Soames aminiOpera
Notetothesinger.
ThroughoutI'veattemptedtowriteasaccuratelyaspossiblenotesandtheirrhythms, inordertogiveasmuchhelpasIcantotheperformerandyet,writtennotation,however carefullydone,cannotexpressthesortofflexibilityIwouldliketohearinthispiece.Anumber ofissuesresultfromthisincluding:howtofindtherighttempo,useofdynamicsandALWAYS theneedforexpressivesinging.OccasionallyI'veincludedmarksofexpression,dynamicsetc(where theyhavebeenprovidedtheyshouldbeobserved)butmostlyI'veleftsuchmatterstoyoutheperformer. Rememberit'sflexibilityI'mlookingfor,thereforeregardingtempo-keepinmindthatcorrecttempo requiresthecleardeliveryofthetext.Managethisandyouwontgotoofarwrong.Greatflexibilityintempo maythereforebeemloyedthroughoutandyouhavelicencetodecideforyourselfjusthowyouwillperform thispiece.Also,pitchingofnotesdoesnotalwayshavetobeexacte.g.wheretherearedifficultintervalsto sing,especiallywithshorternotevalues,it'smoreoftentheshapeofthemelodythatmatters,morethangetting theexactrightnotessogoforitandletyourfeelforthemusicguideyou.RegardingstagingI'vemadeafew suggestionshereandtherebutagainthatismostlyleftuptotheperformertodecidee.g.dress,gestures, simple propsetc.Thepiececanbeperformedaselaboratelyorassimplyasyoulike.
Thestoryitselfismyre-imaginingoftheGalsworthystory"TheManofProperty"andtherelationship betweenSoamesForsyteandhiswifeIrene.Iwouldn'twantpeopletothinkIdonotsympaphisewithIrenes' predicamentbutit'sSoames'characterthathasalwaysinterestedmemost.Itseemstomethatheisas muchavictimofstraitlacedVictorianmoralityandbehaviourasIreneis.I'veimaginedthereforewhat mighthavehappenedinanothertimeifSoameshadmetsomeonewhotruellylovedhimandwantedto bewithhim.Somemayofcoursedisagreewithmebutthat'snotmyconcern.Itdoesseemtomethat Soamesisarathersadcharacterwhoneedsatleastonepersononhisside.
Act 1
Off stage. Spoken "Inorder to love, we must first be loved."
Scene 1 Lights down low lying down
NB All stage directions are for guidance only.
Soprano Ah1 Ah! Ah!
Ah! Ah! Ah! Ah!Ah!A (h!)Ah!Ah Ah!Ah! A(h!) Ah! Ah! Ah! Ah! Mhmh mhmh mh GP Mh mh GP Lights up sitting in a chair centre stage. What Narrative aboutyourpa rents?Weretheygood parents? Didyougetlotsofcuddles, kisses wereyouread abedtimesto ry? YourNannywouldreadto (4.5.) you.Isee - GP Whichofyourparents (2.2.3.2.) didyoulovethe most? -
Wemaynotliketo admititbut mostofuswill loveoneparentmore thanthe - other. GP Didyoueverowna pet? - Doyouownapet? Apet givesussomethingelseto carefor. Ifwe lovethem theywill loveusback. GP Wheredid Scene 2 Chair centre stage pacing up and down. yougotoschool? Mh! boardingschool. Didyoulikeitthere? Therewerenogirlsatyouschool. Wereyoueverbullied? GP Sitting in the chair Whatabout friends, doyouhavemanyfriends? Colleaguesassociates. Mh!Notquitethe same.
Youspendalotoftimeinyour gallary. GP I'msorry. LikeI toldyouatourlastses sionthere arenoeasy answers. Time Makeanap pointmenttocome&see meagainnext week. GP A Reflection bitofa coldfish; notsurpri - singthough. Thereseemstohave beenlittlelove - littlelove oraf fectionshown himasa childgrowingup. - GP Hisparentssound veryformal,stuffy. Hesayshe loveshiswife, hiswife, but; he'sneverbeen shownmuch love.
Likea garden lovesgrows onlywhen nurtured. lights go down Ah! own tempo Scene 3 Lights up Sitting centre stage You're Narrative quiteabitolderthansheis. Doyouhavesimilarinterests, likesanddislikes? Yousometimesshoptogether forchina; andyou oftengotothe theatre. GP She'samusicianand youlikeart. Doessheshareyourloveofart? She neversaysmuch. -
There'salackofcommuni cation.then GP I'mint'restedinwhat youthinkSoames. GP Yousayyoudon'tunder standher. Thatyouneverknowwhatshe's thinking. GP Twopeple Reflection oneamu sician the otheranart love(v)er. I don'tknow(?) I don'tknow(?) Mh! I don'tKnow! GP I'llseeyounextweek Narrative Soames DoIhave anyadviceto offer? Imay havean answerfor youbut let'sleavethat 'tillnext time. He'sholding Reflection onto -
someone Who'll neverbringhimhappiness. Happiness it'swhatwe allwant; And love. Weall needtobeloved Love love love, itcan makeusa live, anditcanbethe deathof us. Hislove for hiswife is kil lingthem both. GP Love, passion; but whendoeslovebecomepos ses sion? Remember Nero andPop pea. GP And whatabout sacrifice? YouaskedmewhatIthink. Narrative Scene 4 Youmay
notlikewhatI havetosay. Well, there'snothingwrong withyouSoames, oryourwife. butyou're wrongforonea nother. Yourwifeis youngerthanyou.Lessma ture,not practical: toyoua paintingisn'tjust somethingto lookat, itmustbeagoodinvest ment;but music? Shedoesn'tloveyou, it'sassimpleas that. GP - Marriage isn'ta contract, a businessar rangement. Your wifefeels trapped. Isshe wrong? Showherhe'swroong Soames. Lethergo! Thisismyad viceto you. -
Findsomeonewhowill loveyouforwhoyou are. I'mtoldHiswifeis Reflection verybeauti fulbutshould notbemistakenfor oneofhispaintings. ThinkaboutwhatI'vesaid Narrative Sir!sir! Act 2 A chance meeting in the park youdroppedthis. GP Isometimeswalkthiswayhomeafter work. I'ma teacher. GP Thegardenslookprettyat thistimeofyear. andthefreshairiswelcoming welcoming afterastuffyclass room. GP Thatmustbeint'resting work. Reflection He'svery formalbutpo lite, conversationpleasant. butthere'ssomething sadabouthim. -
Justaswell otherscan'tread ourthoughts. NoIdon'thavefartowalk. Narrative YesI do.I findmyworkrewarding andIlovebeingwith children. Well,youhaveto,tobea teacher. He'snot Reflection handsome, definatelynot handsome buthe hasan interesting face, thoughtful. Thankyouforwalkingmethroughthe (332) Narrative park.itwas kindofyou.Good bye. I'mhungry! Whatwillwehavefor dinnerthiseveningI wonder. GP Hello!Hel Scene 2 Chance meeting in an art gallery. lo,youremember me?Youdroppedyour gloveandI pickeditup. GP -
Ido! Ioften comehere ImentionedtoyouI'ma teacher. Artismy favouritesub jectto teach. I dopaintanddraw, - notverygood; there'sroomforimprovement. GP Youhaveaprivatecol lection. Isita largeone? Yes,I'd liketosee itonlyI - havenooneto bringme. GP Yourwifeplaysthepian o.Ialways wantedtolearntoplaya musicalinstrument butcouldneverfindthe time. GP Per hapsIcanbringmybrother. That'svery kindofyouMr. Forsyte. -
Long pause Beingasolicitor Peoplemusttrustyou.. GP Doesyourwifeshareyourint'restin art? Iliketo lookatskies, whichiswhy Constableis oneofmyfavourite painters. Yes,Ilikeportraits. Doyouhavea favouriteone? Ialwaystrytoim (m)aginewhattheartistwas thinkingwhentheywere painting. Long pause HelloagainMr Scene 3 The gallery Forsyte Soamesitis,thenyoumustcallme Jane. Wecould walkbackthroughthe park. He'svery Reflection niceandhe knowsa boutart. Ah -
Didyoustudyartatuniversity? I(t)taly! IoncevisitedParis Paris,Paris. Ah. GP HowdoIdefinebeauty? Theremustbeproportion, balance light&shade.... Butforittobe greatart thereneedsto besomethingmore Nothingremainshidden, asiflaid bare,stripped GP IhopeI didn'tembarras Reflection himI wonderhowold heis? earlyforties,but thatdoesn'tmat ter I'menjoyingour talks. Wesharea passionfor art...... He's kindbut -
guarded whenitcomes to hisemo tions. Narrative GP WhenIwasyoung IthoughtIwantedtobe anartistbut - teachingiswhatI'mbestsuitted to.Didyou everwanttobeapainter? Yeslets! Iknowofalittle tearoomnotfarfrom here. GP Our Reflection conversations Scene 4 Together somewhere arebecoming lessformal, moreopen, intimate. Soamesseems int'restedin knowingmorea boutme.whereIlive, doI haveafam'ly? He'sattentive andhehasalook inhiseye. GP Yes,Iwouldliketomarry......... Narrative -
Iwouldlike childrenofmyown. Youhavenochildren? WhenIloveitwillbecompletely, bodyand soul.In marriageIwillgive but alsowillre ceive! GP Behindthat Reflection ratherseriousfaceI sencethereisa passionateman strugglingtoget out. Ishalllethimknowhe hasmypermissionto speaktomeaboutan ything. Hewantsto talkbuthe'snot sureofhimself. WhataboutthisoneSoames? Narrative Whatdoyouimaginthatyoung girlinthepictueis thinkingabout? Isshein love? Itmustbewonderfultobein love.
Soameshasaskedmetodinewith Reflection himandIrene. Iwonder whatshe'llmakeofit. I'mrathernervous. Imustbe carefulwhatIsay. ButhowdoI hidemyfeelingsfor Soames? It'sveryniceofyoutoin Narrative Scene 5 Irenes' dining room viteme. Yourhusbandhastoldyouhowwemetinthe park.Iwassurprisedto seehimagaininthegallery. Ioftengothere. GP Youplaythepiano? Formetogotothe gallery,tolookatpaintings mustbelikeyougoingtoa concert. DoyoulikeartMrs Forsyte? Yes!SoamesMrForsyte isveryknowledgeable. Shenever Reflection looksatsoames. Shetalksto
mebutneverto him. Soames isvery quiet. - NothankyouMrsForsyte. Narrative Yes!coffeewouldbe nice. Haveyouboughtanynew paintingslatelyMr Forsyte? GP Idon'timaginethat - anythingIeverpaintwill hanginagallery. It'struemost artistsare deadbefore anyonecon siderstheirwork goode noughto buy. Isup - - poseit'sthesamewithcom posers..... Withapainting it'sallthere infrontofyou butwithmusicyour waitingforwhatcomesnext. GP Youmusthavestarted youngplayingthePi ano? Iwastakentomyfirst
gallerywhenIwasaboutfive.You're Reflection talkingtoomuch. AfterI'mgone willshesayanythingtoSoames? Idon'tlikeher. Shedoesn'tloveSoames. Shedoesn'tappreciate him. Shehardlyacknowledgeshe'sinthe room. Hehasmoretoofferthan she'swillingtotake. ShetreatsyoubadlySoames. Scene 6 a clandestine meeting Narrative Whydoyouputupwith it?IknowI couldn't. Icountthesecondswespendto gether,notjustthetimesspentlookingat paintingsbutbeingwith you. Atdinneryouwerequite different. Thefactthathe'solderthan Reflection medoesn'tmat'ter. I'mnotgoingtobedi
screetanylonger WhyshouldI? Shedoesn'tcare. andSoamesdeservesmuchmore. GP You Narrative needn'tbecarefulwithmesoames. - - Iwantyouto knowthatyoucansay anythingtome; askme anything I wont beembarrassed. GP Are you happy Soames? When I'm withyou you make me hap py but it hurts meto seehow she shutsyou out. I care aboutyou Soames Your happiness mat tersto me. HaveIsaid Reflection
toomuch Isheof fen ded? He's lookingatme. Nowhe's takingmyarm. Doesheknow I'mrea dytogivehim givehimmy heart. GP Irene'sbeautifulbut Narrative cold,likea pieceofdelicatechina.. Shemakesyoucold - too.Soames. butwhenyou'rewithme you'rewarm andaf fectionate. Youlookat mediff'rentlyfromtheway youlookather. GP ShallItellhim Reflection Ilove him? Surelyhe knowsthat. I'mnotbeautifullikeher, -
plainJanebut I'mfullofpas sionforhim. kissmeSoames. Narrative nothingyousaywilleverof fendme. Iadmireyour loyaltybuthowlongcanyou goon trying,getting nothinginreturn? GP Youmusttellme everything. WhenI'mwithyouIwanttotellyou everything. GP Scene 7 Intimate moment Tonight Reflection Soames toldme everything aboutIre ne, their marriage orrather lackofit nolove, nocom fort. She Narrative doesn'tloveyou Soames, notlike Ido You careaboutthefamily aboutwhatpeople -
maythink.Scandal! Peoplefor getsoone nough andI rene wouldn't standinour way Shewont giveyouason, butwecan havelots ofchildren. Lotsof child ren. - Finally Reflection Act3 Soamesisfree ofI rene Mylove, ourlove, has setusbothfree. Therenever wasanylovebetween them, itwasallon hisside, neverhers. Iknowfor certain thatwhatI feelforsoames isn'tpi tyforawast ed marriage butthe very deepest, truest love. Iloveyou Narrative a passionate encounter Soamesbodyand soul.
Lights down very low
Spoken "Inorder to love, we must first be loved."
Youneverbelonged toher Youneverbelongedtoher; webelongto onea nother. Ourhearts tellus webe longto ge ther. GP Youlove meSoames I hearitinyourvoice, Ifeelitinyourtouch. GP Whenwe'reat lastto gether - thenyoushall haveallof me. Allof youis everything I want. Mydarling The Letter Soaoaoa oames,I writethiis letterto yououto letyouknow I willbe thinkinga boutyouto day. Myheartbeatsfaster becauseyouareinmy thoughtsandIcan't
waitforthemomentwhen wearetogethera gain andtheday whenwewillnever havetosayanother goodbye. Mydarling I knowhowmuchit hurtsyou tohaveto gothroughthis awfuldivorce butattheend ofit knowthat Iwillbethere waitingfor you. Maymylove sustain you asyourlove sustains me. Iunder standhowyou feelaboutdivorce andthe disgraceit bringson e evryone Youarea manofgreat honourand honourisa finethingfinething buttrue
lovemustnotbede (2.3.) nied. Ourlovemust notbede nied. GP Iwillbe waitingfor you. GP Allmylove! Jane. Nov 2022