Royal Philharmonic Orchestra - Southbank Centre February to June 2014

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ay 12 Wednesd

, 7.30pm 4 1 0 2 y r Februa

Gloria Poulenc et Chloé utoit, is Daphnis l Charles D e v r, to Ra c u d n cipal Co tions of estra’s Prin interpreta l a cording n o ti The Orch p e exc efinitive re is d h r is h fo g d e in issable lud renown is an unm music, inc is ry h T tu . n é e -c lo h twentieth the Royal phnis et C ballet, Da toit guide u l’s D e v t. Ravel’s r, a a R e f h o , and plete balle e m se o c to e y th it gh recisely opportun e, full of p estra throu c h ie rc rp O e st ic n a m Philharmo oulenc’s , sensual norities. P evocative so n e a v ti is c u re d sco ith rich d se mming w olours an ri c b d s, te toit and rk la o u artic verve. Du finest w ic is h m f th o y e rh on nd horus and Gloria is elodies a armonia C h il sinuous m h P s, ie e n th o by mme. harm us progra are joined o ri ra st lo e g h is rc the O ell for th icole Cab soprano N

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verture Tragic O No.3

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ductor utoit Con D s e rl a h C rano abell Sop Nicole C rus o onia Ch Philharm

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l’ ‘Classica y No.1, n o h p m y S

ncerto Prokofiev Cello Co erazade Elgar v Scheh o k s Cello a s r o rms Elgar’ o rf e Rimsky-K p is rl ven Isse . Elgar t cellist Ste arabits at the helm ake The grea K – in the w ith Kirill rk h it o w w , r o jo rt a Conce is last m suffused w piece – h oncerto is C e cello h T r. wrote the d Wa lity of the rl a o u q W t n s a ir m of the F rofoundly nd the hu for such p beauty, a e c te ie la p o th s u e d works by ct mo ncerto are the perfe o it C s sical’ e e k th a m ming ev’s ‘Clas ra fi F o . k ic ro s P u v. moving m Haydn y-Korsako music of nd Rimsk e a th v e to fi o te k u ov’s Pro a witty trib hile Rimsky-Korsak is y n o h p Sym ries, w , glittering ontempora tible score is s re and his c ir n zade is a Schehera tuous. and sump

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7.30pm , 4 1 0 2 y 14 Ma

ntales et sentime s le b o n Valses d’été Ravel Les nuits ‘Organ’

z y No.3, o n li o h Ber p m y S y singing’, ns er ‘cream h r Saint-Saë fo s e d’été Tim s Les nuits New York rm e o h rf T e y p b perfect ham Praised ich make usan Gra h S w o s n g ra n p so mezzo-so orchestral toit has a exquisite harles Du : z C el, . io g rl e in B n e by r ev z and Rav oth Berlio r a summe b fo bles f o o g n c in s n si e e u list the m ty Vals it h it w w l’s y e it v n a e ens with R special affi piano suit ramme op n life as a g a ro f g p o e b e e tt s th e le pa altz and les. The w his unique ta h it n e w m ti m n e et se rmed th ony by vel transfo n’ Symph a rg ment, ‘O before Ra e ic achieve urs. Th st lo je o a c l m ra st st , of is mo orche isplay and ss to perhaps h d is c si s n o ë tu a ir v e Saint-S structure, ding richn xpansive organ ad e th f o d with an e n grand sou ourse, the c r to c u d . utoit Con the timbre -soprano o Charles D z z e M ham Susan Gra y Organ le is D Stephen

y 2014, y 20 Ma

Tuesda

7.30pm

’ ‘Egyptian España o No.5,

rt r e ie c r n b o a C h C Piano ns orchestra Saint-Saë ages for Im Debussy La valse d versatile namic an y d t and s Ravel o m te insight of the tu e s n a o is is h h s tian’ ng oug The ‘Egyp n, and bri . o Stephen H ti .5 o ra e N n e o rt f his g no Conce while pianists o aëns’ Pia S s written ta in a w S it e to s res up e u s a s c e e n fi lled b h he conju ed to a ic c h o w s t, is p y transport Concerto ying in Eg e are also ssy’s Ibéria, s was sta n W ë . a ic S s tu in u Sa ting m and Deb h c, captiva s España r’ e ges, whic ri a b with exoti a Im h l a C tr s in e s h e rc lim toxicating magical o warmer c pulent, in ce in his o ie n p l a than a , tr e n ls e La va the c repertoire l’s is e v th a f R o r y db rete ke these is followe etter interp ting is sure to ma b o n is here ft conduc dance. T whose de , it to u D s Charle rgettable. nces unfo a rm o rf e p

e 2014, y 11 Jun

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7.30pm

ductor utoit Con Charles D gh Piano Hou Stephen

uctor ey Cond ll e h S r e Alexand itar liams Gu John Wil

uth In the So Aranjuez

r a lg E cierto de n o C Rodrigo Guitar Concerto in Paris Goss American n orld, A

t in the w s ri a it Gershwin u g l popular sica the most rated clas ly b re le u e s c t is s t de wha The mo Concierto performs ’s , o s g m ri a d li o il :R n, the John W the world oneymoo in h s o r’ rt e e s c o n p njuez, com guitar co ns at Ara d by the e e rd ir a p s g l In a . lias, alati Aranjuez of magno s up the p e c re n ju ra n g o c a fr tains’. The Concerto lled: ‘the g of foun rigo reca in d h o s R u ance g s a e , th and , and rst perform s fi d ir e b th f e o v g estra ga the singin ss, a work onic Orch phen Go rm te a h S il y h b P l o trip to cert Roya ell as our uitar Con w G s e A w . e s n m illia unny In th of the

by John W it Italy, in Elgar’s s d s e u n ro io o p vis hum cham drigo, we ghtful and o li R e d h it ’s w in Spain Gershw d Paris, in South, an in Paris.

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