





ANDREAS DELFS, MUSIC DIRECTOR
JEFF TYZIK, PRINCIPAL POPS CONDUCTOR
CHRISTOPHER SEAMAN, CONDUCTOR LAUREATE

The Christopher Seaman Chair, Supported by Barbara and Patrick Fulford and The Conductor Laureate Society
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ANDREAS DELFS, MUSIC DIRECTOR
JEFF TYZIK, PRINCIPAL POPS CONDUCTOR
CHRISTOPHER SEAMAN, CONDUCTOR LAUREATE

The Christopher Seaman Chair, Supported by Barbara and Patrick Fulford and The Conductor Laureate Society
The

Juliana Athayde, + Concertmaster
The Caroline W. Gannett & Clayla Ward Chair, funded in perpetuity
Angelina Phillips, Associate Concertmaster
The Fred M. And Lurita D. Wechsler Chair, funded in perpetuity
Shannon Nance, Assistant Concertmaster
Jeongwon An
Tigran Vardanyan
James Zabawa-Martinez
Thomas Rodgers
Anna Leunis
Molly McDonald
Kurt Munstedt
Chihiro Kakishima
Perrin Yang
Jeremy Hill
An-Chi Lin
Jeanelle Thompson, Principal
The Dr. Ralph F. Jozefowicz Chair
Daryl Perlo, Assistant Principal
The James E. Dumm Chair, funded in perpetuity
Patricia Sunwoo
Lara Sipols
Sooyeon Kim
Petros Karapetyan
Liana Koteva Kirvan
Margaret Leenhouts
Heidi Brodwin
Elin Schlichting
Ellen Stokoe
Joshua Newburger, Principal
The William L. Gamble Chair, funded in perpetuity
Marc Anderson, Assistant Principal
Rebecca Christainsen
James Marshall
Olita Povero
Neil Miller
Melissa Matson
Ye In Son
David Hult
Grant Rieke
Ahrim Kim, Principal
The Clara and Edwin Strasenburgh Chair, funded in perpetuity
Lars Kirvan, Assistant Principal
Samuel Pierce-Ruhland
Christopher Haritatos
Garri Hovsepyan
Benjamin Krug
Jennifer Carpenter^
Ingrid Bock
BASS
Cory Palmer, Principal
The Anne Hayden McQuay Chair, funded in perpetuity
Michael Griffin, Assistant Principal
Daniel Morehead
Edward Castilano
Fred Dole
Jeff Campbell+
Eric Polenik
FLUTE
Rebecca Gilbert, Principal
The Charlotte Whitney Allen Chair, funded in perpetuity
Sean Marron
Elise Kim
PICCOLO
Sean Marron
Elise Kim
OBOE
Erik Behr, Principal
The Dr. Jacques M. Lipson Chair, funded in perpetuity
Anna Steltenpohl
Megan Kyle
Anna Steltenpohl
CLARINET
Hector Noriega, Principal
The Robert J. Strasenburgh Chair, funded in perpetuity
Kamalia Freyling^
Andrew Brown
E-FLAT CLARINET
Kamalia Freyling^
BASS CLARINET
Andrew Brown
BASSOON
Karl Vilcins
Martha Sholl
CONTRABASSOON
Karl Vilcins
HORN
YiCheng Gong, Associate Principal/Utility
Maura McCune Corvington
Nathan Ukens
Stephen Laifer
TRUMPET
Wesley Nance
Herbert Smith
Paul Shewan
David Bruestle, Principal
The Austin E. Hildebrandt Chair, funded in perpetuity
Lisa Albrecht
Jeffrey Gray
BASS TROMBONE
Jeffrey Gray
TUBA
W. Craig Sutherland, Principal
The Rob W. Goodling Chair, funded in perpetuity
Charles Ross, Principal
The Harold and Joan Feinbloom Chair, funded in perpetuity
PERCUSSION
Caleb Breidenbaugh, Principal
The Marie-Merrill and George M. Ewing Chair, funded in perpetuity
Brian Stotz
HARP
Grace Browning , Principal
The Eileen Malone Chair. A Tribute to Mr. and Mrs. Harcourt M. Sylvester
Rosanna Moore
Chiao-Wen Cheng +, Principal
The Lois P. Lines Chair, funded in perpetuity
PERSONNEL MANAGER
Fred Dole
PRINCIPAL LIBRARIAN
Kimberly Hartquist
Kathalee & Ian Hodge Library
Operation Endowment
STAGE MANAGERS
Danielle Suhr
Cederick Martinez
+ Eastman faculty
^ Year leave of absence
* 1-year appointment
Andreas Delfs has built a reputation over his 35-year career as one of the most dynamic and respected conductors on the international stage. Celebrated for his visionary leadership and deep musical insight, he is equally renowned as a masterful orchestra builder and an inspiring music director. Known for his emotionally charged and dramatically nuanced interpretations—particularly of the late Romantic repertoire—Delfs has earned critical acclaim across North America and Europe. His performances are marked by an ever-deepening artistic maturity, bringing a rare combination of passion, precision, and authenticity to every podium he graces.
Educated at leading conservatories on both sides of the Atlantic and shaped by mentorships with legendary conductors, Delfs has cultivated a style forged through decades of experience. At the same time, his unwavering curiosity and enthusiasm for contemporary music have made him a champion of living composers. He has established lasting collaborations with many of today’s most compelling musical voices, conducting numerous world premieres and commissioning new works. Among his many artistic inspirations are Hans Werner Henze, György Ligeti, Philip Glass, and Roberto Sierra—composers whose diverse idioms have helped shape his unique interpretive voice. His artistry has also drawn world-class soloists to the stage, including André Watts, Emanuel Ax, Joshua Bell, Hilary Hahn, Yo-Yo Ma, Lang Lang, and Renée Fleming.
Delfs has held prominent leadership roles with orchestras on both continents. As Music Director of the Milwaukee Symphony Orchestra from 1996 to 2009—and later as its Conductor Laureate—he played a pivotal role in elevating the ensemble to national acclaim. He also led the Saint Paul Chamber Orchestra as Music Director (2001–2004) and Artistic Consultant (2004–2006). In Europe, he served as General Music Director of Hanover, Germany (1995–2000), overseeing both the city’s symphony orchestra and its distinguished opera company. Earlier appointments include Music Director of the Bern Opera, Resident Conductor of the Pittsburgh Symphony during Lorin Maazel’s tenure, and Music Director—at an impressively young age—of the Orchestre Suisse des Jeunes.
Throughout his career, Delfs has conducted many of the world’s premier orchestras. His international credits include the London Philharmonic, Royal Philharmonic, Frankfurt Radio Symphony, Leipzig Gewandhaus Orchestra, Tonhalle Orchestra Zurich, Danish National Symphony, Netherlands Philharmonic, NHK Symphony Orchestra Tokyo, Philadelphia Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Sydney Symphony, Beijing Symphony, Seoul Philharmonic, and the National Symphony Orchestra of Taiwan.
Born in Flensburg, Germany, Delfs began studying piano and music theory at the age of five. He studied under Christoph von Dohnányi and Aldo Ceccato at the Hamburg Conservatory, where, at just 20 years old, he became the youngest Music Director of the Hamburg University Orchestra and served as Musical Assistant at the Hamburg State Opera. He later continued his training at The Juilliard School, studying with Jorge Mester, Sixten Ehrling, and Leonard Bernstein, and was honored with the prestigious Bruno Walter Memorial Scholarship.


25/26 marks Jeff Tyzik’s 32nd season as RPO Pops Conductor. But his musical journey began long before his permanent residency in Kodak Hall.
Born in Hyde Park, New York, he started playing cornet at age nine—inspired by the buglers during an Independence Day parade in nearby Poughkeepsie. He switched to trumpet at age 11, and eventually went on to attend Rochester’s Eastman School of Music, ultimately earning Bachelor of Music and Master of Music degrees.
Even before Tyzik’s schooling was completed, his star was on the rise. While at Eastman, Tyzik met Chuck Mangione, with whom he worked between 1973 and 1980 —both as lead trumpeter in Mangione’s band and as co-producer of four albums. During that time, Tyzik befriended Tonight Show band leader Doc Severinsen, who eventually invited Tyzik to London to record two albums. That relationship proved fruitful, with Tyzik producing the Grammy-winning The Tonight Show Band with Doc Severinsen, Vol. 1. Severinsen’s albums with Tyzik would go on to earn three additional Grammy nominations.
Tyzik also recorded his own albums as a solo trumpeter between 1981 and 1990, when he and his big band frequently performed in Rochester.
In 1993, Tyzik proposed a four-concert series featuring RPO members dubbed “All in the Family.” The first debuted Oct. 22 and highlighted Kenneth Grant (clarinet), Joseph Werner (piano), and percussionists William Cahn and Dave Mancini. Less than a month later, Tyzik was asked to become Principal Pops Conductor.
Jeff quickly made his mark on the orchestra, in his second season performing the first in his endearing, enduring Gala Holiday Pops series. He also made RPO history conducting an all-Gershwin album featuring pianist Jon Nakamatsu. The recording topped the Billboard Classical chart and remained in the top 10 for three months.
Over five decades, Tyzik has guest-conducted more than 100 orchestras, including the Boston Pops, Cincinnati Pops, and Milwaukee Symphony. In September 2023, he made his debut with the New York Philharmonic and returned later that season to conduct the Philadelphia Orchestra’s 2023–24 finale.
He’s also shared the stage with a remarkable range of artists across genres—from Tony Bennett and Leslie Odom Jr. to Wynonna Judd, Art Garfunkel, Marilyn Horne, Arturo Sandoval, The Chieftains, Megan Hilty, Dawn Upshaw, and John Pizzarelli.
In 2012, Tyzik and his daughter Jami co-founded the management and production company Greenberg Artists. Since 2016, in partnership with Schirmer Theatrical, they’ve developed dozens of orchestral Pops programs now performed by nearly 200 orchestras.
In 2023, Tyzik launched TyzikMusic.com, a digital publishing platform featuring more than 150 of his arrangements, orchestrations, and compositions for symphony orchestra, chamber ensembles, and wind ensemble.
The Christopher Seaman Chair, supported by Barbara and Patrick Fulford and The Conductor Laureate Society
Christopher Seaman was music director of the RPO from 1998-2011, and was subsequently named conductor laureate. During his 13-year tenure, the longest in RPO history, he raised the Orchestra’s artistic level, broadened its audience base, and created a new concert series. This contribution was recognized with an award from the American Society of Composers, Authors, and Publishers. In May 2009, the University of Rochester made him an honorary doctor of music.
Previous positions include music director of the Naples Philharmonic Orchestra (Florida) for 10 years, conductor-in-residence with the Baltimore Symphony Orchestra, and artistic advisor of the San Antonio Symphony.
He is recognized for his wealth of repertoire, which ranges from baroque to contemporary, and in particular the works of Bruckner, Brahms, and Sibelius Seaman also is highly regarded for his work with younger musicians, and he served as course director for the Symphony Services International Conductor Development Program (Australia) for many years.
Recent conducting engagements include the Aspen Music Festival, Detroit, Houston, St. Louis, Cincinnati, Milwaukee, and Seattle symphony orchestras; the Warsaw Philharmonic Orchestra, Kristians Symphony Orchestra, Orchestra of Opera North, and Orquestra Filarmônica de Minas Gerais in Brazil. He frequently visits Australia and Asia where he has conducted the Hong Kong Philharmonic Orchestra and the National Taiwan, Sydney, Melbourne, Adelaide, and Singapore symphony orchestras, among others.


DIANA
CLARKSON, CHAIR OF THE BOARD
Maintaining and operating the Rochester Philharmonic Orchestra (Founded in 1923 —Incorporated in 1930)
Diana Clarkson, Esq., Chair of the Board
Katherine Lindahl, Chair-Elect of the Board
Cindy Yancey, Vice Chair of the Board
Karen Kessler, Secretary
Richard Stein, Treasurer
Ross P. Lanzafame, Esq., Immediate Past Chair
TERM EXPIRES
JUNE 2026
Daisy R. Algarin
Diana Clarkson, Esq.
George Daddis
Catherine Frangenberg
Allyson Hiranandani
Dr. Diane Lu
Sujatha Ramanujan
Elizabeth F. Rice
Ronald E. Salluzzo
Dr. Eva P. Sauer
George J. Schwartz, M.D.
Richard Stein
Dr. James Watters
TERM EXPIRES
JUNE 2027
Brian Bennett
Emerson Fullwood
Paulette Gissendanner
Catherine Gueli
Zuzanna Kwon
Katherine Lindahl
Jack McGowan
Sidney Sobel, M.D.
Cindy Yancey
JUNE 2028
Ron Dougherty
Sreeram Dhurjaty
James Fulmer
Laurie A. Haelen
Ralph F. Jozefowicz. M.D.
Karen Kessler
Deborah Onslow
Sara Poe
Joseph B. Rizzo, Esq.
Curtis S. Long President & CEO
Ross P. Lanzafame, Esq., Immediate Past Chair
Kate Sheeran
Dean, Eastman School of Music
Nathan Ukens
Orchestra Representative
Wesley Nance
Orchestra Representative
James Englert
Chairperson, Honorary Board
James Englert, Chairperson, Honorary Board
Stephen B. Ashley
Nancy Beilfuss*
James M. Boucher
Paul W. Briggs*
William L. Cahn
Louise Epstein
Joan Feinbloom
Ilene Flaum
Betsy Friedman
Patrick Fulford
Ronald A. Furman*
Mary M. Gooley*
Suzanne Gouvernet*
David C. Heiligman
A. Thomas Hildebrandt
Harold A. Kurland, Esq.
Dr. Dawn F. Lipson
Jacques M. Lipson, MD*
Cricket and Frank Luellen*
Michael Millard
Elizabeth F. Rice
Nathan J. Robfogel, Esq.
Jon L. Schumacher, Esq.
Katherine T. Schumacher
Ingrid Stanlis
Betty Strasenburgh*
Josephine S. Trubek
Suzanne D. Welch
Patricia Wilder*
Deborah Wilson
Robert Woodhouse
The RPO expresses its gratitude to all those who have served as Honorary Board members in the past.
1930–32: Edward G. Miner*
1932–34: Simon N. Stein*
1934–38: George E. Norton*
1938–41: Leroy E. Snyder*
1941–42: Frank W. Lovejoy*
1942–43: Bernard E. Finucane*
1943–46: L. Dudley Field*
1946–48: Edward S. Farrow, Jr. *
1948–51: Joseph J. Myler*
1951–52: Joseph F. Taylor*
1952–55: Raymond W. Albright*
1955–57: Arthur I. Stern*
1957–59: Thomas H. Hawks*
1959–61: Walter C. Strakosh*
1962–63: Ernest J. Howe*
1963–65: O. Cedric Rowntree*
1965–67: Frank E. Holley *
1967–69: Thomas C. Taylor*
1969–71: Thomas H. Miller*
1971–72: Mrs. Frederick J. Wilkens*
1972–73: Edward C. McIrvine
1973–74: Robert J. Strasenburgh*
1974–75: John A. Santuccio
1975–76: Robert J. Strasenburgh*
1976–78: Dr. Louis Lasagna*
1978–80: Edward C. McIrvine
1980–82: Peter L. Faber
1982–84: Paul F. Pagerey*
1984–85: Peter L. Waasdorp*
1986–89: Robert H. Hurlbut*
1989–91: Paul W. Briggs
1991–93: Karen Noble Hanson*
1993–95: Ronald E. Salluzzo
1995–98: A. Thomas Hildebrandt
1998–00: Harold A. Kurland, Esq.
2000–04: David C. Heiligman
2004–06: Ingrid A. Stanlis
2006–09: James M. Boucher
2009–11: Suzanne D. Welch
2011–13: Elizabeth F. Rice
2013–15: Dr. Dawn F. Lipson
2015-17: Jules L. Smith, Esq.
2017-19: Ingrid A. Stanlis
2019-2024: Ross P. Lanzafame, Esq.
* Deceased
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SAT MAY 2
7:30 PM
WEST HERR
AUDITORIUM
THEATRE
Lucas Waldin, conductor
LaKisha Jones, vocals
Nova Y. Payton, vocals
Armando Imagines, vocals
Disco Inferno
I Want to Take You Higher
Nutbush City Limits
What’s Love Got To Do With It
Let’s Stay Together
We Don’t Need Anoter Hero
Goldeneye
All Night Long (All Night)
Private Dancer
River Deep, Mountain High
Music from Tommy
It Takes Two/Tonight/It’s Only Love
Son Of A Preacher Man
Living For The City
The Best (Simply The Best)
Beatles Medley
Proud Mary
We kindly ask you to please silence all cellphones and electronic devices. Also, please note that photography and video recordings are prohibited during the performance.
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Lucas Waldin is a dynamic and versatile conductor whose performances have delighted audiences across North America. He has collaborated with some of today’s most exciting artists including Carly Rae Jepsen, Ben Folds, The Canadian Brass and Buffy Sainte-Marie, in addition to conducting presentations such as Disney in Concert, Blue Planet Live, Cirque de la Symphony, and the groundbreaking symphonic debut of R&B duo Dvsn as part of the global Red Bull Music Festival.
Waldin has been a guest conductor for numerous orchestras in the U.S. and Canada, including the Cleveland Orchestra, the Houston Symphony, the Dallas Symphony, the Grant Park Festival Orchestra, the St. Louis Symphony, the Seattle Symphony, the Baltimore Symphony, the Vancouver Symphony, the Calgary Philharmonic and the Toronto Symphony.
Having joined the Edmonton Symphony Orchestra as Resident Conductor in 2009, Waldin was subsequently appointed Artist-in-Residence and Community Ambassador - the first position of its kind in North America. He appeared with the ESO over 150 times and conducted in Carnegie Hall during the orchestra’s participation in the 2012 Spring for Music festival. In recognition of his accomplishments, he was awarded the Jean-Marie Beaudet Award in Orchestral Conducting and received a Citation Award from the City of Edmonton for outstanding achievements in arts and culture.
A native of Toronto, Canada, Waldin holds degrees in flute and conducting from the Cleveland Institute of Music.
Best known to millions of TV viewers as a top four finalist during the 2007 season of “American Idol,” LaKisha Jones is ready to reclaim center stage in music, theatre and television. Her last album, “So Glad I’m Me” was full of Jones’ expressive, full-bodied and arresting vocals, the same voice that electrified “American Idol” viewers with the “Dream girls” showstopper “And I Am Telling You” and later the Broadway stage in the Oprah Winfrey produced, Tony Award-winning musical, “The Color Purple.” Following her Broadway stint, Jones provided vocal coaching on MTV’s reality competition “Legally Blonde: The Search for Elle Woods,” a show designed to find and hone Broadway’s next star.
Her drive and motivation dates back to her childhood in Flint, Michigan. Raised by her mother and grandmother, Jones was exposed to music by legendary singers such as Whitney Houston, Aretha Franklin and Patti LaBelle, with her grandmother urging the young girl to “let your voice shine” thereby prompting Jones to sing in church choirs, music programs, chorale groups and acapella choruses throughout high school.
A frequent soloist with symphony around the world, Ms. Jones has performed as a guest soloist with the National Symphony, San Diego Symphony, Utah Symphony and Opera, Winnipeg Symphony, Evansville Philharmonic, Jacksonville Symphony, Minnesota Orchestra, Colorado Symphony, Grand Rapids Symphony, Reno Philharmonic, Houston Symphony, Cleveland Orchestra, Anchorage Symphony Orchestra, Phoenix Symphony, Vancouver Symphony, Calgary Symphony, Tucson Symphony, Oregon Symphony, Long Bay Symphony, Battle Creek Symphony, Windham Chamber Singers and the Festival Cesky Krumlov in the Czech Republic.
NOVA Y. PAYTON, vocals


Chances are that you’ve heard the amazing soprano voice of Nova Y. Payton in internationally staged musicals, on PBS in one of the specials with The American Pops Orchestra or 3 Mo’ Divas or in countless regional theatre productions across the country. Boasting a prolific catalog of artist collaborations, the former American Musical and Dramatic Academy (AMDA) student has shared the stage with Stevie Wonder, Roberta Flack, Levi Kreis, Bobby McFerrin, John Michael Higgins, Yolanda Adams, Betsy Wolfe, Michael Uris, Anthony Hamilton, and Michelle Williams. She has also opened for heavyweights like Ashford and Simpson, Will Downing, Stephanie Mills, Melba Moore, The Chi-Lites and the Dramatics. Nova has performed in over 150 major cities in the US, as well as Canada, Japan, Singapore, Saudi Arabia, and Europe.
Nova has been recognized with nominations and awards for her talents. Nova starred in a soul-stirring rendition of Effie White in Dreamgirls, which earned her the 2006 Barrymore nomination for Outstanding Leading Actress in a Musical. The DVD / CD for 3 Mo’ Divas received a 2010 NAACP nomination for Outstanding Duo, Group or Collaboration. In 2012, Nova was honored as the Helen Hayes Award Recipient as the Best Supporting Actress in a Resident Musical for her portrayal of MotorMouth Maybelle in Hairspray. For her performance as Effie White in Dreamgirls during the 2012-2013 season at Signature Theatre, Nova was nominated for the Helen Hayes Award for Outstanding Lead Actress in a Resident Musical. In 2015, Nova was nominated for Best Supporting Actress (Musical) for her role in Elmer Gantry. She was also nominated in 2018 for Lead Actress (Musical) in Caroline, Or Change and Supporting Actress (Musical) in Ragtime.
Other honors have come in the form of singing for President Biden and Vice President Harris and performing the National Anthem at the dedication of the Reverend Dr. Martin Luther King, Jr. Memorial live as the world watched on C-SPAN. Nova has also appeared on the Jimmy Fallon latenight talk show accompanying artist Glen Hansard. Most recently in 2022 alone, Nova starred in Grace The Musical, The Color Purple, Into The Woods, and Fela!
A Bronx native, Armando Imagines is a dynamic force in music, television, and film, known for his versatile talents as a singer, actor, dancer, and writer. Armando has graced stages alongside music legends like Paul McCartney, Alicia Keys, Michael Bolton, Lionel Richie, Missy Elliott, Gwen Stefani, Jason Derulo, Luis Fonsi, and Prince Royce. His performances have captivated audiences in iconic venues such as Madison Square Garden and Radio City Music Hall and at high-profile events like the MTV Music Awards, The Brit Awards, and The Latin Grammys. He has also made a striking orchestral debut, performing with Amie Doherty and Orchestra for the premiere of the hit TV series POWER
In television, Armando has brought such characters to life as Hector in NBC’s Prodigal Son alongside Michael Sheen and Tom Payne, or as Resonance, the reggaeton sensation, in ABC’s Queens. Most recently, he starred as Rufus, the health-food fanatic coach, in Disney’s The Mighty Ducks: Game Changers, with appearances in hit series like NCIS: Hawaii and 911: Lonestar.
Armando’s passion for storytelling extends beyond acting. Between roles, he crafts his own creative projects, including Die Laughing, an original short film he wrote and will be starring in. Currently, he’s developing a TV series about a pop star finding fame at 40—a project that showcases his creative talents not just as a writer, but as an actor, singer, and musician. Armando’s work reflects his dedication to telling compelling stories through music and performance that resonate with authenticity and artistry.

MAY 7 7 PM SAT MAY 9
7:30 PM
KODAK HALL AT EASTMAN
THEATRE
Lan Shui, conductor Wu Man, pipa
JOHN ADAMS The Chairman Dances 12:00
ZHAO JIPING Pipa Concerto No. 2 20:30
INTERMISSION
GABRIEL FAURE Pelléas et Mélisande Suite 18:00 Prelude The Spinner The Death of Melisande
RAVEL La Valse 13:00
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We kindly ask you to please silence all cellphones and electronic devices. Also, please note that photography and video recordings are prohibited during the performance.
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LAN SHUI, conductor
Lan Shui is renowned for his abilities as an orchestral builder and for his passion in commissioning, premiering, and recording new works by leading composers from Asia and elsewhere on the international contemporary orchestral scene.

Shui served as the Music Director of the Singapore Symphony Orchestra from 1997 to 2019, playing a central role in raising the orchestra’s international profile, with American Record Review noting that Shui “turned a good regional orchestra into a world-class ensemble that plays its heart out at every concert”. Lan Shui has the Singapore Symphony on excellent form throughout, proving very responsive to the music’s physicality and character. They made several acclaimed tours of Europe, Asia, and the United States and appeared for the first time at the BBC Proms in September 2014. As of January 2019, Shui has been appointed the Singapore Symphony Orchestra’s Conductor Laureate. He also held the position of Chief Conductor of the Copenhagen Philharmonic from 2007 to 2015, currently serving as the orchestra’s Honorary Conductor. From January 2019, he is the Principal Guest Conductor of the Taiwan Symphony Orchestra and from September 2024 the Artist Advisor of China National Symphony Orchestra.
In the United States, he has appeared with the Los Angeles Philharmonic, San Francisco Symphony, and the Baltimore and Detroit Symphony Orchestras. In Europe, he has performed with the Deutsches Symphonie-Orchester Berlin, hr-Sinfonieorchester, Danish National Symphony Orchestra, RadioSinfonieorchester Stuttgart des SWR, Deutsche Radio Philharmonie, Gothenburg Symphony, Orchestre National de France, Royal Swedish Orchestra, and Orchestre National de Lille. 2025/26 season sees his returns to Rochester Philharmonic Orchestra and Dresdner Musikfestspiele where he will conduct Verdi’s Requiem. In Asia, he has conducted the Hong Kong, Malaysian, and Japan Philharmonic Orchestras and maintains close relationships with the China and Hangzhou Philharmonic Orchestras, as well as the Shanghai and Guangzhou Symphony Orchestras.
Recognized as the world’s premier pipa virtuoso, Wu Man is a soloist, educator, and composer who gives her lute-like instrument—which has a history of more than 2,000 years in China—a new role in both traditional and contemporary music. She has premiered hundreds of new works for the pipa, while spearheading multimedia projects to both preserve and create global awareness of China’s ancient musical traditions. Projects she has initiated have resulted in the pipa finding a place in new solo and quartet works, concertos, opera, chamber, electronic, and jazz music as well as in theater productions, film, dance, and collaborations with visual artists. She has performed in recital and with major orchestras around the world, and is a frequent collaborator with ensembles such as the Kronos and Shanghai Quartets and The Knights, and is a founding member of the Silkroad Ensemble. She has appeared on nearly 50 recordings, including numerous Grammy Award-winning and -nominated albums.

In the 2025–26 season, Wu Man appears worldwide in pipa performances and premieres. As Artist-inResidence with the Shanghai Symphony Orchestra, she performs three concertos written for her: Zhao Jiping’s Pipa Concerto No. 2 with Music Director Long Yu in the opening concert, Lou Harrison’s Concerto for Pipa and String Orchestra, and the Chinese premiere of Du Yun’s Ears of the Book. She also performs these works in North America—Harrison’s with The Knights at the Metropolitan Museum of Art, Zhao’s with the Hawaii Symphony led by Dane Lam and the Toronto Symphony with Carolyn Kuan, and Du Yun’s with the Philadelphia Orchestra, a co-commissioner, conducted by Elim Chan. Wu Man premiered Du Yun’s concerto in 2024 with The Knights at Carnegie Hall, later performing it with the Detroit Symphony.
She joins the Kronos Quartet twice this season: in the fall at Cal Performances for Beyond the Golden Gate, exploring the impact of Chinese Americans on American culture with premieres by Dai Wei and Victoria Shen alongside works by Nicole Lizée, Angélica Negrón, and a traditional piece arranged by Jonathan Berger; and in the spring at Zankel Hall for a semi-staged exploration of Indigenous, Gullah-Geechee, and Chinese American histories as part of Carnegie Hall’s United in Sound: America at 250 festival, performing new music by Dai Wei and joining a panel on Chinese American civil and immigrant rights.
Wu Man also tours the East Coast with members of the Silkroad Ensemble in American Railroad, honoring the contributions of Chinese, Irish, African American, and other immigrant communities to the Transcontinental Railroad, with new works by Wu Man, Cécile McLorin Salvant, Michael Abels, and Layale Chaker, and re-envisioned folk songs by Rhiannon Giddens, Haruka Fujii, and Maeve Gilchrist.
Born in Hangzhou, China, Wu Man studied at the Central Conservatory of Music in Beijing, where she became the first recipient of a master’s degree in pipa. At age 13, she was recognized as a child prodigy and a national role model for young pipa players. In 2023, Wu Man was honored with both a National Heritage Fellowship from the National Endowment of the Arts (NEA), one of the United States’ most prestigious honors in folk and traditional art; and with the Asia Society’s Asia Arts Game Changers Award. Wu Man is Musical America’s 2013 “Instrumentalist of the Year,” marking the first time this prestigious award has been bestowed on a player of a non-Western instrument. She is a Visiting Professor at her alma mater the Central Conservatory of Music in Beijing and a Distinguished Professor at the Zhejiang and the Xi’an Conservatories. In 2021 she received an honorary Doctorate of Music from the New England Conservatory of Music.
February 15, 1947
In the 1980s, American post-minimalist composer John Adams was running behind on a commissioned work for the Milwaukee Symphony. But he was working on new material, music for his first opera, Nixon in China. He was excitedly writing the opera’s final scene, where Madame Mao—the first lady of China—interrupts a formal state banquet and starts dancing a seductive foxtrot. In a bit of surrealism, Chairman Mao, founder of the People’s Republic of China, steps out of his forty-foot portrait to join her. (This moment was altered for the final version of the opera.) Adams saw potential in the material as a standalone orchestral work and reworked it for the commission. The Milwaukee Symphony premiered it in 1986, a teaser before Nixon in China got its much-touted premiere at the Houston Grand Opera in 1987. Adams wrote that the music draws upon Madame Mao’s past as a movie actress, and explains that “Themes, sometimes slinky and sentimental, at other times bravura and bounding, ride above in a bustling fabric of energized motives. Some of these themes make a dreamy reappearance in Act III of the actual opera, en revenant, as both the Nixons and Maos reminisce over their distant pasts.”
Pipa Concerto No. 2
B. PINGLIANG, GANSU PROVINCE, CHINA
August 1945
East and West collide in this concerto for pipa, a four-stringed traditional Chinese instrument resembling a lute. The instrument is more than merely decorative in Wu Man’s hands; it’s a virtuosic tool that plucks, bends, and slides with wide vibrato. And its tings and twangs can easily cut through and sing out against a full orchestra. Chinese composer Zhao Jiping, known for his film score work in China, tailored the concerto to Man, who premiered it with the Sydney Symphony Orchestra in 2013. Jiping explained the work in program notes: “I see the piece not so much as a traditional Western concerto, but more an exploration of poetic expression of thoughts and emotions, able to stimulate many levels of the audience’s imagination. The orchestra and Wu Man are the canvas, and I have the privilege to paint the picture. My goal was to create a pipa concerto with a strong Chinese flavor combined with a sense of global musical language. The movements represent various expressions in different textures and tempos; these are inspired by the most elegant Chinese traditional music style, pingtan, from Wu Man’s hometown in the Suhong area.”
B. PAMIERS, ARIÈGE, FRANCE
May 12, 1845
D. PARIS, FRANCE
November 4, 1924
Pelléas et Mélisande is most significantly known as an interior, atmospheric opera by the French Impressionist composer Claude Debussy. But the story wasn’t original to the opera, and Debussy wasn’t the only composer to be brought into its sphere. The source is a nineteenth-century lyric drama by Belgian playwright Maurice Maeterlinck with poetry-like prose, obscure dialogue, and stuttering phrases. It is considered one of the great theatrical works of the symbolist movement, which rejected realism and found meaning in metaphor and subjective experience. Debussy was hard at work on the opera when Maeterlinck needed quick incidental music to feature between acts for the play’s London premiere in 1898. Another French composer, Gabriel Fauré, was coincidentally also in London at the time and received the commission. But it was a quick turnaround. To expedite things, Fauré borrowed what is now the famous sicilienne from an earlier, unfinished score and asked one of his students to orchestrate the music’s themes and formal plan (i.e., divvy up the musical lines and harmonies among the ensemble’s instruments). The commission came right as Fauré’s fortunes were improving: he had recently been appointed as professor of composition at the Paris Conservatory, a position for which he was earlier rejected. By 1905, he would serve as its director and overhaul its curriculum for the twentieth century.
The story of Maeterlinck’s play is a fateful love triangle. Prince Golaud finds a young girl, Mélisande, in the forest, fleeing a mysterious past. He takes her to his family’s castle and marries her quickly. But Mélisande and Golaud’s brother, Pelléas, develop a strong connection and suffer the fatal consequences when Golaud suspects them and, near the play’s end, discovers them in love. More atmospheric than direct, Fauré similarly aimed to capture the play’s moods, and from the incidental music, Fauré created an orchestral suite of four movements. The opening “Prélude” is reserved yet inquisitive, much like the character Mélisande. Golaud enters with a horn call. The second movement, “Fileuse,” depicts a spinning wheel (spun by Mélisande in the play) with swirling triplets in the strings and a melody led by the oboe, a childlike movement that introduces a scene where Golaud’s son from a prior wife has an intuition about Pelléas and Mélisande’s fate. The most recognizable movement is the third, the “Sicilienne,” a swaying movement that opens with flute and harp and represents the mystical connection shared between the lovers. The final movement, “La mort de Mélisande,” opens with a flute and clarinet lament and marches the lovers to their tragic destiny, offering momentary glimpses of their love before ending reflectively.
B. CIBOURE, BASSES-PYRÉNÉES, FRANCE
March 7, 1875
D. PARIS, FRANCE
December 28, 1937
Originally conceived as a tribute to Johann Strauss II—the “Waltz King” of “Blue Danube” fame—Ravel’s La Valse, written in 1919 and 1920, became a sardonic take on the Viennese Waltz tradition. Many think Ravel’s views of nineteenthcentury pageantries likely shifted after World War I, and with it, his plan for this waltz. It was also originally commissioned as a ballet for the Ballets Russes, but its founder, Serge Diaghilev, didn’t find it balletic enough and ultimately rejected it. But La Valse did eventually get choreographed, first by the Royal Flemish Opera Ballet in 1926 and later by George Balanchine and Frederick Ashton. It exists most popularly today as a concert work.
On the score, Ravel introduces the scene: “At first the scene is limned by a kind of swirling mist through which one discerns, vaguely and intermittently, the waltzing couples. Little by little the vapors begin to disperse, and the illumination grows brighter, revealing an immense ballroom filled with dancers. The blaze of the chandeliers comes to full splendor. An Imperial Ballet about 1855.” The music opens uncertainly until the waltz melody emerges schmaltzily from the strings and is underscored by strangely rambling instruments. Following the waltz theme, Ravel passes material from one instrumental group to another in a circus-like fashion, always bathing it in colorful textures. But chaos erupts as the waltz is torn apart and the dance party comes to a cymbal-crashing end.
Program notes © 2026 Anna Reguero, PhD



SUN MAY 17
2 PM
HOCHSTEIN PERFORMANCE HALL
ROCHESTER CITY BALLET
Shannon Purpura, executive director
Megan Kamler, artistic director
John Deming, ballet master
Timothy Draper, founder/choreographer
MIKHAIL GLINKA
EDVARD GRIEG
PIOTR ILYICH
Ruslan and Lyudmila Overture 5:30
Morning Mood from Peer Gynt 3:45
Valse from The Sleeping Beauty 3:30 TCHAIKOVSKY
SERGEI Five Études-tableaux 3:00
RACHMANINOFF
Little Red Riding Hood and the Wolf (ORCH. RESPIGHI)
ALAN MENKEN
Beauty and the Beast Overture 3:00 (ARR./ORCH. KOSARIN/ BESTERMAN)
MAURICE RAVEL
Mother Goose Suite 16:00
Pavane of the Sleeping Beauty
Tom Thumb
Laideronette, Empress of the Pagodas Conversations of Beauty and the Beast The Enchanted Garden
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OFFICIAL COFFEE OF THE RPO
SERIES SPONSOR: LENORE P. LESSER IN LOVING MEMORY OF CONCERT
SPONSORS:

BRUCE MARCHE, MATTHEW GEHERIN, KRISTIN STOREY, AND MATTHEW HETTINGA
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Hailed as “one of the great talents in the USA at the moment” by Yannick Nézet-Séguin, Brazilian-American conductor Austin Chanu has earned recognition as a three time recipient of the Career Assistance Award from the Solti Foundation U.S., and as the third prize and orchestra prize winner in the Korean National Symphony Orchestra International Conducting Competition.

In the 25-26 season, Austin will make debuts with The Syracuse Orchestra, the Qatar Philharmonic Orchestra, and the Johns Creek Symphony Orchestra. He has also been named a finalist in The Mahler Competition 2026 and will compete in June conducting the Bamberger Symphoniker. In recent seasons, he has appeared as a guest conductor with The Philadelphia Orchestra, Baltimore Symphony Orchestra, Filarmonica Banatul Timișoara, St. Louis Symphony Orchestra, Rochester Philharmonic Orchestra, Omaha Symphony, and Butler County Symphony Orchestra.
Austin recently completed his tenure as the Assistant Conductor of The Philadelphia Orchestra, where he assisted Music Director Yannick Nézet-Séguin. During this time, he co-lead a project to restore, rebuild, and elevate the underperformed works of American composer William Grant Still. He helped create and conducted the world premiere of a newly restored edition of Still’s Wood Notes.
Austin made his subscription debut with The Philadelphia Orchestra conducting Igor Stravinsky’s The Rite of Spring. Critics commended his interpretation saying, “the orchestra never sounded better as Chanu led with primal energy and shamanistic insight into the music…the orchestra matched Chanu’s confident leadership in a performance of searing energy and heart-thumping passion” (Broad Street Review).
Austin has a passion for contemporary music, stemming from his own background as a composer. He served as a teaching artist and conductor for the LA Philharmonic Association’s Associate Composer Program, as well as a Conducting Fellow at the Cabrillo Festival of Contemporary Music, where he studied with conductor Cristian Măcelaru. He was commissioned by the Eastman School of Music to compose an orchestral work for the school’s centennial celebration and conducted its world premiere in the Fall of 2021.
Previously, Austin was Music Director for the Los Angeles Music and Art School, where he conducted and developed the artistic direction for the youth orchestra, choirs, and jazz band. Austin found it rewarding to draw on his Latino heritage to foster representation for the predominantly Latinx students and families in the program through repertoire selection.
In addition to his orchestral background, Austin has extensive experience in jazz and musical theatre styles. While living in Los Angeles, he was a high-call woodwind performer for musical pit orchestras and jazz ensembles.
Austin received a B.M. in Music Composition from the USC Thornton School of Music, graduating Magna cum Laude. He also graduated from the Eastman School of Music with an M.M. and DMA in Orchestral Conducting.
Shannon Purpura received her dance training in Rochester, NY. In high school, she performed alongside RCB in notable roles that include Lead Spanish Hot Chocolate in The Nutcracker, Daniel Gwirtzman’s Encore, and George Balanchine’s Serenade


After training, Ms. Purpura attended the University of Arizona on scholarship where she received her Bachelor of Fine Arts in Dance after just two and a half years. While at the University of Arizona, she performed River North Dance Chicago’s Evolution of a Dream, George Balanchine’s Rubies, Ernie Flatt’s Firebird, as well as many soloist roles in works by Michael Williams and James Clouser.
Following graduation, Ms. Purpura returned to Rochester to join the RCB, as a company member, in 2015. Since joining RCB, she has performed soloist roles such as “Dew Drop Fairy”, “English Toffee”, “Chinese Tea”, “Christmas Spirit”, “Harlequin,” and “Spanish Hot Chocolate” in The Nutcracker. Contemporary works include Jamey Leverett’s featured soloist in My Songs Plead Softly, Images, Katarzyna Skarpetowska’s Terminus, Salvatore Aiello’s The Waiting Room, and David Palmer’s Rite of Spring. She has also performed leading roles in Robert Gardner’s Carmen as Carmen, The Sleeping Beauty as Carabosse, and David Palmer’s Under the Moonlight: A Tribute to David Bowie.
In August 2023, Shannon and Megan Kamler were announced as the Artistic Directors of Rochester City Ballet. Since then, Ms. Purpura has choreographed numerous works for Rochester City Ballet including “Peter & the Wolf” which premiered with the Rochester Philharmonic Orchestra in January 2024. In April 2024, Shannon was commissioned by the Rochester Philharmonic Orchestra to create works for the Eclipse Spectacular: Symphonic Celebration performance at the Blue Cross Arena.
Shannon Purpura serves as the Executive Director of Rochester City Ballet, appointed to the role in June 2025 after leading the company as Artistic Director since August 2023. With experience in both creative and executive leadership, she brings a holistic vision to RCB—guiding its artistic programming, educational outreach, and longterm strategic development. Her dual experience ensures a strong bridge between RCB’s artistic integrity and its community-focused mission.
Ms. Kamler joined Rochester City Ballet in 2011 after receiving her training at the Timothy M. Draper Center for Dance Education and the University of Arizona where she earned her BFA in Dance. She received additional training at the National Ballet School of Canada summer intensive on scholarship and the summer intensives of Ballet Austin and the Ellison Training Program in New York City. While at the University of Arizona she performed highlighted roles such as Choleric in Balanchine’s Four Temperaments, Big Swan in Swan Lake, and the Friend in Carmina Burana. Following her college graduation she was invited to perform with Art.if.act Dance in an 18 city tour of China.
With the Rochester City Ballet she has performed as the Maid, Harlequin, English To.ee, Magical Doll, Dew Drop, Snow Queen, and Sugar Plum Fairy in The Nutcracker, Anna in The Blood Countess, Cinderella in Cinderella, Princess Aurora in Sleeping Beauty, and Elegy Girl and Waltz Girl in Balanchine’s Serenade.
Contemporary roles with RCB include Jamey Leverett’s 4Play, New York CityScapes, Bravo! Colorado, and InCantation, The Ugly Duckling by Jimmy Orrante, Slightly Sinful by Danny Rosseel, The Summer of Love and The Rite of Spring by David Palmer, and Bach de Trois by Nikolai Kabaniev.
Megan’s choreographic works include a debut on the Rochester City Ballet with her piece titled So On, and So Forth, and a commissioned piece by the Rochester Philharmonic Orchestra for their Eclipse Spectacular: Symphonic Celebration performance at the Blue Cross Arena in April 2024. More recently in May 2025, she choreographed her first full length story ballet Anastasia: A Ballet Reimagined alongside Shannon Purpura.
John is a Rochester, New York native. He received his training at the Draper Center for Dance Education and later the Boston Ballet as a trainee on a full scholarship.


After leaving Boston, John joined the Carolina Ballet in Raleigh, North Carolina under the direction of Robert Weiss. While in Raleigh he danced in numerous ballets such as Romeo & Juliet, Sleeping Beauty, Four Seasons, The Nutcracker, as well as George Balanchine’s Rubies and Brahms Schoenberg Quartet
In 2014, John joined Ballet Memphis. While in Memphis John performed soloist and principal roles such as Benvolio & Romeo in Steven McMahon’s production of Romeo & Juliet, Harlequin, Nutcracker Prince & Spanish Chocolate in Steven McMahon’s The Nutcracker. John also worked with many choreographers from around the country such as Matthew Neenan, Jennifer Archibald, Mark Godden, Reggie Wilson, Gabrielle Lamb, and Uri Sands.
In 2018 John was contracted by Rochester City Ballet. In his 5 years in Rochester he has been cast in classical and neoclassical ballets by David Palmer, Julia Erickson, George Balanchine, Robert Gardner, Salvatore Aiello, Jimmy Orante and Jared Brunson. Additionally dancing principal roles in some of the most classic ballets such as Sleeping Beauty, The Nutcracker, Swan Lake, A Midsummer Night’s Dream, The Firebird and Raymonda Suites. John is currently Company Dancer and Ballet Master with Rochester City Ballet, and School Director of the School of Rochester City Ballet.
Timothy Draper began his training in Rochester, New York under the tutelage of Olive McCue with Mercury Ballet and Kathleen Crofton with the Festival Ballet of New York. He pursued his dance education in New York City with the Joffrey School of Ballet, Harkness House of Ballet Arts, and Steps followed by an extensive performance career with Israel Ballet, the Puerto Rican Dance Theatre, and Les Ballet Trockadero de Monte Carlo.
After serving as Ballet Master of Dance Miami and Co-Director of Fort Lauderdale Ballet, Mr. Draper returned to Rochester with a passion for dance excellence and a vision for creating both a school with world class instruction and a permanent ballet company for the Rochester community. Timothy Draper’s dream in 1987 evolved into the Rochester City Ballet of today. With his guidance and expertise, RCB grew from modest beginnings to now delighting thousands of viewers at their annual collaboration with the RPO of The Nutcracker, and has presented performances throughout central and western New York.








JOHN DEMING
JOINED RCB: 2018

KATHERINE DUFFY DEMING
JOINED RCB: 2017

SAMANTHA HOWE
JOINED RCB: 2021

MEGAN KAMLER
JOINED RCB: 2011

ADAM KITTELBERGER
JOINED RCB: 2005

LYDIA MARBACH
JOINED RCB: 2017

SHANNON PURPURA
JOINED RCB: 2014
ANNA TURANI
JOINED RCB: 2022
SAMANTHA GOODELLE
ABIGAIL JACOBS
LILY JANNECK
THOMAS MONTGOMERY
ELIZABETH PINEL
MARLENA ROBERTS


SOPHIA BARNARD-DECANN JESSICA BEALER
*COMPANY HEADSHOTS BY ERICH CAMPING



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Stephen Gullace
Susan and James Haefner
Laurie Haelen and Mary McCrank
Robert and Deborah HallS
Nancy and Henry Hamlin
Martin and Sherrie Handelman
Marilyn* and Dick Hare&
Bob and Kathy Heinig
Matthew Hettinga
Walter B.D. Hickey, Jr.
David C. and Patricia M. Hinkle
James and Betsy Hoefen
Drs. Ryan and Makiko Hoefen^
Dr. Marvin and Nancy* Yanes Hoffman
Mr. and Mrs.* Howard E.
Holcomb, Jr.
John and Barbara Holder
Andrew and Kathleen Holt
Henry* and Ellen Thiede
Dr. Robert Horn and Dr. Patricia Nachman
Bob and Sarah Hurlbut
Agrp Ispentchian & Fulltec LLC
La Marr J. Jackson, Esq.
Dr. Charlotte Ryan
Mr. and Mrs. James Ryan, Jr.
Drs. Carl and O.J. Sahler&
Gary B. Schaefer
David and Antonia Schantz
Joan M. Schumaker&
George J. Schwartz, M.D., and Paula Maier
Richard and Vicki* Schwartz
Mr. and Mrs. Eugene P. Seymour
Kate Hickey Spencer&
Jeffrey and Lyn Springut
Ingrid Stanlis&
Georgine and James Stenger
Dr. David and Abby Stern
Richard Sterns and Suzanna Rubright
Nancy Stevens and David Williams
Bob and Gayle Stiles
David B. Stong and Marlane Juran
David and Grace* Strong
Aaron and Rachel Stuckey&S
Glen and Lynne Suckling
Robert and Nancy Swain
Margaret and Charles Symington
Anthony and Christine Testa
Margaret Tonkinson
Sally Turner
Gary and Marie VanGraafeiland
James Viscardi, Lisa Brubaker and Marja Wilson
Patricia Ward-Baker&
Skip and Karen Warren
Stephen R. Webb
David and Julie Weinstein
Carol Whitbeck&
Steve and Sarah Wicker
Mr. John Williams and Mr. Chuck Lundeen*
Kitty J. Wise&L
Elise and Joseph Wojciechowski
John Yancey
Ronald and Martha Jodoin
Douglas and Maryanne Jones
Nancy Jones
Steve and Gretchen Judge
Dr. and Mrs. Harold Kanthor
Judy and Norm Karsten
Heidi Katz and Carl Chiarenza
Robert J. Kennedy
Tom and Kate Kidera
James H. Kirkwood
Ann Knigge and Al Buckner
Hon. Joan S. Kohout
Francine Koskinas
Barbara E. Kozel
Ronald and Nancy Kraus
John and Lisa Lacci
Alan and Deborah Lattime
Jennifer Leonard and David Cay Johnston
Katherine Lewis and Richard Chasman*
Margaret Lindsey, M.D.
Sue and Michael LococoS
Eric and Martha Logigian
Dan and Nancy Loughran
Susan and Chris Luedde
Johnny and Shirley Lynn
Patrick Macey and Jeremiah
Casey
Russell and Mary Lou Madsen
Joseph J. Mancini*
Scott Manspeaker
Saul and Susan Marsh
Richard and Kate Massie
Edward G. McClive
H. Winn McCray
Karen and Joseph McCune
Richard W. McGrath
John W. McNeill
Andrew and Kay Melnyk
Alice Messinger
Robert J. and Marcia
Wishengrad Metzger
Ralph and Martha Meyer
Dr. Michael T. Miller
Fritz and Maura Minges
Mary E. Miskell and Terrance Clar
James* and Geraldine Moore
Charles Morgan
Laura V. Morrissey
Mike and Ginny Moszkowicz
Pastor and Mrs. Donald Muller
Dr. and Mrs. Stephen Munson
Kevin Nasman
Dr. and Mrs. Curtis N. Nelson
Helene Newman
Mr. and Mrs. John Norris
($500-$999)
Karen Abbas
Barbara Agor
Edwin Austin
Karen Bancroft
Jim and Linda Baroody
Asish and Susan Basu^
Markus and Myriam Bauer
Richard J. Beard
Kate M. Bennett
Teresa and Tim Biehler
James and Lynette Blake
Jay and Beth BlaufussS
Richard A. Bloom, M.D.
Mitchell J. Boucher
Jeff and Kathy Bowen
Dr. and Mrs. Albert Brault
Henra S. Briskin
Hugh and Anne Brodie
Eileen Buholtz
Gretchen and Paul Burke
Lori Busch
Drs. David Bushinsky and Nancy Krieger
Dan and Amanda Butler
Steven Cannell
Riley and Karen Carhart
Brendan and Suzanne Casey
Victor Ciaraldi and Kathy
Marchaesi
Robert D. Clawson
Jim Cook
Caroline Costanza
Elison and Donald Cramer
Mr. and Mrs. Gabriel Delvecchio
Kathleen DillS
Michael DiSalle
Donald and Stephanie Doe
Kevin Doell
Terrence R. Doherty
Daniel DwyerS
Linda S. Eastman
Dr. Steven and Susan Eisinger
Mohsen Emami, M.D.
Quentin Llop
Gerald G. Estes
Rebecca and Glenn Fadner
Sherman and Anne Farnham
Almon Fisher
Elizabeth B. Fisher
Sarah Fitts-Romig
Susan and Leslie Foor
Ann and Steve Fox
Ruth Freeman
Carolyn and Roger Friedlander
Linda and David FriedmanS
Nita Genova
Mr. and Mrs. Julian Goldstein
Dr. John W. and Mrs. Heather
Peter J. Obourn
Mr. Donald W. and
Mrs. Jo-Ann R. O’Brien
Elizabeth Osta and George VanArsdale
Graham Ottoson
Thomas Parker
Tom Parker
David and Marjorie Perlman
Dee and Horace E. Perry
Jerry Peters
Douglas and Diana Phillips
Susan and Donald Pritchard
Marcia Rausch
Richard and Susan ReedS
Rene Reixach
Mr. and Mrs. Thomas S. Richards
Linda and Michael Riordan
Family Fund at the RACF
Nancy and Art Roberts
Gerard and Donna Roberts
Dr. Gerald and Maxine Rosen
Hannah and Arnold Rosenblatt
Jamal and Pam Rossi
Carolyn and Charles RuffingS&
Tom and Ellen Rusling
Goodbody
Dr. and Mrs. William Grace
Gay Greene and Robert Goeckel
Ed and Terry* Grissing
Catherine Gueli
Mr. and Mrs. Robert J. Guerin
Jason and Janelle Gutman
Linda and John Haight
William and Cathy Haller
David and Edna F. Hamlin
Rita Myers
Barbara and A. Michael Hanna
John and Diane Hanna
Mr. and Mrs. Joseph R. Hanna
Alan J. Harris
Gil and Judy Hawkins
William and Patricia Hayles
Merrill and Dianne Herrick
Carol Herring
K.L. Hersam and Paul Sawicki
Michael R. Herzog
Dr. Florence M. Higgins and Mr. John Lebens
Sanjay and Ally Hiranandani
Art and Barb Hirst
Sheila Hollander
Victoria Hoover
Wayne and Anne Hulbert
William and Nancy Hunt
Dr. Dewey Jackson
Robert and Mary* Jackson
Lyle Jenks
Mr. Gilbert F. Jordan
Marilyn and James Jordan
Connie KaminskiS
Lori and Frank Karbel
Dr. and Mrs. Lester Katzel
Mr. and Mrs. James E. Keenan
Mary Kerr
Mr. Edward Klehr
Susan and James Knauer
Ken Knight and Ann Curtin-Knight*
Mark and Mona Friedman Kolko
Mrs. Ellen Konar
Kraig and Susan Kummer
L. Janet Lawrence-Morse
Janet and James Leone
Ellen C. Lewis
Ben Lichtin and Grace Seiberling
Sarah F. Liebschutz, PhD
Ms. Jean Ligozio
Rose and Roger Linscott
Jane S. Littwitz
John and Jane Littwitz
Janet and Haines Lockhart
Edwin Lopez-Soto and
Patricia Braus
John and Judy Lynd
Joan and James* Ryan, Sr.
Dr. Alvani D. and Carol M. Santos
Justin Schiess
Paul and Barbara Schmied
Peter Schott and Mary Jane Tasciotti
John H. Schultz
Mr. and Mrs. William Schultz
Heidi B. Schwarz, M.D.&
Anthony and Gloria Sciolino
Catherine and Richard Seeger
David Segal
Joan and Arthur Segal
Libba and Wolf Seka
John and Jenny Servo
Leonard and Elaine Simon
Bruce and Laura Smoller
Cathy Cushman and Jeff Sokol
Phillip and Karen Sparkes
Mr. Richard R. Spellicy
Jim and Dora Stauffer
Berl Stein
Ann H. Stevens and William J. Shattuck&
Adam and Catherine Towsley
David Evans and Sheree Usiatynski
Wayne and Anne Vander Byl
Chen and John MageeS
James and Rosa Mance
Russell J. Mandrino
Janice D. Manning
Sheron and Bruce Marche
Phillip Marcille
Dick and Sandra McGavern
Maureen McGlynn
Diann and Tom Meek
Marilyn Merrigan
Jonathan Mink and Janet Cranshaw
David and Monika M. MullenS
Thomas C. Munger
Michael P.* and Wendy R. Murphy
Dr. Michael Nabozny
Michael D. Nazar
Joan R. Nusbaum
Peggy and David Oakes
Jason Oaks
W. Smith* and Jean O’Brien
Debra and George Orosz
Jonathan R. Parkes and Dr. Marcia
Bornhurst Parkes
David B. Patt
Marian Payson and Helen Wiley
Glen Pearson
Christian and Sarah Peyre
Dr. Elyssa Pohl
Everett Porter
Beth and Lyle Prairie
Harry J. and Margaret H. Price
Dr. and Mrs. Edwin Przybylowicz
Venkat and Shobha Purushotham
Sujatha Ramanujan and James
Chwalek
James Reed
Stan and Anne Refermat
Nancy K. Rice
Ray and Judy Ricker
Richard and Margery Rosen
Warren and Pamela Rosenbaum
Dr. and Mrs. G. Theodore Ruckert
Hon. Franklin T. and Cynthia
Russell
Jean Ryon
Ed and Gabriel Saphar
David and Naomi Schrier
Mrs. Arthur W. Schuster, Jr.
Theresa A. Seil and Debra
Celestino
Rich Sensenbach
Timothy and Debbie Veazey
Stephen H. and Jody Waite
Harry and Ruth* Walker
James and Barb* Walker
Mr. and Mrs. William Wallace
James Watters
Mike and Ellen Wayne
Jean and Sterling L.* Weaver
Pierce and Elizabeth Webb
Philip and Marilyn Wehrheim Fund
Mr. and Mrs. Fred Weingarten&^
Sherwin* and Linda Weinstein
Joyce and William Weir
Jeff Wright and Betty Wells
Eileen M. Wurzer
Dr. Charles Yates
Laura and Joel Yellin
Marsha Young
Bill and Wende Young
Lawrence and Susan Yovanoff
Albert and Irene Zaccor
Helen A. Zamboni
Gary and Cathleen Zdyb
Joseph and Mary Kathryn
Shanahan
Robert E. and Susan H. Shapiro
Lily Shaw and Robert Hallstrom*
Mrs. Caroline Shipley
Eloise Shrag
Donna Broberg Shum
Harvey Simmons
Daniel and Sarah Singal
Timothy J. Slisz in memory of Joseph F. and Mary Ellen Slisz
Heidi Smith
Janet H. Sorensen
Larry Sorrell
Ms. Maureen A. Stables
David Stacey
Eleanor Stauffer
Jeffrey and Kristen Storey
Steve and Cheryl Swartout
Yoshiko Tamura and Bruce M. Lee
David and Carol Teegarden
Darbbie J. Thomas
Jeffrey J. Thompson
Celia and Doug Topping
John* and Janet Tyler
Eugene and Gloria Ulterino
Lorraine Van Meter-Cline and Doug Cline
Jared and Beverly Voos
Robert Vosteen
Brian and Jean Waldmiller
John and Anne Walker
Mr. and Mrs. Robert Wallace
Marsha Walton
Kathleen Weber
Warren Welch
Stephen Wershing
Kathleen Whelehan
Charles and Carolyn Whitfield
Bob* and Mary Ann Whitmore
Jeff and Sarah Wight
Susan and Paul Wilkens
Nancy J. Williams
Les and Wanda Wood
Jonathan Wright
Patty and Rich Yarmel
Susan Yee
Susan and Maurice Zauderer
Eric Zeise and Ellen Henry
Robert and Deborah Zeman
Robert and Carol Zimmerman
& Denotes donor(s) has/have contributed to the RPO& Comprehensive Capital Campaign. S Denotes donor(s) has/have a recurring Sustaining Circle contribution to the RPO. * Denotes donor(s) is/are deceased. L Denotes donor(s) has/have contributed to the Rochester Philharmonic League (RPL). ^ Denotes donor(s) has/have contributed to the Rochester Philharmonic Youth Orchestra (RPYO).

Scan to view the full listing from July 1, 2025 through March 31, 2026
Arthur Axelrod
Sheryl Sue Karch
Betsy and Stuart Bobry
Michael and Linda Raff
R. Carlos Carballada
Sam and Mimi Tilton
Ann Christiansen
Leslie C. Rowe
Douglas Cline
Patte Bishop
The Rochester Philharmonic Orchestra gratefully acknowledges the following individuals and organizations for their generous support by honoring or remembering in memory of the individuals listed below. Listings are in recognition of tribute gifts received from July 1 through March 31, 2026.
Tribute gifts are a special way to remember loved ones or commemorate special occasions such as birthdays, anniversaries, weddings, births or graduations. If you would like to make a memorial or honorarium gift, please visit www.rpo.org/donate or contact the Development office at 585/454-7311 ext. 249 or email development@rpo.org.
Lew D. Jones
Itai Bronshtein
Elaine L. Kraus
James Kraus
Barbara Law
Stanley and Anne Refermat
Dr. and Mrs. Harry C. Law
Edward H. Law
Paul Littrell
Laura Joy
Jane Oberwager
David and Lois Zebelman
Maura McCune and Patrick Corvington
John and Lisa Lacci
Joseph McCune and Karen Smith-McCune
Joseph Darweesh
Debbie Brand
Fred Dole
Carol M. Wolff
Timothy and Marilyn Downs
Ellen Fenger
Charles Fujita and Dulcy Lecour
Mary Anne Gillespie
Faye Shea
Josephine Trubek
Margaret Vanas
Rev. George H. Dehority, Jr.
John and Carolyn Dehority
Sheila Dermody
Catherine and Elmar Frangenberg, M.D.
Dr. Jane E. Devens
Stephen and Stephanie Schell
Ellen Englert
Renee Brownstein
Robert and Frances Clawson
Judith Cruppe
Richard DeMallie
Catherine and Elmar Frangenberg, M.D.
Robert and Christine Guistina
Gregory and Judith Graham
Antony Gugino and Earlene Siebold
High Falls Advisors
Bruce and Ann Leonard
John W. Littwitz
Ray and Patrizia Macera
Russell J. Mandrino
Mary Ann Mrva
Tracy A. Romano
Bonnie B. Sale
Joann Smith
David Strasenburgh
Anthony and Raechel Taddei
Timothy M. Verna
Suzanne Verstraten
Cynthia Whitehouse
Jane L. Garrett
Michael Garrett
Kathryn Gilbert
Betsy Friedman
Dr. Ram Wesley Rapoport
Dr. Warren Glaser
June Glaser
Terry B. Grissing
Asish and Susan Basu
Edward Grissing
Frances R. Howell, Jr.
Jennifer McRae Fitzsimmons
Nancy Howell
Gregory Lombardo
Steven and Betsy Lombardo
Vera McCune
William and Erin McCune
Mildred Ness
Lana Rottenberg
Charles Palella
Keith Mortimer
Beverly Pullis
George Pullis
Margie Sabath
Edward Baum
Lillian Gordon
Stuart and Catherine Gordon
Dr. Diana Hausman
Mary Schwarz
Meg Sussman
Betty Schlemitz
Carl and Pamela Angeloff
Stifel Dublin Branch Office
Sam Vogel
Albert Serenati
Nancy Snyder and Family
Leonard Simon
Elaine Simon
Anne W. Sullivan
Philip and Eleanor Hopke
R. Alan and Deborah Lattime
Robert W. Sweeney
Gerald Estes
William J. Towler
Lena Towler Scott
Kay Wallace
Ann Weintraub
Joseph and Rosemary Mitchell
Leon Williams
Jerry Maus
Sheri Unglaub Williams
Heather Fuller
Douglas and Sarah Hughes
Andrew and Elizabeth Swanson
Roland J. Zavada
John Kline
James Englert
Joann Smith
Linda Iacelli
Stephen House
Dr. Harold Kanthor’s Birthday
Joseph Rapoport & Family
Neil Miller
Dr. Etta Eskridge
Deborah Onslow
Dr. Miriam R. Iker
Margaret Perticone
Deborah Dollinger
Grant Rieke
Marc Rieke
Nathan and Susan Robfogel’s 60th Wedding Anniversary
Charles and Kathleen Salitan
Valerie Salitan
Hannah and Arnold Rosenblatt
Alice Messinger
Robert and Harriet Seigel
Katherine Smith
James and Georgine Stenger
P. Robert and Mary Anne Fox
Jeff Tyzik
G. Theodore and Sherry Ruckert
Catharine “Kitty” Wise’s 90th Birthday
R. Alan and Deborah Lattime
J. Michael and Alice Smith
Don and Anna Womack
Daniel and Edith Rice

Scan to view the full listing from July 1, 2025 through March 31, 2026
Anonymous
Marie Aklin*
Betty Jane Altier*
Alva Angle*
Catherine N. Asmuth*
Jean Boynton Baker*
John B. and Margaret Barnell*
Members of the RPO George Eastman Legacy Society are true believers in the power of music. The RPO George Eastman Legacy Society honors those individuals who remember the Rochester Philharmonic Orchestra through a planned gift. The RPO’s team of development professionals are available to work with you and your advisors to create a plan that will help you meet your financial and philanthropic goals. For more information, please contact the Development Office at 585.454.7311.
George Greer*
Jean Groff*
Sue C. Habbersett*
William B. Hale*
Martha and Fred Hamaker
Mrs. Laura J. Hameister
Marilyn* and Dick Hare
Walter J.* and Jeanne M. Beecher
Walter S. Beecher
Nancy and Harry Beilfuss**
Carol and John Bennett
Jack and Carolyn Bent
Donald Berens*
Ellen S. Bevan*
Michael Bobry
Stuart* and Betsy Bobry
James R. Boehler*
Marilyn Bondy
Beverly T. Bowen*
John W.* and Margaret Z.* Branch
William and Ruth Cahn
Mary Allison Callaway and Paul R. Callaway*
Catherine B. Carlson*
Norris F. Carlson*
Margaret J. Carnall*
Joan and Paul Casterline**
Susann* and Terence Chrzan
Nancy A. Clemens*
Barbara Colucci
Christine Colucci
Mary Consler*
Judy and Joe Darweesh
Alfred L. Davis*
Barbara Dechario*
Paul Donnelly*
Marilyn A. Drumm*
Amelia N. Dunbar*
Frederick Dushay
Richard and Harriet Eisenberg**
James T. and Ellen Englert
John R. Ertle*
Julia B. Everitt*
Glenn and Rebecca Fadner
Ruth H. Fairbank*
Joan and Harold* Feinbloom
Albert Fenyvessy*
Donald C.* and Elizabeth Fisher
Catherine and Elmar Frangenberg
Carolyn and Roger Friedlander
Betsy Friedman
Karyl P. Friedman
Linda and David Friedman
Patrick and Barbara Fulford
William L. Gamble*
Sharon Garelick
Rob W. Goodling
Mary M. Gooley*
Barbara Jean Gray-Gottorff*
Karen G. Hart*
Monica R. Hayden*
Warren* and Joyce Heilbronner
David W. Hinz*
Jean Hitchcock
Norman L. Horton*
Mrs. Samter Horwitz*
H. Larry and Dorothy C. Humm
Mr. and Mrs. Robert D. Hursh*
Robert and Merilyn* Israel
Carol A. Jones
Nick and Kitty Jospe
Dr. Ralph F. Jozefowicz
Nancie R. Kennedy*
Robert T. Kimbrough*
Marcella Klein and Richard Schaeffer
Glenn and Nancy Koch
Ross P. Lanzafame, Esq.
Jeanne Lareau*
Marshall and Lenore* Lesser
Drs. Jacques* and Dawn Lipson
Sue and Michael Lococo
William C.* and Elfriede K. Lotz
Mr. and Mrs. Daniel Mahar
Linda Malinich*
Joseph J. Mancini*
Dr. James and Janice* Maxwell
Gerard Mayer*
John T. McAdam*
Pete* and Sally Merrill
Donald R. Messina*
Robert J. and Marcia Wishengrad Metzger
Dan Meyers
Mrs. Elizabeth O. Miller*
Jane E. Miller*
Mary L. Mitchell*
Deanne Molinari*
Eleanor Morris*
Mrs. Marjorie Morris*
Patricia McCurdy Morse*
John S. Muenter
Diane F. Nelson*
Paul Marc and Pamela Miller Ness
Carolyn Noble*
Deborah Onslow
Margaret Paaschen*
Mary Anne Palermo
Ms. Lydia Susan Palmer
Eleanor T. Patterson*
Suzanne F. Powell
Robert and Ann Quivey
Ernest Rashiatore*
Eileen D. Ramos*
Marjorie Cohen Relin*
Doris Repenter*
Dr. Ramon L. and Judith S. Ricker
Gerard and Donna Roberts
Dr. Suzanne H. Rodgers*
Nellie J. Rosenberg
Dick* and Bea Rosenbloom
Elise and Stephen* Rosenfeld
Pearl W. Rubin*
Wallace R. Rust
Ron and Sharon Salluzzo
Wesley Saucke
Peggy W. Savlov*
James G. Scanzaroli*
David G. and Antonia T. Schantz
William and Susan Schoff
Peter Schott and Mary Jane Tasciotti
Jon L. and Katherine T. Schumacher
Vicki* and Richard Schwartz
Laura M. Seifferd*
Libba and Wolf Seka
Gretchen Shafer*
Virginia Durand Shelden*
Elbis A. Shoales, M.D.
Carol Shulman
Anna Rita Staffieri*
Ingrid Stanlis
Abby and David Stern
Patricia E. Stott
Betty Strasenburgh*
Martha Ann* and Daniel Tack
Amanda Tierson
Ivan Town*
Carol Van Hoesen*
Elizabeth Van Horn*
Harry and Ruth Walker
Patricia Ward-Baker
Margaret Webster*
Robin and Michael* Weintraub
Jean B. Wetzel*
Joyce Wiedrich
Mildred Wischmeyer*
Kitty J. Wise
John and Laurie Witmeyer
Helen W. Witt*
Mary Alice and Robert Wolf*
Susan and Lawrence Yovanoff
Nancy and Mark Zawacki
Alan Ziegler and Emily Neece
Mr. and Mrs. Ted Zornow
* Denotes donor(s) is/are deceased. ^Denotes donor(s) has/have contributed to the Rochester Philharmonic Youth Orchestra (RPYO).

Curt Long President and CEO
Kristen Zimmer Human Resource Director
Hannah Reich Executive Assistant/Office Manager
Rob Dermody Vice President of Development
Bryce Davis Senior Director of Strategic Initiatives
Amy Gallaher Director of Development, Annual Giving & Special Events
Elizabeth Garijo-Garde Institutional Partnerships Officer
Dorian Delfs Development Officer
George DeMott Development Officer
Herb Griffith Vice President of Marketing & Communications
Lauren MacDonough Director of Marketing
Meg Spoto Creative Director
Kylie Beam Content/Digital Marketing Manager
Mike Cidoni Public Relations & Communications Manager
Sal Uttaro Group and Corporate Sales Manager
Charlene Beckwith Director of Ticketing
Daniel Long Director of Patron Experience, Data & Analytics
Daniel Traina House Manager
Connor Straight Patron Services Assistant Manager
Abby Chapman-Duprey
William Eby
Stephen House
Nathan Howton
Lauren Irschick
Jaewon Jun
Alyssa Koh
Jacob Kundu
Hannah Moreno
Grant Simon Patron Services Representatives
Katherine Rogala Vice President of Finance
Jennifer Clark Staff Accountant
James Barry Vice President of Artistic Planning & Operations
Fred Dole Orchestra Personnel Manager
Lily Wintringham Orchestra Operations Manager
Morgan Marama-Stout Artistic Coordinator
Danielle Suhr Stage Manager
Cedrick Martinez Assistant Stage Manager
Kim Hartquist Principal Librarian
Karl Vilcins Auditions Coordinator
Chisato Eda Marling Director of Education & Community Partnerships
Interim VP of Education Lisk Morris Foundation Chair
Ashlee Allaire Youth Orchestra & Education Projects Manager
Catherine Zhou Education Assistant
Rachel Solomon Volunteer Administrator

Since its founding by George Eastman in 1922, the Rochester Philharmonic Orchestra has been committed to enriching and inspiring our community through the art of music. Currently celebrating our 102nd Season, the RPO is dedicated to maintaining its deep commitment to artistic excellence, educational opportunity, and community engagement. Today, the RPO presents up to 120 concerts per year, serving nearly 170,000 people through ticketed events, education and community engagement activities, and concerts in schools and community centers throughout the region. Nearly one-third of all RPO performances are educational or community-related. In addition, WXXI 91.5 FM rebroadcasts approximately 30 RPO concerts each year. For more information, visit rpo.org.
TICKETS: The RPO Patron Services Center is located at 255 East Avenue in the back of the Farash Place building in downtown Rochester. Free parking is available in a small lot between the parking garage and building. Open Monday through Friday 10 AM–5PM.
GROUP SALES: Groups of 10 or more are eligible for discounts starting at 20%! Contact Group and Corporate Sales Manager: Sal Uttaro at suttaro@ rpo.org | Office: (585) 454-7311 ext. 267 | Mobile: (585) 530-0865
NIGHT-OF-CONCERT PURCHASES: RPO will-call tickets and concert tickets are available at the RPO tables in the Eastman Theatre Box Office lobby starting 90 minutes prior to concert time.
PARKING: Paid parking for Kodak Hall at Eastman Theatre is available at the East End Garage, located next to the theatre. Open entrances/exits change frequently while the garage is under construction. Visit rpo.org/parking for the most recent updates. Paid parking for the Performance Hall at Hochstein is available at the Sister Cities Garage, located behind the school at Church and Fitzhugh Streets.
PRE-CONCERT TALKS: All ticketholders are welcome to attend free pre-concert talks held one hour before all Philharmonics concerts and all Jeff Tyzik-conducted Pops concerts. Ticketholders are asked to sit anywhere they would like in the orchestra level of the theatre, then head to their reserved seat for the concert.
SERVICES FOR PATRONS WITH DISABILITIES: Wheelchair locations and seating for those with disabilities are available at all venues; please see the house manager or an usher for assistance. Elevators are located in the Eastman Theatre Box Office lobby. A wheelchair-accessible restroom is available on the first floor.
SERVICES FOR HARD-OF-HEARING PATRONS: Audio systems are available at Kodak Hall at Eastman Theatre; headsets may be obtained from an usher prior to the performance.
CHANGING SEATS: If you find it necessary to be reseated for any reason, please contact an usher who will bring your request to the House Manager.
LOST AND FOUND: Items found in Kodak Hall will be held at the Eastman Theatre Box Office, 433 E. Main Street. For more info, call 585-274-3000.
ELECTRONIC DEVICES: The use of cameras or audio recording equipment is strictly prohibited. Patrons are asked to silence all personal electronic devices prior to the performance.
REFRESHMENTS: Food and drink are not permitted in the concert hall, except for bottled water. Refreshments are available for purchase in Betty’s Café located on the orchestra level of Kodak Hall at Eastman Theatre.
TICKET DONATION: If you are unable to attend a concert, please consider donating your tickets to us as a tax-deductible contribution. Return your tickets to the RPO no later than 2 PM the day of the performance to make them available for resale.
Bravo is published cooperatively by the Rochester Philharmonic Orchestra and Buffalo Spree
Kylie Beam | Editor, Rochester Philharmonic Orchestra
Meg Spoto | Creative Director, m dash studio
Anna Reguero, PhD | Program Annotator
Editorial Offices: Rochester Philharmonic Orchestra
255 East Avenue, Suite LL02
Rochester NY 14604
585-454-7311 • Fax: 585-423-2256
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