Robert Sirota
Triptych for String Quartet (2002)
Muzzy Ridge Music
Triptych for String Quartet (2002) Desecration Lamentation Prayer Duration: c. 25 minutes
Triptych was written to commemorate the victims of September 11, 2001. It had an emotional first performance by the Chiara String Quartet on September 26, 2002, at Trinity Church on Wall Street, one of the churches on the periphery of Ground Zero. The musical composition was created in tandem with a painting of the same name by Deborah Patterson; the three panels of the painting bear the same subtitles: “Desecration,” “Lamentation,” and “Prayer.” While there was no overt attempt between Deborah and me to carefully align the music and the painting, and each can exist independently, they are intended to have a reinforcing effect on each other. The first movement is an explicit evocation of an horrific event. I imagine that when the twin towers went down, every car alarm in lower Manhattan went off simultaneously, so I have incorporated the sound of sirens, as well as a dying car horn, into the end of the movement. The second and third movements are a kind of meditation on the tragedy, first a grieving and then a consolation. Similarly, in the painting, the center panel shows the body of Father Mychal Judge, the priest who died in the World Trade Center, being carried by a group of firefighters. This realistic depiction of an actual event is flanked by two rather more abstract panels. The panel on the left shows the smoke and dust of the towers collapsing, and then the panel on the other end is a kind of reverse image as light ascends to heaven. These images are analogous to my music, which is also a mixture of the “abstract’ and “real,” a blend of atonality and tonality. Just as Deborah layers her paints and colors, I try to layer sound in a sonic technique similar to the painter’s use of sfumato and chiaroscuro. Robert Sirota
for the Chiara String Quartet
Triptych Molto allegro q = c. 126
Violin I
Violin II
Viola
I. Desecration
pp
accents: poco
non cresc.
9
sul D
pp
pp
pp
mf
pp p 3 pp p
3
3
3
p
pp
f molto f
f
molto
raw!
f
3
3
3
3
mp 3 3 mp
q = 116
sffz
ff
molto sffz ff
mp
pocoritenuto
coming closer, con vibrato
mf
(normale) 16 p mf (normale) p mf p
pp pp accents: poco pp
pp accents: poco pp
non vib., lontano
Violoncello
ROBERT SIROTA
molto
Copyright © 2002 by Robert Sirota
sffz ff
f
f
f
sffz
ff
2
Triptych
20
ff ff ff
23
27
mf pizz.
ff: sfz pizz.
ff: sfz
mf arco f sfz mf pizz. arco ff: sfz f
sfz
sfz
ff molto appassionata
ff molto appassionata
f
mf
ff
f
mf
ff
arco
mf
Triptych
30 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
cresc.
cresc.
cresc.
mf
3
3
3
3
3
3
3
3
mf
36
mf
mf
f
f
33
3
f pizz.
ff pizz. pizz. ff ff
3
3
3
4
Triptych
pizz. 5 arco ff mf (pizz.) pizz. arco arco 3 mf (pizz.) arco 3 mf pizz. arco arco 40
mf
3
45
mf
mf
sul tasto
mp sul tasto
dim.
dim. mp mf dim. ff
normale
f normale
f
f ff (ff)
ff
49
ff
mf
ff mf ff
mf
52
fff
fff
fff fff
f
f
62
5
3 3 3
3
3 3 3
3
f pizz.
f
56 Presto q = c. 138
Triptych
ff arco
ff
ff
ff
6
Triptych
69
sfz
sfz
sfz
76
sfz
sfz
f
sfz
83
f: sfz
sul pont. f
f sul pont.
f
sfz sfz
sfz
mp
f
f mp
sul pont.
mp
p
sempre non vibrato
mp
no accent p
normale p ff normale ff p normale ff
p non vibrato
non cresc.
sul pont. sempre
Triptych
pp
q = c. 116
90
pp
pp
ff
ff
ff
97
ff: sfz
p f
3 3 3 mf mp 3
3
poco f
3 3 mp poco f mf
p
f p
3
poco cresc. mp cresc.
mf
mf
molto
mf
f
ff
3
3 3 3 3
mp
mf
f
7
mf ff f ff: sfz mf ff: sfz mf ff f mf
ff
ff: sfz
101
rit.
f
a tempo
p floating
3
3
dim.
mp
dim. dim.
p floating p floating
dim.
mf
mf
8
Triptych
cresc.
cresc.
112
mf
3
3
ff
mf
p sul tasto
ff
mf
p
sul D
mf
ff
mf
ff
cresc.
p
p
mf
pp
pp
cresc.
pp
pp
mf
cresc.
118
mf
3 3 mf f cresc. ff
cresc.
106
dim.
3
mf
dim.
mf
dim.
3
p
(p)
3
3
3
3
3
3
3 ppp 3
ppp p mp
Triptych
123
3
pp 3
3
pp
pp
p
127 espr.
mf
3
3
3
mp
mf
mp
pp
3 p
pp
3
3
p
pp
p
f
5
mf 5 mf
5
5
5
mf
5
5
5
5
3
3
3
3
3
5 5 5 5
5
5
mf
5
5
5 5
5
f
p p
3
3 p
3
mf
3
p p mf mp
pp
132
3
3
p
3
9
10
Triptych
136
5
5
140
5
5
5
5
145
a tempo
5
5
5
f subito
5
5
5
5
5
mp
dim.
5
rit.
dim.
5 5
5
mp
mp
mp
dim.
dim.
dim.
dim.
(1/4 tone flat)
f subito (3/4 tone sharp) f subito f subito
Triptych
149
cresc.
3
3
3 3
cresc. cresc.
cresc.
brutale! pizz.
ff 3 ff
3
3
3
ff
3
3
ff
3
3
153
11
3
3
3
3
3
3
fff
pizz.
3
3
3
pizz.
3
brutale!
brutale!
pizz. arco 5 3 (pizz.) ff pizz arco arco 3 fff ff (pizz.) arco 3 fff ff pizz. arco arco 157
fff
3
12
Triptych
162
167
ff
f f
172
ff
ff
f
ff f f ff ff (f)
ff ff
Poco più mosso (q = c. 126)
ff ff
ff
Triptych
178
ritenuto
185
13
q = 108
ff
ff ff
ff
188
3
3
poco poco
14
Triptych
191
f
f
ff
ff
f ff ff
f
195
mf
cresc.
ff
ff mf cresc. ff mf cresc. ff
mf
cresc.
200 3
3
non vibrato
f
dim.
dim.
f
dim.
Triptych
208
pp
pp
pp
222
mp
pp sempre
pp sempre
pp sempre
pp
215
q = c. 90
rit.
15
mp
(sul tasto)
(pp)
pp
(pp)
16
Triptych
229
236
mp
Presto q = 138; e = 276
pizz.
ff
molto rit.
ppp
ppp pp
ppp
arco normale; più e più sul pont.
mf pizz.
f
poco sul pont.
f poco sul pont.
mf
ff sfz (sloppy!)
f
sfz (sloppy!)
ff
arco normale; continuous glissando
245 molto sul pont.
ff molto sul pont.
mp
ff molto sul pont.
mp
f
sempre sul pont.
ff molto sul pont.
p sempre sul pont.
ppp
ff
p
ppp
254
h_e = q = 55
ff ff 258
3
ff normale
3
ff
3
3 3
con sord.
3
3
3
arco normale 5
5
5
sul pont.
5
5
f arco normale
p sul pont.
f
5
5
5
5
(gradually flatten)
mp
5
5
5
5
(gradually flatten)
5
5
5
mp “dying car horn”: buried; non vibrato; senza espressione pp
“dying car horn”: buried; non vibrato; senza espressione
pp
f
5
5
5
5
5
5
5
5
5
5
ppp
5
261 f
p
3 3
3
con sord.
5
3
3
17
3
5
f
normale
arco normale; continuous gliss.
Triptych
5
ppp 5
do not end together
do not end together
18
Triptych
II. Lamentation Lento q = c. 50
sul G con sord.
pp
pp
con sord.
p
sul tasto
pp
sul A
p
p
p
normale
accel.
mp
mf
normale
mp
p
q = 72
mf ff
mp normale
mp 276 normale
p
Più mosso q = 60
271
con sord. sul tasto
sul tasto
pp sul tasto
con sord.
mf ff f
f
ff
ff appassionata
Triptych
281
290
301
mp
pochissimo ritenuto
rit.
f
freely
pp
q = 60
pp
pp
poco accel.
mf
p
pp
f
a tempo (q = 60)
pp
19
poco
poco
p
mp
mp pizz. p
mf
20
Triptych
309
Poco più mosso (q = 66)
3 3 p p 3 3 3 3 p p pizz. arco mp mp p arco mp
314
3 3 3
mp
3
3
mf
320
f
mf
3
f
3
3
3
3
3
f
3
3
3
3
3
3
mf
3
3
mf
3
3
Moving forward q = 80-88
3
3
3
3
3
3
3
più f 3 3 3 più f più f
p
3 3 mf mp 3
3
3
più f
3
Triptych
324
3
ff
ff
3
ff
3 3 3
3
3
3
3
accel.
3
334
f
3
3
poco dim.
ff
ff
3
ff
poco dim.
f
f
f
q = 100
3
3
3
3
328
3
3 3 3 3 3 3 sfz sfz
ff
3
21
3
3
poco dim. 3
poco dim.
3
3
ff
mf
3 3
ff
mf mf
mf 3
3
22
Triptych
q = 116
accel.
340
3
poco cresc.
poco cresc.
poco cresc.
3 3 3 3 3 3 3 f
3
f
f
3
3
f
3
poco cresc.
ff ff ff 345
3
ff
350
rit.
p
p
p
p
h = q = 50
pp
pp
pp
mp
mp
mp
mp
pp
ppp
ppp
Triptych
358
pp
365
23
pp
mp
p
p
mf
mp cresc. mf cresc.
372
mp cresc.
cresc.
cresc.
f 3
3
3
3
f
3
3
3
3
3
3
f
3
f
3
moving forward
mf
cresc.
cresc.
mf
mp cresc.
3
3
3
3
3
3
3
24
Triptych
377 accelerando
ff
ff
3
ff
3
3
fff
3
fff
ff
ff ff
ff
mf
q = 72
3
3
3
fff
3
q = 120
fff
3
3
3
381
3
al
fff
fff
fff
fff
a tempo (q = 72)
Freely
3 poco rit. 3 mp f mp pp
accel. 3
3
p
388
p
p
pp
Triptych
398
25
pp
407
pp
mp
pp
pp
417 q = 40
p
p
pp
(pp)
p
pp
ppp
ppp
mp
ppp pp
pp
pp
pp
ppp
pp
pp
pppp
26
Triptych
III. Prayer Adagio q = 56
senza sord.
pp
senza sord.
p espressivo
senza sord.
pp
senza sord. pp
431
p
pp
p
mp p
mf
mp
p
p
pp
pp
p
p
Triptych
438
mp
mp
poco rit.
446
mf
a tempo
mp mp
mp
p
p
p
p
mp
mp
p
p
q = 96
p
mf
454
mf
mp
27
p
mp
mp
p
p
pp 6 wispy
6
pp wispy
pp 6 wispy
28
Triptych
460
con sord. 3
3
3
3
mp
pp
3
3
mp
accel.
pp
mp
pp
mp
pp
3
p
3
p
mp
3
p
p 6
mf
mf
mf
6
6
q = 120
f
6
6
dim.
6
6
6
6
non vib.
sul tasto 3 3
3
6
pp
3
sul tasto
pp mp non vib.
3
3
3
non vib.
sul tasto
464
3
3
3
Più mosso q = 104
sul tasto
e = x (q = 72)
467 5
5
5
mp
5
sul pont.
mp
5
dim. 5
5 5
5
p
pp
ppp 5
ppp 5
5
Triptych
469
pp
normale
pp
normale
pp
normale
pp
5
29
5 5 5 5
472
5
474
5
5
5
con sord.
(senza sord.) sul tasto
pp con sord.
pp
5
5
pp
5
rit.
30
Triptych
Tempo I; q = 52
6 6 5 3 3
482
ppp con sord.
3
pp
mp espressivo
486
p
p
p
492
norm.
mp
mp
mf
3
pp
flautando
pp
senza sord. mp flautando norm. flaut. norm.
mp
non vib.
p
pp p
p
con sord.
pp p
Triptych
499
pp
3
pp
3
3
pp
Molto adagio (q = c. 40)
ppp 3
3
ppp 3
3
ppp
ppp
rit.
3 3 3 p mp pp
Più lento (q = 30)
3
3
3
3
6
3 6
510
506
31
3
3
pppp
3
3
pppp
pppp
lunga
lunga
lunga
lunga
pppp August 25, 2002 Searsmont, Maine