Rock & Roamer SUMMER 2023
CARLOS RISING BECKY CROSBY
LANA DEL REY'S CALIFORNIA
MAKE THE MOST OF A MUSIC-FILLED SUMMER ROCKANDROAMER.COM
Editor's Note
Rock & Roamer caters to good music, both mainstream and indie, finds you the most interesting places to travel, and the food to get you there.
Rock & Roamer Summer Playlist "Summertime Sadness" Lana Del Rey
"Timeless" Taylor Swift "Every Kind of Way" H.E.R. "Pretend" Joshoo "Vampire" Olivia Rodrigo "Simply in Love " Carlos Rising
Photo by Tiana Perez I Whisky a Go Go, WeHo
As the sun shines bright and the temperatures rise, it's time to dive into the electrifying pages of our Summer 2023 issue. Prepare yourselves for a thrilling journey through the world of music. We are ecstatic to present exclusive interviews with two sensational artists, Carlos Rising and Becky Crosby. Their stories are bound to inspire and encourage you to chase your dreams fearlessly. We have a special treat for all the Lana Del Rey fans out there. We've compiled a comprehensive guide to her Southern California lyrics. Discover the hidden gems and iconic locales that have inspired her haunting melodies and melancholic vocals. This is your chance to experience Lana's world firsthand. As we embrace the theme of taking risks, we want to encourage all of you, our readers, to follow your passions and dare to dream. The music industry thrives on innovation and authenticity, and your unique voice and perspective can set you apart. Whether you're an aspiring musician, an industry insider, or appreciate the magic of music, we hope the stories and insights shared in this issue will inspire you to take that leap of faith and reach for the stars. I hope this issue of Rock & Roamer surprises you, moves you, and gives you something to look forward to.
LAUREN ELIZABETH CAMPBELL Editor-in-Chief
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"Freaks" Surf Curse "Fast Car" Luke Combs "Love Like Medicine" Becky Crosby "Taking Chances" Céline Dion "Mama's Boy" Dominic Fike "Sweet" Lana Del Rey "I've Been In Love" Jungle (feat. Channel Tres) "Vulnerable" Selena Gomez "Dance The Night" Dua Lipa
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Table of Contents
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OUR FAVORITES Rock and Roamer's favorite new music, movies, and summer tours.
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TAKING RISKS Embracing risk and pushing creative boundaries are crucial for music success.
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LANA DEL REY'S CALIFORNIA Gracefully, Del Rey captures the essence of Southern California in her music.
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CARLOS RISING Rising captivates listeners with his soothing voice and original music, showcased on NBC's The Voice.
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SUMMER PLAYLISTS A playlist for your summer love affair and days with friends at the beach.
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'SPEAK NOW (TV)' Speak Now (Taylor's Version) surpasses expectations as a 2010 re-recording.
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BECKY CROSBY The 23-year-old pop/funk artist is making waves with her dynamic performances.
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RESPECTING THE SHOW Rock & Roamer's call to end object throwing on stage.
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A CAREER PIVOT A journey of rediscovery and finding fulfillment backstage.
Photo 1 courtesy of Cassidy Elise, Manager | Photo 2 by Adam Balhausen | Photo 3 by Neil Krug, Courtesy of Interscope Cover Photo by Adam Balhausen
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ROCK & ROAMER FAVORITES NEW MUSIC, MOVIES, & SUMMER TOURS
Photo by Mason Poole
MUSIC "Vampire" - Olivia Rodrigo "I really liked the "Vampire" music video being set in L.A. I always feel like that's cool. Super stoked that Olivia is back!" - Tiana Perez, Los Angeles (Staff Writer) "Mama's Boy" - Dominic Fike "Another great track from Dominic Fike gives a quirky look into the emotional complexities of being a mama's boy." - Elizabeth Smith, Chicago (Rock & Roamer Reader) "I've Been In Love" - Jungle (feat. Channel Tres) "This song is such a great funky, danceable love ballad that will have you feeling all the feels." - Jason Stewart, Kansas City (Rock & Roamer Reader)
TOURS
MOVIES Past Lives "Past Lives is a great story of love, loss, and heartbreak. Any A24 film I'm watching asap and loved the Asian-American representation with these two childhood first loves." - Tiana Perez, Los Angeles (Staff Writer) Barbie "Barbie is a witty, heartwarming, and surprisingly subversive take on the iconic doll. Greta Gerwig is pure genius." - Sebastian Potter, Pittsburg (Staff Writer)
Photo one: courtesy of Geffen Records; two: Warner Bros.; three: Columbia Records
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The Final Tour Dead & Company "I've been following the setlists for these shows the entire tour, and am looking forward to roadtripping to San Francisco for their last show!" - Lauren Elizabeth Campbell, Los Angeles (Editor-in-Chief) Renaissance World Tour Beyoncé "I was beyond lucky to see this show in London. One word: fantastic." - Ellie Wang, New York (Rock & Roamer Reader) Two Icons, One Night Tour Billy Joel and Stevie Nicks "How legendary is it to see a show like this? It truly doesn't get better than these icons." - George Walker, Portland (Rock & Roamer Reader) @ROCKANDROAMER
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Taking Risks:
THE KEY TO SUCCESS IN THE EVER-CHANGING MUSIC INDUSTRY By Lauren Elizabeth Campbell Editor-in-Chief
The music industry, renowned for its dynamism and constant evolution, offers a plethora of opportunities for both artists and individuals working on the business side. However, navigating this ever-changing landscape can be a daunting task. One of the key lessons to learn in the music industry is the importance of taking chances. This article will explore why embracing risk is crucial for success, whether you're an artist striving for recognition or an industry professional seeking growth and innovation. Seizing Opportunities Opportunities seldom present themselves on a silver platter. In the music industry, they often emerge from unforeseen circumstances or unexpected collaborations. By being open to taking chances, artists and music industry professionals can seize these opportunities and turn them into careerdefining moments. It could be a chance encounter at a networking event, an impromptu performance with an A&R rep in attendance, or even an innovative idea for a new business venture. Those willing to take risks are more likely to be in the right place at the right time, ready to capitalize on the next big breakthrough. Learning and Growth Failure and setbacks are inevitable parts of any journey, especially in a competitive industry like music. However, taking chances allows for valuable learning experiences that can lead to personal and professional growth. By embracing risk, individuals develop resilience, adaptability, and a willingness to learn from mistakes. These lessons become invaluable as they navigate the intricate web of the music industry.
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Whether trying out a new marketing strategy, experimenting with unconventional distribution methods, or daring to perform in front of a challenging audience, each risk provides an opportunity to refine skills and gain insights to propel future success. Pushing Creative Boundaries For artists, taking chances means pushing creative boundaries and stepping outside their comfort zones. Staying within the confines of a particular genre or style may limit their potential for growth and exploration. Artists can tap into their true artistic potential by experimenting with new sounds, collaborating with diverse musicians, and exploring uncharted territories. Taking risks in the music industry can lead to groundbreaking creations, unique artistic identities, and a strong personal connection with the audience. Staying Ahead of the Curve The music industry constantly evolves, influenced by technological advancements and shifting consumer preferences. To remain relevant and ahead of the curve, industry professionals must be willing to take chances
and adapt to these changes. Embracing emerging trends, experimenting with new marketing techniques, and exploring innovative revenue streams can help individuals on the business side of music maintain a competitive edge. By seizing opportunities and taking calculated risks, professionals can position themselves as pioneers and trendsetters, leading the way rather than following the crowd. In the music industry, taking chances is not merely a choice but a necessity for success. Whether you're an artist striving to push creative boundaries or an industry professional looking to stay ahead, embracing risk is a crucial mindset. By venturing into uncharted territory, seizing opportunities, learning from failures, and staying adaptable, you increase your chances of achieving your goals and realizing your true potential. Remember, the path to success is often paved with risks, and those who are willing to take them are the ones who can shape the future of the music industry.
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LANA DEL REY'S CALIFORNIA SOUNDSCAPE: One Girl's Guide to Embracing SoCal Through Lana Del Rey By Tiana Perez Staff Writer
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Tiana Perez (writer) | Photo by Lauren Elizabeth Campbell
Driving down the highway, Lana Del Rey's ethereal voice seeps through my car's speakers into the city streets. Gracefully, Del Rey captures the essence of Southern California in her music. Intentionally, the New York native pays homage to California, the place where she feels she can have her private life but still collaborate regularly with fellow creatives. Despite not being from California, Del Rey has made it her mission to fully submerge herself within Los Angeles and its rich culture. Taking a look into Del Rey's lyricism, she cements her place in the music industry by creating an idyllic Southern California vision through her work. On her very first album, Born to Die, the track "Off to the Races" mentions L.A. when she claims the man she is seeing "doesn't mind I have a Las Vegas past, He doesn't mind I have a L.A. crass way about me." L.A. natives know it is common to travel to and from Las Vegas often for leisure. In "Yayo" from Born To Die - The Paradise Edition, Del Rey explains that it "only takes two hours to Nevada," thus solidifying that she knows her way around the desertland of the West Coast. Her sophomore album, Ultraviolence, features "West Coast," where she paints a paradisal SoCal image where "down on the West Coast, they got their icons, Their silver starlets, their Queens of Saigons . . . they love their movies, Their golden gods and Rock 'n' Roll groupies". In L.A., there is a rich history of film and music that Del Rey just begins to scratch the surface of. In "Old Money," she reflects on fond memories in L.A. and proudly states that "those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City,"
panging that she is no longer the East Coast Native she once was. The title track of Honeymoon dives right into the streets of L.A. when she sings, "We could cruise to the blues, Wilshire Boulevard if we choose." Wilshire Boulevard is a major city street that runs through the heart of L.A. The significance of Wilshire Boulevard is utilized again as she sings, "And we could
cruise to the news, Pico Boulevard in your used. Little bullet car, if we choose." Wilshire Boulevard and Pico Boulevard are both famous L.A. roads that run parallel to one another. Del Rey and her lover are close to one another, but their paths never quite cross. Feeling misunderstood, Del Rey declares in "Freak" that anyone can join her, "Baby, if you wanna leave, come to California.
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LANA LOVES CALIFORNIA P L A Y L I S T Lana loves California every song where lana mentions la, or alludes to being in the golden state
Born to Die
Lust for Life
Blue Banisters
"Off To The Races" "Blue Jeans" "Video Games" "Radio" "Summertime Sadness" "Ride" "American" "Cola" "Gods & Monsters" "Yayo" "Bel Air" "Burning Desire"
"Lust For Life" (with The Weeknd) "13 Beaches" "Summer Bummer" (feat. A$AP Rocky & Playboi Carti) "Coachella - Woodstock In My Mind" "Heroin"
"Text Book" "Blue Banisters" "Arcadia" "Black Bathing Suit" "Violets for Roses" "Nectar Of The Gods"
Norman fucking Rockwell
Did you know that there's a tunnel under Ocean Blvd
Ultraviolence "Shades Of Cool" "West Coast" "Old Money" "Guns and Roses"
"Norman fucking Rockwell" "Mariners Apartment Complex" "Venice Bitch" "Fuck it I love you" "Doin' Time" "How to disappear" "California" "The Next Best American Record" "The greatest" "Bartender "Happiness is a butterfly"
Honeymoon "Honeymoon" "Terrence Loves You" "God Knows I Tried" "High By The Beach" "Freak" "Religion" "Swan Song"
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"Did you know that there’s a tunnel under Ocean Blvd" "Sweet" "A&W" "Kintsugi" "Paris, Texas" (feat. SYML) "Margaret" (feat. Bleachers) "Fishtail" "Taco Truck x VB"
Hollywood Bowl Chemtrails Over The Country Club
"Hollywood Bowl" (with Rob Grant)
"Chemtrails Over The Country Club" "Let Me love You Like A Woman" "Wild At Heart" "Yosemite" "Dance Till We Die"
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Photo by Neil Krug | Courtesy of Interscope
Be a freak like me, too." Rather than allowing herself to be ridiculed, she embraces the mental insanity and free-range musical creativity she feels in California. By her fourth album, Del Rey will "climb up the H of the Hollywood sign" and "in these stolen moments, the world is mine," claiming that she is conquering L.A. and equates this to her reign as the belladonna of Sad-GirlWest-Coast-Music. She feels empowered in L.A. and is a part of the city. "Coachella" shows Del Rey attending the acclaimed music festival without actually performing herself. In the track, she sings, "I was at Coachella leanin' on your shoulder," the notion that she would attend a monumental festival as a mere spectator exhibits her genuine appreciation for the West Coast music industry. In Norman Fucking Rockwell, Del Rey's grievances are outlined with the title track. She claims her boyfriend is a "self-loathing poet, resident Laurel Canyon know-it-all," as an affront to his creativity. Laurel Canyon is a famous L.A. neighborhood where Del Rey's heroes previously resided in the '60s and '70s. Notable names such as Jim Morrison and Joni Mitchell were both Laurel Canyon residents, and Del Rey finds it blasphemous that her unimaginative boyfriend is a current Laurel Canyon resident. It is sacrilegious that musical legends walked the same ground where her "Goddamn, man-child" lives. Being a proud L.A. resident, she understands the cultural significance of Laurel Canyon that her self-effacing boyfriend is unaware of. Throughout the remainder of this album, she references locations such as Venice, Long Beach, and Marina Del Rey – all popular L.A. locations she has familiarized herself with over the years. Rather than solely romanticizing the locations alone, Del Rey is able to tell personal stories taking place in these locations, conveying that she is knowledgeable of L.A.'s landscape. In Chemtrails Over The Country Club, Del Rey redirected her writing from focusing solely on SoCal but did not abandon California altogether. On tracks such as "Yosemite," she metaphorically states, "seasons may change, But we won't change," and later nods to notorious SoCal weather, "Isn't it cool how nothing here changes at all?" because it is always remarkably warm and sunny there. However, in a different part of California, she was sure to
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SUMMER 2023 experience a real weather change and a change of experiences. In "Dance Till We Die," Del Rey tells how she's "left Berkeley, out of city, out of mind . . . left San Francisco, I've been coverin' Joni, and I'm dancin' with Joan," further describing that although she loves other parts of California, she will always find her way back down to Southern California, primarily in L.A.. As she finds her way back down South, on Blue Banisters, she proudly declares in "Arcadia" that her "body is a map of L.A." All prior mentions of L.A. in Del Rey's work were in more typical locations that a non-LA native could recognize. However, there is no Arcadia equivalent of the Hollywood Walk of Fame or Beverly Hills because Arcadia is just that – an average city within Los Angeles County. It became increasingly important to Del Rey to familiarize herself with all parts of L.A., not just the areas with remnants of the glitz and glamour of a past
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Golden Age. Having been all over the West Coast and California throughout Del Rey's discography, her latest installment, Did you know that there's a tunnel under Ocean Blvd, brings us right back to the heart of L.A. Tracks such as "Sweet" and "Taco Truck x V.B." pay homage to the Golden Age of L.A. and spite the current wave of artificial friendships and relationships. On "Sweet," she tells the story of a regular day with "stars in my eyes, hiking up Griffith" while also declaring that she's "a different kind of woman." In time, she has learned about different subcultures that inhibit L.A. as a whole, insulting one stating that "if you want some basic bitch, go to the Beverly Center and find her." Now acclimated in L.A.'s rich culture, Del Rey is able to differentiate genuine people and separates herself from L.A. fame chasers. Resolving the album on a note that is key to L.A., Del Rey meets her "boyfriend down at the taco truck." This is a
distinctly L.A. experience, where there is a taco truck on every street corner. The weight of this lyric shows that she is happy to be doing typical activities in L.A., and she does not have to be tied to some extraneous history of L.A. all the time. Instead of proving that she is an L.A. native by participating in heavily curated "L.A." activities, Del Rey and her boyfriend will meet at the taco truck on the street corner. When arriving in L.A., Del Rey had merely heard stories of the city, but now having lived here and created stories of her own, she no longer needs to prove that she is an L.A. woman. In one of her earliest tracks, "American," she describes the fake it till you make it mentality that runs through the city. Claiming in the early stages of her career, "L.A., I don't even have to fake it now," Del Rey prophesied a future for herself in Los Angeles and worked to achieve her dreams in the City of Stars.
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INTERVIEW
SUMMER 2023
"Simply in Love": Carlos Rising's Melodic Journey of Passion and Inspiration Interview By Lauren Elizabeth Campbell Editor-in-Chief
Carlos Rising is a versatile musician, captivating listeners with his soothing voice and original music, showcased on NBC's The Voice, and aiming to make a meaningful impact on large and small audiences. Rising recently released "Simply In Love," a heartfelt and hopelessly romantic love letter capturing the profound connection between two lovers, accompanied by a music video featuring his wife as the source of inspiration during her battle with health issues. With Rising's expressive vocals and subtle keys, the song takes listeners through the comforting entanglement of enraptured love. Can you tell me about your musical background and what initially inspired you to pursue this career? My musical journey begins with my parents. My parents were musicians but were singers, and they had a wonderful taste in music. I was raised on Stevie Wonder, Bill Withers, Eric Clapton, James Taylor, Sting, and many other singer-songwriters. Because of those artists and the impact their music had on me, I knew that my dream was to become a singer/songwriter then. I was specifically inspired by Sting and the Police, which prompted me to learn the bass at age 11. Also, being obsessed with John Mayer and Clapton, I switched my focus to guitar and never looked back. After years of honing my skills as a songwriter and musician, I decided to do music full-time in 2020, hoping to achieve my dreams of being an artist who inspires people with his music. Could you share the story behind your latest single, "Simply In Love"? How did the idea for the song originate as a love letter
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Photos in this story by Adam Balhausen to your wife? Additionally, I'm curious about the creative process involved in translating your heartfelt words into music and ultimately deciding to release it as a single. In my relationship with my wife, she constantly asks me, "Do you still love me?" in a playful manner, to which I respond, "Always." However, over the past year, my wife asks that same question with a different intent. About nine months ago, my wife was diagnosed with Alopecia, which has left her losing a lot of her hair. Often feeling insecure, she will ask me if I still think she is still beautiful despite her hair loss and if I love her the same way I did when she had hair. The answer is still "Always." To remind her she is beautiful in every way, I wrote this song as a
love letter to remind her that no matter what happens in this life, through sickness and health, I am and always will be "Simply in Love." In your audition for The Voice, you sang a beautiful rendition of Eric Clapton's "Change the World." What artists have helped you shape your creative process and develop your unique sound? Clapton has definitely been a huge influence on my life, but I would say the artist with the biggest influence on my life has been John Mayer. His songwriting and musicianship are unparalleled, and I often find myself drawing new inspirations from his music. Specifically for "Simply in Love," I have looked at artists like Bruno Major, Tom
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SUMMER 2023 Mische, Mars Today, and the late Mac Miller. Their ability to let the groove and vibe support the lyrics and melody is something I seek to emulate. I could go down the line and name artist after artist who has helped me find myself as an artist and songwriter. How has your faith influenced your music? Growing up as a preacher's kid, you are more or less involved in church whether you like it or not. The first music I ever learned how to play was gospel music, and I believe it was the foundation for my artistry. Some of the best artists and musicians of all time started playing or singing in the church, and it influenced them for the rest of their lives. I am no different from my heroes that were
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brought up the same way. Ultimately, my faith plays a big part in my life, marriage, and my music, and I am very proud of how I was raised with parents who always supported me and prayed for me. What did you take away from your time on The Voice? The biggest thing I took away from The Voice is confidence in my sound and voice. I had some of the biggest stars in the music industry compliment my tone, style, and ability to go in and out of any genre I wanted to. My coaches and peers praised my versatility, which I am very proud of. Being influenced by so many different types of music, I feel I am a collage of all the artists I look to and draw from. As I continue my
musical journey, I am looking to showcase that versatility to listeners of my music. What can fans expect next from you? "Simply in Love" is the first of many singles to come, which I will be releasing every 6-8 weeks for the rest of the year. Eventually, these songs will outline the track listing for my first full-length album, which will be released in 2024. I am also playing a summer full of shows and which will lead to a tour around the southeast region of the United States. Keep up with Carlos Rising on Instagram and TikTok @CarlosRising and stream "Simply in Love" wherever music is available.
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PLAYLIST
SUMMER 2023
SUMMER LOVIN' PRETEND YOU'RE A ROM-COM MAIN CHARACTER Summer Girl HAIM
Ends of the Earth Lord Huron
Make Me Feel Janelle Monáe
Be Sweet Japanese Breakfast
Nothing Left to Lose Mat Kearney
Days Go By Keith Urban
Saltwater Geowulf
Starlight Taylor Swift
skinny dipping Sabrina Carpenter
Woodland The Paper Kites
Southern Sun Boy & Bear
We Were Like Kelsea Ballerini
Fire for You Cannons
Can't Behave Courtney Jaye
Carried Away Passion Pit
Baby, You Make Me Crazy Sam Smith
Hold Back The River James Bay
Summer Nights John Travolta, Olivia Newton-John
August Taylor Swift
Got to Be Real Cheryl Lynn
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SEASIDE FRIENDS FOR DAYS AT THE BEACH WITH YOUR BUDDIES You're My Best Friend Queen
On the Ride Aly and AJ
Best Friend Foster the People
22 Taylor Swift
Wannabe Spice Girls
The Boys Are Back in Town Thin Lizzy
Best Friend Saweetie feat. Doja Cat
Lean on Me Bill Withers
Hey Girl Lady Gaga & Florence Welch
You've Got A Friend Carole King
Summer of '69 Bryan Adams
Friends ( BTS
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IF YOU GO DOWN (I'M GOIN' DOWN TOO) h o p e u r o k Kelsea Ballernini Olivia Rodrigo Clique Kanye West, Jay-Z, and Big Sean
We Should Be Friends Miranda Lambert
True Colors Cyndi Lauper
We're Going to Be Friends The White Stripes
Daydream Believer The Monkees
Friends The Carters
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Album Review: 'Speak Now (Taylor's Version)' By Lauren Elizabeth Campbell Editor-in-Chief
Taylor Swift's Speak Now (Taylor's Version) surpasses expectations as a re-recording of her iconic 2010 album, showcasing the remarkable growth and artistic evolution she has experienced. The album maintains its catchiness and relatability, while the new recordings carry a profound emotional depth that resonates even more strongly with listeners. An integral aspect that distinguishes Speak Now is Swift's unparalleled songwriting prowess. Despite being between the ages of 18 and 20 when she penned these tracks, she demonstrated a remarkable ability to capture the intricacies of human emotions. The lyrics remain as honest, vulnerable, and humorous as ever, infused with Swift's signature wit and adept wordplay, as only she can do, as she was the album's sole writer. In the new album's prologue in the liner notes, Swift writes, "I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right." The production of Speak Now (Taylor's Version) stands out for its exceptional quality. The songs are adorned with rich orchestration, blending elements of country, pop, and rock seamlessly. The arrangements are intricately crafted, striking the perfect balance between complexity and cohesiveness, always enhancing the impact of each song. In addition to the 16 original rerecorded tracks, the album also features six captivating new songs from the vault —
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Swift's exceptional talent for storytelling and her ability to capture complex emotions through her poignant lyrics are showcased throughout all the new tracks. "Electric Touch" (feat. Fall Out Boy) delivers a catchy melody and an infectious, upbeat vibe. It explores the story of a girl irresistibly drawn to a dangerous yet exhilarating boy. "When Emma Falls in Love" is a poignant country-pop ballad that encapsulates the experience of witnessing one's best friend falling in love. Brimming with longing and bittersweet nostalgia, it evokes a heartfelt journey of emotions. "I Can See You" is a haunting ballad portraying a girl's endeavor to move on from a
past relationship. Combining heartbreak and hope, this song showcases Swift's profound lyrical prowess. "Castles Crumbling" (feat. Hayley Williams) is a rock anthem that delves into feelings of betrayal and heartbreak, conveyed through Swift and Williams' powerful vocal performances. It captures raw anger and bitterness in its evocative lyrics. "Foolish One" is a country-pop tune and cautionary tale for a girl discovering that not all men are worth her time. It exhibits Swift's clever songwriting skills and is filled with regret and warning signs. "Timeless" is a mesmerizing folk-pop composition about a girl's love for a boy from a different era.
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SUMMER 2023 Balancing romance and wistfulness, this song delivers captivating lyrics that evoke deep emotions. Overall, Speak Now (Taylor's Version) is an awe-inspiring reimagining of a timeless album. Including the new vault songs adds a captivating dimension, while the new instrumentals infuse the album with renewed vitality. Swifties will undoubtedly adore this album, ensuring its status as a classic for generations. After immersing myself in the enchanting melodies of Speak Now (Taylor's Version), my anticipation for the forthcoming
rerecordings heightens. The mere thought of Swift's unique interpretation of my other beloved albums, such as 1989, fills me with unparalleled excitement. Not only am I eagerly awaiting the more developed sound, but I am also eagerly anticipating the inclusion of Swift's newly recorded bonus tracks for each album. The exceptional quality of the bonus tracks on Speak Now (Taylor's Version) has left an indelible mark, igniting my curiosity to discover what hidden gems she has meticulously crafted for the other albums. Swift's reclamation of her music through this
rerecording project is a powerful testament to her unwavering determination. By regaining control of the masters, she not only reestablishes her autonomy but also opens up her music world to a fresh generation of fans. Witnessing this transformative journey unfold fills me with immense joy and gratitude. The anticipation of experiencing the remaining rerecordings is simply exhilarating. I am confident that the remaining rerecordings will surpass all expectations, much like Speak Now (Taylor's Version) has done.
Photo by Beth Garrabran
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INTERVIEW
SUMMER 2023
BECKY CROSBY: "MY GOAL IS TO JUST MAKE MUSIC THAT PEOPLE ENJOY AND WANT TO LISTEN TO." By Lauren Elizabeth Campbell Editor-in-Chief
Becky Crosby, a 23-year-old pop/funk artist from Montclair, New Jersey, is making waves in the Northeast with her dynamic performances. Supported by a group of talented musicians, Crosby's music combines influences from jazz, classical, and contemporary genres, resulting in a unique and eclectic sound. After studying Jazz at Purchase College, she now focuses on her music career, drawing inspiration from artists like Paramore, P!nk, The 1975, Miley Cyrus, and Silk Sonic. Crosby skillfully incorporates elements from rock, pop, jazz, funk, and R&B into her compositions, creating a distinct musical style of her own. Crosby talks about her latest release, "Love Like Medicine," and her goals as an artist: How would you describe your musical style and the influences that have shaped it? I would say my music is Pop Funk with occasional elements of rock and jazz. Some bands and artists that have heavily influenced me are; Paramore, The 1975, P!nk, Miley Cyrus and Silk Sonic. Vocally, my biggest influences are Hayley Williams and Pat Benatar. How does your music draw upon the educational experience you had studying jazz at Purchase College? When I first got to Purchase I knew very little about jazz music. I had a strong
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Photos Courtesy of Cassidy Elise, Manager background in rock and classical but was pretty clueless my first semester. Over the years I learned how to use the intense jazz education I was getting, and integrate it with all the sad pop songs I had written over the years. With the help of my band and friends from the program, I was able to shape some really funky sad love songs. The "Love Like Medicine" music video showcases the creative concept of your band members spontaneously appearing throughout various moments in your day. Could you delve deeper into the inspiration behind the video and how it intricately connects to the essence of the song? Of course! The whole idea behind the
music video is that I run out of my medication and I start hallucinating my band everywhere I go. I think this is a good representation of anxiety and how it can just hang over you, especially when you try your best to avoid it. In the verses of the song I get a bit darker talking about seeing and hearing things that may or not be there which is demonstrated in the video, while the choruses turn it into a love song. This issue of Rock & Roamer focuses on taking chances and “putting yourself out there,” so to speak. Could you share an experience where you embraced a significant artistic risk or took a bold leap as an artist?
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SUMMER 2023 I think a big leap that I took was with my genre and style a few years ago. Back when I first started recording my music I didn't know which direction I wanted to go in yet. My first two songs "Ghost" and "I Know" were taken in a heavy pop direction with a lot of electronic elements. And although I love how those two songs came out, I think
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changing things up and going in a more funk/rock direction was definitely the right move for me. What are your goals and aspirations as a music artist? My goal is to just make music that people enjoy and want to listen to. For my own music, I hope to be able to perform as much
as possible and be able to do multiple albums and EPs. I also would really love the opportunity to songwrite for other people in different styles and genres! Keep up with Becky Crosby on Instagram and TikTok @BeckyCrosby_ and stream "Love Like Medicine" wherever music is available.
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SUMMER 2023
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SUMMER 2023
Cultivating Respectful & Secure Concert Experiences: A CALL TO END OBJECT THROWING ON STAGE By Sebastian Potter Staff Writer
The concerning trend of throwing objects onto the stage during concerts has tracked momentum in recent months. This behavior exhibits a lack of respect for the artists and poses a dangerous threat. Prompted by unfortunate incidents involving renowned musicians like Bebe Rexha, who was hit in the head by a phone thrown by a fan, Kelsea Ballerini, whose eye was hit by a bracelet, and P!nk, who had the awkward and disturbing encounter of a mother's ashes thrown on stage, it is vital to address and discourage this disrespectful practice. These cases underscore the growing number of artists targeted by airborne objects during concerts. While some objects, like beach balls, may appear harmless, others pose serious risks, such as cell phones, shoes, or sharp items. Consequences can range from injuries requiring medical attention to potential accidents resulting from artists losing their balance and falling off the stage. These incidents show the need to emphasize the severity and ramifications of this behavior. Throwing objects on stage has no justification. It is fundamentally disrespectful to the hardworking artists who strive to deliver exceptional performances. Beyond disrespect, it is essential to acknowledge that this behavior can cause severe injuries. An object striking an artist in a vulnerable area can have long-lasting implications. Consequently, concertgoers must grasp the gravity of their actions and the potential harm they may inflict. Concert fans adopting responsible and respectful behavior is crucial. Instead of throwing objects, there are numerous alternatives to express appreciation for the artist and enjoy the show. Applaud, cheer,
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and wave your hands! Sing along to your favorite songs, fostering a positive atmosphere and uplifting the artist and fellow attendees. Ultimately, it is incumbent upon all of us to ensure that concerts remain safe and enjoyable experiences for everyone. By renouncing the act of throwing objects on
stage, we can eliminate the potential for injuries and maintain an atmosphere of mutual respect. Let us recognize that artists deserve our utmost admiration for their dedication and talent, and it is our responsibility to provide them with a secure environment to perform.
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SUMMER 2023
A JOURNEY OF REDISCOVERY AND FINDING FULFILLMENT BACKSTAGE By Laurel Edson Featured Contributor
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Laurel Edson working MusiCares' 2023 Persons of the Year | Los Angeles, CA
Whether listening to it, playing or singing it, or seeing it live — music is a constant in my life. But after transitioning from my first job out of college, it was no longer a part of my professional life. And for over ten years, I loved working in fundraising for educational institutions. I had the privilege of working for my high school and undergraduate alma maters. I traveled the world and met the most fascinating people bringing these schools on the road. And then came March 2020... What I loved most about work stopped. Not being a healthcare worker, I had time to reflect. Why was I put on this planet? Was it to help these incredible schools that had given me so much? Or was it to help others experience the joy of music? I was determined to figure it out. Two months into the pandemic, my cousin graduated from the University of Southern California's Music Industry program. We celebrated her graduation in their family driveway. Throughout her semesters that weren't spent on Zoom, she got to do things I couldn't believe. She had a whole class focused on putting on a concert. She went on tours of iconic venues around LA. For class. While I wouldn't trade my undergrad experience, how did I miss out on this one? I remember standing in the driveway asking her question after question about her degree. "You know, Laurel, there is a Master's in Music Industry at USC." A Master's degree in Music Industry? Too niche. Not a good investment. And as COVID went on, I knew I had to make a change. Music got me through the most challenging of times - the playlists for
working from home, artists' live streams, and, eventually, the invention of the sociallydistanced outdoor drive-in concert. So I listened to hundreds of podcast episodes, read all the books on making a career pivot, and decided to quit my job and leave at the end of the school year. If not now, then when?
So I networked and networked and networked some more. I soaked up all the advice I could from anyone who would take a phone call with me. I applied to countless jobs, and nothing stuck. I kept thinking back to USC as my cousin thrived in her role at a music PR firm. She connected me with the program chair, who spent over an hour on
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SUMMER 2023 the phone with me. I wanted to learn from this guy and others like him. But did I really need a master's degree in Music Industry? No, but I wanted one. And most of all, I wanted to fully immerse myself in a space that would help me figure out how to best contribute my passion for music and be surrounded by others doing the same. It was November 2021, and I was still working at a school in Ojai. Tickets to Rufus du Sol at Banc of California Stadium brought me adjacent to the USC campus, and I spent the night at the USC Hotel. I woke up the next morning, looked down at the campus, and said to myself, "I am going to go to school here next year." Four months later, I got the acceptance letter.
Fast-forward to September 2022. A professor who taught the course on live touring announced at the beginning of class. "My friend owns a catering company and is hiring for a hectic fall show schedule. Let me know if you're interested." Catering? These loans weren't going to pay themselves off. Why not? Little did I know what was in store for me. What I thought would be just a side hustle has led me to support artists in an unexpectedly fulfilling way — preparing and taking down their green rooms. A few weeks ago, I stood on the side of the stage at the Forum and watched John Mayer command the stage and the audience on his own. I got chills as he took a sip from a water bottle I
had placed on the stage. My small action allowed him to perform his best. And the audience experienced tremendous joy seeing him in his element. And however silly it sounds, I contributed to that joy. Now I have been on stage and backstage at almost every major venue in LA, along with several festivals around the country. I have gotten to work with some of my artistic heroes. This summer, I started an internship with SoFi Stadium and YouTube Theater. And I couldn't be more grateful I let myself take the risk of a career pivot at 35. Hauling cases of water in triple-digit heat or cleaning up a dressing room at 3 a.m. has yet to jade me — only excite me for what's to come.
Photo by Laurel Edson | SoFi Stadium
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Summer 2023 Issue 9
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BECKY CROS BY Read on Page 18