with some scattered surface marks, which do not affect image or signature. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2233. Murray the K 1967 Program: The Who and Cream. Official program for Murray the K’s Music in the

2231. Moody Blues Signed Album. Every Good Boy Deserves Favour album signed on the front cover in black felt tip by Justin Hayward, Graeme Edge, Ray Thomas, and John Lodge. In very good condition, with splits to edges and noticeable corner wear. The record is not included. Precertified REAL. Starting Bid $200

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Fifth Dimension musical showcase at New York’s RKO Radio Theater on March 28, 1967, sixteen pages, 9 x 12, featuring assorted advertisements and images of all the scheduled acts, including: The Who, The Cream, Simon and Garfunkel, The Young Rascals, Mandala, Phil Ochs, Smokey Robinson & The Miracles, Mitch Ryder, Jim and Jean, and more. Program features ownership notations on a few pages. In very good to fine condition, with light creasing and handling wear.

While Murray the K’s traditional Easter break shows were a can’t miss for young rock and roll enthusiasts, the 1967 event, which featured five shows a day at the RKO Theater from March 25th–April 2nd, proved particularly momentous due to the American debuts of unknown British bands The Cream and The Who. Much has been written about this fabled Easter week of performances on and off stage produced by Murray the K. An extremely rare program considered one of the ‘holy grails’ of rock concert programs. Starting Bid $200

Star-studded program for the 1968 New York Rock Festival

2234. New York Rock Festival 1968 Program: Jimi Henrix, Janis Joplin, and Jim Morrison. Original program for the

New York Rock Festival held at the Singer Bowl in Flushing Meadows, New York, on August 2, 23, and 30, 1968, sixteen pages, 9 x 12, featuring images and detailed information pages for performers like The Doors, The Who, Jimi Hendrix Experience, Big Brother and The Holding Company, The Vagrants, The Rascals, and The Chambers Brothers. In very good condition, with scattered creasing and handling wear. The three-day New York Rock Festival of 1968 holds the distinction of having one of the greatest musical line-ups in rock history—the kickoff show included the likes of The Doors and The Who, the second show was highlighted by Janis Joplin, Soft Machine, and The Jimi Hendrix Experience, and the final featured The Rascals and The Vagrants. Many a tale has been told of these concerts—like Pete Townshend’s inspiration for the song ‘Sally Simpson’ (Tommy) from the pandemonium he saw during The Doors set, when The Who opened for them on August 2nd. Starting Bid $200

2236. Rory Storm and the Hurricanes 1962 Tower Ballroom Ticket.

2235. Peter, Paul & Mary Signed Album. The Best of Peter, Paul

and Mary: Ten Years Together album signed on the front cover in blue felt tip, “Peter Yarrow, Puff the Magic Dragon” and “Paul Stookey,” and in blue paint pen, “Mary Travers.”

In fine condition. The record is not included. Pre-certified PSA/DNA. Starting Bid $200

Original vintage ticket for “Operation Big Beat” at the Tower Ballroom, New Brighton, on March 9, 1962, measuring 4.5 x 3.5, and listing Merseyside’s “Top Ten Groups,” which includes: Rory Storm and the Hurricanes, Faron and the Flamingoes, The Four Jays, The Big Three, Earl Preston and the T.T.’s, and Johnny Sandon and the Searchers. Reverse is numbered “1719.” In fine condition, with old mounting residue on the reverse.

Accompanied by a certificate of authenticity from Tracks. Ringo Starr played drums for Rory Storm and The Hurricanes before leaving the band in mid-August of 1962 and replacing Pete Best as the Beatles’ full-time drummer. Consignor notes that this ticket originates from the collection of Johnny Byrne, the guitarist for Rory Storm and the Hurricanes. Starting Bid $200

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2237. Rory Storm and the Hurricanes 1961 Concert Poster. Vintage redand-yellow 8.25 x 13 concert poster for the “Grand Opening of the Cassanova Rock ‘n’ Swing Club at Samson and Barlow’s Fabulous New Ballroom” on London Road in Liverpool, on February 9, 1961. The musical acts include: The Fabulous Cassanovas, The Remo Quartet, Tommy and the Metronomes, Rory Storm and the Hurricanes, and Benny and the Blackcats. In fine condition, with a couple of small areas of surface loss and old mounting traces on the reverse. Accompanied by a certificate of authenticity from Tracks. Ringo Starr played drums for Rory Storm and The Hurricanes before leaving the band in mid-August of 1962 and replacing Pete Best as the Beatles’ full-time drummer. Interestingly, the Beatles made their debut performance at the Cavern Club on the same date as this concert.

Consignor notes that this poster originates from the collection of Johnny Byrne, the guitarist for Rory Storm and the Hurricanes. Starting Bid $200

2238. Simon and Garfunkel Signature Display.

Simon and Garfunkel display featuring a black ballpoint signature, “Best, Art Garfunkel,” on a green 4 x 2.5 sheet, and a purple felt tip signature, “Paul Simon,” on an offwhite 6.5 x 3.75 sheet, both of which are double-matted with an image of the cover to Bridge over Troubled Water to an overall size of 12.25 x 24. In fine condition. Pre-certified REAL. Starting Bid $200

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2239. Phil Spector Signed Sheet Music. Frank Music

Corp. sheet music for the song ‘Unchained Melody’ by The Righteous Brothers, six pages, 9 x 12, signed on the first page in blue felt tip by Phil Spector. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2240.

The Temptations Signed Guitar. At-

tractive black-bodied sunburst-finish Copley ‘stratocasterstyle’ electric guitar, signed on the body in felt tip by Otis Williams, Ron Tyson, Joe Herndon, G. C. Cameron, and Terry Weeks. Includes an SX gig bag. In fine condition. Accompanied by photos of the band members taken at the time of signing. Pre-certified REAL. Starting Bid $200

2243. The Who Original Photograph.

Original color semi-glossy 10.5 x 8.5 photo of The Who posing against a stone wall, taken by photographer Jim Marshall in 1967 San Francisco, with reverse bearing a Marshall copyright stamp and annotated in pencil, “R/Print 19/6/76.” In very fine condition.

Starting Bid $200

2241. Gene Vincent 1962 Handbill.

Vintage color 10 x 8 handbill for a Gene Vincent and Brenda Lee concert at the Granada Cinema in Woolwich, South East London, on April 6, 1962, with Nero and the Gladiators, Sounds Incorporated, The Blackjacks, and Rory Blackwell as the supporting acts, and listing Bob Bain as the compere. In very good to fine condition, with staple holes along the top, a small area of paper loss to the upper right corner, and thin paper at the other corners from display. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2244. The Who Signed Join Together CD Box Set. Join

Together CD box set signed on the front cover of the large inner booklet in silver ink by Pete Townshend, Roger Daltrey, and John Entwistle. In fine condition, with some wear to the box and slight brushing to Townshend’s signature. The CDs are included. Accompanied by a full letter of authenticity from REAL. Join Together is a two-disc box set of live material released from The Who’s 1989 25th Anniversary Tour.

Starting Bid $200

2242. The Who 1971 UK Tour Poster. Black-and-

white 19.75 x 29.75 poster for The Who’s 1971 UK tour, featuring a classic image of Pete Townshend playing guitar with white text, “Track International, in association with John and Tony Smith, present The Who in concert, U.K. Tour, 1971.” Rolled and in fine condition, with intersecting folds, scattered creasing, and a few spots of foxing. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

2245. The Who: Pete Townshend Signed Photos.

Group of four satinfinish 8 x 10 photos of Pete Townshend during different stages of his prolific career, each signed in black felt tip. In overall fine condition.

Pre-certified REAL. Starting Bid $200

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Music of the 1970s 2248. AC/DC Signed Album.

2246. ABAA Signed Photograph. Color satin-finish 8.5

x 6 photo of ABBA posing against a dark background, signed in black felt tip by Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. In fine condition. Precertified REAL. Starting Bid $200

2247. ABBA S e t o f (4) Signed Photographs.

Set of four photos, each signed by the pictured ABBA member in ballpoint or felt tip: a color 5.75 x 5.75 cardstock publicity of Agnetha Faltskog; a color satin-finish 6 x 8.5 halflength photo of Bjorn Ulvaeus; a color satin-finish 6 x 8.5 bust-length photo of Anni-Frid Lyngstad; and a 5.75 x 8.25 postcard photo of Benny Andersson playing the piano. In overall fine condition. Pre-certified REAL. Starting Bid $200

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Let There Be Rock album signed and inscribed on the front cover in black felt tip, “To Terry, Bon, AC/DC,” and in blue ballpoint, “To Terry, from, Angus Young, AC/DC,” “Malcolm Young, AC/DC,” “To Terry, Phil Rudd, AC/ DC,” and “Cliff Williams, AC/DC.” In very good condition, with complete separation to top and bottom edges, scattered creasing and overall scuffing, and fading to Scott signature. The record is not included. Pre-certified REAL. Starting Bid $200

2249. AC/DC Signed Album. Fly

on the Wall album signed on the front cover in blue felt tip by Brian Johnson, Angus Young, Mal col m Young, Cliff Williams, and Simon Wright. In fine condition. The record is included.

Pre-certified REAL. Starting Bid $200

2250. AC/DC Signed Drum Head. A white

Remo Weather King 14.5˝ drumhead, signed in black felt tip by five members of the classic hard rock band, “You shook me all night long, Angus Young, AC/DC,” “Malcolm Young, AC/ DC,” “Brian Johnson, AC/ DC,” “Cliff Williams, AC/DC,” and “Phil Rudd, AC/DC.” In fine condition. Pre-certified REAL. Starting Bid $200

2254. Gregg Allman Signed Album. Brothers

2251. Aerosmith Pair of Signed Items. Two items: a self-titled Aerosmith album, signed on the front cover in blue felt tip by Steven Tyler and Joey Kramer; and a color glossy 11 x 14 photo of Tyler and Joe Perry as video game characters, signed in black felt tip by Tyler and silver ink by Perry.

In overall fine condition, with some edge wear to the album.

The record is included. Pre-certified REAL. Starting Bid $200

2252. Aerosmith Signed Album Flat. Get a Grip

album flat signed on the front in blue felt tip by Steven Tyler, Joe Perry, Joey Kramer, Tom Hamilton, and Brad Whitford. In fine condition. Pre-certified REAL. Starting Bid $200

and Sisters album signed on the front cover in black felt tip by Gregg Allman, with the back cover signed by roadie Joseph L. Campbell, “Red Dog.” Matted and framed to an overall size of 18.75 x 18.75, with a window on the backing for viewing the reverse side. In fine condition. Pre-certified REAL. Starting Bid $200

2255. Black Sabbath Signed Album. Live

Evil album signed on the front cover in silver ink by Ronnie James Dio and Tony Iommi, and in blue felt tip by Vinny Appice and Geezer Butler. In fine condition. The records are included. Pre-certified REAL. Starting Bid $200

2253. Allman Brothers Signed Guitar. Red sparkle

Affinity series Fender Squier Stratocaster electric guitar, signed on the body in silver ink, “Gregg Allman, ‘05” and “Jaimoe,” and on the off-white pickguard in blue felt tip, “Dickey Betts” and “Dangerous Dan Toler,” in blue paint pen, “Butch Trucks,” and in black felt tip, “David Goldflies, ‘Rook,’ ABB.” In fine condition. Includes a Squier hardshell carrying case. Pre-certified REAL. Starting Bid $200

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2256. Blondie Signed Albums. Two signed albums: the American Gigolo soundtrack, signed on the front cover in blue paint pen by Debbie Harry, Chris Stein, Clem Burke, and Jimmy Destri; and Rockbird, signed on the front cover in blue felt tip by Debbie Harry. In overall fine condition, with a discount cut and light creasing to the solo album. The records are included.

Pre-certified REAL. Starting Bid $200

2257. David Bowie Original Photograph. Crystal-clear

original glossy 8 x 10 silver gelatin photo of David Bowie posing with his tenor saxophone and a drum labeled with the name of his first band, The Konrads, printed from the original negative circa 1970s–80s. Reverse bears a London Features International credit stamp. In fine condition. From the Globe Photo archives. Starting Bid $200

2258. David Bowie Signed Railway Ticket. Ballpoint

signature, “Bowie,” on the reverse of an off-white 8 x 3.25 railway ticket for a journey from Paris-Gare-du-Nord to Ashford International. In fine condition, with a central vertical fold, and a crease passing through the signature. Pre-certified REAL. Starting Bid $200

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2259. Jackson Browne Signed Poster. Attractive color

18.5 x 18.5 print showing the front cover to Jackson Browne’s ninth studio album, 1989’s World in Motion, signed below in thin black felt tip by Browne. Lower portion features a ‘globe’ blindstamp. Rolled and in fine condition. Pre-certified REAL. Starting Bid $200

2260. Karen Carpenter Signed Program. Vintage

2263. Alice Cooper Set of (4) S i g n e d Item s .

1970 tour program for The Carpenters, twenty pages, 10 x 13, signed on the front cover in black felt tip, “Hi! Karen Carpenter.” The program features an introduction, various band images, and lyrics to several songs. In fine condition, with general light handling wear.

Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Four items, each signed in ink or felt tip by Alice Cooper, including: a Flush the Fashion album, with record included; a color satin-finish 12 x 12 photo of Cooper wearing a bloody shirt; a color glossy 11 x 14 photo of Cooper performing on stage; and a color satin-finish 11 x 14 photo of Cooper on the cover of Rolling Stone. In overall fine condition. Precertified REAL. Starting Bid $200

2261. Cheap Trick Signed A l b u m .

2264. Alice Cooper Signed Lyrics. Handwritten souvenir lyrics to the chorus of ‘School’s Out,’ written out by co-writer Michael Bruce, on a white 8.5 x 11 sheet of musical manuscript paper, signed at the top in black felt tip by Alice Cooper and at the bottom by Dennis Dunaway, Neal Smith, and Michael Bruce. In fine condition. Pre-certified REAL. Starting Bid $200

Dream Police album signed in blue felt tip Rick Nielsen (adding a selfcaricature), Robin Zander, Tom Petersson, and Bun E. Carlos. In very good to fine condition, with creasing and scuff marks. The record is included. Pre-certified REAL. Starting Bid $200

2262. Commander Cody and His Lost Planet Airmen Signed Guitar.

Sunburst finish Baltimore electric guitar, signed on the body in silver ink by Commander Cody, Steve Barbuto, Mark Emerick, Tim Kelliher, and one other. In fine condition.

Pre-certified REAL. Starting Bid $200

2265. Creedence Clearwtaer Revival Signed Photograph. Color

semi-glossy 10.75 x 11.5 photo of the back cover to the 1972 Creedence Clearwater Revival album Mardi Gras, signed in black felt tip, “Rock on! John Fogerty,” and in blue felt tip, “Doug Clifford” and “Stu Cook.” In fine condition, with a few light surface impressions. Pre-certified REAL. Starting Bid $200

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2266. Deep Purple Signed Album. Burn album signed

on the front cover in blue felt tip by Ian Paice, Roger Glover, David Coverdale, and Glenn Hughes, with one adding “RIP Jon” for the late Jon Lord. In very good to fine condition, with some creasing, edgewear, and scuffing. The record is included. Pre-certified REAL. Starting Bid $200

2 2 6 7.

Deep Purple Signed Album. Deep Pur-

ple in Concert album signed on the front cover in black felt tip by Roger Glover, Jon Lord, Ian Gillan, and Ian Paice. In fine condition, with some light scuffing. The records are included.

Pre-certified REAL. Starting Bid $200

2268. The Doobie Brothers Signed Album. Livin’ On The Fault Line album signed on the front cover in silver ink, “Michael McDonald, ‘95,” “All the best, Pat Simmons, Doobies,” “Tom Johnson,” “Keith Knudsen,” and “John McFee”. In fine condition.

The record is included. Pre-certified REAL. Starting Bid $200

2269. The Eagles Signed Album. The Long Run album signed on the front cover in silver ink

by Glenn Frey, Joe Walsh, Don Henley, Timothy B. Schmit, and Don Felder. In fine condition, with light general wear. The record is not included.

Accompanied by full letters of authenticity from REAL and JSA. This was the first Eagles album to feature Timothy B. Schmit, and featured the hit singles ‘Heartache Tonight,’ ‘The Long Run,’ and ‘I Can’t Tell You Why.’ A classic album fully signed by the legendary band. Starting Bid $300

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Fully signed Hotel California 2270. The Eagles Signed Album. Hotel California album signed on the front cover in black felt tip by Don Henley, Glenn Frey, Don Felder, Randy Meisner, and Joe Walsh. In fine condition, with a ring of wear, some surface rubbing, and edge and corner wear. The record is not included. Accompanied by a full letter of authenticity from REAL. Fully signed copies of the band’s legendary fifth studio album—currently standing at 32 million albums sold—are scarce and extremely soughtafter. Starting Bid $300

Fully signed test pressing of Hotel California 2271. The Eagles Signed Test Pressing. Rare vinyl test pressing of the classic 1976 Eagles album Hotel California, signed on the sleeve in felt tip by Randy Meisner, Joe Walsh, Don Henley, Don Felder, and Glenn Frey. The sleeve is also annotated “7E-1084 A/B,” which signifies the Asylum Records US release of the LP; it also bears a “Charlie, Thanks” inscription in an unknown hand, and a pencil “Seal & Croft” sketch.

The disc bears “Columbia Record Productions, Santa Maria, Test Pressing” labels on both sides. Etched into the ‘dead wax’ matrix areas are: “7E 1084 A-2RE CSM, ‘Is It 6 O’Clock Yet?’” and “7E-1084 B-4RE CSM, ‘V.O.L. Is Five Piece Live.’” In fine condition. From the collection of a former senior level executive in the music business. The ‘secret messages’ engraved in the run-out groove were included on the original release, with the latter referencing the album’s sixth track, ‘Victim of Love,’ which was recorded in a live studio session with no overdubbing. The iconic album topped the charts for a total of eight weeks, and won Grammy Awards for the singles ‘Hotel California’ (Record of the Year) and ‘New Kid in Town’ (Best Arrangement for Voices).

A fabulous group-signed test pressing of a true classic. Precertified REAL. Starting Bid $300

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Boldly signed Rumours album

2272. Emerson, Lake, and Palmer Signed Photograph. Satin-finish 10 x 8 Atlantic Records publicity photo of Keith Emerson, Greg Lake, and Carl Palmer, signed by each in blue felt tip. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2274. Fleetwood Mac Signed Album. Rumours album signed on the front cover in blue felt tip by Mick Fleetwood, Stevie Nicks, Christine McVie, and Lindsey Buckingham. In fine condition, with light overall scuffing and a small stain to the bottom edge. The record is included. In addition to winning the Grammy Award for Album of the Year in 1978, Rumours, the band’s eleventh full-length record, has sold over 40 million copies, distinguishing it as one of the best-selling albums of all time. Pre-certified REAL. Starting Bid $200

2275. Fleetwood Mac: John McVie Original Photograph. Original glossy 8 x

2273. Fleetwood Mac Signed Album. Tusk album signed and inscribed on the front cover in blue felt tip, “Elaine, Love—Stevie Nicks,” “Mick Fleetwood,” “Lindsey Buckingham,” “John McVie,” and “Christine McVie, x.” In fine condition, with a discount cut to top edge, slight wear to corners, and bends to top and bottom edges, all of which could be matted out if so desired. The record is not included.

An uncommon title signed by the entire lineup. Pre-certified REAL. Starting Bid $300

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10 photo of John McVie sitting down and smoking a cigarette below a poster of Superman.

Reverse bears Imperial Press and London Features International labels, as well as an LFI/Adrian Boot credit stamp.

In fine condition. Boot is one of Britain’s most celebrated music photographers. He was the staff photographer for Melody Maker, and also shot for NME, The Face, The Guardian and The Times (of London).

He has photographed a wide variety of musicians, including the Sex Pistols, Clash, Damned, Jimmy Page, Bob Marley & The Wailers, the Grateful Dead in Egypt, and Live Aid. From the Globe Photo archives. Starting Bid $200

2276. Fleetwood Mac: Stevie Nicks Original Photograph.

Original vintage circa 1981 glossy 10 x 8 silver gelatin photo of Stevie Nicks taken by Herbert Worthington. Reverse bears a London Features International label and Herbert Worthington copyright stamp. In fine condition, with some show-through from Worthington’s stamp to the lower border. Worthington frequently collaborated with Fleetwood Mac, creating the album artwork for Rumours, Heroes Are Hard To Find, and Say You Will, as well as Stevie Nicks’s solo ventures Bella Donna and The Wild Heart. From the Globe Photo archives. Starting Bid $200

2278. Fleetwood Mac: Stevie Nicks Original Photograph. Original glossy 8 x 10 half-length photo of

Stevie Nicks singing during a Fleetwood Mac concert. Reverse bears a London Features International stamp, as well as a copyright stamp for Ebet Roberts. In fine condition, with slight show-through from writing and stamps to reverse. Roberts has been published in the New York Times, Rolling Stone, GQ, and People, and has photographed musical legends such as the Sex Pistols, Bob Marley, Madonna, and the Rolling Stones. From the Globe Photo archives. Starting Bid $200

2277. Fleetwood Mac: Stevie Nicks Oversized Original Photograph. Original vintage matte-finish 9.5 x 12 silver

gelatin photo of Stevie Nicks holding a cockatoo, apparently from the Bella Donna album cover photo shoot with Herbert Worthington. Reverse bears a London Features International label and “This paper manufactured by Kodak” watermarks, as well as an interesting handwritten “(Prev. Unpublished)” notation. In very good condition, with several noticeable creases, a couple tiny edge tears, and a small ballpoint notation to upper left corner. From the Globe Photo archives.

Starting Bid $200

2279. Fleetwood Mac: Stevie Nicks Original Vintage Photograph. Original vintage glossy 10 x 8 silver gelatin

photo of Stevie Nicks wearing an “Obie’s Lighting Productions” t-shirt and shrugging. Reverse bears a David Hill/London Features International credit stamp. In fine condition. From the Globe Photo archives. Starting Bid $200

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2280.

Grand Funk Railroad Signed Album. Caught in the Act

album signed on the front cover in purple, pink, and silver paint pen by Mark Farner, Don Brewer, Mel Schacher, and Craig Frost. In fine condition, with light general wear.

The records are included.

Pre-certified REAL. Starting Bid $200

2281. Hall and Oates Signed Albums. Two

albums, Whole Oats and Daryl Hall & John Oates, each signed on the front cover in blue felt tip by Daryl Hall and John Oates. In overall fine condition, with light scuffing and significant edgewear to the Daryl Hall & John Oates album. The records are included. Pre-certified REAL. Starting Bid $200

2282. The Isley Brothers Signed Guitar. Black-bodied Behringer electric guitar, signed on the body in silver ink, “Love, Ronald Isley” and “Ernie Isley, ‘97.’” In fine condition.

Pre-certified REAL. Starting Bid $200

2283. J. Geils Band Signed Album. Showtime! album

signed on the front cover in various inks by Peter Wolf, J. Geils, Magic Dick, Seth Justman, and Danny Klein. In fine condition, with mounting remnants to reverse edges.

The record is not included.

Pre-certified REAL. Starting Bid $200

“Will you marry me before I go to America?”

2284. Jethro Tull: Ian Anderson Autograph Letter Signed.

ALS signed “Ian,” 5 x 8, no date, but circa 1967–68. Letter to his girlfriend Yvonne Nicholson, in part: “Do you sill love me?

I hope to God that you do. I was thinking very hard about you tonight and suddenly the main thing I have to look forward to is seeing you next week. I really mean that. It will be the next major development in my life. Will you marry me before I go to America? I seem to remember saying that before! If I do actually go this time, I think it would be a good idea. I don’t suppose you will though…I hope you pass this audition as it will be nice to take you out occasionally. Marry. Marry. Marry. Take you out more often then. Buy you new glasses too. Marry. Marry. Marry.

I am going to find a flat with a double bed in a couple of weeks.

Random thoughts. I wish that you were here now. NOW!!!…You didn’t send me that bit of verse. Why not? is that what you won’t talk about on the phone? I don’t understand. Do you lobe me?

I love you. I could manage without music but not without you. Sounds rubbish doesn’t it? Well I don’t think so…I would even give up smoking for you. Or shave off my beard. Or join the civil service but not the army for you…Surrender your body to me and I will plant a flag on it. Or raise it as a statue. Or kiss it tenderly (but not with passion because you would not like that) Would you? Write back to me now. Please. Or I will marry someone else. Honest.” A few words covered over with white-out.

In fine condition. Pre-certified REAL. Starting Bid $200

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Bernie Taupin’s gold record for Caribou 2285. Elton John ‘Caribou’ Sales Award Presented to Taupin. Official floater-style RIAA gold sales award

presented “to Bernie Taupin to commemorate the sale of more than one million dollars worth of the MCA Records long-playing record album ‘Caribou.’” Framed with its disc, plate, and a small image of the album cover to an overall size of 16.75 x 20.75. Award retains its original backing with Creative Glassics label. In fine condition. The consignor notes that this was obtained from a Taupin family member.

Featuring the chart-topping ‘Don’t Let the Sun Go Down on Me’ and ‘The Bitch Is Back,’ Caribou is one of the gems of Elton John and Bernie Taupin’s prolific collaboration. The album was certified gold in July 1974 and nominated for Album of the Year at the 17th Grammy Awards. Starting Bid $200

2287. Elton John Signed Photograph. Color glossy

2286. Elton John Signed Album.

Caribou album signed on the front cover in blue felt tip. In fine condition.

The record is not included. Accompanied by a full letter of authenticity from REAL. An appealing display piece.

Starting Bid $200

11 x 14 full-length photo of Elton John as he’s depicted on the cover of his 1978 album A Single Man, signed in blue felt tip. In fine condition. Originally obtained by in-person specialist Mike Wehrmann.

Pre-certified REAL. Starting Bid $200

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2288. Journey Signed Album. Evolution promotional album signed and inscribed on the back cover in blue felt tip, “To Cathy, Steve Perry,” and in blue ballpoint, “Ross Valory,” “Neal Schon,” “Gregg Rolie,” and “Steve Smith.” In fine condition, with Rolie retracing his failed initial felt tip attempt in ballpoint. The record is included. Evolution was the first Journey album to feature drummer Steve Smith, and included ‘Lovin’, Touchin’, Squeezin’,’ their first top 20 hit.

Pre-certified REAL. Starting Bid $200

2289. King Crimson Signed Photograph. Semi-glossy 10 x 8 photo of King Crimson circa 1971, signed in black felt tip by Robert Fripp and Peter Sinfield, and in blue ballpoint by Ian Wallace, Mel Collins, and Boz Burrell. In fine condition, with scattered light creasing, and rippling to the left edge. Pre-certified REAL. Starting Bid $200

2290. The Kinks 1973 ‘Preservation’ Acetate. Scarce single-sided 10˝ acetate

for The Kinks single ‘Preservation,’ with affixed Sterling Sound label filled out in type, “The Kinks, Stereo, ‘Preservation,’ ‘36, 3’36.”

In fine condition, with some scattered scuffs and scratches. Accompanied by a certificate of authenticity from Tracks. ‘Preservation’ is a non-album single that despite being related to the two Preservation albums lyrically, was not released on either. The song was first released as a standalone US single with ‘Salvation Road,’ the closing track of Preservation Act 2. Acetate discs, also known as reference lacquers, look similar to typical vinyl records, but differ drastically in that they are used only in the production process and are not usually available to the general public. Their purpose is to allow producers, artists, and sound engineers to double-check the quality of a final recording for any flaws or errors before it is sent off for mass production and release. Whereas a vinyl record is mass-produced with a stamp, an acetate is created using a recording lathe to cut the grooves into a blank disc in real time, an extremely exacting process that ensures the most precise recording possible. Starting Bid $200

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Vintage Skynyrd cap signed by the full band days before their tragic plane crash 2291. Lynyrd Skynyrd Signed Hat. Awesome

red-and-white circa 1977 Lynyrd Skynyrd trucker snapback cap with foam crown featuring ‘bonestyle’ band logo and redeyed skull, signed on the brim in black ballpoint by Ronnie Van Zant, Allen Collins, Billy Powell, Gary Rossington, Artimus Pyle, Steve Gaines, and Leon Wilkeson. Includes a protective case. In fine condition, with the signatures a bit light, but legible. Accompanied by a glossy 8 x 10 photo featuring four images taken on the day of the signing, as well as a full letter of authenticity from JSA. Consignor notes that the cap was autographed at a meet-and-greet in Altamonte Springs, Florida, on October 17, 1977, the release day of the band’s fifth album, Street Survivors, and just three days before Lynyrd Skynyrd’s ill-fated flight bound for Baton Rouge, Louisiana; the resulting crash took the lives of Ronnie Van Zant, Steve and Cassie Gaines, assistant road manager Dean Kilpatrick, and pilots Walter McCreary and William Gray. An altogether incredible and highly displayable cap signed by the entire band just days before their tragic, career-altering flight—a true rock and roll rarity. Pre-certified REAL. Starting Bid $300

2292. Queen Signed Album. Capitol Records promotional album for the single ‘One Vision’ / ‘Blurred Vision,’ album signed

on the front cover in black ballpoint, “Freddie Mercury” and “Roger Taylor, x,” and on the back cover, “Brian May” and “John Deacon.” In fine condition, with slight creasing, and remnants of a price sticker and a thin slice to upper right (and reverse) corner, passing through end of Taylor signature. The record is included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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2 2 9 3 . Q u e en Over s i z e d Ia n Dickson Print. Gorgeous limited edition fine art 18.5 x 13 print of an Ian Dickson photograph of Queen during a dramatic live performance at London’s Rainbow Theatre in late November 1974, numbered 2/120, signed in the lower right in pencil by the photographer. Embossed in the lower left with a “The Rock Music Photographs of Ian Dickson” blindstamp. Handsomely double-matted and framed to an overall size of 26.25 x 20.75. In fine condition.

Starting Bid $200

2294. Queen Signed Album. LP sleeve insert

from the News of the World album, signed in blue ballpoint by Freddie Mercury, Brian May, Roger Taylor, and John Deacon. In fine condition. The record is not included. Pre-certified REAL. Starting Bid $200

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2295. Queen Signed Album Sleeve. Jazz inner album sleeve,

signed in black ballpoint by Freddie Mercury, Brian May, John Deacon, and Roger Taylor. In fine condition, with some skipping to ink in the signatures, which are light but legible. Featuring such hits as ‘Fat Bottomed Girls’ and ‘Don’t Stop Me Now,’ Jazz peaked at #2 in the UK and #6 on the US charts.

A desirable fully signed piece from Queen in their prime. Pre-certified REAL. Starting Bid $200

2296. Lou Reed Signed Sheet Music. Sunbury Music Limited lyrics

and sheet music booklet for the song ‘Walk On the Wild Side,” four pages, 8.5 x 11, signed on the front in black felt tip by Reed. In fine condition, with scattered light creasing. Pre-certified REAL. Starting Bid $200

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2297. John Rowlands Collection of Lithographs: Springsteen, Bee Gees, Guess Who.

Very appealing collection of nineteen glossy photos and prints, each signed in the lower border in either pencil or black felt tip by photographer John Rowlands, including: a glossy 14.75 x 18.75 full-length photo of Bruce Springsteen belting during a live performance; a glossy 15.25 x 19.75 full-length photo of Springsteen singing during the same concert; a glossy 20 x 15.75 half-length photo of the Bee Gees; two identical 19 x 13 prints of John Prine; two identical 19 x 13 prints of Joe Cocker; and a set of twelve prints, 13 x 19 and 19 x 3, showing members of The Guess Who on stage and in casual settings, with several duplicates. In overall very good to fine condition. Starting Bid $200

2298. John Rowlands Lithographs: Bowie, Stewart, Bee Gees. Attractive set of four glossy photos and prints,

each signed in the lower border in either pencil or black felt tip by photographer John Rowlands, including: a color limited edition 13 x 19 artist’s proof print showing David Bowie in a handsome outfit, numbered AP 5/15; a limited edition 13 x 19 artist’s proof print of a classic Gibson Explorer guitar, numbered AP 2/15; a limited edition 19 x 13 artist’s proof print showing Rod Stewart and his group surrounded by their awards, numbered AP 2/15; and a glossy 20 x 16 photo showing Barry, Robin, and Maurice Gibb posing together. In overall fine condition. Starting Bid $200

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2299. Rush Signed CD Booklet. Signals CD booklet

signed on the front in blue felt tip by Geddy Lee, Neil Peart, and Alex Lifeson. In fine condition, with a few trivial spots of soiling. The CD is not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2302. Bruce Springsteen Signed Album. Greetings from

2300. Rush Signed Lithograph. Color limited edition 22 x 28 lithograph of the Power Windows album cover, numbered 454/500, signed in the lower border in black felt tip by Geddy Lee, Alex Lifeson, and Neil Peart. Rolled and in fine condition, with a light mark to the lower border. Pre-certified REAL. Starting Bid $200

2301. Songwriters Signed Book. Signed book: Musicians in Tune. First edition, first printing. NY: Fireside by Simon & Schuster, 1992. Softcover, 6.25 x 9.25, 288 pages. Signed on the title pages in black felt tip by Graham Nash, Don Henley, Jeff Lynne, Albert Lee, Mick Fleetwood, Stephen Bishop, Christine McVie, Ian Wallace, and Robert Warren. Also signed by the author Jenny Boyd. In fine condition, with haloing to some signatures. Pre-certified REAL. Starting Bid $200

Asbury Park, N. J. album signed and inscribed on the front postcard flap in black ballpoint near the time of its release, “To Marianne with love from, Bruce Springsteen.” In fine condition, with some slight edgewear. The record is not included.

Accompanied by a full letter of authenticity from REAL. This is a very rare example because so few of these albums were signed in 1973 it came out—Springsteen’s debut was not a commercial success by any means. It features a vintage, period signature with his early, loopy ’S’ in Springsteen that he would change in the late 70s. A bright and highly displayable album boasting an early signature from ‘The Boss.’

Starting Bid $200

2303. Bruce Springsteen Signed Album. Born to Run

album signed on the front cover in blue felt tip. In fine condition. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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2304. Bruce Springsteen Signed Album. Highly desirable Born in the USA album signed and inscribed on the front cover in blue felt tip, “To Levi, Bruce Springsteen.” In fine condition, with a couple creases and some brushing to ink. The record is included. Released in 1984, Born in the USA was met with great critical and commercial success, and today is universally recognized as one of the greatest albums of all time. Pre-certified REAL. Starting Bid $200

2305. Bruce Springsteen Signed Book. Signed book: Born to Run. Specially bound signed edition. NY: Simon & Schuster, 2016. Hardcover with dust jacket, 6.5 x 9.5, 510 pages. Signed on the colophon in black ballpoint. In fine condition. Pre-certified REAL. Starting Bid $200

2306. Bruce Springsteen Signed CD. The Promise CD signed on the front cover in black felt tip. In fine condition. The CD is included. Accompanied by a letter of provenance from the original recipient, in full: “I was lucky enough to attend the Gothenburg concert on July 23rd, 2016 and met Bruce backstage together with one of my friends who used to know Clarence Clemmons very well. The concert was planned ahead but I was informed about the backstage opportunity about an hour before so I had to rush out to find a record store. Luckily in one of the stores they had The Promise CD for sale.

I had a 2 minute conversation with Bruce…I had a short but memorable meeting with the ‘Boss’ and he was nice enough to sign my ‘Promise’ CD for me.” This is the first signed example of ‘The Promise’ we have offered. Pre-certified REAL. Starting Bid $200

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2308. Steely Dan Signed Magazine Cover. Magazine

2307. Bruce Springsteen: Set of (5) John Rowlands Oversized Photos. Five glossy photos of Bruce Spring-

steen, each signed in the lower border in black felt tip by photographer John Rowlands: a 14.5 x 19.25 full-length photo of Springsteen playing his guitar and singing on stage during a performance; and a set of four identical full-length photos of Springsteen in a more dramatic singing pose from the same concert, ranging in size from 14.5 x 19.5 to 15.25 x 20. In overall fine condition, with a dent to top left of one.

Starting Bid $200

cover from a 2000 issue of The Performing Songwriter, 9 x 11, signed in blue felt tip by Steely Dan founders Walter Becker and Donald Fagen.

In fine condition.

Originally obtained by in-person specialist Mike Wehrmann.

Pre-certified REAL. Starting Bid $200

Surrealist poem from the tragic glam rocker 2309. T. Rex: Marc Bolan Handwritten Poem. Unsigned

handwritten poem by T. Rex frontman Marc Bolan, one page, 8 x 10, no date. The untitled poem, written in black ballpoint, reads in full (grammar and spelling retained): “altho it stands like a widow to the world. the birds husband, and appears to our crimanal sight a heartless ornament cold as a twilight. the birds know its moods. For the statue is more than it seems.”

The poem was later printed in the “16th Anniversary Edition” of the RARN 48 fanzine from 1993, which is included with the poem. In fine condition, with trivial light spotting. Given Bolan’s death at the age of 29, autographic material from the glam rock pioneer remains scarce and highly sought-after. Pre-certified REAL. Starting Bid $200

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2310. Styx Signed Album. Kilroy

Was Here album signed on the front cover in blue paint pen by Dennis DeYoung, Tommy Shaw, Chuck Panozzo, and James Young. In fine condition, with a crease to the top edge. The record is not included. Pre-certified REAL. Starting Bid $200

2311. James T a y l o r Signed Photograph.

2313. Van Halen Jump Gold Sales Award. Official

floater-style RIAA gold sales award presented “to commemorate the sale of more than 1,000,000 copies of the Warner Bros. Records single record ‘Jump.’”

Framed with its disc and plate to an overall size of 13 x 17.

In very good to fine condition, with a small crack at the top of one edge of the frame, and the top segment of the frame slightly loose. The lead single from Van Halen’s album 1984, ‘Jump’ was the band’s most successful song in its history, rising to number one on the Billboard Hot 100.

Starting Bid $200

Satin-finish 14 x 11 photo of James Taylor playing his acoustic guitar, signed in blue felt tip. In fine condition.

Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2312. Van Halen ‘Balance’ Artist Proof CD Booklet.

Scarce CD booklet artist proof for the American release of Van Halen’s 1995 album Balance, 25.25 x 9, signed on the designated front cover in black felt tip by Eddie Van Halen, Alex Van Halen, Sammy Hagar, and Michael Anthony. Framed to a slightly larger size. In very fine condition. Pre-certified REAL. Starting Bid $200

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2314. Van Halen Signed Album. Van Halen II album signed on the front cover in white and yellow grease pencil

by Eddie Van Halen, Alex Van Halen, Michael Anthony, and David Lee Roth. In very good to fine condition, with scattered scuffing and creasing. The record is included. Pre-certified REAL. Starting Bid $200

2316. Village People and Kool and the Gang Set of (3) Signed Items. Three

2315. Van Halen Signed Album. Women and Children First album signed on the front cover in black felt tip by Eddie Van Halen, Alex Van Halen, Michael Anthony, and David Lee Roth. In fine condition, with some light creasing and a scratch to the upper left. The record is included, as is the original folded poster featuring a portrait of David Lee Roth

by Helmut Newton. Pre-certified REAL. Starting Bid $200

items: a color satin-finish 11 x 17 photo of a poster promoting a Village People concert at Los Angeles’ Hollywood Bowl on September 27, 2009, signed in silver ink or blue felt tip by Felipe Rose, Alex Briley, Ray Simpson, Eric Anzalone, Jeff Olson, and David Hodo; a CD booklet for Stepping into Love by Kool & the Gang, signed in blue felt tip by Robert ‘Kool’ Bell, George Brown, Dennis Thomas, Clifford Adams, Curtis Williams, Amir Bayyan, and Michael Ray, double-matted with a photo to an overall size of 14 x 11; and a compact disc for Gold by Kool & the Gang, signed in silver ink and blue felt tip by the aforementioned seven members, double-matted with a photo to an overall size of 11 x 14. In overall fine condition. Pre-certified REAL. Starting Bid $200

2317. Village People Signed Guitar. Red-bodied California

‘stratocaster-style’ electric guitar, signed on the body in green and silver ink by Felipe Rose, Alex Briley, David Hodo, Jeff Olson, Ray Simpson, and Eric Anzalone, with one member adding the band’s name to the body. Also included is a color glossy 8 x 10 official Village People publicity photo, signed in blue or black felt tip by all six members. In overall fine condition. Starting Bid $200

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2318. Tom Waits Signed Photograph. Semi-

glossy 8 x 10 Island Records publicity photo of Waits with an intense, close-up pose, signed in the lower border in black ballpoint. In fine condition, with scattered light creasing, and a piece of clear tape over the first name of the signature.

Pre-certified REAL. Starting Bid $200

2321. Neil Young Signed Book. Signed book: Wag-

ing Heavy Peace. First edition, limited issue, numbered 1189/1500. NY: Blue Rider Press, 2012. Hardcover with slipcase, 6.25 x 9.25, 502 pages. Signed on the colophon in black ballpoint. In very fine condition. Pre-certified REAL. Starting Bid $200

2319.

Ye s Signed Album.

Tormato album signed on the front cover in blue felt tip by Jon Anderson, Steve Howe, Chris Squire, Alan White, and Tony Kaye. In fine condition, with light creasing and edgewear. The record is not included. Pre-certified REAL. Starting Bid $200

The Lone Wolf Horns album, signed on the front cover in blue felt tip by Billy Gibbons, Dusty Hill, and Frank Beard. In fine condition, with a few mild edge creases. The record is not included. Accompanied by a full letter of authenticity from PSA/DNA. Pre-certified REAL. Starting Bid $200

2320. Neil Young Handwritten Set List. Scarce handwritten set list by Neil Young, unsigned, written in red ballpoint and black ink on a yellow lightly lined 8.5 x 7.5 sheet of notebook paper, no date but circa 1983. The set list consists of seven songs, including: “Jelly Roll,” “Betty Lou,” “Mystery Train,” “Fonda Wanda,” “Bright Lights,” “Wonderin,” and “Every Body’s Rockin.” Young has crossed out the songs “Cry Cry Cry” and “Wonderin,” the latter a total of three times. In fine condition. Accompanied by a letter of provenance from the original recipient, in part: “This letter is to authenticate Neil Young’s handwritten setlist for the Shocking Pinks section of his July 1, 1983 show, at the Kansas Coliseum (during his 1983 Shocking Pinks Tour.) I was Neil’s guitar technician on this tour, and after his solo set, he would dash off stage and decide if he wanted the Shocking Pinks to play.

If so, he’d quickly put together a setlist, have it delivered to me offstage, and I’d get his guitars ready for that sequence.” Starting Bid $200

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2322. ZZ Top Signed Album.

Vintage Guitars

2323. 1950s Gibson GA-40 Les Paul Amp. A circa 1950s

Gibson GA-40 Les Paul amplifier, with its 6V6 driven power circuit which puts out about 15 watts of warm tube tone. This particular amp has been fitted with a beefier vintage alnico Altec speaker.

The original handle is fastened with rope. The amp has tremolo and includes the original tremolo footswitch. An easy upgrade would be to convert the original un-grounded A/C cable to threeprong. While Gibson guitars are a household name, their amplifiers seem to fly under the radar to most guitar players. Gibson does have a spotty amp lineage and there are certainly lackluster models—however, the GA-40 is not one of them. In fact, the ‘50s era and early ‘60s models are probably the best amps they ever made. A very nice example. Starting Bid $200

2324. 1959 Pre-CBS Fender Musicmaster Guitar. Sought-after 1959 Fender Musicmaster electric guitar, serial no. 40881, featuring a Desert Sand finish and rosewood fretboard on a typical slim neck. Introduced in 1955 as Fender’s first student model guitar, the Musicmaster was crafted with the same quality of workmanship as any Strat or Tele of that period. 1959 was the first year it was offered with a rosewood fretboard. The Desert Sand finish has some modest play wear and the fret wear is also very reasonable for its age. Complete with its original hard case and leather strap. Any ‘pre-CBS’ Fender guitar, made prior to the brand’s merger with CBS in 1965, is extremely desirable. Starting Bid $200

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Sought-after 1964 Gibson Firebird I

2325. 1964 Gibson Firebird I Guitar. Highly desirable 1964 Gibson Firebird I electric guitar, serial no. 173747, featuring

the attractive standard sunburst finish. Don’t let the single mini humbucker fool you, this guitar’s got bite! Comes with a period looking bridge that is probably better for an unwound 3rd; however, the original tailpiece/bridge is in included and could be reinstalled. As is typical with these, the Firebird emblem-marked pickguard has shrunk a bit so some of the screw holes have cracked. This example is full of character with some wear around the edges and moderate finish checking, and the frets have also been leveled at least once. Weighing in at 7.5 pounds, this is a nice guitar with soulful character and tone. Complete with its original hardshell case. With its elegant simplicity, this is one of the most sought-after Firebird models. It probably doesn’t hurt that Clapton used one in the Cream era, either! Starting Bid $300

2326. 1965 Fender Mustang Guitar. Fantastic 1965 Fender Mustang electric guitar, serial no. 103193, featuring a bold Dakota Red finish and 24˝ scale neck. This gorgeous guitar shows remarkably little wear for its age. Completely original including the original hardshell case with tremolo bar, unused guitar strap, and instruction booklet. Get all the funky out-of-phase sounds that this model is known for! Starting Bid $200

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2327. 1973 Marshall 50W Super Lead Amp Head. A classic 1973 Marshall Super Lead 50 amp head, one of the most desirable heads that Marshall ever made. This 50 watt monster allows you to get that classic Marshall crunch and tone at a more ear-friendly volume. This amplifier sounds great and breaks up nicely. The presence control is a bit scratchy and there is a pot installed on the back panel (function unknown). The Marshall logo is missing and the cord is somewhat frayed and has areas repaired with electrical tape, but otherwise the head is in very good cosmetic condition. Complete with its Marshall slipcover. Starting Bid $200

2328. 1974 Gibson ES-345TD Guitar. A circa 1974 Gibson ES-345TD electric guitar, serial no. 00105423, featuring stereo electronics and a VariTone switch. Gold hardware compliments the classy wine red finish. The slim neck has a great feel, and the frets have been leveled. There is some chipping of the finish at the neck joint that appears to be cosmetic, not structural.

Complete with a hardshell case. An appealing example that has a ‘fretless wonder’ feel to it. Starting Bid $200

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2329. 1974 Marshall 100W Super Lead Amp. An iconic 1974 Marshall

Super Lead 100 MKII amp head, the legendary ‘sound of rock.’ Loaded with 6550 power tubes, this is a head that you can use to impress your friends and annoy your neighbors. Aside from a badly worn power cable the cosmetic condition is very good. Amp is untested due to the state of the power cable.

Starting Bid $200

2330. 1976 Fender Musicmaster Guitar. A 1976 Fender Musicmaster electric guitar, serial no. 7603566, featuring an Olympic White finish and slim neck with a rosewood fretboard. Although the finish has yellowed evenly over the years, the board has minimal fretwear. Complete with its original Fender hardshell case. Charming in its simplicity and design, the short-scale Musicmaster is just fun to play. Starting Bid $200

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2331. 1976 Fender Mustang Guitar. A 1976 Fender Mustang electric guitar, serial no. 7614839, featuring an attractive Mocha

Brown finish that has enough transparency to really show off the beautiful grain of the body. Sporting a rosewood fretboard, the short-scale neck is a pleasure to play and the electronics are surprisingly versatile. Other than a few mild scuffs on the back and minor tarnishing to the metal, there is very little visible play or fretwear. Complete with its original Fender hardshell case, which has one broken latch. The quirky Mustang has achieved a bit of a cult following with the punk, alt, and indie crowds, played by the likes of Kurt Cobain and John Frusciante. Starting Bid $200

Classic creamy Olympic White Stratocaster from ‘76

2332. 1976 Fender Stratocaster Guitar. Desirable 1976 Fender Stratocaster electric guitar, serial no. 7670508, featuring an Olympic White finish, rosewood fretboard, black pickguard, and three-way switch. The frets appear to have been leveled at some point. The rosewood fretboard is a little less common with this color and makes for an easier fret job down the road than the heavily lacquered maple boards. This fine instrument weighs 9.5 pounds and includes the original Fender hardshell case, tags and owner’s manual, and tremolo bar. It would be tough to find a cleaner example of a ‘70s Strat. Starting Bid $200

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The versatile 1976 Telecaster Custom

2333. 1976 Fender Telecaster Custom Guitar. Superb 1976 Fender Telecaster Custom electric guitar, serial no. 7611427,

featuring the desirable combination of an Olympic White finish with a maple fretboard. The frets appear to have had a slight level, otherwise this is a very clean axe that has been treated well. The guitar weighs 9.2 pounds and is complete with its original Fender hardshell case. Balance the twang with a little bit of humbucker and see why this versatile version of the Tele was such a hit with Keith Richards! Starting Bid $200

2334. 1976 Martin D28 Guitar. Wonderful 1976 Martin D28 acoustic guitar, serial no. 387312, considered a classic of American-made acoustic guitars. The guitar has the cosmetic signs and wear of an instrument that was played and loved over the past 40 years. The fretwear and setup is reasonable for its age, though it will probably need a neck reset at some point.

This guitar retains its original pickguard, which has not curled up or cracked the top (highly unusual for this era of Martin guitar). Complete with its original blue hardshell case. Overall, this is a sweet sounding and solid guitar—Martin’s D28 sets the benchmark for all rosewood dreadnoughts. Starting Bid $200

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2335. Group of (4) Vintage Bobby Lee’s Guitar Straps. Group of four vintage Bobby Lee’s leather guitar straps, including a black “Bottom Attachment Guitar Strap” and three “No Mishap Guitar Straps” in white, brown, and black. In overall very good condition, with general wear, some cracking to dry leather, and losses to the felt pad of the “Bottom Attachment Guitar Strap.”

The brown strap features a metal bracket at one end rather than the typical hole. Starting Bid $200

2336. Pair of Vintage Guitar Wah Pedals. Interesting pair of vintage guitar pedals: a circa 1960s Maestro Boomer 2 wah pedal by Gibson; and a circa 1970s Morley Power Wah Fuzz pedal, made famous

by Cliff Burton of Metallica. In overall very good cosmetic condition. Starting Bid $200

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The Brad Delp Collection “I was born a singer / it wasn’t somethin’ I planned / all I ever wanted was to be what I am” – ‘ROCKIN’ AWAY’ LYRICS BY BRAD DELP

When a young flight attendant named Micki decided she was ready for a new career, she took one last assignment – a private customized plane leased to rock ‘n’ roll band Boston.

“It was only supposed to be a six-week tour,” she said. “It ended up being 18 months.”

And that turned into a concession to have dinner with Boston’s lead singer Brad Delp, which lead to a 16-year marriage, two children and an incredible shared journey.

Micki Delp, with her children John-Michael and Jennifer, have set aside their personal favorite cherished items; now it’s time to share the rest of their memorabilia from Brad’s life and music career with people who love Brad and Boston – those who will value these items as much as the family does.

Bradley Edward Delp (June 12, 1951 – March 9, 2007) was an American singer and songwriter, best known as the lead vocalist of the rock bands Boston and RTZ, and his side project Beatlejuice, an homage to his beloved Beatles. A Massachusetts native, he also lived in New Hampshire for a portion of his life.

Delp joined Boston in 1970 and the band rocketed to stardom on his soaring vocals and timeless lyrics. Their self-titled debut album, released on August 25, 1976, ranks as one of the best-selling debut albums in U.S. history, with more than 17 million copies sold. It went platinum by November.

In fact, that’s one of the mementos the family is sharing in this auction. Son John-Michael is offering a platinum medallion, given to the band members in honor of that early landmark, on Nov. 19, 1976. “Only the five guys (in Boston) received them,” Micki said. “And I know none of them has been sold.

This is the first time the public will have seen this. It memorializes ‘More Than a Feeling’; I think that’s when the guys had the most fun,” she said. “John-Michael thought a fan would really appreciate it.”

The collection includes instruments Brad used, including guitars and a piano. “We’ve had that piano since 1979,”

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Micki said. “It’s an 1873 concert grand Chickering in handcarved rosewood. The first Chickering company, the father, not Chickering and Sons. This is the first one made that had the full 88 keys; most grands couldn’t support the weight of the sound board. But Chickering the father figured he could design a case that could hold it. It has giant hand-carved legs and ivory keys.”

“I really hope (this auction) will help people follow along on the journey of his life, to his varied musical endeavors,” Micki said. “Even a letter (home). When they’re on the road, they can’t register under their own names at the hotel. Brad always used the name Fielding Mellish, a Woody Allen character, his favorite comedian. Brad had a wonderful sense of humor.

(His daughter) Jen sent a letter addressed to him that way; he carried it around on tour and brought it back, which is why I have it.”

“I hope that all these (items) end up in the hands of people who appreciate it, and preserve the legacy of Brad’s kindness and humor,” Micki said. “He was always kind and generous.

He really was unaffected by the fame and fortune that fell in his lap. It shows in all these wonderful things.”

Custom-made PRS for the Boston frontman 2337. Brad Delp’s PRS Electric Guitar. Brad Delp’s Paul Reed Smith Custom 22 electric guitar made in 2004, serial no.

89102, featuring a McCarty 10 top with special 10-top flame option, carved east coast figured maple high gloss in black cherry with a thick mahogany back. It has a 25˝ wide-thin neck with an East Indian rosewood fretboard and abalone bird inlays. The hardware and electronics consist of a PRS stoptail, custom PRS nickel tuners, PRS treble and bass pickups with covers, volume and push/pull control with 3-way toggle pickup selector. The guitar features color combinations and tuners which do not fit the recorded specifications for the manufacturing standards of this model. These customizations were factory done. The body has a few superficial chips and scratches, including two spots on the reverse where the finish has chipped through to the mahogany. Complete with its hard case (one latch broken), a PRS specification tag, two guitar cables, a guitar strap, and two guitar picks. Also accompanied by a program for the ‘In My Life’ Brad Delp tribute concert held two months after his passing. Micki Delp notes that this guitar was sent to Brad by Paul Reed Smith because they used him in their advertising, and someone pointed out that he did not play a PRS guitar—so they made one and sent it to him. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $500

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The creative process behind “Rockin’ Away” and other tunes 2338. Brad Delp’s Notebook with Handwritten Notes and Lyrics. Brad Delp’s songwriting notebook, 8.5 x 10.5,

containing thirteen pages of his working lyrics and handwritten notes (several double-sided). The first seven pages all appear to be working lyrics for a single song, ‘Rockin’ Away,’ a nostalgic look back at the history of rock and roll and his own place within it. These lyrics begin: “I was born a singer / It wasn’t somethin’ I planned / (but) all I ever wanted was to be what I am / When I was only 5 years old / Saw the beginnin’ of rock & roll / And so I guess you could saw we grew up holdin’ hands / Yea-yea…I grew up in the 60s / 67 was the summer of love / Those were times when the music had somethin’ to say / (I) hitched a ride on with a rock and roll band.” The following pages rehash and elaborate upon these ideas, with other lyrics like, “Bought a Sears guitar / and I learned how to play / (that was) back in the day / (The) music was new and exciting,” and, “I remember we all got together / held our breath as we opened the letter / from the record execs in L.A. / Sent us back on our way / While the suits tried hard to define us / Nobody wanted to sign us / It was clear there were dues left to pay / And we kept rockin’ away - rockin’ away.”

Following these lyrics is a more mundane page of notes listing some audio equipment, a VCR and DVD player, and various local TV channels. The next page features working lyrics for a sad ballad, beginning: “(And) when the world’s gone away / And night falls upon you / just hold on - it’s OK / Remember

me or remember love / Time stands still / As it sometimes will / Just until / Hey babe / Has it been so long / Hey babe / Does it seem so long / You and I could have had it all / for a song.” After many blank pages comes notes concerning recording or production, listing several Boston essentials, in part: “SSB—R & Roll Band Jeff High Parts Chorus, Last Verse Lower Falsetto…Peace of Mind Hi falsetto in choruses…Take a look ahead - Yeah Yeah - Hi Part, Long Time… I think I like it High Falsetto Parts, More Than a Feeling…Foreplay-Long Time: Gotta be on my way.” The notebook closes with a final page of lyrics, in part: “Hey - you can be so unfair / and you know / I will remember / You said you’d always be there / When you go…I had a really good time / (Hey) Hey / Well I’ve been in love / But nothing lasts forever / So just hold on long enough / And maybe you’ll end up together / It’s alright.”

A final page has just two handwritten lines: “You can lie to my face / And I’ll believe it it’s OK.” In fine condition.

According to Delp’s Boston bandmate Barry Goudreau, ‘Rockin’ Away’ was written in 2006 for the 30th anniversary of the release of the first Boston record. It was the last song that Delp and Goudreau did together, and Goudreau released the single in October 2007 after Delp passed away. As a handwritten record of Delp’s creative process in developing the song’s lyrics, this is a meaningful piece of Boston history.

From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $300

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The eclectic record collection of Boston’s lead singer 2339. Brad Delp’s Album Collection. Over 70 al-

bums from the personal record collection of Brad Delp, all in their original album sleeves, consisting mostly of LPs, with a few compilations and promotional albums mixed in. Highlights include: Aerosmith (Rocks), Cheap Trick (self-titled; In Color), Chicago (self-titled; Chicago III; Chicago X; Chicago 16), Eric Clapton (Crossroads Boxset), The Eagles (Their Greatest Hits, 1971–1975), Genesis (A Trick of the Tail), Led Zeppelin (self-titled; Led Zeppelin II), Yoko Ono (Season of Glass), Queen (Sheer Heart Attack), Bob Seger and the Silver Bullet Band (Night Moves), Bruce Springsteen and the E Street Band (Live 1975–85 Boxset), Pyotr Ilyich Tchaikovsky (The Nutcracker Suite), Traffic (self-titled), and Warren Zevon (self-titled). A complete listing is available online at RRAuction.com.

Also included is a collection of eighteen 45 RPM singles, with artists including: Three Dog Night, Hall and Oates, The Lovett Brothers, The Merry-Go-Round, The Flying 69, and others. Also included is a laser disc for the feature-length pilot of Twin Peaks, a color 23 x 32.75 poster of Wings, a glossy 8 x 10 publicity photo of America, and an album flat for the America album Hourglass. In overall very good to fine condition. All of the records are included. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $300

Platinum pendant honoring Boston’s meteoric rise 2340. Brad Delp’s Engraved Platinum Boston Pendant. Pure platinum one-ounce

pendant given to Brad Delp by Epic Records to celebrate the platinum certification of Boston’s debut album, 38 mm in diameter, engraved on one side, “Boston, November 17, 1976,” with the other side featuring concentric grooves signifying a record. Stamped at the bottom of the engraved side is a hallmark, “Plat.” In fine condition. Released by Epic Records on August 25, 1976, Boston’s debut album was certified gold two months after its release, then sold another 500,000 copies in thirty days to go platinum on November 1976. One of the fastest selling debut albums ever released, it has gone on to sell over 25 million copies worldwide. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $300

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Delp’s dazzling glittery platform shoes 2341. Brad Delp’s Pair of Silver Glitter Platform Shoes.

Brad Delp’s personally-owned and -worn glitter platform shoes, featuring a glimmering magenta heel and sole, and a shimmering silver upper. In overall very good to fine condition, with expected wear and some staining near the eyelets on the left shoe. Straight out of the ‘70s, these wild shoes must have looked fabulous on stage. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2342. Brad Delp’s Tower Records Walk of Fame Award.

Brad Delp’s Tower Records ‘Walk of Fame’ award plaque, 12 x 15, featuring a star in the center engraved with “Boston” and a musical note, with text reading: “Tower Records, Boston, Walk of Fame, Presented to Brad Delp, for your outstanding musical contributions and achievements, June 1995.” In fine condition.

In the 1980s and 1990s, Tower Records built a ‘Walk of Fame’ outside their flagship store on Newbury Street in Boston. In addition to the band Boston, other recipients of the honor included Aerosmith, The Cars, the J. Giels Band, the Mighty Mighty Bosstones, and New Kids on the Block. An interesting piece of Boston history. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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Behind the scenes on Boston’s 1979 Cherry Blossom tour of Japan

2343. Brad Delp’s Collection of Photos and Super 8 Movies from Boston’s 1979 Japanese Tour. One-of-a-kind col-

lection of Brad Delp’s home movies and candid photographs from Boston’s 1979 tour of Japan, consisting of 44 rolls of Super 8 video tape (33 of which remain in their Kodak boxes). Some of this footage was shot by Brad Delp himself, and some was by taken his wife Micki Delp, who notes: ‘This footage has never been seen by anyone but Brad and I. It was a new camera and he didn’t know the aperture was stuck open so some of it is washed out.’ Most of the boxes are annotated by Micki as to the contents of the media, with some of the more interesting reels labeled: “Bukodan sound check starring Sib,” “Osaka Debut f/ Bosstones - Backstage,” “Osaka sound check, 2nd Day, Tokyo backstage (Fran),” “Show in Tokyo, ‘Don’t Be Afraid,’” “Brad’s Fans, New Otani Press Conf,” “Fish Market Fukoka, Squid - good,” and “Leaving Bean Town.” Five boxes are labeled

by Brad Delp himself, three marked “Oakland Setup,” one marked, “1st half blank, 2nd half - Kings Alley,” and one marked, “Aquarium - forget about it, last 10 sec. indoors OK.” The still photos consist of 25 original vintage color candids, mostly 4.5 x 3.25, showing the band engaging in tourism throughout Japan. Also includes an original 20.5 x 28.5 poster for Boston’s “Cherry Blossom Tour ‘79,” an unpeeled Japanese promo sticker for the tour, and a telegram sent to Delp from a Japanese promoter.

In overall very good to fine condition, with creasing and paper loss to edges of the poster. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

‘Hitch a Ride’ with Brad Delp 2344. Brad Delp’s New Hampshire Driver’s License.

Brad Delp’s laminated New Hampshire driver’s license, 3.25 x 2.25, issued on May 8, 1984, featuring his image and a facsimile signature. The license lists his address in Londonderry, as well as his height, weight, date of birth, and other personal information. In very good to fine condition, with expected signs of use. Delp, who famously sang ‘Hitch a Ride’ on Boston’s debut album, moved to New Hampshire in 1980, living for a time in Londonderry before settling in scenic Atkinson. A unique, personal piece from a rock ‘n’ roll legend. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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Delp’s high school diploma and yearbook— “Have you heard the new Beatle album?”

2345. Brad Delp’s High School Diploma and Yearbook. Brad Delp’s diploma from Danvers High

School and personally-owned 1969 yearbook from his senior year. The diploma is in its original leatherette folder gilt-stamped “Danvers High School,” 8.25 x 6.25, and reads: “This Certifies That Bradley Edward Delp, having completed the Course of Study prescribed by the School Committee for graduation from the Danvers High School is now granted this Diploma. Danvers, Massachusetts, June 5, 1969.”

The 1969 Danvers High School Heritage yearbook, 9 x 11.25, 256 pages, depicts Delp as a member of the senior class on page 171, with an appropriate ‘senior quote’ below his portrait: “Have you heard the new Beatle album?” It also lists his activities as variety show, boys choir, and glee club. Also includes an original circa late 1960s form letter promoting Delp’s high school band The Monks, as well as a small poster advertising their 2001 reunion. In overall very good to fine condition, with a bit of scuffing to the back cover of the yearbook, and creasing, toning, and paper loss to edge of the letter; both the yearbook and diploma are remarkably well-preserved for their age. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

“Paul and Linda McCartney” offer good wishes to the Boston frontman 2346. Brad Delp’s Pair of Telegrams from Paul McCartney. Two telegrams from Paul McCartney to Brad Delp:

one on Western Union Mailgram letterhead, signed in type, “Paul and Linda McCartney,” June 11, 1979, in full: “Happy birthday and best wishes”; and a “Greetings Telegram” card, signed in type, “Paul and Linda McCartney,” no date, in part: “Greetings, Paul Ahern c/o Paul Ahern to Brad Delp, the Montcalm Hotel…

We are in Rye which is three hours drive if we don’t make it to see you play have a good one cheers,” matted and framed to an overall size of 12 x 16. In overall very good to fine condition, with creasing to the Mailgram and some staining to edges of the top half of the greeting card. Paul Ahern was Boston’s manager in the 1970s. Of the first telegram, Micki Delp notes: ‘Brad used to say he could only remember his own birthday because it was 7 days before Paul’s. Brad sent Paul a telegram every year on his birthday since 1965, even after Boston hit it big. He never received anything back... never knowing if Paul ever even got them. He sent one every year anyway. In 1980 when he told me this story and asked if I could help him find out where to send it that year, his manager and I got in touch with Paul and told him the story... so Paul sent him this one first on the 12th when Brad and I were staying staying at Barry’s house right after coming off tour.’ The handwriting on the telegram is Micki’s, recording the info on how to respond. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Pre-certified REAL. Starting Bid $200

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Brad’s Beatles miscellany— albums, singles, and picture discs

2347. Brad Delp’s Beatles Collection. Brad Delp’s

personal collection of Beatles material, consisting mostly of records from the band and their solo endeavors, plus some ephemera. Records include: Let It Be; The Beatles at the Hollywood Bowl; ’The British Are Coming’ 3-D picture disc with 3-D glasses; Live Peace in Toronto 1969 by the Plastic Ono Band; John Lennon’s Wedding Album; a ‘Milk and Honey’ picture disc by John Lennon and Yoko Ono; a ‘Spies Like Us (Party Mix)’ picture disc by Paul McCartney; a ‘No More Lonely Nights (Extended Version)’ picture disc by Paul McCartney; Red Rose Speedway

by Paul McCartney and Wings; Venus and Mars by Wings; a ‘We All Stand Together’ picture disc by Paul McCartney; and a special bicentennial collector’s edition of Wings From The Wings.

45 rpm 7˝ singles include: ‘Love Me Do / P.S. I Love You’ issued in 1982; ‘Let It Be / You Know My Name (Look Up My Number)’; a rare collector’s edition single, “Fab Four 101,” of ‘What a Shame Mary Jane Had a Pain at the Party / L.S. Bumble Bee’; a Magical Mystery Tour booklet containing singles of ‘Magical Mystery Tour / Your Mother Should Know / I Am The Walrus’ and ‘The Fool on the Hill / Flying / Blue Jay Way’; ’Junior’s Farm / Sally G’ by Paul McCartney and Wings; ‘Another Day / Oh Woman, Oh Why’ by Paul McCartney; ‘My Sweet Lord / Isn’t It a Pity’ by George Harrison; and ’(Just Like) Starting Over / Kiss Kiss Kiss’ by John Lennon and Yoko Ono. Beatles ephemera includes: a postcard depicting the group against a pink background; an album flat for The Beatles / 1967–1970; a few copies of Beatles fan club letters; and a framed postage stamp sheet from the Republic of Chad honoring John Lennon.

In overall very good to fine condition. Brad Delp was strongly influenced by the Beatles, and he revered the songwriting talents of Lennon and McCartney. After finding tremendous success with Boston, Delp formed a Beatles tribute band called Beatlejuice in the 1990s. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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Original handwritten lyrics and recording notes for the unreleased “Tuesday” 2348. Brad Delp’s Handwritten Lyric Notebook. Brad

Delp’s ‘writing tablet’ notebook containing lyrics, notes on production, and sketches of a house, 6 x 9, consisting of seven pages of handwritten notes and four pages of sketches. The first page consists of song lyrics, headed, “Tuesday (written 4-28-83),” with the first verse reading: “Tuesday was the day you went away / Wednesday had to come, I cried all day / Thursday it was bad, it took all the strength I had / It’s hard to face the thought of you not here.” The next page has a short song summary listing sections and changes, in full: “Intro, Verse, Bridge, Verse with F#, Bridge, F# to B, Intro C to Bb 2nd time, Verse, Bridge, F# to B, Intro 3 times, then C to Bb.” On the reverse of that page, Delp writes out some recording notes, in part: “Key A: Not a 2nd Time Tempo between 200 & 208, Rythm Guit Edge - Echo - Hamer Switch Up, Lead - Dist - Echo or Chorus Hamer Switch Down. Key E: I just want to… Tempo 84, Guit. Dist. Chorus Switch Down, Mute 1st part open up on 2nd half of riff.” The next page bears short notes on five takes.

After several blank pages, in the middle of the tablet, there is a page of handwritten notes on Beatles records, headed, “Revised Tapes,” listing such classics as “Please Please Me,” “With the Beatles,” “Hard Day’s Night,” “Help,” “Rubber Soul,” “Revolver,” “Sgt. Pepper,” “Yellow Sub.,” “Abbey Rd.,” “Let It Be,” and others. After several more blank pages there is another page headed “Tuesday,” with various production notes concerning channels, trim, and faders. The last page of handwritten notes consists of lyrics entitled “Your Heart Can’t Be Denied,” beginning: “In your eyes, you’re telling me it’s time to let go (the truth) / And I’ve, tried to deny that look but it shows (you’ve tried) / I know you’re trying so hard to be a friend (it’s coming to an end) / but I can see that y(our) love is at an end / It’s harder to pretend, than to stand and say / what you really feel.” The following four pages features diagrams and sketches, apparently of a home and its interior. In very good to fine condition, with some staining and many pages detached. The song ‘Tuesday’ was never released by Delp, but his friend Charlie Farren released a cover of it in 2013. The other song seems to be both unpublished and unreleased, perhaps never making it beyond this notebook. A unique piece showcasing the creativity of Boston’s amazingly versatile frontman. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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Brad Delp’s stunning 1873 Chickering concert grand piano

2349. Brad Delp’s 1873 Chickering Concert Grand Piano.

Brad Delp’s personally-owned and -used 1873 Chickering concert grand piano with a full 88 keys, 9´ 3˝ in length, serial no. 38370, made of beautiful hand-carved South American rosewood with ivory keys, complete with its ornately carved music rack. This was one of the finest pianos of its time, and one of few to feature a full 88 keys—comparable Steinways of the era had only 85 keys due to technical limitations. Chickering, a Boston-based piano maker, was able to design a case that supported the weight of a full 88-key soundboard—hence the huge, elegantly hand-carved legs crafted from sturdy rosewood. The Chickering concert grand became the preferred piano of greats like Franz Liszt and Louis Gottschalk, who played them while touring the United States.

This fine musical instrument can be heard on Brad Delp’s cover of ‘The Great Pretender.’ Accompanied by three photos of Brad Delp at the piano. Micki Delp notes that Brad purchased this piano in 1979, and that he had it professionally voiced as it was too loud. An exceptionally desirable instrument in its own right, this piano is made even more remarkable by its association with a popular music legend. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp.

Note: bidder is responsible for cost of shipping piano from origin to destination. Please contact RR Auction for more details.

Starting Bid $5,000

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Delp’s collection of two dozen promo albums 2350. Brad Delp’s Collection of Promo Albums. Grouping of 24 promotional albums

from the personal record collection of Brad Delp, all in their original album sleeves, with the majority bearing “Demonstration, Not for Sale” labels. The artists include: Peter Baumann (Romance ’76); Boxer (Absolutely); Café Jacques (Round the Back); The Charlie Daniels Band (Midnight Wind); Cheap Trick (Heaven Tonight); The Clash (Train in Vain (Stand By Me) single); Russell Dashiell (Elevator); Dragon (self-titled); George Duke (Reach for It); The Eagles (‘Please Come Home for Christmas’ / ‘Funky New Year’ single); Walter Egan (Not Shy); Dee Dee Sharp Gamble (What Color Is Love); Nona Hendryx (self-titled); Judas Priest (World Tour 1982); Killough and Eckley (self-titled); Locust (Playgue); Meat Loaf (Bat Out of Hell); Frank Marino and Mahogany Rush (Live); Michael Murphy (Lonewolf); The Motors (self-titled); Native (‘Take a Chance on Love’ single); Network (self-titled); Pink Floyd (The Wall); Starwood (self-titled); Timberline (The Great Timber Rush); The Tourists (Reality Effect); Dexter Wansel (Voyager); and David Werner (Live). In overall very good to fine condition. All of the records are included. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

“All I Want” penned by the ‘Peace of Mind’ vocalist 2351. Brad Delp Handwritten Lyrics for ‘All I Want’. Handwritten lyrics by Brad Delp for an apparently unreleased a song entitled “All I Want (is a little bit more of you),” one page, 8.25 x 11, no date. The lyrics begin: “I’ve got the rose you wore - on the day we met / I’ve got it bad for sure - my eyes aren’t open yet / I’ve got a funny feelin’ - when your next to me / But sometimes late at night - that isn’t all I need.”

The “Bridge” and “1st Chorus” go: “You’ve got everything I’m lookin for / But all I want is a little bit more / All I want - is a little bit more of you / All I want - is just a little bit more of you.” The song concludes with a “2nd Chorus?,” which reads: “I’ve got your photograph / I’ve got the way you laugh / I’ve got your pledge to me / but all I want is a little bit more (of you) / All I want is a little bit more.” In fine condition, with intersecting folds and scattered light creasing. These unpublished lyrics are especially interesting when set in opposition with Boston’s classic ‘Peace of Mind,’ written by Tom Scholz and sung by Brad Delp on their debut album. While ‘Peace of Mind’ offers a plea for solitude centered on individualism—Delp famously sings ‘All I want is to have my peace of mind’ in the chorus—this song, with its chorus of “All I want is a little bit more of you,” yearns for a complete and cooperative partner. Though what the singer wants may have changed, these lyrics represent a skilled song-writing effort. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp.

Starting Bid $200

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“I’ve got more than a feelin / we can still make a difference / If we hold on to reason / and never let go” 2352. Brad Delp Handwritten Lyrics for ‘Rockin’ Away’. Handwritten working lyrics

by Brad Delp for ‘Rockin’ Away,’ one page both sides, 8.25 x 10.5, no date but circa 2006. Interesting lyrics to a reflective and nostalgic song, beginning: “Elvis, Buddy, Dion, Fats, Perkins / Chuck, Little Richard, Eddie Cochran / I was born a singer / It wasn’t somethin’ I planned / All I ever wanted was to be what I am.” The last passage on the front reads: “Excited / We couldn’t fight it / When we were rockin away / Hitch a ride w/ a rock & roll band.” These lyrics hit their stride as they continue onto the reverse of the page: “50 years and countin / As I sit here lookin back on the days / (and still) I see the top of the mountain / is so far away / Still the years keep reelin’ / Like the…I’ve got more than a feelin / we can still make a difference / If we hold on to reason / and never let go / God only knows.” In fine condition, with scattered light creasing. Continuing in the storytelling tradition of the Scholz-written ‘Rock & Roll Band’ from Boston’s first album, these lyrics look back upon the history of rock and roll, and Delp’s place in it. He references the Boston classics ‘Hitch a Ride,’ ‘Rock & Roll Band,’ and ‘More Than a Feeling,’ in addition to invoking the names of rock and roll pioneers at the beginning. According to Delp’s Boston bandmate Barry Goudreau, ‘Rockin’ Away’ was written in 2006 for the 30th anniversary of the release of the first Boston record. It was the last song that Delp and Goudreau did together, and Goudreau released the single in October 2007 after Delp passed away. A fabulous, creative piece from Boston’s lead vocalist. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2353. Brad Delp’s Pair of Boston Tour Jackets.

Two original vintage Boston tour jackets: a vintage black-and-orange satin jacket from Boston’s 1979 tour, size small, with a logo on the reverse reading, “Contemporary Productions and Chris Fritz present Boston, plus special guest Sammy Hagar,” and their midwest show dates in March; and a vintage black satin jacket belonging to Delp’s wife Micki, with her name embroidered on the left breast, featuring the band’s colorful logo embroidered on the reverse.

Also includes Brad Delp’s personally-owned t-shirt advertising the solo album of his Boston bandmate Barry Goudreau. In overall fine condition, with some fading to the images on the t-shirt. Micki notes that the 1979 jacket was the only one that Brad had left after the tour was over, having given the rest away. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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Delp’s reference acetate for his iconic ‘More Than a Feeling’ 2354. Brad Delp’s ‘More Than a Feeling’ Acetate. Brad Delp’s personally-

owned single-sided 8˝ acetate for Boston’s classic ‘More Than a Feeling,’ filled out in type on the Capitol Stereo label with the band’s name, “Boston,” track name, “More Than a Feeling,” and track length, “3:45.” In fine condition. This ultra-rare acetate may have been a one-off produced while trying to create the radio edit for the hit single—it is a minute shorter than the album version of the track, and forty seconds longer than the single edit. ‘More Than a Feeling’ was released as the lead single from Boston’s self-titled debut album in 1976, and peaked at number five on the Billboard Hot 100. Today, it is considered a standard of the classic rock genre.

Acetate discs, also known as reference lacquers, look similar to typical vinyl records, but differ drastically in that they are used only in the production process and are not usually available to the general public. Their purpose is to allow producers, artists, and sound engineers to double-check the quality of a final recording for any flaws or errors before it is sent off for mass production and release. Whereas a vinyl record is mass-produced with a stamp, an acetate is created using a recording lathe to cut the grooves into a blank disc in real time, an extremely exacting process that ensures the most precise recording possible. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

The soundtrack for “The Runaways”

2355. Brad Delp Signed Document and Cassette Tape. Partly-printed DS, filled out in his own hand, “Brad Delp,” and signed “Bradley E. Delp,” one page, 8.5 x 11, 1996. A deal memorandum for a soundtrack, in part: “I, Brad Delp, vocalist, do hereby irrevocably grant Jerri Productions…the right (but not the obligation) to use recordings of my voice in and in connection with the motion picture currently entitled ‘The Runaways.’” Includes an original audio cassette tape of the soundtrack for the film, annotated in Brad Delp’s own hand on the label, “Music for ‘The Runaways,’” with the track listing insert also filled out by Delp. In fine condition, with scattered creasing to the document. Brad Delp collaborated with Boston bandmate Gary Pihl for the soundtrack to the small independent film, which featured his son, John-Michael Delp, as an actor. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Pre-certified REAL. Starting Bid $200

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1977 North Shore Musicians’ Association signed by “Bradley E. Delp” 2356. Brad Delp Signed 1977 North Shore Musician’s Association Card. Brad Delp’s pink 1977 membership

card for the North Shore Musicians’ Association, based in Lynn, Massachusetts, 4 x 2.25, signed along the left edge in blue ballpoint, “Bradley E. Delp.” The card is filled out in type with his name and Social Security number. The reverse is stamped to certify that his dues were paid in full. In very good condition, with creasing and signs of use. A year earlier on Boston’s debut album, Delp sang: ‘Well we were just another band out of Boston / On the road to try to make ends meet / Playin’ all the bars, sleepin’ in our cars / And we practiced right on out in the street.’ By the time he signed this card, Boston had become famous around the globe—their album spawned three charting singles, and they became the first band in history to make their New York City debut at Madison Square Garden.

A fabulous piece that reveals Delp’s local roots as a North Shore native. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Pre-certified REAL. Starting Bid $200

2357. Brad Delp’s Boston Collection of Tour Itineraries and Programs. Brad Delp’s collection of Boston tour itineraries

and awards programs, including: a thick itinerary book for the “European Tour ’79,” listing points of contact, venue information, schedules, contract rider, crew and band member manifest, and equipment list; a separate itinerary booklet for Boston’s “Scandinavian Tour 1979,” detailing their schedules, accommodations, and venues for the Scandinavian leg of the tour; two spiral-bound itinerary books for Boston’s 1995 tours, one for June 18–July 18, and the other for July 18–August 7, detailing venues, accommodations, and points of contact; a spiral-bound itinerary book for Boston’s tour of the US in the summer of 1997; and a spiral-bound itinerary book for their 2003 “Returns” tour. Also includes a two-page tentative schedule for Boston’s 1996 tour, a press release for the 2003 Delp & Goudreau CD, Delp’s program for the 1977 event “A Day with Muhammad Ali,” two programs for the 1997 Rock Music Awards, and a NARAS program for the 1976 Grammy Awards. In overall very good to fine condition, with expected signs of use. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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2358. Brad Delp’s Drum Sticks. Three drumsticks from

Brad Delp’s collection associated with three different bands: a Boston drumstick marked on one end with black text, “Jack’s Drum Shop, Boston, Studio”; a Beatlejuice drumstick by Vater, marked “Muzz” in black felt tip to signify Beatlejuice drummer John ‘Muzz’ Muzzy; and a Starship drumstick marked with black text, “Regal by Calato, 2B, Starship - Donny Baldwin.” In overall fine condition, with signs of use. Micki Delp notes that Brad originally got the Starship drumstick for their daughter Jenna. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2359. Brad Delp Collection of Signed Albums and Photographs. Collection of signed items from the collection of Brad

Delp and his family, including: a promo copy of Ted Nugent’s Cat Scratch Fever album, signed on the front cover in black felt tip

by Nugent; an 11 x 8.5 cardstock photo of Delp backstage with Nugent and Michael Jackson, signed in black felt tip by Nugent; a Rock & Roll Machine album by Triumph, signed and inscribed on the back cover in ballpoint, “To Brad, from Rik Emmett,” “To Brad, Fore!!! Gil Moore,” and “To Brad, Best Wishes, Mike Levine”; a (Sittin’ On) The Dock of the Bay album by Sammy Hagar, signed on the front cover in black felt tip, “Sammy Hagar, The Red Rocker”; a glossy 10 x 8 publicity photo of Starship, signed and inscribed in red felt tip to Delp’s daughter, “To Jennifer, Best wishes & happy days! Mickey Thomas, ‘Starship’ 87,” “Grace Slick,” “Donny Baldwin,” and “’We were just another band out of San Francisco,’ Hi Jennifer! Craig Chaquico,” who sketches a guitar; a satin-finish 10 x 8 publicity photo of Godsmack, signed in black felt tip by Tony Rombola, Tommy Stewart, Sully Erna, and Robbie Merrill; a color satin-finish 8 x 10 photo of Roger Clemens, signed and inscribed in blue and black felt tip, “To Jen, Best Always, M.V.P., Roger Clemens, Cy Young”; a ballpoint signature and inscription, “To Jennifer, Gary Cherone,” on a sheet adhered to a scrapbook page alongside a ticket stub for Eric Clapton at the Royal Albert Hall and a Dave Matthews Band cloth pass; a satin-finish 8 x 10 publicity photo of RTZ, signed and inscribed in black felt tip by Delp, “For Erin! Brad Delp, RTZ, 92,” and by Barry Goudreau, “Barry”; a satin-finish 8 x 10 publicity photo of RTZ, signed and inscribed in black felt tip by Delp, “To Greg! Brad Delp, RTZ, 92,” and by Barry Goudreau, “Barry”; and three different 6 x 4 cardstock prints signed in black felt tip by Brad Delp. In overall very good to fine condition, with scattered creasing and some small tears to the Delp-signed cardstock photos. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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Memories from Boston— lyrics, letters, and other ephemera 2360. Brad Delp’s Collection of ‘Memory Box’ Items. A collection of

ephemera from Brad Delp’s ‘memory box,’ including posters, fan mail, and assorted other items. Highlights include: a scrap piece of paper featuring handwritten lyrics by Brad Delp, in full: “Every time I think about it (you) I have to cry / Yes I made a major mistake / Well I knew it was a matter of time / Most of what you said was a pack of lies / I guess that I was very unwise”; a five-page handwritten letter from Phil Bates of Trickster, postmarked November 13, 1979, in part: “I just thought I’d drop you a few lines to say ‘thanks’ & wish you well for the future. I’ve got to say it was a great tour from our point of view…I don’t know whether you’ve started the album yet, but if you have I hope it’s going well and you’re getting plenty to do…I hope you’re having better luck with your songwriting than I am, at the moment. I seem to have hit one of those patches where everything sounds the same…I’ve got to say it was good to find and talk to someone so much into the Beatles. Such people seem to be few and far between in my experience. They seem to have forgotten just how much they contributed to music…Although I love a lot of other music i.e. Stevie Wonder, Billy Joel, there’s nothing that gives me that spinal chill like ‘Here, There and Everywhere,’ and ‘I’m Only Sleeping’ etc….It was such a pleasure to meet you and talk with you and I hope I get the chance to do so again.”

Other items include: more than 25 pieces of fan mail sent to Delp, mostly dating from late 1970s through early 1990s; two vintage candid photos; a WIUS Radio newsletter featuring an interview with Boston; newspaper clippings; an issue of The Beat, a New England entertainment guide, featuring an interview with Boston; a number of other newspapers and magazines; a rolled 20 x 16 composite photo featuring images from the 1995 Boston Livin’ For You Tour; a 2001 poster for a concert featuring a reunion of Delp’s high school band The Monks; eleven rolled 14 x 21 posters for a 2004 California Mid-State Fair concert series featuring Boston on August 5th; and a few condolence letters and cards sent to his family after his death. In overall very good to fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2361. Brad Delp’s Group of (3) Video Tapes. Three video tapes personally-owned by Brad Delp, including: a Sony Beta tape annotated on the label in Delp’s own hand, “Love Comes Back Around, Rough Edit (Copy)”; a Scotch VHS tape marked on the label in another hand, “Boston, 6/6/95, Jones Beach, NY,” jokingly also labeled “RTZ ‘live’ (Boston)” on the side; and a TDK VHS tape marked in another hand, “Reeves Teletape - CBS - Barry G. Dreams w/ Superstar Brad Delp, More Than a Feeling, Don’t Look Back, A Man I’ll Never Be, Party, 12/8/1978,” also marked “Grand Funk Japan 74” on the edge. A note slipped inside from a fan says, “Brad, My name is Ted Milley I have an interesting video for you and the guys. You will remember me from Tower Records yesterday,” and the outside of the tape box has a Boston logo drawn by Milley. In overall fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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2362. Brad Delp’s Beatles Singles Collection Vinyl Set. Brad Delp’s personally-owned vinyl box set, “The Beatles Singles Collection,” released by Parlophone in 1982 (BSCP-1), featuring all 26 Beatles singles in picture sleeves, plus a picture disc single of ‘Love Me Do / P.S. I Love You.’ Complete with the original insert sheet listing each disc with its original release date and highest chart position. The box itself features gilt-stamped facsimile signatures of each member of the Beatles. In fine condition. A desirable box set in its own right, this Beatles set is made more remarkable by virtue of having been owned by Brad Delp, who was strongly influenced by the Beatles. After finding tremendous success with Boston, Delp formed a Beatles tribute band called Beatlejuice. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp.

Starting Bid $200

2363. Brad Delp’s Collection of Photos. Brad Delp’s personally-owned collection of 65 modern digital prints of photos

from throughout his career, ranging in size from 4 x 3.5 to 4 x 6, most showing him on stage during performances, as well as some of him meeting with fans and traveling. Contained within a small album. In overall fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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2364. Brad Delp’s Boston Signed ‘Corporate America’ CD. Corporate

America CD signed and inscribed on the front cover of the booklet in black felt tip, “Love, Dad, For John-Michael, Brad Delp,” “Tom Scholz,” “Fran Cosmo,” “Anthony Cosmo,” “Gary Pihl,” and “Kim Dahme.” In fine condition. The CD is included. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp.

Pre-certified REAL. Starting Bid $200

2365. Brad Delp’s Boston Collection of Backstage Passes . Group of backstage laminated passes and badges

used by Brad Delp and his family over the years, including: a black-and-gray “Boston Euro Tour ‘79” pass; three undated Boston all-access passes marked with the names of his wife, “Micki Delp,” and children, “John-Michael Delp” and “Jenna Delp,” plus a 1997 Boston all-access pass marked “Micki Delp”; two identical red “MTV Cabo Wabo Cantina with Van Halen” passes (one used by Brad and one used by Micki); two different RTZ all-access passes; a “Beatlejuice and Friends” VIP all-access badge; a Woodstock 94 artist’s pass; Micki Delp’s backstage pass for the “Come Together” tribute to the late Brad Delp in 2007; and two “Third Stage Tours” luggage tags. Several passes are suspended from lanyards. In overall fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2367. Brad Delp’s Set of (4) Boston Backstage Passes.

Group of four of Brad Delp’s personally-used laminated backstage passes, each measuring about 2.5 x 4, including: a colorful “Boston Euro Tour ‘79” pass marked “Brad Delp” and “Access All Areas” in black text; a black-and-gold “Where’s Boston?” all-access stage pass; a “Tenth Annual Texas World Music Festival ‘87” pass marked “Boston” in blue text; and a Van Halen all-access pass filled out in another hand with his name, “Brad Delp.” In overall fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

Group of 19 original vintage circa 1980 glossy 3.5 x 5 photos of Brad Delp wearing sunglasses with a dramatic perm hairstyle in various close-up poses, taken by his wife Micki for his photo on Barry Goudreau’s solo record.

All bear “This paper manufactured by Kodak” watermarks on the reverse. In overall fine condition. Delp performed lead vocals on several tracks for Barry Goudreau’s 1980 self-titled debut album, which had a similar sound to their efforts with Boston. One of these images indeed appeared on the LP’s inner sleeve. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2366. Brad Delp’s Boston 1979 European Tour Passes. Group of passes and badges for Boston’s 1979 tour of Europe from the collection of lead singer Brad Delp, including: eight green 3 x 4.25 stickers featuring colorful “Boston Euro Tour ‘79” artwork, marked “Guest” in white lettering; and nine black-and-gray 2.5 x 4 “Euro Tour ‘79” laminated badges. In overall fine condition, with cracking to plastic on one of the laminated badges. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp.

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2368. Brad Delp Collection of (19) Photographs.

2369. Brad Delp’s Bank Book. Brad Delp’s Danvers Savings Bank deposit book, twelve pages, 3.5 x 4.5, with the earli-

est deposit of $25.25 dating to January 30, 1967, when Delp was just 15 years old. The pages record small withdrawals and deposits over the course of the next several years, pausing for a three-year period beginning October 1973, at which time the balance of the account is just $17.38. The next activity occurs on December 23, 1976—four months after the release of Boston’s debut album—with the deposit of a whopping $12,500. The balance then dwindles over the next four years, with the last activity recorded in August 1980. In very good to fine condition. Accompanied by a carbon copy of Delp’s American Express receipt for a stay at Walt Disney World’s Contemporary Resort Hotel in March 1988, bearing the carbon impression of his signature; stapled to the document is the hotel’s receipt. Also includes a small satin-finish photo of Delp with Goofy at Disney World—which Micki Delp notes was Brad’s favorite place in the world. An interesting chronicle of Delp’s finances from his early life through his journey to stardom. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2370. Brad Delp’s Collection of RTZ and Boston Albums. Brad Delp’s personally-owned collection of Boston and RTZ music, including albums, CDs, and a cassette. The albums include: Boston’s self-titled debut (JE 34188); Don’t Look Back (FE 35050); a promo copy of Third Stage (MCA 6188); Boston: The Band From The Platinum Basement; and a pressing from the Rock Around the World radio show, marked on the sleeve, “Show #130—Boston.” Also includes a second copy of Don’t Look Back, inscribed on the front cover in black felt tip by Delp, “For Maria, Many Thanks.” The CDs include: a limited edition Master Sound long box of Boston’s self-titled album (CD case inside still sealed); Boston’s 2002 Corporate America CD (in a non-original jewel case); a jewel case for Found by RTZ, containing the CDs ‘Hands of Time’ by Barry Goudreau and Brad Delp, and ‘Delp and Goudreau’ signed in black felt tip by Goudreau; a Return to Zero CD (jewel case with correct CD inside); and a Japanese RTZ Club Tour jewel case, containing an unmarked CD-R, a CD-R marked “RTZ Assorted Clips,” a Boston “In the Studio” CD, and a Paul McCartney Memory Almost Full CD. The cassette is a Japanese release of Boston’s debut album. In overall fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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2371. Brad Delp’s Boston Collection of Ephemera.

Boston ephemera from the collection of Brad Delp, including: fifteen Boston stationery envelopes; twenty blank sheets of matching Boston stationery; three “Season’s Greetings from Boston” holiday cards; five 1987 promo postcards for Third Stage; fifteen 1988 postcards depicting the band; seven Boston “Fan Facts” newsletters about the 1979 World Tour; and two “Record Greetings” cards sent to Delp in 1977, with envelopes reproducing the Boston album cover. The “Record Greetings” envelopes have record-shaped cards inside that say “More than a feeling!” and have personal notes written to Delp and his then-wife Kathy. One reads, in part: “I saw this card in a record store they had all different ones. Guess what I finally got a Stratocaster…On my way home I stopped at Bethel N.Y. off of Route 17, that’s where Woodstock was.” The other has a note from a friend wishing him luck on Boston’s next record, “More than a feeling!…that ‘Boston II’ will be as successful as ‘Boston’…and…that it will make believers and praisers out of those who have criticized your success and ability.” In overall very good to fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

2372. Brad Delp Handwritten Note and Collection of Photos. Handwritten note to his son John-Michael, signed “Dad,” one page, 8.5 x 11, in full: “J.M. Late night for me. Going to bed now 4:00 AM. See you around noon time. Love, Dad.” Includes an assortment of 20 photos, mostly consisting of modern reproductions of vintage photos; two are original vintage candids from July 1979 showing the band traveling, and one is a vintage color 8 x 10 pertaining to the song ‘Mean Woman Blues,’ showing Delp in the outfit he wore for a promo shoot for Barry Goudreau’s solo album. In overall fine condition, with intersecting folds to the note and a large crease to one photo. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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2373. Brad Delp’s Gifts. Gifts given and

received by Brad Delp, including: a blown glass ‘planet’ globe by glass artist Josh Simpson given to Delp by former Boston manager Jeff Dorenfeld, etched on the bottom, “Simpson, 1988, for Brad & Micki, Jeff & Nancy”; and a ceramic tile portraying artwork by Edna Hibel entitled ‘Alexandra with Sunflowers,’ with a framed print of the same picture, given by Brad Delp to his wife Micki in 2005, including a card with a handwritten note inside, signed “Brad,” in part: “Here’s your birthday present inscribed by Edna. When I told her these gifts were an annual tradition she asked if she could include my name on one of the inscriptions. The tile was the first piece that caught my eye, when I first went to the shop, so I wanted to include that too.”

The tile measures 7.75 x 6 and has a label on the back inscribed by the artist, “To Micki, with love, Edna Hibel,” and the print is framed to an overall size of 15 x 13, with a similar label inscribed by Hibel, “To Micki, with love from Brad and Edna Hibel.”

In overall fine condition, with a few tiny chips to the tile. Micki notes that Brad always bought her something by Hibel, as the artist’s ‘Mother and Child’ works were her favorite. A wonderful, warm gift from Delp that demonstrates his thoughtfulness—he was considered ‘the nicest guy in rock and roll.’ From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

From “Brad” to “Dad,” a collection of family correspondence

2374. Brad Delp’s Family Correspondence. Collection of Brad Delp’s personal family correspondence, including three

items signed by Delp: a 1984 birthday card to his wife Micki, signed inside in ballpoint, “Happy? Love! ’84,’ Brad”; a birthday card to his son John-Michael, signed and inscribed inside, “Hope you can use this to increase the pile on your bedroom floor.

Happy 17th, Merry Christmas! *I bet mom wishes she found this card for you. John-Michael! Love, Dad xoxox”; a 2005 Christmas card sent to his wife Micki, signed and inscribed inside, “Micki, Snow kidding! Merry Christmas! Hope you win millions, Much love, Brad, ’05,” with a lottery ticket taped inside, in its original mailing envelope. Other items include: a printed 1991 birthday card given to Brad Delp for his 40th birthday; a wedding card from Delp’s parents for the marriage of Brad and Micki; a florist’s card sent with wedding flowers given by Tom and Cindy Scholz (with two envelopes, one misspelling Delp’s surname as “Delt”); a 1984 Christmas card from the family of Boston bandmate Gary Pihl; and a 1987 letter sent to Delp by his young daughter Jennifer with its original envelope, addressed to “Fielding Mellish,” the name Brad used for booking hotels while on tour. Micki Delp notes that Brad carried this note from his daughter with him throughout the Third Stage Tour, bringing it home with him at the end. In overall very good to fine condition. From the Brad Delp Collection, and accompanied by a letter of provenance from Micki Delp. Starting Bid $200

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The Monte A. Melnick Collection For more than 20 years, Monte A. Melnick assumed the enviable task of being the full-time tour manager of the Ramones. A native of Forest Hills, New York, and a childhood friend of original Ramones drummer Tommy Erdelyi, Monte was the go-to guy for the punk pioneers.

As the band’s sound evolved, so did Monte’s job title. It wasn’t long before he took on other default roles – sound man, stage manager, road manager, personal chauffeur, road crew handler ... and significantly, the personal assistant to the band’s lanky leading frontman, Joey Ramone. If the Ramones needed something done, rest assured that Monte was the man to see it through.

In addition to all of the sights, sounds, stories, and scars accrued over 2,263 live performances, Monte amassed a once-in-a-lifetime collection of memorabilia related to the world’s most popular and influential punk rock band.

From backstage passes and leather gloves to signed photos, albums, US and international posters, Monte’s collection spans every shabby nightclub, every sold-out festival, every seat-shaking anthem spray-painted with a surname every young musician wanted as their own: Ramone.

His collection was featured as part of a GRAMMY Museum tribute to the band, “HEY! HO! LET’S GO: RAMONES AND THE BIRTH OF PUNK,” Sept. 2016 through Feb. 2017. The two-part exhibition, co-curated by the GRAMMY Museum at L.A. LIVE and the Queens Museum, in collaboration with Ramones Productions Inc., commemorated the 40th anniversary of the release of the Ramones’ 1976 self-titled debut album, exploring the lasting influence of the punk rockers, from their start in Queens to their history-making performances at CBGB. The exhibit highlighted their musical achievements, and placed a special influence on the dynamic synergy between New York City’s music and visual arts scenes in the 1970s and 1980s.

Monte is also the author of the book “On The Road with the Ramones.” We’re pleased to share his collection (much still with its GRAMMY Museum labeling) with collectors and fans.

2375. Joey Ramone ‘4th of July Blitzkrieg Bash’ Poster. Fantastic color poster for Joey

Ramone’s 4th of July Blitzkrieg Bash ‘97 held at Coney Island High in New York City, 15 x 29.25, showing three planes dropping bombs on Coney Island High, and listing Joey & Dee Dee Ramone and The Dictators as the main performers. The supporting acts include: Daniel Rey with Michael Wildwood, The Independants, Black Fire, and Killer Kowalski. Signed in the lower border in pencil by the poster artist. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2376. Collection of (12) Ramones T-Shirts.

Awesome collection of twelve Ramones shirts, all but one shirt short-sleeved, various sizes, including: a shirt for the Ramones at Irving Plaza, June 15, 1980; a shirt for the Road to Ruin Italian Tour, May 1989; a shirt for the Escape from New York Tour; a long-sleeve shirt for the the European leg of the 1996 Adios Amigos tour; a shirt for the South American leg of the 1994 Acid Chaos tour; a Sao Paulo 1994 shirt; white shirt with large pinhead skull against stacked Ramones logos; a black shirt with the band’s logo above a yellow “Acid Eaters” design on the front, and large yellow text on the back, “Hey Ho Let’s Go”; a black shirt with red Ramones logo above a “Beat on the Brat” emblem; a white shirt with Ramones logo above a blonde cave woman, with “Sheena” in orange text below; a white shirt with Ramones logo above a surfing pinhead character on the front, and the back with large blue text, “Hey Ho Let’s Go”; and a tie-dyed shirt with red Ramones logo above the band’s presidential seal. In overall very good to fine condition. These shirts were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and are accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

Punk glove and ‘figure eight’ bracelet worn by Joey Ramone

2377. Joey Ramone Leather Glove and Bracelet. Two items personally-owned and -worn by Joey Ramone: a right-handed fingerless black leather glove, size large, with silver stud pattern, Velcro wrist strap, and breathable knuckle holes; and a 7.75˝ finger-to-wrist ‘figure eight’ bracelet with silver stud pattern and belt buckle. In overall fine condition, with some rusting to strap and red marks to glove. From the Monte A. Melnick Ramones Collection. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and are accompanied by the Grammy Museum’s inventory label. Exuding so much of the punk attitude of the late Ramones frontman, this is an an extremely sought-after pairing of worn items, made all the desirable given Joey and the Ramones’ well-known affinity for all things leather. Starting Bid $200

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Dee Dee’s concert and video-used Fender Precision bass

2378. Dee Dee Ramone Used Bass Guitar. Dee Dee Ramone’s personally-owned and stage-used cream-colored Fender Precision Bass, serial number E317525 (1982–1985), purchased by Dee Dee shortly after the band’s equipment was stolen in April 1983. In fine condition, with expected wear from use, including a few chips to body. Complete with an off-white “Ramones” guitar pick, an extra bass string, and a hardshell Fender carrying case, which bears a blue “Ramones” label near the handle. Accompanied by a letter of provenance from Monte Melnick, the longtime tour manager of the Ramones, in full: “This white Precision was made in 1983 and was one of the last Fender basses Dee Dee used with the Ramones. When Dee Dee got an endorsement from ESP Guitars we sold off this Fender bass to Barry Apfel.”

Dee Dee’s preference of four-string Fender Precision bass guitars, typically reinforced with duct tape along the strap pegs, is well documented, but when the band’s gear was stolen after a concert at the Reseda Country Club on April 24th, 1983, the Ramones were forced to quickly restock their instruments; this instrument shows no signs of having been duct-taped or its pick ups being caulked, which places it in the band’s gear line-up between 1985 and 1986. Photographic research shows Dee Dee playing this exact bass in concerts dated to June 15, 1985 (Brooklyn’s L’Amour) and August 2, 1986 (Vuerne, Belgium), as well as in the Ramones 1986 video ‘Something to Believe In.’ This instrument is doubly historic as this is one of the, if not the, last Fender Precision basses owned and used live by Dee Dee Ramone. Authentic Dee Dee Ramone Fender Precision basses made available for sale are extremely rare, with only two documented examples having been publicly offered in the past.

As a tribute to Dee Dee and his devotion to the Fender Precision bass, in late December 2013, at the ‘Dee Dee Ramone Exhibition’ at New York City’s Hotel Chelsea, Fender introduced the Dee Dee Ramone Signature Precision Bass guitar, an Olympic white version of the instrument offered here and the bass guitar Dee Dee famously played with the Ramones. With his wiry frame, restless energy, and trademark shouts of ‘1-2-3-4,’ Dee Dee helped define the look and sound for countless generations of punk and hard rock musicians. Fender Precision basses personally–played and –owned by Dee Dee Ramone are extremely rare, with only two documented examples having ever been offered—an incredible, museum-quality keepsake used by a true punk pioneer. Starting Bid $2500

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Dee Dee’s skull-and-crossbones bass strap 2379. Dee Dee Ramone’s Guitar Strap. Amazing black leather Earth III bass strap personally–owned and –worn by Dee Dee Ramone. The strong leather strap measures 44.5˝ in length and features three white leather skulls stitched to lower portion; adjustment belt bears a section of black duct tape. In fine condition, with mild expected wear from use. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2380. Ramones ‘Adios Amigos’ Artist-Signed Poster. Radioactive

Records color 16 x 30 poster promoting the fourteenth and final studio album by the Ramones, Adios Amigos, showing a pair of carnivorous dinosaurs wearing sombreros, signed and inscribed in silver ink by the artist, Mark Kostabi, to the band’s longtime manager, “For Monte, Kostabi, 1995.” In fine condition, with scattered creasing.

This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2381.

Ramones ‘Adios Amigos’ Germany Poster.

Large color ‘wanted style’ poster for a Ramones concert on January 24, 1996, held at Stadthalle in Offenbach, Germany, 23.5 x 33, showing lineup shots of the four Ramones members, with text reading, “Adios Amigos!

The LAST and final Tour,” and listing Rammstein as the special guest. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2382. Ramones ‘Animal Boy’ Banner. White polyester

single-sided banner featuring red text, “Ramones, Animal Boy,” with three Ramones emblems, 38 x 5.5, featuring short red-and-white fringe at both ends. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2384. Ramones ‘Farewell Tour’ Poster. Awesome color poster for the Ramones’ final run of Japanese concerts, listing the dates and venues for all thirteen shows held in Tokyo, Fukuoka, Matsumoto, Sapporo, Nagoya, and Osaka between October 16 and November 2, 1995. The poster prominently features the band’s iconic presidential seal against a black background with red lettering. In fine condition, with scattered creasing. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2383. Ramones ‘End of the Century’ 1980 Edinburgh Scotland Poster. Massive poster for a Ramones concert

on January 27, 1980, held at Odeon Theatre in Edinburgh, Scotland, 42.5 x 29.5, showing impressive artistic depictions of Dee Dee, Joey, Johnny, and Marky Ramone, with text in the first letter of the large Ramones logo reading, “It’s the end of the century see The,” and listing the supporting act as The Boys. In fine condition, with scattered creasing, mild surface rubbing, and one tiny tear. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2385. Ramones ‘Gabba Gabba Hey / Hey Ho Let’s Go’ Banner. Black polyester double-sided banner featuring

white text, “Ramones, Gabba Gabba Hey!” on one side, and “Ramones, Hey Ho Let’s Go!” on the other, interspersed with the band’s insignia, 42 x 5, with short white tassels at both ends. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2388. Ramones ‘Leave Home’ Letter Opener. Hard-tofind promotional letter opener/knife for the Ramones’ second studio album, Leave Home, released through Sire Records in 1977. The 9˝ long letter opener features a pearloid handle with black text, “Ramones, Leave Home, Sire Records,” and a short folding knife in the handle. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2386. Ramones ‘Hey Ho Let’s Go’ Shorts. Unworn patriotically-colored cotton shorts with a drawstring waist made in Australia, size 36, featuring a blue panel on the front reading “Ramones” with the band’s insignia, and red stripes with repeating white text, “Hey Ho Let’s Go.” In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2387. Ramones ‘Hey Ho Let’s Go’ Banner. Black poly-

ester single-sided banner featuring gold text, “Ramones, Hey Ho, Let’s Go,” with the band’s insignia on each side, 46 x 6, featuring red tassels at both ends. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2389. Ramones ‘Loco Live’ Socks. Pair of brand-new black socks, size 42–44, featuring green text, “Ramones, Loco Live,” retaining their original cardboard tag at the top. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2390. Ramones ‘Pinhead’ Stage-Worn Dress. Fantastic

‘Pinhead’ costume worn on stage by roadie Mitch ‘Bubbles’ Keller during several Ramones concerts.

The light fabric dress is yellow and covered with red polka dots, and features a large collar with yellowand-green interior stripes with two Velcro attachments. In very good to fine condition, with overall scattered soiling and a few tiny tears.

Accompanied by three photos of the dress being worn on stage next to Joey Ramone. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Inspired by the wardrobe worn by sideshow performer Schlitzie in Tod Browning’s classic 1932 film Freaks, this colorful dress was worn by Keller whenever the Ramones performed the song ‘Pinhead,’ a track from their second studio album Leave Home. Traditionally, Keller would emerge on the stage wearing the dress, a Schlitzie mask, and holding a sign reading ‘Gabba Gabba Hey.’ He would then hand the sign to Joey Ramone and perform what was later deemed as ‘the jerk dance.’

Along with their Presidential Seal, the pinhead motif remains an iconic Ramones symbol.

Starting Bid $200

2391. Ramones ‘Rock ‘n’ Roll High School’ Movie Poster. Original color

26.5 x 40.5 one sheet movie poster for the 1979 musical comedy Rock ‘n’ Roll High School. Matted and framed to a slightly larger size. In fine condition. This poster was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2392. Ramones 1980 Montpellier France Poster. Large black-andwhite 31.75 x 47 poster for a Ramones concert at the Grand Odeon in Montpellier, France, on September 17, 1980, showing cartoon images of the band as they were depicted on the front cover of their 1978 Road to Ruin album. Rolled and in fine condition, with expected folds and creases.

This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2393. Ramones 1981 Amsterdam ‘Gabba Gabba Hey’ Poster. Red-and-white poster for a Ramones concert on October 24, 1981, held at the Paradiso in Amsterdam, Netherlands, 23.75 x 17, showing a stylized Hunt Emerson illustration of the band performing in front of their white logo, with red text to the right side reading: “gabba gabba hey.”

In fine condition, with slight show-through from notation on reverse. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2394. Ramones 1987 Brixton U.K. Oversized Poster.

Awesome blue-and-neon yellow Halfway to Sanity Tour promotional poster for a Ramones concert held at London’s Brixton Academy on October 26 [1987], 40 x 29.75, listing Flesh for Lulu and Sex Gods as the supporting acts. In fine, folded condition, with scattered edge creasing. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2395. Ramones 1989 Australia/New Zealand Oversized Poster. Huge color 39.5 x 55.25 poster for the Ramones’ November 1989 tour of Australia and New Zealand, showing blue cartoon figures of the band playing against a bold orange background, and the band’s large logo featuring the ‘Eye of Providence’ over a pyramid, signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “89.” Rolled and in fine condition, with slight scattered creasing and a couple small tears to white borders. An awesome, vibrantly colored tour poster signed by the entire band. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200

2396. Ramones 1 9 9 2 Me x i c a n Poster. Huge color

22 x 33.5 poster for a pair of Ramones concerts at the ExBalneario Olímpico Pantitlán in Mexico City, Mexico, on September 26 and 27, 1992, with a large image of the band below text that reads: “En Mexico!

Totalmente En Vivo!

Ramones.” Matted and framed to a slightly larger size.

In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2397. Ramones and Nacha Pop Concert Poster.

Color poster for a Ramones concert on September 26, 1980, held at Plaza de Toros de Vista Alegre in Madrid, Spain, 17.5 x 25, showing the band in a seated pose and listing the supporting act as Nacha Pop. Matted and framed to an overall size of 23.75 x 31.25. In fine condition. This poster was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2398. Ramones and Social Distortion Signed Poster.

Vividly colored poster for a Ramones and Social Distortion concert on October 22, 1992, held at the Palmer Auditorium in Austin, Texas, 17.5 x 22.5, listing the supporting act as Overwhelming Colorfast, and signed in black felt tip by Johnny, CJ, Marky, and Joey Ramone, who adds “92,” and

by Mike Ness. In fine condition, with haloing and contrast to signatures. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200

2399. Ramones and Talking Heads Concert Poster. Early color

“Punk Rock Concerts 77” poster promoting two shows at Salle De La Cigale in Lyon, France, 23 x 31, listing a concert for The Ramones and Talking Heads on April 28, as well as a concert for the Damned on April 29.

Matted and framed to an overall size of 29.5 x 37.5. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2400. Ramones and The Fugitives Concert Poster. Color poster for

a Ramones concert on October 8, 1988, held at the Renaissance Theatre Club in Rochester, New York, 10.5 x 16.5, showing silhouettes of the band identical to those on the front cover of Too Tough to Die, with the band’s logo in orange stenciling, and listing the special guests as The Fugitives. Matted and framed to an overall size of 16.75 x 22.75. In fine condition. This poster was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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Down under with the Ramones 2403.

Ramones Australian Signed Poster. Color

2401. Ramones and The Talking Heads Batclan Paris France Poster. Excellent color poster for a Ramones con-

cert on May 2, 1977, held at Le Bataclan in Paris, France, 31.5 x 22.75, with the Ramones logo in large orange lettering and listing the Talking Heads as the supporting act. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2402. Ramones and Tom Petty Concert Poster.

Color poster for the Punk Premier concert showcase on August 4, 1977, held at the Paramount Theatre in Seattle, Washington, 10.5 x 16.5, listing The Ramones as the headlining band, and Tom Petty and the Heartbreakers and Mink Deville as the special guests. Matted and framed to an overall size of 16.75 x 22.75. In fine condition. This poster was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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poster for the Ramones’ 1989 Australasian tour, listing two shows in New Zealand and six shows in Australia, 18.5 x 25.75, signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “89.” Matted and framed to an overall size of 24.75 x 32. In fine condition. This poster was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. An awesome, vibrantly colored tour poster signed by the entire band. Pre-certified REAL. Starting Bid $200

2404. Ramones Belgium Poster. Classic poster for a

Ramones concert on November 18, 1981, held at Ancienne Belgique in Brussels, Belgium, showing the band’s presidential seal surrounded by artwork from the inside sleeve of the record Rocket to Russia. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2405. Ramones Belgium Poster.

Large poster for a Ramones concert on February 12, 1980, held at Ancienne Belgique in Brussels, Belgium, 28.25 x 40, showing the missile riding pinhead from the back cover to Rocket to Russia, listing the supporting act as the U.K. Subs, and showing an image of the front cover to the album End of the Century. In very good to fine condition, with scattered creasing. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2406. Ramones Bremen Germany Poster. Vibrantly

colored poster for a Ramones concert on November 16, 1990, held at Stadthalle Bremen in Germany, 23.5 x 33, showing the logo and presidential seal in bright orange, with text in lower left promoting their eleventh studio album Brain Drain. In fine condition, with scattered creasing.

This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2407. Ramones Brixton UK Oversized Poster. Massive blue-and-neon yellow Halfway to Sanity Tour promotional poster for a Ramones concert held at London’s Brixton Academy on June 15 [1988], 40 x 29.75, listing Crazy Pink Revolvers, The Seers, and Romeo Street Gang as the supporting acts, and declaring it as the “Only U. K. Appearance.”

In fine, folded condition. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2408. Ramones CBGB 10th Anniversary Poster.

Silver-and-black poster designed by Ramones art director Arturo Vega commemorating the 10th anniversary of the CBGB music club in New York City, 22.5 x 34.5, showing a large central “X” surrounded and filled with dozens of dates and musical acts from the club’s first ten years. Matted and framed to an overall size of 28.75 x 40.5. In fine condition. The Ramones played their first public performance at CBGB’s on August 16, 1974. They played at CBGB almost exclusively during their first three years as a band, subsequently transforming the ‘Country, Bluegrass, and Blues’ club into a legitimate punk rock haven. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2409. Ramones Collection of (4) Items. Group of four Ramones items, including: a ticket for their last-ever show on August 6, 1996, during the Adios Amigos tour; a 2002 announcement flyer for an exhibition of artwork by Dee Dee Ramone and Arturo Vega; a Soho Weekly News cover reading, “Matisse and the Ramones, We Have It All”; and a promotional album flat for Dee Dee Ramone’s album Standing in the Spotlight, released under the name Dee Dee King. In overall very good to fine condition, with repaired tears and paper loss to the Soho Weekly News cover. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and all but the album flat are accompanied by the Grammy Museum’s inventory labels. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2410. Ramones Collection of Passes. Collection of eighteen passes for various Ramones concerts, ranging in size from 2.5 x 4.25 to 3 x 5, and dated between 1982 and 1996. Passes include: an all areas “Pizza Pizza Hey” artist pass for the 1992 Italian tour; a pass for the 1990 Scandinavia tour; a crew pass with “Teenage Lobotomy” sticker; an all areas American flag access pass for a 1982 tour; a Non Stop World Tour crew pass; and an all areas pass for the 1991 Japan tour with presidential seal. In overall fine condition. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2411. Ramones Collection of Pins and Patches. Cool

collection of 23 Ramones pins, ranging in size from 1˝ to 2.5˝ in diameter, with a total of nine pins housed in their original packaging with Ramones backing. Pin designs include: a Teenage Lobotomy pin; a set of six Presidential seal pins; a Do You Wanna Dance? pin; a Gabba Gabba Hey pin; and pins for albums like Pleasant Dreams (2), Too Tough to Die, Acid Eaters, Animal Boy, and Adios Amigos.

Also includes two embroidered patches: a 4˝ black with silver trim Presidential seal patch, and a 3˝ red, white, and blue End of the Century “Hey Ho Let’s Go” patch. In overall fine condition. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and are accompanied by the Grammy Museum’s inventory label. From the Monte A. Melnick Ramones Collection. Starting Bid $200

Impressive assortment from the tour manager’s personal collection, once displayed at the Grammy Museum 2412. Ramones Collection of Tou r Documents. Collec-

tion of Ramones tour materials consisting of printed itineraries and handwritten documents, including: a handdrawn stage schematic for a Ramones show; typed lists of equipment requirements and rooming info; a Ramones dressing room sign printout; a standard 15-page Ramones contract rider; a 7-page itinerary packet for the Subterranean Jungle tour of April–May 1983; six handwritten documents detailing shows in January–February 1985, listing venues, promoters, travel info, guests, and other details; a 6-page itinerary packet for the California leg of the Animal Boy tour in September 1986; a 5-page itinerary packet for the southern leg of the Mania tour in November 1988; a 9-page itinerary packet for the canceled January–February 1990 Southern Brain Drain tour; a 2-page itinerary packet for their year end shows in 1991; a 2-page itinerary packet for the Ramones performances as the opening act for two Pearl Jam shows during their Vitalogy Tour in November 1995; and an 8-page itinerary packet for the Adios Amigos! tour in February 1996. In overall fine condition. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and the pages remain in their sleeves from the Grammy Museum with affixed inventory labels. From the Monte A. Melnick Ramones Collection. A unique, behind-the-scenes assemblage that lends insight into the band’s prolific touring schedule and all that went into putting on a successful show. Starting Bid $200

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2414. Pair of Ramones Hats. Two black Ra-

2413. Ramones Frisbee. Black frisbee disc designed by world champion Peter Bloeme, measuring 9.25˝ in diameter, featuring a large white Ramones insignia on top. In fine condition. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

mones caps: a truckerstyle cap with padded crown bearing bold white “Ramones” text and the band’s presidential seal, with the back featuring a plastic adjuster; and a cotton cap with white stitching on the crown and back, “1 2 3 4” and “Ramones,” with the back also featuring a Velcro adjuster. In overall fine condition. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

2415. Ramones Ireland Poster. Hot

pink 40 x 30 concert poster for the Ramones at the T.V. Club in Dublin, Ireland, on June 24–25, 1985. In fine condition, with scattered creasing. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

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2417. Ramones Japanese ‘Rock’n Roll Party’ Poster.

2416. Ramones Japan Poster. Scarce color poster for a series of three Ramones concerts on June 27–29, 1980, held at the Seibu Theatre in Tokyo, Japan, showing an image of the Ramones, as well as an image of the supporting act, Sheena & the Rokkets. In very good to fine condition, with tape repair to top vertical fold. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

Fantastic 1980 Japanese concert poster promoting Ramones concerts at the Kaikan Hall in Kyoto on July 2nd, and another at Sutajio Ahiru in Osaka on July 3rd, measuring 16 x 22.75, and showing the band surrounded by frenzied concertgoers with text to the right, “Rock’n Roll Party,” and venue and ticket information below. Matted and framed to a slightly larger size. In fine condition. From the Monte A. Melnick Ramones Collection. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and is accompanied by the Grammy Museum’s inventory label. Starting Bid $200

2418. Ramones Melkweg Amsterdam Mini Poster. Navy blue 16.75

x 23.25 concert poster for the Ramones at the Melkweg in Amsterdam on August 4–5, 1986, with pink-and-white text reading: “Here’s something to believe in, The Ramones are coming!” In fine condition, with central vertical and horizontal folds. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2419. Ramones Palace Port Italy Poster. Black–and–white Acid Eaters Tour 27.5 x 39.25 poster for a Ramones concert at Palasport in Pordenone, Italy, on January 20, 1996, prominently featuring the band’s presidential seal with bold white text below, “Hey Ho, Let’s Go, Ultimo Tour Mondiale!!!”

In fine, folded condition. From the Monte A. Melnick Ramones Collection.

Starting Bid $200

2420. Ramones Paris ‘Pleasant Dreams’ Poster. Red, white, and black 24 x 34.5 concert poster for the Ramones at the Theatre Le Palace in Paris on November 17, 1981, featuring a version of the Pleasant Dreams album artwork. In very good to fine condition, with scattered creasing and showthrough from a brief notation to reverse. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

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2421. Ramones Portugal Poster. Red, white, and yellow 23 x 31 poster for the Ramones in Portugal in late September 1980, advertising their shows in Porto on September 22nd and at the Pavilhao Dramatico in Cascais on the 23rd and 24th.

In fine condition, with scattered creasing. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

Visa applications for the Ramones’ first tour of Japan

2422. Ramones Set of (5) Signed Visa Applications. Remarkable set of visa

applications for the Ramones’ 1980 trip to Japan, each one page, 8.25 x 11.5, dated June 2, 1980, all signed using their given names. Applications include Joey Ramone (“Jeff Hyman”), Johnny Ramone (“John Cummings”), Marky Ramone (“Marc Bell”), and Dee Dee Ramone (“Douglas Colvin”), plus manager Monte Melnick. The applications are filled out in another hand, listing the purpose of their visit as “Performance of Concerts,” and all bear color passport-style photos stapled to the upper right corner. In overall fine condition, with small areas of paper loss to corners of all but the Dee Dee Ramone document. These were displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and the lot is accompanied by the Grammy Museum’s inventory label.

From the Monte A. Melnick Ramones Collection.

The Ramones made their first Japanese tour in 1980, playing seven dates in Tokyo, Nagoya, Kyoto, Osaka, and Fukuoka between June 27 and July 4. As distinctly American purveyors of counterculture, the band had a large following overseas and they were especially popular in Japan. Although they would not again return to the island nation until 1988, they performed several Japanese tours in the 1990s and were in Tokyo for their 2,000th show in 1994. As early documents representing their first-ever tour of Japan, these are remarkable pieces of international punk rock history. Pre-certified REAL. Starting Bid $500

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2423. Ramones Valencia Spain Poster. Uncommon 1981 color poster for two Ramones shows in Spain: one at La Sala Bony de Torrente on November 10th, and the other at the Pazo dos Deportes de Riazor in La Coruna on November 13th. The poster shows a photographic image of Joey and Johnny Ramone performing on stage, and lists the supporting act in La Coruna as Los Suaves. In fine condition.

This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017. From the Monte A. Melnick Ramones Collection. Starting Bid $200

Huge 1977 poster for the Ramones at London’s Roundhouse 2424. Ramones, Talking Heads, and The Saints London Poster.

Huge vibrant neon pink 39.5 x 29.5 concert poster with navy blue print for the Ramones, Talking Heads, and The Saints at the Roundhouse in London on June 5–6, 1977. Matted and framed to an overall size of 46 x 36. In very good to fine condition, with scattered creasing and a few small tears. From the Monte A. Melnick Ramones Collection. This was displayed as part of the “Hey! Ho! Let’s Go: Ramones and the Birth of Punk” exhibit at the Queens Museum in New York from April 10, 2016–July 31, 2016, and the Grammy Museum at L.A. Live from September 16, 2016–February 28, 2017, and the Grammy Museum’s inventory label is affixed to the frame’s backing. A legendary venue, the Ramones had played their first-ever London show at the Roundhouse a year earlier.

Starting Bid $200

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The Ramones 2426.

The Ramones Original Oversized Photograph. Original

2425. The Ramones. Rare semi-glossy 10 x 8 Sire Records publicity group photo of The Ramones, signed in black felt tip

by Johnny, Dee Dee, and Joey Ramone, and Clem Burke, the latter two adding “87.” In fine condition. Burke joined The Ramones for two shows under the stage name Elvis Ramone following Richie Ramone’s sudden departure in late August of 1987. A desirable and uncommon lineup of the leather-clad punk rockers. Pre-certified REAL. Starting Bid $200

glossy 8.25 x 11.75 silver gelatin photo of the Ramones during a performance, showing Joey Ramone holding a large ‘Gabba Gabba Hey’ sign and Dee Dee Ramone playing bass in the background. Lower border bears an Adrian Boot credit label. In fine condition. Boot is one of Britain’s most celebrated music photographers. He was the staff photographer for Melody Maker, and also shot for NME, The Face, The Guardian and The Times (of London). He has photographed a wide variety of musicians, including the Sex Pistols, Clash, Damned, Jimmy Page, Bob Marley & The Wailers, the Grateful Dead in Egypt, and Live Aid. From the Globe Photo archives.

Starting Bid $200

2427. Ramones Set of (8) Circa 1970s Tickets, Programs, and Handbills. Group lot of eight items

related to the Ramones from the 1970s, including: issue No. 15 of Punk, dated July/August 1978, 9 x 12, signed and inscribed on the front cover in red felt tip, “To Dan the man, Joey Ramone, 95,’” and in black ink, “Debbie Harry”; a tour program for Rocket to Russia, 8.25 x 11.75, with a ticket stub stapled inside for a Ramones concert at City Hall in Newcastle upon Tyne, on December 20, 1977; issue No. 3 of Punk, dated April 1976, 8.5 x 11, showing a cartoon Joey Ramone next to a brick wall on the cover; a handbill for the Ramones Fan Club, with block letters above, “Hey Ho! Let’s Go!,” and the fan club address below; a handbill for a Ramones and Van Halen concert at the Golden West Ballroom in Norwalk, California, on March 13, 1977; a semiglossy photo postcard promoting a Ramones and Flamin’ Groovies concert at the Roxy Theatre in West Hollywood on August 11, 1976, as well as a ticket stub for the same show; and a color 21.75 x 16.5 poster promoting a Ramones concert at the Apollo Theatre in Ardwick, Manchester, on December 21, 1977, with adhesive remnants to reverse of ticket stub. Starting Bid $200

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Punk Rock

Fully signed during their 1984 Out of Control Tour

2428. The Clash Signed 1984 ‘Out of Control’ T-Shirt. An original 1984 Clash “Out of Control” promotional t-shirt, size XL, signed on the front in black felt tip by the full band: Joe Strummer, Paul Simonon, Nick Sheppard, Pete Howard, and Vince White. In fine condition. Accompanied by a certificate of authenticity from Tracks. Pre-certified REAL. Starting Bid $200

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Music of the 1980s 2432. Tracy Chapman SelfTitled Platinum Sales Award. Of-

2429. 1980s Rock Set of (3) Signed Albums. Three signed albums: Blondes Have More Fun vertically signed on the front cover in blue felt tip by Rod Stewart; No Jacket Required signed on the front cover in blue felt tip by Phil Collins; and Sports signed on the front cover in blue felt tip

by Huey Lewis. In overall fine condition, with some scattered creasing. The Blondes Have More Fun and Sports records are included, with the latter accompanied by a certificate of authenticity from JSA. Pre-certified REAL. Starting Bid $200

ficial ‘R’ hologramstyle RIAA platinum sales award presented “to commemorate the sale of more than 1,000,000 copies of the Elektra Records album and cassette ‘Tracy Chapman.’”

Framed with its plate, cassette, disc, and a small image of the album cover to an overall size of 17 x 21. In fine condition.

Accompanied by an Elektra Records bio sheet and publicity photo for Chapman. Starting Bid $200

2430. The B-52’s Signed Albums. Two albums, The B-52’s and Party Mix, each signed on the front cover in blue felt tip by Fred Schneider, Kate Pierson, Keith Strickland, and Cindy Wilson. In overall fine condition. The records are included. Pre-certified REAL. Starting Bid $200

2431. Duran Duran Signed Album. ‘The

Wild Boys’ single album signed on the front cover in black felt tip by Nick Rhodes, Simon Le Bon, John Taylor, Roger Taylor, and Andy Taylor.

In fine condition, with scattered creasing and a scratch to top edge. The record is not included. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2433. Guns N’ Roses Silver-Coated ‘Appetite for Destruction’ RIAA Award Disc . Scarce silver-coated

disc for the Guns N’ Roses debut album Appetite for Destruction, nicely signed in black felt tip, “W. Axl Rose, G n R, ‘91,’” “Izzy Stradlin,” “Matt Sorum,” “Duff, GR, ‘91,” and “Slash.”

Consignor notes that the record was made to be used for an RIAA platinum sales award; the disc itself, despite the presence of the Appetite for Destruction label, actually features music for a religious album. In fine condition. Pre-certified REAL. Starting Bid $200

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2434. Guns N’ Roses: Slash Signed Guitar. Red-bodied

Fender Squier Bullet ‘stratocaster-style’ electric guitar, signed on the white pickguard in black felt tip by Slash, who adds a skull and crossbones with top hat. Body of guitar affixed with white logo and image of Slash playing the guitar. In fine condition. Pre-certified REAL. Starting Bid $200

2437. Lemmy Kilmister S i g n a t u re .

Felt tip signature, “Lemmy Kilmister, xx,” on a yellow 5 x 3 card. In fine condition.

Originally obtained by in-person specialist Mike Wehrmann.

Pre-certified REAL. Starting Bid $200

2438. Loverboy S i g n e d Ly r i c Sheet. Souvenir

2435. Guns N’ Roses: Slash Signed Photograph. Color

satin-finish 11 x 14 photo of Slash smoking a cigarette with his Gibson Les Paul slung over his shoulder, signed in black felt tip, “Slash, 2013.”

In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Pre-certified REAL. Starting Bid $200

2436. Janet Jackson Platinum Sales Award: Rhythm Nation. Official ‘R’

hologram-style RIAA triple platinum sales award presented “to commemorate the sale of more than 3,000,000 copies of the A&M Records album, cassette & C.D. ‘Rhythm Nation 1814.’” Framed with its plate, disc, cassette, and three small images of the album cover, each denoting platinum sales, to an overall size of 17 x 21. Award retains its original backing. In fine condition. Starting Bid $200

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lyric sheet for the song ‘Working for the Weekend’ by Loverboy, one page, 8.5 x 11, signed in black felt tip by Mike Reno, Doug Johnson, Matt Frenette, and Paul Dean, who makes two corrections to the lyrics and adds to his signature, “(professor of lyric corrections).”

In very fine condition. Pre-certified REAL. Starting Bid $200

2439. Madonna Signed Billboard Advertisement. Hot

Dance/Disco Top 80 page removed from a copy of Billboard from December 15, 1984, 11 x 14.5, signed in black felt tip, “Love, Madonna.”

The chart lists Madonna’s ‘Like a Virgin’ in the very top spot. In fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

2440. Richard Marx Self-Titled Platinum Sales Award. Official

RIAA flower hologram-style double platinum sales award presented “to commemorate the sale of more than 2,000,000 copies of the EMI Manhattan Records album and cassette ‘Richard Marx.’” Framed with its disc, cassette, plate, and two small images of the album cover denoting platinum sales to an overall size of 17 x 21. In fine condition.

Starting Bid $200

2443. Tom Petty and the Heartbreakers Signed 1978 Promo Poster. Uncommon color

37.5 x 38.25 store window display poster of Tom Petty and the Heartbreakers, with large red text above promoting the release of their second album, “You’re Gonna Get It!,” signed in silver ink by Tom Petty, Mike Campbell, Ron Blair, Stan Lynch, and Benmont Tench, with one member adding the date below, “6/1/78.” Rolled and in fine condition, with light rippling. Pre-certified REAL. Starting Bid $200

2444. Tom Petty Signed Album.

Hard Promises album signed on the front cover in blue felt tip by Petty. In fine condition, with trivial edgewear. The record is included.

Originally obtained by in-person specialist Mike Wehrmann.

Pre-certified REAL. Starting Bid $200

2441. Metallica Signed Concert Ticket. Commemorative ticket from Metallica’s 1993 concert tour Nowhere Else To Roam, 8 x 3, signed in felt tip by James Hetfield, Lars Ulrich, Kirk Hammett, and Jason Newsted. In fine condition.

Pre-certified REAL. Starting Bid $200

2442. Ozzy Osbourne Signed Album. Bark at the

Moon album signed on the front cover in blue felt tip, “I’m a rock n roll rebel, Ozzy Osbourne.” In fine condition, with scattered creases and edgewear. The record is included.

Originally obtained by in-person specialist Mike Wehrmann.

Pre-certified REAL. Starting Bid $200

2445. Tom Petty Signed Photograph. Glossy 8

x 10 MCA Records publicity photo of Tom Petty for his 1989 album Full Moon Fever, signed in blue felt tip. In very fine condition.

Pre-certified REAL. Starting Bid $200

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2446. Sade Pair of Signed Photographs. Pair of

color glossy 10 x 8 publicity photos of Sade, one for ‘The Ultimate Collection,’ and the other for ‘Soldier of Love,’ both signed in blue felt tip, “Love Sade, x.” In overall very fine condition. Precertified REAL. Starting Bid $200

2447. Stray Cats Oversized Original Photograph.

Original satin-finish 9.5 x 12 full-length photo of the Stray Cats posing with their instruments on a storefront sidewalk. Reverse bears a London Features International/Paul Cox stamp. In fine condition, with trivial edge creases. Cox is a British photographer who began his career with London Features and forged a successful partnership with fellow rock photographer Simon Fowler. From the Globe Photo archives. Starting Bid $200

2448. U2 Signed ‘Beautiful Day’ Lyric Sheet. Universal Music lyric and sheet music booklet for the U2 song ‘Beautiful Day,’ eight pages, 9 x 12, signed on the front cover in black felt tip, “Edge,” “Larry Mullen,” “Adam Clayton,” and “Bono, 2001.” In fine condition, with slight marks to borders, in no way affecting the signatures or booklet imagery. Released as the opening track from their 2000 album All That You Can’t Leave Behind, ‘Beautiful Day’ won three Grammy Awards for Song of the Year, Record of the Year, and Best Rock Performance by a Duo or Group with Vocal. Pre-certified REAL. Starting Bid $200

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U2’s fully signed debut album 2449. U2 Signed ‘Boy’ Album. Boy album signed on the front cover in blue ballpoint, “Da’Edge,” “Bono, 81,” “Adam,” and “Larry.” In fine condition, with a discount cut to lower left corner and slight wear to edges; slight soiling to back cover.

The record is included. An extremely desirable record signed by the entire band early into their career—signed examples of the North American version of Boy are seldom-encountered.

Pre-certified REAL. Starting Bid $200

Pristine, fully signed War album 2450. U2 Signed ‘War’ Album. War album prominently signed on the front cover in black felt tip, “Adam,” “Larry,” “Bono,” and “Edge.” In fine condition. The record is included. Accompanied by a letter of provenance from the original recipient, in part: “This is to certify the authenticity of the U2 signatures…obtained by myself backstage at the Apollo Theatre, Manchester prior to the concert on 10th November 1984.” A magnificent album featuring a huge cast of bold U2 signatures.

Pre-certified REAL. Starting Bid $200

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2451. U2 Signed Photograph. Color glossy 10 x 8 photo of U2 posing in front of the Harmony Motel, signed in blue felt tip, “Larry Mullen,” “Adam Clayton,” “Bono,” and “Edge.” In fine condition, with small tears to top and right edges, and a few slight creases, none of which affect image or signatures. Pre-certified REAL. Starting Bid $200

2452. U2 Signed Photograph. Desirable glossy 10 x 8 Island Records publicity photo of U2, signed in blue ballpoint, “Edge” and “Adam,” and in blue felt tip, “Bono, 89” and “Larry.” In very good to fine condition, with moderate overall creasing. Pre-certified REAL. Starting Bid $200

2453. U2 Signed Program. Vintage program for the Slane Castle Festival held on August 16, 1981, showing Phil Lynott of Thin Lizzy on the front cover, fourteen pages, 8.25 x 11.75, signed on U2’s image on the inside of the back cover in various ink types, “Da’Edge,” “Bono, 81,” and “Larry.” In very good condition, with moderately heavy creasing and a central horizontal bend. Pre-certified REAL. Starting Bid $200

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“We appreciate your efforts on behalf of ‘The Joshua Tree’” 2454. U2 Typed Letter Signed.

Phenomenal TLS signed “Bono,” “David Evans,” “Adam,” and “Larry Mullen Jnr.,” one page, 8.25 x 11.75, U2 letterhead, October 27, 1987.

Letter to Bob Catania, vice president of promotion at Island Records, in full: “We wanted to take this opportunity to tell you and Andy how much we appreciate your efforts on behalf of ‘The Joshua Tree.’ It’s obvious that you have worked incredibly hard to make the album and singles the success they’ve been and done it all with great respect for us and what we’re trying to do as a band.

We’re sorry not to be delivering this message in person, but we wanted to express our heart-felt thanks to you and your staff for your continued work on our behalf. Thank you, very, very much.” In fine condition, with a couple creases to upper right. Accompanied by a full letter of authenticity from REAL. The release of The Joshua Tree in March 1987 was met with near instantaneous success and acclaim.

In the UK, the album became the fastest seller in British chart history when it earned a platinum certification within a mere 48 hours; some three weeks later, The Joshua Tree landed at the top of the Billboard Top Pop Albums chart and remained at that position for the next nine weeks.

By May, the Recording Industry Association of America (RIAA) officially certified the album as double-platinum. Catania and others at Island Records like founder Chris Blackwell did much to intensify the demand for U2 in record stores and across the airwaves. Their guidance and promotion for The Unforgettable Fire and the Wide Awake in America EP, in addition to the huge success of the band’s hit single, ‘Bad,’ all but guaranteed that audiences the world over would be primed and ready for the release of The Joshua Tree. Written during the third leg of their massive The Joshua Tree Tour, this band-signed letter represents the exact period U2 evolved into the world’s largest musical act—a tremendous offering made all the more desirable by the exceedingly rare presence of Edge’s full given name. Starting Bid $500

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2455. Stevie Ray Vaughan and Double Trouble Signed Photograph. Sought-after glossy 10 x 8 Epic Records

publicity photo of Stevie Ray Vaughan and Double Trouble, prominently signed in black felt tip, “Stevie Ray Vaughan, ‘89,” “Chris Layton,” “Tommy Shannon,” and “Reese Wynans.” In fine condition, with a small crease passing through Vaughan’s first name. Pre-certified REAL. Starting Bid $200

2457. Whitesnake Signed Album. Self-titled seventh album signed and inscribed on the front cover in blue felt tip, “To Elaine, Adrian V.,” “Vivian Campbell,” “Tommy Aldridge,” “David Coverdale,” and “Rudy Sarzo.” In very good to fine condition, with scattered creases and some edgewear. The record is included. Pre-certified REAL. Starting Bid $200

Exemplary SRV-signed Stratocaster

2456. Stevie Ray Vaughan Signed Guitar. Beautiful cream-bodied 1989 Fender Stratocaster electric guitar (made in Japan),

serial no. E963919, neatly signed on the body in red felt tip, “Stevie Ray Vaughan, 89.” In fine condition. Includes a Fender hardshell case. Accompanied by a full letter of authenticity from REAL. Like any legendary guitarist, Vaughan is exceptionally desirable in signed guitars; given his early death, however, they are quite rare. Guitars signed on the body, rather than the pickguard, are the most highly sought after. An absolutely magnificent piece boasting a huge SRV signature. Starting Bid $500

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Prince 2458. Prince ‘His Royal Badness’ Screenprint Diptych. Art Made for Glam Slam Night Club. Daz-

zling color limited edition 42 x 71 screenprint diptych by Peyton Scott Russell, entitled ‘His Royal Badness,’ numbered 7/7, signed in the lower border in pencil by the artist, “Peyton,” and marked with a copyright date of 1993. The colorful work depicts Prince with an afro based on Robert Whitman’s iconic 1977 portraits, and he is shown in four different colors—yellow, blue, orange, and purple—in the same vein as Andy Warhol’s celebrity prints; the image is overlaid with hearts and the symbols of peace and Prince are seen in the upper left. Each individual sheet of the two-piece diptych measures 42 x 35.5. In fine condition.

Peyton was one of the featured artists during the last few years of Glam Slam Night club where he created several works of art for display. This screen print edition of Prince was made just for showing at Glam Slam, however Prince did not approve it and he ordered it to be removed just after it was hung for Peyton’s first exhibition at the club 1993. The assistant manager immediately purchased that print. The print in this auction is the last numbered print of the series and did not hang in the club. The rest of the editions have not been shown anywhere since the closing of Glam Slam.

To see print and size reference go to: https://blog.thecurrent. org/2017/04/glam-slam-art-in-storage-for-two-decadesreturns-to-view-in-minneapolis/ Minneapolis-based graffiti artist Peyton Scott Russell first met Prince during the 1990s, and was given the opportunity to exhibit his work at Prince’s Glam Slam nightclub beginning in 1993. In 1996, Peyton was commissioned to help redecorate Paisley Park for Prince’s 1996 wedding to Mayte Garcia. Peyton’s impressive large-format prints were designed specifically to stand out on the walls of the Glam Slam club, and offer a fusion of Warhol-esque technique with a distinctly 90s aesthetic.

For more info on Peyton’s Experience with Prince, Paisley Park, and Glam Slam go to: http://mspmag.com/arts-and-culture/ the-man-who-made-it-gold/ In an interview with Minnesota Public Radio’s The Current, Peyton describes his experience in attempting to exhibit one of these ‘His Royal Badness’ prints at Glam Slam: “I hung the entire show, and Prince walked in. When I was done I was walking around, admiring and making sure the frames were straight, and he walks in. It was the first time I had seen him since I was into him now, and I was like: ‘Oh my God, there he is! He’s looking at my stuff.’ And he walks around for a good 15 minutes. He stopped at each piece, and he stopped at his piece…[Prince] looked at it for quite awhile, and then he walked out. About five minutes later, the assistant manager walked out and she said: ‘This piece has to come down.’ I was like, ‘What? That’s the piece!’ ‘It’s the Afro piece, he’s not into that at the moment. It hasn’t been approved, so you have to remove that.’ I was heartbroken, obviously. Out of all the pieces, he Xes that one. The assistant manager, she said: ‘I want it. How much would you sell it to me for?’

It was a bittersweet thing: I sold a piece, but I couldn’t exhibit it. Up until last year, I hadn’t shown it since.” Starting Bid $500

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Prince’s manager’s Parade tour jacket 2459. Steven Fargnoli’s 1986 Prince Parade Tour Jacket. Steve Fargnoli’s white denim jacket

from the Japanese leg of Prince’s 1986 Parade Tour, size large, made by the Warner-Pioneer Corporation, labeled on the left breast in black text, “Prince and the Revolution, Parade Tour, Special Guest Star, Sheila E., Japan, 1986,” with a large image of the shirtless Prince on the back bordered by vertical text, “Prince and the Revolution / Parade.” Includes Fargnoli’s backstage pass and catering badge for 1995 Lollapalooza, during which time he was managing Sinead O’Connor. In very good condition, with moderate to heavy scattered staining to the back and sleeves. Accompanied by a letter of provenance from Fargnoli’s cousin.

Steven Fargnoli was one of the heads of Prince’s longtime management company, Cavallo, Ruffalo & Fargnoli, and was a producer of Purple Rain, Under the Cherry Moon, and Sign o’ the Times. Starting Bid $200

2460. Prince ‘The Most Beautiful Girl in the World’ CD Gift Pack. Uncommon long box “4U” gift pack containing

the CD single of ‘The Most Beautiful Girl in the World’ and ‘Beautiful.’ Inside the jacket are the lyrics and a blank space for a written ‘dedication’ by the buyer to his or her ‘significant other.’ In fine condition. From the collection of saxophonist Eric Leeds. Starting Bid $200

2461. Prince 1981 Dirty Mind Tour Original Vintage Photograph. Original vintage glossy 6 x 8 silver gelatin

photo of Prince with his guitar and leopard-print strap during the 1981 Dirty Mind Tour. Reverse bears an ER [probably Ebet Roberts]/London Features International credit stamp. In fine condition. From the Globe Photo archives. Starting Bid $200

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2462. Prince 1981 Dirty Mind Tour Original Vintage Photograph. Orig-

inal vintage glossy 6 x 8 silver gelatin photo of Prince in a wild outfit on stage during his 1981 Dirty Mind Tour. Reverse bears an ER [probably Ebet Roberts]/ London Features International credit stamp. In fine condition. From the Globe Photo archives.

Starting Bid $200

2464. Prince 1984 Purple Rain Tour Original Vintage Photograph. Origi-

nal vintage glossy 6 x 8 silver gelatin photo of Prince during his 1984 ‘Purple Rain’ US tour, showing him on stage. Reverse bears a London Features International credit stamp and editorial notations. In fine condition. From the Globe Photo archives. Starting Bid $200

Prince’s original draft for an unreleased track 2463. Prince 1984 ‘Miss Understood’ Handwritten Lyrics. Handwritten draft of lyrics for ‘Miss Understood’ entirely in Prince’s hand, one page, 8 x 10.5, circa 1984. The page is headed “’Miss Understood,’ by Susannah,” referring to Susannah Melvoin. In part: “Now that I’m a woman, / I’m always dreamin of romance / I always dreamin about that perfect man / Who would take me in his arms and understand, understand me. / Chorus. / My name is Miss Understood / I’m just a girl who wants true love like any one would / I’m Miss Understood.” Prince has made numerous corrections and changes throughout the draft. In fine condition, with strip of masking tape to top edge obscuring song title and haloing to the felt tip writing. From the collection of Prince’s assistant tour manager Gwen Leeds and accompanied by a letter of provenance. Leeds notes that Prince would frequently hand write song lyrics in a notebook and then ask that they be typed and supplied to his record company for registering and licensing. This song was originally recorded by Prince and Susannah Melvoin for the 1985 Prince-produced album The Family, but was ultimately not included on the final album. Precertified REAL. Starting Bid $500

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2465. Prince 1984 Purple Rain Tour Original Vintage Photograph.

Original vintage glossy 6 x 8 silver gelatin photo of Prince playing his iconic Cloud electric guitar during the famed 1984 Purple Rain Tour. Reverse bears an Ebet Roberts/ London Features International credit stamp. In fine condition.

From the Globe Photo archives. Starting Bid $200

2466. Prince 1984 Purple Rain Tour Original Vintage Photograph.

Original vintage glossy 6 x 8 silver gelatin photo of Prince in a long coat playing his Cloud electric guitar during the classic 1984 Purple Rain Tour. Reverse bears a London Features International credit stamp and editorial notations. In fine condition.

From the Globe Photo archives. Starting Bid $200

2467. Prince 1985 Masquerade Ball Birthday Invitation. Sought-after invitation card to Prince’s 27th birthday party at Prom Center in St. Paul, Minnesota, on June 7, 1985. The stylized invitation, measuring 5.5 x 4.25, admits the recipient and one guest for an ‘Around the World in a Day’ masquerade ball and costume contest, clearly stating along the bottom, “No costume—No Admittance.” In fine condition. The consignor organized the extravagant event for Prince within three weeks notice.

From the collection of Prince’s former assistant. Starting Bid $200

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2468. Prince 1985 Original Vintage Photograph. Orig-

2471. Prince 1986 Pa r a d e To u r Original Vintage Photograph. Origi-

inal vintage glossy 6 x 8 silver gelatin photo of Prince playing his Telecaster on stage in a wildly flamboyant paisley suit in 1985. Reverse bears a London Features International credit stamp and typed Granitz credit. In fine condition. From the Globe Photo archives. Starting Bid $200

nal vintage glossy 8 x 6 silver gelatin photo of Prince in a trench coat in London during the 1986 Parade Tour. Reverse bears a Eugene Adebari/ London Features International credit stamp. In fine condition. From the Globe Photo archives.

Starting Bid $200

2469. Prince 1985 Signature.

Large metallic purple ink signature, “Prince,” on a light purple 7.75 x 6.5 sheet. In fine condition. From the collection of Prince’s assistant Stachia Fiedler, who notes that this was signed on Prince’s 27th birthday, June 7, 1985, at his ‘Masquerade Ball’ party at the Prom Center in St. Paul.

Accompanied by a full letter of authenticity from REAL and a letter of provenance from Fiedler. An ideal example of the ‘Purple Rain’ creator’s autograph. Starting Bid $200

2472. Prince 1986 Wire Photograph.

Very appealing original glossy 7 x 9 half-length photo of Prince with a coy expression during a performance at the Wiltern Theater in Los Angeles on May 30, 1986. Reverse of the photo bears a caption label and copyright stamp for photographer Steve Granitz. In fine condition. Starting Bid $200

2470. Prince 1986 Parade Tour Original Vintage Photograph. Original vintage glossy 8 x 6 silver gelatin photo of Prince in sunglasses and a studded leather jacket during the 1986 Parade Tour. Reverse bears a Neal Preston/London Features International credit stamp. In fine condition, with a tiny bend to upper right corner tip. Neal Preston is a legendary rock photographer best known for his collaborations with Led Zeppelin, Queen, The Who, Bruce Springsteen, Fleetwood Mac, and Michael Jackson. From the Globe Photo archives.

Starting Bid $200

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2473. Prince 1992 Earls Court Concert Poster. Color

27.75 x 40 concert poster for Prince and The New Power Generation’s shows at the Earls Court Exhibition Centre in London during the European leg of their 1992 Diamonds and Pearls Tour.

The poster features a huge image of Prince holding a golden microphone like a pistol, lists the eight dates of his Earls Court shows (June 15th–24th), and reads, “Welcome to London,” at the bottom. Rolled and in fine condition, with light creasing to edges. Starting Bid $200

2475. Prince Lovesexy Gold Sales Award. Offi-

cial RIAA flower hologramstyle gold sales award presented “to commemorate the sale of more than 500,000 copies of the Paisley Park Records album and cassette ‘ L o v e s e x y. ’ ” Framed with its disc, cassette, and plate bearing a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition. From the collection of Prince’s former assistant.

Starting Bid $200

Purple Rain Tour–used tambourine thrown into the crowd on Christmas Eve 2474. Prince Concert-Used Purple Tambourine. Superb

dark purple double-row tambourine with a 10˝ open head, used on stage by Prince and thrown into the crowd during his show at the St. Paul Civic Center on December 24, 1984, during the Purple Rain Tour. Taped to the side of the tambourine are the ticket stub from the show and one of Wendy Melvoin’s stageused guitar picks which was also thrown into the crowd. In fine condition, with expected wear from use. Accompanied by a provenance statement from the consignor, in part: “This tambourine was thrown to the crowd…by Prince Himself. I happened to be the lucky one to catch it since I was in the second row on the main floor. During the concert Prince’s guitarist Wendy also threw a guitar pick into the crowd…I felt something hit me in the forehead…I picked it up and realized it was Wendy’s guitar pick.” An exceptional stageused relic from Prince’s legendary tour. Starting Bid $200

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2 47 8 .

Prince Original Vintage Photograph. Orig-

2 47 6 .

Prince Original Vintage Photograph. Orig-

inal vintage glossy 6 x 8 silver gelatin photo of Prince dramatically playing his Telecaster guitar on stage. Reverse bears a London Features International credit stamp. In fine condition, with a mild crease to the bottom right corner. From the Globe Photo archives. Starting Bid $200

inal vintage glossy 6 x 8 silver gelatin photo of Prince performing in formal attire. Reverse bears a Kevin Mazur/London Features International credit stamp.

In fine condition.

From the Globe Photo archives. Starting Bid $200

2 47 7.

Prince Original Vintage Photograph. Orig-

inal vintage glossy 6 x 8 silver gelatin photo of Prince in a dashing suit and tie. Reverse bears a Granitz/London Features International credit stamp.

In fine condition.

From the Globe Photo archives. Starting Bid $200

2479. Prince Original Vintage Photograph.

Original vintage glossy 6 x 8 silver gelatin photo of Prince singing into a microphone during one of his classic performances.

Reverse bears a London Features International credit stamp and editorial notations. In fine condition, with a horizontal crease toward the lower edge. From the Globe Photo archives. Starting Bid $200

2480. Prince Set of (4) Symbol Charms Made For Him.

Four small golden metal Prince symbol charms custom-made for him and used in the on-set wardrobe supply during Graffiti Bridge movie and Nude Tour, each measuring approximately 1.5 x .5. Prince is seen wearing this type of charm on the zipper pulls of his leather jacket in promo materials; whether or not he wore any of these particular examples is uncertain. In overall fine condition. From the collection of costume designer Helen Hiatt and accompanied by a letter of provenance. Starting Bid $200

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The directorial debut of Prince 2481. Prince Signed Cherry Moon Poster. Sought-after silver-toned 27 x 40.25 poster for the 1986 film Under the Cherry Moon, signed in red felt tip, “Love God, Prince,” who adds a cross below. Also includes an invitation to the world premiere of the film at the Centennial Theater in Sheridan, Wyoming, on July 1, 1986; an invitation to the premiere after party at the Holiday Inn in the Sheridan Convention Center; a laminated Warner Brothers badge for the film premiere; and a copy of the PRN Productions itinerary for the movie premiere. Rolled and in fine condition, with creasing and paper loss to the edges, easily matted out. Accompanied by a letter of provenance from PRN general manager Karen Krattinger, in part: “The…item was acquired by me while I was an employee for the musician, Prince Rogers Nelson, during the 1980s.

Prince was really excited about the release of this movie…I put together the premiere gala with really short notice. It was a contest on MTV. The 10,000th call won the premiere in their home town. It was in Sheridan, Wyoming. They weren’t ready for Prince—It was a 1-horse (1 theatre, 1 hotel) town and we took it over!” A magnificent display piece boasting a large Prince signature. Pre-certified REAL. Starting Bid $300

Silk shirt worn by Prince throughout his 2004 Musicology tour 2482. Prince’s 2004 Musicology Tour StageWorn Silk Shirt. Incredible silk long-sleeve shirt

personally worn by Prince during his Musicology Live 2004ever tour of North America. The collared snap-button shirt is off-white with blue polka dots, and features a label sewn inside lower placket, “Custom Made by Arturo Padilla.” In fine condition.

Accompanied by a letter of provenance from the original recipient, in part: “I came into ownership of this top when the company I owned edited a full concert video of the [Musicology] tour. This top is worn during several of the songs played during the concert. Much to Prince’s disappointment the blue polka dots showed up as black dots on screen. Prince being the perfectionist he is, insisted that the film be color corrected to reflect the blue color. In order to get the color exactly right he sent the original shirt he wore during the concert. The shirt was taken to a colorist and the black dots that showed up on film were changed to the exact shade of blue that the shirt actually is. This is that shirt. Prince was a very generous man and gifted me the shirt.” Starting Bid $300

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“Prince Nelson” agrees to joint ownership of ‘Cool’

2483. Prince Signed Document. DS, signed “Prince Nelson,” seven pages, 8.5 x 11, July 30, 1981. Participation agreement between Prince’s Tionna Music and Dez Dickerson, in which “they shall jointly own…the musical composition entitled ‘Cool’… the words and music of which were written or co-written, in whole or in part, by Prince Nelson and Dez Dickerson.” Signed at the conclusion in black ballpoint by Prince, and countersigned in blue ballpoint by Dickerson. Stapled to the contract is a onepage Exhibit ‘A’ document issued to the American Society of Composers, Authors & Publishers, also signed at the conclusion in blue ballpoint by Dickerson. In fine condition. From the collection of an early Prince insider.

Released as a 7˝ single in November 1981, ‘Cool’ was the second single from the self-titled debut album from The Time, an eclectic pop/funk/rock group assembled by Prince earlier that year; the band consisted of several members of existing funk/R&B group Flyte Tyme, as well as other notable Minneapolis musicians. Like most of the album, ‘Cool’ was recorded in Prince’s home studio in April 1981, and was produced, arranged, and performed by Prince, with Revolution guitarist Dez Dickerson credited with co-writing the song. Although lead vocal duties belong to Morris Day, Prince’s backing vocals can be readily discerned, especially in the chorus. Pre-certified REAL. Starting Bid $500

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Music of the 1990s and Beyond 2484.

Adele Signed Album.

25 album signed on the front cover in blue felt tip by Adele. In fine condition. The record is included. Adele’s third studio album, 25 won Grammy Awards for Album of the Year and Best Pop Vocal Album.

Pre-certified Beckett Authentication. Starting Bid $200

2485. Alice in Chains Signed CD. Self-titled CD

signed on the front of the booklet in blue felt tip by Layne Staley, Jerry Cantrell, Sean Kinney, and Mike Inez. In fine condition. The CD is included. Accompanied by a full letter of authenticity from Beckett. Staley’s autograph is particularly scarce due to his early death in 2002. Pre-certified REAL. Starting Bid $200

2486. Beyonce Signed Album.

B’Day album signed on the front cover in silver ink by Beyonce. In fine condition, with a noticeable crease to the upper right corner. The record is included. Precertified Beckett Authentication. Starting Bid $200

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2487. Puff Daddy Original Photograph. Original color glossy 8 x 10.75 photo of Puff Daddy in a shirtless half-length pose. Lower border annotated by an unknown hand. Printed from the original Polaroid, with reverse stamped “Polaroid, A910147B9.” In fine condition. From the Globe Photo archives.

Starting Bid $200

2488.

DMX Oversized Original Photograph.

Original color glossy 10 x 12.5 half-length photo of DMX with an intense glare and posing against a dark background.

Lower border bears an affixed caption and reverse features “Fujifilm” watermarks. In fine condition, with a few light surface impressions. From the Globe Photo archives. Starting Bid $200

2489. Snoop Dogg Original Photograph. Original

semi-glossy 8.5 x 10.75 silver gelatin photo of Snoop Dogg sporting a large afro. Printed from the original Polaroid, with reverse stamped “Polaroid, K9342281.” In fine condition, with tack holes to upper and lower borders, which can be easily matted out. From the Globe Photo archives. Starting Bid $200

2490. Missy Elliott Original Photograph. Orig-

inal color glossy 8 x 10 full-length photo of Missy Elliott with silver lipstick and nail polish and wearing a full black leather outfit. Reverse bears “Kodak Professional” watermarks. In fine condition. From the Globe Photo archives. Starting Bid $200

2491.

Eminem Oversized Original Photographic Contact Sheet.

Original color glossy 12 x 10 contact sheet featuring 10 different images of Eminem posing with his head inside a guillotine. Upper right of sheet credits the images to photographer Nitin Vadukul. Reverse bears “Kodak Professional” watermarks. In fine condition. From the Globe Photo archives. Starting Bid $200

MusiCares tribute bag signed by Elton John, Stephen Stills, Graham Nash, and other music legends 2492. Grammy MusiCares Multi-Signed Travel Bag. Large

Adidas travel duffel bag originally sold to benefit the MusiCares Foundation in 2010, measuring approximately 29 x 15 x 15, signed in silver ink by more than 30 artists, including: Elton John, Stephen Stills, Graham Nash, Keith Urban, Flea and Anthony Kiedis from Red Hot Chili Peppers, Dave Matthews, Sheryl Crow, Neko Case, John Mellencamp, Jackson Browne, Lady Antebellum, Norah Jones, Don Was, Jack Black, Ben Harper, Lucinda Williams, Elvis Costello, Jason Mraz, James Taylor, and more. In fine condition. Accompanied by a letter of authenticity from MusiCares. Neil Young was honored as the 2010 MusiCares Person of the Year at a gala event held in Los Angeles on January 29, 2010, as part of Grammy Week. The legendary musicians who signed here performed many of Young’s classic tunes, including ‘Rockin’ in the Free World’ by Keith Urban, ‘Heart of Gold’ by James Taylor, and ‘Helpless’ by Elton John, Neko Case, and Sheryl Crow. Pre-certified REAL. Starting Bid $200

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2493. Lady Gaga Signed Album. Born

This Way: The Remix album signed and inscribed on the front cover in blue felt tip, “Ty, You Born This Way, Lady Gaga.” In fine condition, with dings to corner tips. The records are included. Pre-certified REAL. Starting Bid $200

2494. LL Cool J Original Photograph. Original

color glossy 8 x 10 half-length photo of LL Cool J wearing a bandana with do-rag and a large chain with cross.

Reverse bears “Kodak Professional” watermarks. In fine condition. From the Globe Photo archives. Starting Bid $200

Nirvana-signed jeans from the ‘In Utero’ tour 2495. Nirvana Signed Jeans. Extremely rare pair of blue Gap jeans, loose fit, 30 x 34, signed on the right pant leg in black felt tip, “I [heart] Jordache, David,” “Pee Pee, Krist,” and “Kurdt,” who adds “Nirvana” below.

In fine condition, with light stains and expected wear. Accompanied by a full letter of authenticity from REAL, a Kerrang! magazine from December 11, 1993, a photo of the jeans signed by Krist Novoselic, an original ticket stub for a Nirvana concert at Atlanta’s Omni on November 29, 1993, and a copy of a letter of provenance, originally addressed to Novoselic on June 19, 2012, in part: “I recently was fortunate to acquire a signed Gap Jeans that was signed by Kurt Cobain, Dave Grohl and you. This was signed at the Atlanta’s Omni Arena ‘In Utero’ on November 29, 1993 after the concert. Attached are pictures of the signed Gap jeans.” In support of their recently released third and final studio album In Utero, Nirvana played to a packed Omni arena on November 29, 1993. Following the concert Cobain was interviewed by Kerrang! magazine for an exclusive on-tour update that likewise offered a glimpse into the jovial mood of its players. When asked why he seemed so optimistic, Cobain responded: “Well, things are great. And another thing that has added to it has been after every show I’m totally pleased to go out to the bus and talk to the kids out there...All we ever wanted to do was break down the rock ‘n’ roll myth, wanting to show that all Rock stars were just people. And it’s such a nice peaceful moment with these kids after the show—they just wanna say ‘Hi and thanks for playing your music.’” Starting Bid $500

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Nirvana reach the mainstream with Nevermind 2496. Nirvana Signed Photograph. Rare circa 1991 glossy 8 x 10 David Geffen Company publicity photo of Nirvana, signed in black felt tip, “Kurt,” “Krist,” and “David.”

In fine condition, with some areas of toning, scattered silvering to darkest areas of photograph, and Cobain’s signature light but entirely legible. Accompanied by a full letter of authenticity from REAL. The release of Nevermind and hit singles ‘Smells Like Teen Spirit’ rocketed the grunge trio into rock and roll mainstream by the close of 1991.

By January 1992, Nevermind had supplanted Michael Jackson’s Dangerous as the top album in the country, and the follow-up singles ‘Come as You Are,’ ‘In Bloom,’ and ‘Lithium’ distinguished the record as one of the greatest surprises in rock and roll history. An immensely desirable photo signed in their breakout year. Starting Bid $300

2497. Red Hot Chili Peppers Original Photograph.

Original satin-finish 10 x 8 full-length photo of the Red Hot Chili Peppers during an early goofy photo shoot. Reverse annotated with the name of photographer Colin Bell. In fine condition. From the Globe Photo archives. Starting Bid $200

2498. Rihanna Pair of Signed Albums. Two copies of

Rihanna’s Anti album on white vinyl, one signed on the front cover in black felt tip, “Rihanna,” and the other signed in blue felt tip, “Your girl, Rihanna.” In overall fine condition, with the black signature light but legible. The records are included.

Pre-certified Beckett Authentication. Starting Bid $200

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“I wonder how I could have so much money & fame and still be so lonely and unhappy”

2499. Tupac Shakur Handwritten Letter Signed. ALS signed “2Pac,” three pages, lightly lined, 8 x 10.5, August 17, 1995.

Letter to Simi Chouhan, written while incarcerated in the Clinton Correctional Facility in New York, in part: “How R U? [Eye] Miss hearing from u. It’s late Thursday night August 17, and I can’t sleep, I can’t read, I just keep looking at your pictures rereading all of your letterz and thinking about u. I Have been thinking of u alot lately. I try 2 imagine who u r, beneath the beauty.

I wonder what u r really like…I imagine u laying your head across my chest telling me all your problemz instead of me whining about my problemz 2 u all the time. I feel so unstable at timez. I wonder how could I be so hopeful and be in prison 4 a crime I didn’t commit then other timez I wonder how I could have so much money & fame and still be so lonely and unhappy. After this horrible episode is behind me I would love 2 live in Europe just 2 be in another world, away from all the stress of fame in America…I know u have alot going on in your life and it is not my intention 2 burden u or hold u down but it would Mean alot 2 me if u could try 2 write me more often, nothing long, it’s just I need 2 hear from u, I need my friend [smiley face]. Did that sound desperate or what? I hope not. I don’t want 2 take up all of your time but I’m going through this divorce and u alwayz cheer me up and your pictures bring sunshine 2 this dark place.

Would u answer some questionz 4 me? R u involved with anyone? What do u do when your not working or studying? What R your parentz like? What R your dreamz? And last but not least How Can I be a bigger part in your life? I want 2 be the person u come 2 when your hurt, lonely upset, sad, afraid, depressed. I want 2 be there 4 u since u have been there 4 me. I know my incarceration prohibits alot of what I can give u but believe me this is temporary, just a minor setback. If u continue 2 be there 4 me there is no limit 2 our possibilitiez. I’m kind of relieved I’m getting divorced, although I never should have gotten married, because it allowz me 2 really follow wherever my heart takes me and I don’t have 2 feel guilty about thinking of u the way I do.

It wasn’t just that, it was not meant 2 be from day one and it just took me a few months 2 figure it out. Anyway, my appeal looks very promising and if God wills I will be out on bail, soon and then when I finally do have my appeal I pray I’ll be vindicated.

This has been a helluva lesson in humility and faith but, I will not break, or quit. No surrender!

I finished writing my movie, now I’m working on the book deal and renegotiating my existing recording contract. I’m ready 2 buy a house in L. A. and relax and enjoy life. I’ve known pain & sorrow, I’m ready 2 see Joy & happiness. Will u show it 2 me? Will u travel along this road 2 a better future with me? Will u be down 4 me while I’m at my lowest and rise with me as I achieve the hieght of success? Will u? Can u sacrifice 4 a man u have never spoken wordz 2? Can u care 4 a man u have never met? Can u feel 4 a man who u have never touched nor him touched u? Can u? Will u? If so, I will reward u with loyalty and a bond equal 2 none. I will reward u with my friendship and the infinite possibilitiez that go with it. The choice is 4 u and u alone 2 make.” In fine condition. Accompanied by the original mailing envelope addressed in Shakur’s hand, incorporating his full name, “Tupac Shakur,” in the return address area. Pre-certified Beckett Authentication. Starting Bid $500

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2Pac and the Outlawz 2500. Tupac Shakur Signed Candid Photograph.

Extremely rare color glossy 3.5 x 4.25 Polaroid photo of Tupac Shakur in a full-length pose with three members of the Outlawz crew, signed in the lower border in black ballpoint, “2Pac,” and again in red ink, “Thinkin’ of U, 2Pac.” In the white borders Shakur dates the photograph, “Aug 19,” and identifies the three other members: “Lil cousin, K–Dawgz,” “(Godbrother) Lil Muu,” and “(lil bro) Hollywood.” Shakur adds to the lower right, “’Is there a Heaven IV a Thug nigga?’” In fine condition, with two pinholes to top and bottom edges. Consignor notes that this photo was sent to Simi Chouhan, a woman Shakur corresponded with while he was incarcerated in New York’s Clinton Correctional Facility on a sexual assault charge. His album Me Against the World was released in March 1995, a month into his sentence, and made an immediate impact on the charts, debuting at number one on the Billboard 200. Tupac’s confinement proved an important period in his artistic development as he took the time to read philosophical works including many by Niccolo Machiavelli, which inspired his pseudonym ‘Makaveli.’ A significant portrait of Shakur and the Outlawz, signed less than two months before his release from the Clinton Correctional Facility on October 12, 1995.

Pre-certified Beckett Authentication. Starting Bid $300

2501. Soundgarden Signed Album Flat. Down

2503. Soundgarden: Chris Cornell Signed Photograph. Satin-

on the Upside album flat signed in felt tip and ink by Chris Cornell, Kim Thayil, Ben Shepherd, and Matt Cameron. In fine condition. Pre-certified REAL. Starting Bid $200

finish 11 x 14 full-length photo of a shirtless Cornell posing in a wooded area, signed in black felt tip. In fine condition.

Accompanied by a certificate of authenticity from JSA. Pre-certified REAL. Starting Bid $200

2502. Soundgarden: Chris Cornell Signed Album Flat. Louder Than Love album flat signed on the front cover in black felt tip by Chris Cornell.

Framed and in fine condition. Pre-certified REAL. Starting Bid $200

2504. Wu-Tang Clan Oversized Original Photograph. Original color

glossy 12.75 x 10.5 photo of the WuTang Clan during a military-style photo shoot. Reverse bears “Kodak Professional” watermarks. In fine condition. From the Globe Photo archives. Starting Bid $200

Marvels of Modern Music | December 14, 2017 191

CONDITIONS OF SALE ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION,” TOGETHER WITH BIDDER, THE “PARTIES”).

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If RR Auction refers any invoice to an attorney for collection, the Bidder agrees to pay attorney’s fees, court costs, and other collection costs incurred by RR Auction. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

RR Auction shall have a lien against the merchandise purchased by the Bidder to secure payment of the Auction invoice.

RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the “Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. Delivery; Shipping; and Handling Charges: Bidder is liable for shipping and handling. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.

Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

Title: Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Rights Reserved: RR Auction reserves the right to withdraw any lot before or at the time of the Auction, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone.

Conducting the Auction: RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.

RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question.

In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient.

Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.

Reserves: Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own.

Off-Site Bidding: Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form.

RR Auction’s Remedies: Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the

property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any property in RR Auction’s possession owned by such Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts.

Warranties: RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold “as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.

All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.

Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.

All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “Certification of Authenticity”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The Certification of Authenticity inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the Certification of Authenticity, and such purported transfer, assignment, or conveyance shall be null and void. The Certification of Authenticity is valid from date of the Auction in which Bidder was awarded the lot (the “Auction Date”) until five (5) years after the Auction Date, without exception.

FIREARMS. RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.

Limitation of Damages: In the event that RR Auction is prevented for any reason from delivering any property to Bidder, or Bidder is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Bidder. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost.

Unauthorized Statements: Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued

by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties.

Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

Bidder’s Remedies: Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid.

This section sets forth the sole and exclusive remedies of Bidder in conformity with the Warranties and Limitation of Damages provisions of these Conditions of Sale, and is expressly in lieu of any other rights or remedies which might be available

to Bidder by law. The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit.

In the event that Bidder demonstrates in writing, in the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction shall make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand, RR Auction shall disclose the identity of the Consignor to Bidder and assign to Bidder all of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.

If Bidder wishes to challenge the AC within the period of the Certification of Authenticity, Bidder must present written evidence that the lot is not authentic as determined by a known expert in the field. If RR Auction agrees that the lot is not as represented, Bidder’s sole and exclusive remedy shall be a refund of their purchase price, with no other costs, liabilities or amounts recoverable. If RR Auction does not agree with the claim by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale.

Any such challenge concerning an AC or Certification of Authenticity must, without any exception, be brought within one (1) year of Bidder’s notice to RR Auction of Bidder’s contention that the lot was not authentic, or six (6) years from the Auction Date, whichever is sooner.

If the description of any lot in the Catalog is materially incorrect (e.g., gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date. If there is any discrepancy between the description in the Catalog and the AC, then the description in the AC shall control. This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction.

NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE. RR Auction’s Additional Services: For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction.

RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items.

Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.

Headings: Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.

Entire Agreement: These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed

by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way.

Governing Law and Enforcement The Parties agree that any agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.

The Parties agree that these Conditions of Sale, and any other related agreement(s) are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the “Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”).

The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall be entitled to recover all of its related costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. The Parties agree that Bidder shall have no right to recover consequential or indirect damages, or lost profits damages.

The Parties consent to the enforcement of the decision in the Arbitration pursuant to the Federal Arbitration Act in either the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts.

Except as provided in Bidder’s Remedies with regard to the Certification of Authenticity, any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other agreement(s) between the Parties must be brought within one (1) year of the acts, omissions or circumstances giving rise to the alleged claim, without exceptions. This provision is intended as a full, complete and absolute release of any claims after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding on all parties in the event of any dispute, specifically including but not limited to third party claims and cross-ac-

tions brought by either RR Auction or Bidder. These provisions are consideration for the execution of these Conditions of Sale.

in these lots being sold for less than 10% above the under Bidder’s bid.

The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties’ agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.

Successful Bids: The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.

Notwithstanding the foregoing, RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration related to or arising out of any Auction of an item sold for less than $10,000. This right shall relate to the individual item price, such that RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration for items that in the aggregate exceed $10,000. The prevailing Party in such a proceeding shall be entitled to recover all of its related costs, whether before or after the formal institution of the proceeding, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. This right of enforcement is unique to RR Auction, and these Conditions of Sale are a waiver by the Bidder of any right to enforcement or adjudication outside of an Arbitration.

CONDUCT OF AUCTION Estimate Prices: In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).

Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.

Before the Auction: Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.

Maximum Bids – All Auctions: To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum.

Maximum bids are strictly confidential. Placing arbitrary, nonincremental bids on lots with prior maximum bids may result

Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Bidding—Timed Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid.

These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/ EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid

will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.

Bidding - Internet – Live Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.

phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.

Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www. liveauctioneers.com, www.invaluable.com and www.icollector. com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third party sites carry an additional Buyer’s Premium.

Miscellaneous: Agreements between Bidders and Consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited.

If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the

GLOSSARY OF CONDITION TERMS FOR DECADES, RR AUCTION HAS LED THE INDUSTRY IN PROVIDING AN ACCURATE AND DETAILED CONDITION STATEMENT FOR EACH ITEM THAT WE SELL. STARTING IN 2016 WE’VE DECIDED TO TAKE A FRESH APPROACH TO DESCRIBING EACH ITEM’S CONDITION. As our website and catalog images continually improve, and bidders can see obvious details from those excellent images, we’ve decided to simplify things, using the same terminology to describe an item’s overall condition (on an ascending scale of 1 to 4: good, very good, fine, very fine), but only adding specific details, if any, that would not be obvious from the illustration.

VERY FINE describes an item in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.

FINE is the most common statement of condition, and applies to most items that we offer. It describes items that show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.

VERY GOOD describes an item that exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).

GOOD describes an item with obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise exceedingly rare or important.

Of course we’re more than happy to provide more in-depth information about any item via phone or email. We hope this new system will make for easier reading and a more pleasant bidding experience.

Remarkable Relationships LEAD TO

Remarkable Results

Let’s make history—together For over 35 years, relationships have been the backbone of RR Auction.

We have made it a priority to keep our consignors informed and involved, encouraging them to share their voices, to instill their knowledge, and to forge a partnership based on our shared passion for history. With a mutual desire to achieve greatness, these relationships are at the heart of our success.

In the fall of 2018 we will be holding our Remarkable Rarities auction, featuring the most treasured names and cornerstone pieces for all devoted collectors. If you are ready to sell and looking for a company that cares about your items as much as you do, call us.

Please contact the auction's director, Tricia Eaton, at (603) 732-4280, or via email at Tricia@RRAuction.com.

www.RRAuction.com

MARVELS OF MODERN MUSIC Featuring The Brad Delp Collection

www.RRAuction.com

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(603) 732-4280

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Boston, MA