ROUX - Issue 28, Mar 2026

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ROUX Student Magazine EST 2022 Issue 28, 19th March 2026 Luxembourg Print run: 560 copies Chief Editors: Torin II Oakenshield, Fíli and Kíli, Dwalin, Balin, Óin, Glóin, Dori, Nori, Ori, Bifur, Bofur, and Bombur

Contents

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ROUX! MERCH An announcement

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My Story of ROUX

An interview

Diary entry

Tomodachi Life MiiNews Headline

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The Golden Kitty A poem

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The Green Depths of

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Embrio Creative

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Bushido Blade

Farvardegan

Video game retrospective

Poster

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Ah si tu savais, papy A farewell poem

One’s Mind

Shall We Take Tea?

Dungeons & Dragons

Tea Time Ritual

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Bleeding Heart A short story

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From Chaharshanbeh Suri to Nowruz Persian Celebrations

Adventure Starring: Bill SYLA – currently on fraud watch Chloé LEMONNIER – find me at the uni library, knitting Dorian SOUSA CALVO – when she leaves, i steal her yarn Hugo NAZAC – average Jean-Luc Godard enjoyer Julien CRUCITTI – You are now breathing manually Kristina SHATOKHINA – woman of vision; high priestess Lara SEYLER SCHMIT – tealover, bookdragon and poet Lina HARRATI-SCARPA – I like cats Lu CULLEN MORENO – no, I’m not a vampire Margaryta ALEKSANDROVA – the witch Maria MAZEINA – a.k.a Masha Pegah & Pariya PALIZBAN – not twins :) Rafael CORONADO – Laureate Indie Gamer Stefan DIAC – sober philosopher Umut UCAK – rank III level 67 yapper Valeriia STELMASHENKO – I love my life :3 Zoltan TAJTI – founding father; Maecenas of the online edition

Find us at: campus buildings (reception areas, magazine stands), student lounges, chill-out-zones, Jolt Coffee Roasters, Dalmat CoffeeHouse, LLC, BNL, Casino and CNL.

We are thankful to: Ramona Ventimiglia, Veerle Waterplas, Margaly Monelus, and Abigail Slate of the Office of Student Life, Sonja Di Renzo and Antonio Tavan of the Repro Team, Espace Cultures, Karin Langumier, Alannah Meyrath, Bianca Pirrelli, SAUL, Jolt Coffee Roasters, Dalmat CoffeeHouse, Café Saga, LLC, BNL, Casino and CNL.

Unless otherwise noted, all images in the magazine have been dedicated to the public domain under the Creative Commons CC0-1.0 Universal Public Domain Dedication.

Direct all copyright claims to: paper.roux@gmail.com

Roux is partners with RTL Today

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Join us! We are always looking for graphic designers, writers, artists, photographers, reporters, administrators and all sorts of sailors willing to (wo)man the good ship ROUX! Contact us: paper.roux@gmail.com Find the magazine online: https://issuu.com/rouxmagazine Our website: https://roux.lu Instagram: @roux.magazine Cover by Lu CULLEN MORENO Poster p. 16 - 17 hand-drawn by Pariya PALIZBAN

©2026 ROUX Student Magazine. All Rights Reserved.

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AN ANNOUNCEMENT

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AN ANNOUNCEMENT

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M I I N E WS H E A DL I N E

TOMODACHI LIFE: LIVING THE DREAM

BREAKING MIINEWS: Among all the news of 2026, one clearly stood out the most. There are only a few days left until the release of the sequel to Tomodachi Life!!!!!!!!

So many people have been waiting for this, including me, and we’re all so happy that it’s FINALLY happening. What kind of dream life awaits you in this new Tomodachi Life game?

What changed? More customization! They kept the same style but made it even more fun. There are more activities to do with your Miis, more dialogues, and overall a more colorful and entertaining experience.

One of the most anticipated updates is about dating preferences, now you have more options than in the first game. Just like before, as more residents appear, the island will grow. But now they can all have their own houses! Before, that was only reserved for married Miis.

You can also interact more with your Miis, not only in their houses but outside as well. Time still passes like in the real world (which completely blew my mind as a kid) AND MIIS CAN MOVE IN TOGETHER!

The shops introduced in the trailer: Fresh Kingdom (food mart), Where & Wear (clothing shop), News Station MNN, T&C Reno (home supply store), Marketplace, Foto-Tomo (take pictures), Quick Build (decorative items for the island), Palette House (where you can create SO MANY THINGS).

Where and when? Nintendo Switch 1 and 2. April 16, 2026.

What are you planning to do? Do you already have ideas?

Thank you for listening, for the Miinews of March 2026. This is Lina Harrati-Scarpa, signing off.

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A N I N T E RV I E W

Embrio Creative A Bridge of Voices Before we dive into the project, could you introduce yourself?

My name is Florian Kardos. I am 26 years old and have been living in Luxembourg for a year.

I originally come from Trier. I work in the field of Audio Visual at the Media Centre of the Faculty of Humanities, Education and Social Sciences at the University of Luxembourg.

Interview with Florian Kardos (creator of Embrio Creative)

by Margaryta Aleksandrova designed by Kristina Shatokhina

What is Embrio Creative, and how would you describe it to someone discovering it for the first time?

Embrio Creative is an online platform for aspiring young artists. It can be understood as a bridge between young talents and art enthusiasts. The main focus is on the authenticity of the artists and presenting their art in a unique way. What makes the platform special are the individual videos in which artists have the opportunity to introduce themselves. In this way, we serve as a gateway for a simple and more independent entry into the art scene.

What is the mission of Embrio Creative?

Our mission is to discover and showcase the people behind their art. Every creative person who has created something has a story. We want to present their visions, dreams, and work to the audience. At the same time, we offer art enthusiasts a level on which they can identify with the artists and connect with them directly.

For those creating in the shadows and feeling invisible - what would you want them to hear?

Florian Kard

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I think one helpful piece of advice is to engage in exchange with others – to learn from conversations and inspiration, and reflect that in your own art. Networking with other artists and starting collaborations is essential.

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What do you think an artist should be nowadays?

One should be courageous, willing to experiment, and eager to learn in order to build authenticity and individuality. You should never stop developing yourself. Especially in times of overwhelming online advertising and artificial intelligence, it is important to discover your own niche and grow within it.

Are there any projects or artists on the platform that feel especially close to your heart?

Giulia Kapper

Since I am still at the beginning of my journey, I do not yet have any favourites. That is why I am happy about every artist who wants to join the platform and takes the first step in presenting their art – and themselves – to the world.

Thank you!

So, dear Caladrii, after the interview, like any curious girl in my place, I found myself exploring the platform. It felt like something new and revealing to me - do we really pay attention to those who stand behind the canvas?

One artist I discovered on Embrio Creative stayed with me the most – Giulia Kapper. She was born in Freiburg im Breisgau and discovered her love for art early in life. Painting and drawing quickly became her meaning and her light, remaining a constant form of expression throughout her childhood.

In 2021, she began studying Communication Design in Trier, where she continued to develop her visual language and conceptual thinking.

Although the program covered many disciplines, it soon became clear that illustration was her true passion.

A particularly formative chapter took her to Milan, where she studied at the Accademia di Belle Arti di Brera. Surrounded by new cultural and artistic influences, she experienced strong personal and creative growth. This time helped her refine both her artistic style and her perspective as an illustrator.

Her goal is to specialize in illustration, with a long-term plan to pursue a master’s degree focused on this field. She is driven by the desire to deepen and further develop her passion for painting and drawing on a professional level.

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D I A RY E N T RY

efore starting university for computer science, I wanted to be a writer or go into some sort of linguistics. But at some point, I decided it's best to leave it as a hobby and enjoy it more that way. Still, I was really hoping to find a newspaper club or any similar student organisation. I was even thinking of creating one if I had to.

On Welcome Day, my friends and I (still strangers back then) were walking around and searching for a volleyball club for one of us.

He went to talk to people at the stand, and I looked around, trying not to stand awkwardly. As I looked back, I suddenly saw a table that was layered with treasure-like beautiful magazines, all with different colors and designs. I approached not even looking at the people behind the desk, my attention consumed by how wonderful that looked. I then talked to the people, learnt when and where the meetings were and got “the starter pack” consisting of four issues.

I went to the first meeting with some of my new friends because it was scary to go alone, but I still got very intimidated. People were throwing ideas around, the room was almost visibly painted with colors of imagination and creativity; the people who could so freely express those and share their creations without a second thought were really impressive. There were so many new people (around 20), and all of them looked like they fit right in. Yet I could not speak a word because of how overwhelming and cool it all looked. As I left and someone asked “Are you going to come back”, I realised that the answer was no. “Maybe next semester”, I thought, already regretting that choice.

It wasn't until about a month later, when I had already adjusted to uni life, my friend suddenly called me (Meet my designer!!!) and was like:

“Sooo I know you wanted to go to the ROUX thing, they just said they need more writers, you in?”

“When do I need to decide?”

“Now. ”

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on the Hey, designer share line! Time to too) my experience

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And just like that, I became part of something wonderful and cozy. This time when I came to the meeting, they didn't seem to remember me and the flow of newbies subsided, leaving less than half. And I suddenly felt incredibly welcome and included.

When Masha showed me ROUX for the first time, I was genuinely impressed by how goddamn good the magazines looked. I knew I had to become a part of it, but I did not yet know how. Writing to them on socials seemed too scary, and none of my friends knew anyone from the team, so I patiently waited until the next issue release to catch someone during magazine distribution. When that long-awaited day finally came, I approached one of the guys, at the time unknown to me, at the ROUX station, and composed my courage to talk to him. A million questions circulated in my head: Can I join them? I really want to. But can I, if never ever in my life have I done any art in digital, not even to mention magazine designs? I know how fine art works, but this…

Who should I contact? What should I say? Am I good enough? I know that for any kind of artistic job you need a portfolio, who from the student magazine could I show it to?

The latter question was the only one I asked aloud.

Nobody seemed to have noticed my inner panic; I was given a time and a room number instead. The same evening there I was, sitting in one of the uni auditoriums, trying to get my thoughts together, when people were already asking for my opinion and advice on their designs. When I saw a familiar face, I asked about the portfolio again. The response was: “The moment you mentioned a portfolio, we realised you know what you’re doing!”

But my first impression of the people and the atmosphere stayed. And still what I like the most about this is that people just throw around ideas and bring them to life and none of the ideas get dismissed or disliked. When I said “I’d like to write about propaganda”, I didn't receive the question, which seemed natural to me: “Why?” Everyone just said “Alright”. In some strange way, I never imagined teamwork like this, beyond a “small group of friends” dynamic, without assigned roles and structures, where whoever wants to write writes, and whoever wants to design designs, to work. And whenever I witness (and participate hehe) in this bundle of chaotic creation, the outcome isn't just this magazine, it's the atmosphere and the jokes of every meeting, made into an everlasting memory.

Written by Maria Mazeina Designed by Valeriia Stelmashenko

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A POEM

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VIDEO GAME RETROSPECTIVE

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A S H O RT S T O RY

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A S H O RT S T O RY

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D UNGEONS & D R AGONS ADVENTURE

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D UNGEONS & D R AGONS ADVENTURE

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D UNGEONS & D R AGONS ADVENTURE

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A FAREWELL POEM

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TEA TIME RITUAL

Shall we take tea? or my disguised obssession for sugar and Period Drama

Design & text by Chloé Lemonnier

Dear gentle reader, Well, I don’t know if you’ve fallen for the Bridgerton series like I have, which came out in early February on Net ix. Personally, I avoid romantic series like the plague, especially Net ix ones because they make me too delusional and go to my head.

Then I look for my Prince Charming at the library, who will pick up my books when they fall on the oor. No, it cannot be.

A year ago, I arrived in Luxembourg, where it’s freezing to death. So I decided to curl up under my blanket with my tea and my knitting, looking for a series to get me through the winter. And that’s when the trouble started, when I saw the new season of Bridgerton. It was already well known at the time, but I thought to myself: ugh, another sappy series with the same old “run away from me, I’ll follow you” plot. So, of course, I binge-watched all the seasons, completely captivated by the atmosphere and the costumes. I won’t mention the actors’ performances, which are grotesque, but let’s move on. Above all, an irrepressible desire developed in me without me seeing it coming: my obsession with tea time!!

Actually, they clearly spend their time eating in this series, little fruit jellies here, little cupcakes there, and you get yourself a little tea served with your tea set. In this period of seasonal depression, it’s exactly what we need, people: sugar, sugar, sugar.

I continued down this slippery slope of British monarchy-themed series, watching them all: Downton Abbey, The Crown, Pride & Prejudice... But I don’t care about the monarchy side of it all, it’s tea time that I’m waiting for. As a sugar addict myself, I live vicariously through these characters who don’t gain an ounce and yet spend their time eating cream puffs.

So recently I took action: I prepared my own tea time just for me. And I fully intend to in uence you (mwahahaha).

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T E A T I M E R I T UA L

26 Chloé Lemonnier

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First, a little history, because personally I knew nothing about tea time and it’s actually fascinating. In the 18th century, tea time began to develop. At rst, it took the form of an afternoon gathering of highborn gentlemen at the coffeehouse (lol, those English lords needed something to keep them busy). They were also called “penny universities” in reference to the conversations that these convivial moments encouraged and the one-penny entrance fee. But women were not allowed in these places because...they weren’t allowed to drink coffee, I suppose?! What they were allowed to do, however, was drink tea, more ladylike if you please. Then came the tea gardens, afternoons when noble men and women gathered to drink tea together, and gradually this social event became a tradition and food was added to the mix. No wonder drinking only tea all afternoon made you hungry. Just to quote the Duchess of Bedford, considered the tea time pioneer, who ordered a sandwich one afternoon, declaring that she had a “sinking feeling” between lunch and dinner.

From there, tea time began, with scones, small sandwiches, and a variety of cakes.

Obviously, since it’s a monarchy, there’s a certain etiquette to follow. I won’t list them all because there are too many, but here are my top 5 rules to know if you don’t want to come across as a boor. You never know, you might be invited to tea with Charles and Camilla.

One day during the February break, I decided to have my own tea time at home.

I went a little overboard and spent the modest sum of €32 on macarons at Ladurée and €6 on ONE mini lemon tart. Your girl is broke, but what can you do? I have very high standards for myself. I must have been the Duchess of Bedford in another life, that’s the only explanation I can think of. Anyway, I made little salmon, lemon, and dill sandwiches for the rst course and added my princess purchases: pistachio, raspberry, rose, lemon, and orange blossom macarons, and my lemon meringue tart. For tea, I opted for green tea, which I sprinkled with rosebuds in my Villeroy&Boch cup that I bought for €1 at Emmaüs in Thionville (because I’m still a peasant girl).

To conclude, I have nally realized my dream and nothing can stop me now, but above all, remember: treat yourself like the Queen you are.

- Put your pinkie nger down.

- Don’t put the teaspoon in your mouth.

- Don’t blow on the tea to cool it down.

- Never dunk your scone into tea.

- Eat with your ngers (the only thing you can let loose on).

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PERSIAN C E L E B R AT I O N S

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