dafi Dabawenyo Artist Federation Inc Coffee Table Book

ABOUT THE COVER

Divine Dimensions: A Visual Code of Sacred Consciousness

In this electrifying composition by William Yu (2024), abstraction becomes revelation. Divine Dimensions is not merely an artwork—it is a metaphysical interface, a visual scripture encoded with sacred geometry, spiritual lexicons, and cosmic numerology. The canvas pulses with vibrant hues—yellow, green, blue, red, and orange—each color a frequency, each shape a cipher. Circles, squares, arrows, and grids converge in a dynamic interplay of order and chaos, suggesting portals between realms, systems of divine intelligence, and the architecture of unseen worlds.

At the heart of the piece lies a constellation of sacred names: YAHUWAH, YAHUWSHUA, ELOHIKA, and YAHUW HAGODESH—each inscribed with reverence, each vibrating with theological weight. These invocations are not decorative; they are declarations, anchoring the viewer in a spiritual lineage that spans Torahic tradition and mystical coding. The inclusion of TORAH, CODE, and TEXT 00 hints at a fusion of ancient scripture and digital syntax, where divine revelation meets algorithmic logic.

Letters and numbers—A to M, 123, 3 4 W K—float across the composition like fragments of a universal language, inviting interpretation, meditation, and decoding. Hebrew-like characters and directional lines suggest movement, transformation, and the transmission of sacred knowledge. This is not a static image; it is a living diagram, a spiritual operating system rendered in pigment and pattern.

William Yu’s signature and date mark the work not just as a personal creation, but as a timestamp in a continuum of revelation. Divine Dimensions challenges the viewer to see beyond the visible, to read between the lines, and to engage with the artwork as a sacred text—one that speaks in color, form, and divine code.

Philippine Copyright 2026 Roy C. Espinosa

ISBN no. 978-621-97013-2-7

Publisher

Irma F. Espnosa Managing Manager

Ben-Oliver Matias Editor

Ruth Espinosa Writer

Roy C. Espinosa Creative DIrector

John Paul Cover Design and Layout

All rights reserved. No part of this publication maybe reproduced, distribute, or transmitted in any form or by any means. Including Photocopying, recording, or other electronic or mechanical methods. without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other non-commercial uses permitted by copyright laws. For Permission request. write to the publisher.

Published by:

The Filipinas Institute for the Advancement of Arts and Culture (FILARTS), Inc.

Block 4 Lot 13-A Gemini Street Cruzville Subdivision, Brgy. Kaligayahan, Quezon City 1124 Philippines

Email: filartspublishing@gmail.com

Quantity sales, special discounts are available on quantity purchases by corporations, associations, and other organizations. For details, contact the publisher at the address above.

First Printing May 2026

INTRODUCTION

The Dabawenyo Artist Federation Inc. (DAFI) brings together the collective vision of Davao’s artists in this coffee table book—a vibrant anthology of creativity, heritage, and identity. Within these pages, readers are invited to journey through the diverse expressions of painters, sculptors, photographers, and designers whose works embody the soul of Davao.

This book is not merely a showcase of art; it is a testament to the enduring spirit of a community bound by passion and purpose. Each artwork reflects the unique landscapes, histories, and narratives of Mindanao, while also resonating with universal themes of resilience, beauty, and imagination.

DAFI’s mission has always been to nurture and elevate local artistry, ensuring that the voices of Dabawenyo creators are heard and celebrated beyond regional boundaries. Through this compilation, the federation affirms its commitment to preserving cultural heritage while embracing innovation and contemporary expression.

We invite you to explore, reflect, and be inspired. May this collection serve as a bridge between artists and audiences, and as a lasting tribute to the creative heartbeat of Davao.

PUBLISHER'S NOTE

The Dabawenyo Artist Federation Inc. (DAFI) proudly presents this coffee table book as a testament to the vibrant spirit and creative excellence of Davao’s artistic community. Within these pages, readers will encounter a rich tapestry of works that reflect not only the diverse talents of our artists but also the cultural heartbeat of Mindanao.

This collection is more than a catalog of artworks—it is a living archive of stories, visions, and identities. Each piece embodies the resilience, imagination, and heritage of Dabawenyo creators, whose voices continue to shape the evolving narrative of Philippine art.

As publishers, our role is to honor these artists by providing a platform where their works can be experienced in their full depth and beauty. We believe this book will serve as both a celebration and a bridge: connecting local artistry to a wider audience, and inspiring future generations to embrace the transformative power of creativity.

May this volume stand as a tribute to Davao’s artistic legacy, and as an invitation to all who open its pages to see, feel, and remember the enduring brilliance of Dabawenyo art.

Roy C. Espinosa

PREFACE

Art has always been a mirror of the human spirit, capturing the essence of place, memory, and imagination. This coffee table book of the Dabawenyo Artist Federation Inc. (DAFI) is born from that spirit—a collective endeavor to celebrate the artistry of Davao and to honor the voices of its creators.

The federation was founded on the belief that art thrives in community. By bringing together painters, sculptors, photographers, designers, and visionaries, DAFI has cultivated a space where creativity flourishes and heritage is preserved. This book is both a record and a revelation: a record of the diverse works produced by Dabawenyo artists, and a revelation of the cultural richness that defines our region.

As readers turn these pages, they will encounter not only images but also stories—stories of resilience, innovation, and devotion to craft. Each artwork reflects the landscapes and rhyth ms of Mindanao, while also speaking to universal themes that transcend boundaries.

This preface is an invitation: to pause, to reflect, and to immerse oneself in the beauty of Davao’s artistic legacy. May this book inspire dialogue, foster appreciation, and remind us of the enduring power of art to connect, transform, and uplift.

YM Datu Ben-Oliver Matias MPA Editor

MESSAGE

DABAWENYO ARTISTS FEDERATION, INC. (DAFI)

Davao Artist Coffee Table Book

For years now, the Dabawenyo Artists Federation, Inc. (DAFI) has continued to carry out initiatives anchored in the goal of unifying local creative communities, bridging artists' creativity to a wider audience, and fostering sustainable socioeconomic opportunities for local artists in Davao City.

We commend the DAFI and valued partners for your invaluable support in empowering artists from various art fields across Davao Region. The celebration of DAFI ArtFest serves as a testament to your unwavering dedication to promoting the welfare of your artists by providing platforms to exhibit and showcase their artworks, creating more linkages with industry stakeholders, and highlighting the region’s homegrown talents.

This Davao Artists Coffee Table Book serves as an avenue for our local artists to be recognized, appreciated, and celebrated for the talent and passion they have poured into their art – expressing not only their individualities, but also Davao Region’s rich cultural heritage, traditions, and identity.

And so, let us continue to appreciate the profound talents and skills of our local artists, and pursue our shared goal of building a thriving artist ic community in the region for years to come.

Daghangsalamat.

SEBASTIAN Z. DUTERTE City Mayor

"It is both an honor and a privilege to offer this foreword to a publication that stands as a lasting testament to the vision, talent, and collective spirit of our artistic community. This coffee table book is more than a compilation of remarkable works; it is a historic record of creative excellence and a reflection of the enduring ideals that define our federation.

Throughout history, art has served as the conscience of civilization and the mirror of humanity’s aspirations. It preserves memory, provokes dialogue, and bridges generations through a shared language of imagination and meaning. Within the pages of this volume, we witness the embodiment of these ideals — works that capture not only technical mastery but also the courage to interpret the world with authenticity and purpose.

During my tenure as President, I was continually inspired by the extraordinary dedication of our artists, leaders, and members. Their commitment to excellence elevated our federation beyond an organization into a movement — one grounded in mutual respect, collaboration, and an unwavering belief in the transformative power of the arts. This book reflects that collective endeavor and honors the legacy built by those who came before us, as well as the promise carried forward by those who will lead in the years ahead.

This publication also celebrates art collectors whose faith in the arts sustains our mission. Their contributions affirm that culture and creativity are not luxuries, but essential pillars of a vibrant and enlightened society. As we commemorate our achievements through this volume, we are reminded that the true measure of an artistic community lies not only in the works it produces, but in the values it upholds and the future it inspires.

May this book serve as an enduring symbol of our federation’s journey — a chronicle of creativity, leadership, and shared purpose. More importantly, may it inspire future generations to continue advancing the arts with integrity, vision, and passion.

With profound respect and enduring confidence in the future of our artistic community,

Victor S. Navales

Immediate

Past President

Dabawenyo Artists Ferdation, Inc. (DAFI)"

The Dabawenyo Artist Federation Inc. (DAFI) is a collective of 16 art groups and galleries in the Davao Region, formed to unify seasoned, emerging, and leisure artists under one banner. It has become a vital force in promoting local creativity, organizing festivals, and strengthening the city’s cultural identity.

Origins and Purpose

DAFI was established in 2020 to bring together diverse art groups and galleries in the Davao Region, recognizing the need for a unified platform to showcase local talent.

Its mission is to support artists across disciplines—from painting and sculpture to contemporary and experimental art forms—while fostering collaboration and visibility.

The federation also serves as a cultural advocate, ensuring that Davao artists are recognized in both local and national contexts.

Member Art Groups and Galleries

DAFI is composed of 14 art groups and 2 art galleries, each with its own identity and specialization:

• Art Pavilion – an art center for a collective of practicing artists, dedicated to nurturing and advancing their artistic skills, creativity and collaborative spirit.

• Artists Initiative – focused on collaborative projects and creative exchanges among artists.

• Davao BaiHinang Women Artists – an all-female collective highlighting women’s voices and perspectives in art.

• Davao del Sur Art League ( DavSur Art League) – one of the premier art groups from Digos City and the Davao del Sur province.

• Floral Artists of Davao – artists known for botanical-inspired works and floral themes.

• Grupo ng mga Aktibong Mindanawon Artists (GAMA) – a group actively participating in art competitions and regular exhibitions across the region.

• Jing Rabat Gallery – the first art gallery and art promoter in Mati City.

• La Herencia Davao Art Space – an art hub that promotes diverse artistic expressions and creative initiatives in its five art spaces.

• Lakbay Diwa Art Club – a newly established Davao City art group composed of artists from the region and beyond.

• Obra Panaboan – Panabo City’s premier art group, whose members are a blend of seasoned and emerging artists.

• Piguras Contemporary – a collective exploring modern, contemporary and experimental art styles.

• Pintal Samal Artists Club – Samal Island’s first notable art group, promoting the diverse artists of the Garden Island City.

• Pintanao – a group of young and emerging artists advocating for art education and creative entrepreneurial pursuits.

• Tabula Rasa – an art group known for traditional, figurative, and modern styles.

• TM Artists – a group of art hobbyists from the distinguished Toastmasters community.

Milestones and Activities

Davao Art Festival

One of DAFI’s flagship events, the Davao Art Festival brings together all member guilds in a six-day convergence of artistic expression. It features works ranging from realism to abstraction, watercolor to oil, and paintings to sculptures.

Art Bazaar

An activity that focuses on creative merchandise made by member artists. Traditionally held before the Christmas season, it has expanded through invitations from local exhibitions and initiatives such as Duaw Dabaw, among others.

Community Engagement

DAFI collaborates with the City Government of Davao, placing artists at the heart of festivals and public celebrations. This partnership ensures that local talents are prioritized and given opportunities to participate in major cultural events.

Cultural Advocacy

Beyond exhibitions, DAFI plays an important role in strengthening Davao’s creative identity, positioning the city as a hub for artistic innovation in Mindanao.

Legacy and Impact

Empowerment of Artists

By providing a collective identity, DAFI empowers both emerging and established artists to gain recognition and opportunities.

Cultural Identity

The federation reinforces Davao’s reputation as a city rich in artistic talent, ensuring that art remains central to its festivals and cultural heritage.

Inclusivity

With groups such as Bai-Hinang, Pintanao, and Guhit Pinas – Davao Chapter, among others, DAFI supports diversity and inclusivity, ensuring that voices across genders and generations are represented.

Conclusion

The Dabawenyo Artist Federation Inc. stands as a testament to the strength of collective artistry in Davao. By uniting art guilds under one federation, it has created a vibrant platform for creativity, collaboration, and cultural pride. Its history reflects not only the evolution of local art but also the enduring spirit of Davao’s cultural identity.

WHAT'S

Introduction

Publishers Note

Preface

Foreword: Sebastian Duterte Mayor of Davao City

Message: Vic Navales

Former DAFI President

About DAFI History

Table of Contents

Painting Peace Beyond Chaos

Aimee Suarez

Heaven on Earth Through Flowers and Faith

Amanda Fe Echevarria

Light, Feeling, and Faith: The Artistic Journey of Anthony Roxas Serafin

Banoism: The Instrospective way of Banoi Reyno

A Life in Art, A Legacy of Giving Bella "Bing" Dimaclid

Fashioning Bold Expressions in Modern Art

Brian Licuanan

Weaving Silence and Mystery into Fabric Dreams. - Bryan Cabrera

Painting Stories Through Everyday Life Cacho Ferrero

A Mindanaoan Gaze in Watercolor and Spirit

Danny Doce

Voices of Davao Del Sur's Creative Spirit

DavSur Art League

Whispers of the Ocean in Watercolor

Dot Bangayan Lee

Conversation in Surrealism and Shadows

Eduardo Lazo Tiu Jr.

A Journey of Authenticity in Abstraction Elenita "Boots" Cruz Dumlao

A Journey of Realism and Reverance Fe Dacudao

Light, Legacy. and the Poetry of Form Gerardo C. Lacia

A Journey of Art, Faith, and Nature Ging Lopez Balinas

Illuminating Life in Glass Imelda Pangan

Finding Rhythm in Art and Life Intoy Corpin III

Cosmic Threads: Bina's Journey Through Art and Soul - Jayanti Pribhu Balchand

She Paints in Beauty: The Impressionist Journey of Jing Rabat

The Surreal Symbolist of Davao Joaquin Pedro B. Sala

INSIDE

The Art of Meticulous Detail

John O. Luis

A Visionary Artist and Cultural Pillar of Davao

Josefina Carriedo Tionko

Painting Filipino Life with Grace and Light

Lorraine Santos Panelo

Painting the Soul of Filipino Life

Lucas Rañola

Light Through Grief, Joy Through Art

Lucille Mijares

The Grace of Wonder: Maika Coloso's Artistic Legacy

A Life of Art, Honesty, and Boundless Imagination - Margarita Marfori

The Visionary of Color and Tranquility

Mark Daingan Chua

A Life in Color, Story, and Spirit

Mary Anne Consejo Tan

Painting Joy into Everyday Life

Maybelle Yu

Journey of Passion, Resilience and Artistic Awakening - Nemalyn Elvira Ledda

Painting the Heartfelt Beauty of Creation

Orvil Bantayan

Solace in the Flow: A Watercolor Journey of Light and Essence

Patricia Porras de Jesus

Capturing the Beauty of Davao Through Watercolor Masterpieces - Paul Pepito

Embracing Eclectic Diversity in Art

Pinky Maglalang

A Journey into Precolonial Filipino Art

Raymond Jong Suriba Tangiday

Finding Beauty in the Ordinary Ritzel Rabor Polinar

Narratives in Myth and Form

Rob Tañedo

Capturing Lights in Strokes and Colors

Robin Castillo

Breaking Bounderies: The Avant Garde Vision of Romeo Dumuk III

A Legacy in Lines and Light

Ronnie Rudinas

Life in Watercolor, Life in Details

Saldy Mascardo II

Brushstrokes of Intimacy: Penny Tan's Art and Story - Stephanie Victoria Tan

Painting from the Heart

Tanya Gaisano Lee

Capturing the Beauty of Creation Through Realism - Vic Navales

Painting Life's Journey Through Hyper Realism and EmotionWelehito "Lito" Pepito

From Calligraphy to Picasoid Visions

William Yu

Painting Peace Beyond Chaos

Aimee Suarez

Aimee Suarez’s journey as an artist is rooted in the quiet rhythms of Tacurong City, where she was born and raised, and enriched by her life with her husband Stanley Suarez from Davao City. Her story is one of heritage, resilience, and an innate drive to translate emotion into color.

Art runs deep in her family. Her mother, a teacher and a woman of many skills, instilled discipline and creativity, while her father—an artist before entering politics—nurtured her earliest artistic impulses. He taught her how to blend markers during elementary poster-making contests and even built her

Listen • Oil on Canvas • 24 x 30in • 2021

first drawing table after her initial win. These formative experiences laid the foundation for a lifelong devotion to art, one that began as soon as she could hold a pencil, scissors, and coloring materials.

For Suarez, art is not merely a practice but an instinctive expression. She describes her inspiration as an innate desire, a response to what she sees and the emotions attached to it. This sensibility finds its most vivid form in her chosen style: Impressionism rendered through impasto techniques. Her canvases are alive with thick strokes and textured layers, capturing fleeting moments of nature’s beauty with palpable energy.

Her works, particularly those showcased in her first solo exhibition, invite viewers to pause and rediscover the overlooked serenity around them. Suarez wants the public to see “the peace and calm the rain brings,” to appreciate the shifting colors of nature across time, weather, and place. Behind the chaos and the striking bursts of color, she reveals a quiet beauty that often escapes notice.

Influenced by masters such as Fernando Amorsolo and BenCab, Suarez admires their ability to capture Filipino life and identity with authenticity. In music, she resonates with Avicii, whom she calls a genius for finding his own language of expression. Filipino folk songs, especially those by Coritha, hold a special place in her heart, evoking nostalgia and storytelling. Her first sold painting, “Lolo Jose,” was inspired by this genre, underscoring how deeply music and memory intertwine with her art.

Though she appreciates the skill behind realism, Suarez admits it is her least favorite genre, as it feels too close to photography. For her, art must transcend replication—it must evoke feeling.

Her journey has not been without challenges. In earlier years, access to art materials was limited, making creation difficult. Today, those obstacles have eased, but the essence of her practice remains tied to perseverance and faith. She treasures the stories behind collectors who connect with her work, finding these moments unforgettable.

Looking ahead, Suarez envisions herself painting more prolifically, working in a proper studio, and establishing a personal gallery. Her mantra, “Everything is possible when you put your heart into it,” guides this vision.

Ultimately, Suarez hopes her legacy will be one of joy and inspiration—that her art made people happy, encouraged others to create, and stirred emotions in those who paused to look. To the youth, she offers wisdom: “Get it wrong then get it right… keep going and keep your faith. Always ask God for

Old Glass Vase • Oil on Canvas • 24 x 18in • 2025

Ripple • Oil on Canvas • 24 x 18in • 2025

guidance.” To budding artists, her advice is simple yet profound: never stop learning, love and be loved, inspire and be inspired, and remain grounded.

Through her art, Aimee Suarez continues to paint peace beyond chaos, reminding us of the beauty that quietly surrounds us.

—Ruth Espinosa

Within the Silence • Oil on Canvas • 24 x 24in • 2020

Keep Pushing Oil on Canvas 24 x 24in

Bed for a Table Oil on Canvas 35 x 35in

Wave Oil on Canvas 23 x 30in

Heaven on Earth Through Flowers of Faith

Widely recognized in the art world as Amanda Fe, she bears a name that symbolizes both resilience and spiritual depth. “Fe” is a symbol of iron and faith, two elements that define her resilience and artistic vision. Born and raised in Davao City, she has lived and studied across different countries, experiences that have enriched her worldview and deepened her creative practice.

Amanda Fe Echevarria`s family background is a tapestry of cultures and professions. Both parents are doctors but surprisingly, she chose art as her profession. Amanda followed the footsteps of her stepfather, Victor Secuya, who himself is a respected artist. With Chinese roots on her mom’s side and Spanish on her father’s, Amanda embodies a fusion of heritage that subtly informs her art. She began painting at the age of five under the guidance of her mentor, while also exploring theater, music, and dance. Yet painting remained her first love, the medium through which she found solace during turbulent early years.

Amanda`s art is deeply spiritual. She describes her works as visions of "heaven 's garden," floral compositions rendered in abstracted, stylized forms that often carry whimsical flourishes. Recently, she has venture into relief elements, adding

Amanda Fe Echevarria

tactile depth on to her canvases. Her flowers are not mere botanical studies; they are metaphors for transcendence, movement, and the eternal. Through them, she seeks to remind viewers that life is temporary, death is not an end, and paradise awaits. Her art is a gentle meditation on mortality, faith and beauty.

Her inspirations include Georgia O’Keeffe, whose minimalist floral renderings and bold independence resonated with Amanda’s own journey. In contrast, she finds little appeal in Futurism and realism, preferring nature’s organic rhythms over manmade objects. Music also plays a role in her creative life—songs by Ella Fitzgerald, Renee Olstead and Nina Simone, rich with storytelling and soul, accompany her studio practice.

Amanda’s career has been marked by both challenges and triumphs. Like many artists, she has wrestled and struggle to achieve financial freedom, the balance between integrity and livelihood, and juggling her art practice with the demands of solo parenting. Yet unforgettable milestones affirm her path. During her residency at the Arts Village in Rotorua, New Zealand, she worked in a glass-walled studio where tourists observed her process. “I felt like a fish in a tank,” she recalls, but the experience honed

her ability to articulate her artistic vision and connect with audiences.

Looking ahead, Amanda envisions herself represented by multiple galleries, her name recognized in art collectors’ households worldwide. She hopes to speak on art and art therapy, to share her advocacy, and to support events that uplift creatives. Her mantra—“I am a spirit with a body and not the other way around”—guides her practice and life.

Her legacy lies in her artworks and her advocacy for art therapy. To the youth, she offers wisdom: embrace uncertainty, practice agency, and remember you are a divine being in a physical world. To budding artists, she advises pragmatism—secure a day job until your art sustains you, then devote yourself fully.

Amanda Fe’s journey is one of faith, resilience, and transcendence. Through her flowers, she paints not just gardens but visions of eternity—her own “heaven on earth.”

—Ruth Espinosa

Heaven Series 1 • Acrylic on Canvas • 24 x 36in • 2021 • Ruby Saño collection

Gentle Beckoning 6 • Acrylic on Canvas • 18 x 24in • 2021

Trees in Heaven 1

Acrylic on Canvas 18 x 24in 2022

Mean Tan-Ginoo collection

Dancing Lotus Acrylic on Canvas 24 x 18in 2023

Trees in Heaven 5 Acrylic on Canvas 18 x 24in 2022

Sight of Content

Acrylic on Canvas 36 x 24in 2023

Ma. Abigail Parazo collection

“Light, Feeling, and Faith: The Artistic Journey of Anthony Roxas Serafin

A Filipino visual artist born in Manila and raised in Davao, embodies the spirit of an artist whose life and work are deeply rooted in family, faith, and the pursuit of truth in art. Coming from a closeknit family, with four children and six grandchildren, Serafin’s artistic journey is intertwined with the values of connection, legacy, and devotion. His art is not only a personal expression but also a gift to future generations, a testament to the lessons of perseverance and sincerity he wishes to impart.

Serafin began creating artworks in high school, where his passion for painting was ignited by the masters he encountered in the school library— Van Gogh, Paul Gauguin, Rembrandt, and Leonardo da Vinci. These artists became his silent mentors, shaping his appreciation for detail, emotion, and the power of visual storytelling. Among them, Rembrandt stands out as his favorite, admired for his ability to capture the soul through eyes and facial expressions. This influence is evident in Serafin’s own works, where realism, landscapes, impressionism, and portraiture converge to form a style that is both classical and deeply personal.

His art is a dialogue between light and feeling. In landscapes, he seeks to capture the fleeting beauty of a day, the glow of sunlight, or the quiet poetry of nature. In impressionism, he translates moments into

brushstrokes that convey emotion and atmosphere. In portraiture, he strives to reveal the essence of a person, echoing his belief that art should allow the public to “see what I see, feel what I feel, and understand what I want to express.” For Serafin, painting is not merely representation—it is revelation.

If his body of work were to be compared to a poem or film, Serafin identifies with Desiderata, a timeless piece that speaks of peace, humility, and the pursuit of goodness. This choice reflects his philosophy: art must uplift, inspire, and remind viewers of the beauty and lessons embedded in life. His least favorite genre, abstract art, he admits, leaves too much to interpretation, preferring instead the clarity and honesty of realism and impressionism.

Music also plays a role in his creative process. Classical compositions, with their balance of relaxation and emotion, provide him with the atmosphere to paint from the heart. Yet, challenges remain—chief among them the search for subjects that resonate with his feelings and thoughts. Still, he embraces these struggles as part of the journey, recalling with wonder the unforgettable moment when a painting he dreamt of came to life on canvas a month later.

Looking ahead, Serafin envisions himself continuing to improve, refining his identity and style as an artist. His mantra, “God is good,” guides his path, reminding him that art is both a calling and a blessing. His legacy, he hopes, will be remembered for its sincerity: that he painted what he saw, felt, and expressed, and that others may learn from his works. To the youth and budding artists, his advice is simple yet profound: paint from the heart. Practice, strive, and commit your plans to God. Create not

for others’ expectations but for your own truth. For Anthony Roxas Serafin, art is not only about technique—it is about faith, feeling, and the courage to express one’s soul.

—Ruth Espinosa

Koi Feeding

Watercolor on Paper 20 x 30in

Poppies 1

Watercolor on Paper 20 x 30in

Vegetable Vendors

Watercolor on Paper

48 x 48in

Poppies 1

Watercolor on Paper

20 x 30in

Bougainvilleas Watercolor on Paper 15 x 20in

Water Lily Pond Watercolor on Paper 20 x 30in

banoism: the instrospective way of banoi reyno

In the vibrant art scene of Davao, a new voice has emerged—raw, spontaneous, and deeply introspective. Evanie Gibbs G. Reyno, known in the art world as Banoi, is a registered architect, civil engineer, and master plumber whose creative journey took a transformative turn in 2023 when he embraced his lifelong passion for visual art professionally. Born in Dumarao, Capiz and now based in Digos City, Davao del Sur, Banoi’s multidisciplinary background shapes his unique approach to painting—one that fuses structure with spontaneity, chaos with clarity.

Banoi’s art defies easy categorization. He describes his style as a fusion of representation and non-representation, often beginning with abstract splashes of color and texture that evolve into recognizable forms inspired by personal experience. This intuitive process, which he hopes to one day define as Banoism, reflects his belief that art is “a

creative expression of a concept inspired by your senses.” His canvases are layered with emotion and meaning, inviting viewers to look beyond the visible and connect with the subconscious.

His solo exhibitions—SIHAG in Mati City (2023), SOLASTA in Davao City (2024), and PARADIGM SHIFT (2025)—mark significant milestones in his artistic evolution. These shows, along with his participation in notable group exhibits such as PAG-AMUMA, SIBOL, CONVERGENCE, and MY TREE, have positioned him as a compelling figure in the Philippine contemporary art landscape.

Banoi’s favorite subjects range from celestial skies to oceanic depths, but human anatomy holds a special place in his practice. For him, the human form is the closest we come to divine creation—a theme that resonates with his spiritual upbringing as the son of a retired gospel minister. Gabriel C. Reyno

and wife Remedios C. Reyno's works are not merely visual experiences; they are emotional landscapes meant to stir introspection and awaken a sense of connection between the viewer and the unseen forces of the mind.

Inspired by artists like Vincent Van Gogh for his rawness and color language, and musicians like Antonio Carlos Jobim for his improvisational spirit, Banoi’s influences are as eclectic as his art. He gravitates toward jazz, bossa nova, and reggae— genres that mirror his own artistic rhythm: free flowing, textured, and deeply personal.

Despite the challenges of sustaining a career in art—low sales, costly materials, and the difficulty of translating depth into commercial appeal—Banoi remains committed to his vision. His mantra, “There

will be lots of sadness in search of happiness. But if you can live through it, you’ll find more than happiness,” encapsulates his resilience and hope.

Looking ahead, Banoi envisions himself mentoring young artists and leaving behind a legacy that revolutionizes painting in the Philippines. His advice to budding creatives is clear: “Don’t follow the crowd. Carve your own path. Be original, be unique, and don’t be scared to dare.”

In a world often obsessed with precision and realism, Banoi’s art offers a refreshing alternative one that celebrates the beauty of ambiguity, the power of intuition, and the courage to create from within.

—Ruth Espinosa

Colors of the Birds of Paradise Oil on Canvas 36 x 48in 2024 Digos City

Duet Oil on Canvas 25.5 x 36in 2025 Digos City

Unbreakable Oil on Canvas

48 x 48in

2025

Digos City

String Trio Oil on Canvas

36 x 48in

2025 Digos City

Underwater Saga: Lion Fish Oil on Canvas 19.5 x 30in 2025

Running Mates Oil on Canvas 48 x 48in 2025

A Life in Art, A Legacy of Giving

Bella “Bing”

Dimaclid

A visual artist rooted in the rich cultural soil of Polomolok, South Cotabato, carries with her a story that is both personal and communal. Known simply as Bing, she grew up in Kalsangi, a serene enclave nestled at the foot of Mt. Matutum, established by Dole Philippines, Inc. Her family’s deep ties to the land and its people—her grandfather among the town’s first settlers, her parents both employees of Dole—shaped her early worldview and sense of responsibility.

Bing’s journey into art began not in a studio, but in a classroom. As an alumna of Dole Philippines School, she returned during a time of regional unrest to teach core academic subjects as

Sunset Harvest • Watercolor on paper

2024

Private collection, General Santos City

well as art appreciation. She also headed the DPS Mini Museum project. It was here that she met Florante Paghari-on, now known as Pong Bayog, whose mentorship introduced her to oil painting. Acting as his translator during weekend workshops, Bing transitioned from facilitator to student, discovering her own creative voice.

After a long hiatus spent in Indonesia, Bing returned to art at the end of pandemic, this time embracing watercolor under the guidance of Lito Ballaran, a founding member of the Philippine Guild of Watercolorists. Her style, initially grounded in realism, now explores the fluidity of impressionism, reflecting her evolving perspective and emotional depth.

Bing’s work is deeply influenced by her community and lived experiences. Each piece is a quiet invitation to pause, reflect, and connect. She hopes viewers feel the intimacy she shares with her subjects—a moment suspended in time. Her artistic journey, much like Oliver Wendell Holmes’ poem “The Chambered Nautilus,” is one of transformation and continuous growth. For Bing, change is not only inevitable—it is essential.

Her mentors, Bayog and Ballaran, remain central figures in her life, not only for their artistic excellence but for their commitment to community service. Bing mirrors this ethos in her own practice. Her first exhibit-fundraiser provided educational resources for two daycare centers in the remote mountain community of Palo 19, Tampakan. The joy on the children’s faces remains one of her most cherished memories.

Despite the challenges she sees in the art world—particularly the moral compromises some young artists make for acceptance—Bing remains steadfast in her belief that artists are called to a higher purpose. Her mantra, borrowed from Winston Churchill, encapsulates her philosophy: “We make a living by what we get, but we make a life by what we give.”

Looking ahead, Bing envisions a future where her art continues to serve as a bridge—connecting people, uplifting communities, and inspiring gratitude. Her legacy is one of generosity, integrity, and quiet impact. To budding artists, she offers this wisdom: “Don’t create just to make your life better. Create to make the world a better place.”

—Ruth Espinosa

Santiago De Compostela • Watercolor and Ink on Paper • 8.5 x 13in • 2024

Dr. Helen Heramil collection, Polomolok South, Cotobato

Mano Po • Watercolor on Paper • 11 x 15in • 2024

Mr & Mrs. Alduin Labongan collection General Santos City, Philippines

Praying by The Sea Watercolor on Paper 14 x 21in

2024

Mr. John & Dr. Bernadette Escobar collection, Metro Manila

At The Waterfalls Watercolor on Paper 14.5 x 9.5in

2024

Drs. Jose Jun & Donna Tabanda collection, South Cotabato

B'Laan Harvest • Watercolor on Paper • 7.75 x 11.75in • 2024

Mr & Mrs Xavier Nivera collection The Hague, Netherlands

Fashioning Bold Expressions in Modern Art Brian Licuanan

Brian Repito Licuanan, known in the art and fashion world as Brian Boi, is a creative force whose journey seamlessly bridges the worlds of couture and contemporary visual expression. Born and raised in Davao City, a place he fondly describes as abundant in nature and rich in tribal cultures, Brian’s artistic roots trace back to his childhood. At just ten years old, he joined a local radio station’s art competition and won third place—a formative moment that ignited his lifelong passion for the arts.

Growing up in a family that valued faith and privacy, Brian found his greatest inspiration in his father, himself an artist whose skill and dedication left a lasting impression. Watching his father draw instilled in him a deep respect for artistic discipline and expression. This early influence, combined with his exposure to the vibrant cultural environment of Davao, shaped Brian’s creative sensibilities and nurtured his desire to explore art as a medium of bold experimentation.

Brian’s professional path led him to Manila, where he pursued fashion design at the Madonna School of Fashion and Design under the mentorship of Miss Vicky Galang. His years in the fashion industry exposed him to diverse markets—from office uniforms to wedding gowns—and eventually to the glamorous stage of international beauty pageants. His designs earned him prestigious recognition, including Best in Evening Gown Design and Best Fashion Designer Awards at Miss Earth in 2003 and 2004, achievements that underscored his ability to merge artistry with elegance. These milestones not only validated his talent but also expanded his creative vocabulary, allowing him to redefine and refine his approach to both fashion and visual art.

As a visual artist, Brian identifies with modern art, embracing bold colors, unique ideas, and expressive experimentation. His works are subjective, often blurring the boundaries between fashion and fine art. Inspired by the fearless lines and strong messages of Filipino master Ang Kiukok, Brian seeks to create pieces that resonate with courage and individuality. For him, art is not confined to a single genre or hierarchy—every form of artistic expression holds equal value.

Brian’s philosophy is rooted in the belief that art is a medium of expression. He wants

viewers to realize that imperfection itself can be a perfect expression of authenticity. His mantra, “Enjoy what God has been blessing you as an artist. Make it better and come up with the best, ”reflects his gratitude and commitment to continuous growth. Challenges, he admits, are inevitable—the struggle of creating new works and sustaining passion—but he embraces them as part of the artist’s journey.

Looking ahead, Brian does not measure his future in decades but in daily acts of creation. “I just live by the day,” he says, emphasizing his dedication to expressing art in the present moment. His legacy, he hopes, will be remembered as one of good expression, always striving to be its best. To the youth and budding artists, his advice is simple yet profound: enjoy, learn, and redefine creativity through your own expression. For Brian Boi, art is not just a career—it is a lifelong dialogue between self, culture, and the boundless possibilities of imagination.

—Ruth Espinosa

Mutya ng Mindanao • Acrylic on Canvas • 24 x 36in

• December • 2025

Apo Duwaling Acrylic on Canvas 24 x 36in October 2025

Badjau Acrylic on Canvas

20 x 30in

November 2025

Ibong Adarna

Acrylic on Canvas

36 x 48in

December 2025

Perlas ng Davao

20 x 30in

Acrylic on Canvas

October 2025

Versace on the Floor

Acrylic on Canvas

20 x 30in

Decemebr 2025

Weaving Silence and Mystery into Fabric Dreams

Bryan Cabrera

Bryan Hangad Cabrera, known in the art world as BryCab, is a visual artist whose journey began in the quiet countryside of Ilang, Davao City, Philippines. Born in Panacan and raised by his grandmother alongside his younger sister after his parents’ separation, Cabrera’s childhood was steeped in nature’s rhythms. It was in this serene environment that his fascination with drawing first took root. By the age of five, he was already sketching on scraps of paper, cigarette packages, and even the softened soil after rain, transforming everyday surfaces into canvases for his imagination.

The turning point in Cabrera’s artistic

Chapter 1 The Blossoming • Oil on Canvas • 36 x 48in • 2018

path came during his teenage years. At fifteen, he encountered a decorative landscape painting at Gaisano Mall in Davao. Rendered in shades of green, purple, yellow, and orange, the work was simple yet profoundly moving. Though commercial in nature, it stirred in him a sense of wonder and joy that solidified his decision to pursue art professionally. That moment, nearly three decades ago, remains etched in his memory as the spark that ignited his lifelong devotion to visual storytelling.

Cabrera’s artistic style is best described as Whimsical Realism and Atmospheric Surrealism. Since 2022, he has been captivated by the expressive potential of fabric—its folds, textures, and draperies. This fascination has led him to develop a series of works where textiles are reimagined as organic elements of nature: Fabric Trees, Fabric Clouds, Fabric Fields, Fabric Hair, and Fabric Animals. Through these explorations, Cabrera transforms cloth into living, breathing forms, blurring the boundaries between the synthetic and the organic. His manipulation of light and space creates atmospheric settings that are at once serene and unsettling, inviting viewers into worlds of mystery and quiet tension.

For Cabrera, art is not about loud declarations but about subtle revelations. His works embody silence and serenity, yet they carry an undercurrent of disturbance—an interplay of peace and unease. He likens the mood of his paintings to films such as What Dreams May Come and Big Fish, or poems like Edgar Allan Poe’s A Dream Within a Dream. These references reflect his desire to evoke dreamlike

atmospheres where reality and imagination intertwine.

Influenced by masters such as Johannes Vermeer, Peter Bruegel the Elder, Resurrección Hidalgo, Fabian de la Rosa, and John Everett Millais, Cabrera values realism and the creation of believable environments. He distances himself from genres like Abstract and Pop Art, preferring instead to ground his visions in spaces that feel tangible yet mysterious. His musical inspirations—Secret Garden’s Sigma and Kim Robertson’s Ferry Me Across the Water—mirror the emotional tone of his paintings, resonating with their atmospheric depth.

Despite challenges in balancing artistic integrity with the demands of the art market, Cabrera remains steadfast in his vision. Looking ahead, he sees himself not only as a creator but also as an educator, mentoring young artists to develop confidence, technique, and their own voices. His guiding motto, “Creativity is not enough. The skill of the true artist is to show the real in the light of the ideal and so transfigure it,” encapsulates his philosophy.

BryCab’s legacy, though not consciously pursued, lies in the quiet power of his works and the respect he shows to fellow artists. His advice to the next generation is simple yet profound: take baby steps, embrace the frustrations, and never feel entitled. For him, the journey of art is both demanding and rewarding—a lifelong unfolding of imagination, skill, and vision.

—Ruth Espinosa

Lurking in the Purple Shadows • Oil on Canvas • 24 x 36in

Overlapping Memories Oil on Canvas 66 x 54in 2022

Salvaging Ophelia Oil on Canvas 5.5 x 6ft 2010

Slumber Oil on Canvas 36 x 48in 2022

Chapter 1 The Encounter of Polka Dots Tree Oil on Canvas 16 x 18in 2022

Painting Stories Through Everyday Life

Cacho Ferrero

Jonathan Morales Ferrero Jr., known in the art world as Cacho Ferrero, is a Filipino visual artist whose journey reflects both heritage and passion. Born in Davao City to a family deeply rooted in music, Cacho grew up surrounded by rhythm, melody, and creativity. His father was a musician, while his mother was a singer who even formed a family band with her sisters and in laws. Though music was the family’s language, Cacho discovered his own voice through visual art—a gift he attributes to his mother’s side.

Cacho’s childhood was spent between Iloilo and Davao, experiences that shaped his sense of place and identity. He graduated high school in Davao, where he later began his own family.

Legacy • Acrylic on Canvas • 48 x 96in • 2015

A tribute painting commissioned by Sir Ricky Floirendo for his parents.This work marks my first major commission and honors the legacy built by his parents, one rooted in family, perseverance, and values passed down through generations.

Drawing had always been part of his life, and he joined art competitions during his school years. Yet it was only at the age of 35 that he decided to fully embrace art as his profession, a turning point that marked the beginning of his serious artistic journey.

His inspiration traces back to the works of Claude Monet, whose Impressionist canvases captivated him long before he understood genres or styles. That fascination with Impressionism became the foundation of his own practice. Today, Cacho’s art is characterized by loose, expressive brushwork and a focus on everyday life scenes and portraiture. He believes that the human face—especially the eyes— holds stories waiting to be told. His portraits often capture candid expressions, revealing narratives that go beyond surface aesthetics.

For Cacho, art is not merely about beauty or technique; it is about storytelling. He wants viewers to look at his paintings and see the lives, emotions, and quiet moments embedded within them. He likens his work to a lyrical film or poem—pieces that speak softly yet profoundly, conveying meaning without words.

His influences extend beyond Monet to modern artists such as Jorge Corpuna and Mary Whyte, whose free and fluid styles resonate with him. In music, he admires jazz greats like Dave Grusin and David Benoit, appreciating their melodic lines and timeless feel. His taste in film and personality icons includes Brad Pitt, whom he admires for aging gracefully with character.

While Impressionism is his chosen language, Cacho is clear about what he does not enjoy: abstract art. For him, recognizable form and structure are essential to storytelling. He values clarity in composition, believing that emotion and narrative are best conveyed when the subject remains visible.

Cacho’s artistic journey has not been without challenges. In Davao, where the art scene is still developing, gaining recognition and respect as a professional artist requires persistence. One of his most unforgettable milestones was a commission for a large 4 x 8 foot painting—a tribute to a client’s parents—which took him three months to complete. That project affirmed his ability to take on ambitious works and leave lasting impressions.

Looking ahead, Cacho envisions himself continuing to paint out of passion rather than obligation. His dream is to establish his own gallery, a space where his works can live and inspire others. Guided by his life motto, “Learn the art of living,” he hopes to leave a legacy not just of skill, but of heartfelt artistry—art that resonates deeply with people.

San Pedro Sttreet • Watercolor on Paper •15 x 21in • 2025

Bangkerohan River • Watercolor on Paper • 20 x 30in • 2025

To the youth and budding artists, his advice is simple yet profound: never lose your childlike wonder, and never stop learning. For Cacho Ferrero, curiosity and growth are the lifeblood of creativity, ensuring that art remains alive, evolving, and meaningful.

Roxas • Watercolor on Paper • 20 x 30in • 2023

—Ruth Espinosa

Surfer • Watercolor on Paper

• 15 x 21in • 2024

Udtong Tutok (High Noon) • Waterolor on Paper

• 15 x 20in • 2025

A Mindanaoan Gaze in Watercolor and Spirit

Danny

Castillon

Doce

Is a Filipino visual artist whose works bridge the cultural richness of Mindanao and the expressive freedom of contemporary art. Born and raised in Surallah, South Cotabato, Doce’s artistic journey began not in a formal studio, but in the soil of his childhood backyard—where he first drew images on the ground with his fingers. This early instinct for visual storytelling would later blossom into a lifelong vocation.

Doce’s roots trace back to a family of settlers from Negros and Dumangas, part of the post-war migration that helped shape the diverse cultural landscape of South Cotabato. His upbringing in this vibrant region, steeped in indigenous traditions and Visayan resilience, continues to inform the soul of his art. After completing high school, he moved to Manila to pursue formal studies in Fine Arts, eventually raising a family there. In 2021, amid the global

Impo (Lola or Old Woman) • Coffee on Paper • 29 x 21in • 2009

Ms. Camie T. Ko of Hummingbird Cafe collection

pandemic, he returned to his hometown of Surallah, where he now resides and paints with renewed purpose.

A pivotal figure in Doce’s artistic formation was Dr. Dominador “Tatay Doming” Ortiz, then principal of NACI Elementary School. Recognizing the young boy’s talent, Dr. Ortiz not only encouraged Doce’s parents to support his artistic education but personally brought him to Manila to begin his formal training. This act of mentorship marked the beginning of a career rooted in gratitude, cultural pride, and artistic excellence.

Doce’s style traverses a spectrum of visual languages, but he is most at home in the realms of Realism and Contemporary art, with a particular affinity for watercolor on paper. His realist works often depict the indigenous peoples of Mindanao—the lumads— not merely as subjects of ethnographic interest, but as dignified bearers of a living heritage. Through careful attention to detail and a deep respect for his subjects, Doce’s paintings become both homage and testimony, preserving the beauty and resilience of a culture often overlooked.

In contrast, his contemporary series— featuring whimsical goldfish—offers a playful yet poignant counterpoint. These animated figures, rendered in luminous washes of watercolor, serve as metaphors for joy, freedom, and the human spirit’s capacity to rise above adversity. While seemingly lighthearted, they remain tethered to Mindanaoan identity, subtly echoing the region’s colors, rhythms, and narratives.

Doce’s contributions to the Philippine art scene have earned him national recognition. He was awarded a grant for his solo exhibit “Colors of the South” at the NCCA Gallery in May 2024. He was named one of the Top 5 Regional Winners for Mindanao in the 2023 Philippine Art Awards and received the Outstanding South Cotabato Award in 2022. His mastery in watercolor has also been celebrated in the prestigious Kulay Sa Tubig Invitational Watercolor Competition, where he was declared Winner in 2009 and Runner-up in 2014.

Danny Castillon Doce’s work is a testament to the power of art as both cultural preservation and personal catharsis. Whether capturing the quiet strength of a lumad elder or the buoyant dance of a goldfish, his paintings invite viewers into a world where tradition and imagination coexist. As he continues to create from his home in Surallah, Doce stands as a vital voice in contemporary Filipino art— rooted in heritage, guided by gratitude, and ever attuned to the beauty that surrounds us.

—Ruth Espinosa

Nurturing With Passion (Series # 1) Watercolor on Paper 29 x 21in 2009

Pleasant Surprise (Series 1) • Watercolor on Paper • 29 x 21in • 2017

Ms. Viki Roman collection

Smile Of Hope Watercolor on Paper 44 x 72in

2015

The smile of an elderly Bagobo-Tagabawa lady was very captivating - like she held a secret known only to her. Her eyes shone brightly, giving character and wisdom to every crease on her face, as her hand curled to support her chin. Her demeanor was further highlighted with her colorful accessories on her neck and arms.

This painting was inspired by one of the pictures of the award-winning photographer Jojie Alcantara. This was the first large-format watercolor painting I did. This painting was showcased during the Viajeros Group Exhibit at the Philippine Consulate in San Francisco USA in 2018.

He was mentored by Mr. Ernesto Verroya and Pastor Atty. Carlos Cao Jr. who helped him for his travel to the USA.

Hikong Bente Acrylic on Canvas 7 x 13ft

2015

In 2015, BGen. Julius and Dra. Jenina Tomines commissioned this piece to grace their living room in Surallah, South Cotabato - while I was still living in Taytay, Rizal. I worked on it at home, then brought it back and mounted it on their home in Surallah, as promised.

a

This was used as the poster for the “Colors of the South” solo watercolor exhibit at the NCCA Gallery exhibit at Manila in 2024. The exhibit was also featured in different publications, including Tatler Asia, Manila Times, among others.

This painting along with its twin, “YOUNG ONCE” were loaned by the collector during the activity.

Young Ones • Watercolor on Paper • 19 x 25in • 2020

This painting features

smiling brother and sister hugging each other, in their brightly red colored Mindanaoan ensemble.

Voices of Davao Del Sur’s Creative Spirit

The Davao Del Sur Art League, fondly shortened to DavSur Art League, is a collective of passionate artists rooted in Digos City, Davao Del Sur, whose vision has steadily expanded across the region. Formed in 2022, the group embodies the diverse voices of local creatives while uniting under a shared advocacy: to represent the natural beauty and cultural richness of Davao Del Sur through art.

The league began with five founding members whose individual journeys shaped the group’s identity. Evanie Gibbs “Banoi” Reyno, the founder-leader, is both an architect and civil engineer whose contemporary style, “Banoism,” explores texture, translucence, and color as a language of inner voice. Alongside him is Verman Roy “Bobong” Carbellido, a multimedia artist whose agricultural background informs his nature-inspired works. Kim “Kubong” Laranjo, a professional licensed teacher, pursued art through residencies and study, weaving knowledge and practice into his creative

DavSur Art League

From top left clockwise:

Marvin Linogao

Azenith Yap

Yves Paul Aquino

Kubong Laranjo

Tessa Sedon

Banoi Reyno

Verman Roy Carbellido

voice. Azineth “Zi” Yap, a self-taught artist and physical therapist, licensed professional teacher found healing and self-expression through acrylics, while Marvin Linogao, also a teacher, inspires his community by balancing realism and abstraction in his art.

By 2024, the league welcomed two more members, enriching its collective vision. Tessa Marie Sedon, a self-taught portraitist turned conceptual artist, honed her craft as a resident artist at Galleri Ka’dlawon. Yves Paul Aquino, a painter, carver, and sculptor, draws inspiration from nature and culture, his dedication resonating deeply with audiences. Together, these seven artists form the core of DavSur Art League, actively mounting exhibits and community art activities that educate and inspire.

The group’s inspiration lies in the landscapes and heritage of Davao Del Sur, with Mt. Apo as its symbolic centerpiece. Though each artist’s style is distinct, their collective works offer audiences multiple lenses through which to view the region—an interplay of perspectives that celebrates identity, place, and culture. Their chosen “favorite artist” is none other than the Creator, whom they regard as the ultimate master of beauty and design.

Challenges have not been absent.

Funding remains a constant hurdle, with members often pooling personal resources to mount exhibitions. At times, the undervaluing of art dampens spirits, yet the league continues to hold strong, driven by passion and purpose. Their resilience bore fruit in 2023 when they proudly represented Davao Del Sur at the Mindanao Wide Art Fest in Davao City, a milestone that marked their recognition beyond local borders. In 2025, they further cemented their presence by joining the Davao Artists Federation, Inc. (DAFI) and participating in the DAFI Art Fest, once again carrying the banner of their province.

Looking ahead, the DavSur Art League envisions a thriving artistic community in the next decade—more groups, more rising artists, and a matured public appreciation for art. Their mantra, “Use our art to make the community a little bit more beautiful,” reflects their mission to leave a legacy: artworks that serve as cultural thumbnails of their generation, woven into the history of Davao Del Sur.

To the youth, their advice is simple yet profound: continue to express your ideas, never let challenges hinder your inspiration, and keep your passion alive. In doing so, the next generation of artists will carry forward the torch of creativity, ensuring that the beauty of Davao Del Sur shines ever brighter.

2021

2024

Verman Roy Carbellido Kapayas

Acrylic on Canvas 36 x 24in

Kubong Laranjo Awakened

Acrylic on Canvas 24 x 24in

Richard Celeste collection

24 x 18in

2025

Azineth Yap

Gentle Tudes, Paired Spirits

Acrylic on Canvas

24 x 24in

Yves Paul Aquino

The Watcher

Wood and Acrylic

Rooted

Acrylic on Canvas 24 x 18in

2025

Jansyll Dellosa collection

Tessa Sedon Haven of Quiet Hearts Oil on Canvas 24 x 24in

2025

Marvin P. Linogao

Whispers of the Ocean in Watercolor

Dot Bangayan Lee

Dot Bangayan Lee, born Dorothy Bangayan Lee in Davao City, is a Filipino artist whose creative journey reflects both heritage and rediscovery. Known affectionately as “Dot” since childhood, she embraces this nickname as her artist identity—a name that carries the intimacy of family and community into her professional practice.

Her roots are deeply tied to Davao, where summers by the sea left indelible impressions of sun, salt, and oceanic vastness. Though her family later moved to Manila, Davao remained a touchstone of memory and belonging. Both sides of her family hail from the city, and she recalls stories of her great-grandfather Isabelo, himself an artist, though his works have been lost to time. This lineage, coupled with her parents’ passion for collecting art, nurtured her early exposure to creativity. Saturdays spent with mentors Evita Sarenas and Sylvia Gascon—now leading Finale Art File—were formative, filled with watercolor explorations,

Solitary Pause • Watercolor on Paper • 26 x 26in • 2025

storytelling, and field trips that instilled in her a love for art as both practice and play.

Yet, practicality led Dot to pursue business studies in college, setting aside her artistic inclinations as she entered professional life and motherhood. It was not until 2016, when she accompanied her daughter to watercolor lessons with artist Lito Pepito, that her dormant passion resurfaced. Pepito’s encouragement planted seeds that would later bloom during the pandemic, when Dot began posting her works online. A pivotal moment came in 2022, when artist Jinky A. Rayo invited her to join the Mindanao Art Fair. Initially hesitant, Dot found affirmation in the reception of her whale paintings— works that would define her artistic voice.

Dot’s style fuses minimalist naturalism, contemporary realism, and lyrical abstraction, with a focus on marine life, particularly whales. She describes her practice as “painting to listen to the deafening silence beneath the sea.” Her compositions, often partial depictions of these ocean giants, emphasize immensity and mystery, inviting viewers to imagine what lies beyond the frame. Rendered in soft washes and restrained palettes, her works are meditations on presence, loss, and reverence. They are visual prayers for endangered beings, elevating them beyond biology into kinship.

Her breakthrough moment came when Sigma Asia invited her to participate in their first art auction at Conrad Hotel, Manila. Tasked with creating a large-scale watercolor piece—something she had never attempted—Dot embraced the challenge. To her astonishment, the work sold for EUR 3,000, far exceeding its minimum bid. That experience cemented her confidence and marked her transition from emerging artist to recognized voice in Philippine contemporary art.

Ten years from now, Dot envisions herself bolder, more expressive, and exploring diverse subjects and mediums. Guided by her mantra, “You can be anything God wants you to be,” she sees her art as both vocation and devotion. Her legacy, she hopes, will echo Proverbs 31:31: Honor her for all that her hands have done, and let her works bring her praise at the city gate".—a life whose hands worked with love, whose art inspired and whose quiet strength uplifted others.

Through her whales, Dot Bangayan Lee reminds us to pause, listen, and honor the fragile majesty of the ocean—a call to reflection and reverence in a world of noise.

—Ruth Espinosa

Aegean Ascent • Watercolor on Paper

Mama and Me • Watercolor on Paper • 15 x 21in • Sec. Commissioner Javey Paul Francisco collection

Mama • Watercolor on Paper

• 15 x 21in

• 2023 • Jay Tiu collection

Of gold and grace • Watercolor and Gold Leaf on Paper • 15 x 21in • 2023 • Tanya Gaisano Lee collection

Swimming in Blooms • Watercolor on Paper • 15 x 21in • 2023 • Salve Ibanez collection

Conversations in Surrealism and Shadows

Known in the art world as Dot Lazo Tiu, is a visual artist whose works traverse the realms of surrealism, dark fantasy, and horror vacui. The name “Dot” is a shortened form of Wardot, a nickname given to him by friends during his high school years. Simple, memorable, and deeply personal, the name reflects both his identity and his journey into the creative sphere.

Born and raised in Davao City, Davao del Sur, Philippines, Dot grew up in a family of five as the youngest among three siblings. His childhood was steeped in imagination, beginning with sketches at the age of four or five. Early exposure to cartoons sparked his fascination with visual storytelling, which later evolved into a passion for comics, anime, and sci-fi horror. These influences laid the foundation for his distinctive artistic voice, one that thrives on blending the fantastical with the unsettling.

Eduardo Lazo Tiu Jr.

Dot’s art is not confined to a single genre. Instead, it is a fluid amalgamation of styles, shaped by his lived experiences and the socio-political realities he encounters. He describes his practice as a reaction to the world—absorbing emotions, sights, and events, then transforming them into visual narratives. His works are not merely aesthetic objects but conversations in visual form, designed to provoke thought, stir emotions, and sometimes even discomfort. For Dot, honesty in communication is paramount; whether viewers agree or disagree with his message, the art succeeds if it makes them pause and reflect.

If his art were to be likened to literature, Dot sees it in the spirit of Robert Frost’s Stopping by the Woods on a Snowy Evening. The poem’s quiet meditation on perseverance and sacrifice mirrors the artist’s own journey—choosing the demanding path of creation over comfort, and constantly questioning the balance between sanity and devotion to craft. This parallel underscores the solitude and resilience inherent in the artistic life.

Dot draws inspiration not from individuals but from life itself. Yet he acknowledges the profound influence of Caravaggio, whose mastery of light and shadow, coupled with a tumultuous personal history, fascinates him. The duality of Caravaggio—the genius and the criminal—resonates with Dot’s interest in complexity and contradiction, themes that often surface in his own work.

Music also plays a role in his creative process. Among his many favorites, Enjoy the Silence by Depeche Mode stands out, embodying his search for peace and contentment in quiet moments. This introspective quality reflects his personality: introverted, contemplative, and often challenged by social anxiety. For Dot, the greatest difficulty lies in balancing art as both passion and livelihood, and in navigating conversations beyond the canvas.

Despite these challenges, his most unforgettable experiences come from meeting people who connect with his art. Such encounters feel like reunions with old friends, affirming the power of art to bridge distances and foster kinship. Looking ahead, Dot envisions himself continuing to refine his craft and inspiring the next generation of artists. His mantra, “Sometimes you win, sometimes you learn,” guides him through both triumphs and setbacks.

Ultimately, Dot Lazo Tiu wishes to be remembered as an artist who sought dialogue through his work. His legacy lies not in fame or fortune, but in the connections forged with audiences—moments of thought, feeling, and shared humanity. To young artists, his advice is clear: Art takes courage. Walk the lonesome road with conviction, and believe in yourself, for nothing can stop you from reaching your goal.

—Ruth Espinosa

Aphotic Dream • Ink on Illustration Board • 20 x 30in • 2023 • Maybelle Yu collection

Isolationship • Ink on Illustartion Board • 20 x 30in • 2022

20 x 30in 2023

Recreational Outrage Ink on Illustration Board 15 x 20in 2022

A Weapon Of Mass Distraction Ink on Illustration Board

15

2024

Mark

He Who Conquered His Thoughts Ink on Illustration Board

x 20in

Bonifacio collection

The Power Of Restraint Ink on Matt Board 18 x 30in

A Journey of Authenticity in Abstraction

Elenita Cruz Dumlao, affectionately known as “Boots” to those close to her, is a Davao-based visual artist whose creative evolution reflects a fearless embrace of individuality and emotional truth. Born in Manila and raised in Davao City, Dumlao grew up at the intersection of two powerful lineages: a family of orators and politicians on her father's side, and artists and educators on her mother's. This unique blend of intellect and creativity would shape her path as a visual storyteller whose works speak not only of beauty, but of resilience, identity, and empathy.

Dumlao's earliest memories are steeped in the sights and sounds of art—thanks to the daily encouragement of her mother, Felicidad Cruz, a music and art teacher who eventually became the DECS Division Supervisor for Music and Arts in Davao. Under her mother's nurturing guidance, Boots from her tender age of five, immersed herself in various forms of artistic expression, from visual arts to theater and dance. By primary school, she was already making a mark in art competitions, sowing the seeds of a lifelong commitment to creativity.

Over the years, Dumlao’s style has transformed through a rich spectrum of influences— beginning with impressionism, evolving into surreal-

Elenita “Boots” Cruz Dumlao

ism, and embracing a fearless use of mixed media and digital tools. For the past 15 years, her works have reflected an expressive, almost visceral layering of color, texture, and symbolism, leaning toward modern expressionism and abstraction. Her artistic inquiry is driven by themes of life, nature, peace, love, hope, and cultural identity. These elements converge in her canvases like symphonies of emotion, inviting viewers to recognize shared human experiences across diverse perspectives.

Among her most profound works is the deeply personal piece “My Left Breast”, a visual narrative born out of her battle with a breast tumor. What began as an intimidating blank canvas evolved over a year and a half into an emotional journey from pain to redemption. This process encapsulated Dumlao’s approach to art: sincere, brave, and never rushed—allowing emotion to steer the hand and memory to guide the brush.

For Dumlao, abstraction is not an escape from the real but a mirror through which the soul communicates. She believes that in a world of difference, art is a universal language that allows us to feel the invisible threads that connect us. Her favorite poem “Desiderata”, and favorite song

“Bohemian Rhapsody”, reveal her affinity for complex, unconventional forms that embrace nuance and defy categorization—much like her own life and art.

As she looks to the future, Elenita “Boots” Dumlao envisions herself as an authentic abstract artist walking a path all her own. Her legacy is that of the outsider—not outcast but unbound. She urges young artists to be courageous, to resist imitation, and to honor their own voices. “Stop copying,” she says. “Create your own. Be authentic.”

—Ruth Espinosa

Pakighinabi Bountiful Journey • Acrylic on Canvas • 36 x 48in • 2023

The Pond • Acrylic on Canvas • 36 x 48in • 2021

Inclusive Domain • Acrylic on Canvas • 32 x 44in • 2012

Madigar Allaw • Good Day (Lyrical Abstraction) • Acrylic on Canvas • 36 x 47in • 2019

The Hiding Place

Acrylic on Canvas

19.5 x 24in

Up Stream Cycle

Acrylic on Canvas

33.5 x 43in

A Journey of Realism and Reverence

In the vibrant cultural landscape of Davao City, one artist has quietly nurtured her creative voice, transforming everyday beauty into timeless expressions on canvas. Known in the art community as FE D., a simple yet elegant abbreviation of her full name, Fe Dacudao, she embodies the balance of discipline and artistry, realism and interpretation, faith and wonder.

Born in Luzon but rooted in Davao since her teenage years, Fe’s life has been a tapestry woven with education, family, and community. She completed her high school at the Philippine Women’s College of Davao in 1963 and pursued her college degree at St. Theresa’s College Manila, graduating in 1967 with a Bachelor of Science in Commerce, major in Accounting. By 1968, she had earned her CPA license, a testament to her diligence and precision. For more than forty years, she and her husband Augusto built their home in Bacaca, Davao City, raising three children who would later find their own paths across the globe. Her family’s story reflects a legacy of professionalism and global engagement, with careers spanning IT, international diplomacy, and business.

Fe Dacudao

Fe’s artistic journey began in 2001 with watercolor still lifes, but it was in 2022—after the passing of her husband—that she rediscovered painting as a profound source of solace and renewal. With her children living overseas, she found herself with time and space to explore the depths of her creativity. Under the mentorship of acclaimed Davao artist Dadai Joaquin, I also learned the basics of portrait painting with pastel as medium from the accomplished guru, Datu Bago awardee Lito Pepito; Fe embraced acrylic painting, mastering techniques that allowed her to expand her repertoire to flowers, street scenes, seascapes, and portraits. Her works are grounded in realism, yet they carry subtle touches of personal interpretation, revealing her sensitivity to both subject and spirit.

Her inspirations are deeply communal. As a member of Bai Hinang, a collective of Davao women artists led by Boots Dumlao and Dadai Joaquin, Fe thrives in the contagious passion of her peers. Their camaraderie fuels her persistence, reminding her that art is not only a solitary pursuit but also a shared celebration of creativity.

The content of Fe’s paintings reflects her

fascination with the world around her: gardens in bloom, floral close-ups, sunrises and sunsets, chapels, and sacred images of the Blessed Virgin. Each canvas is an invitation to pause, to smile, and to recognize the divine beauty embedded in creation. For Fe, painting is not merely representation—it is reverence. She hopes viewers will see her works as reflections of God’s masterful design, captured through her brushstrokes.

Her artistic sensibility resonates with the poetry of William Wordsworth, particularly “I Wandered Lonely as a Cloud.” Like the daffodils immortalized in verse, Fe’s flowers embody fleeting beauty preserved in color and form. She also finds kinship with Georgia O’Keeffe, whose iconic flower paintings inspire Fe’s own explorations of natural forms and landscapes. Whether it is the grandeur of Santorini, the banyan tree in her family’s farm, or the bouquet gifted to her granddaughter, Fe transforms personal encounters into universal expressions of wonder.

Today, FE D. stands as a testament to resilience, creativity, and devotion. Her art bridges personal memory and collective experience, offering viewers not only images of beauty but also moments of reflection. In every brushstroke, she honors her city, her faith, and her journey—an artist whose realism is imbued with reverence, and whose canvases invite us to see the extraordinary in the everyday.

Dusky • Acrylic on Canvas • 16 x 22in • 2022

Endlessly Vibrant • Acrylic on Canvas • 16 x 20in • 2023

Roadside Charm Naquera, Spain • Acrylic on Canvas • 24 x 36in • 2023

Garden of Chateau Voltaire at Springtime Ferney, France • Acrylic on Canvas • 12 x 16in • 2023

Glorious Morning Surprise Acrylic on Canvas 24 x 24in 2023

Rocky Seaside Might • Acrylic on Canvas

• 24 x 24in • 2023

Light, Legacy, and the Poetry of Form

Gerardo Caranguit Lacia, known simply as “Gerry” among his peers, is a Filipino artist whose journey reflects both the rootedness of heritage and the expansiveness of imagination. Born of Visayan descent—his father hailing from Misamis Occidental and his mother from Sagay, Negros Occidental Lacia grew up in Davao City, where his parents met and built their family. Surrounded by a lineage of educators, lawyers, and public servants, Gerry carved his own path in the arts, blending philosophy, faith, and visual creativity into a lifelong vocation.

His early education in Tagum City, first at Rizal Elementary School and later at Saint Mary’s School for Boys, laid the foundation for his intellectual and artistic pursuits. He studied Philosophy at Ateneo de Davao University and Xavier University in Cagayan de Oro before completing his Bachelor of Fine Arts major in Painting at the Ford Academy of the Arts in Davao City. This dual grounding in philosophy and fine arts shaped his approach to painting—not merely as craft, but as a dialogue between thought, spirit, and form.

From childhood, Gerry displayed a natural talent for drawing. His earliest sketches featured pop culture icons of the 1970s—Superman, Bruce Lee,

Gerardo C. Lacia

Godzilla, Gamera, and Fernando Poe Jr.—revealing both his fascination with storytelling and his instinct for capturing character. Inspired by the bold imagery of movie billboard artists, textbook illustrations, Bible story drawings, and the vibrant pages of Liwayway and Bisaya comics, he honed his skills with dedication. He admired the works of Filipino comic illustrators such as Hal Santiago, Nestor Malgapo, Ray Arcilla, and Mar Santana, while also finding inspiration in the timeless paintings of Fernando Amorsolo.

As an artist, Gerry identifies himself as classical and realist, though he has explored impressionist and romantic styles. His canvases are marked by a mastery of light and shadow, a deliberate attempt to capture both the form and essence of his subjects. Whether in landscapes, seascapes, or cityscapes, his works aim to evoke atmosphere and emotion, inviting viewers to feel the magnificence of nature or the drama of urban life. His portraits, meanwhile, strive to reveal the inner character of his sitters, echoing the depth of Rembrandt’s artistry. He likens his paintings to the poetry of Robert Frost and the vivid scenarios of Hemingway and Mark Twain—art that is both visual and literary, resonant and layered.

Music, for Gerry, is inseparable from visual art. He draws inspiration from the classical compositions of Bach and Mozart, as well as the timeless melodies of the Beatles and Eagles. Paul McCartney’s hopeful lyricism, in particular, mirrors the positivity Gerry seeks to imbue in his own work. Yet, like many artists, he wrestles with time knowing when to stop, when to let a painting breathe, and resisting the temptation to overwork a canvas.

His career includes recognition as a regional awardee in the PLDT-DPC Yellow Pages Painting Contest in 1995, a testament to his skill and perseverance. Beyond his personal practice, Gerry dedicated years to teaching, serving as an art and philosophy educator. For eight consecutive years in the 1990s, he taught grades 1 to 6 at the Ford Academy of the Arts, nurturing young talents. Since 2008, he has authored MAPEH worktext series for Rex Education, contributing to the education of countless Filipino students.

Now retired, Gerry continues to paint and read, guided by his faith. Proverbs 3:5—“Trust in the Lord with all your heart and lean not on your own understanding”—remains his compass. For him, art is not only a discipline but a spiritual practice, a way of giving thanks for divine grace. He believes that negativity and laziness must never hinder creativity, for each artwork is both an offering and a testament to resilience.

Gerardo C. Lacia’s legacy lies in his ability to weave philosophy, faith, and artistry into a body of work that speaks to the heart. His paintings are not just images; they are atmospheres, poems, and prayers— an enduring contribution to Filipino visual heritage.

—Ruth Espinosa

Attor-Niece (My niece Atty. Girly Grace Lacia De Los Reyes) Oil on Canvas • 21 x 30in • 2023

Bobo (Bamboo Fish Cage Trap) • Oil on Canvas • 20 x 29in • 2022

At the break of Day • Oil on Canvas • 26 x 29in • 2023

Dahican Beach • Watercolor on Paper • 15 x 18in • 2023

Tamugan River • Oil on Canvas • 21 x 28in • 2022

Going Home • Oil on Canvas • 19 x 24in • 2022

A Journey of Art, Faith, and Nature

Nestled in the vibrant city of Davao, Ging Lopez Balinas is an artist whose still-life paintings offer a quiet yet profound dialogue between nature, spirituality, and personal reflection. With her signature watercolor and acrylic compositions, she weaves intricate narratives that celebrate the beauty of everyday life while honoring a deeper, sacred connection with the divine.

Born as Virgencita II L. Balinas in Mati City, Davao Oriental, Ging was surrounded by artistic influences from an early age. Her mother, Virgie Solis, was a Visayan actress who graced the silver screen, while her late uncle, Jun Alfon, was a skilled visual artist whose passion for art left an indelible mark on her own creative path. Their influence, coupled with Ging’s innate talent, propelled her to pursue formal studies in Fine Arts, majoring in Interior Design.

Her artistic journey began in childhood, where she eagerly participated in school art competitions, gradually refining her skills and deepening her connection to her craft. Today, she is recognized for her distinct still-life compositions, which seamlessly blend realism with emotion—allowing viewers to appreciate not only the subject itself but the quiet spirituality that pervades each brushstroke.

Ging Lopez Balinas

Among the defining moments in her journey, Ging recalls the day her mentor and fellow artists praised her work, validating her dedication and skill. Such recognition reinforces her commitment to continue painting for years to come, using her talent as a vessel for faith, gratitude, and artistic expression.

For Ging, painting is more than an artistic pursuit—it is a form of worship. Her work often showcases delicate floral arrangements and organic forms, each piece serving as a tribute to Psalm 104, a passage that vividly celebrates God’s creation. With gentle hues and soft textures, her still-life paintings radiate a sense of peace, inviting viewers to pause, reflect, and embrace the serenity of nature as a divine gift.

Her choice of watercolor and acrylic reflects her artistic philosophy—both mediums require patience, control, and an appreciation for fluidity. Her compositions are carefully constructed to capture light, movement, and emotion, ensuring that every artwork tells a subtle but meaningful story of faith, gratitude, and awe.

Through her paintings, Ging Lopez Balinas bridges the realms of art, spirituality, and emotion,

proving that creativity is not merely a skill—it is a gift to be cherished, nurtured, and shared with the world.

Balancing her artistic passion with her business ventures is one of Ging’s biggest challenges. Time, she admits, is her most elusive resource. However, despite the demands of entrepreneurship, she remains devoted to her art. She has pledged to dedicate a portion of her artistic earnings to Christian ministries, ensuring that her creative success also serves a higher calling.

Looking ahead, Ging envisions herself still immersed in her craft, creating art that not only honors beauty but also uplifts the soul. She hopes to be remembered as an artist who remained faithful to her calling, using watercolor and acrylic to reflect the splendor of creation.

To budding artists, she offers this advice: “Embrace your uniqueness. Do not compare your journey to others. Your individuality is your strength— let it shine through your art.”

Metamorphosis Watercolor on Paper 15 x 20in 2023

—Ruth Espinosa

Going Bananas Acrylic on Canvas

Nestled in Silence Watercolor on Paper 11 x 15in 2026

By The Window Watercolor on Paper 30 x 22in Myrna Axalan collection

Sarimanok Watercolor on Paper 22 x 30in 2024

Metamorphosis 1 • Watercolor on Arches Paper

• 15 x 22in

• Mr. Al Castro collection

Illuminating Life in Glass

Imelda Pangan, now also known by her artistic name Melbourne Araneta, is a Davao-born artist whose creative path has been shaped by a lifetime of curiosity, cultural immersion, and a profound love for stained glass. Imelda embraced the artistic name she was “anointed” with at the inaugural exhibit of the Benedictine Monastery in Bukidnon last August 2025, a moment that added a new dimension to her evolving identity as an artist.

Her journey began in a household where books and poetry were abundant, thanks to her maternal grandmother. While her parents—both doctors—expected her to pursue medicine, Imelda’s imagination was captivated by the transformative power of stained glass. Reading about its therapeutic effects in hospitals and homes sparked an “AHA moment” that would later define her career. Though she studied in Metro Manila and lived in Tokyo and New York, she eventually returned to Davao, carrying with her a broadened worldview and sharpened artistic sensibilities.

In Tokyo during the late 1980s, Imelda stumbled upon a stained glass workshop that fulfilled her childhood dream. Her classmates admired her instinctive color combinations and designs,

Imelda Pangan aka Melbourne Araneta

affirming that she had discovered a unique gift. Since then, she has described herself as a “glass carpenter,” someone who delights in the tactile processes of cutting, joining, and assembling glass into luminous works of art.

Her portfolio spans over three decades and includes religious commissions for Catholic and Christian places of worship, commercial projects such as corporate logos and spa mirrors, residential pieces like doors, windows, and lamps, as well as sculptures, fountains, and mausoleums. Each work reflects her technical mastery and emotional depth, offering viewers experiences that range from quiet contemplation to interactive engagement. One notable example is her mosaic sculpture Cast Your Burden Upon Me, which invited people to leave prayer petitions—an embodiment of art as dialogue between creator and community.

Among her most unforgettable milestones was her solo exhibit Celebration in Glass at the Ayala Museum in 2003. Despite Typhoon Onyok battering Metro Manila, a standing room only crowd filled the venue, with guests even peering through the glass doors when the hall reached capacity. That night, seven artworks were sold, but more importantly, Imelda witnessed the magnetic pull of her art on people eager to connect with it.

Her journey has not been without challenges. Imelda experienced identity theft, being scrubbed from the world wide web. Even her LinkedIn account was hacked, and she lost access sometime between 2017–2018. What remains is her biodata and name without her photo—yet still active and apparently useful to someone else. This vulnerability underscores the risks artists face in the digital age, where their identity and reputation can be manipulated.

Her influences include Filipino masters Anita Magsaysay-Ho, Pacita Abad, and Raffy Napay, as well as Davao’s Robin Castillo, whose watercolors document the city’s overlooked corners. Yet Imelda remains humble about legacy, believing it is best left to the universe. She encourages young artists to “Be Curious” and to persist in what brings them joy, echoing her advice in Cebuano: Padayon sa nagahatag og kalipay nimo.

Today, as both Imelda Pangan and Melbourne Araneta, she continues to illuminate spaces and lives with her stained glass creations. Her art is not just about light passing through glass—it is about life itself, refracted into colors, stories, and memories that endure.

—Ruth Espinosa

Happy Home, Happy Garden • Installation of Glass Mosaic and Ecoprint • 89 x 58in • 2022 • Commissioned by Mrs. Let Salvador for Happy Home Restaurant

Glass Chimes Stand Lamp Height: 71in Width: 22in Depth: 12 1/2in

Glass with Metal on Wood Base Private collection.

The Red-Robed Mother of Perpetual Help Glass Mosaic 1996 or 1997

Commissioned by San Lorenzo Ruiz Parish

Two Hearts theat Beat as One Glass Mosaic 2018

Celestial Pair

Sculpture of Stained Glass on Wood 1990

Mother of Perpetual Help

-Iligan City

Stained Glass 185 x 160in

Finding Rhythm in Art and Life

Honorato Casas Corpin III, better known as Intoy Corpin III, carries with him the cultural richness of his Cebuano and Waray heritage. Born in Cebu and now residing in Samal Island, Davao del Norte, Intoy grew up in a large family of eight siblings. His childhood was marked by financial struggles after his father left, but his mother’s resilience and encouragement became the foundation of his artistic journey. She often urged him to join poster making contests, where prizes like baskets of groceries helped sustain their household. These early experiences instilled in him the belief that art could be both a means of survival and a source of joy.

Intoy’s fascination with drawing began at age six, sketching anime characters, comics, and even the illustrations on Rebisco biscuit cans. His mother’s unwavering support nurtured his talent, and by high school, he was already recognized for his creativity. Later, he pursued formal training at the University of the Philippines Cebu, where he not only honed his craft but also discovered the transformative power

Intoy Corpin III

of teaching art. His first workshop in basic drawing remains one of his most unforgettable milestones, as it allowed him to share knowledge and inspire others.

Still in a stage of exploration, Intoy refuses to confine himself to a single style. He draws inspiration from masters such as Leonardo da Vinci, Goya, Ilya Repin, Nicolai Fechin, John Singer Sargent, Norman Rockwell, J.C. Leyendecker, Kim Jung Gi, and Hayao Miyazaki. His works often feature faces, human figures, flora and fauna, skulls, and cultural motifs, infused with emotions ranging from nostalgia to hope. For Intoy, art is as natural as breathing—an act that transcends definition. His recent solo exhibit, Ritmo: Finding Rhythm, held in Samal in 2025, showcased this philosophy, highlighting human expressions and emotional depth through mixed media works.

Like many Filipino artists, Intoy has faced challenges in finding accessible art spaces and sustaining patronage. Yet, he embraces these struggles as part of the artistic journey. He envisions

himself ten years from now as an active contributor to the art community, with more paintings, workshops, and perhaps even his own art school. His guiding principle, drawn from Epictetus—“Devote the rest of your life to making progress”—anchors his commitment to growth and service.

Intoy hopes to be remembered as someone who offered himself in service to the art community. His advice to budding artists is practical yet profound: master the fundamentals, draw daily, and embrace imperfection. He reminds the youth to live curiously and passionately, treating life as a DIY project filled with urgency and joy.

—Ruth Espinosa

Of Dreams and Madness • Mixed Media on Cold Press Board 8.27 x 11.69in • 2025

The Owl Thinks Slowly, But the Owl Thinks Long • Polychromos Pencil 8.27 x 11.69in (A4) • 2025

Datu Agila Watercolor on Paper 21.5 x 27in 2025

Beating as one under the Golden Sun No.1 • Mixed Media • 11.7 x 16.5in (A3) • 2025

Beating as one under the Golden Sun No.2 Mixed Media

11.7 x 16.5in A3

Beating as one under the Golden Sun No.3 Mixed Media

11.7 x 16.5( A3)

Cosmic Threads: Bina’s Journey Through Art and Soul

Born in the vibrant tapestry of Singapore on May 4, 1953, Bina—the artistic moniker of Jayanti Pribhu Balchand—was destined to live a life steeped in color, culture, and spiritual depth. Of Indian descent, her early years in the Lion City were marked by curiosity and creativity. At age eleven, her family relocated to Chennai, India, following a familial shift in business and property affairs. This move would prove pivotal, immersing her in the rich artistic and spiritual heritage of India—a land that would shape her sensibilities and ignite her lifelong devotion to art.

From childhood, Bina felt a magnetic pull toward visual expression. Encouraged by her school art classes and inspired by the works of Indian masters like M.F. Husain, she pursued formal studies in art in Chennai. Her early works—delicate sketches and paintings—served as quiet meditations, reflecting her inner world and the cultural rhythms around her. Frequent visits to city galleries, the Lalit

Jayanti

Pribhu Balchand

Kala Academy, and libraries like the USIS and British Council deepened her appreciation for both Indian and international art traditions.

In 1990, Bina’s journey took another transformative turn when she moved to Davao City, with her husband Pribhu Balchand. Here, her artistic voice evolved in profound ways. Her pen and ink drawings began to explore themes of spirituality, consciousness, and cosmic energy. Hindu

and Christian symbols appeared as recurring motifs, bridging her cultural roots with her new environment. Over time, color entered her practice with boldness and intention, adding layers of emotional and symbolic resonance.

Bina’s style became increasingly dynamic, embracing Action Painting—a genre where spontaneity and movement guide the brush. She described this process as a burst of energy, where forms emerged organically from color and mood. Her mandalas, rendered in vibrant pen and ink, became sacred geometries of healing and introspection. Acrylics became her favored medium, allowing her to play with texture, light, and emotion.

For Bina, each stroke was more than technique—it was a proclamation of life’s rhythm, its ebb and flow. Her art was a vessel for healing, a mirror of her inner battles and triumphs. She faced depression with courage, channeling her emotions into works that radiated beauty, goodness, and spiritual awareness. Her paintings invited viewers to pause, reflect, and awaken to the divine energies within and around them.

Bina’s legacy is one of gratitude and grace. She often spoke of her art as a gift from God—a sacred calling she embraced with humility and joy. Her journey ended in Davao City on July 11, 2024, but her spirit continues to shine through the luminous worlds she created. She leaves behind a body of work that speaks to transformation, resilience, and the eternal dance of light.

—Ruth Espinosa

Untitled Acrylic on Canvas 64 x 48in 2009

Rustic Folk Combination Church Acrylic on Canvas 12 x 12in 2009

Scape • Acrylic on Canvas • 12 x 36in • 2012

Celebrating Life • Acrylic on Canvas • 48 x 48in • 2010

Cloud on Canvas Acrylic on Canvas 48 x 48in 2011

Kites Acrylic on Canvas 48 x 48in 2010

She Paints in Beauty: The Impressionist Journey of

Jing Rabat

Jing C. Rabat, born Jocelyn Cayacay Rabat, is a visual artist and entrepreneur whose creative journey blossomed from the serene shores of Mati City, Davao Oriental—home to the world-renowned Pujada and Mayo Bays. As the youngest of seven siblings and happily married to Nicolo Rabat, Jing’s life is steeped in love, gratitude, and quiet joy. Though she and her husband have no children, their bond remains a source of deep inspiration, reflected in the warmth and optimism of her art.

Her artistic awakening came in 2012, sparked by a simple invitation to a canvas painting lesson. What began as a pastime quickly evolved into a daily source of fulfillment. Guided by discipline honed through years

in business, Jing embraced painting with passion and perseverance. Her travels across Europe in 2019— particularly to the Hermitage in St. Petersburg and the Belvedere in Vienna—were transformative. Standing before masterpieces by van Gogh, Rembrandt, and Klimt, she absorbed the emotional depth and technical brilliance of the greats. A workshop at the Belvedere further expanded her skills, laying the groundwork for her impressionist style.

The pandemic years brought introspection and renewal. Visits to Austria and France deepened her appreciation for Claude Monet’s lyrical approach to light and color, while time spent in Australia introduced her to diverse techniques that encouraged a more intuitive, expressive hand. Yet, her greatest muse remains her hometown. Mati’s landscapes, seascapes, and vibrant flora are recurring subjects in her work, alongside intimate still lifes and portraits of her beloved pet horse.

Sun Flower Series • Acrylic on Canvas • 26 x 32in • 2024

Jing’s preferred medium is acrylic, though she occasionally works with oil. Her style is rooted in Impressionism, a genre she reveres for its ability to capture fleeting beauty and emotion. She paints with joy, and through her brushstrokes, she hopes viewers will feel their own positivity and inner light. “Art gives me insight into life,” she shares, “and reveals what I am feeling at any given moment.”

Her paintings echo the romanticism of Lord Byron’s poem She Walks in Beauty, embodying grace, serenity, and emotional resonance. Flowers, horses, and household objects become luminous reflections of memory and meaning. Her least favorite medium charcoal—perhaps underscores her preference for vibrancy and movement over starkness and rigidity.

One of her most unforgettable moments as an artist was when a stranger purchased her painting. That simple act of appreciation affirmed her path and fueled her dream: to complete over 1,000 artworks in the next decade. Her mantra, “No pain, no gain,” speaks to her resilience and dedication.

Jing’s legacy is not measured by accolades, but by the joy she brings to others. “The deeds you do for others remain your legacy,” she says. To young artists, she offers wisdom born of experience: “Follow your gut, work on your own creative development, get better, and then get better still. Accept what you don’t know, never stop, and be resilient. But always remain sensible.”

In every canvas, Jing C. Rabat invites us to pause, reflect, and rediscover the quiet beauty that surrounds us.

—Ruth Espinosa

Gumamela Series 5 • Acrylic on Canvas • 26 x 30in • 2025

Horses Series 12 Acrylic on Canvas 26 x 32in 2025

2024

Calachuchi series 8

Acrylic on Canvas

26 x 30in 2025

Lilium Series

Acrylic on Canvas

26 x 32in

Dr. Crisostomo Serrano and Dra Cecile Serrano collection

Still Life Series 7 Acrylic on Canvas 30 x 32in 2025

Koi series 15 Acrylic on Canvas 36 x 36in 2025

The Surreal Symbolist of Davao Joaquin Pedro B. Sala

In the vibrant art scene of Davao City, one name stands out in the realm of surreal symbolism— Waxx, known to the world as Joaquin Pedro B. Sala. A visionary artist who has turned his life’s experiences into profound visual narratives, Joaquin’s art transcends mere aesthetics, offering spiritual depth and personal introspection.

Born and raised in Davao City, with roots tracing back to Cebu, Joaquin grew up in a family that deeply valued education and perseverance. As the youngest of six children, he was profoundly shaped by the teachings of his late father, a former general manager of a major company, and his late mother, a dedicated homemaker and businesswoman. Their unwavering support nurtured his journey and instilled in him the resilience necessary to navigate both life and the creative world.

Art has always been an intrinsic part of Joaquin’s existence. Since the age of four, he found solace in drawing, a passion that led him to pursue Fine Arts in college, where he developed the signature style that defines his work today—Egg Surreal Symbolism. This distinctive approach marries fantasy with deep-rooted personal experiences,

crafting imagery that invites viewers to explore its layered meanings.

Inspired first and foremost by God, alongside the influences of his father and art professors, Joaquin sees his creative expression as a spiritual journey. He draws inspiration from artists such as Salvador Dalí, whose profound imagination and ability to evoke thought resonate deeply with him. Dalí’s ability to create works that reveal their meaning only upon careful contemplation mirrors Joaquin’s artistic philosophy. Additionally, he admires Charlie Chaplin, whose silent yet expressive performances embody the emotional weight and storytelling Joaquin aims to evoke in his own creations.

At the core of Joaquin’s work lies his life experiences, moments of struggle, triumph, and reflection. Through surreal symbolism, he channels his emotions, crafting pieces that invite audiences to not only appreciate the visual beauty but also engage with its spiritual and philosophical dimensions. He desires that his work inspires others, proving that even in life’s challenges, creativity and perseverance can lead to profound artistic expression.

Despite his artistic success, Joaquin faces challenges, particularly in finding the right patrons who understand and appreciate his vision and integrity as an artist. He also grapples with professional jealousy, an unfortunate reality in the art world. Yet, through faith in God and support from true friends, he remains steadfast, continually moving forward in his artistic pursuit.

His most unforgettable moment came during the COVID-19 pandemic, when he held his first solo exhibition at Gallery La Herencia in Davao City. This milestone solidified his place in the art community and reinforced his belief in his craft.

Looking ahead, Joaquin envisions himself continuing his artistic journey, guiding young artists and sharing his knowledge. His motto, “A True Artist is a Doer,” encapsulates his commitment to creating and teaching. His advice to budding artists is simple yet powerful—remain humble, stay true to yourself, and uplift others in the pursuit of artistic excellence.

—Ruth C. Espinosa

Dream of Last Judgement Oil on Canvas 24 x 36in 2019

The Last Supper Oil on Canvas 24 x 36in 2021

Mr. Arnold Gerald King collection

Adam and Eve Oil on Canvas 24 x 30in

Last Summer Memories (Covid -19 Lockdown) Oil on Canvas 29 x 37in

Genesis of Wisdom (Ngiw-Ngiw)

Acrylic on Canvas 16 x 16in

2025

Mr. Alec & Mrs Celina Van Dierendonck collection

Self Healing Oil on Canvas 18 x 22in 2021

The Art of Meticulous Detail

John

Oh Luis

For John Oh Luis, art is more than an expression—it is a meticulous craft that transforms everyday subjects into striking works of Photorealism and Neorealism. Known simply as Luis, the Davaobased visual artist has spent decades refining his technique, creating stunning compositions that reflect his deep appreciation for detail and precision.

At 61 years old, Luis has fully embraced his identity as an artist. Though his journey began with a career in dentistry, his passion for visual arts remained steadfast. He recalls sketching as early as preschool, a love that persisted throughout his academic years. His first framed artwork came during his third year of Dentistry school, but his true breakthrough arrived with his first solo exhibition on April 18, 1995, at Victoria Plaza’s Gallery Hall in Davao City. The exhibit was a success, selling 80 percent of his pieces, and confirming that art was not just a hobby, but his true calling.

Luis grew up in a business-oriented family, yet creativity always found its place in his life. Today, his own household reflects this balance—his daughter is a nurse-entrepreneur, and his son is a professor at

Ateneo de Davao University. His grandson, who has already developed an interest in drawing and painting, bring him immense joy, hinting at a promising artistic legacy.

Luis’ artistic style centers on photorealism and neorealism, genres that require extraordinary patience and technical mastery. His paintings depict women, lace, fruits, mother-and-child compositions, and musical instruments, subjects that elevate everyday life into artistic grandeur. He takes pride in making viewers pause to appreciate the precision of his work, where the interplay of light and shadow breathes life into his compositions.

One of his most defining artistic choices is his devotion to oil pastel, a medium he has mastered over the past 30 years. Unlike traditional paints, oil pastel allows Luis to achieve intense color saturation, seamless blending, and rich layering, making his photorealistic works stand out.

Perfecting hyper-realistic paintings requires meticulous attention to detail and an immense amount of time and effort—a challenge Luis embraces wholeheartedly. His inspiration comes from respected Filipino artists Araceli Dans and Tam Austria, whose works have influenced his approach to realism.

Looking ahead, Luis hopes his legacy as an artist will continue to inspire future generations. He envisions a time when his themes and techniques shape the evolution of Filipino art, and he hopes that his grandson’s growing love for drawing will carry on his passion.

Luis believes art is not about quantity, but quality. His motto, “God is the Painter and I am the

brush,” reflects his deep connection to creativity as a spiritual process. To young and aspiring artists, he encourages experimentation, persistence, networking, and embracing the joy of artistic expression.

Through his decades-long journey, Luis has established himself as a master of Photorealism and Oil Pastel, leaving behind a legacy of precision, passion, and artistic excellence.

—Ruth C. Espinosa

Mr. & Mrs. Eddie Bangayan

x 14in 2023

Grandmas collection

Pastel

collection

Lush

Pastel

20 x 14in

2019

21 x 29in

2013

Mr. & Mrs. Ernesto Borja collection

Lace Afternoon

Oil Pastel

Mr. & Mrs. Aladin Escudero collection

The Sunflower Oil Pastel

Mother and Child #58

Oil Pastel

15 x 12in 2012

Serenade 22

Oil Pastel

20 x 14in 2011

A Visionary Artist and Cultural Pillar of Davao

Josefina Carriedo Tionko

Known in the art community as Jo C. T., is a celebrated visual artist, cultural advocate, and art space pioneer from Davao City. Her contributions to the local art scene extend beyond her vibrant paintings, as she has played a crucial role in fostering artistic growth in the region through the establishment of galleries and artist organizations.

Born in Paco, Manila on June 11, 1944, Jo grew up in Davao City, a place enriched by the diverse influences of migrants from Luzon, Visayas, and Mindanao. This cultural vibrancy shaped her worldview and deepened her appreciation for the arts. Though she originally pursued social work, earning her degree from Maryknoll (now Miriam College) in Quezon City, her journey eventually led her to embrace the visual arts, making her mark as a self-taught painter.

Her entry into the art world was unconventional. Instead of first picking up a brush, Jo focused on creating spaces where artists could thrive. In the 1980s, she founded Asiatic Gallery and later Liburon Gallery, providing vital platforms for Davao’s emerging artists. These efforts played a significant role in elevating the city’s artistic community, with the galleries hosting numerous exhibits and even welcoming the legendary National Artist Ang Kiukok for a rare solo exhibit in Davao.

Inspired by her artist friends, museum visits, and extensive reading, Jo eventually transitioned into painting. Her works are deeply rooted in her love for nature and gardening. Flowers and plant forms dominate her canvases, inviting viewers to experience the tranquility, vibrancy, and serenity of the natural world. She hopes that her paintings evoke the sounds of the forest and the rich colors of flora and fauna, offering a poetic reflection of nature’s grace. One of her greatest artistic influences is the poem “I Wandered Lonely as a Cloud” by William Wordsworth—an ode to beauty and nostalgia that mirrors her artistic philosophy.

Throughout her career, Jo has held multiple solo exhibitions, beginning with her first onewoman show in Victoria Plaza in 1996. She later exhibited in Makati’s Le Soufflé, followed by successful showcases at the Davao Museum in 2008, Abreeza Mall in 2015, and most recently, La Herencia in 2024. She also led the Dabawenyo Artist Federation Inc. as its founding president from 2020 to 2024, strengthening collaborations between artists, galleries, and government institutions.

Her contributions to the arts were formally recognized in 2025 when she was honored with the prestigious Datu Bago Award—the highest distinction given by Davao City to individuals who have significantly enriched the community. Her unwavering dedication to visual arts and cultural development cements her legacy as both a painter and an artistic leader.

Looking ahead, Jo remains committed to her craft, believing that age should never be an obstacle to creativity. Guided by her faith, she upholds the motto: “If you are with God, everything is possible.” She hopes to be remembered not just as an artist, but as someone who helped and uplifted others, leaving behind a legacy of beauty, service, and inspiration for future generations.

—Ruth C. Espinosa

Dark Pink Wild Daisy Oil on Canvas 30 x 30in 2023

Paradise Dream Oil on Canvas 36 x 48in 2019

Bromeliad in Bloom Oil on Canvas 48 x 48in

Red Ginger Oil on Canvas 30 x 36in

Croton • Oil on Canvas • 24 x 30in • 2022

Gumamelas • Oil on Canvas • 24 x 36in

2022

Painting Filipino Life with Grace and Light

Lorraine Santos Panelo is a Filipino visual artist whose works reflect a deep reverence for culture, heritage, and the quiet beauty of everyday life. Born in Caloocan City and raised in Davao City, Lorraine moved to Manila in 2004.

Family plays a central role in Lorraine's life and art. She is married to Carlo Irwin Panelo, a physician. They are blessed with a daughter named Catherine Anne.

Lorraine has Tagalog and Ilonggo roots- her father, Basilio hails from Nueva Ecija and Bulacan, while her mother Lilia, comes from Janiuay, Iloilo. These influences, both personal and cultural, drive her commitment to preserving Filipino identity through art.

Lorraine's artistic journey began in childhood, nurtured by school art contests. She later enrolled at the Ford Academy of Arts while immersing herself in the Davao art scene where she met other artists. It was in Manila that Lorraine became more serious in honing her skills.

Her early exposure to art laid the foundation for a lifelong pursuit of creative expression rooted in realism and impressionism. Lorraine's artistic stvle is characterized by a thoughtful blend of

Lorraine Santos Panelo

classical technique and personal narrative. Her subjects range from still life and portraiture to figures and urbanscapes-each rendered with sensitivity and a keen eye for detail.

Initially drawn to the simplicity and accessibility of still life subjects, she gradually embraced more complex themes. Including human figures and urban environments inspired by weekend road trips with her family.

These excursions became fertile ground for visual storytelling, allowing her to capture the soul of Filipino spaces and the subtle rhythms of domestic life.

Lorraine's works are more than visual compositions - they are quiet meditations on heritage and history. Her ethnic-themed pieces and urbanscapes invite viewers to reflect on the richness of Filipino culture and the evolving landscape of our lived environment. She draws inspiration from classical masters, particularly Rembrandt van Rijn, whose mastery of chiaroscuro resonates with her own exploration of light and shadow.

Despite the demands of motherhood and domestic life, Lorraine continues to paint ith passion and purpose. She acknowledges the challenges of time management and self-doubt but remains steadfast in her belief that creativity must be nurtured. Jazz music often accompanies her painting sessions. providing a soothing backdrop for introspection and flow.

Looking ahead, Lorraine envisions herself as a more confident artist, expanding her repertoire and sharing her knowledge through teaching. Her mantra, "Always be grateful. Life is beautiful," reflects the grace and humility with which she approaches both art and life. She hopes to leave a legacy of cultural preservation and artistic integrity, remembered for her contributions to Filipino art and her of others to pursue their creative paths.

To budding artists. Lorraine offers heartfelt advice: take every opportunity to leam, connect with fellow creatives, and paint from the heart-not for popularity, but for authenticity. Her journey is a testament to the power of perseverance, gratitude, and the enduring beauty of Filipino artistry.

—Ruth Espinosa

The Promise of Heritage• Soft Pastel on Paper 17 x 12in • 2024

Commute • Watercolor on Paper 14 x 18in • 2024

Sweet Guavas • Soft pastel on Paper

10.5 X 15in

2023

City Night Drive

Watercolor on Paper

13 X 18.5in

2024

Hope Balances on Stilts

Acrylic on Canvas

12 X 16in

Dancer of Dreams

Soft Pastel on Paper

24 x 18in

Painting the Soul of Filipino Living

Lucas Rañola, known simply by his artist name “Lucas,” is a realist painter whose works breathe life into the everyday stories of Filipino culture. Born in Kidapawan City, North Cotabato, Lucas grew up in a modest household as the fourth of eight siblings. His father, a lay preacher, and his mother, a housekeeper, instilled in him values of humility, faith, and perseverance—qualities that continue to resonate in his art.

Lucas began his artistic journey in 1976, first as a cinema artist, before fully embracing painting as his lifelong vocation. His influences are deeply rooted in the masters of both Filipino and Western traditions: Félix Resurrección Hidalgo, Juan Luna, Fernando Amorsolo, and John Singer Sargent. From these figures, Lucas absorbed the discipline of realism and the power of art to narrate cultural identity.

His chosen style—realism—serves as a vessel for portraying Filipino living. Each canvas is a window into the rhythms of daily life, from the warmth of family gatherings to the quiet dignity of rural labor. Lucas’s art is not merely representational; it is a celebration of belongingness. He hopes that viewers, upon introspection, feel inspired to embrace their

Lucas Rañola

heritage and cultivate love for Filipino culture. His works, he says, would most closely resemble a Filipino romantic drama if translated into film or poetry imbued with tenderness, resilience, and a deep sense of community.

Lucas’s admiration for cultural icons extends beyond the visual arts. He finds inspiration in the music of Ryan Cayabyab and the films of Fernando Poe Jr., both of whom, like Juan Luna, championed Filipino identity through their crafts. His favorite song, “Never Ever Say Goodbye” by Nonoy Zúñiga, reflects his own emotional connection to themes of love, memory, and perseverance.

Yet, Lucas’s journey has not been without challenges. Marketing his works remains a hurdle, a common struggle among artists who prioritize creation over commerce. Despite this, his most unforgettable moment was the launch of his first solo exhibition—a milestone that affirmed his place as a professional artist and solidified his commitment to his craft.

Looking ahead, Lucas envisions himself ten years from now not only as a recognized realist but as a painter who continues to love the act of painting itself. His mantra, “Life is but a journey and creativity is

the joy of it,” encapsulates his philosophy: art is both a personal voyage and a gift to society.

Lucas hopes to leave behind a legacy as an artist who contributed to the building of society through creativity. To the youth, he offers words of wisdom: “Develop the skills of life and lead the future in confidence.” And to budding artists, his advice is simple yet profound: “Keep doing what you love and you end up loving what you do.”

Through his brushstrokes, Lucas Rañola

immortalizes the Filipino way of life, ensuring that its beauty, resilience, and spirit endure for generations to come.

—Ruth Espinosa

Mga Bata sa Dagat • Acrylic on Canvas • 24 x 24in • 2022 • Nancy Dela Rosa collection

Golden Harvest

Acrylic on Canvas

24 x 24in

2025

Honesto and Clara Lilia Cabarroguis collection

Harvest Time

Acrylic on Canvas

30 x 40in

2021

2021

Market Scene Acrylic on Canvas 30 x 40in

2016 Honesto and Clara Lilia Cabarroguis collection

Pamukot Watercolor on Arches Paper 22 x 22in

Mr. and Mrs Sebastian L Angliongto collection

Light Through Grief, Joy Through Art

L

ucille Mijares, known affectionately as Joy to family and friends, is an artist whose journey into painting was born out of both loss and renewal. Her name, Lucille, meaning “light,” is the identity she proudly carries into her artistic practice, honoring her birth name while embracing the luminous path it symbolizes. Raised in Davao City, she grew up in a time when the city was still quiet and simple—marked by a single grocery, wooden churches, and schools run by priests and nuns. This environment of simplicity and closeness shaped her early worldview, instilling in her a deep appreciation for community, nature, and memory.

Lucille comes from a family of professionals: her father, a banker from Luzon, and her mother, a doctor from Mindanao, met in Davao in 1964. Together, they raised four children who spent their childhood chasing dragonflies and grasshoppers, building bonds that remain strong to this day. Later in life, Lucille married a man whose kindness and patience guided her, and with whom she shared a career in peace and development work. His passing in 2012 became a turning point in her life—one that led her to art as a way of healing. In searching for

Lucille Mijares

renewal, she found her mentor, Amanda Echevarria, whose guidance opened the door to painting and self-expression.

Lucille’s art is deeply personal, often surrealistic in imagery and impressionistic in stroke. She does not confine herself to a single style, instead exploring techniques, textures, and mediums with curiosity and courage. Her subjects are drawn from the everyday and the imagined: a flower’s fleeting beauty, the rhythm of music, a dream from the night before, or an object transformed by imagination. For her, art is a way to immortalize moments and emotions, to turn grief into beauty, and to liberate the creative soul within. Her works invite viewers to see that pain can be transfigured into something profound, and that self-expression is both healing and freeing.

Her first exhibit, where she presented Whispers of a Dream—a piece created entirely with her fingers—remains her most unforgettable artistic milestone. The tactile joy of playing with paint reminded her of childhood, while the act of exhibiting brought both excitement and anxiety. Since then, Lucille has continued to grow, participating in the Davao Art Festival since 2022 and joining exhibits organized by Art Pavilion. Her works often depict musical storytelling, blending her love for nature with her background as a classical pianist. Acrylics, textured gels, and playful techniques like pointillism and fingerprinting have become her tools for translating emotion into visual form.

Inspired by her mentor Amanda and by the humility of local Davao artists, Lucille envisions herself in the coming decade as an artist unafraid of results, creating works that are authentic and deeply resonant. Guided by her life motto, Ad astra per aspera—“the rough road leads to the stars”—she seeks to leave a legacy of meaningful art that challenges viewers to reflect on reality and the world around them. For Lucille, art is not only a personal journey but also a call to others: to put aside distractions, to dream, to create, and to believe in themselves.

—Ruth Espinosa

I found a tree Acrylic on canvas 24 x 60in 2025

Thy self Acrylic on Canvas 24 x 36in 2021

Kim Acrylic on Canvas 48 x 48in 2019

Love language series 2 Acrylic on Canvas 24 x 30in 2023

2023

48

2022

Love language series 1 Acrylic on Canvas

24 x 30in

Whispers of a Dream Mixed Media

x 60in

“The Grace of Wonder: Maika Coloso’s Artistic Legacy”

Maika Buenbrazo Coloso, known simply as Maika in the art world, is a painter whose works whisper of memory, emotion, and wonder. Though she prefers the nickname Kai in her daily life, she reclaims her full given name when she creates. Signing her pieces with only “Maika,” she chooses a quiet anonymity—not out of disconnection from her family name, but to allow her art to stand on its own, unburdened by labels, carrying instead the intimacy of her inner world.

Born in Cotabato City, Maika grew up in a home filled with presence and care. Her parents, steadfast providers, taught her that love is shown through consistency and small gestures rather than grand declarations. As the eldest of three, she found strength and grounding in her siblings, whose quiet resilience continues to anchor her. Though Cotabato is not a place she often returns to, it remains the soil of her beginnings—a landscape of warmth and ache that shaped her sensibilities.

Art for Maika was never a sudden

Maika Buenbrazo Coloso

discovery but an unfolding. From doodles on textbooks to coloring books gifted on birthdays, creativity was her way of processing the world. In 2018, she took a decisive step forward when her family encouraged her to join a workshop under Davao-based artist Amanda Fe Echevarria. There, she transitioned from small sketches to acrylic paintings on canvas, eventually exhibiting her works publicly. That leap marked the start of her journey as a visual artist.

Her inspirations are not confined to a single figure but drawn from the beauty of the everyday—the overlooked, the mundane, the fleeting. She creates for those who feel deeply yet struggle to articulate, offering her art as a language of recognition. Landscapes often become her chosen subject, rendered in impressionistic strokes that privilege emotion over precision. For Maika, art is not about replicating reality but uncovering what lies beneath it. Her pieces are vessels for grief, joy, and memory attempts to articulate what words cannot.

Maika’s philosophy is rooted in wonder. She hopes viewers of her work realize that not everything must be defined; some things are better felt. Her art, she says, resonates with the spirit of Mary Oliver’s poem Wild Geese, offering permission to belong, to feel, to love without justification. This ethos echoes in her admiration for contemporary artist Iris Scott, whose finger-painted canvases embody intimacy and boldness. Like Scott, Maika values touch, movement, and the aliveness of color.

Her journey has been marked by unforgettable moments: the thrill of selling her first drawing for 800 pesos, and the quiet joy of overhearing a stranger call her piece their favorite without knowing she was the artist. These experiences affirmed that her art could speak for itself, reaching hearts without introduction.

Looking ahead, Maika envisions herself continuing to paint with honesty, perhaps with solo and group exhibitions to her name. Yet her deepest hope is to remain true to the feelings that first compelled her to create. Her mantra, “Softness is not surrender,” guides both her art and her life. She wishes to leave a legacy of recognition—of making people feel less alone, of offering joy through colors and landscapes.

To the youth and budding artists, Maika offers gentle wisdom: you don’t have to be loud to be heard. Find joy in the small things, create honestly, and resist the pull of trends. Art, she reminds us, is not about conformity but about authenticity. And in her own journey, Maika continues to prove that softness, far from weakness, is a strength that endures.

—Ruth Espinosa

Hues of Healing 5 Acrylic on Canvas 36 x 24in 2023

Private Collection

Lila Acrylic on Canvas 12 x 12in 2022

Private Collection

Hues of Healing 4

Acrylic on Canvas

36 x 24in

2023

Private Collection

Hues of Healing1

Acrylic on Canvas

24 x 18in 2022

Purple Bliss Acrylic on Canvas

24 x 18in 2024 Private Collection

Wolf's Law

Ink on Watercolor Paper

12 x 9in

Collection

A Life of Art, Honesty, and Boundless Imagination

Margarita Marfori

Margarita "Margot" Marfori is a Filipina visual artist and author whose artistic journey is deeply intertwined with the landscapes, histories, and influences of her hometown, Davao City. Born in 1956, Marfori grew up in a household that nurtured creativity and curiosity. As the fourth of six siblings, she developed a keen sense of artistic exploration from an early age, inspired by her father’s unwavering support. His trips to Manila often resulted in new art supplies and books that introduced her to the works of Van Gogh, Rembrandt, and Vermeer—artists who shaped her understanding of art’s boundless possibilities.

Marfori began making artworks at the age

of ten, a practice that evolved into a lifelong pursuit. While her works are often categorized as surreal or surreal landscapes, she resists the limitations of style and genre, instead seeing her art as a confluence of sincere images that organically come together. For her, artistic expression is not about classification but rather about creating deeply personal and evocative compositions.

Her approach to art is open-ended, respecting the varied interpretations of viewers. Rather than imposing meaning on her audience, she embraces the diversity of personal experiences that each observer brings to an artwork. This philosophy underscores her belief that art should be expansive and fluid, rather than confined by rigid definitions.

In addition to visual arts, Marfori is a prolific writer, having published numerous short stories and essays in various Philippine publications. Among her most beloved literary influences is Gabriel García Márquez’s One Hundred Years of Solitude, which she has read multiple times for its immersive storytelling and magical realism. A lover of opera, she appreciates the human voice's ability to evoke raw emotion, particularly in Wagner’s Ring Cycle.

Marfori’s journey as an artist has been marked by both challenges and triumphs. One of her greatest struggles is letting go of her works, knowing they will find new homes beyond her care. Yet, one of her most

unforgettable moments was when a gallery purchased her first exhibited painting—affirming her place as an artist.

Over the years, her art has been showcased in both solo and group exhibitions across the Philippines and internationally, including in New York and California. She has been part of prestigious juried exhibitions, and her works reside in various private collections.

As she looks toward the future, Marfori hopes to continue creating, possibly transitioning into new artistic forms. She remains steadfast in her belief that art should remain true to the artist’s vision, undiluted by external influences or fleeting trends. Her mantra—"Live each day to the fullest, and remember that people come before stuff"—reflects her grounded approach to life and artistry.

For budding artists, she offers wisdom rooted in experience: embrace experimentation, avoid limitations, and dedicate time to practice, even when inspiration feels distant. Through her art and words, Margarita Marfori leaves behind a legacy of sincerity, independence, and artistic courage.

—Ruth C. Espinosa

Face • Oil on Canvas • 30 x 40in • 2014 • Yuko Nii Foundation Brooklyn, New York

Purple • Acrylic on Canvas • 8 x 12in • 2021 • Maritel Celi collection

Green Window Oil on Canvas

40 x 40cm

2024 Yuko Nii Foundation

New York City, USA

Mongrel Acrylic on Canvas board

8 x 12in

Philippine Deputy Consul General, LA, USA collection

Red Window Oil on Canvas 40 x 40in

2015 Dragon Gallery Queens, New York, USA

Three Trees Oil on Canvas 30 x 40in

2016 Yuko Nii Foundation collection, New York City, USA

The Visionary of Color and Tranquility

Mark Daingan Chua

A self-taught artist whose creative journey defies convention, boldly stepping beyond mainstream currents to craft a world of striking hues, balance, and harmony. His art is an invitation—an exploration of serenity, where color flows freely and the boundaries between reality and dreams dissolve.

Born in Cotabato City and currently residing in Panabo City, Davao del Norte, Chua’s formative years were shaped by a profound sense of isolation amidst the unrest surrounding his hometown. In solitude, he discovered his artistic voice, cultivating an inner world of imagination and expression. What began as innocent sketches flourished into vivid canvases, each narrating a deeply personal journey.

Despite lacking formal academic training in art theory, Chua’s intuitive approach and masterful command of color have earned him widespread recognition. His artworks, characterized by their

vibrant interplay of acrylic and mixed media, encapsulate a sense of fluid motion—an ebb and flow that mirrors the dynamic forces of nature and human emotion. Drawing inspiration from Jose T. Joya and the mystical essence of dreams, his paintings bridge the gap between opposing energies, weaving a harmonious dance of color and texture.

Since professionally pursuing his craft in 2016, Chua has established himself in the Philippine art scene, with collectors acquiring his work in key cities such as Manila, Cebu, Iloilo, Palawan, Bulacan, Cotabato, and Davao. Beyond national borders, his art has captivated audiences in Guangzhou, China; Singapore; the UAE; Washington State, USA; San Diego, USA; New York City, USA; and Canada. His work has further graced multimedia exhibitions in Italy, Spain, and London, cementing his presence on the global artistic stage.

In 2019, Chua won First Prize at the Colours for Peace Philippines Competition, a testament to his ability to evoke deep emotions through the expressive power of color. His paintings transcend mere visual appeal—they serve as portals to a tranquil realm, encouraging viewers to embrace introspection, joy, and prosperity.

Inspired by the emotive storytelling of Dead Poets Society, Chua envisions his art as a similar experience—one that unfolds its depth over time, revealing hidden emotions and surprises with every glance. His artistic philosophy resonates with the impassioned strokes of Vincent van Gogh and Claude Monet’s ethereal interpretation of light, both of whom he admires for their ability to make viewers feel the essence of their creations.

Looking ahead, Chua envisions a future where his art continues to inspire and uplift. A decade from now, he sees himself as a successful entrepreneur, balancing creative expression with business acumen, while staying grounded in faith and family. His legacy lies in boundless creativity—transforming the ordinary into the extraordinary with an unexpected twist.

To the youth, he imparts a powerful message: “You Are The Master Of Your Fate, The Captain Of Your Soul.” With unwavering dedication, patience, and passion, he believes every aspiring artist can carve their own unique path, painting the world a little brighter with each brushstroke.

—Ruth Espinosa

The Sirens Secret Acrylic on Canvas 36 x 36in 2019

A Transformation Refrise Acrylic on Canvas 36 x 36in 2022

Champagne Seas

Acrylic on Canvas

36 x 36in 2019

Living Corals

Acrylic on Canvas

48 x 48in 2019

Waterfalls

Acrylic on Canvas

x 36in

Marshmallow Dreams

Acrylic on Canvas

x 36in

A Life in Color, Story, and Spirit

Is a contemporary Filipino artist whose vibrant journey through art began in the heart of Davao City. Known in artistic circles as Mean (Me-an) Tan, she embraces the name given to her at birth—a name that now resonates across canvases, jars, and prints as a signature of bold creativity and personal truth.

Raised in one of Davao’s oldest and most eminent families, Mean grew up surrounded by professionals—lawyers, doctors, bankers—but carved her own path as the clan’s sole artist. Her father was a lawyer, her mother a teacher turned businesswoman, and while her family leaned toward traditional careers, Mean’s passion for art was irrepressible. At just six years old, she began formal lessons under Mrs. Brenda Barba, though her mother fondly recalled her doodling as early as age two. By grade six, she was president of the art club, a role she held with pride and consistency. Her artistic calling led her to defy expectations. After high school, her mother urged her toward dentistry or pharmacy, but Mean stood firm: if not Fine Arts, then no school at all. That summer, she and her mother rushed to Manila, where she

Mary Anne Consejo Tan

enrolled at the College of the Holy Spirit in Mendiola, pursuing Fine Arts major in Advertising. She graduated in 1986, just as pop art and neon palettes were surging—an aesthetic that deeply influenced her early work.

Mean’s style evolved from impressionism to expressionism and surreal narrative, shaped by her admiration for artists like Paul Cézanne, Marc Chagall, Andy Warhol, Francesco Clemente, and later, Frida Kahlo, Dorothea Tanning, and Leonora Carrington. Odilon Redon, whose dreamlike symbolism captivated her, became a pivotal influence in her artistic maturation.

Her works are known for their vivid colors, emotional depth, and storytelling. In the early 2000s, she painted her children, capturing intimate moments of motherhood. Today, with her children living in Norway—including her youngest daughter who has followed in her artistic footsteps—Mean’s focus has shifted to places she’s traveled, memories etched in pigment and form.

My Tree • Acrylic on Canvas • 24 x 36in

Though oil paints and pastels were once her favored mediums, allergies led her to embrace watercolors, acrylics, and more recently, printmaking. Her pandemic-era painted jars and pots gained popularity even among Manila collectors, showcasing her adaptability and flair for turning everyday objects into art. Lately, she’s found a new passion in rubber cut ink on paper—a medium she describes as refreshingly different and uniquely expressive.

Mean Tan’s art is more than visual—it’s narrative. Her solo show last year highlighted this shift, presenting works that speak, remember, and dream. Through decades of transformation, Mean remains a storyteller at heart, painting not just what she sees, but what she feels, remembers, and imagines. Her journey is a testament to artistic conviction, cultural pride, and the enduring power of personal vision.

—Ruth Espinosa

The Peacock and the Girl Acrylic in Vintage Ceramic Vase 9 inches jar

Blue Vase with Flowers Acrylic on Canvas 18 x 24in

Girl in Green Swimsuit Oil on canvas 9 x 12 inches

Woman with yellow Hair Rubber cut ink on paper mixed media 17 x 23in

Marivi's Paradise Acrylic on Canvas 9 x 12in

Sunflower on Pink Acrylic on Canvas 12 x 12in

Painting Joy into Everyday Life

Maybelle Yu

Maybelle Yu, known in the art world as Maybelle “abe” Yu, is a visual artist based in Davao City whose creative journey began during one of the most uncertain times in recent history—the pandemic. With her nickname “abe” affectionately woven into her artist signature, Maybelle’s works reflect a deeply personal and joyful approach to artmaking, one that emerged organically when her office routine paused and her home became a canvas for rediscovery.

Raised in Davao City, Maybelle’s roots are both local and dispersed, with family ties extending across the Philippines. Her decision to remain in Davao, where she is now married, has

The Color of Music • Acrylic on Canvas • 48 x 72in (Triptych)

grounded her practice in a city known for its vibrant culture and natural beauty. It was within the quiet of lockdowns that she first picked up a brush—not out of obligation, but out of a desire to beautify her surroundings. That simple act of decorating her home soon blossomed into a full-fledged passion for painting.

Maybelle’s artistic style straddles two distinct yet complementary genres: geometric abstraction and impressionism. Her abstract works often explore the rhythm and form of everyday objects, while her impressionist pieces focus on still life and feminine subjects, always infused with a sense of movement. “Nothing really ever stays still,” she reflects, and this philosophy breathes life into her compositions, where flow and dynamism are central themes.

Her influences are diverse, spanning museum walls, Instagram feeds, and the works of masters like Juvenal Sansó. She admires Sansó’s prolific output and the discipline behind his expansive body of work, qualities she aspires to emulate in her own evolving practice. Music also plays a role in her creative process—pop songs, with their upbeat energy, mirror her artistic mission: “to bring joy to its home.”

Maybelle’s art invites viewers to pause and reflect on the beauty of life and the power of perspective. Her mantra, “Just keep going,” is both a personal compass and a message to others navigating their own creative paths. She acknowledges the challenges of translating vision into canvas, but embraces the imperfections as part of the journey. Her first solo exhibition stands as a milestone, a moment of affirmation surrounded by the support of loved ones and the quiet assurance of divine purpose.

In every brushstroke, Maybelle “abe” Yu paints not just images, but a philosophy—one that celebrates movement, meaning, and the quiet joy of creating.

Looking ahead, Maybelle sees herself still painting—perhaps more refined, perhaps more selective—but always with joy. Her legacy, she hopes, will be simple yet profound: that her art brought happiness into someone’s space. To young artists, she offers wisdom rooted in humility and faith: “Trust your instinct but do be humble enough to ask for advice. Gather opinions and evaluate with an open mind.” And above all, she shares a verse that guides her path: “Many are the plans in the mind of a man, but it is the purpose of the Lord that will stand.”

(Proverbs 19:21, ESV)

In My Ponderings • Acrylic on Canvas 14 x 20in

—Ruth Espinosa Silent Rustle • Acrylic on Canvas • 18 x 24in

Not So Still Life II • Acrylic on Canvas • 22 x 22in

The Moments We Cherish • Acrylic on Canvas • 20 x 32in

The Life We Live • Acrylic on Canvas • 48 x 36in (Triptych)

A Journey of Passion, Resilience, and Artistic Awakening

Nemalyn Elvira

Ledda

Nem Ledda, as known to friends and the art world, is a Davao-based visual artist whose journey is a testament to passion, perseverance and an artistic vision. From her roots in Sarangani Province to the bustling corporate corridors of Makati, Nem's life experiences share her unique approach to art, allowing her to blend vivid emotions with refined technique.

Nem’s formative years were spent in different places, immersing herself to diverse cultures. She spent her childhood in the far-flung barrio of Margus, Glan, Sarangani Province. She completed high school at the Notre Dame of Dadiangas for Girls in General Santos City and initially pursued college

at MSU-IIT in Iligan City before transferring to Far Eastern University in Manila where she earned her Bachelor of Science in Industrial Psychology.

Her academic achievement led her to work in the Human Resources Department of the Experimental Cinema of the Philippines before transitioning to the pharmaceutical industry where she worked as Medical Representative and ascended the corporate ladder as National Sales Manager for Sanofi, then later, as Sales and Marketing Consultant for B-Crobes Marketing Sdn. Bhd. Malaysia. The nature of her work led her to reside in different cities – Davao, General Santos, Cebu and Metro Manila. It was in Davao City that she found home for the past 40 years.

Born to parents with entrepreneurial and academic backgrounds, Nem was raised with the strong sense of responsibility and independence. Her father, an overseas seaman turned businessman and farmer, taught her to admire nature, enjoy the simple joys of rural living and nurture her artistic inclination. Her mother, a dedicated teacher, instilled in her the value of education and academic excellence.

As the only surviving child, Nem’s early years were marked by loss – her younger siblings passed away at a young age, and her father’s untimely demise during her high school years left her mother as her sole support system. Despite these challenges, Nem persevered focusing on her studies. She worked hard to develop her career, finding inspiration from her mother, and later, from her only son.

Though Nem initially aspired to pursue Fine Arts, she followed a different academic path due to familial expectations. However, her passion for creativity never faded. She reconnected with her childhood love for the arts in 2007 when she enrolled for Saturday tutorials at the Ford Academy of the Arts in Davao City under Jme Ang. Though career demands paused her artistic exploration, she reignited her passion in 2017, when she joined the art class led by Dadai Joaquin. This experience, alongside fellow Toastmasters, led to the formation of TM Artists group, cementing art as a joyful pursuit. She then expanded her reach when she joined Floral Artists of Davao and Davao Bai Hinang Women Artists.

Nem’s artistic influences stem from early childhood admiration for Fernando Amorsolo’s colorful historical illustrations. During college, she was also exposed to the works of Claude Monet, Paul Cézanne and Vincent Van Gogh. These artistic legends, combined with the influence of her mentor, and online video tutorials, shaped her preference for light, movement and uplifting themes. Drawing from her wealth of childhood memories, the joy of motherhood, her extensive travels, and her deep introspection on life, Nem embraces a style that reflects warmth, vibrance and positivity.

Nem Ledda’s journey from corporate leader to passionate artist embodies resilience, and creative reinvention. Her art, infused with her rich life experiences and inspirations, radiates joy and celebrated beauty in everyday moments. Now a dedicated artist in Davao, Nem continues to paint, inspire and leave a mark in the Philippine art scene.

—Ruth C. Espinosa

Chasing Bubbles Acrylic on Canvas 18 x 24in 2024

Ms. Josie Manaois collection

Happy Ending Acrylic on Canvas 18 x 24in 2023

Ms. Ida Canoy-Mondejar collection

Lifted By Love Acrylic on Canvas 9 x 12in

You Bring Me Joy Acrylic on Canvas 24 x 36in

18 x 24in 2023 In a Private collection

First Blooms of Summer

Acrylic on Canvas 20 x 30in 2020

Dr. Anne Arvin S. Echavia collection

May Puso

Acrylic on Canvas

Painting the Heartfelt Beauty of Creation

Orvil Bantayan

Born and raised in Davao City, Orvil C. Bantayan has built his artistic identity on authenticity, choosing to go by his real name as both his personal and professional brand. His journey as an artist is deeply rooted in the cultural and geographical complexities of Mindanao—a region often associated with violence and backwardness during his youth, yet one he describes as “still one of the most beautiful destinations in the Philippines.” This duality of hardship and beauty has shaped his perspective, inspiring him to recreate the world around him through art.

Orvil’s family background reveals a lineage of creativity and craftsmanship. His father, from Manay, Davao Oriental, belongs to the Mandaya community,

while his mother hails from Bantayan, Cebu. His maternal grandmother was a tailor and embroiderer, and his uncle a charcoal artist and sculptor. These influences, though indirect, nurtured his early fascination with art. As a child, he began with graphite drawings inspired by Pinoy comics and cartoon characters, laying the foundation for his lifelong pursuit of visual storytelling.

His artistic journey, however, is not confined to the visual arts. In 2009, Orvil ventured into music, producing a locally released LP album with his band. That same year, he directed two feature-length independent films that explored Mindanawon narratives. These multidisciplinary endeavors reflect his restless creativity and his desire to give voice to the stories of his homeland.

As a visual artist, Orvil is largely self-taught. He began with watercolor realism in 2014, later expanding to acrylics, oils, charcoal, and soft

Jib-Jib

pastels. His subjects range from social realism to food, flowers, landscapes, and portraiture—each piece a testament to his inclination to capture and honor the beauty surrounding him. For Orvil, art is not merely aesthetic; it is spiritual. He hopes that viewers of his work will feel “the heartfelt beauty of God’s creation,” a reminder of grace and wonder in everyday life.

His influences span across disciplines and eras. He admires the revolutionary styles of John Singer Sargent, Rembrandt, and Claude Monet, while his musical taste gravitates toward the timeless melodies of The Beatles and the lyrical sincerity of The Carpenters’ “Top of the World.” In literature, he finds resonance in the works of Anne Rice, Haruki Murakami, Ruth Ozeki, and Napoleon Hill, among others. His appreciation for actors like Charlie Chaplin, Daniel Day-Lewis, Ronnie Lazaro, and Penn Medina reflects his admiration for performers who embody depth and authenticity.

Challenges have been part of his journey, particularly as a self-taught artist. He recalls moments of frustration, such as redoing watercolor pieces or navigating indecisive clients during commissioned work. Yet his most unforgettable experience remains

the completion of a mural on a three-storey house—a daunting project that tested his endurance and reaffirmed his commitment to his craft.

Looking ahead, Orvil envisions himself as a more mature artist who can inspire the next generation. His mantra, “You cannot give what you do not have,” underscores his belief in self cultivation as the foundation of artistic generosity. While he has not yet defined the legacy he wishes to leave, his advice to budding artists is simple yet profound: “Just keep on painting.” For Orvil Bantayan, art is both a personal journey and a communal gift—an ongoing dialogue between the self, the community, and the divine beauty of creation.

—Ruth C. Espinosa

Kambyo Ta Bai • Watercolor on Paper • 22 x 30in • 2023

Haring Ibon Watercolor on Paper 15 x 22in 2024

Mikael Wattercolor on Paper 22 x 15in 2023

2025

2025

Pildi Gana Watercolor on Paper 22 x 30in

Philippines Cedar Acrylic on Canvas 36 x 24in

Solace in the Flow: A Watercolor Journey of Light and Essence

Patricia Porras -de Jesus

Patricia is a self-taught watercolor artist based in Davao City and an active member of the Davao Watercolor Society, Floral Artists of Davao Foundation, TM Artists, and Philippine Guild of Watercolorists.

An Economics graduate from the Ateneo de Manila University with a Master’s degree in Development Communication from the University of the Philippines, Patricia has spent most of her career working with government and development organizations both in the Philippines and abroad.

Although her professional path lies outside the realm of art, she has nurtured a lifelong passion for

creative pursuits. Since childhood, she has explored various artistic activities, including fabric painting, embroidery, piano, and fashion design, aside from being a dance enthusiast since she was a little girl, having learned ballet, hula, and jazz, among others.

Patricia has always been brimming with creative ideas, and her perpetually busy hands were constantly engaged in some form of art or craft. Despite that, her artistic journey only truly took off during the pandemic in 2020. Like many, she turned to art as a means of solace during uncertain times, and it was in watercolor that she discovered her most profound artistic voice. The fluidity of the medium, with its unpredictable washes and delicate layering, resonated deeply with her emotions, providing an outlet for both reflection and renewal.

Since embarking on her artistic path, Patricia’s works have been featured in several exhibitions, drawing admiration from collectors and art enthusiasts alike. Her ability to evoke tranquility

through her paintings has made her a standout among emerging artists, with many noting the uplifting and restorative qualities of her pieces.

Although Patricia has created realistic pieces—capturing still life, florals, and landscapes with careful attention to detail—her true artistic passion lies in Impressionism. In this style, she chooses not to

Solstice Rose • Watercolor on Archival Paper

12 x 16in • 2026

Silken Flare

Watercolor on Archival Paper

12 x 16in

2026

depict every element with photographic precision, but instead to merely suggest forms and allow the viewer to interpret and feel the essence of the subject. For her, the beauty of art is not in replicating reality, but in evoking emotion and atmosphere.

“There is a certain magic in allowing watercolor pigments to flow, blend, and surprise,” she explains, “often revealing something more expressive than what a perfectly rendered image can offer. ” Through this approach, Patricia invites viewers not just to see, but to experience her art.

Believing firmly in the healing power of art, Patricia encourages others to explore their own creativity, reminding them that self-expression can be transformative. Art, she insists, is not merely an aesthetic pursuit—it is a path to inner peace and personal discovery.

—Ruth C. Espinosa

Verduras Watercolor on Archival Paper 20 x 26in 2024

Especias Watercolor on Archival Paper 14 x 20in 2024

9

12in 2025

Sabores • Watercolor on Archival Paper

14 x 20in

2024

Nature's Whispers Watercolor on Archival Paper

x

Capturing the Beauty of Davao Through Watercolor Masterpieces

Paul Pepito

Paul Michael Vincent M. Pepito, known professionally as Paul Pepito, is a Filipino watercolor artist whose works celebrate the rich cultural and natural heritage of Davao City and the surrounding regions. Based in Davao City, a metropolis fondly called "The Land of Promise" and "The Fruit Basket of the South," Pepito channels the vibrant essence of its tradition, beauty, and abundance through his art. Despite the city's fast-paced urbanization, Pepito's creations evoke a sense of tranquility and connection to its roots.

Artistic talent runs deep in the Pepito family. Paul's lineage traces back to Liloan, Cebu, where his maternal side embraced arts and medicine.

Panagtapok no. 2 • 20 x 28in • Watercolour • 2025

Influenced by this creative ancestry, Paul found inspiration from his father, Welehito "Lito" N. Pepito, a celebrated multimedia visual artist in Davao City. Lito Pepito's artistic versatility, ranging from oil and acrylic painting to charcoal, soft pastel, and wood sculptures, served as a formative guide for Paul's own artistic endeavors. Furthermore, his uncle and aunt, Celso and Fe Madrid Pepito, are esteemed artists in Cebu, contributing to a legacy of art appreciation within the Pepito clan.

Paul's journey as a watercolorist began during a two-month vacation from Bahrain in 2017, when he experimented with small watercolor pieces. The pandemic of 2020 marked a pivotal moment in his career, as he devoted himself full-time to creating detailed watercolor artworks. His subjects predominantly include florals, birds, and fruits, reflecting the lush and vibrant environment of Davao's natural wonders. Through his realistic and carefully composed pieces, Paul aims to showcase the abundance of Davao’s culture and nature, inviting viewers to appreciate the region's beauty as captured in his artwork.

As a proponent of conservative realism, Paul recreates his subjects with meticulous attention to detail, crafting works that resonate with authenticity and a narrative of what nature offers. He believes

in using art as a medium to communicate the reality he observes around him, documenting Davao's natural beauty in ways that inspire appreciation and awareness. Influenced by his father, as well as the iconic American realist painter Andrew Wyeth and visionary architect Frank Gehry, Paul draws upon diverse artistic philosophies to inform his unique style.

While Pepito's least favored art genre is radical abstract—feeling it can provoke negative emotions—his personal passion lies in creating harmonious interpretations of his surroundings. Instrumental piano music often accompanies his creative process, enabling him to translate rhythm and rhyme into his brushstrokes.

For Paul, art is both a means of financial sustenance and a platform to showcase his personal capabilities as a competitive artist. Although he initially hesitated about sustaining himself as an artist, his first painting sale solidified his confidence in pursuing this path. With a motto of "Don't waste time, paint more. Live happy," Paul envisions being nationally recognized as a watercolorist in a decade's time. He aspires to be remembered as an all-around watercolor artist who consistently strives for excellence, guided by his words of wisdom: "Do the best always."

—Ruth Espinosa

Chinatown Unity Arch • Watercolor on Paper • 11 x 16in • 2023

Benedicto Lim Jr collection

Yaman ng Davao No.1 Watercolor 11 x 15in

Davao Eagle Coffee Painting 22 x 15in

Ms. Josefina Guttierez collection

Hanging Waling- waling Watercolor 22 x 15in

Red Roses

Watercolor 23 x 30in

Embracing Eclectic Diversity in Art

Pinky Maglalang

Ma. Victoria 'Pinky' Maglalang Villegas is a multidisciplinary artist whose creative journey is rooted in curiosity, resilience, and a deep emotional connection to the world around her. Born and raised in Davao City, Philippines—a vibrant cultural hub on the island of Mindanao—Pinky draws inspiration from the region's rich traditions, natural beauty, and dynamic blend of modernity and heritage. Her artistic voice is shaped not only by her surroundings but also by a lifetime of diverse experiences, from fashion and culinary ventures to real estate and corporate outsourcing solutions. Through it all, art remained a quiet companion, waiting patiently to be fully embraced.

Pinky's style is a reflection of her varied

interests and inner depth. She describes her genre as a mix of everything that inspires her, defined by creative fluidity that allows her to explore a wide range of mediums—from traditional painting and sculpture to digital art, mixed media, stop-motion animation, and graphic novel writing and illustration. Her adaptability enables her to tailor each technique to the concept at hand, ensuring that every piece is a sincere expression of feeling, message, and meaning. Whether painting holy themes, diving into dark and mythical subjects, or crafting comical and socially reflective pieces, her work resonates with individuality.

Her artworks often mirror her inner world, capturing fleeting moments and deep introspections. She explores themes of nature's beauty, political and societal dialogues, mystical and spiritual motifs, and the raw complexities of human experience. She believes that art is a soul's echo—a bridge where words fail—and hopes that viewers will feel this resonance. Her goal is not to tell a fixed story, but to evoke a memory or a moment that invites reflection.

Among her most unforgettable experiences

was being told that art was “useless.” Rather than internalize this dismissal, she transformed it into motivation. Today, she uses her art to support charities and community initiatives, proving that creativity can be a powerful force for good. Her digital portrait of Michael Jackson, featured on the pop icon’s official social media pages, stands as a testament to her aptitude and passion—a surreal moment for a lifelong fan.

Navigating the artistic spectrum, Pinky's creations thrive on diversity and boundless exploration. Her artistry flows from genuine connection, letting her convey distinctive visions with profound expressions and explore various themes. Creating according to her mood allows her to connect deeply with each creation. This ensures her work is never confined to one category or style. She lives by her mantra: 'Exploring creativity, breaking limits. Create. Inspire. Evolve.'—remaining a true force for authentic artistry.

Looking ahead, Pinky envisions herself as a continuous learner, embracing each day as a blank canvas. She hopes to be remembered as an artist who captured the essence of life—its joy, sorrow, and everything in between—where her heart and mind feel and her hands create.

Pavement Dreams Acrylic on Canvas 12 x 16in 2024

Ballerina Oil on Canvas 24 x 24in 2025

2025

25.5 x 23in 2023

Jesus Calming the Storm Oil on Canvas 24 x 24in

Triponia Store Oil on Canvas

Mother and Child Acrylic on Canvas

9.25 x 13in

Mr. Ramcez Arvic Villegas collection

Kawaii Ko Watercolor on Archival Paper

9 x 12in

Mr. Griffic Jaroda collection

A Journey into Precolonial Filipino Art

Raymond Jong Suriba

Tangiday

Born on April 8, 1970, in Davao City, Raymond Jong Suriba Tangiday is an artist whose creative roots stem from diverse influences. His paternal lineage traces back to Bangued, Abra, while his maternal heritage hails from Ibaan, Batangas. From a young age, Tangiday displayed an innate passion for the arts, often spending his elementary years drawing, carving, and crafting wooden toys—a glimpse into the artistic path he would later pursue.

Tangiday refined his artistic abilities by completing a Bachelor of Fine Arts, majoring in Painting, at the esteemed Ford Academy of the Arts in Davao City in 1996. His formal training provided him with techn ical expertise, yet his true artistic vision was shaped by a deep fascination with the precolonial Philippine era. This historical connection is at the

heart of his work, as he seeks to resurrect and celebrate the beliefs, practices, and myths of early Filipino ancestors through contemporary art.

Inspired by indigenous craftsmanship, Tangiday’s art integrates elements from traditional wood carvings, burial jars, and other artifacts that existed long before Western art influenced Filipino expression. He admires the creative genius of notable figures such as National Artist Napoleon Abueva and installation artist Junyee, along with global visionaries like Christo and Santi Bose. His creative process is further enhanced by music, drawing inspiration from the rhythmic narratives of classical compositions, blues, jazz, Joey Ayala, and the timeless harmonies of Crosby, Stills, Nash & Young.

One of the most transformative moments in Tangiday’s artistic journey was his realization that true artistic freedom comes from within. By breaking free from the pressure of external opinions, he embraced a level of honesty essential to artistic creation. For him, art is not merely about aesthetic appeal—it is an extension of truth, a medium through which authenticity flourishes.

Tangiday extends this philosophy to aspiring artists, offering a simple yet profound piece of

Guardian of the forest • Madre de cacao • H:4ft x L:2ft x W:2ft • 2022 • Mayor Sebastian Z. Duterte collection

advice: remain grounded and sincere in your work. He encourages emerging creatives to produce honest and serious art, ensuring that their creations reflect genuine emotion and dedication rather than external validation.

Through his commitment to preserving and reinterpreting ancestral artistry, Raymond Jong Suriba Tangiday continues to carve a meaningful space for historical narratives in contemporary Filipino art. His work bridges the past and present, reminding viewers of the richness of precolonial traditions and the enduring spirit of Filipino creativity.

—Ruth Espinosa

Bakunawa Madre de Cacao • 26H x 87L x 17Wcm • 2024 • Cris Rollo collection

Kulam

Santol wood kamagong wood 63H x 36L x 20Wcm 2018

Dr.Ariel Miranda Collection

Untitled from the Once a pre-colonial time series

Mahogany

60 x 103 x 27cm

2019

Queensland Art Gallery / Gallery of Modern Art Brisbane

Permanent Collection

Ang Diwata at ang Santa Driftwood

122H x 34L x 33W cm

2024

Joel Geolamen collection

Mebuyan and Child

31H x 14L x 12Win

2024

On Loan, National Museum of the Philippines / Davao

Mebuyan Sculpture collection 2010

Langka and Narra wood

Big and Small Gallery

1st solo exhibition

Dr.Joel Mendez

Big and Small Art company collection

Finding Beauty in the Ordinary Ritzel Rabor Polinar

Known simply as “Ritzel” in the art world, is a Filipina visual artist whose works reflect a deep reverence for the beauty of ordinary life. Born and raised in Davao City, Ritzel’s artistic journey began in the quiet corners of her childhood home, sketching her sleeping cat and mother rather than joining outdoor games. Her early inclination toward introspection and observation laid the foundation for a lifelong pursuit of capturing human emotion and everyday moments through art.

Coming from a family of professionals— her mother a math teacher, her father a lawyer, and siblings in dentistry and real estate—Ritzel was surrounded by discipline and intellect. Though she once considered law, her heart remained tethered to the canvas. Encouraged by her grade school art teacher who saw promise in her early works, Ritzel began to embrace her identity as an artist, even when her own standards made her doubt her creations.

Her style is a thoughtful blend of impressionism and realism. She is drawn to the subtlety of Monet, the emotional intensity of Van Gogh, and the chiaroscuro mastery of Rembrandt. Her admiration for BenCab’s sketches of common folk and Eudes Correia’s evocative watercolors reveals her affinity for portraying people—especially in their most unguarded, fleeting moments. Ritzel’s subjects range from portraits and figurative compositions to landscapes, cityscapes, and still life, often merging realism with abstract impressionism to evoke a sense of wonder in the mundane.

Ritzel’s artworks are deeply personal yet universally resonant. She seeks to stir the senses of her viewers, inviting them to rediscover beauty in the overlooked corners of life. Her pieces often echo the spirit of e.e. cummings’ poetry—playful, intimate, and human. She believes that art should make people feel good, and that even the most common experiences can be transformed into something extraordinary through the artist’s lens.

Her artistic journey has been marked by moments of revelation, such as successfully translating a dream into a painting and discovering

her unique acrylic style she calls “Fleeting.” Despite the challenge of time—never enough to paint all she envisions—Ritzel remains committed to her craft. She dreams of one day painting portraits of her favorite people, continuing to honor the human spirit through her work.

Ritzel’s philosophy is grounded in joy and practicality. Quoting Shakespeare, she lives by the mantra: “Frame your mind to mirth and merriment which bars thousand harms and lengthens life.” She encourages young artists to pursue their passion but also to remain grounded, reminding them that the romanticized image of the “starving artist” is neither noble nor necessary.

Ultimately, Ritzel hopes to be remembered as an artist who stirred emotions and helped others see the extraordinary in the ordinary. Her legacy is one of quiet brilliance, thoughtful observation, and a deep love for the human experience.

—Ruth Espinosa

Hihintayin Kita Sa Benguet • Acrylic on Canvas • 24 x 30in • 2022

Children Laughing, People Passing • Watercolor on Paper • 22 x 30in • 2025

Mangosteen Porn 1 • Watercolor on Paper • 12 x 16in • 2023

Mangosteen Porn 3 • Watercolor on Paper • 12 x 16in • 2023

Tigger 1 • Watercolor on Paper

12 x 16in

2025

Tigger 2

• Watercolor on Paper

12 x 16in

2025

Narratives in Myth and Form

Born in Davao City and shaped by the dual landscapes of Manila and his hometown, Rob Tañedo has cultivated a practice that bridges memory, myth, and material. His artist name, “Rob,” carries both personal and playful origins—rooted in childhood games of Batman and Robin with his brother, and later adopted as a code name during his college years. This duality of identity—between the intimate and the symbolic—echoes throughout his art, where stories and forms intertwine.

Raised in a family steeped in creativity, with visual artists, actors, writers, and dancers across generations, Tañedo’s artistic journey began at the age of three. While his siblings and father influenced his early explorations, he quickly sought his own narrative, weaving stories into his drawings. This instinct for storytelling remains central to his practice, whether in illustration, painting, or sculpture.

Tañedo’s style draws from impressionism and the decorative elegance of art nouveau and art deco. His illustrations, his “main cup of tea,” are complemented by sculptural works that reveal his

Rob Tañedo

fascination with form and material. Using epoxy clay as his primary medium, he creates series such as Enchantree—where driftwood becomes the foundation for fantastical growth—and Open/Close, which transforms birdcages into vessels of metaphor. These works embody his thematic focus on myth, legends, and folklore, often figurative in nature, yet open to experimentation with contemporary issues and social concerns.

For Tañedo, art is not only about meaning but also about process. He invites audiences to appreciate the totality of creation—the rhythm of strokes, the layering of materials, the transformation of base forms—rather than seeking overt interpretations. His works, he suggests, might be likened to fairytales or fantasy films, imbued with romance and adventure, or to sonnets, whose rhythm and romantic leanings mirror the cadence of his brush and sculptural gestures.

Challenges of time and production shape his practice, yet each completed piece is, for him, unforgettable—a testament to perseverance and discovery. Sculpture, in particular, rekindled his love for art, merging science and creativity into a renewed vision of his craft. Looking ahead, he envisions building art groups dedicated to education and

sculpture, establishing art spaces, and nurturing communities that sustain creativity.

Tañedo’s philosophy is grounded in humility, discipline, and openness. His mantra—“Always be great in what you do, be open minded but also have your own mind, and always be humble and kind”— reflects his belief that legacy lies not only in artworks but in the students, friends, and patrons who embody his principles. He hopes to be remembered as a teacher and patron of the arts, even as he wishes his creations to be cherished and loved.

To the youth, his wisdom is clear: art is discipline, not mere emotion. It must carry depth, understanding, and context. For budding artists, he advises: master the fundamentals, resist mediocrity, embrace criticism, and remain true to one’s vision. In this way, Rob Tañedo continues to shape narratives—through myth, through form, and through the communities he inspires.

—Ruth Espinosa

Growing from Within Mixed Media Sculpture 3 x 4 x 4in 2023 Reyno Family collection

Open / Close Series • Mixed Media Sculptures Variable Sizes • apprximately 6.5 x 4 x 4in • 2021 From the Individual collections of Josefina Guierrez and The Arcenas Family

Flores De Mayo Mixed Media Sculpture

22 x 9 x 9in 2024

Igy and Pam Castrillo collection

The Messenger • Air Dry Terracotta Clay in Faux Bronze • 13.5 x 12 x 6.5in • 2020

Reclining Woman in Nude • Epoxy Clay in Faux Bronze on Wooden Base • 4 x 6 x 6in • 2022

Lady Reading on a Swing Mixed Media Sculpture Variable in Clochee

11 x 4 x 4in 2021

Kevin Magallanes collection

Capturing Life in Strokes and Colors

A visual artist from Davao City, has built a reputation for his evocative paintings that capture everyday life with raw honesty and emotion. His journey into the art world began in 2016 or 2017, when a friend introduced him to Morning Light Art Gallery and Shoppe. Access to premium materials and exposure to the local art scene fueled his passion, transforming his casual sketches into serious artistic endeavors.

Castillo’s approach to art is organic— he does not chase a particular style but lets his creativity flow naturally. While many describe his works as impressionistic, he insists that this was never intentional. His subjects range from street scenes and people to random objects, but over time, his paintings have evolved to reflect his emotions. This shift became evident in his exhibition at Art Portal Gallery of Contemporary Art, where his works resonated deeply with viewers.

Robin Castillo

Despite his artistic success, Castillo’s journey has been marked by challenges. He recalls a time when he had only 20 pesos in his pocket, walking 40 minutes daily to Morning Light to sketch and immerse himself in art. Selling his early works was a turning point, allowing him to reinvest in materials and continue honing his craft. His dedication eventually led to participation in group exhibitions and solo shows, solidifying his place in the Davao art scene.

For Castillo, art is more than just a profession—it is a way of life. His mantra, “Just do art,” reflects his deep connection to his craft. He finds joy in oils, watercolors, and dry media sketches, painting tirelessly from morning to night. While he has struggled to maintain this rhythm in recent years, he hopes to return to painting with the same passion he once had.

His advice to aspiring artists is simple yet profound: find yourself through art. He encourages young painters to explore different styles, genres, and disciplines while allowing their unique identity to emerge naturally. He believes that every stroke carries personality, adding to the bigger picture of an artist’s journey.

Through his works, Castillo hopes the public sees him—his life, emotions, and experiences— embedded in each painting. His socially awkward nature finds expression in his art, allowing him to communicate in ways words cannot. Whether through sketches from his long walks, still lifes of objects in his room, or paintings born from deep emotions, his art serves as a window into his world.

Robin Castillo’s artistic journey is a testament to perseverance, passion, and the transformative power of creativity. His works continue to inspire, offering glimpses of life’s fleeting moments through the lens of an artist who sees beauty in the ordinary. You can explore more about his exhibitions, including his one-man online exhibit for Kadayawan, here.

—Ruth Espinosa

Carenderya

Opposite Girl And 3 Rabbits Oil on Canvas Paper

20 x 25in

Man On The Street Watercolor on Paper

6 x 9in

Under The Overpass Watercolor On Paper

9 x 12in Undated

Boy and 3 Cats Oil on Canvas Paper 20 x 25in 2021

Breaking Boundaries: The Avant-Garde Vision of Romeo Dumuk III

Born and raised in the vibrant city of Davao, Philippines, Romeo Dumuk III—known simply as "Dumuk" in the art world—has carved a distinct path in the realm of avant-garde visual art. Now based in Western Sydney, Australia, he continues to break boundaries, innovate, and challenge conventional artistic norms.

Art runs deep in Dumuk’s blood, tracing back to his family, many of whom are artists themselves. This inherent connection to creativity guided him toward a Fine Arts degree at Ford Academy of Arts Inc., majoring in Painting. His dedication to the craft led him to become an art instructor at the Philippine Women’s College of Davao

and the University of Mindanao, shaping aspiring artists with his knowledge and passion.

Dumuk’s artistic journey began when he was just three years old—sketching before he could even read. His earliest influences were his parents and relatives, who encouraged him to pursue a life in art. Over the years, his style evolved into a distinct avant-garde approach, grounded in the principle of innovation and breaking away from traditional artistic forms. His artworks embody the essence of discovery, leading viewers into the unknown and challenging perceptions of reality.

If Dumuk’s works were to be translated into another medium, they would be films—specifically surreal and sci-fi movies. His preference for cinematic storytelling mirrors his approach to visual art, creating immersive and thought-provoking experiences. He finds inspiration in the works of Renoir and Monet, the evocative compositions of Hans Zimmer, and the visionary films of Kurosawa and Lucas.

Yet, Dumuk is clear about his artistic philosophy—he resists the use of indigenous people and culture as a reference for his art, choosing instead to forge his own path in innovation. His approach to creativity is fluid, much like his eclectic taste in music, which spans from alternative and new wave to jazz, blues, and classic R&B.

The artistic community presents its fair share of challenges, and Dumuk acknowledges the presence of factions within the art scene. He believes that absolute unity can sometimes stifle creative tension, asserting that art thrives through challenges and friction. He views trial and error as the most unforgettable and transformative part of his journey— an essential process for both artistic and personal growth.

Looking ahead, Dumuk envisions himself remaining steadfast in his artistic identity, even as

time paints his hair in shades of grey. His mantra, “Simplicity in life comes the complexity of God’s love,” speaks to his philosophy of art and existence. Above all, he wishes to be remembered for his honesty—an artist true to his convictions.

For the next generation, Dumuk shares simple yet profound words of wisdom: “Don’t stop learning, and keep the fire burning.” His advice to budding artists is equally straightforward—create with sincerity and follow the heart’s desire.In a world constantly evolving, Dumuk remains a beacon of artistic authenticity, reminding us that true innovation lies in knowing the unknown.

—Ruth C. Espinosa

Migration Age • Oil On Canvas • 20 X 20in • 2020

My Inner Trojan Horse • Oil On Canvas

48 x 36in • 2013 Knight Crusader

Oil On Canvas

20 x 16in

2020

Extinction • Oil On Canvas

60 x 72in • 2016

The Most Violent Element In Society Is Ignorance • Mixed Media • 96 x 48in • 2017

Are We Equal

Mixed Media

72 x 72in

2005

A Legacy in Lines and Light

Ronald Candelaria Rudinas—known affectionately as Ron or Ronnie—carries a name steeped in legacy and love. By adopting his father’s surname, Rudinas, in his artistic identity, Ron honors the roots that shaped him and embraces the continuity of creativity through his children. Ron Angelo, Ryzel Grace and Ron Gabriel. For Ron, art is not just a personal pursuit—it’s a family journey, a generational echo of inspiration.

Born and raised in Butuan City, a historic cradle of precolonial trade and culture in Mindanao,

Ronnie Rudinas

Ron’s early life was shaped by the richness of his hometown’s heritage and the quiet resilience of his parents, Lamberto Sr. and Mercedes Rudinas. As the seventh of eight siblings, Ron grew up in a household where love often outweighed material wealth. Even in times of scarcity, his parents found ways to nurture his budding artistic spirit—providing simple materials that sparked a lifelong passion.

Though he earned a degree in Accountancy and built a successful career in banking—Rising to branch manager roles at Metrobank, BDO Network Bank, Eastwest Bank, and Asia United Bank—Ron’s heart remained tethered to the canvas. His artistic journey began in high school, painting for classmates and joining competitions. In college, he worked with pastels on boards, constrained by resources but

Fruitfull Harvest Oil on Canvas 36 x 72in 2025

Mr. Ramil Bangues collection

driven by imagination. It was only after entering the workforce that he could invest in his craft more seriously, balancing his profession with evening hours devoted to painting.

Ron’s evolution as an artist led him from landscapes to the vibrant world of Cubism. Drawn to its freedom and abstraction, he found in Cubism a language that allowed him to express inner truths through fragmented forms and bold colors. His series “Harvest and Abundance” celebrates familial unity and prosperity, while his analytical Cubism works—marked by shades of green and subtle human figures—reflect a deeper, more organic exploration of form.

Inspired by the likes of Vicente Manansala, Celso Pepito, and Pablo Picasso, Ron embraces Cubism not as a rigid style but as a vessel for personal interpretation. His art whispers rather than shouts, inviting viewers to pause, reflect, and connect with their own stories. He believes that beauty persists even in hardship, and that survival itself is a quiet triumph.

Though not yet a full-time artist, Ron devotes hours each day to his craft, finding solace and healing in the act of creation. His most cherished moments are those spent painting alongside his children, witnessing the spark of creativity pass from one generation to the next.

Ron Rudinas stands as a testament to instrumentality—the power of art to shape lives, inspire change, and illuminate the richness of human experience. His journey reminds us that true success lies not only in achievement, but in authenticity, balance, and the courage to follow one’s passion.

—Ruth Espinosa

Abstract Guitar Oil on Canvas 26 x 18in 2023

Mr. Marlon V. Elvira collection

Shades of Abundance Oil on Canvas 30 x 70in 2025

Mr. Marlon V. Elvira collection

Treasures • Oil on Canvas • 24 x 18in • 2025 • Ms. Twinkle Gamboa collection

Bulawang Higayon 2025

Oil on Canvas

48 x 60in

2024

Ms. Liane Ray D. Otacan collection

Grace Between Us

Oil on Canvas

48 x 36in

2024

Ms. Twinkle Gamboa collection

Life in Watercolor, Life in Detail

known simply as Saldy in the art community, has built a name that bridges familiarity and artistry. His chosen artist name reflects both his personal identity and his creative journey, making it easy for friends, peers, and collectors to connect his works with the man behind them.

Born and raised in Tagum City, Davao del Norte, Saldy’s roots are deeply tied to the culture and traditions of Southern Mindanao. He pursued his college education at the University of Mindanao in Davao City, where he also established his professional life as an architect. Since founding his architectural firm in 2000, he has designed residential, hospital, institutional, and commercial buildings, earning recognition that culminated in his elevation to the United Architects of the Philippines (UAP) College of Fellows in 2024. Yet, alongside his architectural achievements, Saldy nurtured a lifelong passion for visual art—particularly watercolor painting.

His artistic journey began in childhood, sketching war games on cigarette cardboards with

Saldy Mascardo

II

playful sound effects. High school competitions sharpened his skills, eventually leading him to win second place in a national art poster and slogan contest. A short painting workshop after graduation broadened his horizons, exposing him to new mediums and ideas. Though architecture demanded much of his time, watercolor remained a quiet companion, resurfacing with greater intensity in 2014 when he joined the Davao Watercolor Society (DWS) under the mentorship of master watercolorist Lito Pepito. This marked a turning point: Saldy embraced watercolor painting not just as a hobby but as a serious pursuit, actively participating in the Davao art scene ever since.

Saldy’s preferred genre is realism. He thrives on the challenge of capturing details, figures, and colors with precision, striving to mirror the essence of his subjects. His artworks often highlight everyday people, objects, and landscapes, transformed through thoughtful composition and the interplay of light and color. For him, art is a way to celebrate culture, tradition, and the beauty of ordinary life. His paintings speak of joy, resilience, and the simple truth that “life is beautiful.”

Music, particularly ballads and love songs, influences his rhythm and emotional depth, while his artistic inspirations come from a wide range of creators whose ideas he adapts into his own style. He avoids abstraction, believing realism demands

more discipline and detail. His works invite viewers to see life as colorful and meaningful, even in its most common forms.

Challenges remain—organizing exhibitions, collaborating with fellow artists, and overcoming creative burnout—but Saldy’s journey is marked by resilience. His most unforgettable moment came during the pandemic, when winning online art contests and selling paintings turned isolation into opportunity. Looking ahead, he envisions himself as a full-time artist after retiring from architecture, leaving behind a legacy as one of the finest watercolorists of his time.

His mantra is simple yet profound: “Life is beautiful. My latest painting is my last, if it is my last— it should be beautiful.” To the youth and budding artists, his wisdom is clear: compete only with yourself, practice relentlessly, and believe in your growth. Like watercolor, life is layered, glazed, and retouched until it becomes a masterpiece.

—Ruth Espinosa

Beneath the Bushes

15 x 20in

Watercolor on Archival Paper

2023

Collection of Mr. Dick Ramos

Bountiful Harvest

20 x 30in

Watercolor on Archival Paper

2025

Laro namin Noon • 20 x 30in • Watercolor on Archival Paper • 2025

Mindanao Tribe Portrait • 15 x 20in

• Watercolor on Archival Paper • 2023 • Artist Collection

Bougainvillea Series • 15 x 20in • Watercolor on Archival Paper • 2023

Collection of Dr. & Dra. Victor Viacrusis

Dayeg sa Pagsayaw • 20 x 30in • Watercolor on Archival Paper • 2024

Brushstrokes of Intimacy: Penny Tan’s Art and Story

Known in the art world as Penny Tan, is a watercolor artist whose luminous works reflect the delicate beauty of everyday life. Despite her parents’ unfamiliarity with the arts, she was given the freedom to explore her creative path—a gift she remains deeply grateful for.

Penny’s journey as an artist began in childhood, doodling in notebooks, joining school art contests, and contributing illustrations to her school paper. Her earliest influences stemmed from Japanese animation and pop culture, which sparked a lifelong fascination with visual storytelling. Over time, her style evolved into a unique blend of realism, impressionism, and Chinese painting, rendered primarily in transparent watercolors. Her compositions often feature flora, fauna, cultural motifs, and everyday objects, all bathed in warm, vibrant hues that evoke joy and serenity.

What sets Penny’s work apart is her sensitivity to contrast—she plays with brushstrokes

Stephanie Victoria Tan

versus fine detailing, strong versus soft, tight versus loose—to magnify the quiet narratives within her subjects. Her paintings invite viewers to appreciate the ephemeral nature of watercolor, mirroring life’s own fleeting beauty. She likens her artistic philosophy to the spirit of Studio Ghibli films, which elevate ordinary moments into extraordinary experiences through lush palettes and poetic storytelling.

While Penny draws inspiration from a wide range of sources, she is clear about what she avoids: photorealism. Though she respects the technical mastery it requires, she finds it limiting in terms of emotional and creative expression. Her musical tastes are equally eclectic, ranging from British rock bands like Franz Ferdinand and Red Hot Chili Peppers to classical and operatic pieces by Vivaldi—reflecting the diverse rhythms that fuel her creative energy.

One of her most transformative experiences was attending her first watercolor workshop in Manila in 2016. As an introvert who had long created

art in solitude, the workshop opened her eyes to the power of shared creativity and community. Today, she continues to navigate the delicate balance between creating art for others, for income, and for herself, all while tending to the people and passions that matter most.

Looking ahead, Penny envisions herself deepening her mastery of watercolor as a fine art medium and mentoring young artists in local communities. In an age increasingly shaped by artificial intelligence, she hopes to be part of a movement that champions authentic human creation. Her guiding mantra, Memento Mori, reminds her to live meaningfully and create with intention.

Though she humbly resists the notion of legacy, Penny aspires to leave the world better than she found it—through the healing power of art. Her advice to budding artists is simple yet profound: pursue your interest with discipline, learn the fundamentals, and immerse yourself in the community. “Only you can do what you do,” she says, encouraging others to add their unique voice to the ever-evolving tapestry of art.

—Ruth Espinosa

Romance of Flower and Bee Watercolor on Paper 14 x 21in 2024 International Watercolor Society Singapore Merit Award

Symphony of Life Watercolor on Paper 21 x 29in 2025

9 x 12in

2016

Private collection

12 x 9in

2017

Private collection

Forest Wreath Watercolor on Paper

Untitled Watercolor on Paper

Desert Wreath Watercolor on Paper

x 12in

collection

The, Sky and Me • Watercolor on Paper

29 x 21in

2023 • Private collection

Painting from the Heart

Born Katrina Gaisano Lee in Davao City, this self-taught contemporary artist goes by the name “Tanya”, a moniker that feels more genuine and expressive of her spirited, candid personality. Her journey into the art world is as personal as it is powerful rooted in memory, emotion, and quiet resilience.

Raised in a traditional Chinese household in Davao, Tanya's upbringing was steeped in discipline, structure, and expectation. Her formative years unfolded on a house perched on a hill, surrounded by turkeys, roosters, and horses— elements that would later surface in the texture of her visual storytelling. Though encouraged to pursue more conventional paths, Tanya’s artistic instincts found their way through classroom doodles and emotionally charged sketches. However, it wasn’t until 2014—at her husband’s encouragement—

Tanya Gaisano Lee

that she boldly stepped into the world of painting, eventually selling her first piece.

Tanya’s art defies rigid categorization. Lacking formal fine arts training, her approach is organic, instinctive, and exploratory anchored in emotion rather than academic precision. She works within the broad umbrella of contemporary art, allowing her pieces to evolve alongside her own life journey. From deeply personal explorations of motherhood to expressive abstracts inspired by long drives during the pandemic, Tanya's creations are chronicles of both struggle and healing.

One of her most profound series centers around the theme of “mother and child”—a deeply cathartic endeavor reflecting a decade-long struggle with fertility. These works, raw and aching, became both a salve and a statement. After the birth

of her child, her palette lightened, embracing bolder colors and more playful motifs inspired by day-today joys and observations. During the isolation of the pandemic, Tanya turned to abstraction—layered renditions of Davao’s cultural tapestry symbolized through the T’nalak weave, representing resilience, community, and survival.

What sets Tanya apart is her emotional transparency. Her works are often paired with quotes and poetry—echoes of Divi Maggo and JM Storm— that resonate with introspection and brevity. She does not seek to instruct viewers on how to feel but instead invites them to connect with her art in their own way.

Despite her modesty, Tanya’s first solo exhibit at the Marco Polo Hotel Lobby in 2019 was a sold-out success. It cemented her place in the local art scene, even as she acknowledges the limitations of Davao’s market and her personal battle with procrastination.

Tanya finds kinship in the minimalist elegance of Arturo Luz, whose influence is seen in her attention to line and form. Her love for R&B and hip-hop, especially the intensity of their lyrics and rhythms, also seeps into her vibrant compositions.

More than anything, Tanya wants to be remembered as an artist who was “authentic”. Her mantra, “If it doesn’t serve me, let it go”, reflects a profound personal ethos shaped by life’s trials, including surviving cancer twice. She urges young artists to pursue creativity with “balance and authenticity”—words that encapsulate both her art and her life.

—Ruth Espinosa

Eagle • Mixed Media • 36 x 36in

Koi Mixed Media 36 x 36in

Landscape Mixed Media 36 x 36in

Madonna And Child 1

Mixed Media

36 x 36in

Madonna And Child 2

Mixed Media

36 x 36in

Rooster Mixed Media 36 x 36in

Woman Mixed Media 36 x 36in

Capturing the Beauty of Creation Through Realism

A dedicated visual artist from Davao City, has spent over five decades shaping his life and artistic journey within its vibrant cultural landscape. Originally from Cotabato City, he has established deep roots in Davao, calling it home for the past 53 years. His artistic path, however, began much later in life—a testament to the idea that creativity knows no age.

Navales’ earliest exposure to the visual arts was through poster-making during his college years, a practical yet expressive medium that sparked his interest in artistic creation. However, it wasn’t until 2017 that he fully immersed himself in painting. Since then, his work has been deeply reflective of realism, capturing the beauty of God's creations with precision and heartfelt appreciation. His goal is simple yet profound: he wants viewers to experience joy and tranquility when they engage with his paintings.

Unlike many artists who draw inspiration from established masters, Navales finds his muse in the camaraderie and encouragement of his Toastmaster friends. This unique source of inspiration has helped him craft an artistic identity that is deeply personal yet

Vic

Navales

universally resonant. His paintings embody themes of serenity, nature’s magnificence, and the simple yet extraordinary wonders of life.

If his artwork were to be translated into a film, Navales believes it would echo the sentiment of The Sound of Music—a timeless production that celebrates beauty, harmony, and emotional depth. He has no specific artistic idols, nor does he harbor distaste for any particular genre. His tastes, however, lean toward the nostalgic tunes of the 1960s and 1970s, reflecting a love for timeless classics.

One of the biggest challenges he faces as an artist is convincing people that art is an investment— something to be valued beyond mere decoration. His most unforgettable moment as an artist was painting his very first piece: a humble apple, which marked the beginning of his dedication to the craft. Looking ahead, he envisions himself as an artist ten years from now with the wisdom gained from experience.

Navales lives by a simple but powerful mantra: Be Happy. Through his role as the president of DAFI (Davao Artists Federation, Inc.), he is committed to bridging the gap between artists and institutions that can provide opportunities for exhibitions. He envisions a future where artists in his community receive the recognition and support they deserve.

For young and aspiring artists, his advice is both humorous and encouraging: There are no ugly paintings, only ugly painters. He urges budding creatives to persevere, assuring them that success will inevitably follow their dedication. With his passion for realism and a heart devoted to inspiring others, Vic Navales continues to paint with purpose, bringing the beauty of creation into the eyes and hearts of his audience.

—Ruth Espinosa

Pineapple

Acrylic on Canvas

Succulents

Acrylic on Canvas 27 x 20in 2020

Rooster Acrylic on Canvas 36 x 24in 2020

Terrarium Acrylic on Canvas

36 x 24in 2020

Waling Waling

Acrylic on Canvas 36 x 24in 2020

Painting Life’s Journey Through Hyper Realism and Emotion

Welehito

"Lito" Pepito

Is a distinguished visual artist from Davao City, known for his evocative and deeply personal artworks that blend realism with emotional depth. Born in Calero, Lilo-an, Cebu, Pepito's artistic journey began in his elementary years, where his talent in drawing earned him recognition in school competitions. Despite coming from a family with no known artistic lineage, his passion for art flourished, driven by his innate creativity and the influence of local artists.

Pepito's formative years were shaped by his education at the University of Southern Philippines (USP), where he honed his skills in vocational and artistic disciplines. His early inspirations included Cebu-based artist Laborio Jabunero and university

illustrator Arch. Bert Minosa. His dedication to art was evident when he donated a Seed Mosaic artwork to the USP School Museum, marking one of his first significant contributions to the art community.

As he progressed in his career, Pepito found guidance from renowned artists such as Cebu watercolorist Tony Alcuseba and Fred Liongoren of UP Diliman. Their influence helped him refine his technique, leading him to explore Hyper Realism—a style that allowed him to create breathtaking landscapes, seascapes, still lifes, and floral compositions. His works are often derived from photographs taken during his travels, which he recomposes to infuse his personal emotions and life experiences.

Pepito's artistic philosophy is rooted in the idea that art should evoke happiness, even when created during moments of frustration and sadness. His works serve as a testament to his resilience and dedication to his craft. He admires great homegrown artists and draws inspiration from international masters such as Andrew Wyeth and Norman Rockwell for their realism, Vincent Van Gogh for his

Kinaiyahang Bahandi • Oil On Canvas • 36 x 84in • 2019 • Engr. Lorenzo Te collection

emotional depth, and Gustav Klimt for his intricate and symbolic compositions. He also appreciates Picasso’s abstraction, particularly for its playful and childlike qualities.

Beyond fine art, Pepito has explored Posterisque artwork, a style that allows for rapid execution and is well-suited for commercial and advertising purposes. His artistic influences extend beyond visual art, as he finds inspiration in music, particularly John Lennon's "Imagine" and various ballads and folk songs that stir his thoughts about nature and existence.

Despite the challenges of sustaining a career as an artist, Pepito remains steadfast in his commitment to his craft. He considers his wife's acceptance and appreciation of his artistry as one of his greatest personal triumphs. Looking ahead, he envisions himself being remembered posthumously as a kind and generous visual artist, leaving behind a legacy of creativity and passion.

His guiding principles—"Live and Paint till the end" and "Do the best always, don’t go for second best"—reflect his unwavering dedication to art. He believes in keeping the profession sacred and acknowledges the possibility of being a forgotten contributor to the art community. Nevertheless, his works continue to inspire and resonate with audiences, ensuring that his artistic voice remains alive in the hearts of those who appreciate his vision.

—Ruth Espinosa

Anod • Watercolor • 22 x 14in • 2024 • 2024 • Sir Mathew Aarts Collection

Daisy in Bloom • Watercolor • 14 x 19in • 2023 • Sir Mathew Aarts Collection

1999

Holy Trinity Mixed Media

32 x 22in

2025 Artist collection

Sunflower Still Life Oil on Canvas 24 x 36in

Ms. Pearl Imelda Cua collection

The Bride Oil on Canvas 27.5 x 36in 2007 Artist collection

Bougainvillea 1 Watercolor

22 x 14in 2024

Mr. Wilson Bangayan collection

Roses Soft Pastel 19 x 15in 2024

Ms . Atess T. Cruz collection

From Calligraphy to Picasoid Visions

William Yu, born in Baculin Baganga, Davao Oriental in 1954, stands as one of the most distinctive voices in contemporary Filipino art. His journey began in the quiet coastal town of Baganga, where his father introduced him to the discipline of calligraphy. This early training instilled in him a sensitivity to line, rhythm, and form—qualities that would later define his artistic language. In 1981, Yu expanded his horizons by enrolling in an International Correspondence Course in London, further sharpening his technical skills and theoretical grounding. His apprenticeship under National Artist Cesar Legaspi proved pivotal, exposing him to modernist approaches and encouraging him to experiment beyond traditional boundaries.

Yu’s first major breakthrough came when he,

William Yu

together with Alex de los Reyes and Emeritus Jovilla, staged an exhibition at the Baganga town hall. This was not only the first art exhibit ever held in the town but also the seed that grew into the Baganga Artists Society, a collective dedicated to nurturing local talent. By 1983, Yu had relocated to Manila to pursue painting full-time, immersing himself in the capital’s vibrant art scene.

What sets Yu apart is his mastery of the “picasoid” figures, a style characterized by the use of a palette knife instead of a brush to apply oil paint on canvas. This technique produces bold, textured surfaces and angular forms reminiscent of cubism, yet uniquely Filipino in sensibility. His works echo the dynamism of Legaspi and Ang Kiukok, but Yu’s palette knife approach imbues his canvases with a raw immediacy, as if each stroke were carved rather than

painted. Over time, however, Yu’s oeuvre evolved. His later works dissolve geometric rigidity into looser, more fluid juxtapositions of color and form, reflecting a deliberate shift toward abstraction and emotional resonance.

Yu’s biography is as compelling as his art. The eldest of five children, he grew up in a family d eeply rooted in the coconut trade, with his father Vicente Yu working as a copra dealer and his mother Elvira Sayman remembered as “Miss Baculin.” Despite these humble beginnings, Yu’s natural talent propelled him into national recognition. To date, he has mounted 22 solo exhibitions, a testament to his prolific output and enduring relevance in the Philippine art world.

His legacy lies not only in his canvases but also in his role as a cultural bridge. By pioneering exhibitions in his hometown, Yu demonstrated that art need not be confined to urban centers—it could thrive in provincial communities and inspire future generations. His palette knife technique, meanwhile, challenges conventional notions of painting, proving that innovation can emerge from tradition.

In William Yu’s story, we see the arc of an artist who began with calligraphy and transformed it into a visual language of strength, texture, and emotion. His works embody both discipline and freedom, structure and spontaneity. For Davao and the Philippines at large, Yu remains a figure of artistic courage—an artist who carved his own path, quite literally, with the edge of a knife.

Abba Yahuwah is The Life • Acrylic on Canvas • 30 x 40in • 2024

—Ruth Espinosa

Elohiym Yahuwah Ohri • Acrylic on Canvas • 27 x 27in • 2024

Glory Be To Abinu Yahuwah

Ruwach Elohiym

Acrylic On Canvas 30 X 34in

Praise Yauw Haqodesh Elohiym

Acrylic On Canvas 35 X 35in

Divine Matrix

Acrylic on Canvas 23 x 33in 2024

Acrylic on Canvas 35 x 25in 2025

Praise ABBA YAHUWAH EL ELYON

DAFI:

A Legacy in Motion is more than a coffee table book— it is a visual journey through the artistry, vision, and enduring impact of DAFI. Each page unfolds with striking imagery and thoughtful narratives that celebrate the collective spirit of creativity, innovation, and cultural heritage.

From intimate studio moments to monumental works that have shaped communities, this volume captures the essence of DAFI’s contribution to contemporary art and design. It is both a tribute and a testament: honoring the past, illuminating the present, and inspiring the future.

Whether you are an art enthusiast, a cultural advocate, or simply someone who appreciates beauty in its most authentic form, this book invites you to pause, reflect, and immerse yourself in the stories that define DAFI’s remarkable journey.